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#but I may have just connected dots that aren’t there
ashironie · 2 months
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I don’t have a good feeling about Celia
I tried to post this earlier but it got deleted so fuck
But from so many standpoints she just irks me
-She has the same character archetype as Alice. Many have pointed out their similarities and while this by itself isn’t much (as is everything on this list) with everything else it makes me weirded out
-She just came out of the blue. We had no warning in the episodes before no build up. We were introduced to the concept she was coming and then she came with little fanfare.
-Her introduction to the rest of the cast is a lot different than Sam’s. A lot understated. Maybe Jonny and Alex just didn’t want to do the same thing again but it felt really rushed and weird.
-I cannot see how she can possibly contribute to the plot in any meaningful way if she is just another victim coworker. She was introduced too late to have her death feel like anything but fridging (when you make a character just to kill them for momentary character drama), once again she shares a character archetype with Alice so the only thing that they could give Celia could be given to Alice perfectly fine, and she once again feels forced
-Celia was also too comfortable too quick for me. She just instantly trusted none of her coworkers would report her for talking shit about their boss. She seemed too genuine about everything even though she was in a completely new environment. And she was just so laid back with everything, like sure she might not know the full scale of things but she seems like she’s been their for as long as anyone can remember (something that might be due to the fact I associate this trait with Alice who has been there a long time)
-idk if I’m reaching or going crazy with this one but Alice seemed off. She moreso just said “I’m Alice” and and Aliced all over the place. But as soon as Celia left she said ‘yeah’ sorta suspiciously? Maybe I’m crazy. Then she’s back to herself replying to Gwen, who we can assume is only less interested in what Celia has to say due to the situation she’s found herself in during ep 4 was it? with Lena. The only time we really get to know her thoughts about Celia when she isn’t in front of her is when she’s bugging Sam about his crush on her, and also literally all conversation she has with Celia she also has with Sam and shifts the conversation (aside from just meeting Celia) to Sam (imo). The only time we get her opinions on Celia away from other characters is the little ‘yeah’.
-We don’t see Colin’s reaction to Celia either, which would mark the third episode in a row where Colin is only mentioned (to my knowledge). Though we don’t have any mention that he’s been hostile to her. The only characters that truly talk to her and that we can see their reactions to her are Alice and Sam. One who I’m convinced is suspicious of her and the other who’s ’in love’ with her (I was completely caught off guard by this due to not even thinking about any of that in the very beginnings of a horror podcast, I’m autistic and demiromantic, and because I was half listening the first time I listened. I sense it more but it still feels like a stretch to me before Alice mentions it though makes a lot of sense due to Sam’s reaction to her mentioning it)
-I feel like I’d be amiss to not mention the fact this is the episode we truly have an Avatar in it. Needles is the first avatar we tma enjoyers know as an avatar (in Norris’s statement in ep1 we have the maybe scammer but it’s unclear weather that’s an Avatar, someone being possessed, or something else entirely). Thematically, this would be a great way to establish a connection with Avatar and Celia. She was introduced exactly when Avatars were. Also the episode name could also be a reference to the fact we are having our “introductions” to Avatars thought this episode, but that’s unrelated.
-People has also pointed out Celia is in Tma, same name and same voice actress (so no Michael situation or helen and Mel’s therapist situation [I think I remember them having the same voice actress and that being a problem] here). Although I don’t know what the could mean but that’s actually the reason I decided to rewrite this mini-notsomini-rant.
I could be wrong about all of this and am prepared to be wrong but still, needed to get this out there.
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90ekz · 4 months
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do you think you could write hcs of jean with a softspoken gf? nobody writes for him fr it’s so sad
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an! i love jean and this concept anon ! im a soft spoken girl myself so this really hits home 🥹 i hope you enjoy!!
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jean as your boyfriend <3
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SFW
when you two first started dated, jean was convinced that he hit the lottery. you were everything he ever wanted and he loved a girl that kept to herself.
jean sometimes takes you to wing houses & burger joints and watches with a huge smile as you try to order your food against the chaos of the other people conversing around you. you weren’t the biggest fan of having to yell in public, but you tried your best, and his heart melts everytime.
when you first met him at connie’s house warming party, you bumped into him, spilling the contents of your cup onto his white button up. jean had turned beet red as you stood on your tippy toes to whisper a hurried apology into his ear over the sound of the blaring music, while rushing to go get paper towels.
his favorite thing about you is how attentively you listen. it doesn’t matter what he’s talking about, you’ll be making eye contact and nodding along to whatever he has to say.
gets irritated with you during arguments, because you well… don’t engage. he could be giving a verbal, ten page, double spaced paper about how irritated he is with you, and you’ll just look at him like you’re bored.
“all i’m saying is that you don’t have to get aggressive with me over this. yes, i was at armin’s late and didn’t say anything, but i’ll tell you next time, okay? i’m sorry.” “okay.” “i said sorry, damn! stop yelling!”
you aren’t the biggest fan of confrontation, but he is. connect the dots yourself.
“SHE SAID NO GODDAMN TOMATO!” “it’s fine, i can just take them off—“ “not now, baby. gimme a sec, okay? anyway, FIX HER FUCKING BURGER!”
the two of you communicate so silently that it freaks your friends the hell out. when you want to go home, when you’re tired, when he’s needy, when he’s irritated? easy, simple eye contact will send you or him springing into action to fix the problem.
you may be quiet, but you love to laugh. jean doesn’t think he can think of anything more angelic-sounding than the sound of your genuine laughter, only for him.
jean had to learn how to be more tender when doing daily tasks. he was so used to slamming doors and stomping up stairs that he didn’t remember to adjust that behavior when you moved in.
(the first week you moved in, he’d thrown open the door to your bedroom and felt his chest squeeze as you almost tumbled out of your desk chair. now he puts three gentle taps on every door when he needs to come in.)
physical touch fanatic. end of discussion.
NSFW
lemme tell you, this man takes it to heart when you try to hold in your moans. you’re a little embarrassed with how loud you get, but nothing turns jean on more.
“nuh uh, lemme hear you—need to hear how good i’m making you feel, princess..”
during your first time together, he’d almost cum in his pants at the mere sound of your loud groans bouncing off the walls.
loves when you pull his hair more than anything. he takes it as a sign to go harder, fuck you deeper, and he obliges everytime. his cock throbs harder each time you run your fingers through his loose curls.
about 5.7 inches roughly, but thick. his cock flares as it goes downward; the head being the slimmest part. giving him head is fun, you think.
jean has this weird little fixation with your neck. it doesn’t matter what position he has you in, he’ll have a hand—or his mouth—running across the skin of your throat. backshots? he’s got a hand pressing against your nape to keep you in place. missionary? he’s massaging his thumb over your throat so tenderly that it should be illegal. cowgirl? he’s squeezing the sides of your neck while whispering about how good of a girl you’re being for him. he’s pretty damn weird.
his favorite thing to do is eat you out. you deny it, but your voice shoots up a whole octave when he massages your gspot with his two fingers of choice as he suckles on your swollen clit.
utterly surprised at how much you talk during sex. it almost embarrasses him how much you beg, scream, and whine for him. a mixture of ‘please’s’ and ‘fuck’s being infused in his head for eternity.
“oouu—shit, you’re so fucking loud…”
presses down on your stomach to feel where he is so he can try and go deeper… yeah.
tries to fuck your throat hoarse just to hear your raspy voice for a few hours. you’re such a trooper, just sitting there and taking it for him, even if he laughs at you after.
“babe, i’m so sorry—hahaha!” “this isn’t funny, i sound like t-pain!” “I LIKE THE BARRRTENDERRR—ouch, im sorry, i said i’m sorry!”
aftercare god. he’ll spend hours taking care of you, washing your back in the tub, greasing your scalp, making you tea and cookies, the whole nine. this man loves you deep.
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magic-hcs · 7 months
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So here's a scenario.
S/O is a confident, kind and relaxed person who seems like they can do everything perfectly . But one day the skeleton found out S/O were talking on the phone, responding with only "yes, yes... I know, I'm sorry I'm not good enough ...yes..." while tears falling quietly. Turn out it was S/O's family, always think S/O are not good enough and tell S/O as such, didn't care they hurt S/O's feelings. This is why S/O do everything perfectly, to reach up their family's expectations, and they gain confidence from it, but still feel they are trash when be told it's not good enough by family.
How would Sans, Red, Bear and Syrup react to this situation?
Thank you so much for being so patient with me! I’ve found that I struggled way too much with this for a while, however I don’t give up quickly. I hope it was worth the wait!
Red: UF Sans
Bear: HT Sans
Syrup: US Papyrus
Time to cast some magic and see what we’ll get!✨
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✨✨
Sans: When Sans found out what your parents were like, Sans was speechless. It pains him, knowing that your family treats you like that. He could never phantom being anything but supportive towards his younger brother and Papyrus doing the same for him.
It’s not his business to meddle into your family affairs, so he won’t try to intervene or scold your parents: what good would that do? He could make it worse. No, Sans has a different idea. What kind of idea? Well, he regularly invites you to Paps and his family day/nights. Letting you join and experience this side of what family is; supportive, encouraging, and kicking butts into gear when someone’s being lazy in a caring way.
If your parents bring you down, the skelebrothers will bring you up. Showing that no, you are good enough, that you can do it, that you aren’t alone and that there’s someone standing behind you. That there is someone out there who really cares about you.
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Red: Red has always admired how you are so confident and how you work so hard. At first he just thought you did that for yourself. Red thought that sometimes you had insecurity spells that would hit you at random times which would leave you timid and a yay-sayer for a few days before returning to your old self. But then he found out what was really going on. And suddenly Red really wanted to have a little chat with your family.
How had he found out, you may be wondering. It was by pure coincidence really, Red had fallen asleep on the couch and you were calling with your parents. Red can be a light sleeper sometimes, and it so happened that it was that kind of day. Waking up to your voice, Red listened drowsily.
“Yes, I’m not good enough…”
That woke him right up. And as he continued to listen to the one sided conversation, Red didn’t need to know what your parents said to connect the dots. Oh, yes, Red was pissed. You won’t be wrong to believe that Red shortcuts next to you to snatch your phone from your hand. His words are an intimidating growl that sends shivers down even your spine despite it not being directed at you.
“sew ya fuckin’ bullshit mouth shut.” He barked, and when your parents tried to speak up again Red continued, “get lost and fuckin’ die in a ditch!” Promptly hanging up afterwards, not even waiting for a reply. Not the best choice of words to get your parents to understand how wrong they are about you and the way they treat you. But Red was too angry to really care. No one treats his mate like this, not even the parents.
Red isn’t that good at comfort, however, that doesn’t mean he’s not there for you to aggressively support you in his own way.
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Bear: If Bear had feathers, they would be ruffled right now. Bear pretty much shares Red’s sentiment: No one treats his mate like that, not even your parents.
But unlike Red, Bear isn’t one for verbal threats. When he knows you’re talking on the phone to your parents and they talk horseshit Bear will just grab the phone out of your hand - rather gently despite his anger, I might add - and quietly listens to your parents discouraging spiel for a moment. Letting them think they’re still talking to you until they realize that the loud, menacing sound of breathing on the other end of the phone isn’t you.
And when they let it show that they know it isn’t you, Bear hangs up the phone.
