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dvasva · 6 months

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Tbh? I think the radiant emperor duology deserves more critique than it gets in its tag, so after stewing it over for a couple weeks and also discussing it with my friend, I have decided to do it myself.

So. Spoilers for She Who Became the Sun and He Who Drowned The World ahead.

First off, so nobody accuses me of hating the series, I liked the series. I'd say I'd give the first book a 4.5/5, I thoroughly enjoyed it, and I like both books. I truthfully skipped the fisting scene, it triggered some dysphoria that I wasn't comfortable with personally but I don't have problem with it existing in the book, it's good where it is, no changes.

No, my critiques come mostly from the second book, hwdts. Which sucks because I absolutely loved Baoxiang in it, it's a well known fact that my ideal type is pretty, really mean, characters. ('What about Madam Zhang?!!!???!? Shes mean and pretty!!' I hear you ask. Give it a second cause i will get to my beloved madam zhang) So, my critiques are mostly organized as 'The first part I didn't like in Hwdtw that signals the thing that became my biggest issue, the bits in the middle that i did like along with the bits that I felt didn't really work well, and Act 3 which is where my issues really were exacerbated.'

By the end of book one, I had a general annoyance but acceptance that Ma Xiuying was a bit of a weak character, and not weak as in 'dang shes a woman and cant fight' or any other sexist way you may interpret that, but weak as in structurally, she didn't really have as much depth as other characters. I thought she didn't have as much time put into her character as others. And yeah you could have a million character analysis essays over Ma and her place in the story and etc, but for me, her setup for the next book as potentially having conflict with Zhu or her own morals was the most interesting part of Ma. In general I think a lot of people tend to overlook this flaw partly because Ma is a cis lesbian character and the main 'love interest' in a book that is usually marketed to people as sapphic, which yeah there is certainly a sapphic relationship in the book but I think saying it's a major part of the book is really giving the relationship a load bearing wall ot isn't strong enough to carry. The Radiant Emperor Duology is not a romance, first and foremost. To describe it as a wlw romance is gonna leave people who read ot specifically for that reason kinda dissappointed by the end of book 2.

My big critiques didn't start until book two, and a particular scene, though. Ma, at the start of book two, was generally filling the niche of 'nagging wife' to zhu, which yknow, is a fine place to start from. I was a little disappointed there was no further discussion of Ma's disapproval of the morality of Zhu's actions, and in fact the dead child was pretty much entirely forgotten by Ma in favor of being Zhu's wife. Which, yknow, sure.

The Scene I had issue with happened (Spoilers once again) after Zhu finally captures Ouyang and imprisons him at her base of operations. Ma, dressed in her empressly regalia enters his room with the intention of being the bigger person. She walks in, looks at the stripped down and humiliated general who killed her father and famously is also really a women hater, and tells him she forgives him for killing her father. And then she gets upset and cries when the prideful general who hates women gives her a dressing down and taunts her and is like 'I'm glad I killed your father'? She nearly cries because Ouyang was mean to her (notably only cause he was mean to her and didn't gracefully accept her forgiveness, not because he killed ehr father) and runs off to Zhu. And Zhu responds with 'Wow, he's just a weirdo, everyone likes you and everyone in existance immediately knows you're a good person and you change people.' Which, my friend suggested before she finished the book, was a case of Zhu placating Ma and dismissing her feelings which would be an interesting dynamic.

Really my hangups with this scene come from multiple parts.

1. Ma' few character traits including being observant and reading people really well (a thing she's praised for in book 1) and having good social intuition are completely thrown out by her thinking being alone with ouyang and forgiving him would be a good idea and then her being shocked and upset when he spat on her forgiveness. And

2. Zhu's response is never once treated by the text as her dismissing Ma and placating her, and Zhu's statement despite never being shown to be true before and that moment being the first time it's ever mentioned, ends up becoming Chekov's moral purity by the end of the book, where the plot hinges on Ma being able to magically heal a damaged character's mind enough for Zhu to win in the end. Which I will get back to. There's a lot of other stuff happening between here and the end.

So, before I get back to Ma and her role in the story, I'll address some other bits from after this scene. Both problems and things I enjoyed generally.

Madam Zhang and her parallels to Baoxiang and her being the absolute queen of dissociating really was interesting (before act 3). She was a very compelling character who I completely understood and felt positively about. She had a way more interesting relationship with gender imo than Ma did, especially in book 2. I didn't really like that she was overwhelmingly shown having sexual villence done to her, that felt weirdly like a punishment. But, I did like her a whole bunch, and I liked the look we got into her head. She was probably my second, maybe third, favorite character in the whole book until Act 3.

I really, really liked Ouyangs dynamic and relationship with Zhu. The weird sexual tension between them, their weird kinda nonsexual but also kinda very sexual S&M relationship. It was somehow the most sensual, sexual part of a book that featured Madam Zhang having sex with multiple people, and Zhu going down on Ma, and a lot of other mentions of sex or scenes involving sex. Tbh I feel like, in a way, Ma was left to the sidelines for most of the book because Ouyang became the primary 'love' interest for a hot second there and the only reason Ma could get her spot back was Ouyang and Zbu's separation. Also, from what I've seen when people talk about this book, they always kinda try to express Zhu and Ouyang's dynamic as very nonsexual and nonromantic, as platonic mostly. And there is no inherent superiority of romantic over platonic, but I think to insist that it is only platonic, and not a strange swirl of romantic, platonic, sexual, frustration and relief, and a swirl of familiarity and vulnerability all wrapped into one, is doing the dynamic a bit of a disservice. And ther is, imo, very clearly a subtle hint of romantic intent and interest on Ouyang's part before he realizes Zhu has a body he hates.

Which is also another point I didn't like. Ouyang and Zhu's relationship end felt off. The entire bit with the pirates felt off, but especially how Ouyang found out about Zbu's body, and how Zhu reacted. I think Ouyang finding out second hand, from a combination of being suspicious and from Jiang saying it, was a poor way for that to be revealed. I think there was a better way for that to happen that woyld have felt more like a betrayl to zhu than this did. The fact that Zhu and Ouyang were so in tune and could see each other perfectly, but this one thing was a blind spot for both of them because of how unaffected by gender Zhu was compared to how overaffected by gender Ouyang was is a really interesting thing to explore, an interesting disconnect between two character's whose entire basis for their relationship is 'like recognizes like'. I think Zhu seeing it as a betrayl would have been more impactful if she had presented this informatuon to Ouyang herself and been rejected than how it went down. And, I think her not realizing Ouyang would be disgusted that he felt connected and felt a sameness to someone with a body he found grotesque and that he feared would have been more interesting for zhu, who views herself outside of womanhood and didnt really think that other people would not see her outside of womanhood, if she was the one who told ouyang herself.

Also, less importantly, think going into Ouyangs annoyance that zhu kept moving his target further away was a good move but it wasn't expanded on as much for my taste. I also really liked it when (spoiler) Xu Da dies, and that entire part despite some minir bits, was extremely good in that Zhu finally has tasted loss. She had, up until that point, been riding a wave of positivity, she was the underdog who won over and over again despite all the odds and despite her own reckless choices. So I did appreciate that everything went wrong for her at least once. that would have been, imo if other things were changed, a good place to end a book two in a three book series. Which will make sense as to why I mention it im a bit.

I also didn't like how Ma was nonexistant unless the plot was like 'ok we need to remind people that Ma exists.'

And there's of course other stuff but those are the main points of acts 1 and 2 that i wasn't fond of or that i liked.

Act 3 is a wholely different behemoth which can be encapsulated with 'I wish it was longer but also different' (courtesy of the convo my friend and I had).

My friend and I both agreed that we liked this kind of courtly drama game it was playing. My friend doesn't tend to like the structure or writing style of a lot of the chinese wuxia, danmei, or courtly drama translated books i read, so it was nice to know that the genre content isn't the issue for her there.

The biggest problems I had with the ending though was 1. I think Baoxiang and Ma had an interesting dynamic despite it being really rushed and how distasteful I found the entire concept of Ma being such a good wholesome goody good good person that she could change Baoxiang, quiet his demons and fix him in some way. That was annoying in an otherwise interesting dynamic. And 2. I think Madam Zhang's character traits and cleverness and all that were wiped away to make her inexplicably jealous of Ma in a way that I don't think fit her character and just served to fit a trope of jealous empress who hates the favored concubine.

So, here's my major proposed changes.

1. Ma gets sent to Khanbaliq extremely early on. Like, act one maybe after ouyang is captured early. This serves three purposes. A. Ma has something to do and is more present in the story. this could be a good xhance to let her actually feel frustrated or upset at Zhu in some tangible way that needs to be resolved or talked thru eventually. B. she gets more time to build a relationship with Baoxiang, whose entire defeat hinges on him having a strong connection with her. and C. Her absence in the other parts of the book feel less like she's being ignored or forgotten. It makes Zhu's lack of haste more than just a way to annoy Ouyang, and turns it into an interesting moral choice. Should she rush to Khanbaliq to save Ma or trust that Ma will be ok in favor of gaining power? Her lack of haste means Ouyang leaves, depressed, and she loses Xu Da, all while she doesn't even have the assurance that Ma is ok, she is truly at her lowest point with nobody with her. If Ma is in Khanbaliq and that's explored, then Zhu and Ouyang can also explore their dynamic without Ma feeling a bit like she is battling for Zhu's attention.

2. Madam Zhang is suspicious of Ma, or feels actually tangibly threatened by Ma. In act 3, Madam Zhang's anger towards Ma feels really out of place. She got exactly what she wants, she is empress, her emperor isn't interested in removing her from her position and her position isn't threatened by anyone. Baoxiang won't get rid of her, he won't demote her, he has shown zero sign of ever even considering it. So, why is Madam Zhang jealous of Ma? Imo, especially since she very clearly has dissociated into oblivion and has no love or affection for anyone anymore, and no real desire or motivation to secure her position further aside from maybe producing an heir to make sure shes taken care of after Baoxiang dies, there's no reason for her to be inextricably jealous of Ma. It kinda just erases all of Madam Zhang's political savvy and cunning into jealous, petty woman, and that sucks. If she was suspicious of Ma's intention, or Baoxiang genuinely expressed spmething that actively threatened her position, her hatred of Ma would make sense, but instead she hates Ma cause Ma is ugly and spends every night with Baoxiang. She hated rice buckets concubine cause that concubine used a lot of funds and competition genuinely made her position less stable. She needs better motivation for hating Ma.

3. As I mentioned earlier, Zhu needs to be the one to tell Ouyang that she does not have a dick. That's just all around better, it feels more like a betrayl to bare your secrets and be rejected, etc etc.

