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#kinda want to see if anyone can tell which scene inspired this
sayuri-of-the-valley · 8 months
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On how Crowley and Aziraphale's dynamic shifted in s2:
Okay so I was inspired by this lovely post by @rebeccasteventaylor which I couldn't find the link to in order to reblog directly, but if anyone has a link to it pls I'd love to put it here:
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Anyway, while I absolutely 100% agree with @rebeccasteventaylor 's meta, I have to point out that s2 shifted it a little. Especially for Aziraphale.
We don't see him looking away trying to hide his heart eyes anymore as he used to do in s1 (we all remember the "smitten" scene, only to cite ONE). Compare the little breath of lust from the Bastille (when he looks away twice) to the "don't hesitate to ask me if you have any questions about love" one.
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In s2, he touches Crowley like crazy. He touches his chest, his hand, his back, asks him to dance, gives him a whole ass cotillion ball.
He was deliberately and explicitly pursuing Crowley this season. If s1 was all Crowley pursuing Aziraphale, s2 was all Aziraphale pursuing Crowley.
And Crowley seemed to either not notice or not acknowledge that Aziraphale was doing that (the way he said Aziraphale only has 3 reasons to call him still drives me crazy. Crowley ffs those were ALL the reasons there is to call someone. He's ALWAYS thinking of calling YOU).
I think Crowley was afraid. Probably for the same reason he never told Aziraphale he was homeless. Which is sad and kinda doesn't make sense at first bc this is all Crowley has ever wanted, right?
Until we remember the last time Crowley let himself love and be loved freely, he was cast away (yes, the Fall). He lost everything bc he wasn't worthy according to some crazy criteria. Apparently he doesn't even know what he DID exactly.
I wonder if Crowley thinks he's not worthy of Aziraphale. I wonder if that's why he refused to see their love for centuries until Nina threw it at his face (Nina LITERALLY doing the Lord's work). I wonder if he's afraid of loving and letting himself be loved and then losing it again. Afraid of daring to ASK and losing everything. Again.
And Crowley wasn't *happy* this season, even with their freedom. I wonder if Aziraphale was mistakenly arriving at the conclusion that he was not enough to make Crowley happy. That him alone would never make Crowley smile the way he did when creating nebulae.
These 4 years were breathing space between the two "wars", according to Crowley himself in s1. And I think Crowley doesn't deal well with their relationship in a calm environment. He only knows how to make grand gestures, and heroic rescues, and go fast and act on impulse because then he doesn't have to THINK. Once he needs to sit down and make a commitment (telling Aziraphale he's homeless for ex), he just STOPS, he can't.
Aziraphale was the opposite. The calmness without any danger was giving him all the space he needed to act on his feelings, while the sense of danger always made him enter denial mode (which ironically seemed to be Crowley's mode in s2).
Of course they still need to put a name on what they are and stop pretending, Nina was absolutely right (and Crowley did catch up on that faster in those last 15min), maybe Aziraphale was still lacking this bit even if he was pursuing Crowley, but we can't deny that until those last 15min the "us" was coming from Aziraphale.
It's sad to realise that unconsciously, without even noticing, Crowley was rejecting Aziraphale almost the whole season.
UNTIL suddenly there's a huge problem, a desperate situation and he wants to abandon everything, take Aziraphale and run away again! (his original plan wasn't even to run away, it was to go to the Ritz). And who can blame him after what happened when he Fell? The Fall was totally unexpected, nobody even knew that could HAPPEN.
Crowley doesn't think himself worthy of Aziraphale (he's UNFORGIVABLE!), and Aziraphale doesn't think he's enough to make Crowley TRULY unashamedly happy and carefree.
And they're BOTH immensely WRONG ofc, we can all see it. They're each other's WORLD.
But they just assume stuff and never ASK, never TALK (bc well, it was literally dangerous before, I get it, their communication issues don't come from nowhere). That's why they have different perspectives on how to fix their situation in the end.
And btw I have to add we can't ignore Crowley was opening himself more too, always taking off his glasses when he was at the Bookshop for example. Ironically he was just a bit slower than Aziraphale for once. All that ofc until those last 15min, when they both change back to their old behaviours (makes me want to bang my forehead onto a wall).
I do believe they'd get there if the Metatron hadn't intervened (interesting that he chose this *exact* moment), especially after that little push from Maggie and Nina (for Crowley) and ofc brielzebub (for Aziraphale) that was gonna make them BOTH confess their feelings.
Anyway, bottom line, fuck the Metatron.
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This is also a thread on Twitter :D
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19junewrites87 · 2 years
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Eddie Munson x Pregnant!Henderson!reader
This was inspiration from the "I'm a planet" scene from the movie "Juno"
I took the "I'm a planet" line and formed a story around it, so I hope you guys like it !
Warnings: FWB situation, angst, teen pregnancy, mentions of weed, mentions of absent fathers, swearing, implied smut with no actual smut, Eddie is a jerk in this one but he gets better
Word count: 3971
A/N: This story has A LOT of dialogue
Y/n and Eddie Munson weren't an item. You weren't even friends, just friendly, very friendly, acquaintances. You had met at a house party during Eddie's first senior year. You were a junior at the time and didn't really know anyone at the party. Eddie seemed very disinterested in what was going on, just sitting outside by the pool, rolling a joint. 
"Hey." She greeted, making the metalhead look up at her from behind his bangs. "I'm Y/n."
"Eddie." He said, his attention going back to the nearly rolled joint. Y/n shuffled her feet and cleared her throat.
“This party’s kinda lame.” She said, trying her best to strike up a conversation.  
“Yeah,” He nodded, fully looking at her. “But it’s whatever.”
“Yeah.” She nodded, awkwardly. “Listen, Eddie, I-”
“Wanna get out of here?” He asked, blowing smoke out of his mouth. 
“What?” She stuttered.
“Is that why you’re talking to me?” Eddie asked. “You want a hookup.”
“I mean,” She hadn’t initially come over to ask him for a hookup, but when a cute guy offers… you take up that offer. 
“I’m down if you are.” Eddie shrugged.
That’s what landed her in this situation. She was now in her senior year, Eddie was in his second senior year. They had been casually having sex with each other. Y/n would call Eddie when she needed him, he would call her when he needed her, etc, etc. They had been very careful. Every time they saw each other, they were careful. But I guess they weren’t so cautious this time, since Y/n was staring at the blue liquid in the cup that sat on her bathroom sink. She held her head in her hands and sobbed.
“Y/n?” Dustin knocked on the door. “Are you okay?”
“Just fine, Dusty.” She said. She grabbed the cup and dumped it into the toilet. She wrapped the box up with toilet paper and buried it in the garbage can. She opened the bathroom door to see her younger brother standing there with his Hellfire shirt on. 
“What’s going on?” He asked, seeing her red-rimmed eyes. Y/n sniffled and shook her head.
“Nothing that you should worry about.” She said, patting him on the shoulder as she walked down the hallway. “But hurry up before we’re late for school.”
Y/n was gathering her books from her locker, listening to Robin talk about a customer she had to deal with at work the other day. Normally, Y/n would be complaining with her, but she had too much on her mind. She’s pregnant now… and Eddie Munson is the father. 
“Earth to Y/n.” Robin snapped her fingers in front of Y/n’s eyes, making the girl look at her. “What’s wrong?”
“Nothing, Robin.” She answered, quickly. “Nothing’s wrong.”
“No,” Robin shook her head. “No, something’s definitely wrong. You love hearing about bitchy customers.”
“I’m sorry.” Y/n sighed, closing her locker. “I’m just a little stressed out, that’s all.”
“Test today?” She asked, to which Y/n nodded just to avoid further questions.
“Yeah, math.” Y/n shrugged. “I’ll get over it.”
“It’ll be fine.” Robin assured her with a supportive smile. “You always do great!”
“Yeah.”
Y/n watched as Eddie dramatically talked to the boys at the lunch table. She needed to tell him sooner rather than later, but she didn’t want to do it with anyone around. Especially not Dustin. To everyone at Hawkins, Y/n and Eddie had nothing to do with each other. They were strangers. To Dustin, Eddie and Y/n only ever say hi to each other when she would pick him up from Hellfire meetings. That’s all. Eddie and Y/n are complete strangers.
Six o’clock rolled around and Y/n walked through the empty hallways to pick up Dustin. She felt like passing out. She wasn’t sure how’d she react when she saw Eddie, but she needs to tell him. She sat down on a bench in the hallway and waited for Dustin to come out of the room. She was there for about five minutes before Dustin and the rest of Hellfire came out of the room.
“Good work, gentlemen.” Eddie said, shutting the door behind him. “We’ll see you next week for the continuation of our adventure!” They boys smiled and nodded at Eddie. As they were saying bye to each other, Eddie’s eyes met Y/n’s. He smiled and nodded at her, to which she tried to return. 
“Ready to go, Dusty?” She asked, grabbing Dustin’s backpack from his shoulders.
“Actually,” Dustin scratched the back of his neck nervously. “I tried to call you and tell you earlier that I was going to Mike’s after this.”
“So you’re telling me that I drove here for nothing?” Y/n asked, irritated.
“I called home.” Dustin said. “But mom said you weren’t home. I’m sorry.”
“Whatever, Dustin.” She shook her head. “Just call when you get to Mike’s.” Dustin thanked his sister and walked down the hall with Mike and Lucas. Once they were all gone, Y/n found herself pushed against the club room door, Eddie’s lips pressed against hers. His hands grasped her waist as Eddie pushed his hips against hers, making her quietly moan. 
“Eddie,” She mumbled against his lips, her hands on his shoulders. Eddie kissed down her face and attached his lips to her neck, immediately finding her sweet spot, making her knees weak. “Eddie, wait.”
“You wanna take this to the van?” He asked, still kissing her neck.
“No, Eddie.” She said, pushing him away slightly. “I don’t want to have sex right now.”
“Oh.” He frowned. “Oh, I’m sorry. I thought-”
“But I do need to talk to you.” She interrupted. “Can we go somewhere private? I kinda don’t want to have this conversation in a school hallway.”
“Yeah.” He nodded. “Yeah, let’s go into the room.” Eddie opened the door, allowing Y/n to go in first. She sat down in one of the seats at the table and waited for Eddie to close the door and sit by her. 
“So…” Eddie trailed off. “What did you need to talk about?”
“You know how we’ve been uhm…” She waved her hands slightly, trying not to say the word. 
“Yeah, yeah,” He nodded. “Do you- do you not want to keep doing it?”
“No, no,” She shook her head. “That’s not what I need to talk about.”
“Then what is it?” Y/n paused, her throat closing and mouth going dry. 
“Eddie,” She quietly said, tears forming in her eyes. “I-”
“Woah, hey,” Eddie stood and sat in the chair directly next to her, wrapping his arm around her shoulders. “You’re scaring me.”
“I’m pregnant.” She sobbed. 
“What?” His eyes went wide. He pulled his arm away from her and looked at her in shock. “H-how do you know?”
“I took an at-home test.” She wiped away her tears.
“But are you sure they’re accurate?” He asked. “I mean-”
“Eddie,” She began to become frustrated. “I haven’t had my period in months.” Eddie stood from the chair and began to pace around the room, running his hands through his hair.
“How do you know it’s mine?” He asked, making Y/n angry.
“Are you serious, Eddie?” She asked, watching him pace around the room. “You are the only person I’ve had sex with. Ever!”
“Well,” Eddie flailed his arms around. “How are you going to fix this?”
“What are you saying?” 
