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#twitter is losing its mind and so am i

solradguy · 8 months

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This isn’t Johnny discourse but it is kind of discourse about the discourse about him balding (which he isn’t).

What would it matter if he took off his hat and he was a shining beacon?? The dude canonically fucks (well not canon-canon but I feel like there’s implications of fucks-ing)!! At the most, he would be a Pitbull reference and that would be cool because good for Daisuke. Listen to Timber by Ke$ha (feat. Pitbull).

It kind of felt like they were making jokes at the expense of people loosing hair. It’s like that thing where you shouldn’t make fun of people for ‘X’ because then your friends who ‘X’ will know you think that about them.

John E is cool. I think he’s lame but he’s cool.

-A concerned Jellyfish Pirate

Idk anything about Pitbull, to be honest, but my GOD does he look like he's having the time of his life in the Timber video hahah Been a while since I heard that song...

Anyway, Johnny totally fucks. There's no way a man that toned, running around shirtless all of the time, with that slight yeehaw accent, couldn't find someone DTF with the tiniest bit of effort. He's absolutely gettin it rofl He could still get it if he was bald too, or receding.

I've complained about it on here a bit already, but yeah I don't think people making fun of Johnny because they think he's losing hair realize that a lot of people in real life are going to lose their hair as they age, and their jokes at Johnny are also jokes at these people. It's not even just an issue cis men can have either, everyone's hair thins with age, some just more (and sooner) than others. To make fun of someone, fictional or otherwise, for losing their hair is digging a trench to fill with future self loathing at one's own hair loss. And hair loss in >2023 isn't even that bad anymore!! There are so many ways to manage and style it now.

Johnny's a babe. Big fan of his "dad trying too hard to be cool but is actually somehow still really cool despite that" energy

#asks #Among the death threats I got on Twitter for the Brisket <3 meme 1 year anniversary post were a bunch of transphobic insults towards me too #And at least two of them were insults about how I was gonna go bald because I'm a trans man lol #I felt kind of bad for the cis guys that left those comments because all the (cis) men in my family were hairy bastards well into old age #T on its own doesn't just make all your hair fall out. It follows genetics just like naturally produced T does #Some trans men will lose their hair and some won't. I probably won't until I am VERY old #So them making fun of me for that told me that: 1. They're very afraid of losing their own hair #2. They think everyone else is afraid of losing their hair too (or that everyone thinks it looks ugly. Which is untrue)#3. They think that trans men are especially susceptible to hair loss #I've had a mohawk for about 7 years now. I am very familiar with the shape of my skull and wouldn't mind just going full bald #When it gets that thin and I decide to buzz it off I'll be sad about it for sure. But it absolutely will not be the end of the world #I'll go full Rob Halford haha Going bald is a non-issue #Unrelated but I love Johnny's EN dub accent in Strive so much because 'watered down yeehaw accent' is the only accent I can do well lmfao

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manwithoutaspleen · 10 months

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more transition rambling

as upset as i sometimes get about not passing, i still love what transitioning is doing for/to my body so much. like i never get sick of seeing how hairy i’m getting, i’m impatient for more facial hair and so excited to have stubble and one side burn (and i would love for both side burns to come in.) my chest hair has started coming in the past few weeks and THATS been a thrill.

every time i hear myself singing and actually like how i sound? every time i laugh weird and sound like my brother, who i love so much? every time i see a friend for the first time in awhile

it’s just, life has been so hard for like, a year and a half now, and while i do think i’m finally on the upswing, there’s a lot of new trauma to deal with. but one thing i’ve learned from all this is how to take care of myself so, so well. i can love and care for myself now in ways i never imagined being possible. and having a body that actually brings me joy makes that so much easier.

and like, it’s especially resonant to have a body that actually brings JOY when i’ve had chronic pain since i was 12. when this all started because i got a new disability. my body can do less and hurts more and i still love it more. its harder to care for, but i’m trying harder.

transitioning has saved my life in SO many ways i could not be more grateful that i finally did it

#separate ramble for the tags:#i deactivated my twitter for a day and realized i could just. not bring it back #and so i didnt! and while i will pop in occasionally so i dont lose it permanently and to check in w people and there and such #it is kinda nice. its also very weird #i also deleted the tumblr app #so i cant just like share every random thought i have with the internet #and i WANT to so badly i am so used to it lmao #but i think practicing being more intentional about what i share online and like breaking that habit of tweeting everything is good for me #even if its not permanent #but hell it might be!#i havent done a great job on breaking the scrolling habit bc i still have instagram for my sibling gc lmao #but reels are. way less engaging than twitter so.#reflecting on it though has made me realize like my memory is so bad and one reason i tweet so much is literally as a Record #but its like alright well maybe a Journal would be Better #and accepting that its ok to forget random thoughts i do not need to preserve every little idea i have #reflecting on internet habits on the internet is very online i admit #but i dont mind being online im just trying to find a way to do so that doesnt break my brain so bad #which is why this is on my mind rn bc like i do genuinely enjoy doing a little blog every so often lmao #might branch out and start actually blogging/writing about my interests too

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ariyogames · 2 years

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Patreon has laid off their security team

I know this isn't an update on my interactive fiction game but I just wanted interactive fiction creators and other people who have Patreons to be aware about this issue.

Whitney Merrill on Twitter: "Whoa @Patreon laid off their ENTIRE security team. Wouldn’t trust my data there. Also there’s some amazing talent to scoop up." / Twitter

For creators with a Patreon, I would recommend using a password manager to generate a randomly generated password so that when Patreon has (another) security breach, your password will be unique.

For creators that are uncomfortable with using Patreon and do not want to lose their Patreon content, you can import your Patreon content to a WordPress website with a WordPress plugin that can be used with a WordPress membership plugin like Paid Memberships Pro that lets patrons subscribe to your content like on Patreon. However, please keep in mind that WordPress plugins are also very vulnerable to attack so it is very important that you update the plugins frequently if you choose to go this route.

Ko-fi is also a good alternative that I know a lot of interactive fiction creators use for their work. SubscribeStar is a good option for NSFW artists.

Hopefully there won't be any serious security breaches with Patreon but who knows what will happen...

UPDATE (10th September 2022 - 11:30AM BST):

Patreon has confirmed to reporters that they are hiring an external security team to handle Patreon's security.

Kevin Collier on Twitter: "Wild. Patreon confirms the layoffs in emailed statement to me, says it's ok, they're using third-party security. https://t.co/zV9zw9yOlh" / Twitter

What this means is that Patreon has decided to go for the cheaper option by outsourcing their security to a team abroad instead of spending more money and resources on an in-house security team. This is what is known to infosec/cyber security experts as MSSP/MSP.

However, a lot of cyber security professionals have criticised this decision by Patreon because historically, organisations that have outsourced their security to a team abroad have usually had a lot of security issues/security breaches later on down the line because they do not check/scan the security of the company as frequently as an in-house security team would.

This also conflicts with what a laid-off security employee has said about the situation where they disputed Patreon's claims of this decision not impacting their security by alleging that Patreon has cut down of its use of external security vendors in the past four months.

So what does this mean for Patreon's future and how am I affected?

What this means is that there are things going on behind the scenes at Patreon that we do not know about yet, all we know is that the leadership over there is making incredibly unwise business decisions by firing their entire internal security team and what this usually means is there will either be a huge security breach down the line or an announcement of a merger or acquisition.

Another potential risk is supporter deanonymisation, where attackers with malicious intent could blackmail subscribers that pledge to NSFW artists and kink content creators and threaten to reveal their Patreon pledges to an employer.

Your payment information (credit/debit card information) should be safe because Patreon do not process payment information themselves, they outsource it to Stripe and PayPal.