4. The duology should have been a trilogy, with book 3 starting when Zhu is at her lowest, ouyang is dead, ma is in khanbaliq, Xu Da is dead, a new guy is the emperor. This is where a book three should have started. in a series that has so many important characters, i feel like it needs more space. she's in a 10 gallon tank when really she needs a 30 gallon tank. Lots of it, especially towards the end of book 2, felt rushed and the extra book will absolutely push that back a bit and make it less rushed.

Anyways that's my critique of The Radiant emperor duology. Once Again, I liked the series, its one of my favorites i've read all year. I don't dislike it, and having a critique or opinion about something doesnt mean I didn't like the book or understand the book (because obviously if i understood it i would understand why its flawless). I liked it, there are things I wish were different, that's it.

#radiant emperor #he who drowned the world #she who became the sun #radiant emperor spoilers #spoiler #i wrote this in like 2 hours at 4 am and i got lazy halfway thru editing it so if theres typos rip #i just needed to get it out of my brain #organized in text somewhere other than jamies discord dms #thank you jamie also #i have a lot of opinions on this duology #some i didnt even mention cause its 6:30 and i forgot #i think shelley parker chan wants to write nblm or mlm books tbh #i dont think they really wanna write sapphic books #and tbh im ok with that i think there should be more books about transmascs #the tiktok/tumblr habit of describing a book with tags really also doesnt help this book also #i think to say 'sapphic enemies to lovers' for this kind of book gives people the wrong impression #especially since once again i wouldnt really describe it as sapphic in the genre way #anyhow again so nobody kills me #i did like the books #i enjoyed them i loved them i did not hate them at all

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frostysfrenzy · 6 months

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Miami truly said we're gonna write some really wild experiences for our main characters that make the ones other main characters actually die from seem minor.

Horatio: shot in the abdomen (roughly), lays there, proceeds to dive into the ocean to save Nat (who was fine btw) shortly after hallucinating his wife. He goes back to work. Collapses again after an arrest but he's fine don't worry

Speed: gunshot to the chest, gone within the minute 😭

Calleigh: severe smoke inhalation not once, but twice! Literally categorized as lung disease. A couple comas. Her heart stopped. Weren't even sure she could recover. But she did! And she's a mom now and I couldn't be happier for her

Jesse: inhaled the same gas as everyone else in the lab, but he was the only death because he... hit his head

And the biggest miracle, Eric: shot in the leg and then the head, where most if the bullet still is. He flatlined for several minutes. He was on plasma. But he pulled through eventually. Back to work in a few weeks, no big deal. Some amnesia, had to relearn some of the basics of being a csi. Even hallucinated a dead colleague for a bit (though it helped with the side case and I adore that ep cause SPEED MY BOY) but after some more minor trauma he achieves his happily ever after, don't worry guys

#csi miami #listen. I'm glad they pulled through. and I'm not trying to be dramatic #but also i am #me watching the eric ep(s) was literally like “and they killed speed so simply”#I'll never be over speed but eric is my boy in the later seasons #don't even get me started with jesse that was just. weak. idk what Eddie had to say about it #but i know rory thought the way the wrote put speed was pretty unimaginative. and he ain't wrong. he got done dirty.#mind you thats the theme of this show #i mean i like it its got a good base but some of the writing choices are just. why.#and by some of the writing choices that includes pretty much everything they did to ryan #and the entirety of season 4 #the miserable life of eric season 4-6(7?)

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ofmd-alsaurus · 6 months

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#i am crashing so hard today lmao i was up until 2am after watching the episodes and feeding the baby #then baby woke up at 4. hand to wife go back to sleep. baby woke up again at 6. and then i was up.#and then i had the worlds most boring meeting from 8 to 9. this is usually when i would be getting the kids ready for the day #so instead my wife did all of it while i was in worlds most boring meeting #then at 10am. i had to be part of a panel interview for a new engineer #someone to help ME with MY work!#but the interview was a live coding session conducted by staff+ level developers. NOT automation engineers #and they were so fucking hard on this poor guy omg. this guy whose resume is fucking perfect #he seemed so nice too. and he did his best #but even a fulltime ios engineer would struggle to implement such a data structure #its totally unreasonable to expect it of an automation engineer #and i had to be on the side in our chat trying to defend this guy like. look. i wouldnt be able to do this either #and for my interview i didnt have to! i wrote unit tests for that data structure which was already implemented #they seemed surprised and asked who did my interview. like holy shit you guys didnt even check?#you didnt even think to yourself 'i wonder if the automation engineers use different interview problems'????? omg #anyway i didnt mean to vent so much about that but #im just saying. my dopamine is all fucked up today lmao i'm struggling y'all

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transmutationisms · 2 years

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just remembered kendall describing his father as “turning black bile into silver dollars” img fjdhgkjsdhgkfjd jesse armstrong i could kiss you

#1. it just sounds nice. alliteration and parallelism with the colours. like it #2. i am still obsessed with humours on this show. i simply refuse to believe someone wrote that line accidentally. melancholia -> money #3. the temporal aspect. an ancient/medieval/early modern medical theory -> coins minted in the 18th century (at least in the us)#4. the alchemical ring to it. not lead into gold but black bile into silver dollars #5. that it's said by kendall. resident melancholic who has spent all of s3 failing to make the exact conversion he now attacks logan for #6. that it's said over a meal. and after logan has used iverson to test said meal for poison. unbalanced humours & contamination of the body #7. a literal transmutation of all previous systems of meaning into cold shiny cash and value as commodity form #8. it really does just sound extremely nice. like it's just a well crafted line. it's really very good is what im saying.#blood sacrifice #words are just complicated airflow

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drill-teeth-art · 1 year

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Wow! Here’s something incredibly personal.

This is Good Bi Gender. A comic I made to express some feelings I have about my gender. I don’t really have that much else to say about it. Here it is.

[Image Description: A digital comic made with sharp, angular abstract lines and only the colors white, blue, pink, and black. The featured character is all white, except for facial features and hair colors, which changes from panel to panel. The comic reads: Cover Panel: The text "Good Bi Gender", the words colored with the trans flag. It shows a glitchy person's face, half pink and half blue. Panel 1: White text reads: "Hello. My name is apparently irrelevant. And my pronouns are he/him and she/her. But you can't call me she/her. And here's why." Someone with a half-pink and half-blue shirt looks to the side. One eye is covered with hair, and the other eye is pink while the iris is blue.

Panel 2: The character sits happily, imagining facial hair and a masculine voice. "I don't want top surgery. I love my chest. And I dream about being on testosterone someday soon." The character looks at a phone, frowning. The phone shows the male symbol with an "X" through it. Text next to it reads: “People don't seem to think that the features I dream of are very pretty though... Or they think even worse of them than that…”

Panel 3: The character’s features are all pink, and sits in a blank frame. The character reaches over to a blue frame, frowning. “I don't like the animosity. I really despise it.” A photo of the character shows an all-blue frame and blue hair, with pink outlines and facial features. “To be a boy... I aspire to be one. I aspire to be masculine in all its handsomeness. All its prettiness.” Panel 4: The character sits in an all blue panel, but reaches back out to the pink panel. “And I'm still a girl too. I was so excited to have both. To love both. To have handsome femininity. Beautiful masculinity.” The frames break and connect, and pink and blue swirl together. The character smiles in between the frames, with one pink eye and one blue eye. “So excited. And yet I get asked…”

Panel 5: Two hands hold out two different pills to the character, one blue and one pink. They ask “Male? or Female?” using the male and female symbols.The character, facial features an array of pink and blue, looks between the two hands, distressed. “It's both! I'm both! They're not opposites. Not narrow boxes. I say I'm both despite the insistence that I can't be. And I know what I look like. I know I look like a girl to most. I know that if I say people can call me she, that's all I will get from most. Because it's "easier". It "makes more sense". To have my masculinity, I am often forced to be unflinching in it and it alone. To never use she. Because if I don't, I will never get to have he.” [The words "she" and "he" are italicized.] Panel 6: Text reads: “I'm still very happy to be so comfortable in my identity. To know, despite all that, that I am indeed a boy and a girl and both. But you know. Telling people to only use he/him for me. Guarding my masculinity all just to have it. All at the expense of the part of me who is happily and unashamedly a girl.” The character cries from one pink eye, the other hidden. The character holds a pink girl in a sea of blue, the girl crying out. In the midst of the blue, text reads: “Well, it fucking breaks her heart.” End ID]

Edit: @starberry-skies wrote an ID for the comic, so I added it to the og post with its permission!

#transgender #trans artwork #original art #digital art #comic

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tojikai · 9 months

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Sundered 2: EMBERS

Pairing: Gojo x reader

Genre: Angst

tags/cw: angst, mean!gojo(kinda), babydaddy!gojo, babymomma!reader, motherhood, insecurities, arguments, implied pregnancy, mentions of abortion

word count: 5.4k

a/n: it's not sad.

Pining so intensely for something you never had to the point where you physically ache.

Each step that you take away from Satoru’s house feels like a stomp to your already broken heart. Your eyebrows furrowed, feeling the waterlines of your eyes start to get hot and itch. You recalled the noises and laughs that you heard from them while you walked out of their door.

They have no idea how much you want to get down on your knees and beg them not to take away the only thing you have left.

Your feet feel heavy with each stride you make toward your car. You could taste blood inside your mouth as you bit your inner lip to channel the pain away from your heart and to your body instead. You found yourself looking for answers on why all of this has to happen to you. As if being replaced by the man you love so easily and having to see how he treats someone else a thousand times better than you were not enough, you also have to witness your own flesh and blood turn away from you. Am I really that far behind that woman?

Is she that much better that even my own child prefers her over me?

You placed your hands on the steering wheel, looking down at your lap as you let the tears fall. You kept glancing over at the gate, hoping that Satoru would come out, running with your baby in his arms. Yet, you don’t want him to see you crying miserably. You swallowed thickly, letting out a large breath in an attempt to get rid of the painfully heavy feeling in your chest.

Driving away was numbing, and all sorts of thoughts ran inside your mind. But above all of them, your eyes were focused on the toy store as it got bigger in your view. You wondered about what you could get your little love to at least make her smile when she comes home. You remembered how your gift to her, her favorite bear that she used to hug as she sleeps ever since she was an infant, was cast aside as she clings to her new ones.

Is that a foreshadowing of how you’d end up being in her life? It scared you.

Reaching the parking lot of the store, you looked at yourself in the car mirror, noticing your bloodshot eyes. You inhaled and let a big breath out slowly, puffing your cheeks as you assured yourself that it’ll be fine when she comes home later. Your head hurts so much but you can’t afford to care, stepping out of your car and heading to the front door of the store. The first thing you saw was a pregnant, young lady checking baby books.

