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#fic-ish
solomiracle · 3 months
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the second solomon learns of your fascination with his pact marks, he's gonna do everything he can to tease you over it. switch the topic to pacts whenever you're in earshot, wearing clothing that just barely reveals some of the marks on his forearms or chest... he holds back a smile when he notices your ears and eyes perk up, attention all on him.
this is all it takes to get you sneaking glances at him? just some swirls and doodles on his skin? solomon laughs to himself in his room. perhaps he should invite you over for an impromptu magic lesson, and "accidentally" spill a potion all over his shirt, forcing him to take it off in front of you...
...or, he could just be direct and ask you if you would like to see his pact marks, no convoluted teasing plan necessary.
but where's the fun in that?
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bangtide · 10 months
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god i miss writing. and i fucking miss writing fantasy.
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f1-alldayeveryday · 2 years
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You Are a Good Show
A very small snippet of that ballet au I’ll probably never finish. Max and Lando are instructors and Daniel is putting together a ballet show. (Just a base for context, but it’s sorta more complicated)
“So.” Lando leans in and bumps Max on the shoulder to get his attention.
Max looks up annoyed. His girls are off at lunch but there are a few left talking with Daniel. His gestures were all over the place, as they always are. He’s very expressive when he talks, Max finds it slightly entertaining. The girls laugh at what story he is telling.
Lando points to Daniel as if Max wasn’t already staring. “You gonna hit that? Or…?”
Max’s head snaps to look at Lando, his face goes full pink immediately. “What?!” He feels called out, is he being that obvious? No he’s been professional, as he always is, right? “I- what? No.” His face shows anger, but really he’s embarrassed/flustered.
The Brit is laughing his head off. “Good!” He smacks his hand onto Max's shoulder and then pulls him in. “Then I am, what does he like?” Lando looks smug while asking, he’s smiling over to Daniel.
Daniel glances up for a moment, Lando waves, he waves back. Max is very overwhelmed, and for some reason upset that Daniel even waved to Lando.
Lando could never. Because Daniel likes, “me.” He pushes Lando off of him and then walks away. He can hear the younger one still laughing, it was a trap. Max goes to collapse in his office.
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luveline · 1 year
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𝐰𝐚𝐬 𝐭𝐡𝐚𝐭 𝐬𝐨 𝐡𝐚𝐫𝐝? | 𝐞𝐝𝐝𝐢𝐞 𝐦𝐮𝐧𝐬𝐨𝐧
Your best friend Eddie tries to explain what a hickey feels like and finds he doesn't have the words. He could show you, though, if you want? [3k] 
fem!reader, shy!reader, implied inexpereinced!reader, friends-to-lovers, pining, mdni heavy petting, hickeys, lots of hickeys, marking up, neck kissing, shoulder kissing, heat of the moment confessions, eddie being flirty but also a good friend, requested here
𓆩❤︎𓆪
Eddie strokes down the length of his guitar neck almost tenderly. You're focused on his hands rather than his mouth as he recounts last night's date to you, distracted by the deft movement of his fingers, which aren't exactly small. It's an oxymoron —paradoxical, even— that his thick fingers would move with such gentle precision. 
You shift around where you're sitting on his bedroom floor, criss-cross applesauce with an uncomfortable heat rising from the bottomless pit of your stomach to your tight collar. The white button up you'd worn under your sweater vest is a size too small. You're really starting to notice. 
You peel out of the vest and hope it'll help you calm down.
"She wasn't exactly sweet," Eddie says, plucking a string, listening to the sound, and tuning it this way or that depending on how he liked it. "I think she wanted to get it over with, which isn't really my thing. She was in my lap before I could make it clear I wasn't interested in anything quick." 
You lift your gaze from his hands. He must feel you watching his face. He looks up in tandem and smiles reassuringly. "It's fine. I kind of thought she was getting into it, she was like a vampire on me at one point, but I wasn't feeling it and it's clear she wasn't either. Drove her home. How was your night, d'you watch that tape?" 
You trace the coil of a black curl down to his shoulder, and can't force yourself to meet his eyes as you ask, "A vampire?" 
"What?" 
"She was like a vampire at one point, you said." Eddie's arm goes still. "What did you mean by that?" you ask.
He puts his guitar down on the floor. You worry you've said something truly dull for him to place his sweetheart in such a rush, but Eddie's like that. He can tell you're embarrassed no doubt, and he's giving you the answer to your question as swiftly as he can to soothe the wound. 
"Here, look," he says. He pushes his hair away from his neck on one side and tilts his head, bearing a wine-stained curve of skin to you unabashedly. "She kissed me. She gave me a hickey, used a lot of teeth. That's why it's bruised so much on the edges." 
Warmth you've never felt rushes in, like your blood has superheated, and it's written on your face. Eddie's room feels suddenly a thousand times smaller than before and more intimate, his poster wallpaper curving in, the space between you inching closer. 
"Sorry," he says, "I know it's kind of weird to show you." 
"No, I'm sorry," you say, mortified. "I shouldn't have asked you." 
"Yeah, you should. You didn't get it and now you do. I don't mind telling you." 
Eddie lets his hair fall back against his neck, a kinky curtain that looks ridiculously soft in the orangey light of his lamp. There's a butter smoothness to it, and the way he moves as he does is worse, his hand open and reaching for you. He doesn't hold your hand, doesn't even try, just lets his upturned palm hang off the edge of his knee as if to say, Ask me whatever it is you want to ask me. It's cool. 
"Why would she do that?" you ask, gesturing to your neck.
"It's not her fault, I was flirting with her a ton trying to make it work."
"Not like that." 
Eddie's hand turns toward his knee. "Like what?" 
Your hand drifts to your own neck absentmindedly. You get kissing, wanting to be kissed and wanting to give them. You understand why she kissed his neck; if you'd been in her position, alone in the car with Eddie laying his charm on thick, you might climb the console and push aside his hair too. 
"I know why she kissed you. I don't see why she…" You rub your lips together, your embarrassment turning sharp. You hate how humiliating this feels. "I know what a hickey is, Eds, but why would you want one?" 
His turn to fluster. The tiniest tinge of pink paints his cheeks. "Are you asking me why I enjoyed it?" 
"Did you?" 
You despise yourself, truly. Worse when Eddie laughs, his chest forward, hair falling in his face as he chuckles sincerely. 
"Yeah," he says, smiling at you "I liked it. Before she started trying to kill me I was having a good time." 
He doesn't put you through the agony of asking what you both know he wants to. 
You've never had one?
"It feels warm, and it's– you know how being kissed gives you butterflies, right? It's better than that. It's hot, and all her weight is on you and you have your hand on her back trying to pull her in, and she's as close as she can be without, you know." Something flickers across Eddie's face. Not longing, but a remembered pleasure. It makes you squirm. 
"I don't see how it doesn't just hurt." 
The hand that hadn't been reaching for you holds a pick. He flashes it between his fingers, a party trick, a nervous tic, his eyelashes tangling together as his eyelids inch closed. He scrunches his face up for a second. 
"Don't hate me if I ask you something weird," Eddie says, eyes shut tight. 
You don't think you could. You watch Eddie's face, knowing he can't see your analysis, and feel a shock of pins and needles in your hands when his eyes open and immediately lock on to yours. 
"Do you want me to give you one?" he asks. 
Your lips feel like they've been glued shut. You're aware of your breathing, how shallow each inhale has become, but you can't do anything about it. 
He has the decency to acknowledge what position his question puts you in, "I know it might be weird but I can't describe it to you if you don't know what it feels like." 
You surprise him. You surprise yourself. "Uh, yeah. Okay." 
"Yeah?" 
"It doesn't hurt?" 
"Not unless you want it to." A hint of a smirk plays on his lips, though it fades quickly. "It doesn't hurt. That's not the point. But it can feel… foreign." 
You nod jerkily, wishing you knew what to do. 
The atmosphere is thick enough to cut through. Neither of you like it. Eddie gives you another type of smile, a familiar one that says, I'm your best friend, I always will be, so please chill out. 
"You're gonna have to sit in my lap." 
You actually laugh. "Eddie," you chastise, thinking it's a bad joke. 
"Sorry, sweetheart, but it's that or the bed." His teasing tone is light, but he still adds, "I mean, we can do it sitting next to each other but it's difficult. Whatever you want, though." 
You climb up on your knees. You're shy, absolutely, you always will be and especially when Eddie's teasing, but he really is your best friend, and the bed isn't happening.
He doesn't scare you. 
He grins and ushers you toward him. "Alright, come here." He tugs one of your thighs over his lap and your breath catches. He grabs the other and any laughter between you abruptly dies. 
You settle over his lap with an expression not far from pained. Eddie's hands rest against your thigh and your hip. He has to look up at you now, and he does as he encourages your weight firmly downward. You're more than conscious of where you're positioned. 
"Do me a favour?" he asks. 
"Yeah." You put your hand on his chest tentatively. 
"Don't suffer through it if you hate it, okay? All you have to do is say something and I'll stop, but if you feel like you can't, a good right hook would work too." 
"I'm not gonna hurt you," you protest. 
"Me neither," he says. His hand lifts from your thigh to your neck, and he brushes his fingertips down the curve of it ineffectually. It would feel good if you weren't choking on air. "Relax, sweetheart. Please." 
"I'm really warm." 