This blogpost by a cyber security professional is worth reading to know more on what to do about this situation.

Should I delete my Patreon account?

If you have no other option, then I would not delete my Patreon account especially if it is your only active source of income. What I would do is what I have listed above: by turning on two factor authentication through an app like Google Authenticator or Authy and changing your password to a randomly generated password so that you are not too much at risk when a security breach inevitably happens.

If you do have other options and are not as financially dependent on Patreon alone, then I would think about switching to other crowdfunding services like Ko-fi, SubscribeStar (I hear SubscribeStar is a good option for NSFW artists) and Comradery

I was originally going to create a Patreon for my interactive fiction/narrative game studio after I release the demo/first chapter of the interactive fiction game I'm currently working on (Mutants of Mayprice) but Patreon's lack of communication about this situation and their unwise decision of firing their entire internal security team (which wasn't many people to begin with, five people) does not leave me with a lot of confidence about the future of the platform.

#patreon #interactive fiction #crowdfunding

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tyrantisterror · 1 month

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I think one of the things that gets lost in the big, endless internet conversation about whether or not heroes should kill their villains is the fact that killing villains off robs you of a lot of story-telling potential. The Joker died at the end of his debut story in Batman - imagine what Batman would be if he stayed dead. No Joker in Batman 66, no The Killing Joke which means no Barbara Gordon as Oracle and no The Dark Knight, no Mark Hamill Joker episodes of BTAS (so many of them were based on his comic appearances, after all - the laughing fish is a direct adaptation of a comic), which means no Harley Quinn and no Return of the Joker, on and on it goes.

Like, you can argue the morality of heroes sparing their villains till you turn blue - god knows this site does it at least a thousand times a day - but on a purely pragmatic story-telling level, the minute you kill ANY character, you kill all the story potential they had. And yeah, it's fiction, you can bring them back from the dead if you really need them, but that's a pretty hard story beat to pull off without hurting your story. You don't want to fill your tale with "Somehow, Palpatine has returned" moments.

And you can just make new villains, sure, but again you have a problem with that - a new villain has to establish themselves and has to stand out from who came before, which means you can't go directly to the storylines you could have had with a villain who stuck around AFTER their introduction. A recurring villain is capable of doing things that one-off villains can't.

youtube

I'm going to illustrate this with a character from a fandom I'm not even a part of - I never played the Ratchet and Clank series and am only vaguely aware of it, but one day I saw a supercut of scenes starring one of its recurring villains, Dr. Nefarious, on twitter, and I was like "Oh shit, that's the guy who plays Quark on Deep Space Nine, isn't? This guys a hoot, let's see if we can find more clips on youtube." Which brought me to this hefty video here from one of the more recent games in the series.

And, like, as a person who "doesn't even go here," it's obvious this goofy little fucker has a history. His opening scenes have him ranting about how much it sucks to lose repeatedly - a lampshade on the "flaw" of a recurring villain, i.e. that their threat diminishes the more they come back because, by the nature of their role in the story, it means they've suffered a lot of losses. So how cool is it that as this supercut chugs along you can clearly see this is a theme of the game - that this is a story about the virtue of losing, a story that is enriched by having an antagonist who fans of the series know has lost a LOT?

The true antagonist is an alternate version of Dr. Nefarious who's won every fight in his life so far, apparently with little effort, and I love how they differ on a design aspect. They're both technically mad scientists, but notably, Emperor Nefarious, the winner, has a more imposing and "heroic" build, but a smaller brain-dome for his robot brains. Because winning may make him look strong, but if a mad scientist's real power is their mind, well, which Nefarious is really the strong one here then?

Dr. Nefarious gets this juicy arc about realizing the virtue in his repeated failures that corresponds with the heroic characters struggling to find a way to win against a seemingly invincible opponent, as well as contrasts the true villain, Dr. Nefarious's explicit counterpart and foil Emperor Nefarious, who has never once lost and is a total piece of shit for it. Again, not my fandom, I don't go here, not an expert on Ratchet and Clank, but even as a relative stranger to it who's just watching a big supercut, I fucking love this. This is an excellent story.

And it's one you can only tell with a recurring villain. Without Dr. Nefarious, this story works significantly less. You need a villain with a history the audience has seen to really sell this.

Anyway, I made this post because, ironically enough, I saw another tweet talking about how some fans think Dr. Nefarious should have been killed off in his first appearance, and, like... that's just fucking baffling to me, as a person outside this fandom looking in. Recurring villains deserve more love, man, they give us so much.

#Youtube

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fitsofdespair · 2 months

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i have hesitated to say anything before now. in part because i removed myself from fandom discourse and really from actively discussing iwtv a year ago. i consider it all a lose-lose situation.

but also because i’m generally of the opinion that black fans don’t need people to be their white saviors, least of all me. black people have never been saved by white people. they were never just given anything when it comes to strides in equality, they fought for it and still fight for it, against constant violent pushback every step of the way. only instead of the good ole’ days when racists just called those fighting for equality uppity, they’re now “bullies” for daring to call you out on your shit after the repeated condescension and the resulting harassment you’ve exhibited towards them.

in this day and age the word bully has zero meaning anymore. i mean come on, melania trump calls people mean about her husband bullies. elon musk thinks he’s being bullied by twitter users, though he clearly holds all the power and is absolutely the problem. its become a meaningless word that goliaths use to call davids because they won’t use the real word they actually want to say. some of these popular blogs are not being bullied, they’re being held accountable for their own actions.

it’s pretty disgusting the number of you who decided to identify strongly with these users that not only fail to question their own racial biases but have gone so far as to suggest black people don’t face racism anymore. this is so fucked. tbh it can be argued in many ways white people, especially in the deep south where i’m from, are inherently raised steeped in racism, even if its not direct. just because your family aren’t ostensibly racist doesn’t mean they didn’t bake their own little prejudices into your upbringing and being raised in your environment didn’t encourage them. even if you don’t see yourself as racist, you have to unlearn all this shit, even if it never once occurred to you that you are part of it. just cause you believe in equality and don’t hate people for their color or cultural background does not make you free of perpetuating microaggressions against them. this applies to fans across the world of course. (like for you white euro iwtv fans, you may say you have no problem with black people but i’ve heard some wild things some of yall have to say about the turks.)

i understand that probably half or more of you are not usamericans. but no matter what environment you live in, no matter where you were raised, there is no excuse for your behavior. just because YOU don’t see racism in your day to day life or are in the more likely situation, too blindly comfortable in your place in society to notice it right in front of your face, doesn’t mean it doesn’t exist as a constant presence in other parts of the world or isn’t deeply ensconced in online rhetoric.

so for you white iwtv fans who can’t be fucked to mention let alone defend people you, in many cases once called friend, against the absolute horseshit your current comrades are spewing wrapped up in their nice safe cocoons of victimhood, i hope you do some serious soul searching to figure out if this is who you are, a person too cowardly to call out a friend because it might cost you their friendship. a person quick to condemn others on hearsay because you couldn’t be fucked to wonder am i on the right side of this? and if you do manage to get wise and change your mind, remember its not unforgivable to say, you know what? i was wrong. i wrote in an old post that the hallmark of being a functional adult is changing your views accordingly when you learn new information or even just ruminate on what you know (i myself was a little bitch about ep 5 when it first dropped until i had to sit down and ask myself why i was actually feeling some kind of way about it). dying on a hill is not all its cracked up to be. being told you’re wrong is not always a personal attack and its often an opportunity for improvement if you can be bothered to genuinely hear other people out. an alarming number from all walks of life never figure that out. for my part, i am still learning and hope i never stop learning.

while that sentiments all nice and gooey (i mean them, but i understand its still sacharine to put out there), i am still guilty for not having directly written anything about this until now. and thats on me and i earned any flack i get for that. again, i am more of the mindset that black people don’t need white spokespeople, but that doesn’t mean they'll mind allies. and as a sidebar, going out of your way to say you are rising “above the noise” or “ignoring the drama” is absolutely your right, but it does not make you superior. it just makes you complacent with the status quo. i mean as long as you get to squee!! about anything and everything who cares about other people, right?

