#flawed character doesn't mean evil

[metalomagnetic]

After seeing about 50 'Dumbledore is evil' and 'everything is Dumbledore's fault' and 'but why didn't Dumbledore did this or the other' posts in a row, I find myself wishing Dumbledore just fucked off to somewhere nice and sunny in '81, early retirement (or is it early if he's already 100?) and washed his hands off magical Britain entirely.

Some of y'all sound like Fudge with your Dumbledore bashing. I wish, at least, Dumbledore would have left when Fudge and that corrupt as hell Ministry did their best to ruin his name and his image.

Pack up his ancient shit and move to a nice beach somewhere, with his pet bird and a huge bag of candy.

This way, my man Voldemort could have won in like five minutes, and Harry would be dead, Voldemort would rule supreme, Bella would keep being the queen she is, and my little Voldemort shaped heart would be happy.

But no, Dumbledore stayed, orchestrated Voldemort's downfall by giving Harry step by step instructions, gave up his own life in the process, made sure Harry would keep his, because apparently that's what 'evil men' do instead of retiring in comfort.

Not only Harry wouldn't have survived without Dumbledore, but he most likely wouldn't even exist without Dumbledore. Because, you know, this evil man is also the one that took down another dark lord back in the day; if Grindelwald would have won, there would be no Lily, most likely. Thus no Harry.

But yes, go get your 'Dumbledore is evil' badges- I hear Fudge and Umbridge are leaders of the hate club, I'm sure they'll receive new followers with open arms. Draco is probably the secretary, because he hates Dumbledore, too, and he likes making badges.

Also, can someone explain to me how Dumbledore, the only gay man in canon, became the fandom's resident homophobe? That's just weird, my friends. Very weird, to say the least. It gets even nastier when you say he 'groomed' students. That's an awful thing to throw around about a gay dude, you know?

There are so many reasons one can dislike Dumbledore for, but you do have the option to not like a flawed character without turning them into a ridiculous caricature of themselves.

P.S: I am not talking about fics. Write your fics and your characters however you want, whatever makes you happy. Your fic is your domain, and you do whatever you want in there, hopefully with no asshole to attack you in the comments. Same with reading- read what you want, bashing or no bashing. Have the best of fun!

I am talking about these 'meta' type posts on social media, tagged with "Albus Dumbledore", where they act as if canon Dumbledore was legit evil, incompetent or homophobic.

#albus dumbledore #marauders fandom #yes marauders fandom I am looking at you #harry potter #Dumbledore would forgive y'all but I can't #flawed character doesn't mean evil #it means he's just human

[onaperduamedee]

I don't know if it's show bias, but I struggle to understand the reading of Moiraine as someone who is so driven by her mission that she doesn't care.

From the get-go, she flees the White Tower for fear of ending up Queen of Cairhien and as cruel a leader as the rulers in her family, although it would have meant control and power;

Getting knocked down and unable to channel, she stabs a former teacher to stop her from killing innocents who have little to do with her mission;

She rushes to the Blight to bond Lan and keep him from basically killing himself, even if again it is a gamble, and later on, the bond transfer is about saving him, albeit cruelly;

She uses her body as a shield to hold off a Forsaken in order to help Rand, sustaining serious injuries in the fight, although her sacrifice is mostly useless considering how overpowered she is;

Many times, she heals villagers, soldiers, Aiel, wolves, sometimes until she is on the brink of passing out;

She fights Shadowspawns in Tear, in the Waste just as bravely as Lan, despite not being battle Ajah and often being surrounded by Aiel who can do the job by themselves;

She tackles Lanfear, toppling with her inside a collapsing ter'angreal, effectively dooming herself and cutting herself from the narrative, to help Rand, Egwene and Aviendha.

Obviously, you could argue that each of these actions would bring her an advantage and in acting so, she was only playing her part in the pattern, without a care for the people she was helping, but that's such an ungenerous reading of the character given what the text provides.

Her mindset is utilitarian and pragmatic, but to see her ever-present doubts, her growing despair and raging hope in Rand and still interpret her as uncaring is mind-boggling to me.

Her whole speech in TSR regarding "People [fighting] for you who do not know it, any more than you know them" tells of someone who believes saving the world will require a lot of collaboration and awareness of each other, not merely machinations and control.

She is a hard woman, but uncaring she is not.

#Wot book spoilers #moiraine damodred #The wheel of time #Remblai #Wot book journey #Saw someone commenting they don't think Moiraine really cared whether Lan lived or die #Look... #I think some people are wilfully misreading the text because if women are obviously evil it justifies their treatment by other characters #They're not #They are complex characters and you can point out a lot of flaws in Moiraine #From the way she tends to treat people as tools/objects to her distrust and secrecy #But to say she doesn't care about the people around her makes me growl #I've seen fans argue that her telling she would kill the boys before they turned to the Dark means she doesn't care #What it says about her is that turning to the Dark is worse than death to her #(which is pretty much Lan's motto) #What it says is that Moiraine will always do the maths and save the most people possible #And if saving more people means killing the Dragon Reborn if they turn to the Dark she will do it #What it doesn't say is that she doesn't care #I already noticed there's a tendency in fandom to be far more generous in interpretation toward male characters #Especially when they share narratives and themes #Tepid take but her mentality is the same as Lan's #But the story spends more time on her so we get more nuance while Lan is afforded a lot more Doylist leeway

[frizzle-mcshizzle]

while i think cannon fitz is a wet napkin personality wise the one thing i like about Fitz are his anger issues, it makes him like i was when i was younger

i liked him being angry at his family, i liked him lashing out at the people he cared about most because he felt safe enough to let it out on them. only to feel so incredibly guilty that he did everything he could to make up for what he did to hurt them

let Fitz be angry, let him him hurt the people he loves, let him struggle with what he did to hurt the ones he loves without meaning to, let him feel guilty, let him struggle to forgive himself even after hes been forgiven, because he doesn't think he deserves it

*shakes you* let him have emotion!! even the bad ones!! let him be more than a golden gifted child stereotype!! 

#like we say a lot #having anger issues doesn't make a character evil #but that also means when you defend them #you continue to acknowledge that they have that flaw #because removing it removes a big part of their character #honestly this is partly projection #i related so hard to him trying to make up whar he did to sophie #kotlc #keeper of the lost cities #fitz vacker #kotlc fitz

[brjeauregard]

I've decided that I'm not over the "Orym is a manipulator and turning into a villain" takes yet so I'm going to apply that same logic to all of the Bell's Hells

Chetney: Losing control and attacking the party then turning around and being their friend and expecting that friendship in return is manipulative and abusive. Plus the trial he went through to harness the wolf was all about attacking them, how can they possible trust him after that. Not to mention attacking that one shop keeper for no reason and putting the party in further danger because she sent a bounty hunter after him. Very selfish behavior.

