#I also like the idea of the characters not having to change

[am-i-the-asshole-official]

AITA for killing my character and quitting a D&D game I was part of?

Apologies in advance but this is going to be rather long, I'll put a TL;DR at the bottom.

So this all started about eleven months ago when I (14, she/they/he) started getting into D&D, and joined a D&D group thanks to a friend of mine we'll call T (14, he/they). The group was made up of about five people total, but the main people in this situation are me, T, and the DM who we'll call N (15, he/him).

Now when I was making my character, T was helping me out by letting me describe what sort of character I wanted and suggesting different races, classes etc to make it work how I wanted, and what we ended up with was a Pact of the Undead warlock. The backstory of my character was that their older brother died defending them from an invasion of the village they lived in.

My character managed to make contact with their spirit in the afterlife and formed a "pact" with them, gaining power in exchange for letting him "look after them" (i.e. keep watch over them from the afterlife, protect them from harm, all that sorta thing). T told me to run the final concept past N but that they were sure it'd be allowed and that the pact idea was really sweet.

So I told N about my character and the backstory idea like T suggested and N seemed really on board with the whole thing, though he wanted to make a few slight changes to things in secret that would come up during the campaign, to make things more exciting I guess.

I told him I was alright with that, as long as nothing about who the pact was with and what it was for changed too much. He assured me that it wouldn't and that he'd get back to me on what changes he was planning, but he never did, and at the time I just put that down to him being busy.

The campaign starts, and for the first few months things are going pretty good. I do notice that a lot of NPCs, in fact nearly every non-child NPC, seems to be flirting(?) with my character, but I don't think too much of it at first, she is a young elven woman with blonde hair and silver eyes and everyone in the group has said that she's very pretty.

It isn't until one of the others who is also playing an elven character points out that they've been on the receiving end of essentially racism towards elves from NPCs who have simultaneously been showering my character with compliments that I start realizing how frequent and honestly rather obsessive it is, and as mentioned, just how many of the NPCs are doing it.

Then we get to T's character arc, exploring his character's backstory and helping them with things that come up. However, there are certain characters that are introduced that, out of character, T reacts rather negatively to, and when I ask him outside of session what's going on he confides in me that N is changing elements of his backstory that he'd told him he didn't want changing. As an example, T wrote that their character's mother was never part of their character's life growing up.

One of the characters we met was the character's mother, who was instead apparently a very prominent part of their life and cared greatly about them "not that they ever noticed". He also changed the character of T's father from "kind and caring man who did his best to raise his child alone and teach them how to defend themselves" to "stubborn, angry and neglectful father that is constantly disappointed in his son", which completely blindsided and upset T.

T also said that he'd tried talking to N about this but that the response had ended up being, to put it bluntly, "I'm the DM so I have the final say in things". This started to worry me, especially when I realized that N had never gotten back to me with his "proposed changes" to my backstory.

So I sent him a message, but because I didn't want to drag T into my own business with N I decided to say something along the lines of "hey, did you ever figure out what you wanted to change about my backstory?". He messaged back and said that he'd figured it out, but that things with school were so busy that he hadn't had time to sit down and properly write it all out to send to me yet, but assured me that he would by the time T's arc was over.

Several more months passed with no further word from N about my character's backstory, and as T's arc wraps up there's this idea that starts getting brought up, of how demons often exploit the grief of mortals to latch onto them and claim their souls by impersonating the dead person.

The others in the group all latch onto this and start speculating about how exactly the demons use impersonation to claim souls, except for T who gives me this rather worried look from across the table, and it suddenly hits me that this is probably meant to be the opening of my character arc.

I pull N aside after the game is over for the night and ask him directly if this is the opening to my character arc, and he says that it is, but not to worry because the demon thing is, to quote, "just being brought up to get the others interested". I remind him about what I told him about not wanting anything to change about who the pact was with and what it was for, and ask him again what changes he's made to my backstory.

He promises he'll have a full list to me by the start of next session, that we'll have time to sit down together and discuss it all even, and that he won't do anything I don't want him to do. Despite my concerns and the fact that he has already said several times he'll send me this list without doing it, I decide, like a fool, to trust him, even though in hindsight I had absolutely no reason to by this point.

The next session rolls around, and of course there's no list, instead a lot of NPCs who start voicing concern whenever my character brings up the fact she's a warlock, or her dead brother, especially if the pair come up in quick succession. One of the other characters figures out what's going on and asks if they can basically cast some sort of spell to determine if a demon's got control of my soul, which N agrees to, and the spell determines that yes, that's exactly what's going on.

I immediately confront N, mid-session, and tell him outright that this isn't fair, that I told him I didn't want him to change this part of my backstory, and I wanted him to change it back immediately or I wasn't going to play anymore. He started on this long-winded response basically summarizing as "I'm the DM, I can do what I want".

This is the part where I may be the asshole, because well, I saw red in that moment, and decided I not only wanted to follow through on my threat of quitting, but also do something to ensure that my point was driven home.

I fired off a quick message to T on my phone warning him what I was about to do, and while the others were talking about what to do to help me I loudly announced that my character was stabbing herself through the heart, which N had previously ruled would be an instant method of death if carried out.

Silence falls over the group. N tells me that I need to roll to see if I even hit, which I argue (with T backing me up) that if my character is willing to get hurt then it's automatically a hit. N tells me that I need to roll to see if I even pierce my heart. Okay, fine, I roll, and as luck would have it I roll a Nat 20. N attempts to send me just to death saves, but I remind him (again, with T backing me up) that he'd ruled that this was an instant death.

So then he tries to have an NPC cleric show up and revive my character, but T brings up that the soul has to be willing to return to life for that to work, and I immediately say that my character wouldn't even be able to consent to that if her soul was held by a demon, nor would she even be willing if she could. Then I tell N directly that he can consider this my official resignation from the group and walk out, and T follows along behind me after a few minutes.

Ever since then N's been blowing up my phone, fluctuating between begging for me to rejoin the group and promising that he'll do things differently this time, and calling me a selfish bastard for "ruining the fun". T still goes to sessions occasionally, though I think now it's just to spectate, and he's said that maybe things went a little far with the character death in hindsight. And honestly, I'm not exactly proud of how I acted now either.

TL;DR -- I joined a D&D campaign where the DM has made unwanted changes to my character's backstory, despite my attempts to communicate with him, so I retaliated by killing my character mid-session and refusing to let him revive her before quitting. AITA?

#aita #am i the asshole #suicide cw #not sure if it's needed for a dnd character death but just to be safe

[extravagav]

Yk I never did truly recover from the sick fic chapter

#one day im gonna make a post overanalyzing every single frame from this chapter bc its just so good #everything from how confused sakura looks at the idea of them coming to visit him when hes sick #to suo suggesting they leave bc he knows them staying here the now will only make him worse/uncomfortable which is the last thing he needs #bc yeah although he shouldn't and doesnt have to hes used to dealing w/ things like this alone #hes convinced he needs to and thats not smth you can just expect to change from one visit #still i need my hurt/comfort sick fic sequel please and thank you #so we can get a full circle of sakuras character development where he actually lets them help/asks for it #and NO im NOT projecting 🙅‍♀️ #i DONT just wanna see my son getting comforted through his sickness when hes at his most vulnerable nuh uh 🙅‍♀️🙅‍♀️🙅‍♀️ #wind breaker #wind breaker spoilers #sakura haruka #ALSO ALL THIS ^^ WITHOUT EVEN MENTIONING THE REASON HES SICK IN THE FIRST PLACE LIKE???? #MY SON WAS SO EMOTIONALY CONFLICTED AND CONFUSED THAT HE GAVE HIMSELF A FEVER 😭😭😭😭 #ALSO also i seriously cannot get iver how scared he looks in the last panel like ☹️☹️☹️☹️☹️ #ok im going off in these tags rn i need to stop fr

[cosmerelists]

Stormlight Characters Meet an Octopus

As requested by @miss-madithe-baddie :)

It's Octopus Time on Roshar!

1. Kaladin

Kaladin: [stares at octopus] Octopus: [stares at Kaladin] Kaladin: So it...what? Is it one of those creatures that squishes down into crevices during storms? It doesn't look like it has bones. Kaladin: Kinda big though. Would need a big crevice. Octopus: [stares at Kaladin] Kaladin: ... Kaladin: I feel like it's judging me, somehow.

2. Bridge Four

Moash: Well, I don't like it. Moash: An animal with no carapace is unnatural. Rlain: ...You're an animal without a carapace. Moash: W-Well, it's different for humans! We can build houses! Drehy: Maybe the giant squish bug builds houses. Drehy: We all saw it pick up the shell and put it on its head. Skar: That's more fashion than construction, I think. Sigzil: We saw it go into the water. It's a sea creature. Sigzil: Sea creatures don't need carapaces like land animals do. Moash: It's on the land right now!! Skar: Guys, shut up! It's wearing a shell as a hat again! Renarin: It really is quite fashionable.

3. Adolin

Adolin: Sure is weird looking! Adolin: Look! It has little sticky cups under its legs! Kaladin: D-Don't grab it! It's gonna bite you! Adolin: I bet it can crawl up walls 'n' stuff! Adolin: Hey, isn't that something you can do too, Bridgeboy? Kaladin: I use Stormlight! Not sticky vine legs! Adolin: Bet its some kind of tiny Windrunner. Kaladin: It is NOT!

4. Shallan

Shallan: Hush, all of you. Shallan: This thing is beautiful! Gorgeous! Octopus: [abruptly changes color to match surroundings] Shallan: !! Shallan: Talented! Amazing! Shallan: This might be the most important drawing I'll ever do! Adolin: ...You drew me last week for our wedding anniversary? Shallan: [already drawing] And you didn't even change color ONCE!

5. Lopen

Lopen: [staring intently at octopus] Lopen: [staring intently at octopus] Lopen: [staring intently at octopus] Lopen: [concentration face] Rock: ...You're trying to grow more arms, aren't you? Lopen: I didn't know EIGHT was an option!

6. Zahel

Zahel: I've seem those things before. Zahel: Very smart. Zahel: Very tasty. Rock: ...Tasty you say? Shallan: NO

7. Navani

Navani: Seeing this bizarre creature gives me so many ideas. Navani: Dalinar, do you think we should build semi-aquatic vehicles that can go on both land and water and develop color-changing camouflage technology? Dalinar [trying to be a supportive husband]: And perhaps the land-water vehicle could have...tentacles? Navani: No ideas are wrong in the brainstorming stage. Navani: But also no.

8. Dieno (the Mink)

Dieno: [gives octopus a bro nod] Octopus: [gives Dieno a bro nod back] Dalinar: ...What was that? Dieno: Ah, it is nothing! Just two master escape artists recognizing each other. Dalinar: Escape...artist? Dalinar: This creature has done nothing but sit on that rock and occasionally go into that pool this whole time. Dieno: Yet nevertheless, people like us...we recognize each other. Dalinar: ... Dalinar: [doubtfully] If you say so. 

9. Dalinar

It is later. Dalinar is walking through Urithiru. Something from above touches his face with a thwick sound. He looks up. The Octopus is looking down at him from the ceiling, one tentacle reaching down. Lift is also in the ceiling. Lift gives him a thumbs up. Dalinar keeps walking.

10. Lift

Lift: Today has been the greatest day of my life. Lift: I had no IDEA there so many vents 'n' shit that someone like you could squish through! Lift: And when you used your dark water attack to push that button? Amazing! Lift: Even I had trouble keeping up with you!! Lift: Truly, you are my new best friend.

#cosmere #cosmerelists #Stormlight Archive #Kaladin #Adolin #Shallan #Dalinar #Navani #Lopen #Lift #Dieno #Zahel

[spacingstars]

Technically these thoughts were inspired by @battlekilt's response to this post I just needed a space to luxuriate in the sauce of my own thoughts lol.

Generally, there are two points to my stream of thoughts here:

One, the personal element of Rex knowing about Anakin and Padme’s marriage.