(For the longest time Bear didn’t speak back because he would get too angry to form words. And without noticing his breathing would get heavier and louder the longer your parents talked, also because he got angrier by the second. Now he just does it to mess with them.)
The first time this happened, your parents realized it very late. “Did you understand a thing I said?” They had huffed when you didn’t answer their rant with a timid, pliant reply. Heavy breathing was the only thing picked up by the phone. Lucky them or they had heard the grinding of Bear’s teeth as well. Your parents had called your name, unsure, and Bear only replied with his raging breaths. That’s when they knew they weren’t speaking to you anymore.
“You…You-Who are you?”
Your parents felt like they were in a horror movie, it was obvious by the hitch in their breath, by the slight quiver in their tone. It was the first time after leaving the underground and having gone through therapy that Bear felt so much satisfaction by their fear. He relished the feeling. He hung up afterwards.
Your parents have gotten quicker with realizing when it’s Bear who’s on the other end of the phone. And if you try to take back the phone, Bear won’t let you. For his slow, slurred speech and delayed ability to process things, Bear is surprisingly swift and has amazing reflexes. Whenever your parents have called, expect to be coddled and worshipped by Bear the entire day afterwards. Practically pressing you inside his ribcage if he could with his insistence on cuddles.
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Syrup: Syrup wants you to cut contact with your parents. Not that he says that out loud for you to hear of course. But he still thinks you should. He hasn’t even properly met your parents yet, yet he already doesn’t like them at all. Holds a grudge against them from the first moment Syrup overheard you talking to them on the phone.
Oh, how he just wanted to grab the device, check the number (to find blackmail on them for reasons, he wasn’t a tech person for nothing) and block it. But he didn’t. Yet.
What Syrup does do is side-eying the phone whenever they call you. Trying to listen along and interrupt them loudly when they’re about to say something mean about you. Or try to get you to hang up early by making up all kinds of excuses: Sky needs help with something, Syrup can’t find something, you have to see this, you were supposed to hang out with him today, etc.
There was one day where you were really in a bad headspace when they had called. Syrup had seen red that day. He snatched the phone out your hands and growled at the phone. “fuck off. if you can’t see what a wonderful person your child is, then-then maybe you shouldn't have become parents in the first place.” And hung up just like that, without waiting for a response. His face had been flushed orange from anger and his shoulders tense.
Expect lots of snuggles and sweet, funny memes from Syrup whenever you’re down in the dumps thanks to your parents.
✨✨
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Thank you for participating in this spell, I hope it was to your satisfaction.
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meraki-sunset · 5 months
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i have a question about hiveswap as im just getting into it, considering that the events of hiveswap and hauntswitch both take place in the late 1900s, whats the point exactly?
we already know whats going to happen and that all of the characters are doomed fail on their goals and then die no matter the outcome. the caste system is never abolished, HIC stays in power, both earth and Alterna get destroyed, and doc scratch continues his plan without a hitch
none of it seems to really matter or serve any purpose other than worldbuilding for 2 already doomed worlds (3 if you count the cherub portal implying a lost society of cherubs)
Well, it is. It is worldbuilding, that’s what precuels are. They add extra context to events you already know will happen, they add to how they happened, how we got there. That doesn’t make them pointless.
It may seem irrelevant at first glance, but Hiveswap actually has a very important role.
It sets the stage for the arrival of the players on both Alternia and Earth-A
The events of Hiveswap are happening with an equivalent distance in years between both Alternia and earth
Which means the Beta children are about to arrive in their meteors (1995 - 1996) a little after the time when Joey and Jude are having this adventure (1994), which means the Alpha trolls will get to Alternia soon too.
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Both timelines are mirrored in time, they both have the same exact amount of time before the end.
We know the Beta kids hadn’t arrived yet to earth during Hiveswap because it’s 1994, and that the Alpha trolls hadn’t arrived either because Trizza is the heiress, and there can only be one at a time, so Feferi isn't there yet.
This series of events are necessary for Doc scratch’s plan, otherwise he wouldn’t have intervened, giving Xefros a surveillance free communication channel, so Joey and him aren’t detected by the authorities.
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He needs them under the radar so they can (while trying to send Joey back home) connect people with each other, cause necessary problems, kick start important events.
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All which will set the stage for the 12 troll player’s arrival.
What do I think it’s the most important event Doc Scratch needs Joey and Xefros to make happen?
Trizza has to die. There can only be one heiress at a time, and if Feferi is about to arrive, then Trizza has to go.
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The events of Hiveswap/HauntSwitch will cause the death of the heiress, either fighting against the Condesce, at the hands of the revolted trolls Joey and Xefros will influence, crushed to death by Feferi’s own meteor, who knows. But if this is the "equivalent to 1994 on Alternia" and all that is happening it’s really happening as a mirrored version of Earth’s timeline, then the 12 trolls should be to arriving at different dates during the following year. Which means she doesn’t have much time left, as we know Feferi was the only heiress on Alternia during Homestuck. And we’re 13 years away from the end of the world. It needs to happen now.
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It's the same tactic Doc used with Rose, Vriska and Terezi
The only reason he ever “helps” anybody it's because he needs them to make things happen.
He needs Joey and Xefros alive, he needs the rebellion to go through (even if it fails, it'll fail in a way that it's usefull for him), he needs Trizza gone so Feferi can come to Alternia and so the final stage of this plan of millions of years connecting dots and manipulating people to create a hostile planet for the new players to grow stronger that their predecessors, can begin. The rise of the new players.
I personaly think Tyzias might be the one to intercept Karkat or at least be involved in it.
It could be her, Joey or maybe someone else, but whoever intercepts him will have to know about the signless and according to Tyzias’s password (69) she already knows about him and she knows his symbol, and seems to be a follower in the down low. Tyzias also must knows how the singless promised that there would be another troll like him, and according to Doc scratch's explanation:
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The followers of the summoner decreased enormously, but the Doc said himself that there were still some of them hidden and I think he was talking about Tyzias and her alies.
Sometimes we forget that there was intervention from the suferer's followers to ensure Karkat's survival
That’s why he has the sufferer’s symbol, someone who knew it gave it to him. And we know Tyzias knows.
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The ectobiologist and team leader also seems to always be the last one to turn 13, (as well as the last to wake up as their dream self) so Karkat should be the last one to arrive, ending that chain of events.
Of course this all means that, by the time the end of the world happens, and asuming they’re all still alive, all Hiveswap trolls would be adults carrying duties off planet and would die the day of the apocalypse during the Vast Glub along with all troll Civilization.
The same would happen to Joey and Jude, assuming Joey is successful and returns to Earth. They would die on the 13th of April 2009 with the rest of humanity, not knowing they had a part in it or that their lost brother was the detonator of the end of the world.
It’s tragic in the end, but it’s necessary. Someone has to play that role.
They are the stagehands who prepared the stage for the first act of the play they were never meant to see.
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And who knows, it may not be the end of them, maybe we’re too quick to assume they didn’t get saved somehow. By some random paradoxical event or deus ex machine that teleported them away from danger. We’ll have to wait and see how it plays out.
It's been a while since i wrote an analysis, i really missed that ^u^
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ruggiezz · 6 months
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— PLEASE, DATE MY BROTHER : twisted wonderland
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[synopsis] ortho decides to do something about idia's crush on you, taking the role of matchmaker
[extra] ortho reminds me of a minecraft torch. apparently, there’s one called soul torch that's blue? i haven’t played in a while. ALSO, I STILL HAVEN’T FINISHED BOOK 6 HELP ME I CAN’T DO THIS ANYMORE
-`♡´- What do you mean Idia's social anxiety, awkwardness, and his extensive knowledge of internet slang haven't captivated you yet?Come on, give Idia a chance, please.
-`♡´- Maybe it's the fact he's a robot and he can catch onto things faster than regular humans, but there can be no way you haven't connected the dots yet. Idia invites you to play video games and watch some new anime episodes in his room after classes. He's always talking about you, his hair turning slightly pink when you compliment him for anything he did, and he pays attention to every single word that comes out of your mouth. How hasn't anyone but Ortho noticed that Idia clearly likes you? He's starting to wonder if humans can be that dense or if it’s just you (not to be mean). Ortho isn't taking any of it. If his brother won't do anything to get closer to you romantically, he may as well do it himself in his stead.
-`♡´- Something about Ortho is that he's stubborn. When he decides to do something, he's motivated to do anything to achieve it. The Shroud brothers care deeply about each other; they would do anything for the other to be happy, which means Ortho won't give up. The idea of having you as part of the family makes it worth it. He can already imagine the future you and his brother could have together. Can he be something like a flower girl at your wedding? He hopes he can. But for now, he will have to focus on making you like his brother back first.
-`♡´- His first method is simple. It’s better to start with something small; that’s what his intensive research said. He starts mentioning Idia in every conversation where you're involved: talking about what he did the other day, about something funny he did, complimenting him, and flaunting all of Idia's new works. Ortho can finally use one of the 1,000 random features Idia implemented (Idia himself gets surprised when Ortho uses one because he had forgotten they were even there).
"Oh this? Big brother implemented this cool feature yesterday. My hair can now turn different colors and play music at the same time. Look, it´s like a disco ball!" And then his hair starts switching colors and playing music from Idia’s very specific music taste. He looks like that one disco tree in the Lorax movie.
This method was working, but then something happened. More specifically, Ace and Grim happened. They both got tired of this happening for a week non-stop and told him to talk about something else that wasn't his brother, which didn’t make Ortho very happy. They both went back and forth over the topic, with Ortho defending Idia and Ace getting annoyed over it. It only stopped when Crewel scolded them for talking in class.
-`♡´- Since the first one didn’t work, he had to change plans. The second method was to drag you to Ignihyde to play some games with him in his room. And surprise, Idia is there. Wow, who would have thought? He didn't invite him; he was just there. He CLEARLY didn’t know he would be there. Then final exams season started, and you had to stop coming by so you could study. Also, Idia was starting to get suspicious over what his little brother was up to and how you were always there when he got out of his room.
-`♡´- His last resort was to make the both of you have a date. A date that you both didn’t know was supposed to be a date. Asking you both to hang out with the excuse of wanting to see this new movie that came out, only for him to leave the second the two of you aren’t watching him. He’s so proud of himself too, ignoring your calls as you try to ask him where he is. He leaves you both to have quality time and talk about whatever you guys want.
-`♡´- Now that he has tried all he could do and everything that popped up in his mind, Ortho will ask you to meet him somewhere, where he will ask you how you feel about Idia. He says he will keep it a secret, and he will, but please tell him already; he’s dying to know.
If you do like Idia back, Ortho will cheer and congratulate himself silently for doing such a good job. He’s so happy all his efforts worked, and you and his brother can finally be together! He will even throw confetti (another random feature Idia doesn’t remember implementing) and rub his victory in the face of all the first years, especially Ace and Grim.
Now, if you don't like Idia back, Ortho will short-circuit. It's even worse if you already like someone else, because that makes it harder for him to change your mind. It's not like he will resent you if you don't like his older brother; you’re still his best friend and he's happy for you, but he will mourn for at least a year the fact you could have been part of his family. At the end, he understands you can't force love and that you have the right to be with whoever you want to be, so he will drop it.
Maybe the real ‘you dating Idia’ was the friends he made along the way? Or at least that's what Ortho is going to tell himself while trying to figure out how to make Idia’s heartbreak not hurt that much. Curiosity did kill the cat, huh?