She reminded you of yourself when you were still pregnant with Yui; curious about everything, eager to learn, and all was about the baby. You admit that it wasn’t like that at first, given that you were young and had to drop out of college at that time. You were anxious, torn between decisions, and terrified of what life would be like for you from that point in time. During that period, you and Satoru were ignorant but trying hard to figure everything out.

You met Satoru at a nightclub where you worked as a bartender. He was flashy, and women just flock to him as if it was the most natural thing to do around him but that night, his eyes were on you. What with persistent offers of buying you drinks and talking to your manager to let you off early for the night, you ended up in a luxurious hotel suite with him.

He even wrote his number on the price tag of the fancy lingerie set that he bought you after he ruined the one you were wearing the previous night. He was joking that you’ll never get enough so he’s providing you his contact for next time. You thought that would be the end of it. You didn’t think that it was just fate giving you a helping hand in advance because you’d end up with a child together.

You consider it a dumb mistake. You know that Plan Bs exist. But with a working student like you who couldn’t even have time to get a proper boyfriend, it slipped your mind. The first thing you did after you got the results was call Satoru. You thanked the heavens that he wasn’t seeing anyone, and that he remembers you. It was a tense meeting, what with you asking if he wants you to abort the fetus. Next thing you know, you two were already dealing with your mood swings.

“Look, I really want to work this out with you, Y/N. For the baby.” Satoru sighed, slamming the door behind him as he watched you sit on your old couch. You lean your elbows on your knees as you covered your face with your hands, harshly running them down your cheeks to wipe away the big, fat tears that fell from your eyes. There are just so many things going on with your life.

“I’m only 21, Satoru. I got my whole life ahead of me.” You looked up at his tall figure, frustration was evident in your eyes. You can tell that he was also distressed. His hair was messy, his jaw was clenched tightly, and even if you cannot see behind his tinted glasses, you can tell that he hasn’t been getting enough sleep. The dark half-circles under his eyes and the redness in them show just how exhausted and disquieted he has been in the past few days.

Satoru’s five years older than you. He was born to a rich family of politicians who don't and probably will never need support from him or the other younger generations in their household. He has a stable source of income, he could probably make life investments that could cover your yearly living expenses. He has nothing to worry about, he won’t be dropping anything if he decides to take in another mouth to feed. But you…

You’re basically your mother’s retirement plan and now you got pregnant with a kid of a man you barely know. “Y/N, listen to me.” He got down on his knees in front of you, trying to take your hands off of your face as you sob, struggling to catch your breath. What’s going to happen to you now? You didn’t even get to finish the degree that your mother was working her ass off day and night for.

“You won’t have to worry about anything, you know? I’ll handle everything you need—” He trailed, trying to calm you down as he gently grabbed your forearms. “You don’t understand!” You cut him off, snatching your hands away, aggravated that he’s not thinking about how it could affect everything in your life. “Then, what the fuck do you want to do?!” You flinched as he raised his voice at you, breathing hard as he backed away.

“You think you’re the only one who’s going to be affected by this? You think you’re the only one who’s being robbed of another future! Open your fucking eyes, stop being selfish!” Satoru snapped back, harshly taking his glasses off before throwing it across the room. You started to cry, whimpering as you used the collar of your shirt to wipe your tears away.

“I’m scared, Satoru. I’m just so scared. I can’t even take care of myself, how am I supposed to raise a child…” You broke down, turning your body away from him. There was a long pause, a moment of pure silence, save from your sniffs and Satoru’s ragged breathing.

You felt the couch dip as he sat down before pulling you to him, letting you cry on his chest. “I know, I know. I’m sorry.” You would be lying if you said that the back rub, the temple kisses, and his whispers of reassurance didn’t calm you down. Those thoughts were recurring in your head and now that you finally let it all out and got answers from him, you were soothed.

You blinked hard, shaking your head to get out of your trance. You went straight to the dolls section. You can’t believe you just had a flashback of Satoru comforting you in the warmth of his chest. Your mouth started to twitch, wishing that he held you like that earlier when his girlfriend was slapping into your face that they’re gonna give your child siblings. It shouldn’t hurt you, but it still did. You realized that this girl, this woman is gonna have everything you wish you had with Satoru.

You walked past the kiddie pools and trampoline section, stopping when you saw a playpen, almost similar to the one Satoru bought for your little girl but smaller. The size doesn’t really matter though, because you know that you don’t have enough space in your place for something so big, anyway.

Going closer to check the prices, you bit your lip as your eyebrows bumped together. You were calculating your monthly expenses along with the money for your savings in case of emergency. It’s expensive but you’re determined to cut back just to buy it. You kept your eyes on the tag as you took half a step away from it but your back was met by something, or rather someone behind you.

“It’s not cheap, is it?” A man’s deep voice boomed as you turned around, but your eyes were met by a broad chest. He’s big, you thought. He’s literally blocking your view. It didn’t help that you were short enough to have to look up to see his face. He was also staring at the playpen as he held the pushcart beside him.

“Y-yeah…” You answered, a bit awkward as you found yourself admiring the guy. You admired fathers who are active when it comes to their children. You didn’t grow up with a father so, you just found it endearing. You looked away from the man, gritting your teeth as an image of Satoru and his girlfriend shopping for baby things appeared before your eyes for a split second.

“Excuse me, sir. I still have to buy my daughter a gift.” You bowed slightly before turning away. He just nodded his head, too occupied to even look at you. You proceeded to check out the little dolls, hoping that you’d find something that’ll really catch your daughter’s eye. Picking up a dark-haired baby doll with big blue eyes sitting on a stroller, you smiled as you remembered how it has the same eyes as your baby.

You went to pay for the doll, and your heart was filled with joy despite the throbbing pain in your skull and the hot feeling behind your eyes. You reminded yourself not to forget to take your medicine. Thinking about getting sick and having to leave your child for a couple of days with them again makes you anxious, afraid that she’ll never want to go home to you again.

You hurriedly went home, driving in the midst of the rain. You put the little doll on the chair, ready to surprise your baby girl when she comes back. You had to bear with the time, constantly checking your phone if your little girl and her dad are on the way to you. Your heart swelled at the thought.

Though, you know that you’ll never be the one he comes home to, it’s still nice to think about.

—--------------------------------

“She really called me Mama.” Naomi giggled as she kissed his daughter’s cheek. Satoru smiled, watching them play together warms his heart. It made him feel like he was staring at his family even if he knows that his daughter isn’t hers. He pursed his lips, remembering the look in your eyes at what you heard the child say.

He felt conflicted, not knowing how to react to all of it. He doesn’t want to embarrass his girlfriend by correcting her in front of you. But he also felt bad that he just watched you walk out that door on the verge of tears. Satoru had you memorized after all this time, it wasn’t a long time but he used to watch everything you do.

“I don’t think it’s a good idea, though.” Satoru sighed, shaking his head as he pushed a bit of Naomi’s hair away from her face. Her expression dropped as she adjusted the toddler in her arms. Satoru pulled her close to his side, hugging her waist as he thought about how to explain it to her without making her feel disheartened.

“I’m worried about how Y/N will feel about it, to be honest. I don’t know but it may worry her.” He kissed the side of her forehead before stepping away as he watches his daughter’s eyes look at them. He knows that she’s still too young but he feared that she’ll get confused by all of this.

Like why is her father not with her mother, and why is he holding someone else?

He wondered if she’ll grow to hate him for giving up on their family. “Oh, Is that so…I thought we were fine already.” Naomi’s voice was quiet as she bit her lip, making Satoru rethink. “It’s not that, I just think that maybe that’s how she might feel.” Satoru took one of her hands, kissing it before rubbing his thumb on her soft skin. “No, I understand, I got too comfortable. I’m just a girlfriend, I shouldn’t have done that.”

Satoru doesn’t want to make her feel like this, she’s just really attached to his baby. He knows that Naomi adores kids, they often joke around about it, so he could see why she’s excited about his daughter calling her Mama. Thinking about it now, maybe this shouldn’t be so bad. After all, she’s not gonna be just a girlfriend to him forever, right? Naomi is a great person, and Satoru thinks that it’s not impossible to have a future with her.

“Don’t say that. That’s just my assumption. She’ll tell if it’s not alright, I know. We’re co-parenting so we have to talk about those stuff.” Three squeezes to her hands made Naomi smile sweetly at him, her eyes as kind as the stars. “Yeah, discussions are important. I don’t want her to feel like I’m trying to keep her away from us.” The calmness in her voice comforted Satoru.

—-------------------------------------

After receiving a text from Satoru, you found yourself staring at the mirror, retouching your makeup like it’s gonna make him fall for you. Hopeless. Not long after, the doorbell rang and you dashed to the door. There, Satoru stood with Yui asleep on his shoulders. You took her bags, along with the teddy bear that she was hugging to her chest. Seeing her holding it again made you feel relieved.

“Are you feeling better now?” Satoru inquired, walking past you to put your kid in her little bed. You hummed in response, “She’s full, don’t give her any more milk. Naomi fed her before she fell asleep.” Her again. You thought as the small smile on your face dissipated. You’re just thankful that he didn’t take her with them here.

There was a moment of silence as the two of you watched your daughter sleep peacefully. A sigh escaped Satoru’s lips before he turned to you. He was about to say something, but closed his mouth, thinking. You took a deep breath, pursing your lips as you collected your thoughts. You started to rub your hands together, trying to get rid of the cold feeling on your fingertips.

Your communication issues with Satoru only worsened when he got a girlfriend. Seeing how he is with her made you doubt the importance of your words to him. It’s like if you get stuck in a room together with her and something happens, you’re almost certain that he’d accuse you first. You wouldn’t admit it but you yearn for him. You yearn for the way he acts towards her. You yearn for the things he does for her.

You yearn for the things he so easily, willingly offer to her; things you had to beg for when you were still together.

“Satoru, I just want to ask…Since when did Yui start to call Naomi Mama?” You looked at the ground, somewhat embarrassed of your question but can’t pinpoint why. It just made you feel…weak and insecure. And you are that. But you can’t let Satoru see it. You don’t want him to feel even more sorry for you. You can see it in his and his girlfriend’s eyes whenever they look at you. They probably pity you and the state you are in.

Alone. With no one to hold your pieces together but you.

“I don’t really remember. Look, I was going to mention that…” Satoru trailed, looking everywhere but you. He probably noticed your discomfort earlier. “I know it doesn’t seem right to you because she’s just my girlfriend but…” Here’s the “but” again. How come he can always find the good when it comes to her, even when she literally did you so wrong by letting your daughter call her Mama and even acting like one in front of you?

Ever since Satoru got a girlfriend, arguing with him started to feel like fighting in a war without any type of armor in your body. How are supposed to stand strong, when the fact that he’ll always be on her side was your weakness? There were times when you wanted to fight for yourself but you couldn’t bear to because you know that he was shielding her from everything, heedlessly deserting you.

