pink in the night - matty healy. part three.
you join the 1975 on tour as an actress starring in the narrative portion of at their very best alongside the lead singer, matty healy. he’s got big ideas and wants to redefine what a concert is, blurring the lines between fiction and reality. on stage together each night, it starts to feel less and less like acting. but is it the same for him?
masterlist.
cw: none
wc: 8.8k
I am on a lonely road and I am traveling, traveling, traveling, traveling
Looking for something, what can it be?
I hate you some, I hate you some, I love you some
I love you when I forget about me
I wanna be strong, I wanna laugh along, I wanna belong to the living
You let out a sigh, erasing and rewriting the final line once more. Writing poetry has always been your personal form of meditation, preferring to contemplate your thoughts and desires through prose and lyrics. Carving out your flesh and blood with ink on the notebook's is the only form of self-introspection you know.
You keep trying to finish a poem you started weeks ago, but your mind won't think of anything other than flashes of black curls, calloused hands, and deep, brown eyes.
Self-indulgently, you grab your laptop and open up Youtube. Your fingers quickly type his name, and the results are instantaneous. You scroll through the interviews, compilations, and music videos, watching the images of his face dash across your screen. You spend most of the night listening to him speak, talking about his music, his life, his opinions. It feels like you could listen to him for hours. You let his interviews play on your laptop as you finish piling clothes into a suitcase.
You've spent the past few days packing, trying to compile your entire life into just two suitcases. You're about to spend the next two weeks at the Rock Lititz Studios in Pennsylvania, a concert and production rehearsal space (a concept which you did not know existed).
You stomach churns as you think about meeting everyone, this massive group of people you've never met who you'll be living with for the next few months. You are a social person, sure, but this is a whole new level of required extrovertedness. Other then your agent, the only people you interact with on a frequent basis are a few friends from uni and their partners. Your mind dwells on these nerves for the rest of the night as you try to tune them out with Matty's voice.
It takes longer than expected, but you finally manage to finish packing. You drop Luna off at your friend Leslie's, who has graciously agreed to watch her while you are away. She begs you to tell you just what artist it is that you'll be working for, but you want to surprise everyone. Particularly Leslie, who you know is a pretty big fan of the band. You smile to yourself as you imagine just how shocked your friends will be after videos of the first performance hit the internet. Especially the more…risqué videos.
You say goodbye to your flat, catch your flight, and as you touch down in JFK, you can practically feel your life in America on tour beginning.
—
When you get to Rock Lititz, you are greeted by a very stressed out PA who introduces himself as Lucas. His phone does not seem to stop buzzing, and he frequently picks it up while he speaks to you to fire off messages. He looks like he might explode if someone asks him to complete any additional task than what he is evidently managing. He gives you a thick stack of papers that he says contains your schedule, additional documents you need to sign, and a printed copy of the script for the show. He then hands you your room key, and you wonder if he is somehow running this hotel as well.
His phone buzzes louder than it had been, and after checking it, he apologizes and speed-walks away from you before you can even ask him a question. You're a little confused, but you make your way towards your room on the third floor. You throw your suitcase onto the ground and hop quickly into the shower, exhausted and feeling grimy after the hours on the plane. After a quick shower, you collapse onto the bed to try and make up for some of the lost sleep with the jet lag.
It barely feels like any time has passed before you wake up and notice the sky has gone dark. You groggily check your phone and see two messages from Matty a few hours earlier.
Lucas says you're here!!
You laugh as you realize one of his stressfully sent messages was alerting Matty of your arrival.
Come to the lobby bar for 8 we are having a pre-rehearsal party x
You like his message, and write back.
See you then!
You check and realize its already half past seven, and quickly pull an outfit out of your unzipped suitcase to change into rather than back into your airport clothes. You touch up your makeup, fix your hair, and begin to head to the bar downstairs.
It hasn't even hit 8 yet, but the bar is already crowded. You didn't realize it took this massive of a crew to put a concert tour together, and you are somewhat in awe. You head to the bar and order a drink, downing it quickly right before ordering another. You need the confidence to meet this amount of people. You begin to walk around as you nurse the drink in your hand, hoping to somehow spot someone you'd recognize.
A mop of black hair in the corner catches your eyes, and you smile as you watch Matty excitedly chat with someone just out of your eyeline, blocked by a crowd of people. Matty takes a sip directly from a wine bottle and turns his head, locking eyes with you.
When he notices you, you try to convince yourself that the way his eyes light up is just your brain playing tricks on you. He stumbles through the crowd, and it is immediately apparent that he is drunk. A dopey smile graces his face as he calls your name, and suddenly his arms are wrapped around you in a slightly too tight, but a welcome nonetheless, hug that leaves butterflies in your stomach. His face is buried in your neck. He smells like a mix of aftershave and the Marlboro Reds your college dormmate use to secretly smoke out your window when her chemistry classes became too much to handle. Part of you wants to bury your face in his neck as long as he'll let you, but he pulls away to talk at the same time your brain screams at you to have reason.