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pumpkinpaix · 10 months
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Regarding #EndOTWRacism’s summaries of 2023 OTW Board election candidate positions
Before I begin, let me say now that while I am a volunteer with the OTW, my views are personal and should not be taken as any kind of official statement from the org, its leadership, or other volunteers, especially not the candidates in question. My focus here is on the Asian candidates for obvious reasons, but this post is not meant as endorsement or disavowal of any of the candidates, whose bios and platforms can all be read here.
Do not take this as an excuse harass the mods running EOTWR. I cannot make myself clearer.
--
I am making this post to express my extreme disappointment with End OTW Racism’s post purporting to summarize the platforms of the candidates for the upcoming Board elections. It is no longer rebloggable, but can be read here.
The way that the candidates with Asian names were spoken of is deeply insulting when compared with how candidates with English-language names were discussed. Asian candidates had their platforms misrepresented, their expertise downplayed, and their lived experiences reduced down to “bringing an international presence” to the board, which was then further caveated with, “diversity alone is not going to solve the issue of racist harassment currently allowed in the OTW’s policies and enforcement practice”. While it is true that diversity alone is not a solution, it’s pretty offensive to essentially have “remember! Just because they aren’t white doesn’t mean you should vote for them!” tacked on to one of the Asian candidates’ platforms. 
End OTW Racism seems more concerned with whether or not candidates used the buzzwords they wanted to hear rather than with how racism is discussed holistically within the statements. While I can appreciate that EOTWR has a specific agenda, to say things like, “[s]he does not mention racism, racist harassment, or hiring a DEI consultant in her platform, so outside the outreach and support she mentions, there is not enough for us to conclude that these would be priorities for her” regarding Zixin Z.’s position, directly following the statement, “[s]he also mentions the need for outreach towards non-English-speaking fans and has a desire to provide support to volunteers from minority groups” is fucking laughable, especially after the initial mistake of stating that Zixin Z. only wanted to do more outreach to Chinese-speaking fans. Again, I understand that people make mistakes and that this mistake has since been corrected, but I hope it prompts some reflection on the sort of biases that would lead to such a mistake in the first place. It may have been completely innocuous, but in charged discussions about racism, please understand that it gives an impression that is difficult to shake. I do thank you for not trying to hide that this happened. 
Why is Anh P.’s lack of discussion on TOS/PAC a point against her, while Zixin Z.’s years of experience on PAC, her role as a mod on Weibo, and her background in nonprofits don’t even warrant a mention? For that matter, why did none of the Asian candidates’ skills or experience warrant mention? Qiao C. and Zixin Z. have both been volunteers with the organization for several years now, and Anh P. has years of moderation and volunteer experience elsewhere prior to her work with the OTW.
It is so fucking frustrating that despite each one of these candidates specifically talking about the need for diverse voices, they had their platforms essentially passed over because they didn’t use the right words, and it is particularly fucking aggravating to see that EOTWR will use Chinese issues as props when trying to press OTW leadership on the racism that occurs within the org, but then completely fail to connect the dots on why these candidates are running because the wrong language was used. Zixin Z. is one of the Weibo mods, for fuck’s sake. 
The entire post feels like an exercise in virtue signalling, from every time it was brought up that a candidate did not provide pronouns in their platform statements, despite every one of them having pronouns provided in their bios (why mention this detail at all? You could have simply used the pronouns), to what felt like willful obliviousness to the anti-racism stances in the Asian candidates’ platforms. It feels like the concern starts and ends with racism in Anglophone terms, on Anglophone terms.
I can respect the driving ideas behind EOTWR, even if I disagree with the way that EOTWR pursues their goals. I do believe that we want the same things in the end, and therefore chose not to interact with the many posts I have seen about the protest. However, I saw the summary post and could not let it pass without speaking.
For a protest group supposedly dedicated to ending racism in the OTW, this felt incredibly hypocritical, conscious bias or not. In my most charitable frame of mind, I can see this as misjudging and overcorrecting to ensure that there was no favoritism shown to the obvious non-white candidates lest EOTWR be accused of tokenizing– again, it is true, that diversity in and of itself is not a solution to racism. 
In my least charitable and most bitter frame of mind, I feel inclined to wonder if EOTWR, much like the OTW itself, is uncomfortable with the lack of influence they could exude over an international candidate. It would be much, much easier to push their agenda forward with more culturally familiar candidates, particularly white ones. Guilt and public scrutiny are powerful weapons and easy to wield against those with perceived privilege in our current atmosphere, often to the detriment of the actual discussion at hand in my experience. I know that’s cynical. It’s hard not to be. (For clarity's sake: I do not know the other candidates' races. This is a hypothetical.)
This isn’t a demand for an apology. I think we fetishize the capital-A Apology to the point where I find them sort of meaningless unless they are given freely. I don’t need EOTWR to agree with me, and I don’t really want to keep talking about it. Rather, I would prefer that EOTWR take action to do better as they continue in their campaign. What that action is is their decision. If they truly mean to stand against racism in the OTW, then I’d like them to demonstrate it.
--
DO NOT HARASS EOTWR MODS. I AM FUCKING SERIOUS ABOUT THIS.
629 notes · View notes
ficnation · 3 months
Text
Chapter 5: Bait
Series: “Eat Your Heart Out” Pairing: Hannibal Lecter x Female! Reader x Will Graham Word count: 4,0k+ Warnings: canon-typical warnings A/n: It's been eighty-four years... (unedited)
Main Masterlist || Hannibal Masterlist
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The silence in the room is deafening as you stare at Jack Crawford with wide eyes. The tea you just made would already be nothing more than a puddle on the wooden floor if it wasn’t for Will, who took it from your hands when they began to shake. He doesn’t even blink when a few drops spill out over his fingers and burn his skin.
“You can’t be serious,” you mumble in disbelief, your gaze shifting to Will, who stands steadfast by your side, unmoving. He casts a glance between you and Jack, once, then twice, grappling with the weight of his allegiance. It doesn’t require a genius to connect the dots. “Did you know about this, Will?” Your voice carries a tone of betrayal, leaving Will feeling like Brutus to your Julius Caesar—as though he just plunged a metaphorical dagger into your back.
Jack Crawford stares at you long and hard, and a little guilty. “You’re our best chance.”
“You want me to be the bait.” You cross your arms over your chest and take a step back, furiously shaking your head. “I’m not— I won’t do that,” you protest.
Even if you never expected anything less from Jack Crawford, the feeling of treachery is almost crushing. Will takes a step towards you, and then another. He approaches you cautiously, with his hands extended in a calming gesture, almost as if he were approaching a scared animal ready to bolt any minute now. You’d consider it a pretty funny sight if the situation were any different, but right now, you might just be a skittish doe surrounded by wolves.
When he places a hand on your back, his touch lacks the usual reassurance it once held. Despite any grievances you may have harbored against him, he was always your sanctuary. Yet today, that sanctuary feels distant. You gently shrug his hand off and take a step back. The pain in Will’s eyes is palpable—a deep, sorrowful abyss that mirrors your own heartache.
“I wouldn’t suggest it if I didn’t think it was the right thing to do,” Will says in response. “You’re the best shot we’ve got.”
“What makes you even think that Hannibal Lecter will pursue me? I find it hard to believe.”
“You’re still alive, aren’t you?” Jack raises a brow, his tone tinged with a hint of sarcasm that makes you itch to punch him square in the face. Sure, you’re breathing, but your sister lies six feet under the very ground you’re walking on. “I’ve seen how he looks at you.”
You’ve felt it too—the lingering gazes trailing you as you tread the corridors of the BAU’s headquarters, the enigmatic curve of his lips as you cross his path. It’s a sensation that crawls beneath your skin, a disconcerting dance of shadows in the depths of your soul. What strange game is he playing with you? 
Will’s face contorts into an indescribable grimace when he hears those words spoken aloud, as if each syllable is a sharp knife twisting deeper into his already troubled conscience. 
“I’m not going to throw you into the lion’s mouth and just sit back and watch,” Will says after a few seconds of silence. “He’s intrigued by you, just as much as he’s intrigued by me. I don’t think he’d hurt you.”
Jack seems satisfied with that. He knows that if Will is on board, it won’t take much persuasion to get you there too. He genuinely believes that you can help them. Yet, you surprise him once again, and he wonders who snuffed out your will to fight to make the world a better place.
“Do you even hear yourself, Will? I very much like being alive. I won’t do this, and that’s my final answer,” you huff out, stepping away from him, even though it hurts—burns your soul.
Will can’t bring himself to be upset with you because your reaction is completely understandable. Your sister—your flesh and blood—has been taken from you, and you’re just exhausted. You don’t have the energy to risk fighting a man like Hannibal, and he understands that better than anyone else ever could.
“I’m only asking for your help, not your life,” Jack says. Deep down, he knows he’s not winning this if Will doesn’t, and one glance at the green-eyed man confirms they’re at an impasse. So, he steps back, granting you the much-needed space. “Take some time to think about it.”
“No, thank you. I won’t be thinking about it,” you assert firmly, your resolve unyielding.
Jack sighs and shakes his head, almost in awe of your stubbornness, but surprisingly not in a condescending way. “Suit yourself,” he says before turning around and walking out of the kitchen.
Will makes sure that Jack is out of the room and out of hearing distance before he sets the mug on the counter and lets his frustration come out. He lets out a long sigh, moving close to you once again. You can see that all he wants is to kiss you, to drown you in his touch the way only he can—but he’s holding himself back, and you know it’s not easy. 
“I didn’t want this,” Will’s words are sharp, his voice tinged with bitterness. “I don’t want any of this, but I do know that Hannibal needs to be taken down,” he adds, his gaze hardening with determination.
You don’t answer, and you can see that Will is disappointed by your response, or rather the lack of one. His disappointment doesn’t hurt as much as it should, and that realization pains you even more. While your brain insists it’s for the greater good to apprehend Hannibal, you can’t ignore the persistent voice whispering in your ear, urging you to prioritize yourself above all.
If you let yourself accept this, if you become the bait that Jack wants you to be, it’s as if you’re letting yourself go once again. Everything you’ve buried in the darkest cranny of your mind will come back to haunt you. And you can’t go through it all again. You can’t.
Will takes your hand, and you can feel his body shaking slightly, his breath quickening. He’s nervous, but there’s something else at play here, and it’s hard for you to discern exactly what it is. His hand tightens around yours until all your fingers are securely in his grasp, and he doesn’t let go. It’s as if he’s trying to communicate something by the intensity of his grip, as if his emotions can no longer be contained by mere words. And when he finally speaks, his voice is so soft that you can barely hear him even in the silent room.
“Can I ask you a question?” Will’s voice is tentative, his grip tightening on your hand.
“You ask a lot of them lately,” you say lightheartedly.
He chuckles at your jab, his hand still intertwined with yours. “I’m serious,” he mumbles, his tone becoming earnest. “Would you trust me... enough to believe that Hannibal won’t harm you? I will protect you from him. I swear on my life.”
Will holds your gaze, and your mind turns blank—his question leaves you mute. It’s been a long time since you’ve trusted someone so much. He’s so important to you that it hurts more than you would like to admit. This isn’t the Will Graham from just a few minutes ago—loyal to Jack’s dictations and ideas. This is Will Graham—your love, your best friend. And right now, you’d trust him with your life.