“I didn’t really appreciate it. I mean… I-I just think she’s not in the place to—” You thought the words you chose to describe the situation were too risky when you were cut off by Satoru, taking his glasses off. You can’t read him but he’s looking at you with that apologetic gaze again. His face was filled with contrite and you can’t quite understand why. But like a mouse sensing danger, you wanted to run away.

“I…I’m thinking about proposing to Naomi.” It shouldn’t hurt. You told yourself again. You don’t have the right to feel hurt. This man disrespected you, hurt you, and made you feel so incredibly small yet here you are, wishing you were the one he wants to spend the rest of his life with. “I know she’s just my girlfriend now, but it’s bound to change.” You suddenly just wanted him to leave. “She…she’d like to ask for permission to let our daughter call her Mom. You know she treats Yui like she’s her—”

“I don’t want to.” You whispered firmly through gritted teeth, cutting Satoru off. You don’t wanna hear it anymore. You can’t go through that again and you can’t let that happen again. “Yui is my daughter, and I don’t want her calling anyone else Mama.” You looked up at him with glassy eyes before turning away to walk out of the room, not wanting to startle the toddler from her slumber. Satoru was instantly on your tail, calling your name.

“She’s my daughter, too. Y/n, what is wrong? I know that you have your limitations and that’s why I’m here to talk about it with you, but why are you acting like this?” He walked closer to you, trying to catch your eyes. “I know it’s not just about this, I know you’ve been having problems with her but give a reason, at least. She’s been nothing but good to our kid. ” It’s getting hard for you to breathe as you tried to process your emotions and his questions.

You proceeded to the kitchen, hurrying to grab yourself a bottle of water before you collapse, but failing terribly when Satoru spoke the next sentence “Y/N, we all have to adjust, don’t be unfair to her, she doesn’t deserve it.”

“And I do?!” You shouted at him, taking him by surprise and making him take a step back.

“You think she doesn’t deserve any of that shit but I DO?!” You lamented, shaking your head in pain and disbelief. There were tears streaming down your face and no pattern of breathing can help you control it. You were able to keep it in when he shoved his new girlfriend in your face several months ago, but now it’s taking its toll.

You were about to get the clothes that he bought for your daughter on your way home from work but were met with a woman snuggled up to him on his couch. You hated him for allowing you to see them like that when he knows that you haven’t even processed your split yet because a month before that, he was saying that he could fix his shortcomings for you and his daughter.

You remember how sick you felt in your stomach when he introduced her, saying that you weren’t supposed to see them like that. It’s revolting; how he thought that you were upset because of what you saw and not because he just went back on his words. Naomi kept her head down, standing in front of you as she muttered an apology before scurrying to Satoru’s room.

Naomi was his father’s new assistant and unlike you, she got to finish her studies. Despite being classmates in high school, she was three years older than you due to the frequent relocation of her family. Regardless of her tough childhood, she was known to be a smart kid. No wonder his mother approved of her in such a short amount of time.

You and Satoru were never perfect but it doesn’t mean that you were never happy with each other before. The issues overpowered your interest in each other, making it hard for the two of you to bounce back. You admit that you’ve been negligent of Satoru at a certain point of your relationship but it was only because you got tired of his ways.

He would come home late, making you stay up all night because he failed to reply when you texted him, asking him his whereabouts. He’d be out drinking with friends, and it wasn’t a problem but you just wanted him to at least let you know so wouldn’t be worrying to the point that you can’t even sleep.

His mother was overbearing. You got pregnant by someone’s son in a one-night stand and that’s all she paints you with. You were belittled and told that you can’t even take care of the child properly. Hell, was she so eager for Satoru to leave you and find someone better who achieved something in life.

Consequently, this negligence led to fits of jealousy from Satoru. This drove you to quit the job you used to have after a coworker of yours who only wanted to help became the subject of his suspicions. His mother saw you getting dropped off by your friend while she was babysitting your daughter.

It was only because your car broke down and you don’t want to bother Satoru at work. You couldn’t really blame him for thinking that way because you know that he’s been feeling invisible to you which wasn’t true. You just don’t know how to deal with it anymore and you started to pull yourself away.

It got to the point where you couldn’t even communicate how you truly feel about him because it was overshadowed by your problems. You were arrogant enough to tell him that someone could treat you right and do much better and now, look at you; standing before him and his girl. Longing for him and eating the words you spitefully told him.

Pining so intensely for something you never had to the point where you physically ache.

The memory was tormenting, heart-rending, and traumatic to you. And now you get to watch them write their happy ending while you are here, left in the dust, drowning in the feelings that will never ever get recognized and will never ever be relevant.

It hasn’t even been a year, and he’s already planning to marry her. He’s been nothing but better to her, yet, he couldn’t even change his ways for you and your child? Couldn’t he learn to truly love you after everything you endured just to be with him? You know that you have flaws, and chose some wrong steps and paths in your relationship.

But you can’t bear to lose him like this. You know that you could have fought more for your relationship. He’d always say that you’d work things out. So, why did he stop? How could he stop choosing you so easily?

“How could you give her the world, yet refuse me the tiny bit of what I have left?”

Your voice was small as you backed away, defeated. Satoru couldn’t move. From everything that has happened that morning, he could tell that you’ve been on edge. To Satoru, the only thing that connects you to him is his daughter. He refuses to believe that after all of that, you can still make it work.

At least, that’s the realization he came about when he met Naomi. She taught him that love isn’t supposed to be strenuous, it isn’t always about fighting. Within his tumultuous relationship with you, she came around and showed him that he’s seen. That his feelings are valid. He came to the conclusion that maybe he just wanted to love you because you have a child together.

“Tiny bit?” He asked, frustrated that you just won’t let this go easily, irked that you always think you’re the only one having a hard time. If Satoru’s being honest, he’s just tired of it all. He just wants you to understand his point and get it over with. But now you’re crying in front of him and again, he doesn’t know what to do. He can’t even think of the right things to say or the right decisions to make. It’s like it’s all back to square one with you.

“You call it ‘tiny bit’ when I couldn’t even live my life because of you?! I’ve given everything, Y/N! I just want to be at peace with everything and I’m obviously not having it with you!” You couldn’t even breathe through the piercing ache in your chest from the daggers that are coming out of his mouth. Your hand reached over to your chest, grasping your shirt as his every word irreversibly pulverized your already wounded heart.

“I wish I never met you that night and I wish I never had Yui with you. You’re a thorn in my side, Y/N!” By the time he finished screaming at you, you were shaking like a leaf, grabbing a chair beside your table as your wide eyes stared at him in shock. Grief, mortification, and agony were plastered on your face, and only then did Satoru’s words sink into him.

“Y/N, I—” Before he could even form a proper phrase, a loud cry erupted from the other room. Yui. He watched as you quickly wiped away your tears, seeing the emotions mix inside your eyes until they turned into a weeping void with all the tears pooling inside them.

“I…I loved you, Satoru. And I hate that even now when you’re kicking me while I’m down for the sake of someone else, I still love you.” The crack in your voice had Satoru subconsciously moving closer to you, opening his arms to pull you into him but you were quick to flinch away, sniveling.

“Please, just-just go. Do whatever you want, just d-don’t take Yui away. I’m fine with it now, Satoru.” It’s almost as though something in you died when he spoke those words to you. You don’t know if he heard because you couldn’t even hear yourself. You could feel the beat of your heart in your chest and each one of them sends a burning ache to your body. “Just go, please.” You whimpered as you bit your upper lip, looking down on the floor.

Satoru can’t take his eyes off of your fragile figure as you leaned on the kitchen counter, slowly walking back to your daughter’s room. He remained unmoving until you exited the kitchen area. It was only after a few minutes that he decided to go, not bothering to wipe away the tears that rolled down his face as he listened to your muffled cries behind the closed door.

Each sob was filled with anguish that Satoru knows he’ll never be able to erase.

—------------------------------------------------------

A few weeks later have passed yet Satoru still doesn’t know what to make of himself. He couldn’t focus on anything that he works on. He couldn’t even workout properly, he always ends up getting angry. It was a good thing that both he and Naomi were swarmed with tasks; they didn’t have time to interact any more than what their jobs would allow. If they did, Satoru isn’t sure if he’ll be able to focus on her. She still has time to visit every week, though. During those days, she spends her time with Satoru and sometimes, Yui.

He makes sure to free his time and himself completely when he’s with his daughter so he can give his full attention to her. Satoru picks her up from your house, same schedule as before. Sometimes it’s you, but other times, it was your mother. “All I asked of you was to never break her, Gojo.” were the first words she spoke to him. Satoru can’t look her in the eyes. Your mother was a kind woman, humble and unjudging. And to have her talking to him like that, Satoru was beyond ashamed.

He couldn’t give her a reason, or an answer. All he did was apologize. Like he should. Naomi was unaware of it all and the proposal that Satoru was planning for her was set aside due to all that had happened. He just doesn’t think it’s the right time to plan about it when his relationship with you is strained. Yes, you’re not together anymore but you’re still the mother of his child and he wants to be civil with you, at least.

Yui kept asking for you even when she was with him as if sensing that her Mama was hurting. She’s always carrying the new doll that you bought for her. Satoru once asked her if you cry and she would simply shake her head. He gets nothing out of it, of course, she’s just a kid. But who else could he ask?

Satoru has no idea what you have been doing. He knows that you go to work, but other than that, he’s clueless about the places you go to and why your mother started babysitting his daughter more during the past few days. Satoru thought that maybe you just can’t stand seeing him anymore and is refusing to face him whenever he picks his daughter up. You have every right and reason to despise him, after all.

So, now he stands on the other side of your door, wondering if he’ll get to see your face this time or be welcomed with the frowning face of your mother. He knocked three times, like he always does, adjusting the collar of his shirt. To his surprise, it wasn’t any of the two women he was expecting holding the door open for him.

“Who are you?” A shirtless man with a muscular build stood before Satoru, a curious yet accusatory gaze scanned him like he was an intruder in his own woman’s home. He leaned on his tattooed arm against the doorframe, blocking the tiny view he has of the inside. It pissed him off, clenching his jaw for a few seconds before speaking.

“Who are you?” Satoru bit back, raising his brows in an attempt to intimidate the guy. He’s only a couple of centimeters taller than the stranger but he’s bigger. It wasn’t a big deal to him until the man opened the door wider. A short, deep chuckle escaped his lips before a smug smirk appeared on his face.

Tilting his head, the man gave Satoru a clear look at the scratches adorning his nape and the purple and maroon marks on his jaw. It made Satoru’s blood boil, unreasonably so.

“Think you know who I am now?”