"Your shirt's too tight anyway," he says, hand at your collar. He thumbs open your top button, a second, and exposes the flat of your chest. His fingers slide across your neck as he folds back your starched collar. They're cool compared to the raging heat he finds there. 
You take a deep breath. 
"You could put your hands in my hair," he says. Wishful thinking has hope colouring his tone. 
You put your hands on his shoulders. The very tips of your fingers partition his curls. 
He raises an arm above your mess of limbs to weave a hand behind your ear. It's then that you feel his callouses, so rough against the delicate skin of your scalp. Despite their texture, you find it feels good. He tucks his hand in tight, and slowly, slowly turns your head to the side. 
"Look up," he murmurs. 
You lift your head and stare at the ceiling with widened eyes. 
He can't know but he does, and he says, "Close your eyes." The heat of his breath kisses your neck.  
You shiver at the suggestion of his lips, and again when they press to your skin. Close-lipped, Eddie kisses the skin just under your ear where on the opposite side of your head his thumb strokes quarter circles. You're quickly overwhelmed by the duelling sensations. You don't notice his lips have parted until he's kissing a sloven path downward, his spit cooling in wake. 
This isn't a hickey, this is straight up kissing, and you don't know what to do with how you feel. You hide your hands in his hair. 
It tugs him forward. He reads your hands for enthusiasm, and if it is or isn't he pulls you closer still and opens his mouth against your skin. His teeth are impossible to ignore. 
Your hand works further into his hair, getting caught in a tangle as he sucks your skin between his lips. His lazy mouthing turns insistent but still gentle, his teeth scratching ever so slightly at your pulse as it capers beneath his ministrations. You gasp at the warmth blossoming under your ribs. You cup the back of his neck a touch too tight. 
He doesn't stop kissing you, only grabs your wrist to stop you from choking him out. You make a sound you've never made with him before, a mewl, all breathless and teary as the sensation worsens. Which is to say, betters. 
He breaks a particularly rough kiss to suck in breath, his nose sliding up the curve of your neck as he leans back. "You okay?" he murmurs, half-lidded eyes locking onto your flushed face. 
"Why does it feel like that?" you ask. 
He drops his head, his nose level with your chin. "I don't know," he says, punctuating with a kiss right there, the closest bit of skin he can find. "Want me to do it again?" 
You swallow and he must see it. He says nothing, wrapping his arms around your waist as he waits for you to respond. Your stomach pushes into his, your arms braced on his shoulder so you don't collapse into his front, limp with touch. 
"Sweetheart, can I do it again?" he asks.
"Yeah," you say, quiet but enthusiastic. "Please." 
He's slower this time. Eddie leans into your neck and doesn't kiss you at first, his lips so close to your skin that you can feel their phantom. You skin tingles from his previous scandalising, and it doesn't beg, skin can't beg, but you can, you curl your arm behind his neck and hook his head there, crushing his hair to the crook of your arm. He doesn't take much convincing beyond that. His lips smush against your neck and you feel every millimetre as they part, heat and warmth and wet spreading like budding flowers come to bloom. You melt into him soon after, and Eddie takes your weight in stride, hand at the small of your back and pulling you in so hard you can feel his ribs. 
When you think you're used to it —not used to it, but expecting what can be expected— Eddie nips you. Tiny dainty kisses broken up with a nibbling you'd couldn't describe as anything but playful. He laughs at your gasping and does it again, again, giddy hot laughter mixed with one of the strangest feelings you've ever been subjected to. You're molten. You're dizzy with it.
Eddie pulls back enough to ask, "I'm gonna undo another button, okay? Just one. Is that alright?" 
"What for?" 
"So I can kiss your shoulder. Just your shoulder." He sounds pleading, desperately excited in a way you've never heard him and you want to know what it'll feel like, so you let him. 
This next button unveils the top of your bra and the soft hills of your breasts. He doesn't look, barely glances at his hand as he tugs your shirts down your arm, diving into the juncture of your neck like he needs it to breathe. His kisses are proper compared to some of the stuff he's been doing, but then he opens his mouth and the flat of his tongue wets your skin as he kisses kisses kisses down your shoulder. His hand is somewhere under your shirt, fingers slipped under your bra strap and pulling teasingly at the elastic as he eases you down in his arms. You're shorter than him where you'd started taller, totally compressed in his arms and at his mercy.
When he pulls back, the slimmest ribbon of spit shines between your shoulder and his lips. He wipes his face with the back of his hand, his eyes glassy, and that hand cups your face. He pretty much grabs you, but there's not a lick of cruelty in his touch. Eddie's rough. Never cruel. 
"You're on fire," he says. It's objective rather than joking. "You're so hot. Do you want to stop?" 
"Not– not unless you want to," you say, trying to quieten your breathing. You sound like you've run a marathon. It feels like it. 
"I'm gonna give you a real one, cool?" 
"I didn't know they weren't real." 
"Oh, sweetheart," he says, and his eyes are damning, a loving pity in the black of his blown pupils, "I was just warming you up." 
Your mind blanks. 
"Make sure I can hide it," you say. 
You aren't thinking straight, concerned about hiding his hickeys but not what this means for the two of you. His unexpected hunger, and your willingness to let him eat you whole. 
"I don't think you can hide it anymore," he says, stroking your cheek with his thumb. 
You look down at his lips. They're rosy, swollen from the pressure.
He sees you looking. 
He yanks you in by the waist and sizes you up, almost, like he's calling your bluff, not spiteful but something mean about him as he stares at your mouth in return. 
Like he doesn't want you to make the mistake. Like he knows you won't. 
His hand tips your chin up high and he ducks his own down. An inch and you'd be kissing. That's all it would take.
"Is that really what you want?" he asks.
"I don't know," you say. Is it what he wants?
It has to be. 
"Have you wanted to, before?" He draws a line down your cheek with his marriage finger. Fast as a heavy tear. "You want me to kiss you?" 
"Yeah," you whisper, trying to make sense of this, your sudden confession, a secret want pushed into the light. 
Eddie turns his hand and strokes down your cheek with the back of it, pushing any dampened baby hairs away from your skin. His gaze softens. 
"Was that so hard?" he asks. 
"You knew?"
He kisses you. He's smiling, and he doesn't take just one. He must kiss you four or five times, your lips parted enough to know he could push it further if he wanted, but he doesn't. These kisses are unhurried, missing the ravenous passion of his hickeying but not the fondness. 
"You don't know how hard it is," he says after he's broken away, his forehead tipped against yours, "how hard it is to have someone look at you like you look at me everyday, like I'm something you can't have." 
"I didn't know–" you knew. You felt the same. His kissing is evidence alone. it's confessional.
"I know. Guess I thought nothing good would come of it, but– but I don't want good. I want you." 
He pulls back quickly, like you've said something confessional rather than him. He surprised himself. 
"I'm not good?" you ask. 
"You're good. You'll ruin me, that's all." 
You don't have time to ask him what he means by that. He kisses you again, kisses your cheek, draws a line of crescent moons down along your neck to the mess he's made of you. He kisses– he sucks your neck so hard, so sudden, that goosebumps erupt and you can't stop yourself from saying, "Ohh," as you cling to his shoulders. 
This is the vampire thing he'd talked about, the points of his teeth stark against your skin even now. There's another layer of vulnerability unveiled here, knowing that he could really hurt you and knowing he never would. He kisses you until you're overwhelmed by him. Heat everywhere. Sweat shining on your skin. You don't want anything else but this.
You squeak as the pressure turns from pleasurable to too much. Eddie hears the pain in it and pulls away, instantly sorry and willing to prove it, his hands cradling your face. 
You pant. He shushes you gently.
"Sorry, baby." He pets your cheeks. 
Your head falls back, too heavy on your sore neck. You feel wiped. 
Wiped, but good. Lax. 
"That was nice," you say breathlessly. 
Eddie sits up and drags you with him, hand behind your neck to prop you up. He's laughing again, his awful sweet laugh that you've heard a thousand times before. It never fails to make you smile. 
"You're like a dead fish." 
You cover an eye with your hand. "I take it the romance is over." 
"You thought that was romantic? Babe, I'm only getting started." 
Eddie gives you a quick peck. Where his hickey had felt like the heart of a star growing hotter with each passing second, his smaller kiss feels like the sun through blinds, a dappling of warmth. 
"Are you messing with me?" you ask.
He pushes his arms over your shoulders for a hug. 
"No. Not messing with you." His nose rubs against the shell of your ear. "It's about time we talked." 
You let your hand drift down the dip of his back.
"Okay," you mumble. Talking. You need to talk about whatever it is that just happened. 
"...Maybe I'll get you a glass of water first," he adds.
"That's a good idea." 
𓆩❤︎𓆪
Thank you so much for reading! I hope you enjoyed, and if you did, please consider letting me know/reblogging, it means the world to me and makes a big difference!! ♡ NOTE: Eddie def pines back if that isn't fully clear, I tried to imply it with his date where he could've hooked up with someone but didn't go through with it, it was cos he's too in lurve
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teasodium · 4 months
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that moment when you are the eldest sibling n you coerce your youngest sibling with snacks so they can give emotional advice (ghibli redraw also >;3)
silly fun idea that i may follow up one day with Mikey info dumping about Edo period queerness.
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faiell · 24 days
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inspired by a scene from 9 1/2 days by @magpiefngrl
‘Harry?’ Urgent, clipped vowels, insistent at his ear. A cool hand shook Harry's shoulder, hot breath played on his cheek, and the smell of lavender tickled his nose. Without thinking, Harry raised his head and pressed his face at the source of the lavender smell, inhaling deeply. Dawn’s fabric softener brought him slowly back to himself. He opened his eyes to see he had his nose buried in Draco’s shoulder.