“I will do it,” you mumble out, chewing nervously on your bottom lip. You look him straight in the eyes and repeat it a little louder. “I will do my best.”
Will lets out a breath he didn’t even know he was holding, and he pulls you close to him once more so that your lips almost touch his jaw—almost. His fingers travel through your hair, and his other hand grips at the back of your sweater. There’s nothing more intimate than this—the quiet understanding between you two. You wouldn’t want it any other way.
“Thank you,” his voice is a murmur—a promise, a secret shared, something intimate amidst all of this madness.
“I’m not doing it for Crawford or anyone else. I’m doing it for you, for my sister…”
“I know, love,” Will mumbles, his voice still as soft as ever. “I know.”
Silence sets in, with only the sound of you and Will breathing—in tandem with each other. It’s like a peaceful moment in between the chaos, where a thousand thoughts are all trying to fight for space in your head, but your focus is right here, right now, and it’s only you two.
The world doesn’t feel quite so dark when you’re here—when you’re with Will.
That night Will tells you to wear something nice and elegant, not too revealing. You don’t question him, changing into one of the few dresses you have in your suitcases. It’s pine green, the satin fabric fits almost like a second skin. There’s something about wearing this dress that makes you feel like you’re ready to take on whatever comes your way.
There’s also something about it that makes you excited to see Will’s face when he lays eyes on you. You know that he’ll love it and just a few minutes later his expression proves you were right.
“You look... ravishing,” Will whispers, his eyes locked on you. You can tell that he’s speechless by the way he blinks, almost too surprised by your appearance. 
“You don’t think it’s too much?” you mumble, feeling slightly embarrassed by how much you anticipated his reaction. 
“It’s perfect,” he tells you, and you take a deep breath and walk across the room to kiss his lips. You take it slow and give a little bite at the end—just to see his reaction.
“You’re doing that on purpose, aren’t you?” Will mumbles, his voice already a little lower than before. He can feel your lips sliding away, as if they’re a temptation that’s almost impossible to resist. The kiss was short, but Will knows he enjoyed it more than a little bit. 
“I might just do it again,” you warn him, and you move close to his ear to whisper some words that make your body shiver and his skin break out in goosebumps. “We need to finish that dinner fast. I don’t know if I’ll be able to sit next to you and keep my hands to myself.”
Will swallows hard, his heart beating quicker, as he looks down at you. Your words are enough to render him speechless. He can’t find his voice to reply. It’d be too easy to pull you into his mind and act on both of your instincts. The mere thought of it makes him so nervous, so hungry, and so eager. When he finally speaks, it’s in a low, desperate tone that sounds far away. 
“You make my blood boil.”
Standing in front of Hannibal Lecter’s house, flanked by Will and Jack, feels like the most daunting task you’ve ever faced. The weight of impending decisions hangs heavy in the air, and you can’t shake the feeling that you’re on the verge of unraveling your own life once again. Your nerves are frayed, betraying the facade of composure you strive to maintain. Fear grips you tightly, its icy fingers coiling around your heart, as uncertainty clouds your thoughts. Every step closer to that imposing threshold feels like a leap into the unknown, leaving you teetering on the edge of a precipice. You steel yourself for what lies ahead, hoping against hope that your resolve won’t crumble under the weight of doubt.
Jack stands silently next to you, his expression cold and his eyes piercing you from time to time in a way that’s unnerving. His mere presence sends shivers down your spine. You glance at Will, who appears just as uncertain as you, if not more so. While the decision to help take down Hannibal doesn’t seem to trouble him, the thought of involving you in this dangerous endeavor clearly weighs heavily on his mind. What he’s asking you to endure and the risks involved make him flinch as much as they make your stomach churn with dread.
Will’s fingers slide in between yours, a silent promise that he won’t leave your side. You can almost feel his heart beating wildly, mirroring your own, and you take a deep breath to calm yourself down, focusing solely on the person about to open the door.
The door swings open, welcoming you into a home that’s as stunning inside as it is outside. But the beauty of the surroundings fades into insignificance as you lay eyes on the Hannibal Lecter standing before you. Suddenly, you find it impossible to meet anyone else’s gaze but his, your surroundings fading into a thick fog as his presence commands your attention.
Hannibal looks at you—your body, your hair, your face, everything. His gaze sweeps over you with an intensity that makes you feel exposed, as if he’s peeling back the layers of your carefully constructed facade. You swear he sees right through you, leaving no detail unnoticed and no fraction of space untouched by his scrutiny. It’s unnerving, the way he seems to perceive not just the person in front of him, but the one behind the delicate mask you’ve crafted.
Your heart rate skyrockets as his gaze lingers, and it takes all your willpower and courage to maintain a neutral expression, to keep the tremor of fear from showing on your face.
Before you can fully absorb the image of him, Jack steps forward, breaking the painful silence. “Dr. Lecter,” he speaks in a stern voice, then turns to look at you, acting as the bridge between you and the stranger.
“Ms. Avant,” Hannibal’s voice is as smooth and elegant as you’ve always heard it to be. His tone is polite but distant, prompting you to remember to smile in order to appear normal. Will’s fingers squeeze yours in a silent display of support, conveying his discontent with the arrangement. But you both know there’s little you can do about it.
“It’s actually Mrs. Graham now,” you correct him, but immediately regret it when his eyes widen subtly—a reaction you barely catch. It seems Will has kept this information to himself. “But you can still call me Agent Avant. It’ll save the confusion around the BAU.”
Hannibal gives you a small smile, but your comment seems to have thrown him off balance. Your response is far more cordial than he was expecting, and he appears almost amused by the unexpected turn of events. He exchanges a glance with Jack before turning his gaze back to you.
“I’ll do as you ask,” he replies, his tone tinged with curiosity—but beneath the surface, there’s an undertone of something darker lurking. As he takes your hand in his and squeezes gently, a shiver runs down your spine.
You feel like you can’t breathe. Your hands are damp, your throat feels sore and dry, and you struggle to calm your racing mind. “Thank you for the invitation, Doctor Lecter,” you manage to say, your voice barely above a whisper.
Hannibal takes in your statement but doesn’t offer any reply. He maintains his hold on your hands, his grip slightly tighter than before. Despite the warmth and firmness of his touch, you can’t shake off the unsettling feeling that lingers.
His gaze locks onto yours, and you feel yourself being drawn into the depths of his eyes. It’s as if he’s peering into your very soul, and you find it difficult to tear your gaze away. You’re on the verge of melting under his intense scrutiny when you manage to spare a quick glance at Will, whose expression remains impassive, betraying little of what he might be feeling. 
A moment passes as you struggle to fend off the creeping anxiety, attempting to find some semblance of calm within yourself. Then, Will releases a breath and strides forward, heading towards the open door. Without hesitation, you follow in his footsteps.
Hannibal casts one last glance in your direction before turning away, ushering you into his home. As you step inside, you’re greeted by the sight of luxurious furniture and intricate decorations adorning the space. The room exudes opulence, almost resembling a palace rather than the abode of a mere man.
“He’s a man of taste,” Jack remarks, his words breaking the silence. You sense that he’s directing the observation at you, a detail that would be inconsequential under different circumstances.
You nod in acknowledgment, allowing your thoughts to drift as you proceed further into the house.
“It’s all very... extravagant,” is what you say next, and what you don’t add is how there’s a faint sense of emptiness in this house despite all the details and decorations. It’s almost chilling.
“I do favor extravagance and elegance in my lifestyle,” Hannibal agrees, his gaze darting carefully between you and Will. Surprisingly, he doesn’t appear to be perturbed by Jack Crawford’s presence as much as you anticipated.
“I’ve noticed that,” a whisper slips from your lips inadvertently. The comment was meant to remain in your thoughts, but the words escape on their own accord. You glance away momentarily, hoping the remark will go unnoticed, but Hannibal catches it without hesitation. He smiles at you, almost as if you’ve just paid him a compliment.
“Oh, you have?” Hannibal’s voice is smooth and pleasant, its seductive undertones causing a flush to rise to your cheeks.
You offer a delicate smile in response, opting not to elaborate further as Hannibal leads you to the dining room. The table is expansive, perfectly set to accommodate everyone present. A bottle of wine rests in the center, surrounded by meticulously arranged plates, utensils, glasses, and other accouterments—everything impeccably placed without a single detail out of order.
As Hannibal offers you a seat, the mere thought of sitting so close to him sends a shudder down your spine. It’s as if you can almost feel the heat radiating from his body as he settles into the head of the table. Your breath becomes heavy, your heart quickens its pace, and your mind races with a flurry of thoughts and emotions.
You notice every detail of his demeanor—the elegant curve of his fingers around the stem of his glass, the subtle curl of his lips, the intensity of his gaze when it lingers on yours for just a moment too long. It’s all so captivating, yet simultaneously overwhelming, causing a weakness to settle in the pit of your stomach. You find yourself averting your gaze multiple times, attempting to break free from the enchanting spell he seems to cast over your mind.
Beside you, Will’s expression remains impassive, but you can sense that he, too, is attuned to every nuance of Hannibal’s behavior.
As Hannibal disappears into the kitchen to bring out the food, you exhale a sigh of relief, though you can’t shake the fear that he might hear it all the way from the kitchen.
You cast a glance at Will, hoping for some distraction from the overwhelming intensity of the moment. However, his expression remains unchanged, revealing nothing of what might be running through his mind. It’s as if he’s closed off his thoughts, leaving you with no insight into his inner turmoil.
You feel trapped in the most claustrophobic way imaginable. Hannibal’s presence consumes your thoughts entirely—his smile, his breath, his voice, his touch—all of it overwhelms your senses. Even the mere scent of him sends shivers down your spine. You’re engulfed by the intensity of the situation, wondering how you’ll manage to make it through the dinner.
When Hannibal returns and places the fish on the table between Jack and Will, you notice a flicker of relief pass between them as they exchange a glance.
“Truite saumonee au bleau with vegetables and broth, served with hollandaise sauce on the side,” Hannibal presents the dish with a flourish, the delicate aroma wafting enticingly through the air. “Beautiful fish, Will,” he adds, his tone carrying a hint of admiration for the culinary creation before you.
“It was my turn to provide the meat,” Will interjects, his words carrying a deeper meaning than mere culinary discussion.
“More flavorful and firm than farmed specimens. I find the trout to be a very Nietzschean fish. Trials of his wild existence find their way into the flavor of the flesh,” Hannibal comments, before serving the food and taking his seat at the head of the table. “I hope ‘providing the meat’ doesn’t mean you still harbor doubts about what I serve at my table.”
You try to maintain an appearance of composure, despite feeling like a nervous wreck. Taking a deep breath, you hold it in for a moment before releasing it slowly. Casting your gaze down at your plate, you decide to focus on eating—it’s the least you can do to occupy yourself in this tense atmosphere. Picking up your fork, you take bite after bite of the fish, though you find that everything seems to lack flavor, despite its deliciousness.
Will remains silent, his expression unreadable.
Jack chuckles dryly before speaking on Will’s behalf. “No doubts, Dr. Lecter. Only the wounds we dealt each other before we got to the truth.”
You can’t fully grasp what either of them has said, as your mind is consumed by other thoughts. You feel Hannibal’s gaze fixed on you as you eat, his eyes attentively observing your every movement.