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taglist: @forever-war @astral-hydromancy @witchbybirth @coeqi @starshinedowo @coffee-on-a-rainyautumn @lost-lonnie @haitanifxn @dearsunaa @mari-ho14 @clairdelunaax @anxious-chick @tigerchaeee @megufushi @yeosmie @tsukkisrightpinky @crowiechan @makimais @infinitemoonlight @iloveblogging2 @cloudsinthecosmos @uchiwife @bellaadonnas @lawlietily @lilxnvm @poopoobuttsy @yihona-san06 @luhvbot @sagekko @lugkuic @asbony @uhremmi @kurookinnie @why-am-i-here-again-shitheads @lelemnh

a/n: just send an ask if u want to be removed <;33

#angst #gojo satoru #gojo angst #gojo x reader #gojo x you #gojo satoru angst #gojo satoru x you #gojo satoru x reader #jujutsu kaisen #jujutsu kaisen angst #jjk #jjk x reader

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badgertracksart · 9 months

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Portfolio advice, from a lead who hires Concept Artists

(This was originally a twitter thread I wrote before the site self imolated, hense it's strange structure.) I wrote this after a weekend of portfolio reviews - 1. Like a maths exam, please please show your working. I want to see thumbs options, mid options and of course a final design.

2. Arrange your portfolio, I don't want to bounce about between subject matter and pipeline. Your portfolio's narrative should be as strong as your work... 3. Please make worlds that excite the viewer, make them want to go in and explore them, explain to them the interesting parts of the town, or the way the character's hat unfolds. How will this draw the viewer in? 4. As I've said before the majority of your project work is explanatory not mood, make sure your portfolio contains explanatory work. Explained here -

5. A lot of beautiful post apocolyptic paintings, , but 80% of realistic games and film, we just give the environment artists photo ref, they are capable artists in their own right. Different work in stylised where you do need to create rules for how things can be translated. 6. Production art contains call out sheets, material references and flat graphics. This doesn't have to be your final image, but it should support it.

7. Design characters on a swatch(es) of the environment they will be viewed in. Not on white. I make swatch backgrounds from screenshots, it avoids assumptions that damage readability. 8. Reverse of this, put people in your environments, show me the scale.

9. It's not a deal breaker for a review, but if you intend to get a job, please show me your work on a screen larger than a smartphone (print outs probably the cheapest option with the best battery life). 10. Please have your contact details clearly visible, and by that I mean email address, I will not pass your social media contact on, I cannot input your form into my tracking system. EMAIL ADDRESS emblazoned and bake it in, sometimes recruiters do funky stuff to pdfs

11. Your portfolio will never feel done, not to you anyway. You will have learnt from your latest pieces and want to apply it to older work. But we know art is a journey. Send your portfolio anyway. I've been in the industry 10+ years and my portfolio is still not 'finished'. 12. If you are applying to an environment centric Concept Art position then please vary your times of day! Golden hour is cool but show me some happy sunny days, looming overcast days, what about at night? Vary your weather too! Sunny snowy day? Rainy Spring day? Stormy night?

13. If you are applying for a character centric Concept Art role then please ensure your portfolio shows a variety of body types and ethnicities. 14. Designing characters for games? Please show back views and feet (!) Many potfolios contain only front views. This is a problem because:

You haven't shown you are considering the design from all angles.

In many games rear view is the main view.

Stop cropping feet.

15. If you are entry / graduating and looking at Portfolios to compare content and standard of yr own work too, look at hired grad/junior artists as opposed to seniors Seniors and leads often have old or personal work in their portfolio which isnt representative of the day job. 16a. Show clearly the intended use case for your Concept Art. Mention the game type in the description. Are these player character designs for a 3rd person adventure game? Then more back views please. Bonus points for diagetic ways of showing health / equipment / role etc.

16b. Are these designs for an FPS? Then really the player view of the gun needs to sell the player style/ choices, in an FPS your weapons are almost your character. Are these world designs? What's the view distance? For an RTS your shapes need to read from above & a distance. 16c. The lack of clarification means I am judging the design in isolation, which both harms the design (you might be considering the backview of a char as the main adventure character.) Or an NPC, their waist up expressions may be important for conveying exposition and mechanics.

16d. Concept art is not separate from gameplay, great concept art serves the game team before it is a good illustration.

17. Play games. A variety of games. Think about them. IMO to be a good concept artist you need to understand the common language & references used by your peers. Also understand the principles and common language your audience are used to. FPS design rules are v.diff from RTS.

18. There are many skills that are needed in concept art, please show them. For example: Graphic design - logos, liveries, typographic use etc. VFX concepts - Abilities, Ambience, motion concepts. Architectural knowledge - How buildings are built! & more but I'm out of space :O

#gamedev #conceptart #advice #careeradvice #hiring

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mariana-oconnor · 1 year

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Types of AO3 Summary

Option 1 - The Excerpt:

The quickest, the easiest! Find a section of your fic that contains the main premise of said fic and also showcases your writing. Copy paste that into the summary box. BOOM! Done.

Best used for any fic, unless it's so short the excerpt would be the whole fic.

Option 2 - The No Frills:

Just a description of the fic. No need for drama. No need to complicate matters. Keep it simple, keep it safe.

Example: "A short character exploration of Blorbo's thoughts after Daisy leaves."

Best used for short fics, poems and fics where the style/format is more important than the plot. Or fics that tie directly into a scene/episode from canon or another fanfic.

Option 3 - The Hook:

Draw the reader's interest by giving them a set up with no conclusion. Introduce the main character(s), introduce the status quo, describe an inciting incident, leave a question in the reader's mind.

Example: "Blorbo is a barista at a coffee shop, struggling to pay their bills, but after handsome rockstar Obrolb walks into their coffee shop they find that they have to decide whether a chance at love is worth the cost of fame."

Best used for mid to long fic where there's a strong premise and follow through. Especially good for AUs. Can be expanded for more complex plots or used multiple times in one summary for multiple characters or subplots.

Option 4 - The Sitcom One-Liner:

"The one in which [over simplified description of one of the main plotlines]" This is essentially 'boil your plot down to the very simplest statement you can, oversimplify if possible. The more bizarre or unhelpful the better.

Example: "The one in which Blorbo learns to like cake".

Best used for fics with at least a little humour in them.

Option 5 - The Rule of Three:

Three is a magic number. Find three key moments in your fic and just list them. That's it. Often ends with 'not necessarily in that order' if used for comic effect. If it's an AU, establish that quickly (i.e. 'Star NHL player Blorbo…').

Example: "Blorbo makes a friend, falls in love, and almost burns to death, not necessarily in that order."

Best used for anything, really. Three is a magic number. The human brain loves things that come in threes.

Option 6 - The Trope Lure:

Why bother describing the plot? We all know AO3 readers are here for the tropes. Similar to The Sitcom One-Liner just using tropes instead of plot. Often followed by the phrase 'that nobody asked for'.

Example: "The Space western / A/B/O / Mail Order Bride fic that nobody asked for."

Often tacked on to the end of The Hook or The Excerpt as a tl;dr.

Best used for fic that plays its tropes straight with no shame or second guessing.

Option 7 - The Pre-emptive Strike:

(Not recommended) You just wrote this fic, the self doubt is consuming you. You feel the need to apologise profusely for your existence for no apparently reason. You feel cringe, you think the fic is cringe, you want everyone to know that you think the fic is cringe in case they don't like it and judge you for it.

Example: "So I fell in love with this pairing and had to write this. It's weird and terrible. Lol! I suck at summaries! Sorry!"

Best used for no fics ever. I cannot stress this enough.

(Seriously, I am begging you, don't do this. If you're planning to use this option, rethink it and do one of the others. I guarantee you more people will want to read your fic.)

Sometimes added on to any other summary as a strange disclaimer. (srsly. don't.)

Option 8 - The Unapology:

Embrace the mayhem, embrace the deep dark depths of your soul. The opposite of The Pre-emptive Strike. A combination of The No Frills and The Trope Lure that truly gives no fucks.

You have committed crimes and you are proud of them. You know what your USP is and you're going to make sure your target market finds you. Look upon my works, ye readers, and despair!

Example: "There aren't enough tentacle fics in this pairing, so I had to write one myself!"

Best used for fics with controversial/polarising tropes with all relevant details already clearly stated in the tags.

Option 9 - The Interrogation:

What if you wrote a summary entirely in questions? What if your readers had to read the fic to discover the answers? Who knows what will happen if you do this?

Example: "What happens when Blorbo McBlorbo gets his wish and Daisy doesn't make it to the plane on time? What happens when Obrolb finds out? How will this change Daisy and Blorbo's friendship?"

Best used for... I honestly don't know. This style of summary does not vibe with me. Mystery fic maybe? Sorry guys.

Option 10 - The Multipack:

Got a bunch of shorter fics in one work? No way of summarising them all without a wall of text larger than the Great Wall of China? This one is similar to The No Frills in that you're not describing the plots themselves and similar to The Trope Lure in that often broader genres and tropes are mentioned. What links those fics? Are they all in the same fandom? The same pairing? The same challenge? Just slap that right in the summary. A chapter list with 1-2 word trope/pairing summaries can be included or not.

Example: "A collection of Blorbo/Daisy/Obrolb fics based on Tumblr prompts. Chapter 1: Regency AU Chapter 2: Werewolves vs vampires Chapter 3: Ghost!Daisy Chapter 4: Space pirates!"

Best used for (obviously) works that are compilations of fic.

Option ? - The Void:

I said The Excerpt was the quickest and easiest summary to do. I lied, well... I didn't exactly lie. What is quicker and easier than not having a summary at all? After all, that's what the tags are for.

Example:

Best used for... nothing? Write a summary, guys. Please?

