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#i want them to reunite and make up in season 3
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Ngl, I really miss Wrecker and Crosshair's friendship from the Bad Batch arc in Clone Wars season 7. There are so many moments when we see the two interact. For example, Wrecker often likes to tease Cross. Cross isn't always a fan, but he puts up with it. Then there's that scene where the two can be seen talking with each other in the background. You see what I mean guys??? Plus, there's their little competition about taking out droids. It's so wholesome! Cross also gives us one of his rare smiles when Wrecker shows off his strength while rescuing Cody. Finally, there's all the times Wrecker stands up for Cross when the latter opens his mouth for a snarky comment.
And can we talk about Wrecker JUMPING off a high place to save Cross despite his fear of heights???
I really hope we see them interact in season 3. I need their wholesome friendship to return (even though it won't, let's be honest).
Side note: one thing I noticed is that Crosshair is always the one to hang back and observe for danger. In almost every situation, he's the one to spot the danger before the others. He's so used to looking out for everyone. I miss my grumpy sniper so much 😫
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Could you do one where the reader had been in a relationship with Hunter before being taken with Omega on Tantiss. Now that they're reunited, Hunter realizes that he wants to marry the reader?
With a little bit of Wrecker and Crosshair friendly teasing Hunter.
Marry Me?
Hunter x Reader
Summary- After an insufferable separation from you, Hunter realizes his true feelings. That he never wants to be apart from you- that he wants to spend the rest of his life with you.
Part two right here!
A/N- SPOILERS FOR SEASON 3 OF THE BAD BATCH!!!! You have been warned! Thank you so much for requesting babes! Hope you like it! <3 <3
Word Count- 1,755
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Beautiful Screen Shot by @isthereanechoinhere96
"Omega... It's- It's been months. We don't even know if they're still aliv-"
You felt shame rise up in your chest when you agreed with Crosshair. He was right, time had gone by slowly and there was no way of knowing if Hunter and Wrecker were alive. Your sweet sweet Hunter. The man who only showed he heart for the people he deeply loved. You were lucky to be one of them.
"They'll be there." Omega stated. She was so sure... but all you could think about were the doubts. Omega was always able to be more trusting and optimistic than you. Constant fear of losing your family limited you severely.
You swallowed deeply and looked down to Omega, pushing your anxieties down. "They will be." Were you trying to convince Crosshair or yourself?
The next few minutes of hyper-space felt like days. You were so eager. Everything was either going to get a million times worse, or a million times better.
Omega guided the ship to a remote planet you had never heard of, a deep blue over taking you.
Picking at your nails nervously, you stood- ready to depart. Crosshair noticed this and eyed you. He was nervous as well, but for different reasons.
You almost sobbed when you saw the Marauder in the distance. Hope bubbled in your chest, all thoughts of doubt escaped you.
The second the door lowered with a steam, Omega ran out of the ship. You followed her quickly behind.
She stopped at the mid-point between the ships. Wrecker slowly exited the Marauder, "Now there's a sight!"
You laughed, the tension dissipated. Omega ran to him and Wrecker picked her up, spinning around. "Wrecker!" She responded.
The sight made tears of joy fall. To see Omega so happy was enough for you.
"And I wasn't even sure your message was real!" Wrecker half-joked, still holding Omega up.
"Wrecker, I knew you'd show up!" Her words made your ears ring, did Hunter show up? Well, of course he did! That would be dumb for him to leave Wrecker... Unless, unless he wasn't alive to leave.
Your brain ran wild, why hadn't Hunter come out yet? It was almost as if Wrecker read your mind, he rested a hand on your shoulder after lowering Omega.
Just then, another set of footsteps came out. Hunter skipped steps to get to you and Omega.
Your hands shot up to cover your gasp, tears falling fast now. Omega got to Hunter first- you knew she needed it more.
He crouched down and hugged Omega deeply, his words drowned out. What you did make out was him saying your name, an arm stretched out for you and an arm holding Omega tightly.
You met him as fast as your feet would let you. "Hunter..." You whispered, face immediately meeting his neck as he pulled you close.
His arm pulled you in, crushing you against him in a pleasant way.
He pulled back to pepper your face with kisses, then a deep one on the lips. A few of your tears dripped onto his face, mixing with his own.
Omega giggled and pulled on your arm, you pulled back to let her back in on the hug. All three of you were lifted when Wreckers arms grasped around the bunch of you.
Wrecker pulled everyone up, making the embrace tighter. It was like your perfect little family was back again.
That night, after abandoning the empire's ship, was filled with more hugs, catching up, tears, and awkward conversations with Crosshair. You couldn't have wished for anything better. Your family, all in one place. Save for Echo, but you learnt he was safe with Rex- that made you smile.
You helped Omega settle into her room. You noticed too many yawns and drifting off, she was worn out emotionally and physically.
You spoke with her softly, reminding her everyone would still be here in the morning. Picking up Lula, her doll, and tucking it under her arm gave out the last yawn.
"Can I talk to Hunter?" She questioned with big eyes.
"Of course, baby. I'll be right back" You pet her hair back and left to go retrieve him.
You stopped when you saw him, Crosshair, and Wrecker whispering in the cock-pit.
"Ahaha! Be a man, just ask!" Wrecker said as he patted Hunters back harshly. Ask who? What would he have to 'be a man' about?
"If you say it any louder he won't have to..." Crosshair remarked.
"Oh! Sooorry." Wrecker dragged out.
"Both of you hush, I'll do it when I feel the time is right." Hunter spoke, his husky voice immediately filling you with warmth.
"You got this!" Wrecker exclaimed again, this time he earned a "Shhh!" from both Hunter and Crosshair.
You slowly entered the cock-pit, this time making your appearance known.
"Oh! Hello!" Wrecker greeted loudly, signalling to Hunter you were in the room. Hunter just sighed and shook his head.
You were curious about the conversation, but thought it might not be any of your business.
Smiling, you started, "Omega wants you to finish putting her to bed, Hunter." The way his face lit up had you star-struck. Almost like he couldn't believe she wanted him. "Thank you."
He nodded and headed her way, a hand cupping and maneuvering around your waist as he passed you. His subtle but frequent small touches warmed your heart.
You took a seat in the co-pilot chair, swiveling to look at Crosshair and Wrecker. Both looked down at you with crossed arms and smug looks.
"What?" You wondered if there was something on your face, or if you just took someones spot.
"Nooothing, we will be heading off to sleep now. RIGHT Crosshair?" Wrecker spoke in a suspicious voice, elbowing him in the side. Crosshiar grunted but agreed, leaving you alone.
Weird.
But then again, nothing was normal on this ship.
You took this time to lean back and take a few minutes of rest alone. It was nice being able to relax by yourself, knowing everyone was safe.
After a handful of minutes, Hunter made his way back from Omega. He took the seat next to yours, turning to face you.
"How are you doing?" You asked, sparking conversation.
"Fine, I'm just happy you guys are here... I keep thinking i'm going to blink and you'll both be gone..." His words shook at the end. You sat up, understanding the seriousness of the conversation.
"Hunter, Omega and I are alive and safe. We are here and we are not going anywhere." You rose and stood between his legs, hands cupping his face.
He looked up at you, tears filling his eyes slowly.
"What if I can't protect you two again?" He brought up a hand to rest at your hip, the other on his leg.
You rested your forehead against his, "That was a freak accident, baby. No one could have stopped that. Now we have Crosshair, Batcher, and we are ready for anything. We will keep Omega from the Empire. I promise."
He took a deep breath in, like he had just decided something.
He started by saying your name, "You always know just what to say. I wish I had that ability..." He closed his eyes and breathed you in for a moment, then he spoke again. "When... When we were apart I was so lost."
"I kno-"
"No, I don't think you understand. I couldn't think of anything but you and Omega. I was so broken without you." He repeated your name.
"I-I never want you to be away from me again." His voice got huskier as he spoke, and your legs felt like jello. You just looked at him deeply, nodding.
He started for a second time with a shaky breath, "No one can take you from me again. I will claw my way back to you every damn time." He nods his head up, brushing his nose to the side of your cheek with closed eyes.
You let him speak, even when your mind was flowing with your own comments, "It- The distance, made me realize. There is no one that can compare to you. No other woman I would ever want to be with."
Ah, so that is what they were talking about. You smiled big, awaiting the special phrase.
Tears filled your eyes with his words, he was speaking as raw as he was capable of.
"I can't promise you money or luxury, but I will spend every waking hour fighting to make you happy. Fighting to keep you safe." He pulls back, steadying you with both hands on your hips.
You take in a teary breath to speak, but he cuts you off. "Don't say anything yet, just- Wait here, just a second." He stands, reaching to Crosshair's old storage compartment.
He rushes back with a small box. You raise your hands to cup your own face, bright red. He lowered onto one knee, right in the middle of the cock-pit
"Please, for my own sanity and happiness, will you marry me?" He asks.
"Yes. Yes Hunter, there are no other words than yes." You fall down onto him, arms grasping around his neck.
He lets out a sigh of relief like you'd ever say 'no.'
"Thank you, oh thank you." He whispers into your neck, holding you tight. He only pulls back slightly to kiss you. A kiss so deep and full of emotions your head spun. You just held him, never wanting to let go.
It felt like time stopped, just for you two. Just for a clone trooper and a small girl...
"I never planned on you..." He broke the silence, head placed on top of yours. "But I- you were so damn perfect. Too perfect." You gave a small laugh, looking up to see his handsome face.
You rested a hand on his tattoo, thumbing it. "Hunter, if anyone is perfect it's you. You have so much love for me and Omega... How do you do it?"
"I manage." He smirked, leaning down to smell your hair. Something he used to do frequently when you snuggled in the past.
"Am I now Mrs. Hunter? Or is it Mrs. Trooper?" You joked, pulling back to sit fully on the ship floor. Your hands still filled with his much larger ones.
He smiled at you, another reminder on why he loved you so much. "We can figure out all the fine details later... Just let me kiss you again..."
So, you did.
A/N- Thank you so much for reading! I loved writing this one, I hope it turned out as good as I thought! Sorry It took me longer to post than usual, I was pretty busy this past week. As always, i'm open to constructive criticism!
Tags- (lmk if you want to be tagged as well!) @thethreeeyed-raven @knight-of-flowerss
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formulapierre · 6 months
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His Royal Highness | George Russell
Pairing: George Russell x Royalty!Y/N
Prompt: George settles into life as the Prince of Wales which involves starting a family and having to overcome an obstacle that nobody saw coming.
Warnings: Death, Child illness: Cancer
Word count : 4135
HRH Series: Part 1 , Part 2 , Part 3
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HRHPrinceofWales
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HRHPrinceofWales Amazing to finally be back at Silverstone after what felt like years away. Huge thanks to @MercedesAMGF1 and @WilliamsF1 for welcoming me back. Nice to see the inside of @MclarenF1's garage for the first time 😅
Deeply honoured to have been offered the role as President-in-chief of the BRDC after the passing of The Duke of Kent last year and I'm looking forward to working in motorsport once again.
BRDC The honour is all ours 😊
LandoNorris Great to see you again brother, dinner at yours right?
--- CharlesLeclerc Thats what I was told 🤷
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“I didn’t think we’d be back here anytime soon,” George said as our driver pulled into our allocated parking space.
“Neither did I, though it definitely feels different,” You said, unfortunately you both had missed it the past few years so the last time you were here was in George’s final season.
“You won it the last time I was here,” You reminded him.
“I know, it was my favourite race of the season,” He said as the car doors were opened for you.
“Why’s that?” You ask, thanking the footman.
“Because It was my final race in front of my home crowd and apart from Abu Dhabi it was the only race you were able to attend,” He says, making you smile. 
“Why am I not surprised,” You say, rolling your eyes as He takes your hand and you start to walk towards the paddock. You swiped yourselves in before you were ushered towards the Williams garage. The Williams family had a fairly long history with your family so they were always the first stop. You loved seeing George reunite with some of the people that He raced with, seeing that racing spark reignite inside of him.
It wasn’t too long before you were saying your goodbyes to the Williams team and heading towards Mercedes. Lewis had announced that after winning his eighth championship last year he was retiring so there was a bit of a bittersweet atmosphere, knowing that this would be his last race in front of his home crowd. You and Lewis had known each other for years; first meeting at a lunch in 2009 where he had been seated between you and your father, and then when you knighted him in 2021 after He won his 7th championship.
“Lewis,” You said excitedly as he came your way.
“Y/N, George; How are you both?” He asks pulling his ear plugs out after just coming in from FP1.
“Good, excited to be back,” George says, knowing you both shared that sentiment. Lando joined you a few moments later, talking about the dinner George had decided to arrange for all the drivers and their partners at Kensington palace in a few days. Your time in Mercedes was cut short by Adam reminding you that you needed to be in the BRDC clubhouse in a few minutes.
You reached the clubhouse with plenty of time to spare. You recognised quite a few of the faces as you walked in, George seeming to know most of them properly; stopping to greet quite a few of them. Everyone took their allocated seats as the BRDC President David Coulthard stood up on the stage to give his speech.
“Thank you to everyone who managed to make it to Silverstone today. As I’m sure you are all very aware of. Mr George Russell. Or as I've been told to call him, His Royal Highness The Prince of Wales, has been announced as our new President in Chief,” He says and a round of applause moves across the room. “-and although He’s been a member since 2014 we felt we should welcome him back properly,” He adds before George gets up from his seat to give a speech he had prepared.
“Thank you David; I promise I won’t take up too much of your time. I just wanted to say thank you to you all for welcoming me back with open arms. It’s been a few years since I last raced around this track and a lot has changed since then,” George says, smiling at you before continuing. “-but racing was, and always will be a huge part of my life and I felt I had to recognise that in some way. So after the passing of The Duke of Kent it felt only right that I take up the mantle,”
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Lando.jpg Dinner at George's new place...don't quite know if 'new' is the right word...
carlossainz55 Great night, lovely to meet the Mrs Russell properly
-- Charles_Leclerc Mate, you barely spoke to her after you got lost...
--- Lando.jpg Do you think if I stayed they would notice????
Alex_Albon Has anyone seen Lando? we were meant to be getting a cab together...
-- danielricciardo I didn't see him leave to be honest...
pierregasly Thanks for the invite brother, meet up soon 👊
Lando.jpg They found me 🥲
“They should be here,” George says, looking out the window at the drive way, anxiously tapping his foot against the hardwood floor.
“Darling, it's two minutes past seven. Take a moment and breathe,” You say, putting a hand on your husband’s shoulder.
“That’s them,” He says, completely ignoring what you said and rushing to the front door. The doors were open as the footmen had gone out to open their car doors. All of the drivers and their partners had come together so there were only six cars rather than 20, making things much quicker. You and George greeted everyone as they came in, letting Adam show them through to the dining room.
You knew a fair amount of the drivers as they had been there when George was racing; however , some of the younger ones were fresh faces to you, though George seemed to know them. Lando and his girlfriend were the last couple in, talking with you as you entered the dining room. Everyone mingled for a while, chatting to each other as flutes of champagne were handed around; George was thoroughly enjoying getting to see all of his friends again, especially in such a stress-free environment. You were enjoying yourself, getting to know a few of the younger drivers and their partners.
You were mid way conversation with Mclaren's new driver Oliver Bearman when you heard the tinking of a knife against a crystal glass. Everyone turned to look at George who was standing in the middle of the room.
“Thank you all for coming tonight, I’m well aware of how difficult it is to coordinate twenty-something schedules but it means a lot to the both of us that you could be bothered to make an effort,” He says, causing everyone to laugh. “You all look great by the way, Y/N is still trying to convince me that I look better in a morning suit than a racing suit but I feel the jury is still out on that one,” He says, teasing you. “I don’t quite think that five years ago when Lewis first introduced me to Y/N I would have believed him if He had said this is where we would be standing today. So thank you,” He says, raising his glass to Lewis. “Y/N, Darling, I know you said there was something you wanted to say,” He says and now everyone turned to look at you.
“There was; I just wanted to say thank you to all of you. Lando, Charles, and Alex especially. I know that George's decision to retire was not one he made lightly, and probably not one he would have had to make had He not known me. But you three have really made the effort to keep in touch; I can’t tell you the amount of times I’ll walk into a room and find George in fits of laughter over something you had said and it really means the world to me to see him so happy, so thank you,” You say raising your glass to the three of them. “Oh, one last thing…George has told me to tell Lando specifically that there will be no fish served tonight…nor has any of the food been near a fish,” You add and the room erupts into laughter.
“Just the way I like it,” He replies before lifting his own glass. “To George and Y/N,” He says and everyone else lifts their glasses as well. George looks at you as he raises his glass. “Question though…anyone know where I can get myself one of these?” He asks
“You mean a palace mate?” Carlos asks
“Yeah, they’re quite nice. George, do you reckon you could give us a tour? Just so I know what I’m getting myself into of course,” Lando asks and George puts his hand on his shoulder.
“After dinner I will give you the full tour I promise,” He says with a smile as everyone moves towards the table and takes their seats.
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You had cut the ribbon, officially opening the new children’s hospital with a comically large pair of metal scissors. You stood with George and the directors of the hospital for some press photos before being shown inside. You greeted some of the doctors who would be making use of all the new equipment that had been installed, slowly making your way to one of the wards. You easily tuned out the snapping of cameras as the ward nurse turned to you.
“Your highness’,” She said curtsying politely. “The children are all really excited to see you, they haven’t stopped talking about your visit for weeks,” She said with a soft smile on her face.
“So these children have been here for a while then?” You ask, your heart breaking a little.
“Yes, this ward is for children currently undergoing treatment for various types of cancer so their stay tends to be much longer than usual,” She says as the door is slid open. As you step inside you are greeted by a room full of smiling faces from patients in hospital beds to siblings, parents and grandparents standing around their bedsides. The room was quite spacious with a small area in the corner with some books and toys in.
The little girl in the first bed was holding up a welcome sign that had been decorated with little tiaras and racing cars.
“We all helped,” She said looking at the other kid.
“It's beautiful, I love the glitter on the racing cars,” You say laughing a little.
“Jackson wanted racing cars so we compromised on the glitter,” She says and you look over to Jackson who just rolled his eyes. You spent your time talking to each child, answering any questions they had for you. After about half an hour George had seemed to have accumulated all of the children around one bed, talking to them about racing. Unsurprisingly, Jackson was the most vocal in the group, proclaiming He was going to be a formula one driver one day.
As He spoke to the children you took the opportunity to talk to some of the parents.
“I am in awe of you all, I don’t even know what I’d do in your positions,” You say honestly.
“We do what we have to do,” One of the fathers says. “When Tilly was diagnosed we were fortunately in a position where we could take the time off of work to be here with her, that's what matters at the end of the day,” He adds and the rest of the group seem to nod in agreement.
“He would make a great father you know,” A slightly older lady said from next to you.
“I know He would,” You reply with a smile, watching as he laughed and joked with the children, doing his best to answer some pretty complex questions about racing.
“He acts the same way my late husband did with our children, had the patience of a saint,” She adds, noticing that he kept asking the kids that were a bit quieter if they had any questions
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“You were really great with those kids today,” You say to your husband as you’re getting ready for bed. “All the parents around me said that you were a natural,” You added with a smile as you pulled your pyjamas on.
“I mean there’s always been little kids in the family so I guess I grew up around them,” He says as he rests against the headboard, thumb holding open the pages of a book.
“Have you ever thought about our kids before?” You ask as you switch the main light off before climbing into bed; only Georges bedside lamp illuminating the room.
“I have,” He says with a smile. “I imagine us having three” 
“I was thinking three…” You say at the same time causing you both to laugh. “Well at least that's decided,” You add. George had slotted his bookmark in before putting the book down and turning to you.
“Did you have an idea of when you want these hypothetical children?” He asks, causing you to grin.
“I was thinking we could start trying now…” You ask, running your finger up and down his bare chest.
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You threw the covers off of you as quickly as you could, rushing into the bathroom and kneeling over the toilet; you had been feeling rough for days but this was the first time something was actually threatening to come up. 
“Please let me call the doctor,” George asks as he eventually follows behind you, kneeling next to you and holding your hair.
“I’m late,” You admit to him.
“It's two in the morning, you’re not late Darling,” He says with a chuckle.
“No…I’m late, my period is late,” You clarify; it had been a few months since you had started trying so you weren’t entirely surprised when you woke up one morning feeling like this.
“Let’s get you back into bed and I’ll call for the doctor,” He says, kissing the side of your head. You stayed there for a few minutes before that bout of nausea had passed, you wiped your mouth and George helped you back into bed. He left you for a few moments to use the phone in the living room. He comes back a few moments later and sits on the side of your bed. “The doctor will be here in a few minutes and I also sent Adam out to get a few pregnancy tests,” He says, gently rubbing your leg.
“You shouldn’t have woken Adam, we could have gotten one in the morning,” You say as you wrapped the blankets around you tightly.
“Darling, it’s fine,” He says, there’s a knock on the bedroom door and George gets up to open it.
“I’m sorry to need you at this early hour Doctor,” You say as she walks in.
“It’s fine Ma’am, that’s what I’m here for,” She said with a comforting smile. You tell her how you’ve been feeling and she takes your temperature, just as there’s another knock on the door. 
“The pregnancy tests you asked for Sir,” Adam says, handing the boxes to George.
“When was your last period?” The doctor asks, making note of everything you were saying.
“Um .. about six weeks ago,” You say honestly.
“Then my professional opinion is that you need to take one of these,” She says with a slight laugh as she takes the pregnancy test out of the box and hands it to you. You take it from her and head into the bathroom. You peed on the stick, replacing the cap so nobody had to touch it. You hand it back to her and sit next to George on the bed.
“If you need anything else you know where I am,” Adam says before taking his leave. Around fifteen minutes later the doctor got up from her chair with a wide smile on her face.
‘Congratulations Ma’am,” She says handing you the pregnancy test. “I’ll leave you two alone, don’t hesitate to call for me if you have any questions,” She says before leaving as well.
“We’re having a baby,” You say quietly, staring down at the white plastic stick in your hands and the word ‘positive’ written across it.
“I love you so much,” George says ,wrapping an arm around you and pulling you in for a kiss.
KensingtonPalace
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KensingtonPalace It is with great joy for the palace to announce the news that their Royal Highness' The Prince and Princess of Wales are expecting their first child together.
His Majesty The King was the first to be informed of the news and is overjoyed at the news of his first grandchild.
HRHPrincessofWales 🤍🤍🤍
F1 Congratulations from your F1 family 🤍
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You made it your first mission today to tell your father; protocol stated that He should be the first to know.
“Father,” You said, knocking on the door to his private office.
“Darling, I wasn’t expecting to see you or George today,” He says standing up from his desk as you walk in, closing the door behind you.
“We didn’t expect to be here today either,” George says with a smile. 
“Right, ok, what’s going on?” He asks, inviting you both to sit.
“Do you want to?” You ask George, a confused expression still written across your fathers face.
“I can do,” He asks and you nod. “Y/n was seen by the doctor this morning, and it turns out that she is…we are, having a baby,” He explains and your fathers face quickly changes into one of joy.
“That is wonderful news, congratulations,” He says, getting up to pull you into a hug. “I’m so proud of you Y/N,” He says, placing a kiss on your forehead. He shakes George's hand before saying congratulations again. For the next few hours you spent visiting your Mother and sister before calling George’s family.
It wouldn’t be a few months until there was an official statement made by the palace, but you were both content in knowing that it was your little secret.
8 months later...
KensingtonPalace
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KensingtonPalace Her Royal Highness, The Princess of Wales was safely delivered of a son at 11.27pm yesterday.
The Prince of Wales was present at the birth and both Mother and baby are doing very well.
His Majesty The King, as well as other members of both families have been delivered the news and are delighted at the birth of HRH.