He doesn’t appear irritated by your slow pace or lack of enthusiasm, yet there’s something about his stare that compels you to rush through your meal just to make it stop. The scent of the food is almost like his breath in your nose, the taste of it feels like his lips, and when you take a bite, you almost expect him to lean over and take it from your mouth.
“Which is why we need to move past apologies and forgiveness,” Hannibal responds finally, his voice carrying a weight of conviction. As Will’s eyes catch his stare on you, Hannibal continues, “Chilton has many victims besides the dead.”
“That’s precisely our intention,” you assert, drawing all eyes towards you as you speak up with determination.
Everyone falls into a momentary silence, the weight of their gazes palpable as tension simmers in the air. Will’s eyes remain fixed on you, his expression one of approval as he acknowledges your firmness and confidence.
“We will absorb this experience, and it will change us. We are all Nietzschean fish in that regard,” Hannibal continues, his words punctuated by a subtle undertone of philosophical reflection.
“Makes us tastier,” Will interjects with a touch of humor, prompting you to gently kick him underneath the table.
Hannibal cracks a dry smile at Will’s comment, his demeanor retaining an air of sophistication as he sets his cutlery down on the plate and folds his hands in front of him.
“I would say it adds depth to our flavor,” he remarks, his words flowing from his lips with a smooth and velvety ease that seems to echo the rhythm of your heartbeat. The air in the room seems to pause for a moment, awaiting a reaction from someone, but you remain focused on your plate, determined to ignore the intensity of his stare until the end of the dinner.
The rest of the meal passes by in a blur. Hannibal maintains his role as the perfect host, his demeanor poised and gracious. Jack remains true to his usual self, engaging in conversation and observing the proceedings with his characteristic vigilance.
However, you can’t shake the feeling that something is amiss. Will, typically a key player in any plan, seems oddly detached, failing to fully engage in his part of the strategy. His silence speaks volumes, leaving you with a sense of unease as you try to decipher his intentions.
Reluctantly, Jack gathers his things and bids his farewell, leaving you and Will alone with Hannibal at the table. Hannibal, ever the gracious host, proposes another glass of wine, his gaze lingering on you both with a hint of intrigue.
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webslingingslasher · 5 months
Note
I don’t know why or how I came up with this but but im just picturing trouble forcing (frat) peter to watch romance movies with her, and they tend to have similar plots as they pete and trouble do.
and then like there’s just peter pretending not to like the movie but also complaining about how OBVIOUS it is that they’re in love and that the characters may as well just get together at this point.
trouble just stares like… seriously? you’re a genius how aren’t you connecting these dots???
-🦋
‘but he’s just not ready to love her, petey.’
‘that’s such bullshit, i mean, look at them! they’re basically already dating. i just don’t get it, what’s the hold up?’
spoken through clenched teeth, ‘yeah. what’s the hold up.’
‘right? god, he’s fucking stupid. he’s gonna lose her, what an idiot.’
clenched even harder, ‘yup. fucking idiot.’
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sku11s1asher · 2 years
Text
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possessive top billy x male reader
he’s lowkey ooc during the smut but let’s not talk about that !
Contains; smut, and is male reader.
if fem dni pls
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You and Billy were at the mall, shopping like normal, but you saw that he was looking a little too hard at some girls who passed by. Now, you’ve had the biggest crush on him ever since he moved to Hawkins, his personality just turned you on for some reason. Both of you stopped for a second and Billy leaned to your ear, “Look at that bitch over there, isn’t she cute?” He pointed to her, you could just shrug your shoulders and try to ignore your heart pounding. “I’m more into dirty blondes but, she’s okay.” Dirty blondes as in Billy, not that you’d admit that to him though.
Jealously started filling up your body, every five seconds he was staring at some girl's ass or tits, you may not be dating but still, he could use his brain and connect the dots. You quickly got over it when you saw a girl who has been trying to get with you for months, she was hot but you were loyal to your crush. She walked up to you, “Hey y/n, what are you doing here?” You cringed as she twisted her hair and bited her lip, but you had to flirt with her to hopefully make him jealous.
You felt like puking, she sucks at flirting and she is already getting annoying. “Can we have a date this Saturday maybe?” She looked like she was constipated, but before you could respond Billy spoke up, “We aren’t here for you to pick up girls, I’m ready to go already.” His voice was laced with venom, as if THE Billy Hargrove was jealous over some girl. You were beginning to think your plan was working, but again, he isn’t the most patient person in the world so it could be that too. “I’ll talk to you later.” You walked away with Billy close to you and started to think about how close your hands were, if you moved just a little bit they would touch.
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As soon as you got in the car you started to question him, “Why can you talk to girls and look at them like you’re going to devour them, but as soon as I talk to one you want to leave?” Instead of responding he unlocked his car and ignored your questions. But it’s not like you could do anything to get him to respond until you started thinking. “Were you jealous?” You saw him get tense before relaxing, “Why would I ever be jealous? We have a party to go to tonight and I need to get ready.” It was a lie, both of you know it, he’s easy to read when you’ve been around him for so long. You stared at him as he started to drive to your house, he’s so pretty when he’s focused and you wondered what he would look on top of you, pounding into you so hard with his thick cock. Sadly, before your thoughts could get any further, he looked back at you with a raised eyebrow, “Why are you looking at me like that L/N?” You didn’t respond to him, if you did you’d end up embarrassing yourself. When you both looked away you didn’t notice him smirking.
When he pulled up to your house he grabbed your wrist and whispered into your ear, “I’ll be here at 9, you better be ready.” And let go, you grabbed your bags confused. He’s never talked to you like that, the tone in his voice was weird. You went to your room and felt so weird, you couldn’t stop thinking of him and how close you both were. You almost forgot about how his tight jeans showed the outline of his cock if you looked long enough. As you were getting ready, all you could think of his him whispering to you and being so harsh, you knew it was wrong that it turned you on. He’s your best friend and sleeps around with every girl in Hawkins, if you even got together somehow, it would be a one night thing not a normal thing. You could only sigh before finishing changing and doing your hair.
A couple hours past and you hear the doorbell ring multiple times. “I’m coming stop ringing the fucking doorbell idiot!” You yelled to whoever was at the door. You saw it was Billy and opened it for him, “It’s 8 not 9, you’re a hour early.” But he didn’t respond, he just looked at you like he was going to eat you alive. “Billy?” You were about to poke him until he grabbed your wrist and wouldn’t let go, “Why didn’t you tell me?” You looked confused, “Tell you what?” His grip got harder and you could tell he was angry, “Tell me you were dating her.” You just looked at him like he was dumb, “Im not dating anyone, what are you talking about?” “Stop lying to me.” You started to get nervous, “Billy, I’m not dating anyone, even if I was, why does it matter?” The grip on your wrist was starting to hurt, you were about to ask him again but he pushed you against the wall and had both of your hands above you in the tightest grip ever. He kissed you.
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You felt like you were dreaming but soon kissed him back. He stuck his tongue in your mouth, you couldn’t help but moan into the kiss. He released your wrist and grabbed your waist pushing him against you more and being rougher. He slowly stopped kissing you, and began leaving hickies on your neck. “B-Billy, wha-” but he cut you off with another kiss on your mouth. “Shut up, I know you like this too.” One of his hands going on top of your raging boner giving it a squeeze which made a moan slip out. You finally realized, he was truly jealous, even if you two weren’t dating he still had feelings. He was about to unbutton your pants before you spoke up, “Let’s at least go to my bedroom..” He didn’t waste a second before picking you up and taking you to your room, as soon as you got there he threw you on your bed and locked the door.
He looked like a predator and you were his prey, he got on top of you after taking off your pants and shirt. “Someone’s excited.” He smirked, not like he had any room to talk, you could feel his. You felt a little embarrassed, you were in your boxers and looking like you just got fucked, while he was just smirking at you, fully clothed. He began rubbing his hand on your cock, you bucked your hips to get more pleasure but that was quickly put to an end, “Stop moving or I’ll leave you here like this.”
You had to put your hands on your mouth to stop yourself from moaning so loud. He removed your boxers and started sucking your tip before taking you all in. All you could do is roll your eyes to the back of your head and try not to buck your hips. You were beginning to wonder where he learned to do this. As soon as you were about to cum he stopped, “Remove your hand, I want to hear how good I’m making you feel.” You slowly listened to him and removed your hand before he started again, “Please-” you didn’t know why you were saying it but you just kept repeating it. “M’ gonna cum!” You moaned out, but he stopped and slowly lifted his head off your cock. You whined but saw he was taking his clothes off, you couldn’t take your eyes off his body until he asked where the lube was and grabbed it.
“I’m gonna start prepping you, if you try to hide your moans I’ll stop.” He put lube on his fingers and put one in, which slowly became two, and lastly three. The room was filled with your moans and the wet sound of him prepping you. “B-Billy please just- put your cock into me!” You started crying, it felt so good but you wanted him inside you. “Be patient, I don't want you to get hurt from my dick, unless you’re into that.” He gave your stomach a kiss. “Please, I’m begging PLEASE!” You didn’t notice but you yelled that, you were too into heaven. He pulled out his fingers and put a condom on his dick before slowing entering you. He wanted to enter slowly before he pounded into you so hard you can’t walk for a week.
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Once he fully entered you and bottomed out. He waited a few seconds before pulling back out and slamming into you, making both of you moan. You could barely feel anything he was thrusting into you so hard and fast. “Fuck. You feel so good!” He groaned into your ear, that was your last straw and you cummed. His thrusts didn’t stop, not even for a second. Your brain wasn’t even working properly to say anything, every time you opened your mouth a moan or his name came out. The room filled with moans and groans front the both of you and the sound of skin clapping.
You would’ve never though in a million years that you and Billy would ever have sex, he always came out to you as a straight man but turns out he was just in the closet. All it took for him to come out was you flirting and making plans with a girl.
You felt his thrust go faster and hearing him say he’s going to cum, you don’t even know if that’s what he really said, you can barely process anything with him hitting your prostate over and over and him marking you. You hear your name get called before the thrust slowly stop. “Billy..?” You could barely speak, he didn’t respond and just put his head on your shoulder and gave your cheek a kiss. He felt the need to apologize even though he had your full consent, he realized that he really had sex with his friend because he was jealous other people were hitting on you.
He cleaned you up and changed you into clean clothes before laying down with you, he noticed the time. “Do you still want to go to the party? We might be a little late.” You hit him, “Why would you ask me a dumb question like that? You just pounded into me like an animal in heat and I can barely stand but you still expect me to go to a party?!” He gave you a genuine smile, something that doesn’t happen often, “I was joking, also I hope you know this isn’t a one-time thing.”
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I lowkey hate this but it’s okay lollll,,, if you have any request dm me or comment them or smth. I only do male reader and if you request female I’ll ignore it.
Leave feedback if you have any, this is my first oneshot that I’ve posted to Tumblr
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spider-gem · 7 months
Text
What if Mobius was a villain/anti-hero in his past life?
Here’s why I think there’s a good possibility for this:
While it’s probably easier for Marvel to go the boring route (Mobius was simply a normal dude with a normal job and a normal family, etc), I think there’s more to Mobius than we think. Owen Wilson himself teased Mobius has a deeper story arc this season:
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In the latest episode, X-5 (or Brad) strikes a nerve when asking Mobius why he’s not interested in his past. Mobius tells Loki that he likes his life at the TVA- that’s his purpose and he’s good at it (My Lokius heart also tells me that it’s because he likes being with Loki and doesn’t want to lose him if he goes back to his past life- yeah yeah, I’m delusional, I know…)
I may be looking to hard into this (I’m a writer and reader, over-analyzing is what I do) but what if there’s a reason Mobius prefers his life at the TVA? Don’t get me wrong, I do believe that his memories have been wiped, but what if there’s something deep within him (part of his subconscious perhaps) that’s telling him to avoid his past?