#AO3 #fandom #on writing #clearing out my drafts #long post #Qd #This list is intended for entertainment purposes only #I just came across a lot of fic summaries that followed similar rules #so I decided to post this about it #I'm sure other options are available #If you've ever used number 7 that's not bad of you #But my advice would be to not do that

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bumblequinn · 6 months

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hi @sourpatchsquids! thank you for your question.

as an artist with ADHD, i know this struggle very well. unfortunately offering advice on this kind of thing can be tricky, because what works for me may not work for you (and vice versa!). nonetheless, i can try; take whatever works for you, forget the rest, or reshape any part of it as you see fit. :)

but before i offer any actual tools, i have one caveat. i want you to take a moment to reflect and consider if you should be:

changing expectations

the timing of this question seems fated, because just the other day i had a therapy session wherein i expressed my grief and frustration over struggling to work lately due to my seasonal depression. it's not fair that i'm struggling just because it got a little darker outside! i just want the spark i had in the summer! i was so much more consistent!

my therapist's response: nothing about human beings is consistent. we get sick, we get tired, we get hungry and thirsty (and thirsty) and sad and lonely and restless and stressed and overwhelmed. this all gets amplified for folks who are atypical in some way or another.

when my therapist compared our seasonal cycles to those of plants and other animals, who wilt and slow down and hibernate, i protested aloud that i wanted to be a perennial instead. at this she said: even perennials change with the seasons. rose bushes have to be pruned, sometimes down to half their height! it was a dose of perspective i didn't particularly want, but really needed.

so when you're struggling to work through executive dysfunction, burnout, or brain fog, it can help to first check in with yourself about a few things. what do you have the capacity for right now? do you need any accommodation? and if so, what changes you might make to accommodate yourself?

with practice and self reflection, i've learned a handful of specific routines that help me when i'm struggling with creative work, which i'll detail next. note that while your question is specifically about music and i am specifically a musician, i believe that all of these suggestions can apply to most any form of digital creative work.

with that in mind:

#1: work slower

when i'm at the top of my game, i can get a LOT done in a day. but when i'm depressed, fatigued, or distracted, i just can't go full steam. sometimes i'll try to convince myself that i can if i just push harder, but what actually ends up happening is that i'm just fiddling with settings and going in circles rather than moving forward.

instead of that, when i want to work a lot but can't, i try to work slow. how slow? however slow i need to. take four hours to figure out the melody for a single verse. take all day to figure out that drum groove. yeah, i take a lot of breaks in between. who says i have to be my Absolute Most Productive Every Day Or Else? that's the puritan work ethic talking. kill it. be kind to yourself.

i'm reminded of advice i once read about some super successful and prolific author (gaiman? king? pratchett?) who said they wrote only four hundred words every weekday. that's already less than the word count of this post, and i'm only—[travels into the future to check my final word count]... 22.8% of the way through writing it!

now, i don't think i could function that way, because ADHD means some days i'm hyperfocused like crazy, and other days i just have no steam at all (more on that in #4-6). but it seems to me that if even someone highly respected in their profession can achieve what they have with only a little bit of work on a regular basis, maybe i don't have to punish myself for not pumping out a finished work every single week.

doing less work per day means you're much less likely to burn out, which does a lot for working more consistently. if that consistency still doesn't look like a five-day work week, that's okay! as long as it helps you work even a little more often when you want to, it's something worth doing.

however, if you're still feeling truly stuck, all hope isn't lost. you can still try:

#2: switch projects

sometimes the reason i'm moving slow is because of a bad brain day, but sometimes the reason is that i just cannot muster the motivation to do the specific task i'm trying to do right now. ADHD is fueled by novelty and interest, and if i'm not interested in what i'm doing, or it's feeling stale, that's a sign that i need to switch gears.

this is why first it's helpful for me to have more than one project going at a time. this might mean completely unrelated works, or it might just mean related tracks as with the music for a game like SLARPG or susan taxpayer.

the idea here is not to start a dozen different projects and bounce around them like i'm playing whac-a-mole—though i have done that. (i don't recommend it.) the idea here is to have a manageable number of different projects i can be working on so that if i get bored or stuck on something, i have fallback options.

what that number of projects is depends entirely on the week. maybe right now it's two, maybe another time it's three. i would probably be getting carried away if i tried more than that, but that's just my own limit. maybe yours is different. that's something for you to think about.

but it doesn't have to stop there.

#3: switch focus

maybe there is this one project that i just HAVE to work on, but the task i'm trying to do at this stage just isn't coming to me. okay, well, why don't i try working on a different task?

let's say i can't figure out what i want to do with the melody in one part of the song:

what if i try jumping ahead to a different part of the melody? ...no, i'm stumped on melodies today. okay, how about working on the drums instead? ...hmm no, i think i'm just completely tapped out on writing parts right now. alright, what if i organized my tracks, making sure they're all grouped and named in a way that i can work with easily? what if i did a rough volume balance for the mix?

and so on. if that's not enough to shake the off stuckness, i might consider: what can i do to make this project more interesting to me?

what happens if i try using an instrument or effect that i almost never reach for? what if i try sampling something obscure? what if i bang out the drums using my midi keyboard instead of drawing it in on the piano roll?

any approach that breaks me out of my usual habits is bound to get that feeling of novelty and fun back when i need it.

or maybe i can't do any of that right now, and so i take the time to answer a question from a fellow musician instead. i consider that part of my work, too, in a broader sense. check in with yourself and figure out what you can do right now. the rest will still be there later.

but okay, let's say you try switching gears, and switching again, and again, and nothing is moving. you try new approaches, but that wall of awful is insurmountable in this moment. it happens! the next thing you might try is:

#4: learn something new

when you aren't able to make progress on your projects, you can still make progress on your knowledge and craft. i often find this stokes a flame of inspiration in me where there wasn't one before. and even when it doesn't, it still gets my brain out of that feeling of stuckness and dread and into one of thought and action. learning also benefits in the long term because it adds to the well of knowledge from which you draw for all your future works.

for all the awfulness that exists on the internet, it remains an absolute treasure trove of teaching. there's an endless ocean of videos, blog posts, and articles from which you might learn something about your craft. (and if you sail the seven seas, plenty of book PDFs as well. 🦜🏴‍☠️)

it's true that the quality and depth of information out there can vary wildly, but in my experience most resources get at least some things right. and the more you research, practice, and figure out what works for you, the better you will learn to differentiate between the advice worth keeping, and the advice to forget. (that goes for all of what i'm saying here, too!)

that said, since our shared focus is music, a few resources i would highly recommend are:

music theory and composition music matters, 12tone, charles cornell, music with myles, 8-bit music theory, and this introduction by andrew huang

mixing and production dan worrall (especially this series for fabfilter), kush after hours, red means recording, andrew huang, alice yalcin efe, in the mix

general inspiration nahre sol, ben levin, david hilowitz, game score fanfare, posy, jerobeam fenderson, open reel ensemble, and ELECTRONICOS FANTASTICOS!

(if any readers have their own helpful resources for creating music or any other media, feel free to share in the replies & reblogs! 💓)

of course, on an especially bad day, it might be a challenge to seek out information, let alone retain it. that can feel pretty bad, but remember: be kind to yourself. the next thing you might consider trying is:

#5: consume art you love

not just music. books. shows. movies. games. illustration. animation. whatever moves and inspires you.

but do it intentionally. don't just pull up some random thing the algorithm suggested! check in with yourself about what you want (or are able) to engage with right now. choose accordingly. if you get a little way into it and realize it's not scratching that itch, hit the bricks. check in with yourself again. wash, rinse, repeat, until you find whatever it is that speaks to you right now.

and do it actively, if you can. don't just let it go in one eye and out the other! really pay attention to the work. what do you like about it? what are its themes and motifs? what makes it work so well? what are its flaws, and how much do they matter? what might you do differently? you can write notes as you do this if it helps, but even simply noticing and thinking goes a long way.

what you don't want to do is come at this with a lens of shame or envy. you're not here just to say to yourself, "ugh, if only i could do THAT." it's okay if it happens. use that thought as a springboard for curiosity: "well okay, how DID they do that? do i have the resources for it? if so, how could i apply that to my own work? if not, how can i adapt it, or what do i need to learn?" keep your mind open and approach the work with a sense of wonder.

as a creative person, it's very easy to think, "i should be making something right now, not watching a movie!" but that thought forgets something vital: your art is a response in a conversation. of course the "language" you use is your own, and maybe if you're lucky you'll invent a new word. but most of the words you use have been around long before you were born. you're just one voice in a dialogue that spans continents and generations, and that's okay. it's even the whole point.

none of us is an island. we are profoundly social animals. just as we can't live without eating, we can't make without learning. so half of making art is consuming it. consider this part of the process as well.

and finally,

#6: rest, and live your life

let's say you're in really dire straits. you've tried working slower. you tried changing focus, you tried changing projects. you want to take in new information or actively engage with your favorite art, but you're not in the headspace for it. what now?

take a nap. take a walk. take a shower. eat a nice meal, or an okay one. talk to a friend. maybe even do that chore you've been putting off (you know the one).

it's human to always crave making, but you're not a machine—and even if you were, machines need regular maintenance, too! you wouldn't drive a car that's completely out of gas, and you won't do yourself any favors treating your body that way either.

i know that when you take a break it feels as though you're not accomplishing anything, but you are: you're taking care of your animal self. and while you do that, your creative brain doesn't stop working! much like windows, it has countless background processes running at any given moment, with inscrutable names like "cbdhsvc_692da" or "Microsoft Edge Update Service." it's true, i checked.

when you're stuck on a project and you step away to rest, your brain is still chipping away at your ideas unconsciously. i like to tell people, "it's percolating." much like waiting for a pot of water to boil, that idea is still heating up, even when you take a step away. just be sure to check in on it once in a while. the time will pass, and it'll be boiling again before long. :)

before i go, i'll leave you with one last thing to keep in mind as you try all of these strategies:

be kind to yourself.

being human is just about one of the hardest things you can do. let alone being a human trying to survive capitalism while living with disabilities! the last thing you need on top of that is to overwork yourself, talk to yourself negatively, or treat yourself harshly. there are plenty of other people in the world who do that to you—don't be one of them.

i'm not saying that you shouldn't try to challenge yourself, to test your limits and go above and beyond your ambitions, if that's what you want to do. just remember that hard work and self compassion are not mutually exclusive. so be careful not to bully yourself. take pride in the progress you make, even when it seems small. encourage yourself like you would a friend who's going through a hard time. and when you challenge yourself, be your own cheerleader.

i hope you find this advice helpful! remember, this is just what helps me, so don't feel like you have to follow any of it exactly. maybe taking time to learn new information helps break you out of your rut more than working slowly, so you reach for that tool first. maybe having multiple projects going at once is too distracting for you, so you prefer to stick to one at a time. whatever your needs are, feel free to alter and adapt these ideas to fit you.

thank you for reading, and i wish you the best of luck in your creating.

with care, bee 🐦

#adhd #advice #asks #from #sourpatchsquids

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colleendoran · 11 months

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A Few Answers to a Lot of Questions

1: The art you see here is not the cover art.

2: I am adapting the book, not the show.

3: No, the characters will not look the way they look in the show.

4: The characters in the book generally don't look like the characters in the show.

5: I can't use the likenesses of real people. Who do not look like the characters in the book, anyway.

6: Crowley does not have red hair in the book. So he doesn't have red hair in the graphic novel.

7: Crowley in the book is only supposed to look about 24 years old. Aziraphale is only supposed to look about 30.

8: Everything I do goes through Neil and the Pratchett Estate.

9: I love the show as much as you do, but it's not the book.

10: I love the book as much as you do, but it's not the show.

11: Yes, I wrote the script and am doing all the art. I am as faithful to the source material as possible.