He gasps, movements exaggerated, as if he suddenly remembers something. "I have to introduce you to the guys!" He turns around and grabs your hand, and you hope he doesn't turn back to see the blush splayed across your cheeks. He drags you through the party, and you wonder just how much he must have drank to be this affectionate with you when you truly aren't that acquainted with the man you'll be preforming with just yet. That doesn't mean you don't want to be, though.
Suddenly, you are nearing with three men you recognize from your brief online searches about the band. You look over at Matty and he seems like he's bursting with excitement, like a kid in the candy store as he pulls you towards them. One of them has long hair pulled back into a ponytail, and is nursing a drink while sat on top of what appears to be a chair made of black concert equipment boxes. Beside him on a couch are two other men, one with bleached hair and the other bald. The bald one is showing the other something on his phone, and the bleached one is smiling, almost lovingly. As you and Matty approach them, he yells "Guys!" to get their attention, almost startling them.
He gives them your name, telling them, "She's who'll be doing the show with me!" He quickly looks between you and the men, desperate to read all of your reactions.
The one with the long hair says, "Oh, so you’re the poor girl he’s roped into this!" The other two men with him begin to laugh, and the drink you threw back before Matty came over causes you to let out a little too loud of a laugh as well. Matty sloppily hits him on the arm, exclaiming "Shut up, you prick," scoffing.
The long-haired man sticks out his hand towards you. "Ross," he says with a kind smile. You shake his hand back. You learn the man beside him with the bleached hair is named George, and the bald man is called Adam.
You aren't sure if its them or the alcohol, but it quickly feels like you've known them for ages. Adam's shows you videos of his son on his phone as you coo, drunkenly engrossed. You swear its the cutest kid you have ever seen, but it might be the alcohol talking. George and you get into a drinking competition that you quickly forget the rules to, downing shot after shot while laughing at each other. He is surprised you can handle as much as himself, being significantly taller than you, but your tolerance has been your party trick since the early days of uni. Ross is trying to explain something funny that happened to him at a petrol station the week prior but you both can't stop laughing, at what you are not quite sure, to even get a word in. It feels like its been ages since you've talked to Matty, but you are having such a good time getting to know the guys you can't quite bring yourself to be too upset. When you look around for him, you see him singing karaoke with the microphone in one hand, and a new wine bottle in the other. You laugh when he tries to sing into the wine bottle, and slowly realizes his mistake and switching back to the microphone.
You were so nervous to meet all these people, and you can't help but feel a little proud of yourself that you didn't make yourself out to be a fool. At least, you don't remember doing anything like that. Because when you wake up the next morning, you can't really remember much that happened after, or how you got back to your room.
You roll your face into your pillow and let out a groan, immensely hungover. Having a high alcohol tolerance in the moment unfortunately does not translate into hangover immunity. You pray to all the gods you can think of that when your recollection of the night ends, you simply walked yourself back up to your room.
You take your time getting out of bed, throwing back two pills and downing the rest of the water bottle you purchased at the airport. You don't need to be at your rehearsal until four in the afternoon, so you spend the rest of the morning and early afternoon unpacking, nursing away your hangover, and exploring the hotel. The hotel is aggressively music-themed, to the point where it almost seems comical. Every single piece of artwork has to do with music, and almost all of the furniture is decorated in fabric with music iconography. You can't help but laugh when you pass the ice machine that is shaped like concert equipment boxes, similar to the chairs from the party room. The hotel is connected to the rehearsal venue, and is filled with the touring crew and the band, everyone beginning to prep for the upcoming shows. By the time you head back to your room to collect your script, it is time for you to head down for rehearsals.
—
The first part involves meeting with the intimacy coordinator. She's a warm-faced older woman who is dressed very colourfully, draped in massive beaded necklaces. She introduces herself as Cathy, and you can't think of anyone with a demeanor more suited to their profession. You meet her in one of the hotel’s small conference rooms that is aggressively David Bowie themed, the extent of which makes you laugh internally.
Everything she tells you you already heard from Matty in your first meeting with him, but it feels slightly more professional and serious with her. The two of you go over all of your scenes with Matty, her ensuring you feel comfortable with each of the actions written into the show.
