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inky-duchess · 4 months

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Fantasy Guide to Interiors

As a followup to the very popular post on architecture, I decided to add onto it by exploring the interior of each movement and the different design techniques and tastes of each era. This post at be helpful for historical fiction, fantasy or just a long read when you're bored.

Interior Design Terms

Reeding and fluting: Fluting is a technique that consists a continuous pattern of concave grooves in a flat surface across a surface. Reeding is it's opposite.

Embossing: stamping, carving or moulding a symbol to make it stand out on a surface.

Paneling: Panels of carved wood or fabric a fixed to a wall in a continuous pattern.

Gilding: the use of gold to highlight features.

Glazed Tile: Ceramic or porcelain tiles coated with liquid coloured glass or enamel.

Column: A column is a pillar of stone or wood built to support a ceiling. We will see more of columns later on.

Bay Window: The Bay Window is a window projecting outward from a building.

Frescos: A design element of painting images upon wet plaster.

Mosaic: Mosaics are a design element that involves using pieces of coloured glass and fitted them together upon the floor or wall to form images.

Mouldings: ornate strips of carved wood along the top of a wall.

Wainscoting: paneling along the lower portion of a wall.

Chinoiserie: A European take on East Asian art. Usually seen in wallpaper.

Clerestory: A series of eye-level windows.

Sconces: A light fixture supported on a wall.

Niche: A sunken area within a wall.

Monochromatic: Focusing on a single colour within a scheme.

Ceiling rose: A moulding fashioned on the ceiling in the shape of a rose usually supporting a light fixture.

Baluster: the vertical bars of a railing.

Façade: front portion of a building

Lintel: Top of a door or window.

Portico: a covered structure over a door supported by columns

Eaves: the part of the roof overhanging from the building

Skirting: border around lower length of a wall

Ancient Greece

Houses were made of either sun-dried clay bricks or stone which were painted when they dried. Ground floors were decorated with coloured stones and tiles called Mosaics. Upper level floors were made from wood. Homes were furnished with tapestries and furniture, and in grand homes statues and grand altars would be found. Furniture was very skillfully crafted in Ancient Greece, much attention was paid to the carving and decoration of such things. Of course, Ancient Greece is ancient so I won't be going through all the movements but I will talk a little about columns.

Doric: Doric is the oldest of the orders and some argue it is the simplest. The columns of this style are set close together, without bases and carved with concave curves called flutes. The capitals (the top of the column) are plain often built with a curve at the base called an echinus and are topped by a square at the apex called an abacus. The entablature is marked by frieze of vertical channels/triglyphs. In between the channels would be detail of carved marble. The Parthenon in Athens is your best example of Doric architecture.

Ionic: The Ionic style was used for smaller buildings and the interiors. The columns had twin volutes, scroll-like designs on its capital. Between these scrolls, there was a carved curve known as an egg and in this style the entablature is much narrower and the frieze is thick with carvings. The example of Ionic Architecture is the Temple to Athena Nike at the Athens Acropolis.

Corinthian: The Corinthian style has some similarities with the Ionic order, the bases, entablature and columns almost the same but the capital is more ornate its base, column, and entablature, but its capital is far more ornate, commonly carved with depictions of acanthus leaves. The style was more slender than the others on this list, used less for bearing weight but more for decoration. Corinthian style can be found along the top levels of the Colosseum in Rome.

Tuscan: The Tuscan order shares much with the Doric order, but the columns are un-fluted and smooth. The entablature is far simpler, formed without triglyphs or guttae. The columns are capped with round capitals.

Composite: This style is mixed. It features the volutes of the Ionic order and the capitals of the Corinthian order. The volutes are larger in these columns and often more ornate. The column's capital is rather plain. for the capital, with no consistent differences to that above or below the capital.

Ancient Rome

Rome is well known for its outward architectural styles. However the Romans did know how to add that rizz to the interior. Ceilings were either vaulted or made from exploded beams that could be painted. The Romans were big into design. Moasics were a common interior sight, the use of little pieces of coloured glass or stone to create a larger image. Frescoes were used to add colour to the home, depicting mythical figures and beasts and also different textures such as stonework or brick. The Romans loved their furniture. Dining tables were low and the Romans ate on couches. Weaving was a popular pastime so there would be tapestries and wall hangings in the house. Rich households could even afford to import fine rugs from across the Empire. Glass was also a feature in Roman interior but windows were usually not paned as large panes were hard to make. Doors were usually treated with panels that were carved or in lain with bronze.

Ancient Egypt

Egypt was one of the first great civilisations, known for its immense and grand structures. Wealthy Egyptians had grand homes. The walls were painted or plastered usually with bright colours and hues. The Egyptians are cool because they mapped out their buildings in such a way to adhere to astrological movements meaning on special days if the calendar the temple or monuments were in the right place always. The columns of Egyptian where thicker, more bulbous and often had capitals shaped like bundles of papyrus reeds. Woven mats and tapestries were popular decor. Motifs from the river such as palms, papyrus and reeds were popular symbols used.

Ancient Africa

African Architecture is a very mixed bag and more structurally different and impressive than Hollywood would have you believe. Far beyond the common depictions of primitive buildings, the African nations were among the giants of their time in architecture, no style quite the same as the last but just as breathtaking.

Rwandan Architecture: The Rwandans commonly built of hardened clay with thatched roofs of dried grass or reeds. Mats of woven reeds carpeted the floors of royal abodes. These residences folded about a large public area known as a karubanda and were often so large that they became almost like a maze, connecting different chambers/huts of all kinds of uses be they residential or for other purposes.

Ashanti Architecture: The Ashanti style can be found in present day Ghana. The style incorporates walls of plaster formed of mud and designed with bright paint and buildings with a courtyard at the heart, not unlike another examples on this post. The Ashanti also formed their buildings of the favourite method of wattle and daub.