'After long consideration we have decided to name him Theodore and we cannot even begin to describe the amount of love we have for him' - HRH Prince of Wales
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Theodore, Theo for short, was born late last night after around 10 hours of labour. You were so grateful to George who was by your side the entire time, doing anything you needed to. He held Theo as you got dressed, zipping up your dress and slipping on the pair of heels that had been picked out for you. You had been discharged a few hours ago and due to the weather were unable to take the first photos of your new family on the steps of the hospital so it had been moved inside Buckingham Palace
George laced his fingers into yours as you walked into the hall, the flash of cameras starting as soon as they spotted you. There were probably 30 or 40 reporters waiting for you, snapping a photo every time you moved.
“Is there a name yet your highness’?” One reporter asked, His first name had been announced but not his full name. 
“There is,” You said with a smile. “Theodore Henry Philip George, but we will be calling him Theo,” You say, answering the question. You waited a few more moments before turning and heading back into the family room where both yours and George’s families were waiting to meet little Theo. Your Mum and Dad had already had their time with Theo so stayed seated, letting George’s parents coo and fuss over him. George was holding him as you took a seat on the sofa, absolutely exhausted from the past 24 hours.
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You were sitting in your private gardens at home; enjoying the warm summer day. Theo, who recently celebrated his first birthday, sitting on your lap babbling at George who was sitting opposite you, waving his cuddly bear around. Theo reached out to grab it only for George to playfully rub it against his chest, erupting fits of giggles from him.
You loved the peacefulness that the last few days had afforded you, you had miraculously had no official engagements to attend to. Which was a very rare occurrence so the both of you were making the most of it. Spending as much time together and with Theo as you possibly could.
A pointed cough interrupted your peace, you looked up to see Adam. In a state you don’t think you had ever seen him in before.
“Adam, is everything ok?” You ask as George gives Theo the bear before turning around.
“Sir, may I speak to you in private for a moment?” He asks George who puts a reassuring hand on your knee.
“I’ll be back in a moment Darling,” He says before walking away with Adam. They went inside and you could barely see them through the window; all you could see was Adam putting his hand on, what you assumed, was George's shoulder. You start to bounce Theo on your knees, trying to distract yourself from whatever was happening inside Kensington. A few moments later George stepped back outside. Diana, Theo’s nanny behind him.
 “Darling, Diana is going to take Theo and then you and I are going to go for a walk,” He says, confusing you even more.
“What, why?” You ask, handing your son over.
“Please, walk with me?” He asks, offering his arm to you. You walk quietly to a more secluded area of the garden, hedge walls high enough that nobody would be able to see you. He sat you down on a stone bench before turning towards you.
“George, you're scaring me, what's going on?” You ask, voice wavering. You noticed that he didn’t try to immediately reassure you that everything was ok, instead he took your hands into his.
“Around an hour ago, your father was rushed into hospital,” He said softly, rubbing his thumb along the back of your hand. Tears welling up in the corners of your eyes, not wanting to hear what he was going to say next.
“Don’t tell me,” You beg.
“I’m so sorry Darling,” He says, swiftly pulling you into his arms, wrapping them around you tightly.
“He’s gone?” You ask looking up at him, and George just nods.
“They think it was a heart attack, He died about twenty minutes ago,” He says, holding you against him, his hand moving to stroke your hair. “I am so sorry My love,” He says again, giving you time and space to feel what you needed to feel; as He knew that as soon as you left the safety of this Garden you wouldn’t be Y/N anymore.
You spent about an hour, sitting quietly and crying into George’s chest, not wanting to face the new reality. When you finally pulled away from him he moved his hand to wipe the tears from your face. 
“Take as much time as you need, there is no rush,” He says quietly; you quickly compose yourself. Letting the fresh air remove the blotches from your tear-stained face before you slowly walked back towards the palace. Diana was sitting on the grass with Theo and quickly stood up when she saw you round the corner. 
“Your Majesty,” She said, curtsying as she held Theo in her arms. Being called that for the first time almost knocked your breath from your throat but you just smiled as She held out your Son.
“Thank you Diana, you may go now,” You say, taking Theo from her. He tried to wrap his little arms around you, almost as if He knew that something was wrong. Now it was the three of you who stood there, all in eachothers arms.
“Ma…Ma…Mama,” Theo said and both your eyes lit up.
“Yes baby, I’m your Mama,” You said, holding him close to you as a mix of happy and sad tears fell from your eyes. George was still trying to process the information from earlier so couldn’t do anything except watch as his wife interacted with their son.
“Ma’am, your car is waiting to take you to Buckingham Palace,” Adam says, interrupting the moment. 
“We’ll be there in a moment, we need to get changed first,” You say, taking a deep breath before you all head inside. As you entered your bedroom you noticed that your mourning outfits had been laid out ready for you. You both silently changed; your long floral summer dress turning into a stiff black dress and blazer. You sat on the edge of the bed as you slipped your heels on, George changing Theo into a more appropriate outfit. Next to your outfit sat a hat box, inside was a black headband with some netting to cover your face; your hands shook as you stood in front of the mirror attempting to place it on your head.
“Pass it here,” George said from behind you, you passed him the headband as He gave you Theo. He gently slid it into your hair, kissing the back of your head when He was done. You quietly headed downstairs, Theo securely on your hip as you held him. Diana had gotten changed and was ready to take Theo as He was coming with you.
The car door was opened and you climbed inside with George quickly following. You knew the drive from Kensington to Buckingham like the back of your hand, you had done it nearly every day for years; but it felt like centuries until you got there. It had obviously been released to the media as there were swathes of people outside the palace, laying flowers in front of the wrought iron gates. The official notice on an easel just inside. As you drove through the crowds of people you could see the tear stained faces, the impact that your fathers life had on his people.
You only hope you’d amount to half of that.
I hope you enjoyed pt.2! There is a part 3 currently in my drafts and that will more than likely be the final part unless I do any mini fics. Thank you all for all your love and support, - E x
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huntershoe · 2 months
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Back to you
Hunter x Jedi!reader
Spoilers for the bad batch season 3 :)
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Summary: After a long time, you're finally reunited with your family and your lover.
Warning: Canon violence, Mention of mental and physical torture, slight depressing state, hurt/comfort. Fluff!
A/N: Let me know if anyone would like part two. I was planning on making it spicy ;}
Word count: 2.4k
Part two
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It's been months since you got a distress signal from one of your fellow surviving Jedi. Months since you managed to rescue your Jedi friend but sacrifice your own freedom. Months since you've seen your family and your lover.
The last thing you remember from when you were still with the batch was when you were all on Pabu, helping the people restore the beautiful ocean city while you were waiting to get any word from Echo as he helped Rex.
When the only thing missing was Crosshair.
You got the distress signal the same day Echo said he would visit. You knew you couldn't wait for your friend to visit, so with a tight hug, a long and loving kiss and a promise to return safely and quickly, you set the course for your Jedi friend.
Unfortunately, your plan wasn't Vader proof and you ended up captured, switching your place with your friend who managed to escape. You waited for your end, silently apologizing to Hunter and your family, but it never came. Instead, Darth Vader decided you would make a great addition to the imperial inquisitors, so they tried to break you, in every possible way.
For months, they tortured you mentally and physically, leaving you crying and barely alive at the end of every day. But you never broke, no matter what they did to you, you didn't break. There were times when it came close, but thinking of your batch and Hunter gave you strength to fight on.
So when the first opportunity to escape came, you took it. Doing everything in you capacity, even if it meant you'd have to tap into the dark side of the force. Your body had been weakened in the past months, your skin now covered in scars but that didn't stop you and you managed to escape, hijacking an imperial ship and running.
It seemed that even the force was on your side once you coincidentally run into Echo, Rex and the newly forming Clone resistance. But all your happiness disappeared once Echo informed you of the loss they suffered almost immediately you were gone. All those months, just the idea of coming back to your family and how everything would be perfect once again. Everything fell apart and you felt like you were once again in that cold prison cell, waiting for the inquisitors to torture you again. You were falling into the dark abyss, ashamed to even show yourself to Hunter and Wrecker.
It wasn't until Echo came looking for you, four days later. His body radiating happy energy as he practically jumped on you, hugging you and telling you that both Omega and Crosshair managed to escape and were now safely with Hunter and Wrecker on Pabu.
That made you hyperactive, filling you with energy and will to live and both you and Echo were in the ship only few hours later, crossing the galaxy to get back to your family once again.
Three days later you finally made it to Pabu, docking the ship at the top of the city. But while waiting for the ship to touch the ground in a matter of those seconds, your mind betrayed you. Suddenly all you wanted to do was to hide in the corner and dissappear, all those happy thoughts dissappeard, instead being replaced with dark and hateful thoughts. You imagined how Hunter must hate you now that you only returned once everything was alright again. How you dissappeard when they needed you the most. Maybe he's even blaming you for everything bad that happened to his family. Or maybe Omega's the one who hates you now, maybe she thinks that you betrayed them, leaving your family to help someone else.
Your whole body was shaking and you felt like you would faint and when the ramp finally began to descend and the sun shined on your face, Echo had to gently grab you because you swayed like a fragile flower in the wind.
Both you and Echo managed to take a few steps down the ramp before you heard a loud yell. Omega screamed yours and Echo's name, sprinting full speed at you, making you react the same. You yelled her name and she jumped in your arms as you quickly prepared to catch her, hugging her close to you as you began crying, peppering her face with kisses and petting her hair. You managed to crouch with Omega in front of you as you grabbed her cheeks and looked at her more closely, checking for any injuries as she cried telling you how much she missed you.
But as soon as Omegas eyes fell on your face her expression fell as well.
"What happened to your face!" Big tears began rolling down her cheeks as she looked at you. Similar to your body, your face was now littered with both small and big scars, some more visible than the others.
It's been months since you've seen Omega, the young female clone that had unexpectedly entered your life and become like a daughter to you. And after so long, you didn't want your scars to be the first thing you talk about, it was too dark subject to address in the first moments of reunion. So you moved your hands up to her hair, trying to change the subject to something happier.
"Look at your hair! It's grown so much!" You laughed through your tears as you played with the little girl's hair.
"I know, now you can finally braid my hair!" The young girl knew what your were trying to do and played along giggling as she mirrored your hands movements and played with your hair.
You were just about to respond when you both got interrupted by someone whispering your name. Your head snapped behind Omega, falling on a frozen figure, Hunter.
Your body went rigid, completely frozen in time when your eyes meet with his golden ones. Omegas eyes followed yours and once she saw Hunter standing there silently watching, she hugged you one last time before slowly removing herself from you and running towards waiting Echo.
Now that Omega was no longer in front of you, you stood up slowly, your eyes never leaving his as he watched your every move like he couldn't believe you were really there.
Your hands began shaking again and you grabbed your sleeves to try and stop them but to no avail.
"Hunter?"
You whispered back to him, taking a small step towards him. He said nothing, but his body moved and he was by you in the next second, his hands enveloping your body as his own crashed against yours. He squeezed you almost as hard as he could, fearing that if he wouldn't, you would've disappeared again. Hunter buried his face in your neck, inhaling your scent as your hands slowly stopped shaking and you moved them up into his hair. Your forehead fell on his shoulder as you finally closed your eyes, taking in his warm presence. You both stood there for a long minute, not moving as you both tried to soak in each other's warmth.
You felt Hunter deeply inhale once again, his breath tickling your neck, before his lips pressed against the same spot and he kissed you. Repeating the movement kissing up your neck, slowly coming to your face as his hands moved up to your neck, and his thumbs landed on your cheeks as his eyes found yours again. Hunter breathed out your name again, his face so close to yours.
"I thought I lost you..." His normally smoky voice sounded broken, quiet, like he was worried he would scare you away if he'd talk any louder. His own hands began to shake slightly as he gently turned your face around, his eyes jumping from scar to scar.
"Hunter, I'm so sorry. I tried to get back to you, I really did but they-" You tried explaining yourself as his eyes found yours again.
"When your ship returned I thought to myself at least I got one of my girls back...but then only General Prima came out and she could barely look me in the eyes to tell me what happened..." Hunter let out a sigh as his thumb traced the scar across your lips.
"...I thought I lost you and I couldn't bare to even think of what they're doing to you...I tried get you back every day, you and Omega..." He went on slowly and quietly, his other thumb tracing the scar across your eye.
"I'm so sorry Hunter-" You tried to apologise again but he interrupted you again with his thumb on your lips.
"Just...just promise me to never leave me again...I...I can't live without you." Hunter whispered as one tear left his eye and you moved your hand to his cheek, brushing it away as he leaned into your touch.
"I promise Hunter, never again." You nodded your head as you promised him, your own tears escaping you again and you moved your head, leaning your forehead against his.
Hunter let out a gentle puff of air, making your lips tingle as the air hit them. His own lips ghosting over yours as he whispered. "Ni kar'tayli gar darasuum ner ka'ra."
A small smile appeared on your lips and you gently nodded. "Ni kar'tayli gar darasuum ner ashi dul."
You responded and finally moved, pressing your lips against his into a long and loving kiss.
Hunter's hands moved back down to your waist and he pulled you closer again as his kiss turned more desperate.
Your own hands moved around his neck as you pulled yourself impossibly closer, a small sound escaping you as Hunters hand squeezed your hip and he took the chance to deepen the kiss. His tongue prodded against your lips as he entered your mouth in almost like urgent matter.
You let him take the reins and followed his tempo, enjoying the feeling of his arms around you again.
"Okay, you can continue doing that later! Now it's my turn!" You heard Wrecker before another set of arms snaked around you and Hunter, squeezing you even further and lifting you in the air. Both you and Hunter gasped, breaking the kiss to look at the gentle giant as he hugged you, leaning his head on your shoulders. You chuckled, grinning and squeezing one arm out and moving it to gently pat Wreckers head. "I missed you too Wrecker." Even Hunter managed a chuckle as he heard his brother sniffle quietly.
"We're never splitting ever again." Wrecker decided as he slowly put them down and brushed the tears from his eyes away. "Agreed." You nod, grabbing the giant clone's hand and squeezing it.
"What, no hug for me?" Crosshair's sly snake like voice asked as he came closer and crossed his arms in front of his chest an amused frown on his face. Your head turned in his direction and a wide smile grew on your lips and you gently let go of Wrecker and moved around Hunter, letting your hands to drag across his chest as you stepped closer to his youngest brother. "Crosshair!" You grinned and quickly moved closer to him, enveloping him into a big hug. Your movement surprised him greatly as he was expecting a glare and a witty remark instead you hugged him.
His arms were awkwardly waiting at his sides, debating if he should hug you back or push you away. Alas, you were the only one that hugged him so far and he'd be lying to himself if he'd say he didn't need a hug. So he let his arms slowly sneak around your body and he hugged you back, silently laying his head on top of yours.
"I'm glad you're back with us again." You whispered just loud enough for him to hear and you felt his breath hitch.
He slowly let go of you and stepped back a little, watching the scars across your face.
"Come on, you have to meet Batcher!" Omega gasped, grabbing your hand out of nowhere and pulling you towards what looked to be a  excited Lurca hound, running around and chasing Moon-yos. You chuckled at the enthusiasm of the little girl and looked back behind you to your lover and the rest of your family, only to see Hunter slightly glaring at Crosshair and Echo rolling his eyes and pushing the former Sergeant, encouraging him to move, while Wrecker only laughed and followed closely.
Omega managed to introduce you to the lively hound, telling you how she helped her and how they bonded over the time as they managed to survive the empire. Batcher seemed to be the perfect energetic pet for Omega as they began playing together, almost forgetting everyone else that was watching them.
You felt a warm hand on the small of your back and a moment later a warm body pressed against your side as Hunter lowered his head to whisper in your ear. "Come on, you must be starving." He pressed a delicate kiss to your forehead as you turned your head to look at him. "A little, yeah." You confirmed and Hunter motioned with his head to his brothers, before gently pushing you towards the house reserved for the batch.
Hunter whistled, making Omegas and Batchers heads turn, motioning them to follow too.
The shining sun had slowly began to descend as they sat down around the table after they put on some food. They snacked on the delicious fruits, talking about everything, just like they did in the old days, while they watched Omega and Batcher play.
The moment felt perfect, besides the one empty chair, remaining everyone that they will never be complete again. Everything else felt normal, Crosshair's witty remarks, Wrecker's compliments to the food, Echo trying to talk about another one of his missions and Hunter silently trying to listen to everyone as his hand slowly fell on your thigh, giving it a gentle squeeze to reassure you and himself that this moment is in fact real.
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Translation:
Ni kar'tayli gar darasuum - Mandalorian way of saying "I love you"
Ner ka'ra - My star
Ner ashi dul - My other half
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eriexplosion · 2 months
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Tech Lives: An Ungodly Long Essay
(AKA: Turns out that my Tech Lives compilation post comment was actually a threat.)
There have been hundreds if not thousands of posts since Plan 99 aired wondering if Tech might have made it after his fall - it's probably been brought up more than any other hanging plot point, even after season 2 scooped up Omega and left us on a massive cliffhanger. Now that season 3 has started, though, Omega and Crosshair are home (for now) but we have received an almost aggressive lack of Tech info. So, I've gathered up some of the stronger Evidence for why Tech might be fashionably late but still on his way back from The Void!
THE LEAD UP
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So to start, let's go back to what came before the whole Incident. This will focus mostly on season 2, seeing as that was definitely Tech's season to shine, but with bits about plotlines in season 1. Which brings us to our first bit, that's not really evidence so much as some gentle push-back on a common argument.
Doomed By Character Development?
We've all seen this particular situation before - a character is slated for a tragic death, so just before it happens the writers gives them a little extra relevance to the plot to make sure the audience really feels it when the time comes. The Clone Wars was especially good at this, giving characters like Fives an arc of his own that ended in his tragic death. Season 7 gave us a better look at Jesse, first in the Bad Batch's intro arc and then again through the Siege of Mandalore, all to bring us to the chip activation that led to his ultimate death.
When season 2 started off with one of the two intro episodes spotlighting Tech and our first breather episode of the season also spotlighting him, people started to get worried. So is it fair to say that his spotlight in season 2 was setting him up for a permadeath?
Looking at it, I don't think so, for multiple reasons. For one, Tech didn't just get a spotlight episode, his development dominated a good chunk of the whole damned season, often taking priority over the other characters that wouldn't be dropped into the mists. While giving a little bit of character development to a doomed character can be a good move, giving ALL your development to a doomed character ends up feeling like a good portion of your season was actively pointless.
The Bad Batch is not an open ended show. It seems to have been planned for the three seasons it got, and they would have gone into it knowing they had a set amount of time to work with. Dedicating so much time to developing Tech in preparation for a character death takes away all of their opportunity to develop, well, anything else.
But, along with the amount of time that was dedicated to Tech as a character through season 2, they also didn't develop him in the ways that most often get used for a doomed character. Namely...
That Sure Is A Lot Of Open Plot Lines
And not one of them got tied up. Currently, Tech has two open plot lines to himself, both started in season 2, as well as a key place in the overall show narrative arc. As the overall show narrative arc takes precedence, we'll start with that.
The Bad Batch sets up a few different narrative arcs very early. One is if clones can be more than soldiers - this is the central thing that we see them struggling against from the start, they've been created to be soldiers and don't know much else about how to function in the world. Theoretically this arc can be fulfilled with one or two of them still dying as soldiers, as long as a few of them make it to find a new life for themselves.
The arc that can't be fulfilled without everyone though is the ongoing thread of reuniting the batch. Much of the show is geared towards making the viewer want this specific end result, as soon as they talk about Crosshair, Omega says they'll just have to get him back and complete their family. The end of season 1 teases us with this only to pull it away at the last moment, then season 2 teases us with it again only to yet again pull it away, this time seemingly permanently.
Ending one of your key narrative threads you've been using to draw audiences in only 2/3rds of the way into the show and without ever resolving it... well it would be a choice. If Tech is gone for good then the last time we saw everyone together would be the end of season 1. Rewatches would lack impact because something that was made to seem so vital ended up going nowhere, and the series finale would never quite reach the height that hearing the full batch theme kick in over the team fighting droids together did. It absolutely destroys the central narrative to leave him gone without ever having reunited the family.
And then there's his personal plots.
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Let's start with the obvious one. Tech got a whole potential love interest this season and they absolutely did not resolve a damn thing about it.
Again, this takes a trope that we all know - the young army man that's going to go home and finally marry his girl, who has his whole life ahead of him, but dies tragically in his final mission - and seemingly intentionally subverts the beats. Because what makes the trope work is that the plot line is resolved as soon as that young man decides how he's going to move forward. He can't die uncertain of if he's going to marry his girl, he has to make a decision, and the longer we spend on the relationship to his girl the stronger the decision has to be to consider the narrative line resolved and free him up for some tragedy.
Tech/Phee is a tentative little 'will they or won't they' romance. They're flirting, they're feeling each other out, they're seeing if they're compatible. To tie up this narrative line we would have to find out if they are or not, get a yes or a no on the question. Will they or won't they? We simply don't know because the writers didn't put a resolution in.
We do get the traditional pre-mission scene with them, which would normally be when we get the first kiss or perhaps the promise of a date, either of which would have had me digging Tech's grave for him to fall into from the second it happened. Or even a 'we can't do this right now, but maybe some day it will be the right time' which would have been a kind of lukewarm resolution but would have at least represented a decision.
Instead we get a scene that almost aggressively refuses to resolve anything. They have an awkward interaction, but not one that says they won't get together, no promises are made for the future, no decision point is reached, and the plot line is still dangling wide open when Tech falls to his supposed death. If we truly leave it off here, well, what was the Tech/Phee subplot for? Why did we spend precious time on it when it could have been spent on something else, if it was meant to make Tech's death hit harder why did it not go further?
A second subplot with Tech is that he certainly made the most progress on seeing options outside of the Empire - it starts early on in Ruins of War when he meets Romar and gets his eyes opened to the idea of cultures that existed unconnected to the war. Serenno existed before the war and before the separatists, and Romar introduces Tech to that idea of an ongoing culture. He gets a taste of racing in front of a cheering crowd, leans further into his teaching of Omega and gets new insights from her regarding their lives as soldiers, his relationship with Phee picks up right when he finds out that she is interested in the preservation of cultures. It's a quiet little subplot, but Tech was seeing the full scope of what the galaxy contained beyond being a soldier in a war.
But, like the Tech/Phee, it never resolves. He never decides to settle down, he never chooses to stop being a soldier or even openly discusses the idea of what life will look like after. Rescuing Crosshair isn't positioned as a final mission that they have to complete in order to give up their lives as soldiers. Without that decision point being reached, the plot stays open, we never find out what he Would Have Done so we don't get a sense of the future that he would lose by dying, which is what the purpose of these types of plots is for a planned permadeath.
The Kaminoans don't create without purpose and writers working on a three season timeline don't typically write without it either. So if we spent the time on Tech/Phee but Tech is dead before it ever went anywhere, if we spent time on Tech's relationship with being something other than a soldier but he never really pursues it, what is the payoff?
Too Much of a Survivor To Die?
There's also the matter of how they chose to build Tech's character this season. Namely they beefed that man's skills up incredibly high making it intensely unbelievable that he's dead without seeing some sort of concrete proof. Things we know about Tech as of the end of season 2 include:
Incredible pain tolerance - Tech fractures his femur in Ruins of War and seems shockingly unbothered by it. The femur is frequently listed as one of the most painful bones to break. This is not a broken toe the man is hobbling around on, he fractured the strongest bone in the body and kept going through the woods. He physically fought and killed a man with that busted femur.
Lightning fast mental processing - this is of course on display nowhere so much as Faster where he's put up against droids and wins by taking calculated risks that no one else is willing to try.
A cool head in stressful circumstances - this one is hilarious because he outright says it, but Tech does demonstrate time and time again that when it comes down to it, he's able to keep calm no matter the circumstances.
Essentially, we spend the entirety of season 2 setting up why Tech is the perfect person to drop out of the sky and have him survive. He has the ability to keep calm and come up with a plan in seconds and he has the grit to keep moving even if he's grievously injured once he hits the ground. When you set a character up like this, you can still kill them, but you have to work harder to do it convincingly. Leaving Tech not at the moment of death but with probably at least a minute to act in and then not showing us the body is the exact opposite.