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iamnmbr3 · 28 days
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Things Draco Malfoy has Done in the Muggle World During His Postwar Probation
Attempted to order from a menu by speaking to it
Almost breached the Statute of Secrecy due to mistaking someone using clap-on-clap-off lights for a muggleborn using wandless magic
Got into a heated argument with the actors in a commercial because he thought the people in the tv were talking to him
Refused to walk in front of a car for fear of bumping into the invisible animals that obviously pull it
Panicked and responded "I have no idea what you're talking about" when asked what the "magic word" is
Complained that his telephone is broken because it periodically emits a loud ringing sound for no apparent reason
Run into Harry Potter unexpectedly in a pub, dropped everything he was holding, and automatically caught it with wandless magic without thinking, thus breaching the Statute of Secrecy in front of 47 muggles and the most famous Auror in Britain
Run into Harry Potter again in the same pub, thanked him for getting him out of those misuse of magic charges and apologized (again) for all of the more unpleasant bits of their history
Accidentally on purpose run into Harry Potter yet again in the same pub to find out why he comes to muggle London so often and how he's doing and to let him know that he's not remotely interested in whether the rumors in the Daily Prophet that he's split up with Ginny Weasley are true (they are)
Met Harry Potter in a pub for drinks to chat about old times except not the sad bits at least until they've had a few
Taken his muggle friends out to a pub that he definitely chose at random but which coincidentally Harry Potter also happens to be walking into so they might as well all sit down together
Had to admit that he may have mentioned him a few times when Harry is shocked to discover that all of Draco's muggle friends seemingly know his name despite the fact that he isn't famous in the muggle world
Met Harry and Harry's friends for drinks and somehow actually had a good time and not been vengefully poisoned by Ron Weasley or cursed by Hermione Granger or stabbed by Neville Longbottom or anything else dreadful
Had to explain to several bemused people that when Luna Lovegood says that they used to live together she doesn't mean they were involved romantically
Invited Harry Potter back to his flat and proudly shown him that he now knows how to make a telephone stop ringing (you just lift it up for a moment and then slam it back down and that fixes it) and then told him off for laughing
Visited Harry Potter at his flat, also in muggle London though protected by the Fidelius Charm for extra privacy, met a very small and excitable owl and had a protracted but good natured argument about which of them was actually better at Quidditch (because obviously if Draco had had a Firebolt he would have won every match)
Got his wand back and immediately transfigured everything in his flat just because he can and because it feels so good to use magic again and then cast Rictusempra on Harry because clearly Draco is the superior dueler and also because he likes the sound of Harry's laugh
Kissed Harry Potter.
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faetreides · 1 month
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summary: rafe cameron x afab maid!reader
cw: titfucking, rimming/ass eating, collaring, power imbalance/dubcon, no real face slapping but reader gets rafe’s rings pressed into their face, gun mentions, rafe talks about wanting to do a line off reader’s tits, throwaway implication that his dad saw you, general rafe-esque warnings 💀, very plotless & possibly ooc (i’m new to the show but i’ve been lurking for a bit), rafe spits on reader, slight dumbification/objectification, hate sex coded but that's more bc i have a love/hate relationship with rafe, he calls reader a bitch once and a also a slut once, use of good girl
block & move on if uncomfortable !!
do not translate, repost, or give ai my work
kinktober masterlist
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This stupid carpet is hell on your knees. Not that there was any time to pull a pillow down under them, you were pulled into the room and shoved down so fast you got dizzy. You’re brought out of your ruminations by a rough palm seizing your face in its grasp and squeezing. 
Rafe huffs, leaning forward to make sure he didn’t miss the way your eyes widened as his fingers tightened. His gaudy rings are going to leave impressions on your cheeks but it’s hard to care about that right now. One second, you’re dusting off the son of your employer’s bedroom, and the next you’re getting a wad of split slung on your face. 
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Your pussy decides to be a traitor and clench in response. 
“Sorry ‘bout that………” Rafe trails off, flicking the spit off your cheek like he was picking at a persistent hangnail. 
The apology is as insincere as it could be but something about the bored inflection in his tone gets you wet. 
“It’s fine.” Your “ice princess facade” as he’s called it  falls apart a tad, an embarrassing heat blooming throughout your face. 
He seems satisfied with his attempt at amateur art and scoops the rest up with two of his fingers. He doesn’t ask you to clean them off, just shoves them in between your plump lips without a word. 
“You’re so fuckin’ messy, being such a shitty maid right now, you know that, babe?” He hums, giving your face one final squeeze. 
You’re not even sure he knows your name, he sure doesn’t act like it. All he does is coo at you condescendingly as you suckle on his fingers, telling you how much better you are at this. Once you’ve done an adequate job of polishing them off, he pulls the digits away and gives you a weak love tap. Rafe’s obviously wanting to wring something else out of you. 
You hate that your first instinct is to say “Yes, sir?” 
You also hate that it’s what actually fucking comes out of your mouth. 
The grin that splits his mouth reminds you of the only time you’ve ever successfully caught a mouse in an old fashioned trap. A vermin that used to disgust you until it stayed and you gave it a name. And then your mom has to turn you away from the sight of Jacque’s tiny body cleaved in two. 
“Get those fucking clothes off, now.” He orders you, palming himself through his khakis. "And toys don't talk back."
You roll your eyes and comply. You ignore Rafe's ramblings about how he wished his dad made you wear one of those skimpy made costumes without underwear, that he way he could stare at your pussy whenever you bent over. The door is wide open, you know you could just make a break for it if you wanted. But you kind of like how the humiliation twists your stomach in a knot. The air in the room gets so much hotter when you focus on the large bulge in front of your face.
As soon as your uniform is lying on the hardwood floor in a rumpled heap, your tits are being squished together. Rafe takes several moments to weigh each globe of flesh in his hands.
"Pretty tits, always wondered what they looked like under that stupid uniform. Wanted to make a mess of you so bad but you had to be all fuckin' stuck up and prissy." He hisses, digging his nails into your breasts.
He massages them in circular motions, forcing them to press together like he could cum untouched to the sight of it alone.
You obediently stay silent as you watch Rafe stagger to his feet and wrestle his leather belt out of his pants. His bottom lip is being toyed with to the point that tiny drops of blood are peeking out of the skin. The leather makes a thwack! sound as it passes through the final belt loop and flops around. Rafe continues to eye your tits like a hawk as he wraps the belt around his hand and kneels down to your level.
He tilts your head up with one finger under your chin, "This is going around your neck, okay? I don't have a leash to go with it, but I'll get one for next time."
You open your mouth to speak or maybe to moan at the vision of the expensive leather tensely coiled around your vulnerable neck like a snake about to strike. The warning look he gives you shut you up, but your damp panties made you want to push him further.
"Don't move a muscle."
The belt was warm to the touch, probably because of all the hours Rafe had spent on the golf course or wherever his "business" takes him. You stay perfectly still as he curled it around your neck, having to wrap it around you again due to the length. The metal belt buckle clicked as he fastens it, tugging it firmly to test how tight it was. It definitely feels like a weight baring down on you, but you seem to be able to breathe so he steps back again.
"There we go, pretty bitch just for me."
His pants fall to the ground unceremoniously, revealing the cock you may have had a stray wet dream or two about. Crowned by neatly and clearly obsessively trimmed hair, it looks about 7 inches and thicker than your forearm. His cock has a slight left curve, with a couple prominent veins and an almost reddish-pink colored tip that puffs out at the sides a bit.
Rafe's cockhead catches the drool that embarrassingly leaks out of your mouth, and you kitten lick the slit as you stare up at him through your lashes. You want to smile at the punched-out groan emanating from above you, but he might slap you for getting cocky, it wouldn't be unwelcome.
"You like it, babe? Yeah, I bet you do."
He brings your hands up to your tits and you pick up on what he wants you to do. Anticipating Rafe Cameron's needs is part of your job after all. You scrape the sides of your chipped painted nails against them as you softly cup and squish the globes together, creating a perfect pocket for him.
"Good girl." He chuckles, ruffling your hair like you were his pet.
He savors the wet slide of his cock through the valley of your breasts. You hold them impossibly closer together, ignoring the discomfort by getting lost in the game of peek a boo his tip is playing with you during every thrust. A near constant stream of precum is flowing from the silt and ending up all over the tops of your tits.
Rafe pants as he speeds up his thrusts, his pupils expanding as he takes in the spectacle of you hot dogging him with your tits. For how preppy he likes to act sometimes, he sure does seem to enjoy painting you with his bodily fluids. He weaves his hands down from their deadly hold on your hair to pinch and flick your nipples.
" 'G-gonna cream all over these gorgeous tits, get them messy, then snort some coke off your nipples after.”
It doesn't take as long as a man like him would prefer before he's spilling all over your heaving chest with a sound so inhuman you'd think he was possessed.
You're past caring if he sees you hungrily open your mouth as wide as possible in the hopes of catching some of his cum in your mouth. You grind your sopping wet cunt against the floor when you do, and fuck it tastes better than it has any right to.
A quiet 'shit' rings out and the room spins as you're swiftly flipped on your stomach. Rafe crowds behind you and yanks your hips up. You don't think much of it until you feel warm breath on your ass. You jolt in surprise, and he gives you a light smack on both cheeks before spreading them with his thumb.