Two, the professional element of Rex knowing about Anakin and Padme’s marriage.

I’ll first get into the weeds of point one:

By and large, Star Wars canon does not go into overt detail on exactly how it was that Rex found out about Anakin's marriage; how this occurred tends to be a matter of conjecture more often than not—usually pitted down to a matter of accident. Either comically or more seriously. I don't bring this up to disparage this take. I, in fact, held to it myself upon my first watch of TCW! But I've since reevaluated that position and have come to a completely different conclusion altogether:

Anakin told Rex intentionally.

My reasoning for this is down to a number of things, particularly due to the series of TCW novels that were written to tie into the first few seasons of TCW. The one I am primarily discussing here is Star Wars: No Prisoners, and shoving aside any other opinions that I have on this book, it holds some specific moments from Anakin about Rex that really validated the change in thought process I had the more I analyzed Anakin and Rex’s relationship.

Generally, I had before assumed it was a matter of accident (in past scenarios, I most often thought of the confession coming about from a moment where the prospect of survival was not the most cheery of outlooks); the reason as to why I held such a thought process is because Anakin’s marriage is generally his most guarded secret, he was unwilling to tell anybody about it, and in such a context, it becomes easy to assume that Rex finding out was a fluke, nothing more.

However, the more I started to really pick at Anakin and Rex’s relationship, the more I started to think it would be a lot more interesting if Anakin intentionally told Rex about the marriage.

In the past, I came about this mainly from the idea that part of what makes Anakin & Rex so interesting to me is the two-way loyalty that stretches between them, the way Rex occupies a unique space in the list of Anakin’s relationships. TCW itself frequently speaks of the trust they have in each other, to the extent other characters (like Padme herself, seen in TCW S07:E02, during the holocall scene between her and Anakin, and in No Prisoners itself) notice it. And with that in mind, I thought, more and more, it made more sense to me that Anakin had told Rex intentionally. It’s clear, given moments in the ROTS novelization, that Anakin didn’t want to shun this aspect of his life into secrecy:

from Star Wars: Revenge of the Sith

(This is not the only instance of Anakin expressing a desire to leave the Order in the ROTS novelization; his behaviors in ROTS itself are also indicative of this desire to me (his lack of care about getting caught with Padme in the moment she reveals her pregnancy,) and his quote of “I understand wanting to walk away from the Order,” when Ahsoka walks away from the Order during the Wrong Jedi arc. Which, if you want a short explanation for why I think Anakin stayed despite expressing multiple times a desire to leave, there are many little pieces and layers to it, but the primary conclusion I’ve come to is that Anakin stayed out of a sense of duty, particularly related to ending the war. But that’s not what this post is about.)

This leads me to believe that Anakin wanted to confide in someone—wanted someone who he could trust to share this part of him, and given the loyalty and trust he holds in Rex—and I’d also wager it’s down to Rex’s demeanor—it was easier for Anakin to tell Rex than anybody else. Of course, this was all my own conjecture! This was just me taking bits and pieces of what we have of these characters and their circumstances and affixing them into a different configuration to explain something that wasn’t elaborated on in canon.

Of course, or so I thought, because Star Wars: No Prisoners has quite the interesting scenes, scenes that do elaborate upon this.

from Star Wars: No Prisoners

also from Star Wars: No Prisoners

It’s so fascinating to me that Anakin thinks Rex is someone he owes it to tell, and doesn’t that just speak of how highly Anakin regards Rex? He’s able to think that Rex deserves to know, and not just that, but that Anakin thinks Rex would understand. Anakin describing Rex as not just professionally loyal but personally loyal is a sentiment that really strikes to the core of why I think Anakin was comfortable enough to tell Rex; because ultimately, Rex has not just given him his professional loyalty, the loyalty expected of a soldier, but he's also given the loyalty of his friendship. I really don’t think it’s a stretch to say that the feeling is mutual between them. The way Rex speaks of Anakin in Star Wars: Rebels is so damn fond. I really do think Anakin told Rex, intentionally, not just for the professional aspect of it, which I will get into shortly, but because Anakin wanted to have someone he could trust and confide in; Anakin has trust and faith in Rex, the same as Rex has trust and faith in Anakin.

from Star Wars: Age of Republic short story "501 Plus One"

And, returning to the discussion surrounding the screenshots from No Prisoners, obviously, there’s even more there, what with Anakin thinking about how he can’t just leave his men to suffer (it shows consistency in his character, in regards to the loyalty he shows his men because his thoughts here reflect those in the Umbara arc, where he refused to leave, even on orders from Palpatine, until Rex reassured him he could handle it. Which is just... it drives me batty, but my thoughts on that moment from Umbara are not strictly relevant to this post.) And part of that conniption is born out of the loss of his mother! Because he faults himself for being unable to save her, and now he's left with an all-consuming desire to ensure no one under his care dies, which, of course, will inevitably lead to Anakin being consumed by his own conniptions about death itself through his visions of Padme dying in ROTS. (I love how many layers I can peel back and examine from this one moment.)

I also have to emphasize that the biggest thing is that Anakin didn’t even tell Palpatine about his marriage. Palpatine, Palpatine, someone who had been a confidant for Anakin for so long, Palpatine, more than anyone, most certainly knows the most about Anakin; he’s the only one who truly understood how Anakin ticked, and he used that knowledge to disastrous effect.

Which to me, just reinforces how incredible it is that Anakin felt comfortable enough with Rex to tell him about his marriage.

Now, No Prisoners doesn’t actually contain a scene where Anakin tells Rex, but given his thoughts it’s very likely Rex was told shortly after the events of the book.

Now, for point 2:

Which is that, in essence, when Anakin remarks that Rex needs to know about this secret so he can freely contact him or otherwise know about the whereabouts of his location in case they get orders and Anakin, along with the 501st, need to be shipped out effective immediately.

This is a readiness issue.

Readiness is the ability of a military force to engage in assigned tasks and/or missions upon orders.

Anakin being upfront about his marriage to Rex on this principle is most certainly going to get Rex in agreement* because Rex would be aware of the logistical importance of maintaining readiness. Anakin and Rex are on the same page here because, ultimately, no one else is going to better understand these aspects of the continued function of an armed force than a clone; they're clone soldiers.

*Which, additionally, regarding the argument that Rex ends up in a precarious situation for knowing about Anakin and Padme’s marriage, upon further examination of this, I do not think this holds water either. I say this primarily because, ultimately, Anakin, in being married to Padme, has not broken any of the GAR’s regulations. The issue of Anakin’s marriage is of concern to the Jedi, not the GAR. And Rex is not beholden to the Jedi’s religious doctrine; Anakin is, and unless you want to argue that the Order would crack down on Rex in retribution for aiding one of its members in hiding a marriage that’s expressly against their rules… nothing would happen to Rex because ultimately the issue of Anakin and Padme’s marriage is only an issue with regards to, primarily, the Jedi Order, which is not an authority that Rex is behold to; Rex is beholden to the GAR, and, as I said, Anakin being married is not breaking any regulations I can think of… I also find it hard to believe that the GAR would be pressed about a secret marriage when much of their natborn soldier base is also likely to be married. In fact, given my previous comments about readiness, the GAR is likely to take Rex’s stance on the matter.

Rex and Anakin are on the same page regarding the issue of his marriage for both the personal reasons of it and the professional.

And, to address Rex's awkwardness about covering for Anakin in TCW S07:E02:

Rex's awkwardness about having to cover for Anakin and Padme in TCW S07:E02 is presented more as a moment of humor juxtaposed against the earnest conversation between Anakin and Padme as they discuss Anakin and Rex's relationship; it's meant to be a funny-sweet moment regarding the relationship between them. This entire moment is meant to show the familiarity Anakin and Rex have with each other, to the point they have a system worked out between each other when Rex needs to cover for Anakin, which I should also say the fact that Rex is willing to lend his gear** to Anakin for this cover story is something I consider to be a big display of trust, it's very much a classic "friend covers friend," kind of moment.

**That helmet is important to Rex's identity. It is, in effect, his face; it is a custom helmet, donning his signature jaig eyes; it is what most people are going to think when they hear Captain Rex; it is, effectively, Rex trusting Anakin enough to hand over a vital part of his identity.

Everything about this moment screams familiarity to me in the way Anakin and Rex conduct themselves with each other; I find it quite telling that Rex is comfortable enough to tell Anakin they don't have time for what Anakin is suggesting they do in front of the bad batch. Rex is essentially saying no to something that can read as an order from his commanding officer to other clones. The fact that Rex is comfortable enough with Anakin to do so is massive, and as I've said before it shows the familiarity and comfort the two have with each other in their personal relationship. When Anakin first implores Rex to provide cover; Rex's insistence on them not having time for that—to me—less indicates that Rex doesn't like covering for Anakin, but more so that Rex is fixated on the mission because he just got a glimmer of hope that Echo is still alive.

It should also be said, Rex is simply awkward; it's just a facet of his personality. He's an awkward dork in armor.

With all that said, to paraphrase a quote from the post that started this ramble, Rex was one of Anakin’s best friends. (And I personally think that the feeling is mutual given the numerous times Rex has expressed similar sentiments towards Anakin.) :3c

It should also be said that much of this post was made much more coherent thanks to @battlekilt, who was also a great help in fleshing out much of these thoughts, especially those pertaining to Anakin and Rex's interactions in TCW S07:E02.

#The TCW novels are very important to me for numerous reasons but mostly the fact that they vindicated #many of the thoughts I developed about Anakin and Rex's dynamics lol #Anakin Skywalker #Captain Rex #Star Wars #Long Post #Space's Fandom Stuff #Space's Chatter #<- there look I have a meta tag now lol #Fandom Stuff

[kaisers-house-of-desires]

If it's okay with you can you continue the series where Gojo was giver the reader "lessons." I love that series so much, you did an amazing job writing it😭 I would love to see more parts of that series.

I'm so glad you're enjoying them! However I believe I may be running out of ideas for lessons, so I may have to call this one the last part of the series. But you are still more than welcome to request anything else, my friend.

Title: A Hands on Lesson: Lesson 3 (A continuation from Lesson Two)

Characters: Gojo x m!reader

Contains: light BDSM, blindfolding, fingering, praise/degradation, pet names(love), orgasm control/denial

Fandom: Jujutsu Kaisen

Full request below the cut

All characters are 18+

MINORS, FEM ALIGNED, AGELESS/BLANK BLOGS DNI

Reblogs > likes

"Alright, are you all situated?" Satoru's voice after moments of silence settled your nerves, your position, however, not helping.

Your head rested on a couple soft pillows, eyes once again shielded with Satoru's signature eyecloth(you both had agreed it was a thrilling addition to the sessions), and arms gently tied behind you as your lower half was propped on a support foam pillow to help keep you up without getting tired. The perfect doggy style position for a novice like you, posed in a way where Satoru could properly teach you.

Speaking of...

"I-I'm alright. But...uh...w-what's...the lesson this time?"

Satoru's fingers gently brushed up your bare leg, the limb flinching from the touch. They glided up from the spot, leaving your skin already aching for more of his touch.

"Let's see..." The way Satoru spoke was like he was counting on his fingers. "You handled receving and giving a handjob, excelled in giving a blowjob...now..." Pausing, it felt like his presence was gone, but he simply positioned himself by your exposed ear, causing you to gasp softly from the change of position. "Now...The lesson is taking me, and controlling yourself...~"

As he initially listed the tasks you had done, your face grew redder with every one, embarrased by the words alone, but you didn't dare speak against him, unsure of when the game has started. Between sessions, he had teased before how he wouldn't tell you when he'd start, but you would know, so he insisted you keep on your best behavior. He also reminded you that the safeword would always apply, no matter whether or not he was in his role or not.

As you were in your thoughts, something cold pressed against your awaiting hole. One of Satoru's fingers, coated with lube, was prodding at the tight rings, as if urging you to open.

"Now just relax, alright? Otherwise the rest of this will hurt."