We have a moment in The Crossing showing us Tech's precise aim, and it comes up again to brutal effect when he shoots out the connection on the rail car. If moments through the season were used to set up that particular instant of the finale, then we can't discount the numerous scenes demonstrating his survival skills as being irrelevant to his chances.
Plus, looking back at Ruins of War - one of the big moments in the episode is towards the end, where Romar tells Tech, "I'm a survivor. Remember?" The camera then lingers on Tech for a long moment. It's not the kind of action that demonstrates his capabilities as above, but it works to associate the words with Tech in the viewers mind. Romar is a survivor, and Tech is a survivor too. And when you intend to kill someone off, it's kind of an odd choice to spend that whole season setting them up as a survivor.
THE FALL
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Which brings us to the scene itself. Plan 99, implied to be one of the last ditch plans that they have. It's absolutely a heartbreaking scene, and one that can be tough to analyze when it's so well done, because it's rough to watch repeatedly. But, it's worth doing, because the scene itself is FULL of questions, some structural others more based in the visual presentation.
What is Plan 99?
Well, that's just it, we don't actually know.
We know what it's implied to be, a self sacrifice plan where one of the batch gives their life for the others to get away. But in show it's never actually defined, leaving the full meaning of Plan 99 up to interpretation. It could be as simple as what it's implied to be, but that brings up questions like 'why not provide any lead up or foreshadowing for it?' and 'does killing yourself actually count as a plan?'
Removing the assumptions from it gives us room to speculate. Is the plan actually that they leave him behind, dead or alive? Hunter ordered them to do so without a plan number in season 1, but he is the sergeant, so plan 99 could easily be something that bypasses his authority - if a batcher calls a plan 99, you go and you don't question his decision. It's certainly closer to a plan if there's something they are supposed to be doing from their end rather than just an announcement of intent.
It's not strictly evidence one way or another, but it is something of note when Tech's entire sacrifice is based around a plan that we're not privy to the details of. TBB has hidden its twists in ambiguity before, so it would not be the first time that it let us assume something only to pull the rug out later. But ambiguity is not the only thing that makes this scene stand out in the raising questions department.
Pacing Goes Out The Window
Generally speaking, a self sacrifice is the climax of an episode. Think Kanan, Hardcase, Gregor, Hevy, etc - Even a minor character sacrificing their life tends to make up the most climactic portion of any given episode, let alone one of the characters from the title squad. It gets to be the big central moment, the big rush of music and feeling, the pinnacle of the viewers attention.
Tech's sacrifice is not. It happens around 5 minutes into the episode, is rapidly moved past with barely a moment to think, and then the actual climax is Omega's capture on Ord Mantell. They even repeat the music when Omega is captured, except much stronger this time, making it clear that this is the emotional crux of the episode, this is the scene that is supposed to stick with you.
The opportunity to make it the climax of an episode was certainly there. The storyline could have been adjusted to put Tech's fall at the end of The Summit, allowing more time in Plan 99 for processing his loss and making it feel final. The pacing choice is one that doesn't allow the viewer to process the loss, only giving us maybe a couple minutes of time with actual emotional reactions before we're barreling off to the next plot point. Why was Tech's death de-emphasized within the episode if it is indeed our last moment with this central character?
Tarkin, Eriadu, & Saw Gerrera
A lot goes into the set-up for Plan 99. We have Tarkin's base on Eriadu as the setting they're working within, going up against Tarkin for the first time since early season 1. This is the big leagues, and something that's come up in multiple interviews is that when going into the den of one of the franchise's big bads we have to have consequences, something to demonstrate that Tarkin is not to be trifled with.
Sounds reasonable enough. Except Tarkin doesn't actually do anything in either of these episodes. The thing that actually threw them off was Saw's planning mixing in with their own.
All Tarkin does upon finding out that the batch is stuck on the rail is order an air strike and ignore that this would kill many of his own men. This is certainly evil, but it's standard Imperial evil. Rampart would have given that order. Hemlock would have given that order. The guy in Tipping Point that we know for 5 minutes before he fried himself would have given that order.
So if the point of this finale was to demonstrate Tarkin's power, then bringing Saw in both complicates the plot and devalues what they're claiming they are trying to show. So is the point to get them to Tantiss? No, because they fail in that. They don't plant the tracker, they're no closer to finding Crosshair than they were before.
By all accounts the point of the whole endeavor is in fact just to drop Tech off a sky rail for reasons unknown and injure Omega to force them to go back to Ord Mantell. These two things could have happened anywhere in any way of course, so why choose Eriadu and why choose to complicate the plot by introducing Saw rather than letting Tarkin handle the job?
They're questions we don't have answers to yet, but they're very hard to get answers to if Tech is dead and completely out of the picture. Having a dead body on Eriadu is fairly useless to the plot, having a living Tech on Eriadu though? That has potential to move them huge leaps forward in a very short amount of time once we bring him back in. Especially given his conversation with Saw prior to everything going downhill - Tech was in favor of gathering intel from the facility rather than destroying it.
And what about Saw, anyway? If he was genuinely there to cause problems and fly away, again, that's a plot wrinkle that isn't needed and took time away from everything else. If he's there because they needed someone to pick Tech up though? There's potential there.
Did Tech's Sacrifice Mean Anything?
In universe, Tech's sacrifice means everything, of course. It's a decision made in the moment to risk everything to save his family. It's a noble deed and one he does without hesitation. But pulling away from that narrow scope of an in universe perspective, what did we accomplish narratively with his fall?
Well... not much actually! They got over the bump in the road that they encountered all of five seconds ago and promptly crashed headfirst into another, different bump in the road. Tech's dramatic sacrifice didn't allow them to escape unharmed, it didn't allow them to find Crosshair, it just allowed them to move a few steps forward, after which Omega is almost killed and then captured, which is a fairly weak reason to sacrifice a whole major character.
But not every character death is exclusively about narrative, sometimes it's about the character arc itself. So does this close out anything for Tech's character development? Again, not really. Tech has always been completely loyal to the squad and would have risked anything for his family. He never had a choice not to fall, it was either just him or the whole team, and he is an endlessly logical actor. The action would have played out the same had it happened in the series premier or the season 1 finale, or any other time in the show. If anything it's a backtrack on his character by putting him solidly back into the soldier box that the show is trying to let the clones grow out of.
Maybe it's not about Tech's character though, maybe it's about everyone else's! Does his death change anyone's trajectory? Again... no, not really. We'll get into season 3's lack of mentioning Tech later, but in the immediate aftermath of his fall, no one's course or actions is majorly changed because of his loss. Hunter wants to go back to Pabu where it's safe, the same thing he wanted to do before they ever left for this mission. Omega puts herself in danger to save her brothers, which has been one of her defining traits since season one. Wrecker is following Hunter's lead, same as he always did. (We get very little of what Echo hopes to do, but the opening of season 3 reveals that they went back to work with Rex, exactly like they were doing before.)
So narratively nothing required him to die, the character's arc isn't completed, and the other characters aren't motivated to change. If Tech dies here, it's the picture of a shock value death. It doesn't complete or inform his character, it doesn't need to narratively happen in order to put Omega on the path to being captured, and thematically it exists just to give the viewer an unnecessary gut-punch when just the failure to rescue Crosshair and the loss of Omega would have been enough.
Framing is Everything
In a death scene there's nothing more powerful than our final shot of a character. The very last we'll ever see of them, the image that will linger in our minds when we think of that character from then on. This is especially important in animation where everything has to go through several iterations before deciding on what that final look will be. You want it to be impactful, you want the audience to have one final connection to the character before they're gone for good.
So why does Tech die with his helmet on?
If there's one thing TBB is good at, it's their expression work, and a death scene is a perfect place to show off their full range, which is why most deaths meant to have a heavy impact occur with faces unobscured. Crosshair loses his helmet and takes Mayday's off so we can see both of their faces as Mayday dies, Slip, Cade, even Clone X and Wilco, all die helmetless. Looking into older series you have Kanan dying without his mask, Fives, Hardcase, Waxer all dying helmetless with one last good look at their faces and expressions.
And while Tech's helmet gives us a good look at his eyes, the rest of his face goes unseen, and Wrecker's face as he watches this happen is completely obscured. We're denied a look at a lot of their expressions as the decision is made and Plan 99 is executed, rendering it less personal than it otherwise could have been. Tech could have lost his helmet in the blast that knocked him from the rail, Wrecker could have had his helmet knocked off at some point to give us a good look at his expression. TBB isn't known for pulling its punches, so why leave our final look at Tech's face back in The Summit and not here?
Then there's the framing choices. We get some absolutely amazing shots of Tech during the fall, from taking the shot to falling backwards towards the cloudy cover - but here's where some interesting choices are made. Rather than letting our last shot of him be a face up shot that keeps eye contact with the camera as he falls, they make the choice to have him flip over, and we hold the shot as the rail car goes down after him, partially obscuring him.
Which means instead of our last glimpse of Tech being something like this.
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We end up with something closer to this.
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Which, while we all love those Tech crotch shots is somewhat less impactful emotionally. These frames go through multiple departments and get multiple eyes on them before going through final animation, and no one thought that leaving him face up and unobscured until he disappears into the fog would stick more firmly in the viewer's memory?
The Flip Might be Intentional
And I don't just mean out of universe, as every detail of animation is often intentional, but in universe as well. If you look closely at Tech as he falls, he seems to roll his shoulders back in order to begin flipping over. It was a specific enough detail to send me searching for a reason and I found it in instructions on how to survive a long fall - the first thing that you're supposed to do? Get into the arch position like a skydiver to slow and control your fall.
The flip was important enough to not only include but to include the small detail of Tech intentionally flipping himself over into said position. It's not a confirmation but it's an interesting detail, and one that has very few other reasons to exist.
THE AFTERMATH
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Image chosen because even thinking he's alive I didn't want to pull from Omega reacting to the fall on Ord Mantell. Looking at her makes me Sad. So the fall has happened, the rail car has rushed forward and crashed, and Omega fades in and out of consciousness until finally waking up on Ord Mantell to the bad news.
"What if he's hurt?"
Omega is our POV character for the show. We may sometimes see things she doesn't, but emotionally she remains the center of the narrative, the character that the target audience will see themselves in. Her ultimate thoughts on a situation are the closest we have to a clear indicator of our intended takeaway.
So it's interesting that the first thing we hear out of her, having heard that Tech 'didn't make it,' is a firm denial. He can't be gone, he might be hurt, he needs them and they need to go back for him. And, despite Hunter continuing to talk with her about it for a bit, we never actually hear Omega explicitly take it back or verbally acknowledge Tech as dead. The closest we get is 'lost' which she also uses for Echo in The Crossing.
Now, here's where the interpretation between the adult and child audience will likely differ. From an adult perspective, this is a reasonable reaction for a child her age. It comes off as very natural that she doesn't want to accept it and that she doesn't have time to really process that it's true before the scene moves on. It makes sense from an in universe perspective.
However, the main audience is still children who actually are Omega's age and who are being presented with her as their window into this world. And their takeaway, seeing that same scene, is likely to be that Omega is correct. They don't know that Tech's dead, just because an adult says it doesn't make it true and just because Hemlock says it DEFINITELY doesn't mean it's true, they have to go back and check.
If they wanted the main audience to think that Tech is dead for sure, they could have had Omega be the one to say that he's gone, with Hunter simply confirming it for her. Alternatively, Omega accepting it when Hunter tells her would also function in the same way - ultimately, as the POV character, if Omega doesn't accept it there's a strong possibility much of the audience won't accept it either, especially without other evidence.
No Body?
And, as we all know, we simply don't have other concrete evidence. Not only are the batch given no time to look for Tech's body or any confirmation that he died, but we get a whole scene with Hemlock and the goggles where he also confirms verbally that he doesn't have a body either. There's very little reason to have him say this outside of putting a bug in the viewer's ear that he might not be gone for good.
Not only do we have that verbal confirmation, but we have multiple places where a body could have been included or implied without adding much to the runtime.
Easiest place would probably be when Omega passes out - there's a trooper's corpse right there in front of her, and it would have been very easy to make that identifiable as Tech. Have one of the boys check his pulse like Crosshair did with Mayday and then be forced to leave after confirming he's dead. Would it require a little bit of fudging the details of how he landed so close to them, sure, but it would have been narratively streamlined and easy.
Have Hemlock bring his helmet rather than his goggles (and damage it in a way clearly incompatible with survival) or confirm that he did find a body but has no use for the goggles.
Put the body in Hemlock's lab when Omega is brought there at the end of the episode. Have a sheet covering him even if you want and just one of his hands hanging out, especially the one with the distinctive light on the back of it. Give us her reaction to that.
These are just the ones that don't involve adding scenes or making major changes - instead, in a franchise known for bringing back everyone and their grandmother especially if there's no body, they chose to leave it extremely vague.
Reused Score
The soundtrack for Tech's sacrifice is fantastic, I don't think anyone can argue that. In fact it's so good that it's used occasionally used as a reason for why he's dead for real. If it's a fakeout, why go so hard on the music?
It almost sounds like a reasonable argument, except that the music isn't even unique to Tech's fall. We get the same motif later in the episode with Omega's capture, and it actually comes in even harder and more impactful there than it did with Tech falling.
Reusing bits of the music has two results. It lessens the impact of hearing it with Tech if it is in fact his Death music, because it makes it clear that he is not the central feeling of the episode but rather, Omega's capture is. As mentioned before, deaths are usually the climax of their own episodes partially to avoid them being upstaged by any other plot points, but here Omega's capture is fully prioritized over the loss of one of our central characters.
The second result is that it changes the meaning of the music. It's no longer meant specifically to underscore a tragic death, but rather a more general one of loss and separation. And if it's simply about that separation, then it no longer requires Tech to be dead to have that same impact. They're apart from each other, and that's painful enough.
SEASON 3 SO FAR
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Which of course finally brings us to season 3! We're five episodes in as of the posting of this, so a full 1/3rd of the season down, which gives us a good idea of how they're handling the whole grief aspect of this scenario.
They Aren't!
That's right, we simply have not directly acknowledged or dealt with the whole 'watching your squadmate fall to a presumed horrible death' thing even once in five episodes. Tech has been mentioned by name twice, we've seen his goggles once, and Wrecker makes one sideways reference to him having not made it back.
In universe, there is a several month timeskip and it seems to be implied that the majority of the grief milestones happened in that gap. For example, we don't see Crosshair finding out from Omega, we don't see Omega grieving her brother, we don't see Phee finding out (more on her in a bit) despite her fledgling romance. Months of grieving and processing skipped over and what comes out the other side is single line mentions that go by in seconds.
This is especially apparent after episode 5, where we got something to compare it to. Crosshair has a long, painful moment of grieving with Mayday's helmet when they return to Barton IV. It's deep, personal, and intimate and we take a minute with him gathering up the helmets of Mayday and his men to set them up on the crates the same way that Mayday had honored them.
Mayday is a one episode character that was important to only a single character, Crosshair - Tech is a core member of the team present through two full seasons and shown as close to every member of the squad. Yet the single scene grieving Mayday is longer and more emotionally gripping than every short mention of Tech so far in season 3.
Narrative Grief
Seeing characters grieve their loved ones onscreen is about more than just the characters themselves. It's also part of the viewer experience - through the characters' grief, we're able to process our own grief at the loss. It makes it feel real, it makes it feel personal, and the amount of grieving needs to be proportionate to the character's importance in the story.
This is especially true in a show written for children like The Bad Batch. Kids don't typically have the same experience with death as adults, and a well written main character death within a children's show will need more time and energy spent towards making the loss feel real. We see this with deaths like Kanan's; it wasn't Jedi Night that told the viewer that Kanan was really, truly dead, it was Dume, where the characters mourned him and dealt with the aftermath.
Currently, with Tech, we do see holes in the team that make us miss Tech but they remain completely unaddressed by the characters. We see Tech's goggles, but Hunter isn't looking at them, he's looking at Lula. Omega mentions Tech having taught her all the plans, but without any real sadness on her or Crosshair's part. The closest we get to actually bringing it up are Wrecker saying 'not everyone came back' and Echo mentioning the datapad would be difficult without Tech, and both of those are only seconds long before moving on. They don't serve as any kind of catharsis for the viewer, relying more on gut punch impact and keeping the wound open rather than allowing it to heal. The difference between the treatment of Tech's death and Mayday's just makes it more stark.
How Do You Like Yearning?
Interestingly, though, it strongly resembles the writing team's handling of another situation: Crosshair's departure from the team in season 1 vs Echo's in season 2. The show even drew a lot of flack for the lack of discussion on Crosshair's betrayal, as outside of a couple conversations the matter often went unremarked on. Echo leaving, on the other hand, got a whole episode dedicated to processing the loss immediately after it happened.
So what was the difference? Crosshair's departure is part of a long term plot point. We're supposed to want him back, we're supposed to want the team to talk about him, anything that would ease the tension. The writers on the other hand want that tension to remain until it's time to actually resolve the plot. So we get those slow drips in between bigger encounters, we get opportunities for Crosshair to come home that he doesn't take, and we don't get the catharsis of the team actually talking about any of it. We're left to want and imagine it, using the yearning to keep it on people's minds more than anything.
If Crosshair had been discussed on screen long enough for the characters to actually come to terms with his absence, though, that would have made the plot feel more settled and resolved early on. It might be conversations we want to see, but it doesn't keep the viewer on edge and craving a resolution. Best case scenario we're just not as desperate for Crosshair to come home - worst case scenario we accept that he won't be returning and find the fact that he eventually does to be unrealistic.
Echo on the other hand gets their absence processed immediately, because their absence from the team is not meant to be a huge plot point. It's something the team has to deal with, yes, and the viewer wants to see them again just like Omega does, but Echo returning isn't meant to be a maybe, and it's not supposed to keep the viewer wondering and worrying. It's a when, not an if.
Similarly to Crosshair, Tech has never felt like a resolved plot point. We don't get confirmation on his death, we don't get any long term grieving, and we get drip fed acknowledgements that pry the wound back open. If we actually see the team discuss and come to terms with their grief and loss, the plot point closes, the wound closes and we begin to fully accept a team without Tech in it, which makes it harder to reinsert him into the storyline if he is in fact alive.
If he's truly gone for good, what is the point of denying closure to the audience? We know that they are capable of writing an intense mourning moment that feels completely in character for otherwise emotionally repressed men such as Crosshair, so why not give us that with the team mourning for Tech? A memorial, an intimate moment with the goggles, a short scene of Crosshair finding out about the loss, or anything at all really? Once again it's something that makes sense if he's alive and we're simply not being shown yet, but makes very little sense to not capitalize on if he's dead.
What's to Come
We have ten episodes of season 3 to go, and a lot to cover. Reviews have indicated that Tech is not explicitly brought up in the first eight, so the earliest we could possibly have a survival reveal is in episode 9. Will it actually happen? Maybe, maybe not. Though interestingly episode 9, The Harbinger, is almost exactly one year after Plan 99, just like The Return aired almost one year after The Outpost. Could mean nothing, but they do enjoy their anniversary dates.
One thing we do know for sure is coming up is Phee's inclusion - she's seen in the official trailer, as well as briefly in a recent twitter spot. This is interesting as Phee is, of course, Tech's teased love interest, and her connection to Tech has been emphasized multiple times, including on her Databank entry and the official 'what you need to know about season 3' guide. When she comes onto the scene, it's very likely that more information about Tech will too.
MARKETING, INTERVIEWS, & SOCIAL MEDIA
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I wanted to keep this mostly focused on what can be seen within the show itself, but it's impossible to talk about whether or not Tech is alive without pointing to the absolutely bizarre messaging from the cast and crew, as well as the marketing choices surrounding his sacrifice. (Example: the Instagram Mourning Filter they layered over him in the official trailer, as seen above) I won't get quite as detailed here as in the above, but it does have to be mentioned.
Constant Focus
In between the end of season 2 and the posting of the season 3 trailer in late January, there were several posts on various official Star Wars media. The majority of them were about Tech and Plan 99. In fact, I don't think I ever saw anything mentioning the giant 'Omega's been captured' cliffhanger, just Tech. Over and over again.
Once a character is dead, marketing generally stops caring about them. They're forward focused after all, they want you coming back for what's to come not lingering on what won't be relevant again. So why the constant focus on Tech?
And it wasn't just the social media either - a huge portion of the trailers and reels included old footage of him too. For the most part this was from Plan 99 and bringing up his fall again to rip open those old wounds, but in one case they included action footage from The Summit. This was an interesting case, because the majority of people watching wouldn't have recognized it immediately. Fittingly, the entire comment section was full of nothing but 'Was that Tech?' style comments, which they would have known was going to be the case to start with.
So why are we so focused on a man that's supposedly dead? If he's genuinely never going to show up again why keep putting him in? Everything? While not even bringing him up all that often in the show? If he's dead, this is a truly bizarre marketing decision.
Never Say Die
In interviews or in official material. For several months the word 'dead' was never used for Tech anywhere, not in interviews, not in official material, nowhere. It took until January 23rd for all of the databank entries to be updated, and among all of the main cast he's only referred to as 'killed' once, and it's on Hunter's page not even his own. Then, the Friday before the premier, an interview came out referring to him as dead - on the part of the interviewer, not the creators themselves.
Everything else seems to use a variety of euphemisms. His sacrifice, his absence, his loss, he 'plummeted out of sight', he 'fell from a tram car', he did absolutely anything it's possible to do except outright die apparently.
It's an odd choice when there's known controversy over if he's dead or not. The standard operating protocol of course, in a planned comeback, is to refer to them as dead anyway and allow fandom to fuel its own speculation, but with a fandom as devastated as TBB's was, it's quite possible that the odd behavior had to be introduced just to keep speculation going. The only interviews that sound remotely final came out right before the episodes started coming out - if they had done that from the beginning, the chances of people outright refusing to come back to the show likely would have been higher.
Much like the marketing, this is not necessarily proof of anything - but in combination with the multiple odd things in the show itself, it's certainly suspicious. Speaking of suspicious...
What an Odd Thing to Say
The cast and crew themselves have not been skimping on making strange comments when it comes to the Tech situation.
There is of course the well known Joel Aron (lighting director for the series) tweet that came out the day of the Celebrations panel (AKA when the Tech trauma was at an all time high) and in direct reply to a fan that was having a hard time with Tech's death. It's hard to take it as anything but a reference to Tech given the timing, and it was certainly taken as being about Tech in the quote tweets. If it's not about Tech, why tease the fandom with it? And the specification for it being a mid s3 episode as well...
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Also from the day of Celebrations, and from the panel itself, we have Michelle Ang saying in front of God and everybody, that Tech "doesn't come back... in this episode, at least." At the time there was a possibility she didn't know and was just leaving it open, but with that only being ten months ago and the extremely long timeframe of animation, it's almost certain that she would have been done with all primary recording by that point. If you know he's not coming back, how do you accidentally imply that he is with no one correcting it?
Dee Bradley Baker, when asked for a farewell message from Tech at a con, came out with "the life of a soldier is fulfilled by fulfilling his mission and supporting his brothers. And this was the end of mine. And that's a good thing." Which was a perfectly serviceable goodbye right up until he said that the end of Tech's (life? soldier's life? mission?) was a good thing.
During an instagram interview we have Deana Kiner, one of the composers, in response to the interviewer talking about the final episode containing a major loss, saying, "It's kind of a loss... It's complicated." The claim on twitter was that this was about Omega, because everyone knows that when someone mentions the major loss in Plan 99 they're definitely talking about Omega.
So is Tech alive? Is Tech dead? We still don't know. But while one or two of the above might be a coincidence, having all of them at once coalesce around this single character death is a lot to chew over. The Bad Batch team has shown willingness to address grief and loss prior, as well as a willingness to show us death onscreen and front and center. So why, with such an important character, sidestep it all in order to keep it vague? Why keep it from sounding final for so long, if the intent the entire time was for him to be dead for good?