#and to be clear since i think some people may be a bit confused: i’m admonishing user nalyra-dreaming and their followers #some people who reblogged seem to not understand that #iwtv #interview with the vampire #alex.txt

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katy-l-wood · 10 months

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Delete your Threads account. You know what Meta as a company has done, you know the kind of person Mark Zuckerberg is. You've lived through Gamergate, the elections, covid, the fucking lot of it, and yet you're still willingly making an account on Threads. How can you possibly justify that?

Second ask: Scratch that, I hadn't read your most recent posts. Sorry for being so rude.

Third ask: "Still going to keep an eye on it" For what exactly? For it not to be as bad as it is? For it to get even worse before you decide it is wrong? You know who Mark Zuckerberg is. You know what Facebook is. Be up front: you don't actually care or stand for anything, you're only afraid of losing business. Have some dignity.

So you decided to be rude as fuck, "apologize," and then come back and be more rude?

I was incredibly clear in that post of why I am going to keep an eye on Threads, despite the concerns: Twitter was a valuable source of live news, especially during natural disasters, and Threads is the first potentially viable replacement for that. IDK if you actually follow me, but if you do you'll know I do a lot of work around natural disaster communication. Twitter was invaluable as a communication source during natural disasters. Full stop. It is not up for debate. But hey, if you want a source with more authority than a random tumblr blog, here, have a nice shiny research paper:

Mind you, that was written in 2010 and the importance of Twitter as a communications tool during natural disasters has only increased since then. There is no other tool out there, no other website--news or otherwise, that can provide such granular, specific updates when shit hits the fan as Twitter did. The only better, quicker source of information I have found during natural disasters is listening to actual radio chatter from the departments involved in whatever problem, and that can be very tricky to do if you don't know where to look or have the right equipment. There is no other site where I can go specifically follow so many of my local fire departments, my local emergency services, my local National Weather System stations, and get live pushed updates from them every single time they post.

When Twitter DDOSed itself last week and put a limit on the amount of tweets people could view and forced people to be logged in to view anything at all, the effect was immediate and BAD. People suddenly couldn't view things like missing person alerts, or weather alerts. I had people messaging me because they were trying to check the National Weather System autoalerts for their area on Twitter due to being caught in a sudden storm, but they couldn't get on to check.

Love it or hate it, Twitter had an immense amount of value and it got that value--at least in the case of natural disaster communication--because the stubborn ass government decided it was big enough to be trusted with official lines of information. Very, very few other social media sites have ever had that trust from the government. Look at how they banned TikTok on all government devices. But they DO trust Facebook, and Instagram, and Meta. Which means their chances of trusting Threads and migrating over there when Twitter finally takes its last breath are ASTRONOMICALLY higher than expecting them to go anywhere else.

We can debate the privacy and moral issues of the Metaverse and those involved until the cows come home, but it does not change the fact that if my mountain is on fire I'm gonna get information about where that fire is from wherever the fuck I can. I'm not going to wait around for it to maybe show up in a "live" updates news article from CNN from some reporter half a continent away in New York who doesn't know anything about where I live and gets the roads wrong because they just don't know. I'm going to go to the website full of my neighbors and local firefighters and see what's happening right that second.

Do we need to fix the privacy and moral issues? Yes. But we can't throw the baby out with the bathwater either. Not using Threads or any other Meta product isn't the answer here. Using them with extreme caution and only for very specific needs, for the time being, is. Long term, we need to be focusing on privacy based legislation that would finally put these companies in their place. But until then, again, I'm going to keep following my local fire departments wherever they go.

P.S.: If you're going to keep the shitty attitude, fuck right off and unfollow+block. You're not wanted here.

#Threads #I was honestly going to make this post anyway due to how some people are tagging the original post #So here #I could honestly debate this all day #lol #But I have shit to do today and right now that is breakfast #Natural Disaster Communication #Twitter #Death of Twitter

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kathanglangit · 7 months

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The First Blade: Balaraw - Winged Dagger

I realize I haven't been explicit about it on here yet (mostly because I'm not the best at keeping all my social media profiles up to date), but I am involved in the development of a Tabletop Roleplaying Game It's called Gubat Banwa- a TTRPG based around tactical grid combat, contemplative war drama, and high-flying martial arts, all of which taking place in an unapologetically Southeast Asian-inspired fantasy setting, developed by @makapatag with art direction by @villain-returns. Initially I developed the script that is used in the gamebook and diegetically in the setting- called Kasuratan- but I'll talk about that elsewhere.

With the Kickstarter launch imminent, I thought I'd do a bunch of Twitter X threads on a bunch of weapons I've drawn for the game counting down the final week before the launch. Then I thought: "Why aren't I posting these on tumblr also, at least I wouldn't lose my mind over character counts over here"- so here we are. These were supposed to be posted as Swordtember drawings, but then the KS launch got moved to October. Most of these blades are of Philippine make, since that is where my knowledge-base is and what I'm comfortable enough to share knowledge about. I thought it'd be nice to share a bit of blade knowledge from some of the cultures that inspired the setting. Without further ado, let us begin with the BALARAW.

Also known as a "winged dagger", it is characterized by its unique shape, consisting of a short leaf-shaped blade driven with the tang out into a hilt with two distinct protrusions, creating three prongs on the back with the tang included.

(Photos from an exhibit at The Met)

They may be held at the hilt like a regular knife, or they may be held in a manner not too dissimilar from how our neighbors in Southeast Asia hold keris. One may imagine it like a "push dagger" for lack of other reference points. It might be likened to the katar as well, in some sense.

(Sketches by the Gubat Banwa Art Director himself) Nowadays, the blade is frequently attributed to the People of the Upstream- the Mandaya group of peoples- though they would have seen much wider use in their day, likely also spanning across what is now the Visayas region of the Philippines.

(Modern rendition by Panday Keiven Tolentino of Itak Mindoro, Photo by Ramon H. Bathan) Something I've noticed from looking at Philippine blades all the time is that symmetrical, double-edged blades like these are rare, here. Blades that lend themselves more to stabbing than anything else aren't very prevalent either, and blades that do not- at first glance- appear to be made with tool use/foliage clearing/farmwork in mind don't make up the majority of specimens. The balaraw is unique in several different respects, and any self-respecting warrior Kadungganan of Gubat Banwa's Sword Isles would do well to mind its bite. The weapon makes an appearance in Gubat Banwa in the hands of the Beast Hunter- one of the many Disciplines ("character classes") whose techniques your character can learn in-game.

The Gubat Banwa Kickstarter launches in 7 days! Check it out here:

We'd appreciate any and all help in getting the word out. Support an independent TTRPG made by a team from the global south, looking to make waves through a fantasy setting where the Southeast Asian inspirations takes center stage!

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turbulentscrawl · 6 months

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Identity(V) Headcanons: Luca Balsa

Next up!