Nubian Architecture: Nubia, in modern day Ethiopia, was home to the Nubians who were one of the world's most impressive architects at the beginning of the architecture world and probably would be more talked about if it weren't for the Egyptians building monuments only up the road. The Nubians were famous for building the speos, tall tower-like spires carved of stone. The Nubians used a variety of materials and skills to build, for example wattle and daub and mudbrick. The Kingdom of Kush, the people who took over the Nubian Empire was a fan of Egyptian works even if they didn't like them very much. The Kushites began building pyramid-like structures such at the sight of Gebel Barkal

Japanese Interiors

Japenese interior design rests upon 7 principles. Kanso (簡素)- Simplicity, Fukinsei (不均整)- Asymmetry, Shizen (自然)- Natural, Shibumi (渋味) – Simple beauty, Yugen (幽玄)- subtle grace, Datsuzoku (脱俗) – freedom from habitual behaviour, Seijaku (静寂)- tranquillity.

Common features of Japanese Interior Design:

Shoji walls: these are the screens you think of when you think of the traditional Japanese homes. They are made of wooden frames, rice paper and used to partition

Tatami: Tatami mats are used within Japanese households to blanket the floors. They were made of rice straw and rush straw, laid down to cushion the floor.

Genkan: The Genkan was a sunken space between the front door and the rest of the house. This area is meant to separate the home from the outside and is where shoes are discarded before entering.

Japanese furniture: often lowest, close to the ground. These include tables and chairs but often tanked are replaced by zabuton, large cushions. Furniture is usually carved of wood in a minimalist design.

Nature: As both the Shinto and Buddhist beliefs are great influences upon architecture, there is a strong presence of nature with the architecture. Wood is used for this reason and natural light is prevalent with in the home. The orientation is meant to reflect the best view of the world.

Islamic World Interior

The Islamic world has one of the most beautiful and impressive interior design styles across the world. Colour and detail are absolute staples in the movement. Windows are usually not paned with glass but covered in ornate lattices known as jali. The jali give ventilation, light and privacy to the home. Islamic Interiors are ornate and colourful, using coloured ceramic tiles. The upper parts of walls and ceilings are usually flat decorated with arabesques (foliate ornamentation), while the lower wall areas were usually tiled. Features such as honeycombed ceilings, horseshoe arches, stalactite-fringed arches and stalactite vaults (Muqarnas) are prevalent among many famous Islamic buildings such as the Alhambra and the Blue Mosque.

Byzantine (330/395–1453 A. D)

The Byzantine Empire or Eastern Roman Empire was where eat met west, leading to a melting pot of different interior designs based on early Christian styles and Persian influences. Mosaics are probably what you think of when you think of the Byzantine Empire. Ivory was also a popular feature in the Interiors, with carved ivory or the use of it in inlay. The use of gold as a decorative feature usually by way of repoussé (decorating metals by hammering in the design from the backside of the metal). Fabrics from Persia, heavily embroidered and intricately woven along with silks from afar a field as China, would also be used to upholster furniture or be used as wall hangings. The Byzantines favoured natural light, usually from the use of copolas.

Indian Interiors

India is of course, the font of all intricate designs. India's history is sectioned into many eras but we will focus on a few to give you an idea of prevalent techniques and tastes.

The Gupta Empire (320 – 650 CE): The Gupta era was a time of stone carving. As impressive as the outside of these buildings are, the Interiors are just as amazing. Gupta era buildings featured many details such as ogee (circular or horseshoe arch), gavaksha/chandrashala (the motif centred these arches), ashlar masonry (built of squared stone blocks) with ceilings of plain, flat slabs of stone.

Delhi Sultanate (1206–1526): Another period of beautifully carved stone. The Delhi sultanate had influence from the Islamic world, with heavy uses of mosaics, brackets, intricate mouldings, columns and and hypostyle halls.

Mughal Empire (1526–1857): Stonework was also important on the Mughal Empire. Intricately carved stonework was seen in the pillars, low relief panels depicting nature images and jalis (marble screens). Stonework was also decorated in a stye known as pietra dura/parchin kari with inscriptions and geometric designs using colored stones to create images. Tilework was also popular during this period. Moasic tiles were cut and fitted together to create larger patters while cuerda seca tiles were coloured tiles outlined with black.

Chinese Interiors

Common features of Chinese Interiors

Use of Colours: Colour in Chinese Interior is usually vibrant and bold. Red and Black are are traditional colours, meant to bring luck, happiness, power, knowledge and stability to the household.

Latticework: Lattices are a staple in Chinese interiors most often seen on shutters, screens, doors of cabinets snf even traditional beds.

Lacquer: Multiple coats of lacquer are applied to furniture or cabinets (now walls) and then carved. The skill is called Diaoqi (雕漆).

Decorative Screens: Screens are used to partition off part of a room. They are usually of carved wood, pained with very intricate murals.

Shrines: Spaces were reserved on the home to honour ancestors, usually consisting of an altar where offerings could be made.

Of course, Chinese Interiors are not all the same through the different eras. While some details and techniques were interchangeable through different dynasties, usually a dynasty had a notable style or deviation. These aren't all the dynasties of course but a few interesting examples.

Song Dynasty (960–1279): The Song Dynasty is known for its stonework. Sculpture was an important part of Song Dynasty interior. It was in this period than brick and stone work became the most used material. The Song Dynasty was also known for its very intricate attention to detail, paintings, and used tiles.

Ming Dynasty(1368–1644): Ceilings were adorned with cloisons usually featuring yellow reed work. The floors would be of flagstones usually of deep tones, mostly black. The Ming Dynasty favoured richly coloured silk hangings, tapestries and furnishings. Furniture was usually carved of darker woods, arrayed in a certain way to bring peace to the dwelling.

Han Dynasty (206 BC-220 AD): Interior walls were plastered and painted to show important figures and scenes. Lacquer, though it was discovered earlier, came into greater prominence with better skill in this era.