We won't know until he either shows back up or the show ends. If Tech's alive, all of the above starts to make sense. If he's dead... well a lot of things will just never quite add up. I feel that this team has shown enough willingness to follow up on their trailing plotlines that they've earned my trust. Fingers crossed for a satisfying resolution for all of us, and for our boy Tech, whatever that resolution may be.
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byerseason · 16 days
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my personal opinions on byler & mike’s character
most people believe mike is clueless or at least he just suspects will’s feelings. well, sometimes i agree with that but in general i think mike knows. actually he always knew. let’s look at everything from the beginning.
both mike and will always lived in a small town full of homophobia. we know will personally experienced homophobia from his dad and other people in hawkins. mike and will are friends since kindergarten and mike obviously witnessed all of these homophobia will went through. maybe mike experienced it too, we know ted said “see what happens?” for a reason. especially with lonnie, mike witnessed everything he did to will, we all know will shares everything with mike. so from their point of view, this thing called “homosexuality” is something really bad and all it causes is harm and hate. it’s something forbidden.
now let’s see what happened in all seasons. in season 1, a cool girl magically comes into mike’s life and shows interest in him. “you’re blind, because a girl is not grossed out by you” now mike has a chance to be normal like people expect him to be. and he’s a child, it’s not that deep. he can try. no deep feelings, no love, just be normal.
in season 2 this chance is taken away from mike leaving a trauma to him. after all, el was special and he cares for her so much. and the fact that she sacrificed herself just to save him and his friends is not something we can overlook. and adding to this trauma, something really bad is happening to will and they don’t even know what is it and how to fix it. he does his best, he never leaves his side because it’s something a good friend would do right? it wasn’t that forbidden thing the adults get angry about and it shouldn’t be. after el’s return and will being safe, mike had this chance again. el was here, she was incredible, a superhero who saved will and the world, and she was ready to be in a relationship with him. snowball scene was mike telling will “i’m moving on, you should move on too or we will get hurt by this.” because you know, these things always hurt will and nothing else.
in season 3, mike continues to this “moving on” as we can clearly see. this time a little bit grown up, or at least trying to grow up. distancing himself from will and all his friends, focusing on el all the time and for some reason not being able to maintain a friendship with will while dating el. this speaks volumes actually. it’s both him trying to be normal as expected and distancing himself from will to make sure he is normal too. to me that’s all the “it’s not my fault you don’t like girls.” scene. while mike is fighting back, will makes it harder for both of them without realizing it. i think -like everyone- the ending of season 3 was mike realizing it’s not working and it’s getting serious. he’s growing up, they’re growing up and everything is becoming clearer.
will and el moving to california was a new chance for mike. he ignored will, well at least he tried even though it’s clear he felt his absence especially in school, he didn’t reach out to him thinking maybe this is the chance for both of them to move on. and then el’s letter happened. mike thought will really did it, he moved on, he was able to move on while mike isn’t. if we think deeper, he is even working on a painting for her, something he used to do with mike. so yeah, will is normal, it worked for will, while mike is still dealing with this. when they reunite i think it was much more than just jealousy. disappointment, anger maybe? especially after he saw he brought the painting to the airport. apparently will wasn’t planning on giving all his attention to mike, who was visiting him after months, but he was planning to give the painting to the girl he likes, it was probably the reason of his excitement, not mike. so this is what makes mike want to focus on el more and ignore will during rinkomania scenes. when el mentions angela and will gives a reaction to this, mike is sure he was right and this day is about angela for will.
but he finds out he was wrong. well, the painting is still for a girl but at least he was wrong about angela. will was just upset because mike was being lied to, and he was hurt by mike being distant from him. this is what leads mike to sincerely apologize to will, as always. he always does that, if will says “where is dustin right now?” mike realizes his mistake and tries to fix it. if will says “we used to be best friends” mike realizes his mistake and offers to be best friends again. that’s all their dynamic about.
after mike and el’s fight, mike comes and explains what happened to will but it’s more like he is asking for an advice, he wants will to understand him. “it was a fight that you can’t come back from.” he wants will to agree but he doesn’t, this is when we start to understand mike’s inner struggles. he brings up this topic to will three times. none of these conversations are like two best friends giving each other relationship advices because mike never tells will what is the problem. for some reason he doesn’t want will to know he can’t tell her girlfriend that he loves her. we all know will and mike are sincere enough to tell these things to each other, they always do. but if he can’t, there must be a reason. maybe mike himself doesn’t know the answer either, maybe he doesn’t want will to understand his situation because he thinks will successfully moved on, who knows?
in the desert scene, he brings the topic up again, without mentioning what is “that thing”, but this time will seems like he understands. “sometimes, i think it’s just scary to open up like that, to say how you really feel, especially to the people you care about the most.” mike never mentioned he is struggling to say how he feels but will understand, he always did. this conversation would continue with mike opening up to will if it wasn’t interrupted, so mike brings it up once again for the third time, in the van scene.
this time he is being more open but he is still struggling to say one thing, which will completes for him “you’re scared of losing her.” well, mike was wrong. will wasn’t getting it until.. the painting scene. mike is not stupid, he knows will spent days working on it. he knows eleven doesn’t know about what this painting is about. he knows he doesn’t make el feel like “she is not a mistake at all” especially after their fight, remember that line from the script “she’s already beginning to understand she doesn’t need me, i saw it in her eyes” he knows el doesn’t need him, he knows will well enough to understand he is lying. the way he looks at will admiringly is him thinking “he didn’t move on, we’re still the same.” and also him being aware of what will is doing for him, breaking his own heart and sacrificing himself just to make mike feel better. also, he notices will is sobbing, he looks at him and even if he didn’t how could he not? he had tears in his eyes during all the monologue and he was sobbing right next to him. so is there any reason for mike to not say anything to his best friend sobbing next to him if he didn’t know the reason? the mike i know would immediately ask what was wrong if he was clueless. he knows why will is crying but he doesn’t know what to do about it. mike’s situation is pretty sad when you think about it, he probably feels like he’s stuck.
then we have the desert reunion scene. this time we clearly can see how stuck he feels between el and will, he doesn’t know how to get out of this without hurting any of them, and also himself. the way he looks at them looks like also him being afraid of damaging their bond.
then the monologue scene.. this scene may mean lots of different things, i am not sure either.
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it may be mike being aware of what will is doing, how he is sacrificing himself once again, how mike is gonna have to lie and hurt everyone in the end, how the things are gonna be way more complicated or mike realizing he was wrong about thinking will has feelings for him.
my season 5 expectation is seeing a mike wheeler who stops fighting back and embraces his feelings, without hurting both of them.
that’s my point of view that changes almost everyday lol. i don’t know if there are many people who believes mike isn’t clueless so i wanted to share my thoughts. 💛
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Always Been You (Dick Grayson x Reader) - Prologue
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Always Been You (Dick Grayson x Reader) Reader Insert: she/her pronouns Word Count: 7839 Warnings: death, violence, fighting, bloody wounds, angst, infuriatingly oblivious love interest, slowburn Spoilers: Young Justice Seasons 1-3 plot partially, but it ended in 2022 so catch up.
Y/N Prince - miracle daughter of Wonder Woman and Steve Trevor - and Dick Grayson - first adoptive son of the Batman himself - have been best friends since day one. They went to school together, trained together, kept each other's alter ego secret from everyone else, and they founded the Young Justice alongside their friends together.
But as time progressed, Y/N and Dick grew up and Y/N found herself wanting more than friendship with Dick. But he never seemed to indicate that he reciprocated her feelings. And when Wally died and Dick abandoned the team, Y/N realised he never would. So she heads to the one place she knows will help her become a stronger warrior so that one day she can take her mother's place: Themyscira.
Two years after his leave, Dick reaches out to his old friends to help him with a mission. But when he finds out Y/N left too, he chases after her in the hopes to bring her back.
However, when the two finally reunite, it isn't as warm as he hopes. Not to mention Themyscira becomes under siege as they go to war against Echidna, the Mother of Monsters in Greek Mythology, and her army of monstrous children.
Will Dick and Y/N be able to put their past behind them and save the Amazonians' homeland? Or will they fall, unable to tell one another their true feelings?
Long summary I know, but I'm attempting something that I haven't tried to do in a long time and I've had this thought in my head for ages so I've just got to get it out now. This story will cover the plot from Season One to the beginning of Season Three. Apologies if anything is vague or inaccurate, I haven't watched the show in a while and cannot be bothered going back to get it right when the main plot of this story is entirely of my own design and not canon. Also, for the sake of the growing-up-together part, I've brought Dick's family's death up so he is taken in by Bruce earlier than 12 years old. I've always loved this version of Dick Grayson (Nightwing) in Young Justice and I hope I do him justice for those of you who also loved the show and him xx
~~~
(10 years old)
'Don't worry, my beloved,' Diana said in a soothing voice, patting her daughter's head gently as the car pulled up. 'It's not so scary on the inside.'
Wayne Manor was made of grey columns and dark shadows it seemed to little ten-year-old Y/N, who couldn't shake the feeling that the house was full of ghosts. It was an imposing structure, making her wonder how anyone would choose to live in such a cold and lifeless place.
'I want to go home, Mother,' she whimpered, backing away from the car window.
Diana turned her daughter's head to face her, giving her best reassuring smile to alleviate some of her daughter's worries. 'We will, but I need to take care of something first and I can't leave you at home alone. My very good friend has kindly offered for his butler to look after you while we sort our business out. He has a son that I think you will get along with quite well.'
Y/N couldn't believe that a child lived in the scary house outside, but she knew when not to question her mother.
Her mother was always busy, it didn't matter what time of the day or night. Y/N didn't quite know what her mother did, but she knew it was dangerous, as her mother would come home with cuts and bruises, exhausted from whatever she'd just been doing. The partial truth of it all came out just last week, as Y/N and her nanny had been attacked in their small apartment in Washington DC. The nanny had locked Y/N in the bathroom when the men attacked so Y/N didn't see what happened to her. But Y/N had heard her screams, had heard the men laughing at her anguish. She'd heard her mother finally arrive and slaughter the men. And when Y/N was finally let out of the bathroom, her mother's red, white, blue and gold metallic outfit was covered in blood, as was the sword she'd dropped as she pulled Y/N into her arms tightly.
Whatever kind of work her mother and her mother's "good friend" were involved in, if she said Wayne Manor was the safest place to be when she worked, then Y/N wouldn't argue.
It didn't stop Y/N from squeezing her mother's hand to the point of cut off circulation as they walked from the car into the scary house.
'Miss Prince,' a man in a tuxedo said in welcome. He was partially bald and his moustache twitched when he spoke.
'Alfred,' Diana said, giving the older man a warm smile. 'So good to see you again. And please, I am Diana to friends and family.'
'Of course,' Alfred said, a cheeky smile on his face, 'but forgive me if I prefer to be a little old-fashioned, Miss Prince.'
'Very well,' Diana said, turning her gaze down to Y/N. 'This is my daughter, Y/N.'
Alfred smiled warmly down at Y/N, crouching ever so slightly to hold out his hand. 'A pleasure to make your acquaintance, Miss Y/N. Welcome to Wayne Manor.'
Y/N hesitated in taking his hand. She'd always been taught to be cautious around strangers.
'Come on, Y/N,' Diana insisted. 'Don't be rude.'
Y/N, with her free hand, accepted Alfred's outstretched one, giving it a firm shake like she'd seen her mother do with people she had meetings with at work and at home.
'My, you certainly have your mother's strength,' Alfred commented as he stood back up, shaking his hand a little. 'I'll be sure not to mess with you when you grow older.'
Y/N didn't have time to process what Alfred meant when two dark figures walked down a grand staircase into the lobby they stood in. As they drew closer to the light, Y/N distinguished one as a tall and broad-shouldered man with dark hair, neat attire, and a stern face. Beside him was a small child close to her height, also with dark hair and flashing blue eyes. Unlike the taller man, though, his face was bright with intrigue and mischief.
'Diana,' the tall man said by way of greeting as he reached the ground floor with the boy.
'Bruce,' she replied, walking herself and Y/N over to him and the boy. 'Thank you for offering to look after Y/N tonight.'
'Well, it won't be me personally,' Bruce replied, 'but I'm sure Alfred will be able to look after them while we're gone.'
'If I could raise you to be the man that you are today, Master Bruce, I am sure two beautiful children won't be much of a task,' Alfred called out casually as he closed the front door and exited the room.
'I've contacted Clark,' Bruce continued. 'He says he'll meet us at the rendezvous point. We should leave soon.'
Diana nodded. 'Okay.'
To her surprise, Y/N found Bruce's gaze on her, and his stern expression softened as he looked her over. 'This must be the famous Y/N I've heard so much about.'
Y/N remembered her mother's lessons on etiquette and nodded politely. 'Nice to meet you, Mr. Wayne.'
Bruce surprised her again as a small smile broke out, making him look younger and less intimidating than before. 'It's nice to meet you too, Y/N,' he said, looking down to the boy beside him. 'This is my ward, Richard.'
The young boy groaned in annoyance. 'It's Dick, Bruce. You know I don't like it when you use my real name.'
Bruce sighed, but conceded. 'Sorry, this is Dick. I hope the two of you get along tonight, Y/N.'
Before Y/N could reply, Dick stepped forward so that they only stood a step apart. His blue eyes were so bright as they scanned over her, and it took all of her will not to hide behind her mother.
He squinted sceptically at her. 'Do you like sparring, Y/N?'
'Dick,' Bruce exclaimed, eyes wide with horror. 'That's not something you should ask-'
Y/N ignored Bruce's protests as she locked eyes with Dick. She saw the challenge in them, and whatever fears she had about coming here faded away. A fire sparked in her, and she couldn't help herself but grab Dick's unsuspecting wrist and flip him over her and land him on his back. Before he could get up, she pressed a knee to his neck softly as she held him down.
'Y/N!' Diana exclaimed. 'That is not how we treat-'
She was cut off by the sound of Dick laughing, a sound so pure and light it brightened up the gloomy interior of the manor. Dick looked up at Y/N, not even bothered by the fact she was an inch away from cutting off his airway. 'Oh yeah, we're going to get along just fine, Bruce.'
The last of her apprehension to the arrangement disappeared as she released Dick from her death grip and helped him to his feet, a bright smile gracing her features.
'Where'd you learn to flip like that?' Dick asked.
'My mother,' she answered proudly. 'We've practiced for thirty minutes everyday since I was eight. I've also been taking classes back in Washington in judo and karate.'
'Cool!' Dick said. 'Maybe you can teach me some moves?'
'Sure!' Y/N answered.
Without even hesitating, Dick grabbed Y/N's hand and took off running to who knew where, words falling from him like a dam that had just been broken. 'Awesome! And then I can show you some of the cool gymnast tricks I picked up in the circus.'
'You were in the circus? That's so cool!'
The two of them were lost in their own world as Bruce and Diana remained in the lobby, looking after their children lovingly before they disappeared completely. When silence filled the room once more, they turned to each other.
'How much does she know?' Bruce asked.
Diana sighed. 'Enough to know that she will never have a normal life. Not after the incident last week. I thought I had a bit more time.'
Bruce placed a hand on his friend's shoulder comfortingly. 'I'm sorry, Diana. Truly. It's hard enough protecting a child who isn't your own. At least Dick has known death before. He knows everything.'
Diana nodded her appreciation, patting Bruce's hand before he let it drop. 'She will know, one day, what all this means. What her destiny is. Until now she has shown how much of Steve she has in her.' Diana paused at the memory of her fallen lover, feeling the tears rise up whenever she thought of him. 'But I fear she will grow to inherit my power, my responsibilities. I don't know if I'm ready to let her become that for the world. Not yet.'
'Diana,' Bruce said softly, 'she might not have a choice one day. I fear the same thing for Dick. You and I won't be around forever. The world will look to them to help, one day.'
Somewhere in the distance, Y/N and Dick's laughter resonated through the manor, giving it a warmth Bruce hadn't felt in a while. He smiled at the sensation. 'But for now, they have a choice. They can choose to be kids. Until the world no longer needs us.'
~~~
(11 years old)
'Uuuuuuuughhhhhhhhhhh,' Y/N groaned as she flopped onto Dick's bed, textbook flattening over her face in defeat. 'I give up. I'm never going to pass this infuriating maths exam next week.'
All Y/N received was an amused laugh from the dark-haired boy, resulting in her throwing her textbook at his head where we sat on the floor. But Dick had always been quick, dodging the book easily. He was even more quick since they'd started training with each other since she moved to Gotham permanently for school.
She was enrolled at the same school as Dick: Gotham Academy. It was the best school in the area, and when she'd received her scholarship, her mother couldn't refuse her wishes to move. Y/N stayed in the boarding house for the most part, but being friends with the Bruce Wayne's only son certainly had its perks. Such as getting out of the boarding house whenever she needed to study and train without prying eyes.
Dick laughed again. 'Come on, Y/N,' he said, picking up her strewn textbook and offering it back to her. 'It's not so bad. We're just trying to find x.'
Y/N rolled over onto her stomach so Dick wasn't upside down anymore. 'Yes, and it is impossible! I mean, they give us nothing to try and figure out a and b, but we need them both to find out x. How?!'
When Y/N didn't take her book back, Dick put it on the ground and shuffled forwards. He did so until he was half an arm's length away from Y/N's face where it rested in her hands.
'All right, let's have a break,' he said. 'Focus on something else. How about... Ooo, I know! What would your vigilante name be?'
Y/N's eyebrows furrowed. 'What?'
'Your vigilante name,' Dick reported. 'You know, like a code name for ordinary people to refer you by. Like Bruce for example, he's Batman.'
'So like my mother too, who is Wonder Woman,' Y/N added.
Dick nodded. 'Correct. When we start fighting bad guys - and we will some day - we will need alter egos so villains don't pursue us outside of an ordinary mission.'
Y/N sat up as Dick jumped to his feet, pulling out all kinds of ninja-karate moves, many of which Y/N had taught him herself over the last year. 'I think I'll be something winged too. Batman needs to be accompanied by another flying animal, don't you think?'
'That is... logical,' Y/N admitted, though not understanding his motives for the specific topic. 'I haven't given much thought to the matter, honestly. I'm too busy trying to find this dumb x value.'
Dick landed a slam kick against thin air before he took up a normal standing position in front of Y/N. He smiled down proudly at her. 'I was thinking of just bird,' he confessed, taking a seat beside her on his bed, 'but then I thought that was boring. Batman and Bird, yeah sooooo intimidating. So I was thinking maybe Hawk, or Sparrow-'
'Why does it have to be intimidating?' Y/N asked.
Dick paused for the first time in the conversation and looked at her as if she was crazy. 'Because Batman is intimidating. I don't want to be seen as a sissy when I rock up beside him to fights. I defs won't feel the aster, then.'
'But shouldn't a hero be giving people reassurance and hope when they come to save people?' Y/N countered. 'Why would you want to be something that all people dread when you enter the door. I think a hero's name should be strong and encouraging. Something like my mother's.'
Dick rolled his eyes. 'You're just saying that because she's you're mum.'
Y/N shook her head. 'No I'm not. I've seen it first hand. When my mother shows up to lend a hand, the people cry with joy and relief because they know she will do all that she can to save them. I'm not saying Batman - Bruce - doesn't do the same thing, but I just know that when I have to be a hero, I would hope my name inspires people to keep hoping. Not fear me.'
Y/N watched Dick process her words, saw his piercing blue eyes grow distant as he looked down at his hands. For a moment, Y/N worried she'd ruined everything. That she'd overstepped. Dick and Bruce's relationship - it was more of an arrangement, in her opinion - was tenuous to say the least, the two of them always dancing on a very thin line that could snap at any moment when push comes to shove. Either way, it wasn't her place to comment on how Dick should handle his relationship to Bruce.
However, when Dick looked up to Y/n again, she was relieved to find he wasn't angry at her. In fact, a soft smile had bloomed on his lips.
'You're right,' he said softly. 'I don't have to be scary. Bruce has that all covered.'
'Glad to hear it,' Y/N replied with a a reciprocal smile. 'So... anymore ideas on your name?'
'Well, I still believe it's got to be a bird of sorts,' Dick answered. 'But let's steer clear of the birds of prey, shall we? Maybe Jaybird, or Bluebird. No, that's stupid. Raven? Nah, that's going backwards...'
'How about Robin?' Y/N suggested, and Dick's smile broadened to the point Y/N was scared he'd split his mouth right open.
'That's perfect!' he exclaimed, bringing her into a hug. 'Batman and Robin. It's got a nice ring to it, doesn't it?'
'It sure does,' Y/N said, grateful to have helped.
When Dick let her go, he said, 'Now how about you? What do you think your vigilante name should be?'
Y/N thought about it for a moment, but could only come up with one name. 'I like Wonder Woman, but mother already has that. I don't think two of us would make it easy for the public, especially if she is still working.'
'That is true,' Dick replied, turning away from her as he delved into deep thought. Y/N could tell he was thinking deeply as his tongue was poking out ever so slightly - the thing he always did when he was concentrating really hard. Y/N always found it amusing since the day she met him.
Y/N jumped a little when Dick suddenly cried out with excitement. He turned back to her and grabbed her shoulders, forcing her to look directly at him. 'How about we take inspiration from your mother? Use part of her name to create yours. Like Wonder Girl!'
Y/N shook her head. 'No, that's really lame, Dick.'
'Wonder Kid?'
'No.'
'Wonder... Child?'
'No!'
Dick snapped his fingers and his eyes brightened as Y/N assumed a great thought popped into his head. 'I've got it: Wonderess! You know, like Wonder Woman and goddess put together!'
'Wonderess...' Y/N tested it out on her tongue, and she smiled at how easy it rolled off. It was simple, it was to the point. She could just hear the world now, shouting and screaming and crying her name for joy, for help.
She couldn't stop her smile from widening and matching Dick's. 'I love it.'
'Great!' Dick slid back down to the floor and grabbed the forgotten textbook she'd thrown at him earlier. 'Now, oh mighty and powerful Wonderess, time for you to conquer the alluding and difficult enemy that is mathematics.'
Despite her earlier anguish, Y/N felt rejuvenated and took the book from Dick and opened it back to the page she'd failed to understand. 'Then conquer mathematics we shall, oh sneaky and charming Robin.'
Dick flashed her one of his dazzling smiles. 'Oh yeah, I can see it now. Robin is going to be popular with the ladies when I'm older.'
Y/N rolled her eyes, but couldn't contain her smile. 'Don't make me throw this book at you again.'
Dick raised his hands in mock surrender before they both dove back into their respective homework. But after five minutes of work, Y/N had another thought.
'Dick. What does "aster" mean?' ~~~
(13 years)
When Y/N had walked into the Hall of Justice earlier that day, she never imagined that she'd end up helping her best friend and the sidekicks of the Flash and Aquaman break into a top secret and highly secured lab centre, get captured by the mad scientists running the show down there, break out and now be standing in front of the Justice League as a Superman look-alike (that they'd broke into for and out of with) stared down his creation's inspiration.
'Start talking' Batman said, finally breaking the tense silence.
Between Kaldur, Wally, Dick, and Y/N (Superboy, Y/N realised early on, didn't talk much), the story of how they ended up at Cadmus and pretty much destroyed it was eventually told. Afterwards, the blockbuster monster they'd fought was taken away by Green Lantern and some other League members. Y/N couldn't help but peak at her mother as Wonder Woman herself conversed with Superman and Martian Manhunter. For a brief moment, Diana looked her daughter's way then quickly averted her gaze. But Y/N knew from that one look that her mother was unimpressed by her actions today.
'Cadmus will be investigated,' Batman said, after Superman said a frosty goodbye to his younger clone. 'All fifty-two levels. But let's make one thing clear-'
'You should've called!' the Flash finished, crossing his arms, clearly disappointed in his sidekick's efforts.