FCG: By continuously pushing his view on religion and the Changebringer on the party after they've made it clear they have no interest, FCG makes it clear that he's only thinking of himself. If they really cared about the party then they would respect their view on the gods. It's also very manipulative to try and convince the party that everything is a sign from the Changebringer, especially after they've disagreed multiple times.

Imogen: Defending the Ruby Vanguard and Liliana in front of Laudna, Fearne, and Orym was pretty fucked up. She clearly doesn't care about their trauma and is only thinking about how the red moon situation can benefit her.

Fearne: Stealing from both the party and NPCs puts everyone in danger, but she only thinks about the momentary happiness she gets from it. Ignoring the party when they tell her to not rush in to a situation or lie to someone for no reason shows her clear disregard for their wellbeing.

Ashton: They used party resources to upgrade their weapon without telling the rest of the group. What if someone else wanted to use the immovable rod? Plus the crystals on the end of the hammer could actually backfire and harm the party. It was selfish of him to do so and shows that they only care about what he can get from the group.

Laudna: When the party reunited all Laudna did was complain about her experience in Issylra and made the other group feel guilty about not suffering as much. FCG especially found new joy and a reason to live, but they felt like they couldn't talk about it in front of Laudna. Sure her feelings are valid but she should have thought about the other's feelings before trauma dumping.

See how ridiculous these all sound? It's so easy to twist any character choice in a way that fits your narrative. Orym has been open with the party since the beginning that he's been looking for the people for killed his husband and father for 6 years. Now that he finally has a lead and a way to bring them to justice, he asked the rest of the party to help and they all agreed. He's not manipulating them, he's been clear about his goals since the beginning and the party are all adults who are capable of disagreeing and not helping him.

#cr discourse #critical role #some people are really out here saying that Orym's alignment needs to change #i'm begging some of you to think critically and realize that Orym making your favorite character sad or not asking their permission #doesn't make him evil #it means he's his own character with his own motivations #just like everyone else #and he's been open about his goals since the beginning #all of those characters are capable of calling him out if they don't agree with him #plus narrative tension is good storytelling #the cast loves interparty conflict #if you don't then critical role might not be the show for you #these are all complex characters whose flaws often come up in ugly and unpleasant ways #but that doesn't mean they're bad or evil or manipulative #thought i was over this then logged onto twitter and saw some wild takes again lmao

[astrid-beck]

congrats on finishing c2!! im curious, what was it about sam riegel that you dislike? i remember you mentioning it a few times and honestly ive always kind of found him annoying as well but couldnt put my finger on why

Okay I'm sure I did say that but I'm going to take the coward's move here and backpedal from saying I dislike sam riegel the real person on any personal level bc well. I don't know him like that it's not personal. More appropriate I think is to say that his roleplay style is not to my taste and his character writing for Veth really frustrates me. With the disclaimer that I can't prove this off the top of my head and I'm not trying to make any grand analytical point (feel free to disagree with me), a pattern I've noticed in particular is riegel's style of character development seems to be like. Writing convincingly-performed but extremely vague and unsubstantiated Proclamations that sometimes make superficially emotional scenes, but sort of just fall apart under any closer scrutiny. And once I started feeling that way it was hard to stop noticing that Veth doesn't ever change or try to understand anyone deeply or realize she was wrong in any meaningful way.

(i just finished c2 ama)

#like. how are you going to make a character whose starting flaw is ''believes in metaphysically evil racial groups'' and never address it #in the show about what it means to be a good person and whether u can be metaphysically good/evil #i have ideas for how u could fix her arc i really do #i think exu calamity is a much stronger riegel performance and i have to wonder whether that's bc it's like. #extremely tight timeline that doesn't require sustained character development and benefits from one or two well-done story beats #asks #lena watches cr

[scoutpologist]

realizing i have religious obsessions and intrusive thoughts/fears is very much a harrowing experience. unfortunate vibes!

#op #gonna refer to it as an obsession bc it is and my therapist said i can call it that #but. one of my big obsessions is how 'valid' i am in wanting to convert and this is SOOO embarrassing to admit #because i'm convinced that this obsession means i'm a terrible terrible fucking person and it causes sm pain #i literally feel like a liar and a fake and a horrible person and i had no idea this wasn't just a character flaw that meant i'm awful #but instead is like. Mental Illness actually #it's liberating as hell to realize this doesn't mean anything and it's not a moral failing but also terrifying cause i just have to Sit #with the terror that everyone hates me and wants me to die and i deserve it because of something silly #that seems Very rational to me!! it seems so rational in my head!!! #but the moment i tell someone about it (haven't explained this one in detail bc of fear) they're like 'but that's not true' #like i KNOWWW it's not true but i'm so convinced i'm terrible because i'm a horrible evil intruder #like girl what. what does that mean #also they're not like normal religious obsessions and fears they're more about community and belonging and intruding and shit #it's weird

[onelonelystory]

the only character in literally the entirety of mdzs who values human life intrinsically is xiao xingchen I am tired of moral analyses of the source material that are unwilling to engage with characters beyond their death tolls. it's tired, it's unproductive, it's inaccurate when you consider 90% of the cast saw combat in a years long war, and the argument always boils down to a threshold of acceptable, honest murderers that seems to view deadly force exerted by people in power as justifiable capital punishment even while condemning the same level of violence in characters who go without the authority to get away with their actions. it is possible to remain cognizant of the biases at play without trying to remove their effects on the work and while I understand that most people do not choose to ultimately center their readings of the source material in metatextual analysis as I know I am wont to do, it is still prudent to recognize the general implications of literary arguments. if you want to say that nie mingjue is an honorable character whose sense of justice is unimpeachable you should bring a better argument to the table than the dialogue suggesting his brother and best friend believe it to be true. if you are going to argue that jiang cheng's reputation for mercilessly hunting down demonic cultivators makes him indefensible and uniquely authoritarian you must also account for the fact that the lan sect's 10000 rules of integrity carved into stone not only allowed for the extermination of the wens but enforced it, to such an extent that even wen yuan would have been vulnerable to said justice if lan wangji had not interceded on his behalf. it is not that these points cannot be made, (though I have obviously taken each to an extreme to emphasize my own point) but that no action stands on its own without the greater context of the work. forgetting the world in favor of a vendetta is not a coherent argument, as fun as it can be for fanwork purposes.