Tang Dynasty (618–907) : The colour palette is restrained, reserved. But the Tang dynasty is not without it's beauty. Earthenware reached it's peak in this era, many homes would display fine examples as well. The Tang dynasty is famous for its upturned eaves, the ceilings supported by timber columns mounted with metal or stone bases. Glazed tiles were popular in this era, either a fixed to the roof or decorating a screen wall.

Romanesque (6th -11th century/12th)

Romanesque Architecture is a span between the end of Roman Empire to the Gothic style. Taking inspiration from the Roman and Byzantine Empires, the Romanesque period incorporates many of the styles. The most common details are carved floral and foliage symbols with the stonework of the Romanesque buildings. Cable mouldings or twisted rope-like carvings would have framed doorways. As per the name, Romansque Interiors relied heavily on its love and admiration for Rome. The Romanesque style uses geometric shapes as statements using curves, circles snf arches. The colours would be clean and warm, focusing on minimal ornamentation.

Gothic Architecture (12th Century - 16th Century)

The Gothic style is what you think of when you think of old European cathedrals and probably one of the beautiful of the styles on this list and one of most recognisable. The Gothic style is a dramatic, opposing sight and one of the easiest to describe. Decoration in this era became more ornate, stonework began to sport carving and modelling in a way it did not before. The ceilings moved away from barreled vaults to quadripartite and sexpartite vaulting. Columns slimmed as other supportive structures were invented. Intricate stained glass windows began their popularity here. In Gothic structures, everything is very symmetrical and even.

Mediaeval (500 AD to 1500)

Interiors of mediaeval homes are not quite as drab as Hollywood likes to make out. Building materials may be hidden by plaster in rich homes, sometimes even painted. Floors were either dirt strewn with rushes or flagstones in larger homes. Stonework was popular, especially around fireplaces. Grand homes would be decorated with intricate woodwork, carved heraldic beasts and wall hangings of fine fabrics.

Renaissance (late 1300s-1600s)

The Renaissance was a period of great artistry and splendor. The revival of old styles injected symmetry and colour into the homes. Frescoes were back. Painted mouldings adorned the ceilings and walls. Furniture became more ornate, fixed with luxurious upholstery and fine carvings. Caryatids (pillars in the shape of women), grotesques, Roman and Greek images were used to spruce up the place. Floors began to become more intricate, with coloured stone and marble. Modelled stucco, sgraffiti arabesques (made by cutting lines through a layer of plaster or stucco to reveal an underlayer), and fine wall painting were used in brilliant combinations in the early part of the 16th century.

Tudor Interior (1485-1603)

The Tudor period is a starkly unique style within England and very recognisable. Windows were fixed with lattice work, usually casement. Stained glass was also in in this period, usually depicting figures and heraldic beasts. Rooms would be panelled with wood or plastered. Walls would be adorned with tapestries or embroidered hangings. Windows and furniture would be furnished with fine fabrics such as brocade. Floors would typically be of wood, sometimes strewn with rush matting mixed with fresh herbs and flowers to freshen the room.

Baroque (1600 to 1750)

The Baroque period was a time for splendor and for splashing the cash. The interior of a baroque room was usually intricate, usually of a light palette, featuring a very high ceiling heavy with detail. Furniture would choke the room, ornately carved and stitched with very high quality fabrics. The rooms would be full of art not limited to just paintings but also sculptures of marble or bronze, large intricate mirrors, moldings along the walls which may be heavily gilded, chandeliers and detailed paneling.

Victorian (1837-1901)

We think of the interiors of Victorian homes as dowdy and dark but that isn't true. The Victorians favoured tapestries, intricate rugs, decorated wallpaper, exquisitely furniture, and surprisingly, bright colour. Dyes were more widely available to people of all stations and the Victorians did not want for colour. Patterns and details were usually nature inspired, usually floral or vines. Walls could also be painted to mimic a building material such as wood or marble and most likely painted in rich tones. The Victorians were suckers for furniture, preferring them grandly carved with fine fabric usually embroidered or buttoned. And they did not believe in minimalism. If you could fit another piece of furniture in a room, it was going in there. Floors were almost eclusively wood laid with the previously mentioned rugs. But the Victorians did enjoy tiled floors but restricted them to entrances. The Victorians were quite in touch with their green thumbs so expect a lot of flowers and greenery inside. with various elaborately decorated patterned rugs. And remember, the Victorians loved to display as much wealth as they could. Every shelf, cabinet, case and ledge would be chocked full of ornaments and antiques.

Edwardian/The Gilded Age/Belle Epoque (1880s-1914)

This period (I've lumped them together for simplicity) began to move away from the deep tones and ornate patterns of the Victorian period. Colour became more neutral. Nature still had a place in design. Stained glass began to become popular, especially on lampshades and light fixtures. Embossing started to gain popularity and tile work began to expand from the entrance halls to other parts of the house. Furniture began to move away from dark wood, some families favouring breathable woods like wicker. The rooms would be less cluttered.

Art Deco (1920s-1930s)

The 1920s was a time of buzz and change. Gone were the refined tastes of the pre-war era and now the wow factor was in. Walls were smoother, buildings were sharper and more jagged, doorways and windows were decorated with reeding and fluting. Pastels were in, as was the heavy use of black and white, along with gold. Mirrors and glass were in, injecting light into rooms. Gold, silver, steel and chrome were used in furnishings and decor. Geometric shapes were a favourite design choice. Again, high quality and bold fabrics were used such as animal skins or colourful velvet. It was all a rejection of the Art Noveau movement, away from nature focusing on the man made.

Modernism (1930 - 1965)

Modernism came after the Art Deco movement. Fuss and feathers were out the door and now, practicality was in. Materials used are shown as they are, wood is not painted, metal is not coated. Bright colours were acceptable but neutral palettes were favoured. Interiors were open and favoured large windows. Furniture was practical, for use rather than the ornamentation, featuring plain details of any and geometric shapes. Away from Art Deco, everything is straight, linear and streamlined.