Your decision hasn’t changed since that day in the coffee shop—none of it fazes you. (As long as getting a little too lost in some daydreams about the two of you on stage doesn’t count as fazing.) This is one of the biggest creative challenges you’ve gotten to face, and you feel nothing but anticipation and excitement. There’s nothing that begins to take away the joy in acting than filming auditions for mind-numbingly dull scripts day after day until you can’t even remember the last time you truly felt passionate about a role. This is the role you've dreamed about, all aspects of it included.
After you finish going over everything and reaffirming your consent with the intimacy coordinator, you head to the arena to begin your actual rehearsals with Matty. The arena is empty when you enter. The house lights are off, and the stage is illuminated as if there is a show being performed. As you walk closer to the stage, you realize you aren’t alone. Seated in the middle of a couch placed near the stage on the floor is Matty, hastily writing something in a notebook.
Your footsteps echo in the quiet arena, and Matty turns around to see you walking towards him, and gives you a friendly wave and smile.
"Surprised you made it out of bed," he calls out, shutting his journal and placing it in the bag sitting on the sofa beside him.
"If I recall correctly, I saw you finish at least two bottles of wine last night, so no self-righteousness,” you call, arriving at the couch with a smile.
"Darling, I can easily neck two bottles of wine in a few hours," he snorts. "Every time I looked over, you and George were throwing back another shot until he was stumbling. And George can outdrink a horse."
"I had a fun time in uni, what can I say?" you laugh. "I might've been a little to focused on auditions and going out to care about my marks for those years, I'll admit."
"Well, it brought you here, so all the binge-drinking and benders were worth it then, yeah?" he teases.
"Alright, smart-arse. Enough about my drinking habits and more rehearsing"
Matty walks the two of you to the stage and shows you around the set. Just like the plans he showed you, it looks like a nostalgic and cozy home. There's pieces of furniture spread throughout, alone with a staircase that leads to an imaginary floor. You never seen anything like this for a concert, which makes sense considering this is far closer to a play than a regular concert. Matty is pointing at random details of the set and sharing their meaning with you. It shows how much he truly cares about the art and the performance to plan all these details that fans past the second row will likely be unable to see.
He leads you over to a wooden chair with a teal cushion. "Right, so this is where you'll be for the first song, Inside Your Mind."
You're sure he knows you know the blocking from your meetings with the intimacy coordinator and revisions of the script, but you let him continue anyways.
You sit on the chair. You look around the venue and realize that with no one else there, there's no way to play the music you'll be rehearsing to. You ask him if there's someone coming to run the tech.
"Oh, erm, I was just going to cue it from this laptop, it's all set up to connect to the venue speakers."
His face then flashes with slight alarm. "If you want me to I can go get someone, I didn't mean to assume, I just thought you might rather it just be us, I can totally get one of the venue staff—"
"No, no that's not it at all. I was only curious. Just us is good." You give him a warm smile.
"Please don't be afraid to tell me how you are feeling, I want to make sure you are comfortable with the whole process. If one of my fingers is even a centimeter too close to where you'd prefer it not to be, don't hesitate to kick me or something," he says with so much earnestness you let out a small laugh.
"I don't think I can promise that I'll kick you, but I'll be sure to let you know how I'm feeling. That goes for you too, you know. We're up here together."
"Right," he nods, reassured. "So I was thinking we just run through it first, and then with the track? Is that good?"
You nod in agreement. He lays out the script onto the table in front of you, and briefly reads it before looking back up at you. He steps closer so that he is stood right in front of you, back to the stage left side of the audience.
"For this first bit, I'm going to crouch and I'll have my hand on your knee. But make sure you don't look at me, keep your eyes fixed at some point in the distance, yeah?"
You hum in acknowledgment. He crouches down, almost on one knee. He raises his hand right above your knee, but doesn't touch it.
"Is this okay?"
"Yep," you let out a small giggle, raising your eyebrows. He smiles and places his hand on your knee. You feel goosebumps forming under your leggings, and mentally curse your far-too reactive body.
"So I'll do this bit down here, then I'm going to walk around you a little more like at the start." He gets up and walks behind you in a loop, returning to stand where he had sat before.
"Then after that is when I'll get close to you again. I'm going to stroke your face for the next line, is that okay?" He is being so clinical with everything that it’s almost endearing. His eagerness for your comfort and approval is a stark contrast to some of the shows you have worked on in the past, where your scene partners had little regard for your feelings about the contents of the script.
"Yes, it's okay Matty," you say with a smile, nudging his calf with your leg. Suddenly, his warm hand is on your cheek. He looks at you, focused.
"Okay, I'm going to pull on your hair now. Is that-"
"Matty," you laugh. "It's okay, really. I appreciate how clinical you are trying to be, but just do it for god's sake. I told you I'm okay with all of this, you don't need to be afraid of scaring me off," you say with a warm smile.