#this is a vent post dw I'm not talking about anyone specifically here #this isn't about fanfic write your woobified men idc #this is about how y'all approach the source material #show and novel #I'm not saying nobody is a good person and so therefore nobody is evil #only that you cannot hold fictional characters accountable for their crimes #and any literary analysis that attempts to do so is boring and reductive #and also to be clear I am not saying that in a sea of bad people xiao xingchen is good he is literally also a murderer #his perspective on the world is also deeply flawed #like even as the audience we are shown his naiveté repeatedly in terms of how it hurts other people #I just literally mean he is the only character who thinks that life has intrinsic value and doesn't immediately turn to killing #the only other character who comes close in wen qing #who is literally a doctor

[crumb-crumblet-s-crumbington]

yooooo!!! you’re my favorite ethan winters artist i just wanna say that first and foremost, thank you for the wholesome content of my comfort character and father figure 🥹🫶

i’m really curious bc i feel like i see a lot of people against mithan (not me personally, i’m p neutral on them!) but i’m curious to know all your thoughts on them! thoughts on their canon relationship, their fanon portrayal, the backlash against them/mia accusations, and your headcanons? i’m just really interested!!! hopefully that’s not weird :”)

have a good day!! sparkle on!!! ✨💖

i heart mithan... i think that they can be so cute...

i personally hc them t4t and i like to think that the dated in highschool before they both had fully transitioned

mia likes to bake and ethan likes to scrap book and he always likes to take pictures of mias cakes/ baked goods and has a album for them 😭

i am a multishipper so i draw a lot of ethan ships so my girl is left out sometimes and im sorry mia 😔

i actually really like their relationship, its a really complex dynamic that i like to talk about with my friends

i think the issue is that when talking about mithan or mia in general, theres just SO MUCH misinformation that its honestly a pain the butt to talk about

people still think that she was responsible for the creation of eveline, people still think that she experimented on eveline, people still use examples of her attacking ethan as if she did it on her own will instead of being mind controlled

in reality she was just someone who oversaw the transportation of evie. im not excusing her or anything because obviously she knew what she was doing, but people really try to accuse her of doing something she didnt and it bothers me alot lol

the problem with the fandom is that people either try to water her down to girlboss who did nothing wrong and fail to acknowledge the complexity/ moral grayness of her character and the other side is misogynists 😭😭😭😭

its hard to talk about her without people either going "stop trying to villainize her and make her look bad!" or people ACTUALLY villainizing her and acting like heisenberg would have treated him better 😭😭

mithan is such a sad relationship because they loved each other so much and that ended up being the reason their relationship fell apart (sort of... its not like the broke up... ethan kinda just straight up died)

i get a lot a trouble for saying this, but mia is a selfish person.

its not a bad thing! well i mean it is but it doesnt make her some evil witch who is somehow worse than the guy how made a werewolf american ninja warrior. its just a major character flaw she has! which is good! mia being a flawed person who makes mistakes and morally gray decisions make her a more interesting person!

she is selfish in the way that she wants to keep her family with her no matter the cost. even if it means lying to ethan about her job so that he wont think different of her. here is a interrogation from the re7 DLC, which is easy to miss!

she isnt necessarily trying to apologize for the things she has done, she is more of a, "u wont need to forgive me in the first place if we just forget it all and move on"

she doesn't try to redeem herself for what she has done, she tries to move on and return to the normal life that she wants so bad. which is fine! everyone copes a different way and she has to right to move on from her trauma. the problem that lies in this is that she has a shared trauma with ethan who still has no idea what went on in dulvey and still effects him till the present (he is mold! this is a important thing to know! most people would want to know if they were a walking corpse)

she played a direct part in what happened in dulvey, and im not referring to the email, she did not send that. she never wanted ethan to come in the first place. she tried her best to send a video to him, begging him to forget about her because she wanted to protect him, BUT it didnt send.

he got involved because she was involved. its honestly a series of really really unfortunate events.

THOUGH! she did know what she was getting into. im tired of seeing the narrative that mia was innocent and didnt know what was going on or was simply a bystander. she knew what she was doing, she knew eveline was a bioweapon, she knew eveline was a child. she used a MACHINE GUN! she knows how to use weapons and was obviously trained for it.

she tried her best to keep everybody out of the mess, ex: warning the bakers not to take them in, warning ethan not to find her, sacrificing herself for ethan in the later half of re7

but again, those are the consequences of HER actions

her consequences just happen to get really big and end up hitting ethan on the head like a metal sheet 😭

their relationship is really so interesting, it makes me really sad to think about sometimes 😭they both went through something that nobody else would ever understand, in the end they really only have each other. they get moved to an entire different country and the dulvey incident gets covered up with a "gas leak"

its really tragic because their marriage definitely had some flaws and bumps. and i know im repeating myself but its because people always take this in the worst way possible but just because i say their relationship was rocky doesnt mean im saying they dont love each other!!! thats the entire basis of mias character!! saying she doesnt love ethan would destroy her entire character!

you can see in the re8 DLC how fondly ethan talks about mia! he loves her so much, though im not sure if his comments in the DLC are him narrating current (post re8) or his thoughts before everything went down and he died (pre re8)

everything mia did was because she LOVED ethan. she would never do anything to intentionally hurt him, she is not a cruel person. she hides the truth of her job from ethan pre re7 because she loves him and doesnt want her job to drive them apart. she CONTINUES to refuse to tell ethan the truth post re7 because she wants to move on a live a happy normal life with him and knows something like her being directly associated with the connections would probably cause (more) problems. she refuses to tell ethan that he is mold because again, hard to live a happy marriage with your husband after you tell him hes a bioweapon.

obviously i dont think it was right that she did this, thats what makes her selfish! she did it for herself! she did it for her family! she thought it would work out, she thought that they could move on and be happy together.

the issue is that ethan didnt want to forget. he wanted to know what happened, he wanted to know the part mia played, he wanted answers! which is reasonable! he knows to some extent that mia was partially responsible for his involvement and he was always suspcious that mia was lying to him about her job which is implied when mia says "you were right, i did lie to you"

she doesnt learn, she doesnt stop lying, her lies get bigger and worse and it sucks yeah but it makes her so interesting!!! she keeps doing stupid things under the idea that this is whats best for her and her family, that if she hides this everything will work out and it will be for the better but its not!