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mournfulroses · 5 months

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Kōtarō Takamura, tr. by Hiroaki Sato, from Chieko & Other Poems; "Two Under the Tree,"

#lit #kotaro takamura #poetry #december #writings #selections #fragments #japanese literature #excerpts #p

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hajihiko · 9 months

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Multilingual 🌍

Fuyuhiko: its beneficial to understand when rivals are talking in secret

Sonia: diplomacy is easier when you speak their language too

Hajime: duolingo library forced speedrun

Akane: worked in customer service

Kazuichi is just more of a Language of Numbera guy 😋

#Fuyuhiko kuzuryu #Hajime hinata #Kazuichi Souda #Sonia nevermind #Akane owari #Sdr2 #Super danganronpa 2 #Danganronpa 2 #Danganronpa #super danganronpa 2 goodbye despair #If Fuyuhiko and Hajime need to talk something sensitive they can switch to Italian #Hajime and Sonia can talk in Novosel together (and often do when she's feeling homesick)#Everyone but Kazuichi speaks fairly fluent English lol but he can sorta keep up (he knows mechanic speak better than anyone tho)#Kaz gets jealous and wants his own Hajime language. They end up with broken Swedish or something obscure like that #An art #First time I've had the danganronpa art spark in a WHILE feels like #Japanese isnt exactly heavy in swear words so I imagine it feels good to let out a little CURWA MAC every once in a while #(That's probably not written right lol sorry polish ppl)#Any errors in writing are because. I had to look it all up

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lenoraah · 7 months

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𝘪𝘵’𝘴 𝘯𝘰𝘵 𝘢 𝘱𝘰𝘥𝘤𝘢𝘴𝘵

pairing - oscar piastri x reader

summary - Oscar and reader makes the best of their time alone before his podium celebration, until Max comes along to get him

a/n - nothing :)

★ ☆ ━━━━━━━━━━━━━━━━━━━

“I’m so proud of you,”

“Um hm, I love you.”

“I love you too.” Y/n smiles as leans down to peck Oscar on the lips.

The couple lays down on the couch with Y/n sitting with Oscars head in her lap. She gently strokes his hair as he buries his face in her tummy.

“I am so, so, so happy for you.” She mumbles as she holds Oscar closer to her.

He mumbles something and then gasps for air. She laughs a little as he lilts his head to look up at her.

Oscar grins before pecking her lips once again before leaning back into Y/n’s body.

“How do you feel about being on the Max Verstappen podcast?”

Oscar pauses for a moment before smiling and opening his mouth.

“Excited, and just happy to be here.”

“It’s like a talk show and Max has like, two guest one the show every weekend.” Y/n laughs and Oscar can’t help but join her.

“Yeah, the Max Verstappen podcast, I just can’t-”

“It’s not a podcast!” Max screams slamming the door only moments after he had opened it.

The couple burst out into laughter after watching the Dutchman angrily storming off with mumbling something in Dutch.

This was going to be one of the funniest post-race-winners interview that Y/n was ever going to see.

#oscar piastri #oscar piastri x reader #oscar piastri x you #oscar piastri imagine #max verstappen #japanese gp 2023 #f1 x reader #f1 x y/n #f1 x you #f1 imagine #f1 #formula 1 #formula one #original writing #original post

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lokh · 1 month

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finding out shuro genuinely just likes bugs...

#laishuro #dungeon meshi #also made an attempt at doing this in japanese to try and reach out to jp laishuro fans LMAO #writing the desc in japanese was what was tough.... my vocabulary is lacking #art

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elysiumaze · 9 months

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Mieko Kawakami in, Heaven.

#books #prose #quotes #book quotes #books and libraries #booksbooksbooks #lit #bookblr #book rec #literature #asian literature #japanese literature #mieko kawakami #words #writing

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dabigothic · 5 months

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🦇🪦⚰️

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portableleo · 1 year

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my 03 turtle japanese headcanons :)

leo - uses english and japanese interchangably raph - rarely ever actually speaks japanese but is still fluent donnie - mostly swears mikey - mostly titles but will speak in japanese to his brothers when hes really excited about something

#tmnt #tmnt 2003 #tmnt 03 #03 leo #03 raph #03 donnie #03 mikey #leo 2003 #raph 2003 #donnie 2003 #mikey 2003 #please excuse my sloppy japanese writing i still suck at writing kanji

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riaki · 5 months

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after party | satoru gojo x reader

gojo wanted to help you prepare a friendsgiving dinner, but he's a little tired n a lot tipsy.

cw: non curse au, everyones alive, shoko typical smoking, drinking, you’re married to gojo wc: 3.3k

this was supposed to be short but it just spiraled n i kind of hate it b i technically posted on the 23rd so it counts !! not proofread!

business dinners with satoru are exhausting, to say the least—you start the day early to the scent of coffee through a filter and a fresh breeze through your open window, sending your husband off to work with a hug and a kiss—maybe a promise of more if he pulls the 'five more minutes!' on you.

this one is special, though; old friends from freely youthful highschool days gathered around your dinner table on the mats of your living room floor catching up over cans of beer cold with condensation, the sound of can tabs popping and the fizzling of bubbly spirits over tables of warm food in tin containers.

geto, the tall man with dark hair and gauges, talks about how his two daughters are adjusting to city life, occasionally interrupted by cheerful brightness never dampened by adult years from haibara, an apprenticing entrepeneur under nanami who's got a thing for girls with big appetites. shoko and utahime are having a drinking contest, and mei mei's too occupied with her phone; checking stocks as her tacky nails click against the glass screen.

satoru can't cook. there's a reason why he always buys takeout when you're too busy to provide or you've already gone to sleep— he should be the picture perfect husband, because you deserve that and everything more. his only (self-perceived) flaws are his lack of alcohol tolerance and his inability to master the frying pan.