He meets your eyes and smiles back. "Fine. But don't think this doesn't mean I'm not going to announce everything else! I take consent very seriously!" he says the last comment with an air of put-on self-righteousness that makes you laugh.
"Just pull my hair, for god's sake!" you play-shout, cheeky.
The air leaves your lungs as his expression slightly hardens. He weaves his hand through your hair, and tugs. Your head is suddenly pulled back and up, looking up at him even more now. You can't turn with how tight his grip is. You swallow, a gasp caught in your throat.
"Is this okay?" he asks, face still hard with focus, but not unkindly.
You clear your throat. "Uhm-yeah! No, that's great. Just startled me a little bit." Your body feels like its on fire. You feel so aware of each of his fingers wrapped around your hair, pulled tight enough to position your head just how he wants you. Your mouth goes dry. You cannot be reacting like this to him just pulling your hair.
Pull yourself together, you admonish yourself. You did a play that involved a sex scene at the Edinburgh Fringe years ago and never felt anything even close to this once on that stage. Why now? You realize you've been staring at Matty without saying anything for a little too long, and try to ignore the voice in the back of your mind that says the pretty obvious reason for your reaction.
His hand that's not gripping your hair continues to rest on your cheek, moving his thumb slightly over your cheek. You ever-so slightly turn your head towards it, leaning into his hold. Your eyes are locked with each other. Your mind is foggy as you stare up at him. All you can think about is him, and his thumb stroking your face. Nothing else matters, nothing else could possibly matter. His brown eyes bore into yours, and you wish you could see what was going on behind them.
He's been stroking your face long enough that you think he might've lost track of time too. Is his heart racing as yours is? Is he thinking of anything else but you staring up at him, looking as if he is far more than just a man on a stage?
He slowly winds his hand out of your hair, and takes his hand off your face. He clears his throat.
"Sorry, my mind blanked for a moment there, don't know what happened," he laughs sheepishly. God, you hope he's lying.
The rest of the rehearsal goes off without another moment like this, no prolonged eye contact or indulgent stroking fingers. It's just another regular rehearsal. You make yourself make sure of it. (Ignoring the fact that every time he touches you, your heart feel like it might burst out of your chest.)
—
The rest of your time at the studio blurs by. You run through the show over and over with Matty until its second nature. You meet the rest of the band, and you and Polly immediately glue yourselves to each other when you find out you were at the same uni and managed to never run into each other, always staying on the edges of each other's orbit. You meet with Patricia, with whom you select your costume from a group of dresses she picked out. It's a gorgeous off-white dress with floral detailing on each of the sides, and you can't wait for the chance to wear it. The feeling inside of you is indescribable when you run through the show for the first time start to finish for the crew. They're all in awe. The show is amazing, and they make sure to tell you. It's going to blow everyone away, you're sure of it.
“You’re really gonna piss off some parents with this,” one of the crew laughs to Matty as you all are sat on the couches in the center of the arena, going through the lighting one final time.
“You know being provocative isn’t just about being on stage and spewing off stuff to make people angry. Which we all know I do to an extent, but that's not the point. This right here" he between himself and you rapidly, and you feel a blush forming on your cheeks, "this is actually provocative. This is the kind of shit that will make people talk, will make them reconsider what exactly a stage show is. And that's exactly what I want. This band has always been about pushing limits, and it feels like this is almost the only pathway possible for us, in the best way."
As you all head back to your rooms that night, anticipating for departing for the first show the next morning, the energy in the air is palpable. Everyone knows just what kind of show they've got on their hands, and they can't wait for the fans reactions.
You walk side by side with Matty as he tells you about some of the minutiae of touring. When there's a pause in the conversation, you begin to speak.
"So, erm, I just wanted to say to you that I know you've said stuff before about how when you're on stage, you can get really caught up in the moment and, erm, sometimes feel like you get carried away, or, uh," He looks at you quizzically. You're just rambling. You take a deep breath.
"My point is, is that I'm okay if you want to change stuff while on stage. Don't like, erm, slap me or anything, but I just mean you don't have to check with me if you want to do some of the smaller things differently. I'll follow your lead."
He stops the two of you. "Love, I don't want you to have gotten some idea that I get into some uncontrollable stupor on stage where I-"
This is a new nickname. Your stomach flutters but you try to continue without visibly acknowledging it. "No, god no, it's not that. I am just saying that I am okay with like, I don't know, grabbing my waist during one of the kisses, or you touching me more while you walk around me on the chair, without directly consulting me before," you rush out.
His eyes widen. Now he's blushing. He shakes his head slightly and clears his throat before beginning to speak.
"You said you've seen me talk about getting really into the performance on stage… have you been researching up on me, darling?" a sly smirk appearing on his face.
"You've seen my commercials, only fair I watch what I can of your stuff, no?" you reply with a matching smile.