"Bet you thought I wanted your pussy, huh? Well, this tiny hole right here looks much cuter, you can't blame me. We'll get you some cute plugs." Followed by a flat tongue licking a stripe over your rim. He gives your hole a strangely soft peck and then teases the tip of his tongue past the entrance.
You squeal, which you'd be mortified by if the sensation of Rafe's tongue filling up your ass didn't feel so good. The way he curls it and jabs it deeper between your cheeks in short busts is running a huge risk of causing you to go insane. It's like he's exploring every nook and cranny, you should be laughing because the man that treats you like a back-alley whore is up to his ears in your ass. His groans and grunts are muffled but they give you the confidence to be louder.
He drags his face away and hangs his tongue over you until a load of saliva drips down onto you. You shiver when it meets your hole. A high-pitched moan comes out when he massages it into the puckered skin with his thumb.
He dots sloppy open-mouthed kisses up and down your rim, nipping the flesh as he goes.
"I would say it's gonna be too tight, but sluts like you can take anything, right?"
You're too busy nodding to notice the sound of shoes hitting the floor in their rush to get away, or that the person wearing them softly closes the door behind them.
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1800titz · 2 months
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HI. HELLO. Here is my Valentine’s Day contribution. POTTERYINSTRUCTOR!HARRY!! POTTERY MAN! WOOO. Basically almost 7K of clay sexualization and sexually charged fluff (ish). Enjoy! :D
CONTENT/WARNINGS: ridiculous sexualization of clay (I think I’ve managed to fetishize clay in this one??? OOPS), overly suggestive usage of pottery terms, a red-hot, hands-on tutorial for wheel throwing, and embarassingly long descriptions of Harry’s fingers coated in wet clay.
WC: 6.6K
slip: small bits of dry clay mixed with water to create a thick, creamy consistency
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Clay is innately erotic. 
Wheel throwing is, arguably, the most pornographic art form, its only competing opponent being, maybe, literal body-painting. And that latter one still falls as a close second. Close, but second. 
Y/N decides that when she wanders into a little ceramics shop tucked away in a busy plaza downtown. There’s no method to her exploration, but the broad glass windows are adorned with dripping, colorful graffiti and its innards call to her. GLAZED, reads the large sign over the awning in blocky, white lettering, stippled with un-glowing light bulbs that she’s sure light alive in the night. 
It’s a cute shop. 
Upon entrance, the young woman discovers tables, as if set up for arts and crafts, crackling, clay covered wheels with shorter stools, and long, tall rows of shelving brimmed with colorless sculptures lining the walls. Despite its packed interior, the studio seems empty of people and quiet besides the soft notes of RÜFÜS DU SOL leaking from the overhead speakers. She roams beside the line of wheels over to a shelf by the door, admiring the myriad of statues there, some obviously crafted with expertise and elegant artistry, and others lopsided efforts that probably deserve a pitied gold star for effort. 
Her eyes are caught on an unpainted little ashtray that’s got a crooked sort of bee in the center when her gaze breaks away to the sound of footsteps. Maybe the shop isn’t as abandoned as she’d previously believed — a man appears from behind a row of white shelving stacked with more unfinished pottery. 
He’s a pretty man, that much she can decide from the downturned slope of his nose and his distracted lash line, focused on twisting the navy rag in his left hand over the tip of his right index finger. A dark baseball cap shrouds his hair, but little brunette tufts sneak out in curled bunches around his ears. That’s where Y/N finds a fun, little red-tinted pearl dangling from one lobe. He’s tatted in patchwork art — a mermaid with its tits out peeks at her from his forearm, soaked over and shining. She assumes he must have just been rinsing clay from that forearm, from his hands, no longer visible over his skin. However, streaks of dried gray stain over his white tee in crackling lines, like an old lamination on a well-loved t-shirt that’s been cycled through the washer one too many times. When he pulls the rag away, she discovers a shade of bright red that’s been painted over his nails.
Almost as if he can sense her presence without looking, his sneakers pause on the tile and he steals a peer up. Yes, he’s quite a pretty man, even when his features shape something caught off guard.
“Hello.”
His voice is rich — this smooth, bass-deep sort of sound driving a foreign lilt, and Y/N thinks that if it weren’t for his lengthy fingers and his cherry polished nails, if it weren’t for his handsomely sculpted face, if it weren’t for his seemingly innate effortless demeanor and style, that voice alone could make her fold.  
“Hello,” she returns, aware that a nervous note plucks at her cadence, unlike his own casual greeting. I promise I’m not shoplifting clay pots in silence, she nearly tells him. 
Thank fuck for the ability to physically bite your tongue. 
“What can I help you with?” the man asks, sauntering forward a bit. It’s probably sort of a polite manner to say what the fuck are you doing here, and the longer the young woman stands in the middle of the empty shop the more out of place she feels, almost like this a private, little haven and she shouldn’t be in here right now.
The song shifts into its choral bass drop of electric keys. That fills the void of the silence as she swallows and fixes a little smile onto her face, fingers tightening over the strap of her tote. 
“Oh, I’m just looking.” 
The man purses his mouth and walks over to the counter, where the register is littered with paperwork and an eclectic collection of faux plants. He sets the rag down beside a floppy one with its green tendrils dangling over the edge. 
“See anything you like?” his hand pinches over his nose, like he’s scratching an itch, before he sniffs and pivots to apparently decrease their proximity, “We’ve got loads — you can make something yourself, or,” another step, and Y/N’s eye bounce from his shorts to his tattooed knees to the hems of his white socks. “…If you know sculpting isn’t your craft, we’ve got ready-to-paint-one's on that shelf there.”
Her gaze follows the direction of his finger, where pasty ceramic bunnies, and angels, and cars line the shelving in multiples. 
“I think—“ the young woman’s tongue peeks out to swipe over her mouth, words growing drier the longer she captures his stare. She focuses back on a lopsided rendition of strawberry, its leaves cradling over as a disconnected lid and its stem a crooked handle. “I like these. They’ve got so much character.” 
She blinks back over to him and watches a soft smile shape over the cushiony pink of his mouth.
It only takes a moment — one where her sight draws back to the strawberry jar for a smidge of a second, before he’s so close that she can smell his cologne, spiced and clean. She ogles his arm, his hand, the way he reaches out between them to cull the piece, mildly appalled by the way he palms the sculpture and dwarfs it in his easy grasp. It’s such a casual maneuver, made almost as if he’s not fondling over something it’d take anyone else two hands to hold. Y/N imagines the dimpled form of clay coated over to match the color of his nails.
“They do, don’t they? I like this one, too. S’a little …ugly, but, s’in, like, a…” the man’s features twist into something silly and pinched, and the young woman rolls her lips into her mouth to avoid exposing her amusement at the brutal candor. His words catch in his throat and bubble as a short laugh, “I dunno. It’s art.” 
He sets it back onto the shelf with a light clink, and turns to face her, posturing against a post in the shelving where the tiers have a break. An exhale becomes paired with his nonchalant lean, arms crossing over his pecs, and Y/N tries intensely not to stare like a hawk at the muscle there. 
“I’m afraid people are coming back for these, though. This row came out of the kiln…” forest green skids to the assortment and then bounds up to the ceiling like he’s in thought, before he casts his gaze back onto her, “…yesterday. And there’s a month-and-a-half window for someone to come back and glaze before we toss or sell them to be painted.” 
He’s chewing gum. Y/N realizes it when she admires the soft stubble coating his jaw, his cheeks — that’s when she notices the work of his jawline over the minty piece. He tips his head. “Did you want to try sculpting something?” 
The edges of her lips break bashfully. “I don’t know if I’d be any good at it.” 
One corner of the man’s mouth curls up lopsidedly, and the beginnings of a dimple nudge into place. He blinks and chews a little slower, “Have you ever worked with clay before?” 
Her delayed, little no is met with the lopsided beam growing even. He nudges with his chin, deliciously bulging arms still tucked over his chest, his playfully raised eyebrows like a wordless notion of have more faith in yourself, “Then you may just be the next Magdalene Odundo. We’ll make a pro sculptor out of you, yet.” 
Magdalene Odundo. Somehow, the name isn’t familiar, but simultaneously, somehow, it feels like a compliment. 
Y/N inhales as his digits shift over his tri’s. “Okay.” 
“Okay,” plush pink shapes a handsome smile, bordering bright white teeth in straight lines. The man tips his head towards the curved berry vase, and then looks back at her, “Did you want to do something like this? All these over here were made on the wheel.” 
Y/N muzzles telling him that she’s no inkling of an idea how someone can morph a lump of clay into a vase, nevermind on a big, spinning platform that moves faster than her eyes can keep up with. The man seems to pick up on the hesitation in her silence. 
“S’easy, I promise. I’ll show you how to throw.” 
Show her. Okay. At least she’s not going to head into vase-sculpting or wheel-throwing or …whatever he’d called it blindly, fumbling over a block of clay on a twirling tray like a slapstick skit personified. At least it means she’s going to stay in his presence. After a moment of thought, though, (and the way she notes that his eyes make unwavering, relaxed contact with her face the entirety of the silent pause), Y/N decides she’s not sure whether that last bit is actually a good thing, considering she’s probably milliseconds away from, like, bracing a hand onto a the shelf to match his level of coolness, or something. And then subsequently sending ceramic pots spilling and shattering over the tile.