'End results aside, we are not happy,' Batman continued. 'You hacked Justice League systems; you disobeyed direct orders; and you endangered lives. You will not be doing this again.'
Y/N's heart faltered at the very notion. Despite the wreckage and the stress and the struggles they had faced, Y/N very much liked working with Dick, with Kaldur and Wally too. Even the Superboy was enjoyable at some points. To never work with them again was not something she expected she would miss after one mission.
Kaldur and the other boys must've read her mind, as he stepped forward, standing tall and speaking with a strong voice well beyond his years. 'I'm sorry,' he began, eyes never leaving Batman, 'but we will.'
'Aqualad,' Aquaman started, stepping up behind Batman. 'Stand down.'
'Apologies, my King. But no,' Aqualad replied. 'We did good work here tonight. The work you trained us to do. Together. On our own. We forged something powerful. Important.'
'If this is about your treatment at the hall,' the Flash started, 'the four of you-'
'The five of us,' Wally corrected, looking directly at Superboy as he did, 'and it's not.'
'Batman,' Dick said, stepping to the front of the group. 'We're ready to use what you taught us. Or why teach us at all?'
'Why let them tell us what to do?' Superboy interrupted, pushing past Dick to take the lead. 'It's simple, get on board. Or get out of the way.'
Y/N joined her friends in staring down the heads of the Justice League. It was an intimidating figure they all posed, but Y/N knew she was doing the right thing. That her and her friends had done the right thing tonight.
Diana joined Batman, the Flash, and Martian Manhunter, her face unreadable and voice monotone. 'Are you sure this is the path you would like to forge, Wonderess?' she asked, her voice echoing in the crater they stood in.
Apart from Dick and Bruce, no one else (to Y/N's knowledge) knew that Wonder Woman and Wonderess were related in any manner. Not that either disguised themselves like other heroes did - purposefully hiding their faces to conceal their identities like Batman and the Flash - but neither outwardly acknowledged their true relationship either.
However, Y/N could tell her mother wasn't just asking her as her sidekick, but as her daughter. Was Y/N really prepared to risk all she had trained for, for some... strangers?
Y/N eyed the golden lasso that hung at her mother's hip, and opened her hand to summon the seemingly never-ending rope into her hand. It wrapped around several times, then glowed as Y/N clenched a tight fist around it.
'I am more certain than I have ever been, Wonder Woman,' Y/N replied, feeling the lasso urge her to speak all her truth. 'While I still endeavour to one day be your successor, my place is with my friends right now. We need to walk this path together, wherever it leads. I know this to be absolute truth.'
Y/N sucked in a breath as she let go of the lasso, feeling slightly drained from the power it had over her. Dick put a hand on her back to brace her as she recovered. Once Y/N had caught her breath, she spared Dick a grateful smile, which he reciprocated.
Just as it had been from day one, they would ride this wave together. No matter how rough.
The very next day, the five of them were taken to Mount Justice, the backup facility for the Justice League as Batman explained. Upon arrival, they met M'gann, Martian Manhunter's niece, and soon after Artemis was brought into the mix.
Soon, they were the Young Justice.
~~~
(13 years old)
'Congratulations team, you have won the day,' Red Tornado said as he laid dismembered on the ground.
The rest of the team had just reconnected as the Justice computer phased a date and time code onto one of the glass walls of the Watchtower. It read: January 01, 00:00 EST.
'Happy New Year, Justice League,' the computer announced.
To no one's surprise, Wally picked up Artemis and pulled her in for a long-awaited kiss. M'gann and Connor paired up, so did Rocket and Aqualad surprisingly.
Y/N felt uncomfortable watching them all making out, so she turned to her best friend so they could give them all some privacy. 'Hey Dick, let's go-'
But as she turned around, Y/N saw that Dick had also paired off with someone: Zatanna. This time, Y/N couldn't help but stare as the two of them made out.
Since day one of Zatanna joining the team, Y/N had noticed Dick had a thing for her. Who wouldn't? She was beautiful, she was just a year older than them but that just made her more desirable, and she was good with magic!
Something stirred inside Y/N, something that twisted her guts to the point she thought she'd throw up. Was it jealousy? No, she wasn't the jealous type. Besides, Dick was her best friend, no one could change that. He could kiss whoever he wanted to kiss. At the end of the day, they'd still talk and laugh and spar and go get ice cream together.
...Right?
'Human customs still allude me,' Red Tornado said from his place on the floor.
'You're not the only one...' Y/N mumbled to herself, standing all alone.
~~~
(16 years old)
Y/N was just sparring on a test dummy when Dick entered the training ring looking a little worse for wear, his usual mischievous smile not visible.
'Hey,' Y/N said, finishing up her combo of kicks and punches, heaving in deep breaths. 'What's up, bird brain?'
He didn't reply straight away, instead standing on the edge of the fight ring as if afraid to step out of the shadows and into the light. Y/N raised an eyebrow in confusion. 'Dick?'
When he didn't respond again, Y/N walked over to him. And when she got closer, she realised why he remained in the darkness.
'Have you been crying?' she asked softly, scared to speak too loud in case he ran away.
Dick wasn't an emotional guy. He just wasn't. He was the mischievous gremlin who kept the team together with his witty remarks, charm, and sheer intelligence. And even though Kaldur had been the leader of their team for years now, Dick always wanted to be a leader like Bruce was for the Justice League. He never gave himself room to be emotional.
So for him to stand in front of Y/N with red-rimmed eyes and tear marks streaking down his face, whatever had just happened had to be so impactful it finally broke his resolve.
He averted his eyes. 'Zatanna,' he started, biting his lip to suppress sobs falling out between the words. 'She broke up with me.'
Subconsciously, Y/N had been dreaming about hearing those words for a long time. She didn't quite understand why, as Zatanna was a close friend and Dick was by far her best friend so of course she only ever wanted happiness for them. But now that Dick stood in front of her so broken and sad, Y/N only felt sorry and remorse.
'Oh Dick,' she said. 'I'm so sorry... How can I help?'
Dick shook his head vigorously, eyes still averted from her. 'Can you just... Can we spar please? I think I really need that right now.'
His tone was restrained, as if he were holding back what he really thought. Y/N had half a thought to suggest they just talk, but when he finally looked directly at her, how could she refuse her best friend? After all, she was the only one he never wore his glasses around. Even after all these years with the team, he trusted no one else but her with his identity.
The original members knew, but even then he still wore his shades around them half the time if he wasn't in his vigilante suit. But not around Y/N, though. Never around Y/N.
'All right,' Y/N conceded, walking with him back to the centre of the fighting ring. She stood in her usual starting position, hands raised and feet split ready to fight. 'Same rules as last time?'
Dick nodded. 'No flying from you, no gadgets from me. Just us.'
'Perfect.'
Y/N launched into a heated sparring match, much more heated than any other match she'd had before with him. Sparring matches are usually to practice a skill, usually some punches can be pulled. But not now, Dick was throwing himself into everything, becoming sloppy, opening himself up. While the first few jabs Y/N got in were small victories, she soon grew worried as he grew more and more reckless as the match progressed.
'You're opening yourself up too easily, Dick,' Y/N commented between heavy breaths. 'Tighten up your stance.'
Dick groaned with frustration in answer, throwing another punch at her which she easily ducked and palm-punched his abdomen hard. He stumbled back as he caught his breath, but Y/N took it as her chance to end the fight as she charged at him, crash-tackled him to the mat with a bit more super-strength than she'd been using and pinning his limbs to the ground.
Dick struggled under her, but she refused to let go. 'Concede, Grayson. Now,' she demanded.
She rarely used his last name, only when he was in serious trouble or when she really needed him to listen. So he stopped, and he looked up at her and he nodded. 'I concede,' he said between huffs of air.
Y/N nodded her head in acknowledgement before stepping off him and helping him to his feet. For years they had been the same height, but once Dick had hit fourteen, he shot up fast. He was still lean and more on the skinny side, but he was toned in certain places and he now stood a head taller than Y/N. But she didn't let his new height stop her from locking eyes with him.
'Do you feel... somewhat better now?' she asked cautiously, feeling that Dick was on the brink of an explosion, she was just unsure what kind it would be.
To her surprise, Dick's piercing blue eyes welled up with tears. 'No,' he said.
Y/N immediately wrapped her arms around him, and Dick fell into her and wrapped himself around her as if she were a warm blanket on a cold night. They stood like that - with Dick crying silently into her shoulder and Y/N rubbing soothing circles into his back - for who knew how long. A minute, two, an hour maybe. It didn't matter, Dick needed Y/N'S help so she would stay there as long for as it took.
'She said she couldn't do it anymore,' he said finally, tears finally finished running, but he still didn't break from Y/N's embrace. 'The long distance.'
'Being promoted to the Justice League is a huge commitment, Dick,' Y/N offered.
'It's not just that, though,' he said. 'I think she couldn't take me anymore. Ever since Jason-'
His voice cracked on the mention of his fallen brother, the next ward Bruce had taken under his wing. When he joined the team, Jason took over the Robin mantle, giving Dick freedom to explore a new path of vigilante identity. One outside of Bruce's shadow and the dynamic duo of Batman and Robin. He'd settled upon Nightwing - another name Y/N helped come up with - and he'd taught Jason everything he knew about being Robin and how he could find his own meaning for the role.
But Jason never got the chance to do the same for the next Robin, who Bruce mentioned would never be found after Jason's death. Jason had been killed on a mission with the Batman himself only a month ago, and Dick had secretly been a wreck ever since. He'd learnt from his sponsor who to hide his emotions, but Y/N assumed he had to let it out to someone or someones every so often. Those people were herself, and no doubt Zatanna.
Despite her bubbly and adventurous personality, Zatanna knew death, knew grief. It suddenly angered Y/N at the thought that Zatanna had dumped Dick because he was grieving and couldn't give her the attention he had become known to give her daily.
Y/N held her tongue as she pulled him tighter, though. Now was not the time to rub salt into his open and bloody wound.
'You don't have to explain yourself to me, Dick,' Y/N reassured him. 'I understand.'
He squeezed her tighter. 'First my family, then Jason, now Zatanna. Promise me you won't leave too. Promise.'
'I promise, Dick,' Y/N answered. 'I'll always be here if you need me.'
Dick finally pulled away from her, but only far enough that he still held her in his arms and she had to angle her head harshly upwards to look him in the eye. Despite the redness, Dick's eyes still shone a blue that didn't seem quite real - like the colour of the purest, cleanest ocean.
So beautiful.
'You're my best friend, Y/N,' he said softly, a grateful smile finally breaking through his sadness. 'You know that right?'
Once upon a time, Y/N wouldn't have hesitated in answering. Yes, she would say, because it was the truth. It was the truth still, but a discomforting feeling in her stomach squirmed at the words "best friend". What he meant to her went past the simple label, at least in her opinion. But she just couldn't quite put it into words yet.
'Y-Yeah, I know,' she stammered out quickly. She had paused way too long to answer. 'Just like you're mine, bird brain. Don't think a bunch of tears is going to scare me off so easily.'
She was so glad to be the one to make him laugh then. It was the most melodic sound she'd ever heard, even though she'd heard it a thousand times before. Dick could never be tiring to her.
Finally - and thankfully - Dick stepped out of her arms, allowing her to suck in air that had previously been missing from between them. But he stole it all right back when he flashed her that charming smile of his.
'Guess I'll see you tomorrow, Wonderess,' he said. 'Thanks again for the sparring. I'll be sure to tighten up for next time.'
'G-Great, good, excellent,' Y/N stumbled over her words, unable to breathe when he smiled so causally yet so beautifully at her. 'See you tomorrow.'
Dick gave her a tiny wave as he left the room. As he left, Artemis and M'gann strolled in wearing civvies. They greeted and farewelled Dick before continuing to walk to Y/N, who stood frozen where Dick had left her staring after him.
'You okay, Y/N?' Artemis asked, waving a hand in front of Y/N's face. 'Helloooooo. Earth to Y/N?'
'Maybe she's fallen into a hypnotic state,' M'gann suggested. 'Or worse! A mind ant has taken over her brain! I'll have to go inside her mind to weed it out.'
That finally disrupted Y/N from her stupor. 'No! No need for that. No mind ants here,' she frantically said just M'gann was about to enter her mind.
'Then why were you looking like Medusa had risen from her mythical death and frozen you in place?' Artemis asked, deadpan.
'First of all, Medusa was a real person. Greek Mythology is real, or therefore my mother and I wouldn't be here today,' Y/N countered. 'Second of all... I think I a have a crush on Dick.'
As soon as she said the words, she knew them to be true. She didn't need to discuss it with the girls, she already knew.
Y/N Prince, daughter of Wonder Woman, had a huge, fat crush on her best friend, and son of Batman himself, Richard 'Dick' Grayson.
'Shit,' all three girls said at once.
~~~ (18 years old)
Y/N watched with sad eyes as two of her closest friends walked away under the cover of darkness. Again. Kaldur and Artemis - the latter now legally dead - waved farewell before they entered a small submarine, on their way to continue infiltration of the Light on Kaldur's father's ship.
Two figures stepped up beside Y/N. 'Well,' Wally started, 'I guess that's that.'
'For now,' Dick said. 'I promise, Wally, we'll bring them both back.'
'Yeah, whatever,' Wally said, turning to leave. 'You're my bro, Dick. But if Artemis is really killed because of this, I will never forgive you.'
Wally's footsteps resounded through the empty fishing warehouse as Y/N continued to stare out at the ocean. Soon, it was just her and Dick.
'We should head back to headquarters,' Dick suggested. 'Someone might start to wonder where we are.'
But Y/N didn't turn to leave, still transfixed by the ocean. 'I thought I was okay with all this,' Y/N admitted, her voice barely above a whisper. 'I convinced myself that this was for the greater good. But now I'm not so sure.'
'What do you mean, Y/N?' Dick asked.
'The lying, Dick,' she answered, finally turning to him. 'The secrets, the faking of deaths and undercover betrayals. If we keep this up, it'll tear the team apart.'
'It won't,' Dick reassured her, his voice so certain and sure. 'When this is all over and we explain it all, they will understand. I expect some disappointment and hostility for a while, but one day they'll understand why we did what we did. But this team we've built, Y/N, it is stronger than all this. I know it.'
Y/N shook her head, wanting to believe him but unable to put aside the horrible feeling in her gut. 'I know they are strong. I just wish there was another way for us to win.'
'Trust me, if there was, I would've taken it,' Dick said, and even with a mask on, Y/N knew he was telling the truth. 'I want all of us fighting this together. For now, we've just got to trust in Kaldur and Artemis that they will succeed.'
Y/N nodded, her gaze returning to the flat ocean waters where her friends had long since left behind. 'Maybe you should've sent me like I suggested,' Y/N said half-heartedly. 'You're a great substitute for leader, Dick. Truly. But the team took Kaldur's betrayal heavily, and Artemis and Wally were out of the game. We shouldn't have brought them back in. Wonder Girl is trained up enough to take my place. You don't need me.'
'Don't say that.'
Y/N could barely react as she was grabbed by her shoulders and forced to face Dick, who had crouched so he was eye-level to her and leaned in so she could see the slightest gleam of his pupils through the white mask.
'Don't say that,' Dick repeated, his grip on her shoulders firm and grounding. 'We do need you. You're a founding member too, Y/N. Regardless of if it were Kaldur or not, the team would've struggled without any one of us. And the only reason I was able to lead this team this past year is because I knew you had my back the entire time.'
'Really?' she asked, the one word a struggle to get out.
His expression softened and he loosened his grip. But Dick didn't release her yet. 'Y/N, you are always the one giving hope to the team whenever I can't raise their spirits. You were the one to console them after Kaldur leaving. You are strong and brave and you never give up, especially when the chips are down. And they have been down on us a lot lately.'
Y/N caught her breath as Dick released one shoulder to use his pointer finger to hold her chin up, making her look directly at him. 'It kills me that you don't see yourself how everyone else sees you. Which is amazing, Y/N. Amazing and wonderful.'
Y/N swore Dick could hear her heart thudding rapidly against her chest. In the two years since realising it, her crush on her best friend hadn't faded like she'd hoped. Instead, it had grown and blossomed but Dick still couldn't see how much she absolutely adored him. She'd resigned herself to the fact that he would never feel that way about her, and also if they were to date, then it would just make working together all the more complicated. She couldn't compromise on the team's relationship.
But as Y/N looked into Dick's eyes now, a little spark of hope flickered inside her. He was so close to her, he had to feel her heartbeat. He had to know... right?
A wind of doubt blew out the spark and she stepped away from Dick so her head would stop spinning. 'You just had to get a pun in there, didn't you?' she said, surprised at how calm and casual her voice came out all things considered.
Dick took a moment to gather himself, as if he too had been lost deep in thought. But soon that infamous smile of his stretched his lips and Y/N knew she could never say no to him. 'What can I say? I'm an opportunist.'
'I thought you were a gymnast.'
'I am also your best friend, and so I am legally obliged to slip in puns about you whenever possible.'
'Oh, do you now?' Y/N asked, lightly shoving him as she made for the warehouse door. Dick was right, they needed to head home before anyone started questioning their whereabouts.
Dick quickly caught up. 'I mean it Y/N. You are my best friend.'
'I know,' Y/N said nonchalantly, trying not to let the words sting too much. But she managed a soft smile as she said, 'And you are mine. Always have been...'
Dick flashed her a genuine smile, no charm, no hidden agenda behind it. He held his pinky finger up, to which Y/N linked her own with. '...Always will be,' he finished.
As they went home, Y/N felt better about Kaldur and Artemis' mission, as well as her place in the team. But she was now even more confused about Dick and how he felt about her. They were best friends, had been through so much together, it wouldn't be wise to ruin all that now.
But the way he'd looked at her, maybe there was a chance after all.
~~~
(18 years old)
'You're leaving?'
Y/N and Kaldur couldn't believe what they'd just heard. One minute, the three of them were discussing the team's next move after foiling the Reach's invasion plans and splitting the Light in half, and the next...
'That's correct,' Dick said. 'I just... I think I need to take a break for a while.'
'For how long?' Y/N asked, finally getting over the initial shock of his announcement. It had been a hectic day, full of surprises and sacrifices nobody saw coming. Right now, in her opinion, everyone needed to band together, not... leave.
Dick shrugged his shoulders. 'I don't know. But it definitely won't be quick. This team has been my whole life for five years now. I think it's time I stepped away, let Kaldur take the reins again.'
'The team will not be the same without you,' Kaldur offered.
'The team already isn't the same,' Dick said solemnly, and the slightest crack in his voice indicated to Y/N what he was referring to. 'You, me, Y/N, Wally. We founded this team. Without him...'
Dick didn't need to finish. Y/N had felt Wally's absence since the moment he fazed out of existence. He saved the world, but he'd been too slow to combat the chrysalis' energy. Not even the Flash or Impulse could save him. It made Y/N so mad, because Wally must've known he wouldn't come out of it alive. He knew he was too slow, having been out of the game for so long.
And yet he did it anyway, because that was who Wally West - Kid Flash - was.
'I understand,' Kaldur said, placing a comforting hand on Dick's shoulder.
'Thanks,' Dick said, then looked to the boom tubes of the Watchtower. 'I should probably go.'
'What? Now?' Y/N asked. 'At least see the day through, Dick.'
'There's nothing else for me to see through, Y/N,' he countered, already making his way to the boom tubes to make his exit. 'Kaldur is back, and so is the Justice League. I am no longer needed.'
Kaldur didn't follow Y/N as she chased after Dick. 'At least let the team know personally you'll be leaving. Don't you think they deserve that much from you after all we've done?'
'All I did was sign Wally's death sentence,' Dick answered harshly, not even bothering to turn around and face her. 'Yeah, the team really deserves that from their substitute leader.'
The two of them stopped before the boom tubes, facing each other one last time. Y/N grabbed Dick's wrist before he could dial in his code to exit the Watchtower.
'Dick, please,' Y/N pleaded, voice tight with desperation. 'I know you're hurting right now. We all are feeling Wally's death. But the team needs you right now. I need you...'
It was a last ditch attempt at convincing him that he meant more to her than just a friend. That he was her glue, that he was important to her and the team. That, even if he was nothing else, he was her best friend, and she was his.
Always have been... Always will be.
Don't go, she wanted to say, but the words never came out. It's like Dick had always been a part of her life; she now couldn't imagine her life without his witty remarks, without his odd use of words like "aster" and "traught", without his charming smile and kind eyes. She couldn't imagine life without him. Please, don't go.
Dick's sad expression told her he'd made his mind up before he even spoke the words.
'I'm sorry, Y/N,' he said softly, pulling her into a gentle embrace where he pressed a feather-light kiss to her forehead. 'But I can't deal with this right now.'
As if in a dream, Dick stepped out of the embrace and dialled in his code for the boom tube.
'B:01 - NIghtwing,' the computer announced as the boom tube activated.
Dick was a step away from leaving Y/N behind when she called out, 'Don't be a stranger!'
She knew he had already made his mind up. But that didn't mean the two of them couldn't still be what they had always been. Best friends.
To her joy, Dick stopped and turned back around, a melancholic smile on his face as he held up his pinky finger. 'Always have been...'
Y/N reciprocated his smile as she too held up her pinky finger, imagining hooking it with his. '...Always will be,' she replied softly.
And then he was gone, and Y/N was left standing alone in the Watchtower.
She didn't realise she was crying until Dick was gone, until her senses had returned fully and felt the sensation of tears rolling down her face. That's when she acknowledged she was truly, utterly, hopelessly sad.
Because for the first time in seven years, Dick was no longer by her side. She didn't have Dick to fall back on when things got tough; she didn't have Dick to talk to about her issues with the new recruits; she didn't have Dick to laugh with after a night out at the arcade where he had failed epically at every game; she didn't have Dick reassuring her that everything would be okay, even when the world was telling them otherwise.
Dick was gone, and that was something Y/N had never expected to deal with.
'Wonderess.'
Y/N wiped her tears away before she turned to see who had called her. It was Kaldur, and based on his sympathetic expression, she knew he had heard everything.
'Batman and the rest of the Justice League wants to speak with us all,' he said.
'Right,' Y/N said, composing herself before walking over to join her friend.
Dick was gone, but she was still an integral part of Young Justice, and they needed her more now than ever. Whatever was to come their way now, they had to be strong, a united front.
Even if her heart yearned for someone who had completely abandoned her.
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allkindfangirl · 1 year
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i missed you I rafe cameron
warnings: season 3 spoilers!
pairing: rafe cameron x reader summary: in which he comes back and they're reunited
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„It’s Rafe. He’s back.“ Those words coming from Sarah’s mouth were enough to make you zone out. You didn’t listen to what Kie said afterwards, you just heard the waves in your ears and your heart beating in your chest.
You hadn’t seen Rafe since he and his family left - when he left you behind. You, the only person he had trusted, the only person he had ever been in love with. Ever since he had left, there was no day where your heart didn’t hurt, where his last words didn’t rang in your ear. Your friends being away, you not knowing where they were or if they even were alive made that time the worst in your life.
„Y/n.“ Kies voice snapped you out of your thoughts. You could feel the tears in your eyes. „I- I have to see him.“
You felt Sarah’s hand on your back, both of them looking at you with a sad look. „I know.“, Sarah whispered. She knew that the love between you and her brother was one of a kind. She knew you loved him but hated a part of him for what he did to everyone around him and to you. But your friends knew that there was an invisible string between the two of you that couldn’t be destroyed.
-
You shivered as you walked up to the Cameron house, the house that once felt like home. You thought about all the times you had hung out with Sarah, then got to know Rafe and finally almost spend every day with him.
You saw the light coming from the house, meaning someone was home. Your heart beat faster as you went to the front door, knowing it was always unlocked.
You hesitated, your hand on the door knob. He was the one who had left you, and there you were back at his doorstep. You had hoped you would have enough pride for yourself, but just the thought of seeing him again, looking into his eyes, him looking at you, made you weak.