Putting all trust into him, you did as he suggested, your body relaxing against the soft pillows below you. Thanks to that, paired with the lube, Satoru was able to slip the one finger inside, causing you to tense once again before returning to your relaxed position.

"Good boy~ I promise this will make everything feel much better..."

His movements were slow and careful, easing himself in and out of you. The sensation was strange but not unwelcome. On occasion, you let out an audible breath, especially as Satoru hit a deep spot inside, and with every little sound you made, he would praise you.

As he felt it was easy to move a single finger, he soon paired it with another, your hips suddenly grinding against the support pillow in tandem with his motions. Your moans were a bit louder than earlier, a smirk growing on Satoru's lips.

"Oh, look at you. So desperate, huh?"

His tone of voice told you he had long slipped into his role, setting your body aflame. He watched as your hips continued to gyrate, your cock pressing against the edge of the pillow for him to view. Your hands clenched into fists, nails digging into your skin from merely two fingers. Your actions would soon come to a stop as Satoru's also halted.

"Did I say you could move?"

His voice wasn't dark, but it was definitely a warning. Panting lightly, you shook your head, swallowing down pooling saliva from the side of your mouth.

"N-No, sir."

"Good. Stay still."

With that said, he resumed his actions, curling his fingers around, spreading them, thrusting them. You were lost in this light bliss for what felt like awhile, the two fingers having stretched you enough for them to have plenty of room. Within time, he stopped once more, but with less time in between than last. A third finger joined, and the stretch burned lightly, though it was quickly shrouded with pleasure as he moved once more.

"Fuck...~ Look at you. Three fingers? How much of a slut are you~?" The word sent a jolt to your cock, precum having already began leaking from the tip. You weren't expecting it, but you weren't complaining; it felt thrilling.

As you were reeling from the new sensation, Satoru spoke once more.

"What, can't talk anymore? Is this all it takes to ruin you~?"

You were brought back to reality, lightly shaking your head once more. "N-No, I'm sorry." A sudden thrust of his fingers caused you to cry out, your hips subconsciously grinding against the pillow once more. You were quick to realize your mistake. "N-No sir!"

"Hah...~ Good boy. You learn quick~"

His fingers then left you, leaving you empty with a soft whine. Satoru didn't keep you waiting, and you felt hands spread your cheeks, a larger object prodding your stretched and aching hole. He asked if you were ready, and with your consenting nod, Satoru filled you, your ass taking him down to the hilt thanks to the stretching. As he let out a groan, you had let out a blissful cry, fighting the urge to grind your hips once more.

"F-Fuck~ God you feel amazing. I knew you could take my cock like this." Your body shook with anticipation, patiently waiting for Satoru to move. Noting this, he pressed his chest to your back, his warm skin coming into contact with your blazing body. "Are you ready, love?"

One extra reassurance, but honestly, despite how respectful it was, it was unneeded. You nodded nearly the moment he stopped speaking. You had been ready the moment he entered you. Sitting up, Satoru placed a firm but gentle hand on the back of your neck as he began to cycle his hips into you, the movements almost precise. His hand placement, his movements, all of it nearly made you lose it, your cock throbbing painfully against the pillow. You needed a touch, friction, anything. You were desperate to the point you started to grind your hips again.

The action didn't go unnoticed, Satoru slightly increasing his speed as he watched.

"Nngh...~ Yeah you're desperate...~ Can't...last a moment of fun without w-wanting your cock touched, huh?"

Your eyes were rolling under the blindfold, nails digging into your palms. His hand placement only grew in firmness, not by a lot, but it felt like it was the only thing keeping you mentally in place, like a leash keeping you connected.

Without an answer, Satoru simply continued his thrusts, degranding phrases of how dirty you were slipping out only to be replaced with praises of your work, of taking it as well as you were.

All of it was enough to tighten the coil in your stomach, your moans pitching in sound. It was a familiar feeling, one you were able to proclaim.

"G-Gonna...cum~! S-Satoru--S-Sir I--"

"No."

The denial brought you back down, your body shaking with the urge to already let loose. "P-Please!"

It didn't help that Satoru's movements hadn't stopped. You were about to burst, yet he insisted on continuing.

"Y-You cum when I say. That's part of the lesson~" His voice was breathy. "Don't move o-on your own...a-and don't cum. You can do that, right~?"

"S-Satoru, please!"

At your plea, the movements stopped, and your approaching orgasm would gradually leave.

"Alright, then I'll stop...~" Satoru's voice wasn't upset, but teasing. If you couldn't handle it, he'd stop, leaving you there to lose your orgasm. His hands now resting on your bound hands, not to untie them, but to simply rest there.

"N-No, Sato--S-Sir I...I-I can handle it, please!"

You really were desperate to have him move inside, but he would ignore your pleas until he figured enough time had gone by.

"Still feel like you have to cum?"

Realizing it wasn't there, you groaned softly, shaking your head.

Gently gripping the binds, he used your arms as a leverage, using it to pull you closer to him to bury deeper into you. Just as you were before he stopped moving, you were quick to fall back into the mess you were, your ass clenching around his cock, as if begging him not to stop again. It didn't take long for your orgasm to return, in which you'd announce it once more.

"J-Just hold off a bit longer," Satoru breathed, repositioning himself to once again press his body into you. His hands rested on your shoulders, not in a way to press you down, but another leverage spot for him. This way, he could focus on his hips, losing himself inside of you in a sticky mess. You tried your best to hold off, but it only inched closer.

"S-Sir, I-I can't! I-I need to cum--!"

As if answering your prayers, Satoru replied, "C-Cum with me~!"

Another moment more and you would have came without his permission. Before your mind went white, you thanked the gods for the reprieve, cum roping out from your cock onto the pillow as your body shook with bliss. You let out heavy, moan-filled panting as your felt your ass fill with Satoru's cum, feeling Satoru himself pant heavily against you with soft groans of each release.

You had to admit, Satoru was an excellent teacher. You'd be sure to tell him that whenever you'd awaken from this experience.

#kaisers house of desires #x reader #x male reader #x male y/n #jujustsu kaisen x reader #jujutsu kaisen #jujutsu gojo #jujutsu kaisen gojo #jujutsu kaisen satoru #satorugojo #gojo satoru #jujutsu satoru #gojou satoru x reader #jjk satoru #satoru gojo #jjk gojo #gojo x reader #gojo smut #gojo #x male smut #jjk smut #smut

[where-theres-smoak-2]

So this whole 'if rhaenyra insisted on having bastards then she should at least have chosen someone who looked more targaryen/velaryon' argument actually doesn't make much sense when you think more about it. This idea that the problem with rhaenyra having bastards was that they had dark hair, like if they didn't there wouldn't be a problem, it was the dark hair that gave them away and caused suspicion etc. I feel like some in the fandom, and I also think the show can be a bit guilty of this too, assume that the white hair and purple eyes of the targaryens are a dominant trait like the baratheons black hair, but actually it's not. There are several targaryens who don't have the white hair, baelor breakspear targaryen had his dornish mother's dark hair which he in turn passed on to his son valarr, elia martell's daughter with rhaegar targaryen, rhaenys, also had dark hair as did jon snow. Another rhaenys that had dark hair, at least in the book, is the rhaenys from hotd, and I'm sure there are others too. In fact the only reason these 'targaryen' features were common amongst targaryens was because of the inbreeding.

This is where I think hotd messed up with the character design of rhaenys because, as I said above, in the book she has dark hair on account of her mother being a baratheon. If they had kept rhaenys dark hair then whenever anyone questioned jace, luke or joffrey's dark hair, rhaenyra could just shrug and go they get it from their grandmother. Even though they changed how rhaenys looked I do still wish that we had seen rhaenyra play the 'it's their baratheon genes coming through' angle in the show because it's the most logical explanation she could have given.

Another thing that I find kind of amusing about the assumption that the targaryen genes are dominant like the baratheon genes is that the founder of house baratheon, the very first baratheon, was orys baratheon who was actually a targaryen bastard himself, born from the same targaryen father as aegon the conqueror. So dark-haired targaryen bastards have existed since aegon the conqueror came to westeros and baratheon dark hair genes have been cancelling out the white hair of targaryens from the very first time a targaryen and baratheon crossed bloodlines.

So I don't think rhaenyra having dark haired children should be that big of a deal when they have close baratheon relatives and again I really wish the show had played into that more. I think the suspicion should have more been centered around maybe their facial features looked like harwin strong's, they had the same nose or the same mouth shape, but them merely having dark hair should have been a non issue in my opinion. Also where exactly would rhaenyra have found someone with targaryen/velaryon features who she could also trust to keep quiet about it afterwards? Just practically I don't think that makes sense nor would it have been safe for her or her children, so choosing someone who had similar features, ie dark hair, like a baratheon which could be explained away due to her sons having baratheon blood through rhaenys, was the most logical next step.

#hotd #house of the dragon #pro rhaenyra targaryen #rhaenys targaryen #rhaenyra targaryen #team black #anti team green

[scorpioriesling]

Random Tropes HC (pt. 2)

✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *

Pairing(s): Lucien / Eris x reader

Warnings: slight sexual suggestions

Summary: Random tropes, and how each would play out, depending on the character... and you, of course.

SR’s Note: I saw a filter on Tik Tok where you can rank book tropes, and this idea came to mind. I am using my top 6 (not in order) for the purpose of these posts -- enjoy! Part 1

✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *

Lucien - "Only One Bed"

You were definitely crushing on Lucien -- who wouldn't?

You were close with him and Tamlin, working at the Spring Manor until you became more than an employee, but a friend.

Well, a friend to Lucien anyway.

Tamlin took note of how well you were able to spy, and turned you into his own personal Spymaster.

You didn't mind too much -- after a while, Tamlin warmed up to you. He also appreciated how you made Feyre feel more comfortable when she first arrived in the Spring Court.

As fate would have it, you and Feyre were a lot alike.

It didn't take long to see what was going on. She was planning to run.

Over the last few months, Tamlin grew more enraged, more angry at the world. You couldn't stay, you knew you had to get out.

And Cauldron be damned, Lucien was coming with you.

He wasn't happy about it at first, especially when the two Night Court warriors winnowed Feyre away and left the two of you to walk the rest of the way to the Night Court.

"Do you think he will change?" Lucien asks you, the cold wind ruffling his hair. You shiver against the wind.

"No," you say after a long moment. Lucien pulls you close to him, heat radiating from his body against the chill.

"I don't know if we could ever go back." He says. You sigh and bury closer to him, trying to keep in step with his long legs.

"I don't think he'd allow us back." You say. Tears prick the back of your eyes, but you blink to keep them at bay. Lucien changes the conversation, happier topic chosen this time. He is talking about all the delicious food the Night Court must have when you finally spot a motel in the distance.

"Our salvation!" Lucien gasps. He grabs you by the arm, pulling you with him as he breaks into a jog. You're panting trying to keep up, but you finally make it to the building.

"We're just about sold out." The stocky female behind the desk murmurs. Lucien sighs and runs a hand through his hair. You're standing behind him, and you place a delicate hand on his shoulder. He turns to you, gaze softening.

"Ma'am, we'll take whatever you have left." You say. She rummages through her drawers, presenting a single golden key on a long corded string.

"Floor 2. Last door on the right." She huffs. You anxiously take it from her, looping the string around your neck. The key dangles like a pendant on a necklace as you take Lucien's hand in yours and lead him upstairs.

Some salvation this is.

There's only one bed.

A blessing in disguise.

"Cauldron..." he sighs, slinging his bag to the floor. "I'll just, take the floor." He says, moving into the room. You furrow your brow.

"Lucien, do you think I've never had a sleepover before? We can share." You say. You rifle through your pack for extra clothes, and with a wave of his hand, the candles and fireplace are alight with warmth.

"Well... only if you're okay with that." He says. You nod, realizing then that you have no sleepwear. Lucien seems to realize the same thing as his hands come up empty.