“I’m saying,” Eddie began to shout. “How are you going to get rid of it? This doesn’t just affect you, Y/n.”
“I’m keeping my baby, Eddie.” She said, quietly. “Whether you’re in its life or not, I am having this baby.”
“Fuck, Y/n!” Eddie shouted. “This isn’t fair!”
“Not fair?” She laughed, humorlessly. “Are you serious?”
“I can’t, Y/n.” He shook his head, walking towards the door. “I can’t do this.”
“Edward Munson, if you walk out that door you won’t ever see your baby!” Y/n shouted, tears streaming down her face. 
“Maybe I don’t want to, Y/n.” With that, the door shut behind him, leaving Y/n to cry all alone. Fine. She'll do this alone if she has to. 
“What’s been going on with you?” Dustin asked, walking into Y/n’s room. She sat up from her bed and looked at the boy.
“I don’t know what you’re talking about.”
“You have been weird ever since a couple weeks ago.” Y/n looked into her brother’s eyes and became emotional. He saw her eyes tear up and he sat down on the bed next to her.
“Can you-” She gulped. “Can you close the door, please, Dusty. I gotta talk to you.”
“Yeah,” He nodded, getting up to shut the door. “What’s going on?” He sat back down and watched his sister cry.
“Dustin,” She sniffled. “You have to promise me that this stays between us, okay?”
“I promise.” She pursed her lips and took a deep breath.
“I’m pregnant.” She whispered to him, making his face drop.
“What?” He asked, beginning to cry himself. “Who-”
“The dad wants nothing to do with us.” She interrupted him. “And that’s not something for you to worry about.”
“Does mom know?” She shook her head, making his face fall. 
“You’re the only one besides me that knows.” She sniffled, trying to stop crying. 
"You need to tell someone." Dustin told her. "You need to tell mom."
"I know!" She rubbed her hands over her face. "I just don't know how. I'm going to break her heart."
"But she'll help you!" Dustin said, grabbing his sister's hand. There was a long pause of silence as Dustin watched his sister think. 
"Can you help me tell her?"  She asked. 
"I-I wouldn't know how!" Dustin frantically shook his head, his eyes wide with panic.
"Just-" She briefly thought. "Just be there to hold my hand? Can you do that for me, Dusty?"
"Of course I can." His eyes began to tear up again. "I'd do anything for you, Y/n, you're my big sister."
"Can we tell her tonight?" She asked, feeling a surge of courage. "I just… I don't want to feel lost anymore."
"Yeah," He nodded, nervously. "Yeah, if that's what you want."
"It doesn't matter what I want anymore." She scoffed. "She'll find out sooner or later."
"Then let's tell her." 
"Mom?" Y/n asked, leaning against the doorway to the kitchen, where her mother stood washing dishes. 
"Hi, sweetie pie!" Her mother quickly smiled at her. "Do you need something."
"Can I talk to you for a minute?"
"Uh oh." Her mother turned off the sink and began to try her hands. "Is this a girly problem?" 
"Uhh…" She trailed off. It kind of was a girly problem, but not in the way her mom was probably thinking. "Kinda, yeah."
"Oh, okay," Her mom nodded, promptly putting the dish towel down and walking to her daughter. "Let's go to your room."
"Actually, can we do it in the living room?" She asked. "Dustin's gonna be there when I tell you." 
"Okay." Her mother said with confusion. Y/n walked to the living room, her mother in suit, where Dustin sat on the couch waiting. Y/n sat at one end of the couch, her mother sitting at the other end, making Dustin the middleman. 
"You two are scaring me." Their mother said, worry filling her eyes. Dustin's eyes began to fill with tears, making Claudia worry even more. "What is the matter with you two?!"
"Mom," Y/n began to cry. "I love you so much and I want you to know that."
"Y/n, I love you too." Claudia said. "But you need to tell me what's going on."
"I'm pregnant." She gulped nervously. "The father wants nothing to do with us and I'm keeping the baby." Claudia's jaw dropped, her hands shaking. 
"What?" Her voice was shaking. "What do you mean?" 
"I'm so sorry." Y/n cried, her face in her hands. "It was an accident." 
"Who's the father?" She asked, making Y/n look at Dustin nervously. 
"I-"
"Tell me, Y/n." Claudia demanded. "He needs to take responsibility for this!" 
"I can't tell you!" Y/n nearly shouted. "He won't come around anyway, so it doesn't matter!"
"Doesn't matter?" Claudia scoffed. "He's the one that's going to pay child support. He's the one that's going to be this baby's father!" 
"He doesn't want anything to do with us, mom!" She shouted. "He won't help even if I tell him to! Don't you understand?" 
"I'm so disappointed in you." Claudia said, making Y/n cry harder. 
"Mom," Dustin said, shocked with his mother. "Don't do this to her. She's upset as it is."
"You don't understand what this means, Dusty."
"Like hell I don't!" Dustin shouted, standing from the couch. 
"Dusty!" Claudia gasped at her son's language. 
"She's my sister! Your daughter!" Dustin said, matter of factly. "She came to you for help. She doesn't know what to do. She needs guidance!" Claudia blinked back tears and sighed. She leaned over the couch and grabbed onto Y/n's hands, making the young girl look into her eyes.
"I'm disappointed in you, Y/n." Claudia said, making Y/n choke back a sob. "But… I'm your mother and if you need help, then I'll provide it."
"Thank you, mom." Y/n smiled, slightly.
"But that doesn't mean I will do everything, Y/n." She conditioned. "I am the grandmother, not the mother of this baby."
"I know, mom." Y/n nodded. "I'll take all the help I can get." 
After Y/n told her brother and mother about her pregnancy, she waited until she began to show slightly to tell her friends. They were shocked, especially Steve and Robin, but they were supportive nonetheless. Steve actually rolled his eyes and said that he can't wait to babysit another kid. She has never been more grateful for her friends, especially when she really began to show. The endless rumors of who the father was swarmed Hawkins like flies on shit. Y/n just ignored everything. They didn't need to know who the father was. They didn't need to know anything. But the rumors still got to her, as she had cried to Steve about it, him being the only male comfort for her besides her brother. 
"I can be the father." He had said to her as she leaned her head on his shoulder, his arm around her shoulders. 
"What?" She lifted her head off of his shoulder to look at him.
"If you want the questions about who the father is to stop," He began. "Just tell them I'm the father."
"No," She shook her head. "I can't do that to you, Steve. It'll ruin your reputation." 
"You're one of my best friends, Y/n." He said. "I don't care about my reputation if it means I help you."
"You're really sweet, Steve." Y/n smiled, leaning her head back on his shoulder. "But… even though the father wants nothing to do with us, I don't think he'll appreciate someone else taking his place."
"Well," Steve sighed, pulling her closer. "If you ever change your mind, just let me know."
Y/n had thought about it for weeks. She really, honestly, was considering telling everyone that Steve's the father of her baby. But she felt it would be disrespectful to Eddie. Before this whole incident, she had started to consider him a friend. But now? Now they really were strangers. Strangers with a baby. 
"Eddie." Y/n said, standing next to him at his locker. "We need to talk."
"About what?" He sighed, looking at her, his eyes momentarily locking onto her large stomach. 
"I know you want nothing to do with us, but-"
"Shh!" He shushed her, grabbing the end of her jacket to pull her closer. "Could you be quiet about that shit?"
"I'm going to tell people that Steve's the father." She continued. 
"Steve?" He raised an eyebrow at her.
"Yes, Steve Harrington." Eddie laughed and crossed his arms.
"What, you screwing him now too?" He scoffed. "Is that even safe for the baby?"
"Shut up, Munson!" She glared at him. "Steve's more of a man than you'll ever be. He's voluntarily stepping up to take care of a child that isn't even his!"
"You know, Y/n," Eddie smirked. "I still have your underwear." Y/n rolled her eyes and scoffed, crossing her arms. 
"Well, I still have your virginity." 
"Shut up!" He said, angrily glaring at her. "You know, I should be the one pissed off at you! You're ruining both of our lives by keeping this baby."
"How could your life be ruined when you're not even claiming parentage?" She nearly shouted. 
"This affects me too and you know it!" He pointed a finger at her. 
"Yeah, well at least the evidence isn't under your sweater!" Tears fell from her eyes, making Eddie's face soften up a bit. "Everyday I have to hear shit from people. You don't! So don't even start with that shit, Munson." With that, she stormed off, frantically wiping the tears from her eyes. Eddie scrunched up his face in anger and slammed his locker shut with a curse. 
“She’s just been in such a bad mood lately.” Dustin said to the lunch table. “I don’t know w-”
“What do you know about your sister, Henderson?” Eddie said, slamming his hands down on the lunch table as soon as he arrived. It had been a few days since he talked with Y/n. The day after their little spat in the hallway, he began to hear people whispering that Steve Harrington was the father of Y/n’s baby. Now, Eddie will admit that he reacted badly when Y/n talked to him, but he didn’t actually think she’d tell people that Steve’s the father. 
“I-” Dustin looked shocked at what his dungeon master and friend was asking him.
“Who’s the father of her baby?” He asked, his eyes crazed like a madman. 
“Not you too.” Dustin groaned, rolling his eyes. “I thought you’d be different, Eddie.”
“Just-” He began to get angry. “Tell me what you know.”
“She doesn’t like when people talk about her, Eddie.” Dustin said. 
“Henderson,” Eddie knelt down to his level, his hand grasping at the back of Dustin’s neck. “Who is the father?”
“Steve Harrington.” Dustin said. “Why are you so worried about it?”
“Damnit!” He hit the table again as he came to a stand, his eyes searching for Y/n in the crowded lunchroom. At least now Eddie knew why Dustin never seemed to be angry with him. Sure, Dustin is a sweet boy, but he was protective of his sister. Eddie was sure that if Dustin knew about Eddie and Y/n, he’d never speak to Eddie again, let alone still be a part of Hellfire. 
“I know,” Dustin said. “I’m pretty mad at Steve too, but I’m at least thankful that he came to his senses and decided to take care of Y/n and their baby.” 
“Where is she?” He suddenly asked after a few moments of silence.
“Home.” Dustin said, confusion written all over his face. “Why?” Eddie didn’t answer him. All he did was rush out of the lunchroom, pushing away anyone who got in his way. He needed to get to Y/n. He needed to talk to her. 
“Y/n!” Eddie shouted, pounding on her front door. Eddie had only known where she lived because he had since been driving Dustin home from Hellfire meetings, since Y/n would never come anymore. “Y/n, please! Open the door.”
“What, Eddie?” Y/n asked upon opening the door. Eddie looked at her and noticed the black circles around her eyes, chapped lips, and rosy cheeks. 
“Are you okay?” He asked, eyebrows furrowing with concern.
“As fine as I can be when a kid won’t stop making me puke.” She deadpanned. “Now what do you want?”
“Why are you telling people that Steve’s the father?” He asked, making Y/n sigh.
“I told you I was going to do that.” She shook her head in disbelief. 
“I didn’t think you’d actually do it, Y/n.” 
“Eddie, why do you even care?” She asked. “You don’t want us. Steve does.”
“Steve’s not my baby’s father.”
“Your baby?” Y/n scoffed. “It’s your baby now?”
“Y/n,”
“Once I start saying the baby is someone else’s it suddenly becomes your baby?” Y/n suddenly became sad. “You’re ridiculous, Eddie.”
"I take back what I said!" He shouted in desperation. 