you always tell him he doesn't have to be a michelin chef— but with the way he's constantly sneaking a chocolate graham cracker from your muji snack bag or snagging the sour gummy between your teeth from your lips, he feels like he should compensate. so on this special november evening, when the hum of the city life outside your balcony gets drowned out by the cheerful mirth of a warm dinner table, he had decided to help you.

the warm kitchen had become a foodstained disaster— but with tearful round eyes and a hand tugging on your shirt, you'd resigned to helping him conquer the task of simple packaged noodles and soft-boiled eggs. he'd cut his finger— even the most capable teacher found his shortcomings against a blunt kitchen knife. needless to say you'd peppered it with kisses before wrapping a rainbow hello kitty bandaid around it.

and that brings you to the present: the result of your extensively hard work; a few soggy noodles collected at the bottom of porcelain bowls painted red on the insides in a lukewarm puddle of soup, full stomachs and a loose and welcoming atmosphere. you wouldn't trade it for the world.

you're fishing a pickled radish slice out of your bowl when satoru leans over, removing the arm that was snaked around your shoulder to drape himself on your lap, lying down on the floor with his knees propped up and his soft cloud-white hair sprawled over your thighs. geto makes a distasteful face when satoru's black socks brush against his leg. across the table, shoko knocks shoulders with utahime as she lights a cigarette; the latter's face flushes as smoke drifts past her lightly flushed face into the open window city night air overhead.

"hey, you. what's up?" you asked softly, chuckling to yourself as you set your chopsticks atop the rim of your bowl, leaning back on your arms to look down at him. he adjusts himself a little, wiggling on your lap as you caught a whiff of his beer breath and scrunch your nose.

"hiii, baby," he drawls, giggling a little to himself. his smooth, usually playful voice took on that deep tone he used whenever he was being serious, and it sent an involuntary shiver down your spine, so you hugged him closer and ran a hand through his soft white hair, brushing your fingers against the black cloth of his blindfold. "what'cha doing?"

"i was eating. you put too much pepper in the broth, 'toru." you smiled softly, tracing the line of his jaw slowly with one finger in the way you knew he liked so much; it was obvious from the way he sighed contentedly and tilted his head into your palm. whether it be from that unfathomably sweet smile or the tender way you held his face in your delicate hands, that was up to him to ponder. next to you, haibara makes a joke— something about mei mei's stocks, and she quips a snarky retort that has him laughing raucously while nanami makes a face.

"i tried!" he protests, almost a whine as he sighs; a hand sneaks up to lift the edge of his blindfold up so his eyes meet yours, and you're left breathless. it catches you off guard every time— those endless pools of swirling blue that stare straight through you, sifting through your thoughts like a scholar annotating an open book, all heart-shaped sticky notes and bright highlighters when it came to thinking about him.

"not hard enough, clearly. but it's okay; we'll do better next time."

he just frowns again at that, sticking out his lower lip in a little pout that makes your heart squeeze. your stomach is full with noodles and broth; you don't think you could stomach another bite if you tried, and you're not one to drink especially if everyone else is. so, you let yourself indulge a little— snake a hand on the back of satoru's neck and tilt him up until he's sitting halfway up and you can easily meet his lips in a kiss.

he reciprocates immediately, hungry like he was waiting for you; you notice that he hasn't eaten much of his food yet, so maybe he was. or maybe he knows how bad it is. either way, his tongue darts out from his parted lips to flick against your own for a moment, before he sinks his teeth into your bottom lip and draws out a teasing whine that you have to stifle because "we have company, 'toru," you have to breath as a reminder. he just laughs breathily against your lips, tasting like bitter beer and buttery vanilla as he shifts to practically sit on top of you, hands on your shoulders as his thumbs brush over your collarbone where the edge of your shirt fails to cover tantalizing skin; he's taller and eventually ends up bringing the both of you toppling down onto the mats.

your back hits the floor and a little gasp leaves your winded lungs— but satoru eagerly catches it with his lips and swallows it, like he's intent on getting drunken off his ass from you (as if he wasn't already tipsy) when he smashes his swollen lips to yours again. your hair is splayed out against the tatami mats like you're trapped in some marine watercolor painting, and for a split second satoru thinks if mermaids were real you'd be the most angelic he'd ever seen as his calloused fingers curl into the strands.

you're about to hook a leg around his waist when a shout catches your ear and you part lips with a gasp, sucking in greedy breaths as satoru promptly sits on your stomach. you let out a stuffed oomph from his weight, and watch as he slides his blindfold back on to look over at the rest of the table who're staring at the two of you like they're watching some forbidden steamy movie scene that's meant to be shielded from children's eyes.

“don’t kiss him while he’s drunk. it’s like rewarding a brat for bad behavior,” shoko says. you sit up with much effort, straining under satoru’s weight as you reach up to grab his shoulders. you miss, but he takes your hands and pulls you up, wrapping his arms around you to keep you from falling back down as you rest your head on his shoulder. utahime has her arms lazily draped over shoko; you assume she’s drunk from that, but if you were to inspect her for long enough you’d notice her can of beer was almost completely full.

“oh, i guess you’re right.” you remarked, frowning a little and biting the inside of your cheek as you pull away from satoru and glance at him. all of the sudden he looks like he’s ready to keel over; the shadows beneath his eyes are reinforced by the alcohol in his system and it looks like he’ll need to tape his eyes open lest he passes out right on top of you. you want to avoid that, so you gently push him off, sighing to yourself.