The house was silent as you stood in the hallway, your feet glued to the floor. A minute later you heard footsteps but you couldn’t move.
And there he was, standing at the end of the stairs. His hair was buzzed and his lips were parted. He was staring at you, and just like you, he didn’t move.
„Y/n.“ His voice was almost ringing in your ears, but not in a bad way. He made a step towards you, his hands reaching out for you. As he stood in front of you, his body almost touching yours, you felt the tears welling up again. Your breathing went faster, though you tried to calm yourself down. „Why didn’t you come looking for me when you got back?“, you whispered.
He flinched when he heard your voice again after all that time. He tried to stiffen up, still couldn’t believe how soft he felt whenever he was around you. „I-„ He couldn’t even get out a whole sentence. He looked down, breaking the eye contact, even though it was the last thing he wanted to do.
„I figured you didn’t wanted to see me after everything.“ His eyes looked harder when he looked at you again. You knew this was him protecting himself from showing you how much it had effected him.
"I- I'm sorry." His voice sounded softer this time, almost devastated. He was breathing faster, his hands were shaking and he started pacing around. You were used to his panic attacks. You had been there with him a lot of times, when he couldn't bare the panic and pain in his body.
"Rafe.", you said calmly. You wanted to yell at him for leaving you, for not reaching out, for not even telling you that he was okay and alive. You wanted to be the one he held, the one he gave comfort but you knew that in this moment he was the one needing it from you.
He always seemed like a tough guy, being aggressive, obsessive but he wasn't like that on the inside. He was broken, he couldn't deal with the pain he always felt, the feeling of not being enough.
"It's okay. I'm here." You took a step towards him, until your hand reached his arm. You felt his warm skin against yours. He was still shaking and breathing heavily, his eyes being wide open.
"Come here." You slowly wrapped your arms around him, bringing his body against yours. Rafe felt the relief as soon as he felt your body against his. His quiet sobs made your heart ache, so you pulled him closer.
"I missed you so much."
- just a little blurb, hope you liked it.
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theapangea · 8 months
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Missed You Too
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Missed You Too
Steve Harrington x reader
Summary: You finally kiss Steve.
A/N: Ok this is one that I posted on AO3 after the end of the last season. Obviously I had to write something good for Steve because they do my boy so dirty!! HE IS NOT SOMEONES SECOND CHOICE!! Hope you enjoy my loves <3!!
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The past week was a blur. You didn’t expect your first college spring break to end with you racing back to Hawkins to see the aftermath of what Venca…? One…? Henry…caused. You didn’t want to entirely believe that the Upside Down still existed, that the gate was still open after you all fought so hard to close it time and time again. That’s why you chose to leave Hawkins in the first place, moving across the country to get away from the horrors of that small town. 
But when Jonathan, Will, and Mike show up at your door, pleading for your help to find Eleven, you couldn’t just turn your back on them, not then, not ever.  
You didn’t even know that Joyce, Eleven, and the boys moved to California shortly after you did. No one bothering to stay in touch, mostly you didn’t bother to stay in touch. Almost like you intentionally separated yourself from the people you were closest to. You would never admit it, blaming the lack of communication on school. 
The truth was, you didn’t want to be part of Hawkins anymore. You didn’t want to fear for your life. The scar that Hawkins left on your soul made you paranoid, made it hard for you to live a normal life. Always looking over your shoulder, always ready for a fight. 
The drive back was like riding a bike, you could drive it blind folded if you had to. Everyone thought it would be best if you drove the last bit as Jonathan was barely able to stay awake at this point. The tall, full trees lined the only road in and out of Hawkins. Car after car rushing to escape the town as disaster stuck only nights before. 
Passing shelters, destroyed homes, police and media, all lining the streets trying to make sense of the situation. If only they knew the truth. 
The car swings around the curb, braking suddenly outside of the Wheeler house. You never thought you would be here again, at least not in this lifetime. Pausing, white knuckling the steering wheel as you hear the van door slide open. Mike, Eleven, Will, Argyle and Jonathan exiting the vehicle to be reunited with loved ones again. You take your time getting out of the pizza van, not sure if you wanted to see them, not sure if they wanted to see you .
Finding yourself staying by the van with Argyle. He was new, didn’t know about Hawkins and was thrown into this mess similar to how you all were. How could he continue to want to be part of this? Your gaze drifts down, your chest heaving rapidly. Your feet glued to the ground, unable to move from your spot. 
Closing your eyes, trying to regain a sense of self. It shouldn’t matter that you left then, it should only matter that you are here now . Some relief washing over as you repeat that you are here now, you are here now, you are here now. The held breath releasing as you scan the scene in front of you, the warm breeze picking up making you draw the wild strands of hair behind your ears. 
You watch as Mike hugs his mom, her eyes tender and soft, thanking the gods for him to be returned safely, stating how he is never allowed to leave home again. Her hands never leave his body, afraid that if she lets go then he will disappear without a trace again.
Jonathan approaches Nancy, both unsure of their relationship, both yearning for a solution - but still they hug, the sweet embrace almost made up for the long, angry phone calls and the absence spring break trip. 
Jonathan told you all about his Nancy problems, hoping you would be able to help. He didn’t like your answer of honesty and communication, joking how you were never honest with your true feelings for a certain Hawkins boy. Quietly commenting that you should have made a move a long time ago to get him to move on from Nancy. 
After all this time, you couldn’t believe he was still hung up on her. But maybe he was supposed to move on. Move on to someone who he spent all his time with, to the person he’d drop by at their house unannounced, to the girl who was so tired of the neverending nightmares that she did everything she could to move as far away as possible. Even if it meant breaking the heart of the person she was supposed to end up with.
And there he was…
Boy, was he a sight for sore eyes. The green-blue sweater with the rolled up sleeves to the washed out blue jeans hugging his hips in all the right places. The way his hair was so delicately placed, too messy to be considered neat, too neat to be considered messy. His eyes heartbroken, full of pain and anger. Full of every ounce of love that he is willing to give away in a heartbeat. Your soul aching for him. 
His hand placed on the back of his neck, clearly hurt from the unfolding scene between Nancy and Jonathan. Robin’s hand pressing gently on his back, guiding him away. 
You weren’t surprised that he still had feelings for her. A little annoyed, yes, but not surprised in any way. He would always talk about her, the way she laughed and talked and smiled. And it made you so angry back then. Realizing that the anger never left. 
He hasn’t noticed you yet, his eyes fixated on the ground. Probably hoping to finally disappear. You feel the same. You were two passing ships in the night too afraid to let the other one know you were there, constantly turning off your lights, constantly dropping your sails.
The situation between you both was left pretty rocky. You could never decipher the tension between you both, was it love or indifference? Steve was always there for you and even supported your decision to leave Hawkins, even if that meant never seeing you ever again.
You promised to call each other once a week, which did happen until once a week turned into once a month and once a month turned into dozens of missed calls on both ends. Leaving you both hopeless and alone. Both trying to figure out adulthood without the comfort of a childhood friend.
Before pushing your body away from the car, you look over at Argyle for some sort of friendly relief. After hearing Jonathan complain about you never making a move on Steve, Argyle has been constantly encouraging you since. To not wait for any guy to make the first move, to create your own future. You were surprised at his wisdom.
His kind smile helps ease your nerves as your feet move one in front of the other, your heart beating so loud you can hear it in your ears. The drowning noise of your blood rushing through your body almost makes you want to turn around. Run away like the first time - but you were tired of running. Tired of the ‘what if situation’ that danced between you and Steve. This was your moment and there was no way you were going to turn back. Not this time.
Walking down the driveway, Mrs.Wheeler silently thanks you for helping bring Mike back home safely. Her hand lightly squeezes yours as you pass. Your lips curl, barely a smile forming as your mind is elsewhere.
Nancy watches as you walk by, her body still wrapped in Jonathan’s arms. Her mouth barely parted, maybe she wanted to say something but immediately regretted his decision to make any comment. The strong bond between you both broke when she started to date Steve…then Jonathan. You were civil with one another but you’ve barely spoken a sentence in the past three years. Neither of you wanting to resolve your years-long battle.
Robin’s and Steve’s gaze are on you. Stopping right in front of the pair, realizing you didn’t have a plan once you got to this point. Robin instantly beaming that bright smile that you missed so much. Her hug was intentional, like she was trying to squeeze all the events of this past week out of you. Cleansing you of all the horrors. Your arms wrap around his waist, pulling her deeper, knowing you needed her in that moment. Her comfort washing over you, giving you the strength you so desperately needed. She releases you, arm's length away, her smile inviting and safe. 
Your eyes shifting to Steve. Swearing in that moment that he was smiling but immediately covering it with a cough and a snatch on the nose. 
She squeezes your shoulders before walking away, giving you and Steve a little alone time. Even if that alone time was in front of half your friends.  
“Hey.” You exhale, the tension growing between the two of you. The air suddenly still as his eyes studying your face, his fingers twitching every so slightly. 
In one swift movement, grabbing your wrist, pulling you in for a hug. The instant smell of his cologne filling your head, making you dizzy with the smell of home. No words needed to be spoken between the two of you. He was just glad you were safe, finally in his arms.
You missed him. 
Not just this past week, but for the past 8 months. He pulls you in closer, his body finally relaxing against yours. The breath of fresh air was everything you both needed, everything you have ever wanted, and everything you will ever need. 
In this moment, you were his and he was yours. Everything was right with the world. All the trouble of this past week washes away, your minds clearing, seeing a future with only the two of you. 
You both pull back, speaking in a silent conversation. Neither of you know how to respond in this situation. Both of you felt the buzz, the electricity, the love. 
After all this time, it felt like you never left. The feelings for Steve came crumbling back down. You thought this was your chance, your only chance . Your body makes the decision for you, as your hand wraps around the back of his neck, pulling him down to meet your lips.
Your breath instantly intertwines with his, every inhale pulling him closer and closer. Your other hand balling up into the soft fabric of his sweater as he deepens into you. His hand catching your cheek, his lips soft and warm, gentle yet demanding. The craving of his touch on your skin sends heat waves throughout your body. 
He takes his time, wanting to remember this moment. All the uncertain feelings, all the unfinished conversations, crashing down all around you both. Kissing him was the only way you could tell him everything you had kept in for all these years. 
He pulls back, resting his forehead on yours, pure eyes as he whispers, “I missed you too.” 
~~~
I hope you enjoyed!! thank you for reading and supporting me
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ladykailitha · 11 days
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Batshit Soulmates: Epilogue
Here it is. The end of an era. I struggled mightily with this one because I was so focused on canon that I forgot that I'm a writer and I can do what I want.
Once I got over myself the story just flowed so well it was done in two weeks.
But as I said last week, I'm a little mean to you in this. Spoiler under the cut.
In Medias Res| Prologue|Pt 1|Pt 2|Pt 3|Pt 4|Pt 5|Pt 6|Pt 7|Pt 8| Pt 9|
This ends the way season four does only with all the allies together not just some of them.
****
Nancy, Robin, and Dustin all returned to Steve’s house to make sure Eddie was safe.
Steve told Eddie that his uncle knew he was alive and would get into contact soon.
Eddie nearly cried in relief. “Thank you, Stevie.”
Then a car pulled up at that exact moment. Then of all things a pizza truck. Steve pushed Eddie into a nearby bathroom and looked out the window.
Out of the pizza truck hopped out both Byers boys, Mike, and the driver, a long haired native boy in a Hawaiian shirt. Then Joyce, Murray, and a very much alive Hopper exited the car.
And Steve’s heart nearly burst. He quickly ushered them all inside. His street had a lot of empty houses since the earthquake, the rich having somewhere else to go, but he didn’t trust the ones that remained.
Everyone was hugging everyone else. Jonathan and Nancy, El and Hopper. Joyce and Will. Everyone was safe. Max and the Sinclairs weren’t there, but they were safe too.
Robin, Steve and Eddie on the sidelines feeling happy that they were all reunited at last.
The first thing everyone did was tell their stories. El started, then the Byers, then Joyce and Murray, Hopper next, Steve and Dustin, then Nancy and Robin.
There was just so much to do.
“He’s still alive,” El said, “I couldn’t kill him. He hurt Max and I couldn’t leave her. I couldn’t leave her and the bastard survived.”
Joyce scooped her up into her arms and rocked her back and forth, gently. “You did the right thing, sweetheart. Max is alive because of you.”
“We’re going to have to find a place to stash Hopper and El until this blows over,” Nancy said. “They can’t stay here, it’s already a risk with Eddie being here. But at least with him, Steve can claim truemate status.”
The heads of all the people who hadn’t been in Hawkins turned to Steve in shock.
“Eddie is your truemate?” Mike wailed. He sat down and put his head in his hands. “Of course he is. Fuck that makes too much sense.”
Steve could only agree, honestly.
Eddie put his arm around his waist and pressed a kiss to his cheek. “I didn’t think so at first, but clearly the universe is smarter than we are.”
Dustin scoffed. “I think that could be said for most of the universe’s population, too.”
Both Eddie and Steve knocked off his hat together.
Robin cackled. “Hey, kids. If Steve’s the mom, then you all have a new step-dad!”
Joyce and Hopper chuckled but everyone else groaned.
Nancy tapped her foot irritated. “Can we get back on to the topic at hand, namely finding a place to put Hopper and El so the government doesn’t find them?”
“My cabin is in pretty shit shape,” Hopper admitted. “But I think if we all work together, we can make it livable again for me and Jane.”
Steve nodded. “That should work. No one found El when she was there before, so they should be safer there.”
“Just not everyone show up at once,” Joyce warned. “Too many people coming and going will alert others.”
Everyone agreed, but as they piled out of Steve’s house the sky lit up in red storm clouds. Ash fell upon Hawkins and ground trembled.
Everyone stopped on Steve’s lawn looking up at the sky, knowing Vecna had finally made his move.
The Upside Down was bleeding into the top world.
The war had begun.
****
I want to thank everyone for coming long with me on this ride. It's been fun!
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communistkenobi · 1 year
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the individual intentions of the writers feels kind of secondary when talking about how reactionary the mandalorian has become, but if you wanted to be extremely generous about what’s going on, I think that the very simple and boring answer is that there is no financial incentive to care about what happens in the show anymore. Disney lost over a billion dollars on Disney+ last year, despite the wild success of the mandalorian and other D+ shows. I’m assuming the primary way they make money is off of mando and baby yoda merchandise - this would explain why the showrunners reunited both of them before the first episode of the third season even aired. I don’t think it’s an exaggeration to say that the mandalorian now exists primarily to sell the mandalorian merchandise. it has become an advertisement for itself.
and this would explain a lot! It explains why virtually all of the narrative threads from the previous two seasons have either been dropped or quickly resolved. It explains the exponential increase in nauseating Star Wars references like “Han shot first” “it’s a trap” yoda doing backflips etc. It explains why Din has become something of a zombie, going through the motions without any particular motivation beyond whatever deranged escapade he and Bo-Katan get up to on a given week. There’s no point to caring because the only real pressure is getting eyes on the screen and selling more baby yoda stickers. This is why we went from an Ahsoka cameo in season 2 (an obvious ploy to launch another show but still somewhat reasonable for the story) to having Lizzo and Jack Black in season 3 (literally no narrative reason at all). Those celebrities are really popular and their inclusion in the show produces media headlines that combine their names with the mandalorian, optimising search engine results and presenting the opportunity to sell merchandise to Jack Black and Lizzo fans, even if they aren’t Star Wars fans.
but the shape of this not-caring takes on a particular political form in the show - its lack of care for politics doesn’t equally produce progressive and reactionary political conflict, it’s only reactionary. And one of the reasons for this is because I think a lot of pre-existing Star Wars canon, which this show is leaning more and more heavily on, is so politically fraught that using it without thinking about it produces reactionary narratives. I think this is a large reason why 3x03 was so deeply disturbing politically, because it was all set-up for the arrival of the First Order in the Sequel Trilogy. The show doesn’t seem to take any specific perspective on this aside from telling the audience that its all very ominous, but it’s only ominous because the First Order are established as the villains of the Sequels, not because the rise of fascism in a fictional world is a specific horror that Favreau wants to explore, and the reasons for its rise are extremely lazy, boiling down to “the government is too wrapped up in bureaucratic processes to care and too forgiving of the empire to notice.”
and two I think that in general, positioning your story in opposition to politics - not a specific set of political beliefs, just “politics” as a whole - also produces de facto reactionary narratives. the show is not espousing any positive beliefs about what an ideal world may look like, nor is it precise in its criticisms about what it believes to be the flaws that currently exist in the present day world. It’s just against bureaucracy in general, democracy in general, technology in general. and the show abdicates responsibility for taking a position on why it thinks any of these things are bad. Din dismissively scoffs “politics” in 3x06, perhaps the laziest possible admission that the show is not interested in exploring anything it considers political, and aims to position the characters as being outside of politics. but that itself is a reactionary position, to assume that presenting a “direct democracy” as an overly-decadent, hyper-tolerant society who is too scared to give cops guns but will arm citizens if their cultural “feelings” allow them to carry firearms as “not political.” Again to be way too overly generous, perhaps Favreau is attempting to wave in the general direction of current society and say wow doesn’t this suck! too much democracy produced trump, too much technology produced ipad babies, too much bureaucracy produced complicated tax forms. That’s still stupid and wrong but it’s at least not an openly fascist position. but when you don’t confront those things as political and just say “they suck” in a way that you believe to be outside of politics, the perspective you take is that of a reactionary. a refusal to confront what you consider political is itself a political position, one where you intentionally shrink your imagination of politics to, like, government employees who work at the government building, and everything outside of it is just “natural” society - or, in this case, deeply unnatural, perverted by politics. the only apparent solution for the political conflicts in the show is to scale back “the politics” that are preventing natural society from flourishing. That’s fucking reactionary! and like sorry to pull this card but the whole “I’m above politics” schtick has a pretty extensive history of appearing in fascist slogans, from Mussolini to fucking Alex Jones, a rallying cry that these people eternally get behind - “We’re above the Left-Right divide.” positioning yourself as above politics is itself a political act, one that has a lot of baggage that, by virtue of positioning yourself as being too good for politics, you will not engage with.
so like I don’t know if Favreau is “really” a reactionary. At the end of the day it doesn’t matter because his current cultural output is deeply reactionary. but I don’t think any of this is done with intentional malice. I think when you turn art into a purely financial instrument you produce art that is fascist by default, because its only goal is to concentrate financial and political power for the ruling class by appealing to “common man” interests like. fucking Star Wars!!!!!!
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enixamyram · 2 months
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Things I Hope For in Season 2:
Huskerdust - I heard Vivzie is hoping for at least 3 seasons and while I enjoy a slow burn, I also don't want them to get together at the very last minute. I want a chance to have a season of them being together before we say goodbye. So if we are gonna get 3 seasons then can they get together in season 2, please?
Velvette - She's in my top fav so I hope we get a chance to learn more about her since she's still pretty mysterious compared to the other Vees.
The Vees - I really want them to have a genuine familial and caring relationship. Someone else said it better but in general I just want them to be god awful selfish people who care only about themselves and each other and nothing and no one else.
Valentino Break Down - I'm sure you've seen that TikTok. The one with that song I can't remember the name of where Val is losing it over Angel breaking free. I want this! I want a whole song number of Val just having a massive tantrum when he realises Angel is steadily escaping him.
Flashbacks - I've heard this is apparently actually going to be a thing. I'm looking forward to whatever it is but if I was being greedy, I want flashbacks both of their human lives and of when they first ended up in hell.
Niffty Explanation - I still stand by that I both am terrified and in love with this character. But more than anything I'm curious about her so I would love to learn what her deal is!
Chaggie Date - This is kind of a filler episode idea. I have the highest of hopes that now the show has done so well, they'll give it more episodes and maybe we can get some filler type episodes. One of which should include Chaggie having a date! I don't care what whacky scenario follows, I just want to see them being cute and cuddly!
Angel's family - I really hope we see more of his family. I also hope that Molly has a chance to somehow interact with her brother. And, to be evil, I also hope that Arackniss is a bastard and we get some angst with him and Angel because I heard (no idea if it's true or just gossip) that Angel's family was mostly homophobic. I mostly want angst because I then want it to be followed by comfort from the rest of the hotel.
Fat Nuggets Origin - Either a flashback of even just Angel telling someone about how he got Fat Nuggets. I know Val gave him to Angel, but I am curious as to how it came about. Was it when Val was pretending to not be an asshole, or was it an "apology" for being a dick or what? I need to know!
More Overlords - I'd love to see more of the Overlords who didn't really get much screen time in Season 1. Like the T-Rex looking one whose name I'm not sure because I've seen multiple ones for her...
Lilith and Lucifer Reunite - Vivzie has managed to make me love this couple despite never actually seeing them together. Just the way she describes them as a corny sweet romance, I desperately want to see these two together. I want to see the corny sweet romance between them! (And you know, figure out what's going on with Lilith and answer all the questions and blah blah blah, give me the romance!)
Lucifer Vs Alastor - I love these two together. I need more of them pissing each other off. I have been spoiled with fancontent and now I need something canon.
Cherri - I want more of her in general! But I also really, really, really hope we see a softer side of her. I pretty much originally fell for her because of the Addicts music video, seeing her stand up for and look after Angel when he was at a low point. And while I still love her being the good intentioned bad influence that she was in her episode, I do want to see that side of her again.
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hanafubukki · 7 months
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The song "Seasons" from Rival and Cadmium came into my playlist some day ago. I like a lot the melody so I listen it for time to time. But it's just now I truly put some attention to the lyrics.
Now this is Lilia theme song for this OT3 ship in my brain. Totally the song that would be play during a timeskip where we see him wait for years, decades and centuries until Y/N return. Seeing seasons pass, Malleus grew up and Draconia family happy, Lilia waiting alone, a few silenced flashback with their time together and all the adventure they lived, Silver awakening, his grow, the NRC start...
And the song ending, the day Y/N return from the past, when Lilia found her, and when she offers him a big bight smile. Even he can't hide his teary eyes under his relieved smile. And then a big hug ! 🥹
- 🦋 Anon
(Fanfic References: Part 1, Part 2 )
[Ask References: Ask 1, Ask 2, Ask 3, Ask 4, Ask 5, Ask 6, Ask7, Ask 8, Ask 9]
Hello 🦋 Anonie,
🦋 Anonie, I am shaking you. I haven't heard this song before and I am so, so in love??? It fits so well that I am internally screaming and crying.
Here's a little drabble/scenario I thought up of 🦋 Anonie:
I can just imagine him waiting as time passes and seasons changes. Thinking back on all the fond memories he has of YN. Thinking of all the precious memories he has made with his family. The spars he would have with Dawny (I need to figure out a name for him lolol, or we could keep calling him that too). He remembers blessing Silver and the time his son came to rescue him from the evil Meleanor.
Then years later, Silver wakes up and time continues to pass. Malleus, Silver, and Sebek is growing and becoming fine young men. He thinks about how you would have loved to see them. How you would have adored seeing Malleus teach the boys magic and helped them with their penmanship.
He thinks about how Dawny would have loved to see Silver turn into such a fine young man. How Silver would have made him a bracelet too. Lilia hopes that he raised Silver into someone you both would be proud of because he especially is.
Soon after, the NRC letters arrive and he remembers what you told him. How you attended NRC and he goes with the boys with the hope in his heart that he would be reunited with you again.
Time continues to pass like all seasons do, and Lilia watches his boys make friends and enjoy life at NRC. He meets you but it's a version of you that doesn't recognize him, Malleus, or Silver.
He remembers what you had told him in the past and knows that this you will soon be his YN in time. That the inquisitive looks you give him will soon be those of the fond and loving ones he remembers.