Again, I am new to the IDV fandom, and I have never played the game, so these headcanons are informed by my ongoing lore dives sourcing the wiki, japanese twitter responses, comics, stageplay, and more! Some of these may relate to or even contradict character backstory, and some of them are just pure vibes for me. If you like it, consider shooting a request ;)

-So to start, I personally headcanon that Luca initiated the fight that led to the electrical accident. He’s always been hot-headed and impulsive, especially in regard to the source of his pride. I don’t think he intended for the confrontation with Alva to end anywhere near the way it did, but I do think he felt a good shove or two were well-warranted when he found out "his" ideas were being stolen. It’s when Alva fought back a little too viciously that the accident happened—and it well and truly was an accident. Not that it matters much when the only survivor doesn’t remember the event at all.

-He has headaches regularly, and terrible migraines at least once a week. He’s yet to find a way to relieve the migraines and, even worse, they are typically followed by an episode of more intense amnesia. Under normal circumstances, Luca’s memory problems are manageable. He doesn’t remember the accident, and there are massive blackouts in the memories beyond it, but on the average day he only struggles with small details of more recent events. During these post-migraine episodes, though, he completely loses all context for where he is, what he is doing, and who the people around him are. Most of the time, the important bits come back…but not always.

-Forgotten memories are also sometimes sporadically triggered by something mundane. A word, a texture, a sound, and suddenly he’s frozen stock-still in the face of a one-person cinematic viewing. By the time he turns to tell someone about it, though, the memory is gone again.

-To try to combat these issues, Luca keeps notebooks stashed everywhere. He writes down anything that might be important, as well as anything sentimental. The obvious issue with this, however, is that he doesn’t always remember where he keeps these notebooks.

-Despite his memory problems, his personality is largely in-tact. He maintains a lot of gentlemanly mannerisms and is cordial, if not outright friendly, to just about everyone he meets. Generally, he’s only “rude” in the sense that his attention tends to shift very abruptly.

-He’s the sort of person who appreciates variety. In people, food, scenery, just about everything. Part of why he gets along with so many people is because he can genuinely appreciate all manner of skillsets and hobbies. Likewise, to be a friend to him you only need to show appreciation for his work; understanding is not a requirement.

-It’s canon that he dislikes noise, but enjoys music. These might seem like clashing sentiments, but what it really comes down to is expected noise. Music can be relaxing, inspiring, rush-inducing! It holds your mind’s hand and hurries it along its thoughtful way. JUST noise is…chaotic, distracting, and sometimes startling. Plus, Luca likes being able to hum along while he works.

-It’s common to be static-zapped if you touch him. Long-term contact can even cause your hair to start standing on end. Unfortunately, it isn’t something he can control, so just be prepared to deal with it.

-The best Love Language to give Luca is Quality Time. He can honestly work with pretty much all of them, but Quality Time checks multiple boxes—especially if you’re good with parallel play. For one, he gets so busy with his work that it sometimes makes him feel guilty for neglecting the people he cares about. If you’re comfortable just hanging around his space, doing your own thing while he does his, it’s easier for him to check in with you between the erratic come-and-go of his thoughts. Those small bits of time add up, and he feels much better about his workaholic nature. Second, the more you permeate his memory, the less likely he feels he is to forget you. One of the few things he doesn’t struggle to remember is himself, his own name, and if you’re always there maybe it’ll be the same for you.

-He has trouble balancing his priorities. He often foregoes food, sleep, hygiene, and even his loved ones in favor of working on his invention. Sometimes he’s so absorbed in it that he doesn’t even understand the weight of hurtful decisions, but even when he does, he’d find it difficult to change.

-It’s also never impossible for the emotions that caused the accident to rear their head again. If someone were ever to intentionally sabotage Luca’s work or unapologetically steal his ideas, he may very well lash out with violence. Even if it were an accident, there’s no guarantee he wouldn’t be enraged.

-Luca has no idea what he’d do with himself if he ever did finish his invention. The guilt he feels for what may-have-happened is confused and warped, and he keeps it buried beneath his weighty obsession with the one thing he’s never forgotten…but if it were ever to be out of the way, Luca might be consumed by darkness.

#idv #identity v #luca balsa #idv prisoner #idv x reader #luca balsa x reader #turbulentscrawl #identity v x reader

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transfemlogan · 1 year

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Its so upsetting that side photoshoots & blooper videos & literal fucking ads have turned in2 "main content". That if anyone tries to claim Thomas & his crew have not posted shit, the team's response is "hey! We did do sanders sides content! You know, that ad where we talk about our merch/patreon/etc?" Like some sort of "got you".

When you create something, the main content is the thing you created. For example, 'The Good Place' is a show with 4 seasons; each episode is the content. When the NBC released bloopers for each seasons, while that is content, that is not main content for the series. It is additional content. It is unnecessary fun that is unrelated to the original series, because... it doesn't add anything. Bloopers do not add to the story or plot. A lot of times this content doesn't need to exist, but it is fun if it does!

Additional content comes with the main content. We have the series and then fun side things. We should not be counting this content as Thomas & his crew "doing something Sanders Sides related, so you can't say he hasn't done anything."

The thing is, though, we have started to count additional & unnecessary content as main content because we have not fucking gotten a main Sanders Sides episode in almost 3 years (it will be 3 years in May). Bloopers and Tik toks and photos are supposed to come WITH or AFTER the literal content of the series, but all we have been getting is that type of content for THREE YEARS.

If I walk into a Hot Topic and see Monster High Merch, that's not fucking content for the Monster High series. When your favourite Youtuber posts a photo of themself on Instagram that is not their content. If an artist posts WIP drawings to their Twitter that isn't their content. If I am listening to a podcast and at the end of the podcast they give an ad for merch, thats NOT THE CONTENT. THE CONTENT IS THE PODCAST, NOT THE FUCKING ADS? For the love of god, I feel like I am losing my mind.

#sanders sides #thomas sanders #ts critical #ts criticism #sanders sides criticism #revy.txt

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comfortfoodcontent · 1 month

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The *other* Green Lantern: Emerald Twilight story -- how we almost NEVER got a Kyle Rayner

(Years ago I made a Twitter thread about this and one of my favorite websites, DC In The 80's asked if they could host it and I was proud to revise it and have it be a part of their amazing site. I repost it here on my only remaining socials, revised once again and expanded quite a bit, for @greenlantern94to04 as well as everyone else. Thanks!)

Ok, so we're gonna talk about Green Lantern: Emerald Twilight. How we almost never got Kyle Rayner. How Gerard Jones had a very different story in mind. We're gonna talk about how DC made the drastic, correct decision. We're gonna discuss H.E.A.T.

I am gonna preface this by saying: Former Green Lantern writer Gerard Jones was sentenced to 6 years in federal prison for child pornography charges in 2018. There is no debate here. The man is a literal monster. Absolutely disgusting. Cancel culture exists to shun a man like this.

This thread is not to support his work or encourage you to seek it out. Please do not. Rather, its to showcase comics history & show you how we dodged a huge bullet & he was rightfully fired off Green Lantern & we got one of the best runs in comic history with Ron Marz.

So, historical context: Green Lantern as a franchise was struggling in the late 80's. It didn't have its own series, it was running in Action comics Weekly with some odd specials here & there. Hal Jordan wasn't that huge. In 1990 Green Lantern Volume 3 was launched by Jones:

Your mileage may vary on Jones' run & what he did for the GL franchise. The gist of his run is showing how OLD Hal Jordan is. He spends most of the series as an old drifter, wandering the country, with some fresh greyed hair. It is by no means an exciting book with Hal as the lead.

Anyways, this series runs for several years with Jones always battling with his editor Kevin Dooley about its contents. Meanwhile in the Return of Superman story, Hal Jordan's hometown, Coast City is destroyed by Cyborg Superman & Mongul.

Now this is followed up in Green Lantern 46 & 47 by Gerard Jones. Here's the last page of GL #47:

Hal certainly seems ok with everything that happened & he's ready to move on to some other story. Doesn't seem like he's gonna lose it & go crazy over the loss of Coast City, does he?