just because telling your husband hes dead and a bioweapon is a hard subject to bring up doesnt mean you DONT bring it up. people shouldnt use that as a reason to excuse mia 😭, its a very bad excuse and honestly highlights how horrible their communication skills were. you cant just not tell your husband that he is actually infected with the mold and not tell him for the tree years between post re7 and pre re8.

im not saying these things to put mia down, or try and villanize her. these are all just actual things her character does! she isnt evil, but she isnt a knight in shining armor either. we need to be able to have talks about complex characters without crying everytime someone points out a flaw. characters have flaws! and mia just happens to have a lot of them!

im not mad at her, i dont dislike her because i think this way of her. shes a fictional character! you can like characters that are morally gray, or villains that drink blood and make corpse soldiers. they are fictional! pointing out the flaws of a character does not mean i dont like them.

i wouldnt call her "the real villain of re8" but i wouldnt treat her like a damsel in distress either. she is a competent person, she knows what shes doing, she has her reasons for doing them. she made bad descions with good intentions behind them! they can coexist and we should let them!

i like mithan! its a complex relationship because they both love each other so much but hurt each other in the process

talking about them is just a pain in the butt because talking about mia is a pain in the butt lol

i really hate how she keeps getting sidelined, its super frustrating to see mia get put in a cage in every game 😭

its even more frustrating that mia straight up just disappears???? in the shadows of rose DLC... like she just stops taking care of rose and theres nothing said about it. no reason or explanation. i dont think mia would ever ditch rosemary because she didnt care about her, but we probably will never know because capcom sucks at writing and they probably forgot the mia ever even existed.

all in all, i think the fandom is really just full of misinformation which make people either think mia is some horrible evil person, or its full of people who think that saying mia messed up is the equivalent of comparing her to wesker lol.

i really love mia, shes a incredibly fun and complex character, its just hard to enjoy her sometimes with the people in the fandom haha.

also ive got no idea what u meant by "the backlash against them/mia accusations" so sorry if i didnt answer that!

thank u for the ask! sorry for the long response!

#mia winters #resident evil #ethan winters #mithan

[ystrike1]

I hate doing this but there's drama in the horror webtoon community and I have to vent.

Do NOT support Hanza_art

If you don't want to be spoiled/involve yourself in a toxic situation do not read further.

My Deepest Secret was infamous for its overly miserable plot twist ending. The main character turned out to be "crazy" and "delusional". Somehow that protagonist was capable of living a normal life and being a serial killer at the same time. This character never got real professional help, and they were left to suffer in their delusions.

The horror community is often wary of authors that portray mentally ill people as unsalvagable or monstrous. Personally, I was horrified.

The backlash was horrible because the plot twist made no sense in general. In addition the story was marketed as a romance and by the end nobody had paired off. I felt my time was wasted, and I was disgusted by the way the "true villain" was discarded for the crime of being mentally ill.

When Hanza returned with a more level-headed protagonist and a more violent psychopathic villain....some readers gave the author another chance.

I don't blame them. Paranoid characters like Rozy are very interesting! Especially as main characters!

Hawa, the secondary female lead, grows out of her "naive victim" stereotype as well. It's very satisfying to watch. It was tied together nicely by the handsome villain, Adam.

Adam is extremely evil and irredeemable. When the story begins he is a serial killer who targets "innocent, sweet" girls like Hawa.

Rozy is overprotective and she doesn't trust men. In fact she's a known man hater. The characters are all adults, so their character traits and desires aren't just quirks. They are all deeply flawed people.

It was a very promising start.

Plus, it wasn't marketed as a romance so I was sure it would be written better! The weakest part of My Deepest Secret was the romance (by the end I mean) so yay!

Or not...

I do not keep up with TGU on a regular basis. The plot slowed down considerably and I noticed a worrying trend. Frankly, I'm not shocked by this immature behavior in the slightest.

Every single male character in TGU is a sexist abuser who harbors violent thoughts about women.

Hanza is very good at writing scary, irredeemable, sexist pigs that belong in jail...but it was a worrying trend all the same.

Adam was a smart, handsome serial killer who liked to hide in plain sight. By about chapter fifty he was alot dumber, and I cannot stress this enough.

Every male character that associates with Rozy or Hana turns out to be a stalker or harasser. The kind that would get charged in real life.

That kind of hatred towards "all men" is worrying in a thriller comic, and it was very annoying.

I wanted Rozy to outsmart Adam.

I don't want to watch her and Hana be abused by multiple men (mostly former friends!).

I came for the girl boss mystery, and I got alot of sexism instead. What a slap in the face.

Past a certain point I was only checking in to see how bad the story had gotten....and...yup....the male police officer helping Rozy is also a weird guy.

............first of all that's boring.

Second of all it's insulting.

Hanza hates toxic romance, and it shows, and that's perfectly ok. It's not for everyone, but Hanza has built their entire career on top of sexy murder men...so their attitude is extremely hypocritical and annoying as heck to watch.

"I hate toxic romance but I'm also going to sell suit merch of Elios and Adam."

Like, what did you expect?

Hanza is an adult creator, and they do know who they're catering to.

At this point they are absolutely insulting the fans that pay their bills, and that's unacceptable.

Authors are public figures now. They have been since the Facebook Era. Random internet trolls should not influence how you speak to your fan base. I understand that working for Webtoon is brutally hard, but Hanza is a popular artist despite their fumbled first story.

It's like watching somebody blow their nose on a golden ticket.

TGU was their second chance. A very generous second chance, that got great reviews in the beginning.

I'm astonished that Hanza somehow managed to concoct another dud plot twist. Their rude attitude has to be the nail in their coffin. They should not get a third generously funded chance.

Don't interact with their posts.

Don't review bomb the webtoon.

Don't give them any more attention.

They've made more than enough money off of fans they clearly don't respect.

Every creator worth their salt knows trolls and super perverts are only 0.05% of any given Fandom.

If Hanza wants to spit on the 99.95% fine.

Just don't give them any more money or support. That's the only punishment fans have the right to inflict.

Why am I so upset?

Well, as you can see Hanza posted spoilers. They spoiler bombed Twitter because they don't want to finish TGU.

That's right. On top of insulting everybody who paid for this comic they also don't want to finish. Despite the fact that the story reached its climax recently. The girlboss alliance is finally forming against Adam but...too bad I don't wanna write it (suckers).

The sibling plot twist is just abysmal as well.

Shame on you Hanza.

You damn well know that this sibling plot twist is completely out of left field and unexpected. (and boring. I am convinced you are trolling your fans.)