I looked into Mobius’ comic counterpart to see what I could learn about the character. There’s not much. He’s had interactions with the Fantastic Four and She-Hulk, but there aren’t any details on his past. However, there are a few things I found interesting:
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We all know that Kang created the TVA, but could this imply that Mobius may have known Kang personally and chose to work with him? Let’s dive deeper:
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Mobius is also known as Mr. Tesseract. Why? I have no idea. He doesn’t seem to have any relation with the Tesseract. (There are some VERY cool fanarts though, so check them out if you have time). However, there’s more:
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There’s a Mr. Orobourous and a Mr. Paradox as well. We just met Orobourous (spelt as Ouroboros) in the first episode of season two. Also, connect the dots: Mr Paradox = General Dox? I may be looking too deep into this, but I feel like these three may be connected in some way.
While this still isn’t a lot of information, there’s still a chance that this alias has something to do with Mobius’ backstory in the show. So, here’s my theory:
What if Mobius, once known as Mr. Tesseract, worked closely with Kang? What if he helped build the TVA? There’s a possibility that he has powers he doesn’t know about (as well as O.B. and Dox) that helped structure the TVA. Mr. Tesseract may have powers similar to his namesake. Mobius balances the TVA’s power over space, Ouroboros (which, in definition, is a snake that represents infinity) balances the power over time, and Dox balances the power over reality.
So, why don’t they have their memories? I theorize that Mobius (and maybe the others) eventually realized that Kang was wrong. Maybe he attempted to overthrow him. In the end, Kang defeated him and took away his memories as punishment, making him forget about his powers. We also know that Mobius’ memories have been wiped more than once, so there’s a chance that Mobius’ powers (in theory) eventually resurface, causing Kang to repeat the process.
This may be just some wacko theory that I overanalyzed and spent too much time on (probably) but the idea excites me. If this is in anyway true, how will Mobius react? How will Loki react? How will this impact the course of the show?
I can’t wait to find out more. Again, Mobius may have just been some random jet ski enthusiast on the time line. But that’s the boring option. Marvel, please don’t be boring. (Marvel’s probably going to make it boring).
So, what are your theories?
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sepublic · 1 year
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Philip’s Witches before Wizards
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            Anyone remember these ruins from Witches before Wizards? I think this town was where Caleb and Evelyn originally lived (or frequented, being closer to their home than Bonesborough).
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            After all, we know these ruins are beyond Bonesborough, in a wooded area; As is Caleb and Evelyn’s archway, not too far from the Clawthorne household. During the Coven Day parade, an illusion of Belos is flanked by a cat statue, which we’ve seen only one other time…
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         …As a fake resident of this very town. Which leads me to believe that Adegast didn’t entirely make up the details he was filling in; There might’ve actually been a little cat demon that Philip saw there and remembered. How fitting; Shortly after discovering the Demon Realm, Philip and Luz encounter this town, before entering a secluded area where they make a crucial choice that influences how the rest of their journey goes; Philip decides to double down on his fantasy by sacrificing his own brother to his hero complex, whereas Luz chooses not to succumb to the fantasy.
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         I think Evelyn frequented this community, just as Eda visits Bonesborough frequently in the present day; And when Philip killed Caleb, she might’ve warned the people there of this murderer running around, which contributed to Philip having to skip towns. And the closest place to skedaddle was none other than Bonesborough…!
         Presumably, the Boiling Isles doesn’t have social media at this point, nor a unified government; This would make it easier for Philip to avoid consequences by simply evading the local authorities and settling in a new place, as he explains to Luz. Kind of like the older days, when information didn’t travel as easily, so you didn’t have to worry as much about news of your notoriety following you.
         At which point, Philip must’ve immediately enlisted Blue Fang for his failed expedition to the Titan’s skull, hence why the people of Bonesborough aren’t familiar with him; He’s only just arrived, and hasn’t made himself too acquainted with the local populace just yet. Red Fang and Green Fang hold a grudge over their brother’s death, but don’t seem to be aware Philip was possibly more than just callously careless.
         And we see what a clever, charismatic liar Philip is; So he would’ve brushed over any rumors of misdeeds (painting the gruff Fang brothers as bullies, with himself as a meek victim) and appealed to the rest of Bonesborough, enough for them to accept his diary as a donation to their library. Afterwards, Philip may have left; Either because his victims got together and connected the dots, and/or he had missions elsewhere. Possibly the latter, since Luz doesn’t find any articles indicating Philip was ousted as a pariah, but for all we know Belos erased some history. He might’ve figured out that Luz and Lilith were time travelers during the Deadwardian Era, and set his journal up for them to find as a result.
        But, back to the ruined town; There’s a good chance Philip remembered this place and went back to destroy it as Belos, probably as part of a staged false flag attack. A reminder of the worst day of his life, the realization that the Boiling Isles was NOT the adventure he expected or wanted... The specific place where Caleb was corrupted, where Evelyn regularly visited and lived… And by destroying this place, Philip sets up Adegast to exploit what’s left over, all for Luz to go through the same challenge there as Philip did, and emerge victorious. As for the Clawthornes, they ended up visiting what was the second-closest town, Bonesborough.
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So I know this may be “controversial” but I’m so sick of seeing people complain about the new Avatar movie and try to cancel it over the most ridiculous things.
For starters… they are 10FT tall blue aliens with 3 fingers living on an alien planet that takes about 5 years to get too, from the future. How are people trying to make this about the human race living today in our times?
People complaining because Jake has dreadlocks… it’s called ✨Na’vi culture✨ on earth it may be an African cultural thing, but they aren’t on earth, they are on Pandora where the Na’vi are an alien race that believe it or not, do in fact have their own culture. Besides they also have a giant braid that has stuff inside of it…
People mad because they think Jake is trying to be “indigenous” when he’s “just some white dude pretending” like bro… it’s called acculturation and assimilation. What else would you expect him to do? It’s like getting mad at a European trying to embrace an Asian culture because his partner and kids are Asian and live in an asian country…
And finally, the people who are for some reason getting triggered because Avatar 3 will have an element of the new Ash tribe and Fire Na’vi saying that James Cameron is “copying” Avatar the last air bender. There are so many ways to break this down but here’s two: 1 is about an alien planet with 10FT tall blue people that have glowing dots on their skin, the other is about a bunch of people controlling elements… (essentially) how are people making connections here?
The other way to break this down is: Pandora is a lot like earth, it’s has ✨biomes✨ and different ✨environments✨ right. So there’s this thing called ‘adapting to your environment’. The Omatikaya is Forest Na’vi which is aliens that live in the forest. The Metkayina is Reef and Sea Na’vi which are aliens that live by and in the sea… the fire Na’vi (from what I’ve heard) live close to or in a volcano… they don’t control the elements they simply live in environments to which they have adapted to and hence the reason they are given different names.
From the sounds of things Pandora has reefs, forests, mountains, deserts, snow(?) and is again just like earths structure and environments. Which makes it so much better than all these other futuristic outer space movies where there are planets that seem to be only 1 biome and earth is the ONLY planet that has multiple.
On earth, people who live or come from Europe are called European. People who live or originate from Africa, are called African. People who originate from Asia, are called Asian. On Pandora, Na’vi who come from the forest are the Omatikaya people. Na’vi who come from the reefs or oceans are the Metkayina people.
So before you all start raising your pitchforks and torches claiming “cUltUraL apProPriation” about 10FT tall blue aliens from outer space, take a second to realise how dumb it sounds. If you didn’t like the movie, that’s okay, but don’t ruin it for the rest of us. It seems today that no one can enjoy something without someone criticising it and ruining it for the ones who just want to watch a cool movie with beautiful aesthetics and nice visuals…
To anyone who’s made it this far into the rant, I appreciate it. To those who don’t agree, I don’t care but feel free to disagree all you want, and to those who agree, again I don’t really care but cool.
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What if... Kazui’s victim WASN’T his wife?
So, I just connected some dots about Kazui’s videos and various points of symbolism in it, and If I’m right.. Kazui might’ve been pulling the wool over our eyes way further than we thought, guys. That is to say: What if his wife’s death was in reaction to his original murder?
(rest under readmore!)
Part 1: Kazui, René Magritte, and the Art of Misdirection
One of the things Cat made sure to make clear to the audience was that we have to take everything Kazui gives us with a major grain of salt. This is shown multiple ways; the illusionist persona he takes on for most of the video, the fast-paced sequences meant to obscure important details, the fact that it involves multiple René Magritte references, etc.
Though, speaking of René Magritte... anyone remember another of his famous works?
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That’s right: Kazui’s mind might be feeding us a narrative more deceptive and treacherous than we think. And this will all unfortunately be ignoring the fact that ‘une pipe’ is French slang for ‘a blowjob’.  don’t blame me, blame Kazui’s subconscious
Just to be clear: I still think the visuals Kazui gives us and the clues he sets up for us are very important to consider. It’s just that the obvious picture they paint isn’t entirely accurate.
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After all, while he may be one of the prisoners that the narrative has been clear about being an intentional liar/deceiver, the way his mind portrays these deceptions is very different from how MILGRAM’s other liar, Shidou, goes out of his way to deceive us:
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Shidou’s method of deception is more obvious while at the same time being more obtuse: he makes copious use of visual symbolism and metaphor. The building blocks he uses are, by their nature revealing to us his subjective feelings and personal truth with regards to a subject, while the objective reality of what happened takes a back seat. In doing so, he’s still honestly revealing that everything we’re seeing at a given moment is important. It’s just that, what anything we’re being shown is actually supposed to convey, that’s for us to work out.
In comparison, the way Kazui sets up his lies?  Well, like any true illusionist, it’s all in the presentation and setup.
Part 2: The Man(’s Wife) Behind the Curtain
So, given that Prisoner 007’s main tactic for lying to us is misdirection, this means one big foundational aspect of truth is immediately doubtful: Anything Kazui directly tries to tell/convey to us is immediately questionable and likely not entirely accurate.
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You see, one of the best ways a stage magician can misdirect an audience is through an misleading framing of events. They do this multiple ways - by stating what kind of trick they’re going to be pulling, letting the audience see what props they’re holding as the trick begins, and noting where the conceit of the trick isn’t (ie; the classic  “Nothing up my sleeve!” line).
In doing so, the audience is primed to see everything they notice from a particular perspective. That way, even if they DO glance at the trick the magician is pulling, they’ll still be unlikely to understand exactly what they’re seeing and have ‘the magic ruined’ for them.
So, any big conceits and large framing devices Kazui draws our attention to probably aren’t being utilized the way they seem to be at face value. If we want to the truth, it’s gonna be in the slower moments where Kazui isn’t talking to us. Or, in the moments that he is, the most important parts are the little things that go by too fast for up to keep up with.
As an example, look back up at the most recent screenshot I posted. Notice anything that’s a bit harder to immediately parse compared to everything else?
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Yep, that little French blurb tucked between all this bigger, flashier stuff. Just based on the captions, it’s easy to pin them as the lyrics translated to French, right?