“don’t listen to her, sweetheart. you can kiss me all you want,” he smirks, a flash of pearly white teeth that would’ve been on your neck a moment ago if not for the interruption. you just shake your head with a breathless laugh, giving him a quick flick to the forehead. before you can pull away, though— he catches your hand, bringing your wrist to his glossy pink lips and giving your pulse a quick peck. “no, she has a point.” you hummed. overhead, the light flickers a little; a moth that had flown in through the window danced about the bulb. the faint sound of car horns filters through the window along with the breeze, recycled laughter and lively chatter from bars a few stories down carried in the cool wind.

you mill about for another twenty minutes or so, content to just listen in as old friends shared anecdotes and funny stories from separate paths of life; you soon learned that nanami was planning on moving to malaysia, and shoko was due to renew her medical license this year. the beer cans built up, mixed in with crumpled napkins that had penned doodles on the rough surface and paper chopstick wrappers. somewhere along the line, satoru had fallen asleep— you had to push his unfinished ramen bowl out of the way before he knocked his head against the wooden table and spilt his meal. you frowned a little at the sight of it— you knew he'd complain about his soaked noodles and limp seaweed sheets later on. you found yourself slinging one of your jackets over his shoulders, fingers lingering over his neck, where the scratchy hair of his undercut met soft warm skin.

soon enough, dishes are piling up in the sink and calling your name; the kids see themselves home via train station, spouting something about a late night pit stop in sendai for the mochi that 'our teacher likes so much'. you consider asking them to bring some back for satoru, but you decide you'll enjoy a laugh when he tells you about how he went to school the next morning to find out for himself, and the stab of hurt that will pierce his full heart in two when he hears the news. even then, you have to shush them as they show themselves out; you can tell from the way satoru's eyebrows knit together beneath his blindfold and the pinch of his jaw that he doesn't appreciate the noise, no matter how blacked out.

the conversation dies down a little, and soon enough, everyone takes their leave one by one. it's only when you settle back down after cleaning up the bowls and putting away the cups that satoru stirs, waking up with a mumble and a huff. his hair is a disheveled mess, and there are sleep lines on his face, but he's still handsome as ever.

"baby?" his voice is hoarse with sleep and dehydration. there's a dull ache between his eyes, feeling like he'd just ran a circle around the world. you answer from the kitchen, calling his name. it's late; past midnight now. the window's still open and satoru's can of beer is still on the table, almost completely empty.

"how long did i sleep? shit, did everyone go home? 'm sorry," he groans, standing up and stretching his arms out. his shirt rides up on his shoulders, exposing the arch of his hip just above the edge of his pants. "don't worry, 'toru." you hummed, washing your hands in the sink as you look over at him. he just nods, grabbing the can and crumpling it in his hands before tossing it in the trash.

"you okay? got a headache?" you asked as he walked over to you, careful not to hit his head on the arch that connected the living room to the kitchen. when you'd first moved in with him, you had to pin a strip of bright yellow caution tape to remind him to duck his head. you smiled as you reminisced over late nights, tucked in his arms as he mused about demolishing the wall there just so he could be rid of the bruise on his temple. then again, as long as you were waiting for him to kiss it better at the end of his nine to five, he didn't mind.

he nods, and watches as an easy smile stretches across your lips; they look infuriatingly kissable under the warm glow of the hazy kitchen light, shining off the porcelain cups in the sink. he leans against the kitchen counter, cold marble feeling through the thin fabric of his shirt as you take his leftovers from the fridge and heat them up in the microwave, standing before the black glass as you watch the little plate spin inside.

there's something about moments like these; so sweet and easy with you after everyone's taken the last train home and all that's left are empty beer cans and extra bowls in the dishwasher for two people with matching rings on their fingers to take care of.

he walks up to you, wrapping his arms around your waist and resting his head on your chin. he smiles when he feels your hand cup his cheek, and he turns his head instinctively to meet your lips in a slow, sweet kiss; a muscle memory tango between familiar lovers. when he pulls away to catch his breath, tongue swiping across his bottom lip, you're already there with your fingers, pulling his blindfold down to rest around his neck and gently rubbing the spot beside his eyes, alleviating the tension behind them. it's unspoken moments like these that he loves the most in your relationship. making a mess in your kitchen is a close second.

it's a slow, easy night after a special get-together when the microwave beeps and you take his noodles out, bringing them to the table as you sit down next to him and rest your head on his shoulder, letting him tuck you into his side as he gets a bit of breaded tonkotsu crumbs on his cheek and insists you wipe them off for him like he's some oversized baby. you wash some cherries in a green plastic bowl, competing to see who can spit the pits into the trashcan without missing. in the end, he lost the game of rock paper scissor and was resigned to pick up the missed pits on the floor.

he's still wearing your jacket like a cape and even though it's far too small for him, he insists on keeping it with him when you go out onto your balcony to finish the last of a bottle of sake together, listening to the melody of the wind in the trees that line the sidewalk and the permeating hustle and bustle of the city, even when it's so late at night it could be considered early morning.

he swipes the cold bottle from your hands, finishing the last drops from the matte glass before letting it dangle between your fingers. and you're expecting it when he catches your arm to pull you into another kiss; he tastes like peaches and wine and a little bit of soup broth. it's slow, and easy, because being with him has always felt as natural as breathing, and being with you has made it easier for him to breathe, like the iron weight on his lungs melts away in the face of your unconditional warmth and care. the cool wind blows your hair in front of your face, and he laughs that charming boyish giggle as he tucks it behind your ears and scoops you up in his arms.

"i don't like sharing you with a sake bottle," you said, pointedly looking at the glass in his hand. he just grins, looking down at you for a moment. he can almost see it again; you, in that gorgeous white wedding cloth. he was carrying you bridal style in the same way now, when you'd decided to grow old together and host special business dinners as a couple in your shared apartment.

"don't worry, love. you're sweeter than any spritz," he laughs, stepping inside again and closing the door behind him.

it's routine, and it's easy, getting ready for bed with him, laughing when he pushes his hair back with a headband, looking like a pretty little princess. you suggest him getting a mullet, and he shushes you by shoving your toothbrush on your tongue, getting a mouthful of mint. the warm water rushes over your fingers before you dry yourself off, wiping your face and putting the towel away only to be met with the equal warmth of his lips on your forehead, peppering you with kisses.

you slip into the covers, still pleasantly cold as you watch satoru sit up and take his shirt off. he lets you peel the rainbow bandaid on his finger off, tossing it in the trash before pulling you into his arms, right where you belong the closest to his heart. "don't cut yourself like that again, okay?"