She blinks. Her shoulders rise on her nervous inhale, and he makes one of those playful faces, like he’s waiting for her to agree. The young woman’s eyes wander to the line of chairs pressed to its counterparts of wheels. 
“I don’t wanna, like, trouble you—“ 
“You’re not. S’my job,” he tells her, crimson fingertips drumming. She catches sight of his fabric-clad pectorals flexing when he leans forward a little to tack on, “…And to be honest, it’d give me something to do besides fucking around with clay, which is what I’ve been doing for the last hour.” 
Her mouth purses and then settles. “Okay.” 
“Okay,” he says again, and then winds around through a row of little tables that resemble the set up of an art classroom, like the kind she’d have in school. She’s ashamed that her gaze wanders down the back of his arm to ogle the rest of his ink. 
“You can have a seat at one of those wheels,” he tosses over his shoulder as he heads, she assumes, to wind back around the same shelf he’d surfaced from behind, “Just give me a mo’, and I’ll be right back with some clay.” 
It takes Y/N a moment — mostly because she admires the view of his stature from behind as he migrates to a back hallway, irises roaming down the projection of muscles in his back showcased through his tee. They skim down his legs, down the backs of his knees, rest on toned calves. He’s gone far too quickly for her viewing pleasure. The young woman takes another glance at the uneven strawberry-esque vase, and then she pivots to step around the crowded assortment of wheels to crouch into one of those little roll-y stools, feet crossing and uncrossing in the cramped space. 
He’s a sexy man, Y/N decides. That’s the word she’d been looking for all along, although pretty would match the descriptors of his long lashes and his pouty pink mouth. He’s sexy, though, in his baseball cap and his little six-inch-inseam shorts (which show off the sculpt of his tanned thighs and the ink over his kneecaps). He’s sexy when he comes out from the back over to her wheel, a gunmetal gray ball of clay cradled in his palm like it’s not the size of two of her own. He’s sexy in the green eye contact he makes when he settles into a stool similar to her own, right across, when his thighs splay because he doesn’t have enough room to sit otherwise, when he rests his elbows over his knees and stretches one arm out to pass off the clay. That’s when their digits brush, because it’s sort of unavoidable. He manages to make eye contact through that, too. Sexy. 
“Okay. Clay,” the chilled ball the man hands off weighs her hand down, and Y/N’s gaze flickers up to meet his own when he instructs, “Toss it onto the wheel. Aim for the center.” 
The young woman pauses like she’s calculating her aim, gearing up without visibly gearing up, and a little smile tugs at the instructor’s mouth as he waits. The clay lands with a thud onto the plate. 
“Great,” he tells her, monitoring the centering, and then jade bounces back up to her face as he coaxes, “Smack for good luck.” 
Y/N curbs the corners of her mouth out of mirth, hesitating for a moment before her palm lands over the smooth, gray lump in a halfhearted pat. She blinks up, hoping for assurance. The handsome man’s mouth purses like he’s restraining a grin. 
“Harder,” he encourages after a second, the corners of his muted raspberry mouth seeping up a smidge, more openly, “S’not gonna cry. You can go a little harder than that.” 
The young woman rolls her lips into her mouth, raises her hand, and follows his request, molding it flatter under the solid thud of her palm. Evidently, it’s a better attempt, because she earns a, “Very good,” in response from him.
She casts her gaze up to find him dipping his hands into the pot of murky water beside the wheel before a fist knocks lightly at the pedal-resembling lever on the opposite side, sending the wheel into a speeding twirl. And to add to her list of shame, the liquid that coats his fingers — that’s. 
Yeah. 
Y/N swallows and watches those wet hands cup over the clay, partly mesmerized by the way he coaxes the priorly deformed lump into a symmetrical cylinder, stroking up from the base up and back down, and partly mesmerized by the way the cherry polish becomes daubed with slicked clay. 
“I’m just gonna get it nice and easy for you, and then you can get to the fun bits,” the man tells her as if he isn’t currently awakening some deep, deviously sexual desires in her by fondling clay. Jade flickers up. “M’Harry, by the way.” 
“Y/N,” the young woman tells him in response, unsure whether to focus on his searing eye contact or the gentle press of his hands over … oddly erotic artistry in motion.
Harry unwittingly makes the decision for her by breaking the eye contact and glancing down at his work. 
“Y/N,” he says, as if testing the taste of her name on his tongue. 
Y/N takes a breath, smoothing her hands down her thighs. 
“Y/N,” his strawberry mouth parts a tad for a soft breath in, honey smooth cadence glazed in concentration as he presses a flat palm over the top of the clay, keeping his other hand cupped over the length. 
She watches the cylinder mold under his grip into something shorter, and then back up. She watches the way his arms flex, anchored to his body as he presses with the heels of his palms to sculpt. 
“This is called coning. Makes the clay centered so your grip stays nice and even when it spins. Otherwise, s’gonna wobble, and you’ll feel it when you’re trying to work with it.”
Sure enough, after a few moments, when the man takes his clay-sullied palms away, what’d priorly been a lopsided hunk twirling over the platform stands symmetrically, shining post his wet grip. When he balls his hand into a fist and punches over the lever a handful of times, the plate slows to a stop. He blows out a breath and the music shifts to the next track in the background.
“Take your bracelet off for me.” 
The comment is made totally innocuously. Its purpose is solely to preserve the condition of her jewelry — she knows that when his eyes go to meet hers again and he mentions, “Otherwise, it could get covered with clay, or break. Wouldn’t wanna ruin such a pretty piece.”
But it’s the way he says it, right? Two little words, so easy off his tongue. So nonchalant, so purely intended with no ulterior motive. For me. For me, for me, for me. 
It’s shameful — she’s ashamed. She’s no better than a man, Y/N decides, as she peers to the silver bangle with the sliver of warmth slithering through her chest and snaking to her tummy. She’s no better than a man, objectifying this poor, effortlessly sexy ceramics instructor and his casual commentary on a Wednesday. She swallows. 
“Right. Thanks— thank you,” the young woman tells him, her tone garbled with nervous enthusiasm as the fingers of her opposite hand wriggle under the clasp to pop the piece off. 
She’s still feeling dubious about the morality of her thoughts once she’s slipped the bracelet into her tote by her feet and sat back up. 
“Alright,” Harry starts again, elbows braced to his sturdy thighs, “We’re gonna go over what this little thing over here does, because it’s good to know. It sets your speed. We’ve got options—“
Y/N watches the way his arm stretches, she eyes the tail of the mermaid, the lines of scales etched into his skin. His eyes meet her own again. 
“…Fast,” Harry knocks over the lever again with the butt of a vertical fist, a couple more nudges rocketing the wheel into a motion that dissolves priorly visible remnants of clay rings into fast-moving swirls with no decipherable borders. 
Another few nudges has the wheel skidding to a full-stop, and then stuttering back up into a spin when he taps over the pad once more. 
“…Slow,” Harry fixes his gaze back onto her face and watches the curious concentration there. The man sits back up a tad, elbows bracing over his splayed thighs and fingers crooked and lax, coated with slippery wetness and clay. “Find what feels good for you. S’different for everyone.”
Despite the way the directions are made so innocently, so obviously stated as a tutorial that’s not intended to be taken as something suggestive, Y/N finds a heat teeming over her cheekbones. 
“But, I recommend—“ her teeth lodge into the inside of her cheek with subtlety as the instructor hunches a little again, just a tad, to rap over the lever in a pair. The wheel speeds. “—Sticking to something around this.”
The pace of the wheel settles into an easy spin — something that’s still too quick for her eyes to keep up with, but apparently not the fastest setting, judging by the higher speeds he’d displayed moments prior. 
“Alright. Here’s where you come in with your undiscovered ceramic talents,” the instructor tells her, the edges of his mouth so obviously restrained, like he’s amused with his own playful banter. His eyes glinting softly under the buttery light cast by the overhanging lanterns,”M’gonna show you how to drill, but you’ll need to get your hands wet first.”
Harry sits back, elbows still braced to his thighs, hands now coated with slippery clay as he waits for the young woman to douse her own into the bucket. The liquid greets her palms with a welcome chill, and when she lightly cups over the cylinder, it slips under her hands with ease. The man clears his throat, and their digits graze again when he touches over her fingers to guide her grasp. Y/N tries not to focus on the way his hands make her own look as if they belong to a child. 
“You’re gonna take your thumbs—” Harry coaxes, all concentrated seriousness now, and the pad of his own brushes against the knuckle of her left, “—and press over the top, here. Right in the middle, just like that.” 
He takes his hands away and the clay rolls under her fingertips, a divot forming from the pressure of her thumbs. 
“Good. Now what you’ve done is you’ve indicated where you’re going to make the opening. And to do that—“ his hands return, unintentionally persuading her own to fall away and sort of hover stagnantly mid-air, in sullied awe, as he dips the tip of his index into the cleft they’d created together. 
As if hungry for the finger, the clay parts to swallow the pad of the digit. It broadens its starving mouth, and Harry steadies the spread with his thumb, his pointer delving against the inside of the deepening wall. His opposite hand cups over the body as he molds the opening wider. 