"You can shower first, if you were wanting to." You offer kindly. The firelight is painting his features beautifully, and you force yourself to look away. But Gods, was it hard.

"Thanks!" With that, he was heading for the bathroom. You sighed, flopping down on the bed. You hadn't expected this level of comfort from a motel bed, but the soft silky blankets, the plush pillows...

You sighed a breath of contentment, fingers toying with the gold key laced around your neck.

You stripped down to your undergarments, as your clothes from the day were filthy. Folding them into a neat pile beside the bed, you slipped under the sheets, goosebumps erupting over your body as the blankets had not yet warmed.

Lucien finally came out of the bathroom, his eyes raking over your bare shoulders not concealed by the covers. He choked down a cough, and you kept your eyes closed as he slid into the bed next to you.

His bare arm brushed yours, and your eyes flew open. You readjusted to lay on your side, and so did he at the contact. However, now you were face to face.

"Are you... cold?" He asked. His sweet gaze held yours as his fingers timidly grazed your shoulder. Fresh goosebumps appeared, and you shivered.

"Yes." He frowned.

"Comere." His hand gripped your waist, fingers over your hip bone as he pulled you flush against him. You pretended not to notice the growing buldge pressing against you as his hand traced small patterns over your back.

"I can give you some of my body heat, if this is okay?" He asks, voice low and raspy. Maybe it was the way his lips were inches from yours, the small candelight illuminating his perfectly sculpted face...

Or maybe you had finally decided to be honest.

"It's more than okay." You said. Heat returned to your cheeks, and a small smile danced on his lips as his gaze flicked between your eyes and mouth.

He reached out, tucking a strand of hair behind your ear. His fingers lingered, trailing down your neck to the small key still looped around it. He toyed with it for a moment, before his lust-filled amber eyes met yours once more.

"I can give you more, if that would be okay too." He whispered. You shook again, this time the excited, anxious, energy rolling from you.

"It's more than okay."

Eris - "Who Did This To You?"

Reading was one of Eris' favorite pass times.

In fact, it was one thing he had in common with you.

The only thing, he swore.

One of many things, actually.

In fact, Eris was doing just that when he heard a commotion outside. Usually, it was his father. He'd learned not to get involved, but this time...

This was different.

His heartstrings tugged as he strained his ears, trying to listen beyond his windows for any indication of what was happening.

"Please... please..."

He snapped his novel shut, flying to his feet and racing outside. He wasn't sure what had come over him -- but he knew. He could feel it. You were here, and you needed him.

He'd thought over and over the last few years how you'd cry. How he would and could make you do it. Thought about killing you himself, once. Using his fire on you in ways he'd done only once before. You were acting like a lap dog, sitting with the Inner Circle at one of their meetings. Rhysand didn't let you talk, of course. You didn't even challenge him. You always let him walk all over you.

Maybe that's what pissed him off so badly.

You were packed full of good ideas, talents, advice; but you bowed to Rhysand, and that was that. You never spoke up for yourself.

You were worth so much more than that. You could offer so much more than you were allowed.

He tore through the hedge maze, snapping branches, feet thundering around every corner. His breathing was heavy, eyes searching in the night to find you.

"Please, Eris... someone..."

He followed your pained whimpering until he found you in the middle of the maze. You were slumped against the large water fountain, breathing unevenly as blood stained your neck, dried flakes throughout your usually vibrant tendrils. Your hands braced over your abdomen, tears creating tracks down your dirtied face.

"Oh my Gods..." He rushed to you, and you looked at him in desperation. His heart broke in two, seeing you crumpled and hurt in front of him.

His sadness turned very quickly, to anger. He felt... violent.

He ran his hands over your face, seeing blood pouring from your lip, and he reached up to move some hair from your forehead -- a huge gash the cause for the ever growing pool you sat in. Well, one of the causes. He was fuming, hands trembling as he tried to stay gentle with you, but absolute rage filled his every vein at how this could have happened to you.

Who could've let this happen to you.

"Eris, I..." you coughed, more crimson drops landing on the stone pathway below. "I... I didn't mean to... this is the first place I thought of..." another loud sob wretched from you, and Eris cupped your cheek. His whiskey eyes were dulled to a deep bourbon, his jaw clenched.

"Come with me."

He scooped you up, carrying you as carefully as he could back to his wing of the Forest House. You let out small yelps, the searing pain in your stomach too much to handle.

"Please, stay with me Y/N," he pleaded, looking down at you sorrowfully. He felt as though he was carrying a small, injured deer -- that is what you were. A gentle, wise, doe. His gentle doe.

He finally made it inside, sitting you on the sofa in front of the fireplace as he ran to the washroom and returned quickly. He presented a small wet cloth, taking your chin in his fingers and beginning to wipe away the red stains over your delicate skin. He tried so hard to stay gentle with you, trying to replicate the softness you'd always offerred others.

But, that's one thing you didn't have in common. He wasn't soft, or sweet like you. He tried to steady his breathing, gazing into your round, watery eyes instead. It only caused him more pain, seeing you like that. His head dropped, and he raked a hand through his hair.

"Put this in here," he grabbed a clean cloth, folding it and raising it to your mouth. You opened, usually defiant towards your enemy, but, really... you'd do anything he asked. He placed it between your teeth, and his hands covered your bloody ones, still clutching your stomach.

"Y/N... you have to move your hands." He says. Your eyes screw shut as you groan, removing your hands shakily. He breathes a sharp gasp, shaking his head.

"Hold onto me." He says. You look to him in confusion, and he places your stained fingers on his shoulders. One of his hands lingers on your for a moment, and he pressed the inside of your wrist to his lips. He looks back to you, eyes already asking for forgiveness.

"I'll be honest, I've thought about hurting you before as you've hurt me," he says, voice deep with ... something. Something you couldn't place. You could barely focus as your mind started to fog, vision clouding with black spots. "...but never like this."

He sighs one last time, a hand coming into view, fingers ablaze with fire. You sit up, or try to anyway -- a sob racks your chest, muffled by the cloth, and Eris holds you down, hand splayed over your sternum.

"Hold onto me." He says again. His hand meets your bubbling would, fire searing the skin as a scream tears through your already dry, cracked throat, only quieted by the cloth you’re biting down on. Your eyes blow wide, and you squirm under his hold. He looks at you with regret, pulling back for a moment only to press heat onto your would again.

Your hands rip and claw at the collar of his shirt, red already smeared over most of it. He huffs an apologetic sigh, continuing to carterize your open would.

Over. Over. Over again.

You lean back, knowing the familiar weightless feeling. You were going to black out. His once-white collar slips from your fingers, and your eyes meet his one last time before you slink into darkness.

When you come to, you're wrapped cozily in silken sheets, a pair of fleece pants covering your legs. Soft sunlight streams in through... a window. You blink, widening your eyes and looking around. The mahogony sheets were an unusual replacement to your lilac ones, and the four poster wooden bed was a change as well. Your eyes caught on a bookshelf, one with many titles like yours, at least. One book sat on the window seat, basked in sunlight. It was a title you'd already read.

You were in Eris' room.

You lean to sit up, but cry out in pain and lay back down, head flopping against the plush pillows under your head. Your hands instinctively reach toward your stomach, tugging at the hem of the tank top you bore. A bandage was wrapped around your midsection, concealing any injury. Your mind went to last night, what you'd endured, winnowing to the Autumn Court, the burning...

In moments, Eris is passing through the doorway, concern threading his brows together as he looks you up and down.

"Is everything alright?" He steps to the bed, sitting on the edge of it. He pulls the covers up, tucking them around you in comfort. You shake your head, silver lining your eyes as they meet his.

"I... they took me last night." You manage to get out. Eris readjusts to face you, a hand stroking through your hair. He bites on his lower lip, eyes searching yours.

"Who. Who took you Y/N." He says. It sounds like more of a demand than a question.

You shake your head, a tear slipping free as you remember being kidnapped from your bed, and tossed onto the mountainside. The feeling of snow under your knees, rocks in your palms only the beginning of the pain you'd endure before somehow winnowing away.

"It was... they wanted me to partake in the..." you stifle another cry. Eris brushes his thumb against your cheek.

"The fucking Blood Rite." He bites out. Anger radiates off of him, the small fire in the fireplace near the window growing with each passing second.

Again, he asked, eyes boring into yours. "Y/N, who did this to you?"

✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *✧･ﾟ:* ✧･ﾟ: *

#a court of silver flames #acofas #acotar #acotar smut #a court of thorns and roses #acosf #lucien acotar #lucien vanserra #a court of frost and starlight #lucien x reader #eris vandaddy #eris vanserra #eris acotar #eris x reader #acotar series

[ach-sss-no]

someone asked why i loudly asserted that the stewing rabbits bit of lotr is the opposite book vs. movie and i think it is time to move off of the giant reblog chain i'm making

The Premise: Sam, Frodo and Gollum are all doing the opposite of what they are doing in the book in some fashion or another

(first off: in the movie they abandon the stew and don't eat it. the book takes a lot longer with all of this, and they do in fact eat the stew, and I definitely understand the movie couldn't be as expansive with the pacing but it's just. funny to me. they don't eat the stew vs. they do eat the stew, there's your first opposite)

now. THE SCENE: Of Herbs and Stewed Rabbit

(Small disclaimer/disclosure: I referenced the script instead of a movie clip for this, so there may be some nuance missed in visuals or whatever but I don't think it would be enough of a difference to matter and hopefully you will soon see why not)

Frodo

Starting with him because this is simplest.

In the movie, Frodo is just sitting there minding his own business when Gollum dumps dead rabbits in his lap. (Then he doesn't interact with the ensuing conversation at all)

In the book he's asleep when Gollum brings the rabbits and does not participate in the scene. Okay, so he's awake vs. asleep. Easy.

(Also, book Frodo didn't witness the conflict between the other two characters and had no opportunity to intervene, which creates an interesting 'what could have been', but I am digressing. We are only 10% of the way in. buckle up)

Sam

In the movie, Sam is passive and reacting. Gollum dumps dead rabbits in Mr. Frodo's lap oh no what do I guess we'll cook them

In the book, Sam is active and orchestrating events.

Sam decides of his own accord that he wants to address their dwindling supplies:

Sam had been giving earnest thought to food as they marched. Now that the despair of the impassable Gate was behind him, he did not feel so inclined as his master to take no thought for their livelihood beyond the end of their errand; [in case you forgot. Earlier on Sam was like 'we won't have enough food for the way back' and frodo essentially responds with 'the way back. oh you sweet summer child'] and anyway it seemed wiser to him to save the waybread of the Elves for worse times ahead.

Note: This is all very good reasoning by Mr. Samwise and an excellent example of why he's so necessary to the quest! Yes, staying alive is step one.

But Where to get food? In both movie and book Sam is taking advantage of his resources (dead rabbits acquired via gollum), but in the book he's way more proactive about it:

An idea struck him and he turned to Gollum. Gollum had just begun to sneak off on his own, and he was crawling away on all fours through the fern. 'Hi! Gollum!' said Sam. 'Where are you going? Hunting? Well see here, old noser, you don't like our food, and I'd not be sorry for a change myself. Your new motto's always ready to help. Could you find anything fit for a hungry hobbit? ' 'Yes, perhaps, yes,' said Gollum. 'Sméagol always helps, if they asks-- if they asks nicely.' 'Right!' said Sam. 'I does ask. And if that isn't nice enough, I begs.'

In this point in the book Sam has now:

Decided of his own accord that he has a problem and that he wants to actively solve it

Arrived at a solution to the problem without any outside help or suggestions

Commanded Gollum to go hunt

In the point in the movie Sam has done:

Nothing

I'm not exaggerating. In the movie the scene hasn't started yet.

In both book and movie, rabbits are acquired a little while later. In the book this is a nonevent because Sam requested and expected rabbits. In the movie, the rabbits unexpectedly appear, and Gollum says they are for the hobbits to eat (Sam doesn't even come up with the idea to eat them on his own!)

They are young. They are tender. They are nice. Yes they are! Eat them! Eat them! [He bites and tears into the raw meat.]