“Eddie-”
“Can we at least just talk about it?” He begged. “Please, sweetheart.” Y/n averted her eyes from his face, trying hard to get rid of the tears that burned the back of her eyes. With a quiet sigh, she nodded, making Eddie release a breath of relief. She opened the door wider and stood out of his way so he could come in.
“Okay, then,” Y/n began as she joined him at the dinner table. “Talk.”
“I reacted badly that day.” Eddie said, awkwardly. “And I’ve been a total dick.”
“You think?” She sassed.
“There’s honestly nothing that could make up for what I’ve done, for what I said, but” He reached towards her and grabbed her hand. “I want to be there. I want to be a father.”
“Why now?” She asked, shaking her head. “Is it because of Steve? Are you jealous?”
“I-” He was speechless. He wasn’t sure why he felt this way now. Perhaps he always wanted to be there, but just didn’t know how to react. 
“Eddie,” She sighed, gripping the hand that held onto hers. “I won’t keep you from seeing our baby, but I don’t want you to be the person that comes in and out of their life like my dad did.”
“I always wanted to be there.” He admitted, eyes filled with hope. “But I just… Y/n, I didn’t have a good father. He was in and out of my life too. Either high off his ass or in jail. I just didn’t want to be like that too.”
“Eddie, I think you’re incapable of being a bad person.” She smiled slightly. “And I have the same worries. I’m afraid I won’t be a good mom. But it’s a learning process.” Eddie laughed with tears in his eyes.
“When did you get so wise?” He asked, making her laugh with him.
“I’ve been reading a lot of parenting books.” She smiled. “You can borrow them, if you’d like.”
“I might just take you up on that offer.” He smirked. There was a long pause of comfortable silence. Just two soon-to-be parents basking in the reality of their situation.
“Can I ask you something, Eddie?” She asked, breaking the silence. He nodded and looked into her eyes. “Did you ever feel anything for me? Like, more than friends?”
“I did.” He admitted. “I do now. I just… didn’t know if you liked me too.”
“I do.” She smiled.
“Then,” He smirked, standing up from his chair and pulling her towards him. He placed his hands on her belly and smiled at the feeling. He let his hands come to a rest at her sides and he looked at her. “Wanna go steady?”
“I’d love to.” She didn’t hesitate. “But now I have to explain that you’re the father.”
This was going to be a very long and very hard story to explain to what seemed like the entirety of Hawkins. It’s going to be even harder when she tells her mother and Dustin. But they both hoped that they didn’t hate them. They all had to understand, right? Dustin was understanding. Right?
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ladyfocalors · 4 months
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HIIIII THEREEE SWEEETIEEE OMG ヾ( ˃ᴗ˂ )◞ •
Ah how I know the pain of a writers block! hope the request will give you inspiration and not just completely burn you out instead! After all we wouldn't want a sweet little writer to get burned out, would we now? ( ๑ ˃̵ᴗ˂̵)و ♡
So don't overwork yourself, and don't forget to drink enough water. Be careful it's cold days and sickness time, MWAH(∩˃ω˂∩)
As I checked your requests I didn't notice anything with angst so I'll just put this here and you decide
Lyney x reader angst to fluff
Or (if you're not comfy with that, that's tots fine, I'll just give you the option so U can choose which you feel like writting)
Lyney X reader confession/accidental confession... Like lyney confessing to reader (bc I have a fear of rejection) LIKE AAA
Anyways what I wanted to say is stay safe, don't overwork yourself and don't forget to eat and drink, KISS
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pairing: Lyney x gn!reader
warnings: friends to lovers, jealous reader, lyney is a tease but we all know that, reader is kinda a tsundere, traveller is not specified, wrote this entire thing sleep deprived, a bit messy, not proofread!
note: Thank you for the sweet words, anon! I hope this is up to your standards. Take care :3
word count: 1.2k
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It was always you and Lyney.
So why was it that the moment the traveller appeared, Lyney has forgotten about you. You can’t seem to get Lyney all by himself now, he has to have the traveller and that loud flying companion of theirs around.
The traveller.
The traveller was pretty and likable, you have to give them that. You could never hate them. If you were someone else, you would’ve definitely loved to be around them. But you weren’t someone else, you were you. Your heart didn’t belong to anyone other than the magician himself. It was pathetic really, being jealous when you didn’t even have the right to.
Is it selfish to want all your attention?
You bitterly smiled at the scene in front of you. There he was again, with them. All smiles and everything. With a deep breath you tear your eyes away from them towards Lynette who seems to be doning a bored expression on her face.
I shouldn’t be jealous, you mentally scold yourself.
“I’ll come back another time, Lynette.” You turned around, hiding your bitter expression. “Tell Freminet, I said hi.”
Lynette hummed in acknowledgement, noting how the distant look in your eyes didn’t match with the smile on your lips.
“I’ll tell him,” she responded.
With that you left the place, not able to capture the moment Lyney turned to see your figure walking away or that the way he frowned.
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It was always Lyney and you.
So why was it that the moment the traveller appeared, you had disappeared from his life? You didn’t seem to stick around for long anymore, looking for excuses to leave quickly and it almost felt like you were avoiding him now. He missed your presence next to him.
It was funny how he never thought of that. He was so used to having you around that he forgot what it was like to not be around you. Now that he is alone, everything seemed so dull. It was weird to not have the melody of your voice cutting through the silence or the bright smile you carried or the way he felt comfort in your touch or the way…
Well, you get the point.
So after pacing around a bit in his room, and getting scolded by Lynette for sulking around, he decided to go meet you while you were at work.
With a determined expression, he pushed open the door and entered. The familiar chime of the bell greeted him as he stepped inside. The atmosphere of the place was calming, but it lacked the warmth he associated with your presence: you weren’t at the front desk.
Wandering around a bit, he found you in a corner, engrossed in your work, a sight he found oddly comforting yet distant.
“Hey,” he greeted, trying to sound casual.
You glanced up, surprise evident in your eyes before morphing back into a blank stare. Despite that, you did manage to put on a smile. “Lyney, do you need something?”
“Yeah. You,” he responded nonchalantly, relishing in the way your expression got caught between disgust and a sigh.
“Gross!” you huffed, setting aside your work. “Fix your choice of words.”
Lyney grinned, happy to get a reaction out of you. “What I meant is, I missed you.”
Your face falls at his words and he doesn’t understand why. “You, missing me? Did fish start flying?” your voice carries a faint bitterness.
He chuckled at your words, if he had to get something out of you, he had to change his words to get what he wanted. "Maybe they did. Or maybe I just realized how dull everything is without you around."
“What brought you to this sudden realisation?” you asked.
He leaned against the nearby table, crossing his arms. "Well, Lynette pointed out that I've been sulking around like a lost puppy. Got me thinking about why I felt that way and, well, here I am."
You raised an eyebrow. “So it was Lynette. Well, always the voice of reason.”
You turned back to your work but Lyney grabbed your hand making your head turn to him.
“What?” you ask, annoyed now. “Let me do my work. I am busy.”
“Tell me,” he asked, placing your hand on his face and leaning into the warmth it brought. He closed his eyes. “What am I doing wrong? Why do you avoid me?”
You avoid his eyes which are looking at you with a soft expression that you would definitely get lost in and it could easily break your nonchalant facade.
“What am I supposed to say?” he mumbles to himself but you can hear it. “Look you’re my best friend and I love you-”
“What?” your voice comes out louder than intended. Lyney jumps at your voice and in an instant he realises what he just said when he sees the surprised horrified look on your face.
“I did not mean for it to come out like that.” This time Lyney is the one avoiding your gaze. It’s surreal to see him embarrassed and blushing, his face matching his Pyro vision. The air of confidence he had around him had disappeared and all the theatrics were out the window.
Anxiety bubbles in your chest at his choice of words, “You didn’t mean that?”
He laughed weakly, trying to come back to his usual self and realise what he just said. “I did mean what I said. I just, I just didn’t mean to blurt it out like that. You understand?”
You pulled your hand away from his face, flustered. "Lyney, you can't just drop a confession like that and expect me to understand. Besides, how can you say you missed me when you had traveller?"
“So you were jealous of the traveller!” Lyney chuckled heartily and your eyes widened at your slip up. You hid your face behind the palms of your hand, utterly embarrassed. “Don’t worry, my heart is all yours. No traveller can take it from you.”
"You're incorrigible," you muttered, trying to regain your composure.
His grin widened, and he moved closer to your face. "Guilty as charged. But seriously, what's the harm in admitting my feelings?"
You crossed your arms, trying to feign indifference. "You're just saying that to get a reaction out of me."
Lyney chuckled, the sound low and inviting. "Maybe. Or maybe I'm just tired of dancing around the truth. You make everything a little more lively, and I kind of like that."
Your attempt to appear unfazed was crumbling, and you sighed in defeat. "You're impossible, Lyney."
He closed the remaining distance between you, his confidence never wavering as he wrapped his arm around your flustered form. "Only for you," he replied, his hand gently cupping your cheek. "Now, are you going to keep pretending you didn't hear what I said, or are we going to talk about it?"
Your mind raced, your face heating up. "I... I wasn't expecting this," you admitted, your eyes flickering between his lips and the floor.
A shiver ran down your spine when he slowly traced down your jawline to your chin and tilted your face up to meet his eyes. “My eyes are up here,” he said and with a smirk, he pulled back, his expression still brimming with confidence.
“So, what do you say? We meet at our favourite cafe in the evening?” he asked, his tone changing to something more sincere and less flirty.
“Fine.” You sighed, shaking your head. "You're lucky you're charming."
Lyney grinned, "Luck has nothing to do with it, darling. It's all a skill and you love it."
“Don’t flatter yourself too much,” you grumbled.
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©️ ladyfocalors
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angelthemanspanker · 2 months
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my most tinfoil hat AtS opinion is that legit straight up canon spangel was like RIGHT beneath the surface of season 5, like the show was ready to pivot in the direction of them being at least friends with benefits at a moment's notice despite fate and the censors' best efforts
Season 1 had shit like Angel's first power walk shot set against a pride flag and him awkwardly telling guys he wasn't hitting on them, going for a kinda Adam West Batman kinda gay thing where people assume that about him bc it's the early 2000s and his clothes fit VS Season 5 in the premiere alone giving us Angel correcting a guy who calls him a "little fairy" with "I'm not little" and the legendary, blog-inspiring "I have no problem spanking men" (one of which he says to a guy he's about to kill and one to a guy he knocked out, almost like Angel lets gayer behaviour slip if he's around people who can't bring it up later hm) followed by the only man we KNOW Angel has fucked literally appearing from thin air in his office
then you get Life of the Party where Angel's Whacky Magic Antics are set off by Lorne telling Angel and the person he's having sexually tense arguments with to get a room, causing him to have ill-advised hate sex he ordinarily would not have with someone he is reluctantly attracted to. and I believe in my BONES that at SOME POINT in the scripting process that that person was gonna be Spike. Even setting aside my admittedly subjective opinion that Angel and Eve had even less sexual chemistry than Xander and Willow, it just... scans. Angel and Spike have their "I need to get our faces within an inch of each other or I'll die" arguments in front of EVERYBODY in literally every episode of the season, so I feel like if Lorne was gonna say it about ANYONE it'd be about them. I will never budge from my belief that Spike still being a ghost at this point and early 2000s tv politics caused them to abandon the Angel And Spike Magically Fuck At The Party plot early in the writing process for the episode and slot Eve in there instead while Spike gets the easy-to-write-into-existing-scenes positivity thing.
and THEN. AND THEN. it becomes a plot point that the show Angel's friends are suddenly really on board with him getting back out there dating-wise (the unperson-ing of Cordelia helps here. whee.), with us all suddenly being in agreement that there is little to no danger of his curse being triggered by sex (even though both times he's lost the soul since his curse, real or imagined sex played a significant role in the moment of happiness). Like, Nina is one of the more one-dimensional characters in the Buffyverse and her midness seems to be for the purpose of setting the audience at ease that Angel's soul ain't going anywhere from hooking up with her.