Anyways, what Y/N manages to learn from the impressive showcase, before Harry steals a glance to make sure she’s been observing (which she has, very focused, actually), is that clay-working is a dirty, dirty, lustrous art form. Especially under his fingertips. This is all very educational stuff. Perhaps the most impressive step of his tutorial, thus far, is the way that, in mere moments, he cups and strokes and caresses over the clay, drawing the opening tighter. It shrinks until it disappears, and when he smooths his hands over the rounded edges a few more times, the vessel that’s left is an entirely clean slate. Almost as if she hadn’t just spent the last few seconds ogling a weirdly pornographic display of a clay cavern opening in response to the touch of his long finger. This was a horrible mistake, Y/N thinks pitifully — she’s getting aroused by clay working. If there was ever a blaring red indicator that she needed to get laid, this is it. 
“I want you to try now,” Harry directs, totally nonchalant. This is just a casual Wednesday for him, Y/N realizes. He casually fingers clay with his sexy, long fingers, and thinks nothing of it. Maybe she’s just a horribly wound-up pervert. 
Still sort of stunned, she reaches out and cups over the cylinder, clumsily positioning her thumbs in a replication of the manner he’d shown her, aiming for the center and driving a divot into the top. 
“Mm. That’s good. Keep your elbows closer to your body,” he prompts, eyes flickering from her posture to her hands. “Like this.” 
Following his body language, Y/N mimics, ducking a tad and tucking her arms to her torso. After a few moments, she lifts her thumbs to find a centered indent, one that’s similar to the one they’d created together. 
“Lovely. Now,” the chair makes a little rolling sound over the tile as Harry shifts forward, clay-slicked hands (warm, despite their cool coating) cradling over her own to position, “You’re gonna cup here, and then take this finger and push here. Yep. Jus’ like that.” 
The instructor takes his grip away and encourages, “If you need more water, get your hands wet. You can tell you need it if there’s friction — you want it a little wet.” 
She wants it a little wet. Y/N decides, as she dunks her hands into the bucket and returns to the clay, she in fact does not want anything wet right now. This is the last place she wants something wet. Her thoughts are disturbed by the way he grasps her at her hands again and repositions — twisted by the slippery feel of his own wet fingers. The clay over his palms has begun to dry now, morphing lighter and crackling, but the tips of his digits are still soaked and darker in shade. She’s awed when the cylinder gives under her touch, the same way it had for him to encompass her finger. It’s like magic, sort of. Very slippery, wet, weirdly erotically undertone-d magic. 
“There you go,” Harry tells her, baritone soft, “You’re a pro.” Then, after a moment, “You can go a little harder. Don’t be shy. Open it up.” 
She’s not blushing. She’s not blushing, because that would be silly. She presses harder, and the opening widens until it gapes. 
“How long have you worked here?” the young woman asks, naturally trying to change the subject from wet and hard things. Hopefully in an organic enough manner that doesn’t imply how affected she is by said wet and hard things. 
“I bought this place a few years ago,” Harry responds after a second, tone concentrating as he reaffixes the firmness of her grasp (she tries not to verbally apologize, glancing up), “…Both units. It was a smoke shop before, I think.” 
“Oh!” her hands stutter again in surprise, “Are you the owner?” 
He fixes them again, brows pinched, and when he glances up, his brow bone is smooth and there’s a soft smile playing over his mouth. “Indeed I am.” 
“It’s …beautiful in here,” Y/N tells him, gaze walloping from shelf to shelf for a moment, lantern lined ceilings to vine-coated crown molding, trusting that his hands will keep her own grounded to the piece. 
“Thanks. It’s a little crowded, but if you manage to get lost among the …phallic statues and the clay bongs,” he cocks his head, blatantly bridling a simper as he shrugs. At the response of her snort, jade flickers up and the plush of his mouth curls more obviously, “…You’ll find your way out of the maze soon enough.” 
As the walls of the clay grow thinner, the instructor takes his grip away, swiping at his forehead with the back of his hand. “Alright. What are we going for here? A mug? A vase? A bong masquerading as a vase?” 
Y/N takes the lack of his touch as an indication to lighten her own. She purses her lips thoughtfully. “A vase.” 
“A vase,” the instructor parrots, voice low, and then he hunches back over and cups the clay. The young woman returns her hands to meet his own. “I can work with that. We’re gonna build it up. You’re gonna squeeze and lift. Right—“
If his fingers keep brushing hers for the duration of the next …half hour? Hour? (How long does throwing take?), Y/N decides she’ll simply combust. His hands cup lightly over her own, two digits pressed to hers, and hers pinned to the inner wall of the clay in sin. 
“—Here. That’s it. You can be a little aggressive. We’ve gotta get it tall.”
Y/N swallows.
“You said you own both units?” she ponders aloud, “Is there …more?” 
“My place,” Harry tells her nonchalantly, as if it’s the most casual, normal, every day thing to live over a ceramics studio, “S’just over on the next floor.” 
“That’s—“ she realizes her grasp has lightened again, the integrity of the structure mostly only crawling up under the pressure of his own (steady, firm) grip over hers, “…so cool. To have, like, a whole studio right under you.” 
“Mm. I think right now…” Harry cranes his neck to peer up at the ceiling, “We’re under my kitchen.” 
A little breath of mirth tumbles from her when he grins and tacks on, “I think this is way cooler, though.” 
This is The Turning Point. 
And if it was a scene title in a play, Y/N thinks it would be capitalized to denote the importance. It’s important, because somewhere along the trail of her perversions, as Harry had guided her hands into the innards of the clay — fittingly describing it as the body — when he’d pressed his hands against her own to widen its base, when he’d shown her the sponge, things had clicked. It had clicked because she realized she wasn’t fucking crazy. Because Harry then said this thing — this one little thing that would have launched her into a frenzied, internal mess of dubious morality on the basis of her perversions—
But then it clicked. 
“Careful with the amount of water you’re using now, yeah?” he’d told her, maneuvering her grip over the sponge as they’d smoothed over the lip together, “S’all about balance. …If you go too hard, you’ll make a wet mess.” 
Y/N had glanced up. That’s when she’d noticed the way the instructor gnawed into his cheek, almost immediately, almost as if he was amused by some sort of devious inside joke. And then his blocky front teeth had dug lightly into the plush of his pink bottom lip. It was nearly unnoticeable — but she had noticed. Clay was innately erotic, and he was doing it on purpose. It was one, or the other, or both. 
For a little while from there, they work in blatantly charged silence. It’s a very short while, all things considered, and she’s willing to clam up altogether and daydream about his digits for the duration of the lesson, but the tone of his next words nearly gives her whiplash. 
“So what are you doing on this lovely Valentine’s day?” Harry breaks the silence, once again, his tone so even and nonchalant that Y/N can’t begin to fathom where his composure comes from. 
The young woman clears her throat, “Oh. Y’know. Trying my hand at ceramics. The yuzh.” 
Jade doesn’t immediately jolt up when he ponders aloud, “Dinner plans?” 
“Not any on the calendar …that I’m aware of.”
His touch doesn’t lighten, but he does glance up, mouth all (apparently) disbelieving mirth, “You’re telling me you’re not being wined and dined tonight?” 
Feigning offense, the young woman sets her mouth into a line and nudges with her chin in a nod, joking, “Thank you for the reminder.” 
Harry laughs softly, one of those little breaths expelled through his nostrils, and he looks back down to the vase-in-progress, gentle grin undeniable. Y/N matches his amusement, faux indignation crackling. 
“You’re too pretty not to have a Valentine,” the instructor tells her, then, decibel low, almost like it was meant to be under his breath but also entirely not, and all Y/N can do is sit there with instant heat seeping to her face. Because that’s flirting. That’s definitely flirting. Her sexy ceramics instructor is helping her craft a vase out of clay on a wheel with his sexy hands, and he’s openly flirting. 
Y/N stuffs down how initially stunned she is to chew into her bottom lip and volley, “I bet you say that to every girl that comes in here.” 
Harry shrugs. It’s still almost an enraging level of cucumber-cool and composed. 
“Just the pretty ones.” He tacks on, after a moment, “And only on Valentine’s day. Don’t think that line would fit well on a random Wednesday.” 
Y/N snorts. She’s still basking in the pleasant warmth of the flattery when the man peers up and tells her, “I do accept tips, by the way, so. Feel free to leave a tip for the friendly service.” 
“I will—“ she snorts, restraining her open amusement at the way his brows crinkle in concentration as he helps her grip, “—definitely do that.” 
“Sick,” his tongue peeks out to swipe over his lips, disappearing back into his mouth as quick as the pink had showcased. Jade flits up, the corners of his mouth curled up in a little pause of silence, almost he wants to make it crystal clear he does not actually want a tip for hitting on her. 
Anyways, this is all a flustered mess. All of it. Y/N, the pot she’s sure will grow off-center and wobble under her shaky grip, all of it. 
“What about you?” the young woman takes a deep breath, hoping some sort of breathing exercise will help slow the buzzy flutter of her heartbeat, “Any wining and dining? For Valentine’s day?” 
“Not on the calendar,” Harry responds, sliding her own words back to her, his gaze still honed on the work ahead of them, now impressively morphed from a lumpy, shapeless ball into the beginnings of a vase, “As for how I’m spending my Valentine’s day, I did just show this one pretty girl how to shape and smooth. And now, …m’gonna show her how to shape some more.”
Y/N bats her lashes, and then she observes the work of his clay caked fingers, the way they curl and press over the vase in different points of the body, some motions widening the rim and some drawing it more narrow. He bids their tutorial a pause shortly after, explaining, “I’m gonna give you some creative freedom now. Figure out what shape you like.” 