He clicks his tongue. "Back to the, erm, the show. I don't want you to think you have to say this based on my interviews-"
"I promise, it's not. I just know we can make this the best show possible if I follow your lead up there. That's all I want to do."
He lets out a deep breath. "Alright then. I promise I will not slap you up there, or anything close to it." He holds his hand out for a handshake, a small smile forming.
"And I promise I will not slap you either," you remark, shaking his hand with a similar expression on your face.
"Careful darling, I might just have enjoyed that," he teases. You hit his shoulder lightly as you walk to your rooms, and try to ignore the fire dancing behind your cheeks.
—
You're sitting on the tour bus, driving to Uncasville for the first tour date. You are sat across from Matty on the couches. He's playing his Switch as George sits on his phone beside him, and you scribble in your notebook.
I am on a lonely road and I am traveling
Looking for the key to set me free
Oh, the jealousy, the greed is the unraveling
It's the unraveling and it undoes all the joy that could be
You haven't had any inspiration to finish the poem in a few days, but sitting across from Matty, you hand feels as if it has a mind of its own, flurrying across the page.
He looks over at you. "What are you writing?" he asks.
"Nothing," you brush off, smiling to yourself. He hums and returns to his game. You look back up at him when he's not watching. He's jittery, but there's a peacefulness to him that is evident. His curls frame his face in a way that looks far too perfect to be real, yet your deep breaths and heart that beats quicker and quicker against your chest proves that none of this is in your imagination. His fingers move deftly across the controller, precision gained from years of playing guitar, you're sure. His alabaster skin stands out against the ink that stains him, and your racing mind thinks about what that skin would feel like against your mouth, how soft it would be to touch where you haven't yet, until a semblance of sense stops the thoughts in there tracks. You cannot be thinking about him like this. You refuse to let yourself indulge in the thoughts that fester in the back of your mind every time you meet his eyes. You will not let yourself be the naive young actress who falls in love with the first man she kisses on stage, unable to separate the art from reality in her mind. This is a show. This is your job. You won't let anything ruin this for you, not even yourself.
You look back down at your page and tap the pen against the paper, absentmindedly. You bite the end before continuing to write, trying not to dwell too hard on the man across from you who makes you want to write and write until your hand bleeds, fingers broken and covered in ink stains from the endless words. The feelings in the back of your mind bleed to the front, commanding your hand across the page.
I wanna have fun, I wanna shine like the sun
I wanna be the one that you wanna see
I wanna knit you a sweater
I wanna write you a love letter
I wanna make you feel better
I wanna make you feel free
Your pen repeats the phrase on the page. Your heart beats in your chest, faster and faster and faster.
I wanna make you feel free
I wanna make you feel free
—
The chimes playing over the sound system stop. You take a deep breath. The show is about to begin. You are standing below the stage but behind the curtain, where various people who are apparently important enough to obtain backstage passes are milling about, nursing drinks and buzzing with excitement.
The band is behind the door at the back of the stage, waiting for the cues in their in-ears to go on. You've got some in as well, something you've never had while performing. You take them out to hear the audience scream, knowing you aren't needed on stage just yet and can enjoy the show.
You look up on to the stage. Matty is lying down on the settee, waiting for the curtain to drop. He sits up, and you panic. It'll drop any second now. He meets your eyes, and flashes you a smile. He gives you a thumbs up, and you give him one in return. The two of you are about to make this arena lose their goddamn minds, and you cannot wait a single second more.
You hastily gesture for Matty to lie back down, eyeing the curtain rapidly. He blows you an exaggerated kiss and lies his head back against the couch, missing you bringing your hand to your mouth to cover the smile forming.
The curtain drops. You hear the audience scream as they react to the set, and you wonder if they can see Matty pretending to be sleeping on the couch.
The streetlight flashes on with the music, and the cicadas begin to chirp. It's happening.
"Adam," you hear in your in-ears. The lights around the door flash on as he enters to the screams of the crowd. "Jamie," comes soon after, following him onto the stage.
You see Matty begin to rise off the couch, looking at the audience with a puzzled look on his face before putting his coat jacket on. You smile to yourself, knowing they have no idea just how crazy this show is going to get.
Matty walks over to the piano, lights a cigarette, and takes a seat. His hands rest on the piano. He plays, fingers hammering onto the keys.
The arena erupts into screams. Your heart is pounding so loud that you can barely even hear it. This is happening. The show has begun. In less time than you can count, you'll be on the stage again. You're grinning so wide it hurts your cheeks. Matty begins to sing.