That's because Ron Marz' Emerald Twilight was originally not planned! Jones had his own version of Emerald Twilight planned. It was even solicited with house ads for it even appearing in books at the time!! Here's the house ad again that was to be the cover of GL #48 by Kevin Maguire:

Here are the original previews that were sent out to retailers for Green Lantern issues 48 & 49:

GL 48 by Jones, Cobbs,& Tanghal

"Superman and the Justice League gather by Green Lantern's side as Hal confronts the horror of the destruction of Coast City. Meanwhile on Oa, the Guardians of the Universe find themselves fighting a lethal battle against the Guardians of the Universe?"

GL 49 by G. Jones, Haynes, & Tanghal

"Green Lantern is caught up in a battle raging between two equally powerful groups of the Guardians of the Universe. Hal's side loses, and the winners' first act is to take away the power rings' 24-hour time limit, and their yellow impurity Their second act is to appoint a new leader of the Green Lantern Corps --- Sinestro! This issue leads directly into the landmark Green Lantern #50, a major turning point for the series."

So as you can see we almost got a VERY different course of action for Green Lantern in the 90s. Now those are hints of the original proposed plan, but Jones actually went into it all in interviews & a plot synopsis. Here is Jones' original plot for Emerald Twilight in its entirety:

"The destruction of Coast City and his breakup with Carol make Hal realize that he can't find the roots he wants on earth. He's inspired by the memories of the dead, especially his father, to become a better hero; he decides he must affirm himself first and foremost as a Green Lantern, finding his community in the Corps. But when he goes to Oa for the big swearing-in ceremony of all the new GLs, a new group of Guardians appears, claiming to be the true Guardians.

These "New" Guardians claim that the "Old" Guardians are impostors who plan to use the GL Corps to reduce the universe to chaos. The Old group counters that the New ones are impostors who plan to use the GLs to subject the universe to tyranny in the name of "order". Adding credence to the New Guardians' claim--and raising the stakes--are the Zamarons, convinced that they are their husbands. The Zams are about to give birth to the ultimate Cosmic Children, whose power will be such that whoever controls them can control the cosmos. The fate of the universe--chaos or tyranny--hinges on whichever set of Guardians can win over the GL Corps and gain control of the Children.

Hal--who knows the Guardians as no other GLs do, having seen the Old Timer at his most human and vulnerable, and having gone through his conflict with them and his "act of faith" in GL 35--knows in his gut that the New Guardians are the impostors. But the weight of evidence is against him and he can't convince the other GLs (the "Twelve Angry Men" dynamic).Hal has a choice: break with the GL Corps, now his only hope for community and belonging; or collude with something he feels will reduce the universe to tyranny. Hal chooses the former.

He enters the battery to increase his power, fights the Corps and takes the Old Guardians into hiding as he seeks a way to convince his fellow GLs or beat the New Guardians. The stakes for Hal are high: if he's RIGHT about the New Guardians, but they WIN, then the universe is doomed. If he's WRONG in his gut-feeling and HE wins, then HE'S doomed the universe. If he's WRONG and he LOSES, then the universe is okay but Hal is ostracized from the only group that means anything to him. The pressure is on him not only to win, but to be damn sure he's right.

The New Guardians announce their new leader of the GL Corps: Sinestro, renowned for his devotion to order before he broke with the GL Corps. He whips the Corps into a paramilitary group and starts a program of "good" but ruthless acts: like destroying the Khund homeworld. Hal sends his only ally, Star Sapphire, to appeal to her fellow Zamarons. She learns some things about the way the New Guardians convinced them of their legitimacy that suggest to Hal that the power behind the New Guardians is ENTROPY.

Hal contacts the confused but sympathetic Arisia, trying to argue his point with other GLs through her. But Sinestro has them all wowed or cowed...and when Kilowog throws in with Sinestro and his tough new approach, Hal feels his struggle to win over the Corps is becoming hopeless. Hal returns to the Coast City monument, to commune with the memory of his father, whose grave was destroyed along with the city. But the Hunter GLs-revived by Sinestro to police the Corps' internal affairs--catch him there.

He escapes for the moment, but they've destroyed his ring. But the inspiration of Hal's dad makes him want to find a way to keep fighting, and he discovers that he has power within him. His trip into the battery enabled him to internalize his power, but he couldn't realize that as long as he felt he needed his ring, and the Corps. Hal fights back, knowing he may have to fight alone to his death, and defeats the Hunters.

Sinestro reacts to this by getting even tougher with the Corps and speeding up his acts of "purification," and some GLs begin to wonder if Hal was right. The Zamarons, meanwhile, are about to give birth, which would give the New Guardians the power they need to take control of the universe no matter what Hal does. The clock is ticking faster and faster. Star Sapphire, acting under Hal's instructions, learns enough about the New Guardians through the Zamarons to start forcing Entropy to show his hand.

Hal gathers DC earth-heroes to join him against the Corps. When Sinestro tries to send the whole Corps against Hal and his allies, Arisia rediscovers her nerve and fights back against him. Other disaffected GLs join her--but not enough to stop the rest. Arisia's splinter group flees into space, is nearly caught and destroyed by Sinestro's group...but are saved at the last moment by Hal.

Hal now leads his rag-tag band of heroes and rebel GLs against Sinestro on Oa. But Entropy, through the New Guardians, throws him a curve: they reveal to Hal that his father didn't die by accident; his death was arranged by the Old Guardians.... who saw the potential for a great GL in Hal but foresaw that he would need a trauma to make him the fearless man he could be.

At the moment before the final conflict, Hal is shaken to the core: can he fight to defend the beings who killed his father? Hal realizes that his private grief and rage means nothing against the fate of the universe. He fights for the old Guardians despite what they did. The babies are about to be born. The New Guardians capture Sapphire and are about to kill her. The battle begins.

Hal goes head to head with Kilowog, the most painful battle of either of their lives. In the heat of conflict, though, Sinestro begins to reveal his true, wretched self. Hal tricks him into showing his true colors. Kilowog realizes he's been suckered. Enraged, he joins Hal's side. Sinestro's support collapses. The New Guardians dissolve, revealing themselves as mere manifestations of Entropy, and Entropy throws himself personally into the fray. His goal all along has been to reduce the universe to lifeless entropy by robbing it of its life, its ability to change. Too much order (Sinestro) is essentially equal to too much chaos (Entropy). The Old Guardians represent the right way, the way of Life. Now he's about to seize the Children as they're born.

The Old Guardians show up--thanks to Hal's power--and tip the battle. They snatch the babies from Entropy at the last moment. The GLs turn on him. He's destroyed. All seems well. Deceived GLs are forgiven. The Guardians send the Corps off to do its thing while they tend to the Children who will become the greatest powers in the universe.

But all isn't well with Hal. He fought for the Guardians, because it was right, but he can't go on serving the cosmic manipulators who killed his father. They say they don't do things like that anymore, but it's too late. Hal has his own internal power now, and he's learned that he fights best alone. He won't be manipulated again. He goes off to become the Protector!!"

... AND THATS THE END OF THE PROPOSAL! There are a lot of similarities in the proposed & realized Emerald Twilight: Sinestro, Hal fighting the GL's, Hal taking on a new identity clearing the way for a new fresh Lantern to take over the book.

Jones had this to say about it all in a Fanzing (#39) Interview about his proposed plans:

"Even before Paul, Mike and others said so, (GL Editor) Kevin Dooley and I were talking about using issue 50 to turn everything upside down, bring in a new Green Lantern, give Hal an indefinite break, and get back to basic, exciting stories.