The shipper trolls and the edgy Rozy/Adam fans had no idea it was coming before you randomly spoiled it.

For the record I don't ship anything in this lackluster comic, because I know better. Again, My Deepest Secret was marketed as a Romantic Thriller and then there was zero payoff. Sure, this one isn't a romance, but I don't think anyone signed up for every guy on the block being evil. Just the guy upstairs. Since the story isn't even about love I never imagined so much drama would come out. It feels very pointless and petty. Every time I hear about this artist it's a drama issue and I can't help but think they're part of the problem. Their recent behavior on social media hasn't left me with any other options.

Hanza, you are being manipulative and childish on purpose because you don't want to finish what you started.

You pandered to horror and toxic romance fans on purpose just to get money.

You spoiled a story millions of people have been reading regularly just to satisfy your childish need to bully your own fans.

You took their money.

You signed your contract.

Nobody made you do it.

If you really are super conservative and you think romance must be pure LEAVE US ALONE, and go write pure romance.

Nobody is stopping you, but you wanted to milk more money out of people you don't respect.

It's sickening, and I'm happy that TGU will never get a physical release.

You don't deserve a dime of that money.

Shame. On. You.

#yandere #male yandere #yandere male #webtoon #do not read any works by hanza #my deepest secret #the guy upstairs #anti-rec I guess

[jelsah27]

Pomefiore Dorm First Year Study Session

First Years: *looking around*

Ace: Hey Grimm, where's MC?

Grimm: Henchman had a meeting with some movie producers. Apparently, MC is very good at screen writing... whatever that means... but they said they wouldn't be late so that means they should be here-

MC: *busts though the door* I'm not late!

Grimm: Now.

MC: Sorry guys, I had to haggle with the producers longer than expected. Now let's get this show on the road!

Vil: *is behind the door about to enter and scold the potato for running in incorrect attire*

Deuce: What were you haggling about?

MC: Oh, I said they could have the script if Vil was in it.

Vil: *pauses*

Epel: That doesn't sound like it'd be hard. Most would pay the producers to get them to hire that prima donna- I mean a celebrity like him.

MC: Well that is true but I didn't want him to have the role they wanted to give him.

MC: I said they would have to hire him as the Main Character. They said they would like to give him the villain's role. But as the writer I felt appalled. I wrote the male lead to be the sexy villain type to get the female leads attention. She is drawn in by the subtle kindness that shown in the moments someone needed it most. While everyone only saw his so-called "evil persona", she saw that it was nothing but protecting the people he loved. I also created the role of the "villain" to be a play on the sweet boy type, he isn't evil, he doesn't even have any true interactions with the character. But he's the standard by which the mc is held to. He's the wall mc always has to beat but never seems to succeed. He's the one everyone tries to get to save the FL. This "villain" is the one obstacle that always seems to be in the way. But slowly the mc realizes that the "villain" wasn't the problem at all. It was the society that was flawed. Just because that person is the one everyone wants him to battle doesn't mean they're right. He can be himself and still win the girl. He can strive to be the best he can be without being to be the villain type everyone wanted to cast him as. He can co-exist with someone who is almost the opposite without being mortal enemies. He can simply live.

MC: In the end they caved, so it all works out. Anyway lets get to studying. Tweedle Dumb and Tweedle Dumber are gonna fail at this rate.

Ace and Grimm: Hey!

Vil:*smiling softly*

Vil: *starts calling his manager* I want to take the movie offer I am about to get. Let me know when it comes up or you're fired.

#vil x mc #twst mc #twisted wonderland #twisted wonderland x reader #disney twst #twst imagines #disney twisted wonderland #ace trappola #deuce spade #epel felmier #twisted wonderland epel #vil shoenheit x reader #vil shoenheit #excuse me while i make myself cry #prepare the tissues #twst grimm #pomefiore #twst first years

[paperclipninja]

Middle of the night GO thoughts after reflecting on a couple of comments that the 'you're being silly' scene is actually not just the adorable soft exchange I have been caught up in. I mean it is, but it also isn't.

And it got me thinking that the whole of season 2 is like this, almost the entire time we have two truths in play. The whole season is one of duality.

A few examples (there are many more woven throughout but just to illustrate the point):

Right off the bat, the opening scene, it's both ominous and hopeful. Aziraphale is restrained while angel Crowley full of abandon; one angel is aware of the danger of questioning, the other is naïve. Both are experiencing the same moment in rather different ways. It sets the tone of the season immediately and puts in motion this layered truth within the story.

The minisode with wee Morag and Elspeth, the entire graverobbing premise presents us with the dual truth that digging up the dead is bad but the selling of the bodies to the surgeon, thus contributing to saving lives, is good.

Aziraphale grapples with the duality here, justifying the actions of Elspeth by convincing himself that one truth is greater than the other. We also see that Crowley is far more able to recognise the complexity of multiple truths being valid depending on circumstance. This whole minisode feels like Neil showing his hand a little bit, the duality is so explicitly addressed, meanwhile we, the audience, are engaged in a larger unfolding story in which we are observing similar layered truths playing out in different ways.

Now the scene that made this whole thought process unravel, still one of my favourite scenes and will remain so, is the "smitten, I believe...you're being silly" exchange. It is both tender and awful.

Here we have Crowley, expressing his very real fear of JimGabriel, opening up to Aziraphale that he doesn't feel safe in the bookshop because of the constant fear he will wake up, and Aziraphale just looks at him with heart eyes and tells him he's being silly. This flags so loudly that we're watching two characters who are experiencing very different versions of their current reality, due to past experience, yes, but also, Aziraphale and Crowley each have their own idea about the right way to react to the current situation.

It's been pointed out by many before me, but the ball is another example of incredible juxtaposition and an extraordinary display of two truths existing at once. It is both incredibly romantic and an actual nightmare.

It is reflected, once again, in the way Aziraphale and Crowley are experiencing it, we know one character is caught up in the romance, the other in the horror show, but as a viewer, we are being tasked with holding both truths in our mind simultaneously. And both are true.

Aziraphale the entire season is both giddy in love and completely dismissive of Crowley. It is adorable and infuriating at the same time.

And yes, it is a reflection of the very duality the entire premise of Good Omens presents us with - that something can be good and bad at the same time, pure and corrupt, that the entire binary of Heaven and Hell/good and evil is flawed because those concepts can and do co-exist.

But the way it is seen in the interactions on a personal level this season is what has leapt out at me. It's why I think we see people falling into different interpretations of a lot of the scenes and moments, because they are more than that, they are observations. We are often observing two sides of the same coin, and both are true. The sheer genius of it and the way it is a mirror to the characters and the entire concept of the show we are observing is, quite frankly, mind boggling.