GOLLUM SHOWED HIM HOW TO EAT THEM LIKE A MOTHER CAT.

Anyway, in the movie, we just cut to Sam stewing the rabbits after that.

But in the book, Sam isn't done arranging things:

He thought for a bit, while he took out his knife, cleaned and whetted it, and began to dress the rabbits. He was not going to leave Frodo alone asleep even for a few minutes. 'Now, Gollum,' he said, 'I've another job for you. Go and fill these pans with water, and bring 'em back! '

'Sméagol will fetch water, yes,' said Gollum. 'But what does the hobbit want all that water for? He has drunk, he has washed.' 'Never you mind,' said Sam. `If you can't guess, you'll soon find out. And the sooner you fetch the water, the sooner you'll learn. Don't you damage one of my pans, or I'll carve you into mincemeat.'

So now Sam has:

Decided of his own accord that he has a problem and that he wants to actively solve it

Arrived at a solution to the problem without any outside help or suggestions

Commanded Gollum to go hunt

Lovingly watched Frodo sleep

Collected rabbits after they were provided and begun skinning them

Assigned Gollum to fill his cook-pans

Gollum leaves to do this new errand and Sam starts building a cook fire.

He was just stooping over his fire, shielding it and building it up with heavier wood, when Gollum returned, carrying the pans carefully and grumbling to himself. He set the pans down, and then suddenly saw what Sam was doing. He gave a thin hissing shriek, and seemed to be both frightened and angry. 'Ach! Sss -- no!' he cried. 'No! Silly hobbits, foolish, yes foolish! They mustn't do it!' 'Mustn't do what?' asked Sam in surprise. 'Not make the nassty red tongues,' hissed Gollum. `Fire, fire! It's dangerous, yes it is. It burns, it kills. And it will bring enemies, yes it will.'

Sam has just been given a completely sane and rational reason why a fire is a bad idea (they are in a dangerous area and can't risk attention!) (as well as a reason that is less pertinent- it looks like Gollum is afraid of fire, and he may have sensible reasons to be afraid of fire because it is dangerous, but this is not Sam's problem)

Sam addresses the 'it will bring enemies' thing

'I don't think so,' said Sam. `Don't see why it should, if you don't put wet stuff on it and make a smother. But if it does, it does. I'm going to risk it, anyhow. I'm going to stew these coneys.'

And Sam is like, nah.

Now Gollum gets upset that he's 'ruining good meat' by cooking it

Now Sam de-escalates

Now, now! ' said Sam. 'Each to his own fashion. Our bread chokes you, and raw coney chokes me. If you give me a coney, the coney's mine, see, to cook, if I have a mind. And I have. You needn't watch me. Go and catch another and eat it as you fancy -- somewhere private and out o' my sight. Then you won't see the fire, and I shan't see you, and we'll both be the happier. [He still managed to slip in a 'get out of my sight'] I'll see the fire don't smoke, if that's any comfort to you.'

In the movie he just insults the quality of the meat:

SAM What's to ruin? There's hardly any meat on 'em.

...which I suppose is fair in this alternate universe where the rabbits were just dumped in his lap, unwanted.

Then in the movie they skip to the taters conversation, but in the book, there's more!

Back to the book:

Gollum withdrew grumbling, and crawled into the fern. Sam busied himself with his pans. 'What a hobbit needs with coney,' he said to himself, 'is some herbs and roots, especially taters -- not to mention bread. Herbs we can manage, seemingly.' 'Gollum!' he called softly. 'Third time pays for all. I want some herbs.'

Gollum says no.

'Sméagol'll get into real true hot water, when this water boils, if he don't do as he's asked,' growled Sam. 'Sam'll put his head in it, yes precious. And I'd make him look for turnips and carrots, and taters too, if it was the time o' the year. I'll bet there's all sorts of good things running wild in this country. I'd give a lot for half a dozen taters.'

Now Gollum asks what taters are, gets a cryptic answer, and is offered a kind of food he has just expressed he does not want (cooked food) and again ordered to fetch herbs. Gollum declines.

'You couldn't say no to that.' 'Yes, yes we could. Spoiling nice fish, scorching it. Give me fish now, and keep nassty chips!' 'Oh you're hopeless,' said Sam. 'Go to sleep!'

The movie finally has some of the same words in almost the same place:

SAM PO-TAY-TOES! Boil 'em. Mash 'em. Stick 'em in a stew. Lovely big golden chips with a nice piece of fried fish…. SM�AGOL [i'm not fixing it blah] [Sticks out his tongue in disgust] Pbbbttt!! [so now he's just devolved into making fart noises] SAM Even you couldn't say no to that. [He takes a sip of the stew] SM�AGOL Oh yes we could! Spoil nice fish... [scrambles up close to Sam] Give it to usss rrraw... and wrrriggling! [That line is not in the book. every time i see it quoted i age a year] [Makes sickeningly happy face.] You keep nasty chips. [Hops away] SAM You're hopeless.

The scene here ends in the movie.

In the movie, Sam has:

Watched rabbits be thrown at Frodo

Started cooking them after being all but commanded to eat them

Had some banter with Gollum

Left the scene without eating his stew

Sam is a passive character who is not orchestrating events, but rather reacting to them. A character being passive is not in and of itself a bad thing. I am only pointing it out because it is different from the book and a big change to this specific character (wanted to mention that because some people really don't like passive characters in general, I think they have a place. Frodo is rather passive in this scene but he obviously has a purpose.)

...In the book, Sam stews the rabbits for an hour and then eats the stew with Frodo

Frodo yawned and stretched. 'You should have been resting Sam,' he said. 'And lighting a fire was dangerous in these parts.

Wow! Was it? I feel like someone mentioned that earlier.

'Gollum! ' Sam called and whistled softly. 'Come on! Still time to change your mind. There's some left, if you want to try stewed coney.' There was no answer. 'Oh well, I suppose he's gone off to find something for himself. We'll finish it,' said Sam. [...] We don't see eye to eye, and he's not pleased with Sam, O no precious, not pleased at all.'

Whyever not?

To sum, book!Sam has:

Decided of his own accord that he has a problem and that he wants to actively solve it

Decided he's going to assign Gollum to the problem (This also demonstrates Sam's interpersonal intelligence. He notices what Gollum's capable of and understands intuitively how it can be turned to something industrious and useful) (Sam has made some missteps in other areas which are in the next section)

Commanded Gollum to go hunt

Collected rabbits after they were provided (according to his request), and began skinning them

Watched Frodo sleep

Assigned Gollum to fill his cook-pans, specifically because he does not want to leave Gollum and Frodo alone together, which is sensible

Threatened to carve Gollum into mincemeat, while holding a knife

Watched Frodo sleep and reflected on his poor health

Skinned the rabbits and put them in stew

Been told a cook fire is a bad idea and declined to stop what he's doing. A character being told to stop doing something & continuing with it anyway is another way for that character to show agency.

Asked Gollum to fetch herbs and potatoes (was refused)

Foraged a few herbs himself

Eaten lovely stew (while lamenting that there are no onions in it, and no bowls to put it in ;_;)

Offered Gollum stew long after (hours after) Gollum got angry and left

...all because Sam initially decided he wanted to acquire and cook food, and then took every necessary step to make that happen of his own accord.

Sam is an active character with high agency.

He is also showing more care for Frodo here (watching him while asleep and fretting over his health, lamenting that he somehow made rabbit stew from nothing by using his resources (which do here include another character- people are also resources!) but he can't put it in a nice bowl for mr. frodo- there's just a lot more here, which is natural because prose is a more detail-rich medium. Not all of this would have fit in the movie and I'm not saying it should have.

Even allowing for time, however, I do think there would have been a way to collapse this scene to the needed time requirement and still have Sam in charge of it instead of Gollum.

The scene finally ends on:

Then he noticed a thin spiral of blue-grey, smoke, plain to see as it caught the sunlight, rising from a thicket above him. With a shock he realized that this was the smoke from his little cooking-fire, which he had neglected to put out.

Did anyone foresee this?

Gollum

In the movie, Gollum is foisting a gift on Frodo and forcing social interaction that he doesn't want.

In the book, Gollum wants to go away somewhere so he can eat and is pressed into reluctant manual labor instead

Gollum is a little different from the other two characters in that his personality and motivations are also completely different here. (Where as Sam at least still has the same goals of looking after Frodo and making food.)

The scene is in Sam's POV so what Gollum is thinking and feeling has to be inferred from his actions/words/tone, but he's not exactly subtle.

The movie scene starts off with Gollum turning up with rabbits. He dumps them in Frodo's lap. He makes a spectacle of himself. He starts mauling the corpses.

The book scene starts off with Gollum trying to slip away somewhere to eat in private.

That's another thing. Gollum doesn't demonstratively bite into things Gollum always slips away somewhere to eat in private. Earlier:

It was actually not long before Gollum returned; but he came so quietly that they did not hear him till he stood before them. His fingers and face were soiled with black mud. He was still chewing and slavering. [He didn't bring food back on purpose. He's still chewing because he only has six teeth.] What he was chewing, they did not ask or like to think. 'Worms or beetles or something slimy out of holes,' thought Sam. 'Brr! The nasty creature; the poor wretch! ' Gollum said nothing to them, until he had drunk deeply and washed himself in the stream. Then he came up to them, licking his lips. 'Better now,' he said.

(Emphasis added.. Imagine you just recruited a serial killer to your D&D-party-in-real-life and he silently turns up covered in mud and won't talk to you. It looks like he's been eating bugs. He won't speak. he won't tell you what he's eating.)

Back to the scene in question: Gollum's leaving. Sam flags him down and asks him to hunt.

'Hi! Gollum!' said Sam. 'Where are you going? Hunting? Well see here, old noser, you don't like our food, and I'd not be sorry for a change myself. Your new motto's always ready to help. Could you find anything fit for a hungry hobbit? '

He asks in an insulting and confrontational way. ('old noser' + 'Your new motto's always ready to help' reeking of suspicion)

To be clear, I'm not criticizing Sam whatsoever for disliking and being suspicious of the known murderer he's traveling with against his will. but the way he talks to Gollum does have consequences.

'Yes, perhaps, yes,' said Gollum. 'Sméagol always helps, if they asks -- if they asks nicely.'

Gollum is reluctant and asks to be treated politely. I don't find this response disproportionate or unreasonable. Consider what would happen if anyone talked to LOTR-era Bilbo Baggins the way Sam just talked to Gollum. The ash would still be falling from the sky.

Anyway Sam's response is to mimic the way he talks.

'Right!' said Sam. 'I does ask. And if that isn't nice enough, I begs.'

Gollum leaves, and is gone a long time. While he's gone, Sam gazes lovingly at Frodo, and - this is not directly relevant but I wanted to note it:

Gollum returned quietly and peered over Sam's shoulder. Looking at Frodo, he shut his eyes and crawled away without a sound. [Seeing that Sam and Frodo are occupied, Gollum slips away without interrupting, which is also a different vibe from 'assaulting Frodo with rabbits while he's just sitting there.'] Sam came to him a moment later and found him chewing something and muttering to himself

Look! There's a character arc happening in the background [but not in the movies] It will reach fruition at Cirith Ungol [in the books]

Anyway, Gollum is chewing on something so he's clearly taken time out to hunt for himself as well (note for context: He's disastrously underweight and has been complaining of hunger).

On the ground beside him lay two small rabbits, which he was beginning to eye greedily. 'Sméagol always helps,' he said. `He has brought rabbits, nice rabbits. But master has gone to sleep, and perhaps Sam wants to sleep. Doesn't want rabbits now? Sméagol tries to help, but he can't catch things all in a minute.'

Gollum has brought rabbits on command, and he's reluctant to hand them over. This is the direct opposite of bringing rabbits of his own accord out of nowhere and forcing them onto somebody.