Your reverie is broken by the voice in your in ears, calling "Ross." He walks onto the stage and grasps Matty's hand as he passes by him. The band's closeness was such a surprise to you, naively expecting the group held together by contractual obligations, tolerating each other to get through the shows. Seeing the four men be unabashed in their love for each other, both in public and in-private, was a pleasant shock to your system.
"George," the voice in your in-ears calls. As he sits down behind the drums, he shoots you a wink. You wink back, laughing. God, you can't wait for the rest of this tour. You haven't even gone on stage yet and you are having this much fun.
"Polly" comes next, and finally "Gabi." The whole band is on the stage, and you can't help but watch in awe as they begin to play together. You were never an avid concert goer, but you can easily see in this moment how someone would camp for hours on a street and stand in a crowd for ages, just to watch a show like this.
Matty sings the final line of the song and immediately stands up. He grabs his fire-red guitar, and walks to the mic placed at the front of the stage. He slings it over his shoulder as the intro for Looking for Somebody (To Love) rings out. Using the guitar as a gun, he aims first at Ross before methodically turning to the audience, crouching as he mimes shooting them. You laugh as it makes them scream even louder, the idea of death at the hands of the man they worship a welcome one.
He stands back up and runs onto the side table, playing the beginning of this song. Your mind flashes back to him telling you about writing the song, how it reflects his belief that the only vocabulary given to young boys to assert their dominance in any position is one of violence and destruction, and how online groups like incels foster and encourage it. He told you that the character he plays in the show is essentially one of these young men that he is singing about in this song. You told him back that he could have been a cultural critic rather than a musician. He laughed off the comment but you could see the slight red tinting his cheeks after your compliment, and it made your heart swell.
The song finishes, and Matty sits down on the chair. He thanks the crowd for coming over in an exaggerated, drunken voice that makes you laugh. He leans back, kicks his feet up, and begins to sing Happiness. He gets up, moonwalks across the stage, and dances around for much of the song. He never danced this much in the rehearsals. You are quite surprised at how good he is, not guessing he had much of an ability in that department.
Once the song finishes, he walks over to the stack of televisions and takes a seat in the chair. The audience will be seeing your face momentarily. A flash of nerves runs through you, even though you aren't even needed on stage yet. Your life is never going to be the same. You take a deep breath, squeeze your fists, and smile to yourself. This is everything you dreamed about, coming together all at once. The nerves edge off.
You look at the large screen showing Matty singing towards the televisions, and there you are. The videos flick between you and news clips, but increasingly linger on you. By the second verse, it is only you.
Matty sings to the screens, entranced. The crowd screams, and you laugh, imagining how confused some of them must be about the identity of this woman they have never seen before that Matty is singing to. He runs his hand down the screen, entranced.
He continues to stay at the screen until the instrumental bridge, when he stands and begins to wander in the middle of the stage. He sings a portion of the final chorus to the audience, but heads towards the television on stage left beside Ross, staring at the video of you intently as he finishes. The audience screams, the loudest they have so far.
The next two songs go off without a hitch. Oh Caroline is one of your favourites, and you dance with a nearby crew member. You laugh when the whole band begins to step in time with each other during I'm In Love With You. Right at the end of the song, he glances back towards a television that flickers to footage of you for a moment, and then turns back to the crowd.
After they finish, Matty talks to the audience for a little while, miming with his body that the album feels more inwards and closed off. He tells them he's nervous, and that they haven't done a 1975 show in a long time, and certainly nothing like this. They cheer in response, and you hope that it can somewhat alleviate the nerves running through him about what the two of you are about to do.
He laughs at the audience before telling them he's going to watch the rest of the band, who have gathered onto the risen portion of the stage behind them, and to do their own thing, You hear the drums kick in to play Roadkill, laughing as Matty performs the first half of the song with his back to the massive audience.
The lights dim as the song finishes, and you hear your name in your in-ears, along with "Head to stage right, please." Matty sings Fallingforyou as you wind through the passage that takes you to the other side of the stage, getting ready to come on. You arrive around the middle of the song, as Matty turns to sing to one of the televisions that is now playing the videos of you again. He walks back to the center of the stage after the verse ends, and sings the rest of the song while kneeling, starting up at the sky.
The song ends, and the cheers feel like white noise in the back of your mind.. You inhale. Exhale. It's time. Your name is said in your in-ears, and you walk onto the stage. You tune out the cheers of the crowd as they begin to recognize you from the televisions. You hear the droning start of Inside Your Mind playing as you walk across the stage determinedly.
You avoid looking at everyone on the stage as Matty showed you. You sit on the chair, fixate your gaze in the distance, and Matty begins to sing.
As he sings the first lines he crouches down in front of you and places his hand on your knee. You keep your focus off of him, but you know he is staring right into your eyes. It feels like an itch, the back of your mind whispering to look at him.