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WESLEY is all for it! Wesley "Most Paranoid and Prepared For The Return of Angelus" Wyndam-Pryce is saying look man we're all rooting for you go have a relationship with a girl whose only flaw that I can come up with is that she's a werewolf. Like sir??? How can you be sure the Beautiful Engaging Young Woman Who Actually Wants You won't accidentally make Angel happy with her extremely inoffensive flavour of Nice?
Whereas if, say, there was a beautiful, engaging blonde who actually wants Angel and Angel wants but comes with the caveat that THIS beautiful blonde not only drives Angel up the fucking wall but recently had magical sex with Angel at the office party in front of the whole main cast, proving that as much as Angel gets off on screwing Spike that he is Not happy about it? I can see Wes giving the all clear on that one ngl
bonus points that Angel and Nina got the Official Couple upgrade in Smile Time which comes right before the Illyria tragedy forces Angel and Spike into the... maybe not friendly but LESS hostile dynamic they keep for the rest of the show, so the season structure of their relationship still follows a lot of the same beats. honestly besides getting a lot more moments of David Boreanaz and James Marsters trying to out-six-pack each other in their post-coital shirtless scenes the only thing you'd need to do is change the world-shattering "Me and Angel have never been intimate. Well except that one..." to something along the lines of "Me and Angel have never been intimate, I just shag the bastard"
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genshinemblem564 · 8 months
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Genshin Isekai Headcanons
These can be sagau, but they don't have to be.
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• Xinyan is stoked that you love her music, and is excited when you offer to play her some music from your world, but she's confused by some of the lyrics. She understands metaphorical lyrics, like the person described in the song isn't actually a rocket, but some of them don't make sense or feel like they were added just to fill a void. Aside from that, she kinda wants to perform some of these songs, now if only she had some band members.
• Tartaglia doesn't have much to say about the guns of your world. The pyro and hydro fatui agents already use guns of some kind, and the cryo fatui agent uses, um. What would you call an ice based flamethrower? No, what he's interested in is the immense amount of new weapons that Teyvat doesn't have, or they probably do, and we just don't hear about them. Like chain blades, I don't know what else to call them, essentially a flail, but instead of a mace, it's blade. I would write something about axes, but I feel like saving that for my crossover series. A scythe is often seen as a special lance, but you tell him that it's much more complicated than that specifically pointing out the blade, and depending on your own skill, you give him a demonstration. He is way too excited to learn all of these new weapons, like a kid excited about a new toy, you can't help but smile.
• Baizhu is perplexed when he first prescribes medicine to you, as you give him a list of allergies, if any, and are more than willing to go through proper examination to learn how resistant your body is to certain toxins. He's even more surprised when you tell him that his unique practice is actually common in your world, so that's why you don't bat an eye at potentially poisonous ingredients.
• Bennett is rather surprised. When you hang out, his bad luck seems to go away. It's actually just you using a bit of foresight, like checking the date on a flyer before rushing to a sale that had already ended, but seeing that glimmer in his eyes, you decide to let his imagination roam.
• You and Cyno are reference lords. You two reference everything, Cyno, his favorite book or book series, and you, your favorite media source. Now, if only people actually understood them, and yes, you do quote Yu-Gi-Oh when playing Genius Invokation.
• If you're an artist, then you quickly catch Albedo's attention. When he sees your drawings, he is quick to ask what you used as a muse, and your answer will have great impact on his reaction. If you point to an object or animal, his response will be normal. If you draw from memory though, he is astounded, especially if what you drew was a scene of some kind, with people, animals, or what have you. Drawing all that from memory is incredible. If you say it's something you made up, he'll compare it to when he's commissioned for his own art.
• Depending on your own interests, you'll be interacting with several different characters. I can't think of anything in depth for these few, so here's a general basis. Barbara is relieved that you're so open to different views. She knows how cruel people can be when they're closed-minded, and she's happy to teach you about the Church of Favonius and Barbatos. Noelle was lamenting not being a knight yet, which led you to bring up the seven chivalric virtues. Yae Miko and Xingqiu are very interested in the stories of your world. Xingqiu hoping to learn more about your worlds code of chivalry, but he ends up learning about justice's different forms. Yae is simply searching for new inspiration. She often calls on you when her old nemesis, writers block, appears. Nahida takes interest in you right away, wanting to gain knowledge from your world, and you seem fun. She knows better than anyone how dangerous knowledge can be, so she asks you to omit potentially dangerous subjects.
• Mona was shocked when you said that you only wanted to know the bad stuff coming your way, not that she could help you, with you being an outworlder and all. When she asked why, you told her "It's best to be prepared for all the bad coming your way, and if you know all the good coming your way, it takes away from life's natural wonder." Which was promptly followed by you asking "Where did that come from?"
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I'm thinking making more of that last one, like " Characters reaction to reader who is randomly philosophical" might need to work on the title a bit. Also, as stated above, these can be sagau, but can also be normal isekai, so I'll use both tags so they can be found more easily
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softlyspector · 6 months
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Can you talk about the differences b/w Game!Joel and Show!Joel in your own opinion?? Like the big things? I've never played the games, only watched the show, and I am super curious 🥺
Hi! Sure, I can try to articulate some of the differences between show and game canon. These are just things I noticed and noted, and anyone is welcome to jump in and add on or disagree/agree with me. (Also would like to add, I'm only really talking about part 1 of the game, since that's the only counterpart to the show so far and I haven't properly played part 2 so my judgment there isn't totally fair.)
For me, the most notable difference between game and show Joel is the approach to the emotional side of the character. Joel in the show, although guarded, is pretty open with his emotions (**comparatively speaking, I guess). He opens up to Tommy pretty quickly about his feelings of failure and about his care for Ellie. He opens up verbally and explicitly with Ellie eventually. We Do Not get this in the game. Joel in the game is very quick to shut down anything even approaching a conversation like the one he has with Tommy in the show. He shuts his brother down, pretty aggressively, and outright refuses to take a photograph Tommy tries to give him of him and Sarah together.
In the game we really don't get these overtly (maybe that's the wrong word but I can't find another way to describe it) emotional moments with Joel. You get it in much smaller doses and in much subtler ways. Joel is incredibly internal in the game. You get these tiny little glimpses into him that are just fascinating (he helps Marlene up when she collapses, he tells Ellie thank you for opening the first gate for him in Bill's Town, very early into the game when he shouldn't really care about her, indulges her questions pretty quickly, expresses understanding and remorse about what happened to Frank [in the game Frank is already dead] to Bill, and in a gentle kind of way, which he very much did not have to do).
The show also, and this might be kind of a controversial take, takes some of Joel's teeth away from him. They approached the show from a more "realistic" standpoint that eliminated a lot of the gameplay elements (understandable) that made Joel just a beast to deal with in the game. I think they played up the old man angle just a tad too much in the show. Don't get me wrong, he's still incredibly scary in the show, sure. But, they emphasized his age a lot. He's not nearly as physical, he's older. His hearing is a huge issue, but in the game Joel's hearing is literally what saves your life, gets you around a lot of the time.
I know we all love the unhinged knife scene in the show, but it really doesn't hold a candle to the type of terror he inspires in the game during the winter. I'm still not really over the brutality of the winter section of the game, for both Joel and Ellie. Like, it really showed so well why Tommy was afraid of Joel and what he can do/is willing to do. It's an important setup for the inevitable end of the season/part 1, and the very particular way Joel cares about people and what he'll do for/because of them.
He's so much harsher, but it really makes those moments where his softer side comes out shine all the more. When Ellie finally gives him the picture of him and Sarah comes to mind. He still doesn't say much but its incredibly clear how much his acceptance of the picture means to both of them without spelling it out.
Joel in the game is also. . .kinda funny? We don't really see this humorous + sarcastic side to him in the show that we get in the game. In the show, the grumpiness + sarcasm is more played up.
This doesn't have to do with game vs show really, but I wanted to mention it anyway, because that's probably what sparked this ask. I was looking for specifically game!Joel fics because I personally enjoy his game characterization more and find it much more interesting, but also, I think by virtue of Joel being played by Pedro Pascal in the show, there are a lot of tropes commonly associated with show!Joel in the fandom that are just not my cup of tea, and you just don't see game fics written in the same way. That's really neither here nor there, that's a me problem y'know, but I wanted to mention it anyway.
Please, please, please know that I very much love both versions of this character. I think they fit their respective mediums really well, show vs game. And, like I said, I do find game Joel more interesting, personally, and I think there's probably an underlying motive to Joel's characterization in the show that we'll see the fruits of later, which I can't really specify without spoiling the show or tlou part 2.
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jemdeserveslove · 30 days
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Sarah J. Maas is much more comfortable and better at writing multiple pov's books
I wrote this TWO years ago and never posted, but I think it's still valid, so I uptaded a bit. Welcome to my TED talk: if you love or hate Rhys, this is for you!
I was inspired to write this due some discussions I have seen here lately surrounding Rhys and the pregnancy plot in acosf, so I'm gonna throw my two cents here. Honestly, I don't think I have a very formed opinion on this. I don't agree with what Rhys did and I think it was wrong, but I do think it was on his character to do so. When I was reading acosf, I remember thinking how it was such a Rhys thing to try to come up with a solution to the problem before saying it to Feyre, especially considering that it was a life/death situation. NOW, that's not really a good thing, cause Feysand's whole thing is how they treat each other as equals and Rhys's attitude kinda of went agaisnt that.
Of course, there was the whole "let's not stress the pregnant person out, cause that won't do any good to anyone", which, let's be honest, it's true. But, still, I remember thinking how ewww it was that literally EVERYONE knew about that (hell, I think even Helion knew, right?) except for Feyre. And, yk, it's her LIFE, so she should know (obvs).
NOW, here's what I really wanted to talk about. I think one of our biggest issues surrounding this is the lack of reaction from Feyre. I think it's said in the narrative that she and Rhys had a huge argument about it, but that in the end it was cool. And that's really bad. For us, the readers, it was like "some really serious stuff" BOOM "unicorns and rainbows", we didn't get to see any of that
And the thing about this (and correct me if I'm wrong, cause it could be fake news lol) it was stated that they cut out a lot of scenes that sjm wanted to include, I suppose as bonus chapters, and those scenes were especially Feysand scenes. But her editor thought it was better to cut them out, because that would have diverged the attention from Nesta and Cassian (which, sort of did for some people anyway, but whatever).
And I think this is such a big mess and it's some bad writing in a way. I don't think sjm is a bad writer, quite the contrary, I enjoy her writing very much. But the issue with ACOTAR is that we had three books solely with Feyre's pov, so everything we know about all the characters were because of her and we sort of only had her character growth (if you get what I mean). And, now, we're having this trasition with each new book with two new pov's, and it seems that it's not really covering everything that it should cover to tell the story. ACOSF held a attention on Feysand that I understand why they did it, but if they're going to put a lot of weight into them to that specific story, they should've added more scenes with their pov's.
And, for me, everything comes down to sjm being a lot more comfortable in writing stories with multiple pov's. She did that with ToG and CC. To make a personal comparison with her latest books, hosab had a much better structure than acosf and I think the plot flew a lot better. I can't say the same for hofas, but I think the problem there was the unequal weight of the povs (Tharion and Ithan compared to the rest lol). But in ToG is done beautifully! Of course, sometimes we don't care about certain povs, but that's normal.