Unfortunately, Denny O'Neil, who was Kevin's boss, and Paul Levitz and Mike Carlin, didn't feel it was big enough to turn around readers' perceptions of what by then had been a lousy comic for about a year. Particularly if the writer stayed the same.

As Denny said to me later, sometimes the market has to see that a complete creative shift is occurring, including the creative team. Which makes total sense, although at the time I was very angry and frustrated. This whole series was my frustration, the series I really wanted to make great but that for four years had never felt like mine, and here I saw a chance to start over and make it good at last, and I just couldn't get there.

What I feel worst about in retrospect is that Kevin was apparently going to bat for me again and again with his bosses, but because he wasn't free to tell me what was going on behind the scenes, and because I was mad at him about other petty crap, I blamed him. I criticized him to his bosses, wrote a nasty fax, really puerile ways to blow off my frustration. I apologized later, and I think everyone understood that I was just a clueless freelancer, 3000 miles away. But it was an ugly finish. I quit so they didn't have to fire me.

Then they had an emergency plotting session, Paul, Mike, Denny, Archie [Goodwin], and Kevin, and they handed that plot to Ron Marz, who was coming up at the time, had worked with [Jim] Starlin, had a cosmic resume going.

First, I hasten to say that "The Protector" was a working title! We were going to do better than that! But yeah, there was going to be a new, younger GL, which I'd originally preferred to doing a Hal who was too burdened by the ball and chain of continuity. Hal would have popped in and out, maybe gotten his own miniseries, and then maybe or maybe not have become a GL again. I had various thoughts about the down-the-road story. But issue 51 would have been the introduction of a new GL, a completely new character, who was still in the vaguest development when it all ended."

SO! What happened next?? DC, in a real pickle here has Jones leave the title, but a huge supposed "Break the Bat"/"Death of Superman" Green Lantern Emerald Twilight story has been solicited. In an emergency situation they turn to Ron Marz, who has this to say:

"I got a call late on a Friday night offering me the book," says Marz of 1993. "I'd actually been down in New York for the day at the Marvel offices. I came home, my wife and I went out for a quick dinner, and then I guess around 9 o'clock the phone rang and it was Kevin Dooley offering me the job. Mike Carlin, Archie Goodwin and Denny O'Neil were in the room, as well as Eddie Berganza, who was Kevin's assistant at the time. I believe Paul Levitz might well have been there too."

"Kevin said he wanted me to take over 'GL' because the book needed a fresh direction I was excited, because I'd always thought Hal was a pretty cool character, and I love that costume. And then the other shoe dropped. Kevin explained what was planned, essentially removing Hal from the book and replacing him with a GL that I would make up. Pretty serious stuff. The real kicker, and I swear to God this is true, is I was wearing a Hal T-shirt when I got the call. It was one of those pocket T-shirts from the Warner Bros. Stores. I still have it."

"Darryl Banks: I was already on the project with another writer then the editors decided to go in a different direction.

Marz: The previous writer had a different storyline in mind for issues #48 through #50, and Darryl actually drew some pages from that issue script.

Banks: I had drawn about five pages or so of the initial project when the changes began.

Marz: I think I have copies of them somewhere.

But ultimately DC editorial decided that story was not what they wanted, and offered me the title.

I assume Darryl and I started talking when he started drawing issue #50. Switching storylines meant that the schedule was behind enough that other artists had to be brought in to draw #48 and #49. That's why each issue of 'Emerald Twilight' has a different artist."

So Ron Marz takes over the books with a plot & we got what was published. Hal Jordan, utterly broken by the destruction of Coast City jarringly tries to remake it in his image with his ring. Stopped by the Guardians & gone mad with grief, he destroys the Corps & becomes Parallax while a new Green Lantern, Kyle Rayner is introduced:

Marz: DC faxed me about a page-and-a-half of notes, just a broad outline of what the three issues were supposed to be. All the details were left to me to fill in.

Killing Kilowog was all me.

I felt like if Hal was going to destroy the Corps, it needed to be personal, we needed to see a known character meet his fate on camera. There's no sense in doing that kind of storyline if it doesn't hurt.

Banks: It's funny you said "heel turn" because Hal did use a few pro wrestling moves in issue #50!

Marz: The last line of the outline that DC gave me was, essentially, "...and a new Green Lantern is created." That was the only direction I was given.

I asked if the new GL could be a woman, and DC said they wanted to keep a male lead.

I asked if the new GL could be an alien, and the answer was he needed to be human.

Other than that, there was no direction.

So we just made up Kyle from the ground floor. I never made a secret that he was very much based on the Everyman archetype that Spider-Man typifies.

I wanted just a regular guy, rather than someone who was already a hero, like Hal, who was a test pilot. If we were going to go in a different direction, let's really go in a different direction. Let's have somebody who has to learn to be a hero. Irish ancestry because that interested me. I picked his first name because of Kyle Reese in The Terminator. I picked Rayner off a list of Irish last names, just because it sounded good with "Kyle." Black hair because Hal had brown hair, and Alan had blond hair. And an artist because Green Lantern is in a lot of ways a special effects book. We wanted someone who was going to make cool stuff with the ring.

Ultimately, Ron Marz makes the DC version of Spider-Man and Magneto in one fell swoop.

Marz: Darryl was the one who came up with the name Parallax, and it's perfect. Hal's view of everything has changed, because of his perspective. For me, Hal was never a villain, he was at worst an antagonist or an anti-hero. I wanted the audience to feel like, 'Well, maybe he has a point here...'

To me, the best villains are the heroes of their own stories. That's why I generally was more attracted to Marvel villains than DC villains. The old rule of thumb was that Marvel villains wanted to rule to the world, DC villains wanted to rob banks.

I saw Hal as Parallax very much in the Magneto mold. He was convinced in the righteousness of his cause, and he was willing to do what was necessary to achieve his goals. He was very much a sympathetic character to me. All-powerful, but broken.

Banks: Parallax wasn't the villain he was perceived to be. Hal Jordan was pushed past his limit. Furious, yes. Evil, no. There was still a nobility about the purpose and one of the reasons I designed him with knight-like armor.

The word 'parallax' essentially deals with a different point of view. It is a literal line of sight term but I thought it was a fitting metaphor for Hal Jordan's transformation. Originally, DC wanted to name him 'The Protector' because they already owned that name. That just didn't fit with where we were going with the character and I had to put in writing why I liked the name Parallax better. Hal's decision to gain more power was actually noble in intent. With the design, I thought of it as an Arthurian 'Green Knight' approach. I like armor anyway!

The response to this was shock. Some people loved the new direction and introduction of Kyle Rayner & Parallax. Others thought it the most disrespectful thing ever done, spawning one of the most polarizing fanbases ever: H.E.A.T. - Hal's Emerald Advancement Team. On newsgroups, Prodigy, GeoCities sites, AOL rooms, CompuServe & all of the other 1994 internet chat rooms of the time, people enraged over this direction came together. These fans together made H.E.A.T. whose mission was: As Green Lantern fans, it is our goal to encourage and advocate the return and exoneration of Hal Jordan as Green Lantern, the restoration of the Green Lantern legends, and the revival of the honorable Green Lantern Corps. They harassed DC and the creators, sending death threats & countless awful messages to the writers & editors calling for them to be fired and worse. They were an incessant online troll fanbase. Defenders and members of H.E.A.T. claim they were a charitable group that set up a scholarship in memoriam of Gil Kane and that they also raised money to send John Broome to San Diego Comic Con in 1998 as well as organized many comic donation charities. I tend to believe the creators and fans who have their own personal accounts of how awful and toxic they were than the PR messages of the people in the group. In fact, every time I write about them, some of them STILL come out of the woodwork to "Um, Actually" me and disrespect me. Soooooo, make of them what you will but I think I've painted a pretty clear picture.

