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#umbrella birds
na-bird-of-the-day · 8 months
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BOTD: Bare-necked Umbrellabird
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Photo: Mike Melton
"Large black bird found inside forest, usually at middle levels. Reminiscent of a crow with a funky hairdo; unlike any other species in its range. Male’s bare red throat sac is usually visible, even when not inflated. Female lacks the throat sac and the puffy umbrella-like crest, but she is still distinctively large and all-black. Rare and local."
- eBird
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tessalation · 1 year
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The best trope is enemies to found family. This either works as “we all used to try and kill each other but now we fight for each other” or as “you were sent to assassinate my found family but we simply adopted you, and now you’re on a redemption arc like no one’s ever seen,” and they both mean so much to me
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rafallerart · 1 year
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Here’s a gift I painted for someone who loves to knit - a scarlet macaw sharing his colors with a white umbrella cockatoo.  This tiny (6 x 3 1/4 inches) watercolor and gouache painting is from the very beginning of 2021....feels like a million years ago lol. 
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findingmindely · 4 months
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Scary feather
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coraorvat · 2 years
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There are two modes for Harrier Du Bois~ bonus:
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nuzzle · 7 months
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baby bird cage umbrella (2023) BABYバードケージアンブレラ
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artfilmaesthetics · 10 months
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a collection of teenage bedrooms in film 💗💓
✧ Lady Bird (2017) dir. Greta Gerwig
✧ Jennifer’s Body (2009) dir. Karyn Kusama
✧ The Umbrellas of Cherbourg (1964) dir. Jacques Demy
✧ Edward Scissorhands (1990) dir. Tim Burton
✧ The Virgin Suicides (1999) dir. Sofia Coppola
✧ But I’m a Cheerleader (1999) dir. Jamie Babbit
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nikkodikko · 8 months
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Some very fancy ladies
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I'm studying victorian fashion for a commission and what better use for my knowledge than to draw the ineffable wives in 1820's attire
Regency fashion my beloved nothing beats a really high waisted dress and some puffy sleeves
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a-secretkey · 3 months
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cr8673.hiro
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talos-stims · 11 months
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source
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kyrieren · 12 days
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Umbrella vs. Rain: The Driving Forces of Saezuru (3)
Note: my analysis relies heavily on visual elements
III. Aiai gasa (相合傘) - Under the shield of love
"相合傘 - Aiai-gasa" is a combination of the word "相合 - Aiai" - doing something together, and the word "傘 - gasa" - umbrella. Literally, it refers to the act of two people sharing an umbrella. However, as the word "Ai" is homophonic with "愛 - Ai" - love, "Aiai-gasa" connotes a derivative meaning: Love Umbrella. In "Saezuru", empathy and love are the umbrella that shields characters from the rain (or I believe so).
Yashiro vs. Mother & Child
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The five panels on this page vividly embody the adage "A picture is worth a thousand words." Following Yashiro's forceful removal of Doumeki from the car, a profoundly expressive and iconic scene unfolds. The stark contrast presented is striking: Yashiro isolated in the car versus the Mother & Child duo outside, together under the rain. While Yashiro remains sheltered within the car, impervious from the rain, Mother & Child rely solely on an umbrella for protection. Yet side by side, the prowess of their bond shines through against the glooming backdrop. Their love acts as an impenetrable shield, leaving them unscathed. In stark contrast, Yashiro, who has just pushed away the person he loves and loves him back for mutual protection, finds himself alone. Despite the physical safety of the car, the rain metaphorically pierces through him in the darkness. It’s not the umbrella itself, it’s love that defends people against the rain. Yashiro has never had love before, but as soon as he has, he’s got no other choice than to let it go. That look in his eyes gives a mix of tragic resignation to his fate, the paradoxical coexistence of envy over and disdain for love, and the determination to give up love.
Fortunately, Doumeki refuses to give up on Yashiro, despite his cruel words. He quickly returns, bringing along an umbrella and water for medicine. His determination to stand by Yashiro's side and shield him is palpable. As soon as he enters, the car is brightened up and the rain retreats back to be outside of the car.
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In this scene, Doumeki's arrival with the umbrella not only shields Yashiro from the rain's darkness but also symbolizes his loving presence guarding Yashiro off from his turmoil.
Although Yashiro may not yet be brave enough to acknowledge or confront his feelings, his expression subtly transforms from a frown in the first panel to something softer in the last. This instant change reveals the other side of Yashiro genuinely doesn't protest Doumeki's return, hinting at a hidden vulnerability beneath his tough exterior."