"it was an accident, baby." he chuckles, and you just roll your eyes. he reaches over to ruffle your hair affectionately and makes a joke about having you suck his blood like a vampire, tooting about how sweet it would be. "besides, i don't need to be careful if you're there to patch me up, pretty. shoko has nothing on you!"

he plays with your hair as you catch him up to the conversations he'd slept away; mei mei had left early when you'd given him your jacket to envelope him in your scent, muttering something about cheap perfume and worthless soggy noodles. he likes to play with your jewelry, you notice— fiddles with the ring on your finger, cupping your hands in his palm as he tucks his face into the back of your neck.

at one point, he asks you to do his hair, so you oblige, rolling him over onto his stomach and clambering on top of his waist. you braid his white strands into cute little pigtails best as you could manage as he tells you about his dream; something about harassing nanami in malaysia and a sunset kiss under crystal clear beach water. it sounds nice, and when you're done with his hair you find it easier to just massage his shoulders and listen to the smooth droning of his voice.

soon enough, you're both warmer than the lukewarm buzz of beer in your veins, and he doesn't remember if he fell asleep first or not, but the gentle melody of your voice haunts him in his dazed sleep as he curls around you.

business dinners really are exhausting— he's left wondering how you pull it off the morning after when he's hungover and the cut on his finger is infected— clearly, the hello kitty bandaid wasn't enough to cut it. the only reasoning that he explains to you as you take your morning shower together, fingers running through your hair, is that you didn't kiss it enough. maybe that's why his soup had too much pepper and he didn't know how to cut the cucumbers.

he's still an amateur, so he'll leave the cooking to you. maybe next time he'll pretend the takeout he grabbed on his way home from school was handmade, though he doubts his friends will ever believe him, or his students after he demands they buy him kikufuku as compensation for leaving him out the night before.

ignore the ep that came out today! everyone’s alive and well. trust my (riaki) stuff. don’t repost and/or plagiarize !

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nobrashfestivity · 16 days

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Hon'ami Koetsu Writing box (suzuri-bako), early 17th century

#Hon'ami Koetsu #objects #writing box #japanese art #box

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feral-ballad · 3 months

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Yosano Akiko, tr. by Sam Hamill & Keiko Matsui Gibson, from River of Stars: Selected Poems of Yosano Akiko

[Text ID: “I want, suddenly, to suck / your feverish lips with mine.”]

#yosano akiko #love #excerpts #writings #literature #poetry #fragments #selections #words #quotes #poetry collection #typography #poetry in translation #japanese literature #japanese poetry

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statusexile · 5 months

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Michelin Star Treatment and My Body's On The Menu

Summary: You work as a naked sushi model in a high-end Japanese restaurant and professionalism was the name of the game. But when Ghost and Konig walked through the door, your composure was put to the test.

Pairing: Simon “Ghost” Riley x Reader x Konig

Warnings: afab!reader, dub con, exhibitionist, nipple play, fingering, squirting, wakamezake, mask kink, reader goes by she/her pronouns.

Word count: 1,804 words

NSFW. MDNI!

a/n: Nyotaimori (女体盛り) is the Japanese practice of serving sashimi or sushi from the naked body of a woman. This fic probably wouldn’t be 100% accurate to the real-life practice because I’m not Japanese. Nonetheless, feedback and suggestion are always welcome, along with reblogs and likes. Thank you for reading! ❤️

Working as a naked sushi model for a high-end restaurant was never your dream. Your friends and family always find your job as peculiar. They always ask you why would you want to be a human sushi platter for wealthy people. While some people see your job as an art form and others think it’s degrading to women. You didn’t care about their opinions anyway; it kept food on the table and paid your bills and that was all that really mattered to you.

Still feeling a bit groggy from the long shift, you sat down on a bench in the fitting room and began counting your tip money. The day had been long, but the customers were generous, you are pleased with the amount of money you have made today. Even though one group of customers that you got earlier were a bunch of drunk and obnoxious business men. They’re not trying to grope you or anything, but they’re just really rowdy and it hurts your head so bad. Unfortunately, you can’t say anything because you're not allowed to speak while you're on the job.

You get up from the bench and begin tidying your hair and make-up. There’s only one more reservation for the day: a table for two people. Perhaps they’re a couple, you think to yourself. At least it shouldn't be as disastrous as the earlier group, as you walked out from the changing room into the private dining room that was booked by the pair. The interior of the room was opulent. Soft lighting and the sounds of waterfall provided a serene atmosphere, while traditional Japanese motifs of cherry blossom and zen gardens adorned the walls. The restaurant was clearly designed to create a serene and elegant ambience that would enhance the dining experience for the guests.

You took off your kimono, leaving you bare, and climbed onto the dining table, lying down on top of it. The sushi chefs began decorating your body with a variety of sushi and sashimi, placing them on top of leaves that had been sanitized to prevent direct contact with your skin. After that, they covered your nipples and your genital area with flowers. And now all you have to do is wait for the customer to arrive at the restaurant.

It doesnt take very long for the pair to arrive. They’re two tall, muscular men in military attire, and you can see the outlines of their muscles on their clothes. Both of them are wearing masks: one is wearing a skull-printed mask, while the other is wearing a draped style mask.

Your heart skipped a beat when the two men entered the dining room. You’ve always been intrigued by masked men - there's something alluring and mysterious about them. You didn’t know if they were hot or ugly underneath their masks, it doesn’t matter to you, it was the mystery that made you so intrigued and turned on about them.