(I am still thinking about this scenario still and how it would go so it might change later on, since we want to keep canon events in the story if we go the "YN came back in time when she was her original age when she was transported to the past")
He sees you and remembers when he first met you, so so long ago. The connections you made with him and the Knight of Dawn. He remembers the family dinners with the Draconia Family. He remembers when Silver was first born. How painful and yet how sweet these memories are, how loving.
He protects you secretly.
Then one day, you go missing and he can't help but hope. He waits and waits with a racing heart.
And then he sees you, at the cottage you and yours had called home. YN smiles, understanding now what all his looks meant, the love he has secretly tried to hide but always shone through despite his efforts.
Lilia felt tears form and fall, feels the smile he can't hold back anymore. YN rushes to him,
He catches her in a hug, twirls her around and kisses her. Oh love, how he has missed you so.
Both of your laughter echoes in the gentle wind.
Welcome Back, Precious One.
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foreverisntenough · 2 months
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- YOU’RE MINE -
Summary: While you daydreamed about his face an ocean apart, he had no idea what yours was about to do to him. With a twist of fate and the heat of summer, a new relationship would completely ransack his heart - Everyday heavy with the thought of one another, neither of you were going to let the unexpected love of your life go. You were going to be his, you were his, and you were going to stay his.
Warnings: This series will contain fluff, suggestive, smut love bombing, little sad, and kind of angst- not sure what else really… if i miss anything please lmk!
Note: I hope you like it! There will definitely be more parts (don’t know how many just yet though.)
Chapter 1 | Chapter 2 | Chapter 3 | Chapter 4 | Chapter 5 | Chapter 6 | Chapter 7 | Chapter 8 | Chapter 9 | Chapter 10
Chapter 11 - ‘You’re Mine’
The stadium was equally as rowdy after the match as it was before. Completely elated and electrified with the first Liverpool win of the season. Typically the families waited in the box for things to settle down and for the players to go through routine things like showers, brief game analysis, and then they would come up to them. Trent didn’t want that. He didn’t want the wait and he wanted you just to himself.
Saying rounds of goodbyes to friends Tyler and Marcel made their way out of the box, grabbing their coats, waving for you to come along. You followed in tow not really knowing your destination, no one filled you in how this all worked because it was second nature to them.
“I’m headed to the carpark, I’ll meet you there?” Marcel said to his brother which confused you.
“Yeah, just bringing Y/N to him then be there.” Tyler explained like you weren’t there and in turn filled you in on the plan. Tyler turned towards you as Marcel walked the opposite direction. “Trent just wants you alone, usually he pops up here but…” he just trailed off, not really interested in the details he’d be given about his brother’s desperation to see you.
“Oh okay. That’s fine.” You agreed, not really having any choice in the matter but giddy to be reunited with your man so soon. The walk was peculiar, it was like a red walled labyrinth. You went from the private level the box was on; seeing men in suits, pundits you recognized, a calmer environment, to corridors packed with the general admission, away fans scattered sparsely, images of Trent adorned on the walls caught your eye every so often. When you had been to Anfield before you’d ogle at him, but you were analyzing the photos to see how much he’s matured knowing the face well now. Tyler held his hand against your upper back to make sure not to lose you. His job to get you to Trent was almost complete. The oddest part of the maze was the end when you entered a bleak hallway downstairs with plenty of security guards, you could hear discussions about the game, some men yelling in what seemed like excitement, Tyler knew exactly where he was going but you were lost just tailing him.
While you snaked your way through Anfield, Trent cruised through his usual post match routine, showered off, packing up his things. He thankfully didn’t have any media duties to go do so he was attempting to slip out of the dressing room unnoticed and quickly. He failed horribly.
“Fresh trim, smelling nice, new tracky on…. Ooohoohooo” Dom called out knowing why Trent had pulled himself together a little more than he usually would after a match
“My boy!!! Come on now! Sneaking out to find Miss America” Andy yelling the new name you had been dubbed within the team.
“I’m not sneaking out! Just gonna go see her… relax.” Trent said tucking his wash bag under his arm, adjusting one strap of his backpack trying to shove his excitement down.
“Bro… you’ve been glued to your phone for weeks, you’re itching to get out of here.” Dom continued.
“We could all go up and meet her!” Curtis suggested and was immediately met with a disapproving look from Trent.
“Absolutely not. Had Ty bring her down here anyways, I’m not subjecting her to all the chaos.” He explained. That genuinely was what Trent was doing. As exciting and romantic he thought the whole reunion would be, he wasn't naive enough to think that this place wasn’t going to be a little overwhelming and he wanted to protect you. He wanted you just for him after the match. “I’m out lads” Trent said, already walking out the room waving over his head, back turned to the boys.
“We have to go see this right?” Curtis deviously looked at Andy.
“Absolutely” Andy replied with a cheeky grin planning to snoop.
Tyler and you stood against a wall making small conversation. There were people in the corridor around you that seemed to have reason to be there but you weren’t sure what the purpose was, some more security, and further down the way was the now more obvious clue to where you were; large red double doors; the club’s emblem plastered to them tipped you off….the home team’s dressing room but Tyler remained mum.
Looking at his phone, Tyler was getting impatient, Trent was taking so long and Marcel was messaging him non stop asking what the hold up was.
“Do you mind if I head out? Marc is getting pissed and I don’t want to hear him bitch the whole ride home. He’ll be right out, swear…. You’ll be okay?” He asked with such a soft smile you could tell he felt bad. Despite your raging anxiety you chose to lie calmly.
“I’ll be okay, thank you so much for looking after me today.” You giggled a little because he really did look after you.
“It was nothing. Honest. I’ll see you later.” He said leaning in for a hug.
“If I’m still waiting here in the morning, I may text for you to come bring me back to the airport.” You joked giggling a little in an attempt to suppress your nerves.
“Deal” he said before he tapped at your arm walking away. He was so big brother coded. It was nice and made you feel safe.
You leaned one shoulder against the wall, nervous that you might get questioned or in trouble for being down in this clearly very private area. You stayed put though, eyes assessing what unfolded in front of you, it felt like you were in a behind the scenes documentary for a moment causing you to imagine the player you were dying to see appear. You tried not to but your eyes kept reverting back to the red doors, praying for them to open. God, you were so on edge, any notification that appeared on your phone was causing serious heart palpitations, none of them from him yet.
You heard a door open behind you further away from the red one that held your gaze, but the noise of doors opening and closing has been non stop due to the traffic of people the entire time since you had first stood with Tyler so you ignored it, trying to look like you belonged, unphased, heart still palpitating.
It wasn't less than a moment later when your heart fully stopped. You felt warm hands slide around your exposed waist, a body pressed against your back, a familiar pair of plump lips ghosted behind your ear, a warm amber scent engulfing you.
“Who would ever keep such a beautiful, beautiful girl waiting for so long.” Hearing his sultry voice sent your body almost into shock, you wanted to cry. You grabbed his big hands on your stomach turning yourself around to face him staying wrapped in his arms. It was your Trent. You were back in your Trent’s arms.
“Oh my god, T!” you whined trying so hard to hold back tears. He pulled you tighter to him, his forehead pressing to yours. Your faces were so close you actually could barely see his. Your lips instinctively crashed into his. It was absolute heaven, you never felt more relief than you did in this moment, finally kissing him again. It was magnetic like before and following old habits it heated up quite quickly into more of a make out. You pulled away reluctantly hearing the people continue to rush around in the area.
“Sorry, sorry, I don’t even know if I can do that” you paused starting to get nervous given you were technically at his place of work “…you know here.” You said peeling your body away from him gesturing around you.
“Baby…” he cooed, his voice was so smooth now hearing it again in person, it was like dripping honey. “You can kiss me absolutely anywhere you want.” Grabbing at your body pulling you back to him. He kissed you sweetly again, pressing you to him.
“Fuck, I missed you so much.” His lips moved against yours. His head was completely gone having you back in front of him, his hands sliding down to your ass kneading it shamelessly. Before he grabbed you harder, stronger, picking you up, your legs coming to wrap around his waist, you smiled openly at the PDA blocking out your surroundings. Your nose brushed against his, your arms draped around his neck.
“Kiss you anywhere? Hmm?” You mused suggestively, placing another deep kiss on his lips. Your nails scratched at the back of his head causing him to purr.
Tucked behind a wall where the corridor rounded were the prying eyes of Andy and Curtis spying on the reunion. They were slapping at each other like children stupidly gawking at your appearance and poking fun at their friend and how he managed to pull this off. Taking mental notes on what to give Trent a hard time about when they returned to training.
“C’mere baby,” Trent kissed you once more before slowly letting you slide down his body back to stand on your own two feet.
“Never letting you go again.” He said, your eyes unable to break from his. You missed his gorgeous face now able to really see tiny freckles, a dimple in his smile, the warm hue in his eyes.
“Pretty, pretty boy” you cooed, stroking your hand over his high cheekbone before cupping his cheek. “Never. Ever.” You punctuated with another kiss.
He slid his hands up and down your arms, feeling your skin, his eyes inspecting every inch, taking all of you in, before his fingers dragged down to lace between yours.
“Coming home with me?” He asked a question he didn’t need to. You were impetuous to be anywhere near him tonight.
“Yeah huh” you nodded eagerly like a child.
“So you wanna go, beautiful?” He asked calmly, feeling anything but.
“Please” you gave him a devastatingly innocent look.
“Come on sweet girl.” He pulled you into his chest, arms wrapping tight around you, placing a kiss on your forehead. He released you a little squeezing your hand, keeping his intertwined with yours pulling it along with his arm to wrap around your waist, yours comfortablely but awkwardly bending with his. You leaned your head into him as you walked down the corridor towards the player’s car park.
“Baby, I didn’t even get to tell you how amazing you were tonight. Was such a good start, no?” You cooed, pulling at his arm, unable to take your eyes off him, proud of him.
“Yeah, was good. I just liked having you there. Did you have an okay time?” He asked sincerely “over here” he interjected, first directing you towards his car.
“Yeah, course.” You confirmed “so, do you blow kisses to every girl you bring, T?” you asked teasing but were quite serious needing to know because the little action had your stomach doing flips. You needed to know if it meant anything to him or not. He let go of you, resting his hand on his car leaning towards you, his face coming closer.
“Never. Would only do that for you.” He cooed before pressing his lips against yours softly. You just hummed pulling away finally taking a moment to look at a wider angle of your surroundings breaking from the tunnel vision you had just on his face. He was stunning, just jaw dropping beautiful. He was in a black Nike tech unzipped, opened, wearing a Liverpool t-shirt carrying his white Goyard wash bag. Everything about him was just so fresh, even the car he was leant on. It was sleek, the windows tinted almost opaque, everything matte black, not too different from his brothers although his was the latest Range Rover. His eyes bore into you watching you process the moment before interrupting your thoughts.
“Did I tell you how good you look?” His words laced with a little lust reaching out to pull at the hem of his jersey you had worn.
“You think?” You played coy swaying a little subtlety showing him your body.
“Don’t give me that, baby.” He rolled his eyes thinking of all the times he practically begged you to believe that he thought you were the most beautiful girl in the world. “Get in” he said, walking to the car door, opening it for you. You popped in eagerly. There was something kind of sexy about a man driving so you were preemptively turned on by the idea of Trent in the driver's seat. He got in soon after throwing his bags into the back seat casually. He handed you his phone, the Spotify app opened.
“All you, beautiful” he nodded implying you were going to be DJ. You hummed in agreement scrolling. You liked that he trusted you with his phone openly. It was a bare minimum thing but it felt reassuring. He pulled out of the car park with one hand on the wheel, you picked a song and your eyes grazed over the veins that appeared on his forearm but they were quick to drop to the sly tale buldge in his lap, the thought of him had you just about drooling. He smiled, catching your lude stare. You slide your hand over his leg, high up on his thigh, dangerously close to his dick. Your nails dug into his joggers playfully. You watched him grip the wheel tighter at the contact. Even the simplest touch from you had him collapsing.
You were pulling out of the stadium where it was dark but you could still see masses of people outside. With his free hand Trent grabbed at your hand stopping you from stroking your fingers against his inner thigh.
“Like it?” He said peeling your hand off him, his finger stroking across the ring with his initials he had gotten you. He then laced his fingers with yours, pressing the back of your hand to his lips holding it there.
“I love it. You didn’t have…” you were stopped mid sentence when a massive flash went off almost blinding you, your vision going white for a moment. You squeezed Trent’s hand hard in response, he lowered them from his lips as smaller shutters began to light up the car.
“Okay?” He asked calmly, ever composed.
“What the fuck. Insane… Is this normal?” You were utterly shocked, Trent just hummed a yeah to answer you. “Could’ve warned me a little, I feel like I’m going blind now.” You tried to joke but also were genuinely a little shaken. You blinked your eyes stunned trying to clear the white floating specs.
“It’s just like a thing when we leave, people wait around I guess for a photo. Sorry.” He apologized for something out of his control. You had driven out of the tightly lined streets surrounding the stadium when you managed to relax a little after the distress. You were quickly gathering what it was like to be in Trent’s world.
Your hand was back on his thigh, some J Cole song played through the car, you could tell Trent was absolutely exhausted. You didn’t pester him with more questions even though your head was filled with them, especially about the flash of photos taken leaving the stadium. You had been in the car for about 30 odd minutes when you got off a motorway pulling to a traffic light.
“Almost home” he broke the comfortable silence, leaning over to kiss your temple. His hand now resting atop yours. Maybe it was because you were also tired or because it was so dark but the roads seemed winding. He was taking a final turn onto his street when you reached over to place a kiss on his cheek.
“Tired?” You questioned simply in a soft quiet voice.
“Completely knackered” he replied in a similar tone. It almost made you sad but he spoke again before you could really dwell on it. “Glad you’re back with me though,” he assured you. Finally pulling into a long driveway, a massive house tucked far back at the end of it.
“Your house is so nice” you said plainly. Clearly you both were worn out as your conversation had slowed from flirting to just blank observations.
“It’s dark, you can barely see it, what are you on about?” He said with a familiar cheeky smile reappearing on his face.
“I can still tell!” You poorly defended your comment. He parked the car next to what felt like 10 others assuming there must be a lot of people here. He hopped out and came round to your door, opening it. He waited for you with his arms open.
“C’mere, yeah? Missed you so much.” He cooed, placing a kiss to your lips before letting you go, opening the other door to grab his things. You walked to the front of the house slowly, you because of nerves, Trent because he was sore. He unlocked the front door and gestured for you to step in first. A few lights were on and it was mostly quiet, but you could hear murmuring on a TV somewhere when you entered, a little surprised given the amount of cars. Trent dropped his bags immediately at the front door like a school boy, sighing. He grabbed your waist nuzzling into your neck but didn’t say anything.
“I don’t want to mess with your post match routine, so do what you have to do.” You spoke honestly not wanting to disrupt him.
“That include you?” He said toying with you before pressing a kiss behind your ear, his hand pulling at the waist of your pants only to let go and walk away.
“Hey!” You whined at the loss of contact and followed after him desperately. “Is ‘doing’ a girl usually a part of your routine?” You pretended to ask seriously with emphasis on the verb he had played on before.
“No, baby” he giggled entering his kitchen, grabbing a water, after offering you one silently.
“So do you just go to bed now or…?” You probed. He wasn’t talking much so you were grasping at straws at what to do. He wasn’t though, he was so cool and collected in the comfort of his home.
“Nah, my mind is racing right now, processing everything, minute by minute but my body is just done so I usually lay down. Go to the cinema room… any interest?” He spoke candidly at first and then a cheeky grin swept across his face before he asked about your interest level.
“Yuck! With you?” You pretended to be grossed out making a face playfully before he grabbed your waist ignoring you. You allowed him to push you around his house, walking with you in front of him, slapping at your ass on the way. He brought out such a childish side of you. You guys were mostly quiet knowing other people were home and it was late but giggles definitely echoed through the halls.
Trent collapsed onto a obscenely wide lounge chair, it was essentially a couch but he would say otherwise. There were a few of them tiered like a theater, framed jerseys hung on the walls, and the biggest tv screen you’ve ever seen in your life illuminated the otherwise fairly dark room. You sat on the corner edge away from him suddenly feeling your nerves take over..
“What you doing? Stop being weird and c’mere. I’m too tired to come and have to grab you.” Trent was cute but lazy, holding the remote.
“Stop! I’m nervous” you said embarrassed. He rolled his eyes before pouting his full lips, his puppy dog eyes sucking you in, silently begging you to come to him. You basically crawled across the chair before snuggling up into his side. His arm draped around you pulling you into him, your cheek laying on his chest. He pressed kisses to the top of your head and you gently placed your leg over his body. You were wrapped around him and had no intention of letting go.
“I never knew I would miss a cuddle this much” he muffled into your hair. “What do you wanna watch?” He said, holding you impossibly tight.
“I’m okay with anything. I just want to be close to you.”
“Yeah? Need you just a little closer, baby” he said pulling you further into his body. You nuzzled your face into his chest some more, shy at his sweet words.
“I’ve been watching this one show and…” Trent began to ramble, clear that now that his body could relax after the match, his racing mind was now spilling out. He talked so fast to you about something but it went in one ear and out the other unintentionally. You just looked up at him lost watching his perfect lips move, his big eyes light up, while you scratched your nails against the facial hair on his chin. Something you had quickly discovered that Trent had kept hidden from his media persona was just how nerdy he actually was. He was such a dork. You gushed over his beautiful animated face talked about something he knew way too much about.
“Like can you believe that?” His question caught you off guard.
“Yeah” you mused, still scratching his chin just yessing the pretty boy. Your head fell back into his chest, your hand too, your cheek squished into him more from the weight of his arm atop pressing into you. He would make small comments throughout the show filling you in about something important or who a character was but you were fighting to keep your eyes open. It was so warm and comfortable in his embrace. In a sleepy state, you pulled the hem of his t-shirt up, your nails now drawing over his abs absentmindedly. Although your thoughtless touch wasn't going unnoticed by Trent. He was starting to get hard just at your hands proximity to his cock but the patterns you were tracing on his skin slowed, stopping entirely as you dozed off pacified by his scent and his hand running up and down your spine. When you didn’t even hum a response to one of his questions, he leaned forward a little peering around you only to see your eyes had closed, your features now softened. You looked like an angel, he held you tighter kissing your head in disbelief at how he felt about you. You were all consuming.
“You’re mine baby, not letting you go. You’re absolutely perfect” he whispered to you, asleep peacefully.
“Bro, what a game though!” Marcel just about yelled walking into the cinema room. Causing Trent to snap his head towards the doorway, then quickly back to you, nervous his brother's voice might have disturbed you.
“Yeah, I thought it went well,” Trent replied in a much quieter, gentler tone holding you to him, his hand still rubbing your back.
“Shit, sorry,” Marcel said softer now, seeing you cuddled up not moving.
“You’re good. She’s been out. I was just working the hours in my head, she’s been up for ages.” His brows furrowed, face scrunching trying to do the math.
“Bless” his brother's thoughtful response surprised him but you seemed to have that effect on people where you just grew and grew seeping into their hearts.
“Yeah” Trent said just staring at you. His hand moving to tuck a piece of hair out of your face.
“We actually had a good time tonight, ya know?” Marcel filled his brother in on your time spent together. His heart warmed that you fit so nicely into his life and right now in his arms.
“This is actually the best I’ve ever felt post-match, not sure if it was the new fitness program or what…” Trent said trailing off trying to distract Marcel from seeing him be so tender, rapidly falling more for you in front of him.
“Yeah, that’s what it is…” Marcel rolled his eyes, the evident change in Trent’s routine wasn’t fitness it was tucked in his arms. Trent knew he was caught out but that didn’t stop him from continuing to pepper kisses on your forehead he thought were subtle. The boys fell silent soon avoiding the subject of Trent’s obvious feelings.
Eventually, Marcel headed to bed leaving Trent still completely intertwined and enthralled with you. The episode he was watching concluded and he decided his night should too. Contrary to what he first thought, Trent was okay just going to sleep with you in his arms but he wasn't going to let you sleep downstairs, you needed a proper bed.
“Baby” he whispered, placing light kisses all over your face but you didn’t budge, only further settling into him.
“Baby, come..” he cooed, attempting to peel your arms from his body. “Let’s go.” He tried speaking once more, finding a bit more success this time.
“Hmm?” You hummed lifting your head a little bit only to place your chin back down on his chest.
“Let’s go” he tried once more, this time your eyes more open fixating on him. It dawned on you staring into his darkening brown eyes that your hand was still under Trent’s shirt dangerously close to the waistband of his joggers.
“Where T?” you said sleepily but there was a little fire behind your tired eyes. His intention of just sleeping tonight was changing.
“My room.” He told you sternly but feigned a terrible effort to move you off him. He could easily just pick you up if he wanted. He instead conceded to your stubbornness that was laced with obvious desire letting you now play with the drawstring of his joggers.
“So you wanna sleep with me?” You mused, pressing your hips down into him. You rolled your body in to his, his hands stroking down your sides to grab the bottom of your top starting to fuss with it, teasing you.
“I want you in my bed.” He looked at you now with passion igniting behind his eyes before his lips came crashing into yours. You were like messy teenagers making out in his house, your hand more bravely slipping down into his pants.
“We’re going to bed now” pulling away, he sat up, taking your hand away and you off him, calming the steamy situation you were trying to start. You moaned, biting back trying to grab his lip with your teeth. He just shook his head at your lack of restraint but he was loving every second of it. Feeding his ego ravenously.
Standing up, he finally used actual strength to pull you up too from the chair. You stumbled a little bit still sleepy so he wrapped his arms around you to steady you only to start another heated kiss. Your hands pulling at his clothes, you remembered you were wearing fancy lingerie when you felt it absolutely soaked between your thighs. You moaned into his mouth.
“Gimme” you giggled greedily and childishly trying to get his shirt off, only for him to shut you down.
“Nah, baby. My bed now.” He said it so aggressively it should’ve felt hurtful or like an insult but instead it had you even more desperate for him.
He grabbed both your shoulders harshly and physically turned you away from him, his hand coming to grip your ass, his lips to your neck.
“Do you wanna go to my bed, baby?” You felt his breath on your neck, your pussy flutter. You tried to suppress a moan but failed miserably
“Yeah” you whimpered quietly, your hand reaching behind you to grab onto his body only to be swatted away. You walked out of the room obediently, he trailed you, his last name still on your back making way to his room had him struggling to focus on getting up the stairs. You two were fairly quiet navigating through the dimly lit house. You’d turn back to him looking for directions not knowing where you were going. He didn’t want to just tell you, having you under his command was getting him off.
Thank you for continuing reading! Let me know what you think 🤍
Next Part - Chapter 12 xx
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samwinchesterswifu · 14 days
Text
Desperado (Dean Winchester x Reader)
Requested: No
Bunker is mentioned...so around season 10 ish?
Song Inspo: "Desperado" by The Eagles
Warnings: Dean..UGH
MINORS DNI
A/N: I uh, I dunno how much I really like this one, but lmk if you do
<3
Word Count: 600
Summary: The master of breaking hearts.
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The rain peddles hard above her as she walks quietly by herself against the streets of some random town. She had gotten into an argument with Dean in the car when he suddenly pulled in next to a gas station and told her to get out. She reluctantly did grabbing her bag from the trunk. Watching him speed off into the night. Her heart broke into pieces watching the headlights of the Impala disappear. She was somewhere in Kansas, but to far from the bunker. She’d much rather take the time to herself to walk then to steal another car.
Tears swell up in her eyes thinking about the argument that broke out.
She was making fun of Dean as his hand laid of her thigh. He only did this when he needed comfort. The two of them weren’t official, but they had messed around a few times in the bedroom, and her heart grew fonder of him every day.
“I love you,” She blurts out looking at him deeply. Barely able to see his face, just a shimmer of his side profile as they passed under street lights.
The air between them reminded silent for a few moments before a groan was heard from Dean and he took away his hand where it had rested.
“We’ve had this talk.” Dean says through gritted teeth.
“But-“ She tries to get a word in before Dean’s pulling over.