And it all comes to a head in the final fifteen™. There is so much duality in play here that it is no wonder there are hundreds of posts untangling bits of it and trying to extract the meaning from within the many layers. It's because we are given two truths in this final scene that are both heartbreaking.

Crowley loves Aziraphale and wants them to be together, free at last. Aziraphale loves Crowley and wants them to be together, free at last.

BUT

Aziraphale wants to use the system to keep them both safe. Crowley wants to escape the system to keep them both safe.

And then all the moments of duality between them throughout the season reach a critical juncture: Aziraphale in love but dismissive, Crowley understanding that Heaven = good is too simplistic and trying to compel Aziraphale to remember the lesson from Edinburgh ("when Heaven ends life here on Earth, it'll be just as dead as if Hell ended it"), Crowley trying to use the notion of romance to counter the nightmare with a desperate kiss.

It's a complete inversion of those two truths in the opening scene of the season, the entire scene is at the same time ominous and hopeful, but it is Aziraphale who largely being naïve and Crowley who is aware of the danger.

I mean, it was all spelled out for us really, this duality and the fact that those multiple truths in play were always going to come to a head. It was all there, wrapped up in this quote:

"What does your exactly mean, exactly? I feel like your exactly and my exactly are different exactlies".

#good omens #good omens meta #aziraphale #crowley #aziracrow #honestly don't know if this even makes sense #middle of the night thoughts and all that #good omens thoughts

[maria-from-ga]

I can't believe Teen Titans is officially 20 years old today. My favorite animated show and one of the best imo. It got me through a lot of shit & means the world to me

Starfire- the Heart

My favorite character on Teen Titans, and still my favorite hero.

A joyful person who loved the world around despite its cruelty. An immigrant who loved her culture yet always struggled w/ her sense of place and being an outsider like me. Her journey becoming more sure of herself & her place & an advocate for other outsiders like Red Star is beautiful one.

Cyborg- The Lynchpin

A extroverted, disabled black hero who had a deep internal struggle to accept that his disability doesn't contradict, but strengthens his humanity

His main arc on what it means to be a 'man' - that he doesn’t have to prove anything to anyone but instead be sure of himself. As a black hero, his defiance being rewarded, not shamed, resulting in victory in the end is still one of my favorites TT03 arcs

Raven- The Inspiration

When I was younger, I was embarrassed to admit how much I was like Raven bc I hated feeling like a closed-off outcast.

But now understanding Raven as a closed-off person who hid her emotions in spite of how she cared (which was the most out of anyone) to protect everyone. Who constantly fought for good despite being deemed a curse bc she hoped for better- Raven is an inspiration

Her journey to accept her emotions & forge her own destiny and not give into despair is one of the best arcs in all animation

Beast Boy, the Wild Card

To be honest, I despise his immaturity when I was younger.

Now I know he was just a kid trying to be happy despite his hardships (like terrible parentals & Terra).

His season of growing up, learning to let go, and building a team of underrated/inexperienced heroes like himself to defeat Brotherhood of Evil against all odds when all hope was lost was peak

Robin- the Leader

Finally, the Boy Wonder, what else is there to say?

A character so flawed, struggling w/ anger, darkness, and obsessiveness, but will go to war for his friends, & sacrifice all for those he loved.

Learning to let people in and that he can be more than hero. Best Robin adaptation we have seen.

Not just the core 5, but the entire Titans family was amazing. Characters who left an impact despite limited screentime. Más y Menos, Thunder and Lightning, Titans East, Speedy, Hotspot, Kole, and too many to name. With the best Bumblebee we have ever had in any media.

Thank you so much to Glen Murakami, David Slack, Amy Wolfram, Sam Register, Derrick Wyatt (RIP), Scott Menville, Hynden Walch, Khary Payton, Tara Strong, Greg Cipes, and so many countless others in the cast & crew for giving this to me and so many others.

Forever grateful for the Titans' stories & memories & for Robin, Cyborg, Starfire, Raven, and Beast Boy

#teen titans #starfire #dc robin #koriand'r #robin #dc #beast boy #raven roth #raven dc #cyborg #bumbleebee #dick x kory #dick grayson #dickkory #raven teen titans #teen titans go #raven #beast boy x raven #terra #teen titans 2003 #kory anders #titans #dc comics #robstar #vic stone #garfield logan #rachel roth #beast boy x terra #beast boy teen titans #victor stone

[royboyfanpage]

Okay, let's talk about Ollie's experience with fatherhood.

I'm an Oliver Queen apologist forever, but I think that there's a tendency in fandom to go one of two ways- "absolutely perfect dad, no flaws whatsoever" or "evil abuser who shouldn't be within six miles of a child". This isn't an Ollie exclusive phenomenon, a lot of characters and topics do fall into that black-and-white mindset. But the thing is- Ollie doesn't have to be either extreme. Particularly with Roy, who most of the debate centres around, Ollie wasn't perfect! I think there's such a rich discussion point in terms of young Roy's relationship with Ollie, so much more than just That Panel. Because, in my interpretation, Ollie absolutely cared about him, absolutely saw him as a son, but also the idea of being a father is something that deeply terrified him. The idea that this literal child being dependent on him made it feel more real, if that makes sense. Coming to terms with the fact that he was responsible for another person's life was difficult for him, and so he put up this wall- hero and sidekick. A conceptual dynamic, one that's not based in reality. He can keep that distance between himself and Roy and decide what that means, he doesn't have to be a father because that word has so many strong connotations, but he can still express that he cares about Roy, in his own way. That's why he always calls Roy 'Speedy' even out of costume, that's why his first thought is that Roy's undercover in Snowbirds. He can focus on being a good mentor to Speedy, which will have a trickle-down effect to being a good guardian to Roy, right?

Unfortunately, kids' brains don't work like that! Especially not a kid who's already lost two fathers. Roy needed a stability in his teenage years that Ollie just wasn't able to give at that time. He didn't see "Ollie's nice to me as Speedy because he loves me and doesn't know how to show it", he saw "Ollie's nice to me as Speedy, which means I'm only good as Speedy". This, at least in my opinion, is a major factor in Roy’s later self-esteem issues. Roy’s constantly underestimating himself as a hero, constantly comparing himself to Dick, and pushing himself 24/7 to improve because he internalised the idea that if he’s good, if he’s the perfect hero, then he’ll be loveable. He can’t be bad, he can’t fail, he can’t back down because if he does, he’s nothing.