They sat down on the tatami and ordered sake from the waitress; it didn’t take long for the waitress to come back with their drinks. They began eating immediately, taking some of the sushi that was placed on top of your stomach. The dinner went well so far. You could hear both men talking about their jobs in the military - the one with the skull-printed mask spoke with a deep, husky British accent, while the one with the draped mask spoke with a thick German accent. Soon you learned their names were Ghost and Konig.

They spoke about an upcoming mission, using fancy words, code names, and military slang that you didn't understand. But all you could focus on was their sexy voices - it was as if they were trying to turn you. You couldn't do anything about it - you couldn’t even move your body an inch while you were still with the customer. So, all you could do was stare at the ceiling, trying to not let it bother you.

They were nearly finished with their meals, and you felt a bit disappointed because it means they would leave soon - but you didn't know that the real fun was about to begin.

Suddenly, you felt Konig’s fingers graze your thigh. You were surprised by his sudden action - this felt so wrong that you should have stand up and called the manager at this point - but you were already so turned on at his touch. You could feel a shiver running down your spine.

“So beautiful,” Konig mutters so himself, still grazing his fingers on your thigh, “Shall we have some fun with her, Lieutenant?”

“Your call, Colonel. I’m down if you’re down.” Ghost replied while he stares at you. You could only see his eyes, but you could feel the lust in his stare. It looks like he’s going to devour you whole.

“Alright then,” Konig said as he removed the flower that covered your fold. You’re already so turned on at this point and his action made it even worse.

“Clench your thigh real tight, schatz.” You didn't know why, but you immediately complied with his command, so you clenched your thighs as tight as possible. You could see Konig pouring the sake between them. You could feel the cold liquid grazing your hot skin as you let out a soft mewl from the sensation as it’s slowly running down in between your thighs. He lifts his mask up and starts slurping the sake directly from your crotch, you could feel his soft lips touching your fold. This is so inappropriate, and you could definitely get fired if your supervisor found out that you allowed a customer to do something like this. But your body could only succumb to his action. You’re already way too deep in it anyway and there’s no turning back at point. “So delicious,” Konig said after he finished drinking, wiping his own lips with his hands. “Your turn, Lieutenant.” he added as he passed the sake bottle to Ghost. Ghost did the same thing Konig did earlier. He poured some more sake between your clenched thighs, slurping them, but suddenly after he finished drinking, he opens your legs a bit and give a single lick at your labia. You let out a moan, still trying to keep quiet, but now it’s getting harder. “She’s indeed delicious, Colonel.” he said to Konig in a satisfied tone, “Don’t worry love, we’re gonna make you feel so good” he added. Konig started to remove the flowers that covered your nipples, you could sense the chilly air gently brushing against them.

Konig and Ghost scooch over from their seats, and now their faces facing your breasts. “Open your legs real wide for us, sweetheart. Please, allow us to return the favor for your hospitality this evening.” Konig hums in your ear. Both of them slowly opens your legs, revealing your now dripping cunt that’s been covered with your own liquid and the sake from earlier.

“Shall we enjoy the dessert for the night, Colonel?” “After you, Lieutenant.”

Suddenly, both of them start latching to your nipples, as Konig’s hand starts rubbing your damp cunt with his calloused hand. You let out a loud gasp as you jerk your head back from the sudden sensation. One of Ghost’s hands pinning you down, ensuring you stay still in your place. You tried to wiggle your body, but his hand was so strong, keeping you in your position.

“Be quiet, love. We don't want anyone outside to know we're doing this, do we?” Ghost purred in your ear in between sucking your breast. You could only nod at his words, feeling absolutely lost in the pleasure they’re giving to you. Konig starts to insert two of his fingers inside you and start thrusting them. You bit your lips so hard they’re probably bleeding at this point but you didn’t even pay attention to it as you lost to the overstimulation and pleasure.

“So fucking wet for us” Konig whispered while his mouth is still latching to your breast, now he’s using his thumb to play with your clit and adding another finger inside you. You've already surrendered to them, letting them do whatever they want to you at this point. You could feel your holes stretched thin with his fingers as if he shoved his entire fist inside you because of how thick his fingers are.

Your body shudders as they keep sucking your breasts without mercy and Konig finger-fucking you relentlessly. You’re trying so fucking hard to stay quiet, only letting out soft moans and pants, making everything even more painful than it already is.

“I could feel you’re clenching around my fingers, schatz. Come on, I know you’re so close. I know you can do it.” Konig whispers seductively in your ear. You could feel your brain becoming mush. Your body feels like it's about to explode as you start mumbling nonsense words. You didn't care at this point if anyone outside could hear it, you just want to cum so fucking bad.

It only took a few more thrusts of Konig’s fingers before you cum, your body shakes violently and your vision turns static from the orgasm he gave you. He still thrusting them over and over, milking your orgasm dry. You squirted all over the table, basically drenching the entire surface with your cum.

“Ah, there you go… I know you can do it. Was für ein gutes Mädchen” Konig finally gave one last thrust and pulls out his fingers from your cunt. Both of them give your nipples on last lick after finally letting them go. Your body seems like it can't stop trembling. “So good, so fucking good...” you mumbled softly, your voice is still shaking.

“I guess we have to clean up this mess. We can’t let your supervisor know you’re doing this with customers.” Ghost chuckled as he took a couple of napkins to clean up the mess you made on the table. It takes you around five minutes before you're able to regain your composure.

Both of them stand up from their tatami. Konig pulls out his wallet from his back pocket, takes out some money, and slips it into your hands, giving you a very generous tip.

“Compliment to the chef, the food was delicious.” Ghost said as he opened the door, and both he and Konig went out from the dining room, leaving you alone.

After a few more minutes, finally manage to sit and starts counting the tip that Konig gave you, which basically covers two months’ worth of rent. You can only laugh to yourself, still confused by everything that happened earlier, but you are very satisfied at the same time.

Maybe this is the best job that you could ever have, after all.

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