Tumgik
#this isn't where in supposed to be
waveoftheocean · 8 months
Text
Tumblr media Tumblr media
day after tomorrow
(whee finally posting the finished version of this piece! i originally designed it for a cd charm where you can rotate wolfwood like the gif but then i figured there should be a still version too where you can pretend everything is happy and nothing hurts :))
1K notes · View notes
lucdoodle · 1 day
Text
Tumblr media Tumblr media Tumblr media Tumblr media
A lil comic based on the amazing fic "Up is Down, Sane is Insane"
398 notes · View notes
horsechestnut · 17 days
Text
AU to add to the list of AUs I'll never write: All of the Robins are de-aged to the age they were when they became Robin. Their memories are also reset to that point, and somehow they're in their Robin suits.
So you have a 16 year old Steph, desperately trying to wrangle 4 feral children who look nearly identical and won't tell her their names because "you do know what a secret identity is, don't you Stephanie?"
204 notes · View notes
poorly-drawn-mdzs · 9 months
Text
Tumblr media
Culture Shock
[First] Prev <–-> Next
923 notes · View notes
t1sunfortunate · 4 months
Text
I truly do think one of the largest pitfalls among the "media consumption is my passion" crowd is the tendency to treat characters as human beings with agency rather than narrative tools manipulated by the author
173 notes · View notes
nonokoko-draws · 5 months
Text
Happy Christine from Heartshackle 🥳🎊🎉
Tumblr media
[Click for better quality] The original memes were GIFs but I don't have them so here's the template I made under the cut. Feel free to use it
Tumblr media
194 notes · View notes
uncanny-tranny · 2 years
Text
I'm aware many people (including myself) are uncomfortable with this framing, but I can't help but love the "sometimes, a little girl grows up to be a man, and sometimes, a little boy grows up to be a woman"
How eloquent, how beautiful is it to describe the growing-up of a trans youth? Something about it feels soft and so unabashedly human.
2K notes · View notes
revedetendresse · 1 year
Text
Tumblr media Tumblr media
Men of House Strong | Matthew Needham, Gavin Spokes & Ryan Corr
392 notes · View notes
asmo-cosmetics · 2 months
Text
so far the thing i like best about nu: carnival is that eiden is genuinely lovely and i completely understand why all these dudes are just dropping everything to follow him around
80 notes · View notes
Thing to remember about Cat’s magician theme: while yes, it does imply there’s some stuff that we just won’t get to see due to it being hidden, it’s also hinting at something meant to help us:
Don’t get caught up in any misdirection.
Tumblr media
One of the big things about this music video in particular is that there’s a lot of stuff thrown at us really fast and quick, multiple times. A bunch of busy, flashy, dramatic sequences that are sure to draw most people’s eye and theorycrafting!
But, just as a magician uses their skills to get the audience to look away from the actual trick that they’re pulling, Kazui is subconsciously pulling the same stuff on us. Like, just in considering what one of the slower sections of Cat showed us:
Tumblr media
People have already pointed out that the guy in the wedding audience is the same man who was bartending in Half. But I think there’s even a bit more past that that Kazui’s given to us as context. Which is to say: Consider the ring on his finger and the woman behind him.
Tumblr media
Know what other woman in Kazui’s videos we’ve seen who has brown hair and been right next to this man?
Tumblr media
Which actually puts the bar scene from Half into a completely different context.
Tumblr media
The picture above wasn’t Kazui cheating on his wife: it was him getting to know the woman his childhood friend was going to marry. 
By having their meeting in a casual setting, with both Kazui and her sitting right up next to the bar where the guy was working, all three of them would get to talk and hang out when things weren’t too busy. And when things did get busy, Kazui and this man’s future bride would be easy to check up on via a quick look down the bar counter, with alcohol as an added social relaxant so things would hopefully never get too tense and awkward. With all this in mind, I think it’s really important we consider the art of misdirection when looking through the rest of Kazui’s Cat video: If our attention is being drawn to something in particular, look at everything else first.  That’s gonna be how we crack through Kazui’s shell and get to the truth.