'Now, Gollum,' he said, 'I've another job for you. Go and fill these pans with water, and bring 'em back! ' 'Sméagol will fetch water, yes,' said Gollum. 'But what does the hobbit want all that water for? He has drunk, he has washed.' 'Never you mind,' said Sam.

That was a reasonable question, asked politely and prefaced by 'yes I'll do it'. There's no call for a 'never you mind' and there's certainly no call for this:

`If you can't guess, you'll soon find out. And the sooner you fetch the water, the sooner you'll learn. Don't you damage one of my pans, or I'll carve you into mincemeat.'

Gollum does the work and is careful with the pans as requested.

He was just stooping over his fire, shielding it and building it up with heavier wood, when Gollum returned, carrying the pans carefully and grumbling to himself.

He set the pans down, and then suddenly saw what Sam was doing.

Gollum discovers that 'Never you mind' meant 'I am going to do something you find dangerous and terrifying' i'm pretty sure this is what he's seeing in his POV

He gave a thin hissing shriek, and seemed to be both frightened and angry. `Ach! Sss -- no!' he cried.

Gollum gets angry.

At this point in the movie, Gollum has:

Dumped rabbits in Frodo's lap

Told him to eat them

Played with the dead animals in front of Frodo

there's a cut to Sam cooking the rabbits- Gollum makes no comment at all on the safety or feasibility of a fire, but gets right up close to it to peer into the cookpot, so he must not be too scared of it.

In the book, Gollum has:

Tried to slip away, presumably to eat, because he's hungry. Or maybe he just wants alone time! Shelob is not in visiting range. He's not being dastardly. Leave him alone

He's been flagged down to do additional work, and interrupted from whatever he wanted to do

Went off somewhere. Caught two rabbits (with his bare hands, I assume??) Also caught at least one other thing, because he's chewing something when he comes back

Came back with rabbits

Left Sam to his tender moment with Frodo and went off for more alone time

Gently floated the idea that perhaps Sam doesn't want these rabbits anymore, surrendered the rabbits when asked

Agreed to another errand that is probably difficult for him to do, after hunting down at least two rabbits Up to this point Gollum has been called 'old noser', had his speech patterns parroted at him in a mocking way, had a polite question refused, and been told he will be 'carved into mincemeat' if he damages the cooking pans (does Gollum even know what a cooking pan is? When was the last time he's seen one? Was he just handed some foreign object and told 'put water in it and don't break it' 'of course! why?' 'stfu') Gollum has a whole long complicated history that would reasonably make him very prone to difficulties with emotional regulation. Severe trauma and centuries of social isolation are involved.

He only just now gets angry, now that he thinks Sam is going to start a forest fire and summon orcs and the first word out of his mouth is a relatively restrained 'Ach!' a word that doesn't even start with an F!

Gollum says fire is harmful and will draw enemy attention. Sam says essentially 'probably not but if it does that's too bad'.

Another bit of context is that Gollum has been presenting himself as the 'wilderness survival guy' and has obvious pride when he's talking about finding his way through the marsh. Sam isn't just being dismissive of Gollum, he's particularly dismissing something Gollum has real knowledge of and takes pride in that has nothing to do with being a corrupted evildoer.

Then Sam says he's going to cook the food.

'Stew the rabbits!' squealed Gollum in dismay. `Spoil beautiful meat Sméagol saved for you, poor hungry Sméagol! What for? What for, silly hobbit? They are young, they are tender, they are nice. Eat them, eat them!' He clawed at the nearest rabbit, already skinned and lying by the fire.

After all of that, we are at 'They are young, they are tender, they are nice. Eat them, eat them!' In the movie, the scene started with this line, apropros of nothing, and it's just. Yelled at Frodo. It's an invitation.

In the book: The same line is a cry of frustration. This isn't a non sequitur, this is a last straw! Gollum is hungry. He's been chronically hungry for a long time. The rabbits are exactly the kind of thing he likes to eat. They must smell amazing to him because now they're skinned. He had to turn them over to Sam after going to the work of hunting them (he didn't have to do this, he could have just not come back, or pretended he didn't find anything- whether or not his motives are pure, and they probably aren't, he's doing what he promised).

In return: Sam told him to do more work, and then started a fire- which Gollum seems to genuinely think is idiotic and puts his own safety at risk because he's stuck with these hobbits for the time being- Sam won't listen to reason and put it out, and to add insult to injury, that meat he insisted on?

HE'S JUST GOING TO RUIN IT

Imagine you were hungry and you brought someone an oreo (also you had to wander around in the woods and find the oreo and then surprise it from behind and break its neck), and that person just! scraped off the cream filling and replaced it with spray cheese! after that person called you a jerk and set a fire in a trash can! Maybe that person loves spray-cheese oreos! Maybe everyone but you loves them! I think you'd still be frustrated! (If you're the person who loves spray cheese oreos, pretend it's something else.)

On my first reading of the book this is where I got that sinking 'I am feeling a mite sympathetic to the horrible murderer that I know is just going to stay evil and die in the end' feeling. Gollum is being dreadfully annoying, but he's been pushed past his ability to self-regulate. It feels like the dynamic of antagonizing someone until they melt down and then criticizing them for melting down (Sam is not intending to do this, and doesn't even seem to notice that's what's happened, but the result is the same.)

Sam smooths things over and lets Gollum leave! until

Until

'Gollum!' he called softly. 'Third time pays for all. I want some herbs.' Gollum's head peeped out of the fern, but his looks were neither helpful nor friendly.

WHYEVER NOT?

'A few bay-leaves, some thyme and sage, will do -- before the water boils,' said Sam. 'No! ' said Gollum. `Sméagol is not pleased. And Sméagol doesn't like smelly leaves. He doesn't eat grasses or roots, no precious, not till he's starving or very sick, poor Sméagol.'

(Gollum was retching at the scent of flowers earlier. He may be annoyingly dramatic but I have no cause to doubt that they really did make him feel ill)

(also, I'm out in the weeds speculating now, but I just noticed Gollum is starting to spout off talking about himself and how he feels after Sam pooh-poohed his fretting about the fire, and it feels like a bid for recognition, did you notice Sam has not been calling him Sméagol? Sam isn't using his real name.)

The response:

'Sméagol'll get into real true hot water, when this water boils, if he don't do as he's asked,' growled Sam.

Gollum is here under duress and is cooperating with a quest that is in every way opposed to his personal interests and survival.

'Sméagol won't go, O no precious, not this time,' hissed Gollum. 'He's frightened, and he's very tired, and this hobbit's not nice, not nice at all. Sméagol won't grub for roots and carrotses and -- taters. What's taters, precious, eh, what's taters?

He hasn't had any rest because he was immediately sent off to hunt. I'll bet he is tired

Gollum is still willing to stop being angry because he saw a shiny new word, let's see how this goes

`Po-ta-toes,' said Sam. 'The Gaffer's delight, and rare good ballast for an empty belly. But you won't find any, so you needn't look. But be good Sméagol and fetch me the herbs, and I'll think better of you

Sam gives a cryptic answer and demands more work. 'I'll think better of you?' Lies! Gollum just did two errands and received nothing but more verbal abuse. Sam did not even thank him. This was where on my first reading I was saying to myself 'oh no Sam is mishandling this really badly and doesn't even notice'

I'll cook you some taters one of these days. I will: fried fish and chips served by S. Gamgee. You couldn't say no to that.' 'Yes, yes we could. Spoiling nice fish, scorching it. Give me fish now, and keep nassty chips! ' 'Oh you're hopeless,' said Sam. 'Go to sleep!'

Gollum doesn't understand what chips are. He just said he doesn't like plants or cooked food. He's tired and hungry and has been ordered around all day. He did everything asked up to now and in return he gets called hopeless.

Sméagol willingly, nonconfrontationally, successfully did two out of the three tasks, and when he refuses a third task after being demeaned and dismissed, he's called hopeless.

So Gollum leaves. That's the end of his involvement in this scene. he didn't hit anyone, bite anyone, or call Sam anything worse than 'not nice', 'silly' and 'foolish' (He does not call Sam a 'stupid fat hobbit', that appears to be a movie invention as well)

In the movies, he threw dead animals at frodo and some of this dialog was said without any of the context. haha funni.

The takeaways from the book version are that Gollum can understand and follow verbal commands and do errands (this is important because Gollum needs to be somewhat sane and lucid in order to satisfyingly be held accountable for his crimes), will cooperate when asked, communicates poorly, has trouble controlling his temper, and may at any time be in physical distress and not show it. (He doesn't give outward signs of fatigue.)

The takeaways from the movie version seem to be that Gollum is hyperactive, doesn't understand facial expressions, and finds cooking to be an alien custom. No one tried to ask him to do anything, so I have no idea whether he can understand requests and do tasks or not. May or may not be lucid.

Can we at least agree that Sam saying 'You're hopeless' after this:

Give it to usss rrraw… and wrrriggling! [Makes sickeningly happy face.]

is a different vibe from Sam saying 'You're hopeless' after hearing this?

'[Sméagol]'s frightened, and he's very tired, and this hobbit's not nice, not nice at all.'

Summary

Why is this scene the opposite?

Frodo has gone from being asleep but serving as an emotional anchor (both Sam and Gollum look at him and have some kind of emotional revelation, although the latter has his in private and we don't ever know what it is, the cad) to being awake but doing nothing and leaving. (He does go and find Faramir when the scene ends, but at that point, we are moving on to the next scene. so I don't count it.) Frodo has gone from affecting events while asleep to having no effect while awake

Sam has gone from being in charge of what's happening to passively reacting to a chaos gremlin

Gollum has gone from following orders until he can't take it anymore and suffering to being a chaos gremlin who does whatever he wants and seemingly having a good time? he's dancing around

The stew goes from eaten to uneaten

The overall purpose of the original scene appears to have been mainly to establish character and relationship dynamics. The movie scene... is doing the same, I suppose, but it's so brief and stripped of context that it almost feels like an homage more than a real scene, like it's there because they couldn't get away with entirely cutting it. And as every character is behaving contrary to what they used to in one form or another, the overall effect is:

Thank you for coming to my TED talk. Ask me about the waterfall scene next

#long post #never ask me about the waterfall scene

[mostlymarvelsstuff]

These are so fun! I love your ideas and thoughts!! If I’m annoying, please say so!

I have yet another hehe!

Do you have any headcannons about College AU! Nat? What would she do/study & what to you think Reader would be like? Enemies to lovers? Or besties? Im all ears!!

Ooo yes!

I feel like Nats an athlete. Softball perhaps

As for studies, this may be unusual as I can't recall ever seeing it before, but I feel like perhaps she'd go for some sort of degree in Forensics. I mean, Nats smart and analytical. She can problem solve, and I feel like something about crime scenes would intrigue her and this job would be giving her that knowledge that she helped someone/someone's family get justice/closure and I feel that's all fitting for her character. (Maybe she even contemplated going to the academy to be a police officer, until she remembers how corrupt and authoritarian they are in the states)

I think, being both athletic and a bit nerdy that she doesn't have time for much socializing. She can probably only go to a few parties. So I think she knows R from one of her classes, probably admires her from afar a bit but also is hesitant about her because shes in a sorority and Nat knows how judgemental girls in those can be.

But at one of those rare parties they both have enough liquid courage to actually talk to each other. And they quickly discover that they get on like a house on fire.

I think both would want to rush right in because they feel so drawn to the other, but feeling that way so fast scares both so they both force themselves to take things slow. Which goes well, cute little dates and dorm/apartment sleepovers, lots of texts and kisses shared.

But things change when R goes to a party, with friends but without a studying Nat, and she gets hit on. It doesn't stress her much, it's just part of college life, but when she tells Nat about it upon her return, the redhead practically pounces.