2. Moratorium
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This cover is the scenery illustration of an extra where Yashiro has Doumeki run an errand to buy him an umbrella. For Yoneda sensei never half-asses anything, I'd like to take an approach regarding the characters' setting and the story's developments on this painting.
This marks the beginning of Yashiro and Doumeki's journey towards each other, as Doumeki endeavors to stand by Yashiro's side. Amidst the pouring rain, their bare heads stand out starkly in a sea of umbrellas, emphasizing the pain they both endure. In the bustling crowd, Yashiro remains motionless, a solitary figure amidst the chaos. The red light he is leaning against represents his childhood trauma and the yakuza world. Literally and metaphorically, Yashiro can't go even if he wants to. Yashiro's relaxed posture against the crimson glow signifies his reluctant acceptance of his date, a tragic resignation to his circumstances.
On the other side, Doumeki opts not to shield himself with the umbrella he carries and dashes to Yashiro with big strides. This bold act underscores Doumeki's unwavering commitment to protecting Yashiro, even at the cost of his own comfort and well-being. He willingly discards himself. That's why it doesn't end well.
3. Not yet Aiai gasa (相合傘)
When Doumeki returns, Yashiro's intuition clicks when he sees only one umbrella with him, but screws the idea of Aiai gasa right away by forsaking Doumeki drenched in the rain.
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The 7th and 8th panel summarizes Saezuru until the end of the Hirata's arc - Yashiro pushes him away through assault, while Doumeki endures it all to remain by Yashiro's side. Aiai saga is meant to be two people under the umbrella, not one. Ironically, despite their deep affection and fierce desire to protect each other, their relationship falters due to a lack of mutual commitment to being together. Another significant contributing factor is their profoundly low self-esteem: Yashiro, feeling undeserving, violently pushes Doumeki away to protect him, while Doumeki, undervaluing his worth, tolerates mistreatment and violence for Yashiro's sake. In this sense, they both push Doumeki away, unable to bridge their emotional barriers.
In the 9th panel, Yashiro blames Doumeki for his tardiness. While Doumeki is indeed late, it's evident that it's not his fault. His arrival into Yashiro's world comes after Yashiro has endured immense suffering alone for a long time, leading to a coping mechanism that rejects Doumeki's presence. However, Doumeki's entry into Yashiro's life marks the end of the Moratorium. Yashiro can now begin to move forward, although the process is slow and painful, signifying a gradual progression towards healing.
By all accounts, in their complicated case, love love alone is not sufficient. Acceptance, self-appreciation, and the mutual wish to be together are essential components for Aiai gasa to work for them.
4. Aiai gasa (相合傘) - Under the shield of love
I'll be positive saying that Yoneda sensei has hinted at their happy ending in this poster for the Rain event, or at the very least, a phase where they accompany each other out of love.
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This is Doumeki and Yashiro post-time-skip. The image of them under the umbrella signifies a mutual desire to be together at last. Doumeki holding the umbrella for Yashiro, who is already slightly damp from rain droplets, symbolizes Doumeki's belated but meaningful presence in Yashiro's tumultuous life. This time, Yashiro allows Doumeki to take care of him, indicating a shift in their dynamic. Doumeki's actions also suggest a growth in his self-esteem, from nothing to something.
Their interaction speaks volumes. Despite Yashiro's sulky expression and bombastic side eyes, Doumeki meets his gaze directly. This subtle interaction hints at their ongoing communication and mutual efforts to understand each other better.
Under the shield of love - Aiai gasa, they are navigating their complexities. Under the shield of love, anything is possible, I believe. The mutual understanding, if they successfully arrive, would not only empower them but also serve as a shield, safeguarding and freeing them from their birdcage.
Read the previous parts here:
Part 1:
Part 2:
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Love how the umbrellas fight Lila and finally realize there are others out there with powers like them like three hours before they go home and find six more superpowered people living in their house. Part of being a Hargreeves is getting Zero time to process shit.
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fleshdyke · 1 year
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what the fuck is this
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danskjavlarna · 2 months
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Source details and larger version.
From pet umbrellas to magical umbrellas to weird giant ones, here's my umbrellas gallery.
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pomsdoodlefort · 4 months
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I Will Always Love You -Umbrella Cokcatoo
This is actually the piece that sparked me wanting to redo a bunch of my redbubble. The old cockatoo *still* gets people buying t-shirts once in awhile and I just...
Look I love all of my old art because it was fun, I was proud of it at the time, and it is what got me here.
But I would be mortified if I saw someone with that art on a tshirt walking around. I can do better, let me do better for you. Lol.
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moony4pads · 1 year
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Tumblr ilysm
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@staff
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