Anyway, really excited for some acotar 5 news and tbh, looking foward as to how we can slander Rhys again lol (I love him, ok)
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grace--le--domas · 3 months
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PJO- Some Show Recommendations for the showrunners if s2 is greenlit
Season 1 was kinda...boring? Honestly, that is the last thing I expected a PJO adaptation to be. The books aren't perfect, but they are fun! There is friendship, adventure, humour, all while still the characters grapple with some pretty serious stuff. The show (except for the first two episodes and the finale) feels stiff.
Show is too exposition-y, the pacing is off and it of course breaks the cardinal rule of show- don't -tell.
Thankfully, the concerns are easily remedied. Coming of age stories are a dime and dozen, and I think that the showrunners could actually learn from the TV shows and movies of past. So, I compiled some recommendations for them :) Read on if extensive analysis is your thing :)
Buffy The Vampire Slayer- Honestly, this is theee coming of age story. It follows Buffy (the chosen one), as she navigates high school, college and eventually adulthood, along with slaying vampires. And instead of a sullen main character, we as an audience are treated to a sassy, take-no-prisoners variant of the chosen one trope. There are so many similarities between Percy and Buffy- both are loyal to a fault, sarcastic and stubborn. They understand that they cannot escape their respective destinies, but they'll be damned if they don't see things through their own way. Both are brave to a fault, and adore their found families. The writers could take some inspiration from BTVS and Buffy's character arc (to an extent). Bonus- BTVS has great examples of melding humour in serious situations.
2. Mission Impossible Series- This one might be a bit controversial, but hear me out. I know most people consider the MI films popcorn flicks-and they are- but most the movies in the series are paced excellently. There is a sense of urgency in MI films- which was severely lacking in the PJO show. Have a deadline, let me feel anxious for these kids.
MI also has some excellent action scenes. And before you say, well PJO is not an action series, I would like to say that I agree- but the beauty of adaptating something is that you get to change things. Well paced action sequences, even if they are about a minute or so, are necessary break up the exposition dumps. It breaks the monotony. It makes you feel afraid for these kids, who are running from one dangerous situation/monster to another.
3. Dune (2023)- Thematically, Dune is vastly different from PJO. I am including it in this list for several reasons- editing, cinematography world building and sound editing.
To put it bluntly, I don't feel connected to the world of the PJO series at all- which is a shame because it is an incredible world! Greek mythological creatures co-existing with the modern world! Modern myths! Greek gods!. But it is all introduced in the most boring, exposition-y way possible.
The cinematography doesn't shine until the last episode. I want interesting shots, fluid camera movements- just anything that breaks the monotony of scenes. For example- I loved Poseidon's introduction, why wasn't this type of cinematography present in the rest of the series. Shoot the gods differently, make use of different camera compositions. Experiment a little for god's sake.
Coming to sound, yeah this one was the most disappointing of all. There are no memorable sound motifs, which is a shame because sound can convey so much more than words in certain scenes. I say Harry Potter music and you instantly think about the charcteristic symphony. This is missing sorely in the tv show.
Sidenote- I would have chosen Nathan Barr as the music composer (missed opportunity Disney). Look up his work, and you'll understand why I said this.
Coming to editing, yeah the editing is clunky at best. That is all I have to say about that for the moment.
Let me know if anyone wants a part 2 :)
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effen-draws · 1 year
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HUGEEEEE fan of your de!swap fic! Just finished reading chapter 5 and WOW what a chapter. I'm soooo glad to see that suzerainty popped up, the original scene with that game is my favorite scene, and I'm overjoyed to see that it carried over to your fic!!
Curious question, what was your motivation behind choosing what skills Kim has? I love all the skills you created for the fic, and I'd like to know your thought process behind it
Thank you so much!!! I’m super glad that you liked the chapter! The Suzerainty scene was hella fun to write:-D And I’m very happy that you like the skills as well! 
But, yes, the skills. Oh man, anon, the skills. You have opened up a can of worms here. You’ve given me an opportunity to rant here, anon. So I really hope you’re ready for a long post because I have plenty of thoughts, my friend. 
But before we actually get into any of my skill related thought processes and ideas I’d like to preface this post with 2 things!
Many of the skills (and generally the early parts of the fic) are inspired by a hodgepodge of many different people’s headcanons and art here on tumblr! Which, because I’m one of god’s favourite clowns with a terrible short term memory, I have no idea what came from  where! I looked at and read a lot of the things that later inspired me before I ever thought of writing the fic at all. And I never thought about writing any of my sources of inspiration down before I had already finished the draft of chapter 1! Which I kinda feel terrible about! The readers with a better memory than I might remember that I wrote in the first chapter that if anyone saw anything that looked familiar they should tell me so I could give proper credit. (Which I still implore any keen eyed reader to do!) So yeah, this is just to say; I’m not a genius who came up with all of this on my own and I was inspired by many cool people so don’t give me too much credit!
BUT! If anyone ever wants to write or draw anything using the skillset I’ve made for my version of swap!Kim, then you are so very welcome! So don’t sweat it if you want to reuse a name, concept, or the entire set! I’d just be happy to have inspired you:-]
Anyways sorry for the preamble. I just needed to get that said before I go down my rabbit hole:-)
So, let’s get to it! (For real this time I promise, anon) Here are a few of my general thoughts about my Kim skillset and some individual insight into more of the “interesting” skills! 
There were a few things I considered when making the skills. For one I needed to figure out what skills were needed because of narrative necessity and what were needed for characterisation. For an example HANDS ON is almost only a “Kim is physically interacting with his surroundings and I need to describe that” skill while TORQUE DORK, on the other hand, is a fluff skill that’s there because of Kim’s interests in machinery. Besides their personalities the skills also need to serve a role in telling a story, y’know? Whether that be description or character. That’s also one of the reasons that Kim only has 16 skills instead of Harry’s 24. A fic is a different medium than a game so it’s not necessary to have quite so many skills. But, if you want my non-boring justification for that, I also just think that Kim is far less scattered brained than Harry! The man is simply more together even when he’s falling apart so he therefore has a few more “multi purpose skills”:-]
Speaking about Harry, I felt like it would be important that Kim’s skills felt unique to him even if some of them started out as reskins of Harry’s (I mean, how do you make a skill responsible for logic without giving it similarities to Harry’s LOGIC skill??). Not that they needed to stand out completely but rather I didn’t want to feel like I was applying Harry’s voices to Kim’s head. Which also means that Kim’s skills just can’t do the same things that Harry’s can! For one they aren’t as psychically inclined even if they can take guesses and read people in similar ways (which they’re partially that good at because of narrative necessity, but hey man, don’t look at me I’m just trying to tell a good story here!)
One thing which I also really wanted to stress with the skills too is that many of them have “rivalries” or “alliances” with one another. Some of them are complete opposites (EYES vs. OUTSIDER) while others will almost always back each other up (POISE & COMMAND). This animosity is there because; one, Kim is constantly trying to keep himself in check and is very harsh on himself so therefore no skill can ever “win” for long. Two; I’m a BIG fan of the thought of “Kim’s centrism is killing him”. So therefore every skill is almost always pulling him in different directions and opposing each other while Kim is trying to thread the needle of just existing. And because there’s this constant infighting Kim’s mind becomes a very hostile place to be. One last general consideration before I get into some individual skills! I really love how having a high level skill in DE also has its downsides! They have blindspots! They have one track thoughts and motivations! And it’s dangerous to only listen to one of them! So I attempted to show that with Kim’s high level skills like VOLTA DO MAR and POISE in the fic:-]
Anyways: individual skill thoughts! I don’t have something to say about all of them but I'll quickly go through my thoughts on some of the more interesting ones in order. (Also I’m so sorry for rambling so long, anon. Here's the part of the post I think you're interested in.)
Starting off with PUZZLEBOX and NOTEKEEPER! If I’m honest I think these two are inseparable; Note provides information and Puz connects the dots. They’re quite obviously Kim’s deductive and note taking powerhouses. Note does however also have a purpose as a narrative device since it’s the one that recalls past information (that Kim can remember). They’re a little like a narrator in that sense. Anyways I don’t have many thoughts about these two but I think they’re kinda cute in how “dumb” they can be despite being intellect skills:-]
FANTASME is not a skill that gets a lot of the limelight but they do have a good amount to say even though they’re a low level skill. They’re kind of a CONCEPTUALISATION and INLAND EMPIRE mix I guess. They’re focused on Kim’s “nerd” things (that isn’t machinery or paperwork) and escapism. They know about art but they don’t really “get it” as Harry can. They’re also the driving force behind Kim’s existential dread as you have seen in chapter 4.
BLEEDING HEART is what I labelled as the “feelings” skill, and they were kind of an EMPATHY clone in the early concepts before I really figured them out. Because all they really want for Kim is for him to feel. Their second priority is making sure that Kim feels for the people around him as well. To Bleed it doesn’t really matter what emotions Kim is feeling as long as they are being felt and that he isn’t hurting or “burdening” anyone. They’re sad, suppressed, and visceral. Another thing about them is that similarly to how ESPRIT DE CORPS is the “gateway skill” that Harry uses to read Kim, BLEEDING HEART is the “gateway skill” Kim uses to read Harry in the fic. This is mostly because I don’t think Harry can be understood through the lens of the RCM like Kim can in the game.
EYES is interesting to me. Because they aren’t the RCM but rather swap!Kim’s understanding of the RCM personified. Which both means they’re brutally honest about how the police sucks but that they also cannot let go of duty and loyalty for the life of them. They are aptly named after Eyes; Kim’s last main connection to the RCM and its office culture. Which is very cool but also not my original idea! And because of the reasons mentioned prior I really don’t remember who came up with that stroke of genius but I would honestly like to thank them personally. (If I ever get my hands on the post I saw it in I’ll link it here)
I love the idea of OUTSIDER. Kim having a skill that’s specifically manifested because of how alienated he feels is so interesting to me! That how much the world has failed him is ingrained in him just speaks volumes, y’know. Outs don’t have too much of a narrative purpose compared to other skills but I do love them regardless. They aren’t completely my original idea either, but unlike EYES, I have no idea where I got this one from. (Again, if I find the source I’ll put in a link, but for now my cursed memory can produce nothing.)
JOIE DE VIVRE is the most fun little guy in Kim’s mind to me. They are what makes life fun (as their name suggests) and they ultimately represent indulgence. They are essentially good to listen to occasionally but not constantly. Because Joie is all about base desires which they want fulfilled now. “Hey! Smoke that cigarette now! Hey! Fuck that guy now! Hey! Avoid your responsibilities now!” And if they don’t get that they will immediately trash talk whoever shut them down. And, to say the least, they are constantly being repressed by the other skills. Kim can’t get rid of them but, oh man, does he wish he could.
VOLTA DO MAR is my swap!Kim’s signature skill. And it shows: they are used to being in control. They are all about keeping Kim going and they generally serve a similar role like VOLITION does in terms of keeping Kim sane. But they are really nothing like VOLITION. They’re mean. They’re efficient. They’re a completionist and simultaneously a survivor. They will shut down anything they deem unnecessary while also dealing with any odd situation which Kim simply needs to roll with. Volt ultimately thinks they know best and is thusly kind of a dick. 