#natasha romanoff #natasha romanoff x reader #natasha x y/n #natasha x reader #headcanon

[cripplecharacters]

Hi! This is a sort of weird question, but I’m writing a sci fi /fantasy book with two disabled main characters:

1. Cove is twelve years old and has something along the lines of Williams syndrome (possibly that, possibly Down syndrome—still deciding). He’s mildly intellectually disabled and has low muscle tone + an unspecified heart problem (which is stable but he still gets regular checkups for it). His power is turning into a giant at will. He might have PTSD for reasons that are potentially triggering, so I won’t go into details ^^’ He really likes the ocean and spicy food, and hates people staring at him or judging him

2. Lucas is sixteen and uses a wheelchair full time due to cerebral palsy. His hands tend to shake a lot too. His power is turning into a Sphynx cat. He’s a trans guy. Idk what he would like or dislike yet tbh, but I picture him dressing in black clothes a lot

My question is this—what are some ways these characters’ powers could like interact with their disabilities? So far I have that overusing his giant power could possibly put strain on Cove’s heart. and if Lucas wants to move around independently in his cat form, he’d probably need one of those animal wheelchairs for his back legs?

Also— is there anything else I need to consider while I write this story?

I’m not trying to get you to do all the brainstorming for me btw! I hope it doesn’t seem like that ^^’ I’m just looking for other people’s thoughts and input-

Hi!

I think that the powers you gave them are very cool! Often with disabled superpowered characters there's the trope of always having the ability be fundamentally connected with their disability. Someone shapeshifting into a cat is awesome!

The concept of Cove's transformation putting pressure on his heart is very realistic (if you can say that about shapeshifting, lol)! Both Down and Williams Syndrome come with cardiac problems, so you won't need to change that if you decide to switch the exact disability. I'm thinking that maybe he could try to slowly turn giant, rather than instantaneously? I imagine that turning back to being normal-sized could also cause some issues. I'm unsure if that's a part of your story, but I think that having his family worry about him transforming because of his heart would be realistic as well. Wouldn't really classify it as infantilization because he's twelve, and I know that a lot of parents of children with DS are extremely cautious around the cardiovascular problems (not sure about Williams Syndrome here, but I think it would make sense as well)! You mentioned PTSD, and while I don't see anything wrong here from what you said, I would just urge you to not have some weird "PTSD flashback = turns giant and extremely violent" (violent being the key word here) kind of scene. (If you have PTSD yourself then feel free to do whatever you want of course). But I think that him becoming bigger when he feels threatened as a defense mechanism of sorts would make sense.

For Lucas, I think that the idea of shapeshifting from a wheelchair user to a wheelchair using cat goes incredibly hard. As for the ways that it could interact with his cerebral palsy: if he has issues with his arms then he would use the wheelchair a bit differently. In the kitty wheelchair the whole energy comes from the forelimbs, so if his hands shake then he would be much more wobbly as a cat than as a human. I'm not sure whether cerebral palsy in kitties is a thing, but you can look up cats with cerebellar hypoplasia. It's not the same thing but causes some similar symptoms! For example, the lack of balance that Lucas could have due to shaky limbs.

In my opinion your story sounds great! If you have any more questions with more specific details, feel free to send another ask :)

Sorry for the late answer! I hope this helps!

mod Sasza

#mod sasza #potato-head-kids #cerebral palsy representation #intellectual disability representation #fantasy species #wheelchairs #ptsd representation

[atopvisenyashill]

seeing how some greens act like rhaenyra being groomed by her uncle, and subsequently being unable to let go of him, is HER personal failure turned me into a rhaenyra extremist when i simply enjoyed her character beforehand.

im really glad you're speaking about it because even though it's fiction, it still perpetuates a very dangerous rhetoric

wait this gives me an excuse to ramble, pls excuse me if i phrase things maybe a little crassly here, it’s a delicate topic i’m speaking indelicately about but also, i think i should be allowed bc [redacted] BUT-

obviously i don’t like, love, some of the changes to the show but i think the first half does a great job of setting it up to where you can see both alicent and rhaenyra are surrounded exclusively by much older men who want to fuck them, and have just no way of knowing who is being genuine with them. because no one is really! so you have episode 4, where alicent is sleeping in a room with pornographic art on the wall and being called to her husband’s bed and she can’t say no, and he’s not going to do anything to make the whole thing even marginally easier for her. and then you have rhaenyra, pulled from her bed by her uncle to a brothel, and she’s completely exposed, and she’s experiencing new things, and he’s purposefully trying to make this feel good but also overwhelming for her, then abandons her drunk & confused & half naked. this is The Same Thing - they’re both being used and manipulated by a much older man, but because that manipulation looks different, they react different. but it’s still manipulation.

yes, the type of abuse is different when it’s like, your ugly ancient grandpa grooming you vs a handsome 30 year old stranger you met online that you tell all your high school friends is your boyfriend, but ultimately, both the grandpa and the 30 year old boyfriend are abusers but more importantly, the granddaughter and the high schooler are both victims!!! i think a lot of people when analyzing this whole thing, will pin daemon as a groomer but then completely forget that this also makes rhaenyra a victim. some people will even hee hee haw haw over it because “oh your feminist icon would rather marry her groomer uncle than her gay cousin in the book” DO YOU HEAR YOURSELF. could it possibly be that rhaenyra prefers daemon to laenor because daemon has manipulated her into thinking she is only free with him? she is only safe with him?? could it possibly be that he has been giving her gifts and taking physical liberties with her for her whole life, and being the Good Cop, Sweet Confidant to her parents Bad Cop her whole life, that she feels taken in by him because he is all she knows???? in the same vein that alicent just swallows all the poison and bullshit from otto because that’s her father, and his protection is all she knows????

honestly part of like ~the discourse~ that’s most frustrating is that most greens just refuse to see rhaenyra’s pov or see that she’s also a grooming victim grasping for power to protect her own children, again just like alicent, but on the flip side, most of the analysis from the blacks side is like “if you think nyra is a victim of grooming you are just as bad as the people calling her a whore for having children out of wedlock” and like, how do you even engage with that. with either of those opinions. you can’t wksjd so if youre, ya know, like a normal fucking person who can see how both girls are being manipulated, but you have like a fondness for nyra specifically, it’s just constant bad takes. there’s nowhere to go to escape the bad takes.

i thought we had already hashed out this idea that being aware or unaware of your victimhood doesn’t suddenly mean you’re not being oppressed during the main show with arya and sansa but no, we’ve actually just taken this exact same annoying fandom discourse about which teenage girl is dealing with being abused in the most acceptable way and made it a thousand times worse.

#and like the ~analysis~ side will be like ‘nyra is a dumb bitch for trusting daemon’ but if you said that about ali and larys you’d get shot #and i’m not even exaggerating the way people talk about her it’s always this ‘she should have known better’ HOW #if u get that ali couldn’t have ever known better when it comes to her own kids. why does this not apply to nyra. #perhaps………….it is bc you cannot concieve of her as anything but the aggressor. #asks #anons

[zahri-melitor]

A Quick, Somewhat Joking Discussion of 'the Best Ways To Get Into Comics' (TM)

Be 10-14 years old, pick up a random comic at the library/bookshop/someone's collection and become obsessed. This is proven the best method and the level of confusion engendered by it is actually more useful long term than any other method. (At that age you are going to fall deeply in love with random texts that are never going to quite have the depth your brain imparts on them)

Mention to a friend who does like comics that you want to 'get into comics' and said friend, knowing your preferred types of tv shows and books, your favourite characters and having asked what you're hoping to read, carefully picks out something that is objectively a good starter comic that fits your tastes and makes your brain go brrrr. (god tier level, that friend is a keeper, also congratulations on the fact you are never going to replicate the feel of reading that first comic again)

Lurk or hang out in some fandom space where you are regularly exposed to discussions of comics that includes actual panels and storylines of recent comics, and work out from that what seems to have a vibe you like, so you go and pick up that run (solid option, being able to taste various writers and styles of run before diving in gives you a better chance of choosing a run that hooks you, I was introduced to so many runs via scans_daily in this way back in the day).

Wander into a library or comic shop or bookshop that has a decent number of comics with the idea that you want to look into reading these, and then flip through a bunch of trades in what you think you want to read before something catches your eye and you pick that up (less likely to be a definite hook, but has the benefit of being far more likely than any option listed further below to involve newbie-friendly art. And newbie-friendly art is something that isn't discussed enough in terms of recommendations but is one of the biggest reasons people just getting into comics bounce off the format).

Only here will I mention recommended character reading guides. In my experience they're useful in certain contexts, particularly for characters who have hard-to-trace chronologies, for finding out what runs that person considers essential to the character, for untangling the order of comics in particularly confusing large events, and for narrowing down and directing people where there's a big chunk of material to read about a character. My objection is they tend to be treated like gospel by newbies, they frequently don't consider whether the artwork is going to make their eyes burn, quite often they are more focused on the 'best' stories for a character rather than the 'most accessible stories' for that character (these are two separate concepts!) and they tend to sell a narrative of 'don't read X' where X is quite often a comic which people don't enjoy but where an important event happens or is simply an older comic that's particularly affected by community expectations and standards having changed since it was written.

You know that '75 Years of Comics' series of prestige hardbacks that DC did? They're great to hand to a newbie looking to get into a specific character or mantle, because it's got stand alone stories that are highly regarded or solidly introductory about that character from each era, they can page through it and work out what version makes their brain happy, and then follow up on those leads into more reading. (Expensive but perfect for libraries)

The first trade of a recent run for the character in question by the current or second most recent writer. Most runs when they change lead writers are going to have some level of onboarding simply because a lot of people DO switch what they're reading depending on what team is on the book, and by going with a current run you manage to sidestep a lot of the 'this feels weird and old' problems.

[novlr]

I once saw a piece of writing advice that spoke to the idea that you should start and end a chapter differently. I suppose the idea was that it helps keep the story moving along. I thought it was good advice but didn't like the post and therefore cannot find the full explanation of this point. Do you have any advice like this? For starting and ending a chapter?

As a creative writer, you’re always looking for ways to improve your craft and keep your readers engaged. One piece of advice that can help you achieve this is by starting and ending chapters differently.

This technique can help keep your story moving forward and maintain your reader’s interest, but it is not the only technique you should employ. Like any other part of your writing, it’s all about variation, and knowing what serves your story best is the most fundamental part of improving your writing’s craft.

Starting a chapter

When it comes to starting a chapter, there are several techniques you can employ to grab your reader’s attention and propel your story forward. One effective method is to begin with action, throwing your character into the middle of a scene and immediately drawing the reader in. Alternatively, you can introduce a new character to shake up the story’s dynamics or change the setting to signal a shift in the narrative.

Opening with dialogue is another great way to quickly establish the scene and provide context for the reader. You might also consider posing a question that piques their curiosity or describing a vivid sensory experience to immerse them in the moment. Ultimately, the key is to experiment with different approaches and find what works best for the chapter you’re writing.

Ending a chapter

When it comes to ending a chapter, there are several effective techniques you can use to keep your readers engaged and eager to turn the page. One popular method is to end with a cliffhanger. You can then open the next chapter with something mundane. An example of this would be the shocking entrance of someone unexpected at the end of one chapter, then opening the next chapter with the revelation that is just the goofy uncle the character hasn’t seen in a while. Alternatively, you can resolve a minor conflict, giving the reader a sense of satisfaction while still leaving larger issues unresolved to continue into the next chapter.

Another option is to introduce a new complication, presenting an obstacle or twist that raises the stakes and propels the story forward. You might also consider ending with a revelation, where a character discovers something important or experiences a significant realisation that shifts their perspective.

Creating a sense of anticipation by hinting at what’s to come in the next chapter is another effective way to keep readers engaged, or you can end with a strong image or emotion that leaves a lasting impression on the reader. Experiment using these endings with the opening examples above, and you’ll soon find that there’s a rhythm you develop that suits your writing style.

Variation is key

The key to effectively starting and ending chapters is to mix things up and keep your readers on their toes. Don’t rely on the same techniques every time; instead, experiment with different approaches to find what works best for your story. By varying your chapter beginnings and endings, you’ll create a more engaging and dynamic reading experience that will resonate with readers.