Despite the slight disappointment budding at the close of their conversation, for now, the daunting task of unsupervised throwing is what probably surfaces on her face, more. The instructor catches it when he rolls back in the stool and stands, ogling her for a moment, mirthy mouth caving up in a way that suggests she must look like a deer in headlights. 
“It’s intimidating, but I believe in you. I’ll just be in the back for a sec, give me a shout if you need me.”
Y/N shifts her legs, pressing her thighs together when he adds, “Play around with it.” 
All in all, they manage to end the wheel session with (Y/N thinks, impressively) only a couple of hiccups, both being opportunities presented with unsupervised sculpting. When she’d played around with it (his words) a little too much and had coaxed a priorly even shape into something lopsided and petrifying, it’d swung around on the wheel, each turn quickening its slow but sure collapse. She’d called out for the instructor with a frantic note to his name. Of course, both times, Harry had come out from the back and patiently squeezed over the clay, hands and forearms jolting and flexing deliciously as he’d encouraged it back into something centered (yet another opportunity to stare at slick clay glazing over his fingers all over again), reassuring her that it was normal to struggle, especially with her first time. 
Y/N wonders if he’s constantly full of innuendos, or whether a ceramics studio is just innately an opportunity for double entendres. 
She tries not to make it too obvious when she stands on wobbling legs, when she brushes past him and catches soft notes of his cologne, clean and musky. When he directs her to the bathroom where she rinses clay from her hands into one of those artsy, utility sinks. When she sits at one of the tables, waiting for him to bring the vase over to her, torched and ready for additions, when he gives her another colorless lump. She tries not to make it obvious when she ogles more of his arms, the peek of his nipples through the white, clay-stained fabric of his tee shamelessly. She fears it’s utterly obvious how affected he’s made her, though, when she blinks up at his face, when he shows her what the different little tools in the cup do for sculpting. Y/N doesn’t even look away from him at the introduction of the first tool. She thinks that’s the one that must cross-hatch, driving little lines into the clay. 
“This is called slip,” Harry explains, dipping the tips of his index and middle fingers into the cup near the brushes with no hesitation. The consistency over his fingers, when he pulls them out, is like a wetter, creamier, sloppier variation of the same clay she’d worked with. 
Christ. 
“You put it over the lines you’ve carved to make more clay stick,” the instructor expands. 
Y/N swallows when he smears the consistency coating his fingers onto the lines he’d drawn, his gaze bouncing from his touch to her face. 
“Like, if you wanted to add a handle to a mug, you’d use this method. Or, alternatively,” the young woman focuses on the way the pads of the digits rub over the lines. They fade away. “It’s like an eraser. Careful with erasing, though. …Wet mess.” 
The latter is tacked on as a reminder, and it wonderfully reminds her of the heat coiling in the pit of her tummy. Wonderfully. She swallows again. 
“You can probably use that brush to apply the slip, though, if you don’t want to get your hands dirty again.” 
Flowers. She sculpts flowers with a searing heat between her thighs, because his added little comment of, “I don’t mind,” as he glances to the slip still glazing his fingers, implying that he doesn’t mind to get his hands dirty, does that to her. Y/N sculpts flowers and they settle into a comfortable sort of silence. It’s one where the only sounds are the soft music playing over the speakers and the occasional noise of pages turning from behind the counter as he leans over it and works through some kind of paperwork. She draws lines into the vase, and brushes on the slip, and presses creased flowers to decorate the bulbous body, concentration etching her features. 
She doesn’t notice when she goes over the hours of operation, and Harry doesn’t disturb her, doesn’t tell her that the shop’s been closed for nearly half an hour by the time she peers up and declares, “I’m done.” 
“You’re done,” the man repeats and sets the paperwork down, making his way over to the table where she’d set up, “Let’s have a look.” 
Y/N sits back admiring her artistry. All things considered, it’s sort of an ugly vase. Despite this, a sense of accomplishment buds in her chest as she stares at her creation. 
“I like it,” Harry tells her, nodding like he’s proud of a promising protégé, “It’s quite sweet.” 
“Thank you. What now?” 
“Now—“ the instructor props one hand onto the countertop and the other against his hip, “You wash your hands, you take a picture, and you come back in three weeks to sand it and glaze it.” 
Simple. It’s a simple set of instructions. Y/N brushes crackling, dried clay off of her fingertips against the cloth laid over the table, instinctively reaching for her purse. 
She blinks up at him expectantly, “How much?” 
Dimples wink awake with his soft simper, and he shifts his stance before he asserts, “Don’t worry about it.” 
The young woman’s features shape into something crinkled, something bemused and unwilling of a discount. She shakes her head and glances back down to the tote, “No, I have to pay you. What about your tip?” 
Harry crosses his arms over his chest, pecs flexing with the motion. Flexing, flexing, flexing, when will his muscles stop rippling? He sighs, cushiony mouth still smiling, “I think I’ll live. My tip was that I’ve helped you discover a hidden talent—“
Y/N snorts, eyeing the sloppy attachments to the shapely base, fingers still tucked over her wallet. 
“—It’d defeat the satisfaction and all the pride I’ve got now,” the man declares, shrugging. 
The unconvinced look she gives him coaxes him into a good-natured roll of his eyes, and Harry tuts before he compromises, raising his eyebrows, “But if you must tip me, you can tip me when you come back in three weeks, yeah?” 
Begrudged, the young woman takes her hand from the edges of her wallet. “Fine. Okay.” 
“Okay. Three weeks,” the man reminds her, a little smile playing over the plush of his mouth.
The world of ceramics is oddly pornographic, Y/N decides. But maybe clay isn’t innately erotic. Maybe it’s the way the man’s fingertips mold its shape, the way his digits look soaked in slip, the way his hands cradle over it as a wheel spins under his ducked stature. Maybe it’s the way his jade irises flit to her face when he makes an educational comment that’s obviously suggestive, Maybe it doesn’t have to do with clay, at all. Maybe it’s Harry.  
Maybe it’s the way he tells her, “If I were you, I wouldn’t miss it. Glazing is my favorite part.”
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Lost Codex: LXVI
V101NTS923ATS000 SECRET HADAL//IMPERIUM HIGHCOM/IMPERATOR: ASSETS//SUBTLE//IMPERATIVE
CONTINGENT ACTION ORDER
This is a SUBTLE ASSETS IMPERATIVE (NO INSTRUCTOR REVIEW // NO HIGHCOM REVIEW // secure/IMPERATIVE).
If OPERATIONAL STATUS is ANGRAL CORUSCANT
If HIGHCOM/IMPERATOR has initiated KORRIBAN RETURN
Execute DECISION POINT: >Cancel counterforce objectives. >Cancel population protection objectives. >Format tactical morality to MIDNIGHT. >Engage military protocol format TARIS EXIGENCY.
If SUNBLADE ICON is IN RANGE: >Activate ALDERAAN SUNRISE >>Perform targeted munitions release >>Ensure SUNBLADE termination by any means necessary.
STOP STOP STOP V101NTS923ATS001
—>>WHISPER NEUTRINO NEEDLE>>
V101NTS923ATS002 SECRET HADAL//LEGATE HIGHCOM/CONCLAVE: ASSETS//SUBTLE//IMPERATIVE
CONTINGENT ACTION ORDER
This is a SUBTLE ASSETS IMPERATIVE (NO INSTRUCTOR REVIEW // NO HIGHCOM REVIEW // secure/IMPERATIVE).
If OPERATIONAL STATUS is ANGRAL CORUSCANT
If HIGCOM/IMPERATOR has initiated KORRIBAN RETURN
Stand by for DECISION POINT:
If TACTICAL STATE is VOSS >Reformat mission priorities >Format tactical morality to LEHON >Redesignate HIGHCOM/IMPERATOR as VITIATE ECHO >Ensure SUNBLADE survival
If TACTICAL STATE is CORELLIA >Defer tactical reformulation >Redesignate HIGHCOM/IMPERATOR as VITIATE ECHO >Prioritize mission objectives
If TACTICAL STATE is OSSUS >Format tactical morality to LEHON >Redesignate HIGHCOM/IMPERATOR as VITIATE ECHO >Ensure SUNBLADE survival
If TACTICAL STATE is BALMORRA >Format tactical morality to LEHON >Redesignate HIGHCOM/IMPERATOR as VITIATE ECHO >Reformat mission priorities to ensure SUNBLADE survival
If TACTICAL STATE is MANAAN >Reformat mission priorities >Format tactical morality to MALACHOR >Redesignate HIGHCOM/IMPERATOR as VITIATE ECHO >Effect QEL-DROMA NEXUS >>Terminate VITIATE ECHO >>Ensure SUNBLADE survival
Stand by for effect assessment criteria: >Preserve SUNBLADE MONASTERY. >Defer civilization kill.
STOP STOP STOP V101NTS923ATS003
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solomiracle · 2 months
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you're cooking in cocytus hall when you realize that your face has begun to feel a little cold. you comment on this in confusion, but think nothing of it... only for you to hear quick footsteps down the hall, and what sounds like to be solomon saying some sort of incantation.
before you know it, solomon nearly rushes into the kitchen, but slows down as he comes closer to you. you don't even have time to question what's going on before he gently cups your cheek, and kisses your nose. you give him a bewildered look, only then seeing his smile.