12: Yes, it's a lot of work.

13: Signing up at this link gives you notice when the Kickstarter goes live.

14: Publishing via Kickstarter enables the creators to maintain complete control of the work.

15: I hope you enjoy the graphic novel. I'm not going to talk about it too much because I need my energy for work.

Have a great day.

#neil gaiman #good omens #terry pratchett

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sfehvn · 6 months

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new religion

Description: AU- Astarion is enamored by you, and while he fights it at first, he may have just found his new religion. A/N: Just a tad bit of sweet smut to be honest. This was my listen while I wrote if you were curious. Enjoy! xx Rating: M (18+ minors DNI) Word count: 2,069 Characters: soft!ascended!Astarion x fem!au!Tav

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From the moment Astarion had seen you, he knew he had to have you. Walking through the animated city of Baldur’s Gate, your radiant smile was the first thing that had caught his eye. Flowing hair kissed your shoulders adorned with freshly plucked daisies. Your aroma was the most intoxicating scent that had graced his nose in all of his years. Your rose-tinted cheeks teased with the blood flowing beneath your flawless skin. Your eyes sparkled with wonder, reflecting the rays of the sun above. He had never been a believer in the love at first sight nonsense, yet there you were. If his undead heart could beat, he was sure it would be skipping against his ribcage. It was the only time the vampire had found himself utterly speechless.

For months, he watched from afar, finding excuses to go into town. Not that he had to excuse anything to anyone, but the newfound feelings were frightening, to say the least. Alas, day after day Astarion went out, whether for a drink or an unnecessary shop trip, and he would wait to get even the slightest glimpse at you. He was aware that this obsession was snowballing out of his hands as he fell harder and deeper. Hells, he had never even spoken to you. Yet he knew nearly everything there was to know.

He knew every other day you made your way to the apothecary to pick up medicines for your sick father, whom you cared for. He knew once every fifth day, you picnicked in the graveyard next to your mother’s grave. He knew your favorite color was yellow because it reminded you of the summers you spent with your mother before her untimely passing. You had six siblings: an older brother and five young sisters.

Astarion had also realized that you had a death wish, apparently. You were constantly staying out past sundown, running errands or helping neighbors. Did you even comprehend the dangers? He would often think to himself. Of course he had to follow you home to ensure you made it inside safely. You were becoming a liability to him, and quite frankly, he was terrified of how you made him feel. Just when he had decided to end this one-sided arrangement, there you were. Sat on the side of the road with tears pooling rivers down your cheeks, his body felt out of his control as he approached you.

He stood in front of you, his words caught in his throat. You stared at him with those big doe-eyes, and his knees felt like jelly. “Are you alright?” He finally managed out. Gods, what am I doing? I should just sink my fangs into her and be done with it. It’s just bloodlust. This was something he had tried to convince himself of many times already- a lie.

“Oh, yes.” Voice sweet and smooth, like the finest honey gold could buy. “Just this silly book.” You giggled, holding up the novel you had previously been engrossed in before Astarion had found you.

“Right. Good.” He clears his throat in an attempt to regain his composure and still his spinning mind. “I’ll just be on my way then.” You nod, gifting that sweet smile to him. Astarion felt his legs would give out beneath him if he stayed longer, but he didn’t move an inch.

The man intrigued you, ruby red eyes and skin pale as the snow that fell during winter. He was gorgeous. An aura of mystery surrounded him, and you were keen to discover those mysteries. “Say, you live in that big fancy manor?” You question, breaking the awkward silence that had befallen you two.

“I do. Why?” Skepticism was palpable in his tone.

You disregarded his tone, and he believed it to be your naive nature. “You have the most exquisite daffodils blooming alongside your walls. I didn’t want to pick them without asking.” Your smile is sheepish, innocent. Astarion doesn’t speak, his face unreadable. “I-I enjoy putting bouquets together. I don’t mean to-” He already knew this, obviously.

“They are yours.” Astarion can’t contain the smile that tugs the sides of his lips.

As you two stroll to the location of said flowers, Astarion finds himself loosening up in your presence. He watches you intently, the way you move your hair from your face as you carefully pluck a few from the group. He urges you to take more.

“Are you sure? I don’t want to be a bother. These are plenty.” You assure. In response, he crouches down next to you to help pluck the remaining flowers.

After walking you home, Astarion ordered flowers to be planted around the grounds. With the help of just a little magic, within weeks, roses, peonies, sunflowers, and carnations bloomed healthily. You would come with a fresh serving of food, a bouquet as thanks, and collect the flowers. As naive as you were, you could recognize what Astarion was doing. The daffodils were a one-off in that area, but now flowers surrounded the entirety of his property. The rate at which they grew, too; you were aware some effort went into getting them to blossom so hastily. At every mention of a new flower, the next time you came, they were miraculously in bloom.

This compromise had been in full swing for months when you finally questioned him about it. Astarion was on his knees as he snipped red roses from the bush, insistent on doing it himself so you didn’t prick yourself on a thorn. “Why are you doing this?” You question, a wicker basket that was already overflowing held firmly in your hands.

“I told you, you’ve nabbed yourself on these blasted thorns one too many times.” His reply came without a look in your direction as he continued to snip the stems.

“That’s not what I meant.” A soft chuckle emanates from behind closed lips. He looks up at you in realization, his hands coming to a halt. Your breath catches in your throat as he stares at you wordlessly, longingly. Standing slowly, he takes a step closer to you. He drops the roses into your basket before cupping your cheeks, closing the distance between your faces. The kiss is electric. You drop the basket to your feet, arms snaking around his neck while he presses your body tightly to his, clinging to you like a prayer. His lips were a colder temperature than you expected, but they were soft and hungry.

That’s how Astarion ended up with you in his bed. As he eagerly ripped the pale blue dress from your body, you took note of the bouquets around his bed chamber. Every single one you had gifted to him was on display and in perfect condition. Your heart flits in your chest, eyes closing in ecstasy as wet kisses trail up the inside of your thighs. A soft moan is elicited from you as his mouth reaches your warmth, his tongue flicking teasingly along your slit. Your fingers thread into his stark white hair, instinctually tugging with every contact against your clit. Colors explode behind your eyelids from the euphoric excitement.

He pulled away briefly, with his starving mouth against your thigh, he spoke muffled words, “I don’t think you realize how long I’ve been waiting to hear that, darling.” Your breathing quickens as you look down at him between your thighs with hooded, lustful eyes. His mouth returns to your clit and he suckles lightly, two fingers dipping into your dripping center. The sensation brings your back into an arch, aching to feel him deeper inside of you.

The swirling motion of his tongue brings you close to the edge, your legs shaking mercilessly. Astarion’s free hand moves between his torso and your legs, holding them steady as he continues his work on your body. Just as you are about to cum, he places a final kiss on your mound before his eyes meet yours. “You’re much naughtier than I thought.” He tsked, crooning his neck at you before moving up your body.

Your lips meet passionately, his tongue slipping effortlessly into your mouth to meet your own. He creates a gap between you as one hand holds him up, quickly removing his trousers and undergarments with his other hand. He pressed his bulge down onto your warmth, hitting your sweet spot as he grinds against you. “Do you taste how lovely you are?” He murmurs, plunging his tongue further into your mouth. You can only let out a delighted moan in response.

Once he breaks the kiss, you press your slippery core harder against his erection. “Please fuck me.” You whimper lustfully, “Please-” Your words are cut short by the sensation of him rubbing the head of his cock against your clit, causing a delicate moan to leave your throat.

“Fuck. You’re soaked, my darling.” He coos. As much as Astarion wanted to continue to play with your body, he needed to be buried in you as quickly as he possibly could. He slides the head of his member from your clit, pushing slowly into your welcoming embrace. He savors every sensation as he enters you. There is a momentary flicker of pain on your face as you adjust to his size, and he falters for a moment.

“Have you done this before?” He asks quietly, pressing his forehead to yours, avoiding your throat to save himself from temptation. He cursed himself inwardly for even asking; he shouldn’t care. This woman brought a side out of him he had never met before- a softer side. The scariest part is he actually, well, liked it.

You wavered for a second before shaking your head, confirming that he was indeed the first man to have ever been in such a position with you. The thought makes him feel feral. Such a sweet flower trusting someone like him to take your virtue; he would never admit it to anyone, but honor and pride swelled in his chest. He nodded in acknowledgment, “We’ll go slow, pet.” He reassures, hips rocking delicately into yours as he fills you with as much of him as he can manage without causing you discomfort. He lays a gentle kiss on your forehead as your pain turns into pleasure, still-shaking legs wrapping to engulf his hips.

“A-Astarion.” His name sounded like a hymn gracing his ears from your mouth, and he wanted to devour you right there and then. It took everything in him not to plow you into the bed. His hand rests on the bedframe as he finds a comfortable rhythm, eyes never leaving your face. He wanted to soak up every reaction to his touch.

“You drive me crazy, pet.” He grunts as his pace quickens, gripping the mahogany wood tighter at the magnetic pleasure buzzing through his body. He uses his free hand to effortlessly move you further up into a slightly seated position as his thumb once again finds your clit to draw purposeful eights over it.

“I-I’m- Oh my gods-” The moan is loud, music to his ears as your walls tighten around his cock.

“That’s right. Be a good girl and cum for me.” It’s a stern demand, all to mask just how close Astarion was himself. His words push you over the edge, your body clinging to his for support as the euphoria rushes over you. Every hair on your body standing on end, you throw your head back and scream Astarion’s name thrillfully.

With you coming undone, he allows himself to reach fruition, his seed filling you to the brim. His hand on the frame loosens, and his head hangs, face full of gratification. He looks down at you, pulling his now-soft member from you, a satisfied sigh leaving your lips as you stretch contently, much like a cat. Your eyes were droopy, a giddy smirk on your face as you fought to keep them open. Astarion chuckles, pressing another kiss to your lips. “You can sleep, my darling. I’ll wake you in a little.”

Astarion swore he felt the tiniest tinge of warmth in his heart at the sight of you so comfortable cuddled into his side as you dozed off. This could be a welcome change. Maybe his undead life just needed his very own light, his own sun. All he knew was that he was done fighting it. One weakness couldn’t hurt.

#ascended!astarion x tav #astarion x tav #ascended!astarion x reader #astarion x reader #soft!ascended!astarion #ascended astarion #astarion #smut #x reader #tav #reader #bg3

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suguruplsr · 7 months

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All you know..