For some chapters, a clear break will work really well, like the example of a cliffhanger that opens the next chapter with something far more ordinary than the reader was expecting. But other chapters will be well served by a simple continuation of the scene. Pacing isn’t dictated on a chapter-by-chapter basis alone; it’s all about the overall arc of the story and how everything fits together. There are no hard and fast rules for how to begin and end a chapter, so in the end, it all comes down to trial and error and seeing what feels right in service of the story you want to tell.

Additional tips

In addition to the techniques mentioned above, there are a few more tips to keep in mind when starting and ending chapters. Varying your chapter lengths can help keep the pacing dynamic and prevent the story from feeling predictable (although some stories are served by consistent length, so do follow your intuition here). Using transitions, like transitional phrases or imagery, can smoothly connect the end of one chapter to the beginning of the next.

Experimenting with different techniques and reading widely to study how other authors begin and end their chapters can provide valuable inspiration and insight. And don’t be afraid to rewrite your chapter openings and endings in as many versions as you like to see what works for you.

Ultimately, trust your instincts; if a particular starting or ending technique feels right for your chapter and serves your story well, then that’s the one you should go with.

#starting a chapter #ending a chapter #writing tips #quick writing tips #writers #creative writing #writing #writing community #writers of tumblr #creative writers #writing inspiration #writeblr #writerblr #writing advice #writing resources #writing help #how to write #let's write #help for writers #helping writers #resources for writers #writing blog #writer #writers on tumblr #writers and poets #writing stuff #on writing #writer stuff #writers corner #writers community

[rubylovessharks]

what would coffee do to them?

this is not a X reader but i have headcannons about this sooo~ here's what i think coffee would do to each twst character :) also i have no idea why but coffee makes me sleepy, so im not going to pull stuff like this outta nowhere-

Heartslabyul

Riddle- i think he's used to it cuz he studies a lot, so he probably needs to get more energy. So it would make sense that Riddle would drink coffee and gain more energy, nothing weird.

Trey- I don't think he's really into bitter tastes, but he doesn't mind them. So I don't think he'll drink coffee that much, it also probably doesn't do too much though. But what if when Trey drinks too much coffee he'd want to bake more?

Cater- Cater probably drinks coffee in the morning. Cater is a character I don't know too much about but with the small information I have on him doesn't really make me think of what coffee would do to him.. So my guess is that he gets more energy and like any normal person and after a while the energy leaves and he gets tired. Nothing special.

Ace- Ace doesn't seem like someone who would drink coffee often. Maaaybe to study? But not that often. At some point if he drank too much he would just pass out, and when I say too much it'll probably be 5 or 6 cups of coffee. One time Duece found him like that and freaked out so hard, he called Riddle and told him this and Riddle also kind of freaks out but seems calm and takes Ace to the nursery. Deuce makes sure Ace never gets to drink that much coffee ever again.

Deuce- We all know that Deuce studies a lot so he probably drinks a lot of coffee, and also I think he doesn't notice when it's the time Riddle set for everyone to sleep, so until Riddle notices that he isn't asleep he scolds him and then immediately feels concerned about the amount of coffee he's been drinking. The same thing will happen with Ace. Ace swears he's stopping Deuce from drinking that much coffee cuz "he's too loud when he studies!" but we all know that's not true..

Savanaclaw

Leona- This guy almost never drinks coffee only because he naps a lot. But I think he would drink coffee when he NEEDS to do something, so that's he's way of getting energy. But here's the thing, when he does drink coffee even though the caffeine works on him he still looks like he's half-asleep.

Ruggie- This guy knows how to do the best coffee you'll ever drink! But it'll cost you a lot.. He probably does drink coffee in the morning so he can get going throughout the day, this guy has many things to do. I also think that every few hours he would drink another coffee to keep going.

Jack- I don't think Jack drinks coffee, at least not often. Nothing special after drinking coffee as well. He's pretty normal about it.

Octavinelle

Azul- He likes he's coffee with milk, I like to think that the first time he heard of coffee on land (they probably have something like coffee under the sea) he wanted to try all types of coffee, just to fully understand what he likes, and what can sell better. He did not like black coffee.. Other than that he's nothing special as well.

Jade- He's the total opposite of Floyd. He becomes really really energetic. He tries to play it cool, like nothing has changed- but you can see that he has more energy. He's movements are way faster than what they are normally, you can see that he's eyes are looking around more often, and things like that.

Floyd- I think that because Floyd has a lot of energy depending on his mood the way to calm him down would be with drinking coffee. I know that caffeine should make a person more energetic, but with personal experience I feel like falling asleep. I think he would be like that too. The only effect other than sleepiness would be the energy in his veins, he's still sleepy though.

Scarabia

Kalim- Don't give this guy coffee- he'd get seriously energetic. If he already has energy on a normal day coffee makes him even more energetic.

Jamil- He's probably not someone who drinks coffee often. I just don't see him as a guy that drinks it regularly, but he definitely drinks it from time to time, just not super often. I think he has normal reactions to it, not too hyper but not like Floyd who'd fall asleep.

Pomefiore

Vil- He's more of a tea guy. He doesn't drink coffee often, but when he does it would probably be closer to things he needs to do during the late evening. Also a guy that doesn't have a weird reaction like some of these guys would.

Rook- Thinks all coffee is good. He enjoys the beauty of everything, coffee is no different. Doesn't have a preference, will drink any and every coffee. It does not work on him, I repeat. Coffee does not work on Rook. Not getting more energy and not getting sleepy. You'll see this guy downing a cup of coffee and see that nothing happens to him. He'll drink coffee just for the taste.

Epel- First thing in the morning he's doing is make a cup of coffee. Black too, he thinks it's manly. He probably doesn't need it though so after some time you can see that in class he looks more sleepy than a regular student should. Vil probably scolds him about it.

Ignihyde

Idia- He doesn't always drink it cuz he has his energy drinks but if he had to he would make a black coffee to get through the night, I think that at some point energy drinks aren't going to work properly on him so coffee is something he'll start getting used to.

Ortho- He's a robot, he doesn't need coffee. And when he was a child and alive I don't think he would've tried it or something- that's it really.

Diasomnia

Malleus- I don't know if he would be into coffee or not, but I think that the first time he did try it his pupils would get bigger? I know our pupils get bigger because of light and stuff- but Malleus isn't human, so maybe some of the energy he got from the caffeine would make his eyes try to focus more on his surroundings??? Even if he's pupils didn't get bigger, he's eyes would still try to focus around.

Lilia- I'm not sure if in cannon it is said that he drinks anything to keep him awake when gaming with Idia or not but I think that he doesn't need coffee during the night, I think it even takes him a while to fall asleep just cuz bats are night animals so it kinda makes sense that he's fully awake at night. I might be breaking canon or something since I don't know too much about him, so sorry if I did- I like to think that in the morning though he has to drink coffee or else he's not able to function throughout the day. (ik he's not a bat but he has similarities so it makes sense)

Silver- It doesn't work on him, He probably tried drinking coffee at some point in his life to get through the day without falling asleep, but it didn't work very well...20 minutes after drinking it he fell asleep. After that he made another coffee and it would repeat like that all day.

Sebek- He would drink coffee on days he feels like he needs to. I don't know much about this guy so I'm not sure of what else to say.. But he probably would drink coffee with milk, not too much milk though, and he probably brags on drinking it black and not actually his taste, but if he tried black coffee again you'll see him throwing it up cuz he probably doesn't like the taste. He's probably more loud and aggressive after drinking coffee though.

#disney twisted wonderland #riddle rosehearts #trey clover #cater diamond #ace trappola #deuce spade #heartslabyul #leona kingscholar #ruggie bucchi #jack howl #twst savanaclaw #azul ashengrotto #jade leech #floyd leech #twst octavinelle #kalim al asim #jamil viper #scarabia #vil schoenheit #rook hunt #epel felmier #pomefiore #idia shroud #ortho shroud #twst ignihyde #malleus draconia #lilia vanrouge #silver twst #sebek zigvolt #diasomnia

[iwasforcedtomakethisbytum]

Y'know those AUs where the show is an in universe show and the characters are just being played by actors who often act very different

I want that for wttt

Govs actor is a total goofball

Same is true with Florida's actor but he's much much more chill and mature

California's actor can see perfectly fine without glasses, he dresses much more professionally, i imagine he doesn't like the beanie

Texas's actor is a total sweetheart i imagine he has a lovely dad and bases his character voice off his dad, he also messes around with the guns off camera with the other actors (guns are props)

Loui's actor has a much less colorful style, he has a wife and kids

I don't know, the ideas are half baked so they're subject to change, if you have any ideas please suggest them to me

#welcome to the statehouse #welcome to the table #wttt #wttsh #wttt texas #wttt california #wttt florida #wttt louisiana #wttt gov

[clumsykleptorocketscientist]

Can I just say, whoever Nancy ends up with, be it Jonathan or Steve or neither, it is not what matters the most about her character. HOWEVER, I really don't think she should end up back with Steve. Steve is not a bad guy in the slightest. He is one of the best guys and characters in the show. But, he and Nancy want different things and I think that's really important to focus on, because it's why they don't work. Steve talks about how he had this fantasy with Nancy as a mother to his children, and that's okay that it's what he wants from a partner, but Nancy doesn't. Remember the argument her and Jonathan had all the way back in season 1 where Jonathan mentions her "rebelling" and then settling down with Steve just like her mother (which Ted and Karen Wheeler should NOT be your romantic goals). It's clear she doesn't want to do that. She literally wants to fight the government and the patriarchy, seen especially in season 2 where she wanted to "burn the Hawkins lab to the ground" and season 3 where she wanted to stick it to her douche bag bosses. Jonathan, I don't think he wants that perfect family either. He seems perfectly fine with helping Nancy do all her illegal shit. He's fine with standing on the side, holding the camera and telling her that she's doing amazing sweety. Of course, if Nancy ends up on her own, that's fine, although I LOVE Jancy especially for the dynamic of it's them against the world. I just don't think Steve and Nancy rekindling their romance is the best idea.

Quick side note, I like the idea of Ronance, but I personally love Jancy and, from the few bits I've seen, Robin and Vickie ( Rovickie? Unsure if the ship name).

Edit: Let me just address some things.

A.) I think Jonathan talking about going to the community college and not wanting Nancy to follow him and resent him wasn't saying he could ONLY see the relationship becoming loveless, he was just saying that the plan they had was not working for both of them. That he had to deviate, but it doesn't mean Nancy should and he was afraid she would and inadvertently ruin what they had. In a round bout way it's a preservation move. Going to a college because your girlfriend or boyfriend is, is never a good thing. Now, yes, Jonathan and Nancy's relationship seems strained. I don't want to say loveless, but strained. But Jonathan has been in California for awhile now so that's bound to happen. I do think there is still love there, it's just difficult to navigate and they're still technically teenagers ( in the show). I'm just saying strained, yes, but loveless, no.

B.) In season 2 Jonathan was very much willing to help her burn the lab to the ground. They knew it was dangerous, but they did it anyway and he supported and helped her. Season 3 while, yes, at first Jonathan did not want to rock the boat at first, it was because he needed that job. Think about where he comes from vs. where Nancy comes from. Really in that argument, I see both sides. Sexism bad but also he needs a job for his family. Anyway, he came around in the end, from what I remember, which again is difficult with the money decision. Again sexism is bad but he never dismissed that the bosses were douches, just that they needed to put up with it. Something I'm very sure he changed his mind about.

C.) When I say that Nancy doesn't want that, I mean that Nancy doesn't want to be like the perfect mom Steve's fantasy has her to be. I never meant no family, just no perfect family. That if they did have a family they would teach their children to make waves because " Nobody normal ever accomplished anything meaningful in this world."

D.) as for Steve wanting Nancy in his future and that's all that matters, yeah I may have misread that maybe, but the perfect mom scenario he painted just wasn't something I agree with. But, hey, that's just me.

#stranger things #nancy wheeler #jonathan byers #steve harrington #jancy #nancy wheeler is a badass