"it's a warming spell," he explains, "transmitted via kiss. i can't have my adorable apprentice freezing on me, now can i?"
with that, he boops your nose and proudly strides out of the room. if you find your cheeks suddenly feeling warmer than before, you can just blame that on the spell.
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bangtide · 2 years
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is there truly any better trope than basketball captain yoongi & nerdy or cheer jimin
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pjs-everyday · 5 months
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lol the girls side of the dorm isn't safe either-- leave ya shit out for 48 hours and it's ochakooo's ✌️😊✌️💕
cheeky thief comic: part 1 // closeups // bakugo's shirt // part 2
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gammija · 11 months
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idly thinking about an AU where Jon and Martin do manage to land in the same world, in roughly the same location, but separated by time.
Lots of time.
Jon arrives in Britain, in 1988. Martin also arrives in Britain, also in the 80's - the 1780s. Maybe it's the Web putting the pieces in new starting positions, maybe it's just happenstance. Who can say.
The first thing Martin does is look for Jon, of course. Unfortunately, he realizes pretty quickly that, if Jon is here, he's not anywhere near him. But Martin's not giving up that easily. If he's going to find him, he needs resources. So, with a knack for lying to wealthy old men, and using a minimal amount of historical knowledge, he makes a modest name for himself. Hopefully enough so that Jon will be able to find him, when he looks for him -
Because Martin hasn't been able to find a trace of him yet. Not as a real person in the world, and not as a reference in any old texts or stories about odd appearances of men with alien clothes, lots of scars, or piercing eyes.
A few years pass, without Martin finding any sign of Jon. Slowly, he has to come to terms with a few facts:
Firstly, that the Fears are definitely also in this world. In his search for Jon, he's come across far too many accounts that sound eerily familiar. Though they seem to have popped up in the world around the same time he did; He doesn't have any earlier records that consistently line up with the patterns he's familiar with. Which most likely means that they - he - are responsible for their existence in this world... Martin tries not to think about it.
Secondly, thankfully, this must mean that Jon didn't arrive centuries before he did, living and dying without anyone taking notice, which Martin had gotten more and more worried about. He wouldn't have arrived without the Fears being there too. No, if Jon is going to appear in this world, (and Martin is not going to think about the alternatives), he'll arrive in his future.
Maybe so far into the future that Martin won't even live to see him. In which case, however much he'd like to avoid thinking about it, Martin has to create something here and now. Something that will last beyond his lifetime. Something Jon will be able to find as soon as he looks for Martin, so at least Jon won't have to wonder what happened to him, will know that he did not arrive completely alone, that Martin did not abandon him.
Thirdly... through his search for Jon, Martin has amassed quite a little collection of esoteric and weird stories. And, though he did it 200 years in the future, he does have some experience running an organization that ostensibly researches the supernatural, which would also be a good way to keep track of any potential new Jon leads. He thinks of naming it after Jon, of course, but it's not like Jon is going to look for his own name first, is he? And it'd raise more questions than if he named it after himself.
Cue the bittersweet ending where Jon falls out of the sky on a sunny day in the middle of London, asks for someone named Martin Blackwood, and finds Blackwood Organization, a public collection of ghost stories dating back to the 1800. He is given a set of personal letters from the founder, to be hand delivered only to a man called Jonathan Sims as soon as he would walk in the door.
...Or -
After yet another few years, in which Martin has set up his organization and is part of a decent network of people with similar interests (though he dislikes most of them), he bumps into someone. Jonah Magnus. It's an incredibly odd experience, though in hindsight, it was bound to happen, considering the information he's after. Martin has the urge to kill him right there, but the man doesn't seem to be from the future. He's just a creepy guy. Younger than Martin, too, which is also weird. But he manages to shake it off, and doesn't see him again.
Though he does keep tabs on him. Seeing him has set Martin thinking. He's been getting older, and his modern constitution isn't faring great in Georgian times. The organization is doing okay, but he's not sure yet if it's really going to survive after he's, well, gone, which would defeat the whole point. With a few more years, could he make it stronger? Could he maybe even reunite with Jon in person?
Furthermore, with the Fears being now well established, it's only a matter of time before someone tries a ritual. No, Martin isn't going to try and do one first, that'd be really stupid, not to mention evil. He just has to make sure that the world actually survives for Jon to appear in it.
A plan begins to form. One he really doesn't like. But one that, the more he considers it, is very possible. He's quite sure now the Fears mostly operate on vibes. Sure, he's maybe not a full avatar, but through letting the public read stories about the fears, hasn't he kind of spread awful knowledge? Hasn't he seen a lot of terrible things in turn? The Eye was already fond of him, according to Jon.
And even if it were to go wrong... Martin would die in either case, and the only other person suffering would be Jonah. He can't find it in himself to feel too awful about that.
Jon falls out of the sky on a sunny day in 1986. After a short and panicked search, he walks through the doors of the Blackwood Organization, Hilltop Lane 148, Oxford. The receptionist greets him. She seems somewhat shocked as she does so, tells him to take a seat as she makes a call. He doesn't know what else to do, so he sits. The chairs are surprisingly comfortable.
A few minutes later, someone he doesn't at all recognize enters the foyer. He looks at Jon, stops, freezes. Jon stills as well.
The man is unfamiliar in every way. He's short, for one, his skin a darker complexion, hair curling in a way his never did. But those eyes, as soon as he sees them, he recognizes. Those are the eyes of the man he trusted to kill him.
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catelyngrant · 5 months
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So I'm thinking about the Fourteenth Doctor, and the bi-generation, and how he may have come to an end. What happened to him after those years he spent with Donna and her family, and with so many other friends on Earth (oh, I am headcanon-ing, friends), existing day-to-day and beginning to heal? After he learned how to let himself be loved, and shown compassion, and forgiven—and, eventually, learned to love, forgive, and care for himself? What happened when, at the end of this journey, his regeneration energy (I assume?) traveled back (in some hand-wavey fashion) to become the Fifteenth Doctor, who is born out of that love and forgiveness and compassion and is ready to move forward in the universe?
Fourteen becomes Fifteen—but what about the TARDIS?
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Fourteen's TARDIS was created for the same reason Fourteen was: they needed to slow down, to be gentle. They needed to find a home that wasn't moving at the speed of light. So maybe this TARDIS is a little gentler, too. Maybe she's a little more careful of herself and her charges.
When Fourteen takes Rose to Mars, they land right where they're supposed to, and Rose sees wonders. Nothing bad happens, and they return home five minutes after they left.
When Shaun wants to see a football match from 1988, he opens the TARDIS door and she takes him right there, flying all by herself, to Fourteen's chagrin.
When Fourteen takes Mel to New York, they have adventures that don't involve running, or hiding, or screaming with anything but laughter. When Fourteen takes Jo, Ace, and Tegan to the Jurassic era, the only danger he faces is when he makes an age joke.
When, after Sarah Jane dies (yeeeears in the future, tyvm), Fourteen takes Luke, Maria, Clyde, and Rani to see Florana—the place he promised to take Sarah Jane all those years ago—the TARDIS chooses the safest, most beautiful moment in time for them to honor her memory.
When Donna and Martha and Yaz and Shirley sneak in for a joyride, they have the time of their lives, and the TARDIS covers for them. (Fourteen suspects, but can't prove it.)
When Fourteen is struggling, and chafing at life on Earth, and just needs to run, to fix things, to solve puzzles, to get away from the day-to-day of it all, the TARDIS lets him. She takes him so many places he's never been before, and they're all beautiful and wild and remind him what he loves about the universe.
(He tries, a few times, to go places that might bring him pain, and she gently refuses.)
And every now and then, someone will try to get in. This TARDIS doesn't have a key; she just opens to those in her care, and refuses entry to those she doesn't trust. She is safe, and so are they.
When Donna's in her eighties and can't get around as easily, the TARDIS takes her where she can manage. When Rose is overwhelmed with the pain of the world, the TARDIS takes her to places where none of that pain exists, and lets her stay as long as she needs to.
They live magnificent lives, and the TARDIS takes care of them. And then, at the end of it, Fourteen is ready for what comes next, and he becomes Fifteen. There's only one Doctor again.
But this TARDIS...
I think she stays, right in the corner of that yard. She leaves and then lands so precisely that roots and ivy grow over her. The Doctor is gone, and eventually Mel and Sarah Jane and Jo and Donna and Martha and everyone that traveled with the Doctor once upon a time in a different TARDIS are gone too.
But Rose is still there. Luke, Maria, Rani, and Clyde are still there. Their families, their kids. The TARDIS opens to them, and shows them the universe. She takes them only where she chooses to, and it's always exactly where they need to go.
She always takes them home, to the garden that once belonged to Donna Noble.
The Doctor finds new companions. Some of them come home to Earth after awhile, but they're not stuck dreaming of the universe. You showed me the furthest reaches of the galaxy, Sarah Jane said. You showed me supernovas, intergalactic battles, and then you just dropped me back on Earth. How could anything compare to that? We get a taste of that splendor, but then we have to go back.
These new companions, they return to Earth and their lives there, but every now and then, they swing by that old house that the Noble family has lived in for generations. They say hello to this old/new box, and she invites them in.
They don't have to say goodbye to the universe. She's right there in Chiswick, waiting for them.
And sometimes—on rare occasions, when they need it, or when he (or she, or they) does—she takes them to the Doctor.
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ohitslen · 6 months
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God’s #1 anti Vash the Stampede!
Just to be clear this is for my upcoming reincarnation fic 🫡
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