NERVE is a kind of “physical skill all in one” with the added on flavour of repressed anger. NERVE’s name then, of course, both comes from the biological nerve and because of the “that struck a nerve” saying. They just want Kim to follow his gut and retaliate for once. They’re the physicality of anger and instinct. Which has pros and cons… 
POISE is an interesting little fella to me. They’re kind of like a teen who’s obsessed with being cool and keeping up face and facade in my eyes:-) And since they’re also such a high level skill they get to talk a lot, and with their focus being reputation a large part of that talk is about how embarrassed Kim should be. They’re a personification of self consciousness and intrusive anxiety riddled thoughts and yet they’re also one of Kim’s most useful skills, both in regards to reading others and not being read himself. They’re sort of a necessary evil in that sense.
Oh man. That was a ramble. And I didn’t even talk about every skill. Well, I’m all tuckered out now but thank you so much for the ask, anon! I kinda took it as an excuse to just talk for once so I hope that alright:-] 
I don’t know how many people (if any) will find this interesting so, to the people who got this far, I’ll tell you my swap!Kim’s 5 highest level skills as a token of my appreciation for reading:-) Number one is of course VOLTA DO MAR, followed by POISE, BLEEDING HEART, NOTEKEEPER, and then lastly COMMAND. Extra fun fact; EYES and OUTSIDER are always the exact same level and this makes them furious.
Anyways, thank you again for reading my fic and this long ass answer to an otherwise simple ask! I hope you have a great rest of your day:-]
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moonlitinks · 9 months
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Writer Q&A Tag Game
Thank you to bestie @writingbyricochet for tagging me! CAN WE JUST START OFF WITH THAT LITTLE WRITING SNIPPET (AND THE KISS SCENE) THAT HAD ME SQUEALING??? I AM SO, SO EXCITED FOR PARADISE LIVED AND DIED. for anyone interested in this amazing writer, her answers are linked here!
1) What motivates you to write?
Whenever I sit there and read a good book in one sitting for hours. The magic. The characters. The romance. The ACTION. It just makes me realize that I want to ignite this same feeling to others, and I want to make my book feel like a second home for them to escape to <3
2) A line/short snippet of your writing that you are most proud/happy of. If not maybe share a line of someone else's work you love (just please credit them)
This is my most recent writing snippet that I'm just SO HAPPY TO WRITE I DON'T KNOW WHY
“Well, I think you’re a selfish—” Rip. The sound of her skirt tearing caused her to pause, and the magpie picked and picked at the edges of her dress. What was it doing? Bari grabbed at the remaining pieces before she exposed herself and got kicked out due to indecency. He stared at her with indifference, scowling like he could not take her at all. “There,” he said. “Now you have no reason to cling to me.” He snatched the magpie from the air and Bari cried out in alarm. Even the bird seemed to sense the dangerous aura that the he emitted, pecking at the space in between them. Altair paused at where the magpie pecked, and his gaze slipped for a second, enough to Bari to snatch her bird back, and the lantern in the other.  She really did need to get rid of the lantern, but it wouldn’t move because, apparently, even an enchanted object believed that she didn’t know what she wanted. “Tell me to take a voice.”
3) Which OC makes you smile every time you think/talk about them and what are they like?
Altair, because he's so complex. I always love a character that is more mysterious and has a lot of history to unpack behind them because of all the awful things they've done, but a lot of guilt and regret following them, too. Seeing their transformation arc is BEAUTIFUL.
4) What process of writing do you enjoy the most?
Drafting and creating plot twists! And brainstorming / daydreaming about ideas. If you can't tell, I'm not much of a plotter haha.
5) What part of writing do you think you are the best at? (Yes stroke your own ego it's okay)
Inner dialogue! And I think I really like getting in depth with characters, so you really know them.
6) What is something in the writeblr community is most enjoyable?
I think I love it because we're all honest about the writing process. Writing is really lonely and it actually can really drain you mentally without the right mindset. Personally, I have a lot of anxiety, so seeing people that understand me really makes me feel like I can write and simply enjoy it. It also makes me feel less alone.
7) A writing tool/device you use that helps you with writing? (It could be speech to text, a writing program etc)
Scrivener, my love. I also love watching author interviews like Chloe Gong and Stephanie Garber and just seeing what their drafting and publishing journey has been like, and it inspires me to write! Pinterest is also great for aesthetics, and Spotify is the best for playlists <3
8) A piece of worldbuilding that you like in your own story? (It could be the magic system, a particular place in the story, a law etc)
I love the Enchanted Kingdom (soon to be named...) I've built so far. It's filled with curses that have been unresolved in the first lives that these gods have lived, and now have reappeared to kinda ruin the Kingdom. My world is very fairytale slash studio ghibli esque, so I'm having so fun with the tidbits now!
9) What piece of advice would you say to encourage others to write if they are having a rough patch?
Oh, God. DO I KNOW THIS PERSONALLY. I swear my rough patch hasn't ended... writing after nearly not writing for a good two years really does something to you.
Writing is all about mindset. It doesn't matter how much of an oddball idea you have. If you don't believe in it, it'll never get finished. Every time I doubted myself, my anxiety got so bad I shut down immediately. And I was so worried about what other people would think when reading my books, that I stopped myself from writing the books I want to write in the first place. Whether you have people around you discouraging to write, or can't believe in yourself, at the end of the day, it's just you and your book. And what's the point of writing if you're just following a trend? Or slugging yourself to finish a book you can't even connect with? Each book is a piece of yourself, and I think the greatest realization I had is to write the story you want to read. And it doesn't matter if it's about some girl who makes a deal with a god to save her sister, or about some alien on a spaceship, or about carnivals! Writing is so amazing because you can connect with readers who enjoy the same things you do, but it all starts with believing in yourself first.
When you get stuck, don't panic. If you haven't read an article about how Boredom Leads to Creativity, maybe take a quick break about writing that first! Writing isn't about who finishes the book first, but it's about quality and a game of luck. Maybe you need a break away from writing. Maybe you need to reconnect with your characters. Maybe you're just tired of toiling over and over again on this plot line.
There is no set method to returning to your project. But what has helped me is learning why I want to write. It doesn't matter how much I return to my world, or try to force my characters into more trauma if there's no reason why I'm writing this. Like, is it to enjoy it? Is it to have people experience these feelings I've felt months ago, and hold importance to me? Even the simplest reasons are the deepest ones. <3
And finally (sorry this advice is literally a hundred pages long, can you tell I'm procrastinating right now?), writing is meant to be serious, but it's also meant to be fun. The draft is simply just that: a draft. You can get ideas from random lines you wrote, or even take out characters to write a different book about! Don't ruin the one thing you've learned to love. Personally, writing in fun / ugly fonts: Arial, Comic Sans, etc., has really helped me focus on what I want to say instead of whether this book will ever get queried or not. Set a routine. Write everyday, or don't if you're more of a mood writer. The instant you feel the itch to write, JUST FUCKING DO IT, OKAY. THIS IS A SIGN. It doesn't matter if it's a scene in the third act and you're only on chapter 1. It's a sign that the story wants you, and only you to write it.
FINALLY FINALLY, I swear this is my last piece of advice, and the shortest: Believe in yourself, even when no one else does. Writing is hard, but rewarding. I believe in you. <3
wowooww that was long, tagging @orphicpoieses @macabremoons @halfbit @leisoree @sleepysuiteheart @the-chaotic-writer @heymacareyna @hallwriteblr @sculpture-in-a-period-drama @pixelw0rds @thetruearchmagos + other mutuals and anyone who wants to participate! i would love to hear your responses, PLEASE.
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absolutebl · 2 years
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10 BL Scenes I Wish We Had Translator Notes On
Inspired by a discussion in this post. Here are some BL scenes I really wish we had extensive notes from translators to read. Or that a language coach or linguistics professor would analyze. 
(Note: I don’t always have a picture of the scene in question.) 
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1. Daisy & Touch’s Date in Secret Crush On You 
I did this one myself but I am nothing but a dilettante, I’d love someone more experienced with Thai nuance and the queer community do a full on analysis of the language use. 
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2. Phun coming out to his dad in Love Sick 2
I haven’t rewatched in a while and I would probubly understand more now, but at the time this scene was SO confusing. The translated pronouns are all over the place and I wasn’t at all sure whether he even was actually coming out or not. 
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3. Thun talking to his mom on the phone in He’s Coming to Me 
There a whole subtle thing that goes on when Mes overhears Thun on the phone, to do with “ter.” I think I got it, but also, I think I missed a bit of the nuances that’s insightful to their mother/son relationship. 
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4. The ex-girlfriend, the boys, and the balcony in Precise Shot
A VERY odd choice as this is a Chinese censored bromance but I am pretty darn sure there is a whole subtextual dig at Taiwan and Taiwanese spoken Mandarin in this scene that went WAY over my head. I think it’s so rich for China to take a dig at Taiwan in an CENSORED BL. I want to know more about what’s going on.
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5. The gendered(?) register code switch in the office kitchen in Old Fashion Cupcake 
Honestly the translations are just really really bad for this one (on Viki for Japanese in general) and I am super grateful I have at least some ear for Japanese because I can tell when they mess up (which they keep doing). It’s a marker of how good this show is that I adored it despite this. Still, I would like the nuance of this scene explained a bit more. I get that he switched into a feminine register but how exactly? To what degree? What are the additional implications of this? How rare is that for a man of his age? How mocking was it? Or does mockery not come into it? Is there a queer of gay coded implication to this behavior? I HAVE QUESTIONS.
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6. Nuch’s speech in Not Me
We don’t get speeches in BL very often, especially not subversive ones from a queer person addressing a crowd. The language is by necessity completely different under these circumstances and I really really like to know how and why certain choices were made. 
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7. Paitong’s speech of protection in La Cuisine  
I love the way this one is translated but I am not entirely sure that translation was accurate. The supportive way Pai talks about his sisters (including Kitty in that) made me so happy, I want to believe it is honestly translated but I am not 100% certain that the queer implications of that translation were thought through (in English). 
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8. The frozen register usage from Prince’s mom in Sky in Your Heart. 
I did not like this BL but the language use going on when Sky visits Prince’s house mansion is CRAZY cool. There is a dialectic switch but also a register switch and I am pretty sure they are speaking in frozen (which no one really does IRL unless they are/are with royalty). I’ve never heard anyone speak Thai the way she does. 
* Note: Anytime you see Thai script subbed it means the characters are probubly speaking in a heavy dialect. So there are a few shows set in the north, like Siew Sum Noi that I would have liked a lot more linguistic info on, but the fact that I managed to find them translated at all, is kinda a miracle. 
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9. Yaja time in Semantic Error
I think I fully understand the concept and I got the implications of the drunk conversation before the kiss. But I’d like to know, in that particular version of yaja time, if there’s anything else more subtly queer going in with these two. I mean we all known and could hear that JaeYoung executes the sluttiest “hyung” on the goddamn planet but is there something else happening linguistically? 
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Often with KBL the culture around queer is so coded and so subtle I feel like I am missing a lot of the linguistic hints. Or maybe it just really is that repressed.
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10. Mr Cinderella and the pronoun negotiations
I can’t pick a specific scene off the top of my head, although I am sure there is one. I understand from @squeakygeeky​ that Vietnamese I/you pronouns are pretty gender and power dynamic coded. This makes Mr Cinderella (the least Seme/uke of all VBLs) one of the most challenging on the actors and translations. I’d love it if they, and me, were given more information about this. Not just translation, but script choice, why those pronouns at that point in the narrative? Why the switch? Why NO switching? That kinda thing. 
(source)
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yossipossi · 8 months
Note
what was your main inspiration/reason to write 5001?