After the first verse, he begins to walk around you. As he sings the title, he crouches once more in front of you, and pushes the hair gently off of your forehead. You can hear the noise of the crowd bleeding through your in-ears. You keep your mind focused, counting the beats of the song as you stay still.
As he sings the second verse, he stands to the side of the chair, front to the audience. He first places his hand on your cheek, and you welcome the feeling of his skin against yours. You've rehearsed it enough that it does not shock you anymore, but the butterflies in your stomach still multiply when he wraps his hand in your hair and yanks your head back. You keep your eyes where they were, but your head is nearly pointing upwards. The crowd sounds almost as loud through your in-ears as they did when you had them off.
He keeps his hand in your hair, but as he sings the final verse, he begins to trace a finger lightly across your face. First vertically, down your forehead and bridge of your nose to your chin, placing it under and then pushing it up even further. As he sings the title once more, he traces his finger softly across your forehead, before returning it to the center. He pushes your head back slightly with it, and cradles your head with his hand in your hair. You so desperately want to meet his eyes, but you refuse to indulge in the desires screaming in the recesses of your mind.
The song finishes, and air enters your lungs for what feels like the first time in ages. He brings his hands to his sides, and you robotically stand up and walk off the stage, your character unable to observe him. The second you are out of sight of the crowd, you lean over with your hands on your knees, breathing hard and grinning. You feel like you could cry, thousands of emotions and hormones running through you. You let out a small laugh, and stand back up with a smile wide still wiped your face. You missed this. God, how you missed this. You can't wait to go back out there, itching to be back in front of the crowd even though you just left them.
By the time you regain your focus, Matty is on the roof performing I Like America & It Likes Me.
The song leads into About You, with him drunkenly walking low through the door in the center of the stage, illuminated from the inside. You almost feel emotional throughout the performance, stunned by the way Matty can captivate the crowd through the music he creates, even while pretending to be drunk and crouched over.
You are mouthing along to Carly's part in the song when your in-ears remind you to head behind the door, prepping for the upcoming extended sequence of you and Matty. A crew member wishes you good luck as you walk through the halls, and you smile brightly at her.
You wait behind the door waiting as they sing When We Are Together, rocking back and forth on your heels in anticipation. You give the band rounds of mini applauses as they join you backstage one by one, all wishing you good luck as well before you head on. The nerves are gone. All you feel is excitement and anticipation. The song ends, and the fourth movement of Mahler's 5th Symphony begins to play over the speakers.
You know right now that Matty is swaying back and forth in the middle of the stage, dancing as if he is alone. He then will be miming making out with himself, which made you laugh quite hard the first time you saw it. He then will head over to the couch, place on the oxygen mask, and begin to do what earns the show its 12+ age requirement.
"Standby," comes through your in-ears, and you know right now Matty has begun touching himself. (Even if your in ears were off, you would be able to tell by the piercing screams of the crowd you can hear through them.)
You hear, "Go," and you swing the door open. The spotlight hits you, and you can see Matty stopping his movements. He rips off the oxygen mask and slips into the next part of the character. A grin rips across his face.
The music is replaced a Frank Sinatra song from the 40s, sounding as if it is filtered through an old gramophone. You approach him, acting as if you are a couple in a film from the time.
You briefly embrace, and this is when he kisses you. It's not a deep kiss, only an extended peck on the lips, with you moving your head and your arms around his neck to make it appear more in-depth. You've rehearsed it several times, rigidly and clinically. But the heat beneath your skin still erupts, the fireworks beneath your fingertips erupting. You grin against his mouth, and you aren't quite sure how much of your actions are acting. Be professional, you berate yourself.
He pulls back and brings your hand to his mouth to place a kiss on, the two of you the picture of romance. He walks you over to the chair you were sat on previously, and begins to sing All I Need to Hear directly to you.
This time, you don't break eye contact with him once. He puts his hand on your cheek as he did before, but you lean into it heavily, ensuring it its visible to the audience. He sings the latter half crouched on one knee, almost simulating a proposal. You aren't sure if you blink once the whole song, transfixed by his gaze. For a moment you forget about the audience, and it feels like the rehearsals of the two of you alone in the massive arena once again. But the song is nearing the end, and your daydreaming about the two of you alone in there is cut short.
As the audience applauses once he finishes, you stay as still as possible, locking your gaze and your expression. You can hear An Encounter beginning to play, and you know by now the band will have reentered quietly when they were unlit. You can see Matty put on a face of worry and confusion out of your peripherals, and he starts to shake your shoulders. After a brief moment, you snap out of it, acting as if nothing happened. You stand up and grab his hand, beginning to pull him across the stage as Robbers begins to start.