For years, they did not die down, they did not quit. In 1997 they took out a full page ad in Wizard Magazine. These people were unhealthily obsessed:

They are infamous for spending more than 5-10 years trying to harass DC & anyone who would listen into reversing this story & putting Hal back on top as a character. They are a clear cut case in what not to do as a comic fan.

In 1997, Will Allred of Quantum Zone interviewed Jack Grimes from H.E.A.T. detailing his efforts to advance Hal. Here's a few interactions from the interview:---

Allred: Now that we know I'm a fanboy, could you give us a little background on how this project got started?

Grimes: Well, I had had the idea for a Hal/Green Lantern Corps advertisement swirling around in my head since the Green Lantern Corps page's "Green Lantern Corps Petition" really started taking off, racking up something like 50 signatures a month. I just didn't have the initiative (nor the time) to investigate. That is, until late August, when friend and fellow Green Lantern fan Harry Philipo publicly suggested taking out an ad to the "regulars" on AOL's DC Online GL message board. When almost a dozen people immediately pledged at least $20, I figured we might actually have a shot at it, and I e-mailed them with my interest in organizing the ad. We did some investigating and found the ad rates for a few industry magazines. Despite the vastly greater cost in Wizard, we decided to make the biggest impact possible and go with the industry's most widely distributed magazine. Kevin Huxford opened communication lines with Wizard, which I then followed. Joe Sturgeon and Harry lent their computer graphics talents in constructing the ad itself, which I chose the image and wrote copy for, while I drummed up support on the Internet from the most publicly adamant fans.

Allred: You've got the ad. What do you hope to accomplish with it?

Grimes: Obviously, we want to see Hal Jordan in a prominent, heroic position again in the DC Universe, and the Green Lantern concept enriched once more with the mythology of the Corps. But at the core of it, it's to send a united message to DC, and all comic companies. A message that says long-time fans are tired of taking a back seat to hot trends and disposable incomes. And a message to fans of Hal and the Corps letting them know that they are not alone.

Allred: Do you think it will work and bring Hal and the Corps back?

Grimes: I don't see why not. We certainly aren't calling for the end of the Kyle Rayner Green Lantern. There's no way we'd wish "Emerald Twilight" on any comic fan, no matter the character. What we would like to see is in everyone's best interest: a bigger, brighter, more successful GREEN LANTERN.

Allred: How do you think those at DC will react?

Grimes: The optimist in me says, "Immediately hire Kurt Busiek." The pessimist in me echoes one comic professional I contacted for contributions (I contacted several, and most sent their best wishes of support, but declined to donate due to conflict of interest), who said that DC might treat the ad as a joke. But I really don't know how DC will respond...if past experience is any indicator, they'll probably shrug it off as the "cries of the loud minority," but this is a unique situation. I truly hope and expect them to take us seriously and at least consider where we are coming from.

Allred: Anything else to add?

Grimes: I'd just like to make it clear to all Kyle Rayner fans that we are not calling for replacement. We're calling for expansion and restoration. And, I'd like to once again thank all those that helped make this ad possible!---

Unhealthily. Obsessed.

Marz had this to say about them in 2020 (Source):

Marz: Certainly the overall lesson was that a relatively small number of people can make a lot of noise. The vast majority of people read a comic, enjoy it, and move on with their lives But a very few people obsess over some aspect. I knew 'Emerald Twilight' was going to be controversial, and upset a segment of fans. But ... yeah, some of them got a little carried away over these made-up people.

I've got a couple of stories. The first one is when I was in Portland, Oregon for a convention, and a guy was pointed out to me as one of the ringleaders of H.E.A.T., a guy who was seriously agitating for me to get fired by DC, and never work in the business again. He kind of loomed at the periphery of my table, and I figured he was never going to approach me. But he finally got up the nerve, stepped up to the table, and announced he was very unhappy with what I had done to Hal Jordan. I told him that it wasn't personal, the story wasn't meant to upset him personally, and that I hoped he had found other comics he liked. He presented me with a laminated H.E.A.T. membership card with my name on it, and a list of demands on the back, one of which was that be fired off the book.

So I politely handed back the card and told him I didn't really want to be a member of an organization that had a goal of making me unemployed. I pointed out to him that he was more concerned with what happened to imaginary people than real people, and he looked kind of baffled at that notion, like he had never considered that before. He assured me it "wasn't personal" ... and then handed me a stack of all of my Green Lantern issues to that point, and asked me to sign them. Which I did.

The other is when, in the midst of all the "Emerald Twilight" controversy, Wizard Magazine invited me and one of the vocal H.E.A.T. guys to come to their Chicago convention and debate the story. I said sure, that seemed like fun. But they couldn't get the other guy to commit to the trip. It was time for Wizard to book plane tickets and hotel rooms, and the guy still wouldn't commit. Finally, they needed an answer, and the guy admitted he couldn't come to Chicago because "my mom won't let me." He was a 16-year-old kid.

Now, personally, I love Emerald Twilight. Do I think its a jarring, sudden story that does irrevocably change a long time beloved character? Yes, very much so. Do I think it deserved H.E.A.T. and the hate? Not at all. I think everyone tried their absolute best to do something bold and new and rare for the Big 2 in turning a longtime hero character into a villain. That Marz was trying to, with respect and purpose after the initial rush job, fashion him in the Magneto mold, with fascinating shades of gray and the potential for an infinite number of great stories is, to me, something to be applauded for. He didn't unceremoniously kill him and constantly disrespect him. We actually got several excellent stories with both Parallax and classic Hal from Marz after this that I think serviced the character with such impressive depth and care in a way he's rarely ever been handled.

In response to fan backlash, Marz had this to say: (source: Emerald Archive: Ron Marz answers every question regarding 'Green Lantern')

"Look, people are going to believe what they want to believe. But if there are actually people out there thinking it was somehow my life's goal to 'destroy' Hal Jordan and the Green Lantern mythos ... please, seek help. I was offered a job. The job had certain parameters. I took the offer and worked within those parameters, and did the best job I could."

"The truth is, if I hadn't written Emerald Twilight, someone else would have, and the story would have been substantially the same. That's by no means an effort to pass the 'blame.' I did write those stories, and if you don't like them, feel free to blame me because, yes, my name is in the credits box."

"I still think 'ET' was a gutsy move by DC at the time. To effect permanent change upon one of your top characters is brave. I liked Hal as a character. I still do. But he'd been badly handled for a number of years prior to my tenure. I can remember picking up the first few issues of what was then the new GL series, and coming away just not caring because Hal seemed like a wuss wandering the country searching for … whatever. This was a fearless test pilot?"

"So the thinking at the time was that something drastic was needed, something that would attract a lot of attention back to what had become a moribund franchise. That much worked. When I agreed to take the book, issues #48, #49 and #50 were all due."

"The book was late, the planned issues had been pulled, and things had to get moving right now. So I wrote my first three issues at the same time. That's why there were three different artists on them. I remember writing part of issue #48 between sets at a Peter Gabriel concert. I found a quiet place where I could steal a few minutes to write."

"The deadlines were that tight. I would have loved to write 'ET' over six issues. I think that's about the length that would have been necessary to really make Hal's descent believable and tragic. So what we ended up doing was a bit rushed because of circumstances, and I regret that. But if I'd had six issues, the events would have been generally the same. I just would have had more room for the character stuff. Sometimes you just have to play the cards you're dealt."

"I had a few pages of notes from editorial, dictating the broad strokes of what needed to happen: Hal goes nuts, wipes out the Corps, kills Sinestro and blows up the Central Battery and the Guardians. The details were up to me."