Well, the reason is pretty obvious: I wrote it for the SCP-5000 contest. I intended to write an article to win, but it was my third article and so it wasn't particularly great, especially in comparison to the winner, but ah well.
As for the inspiration, I had a few sources, but my main source was Evangelion. Specifically, the scene in the first rebuild where they fire the energy weapon through Ramiel's core. That was such a tense scene and was so cool, and I wanted to recreate something along those lines. Even before I conceptualized all the details about the article, I knew I wanted a scene where a laser fires something into the center of something really big.
I actually remember where I was when I came up with the basic idea for SCP-5001: I was in the middle of my prayer services before school (I'm Jewish, to be clear), and I suddenly had a flash of inspiration: the theme was mystery, so what if there was an anomaly in a containment chamber that the Foundation found, and they had no idea what was inside of it until it breached? At the time, the placeholder images in my mind for this idea were "facility that contained something akin to Gears' Proposal, and it nearly breaches at the end before somehow being recontained, without anyone actually seeing the anomaly and living." It was a cool idea, but not really what I wanted.
The inspiration from Ramiel's death in Evangelion comes into play now, since I realized I didn't just want to anomaly to be never seen, but also be really fucking big. I knew that whatever was in this facility needed to be powerful and ancient, and I knew the Foundation needed to barely be able to recontain it through some last-minute ditch efforts using the most powerful weapons available to them. This is how I came up with the idea for HECOR (the High-Energy Concentration Orbital Railgun), and how I conceptualized the climax of the article.
As for what was actually inside the facility, I still had no idea. In fact, I didn't even come up with the Broken God connection until I was a ways into the article. I just had the basic idea and started writing. I did a bit of research into strong materials and came up with a general design for it, and decided where to put it. I chose the Russian wilderness at the time because it was unlikely to cause of Veil breach if big shit happened there, but it kinda made sense later for the Broken God connection.
Still, the article mostly shaped into its current form as I was writing it. A big part of my philosophy for writing SCPs specifically is using the format to my advantage by trying to make the document as clinical as possible. I included a history section for realism and to provide additional context for the circumstances of the object's history, and talked about all the technological discoveries due to SCP-5001 to help add some gravitas to the anomaly's function.
I think it was while writing the section on "OMEGA" that I finally realized this would be a perfect Broken God article. Not only that, but I realized it would be really interesting if I made SCP-5001 the heart of the Broken God that was missing from Kaktus's second SCP-001 Proposal. That's the idea I was working with as I went into the final section of the article.
I actually remember when I wrote that. I think I had a short break from high school, so I stayed up all night writing the final addendum in a fervor. I was listening to this cover of "In My Spirit" the entire time (like, six hours total), which also meant that the beginning of the Zuriel fight from the Evangelion rebuilds played a role in shaping the way the incident log escalated. (I highly recommend reading the incident log with the song playing in the background, btw!)
As for the ending... well, I'm kinda shit at writing endings. Anyone whose read my articles can tell you that it's usually the weakest part of my writing. If I wrote the ending of the article now I'd be a bit subtler, but I wanted to essentially show that SCP-5001 was the missing heart of the Broken God. I just wasn't very good at conveying that.
After I finished the article, I started getting critique, and while it was mostly positive, I did get some feedback that wasn't so encouraging. Still, it helped me refine the article quite a bit, and even if SCP-5001 was far from perfect, it's better than if I didn't get feedback at all. I remember getting some critique in the middle of our school's yearly ski trip lol
After I posted it, I remember being amazed at how fast its rating was growing, and for a few days I was actually in first place! Of course, Tanhony's "Why?" eventually overtook me, but I'll never forget the excitement of actually getting first place with my third article on the site for a while. I'm still quite happy with getting third place, though, and getting the SCP-5001 slot. :)
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bedlamsbard · 1 year
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This is actually 3 things because ongoing breakup situation fried my brain so I kept forgetting. 1. That Peggy meta was a thing of beauty and I love that you managed to make her imperfect without ever falling into "this British aristocrat is a Relatable Underdog." 2. I kinda want to write my "alt!Loki hitting both his own and Thor's avengers beats" theory, but I don't want to make you feel like I'm trying to get you to go back to morning when I like Home a lot, your call? 3. Talk about Howard?
Aww, I'm sorry to hear you're not having a good time. <33333
I CANNOT get over the fact that the MCU tried to (a) make Peggy's and Whitney Frost's situations equivalent to each other in AC S2 when the flashbacks themselves made it clear that Peggy had every advantage Whitney didn't and (b) make Peggy's and Steve's situations equivalent to each other in CATFA and What If. I can actually see Peggy assuming growing up privileged but expected to fit into a certain role is equivalent to growing up poor, second gen, sickly, and with a single parent, but the narrative itself seemed to feel like those were identical, which is seriously uncomfortable.
I would be delighted to hear your alt!Loki theory! I don't get bothered about Morning the way I do with my Star Wars fic; I know exactly what's going to happen and how this story is going to end, I just haven't felt like working on it lately. So I would love to hear your theory!
Howard is a freak, which I say quite often and with affection. I don't think the MCU in any way intended him to be; it's a consequence of Howard mostly appearing in other people's memories, more as a plot device than a character, which is what he is in Tony's narrative. (And Tony says as much in his first scene in CACW.) We only see Howard as a non-constructed character on very few occasions and the only really extended occasion is CATFA, which is a much younger Howard than we see in Ant-Man or Endgame, or even his very brief flashback appearance in CACW. (I count IM2 as a constructed Howard because he's on camera and he knows he's on camera, he's just constructing himself here rather than being created by other people's memories/needs/etc.) Because Howard plays this wide variety of roles -- distant father, industrialist, inspirational father, casus belli, domineering boss, etc. -- it's easy to overlook what we see of Howard which isn't filtered through other people. I mean, literally, our introduction to Howard in IM1 is in newspaper articles about him. In IM2, it's Tony's memory of him, it's Fury using him to manipulate Tony, it's recorded videos -- and then CATFA we actually meet Howard, who is already at this point living the double life that Fury tells Tony about in IM2. Nobody knows he's involved with the SSR, just like for seventy years no one knew he was a member of SHIELD -- twenty years after his death! -- no one outside of SHIELD knew he was a member of SHIELD, including his own family. And the fact that Howard is the kind of person who not only could keep that secret, but actually did is such a major characterization note that should be the first thing anyone thinks of when it comes to him. Because everything else he does should be filtered through "this man is keeping a huge chunk of his life a secret." (and, I mean, one could definitely look at that as a metaphor for "Howard Stark was in love with a man for fifty years," but also it's...not a metaphor, he literally did that.)
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thegemthatreads · 2 months
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Alakai ‘Kai’ Novalar - Half-Elf Warlock Bhaalspawn
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What is your Tav’s…
Favourite weapon: Bloodthirst Dagger. He loves to get all up and personal with his victims so they can see the bloodlust in his eyes.
Most prized possession: A little trinket Klarity made for him when they were younger. It was one of the very first things she made and tried to make a crescent moon out of vines. He carries it in his pocket wherever he goes and when he needs to calm down or needs a little’ luck push', he holds onto it.
Deepest desire: He doesn’t remember his past. Only that he had to look out for his little sister when they were younger, but after that, everything was a blur. So his deepest desire would be to create more memories, good or bad since he can never see the line between the two, especially with his family he found with Klarity.
Guilty pleasure: He loves to make people around him flustered. It could just be a stare or using what he’s learned against said person. He loves to watch them squirm and get red in the face, not able to say a sentence without stuttering.
Greatest strength: As cheesy as it sounds. His sister. She gave him the courage and the strength to be who he is today. Though most people see being a Bhaalspawn as a curse, his sister inspired him to use it to their advantage and use it for….mostly good purposes while still having fun with it. She may be the more calm and collected one and people friendly but when it comes to combat and strategizing, she’s more experienced compared to Alakai which inspires him to be more. She is the reason he gathered the strength to stay alive and keep fighting.
Greatest weakness: If Klarity or his partner is hurt or in trouble. He’s a mess. He can’t focus on anything but their safety. It would always cause him to get gravely injured. He either gets really scared/worried or so angry, all he sees is red and won’t stop till he gets to them, even if it means his life is in danger.
Fatal flaw: His rage can make him not think rationally. He would black out and wake up the next day with no recollection of what happened.
Favourite smell: The type of atmosphere smell when you’re by the lake. The fresh air with the fresh water smell, calms him and would always make him want to sit by the lake, basking in the moonlight (He prefers night to day)
Favourite spell or cantrip: Eldritch Blast (Especially when it throws the enemy back…preferably over a cliff)
Pet peeve: Gale keeps absorbing his favourite artefacts or little trinkets he thought a friend or his sister would like. (Normally when Alakai finds out Gale absorbed it, he ties Gale up like a hog in his tent as ‘punishment’ and leaves them there to think about what he’s done.)
Bad habit: He tends to have a snarl-like expression on his face 24/7. He was never a people person so it always made him unapproachable. It’s a habit he tries to break but always fails miserably at.
Hidden talent: He plays the Lute and he can juggle. (He had to entertain his little sister somehow growing up)
Leisure activity: Sitting by the river at night, watching the scene in front of him. Sometimes he likes to take naps with his back against the tree. Scratch and Owlie (He named the owlbear Owlie but refuses to tell anyone) curled up on either side. If he can’t sleep, he’ll hum to himself a tune he’d hear on the day.
Favourite drink: Mermaid Whiskey. It’s a bonus since he’s a sucker for bottle designs too.
Comfort food: Poutine. Potato, cheese and gravy all in one? Sign him UP!
Favourite person(s): He saw Shadowheart more as a sister as they travelled together. Although he should have disapproved of it, he was proud of her when she would try to threaten La’zael but would only smirk since he kinda liked the idea of the two together. Shadowheart was one of the very few people that would see the ‘teasing’ side of Alakai. Everytime there was tension between La’zael and her, when they would set up camp, he’d walk past her tent while making lewd gestures while pointing to La’zael and Shadowheart, causing her to chase him until he’d fall in the lake. They had a brother and sister bond that she didn’t wanna trade for anything.
La’zael he cherished so much. She was all about fighting and spilling blood which he LOVED. They bonded over the fact they wanted to constantly spill enemies blood. They both aren’t very familiar with having friends but he would die for her and would hope she’d do the same for him but would also respect her even more if she didn’t.
Astarion…well…Alakai thought he was a dick at first. Although when they first met, he didn’t like the fact at how much Astarion pulling a dagger on him, excited him. So in a panic he’d twist around, decking Astarion in the nose before scrambling to get up. That day was when their relationship blossomed. Astarion would always flirt with him or Klarity for some sort of protection which of course would urk Alakai the most. When they all found out that Astarion was a vampire, he made Astarion promise that he would drink from him only and not to touch his sister. They would always joke around and actually enjoy each other's company as time went by. Alakai didn’t want to admit it but he started to fall for the Pale Elf and wouldn’t do anything about it and would continue to continue the bond they built since he was convinced Astarion needed a friend more than any form of intimacy.
Karlach was a puppy in Alakai’s eyes. He wanted to make sure she’d get the escape and happiness she wanted and would bend his back backwards for the Tiefling. Although she had the strength and courage to look after herself and such, that didn’t stop him from wanting to keep her safe. The same with all of his friends.
Favoured display of affection: If he really cared for the person, forehead kisses or a faint smile. He wasn’t always one for affection and when he’d be worried about an upcoming battle, he’d give the people he really cared about an encouraging smile or a forehead kiss, depending on the person. If it was someone he is involved with, an arm around their waist while kissing the side of their head or resting his forehead against theirs.