It’s absolutely not Roy’s fault, but also this doesn’t mean that Ollie’s an evil neglecting abuser, either. Even the best parents fuck up, and Ollie was by no means the best parent. He took in Roy as a sidekick, as a buddy, and then never really found a way to combine the ideas of sidekick and son. He assumed that Roy would be able to interpret meanings behind gestures, which is something that Roy seems to struggle with even into adulthood. I’ve talked about it a fair bit, Roy’s absolutely someone who relies on the explicit, but he’s also not someone who’ll ask for clarification, which has caused conflict in his relationships time and time again. And while it's something he has gotten better at as he's gotten older, a 12-18 year old Roy would absolutely not be able to read Ollie's motives.

And Ollie's fear of fatherhood isn't something exclusive to Roy, either. Sure, he'd gotten better at it by the time Connor and Mia entered the picture (speaking as an oldest child myself, we are the guinea pigs of parenting, I was my mum's sibling), he absolutely still expresses this with them. I mean, just look at his face when he finds out Connor's his son.

That's the face of a man who's just had the crushing weight of parenthood slammed down onto him again, the moment Connor stopped being an ally and started being his responsibility. He's scared, because Ollie absolutely does not see himself as a good father for someone to have. This was very much present during Roy's teenage years, but particularly since this is post-Snowbirds. Both in terms of Roy developing a drug addiction and in terms of Ollie's own initial reaction to it, he immediately spirals. And, since we've already established he does not know how to process things, he lashes out at Connor.

And as for Mia, he's definitely matured significantly by the time she comes into the picture, and compared to with Roy he's a lot more open with his feelings. However!

He still won't explicitly accept the responsibility of fatherhood! Despite acting like a father to Mia in every way through his actions, he still won't use his words! Even though in the issue following, he expresses a paternal protectiveness over her.

And I think Mia's HIV diagnosis is maybe one of the biggest examples of his distancing himself and hiding his feelings, particularly when Connor asks him how he's feeling about it.

He's so fine, so totally fine, trust him when he says he's fine, totally not freaking out. He's absolutely not terrified for his not-daughter, no way.

Ollie has this fear that if he gets too attached to his kids, he's gonna end up failing them. If he keeps a distance from them, then he can't blame himself when they get hurt. Is this good parenting? No! Absolutely not! But this is also the man who dresses up as Robin Hood and who chose to die rather than lose his arm. This is not a healthy man.

But he tries, he tries so hard, even if it's in his own way. And he recognises when he fucks up! And he tries his best to mend it later on!

He's not the best at showing his kids that he loves them, but he's so proud of Roy when he becomes Red Arrow. He comes back to life to save Connor. He stands by Mia's side when she gets diagnosed and becomes Speedy. He's not a great dad, but goddamnit he's trying to be.

In conclusion, no, Ollie is not the perfect father. He's deeply flawed, and his own emotional incompetency has been and always will be a point of conflict between him and his kids. But he's not some uncaring abuser, either. He's trying.

#oliver queen #green arrow #connor hawke #roy harper #red arrow #arsenal #speedy #mia dearden #arrowfam #dc comics

[kalak]

Luke skywalker has so much rage inside him and I want people to recognize that. No he's not a shy baby boy, you know how much grit it takes to keep on doing and remain optimistic at the face of insurmountable evil? That boy is full of emotions. And yet he is kind. That's the key to his character - that he is full of rage but he doesn't let that stop him from hoping.

He definitely has a hair trigger temper - hell, his main character flaw in empire strikes back was his impulsiveness and recklessness - and he's so much like vader, he wants and loves so strongly and he despairs as strongly too. And what does he do with that temper? He fails, he loses, and he blows up and wrecks shit, but also that temper is the flip side of loving, and he embraces that too, he loves with all his heart. Point is, he's a very action and emotion oriented person, and that's what pushes him so close to the dark side; he's fatalistic, he's sometimes ridden with guilt, he's emotional.

But then he learns patience, he learns gentleness - learns to be a jedi. It's all learned; do or do not, yoda says, and he learns to do, to keep hoping. He isn't born as a sunshine boy, it's not his nature that makes him that way - he's naturally emotional, kinda whiny, full of rage; all the hallmarks of a darksider, but he learns to grow beyond that. That's how he can extend such an understanding hand towards sith and dark siders, his father - he knows the dark side. He understands it, he flirts with it, and yet he chooses to do better.

The meaning of luke skywalker in the star wars narrative is hope - hope isn't a magical deus ex machina that solves all your problems. It's not there all the time from the very start. It's something you cultivate, just like luke did throughout the trilogy.

Hope is continued existence. It's optimism that perseveres. You know that line of bravery being doing it in spite of the fear? Well, hope isn't the absence of giving up. Sometimes it's just screaming crying trying to kill your own father, but it's also making the right choice and trusting vader to make the right choice, too. If there's one good thing about the sequel trilogy, it's that - luke may have run away, he might have done some... uncharacteristic things, but that doesn't mean he's lost hope. He returned to fight again after all, didn't he?

Even if you fuck up, you return and fight - with a relentless optimism that being good will be enough, that the world is a better place for this choice. And Luke does that, again and again - still carrying all those emotions within him. He's a fire that burns strong and bright; he's sunshine and tempered death.

#star wars #luke skywalker #my ramblings #star wars meta

[writers-potion]

Don't Fear Criticism

Creating homosexual characters can feel like planting an active grenade in the middle of your story. You start to fear bad reception of your work - even before you start!

But really, there is no need to worry. The fact that you're concerned only proves that you care.

You probably won't get it the first time.

You probably will get some criticism.

Only remember that it's perfectly normal to make mistakes. After you punch out your draft, have beta readers who are part of the community and incorporate their feedback.

No Diversity Shopping

Yes, diversity is important, but it's no checklist where you need to list all possible sexual orientations and have at least one character for each.

First of all, it would be quite impossible.

Second, that is likely to make all of them underdeveloped and stereotypical.

Check if you really need the character in your plot.

If they turn out to be homosexual, let them run their own course and shape their path. If your story's theme is related to the character's sexuality, think about the message you want to convey.

Quality over quantity, always.

Go Beyond Sexuality

Your characters exist, and they happen to be homosexual, not the other way around. This doesn't mean that it won't be an important, or that you should downplay their sexuality.

Strike a balance by showing readers their hobbies, interests, likes and dislikes, relationships with their family and friends, etc. The more holistic they are, readers are going to be convinced that you have an actual character, not a scarecrow holding up the #diversity tag.