"I decided to have Hal kill Kilowog on camera, because I felt we needed to feel the loss of a more known character to make this thing have some weight. I decided that Ganthet would be the one Guardian to survive, since he'd had some previous exposure."

"I've never given much thought to what I would have done differently, because that wasn't a possibility at the time. As I said, though, more pages to tell the story would have been great. I had the most freedom to develop the new Green Lantern. DC just let me make up Kyle from scratch. The name, the look, the background, everything. I'm really thankful for as much leash as I had."

"I guess I saw Hal as a classic character who had turned into a dull character that not many readers cared about. Very often it's not the character itself, it's the portrayal. And once readers become bored with a portrayal, it's very hard to get them to come back. 'ET' certainly jump-started interest in GL, so from that viewpoint, it was a success."

"As to whether it was necessary, apparently sales were sliding enough that something drastic was needed. Having read what was originally written and drawn for issues #48-#50, I can say that those issues would not have stoked interest in the series, because those issues were more of the same. That's not a qualitative judgment. I'm just saying that the material wasn't exciting enough to attract new readers."

So there we have it. All the behind the scenes drama and info surrounding Emerald Twilight & the huge change to Hal Jordan as a character by DC Comics.

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greenleaf777 · 7 months

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Being relatively new to this fandom I just have to say that this Acotar fandom is unbelievable disrespectful to each other in term of ship wars. Where’d the etiquette go?. I see NONSTOP anti-shippers posting/reblogging/commenting/harassing on the ship posts they don’t agree with. On insta, tiktok, tumblr, twitter, etcetc. Also tagging ships that are not related to the post or tagging ships/characters you are making fun of is pretty low of you.

Am I the only one that has absolutely lost their patience with it. Just some examples cause it happens with ALL ships. Do not start discussing how elucien or gwynriel is better on a artists fanart of Elriel. If i was an artist trying to show my love for something and someone did that i would lose my shit on them. Or don’t post about how awful Nesta is on a nessian or nesta appreciation post. Or Don’t tell an azris(whatever eris and az ship is called not sure) that azriel and elain are true mates on their post. Why would you even do that in the first place?

If you see a post about a ship someone is celebrating that has nothing to do with your ship why are you pushing your ship or opinion on said ship on other people? WHY?

Mind your own business. Make your own post. Ship whatever you want. Pushing your ship on others is rude and won’t make them change their mind and will in fact make people angry and start fights. Thats the WHOLE POINT of tagging things and blocking tags too.

If you think i’m out of my mind thinking Elaine and Azriel will be endgame in the next book leave me to my delusions please. Thanks

Its also very hard to avoid ships/topics that can cause triggers when they are everywhere you look.

No matter how mean and rude you are about your ship SJM is still not going to write what you want and instead will write whatever she pleases, so just live in peace for gods sake. What will be will be.

If you think you should be able to start fights and be disrespectful let me know here so i can block you, thanks.

Also just curious what is the bryce and azriel ship called?

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equal-shipping · 17 days

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Kaishin Reveal and What It Means For You

Okay I need everyone to keep their shit together because I think this is being blown out of proportion. What follows is a quick rant about what the hell is going in the DCMK fandom and what is going on in fandom in general cause I don’t know why I’m seeing so many people lose their shit over something that was most likely going to happen followed by a quick lesson by a ‘fandom elder’ on how to ignore canon and make a ship your own.

Spoilers ahead and whatnot.

April 11th the DCMK 27 movie came out and information was revealed about how Kaito Kuroba and Shinichi Kudou are now cousins. Twitter lost its mind, Tumblr lost its mind, Discord servers are being created and now everyone is wondering what the hell should they do.

I’m going to be honest, if you are a creator for KaiShin, please don’t delete your work.

Either archive it or orphan it but please don’t delete it.

You put time and effort into this, into something you love, and just because the mangaka is so SO set in his ways of every single ship being friends to lovers does not mean you have to follow the same format. This doesn’t make you an incest shipper or whatever, it doesn’t make you a person who you don’t want to be, it’s just something that you had no idea of knowing was going to happen and I hope that you can look back at it fondly.

Anyways, for those enjoying Kaishin on the sidelines all I’m going to say is Pick a Lane.

Ignore Canon

If you are an old time shipper then this may not be new for you. I mean Gosho literally had another ship that turned out to be cousins like at this point it’s ‘who is my cousin’ being played in the entire Detective Conan manga. You either already guessed it, are an active incest shipper (hi, hello, tis a me) or you are used to your favourites dying. This situation is no fucking different.

Wolfwood is dead, in my head he is alive and well and treating his Plant husband right.

Sora is missing, not in my head where he is kissing Roxas and Riku and Kairi and whoever else wants to get at the sunshine of the KH universe.

Ben is dead, NOT IN MY REYLO FANFICTION.

If you are a person who actively kept up with the manga or actively kept up with the show it is possible to ignore canon because they do not suddenly go super deep into being cousins and knowing about each other. They both don’t know if they are cousins or else the jig would be up immediately and the manga would be finished. You CAN ignore canon and if Kaishin is a ship that brings you joy and just serotonin production I implore you guys to choose this lane if you still want to enjoy Kaishin.

It’s by far the healthiest option and teaches you how to curate your own fandom experience.

Alternate Universes and You

I was in the Hannibal fandom for a while and I clearly remember the ‘Hannibal is not a Cannibal’ tag on AO3. I thought it was hilarious but I would never dare to make fun of it because that is a prime example of CURATING YOUR FANDOM EXPERIENCE.

Here are some examples on how you can start tagging:

Not Cousins AU

Kaito and Shinichi aren’t family

No Family Relation AU

Pre Kaishin reveal

Or just make a quick blurb of how you mean this drawing/fic to be perceived. Again, this is your experience and you get to make the space you want to make. It’s up to you to make/interact with the content that makes you most comfortable. Again, if you want to delve into AU’s then that is up to you and I think it’s a pretty good lane for those who just feel weird about the whole reveal.

Stepping Away

Your moral values are your own, people, and I am in no position or even want to judge them. If you feel uncomfortable about this now, see your love for Kaishin diminishing because of the reveal or just don’t see yourself shipping Kaishin in the future then you are more than capable of measuring your response and stepping away from the ship entirely for your own health.

Is it going to be sad? Yes, but they are fictional and I recommend having an idea of what you have in your life outside of fandom that makes you happy that you can focus on as you go through this. College, work, whatever hobbies you may have taken up–hell put all your eggs into another ship that you know also brings you joy!

Do not let this dictate your day or your month or your year. This is just fandom, you don’t have to make a big statement unless asked about it, you do not have to justify your decision to anybody, curate.your.fandom.experience.

I’m going to end this with a repeat of what I just said.

This is all fictional. We are playing in a fictional sandbox where we can all make whatever we want in any capacity and as long as it is tagged correctly then nobody’s lines have to be crossed. If you just started enjoying Kaishin, find out how you still want to enjoy it or step away. If you have shipped Kaishin for a while, do the same fucking thing! The east side of the fandom is having a field day with the movie, why can’t the west have some fun too?!

I’m going to ship Kaishin (however all my reblogs will be moved to my other blog for incest-y stuff and just other content people may not vibe with in general) and hell I might just join the Kaishin Big Bang for the hell of it because I have been shipping this ship since I was 15 years old and I’m about to be 30 so….I’m staying fucking seated cause you aren’t getting me out of this chair, Aoyama, you aren’t getting me to ship Aoko with anyone other an Akako so suck on that.

Be safe, be smart and curate y’all.

#dcmk #kaishin #literally all I will say in the matter after this im going quiet again #curate your fandom experience people #BE SMART

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