Fondest childhood memory: He doesn’t remember much but only the laughter and fun he shared with his sister.
Is there anything else you'd like to share? (feel free to include art or a screenshot of your Tav if available!)
When they finished facing Cazador, after Astarion decided not to ascend and let off all his feelings. Alakai crouched down, his head bowed so Astarion could have his moment of relief. Later that night in camp, Alakai went to check up on him and when he could see the pain in Astarion’s eyes, he gave a look to Astarion, asking for permission to hug him and when he is given permission, he pulls Astarion into a hug, resting his face in the crook of Astarions neck before moving his head to give a faint kiss on Astarions forehead and gives a faint smile to him. “I’m happy you’re finally your own person, if you ever need a night hunting person, I’m always available.”
Later that night, Shadowheart goes to Alakai’s tent as he’s reading a book he found. Shadowheart kneels beside him and has a knowing smirk on her face, Alakai already sensing what is about to happen, he closes his book and exhales through his nose. Shadowheart then reenacts Alakai’s words that were said to Astarion, causing Alakai to growl and throw his book at Shadowheart that runs out of his tent laughing.
Also fun fact, Alakai doesn’t like to show his soft side often but when he does, he gets so lovey dovey towards Scratch and ‘Owlie’, fawning over them and giving them plenty of treats while everyone watches, shocked that Alakai even had that side of him (considering they only saw the anger looking, murderous side of him). He even allows them to sleep in his tent which leads to them curling up to his side.
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rexsoka in the werewolf au
since my au is a modern with magic kinda thing the way I incorporate the war will be vague and convoluted. First of all it comes when Ahsoka turns 18 because we don't support child soldiers and stuff. for all intents and purposes, Rex is like 20 at that point. the politics behind it and whatever palps does isn't super important and frankly I don't feel like thinking about that bc it's too complicated and I only have so many braincells. what's important is that Anakin becomes a general (somehow. again, not concerned with the technicalities---though we are concerned about the mental stability of whoever decided that would be a good idea). Rex and the 501st consist of volunteers who are assigned under Anakin's command. Many of them are part of Rex's family somehow haha. he has a huge family.
anyway a few months into the war a lot of them are kidnapped and made into cindaku like I described in this post since palps is a warlock as we recall and wanted to play around with that weird dark magic and kriff. Rex and many of the boys return to the 501st after this horrifying episode, despite the option to be discharged. they are infuriated and even more inspired to continue fighting (having assumed that the perpetrator was working for the separatists). of course, the body horror n all that kinda freaks them out. they don't tell anyone what happened when they were POWs because a) it shouldn't be possible and b) they don't know who to trust. obviously they trust anakin but not to handle the situation gracefully and like fair. so they're trying to figure out how to control their supernatural sides (while palps is also trying to figure out how to control their supernatural sides) and at the same time they have a war to fight so it's pretty standard chaos.
then ahsoka enters the scene. She's 19 when she joins up because she went to an academy that guaranteed her a position as an officer instead of enlisting as soon as the war started so she's appointed as Anakin's commander. He has mixed feelings about it because that's his little sister and he's seen how brutal this war is and doesn't want it to hurt her at all but at the same time he knows she'll be great and he can't wait to see her in action and brag about what a cool person she is. He proudly introduces her to Rex and that's where the fun begins.
As soon as they step into the same room, the air tastes like ozone. their eyes lock, their hackles raise, and every nerve in their bodies screams danger enemy danger so they're totally on edge right off the bat and Anakin is just standing there with his hands on his hips glancing back and forth between them like is this sexual tension or?
it's not sexual tension. although they both have the subtle thought of oh no she's/he's hot floating in the back of their minds. It's just some classic dog/cat stand off that neither of them can place. and it's doubly disorienting because like rex is a golden retriever and Ahsoka is peak cat behavior. the reason Rex and the rest of the men didn't have this reaction to Anakin when they were rescued is because they already had a developed relationship with him before they were turned into shapeshifters and they had a pretty deep bond. plus also he was definitely the one to find and free them (with some help from obi-wan and friends because cody was also kidnapped) so their experiences override the innate instinct to view him as a hostile. They don't have this benefit when it comes to Ahsoka and I think that's hilarious.
instinctively they want to hate her so much. being in the same room as her is enough to set everyone on edge and make them super uncomfortable, which is really inconvenient because she has to give them orders and stuff. but they all come around quickly. they see that she genuinely cares for them, that she supports them whenever they need it, that she's willing to protect them with her life. They eventually overcome the persistent impression of something being not quite normal about her and learn to trust her the way they trust Anakin.
at the same time, they're assimilating each other into their found families, as they do. Domino twins have adopted her. there's no going back. Rex meanwhile rapidly starts to think of Ahsoka as his best friend. they have little in common---he's strict and professional while she's borderline feral and weirdly mystic---but the way they work is so seamless. she's so warm and caring, she's brave and confident, and always willing to listen, and a few times Rex thinks it might be okay to tell her what he really is. but there's a war going on; there's no time for that sort of drama. besides, it's not just his secret to share. it involves all his vode too, and he shouldn't make that call for everyone. but a guy can fantasize a little bit. not that he would. he's too focused and selfless for that 💀
lol this goes both ways tho. ahsoka says this is my bestie rex and introduces him to everyone like that. sorry barris. (barris understands. she has a bird's eye view and all the wherewithal to ship them to the nth degree). Ahsoka likes that rex is so firm and unflinching. he's super cool and kickbutt. he's also crazy smart, a mad strategist, and he's always commanding and collective which is way more than she can say for other guys her age, kriff. also he's hot. like that's definitely something to consider. she's contemplated biting him many times, or at least telling him that she's a wolf blood, but there's a war going on and she wouldn't put that on him when they have more important things to keep track of. she would never bite him without first explaining everything in detail because Anakin told her what happened when half the battalion was captured and Ahsoka could never bring herself to deprive Rex of his freedom in that way.
Ahsoka likes to compliment Rex on his incredible reflexes. whenever she does it around the rest of the men they all kind of just laugh nervously and give each other weird looks LOL 😭 one time Tup said Ahsoka smelled like wet dog because she walked into the tent and it was raining outside and Rex almost SKINNED that poor kitty even though she did omg I'm so funny what else? hmmm, Ahsoka found a jar of pickles in a town they passed through and was eating them as a snack and everyone got spooked by them before realizing they were pickles. She pulls one out of the jar in front of Rex and he jumps on top of the fridge. they stare at each other in disbelief for a solid few minutes. one time Rex got hit in the head with a stick that fell off a tree or something and in a fit of unchecked rage he yeeted it as hard as he could. Having just arrived on scene and clueless to the context, Ahsoka impulsively runs it down and brings it back. she grins and tells him that was fun. Rex's brain short circuits. Fives loans him a braincell. he throws the stick again. She brings it back again.
I think the reveal should happen in the middle of a battle because let's face it that's how they roll haha. the image in my mind right now is the classic Anakin and Ahsoka throwing Rex off the wall while it's exploding except he lands on his feet because he's a cat meanwhile anakin breaks his arm and dislocates both shoulders and Ahsoka is put into a coma. Up until that point Anakin and Ahsoka haven't been so badly injured that they couldn't heal within a day or two and easily hide from Kix and Coric or at least take care of each other, but now they're forced to see the medic for once and Kix doesn't know what to do with their weird biology he's just crying holding the test results like bro are you even human meanwhile Anakin is momentarily high on all the meds kix gave him and he's just babbling like "rex landed on his feet. he landed on his feet and didn't get hurt. rex landed. on his feet. on his feet oh force. we were thirty meters from the ground and there were explosions and he landed like a kriffing ballerina." and rex is just sitting outside sweating buckets like kriff kriff kriff i'm dead we're all dead because what he did shouldn't have been possible and he's just praying to the force that anakin and ahsoka won't remember. they do.
Ahsoka wakes up in a few hours which gives kix a flipping heart attack because she'd sustained a traumatic brain bleed then healed almost completely in less than a day and got up her same chipper self and turns to anakin who's chilling in the next cot over no longer high with both arms in slings looking very stupid (she takes the obligatory time to make fun of him for this) then just kinda raises her eyebrows like "so rex huh" he landed before they did so they had like two seconds to see him stick it before making contact.
They corner him after sneaking out of the medbay. Ahsoka apprehends him because Anakin still has those slings and can't really move 💀 then they both grill him about his impossible landing which may or may not have involved some sparkles (it was hard to tell with all the dust). they bring up every other instance where he performed just beyond the bounds of human capability, citing also his unusual bend towards catlike reactions and demand an explanation. he resists them for a surprisingly long time, still believing it's not his place to tell them, but eventually he breaks and spills everything. he's just so tired of keeping it secret, and they convince him that they'll keep it between themselves. He's somewhat ashamed that he caved and told them, feeling like he betrayed his brothers, but those feelings are pushed to the back of his mind when Ahsoka finally stops gaping at him and laughs out loud. "Well, I'm glad I didn't bite you." She snorts.
His brain is so fried this poor man. Anakin says they're werewolves. it makes too much sense for Rex to even ask for proof.
Cody and Obi-wan are observing this all from a distance nursing mild migraines because they told each other pretty much as soon as Cody and his vod'ike returned and actually have functional communication skills. They're just watching the 501st burn in chaos and are too weary to do anything except let it all happen.
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tempestuous-tempest · 11 months
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Nick Valentine Ramble and Headcannons:
Warning: I do mention some sensitive topics. I will put these in Orange.
The first character I fell in love with during my "first" playthrough. I had played before technically but the only memory I had was of Nick and I dont believe I got to finish it. So when I finally decided to play it, I went straight for Nick after saving Preston per usual in the game.
Now and days I consider Nick more of a father figure plus I get a free uncle DiMa.
Nick is all around just an awesome character and companion.
As many others, I think he needs more attention in the game. Like the Kellog thing could have been explored a little more. But I understand how complicated that could have been given the way the game works.
His insecurities about his own identity and how he doesnt feel like he is his own person completely separate from the original Nick makes me think that he disassociates sometimes. Which may or may not have been talked about before.
It took himself a while to get used to seeing himself in the mirror.
If you've ever seen the beggining scenes of "Replicas" with Keanu Reeves in it, that's how I feel Nick's imprinting processes might have gone like when he didnt know who he was.
Original Nick smoked cigarettes just for the aesthetic reasons. Synth Nick also mainly does it out of habit. He does somewhat want to quit, even if it doesnt affect him in any way.
Literally acts like a dad and tells tons of dad jokes.
Original Nick was a vanilla ice cream guy. No shame.
If he were able to drink coffee, he would probably order a Latte Macchiato
He enjoys a good book. His favorite genre is actually Romance. The deep, dark entrancing kind that makes you not want to put the book down. Not that sweet, soft stuff that makes you all giddy.
He gives me Gibbs vibes. The guy from N.C.I.S.
Very accepting of those in the community.
I dont really get the whole ship between him and John so I'm just going to stick with my whole "Very close friends" and "Nick is kinda like a parent/guardian to John" headcannon. I think Nick is also older than John and knew him when he was just a young man in his early 20s.
Nick and Gibbs were both semi inspiration for my own Detective character Oscar Matthew Karma. Which if anyone feels like asking about, I can share more info on him too.
I know its not as long as Deacon's was but my mind is drawing blanks right now. Sorry. As I said with Deacon, I will probably make more parts of his. I just need a mind break.
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