✰ ✰ ✰ “are we dating? are we fuckin’? are we best friends? are we something in between that?” — heartbeat , childish gambino

જ⁀➴ i fucking love this. idk what it is tho <3

,, fuckboy! suguru x fem!reader , situation-ship , toxic (both kinda) , reader is mentioned to hook up a bit (w/ boys n’ girls) , slight angst , smut , sex at a party , mirror sex , mean! suguru , degradation , choking , slapping , brat taming ? , idk i wrote this at 4 am

fuckboy! suguru who you met at some party your friend took you to, hosted by his best friend, gojo satoru. surprisingly enough, suguru was the exact opposite of satoru, sure he had the sexual appeal that he definitely used to his advantage, but he was more respectful and quiet. rather than hitting up on girls like his counterpart, the girls were lured to him with just looks alone. his dark eyes and low voice wrapping them tightly into his web until he’s asking them to get out of his bed at 6 am in the morning, needing to clean his room and air out the stench of sex.

— but he never told you to leave, in fact, he let you stay in bed while he cleaned, gathering up your clothes to wash them and leaving out some of his for you to put on when you woke up. suguru wondered if he was just pussy whipped or just too tired to deal with a person that early in the morning. but he was in fact whipped when he found you fixing up his bed after waking up. actually making small talk with him, something he wasn’t fond of, but after your conversation drifted off from the topic last night, he found himself talking with you for hours on his couch, eventually watching a movie and all.

fuckboy! suguru who you see more, from random calls of ‘needing him’ to late night drives to get ice cream. or smoking a thick blunt at 8 am while you two watch some rom-com you picked out. getting picked up straight after work to go to his house and get your feet rubbed, loved on with small praises murmured into your thighs. sometimes he’s taking you to the club or to fancy dinners. you like it, the diversity of being.. well, something, with him. which leads to what you don’t like, not having a name for what you two are.

— two months. it took you two months of good dick, soft moments, fun dates, and getting spoiled for you to question everything. you almost felt guilty, but you were too headstrong for that, you know any other girl in your place would never complain or demand an answer as to what relationship you two have formed. but you know that’s probably why he likes you, so stubborn and always knowing what you want. the first time it came to mind, you asked him straight up.

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“suguru?” you finish cutting your steak, before answering his small “hm?” , “what are we?” your voice was probably softer then you wanted it to be, confidence faltering as he stayed silent. perhaps this wasn't the best time? well yea, no shit, you think. you two were at some well known restaurant downtown, both of you dressed up and eating delicious food that suguru was paying for. you didn’t know where his money came from, but you knew better than to press when he gave an indirect answer the first time you asked, guys like that usually do some shady shit. and you have enough experience to know to just accept you found a man with good money and go about your business.

“how about you just eat mama? we’ll talk later.” and later never came, just subject changes and avoidance that had you rethinking this whole thing you had with him. it’s not like he has eyes for other girls, obviously committed to this growing.. situationship.. you two have going on. he turns down girls in a heartbeat, and nearly yelled at satoru when he found out his best friend was giving out his number to shy admirers. he was very clear that he wanted you. just not clear enough. and it’s not like you’re looking for others, but you can’t help but just want something more, wanting to be in an actual relationship rather than walk on this thread of string that you could tip over at any moment.

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fuckboy! suguru that you have an argument with for the first time after 3 months of knowing each other. annoyed by your nonstop questioning that he’s been desperately trying to not answer. and he goes off, making it painfully clear that no matter what you two do, you guys aren’t even completely serious, meaning that those moments of vulnerability, kisses that were way more than just the ‘heat of the moment’, the drives to walmart at 2 am for snacks, everything that made you fall in love, was just nothing. and that he doesn’t owe you an explanation as to why it’s nothing, as to why those soft touches that explored your body in a language different from just sex, was nothing. the tiny shifts in your dynamic together was just nothing. there was never something, and you were just friends with benefits. nothing more.

— finding your answer, you decide that perhaps it was best to leave nothing and to find something. not talking to him for weeks and responding to those guys who ask for your number, which leads to very few that you see outside of your bed. maybe you were desensitized after him? only knowing the name of geto suguru, a taste on your lips that was oh so sour. yet a taste on your lips that never leaves, no one fills the lost warmth when they hold you, it’s not the same as his, they may be a good kisser, but it’s not the same as his, they could throw dick down good, but it wasn’t the same as his. you only knew geto suguru.

— and you fucking hate yourself for that. you hate that he suddenly appears outside your door after 5 weeks and 4 days since your argument. you hate that you let him in and fuck you in such an intimate way that it doesn’t feel like fucking, you hate that you swear up and down you’ll set it straight with him in the morning only to be greeted by his lazy smile, making you breakfast and apologizing for everything except for not giving you a simple answer. you hate that you let him walk back into your life so casually. and it happens, you ask after two weeks of ‘normalcy’, in which he doesn’t answer. and you try to make it clear you won’t be seeing him again. but it happens again, again, and again. because no one can love you in the way geto suguru does. and you only knew geto suguru.

fuckboy! suguru who makes you fall into a swirl of emotions you hate. 6 months. you don’t ask anymore. that cute guy at starbucks? you had three dates with him. the hot tattoo artist down the street? yea you two fucked after she finished her work on your back. the same one suguru kissed all over after it finished healing. gojo satoru? he’s been in your bed a few times. that makes you confident in knowing that suguru isn’t oblivious to the fact that you’ve been seeing others without a care in the world. but you also know he won’t do anything, because according to his logic, you two weren’t anything serious. so he has no right to judge you, no matter how well he treats you. it was nothing in his eyes right?

— maybe that’s why you have to try breaking his patience again, one last time. maybe he’ll finally cut you off and let you move on or he’ll give you an answer you can take and hold onto, without hesitation. you’re going to a halloween costume themed party, everyone in their typical final girl outfits, or wearing iconic outfits of killers you’ve all grown to know. you wear a skimpy killer nurse costume, painting fake blood in places that forces eyes to linger for too long. i mean, if it made geto suguru, of all people, to stop and give you a look that may have been a warning for you to keep your act together, then was it really a defective plan?

━━━━⊱⋆⊰━━━━

“man, this mansion is fucking creepy.” your friend groans, taking in another sip of her ‘blood’ (wine), after you two walk over the creaking wood. you two were on the 2nd floor, watching the dancing that happened below you two. mainly coming up here after you two realized this is where mostly everyone looking for a quick fuck went to. but your friend only gave you a sigh when your eyes stayed on some broad guy at the end of the hall. “you serious about this? what about that guy you came here with?” she raised an eyebrow, nudging your side as you rolled your eyes.

“and he’s precisely why i’m doing this babe.” you grin, finishing off your drink and getting up once you see the familiar cloak of suguru’s classic ghost face costume from the corner of your eyes. he was finally taking the bait and coming up stairs. you only knew it was him from the gray glowing paint at the ends of it, something he did when he found out a lot of people were going to dress up as the famous killer. but you also knew from how his eyes stayed on you, they may be covered by the creepy mask, but the slow turn of his head from downstairs when he had first seen you walking up the stairs said enough.

you strut over to the guy with a ditzy smile, his eyes quickly finding themselves falling to your busty breasts as you rub a hand along his chest, making it ‘apparent’ to him that you wanted to take him to some random room and have him fuck your brains out. which wasn’t really the case to be honest. sure he had a good figure, but from his constant stuttering and nervous body language, you knew wasn’t your type. he was lost, definitely a virgin. maybe you’ll hit him up when he gets some experience under his belt? well, probably after you delete the one number that always stays pinned in your messages.

you almost have the poor guy falling for your slutty act when a gloved hand grips your wrist tightly, the masked figure pulling you away with no words. “suguru? fuck are you doing? hey—“ you tried playing dumb, almost tripping when he slams the door of some guest room and pins you to it harshly. you stay silent, almost holding your breath at the sounds of his heavy one, the white mocking mask staring at you eerily. “i tried to be patient with you.” suguru’s voice was filled with bitterness that made you scared for a moment, his hands moving your body. “i even tried to fucking ignore whatever stupid shit you got going on, since you wanna fuck everything that exists.” he sneers, gripping your throat and ignoring your whimper of his name, acrylic nails scratching his gloved hand, which he swats away. “i even let you get away with having my best friends dick down your throat.” he chuckles darkly, pulling you off the wall and pushing you to the bed, his hands letting go.

“wait— suguru i—“ you nearly choke on your words, your eyes watery as he keeps walking towards you, boots dangerously clacking against the wood floor as you fall to the bed, cornered. he pulls the mask up to his nose, strands of his bang showing and you can hear his words clearly, panties pooling in fear, “i want your ass naked and face in the fuckin’ sheets when i come back.” is all he says, you scramble after he closes the door, rolling off the two piece outfit and feeling humiliated at the sight of your cum stained panties.

but nothing is more embarrassing than the possibility of someone walking in, considering his orders weren’t for you to lock the door, or to even look in that direction. you were forced to wait, face deep in the blanket, scared of hearing that door opening and not hearing the dark tone of suguru’s voice. sure it had you aching in dread, but you’ll take whatever sick punishment suguru has for you than someone seeing you in such a state. did you really take it too far this time? but it’s not really your fault.. he’s the one pent up on you seeing other people when you two aren’t even dating.

fortunately, you’re smart enough to know not to even say any of that when you hear the door open, quickly slammed closed and locked. your hands grip the blanket tighter at the sound of his boots. those fucking boots, why do they have to be so loud? it feels like you’re about to be killed or somethin’..

and killed you were. your pussy at least..

“fuck are you cryin’ for huh? this what you do on the daily, nothin’ new right?” suguru chuckles with a hand wrapping around your neck, and pulling your teary ruined face back towards him. he was taking you from behind, cock filling you to the hilt and making you feel him even more as you leaned back to him. you weren’t sure how many times you came on him. time doesn’t even feel real anymore.. what were you even doing before this? it didn’t matter.

you try to talk, words mushing into gibberish as he tightens his grip, making a sound of disappointment before pushing your face back into the sheets, slapping your ass and fucking into your sloppy pussy with thrusts that had you thinking of nothing. only able to just take it, moaning loudly with dark spots forming in your vision, the music downstairs hopefully drowning you two out. suguru’s mask was long gone, most of his hair pulled into a ponytail with his bangs falling. he looked so hot when you two were getting ready, and he still does, your face twisted to the mirror across the room, your blurry eyes watching him put you in your place.

“you’re droolin’ princess, gonna leave a stain for satoru to see later.” suguru smiles, you weren’t even shy about how the thought turned you on, clenching around him so tightly it was almost hard for him to drag his cock through your walls. “oh you like thaaat. let him know this pussy’s mine kay? bet you want him to see you like this.. always slutting yourself out with everyone, only to keep comin’ back to me.” you knew that was an underline for something you never forget. no one’s as good as him. no one will ever fuck you as good as him. and no one will love you as good as him. no one gets to keep playing with your heart like he does, taking you home at 5 am and staying in your life like it was nothing. no one tastes like geto suguru.

that’s all you knew.

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