He was never one for love. Or so that what he lead her to believe. She knew deep down that he wanted to love someone, and wanted them to stay, and she was more than willing to be that person for him.
A crash of thunder is heard above her as the rain began to pour. She was already soaked, pulling her jacket tightly to her body to try to keep her body heat trapped in some form. She wondered if she would make it to a motel soon.
Suddenly behind her she heard the familiar roar of the Impala. Taking a brief peak behind her, Dean had stopped the car and gotten out. She felt the need to keep on walking, she was to angry at him. But, rough hands grabbed the back of her arm, forcibly turning her around. He was silently for a few moments. His eyes roaming all over her body in an attempt to make sure she was okay.
“I’m sorry,” Dean says over the thunder.
“This job is just so difficult for me to fully allow myself to love someone. I have tried and tried to get myself to stop loving you, but I cant Y/N,” Dean sighs deeply.
“I love you too,” he whispers quietly. She heard him, but thunder crashed right at the same time. She grins.
“What was that?” She says loudly.
“I love you.” Dean practically yells. Making the grin on her face turn into a smile.
“I thought so,” she says, pulling on the mans collar and crashes her lips against his.
They two of them stand there in the rain, and Dean pushes into the kiss deeper. His hands travel up her soaked shirt, playing against the bra straps. He breaks the kiss for a moment, taking a look at the Impala’s back door, and then back to her. She knew what he meant. Nodding, the two of them reunite their lips and Dean leads her to the door. Opening, he gently lays her down the seats. He climbs in with her, closing the door behind him. Preparing to show her any way that she needed that his heart, was true.
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raayllum · 4 months
Text
Mirrored Paths Trilogy #2: In the Name of Love, I Would Do Anything For You —Callum & Viren
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Part 2 of a mini meta trilogy dissecting Callum, Karim, and Viren's parallels, with a special emphasis on S5. For the general overview, and if you want to read Karim and Viren's parallels, you can read that analysis here. It is useful to read but not necessary in order to understand this one, as this meta is Part 2 and will discuss Callum and Viren.
Now, I've talked a lot about Viren and Callum. Like, a Lot a lot. Therefore, I'm not going to repeat too much of their Arc 1 buildup here, and focus more loosely on their S5 parallels in particular. However:
If you're interested in their pre-season 4 buildup, check out these metas: How Callum and Viren have parallel arcs in S2, Relics, Rage, and Magic: The Callum-Viren Foils Meta, the foils screencap compilation post I've been cultivating since Nov 2019 pre S3 (updated to include past that point)
If you're interested in post-S4 thoughts, check out these metas: The Interlocking of the Cycle’s Wheel with Viren, Claudia, Callum, and Rayla, How Viren and Callum stack up flaws wise, I sure do love foils that switch, How Callum's morality differs from Ezran and Rayla's (and always has)
If you're interested in post-S5 thoughts, check out these metas: What did Viren and what does Callum want?, How Callum and Viren sacrifice (written post-S4 but updated with S5 screencaps), Why ramp up the foiling?
Now I'm not gonna expect you to read all that because 1) I'm aware I have a problem, 2) it'd be time consuming as hell, and 3) I'm going to summarize the most important takeaways for you to understand the foundation this next section of meta is built on. (None of it is complicated, mind you, but just to make it clear where I'm coming from.) If you have read all those metas, or even made it this far on this one, thank you for enabling me reading and I hope you('ve) enjoy(ed).
Now for the key takeaways:
S5 went basically exactly where I've thought Callum would go since S1/S2 and Viren since S3 re: Viren giving up dark magic and having an atonement arc/breaking away from Aaravos, whereas Callum — in order to free and save someone he loves, specifically Rayla — chooses to chain himself further to Aaravos
Although still very different, Callum and Viren are worryingly, exceedingly similar in many ways, largely in their agreement that dark magic can be a useful last resort and in their devotion to their loved ones (aka "in the name of love" + the "I would do anything [for my family/loved ones]" parallel
Where Viren is willing to put certain things (the kingdom, his own quest for power, humanity) above his family (and wrongfully so), Callum is not. He says he would do anything, and means it (thank you post-s2 me, you were the realest bitch)
Rayla and Aaravos are foils, particularly in their dynamics with Callum and Viren respectively. They are both banished, exiled elves who were seen as being/are too sympathetic towards humans, they mentor high mages of Katolis, hunt each other's high mages, and S6 will put Rayla and Aaravos vying for Callum's destiny (control) to the test as his two paths (although choosing Rayla over Aaravos may not be mutually exclusive, but that's another post). Rayla killing Viren unintentionally put him on a path to stray from Aaravos, whereas Callum saving her / their relationship is what has consistently putting him on a path towards Aaravos
Now, S2 and S4 definitely have more parallels between them structurally for our two high mages. S2 is linked above, so I'll focus on S4: asking to die but being refused by Claudia and Rayla respectively; being reunited with someone they love after two years; Callum attempting to shut down his feelings in Rayla's absence / upon her return much the way Viren did in his time as high mage; the mirror and general framing, particularly in 4x01; sharing a (re-)birthday; their impatience in 4x02, which is also a parallel with Karim; the pawn intros; Rayla interrupting Callum's investigation of the mirror while Viren likewise attempts to diverge paths; picking up what they'd been refusing to all season in 4x09 within seconds of each other, and similar framing to boot, since dark magic led to Viren's destruction, and Rayla will possibly (unintentionally) lead to Callum's:
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Let's get into it: S5
Now, S5 is less obvious in some ways. The one big framing parallel they get, beat for beat, is Callum going to investigate Aaravos in the library, placing his book on the same table, being interrupted by the librarian (which is honestly more of a running gag than something tangible), the script being magically washed away, etc.
Therefore, with all of the above out of the way, we have three main things to consider:
1) Their dark magic dreams from 2x06 and 5x03 respectively, in which they face mirrored reflections of each other
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I wrote after S2 that I thought Callum refusing his dark counterpart in 2x08 was ultimately going to end up being more about actively being a dark mage than doing dark magic ever again, mostly because — while we didn't know if the show would ever put him in said position — I always figured Callum would do dark magic again in well, about the exact circumstances canon forced him into in 5x08. (And it was extremely satisfying, lemme tell you.) Viren giving up dark magic was more surprising, but they've always been switching foils, so the exchange makes perfect sense on that level.
I talked really briefly about some of the similarities between their dreams, but I wanted to touch on some here as well:
Their choices are both framed around objects of Aaravos. For Callum, it's a key he initially rejects. For Viren, it's the mirror, but instead of connecting to and looking to Aaravos to help him, he looks to and accepts himself.
Viren has to reach forward and connect with himself, whereas Callum pulls away from his mirror self
Viren's dreams are about dismantling his justifications (or the why) behind what he did, whereas Callum's skip over his justifications and instead focus on what he did. Both of these accordingly inform their identity
Viren is saved from literal drowning upon waking up, Callum is saved from a more metaphorical kind
Freedom is the cornerstone of both reflective scenes. Viren and Callum both leave their initial dreams being free (or freer than before). While this holds true for Viren until the current end of his arc (5x09), Callum in 5x08 is handed a sharp reminder that freedom is no guarantee, and how that may continue
The path metaphor that was running loosely throughout their arcs ("I am offering you a path forward [with dark magic] / Callum's tendency towards shortcuts / "I'm afraid, Rayla. What if I'm on a path of darkness?") is now being brought to the forefront here through Viren both being made actively aware of his choices per path ("Because I have followed a dark path") and him deciding to get off of it in 5x09.
2) Both being driven to desperation and resolve to try and save someone they love (Claudia, Rayla)
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I figured that, per Viren getting an atonement arc at all, that what would make the most sense is S5 forcing Viren and Callum to confront their moral horizon lines about what they were, or were not willing to do, in order to save Claudia and Rayla pre-S5. For the S4 reasoning behind that, I'll recommend one of the metas linked above regarding those four and the Interlocking of the Cycle's Wheel. I was very pleased to see a decent chunk of it come to fruition. I figured Callum would be able to save Rayla at a steep cost, and Viren would be unable to successfully save Claudia (cause consequences have to catch up to you sooner rather than later, and they tend to catch Viren first and Callum second).
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This is, of course, perhaps most exemplified by the show chipping away to the core of dark magic, which is what are you willing to do to save the people you love, even against their will, and that Callum has every good reason to be worried, accordingly, about a very exploitable part of himself.
Which we'll talk about more when we get to:
3) Viren revoking dark magic and Aaravos, whereas Callum does dark magic again and worries he's further tethered himself to Aaravos
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In season 5 in a lot of ways, Viren comes to fully understand and accept Harrow's rebuttal to dark magic in 1x02, which was, "We may not pay now, but we will pay the blood price eventually! What do you think got us here? Dark magic!" The blood price went from Sarai's unintentional death, to Thunder's purposeful one, to Zym's false one, to Harrow's 'real' (?) one, and so and so forth.
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Viren tried to ignore the sunk cost fallacy by believing it was already too late to turn everything around, and that doubling down to skirt consequences would continually work... until it didn't, and he had to accept the only person writing his fate was himself: "Every step forward is a choice," and thereby another chance to do the right thing, or make better choices, under the circumstances you have — to at least try.
This parallel, then, between Viren doing what he can to set himself free vs Callum chaining himself further to Aaravos is, in a lot of ways, both the most dreadful and happiest potential parallel and contrast between on a few different levels. Let me explain:
S6 as the Fall, S7 as the Rise
I talked about this pre-S5, citing it as a reason I believed Viren and Callum were ultimately switching rather than solely contrasting foils — re: Viren getting better in S5, and Callum getting worse in S5/S6 — simply due to the fact that given that S6 will be TDP's 11th hour, things might be going okay for the antagonist crowd, but the protagonist side of things, particularly Callum, will need to be hitting rock bottom.
Thus, it seemed pretty obvious from a structural standpoint, as well as Stars (and destiny by extension) having an association with Aaravos that S6 would involve Callum playing his part in Aaravos' plans, with S7 being the reclamation of his agency and therefore defeat of his narrative Rival for well, narrative control. S6 being Callum's fall, S7 being his rise — stronger than before, and freer and more magically in tune than ever.
Prior to S5, it was typically accepted (by myself included) that while purposefully very similar to one another in both framing and personality, that mirroring would eventually shed, and, come S7 Viren would ultimately provide a contrast to Callum, with Callum breaking away from Aaravos in ways Viren was never able to, and this would be the Big Defining Difference between them in terms of like, narrative cohesion and plot. (Emotionally, the biggest difference has always, arguably, been that Viren is more world focused — to his detriment in arc 1 in particular — than focused on his loved ones, whereas Callum is deeply and sometimes dangerously devoted to the people he loves.)
However, S5 makes that previous contrast prediction untrue, because Viren does break away from Aaravos (in fact, just an episode decidedly before Callum seems — metaphorically at least — to take a step towards him). Therefore rather than just being a contrast, Viren is meant to be a true mirror in equal measure, simply because by virtue of letting Viren break away from Aaravos' control, when Callum eventually does so, he will likewise — once again — be following in Viren's footsteps, just in a positive way rather than a 'negative' way like before. If Viren was meant to solely be a contrast — as has been theorized previously — than Callum staying under Aaravos' control would actually be the provided ending. Of course the show isn't doing that for Very Obvious Reasons, but I think it's worth noting that now, in order for Callum to have a happy ending at all, he has to follow in Viren's footsteps — all of them. Rather than being one of solely warning and foreboding, Viren's narrative has turned into one of hope for Callum, too.
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V: I am free, and so are you.
But in order to talk about salvation, we have to first talk about destruction, namely:
Dark Magic and Death
Dark magic and death have long been associated with each other in series. Dark magic requires killing or consuming a magical creature — elf, dragon, or otherwise — to be used/harvested for power. It affects the souls of those being used as spell parts (Through the Moon) and you can use any part of the body within reason, even their ashes upon cremation (1x03, 2x09), or their final breath (against their wishes in 3x06). Hell, dark magic makes you smell like death (3x01), turns you into a more corpselike appearance, and season two novelization just furthers this association outright during the passages of Callum's dark magic visions/dream:
Callum turned the cube frantically to see which primal was glowing. How could any of the primals glow in this dark place? Something about this cube tied his stomach in knots. It wasn’t natural. A vision flickered in front of his face. Dozens of dead animals in a field. A dead butterfly. A dead deer. A dead unicorn. Cackling laughter. He chucked the cube away from him with all his might. The glowing rune was dark magic. It represented death.
Thereby in 2x08 itself, the rejection dark magic symbolized by the cube is pretty simple. Callum rejects being a dark mage as his primary magic use, he rejects the 'easier' road, he still believes he can possibly access primal magic, and in doing so, he rejects death. He won't become a dark mage, he won't seek out his death or others in order to have control/power, and he won't become a corpselike figure.
But a couple seasons later, we see S4 and S5 reverse and complicate that in 1) having him, literally, seek his own and Aaravos' deaths in order to feel in control/have power, and therefore 2) perfectly foreshadowing his eventual dark magic use/relapse, for lack of a better word. Just as the show leans farther away from "dark magic is easy" (and it is, in some ways, emotionally easier to deal with consequences when you can change them) and more into "dark magic will destroy you — your identity and your body — if you keep using it".
S5, likewise, also starts to break down the negative associations of dark magic being linked to death, and indeed the negative associations with death itself. For most characters in the series, death is solely a tragedy, but for Harrow and Viren of themselves, staring their own deaths in the face — and choosing to die — instead became a vehicle for repentance, change, and subsequent self-actualization.
Death, for Harrow, and more importantly for the sake of this meta, is not just doom and gloom, but a choice and therefore a culmination as well as a chance for transformation. Just as Viren's death in 3x09 allowed him to be re-born with clear eyes (a literal Re-Birthday, if you will), him choosing this next death shows the full scope of his character arc. Previously, he died because he was chasing all the things he didn't have with Aaravos' aid, and by 5x09, he's rejecting Aaravos' help and dying alone in the woods with nothing, yet it feels like a tragic sort of victory all the same.
We also see a more complicated view of dark magic alongside ideas of self-actualization. Previously, dark magic was seen as something that would make you routinely lose yourself (Viren, Claudia) until you had by and large become the worst version of yourself. S5 complicates this a bit more by connecting Callum doing dark magic to his ability to access the Ocean arcanum, as he remembers/mimics the motion of crushing the slug before connection (and parallels Viren's 5x03 hand symbolism to boot):
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Whereas Viren unmakes his choice to take on Aaravos' deal in 2x07, Callum unmakes his choice to refuse to do dark magic when it means saving his loved ones. As he states:
To love is simply to know this: the tides are true as the ocean is deep... You don't control anything. But you already knew that, didn't you? Because it's the secret of the Ocean itself. The arcanum. The Ocean arcanum is about accepting depths you can't see, parts of yourself you can't understand, and things you can't control.
Callum fears not having control, and therefore fears his part of himself, where he is now more aware than ever of just how far he'll go for his loved ones, and how exploitable that is, thanks to Finnegrin. And it's not as though dark magic has lost its death associations, merely that those death associations have likewise been transformed. This is particularly evident if you line up 5x08 as the end of Callum's S5 arc (which it is; while 5x09 is fun, it doesn't further any of the main trio's emotional arcs except Rayla, and even that is decently minor)
If dark magic is still linked to death, then both Viren and Callum choose to step towards their own deaths in the end of their respective arcs, just with different meanings and arc placements. If we take Viren's step further that real death vs dark magic death are two different things, then we still have Callum stepping towards his own dark magic death to prevent someone else's (the same way Rayla is spared) even if that means throwing potentially 3+ innocent people and Domina Profundis under the bus in 5x08. But more on that here.
For now, let me break it down more simply:
In 4x09, Callum and Viren both pick up the symbol of something they've been trying to ignore / pass off to others all season. Viren has avoided his staff and left it for Claudia to wield, much the same way Callum passed Rayla off to Ezran and Soren in the previous episodes. Viren refuses to leave the staff behind. Meanwhile, Callum picks up and finally starts fully acknowledging the loss and love he feels regarding Rayla, who he let go on without him. The staff is symbolic of Viren's relationship to Aaravos as well, and it's what ultimately dooms him. Rayla's sword, although quickly discarded so he can help the actual Moonshadow elf, is also a symbol to Callum in the scene that he loves/is still mourning his friend/partner.
In 5x08 and 5x09, Callum and Viren are both goaded by a vengeful elf seeking freedom into doing dark magic to create a secure future for each mage. The elf wants to use them as further vessels for their own freedom/revenge scheme. Viren refuses to do dark magic and instead chooses death, reaching self-actualization. He does this mostly motivated by his own regret and love for Claudia. He refuses to sacrifice Sir Sparklepuff to save his own life and breaks away from Aaravos. Callum demonstrates a willingness to sacrifice others in order to save Rayla, in addition to resorting to dark magic in order to save her. He refuses to sacrifice her to save/keep his own soul free from Aaravos' clutches, even if that means possibly walking steadily closer to his own death. Likewise, this allows him to reach a new stage of self-actualization, but at a steep emotional cost.
Where Viren's ending is tragic but victorious, Callum's season ending is victorious but tragic. But like I said earlier, Viren's story in S5 offers plenty of hope to Callum's future storyline, namely exploring how
Love Can Destroy and Save You
Now, anyone who's been following me for a while knows I love a good "this thing can save and destroy you" and that I have been really fucking excited for S4 taking that undercurrent in arc 1 and bringing it up to the forefront, with a big hitch to Rayllum as a sweet lovely, devastating bonus.
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“Wow. So they look identical but they might kill you or they might save you,” Callum said. “Exactly. Just like me…” Rayla smiled.
—Book One: Moon novelization + Callum and Rayla being routinely determined to save each other, even if that means immense danger and harm to themselves (Callum's love for her made him leap off the mountain to save her, and his love for her allowed him to grow wings and save both of them).
This has always been a theme in the show and particularly within their dynamic — "Alright, enough almost killing me" in 1x05 with the lightning spell, only for Callum to save Rayla's life with the exact same spell by the episode's end — most prominently brought to the forefront in 4x07 with their whole "I need you to kill me" "I'm afraid I'll hurt people I care about" [cuts right to Rayla] conversation. If you're interested in more Rayllum thoughts on this, I would recommend my original meta on the subject (pre-S4) and my post-S4 followup.
We even see this theme of the same thing — in this case, Callum's love for Rayla and commitment to saving her — play out as a perfect microcosm in 5x08. As previously mentioned, Callum does dark magic again (a failure in his own mind) and unlocks the ocean arcanum (a victory) precisely because of what he was willing to do out of love, both of these things being good and bad. The dark magic use is bad because it makes him more vulnerable to Aaravos and reaffirms how he'll bend morals he otherwise wouldn't and is upset over it, and it's a good action because it lets him save Rayla. Unlocking the Ocean arcanum is a good thing, because it symbolizes a deeper understanding of himself — good ol' self-actualization — and more useful, magical prowess, but it's also a bad thing because he's upset by this realization of himself to the point of not even really being excited by it.
He would do anything for her, he's realized now that love doesn't necessarily always make him stronger, that this is exploitable, and it scares him. It really does.
Because Rayla saves him and destroys him. And in S5, fortunately, Viren's children do the same for him.
Even though saving Soren is what seemed to truly begin Viren's descent in earnest...
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the harm his path has inflicted on Claudia is one of his motivations to finally stepping off of it.
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Ezran himself acknowledges the way love interplays with the Cycle in the thematic turning point of the arc, and the series in many ways, back in 4x03 — that love is not in opposition to the Cycle, but indeed one of its many cogs, and the choice lies in how we choose to let that love manifest:
I had a speech planned for today. It was about peace and love and hope. But I think I left something out. [...] We all want peace and we all want love. But violence tests us. In a twisted way, it converts us to its cause. Because pain and loss feel so terrible inside, you want to hate. You want to hurt someone else. So what do we do? How can we stop this cycle? [...]  We have to acknowledge the weight of the pain and loss, but open up our eyes and allow ourselves to hope and maybe forgive and love again. We have to give today’s children a chance to inherit a future filled with peace. To give them that, we have to hold pain and love in our hearts at the same time.
If Callum does destroy himself / risk the world for love in S6 (perhaps taking a risk he knows may lead to being possessed, or releasing Aaravos to spare Ezran or Rayla from an immediate death) then love, it seems, is also posed to be what accordingly breaks him out of the possession and brings him back to himself, the same way it allowed Viren to deviate from his previously chosen/enforced path. Reconciling dualities rather than enforcing strict binaries is one of the main things S4 was concerned with, after all ("Just have two cakes!").
All of this, for Callum, ties back into:
His dynamic with Rayla and all its variances (the light to his dark / pain and love / literally freeing himself while metaphorically chaining himself in order to save her / his love for her being his strentth and weakness / "Now you're back. That's kind of good, and it's kind of bad").
His connection to the Key ("I have a feeling that cube thing could help me" to "It's the Key of Aaravos, Callum. No good will come of it!")
Light and dark being both good and bad, and Aaravos heavily representing that trade off ("In darkness, gaze upon a fallen star [...] already tainted by darkness" + the cube flashing a bright glowing white before Aaravos picks him up as a pawn).
The fall (becoming Aaravos' prey / playing into Aaravos' hands) in s6 and a rise in S7 (breaking free by defeating Aaravos)
If dark magic is death, and Aaravos is likewise death / worse than death ("if he takes control of me again, you have to kill me")... death, like for Viren in 3x09, can be Transformation for Callum in 6x09. He just has to 'die' (metaphorically) — to fall, to fail, to succumb to his predecessor's negative footsteps — in order to rise, fly, and follow in his predecessor's positive footsteps while also carving out another new path for himself.
Because Love is salvation just as much as it is destruction, and the story will always hold true to those things.
Other Parallels
Although there aren't as many prominent framing parallels in S5 as there were in S4 — the mirror, on the battlements with Soren, sitting on the Storm Spire, picking up the staff and sword, etc etc — (beyond the hand clasps as symbolic chains my beloved), the most obvious one is from 5x01 in which Callum goes to the library to research Aaravos just like the high mage before him, down to the portrait over the table they place the tome on.
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Then there is also framing that furthers the connections they share between Callum-Viren and Claudia-Rayla, diving after someone you're desperate to save (and often from drowning, to boot). Hand outstretched one pictured above, so here's another:
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There are also the Aaravos-Magma Titan Callum-Viren parallels that others have pointed out, with Ezran standing in for Sarai:
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Given that 4x01 begins and 5x09 ends the arc of Viren's 30 days, and by and large binds S4 and S5 together as 1 arc of sorts (with S6 and S7 being the final arc), it tickles me particularly pink that it opens, in many ways, and then literally closes accordingly with Callum and Viren staring at the moon:
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Misc:
In between writing the first meta and the second one, I got loose 'confirmation' that I'm on the right path with my deductions (even if, of course, 'personal path' can mean many things, but I still think it's cool!) from Aaron Ehasz on twitter. Cool beans
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I also think it's fun that Viren tries to save Claudia from a 'symbolic' death in the ocean ("Stop! That wave, it will swallow you up!") and Callum saves Rayla from a more literal one of being devoured by a sea leviathan.
Conclusion
First off, if you read All of That, thank you and I hope you enjoyed it. I've been itching to talk about these two and how S5 both built on the parallels they already had, pushed some to the forefront in overt ways ("I would do anything" and 5x08 on Callum's end was beyond validating in every way), in addition to setting up more to come, both good and bad.
I may return to S5 in this manner to touch more on other parallel relationships in the future, such as Viren-Rayla in S5, Callum-Claudia, and Claudia-Rayla, but for now the next proposed foil meta is looking at a dynamic I have not talked much about in Callum and Karim. This will conclude this little 'trilogy' of metas, and I hope you stick around for it, cause it's going to be very interesting.
Callum and Viren have always been my favourite foils relationship in the show, and I hope this meta did a good job of demonstrating why. Thank you for reading and I'll see you in the next one!
—Dragons out
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