227 notes · View notes
rjnonymous · 1 year
Text
If Bruce hadn't taken in his kids every single one of them except Jason would've turned out as murderous maniacs
856 notes · View notes
kanerallels · 7 days
Text
There's absolutely nothing worse than when I get a thousand words into a story and decide that I low key hate it
47 notes · View notes
hephaestuscrew · 4 months
Text
It's so emotionally powerful to me that we don't hear any interactions between Minkowski and Eiffel in the finale between the scene when she tries to send him back on the Sol and the scene where she witnesses him losing his memories. That's more than an hour in the middle of the finale with no direct interaction between these two central characters whose dynamic is a core element of the show. For me, this makes both of those dramatic scenes even more moving, because they feel juxtaposed in a way they might not otherwise be if there was a Minkowski & Eiffel interaction inbetween them.
As the Sol prepares to launch, Minkowski tells Eiffel goodbye and she knows it could be the last time she speaks to him. She thinks she might never see him again, but at least he'll be safe. She thinks he might never forgive her for that choice, but at least he will have made it through this.
But his stubborn desperation to fight alongside the rest of the crew defies all her plans to protect him. And the next time she speaks to him - after she's been shot in the stomach during her attempts to reach him, after she's continued to look for him even as she's bleeding out - he is injured in a way she would never have expected. When she first sees him hooked up to Pryce's machine, maybe she thinks for a moment that he's unharmed, that they might all make it through this the way she hoped. Then she learns that his memories are already slipping away from him.
There's her desperate attempt to protect him at all costs, and then there's a life-altering harm that she couldn't protect him from, which she witnesses. Between these two moments, there aren't any scenes with both characters in together to bridge that gap. There's Eiffel yelling "Goddammit, Renée, DON'T DO THIS!", and then there's him telling her "It was an honor to serve under you, Sir." There's him pleading with her and then there's him forgiving her. There's Minkowski saying "Go home, Eiffel. Hug your daughter.[...] Goodbye, Doug.", and there's the desperate heartbroken way she says Eiffel's name after the memory wipe has gone through. There's two very different kinds of goodbyes.
And then, afterwards, there's two very different kinds of introductions.
78 notes · View notes
muzzleroars · 1 year
Photo
Tumblr media Tumblr media Tumblr media Tumblr media
[ultrakill]
war & peace (i)
793 notes · View notes
taz-writes · 10 months
Text
here's a hot take for today
the narrative function of sex is the same as the narrative function of fight scenes is the same as the narrative function of songs in a musical
no i will not explain
#taz talks#writing#actually i WILL explain but i'll do it in the tags#these each serve the same function within their respective appropriate genres#each one is a kind of revelation#they heighten the connection between 2+ characters and highlight relationships and feelings and needs#they are out of place in genres where they do not belong and/or as curveballs when the narrative did not provoke them from the start#but they have the same sort of emotional/dramatic build-up#talk -> sing -> dance (talk -> yell -> stab) ((talk -> flirt -> You Know))#and they are all expressions of intense physicality and intimacy through physical gesture and interaction#they are fundamentally empty and boring if there is not a deeper purpose or drive behind them#although they can still occasionally be entertaining on their own if your audience is specifically seeking that experience out#people who do not like them will be very unhappy to encounter one where it isn't supposed to be#it is very easy to ruin the mood with poor word choice#many people have an inherent sense for terrible ones but it's often difficult or complicated to explain precisely why a bad one fails#when executed properly they are a very raw and intimate expression of a character's most fundamental needs and desires#the fluff is stripped away and there is nothing left but a series of needs. conflicting or cooperating.#and even when you're lying during one it's still a form of truth#none of these things are remotely necessary to tell a powerful or compelling story but if you're going to use them you need to do it right#also all 3 of these things are difficult if not impossible to write if you are not both interested in them and personally invested#this post brought to you by me trying to write smut about my dnd characters and failing because i generally hate /reading/ smut#so i have none of the vocabulary or instinct for it that i do for. say. graphic violence (or lyrical poetry)
191 notes · View notes
okurrroye · 4 months
Text
OK BACK uP cause wt- you mean to tell me Hermes is literally the god of thieves and these idiots think a child of Ares stole the masterbolt???
54 notes · View notes