Wrong. 
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While the lyrics and visuals seem to be painting a picture of Kazui eventually coming into conflict with his innocent wife, the second line in French... could almost be taken as a... statement of solidarity? It’s written in past tense (as compared to ‘we will be better’), but is still much more equal and affectionate on both sides than the simple ‘victim-criminal’ dynamic would lead one to infer.
Not to mention... wasn’t it implied they talked about all this and largely resolved it back in half?
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And indeed, it was! Starting from 2:18 going to 2:36, we get the green apple (which seems to represent Kazui’s hidden nature) sitting on a table onstage with the spotlight shining directly on it. The truth about Kazui has been put front and center where it can readily be seen. And what do we see as we pull into the foreground?
Not a fight, or a clash, but Hinako reaching out and comforting Kazui.
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For all he’s told us that confessing the truth is what lead to ‘her’ death, the actual (notably subdued and understated) moment we see where it seems like he’s finally admitted what he’s been hiding his entire life, she responds to his truth with a very small smile.
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A hand on his cheek. More than anything else, it’s this moment that resonates with that ‘we would do better’ that Kazui tried to slide past our radar.
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But if that’s the case, it raises a very important question: If it wasn’t actually the truth itself that caused everything come crashing down, what did? If this was still everything being fine... 
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Then, what moment was represented by all of this?
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What, exactly, was this ‘dove’ Kazui tore apart with his teeth that drove his wife to react with horror and despair?
Part 3: Green, the color of hidden truths
For all that Kazui’s intentional deception of the viewer is near exclusively done through misdirecting the audience’s attention or misleading our perspective, there’s still a lot he’s only willing to tell us through symbolism. The most obvious case of this, of course, is Kazui’s green apple, reflecting his true nature he’s hidden away for most of his life.
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But did you notice the color coding he also uses throughout most of Cat?
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On the most basic level, we can see this utilized as a way to differentiate relevance to characters: Kazui represents himself with blue, and Hinako with pink.
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See? 
As such, the colors Kazui uses in backgrounds, in drawing characters, and to write out text can be very important in deciphering what everything is supposed to mean. The problem is that he uses a lot more colors besides just pink and blue, with us currently not knowing what any of the other colors mean.
...Well, besides green, at least. He’s already made it pretty obvious that green represents hidden things that Kazui (on some level) doesn’t want discovered.
...But, wait. 
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If so....
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...Why is this one woman in the wedding audience wearing a green dress?
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Most of y’all probably already know this, but I recently made a post where I drew the conclusion that she’s actually the wife of Kazui’s childhood friend, the bartender, with the bar scene in half being their introductory meeting so they could get to know each other better.
One of the things I didn’t bring up in that post was the fact that we seem to watch her get absolutely sloshed during it.
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Which. Certainly is a choice? Going out all dressed up to where your hubby works, to meet the guy he’s been best friends with since childhood, and you decide the best way to make a first impression is to get hammered and start having to lean against this relative stranger just so you don’t fall off the stool? 
Don’t worry, my theory isn’t going the roofie route, so no need to fret over that.
Instead, the question I started considering was, “Why would she feel the need to start drinking so much?” And, in general, there’s a few different reasons why someone might decide to get seriously inebriated; to blow off steam, to forget your problems, to fuel a budding alcohol addiction, etc. 
But the reason that made the most sense to me in this context was drinking to settle the nerves. 
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Sometimes, when people feel tense or awkward when socializing, they’ll start drinking alcohol as a way to calm themselves down and make things less tense. Booze is a well-known social lubricant, after all; knock enough back and suddenly you’re everybody’s friend! 
But, to feel the need to go that far just to keep up a conversation with the guy your husband is closest to... She must have felt REALLY uncomfortable, for some reason.
Which brings me back to her wearing the color of intentionally hidden secrets at Kazui’s wedding.
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I think she had a feeling about Kazui’s true nature from when they first met. While the thought of it made her uncomfortable, largely as to what might mean for Kazui’s dynamic with her husband. However, she didn’t want to come out and confront him about it in such a public place (and where her spouse works, no less!), so instead she just kept drinking. The wedding... to be honest, I think the wedding reassured and assuaged her doubts for at least a little while. 
After all, he and Hinako seemed to be seriously happy and in love! It wouldn’t feel anywhere near as sincere if the groom was secretly ‘like that’, right?
And at some point during that time (don’t remember if we’ve been given an official marriage length for them or not; please let me know if we have) Kazui confessed the truth to Hinako, who largely just took it in stride and stayed by his side through thick and thin. 
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‘It’ only occurred after all that had already happened.
What’s ‘it’, you ask?
Well... the truth is, I have no way of knowing precisely what ‘it’ was; it’s the biggest truth Kazui is hiding from us, after all, and a magician would never reveal his secrets so easily. What I do know is that it likely involved the bartender’s wife directly confronting Kazui, with Kazui doing something drastic in return, likely to better keep his secret hidden.
And, for all I can’t tell you precisely what ‘it’ was, whether ‘it’ was threatening someone or the actual murder Kazui was put in Milgram for, I CAN readily point you to how Kazui viewed ‘it’:
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And it was only after discovering whatever the above represents that we see Hinako react like this: 
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But, with all this in mind, I think Hinako’s potential... murder? suicide? whatever it was? ... is far less about whatever ‘green apple’ Kazui was hiding, and far more about how far he was willing to go to keep it hidden. 
TL;DR: In keeping audience misdirection in mind, Hinako finding out about Kazui’s true nature more than likely isn’t what lead to the ‘murder’ Kazui is in Milgram for. If anything, it was likely the wife of his childhood friend confronting Kazui about his secret that lead to where things ended up; from what we can tell, Kazui had already told his wife his secret, and that hadn’t pushed her away.
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bestworstcase · 4 months
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first paragraph of 'the shallow sea':
Long ago, before the fish had scales, before the birds had feathers, and before the turtles had shells, when our god still walked and crawled and slithered the earth, there were only Humans and animals. (And Grimm. There have always been Grimm. There will always be Grimm. But those creatures don’t figure in this story, so just put them out of your mind, if you can.)
last paragraph:
From that moment on, there have been animals, Humans, and Faunus. And the descendants of the Humans who turned away from our god’s great gift have always carried envy in their hearts. To this day, they resent us for reminding them of what they are not and what they never can be.
"only humans and animals (and grimm, but never mind them)" -> two more rhetorical "interruptions" bringing up the grimm specifically to instruct the listener not to think about them -> "now there are animals, humans, and faunus"
omitting the grimm from this paragraph—after the recurring references to them—is. an interesting thing to do given the parallelism of "humans and animals (and grimm)" / "animals and humans and faunus"
and then. "what they are not and what they never can be"
is such specific wording
"what they could never be." "what they never can be." the latter is a statement of pride in having chosen to change mingled with scorn for humans who refused to change and persecute the changed. the former…
"why spend our lives trying to redeem these humans" <- why spend our lives trying to appease the old gods and return things to the way they were before; why spend our lives resisting change.
"when we could replace them with what they could never be" <- salem has always been about overthrowing and replacing the gods, and she is also not human anymore; 'the shallow sea' is an allegory about the faunus but also it is just salem's story, a leap of faith into mystical waters that changed her into something new. and that myth is an ancient oral tradition. and in the lost fable, salem quotes its concluding lines to express her alternative path to the mandate
(which. would be in line with salem's manner of speech generally; as i've discussed before, her big speeches are rehearsed and she struggles to go off script. it makes…sense that she would fall back on quoting from an oral tradition like this in a tense moment, and in many ways 'the shallow sea' does challenge the brothers' perspective on humankind in ways that are cogent for her rejection of their mandate, so it also makes sense that salem would connect the dots)
at a minimum i think "what they never can be" signals that "what they could never be" is also not a statement of genocidal intent because… why would you end this faunus-origin myth with an almost identical phrase to salem's final words in her origin episode if she was proposing genocide, lmfao
especially when:
In the aftermath of the Great War, when Faunus settled on Menagerie, the story of a magical island made just for them has become tinged with bittersweet irony. Consequently, the story has fallen out of favor and I understand it is rarely spoken these days. This, too, influenced my to record it before it is lost to posterity.
Here I will remind you that this story—dare I say every story ever told—may still hold a kernel of truth, even if the plot details are contrived. Whatever the criticisms laid upon “The Shallow Sea,” in my opinion it still holds deep truths about Humans and Faunus that everyone should take the time to consider.
ozpin's annotations on all of these tales contain pretty fucking blatant foreshadowing, and his notes on this one flag that this myth is one of the stories that is "true" for a given value of truth. compare 'the two brothers':
Remnant survived the Great War, but while the four kingdoms now cooperate and coexist, our bond seems tenuous. We have a fragile peace, and in some ways, we are more divided than ever. Even if the gods aren’t real, even if they don’t return to judge us for our deeds, we should act each day as though they are arriving tomorrow. In the end, we will be the arbiters of our fates. We will either create a beautiful, peaceful world and live in harmony together or destroy ourselves and our planet, and the gods will judge what we have chosen.
(<- note that these and 'the hunter's children' are the only stories wherein ozpin mentions the great war; on 'the hunter's children' he "speculates" that the last king of vale based the four-huntsman teams idea on the fairytale, and his reason for invoking the specter of war after 'the two brothers' is obvious, but that leaves 'the shallow sea' as the odd one out… unless you associate the story with salem, and then ozpin's choice to emphasize that this particular story has fallen out of favor and is seldom told anymore is perhaps worth raising an eyebrow at.)
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porcelana-r0ta · 11 months
Text
The Curse of Sight, Part 3
[Part 1] [Part 2] [Part 4]
Summary: When Wes Weston meets Tim Drake-Wayne, the dots start connecting. And those dots form a Bat.
Ao3 Link (available only to Ao3 members)
When Wes gets home that night, he cuts off the part of Tim’s note with his name. His contact information has already been added to his phone, so he tears that part of the note up and then trashes it. The part containing his signature, Wes dumps into an envelope and scribbles out a note on a different sheet of paper: 
You owe me one. 
                —Wes
Wes seals the envelope, stamps it, and writes Tucker’s address in the center, and uses one of his mom’s fancy returning address stickers so he doesn’t have to write anymore. Then he rushes out the townhouse and drops it off at the USPS outgoing mailbox, and rushes back inside before the powers that be decide Wes should be mugged again.
Tucker may be one of the Gaslighting Trio, but he was still nice enough to help Wes in their computers class. 
xxXxx
Wes: Hi, it’s Wes! You gave me your number yesterday so I could give you coffee next time I went on a coffee run?
The reply comes unexpectedly fast for someone who runs a Fortune 500 company and is a whole entire vigilante, but maybe the coffee addiction is just that strong.
Tim: Wes! Yes, please. Have you left yet?
Wes: No, I haven’t even made the mobile order yet. Wanted to give you time to respond. Why?
Tim: Just a sec
Wes stares at his phone from his place in his mom’s office, where he sits in a brown suede chair that sits in front of her desk. His mom is typing away on her computer, a look of concentration on her face. 
“Huh,” he says to himself, then exits the chat to return to putting in orders. He’d like to just click on a past order and reuse it, but Felix and Kourtnie are always changing their orders. He’s convinced it’s because they hate him, but maybe it’s that he’s letting his experience with Jade color his vision. 
“What is it, sweetie?” his mom asks without pausing in his work. 