Matty was very particular about this song in rehearsals, knowing that there are fans who know the video so well, they would catch them if even a single move was off. You spent the largest portion of your rehearsal time painstakingly memorizing the movements of part of the video he wanted you to recreate, ensuring they were timed perfectly with the song.
Matty gets up on the table, leaning over to sing close to your face. He sticks the fake cigarette that is just for this scene in your mouth, and throws his head back as the initial guitar riff plays. You pretend to stub it out on the side of the table and throw it away.
He leans in close for the first line, and you know he is counting in his head to make sure the timing is right. You tried to tell him you did not need to be that accurate, but he told you that he would be "flamed on Twitter if he fucked even one bit up," because "all of his fans are mental," which made you laugh. You smile brightly at each other at the specific time, which is followed by him standing back up slightly. Once he leans back in shortly after, he taps the microphone against your lower lip. Your stomach does somersaults as the crowd roars. He sticks his hands out to the sides, posing like a deity above you as you watch, kneeling like a devotee beneath him.
He leans back down before the last line of the verse, and you kiss once more after. This time, its not a peck, or a small kiss. He kisses you forcefully, and you greedily reciprocate. You can't even hear the audience any more, all you can think about is his lips on yours, his curls brushing against your face.
He leans back and you try to ignore the emotions running through you, the desperate need to kiss him again, kiss him harder. He watches you as he continues to sing, and you swear his eyes flicker down briefly to your lips.
He runs his finger down your face at the right moment, and then sings the rest of the verse while switching between standing taller and kneeling down to you. He looks at you less and less as the bridge approaches, and you know your cue is nearing.
Once he sings the word wrong, you freeze once more. Matty has hopped off the table, singing the rest of the song to both the stage and the crowd. You stay in place, focusing on keeping your face and eyes locked in position.
The song ends, and Matty breaks out of his simulated moment of distraction. He turns back to you as your hear Mahler's 5th Symphony start up once more. He runs towards you, and you know he is pretending to be confused once more, even though you cannot look directly at him.
He shakes your shoulders as he did earlier, but this time he is unsuccessful in snapping you out of whatever trance you are in. In the corner of your eyes, you can see the televisions beginning to flash, brightly flicking between the news images from earlier in the show.
Matty gives up trying to wake you up, and begins to pace stressfully around the stage. Your back is to him, but you know now is when he runs towards the stage left television, knocking aggressively on the screen as if it is a door.
He will quickly give up, and then run back towards the center stage television. The lights on the stage have begun flickering, indicating that now he is gripping both sides of the television, staring at the videos being shown. You stay frozen, kneeling at starting at the sky with a grin plastered on your face.
The flashing increases, and as the crowd screams, you know Matty must be climbing into the television. Now it is you on the stage, alone and frozen.
You hear a change in the music, and count to five in your head. The lights flash brightly once more, and suddenly the stage is bathed in darkness.
You run off stage. The cheers follow you, and you bring your hand to your mouth as you feel yourself choking up. Your blood is pumping, heart beating rapidly against your chest. The stage lights that once lived only in your mind have left your vision still slightly blinded. You are so, so happy.
—
You watch the rest of the show from the same lower backstage area, eagerly watching Matty finally shed the character and perform how he seemingly was born to. Various people backstage compliment your performance, and you feel the happiness radiating off you for the rest of the show. Matty and the band give it their all, putting on one of the best shows you've ever seen in the second half. You can't take your eyes off him, magnetic and all-powerful with a microphone in his hand.
The second Matty comes off stage, he runs to you and slams into your arms in an embrace. You hug him back tightly. You are both sweaty and exhausted, but it doesn't matter. He squeezes you tighter and lifts you off the ground slightly, spinning you around in a circle. You let out a shocked laugh. "Matty!" you shriek. The grin on your face is enormous.
He puts you down, but does not let go. He buries his face into your neck, and you can feel his breath against your pulse point.
"Thank you, thank you, thank you, thank you," he repeats, mumbling against your skin.
"For what?" you let out a tired laugh.
"The show was perfect, it was everything I wanted, I planned out, and so much more. And that's all because of you, darling. You're a force of nature up there, god. I'm so lucky I found you. This was all you." He tightens his arms around your waist, and you can't remember a moment you felt this happy. You smile into his neck, heart pounding.
And that's when you know that you are completely and utterly screwed.
—
a/n: apologies to anyone who is an intimacy coordinator because i know this is So So inaccurate but pls just bear with me this is fanfic okay we are not here for rigid accuracy to strict industry rules these freaks need to be freaky somehow. poem is all i want by joni mitchell. this the dress i was thinking of if anyone is curious. shoutout to i <3 concerts on youtube who taped the whole uncasville show
tell me what you guys thiiiiiiink ily all
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