How do their sexuality play into their broader narrative?

Develop a Backstory

Every homosexual character must have thought about their orientation and identity, with a process of how they came to recognize their sexuality.

Whether you're character is a confused teenage girl, or a middle-aged gentleman with a stable relationship, think about what brought them here.

Backstories don't have to be tragic. They can have supportive parents and find escapism in online communities who accept them for who they are.

There isn't just one "gay life". Get creative.

Normalization is Important

Sometimes, your story world will not accept homosexual people as normal. That's okay!

However, there is a difference between other character treating them unfairly and you as an author normalizing homophobia in your narrative.

Word choice and tone would play a key role.

When a likeable character is homophobic, avoid normalizing it by making it a flaw. Show that your conservative medieval village is narrow-minded when they treat them as outcasts.

Homophobes may not necessarily be the evil guys.

It's enough to state (clearly) that it's wrong.

Make Use of Tropes

Stereotypes aren't just an issue with gay characters, but when used successfully, have created wonderful retellings and spinoffs that are refreshing.

You can purposefully overplay stereotypes to show how silly they are. Deconstructing stereotypes can add humor to your narrative.

You can also use them to explore the expectations that readers have for those kinds of characters. The Gay Best Friend might be a trope, but you can get them to go deeper than the typical sidekick to realize their true potential as a cast member.

Religion and Homosexuality

In the real world, religion and homosexuality are often presented on far opposites of politics, and that makes me sad. Homosexual characters are free to be religious, find peace, support and mindfulness through any religion of their choice.

Vise versa, deeply religious characters can have wonderful relationships with homosexual characters.

It all comes down to how your characters interpret religion and homosexuality in light of those religious values. Though I'm an atheist, I believe all religions have the ability to embrace diversity at their core.

If you like my blog, buy me a coffee☕ and find me on instagram! 📸

#writer #writers #creative writing #writing #writing community #writers of tumblr #creative writers #writing inspiration #writeblr #writing tips #writers corner #writers community #poets and writers #writing advice #writing resources #writers on tumblr #writers and poets #helping writers #writing help #writing tips and tricks #how to write #writing life #let's write #resources for writers #references for writers

[heartofaskywalkerprincessleia]

Luke Skywalker is a hero for people with anxiety

(Contains spoilers from Episodes 4-6).

A lot of people relate to Luke Skywalker. He's down-to-earth, honest, and always strives for the light. Watching Star Wars again for the first time in a while, however, I realized something. When I looked it up on the internet, I was surprised that I couldn't find a lot of discussions about it. What do I mean? That Luke Skywalker suffers from anxiety.

The deleted scene from Tosche station, which I recently saw for the first time, sheds some light on this aspect of Luke's character. In the scene, we learn from Luke's friends that he panics easily. They're all chiding him for ‘again’ thinking that the Empire is coming. Even though he's just seen Princess Leia's ship fighting with Darth Vader's ship, his friends begin gaslighting him.

Someone online pointed out that this scene causes Luke's statement “there's nothing left for me here, now” to be more forceful. Upon finding out that his Aunt and Uncle are dead, Luke doesn't go to his friends for help. You wonder what his friends thought upon hearing that Luke's family had been killed by stormtroopers, right after he'd tried to warn them.

This aspect of Luke's character, and how he is treated by his friends, conditions him to not ask for help. In the ESB, as he's dying on Hoth, he never calls for anyone. If Obi-Wan hadn't shown up, Luke wouldn't have started calling out to him. If he hadn't started shouting, Han Solo wouldn't have seen him. 

This trend continues. Luke panics about things, but doesn't ask for help. Yoda tries to help him, getting him to relax and clear his mind. But, the vision of his friends worries him too much. He makes light of Obi-Wan’s warning that the Empire is after him for his talents. Luke is still holding onto what he told Biggs in the deleted scene from Tosche station–that the Empire will never draft him. 

During the fight on Cloud City, Vader acknowledges that Luke has learned to control his fear. Remember, Luke canonically gets so scared of the Sand People that he faints in the first movie. There's almost a parallel of that first moment, as Vader knocks Luke down and holds his lightsaber to Luke's throat just like the Sand People knocked him down before.

Luke has always gotten through things on his own. But, at this moment, he loses his hand. Losing his hand is symbolic of Luke losing the ability to do everything on his own. His father, who he always idolized and held onto, is evil. He's alone. He realizes that everyone was trying to protect him from this reality. Even his aunt and uncle let him think that his father was a hero, because it helped Luke to hold on. 

He finally reaches out to Leia. He finally forms a real connection with someone, which requires being vulnerable, and overcoming his fear of not being taken seriously. And, Leia rescues him. 

In the ROTJ, Luke tells Obi-Wan that he can't do this alone. He starts working with Han and Leia, and realizing that he is actually important to them. He trusts Leia enough to tell her that she is his sister, and that he has to save their father. 

But, still, Luke is trying to do everything on his own. He goes to face his father, and tries to be calm. He tries to avoid becoming angry. He tries to control the anxiety that got him ridiculed by his friends. The anxiety that led him to destroy Vader in his vision during his training on Degobah. The anxiety that he sees as his greatest flaw. 

But, he panics. He goes after Vader, and cuts off his hand. And, that's when he realizes it. 

All his life, Luke has wanted to be like his father. He praised himself for the positive qualities that are like his father. Being a good pilot. Being a Jedi (before he knew that his father was Vader). But at this moment, Luke looks at Vader's mechanical hand, and realizes that his father is just like him. His father is anxious. His father was scared, and overwhelmed once, just like him. His father didn't have anyone to turn to. 

Luke stands up to the Emperor, but that isn't what causes this scene to be so powerful. It's the fact that, as Luke is dying, he says the words his father once desperately wanted to say to someone.

“Help me.” 

“Please, help me.”

And Anakin, who wished someone would help him, who told Luke that it was too late for him, realizes that he can be that person for someone else. The pain he's gone through his whole life doesn't have to be passed on. He can save his son from the same fate. And he does. 

That's why Luke Skywalker is a hero for people who suffer from anxiety. Because he shows us the importance of accepting ourselves. Of self-compassion. Of reaching out to others. Of not being afraid to ask for help when we need it. And, if we do, we might just be that little spark of hope that someone else needs. 

May the Force be with you, always.

#luke skywalker #princess leia #star wars #the empire strikes back #return of the jedi #a new hope #darth vader #anakin skywalker #spoiler alert