“Well, Tim asked me to text him next time I went to get coffee. And like, I did. And he answered, but then told me to wait a sec.”
“Can’t ignore orders from the big boss,” his mom says, and Wes nods. 
“Yeah, but I think Kourtnie will die if she waits too long for her caffeine fix.”
“She’ll have to get over it, or stop by Batbucks before she comes in.”
“I don’t think she wakes up early enough for that….”
His mom snorts, “You’re right on that front. How did you even meet Mr. Drake?”
He shrugs and looks back to his phone, “I dunno. He pressed the elevator button for me a few days ago, and now suddenly all of this—” he gestures to everything, “—is a thing.”
“Teenagers,” his mom mutters under her breath. 
“What’s that supposed to mean?” 
“Nothing. Just that you suck at describing things.” 
“You’re mean. I’m disowning you as my mother.”
“Have fun on the streets of Gotham.”
“I’ll sell your credit card numbers online to buy a bus ticket back to Amity.”
“Greyhounds don’t go to Amity. Try again.”
“I’ll hitchhike and get serial killed by a semi-truck driver to get back to Amity. Then I’ll come back as a ghost and haunt you and Gotham.” 
“Not Amity Park?”
“No, they have other problems.” Like the Guys In White. Gotham has issues, but at least they aren’t government-mandated war crimes type of issues. 
His mom goes to say something, but a knock at her office door stops her. She finally looks up from her computer and makes eye contact with the interrupter, and says, “Oh, come in, Mr. Drake.”
Wes has to physically stop himself from whipping around, “Oh, hey, Tim! What’s up?” 
This is it. He’s finally figured out what I figured out and now he’s come for my kneecaps.
Okay, that was dramatic, even for him. He was making the Bats sound like a little family of mob members. Really, they were just superheroes. They couldn’t do anything harmful to Wes. At least not physically.
….Would they erase his memories? Is mind-fucking considered physical harm? 
Wes breaks into a nervous sweat. 
“I just want to help Wes out with his coffee run,” Tim explains with that charming Wayne smile that wins the hearts of anyone who feels. “I hope you don’t mind me going out with your son, Penny?” 
“Not at all,” his mom answers. “Have fun, boys. Oh, and Mr. Drake?”
“Yes?”
“Tell your brother to stop flipping off the cameras every time he spots paparazzi.” 
Tim winces, “I’ll send the message, but we can’t really run a business and control Jason at the same time.”
Jason Todd. As in Red Hood, the second Robin. The one who was pronounced dead overseas, but was miraculously found safe and somewhat sound several years later. Fantastic.
Wonder how much of that death was real? Wes has had enough ecto-exposure thanks to his stalking hijinks in Amity Park to know when he’s around others who have been touched by Death. He’s about 60% sure he could clock that in Jason Todd if he ever happened to get near him. 
Hopefully while in his civilian persona. Wes is uninterested in meeting any more vigilantes, thank you very much. 
They say their goodbyes to his mom and he gets up to follow after Tim, his knees a little wobbly. How long can he pretend to be nervous about hanging out with the guy who signs not just his paycheck, but his mom’s? 
They walk through the PR Department and make it to the elevator, painstakingly going through the motions of small talk. Wes is aware of every word he utters, carefully asking himself what could be taken the wrong way, and what is innocuous enough to say. 
“So what did you want from Batbucks?” he asks as the elevator lowers. 
“Oh, the same as what you got last time,” Tim answers, and Wes abides by that request with a single press of a button. Their conversation moves to favorite TV shows as they leave WE and head to the crosswalk to make it to the Batbucks across the street, and once there, Wes pushes the check-in button to signal to the baristas that he’s there for pickup whenever the order is finished, and they take a seat against a wall and far from the windows. 
“A Trekkie, huh?” Tim asks when Wes tells him his top five TV shows. “And a crime fan, too.”
Wes shrugs, fiddling with his fingers, “I like to figure out the ending before the characters do, and honestly, I just like George Takei.”
Tim tilts his head, “That’s fair. I like crime shows, too.”
Haha yeah, I bet you do.
“What’s your favorite?” Wes obligingly asks. 
“Oh, Criminal Minds, easily. Spencer’s a great character.” 
Wes wonders how a person with two full-time jobs like Tim has time for hobbies that include 40-minute episodes. 
“You just like seeing characters in pain, don’t you?” 
“I do not!” Tim protests, affronted. “I just think he’s a good character! With good development!” 
“That’s what I’d say, too,” Wes teases. 
Tim shakes his head, “You’re impossible. He’s just a good character! He’s so smart and awkward. What’s not to love?” 
Wes gives a half-shrug, “I mean, I guess that’s fair. He is a good character. But I’m more of a Garcia person.”
“They really make the show,” Tim agrees. “Their dynamic is iconic.”
“Speaking of iconic….” Wes takes a deep breath disguised as a sigh. Okay, so if he were going to be interrogated, it would have happened by now. So it’s probably not happening unless he’s going to see a Bat on the fire escape tonight. But if he can just reveal a tiny bit of his hand—just a little smidge—maybe he can avoid suspect altogether. 
“Yeah?” 
“I have to ask,” Wes says nervously. “It’s definitely not my business, but yesterday, when I dropped off the coffees…. I kind of saw the picture of that villain? And I was wondering… who told Mr. Wayne that the villain had a sticker of a My Immortal quote? Who had to explain to him what My Immortal is?” 
Because surely Tim knows, if not from having read the infamous fic then from doing research about the villain. 
Tim smirks and says, “That’s the best part, Wes. Bruce already knew.” 
He choked on air, “You’re kidding me!”
“I’m not. I’m really, really not. You didn’t hear this from me, but,” Tim pauses, giving a playful, sneaking look around for any listeners, and he whispers, “my brother Dick referenced it so much that Bruce read it himself.” 
“Bruce Wayne. Read My Immortal.” The fucking Batman read My Immortal? Willingly? 
“Oh yeah, he did.” 
“Did… did he recognize the quote? Did he remember?” 
“No, but he did when Dick said, ‘Damn, I hope Batman puts his middle finger up at that prep villain.’” 
“Jesus fucking Christ.” Wes knows he’s getting a modified version of what really happened, but he can fill in the gaps. Nightwing quoted My Immortal to Batman. And Batman recognized it because he once read the fic in an effort to relate to his teenage son. 
Well, vigilantes are human, too. Why shouldn’t Batman know who Vampire and Bloody Mary are? 
The next few minutes pass in friendly conversation before their order name is called, and both get up to collect. Wes tries to get two out of the three carton holders, but Tim intercepts. 
“Tim,” he says, half-chastising. 
“I just like helping! And this is getting me out of a board meeting.” 
Wes’s face screws up in distaste. “Well, that’s fair, then.” 
They make their way back to the 73rd floor of Wayne Enterprises and they are hounded in the way that has become so expected for Wes. A new addition to the coffee delivery is Rebecca’s eyes lighting up upon seeing that Tim is helping Wes. 
“Did you like last night’s meme, Mr. Drake?” Rebecca asks, collecting her venti iced mocha latte.
Tim nods, “I did. Nice work on the Photoshop. And the filming equipment should be down today.” 
Wes watches as Rebecca does her best not to squeal in excitement, “Thank you, sir!” 
He nods and turns to Wes, “I’ll see you later, yeah?” His black bangs do nothing to hide the way his eyes crinkle at the corners.
Wes nods wordlessly, his throat suddenly tight and full. Tim’s smile widens and he leaves for the elevator. 
When the doors close on his figure, Rebecca jams her index and middle fingers into Wes’s ribs, “Oh my god, were you two on a coffee date?” 
“Ow, Rebecca, what? No! He just wanted to escape the board.” Wes rubs his ribs comfortingly, his muscles stinging. “That hurt, what the hell?”
“Sorry!” She’s not sorry at all. “Do you think we can get him to do a TikTok for us?” 
He spares a glance at the elevator, which has long since taken Tim up to whatever floor he haunts. “Maybe? It’d make sense, considering the whole CEO thing. Why wouldn’t he be in a TikTok at some point?”
“No reason,” she says, but there’s a fire in her eyes and a mischievous cut to her grin that she fails to hide behind her coffee. Wes’s gut curdles in dread. 
“You terrify me.”
“Thanks! Now come to my office. You need to practice your lines for the TikTok.”
“I feel like my mom has to sign some kind of release form if I’m going to be on the WE TikTok,” he warns, but dutifully follows after her. “Also, you have a cubicle. Not an office.” 
“Hush, or I’ll take away your stool. And your mom already signed one, so ha.” 
“Hushing.” He mimes the action of locking his lips and throwing away the key. 
“Ugh, you’re adorable.” 
They get to the cubicle and each takes a seat, Rebecca immediately sorting through several stacks of papers before making a triumphant noise and handing him a sheet. Wes takes it and stares at it uncomprehendingly for a few seconds. 
“Rebecca, this is just stage directions and the lines to that Cunk on Earth audio.” 
She nods, “And if we get the TikTok approved fast enough, maybe we’ll even post it when the trend is still semi-popular.” 
“And what will I be actually saying?” 
“Don’t worry about that. Just focus on being able to lip sync.” 
“Oh boy."
xxXxx
Wes had thought he would have at least a few days to get used to the idea of having his face plastered all over the internet. Unfortunately, it would seem he underestimated Rebecca’s work ethic when it came to something she wanted because she only made him do three retakes, and then she made quick work of editing. Wayne Enterprises' first-ever TikTok would be ready to go live in the morning with his mother’s and Tim’s approval. 
The TikTok in question is Wes standing in the Wayne Enterprises lobby, smiling wide and happy at the camera when he first begins talking: “It’s hard to believe I’m walking through the ruins of the first ever city.” He pauses, drops the smile, and says, “Because I’m not: that’s in Iraq, which is miles away, and fucking dangerous.” Then, he holds up two cartons of coffee into the camera frame, all filled with (secretly) empty paper venti cups, and is swarmed by various WE employees who volunteered (or were coerced by Rebecca) to be in the TikTok. 
Rebecca doesn’t let him see exactly how she subtitled the video, but he can guess. And sure enough, when the TikTok profile and video simultaneously go live the next day and Wes sees it, he is proven mostly right. 
“It’s hard to believe I’m the new face of Wayne Enterprises’ official TikTok. Because I’m not: I’m just an intern, and I get the f*cking coffee.” 
Rebecca had even captioned it as if he were the one writing and posting: It’s at least a paid internship. The words are then followed by a string of hashtags. Well, that just goes to show that you can’t trust corporations’ social media, even if they do try to come across as real and friendly and like a person who could be your friend. Parasocial relationships are dangerous, who knew?
“The likes and comments are coming in fast,” Rebecca says, staring down at the WE phone that Tim had sent down with the filming equipment to use for the WE TikTok. She’s also done more than she needed to with it, downloading other social media and logging into them on her personal profiles. Wes didn’t comment on it, even if he did think it was not the smartest move, but she said it was so she could get away with “studying” current trends easier. 
“It is Wayne Enterprises,” he remarks. “It’d be like if, I dunno, if Superman finally downloaded TikTok. But, like, this is more corporate greed than ‘protecting humanity’ type of thing.”
“That’s true,” she nodded. “But I mean, the Waynes are pretty generous. I make more here than I would anywhere else.”
“Yeah, fair. And paid internships aren’t exactly common, either.” 
Wes wouldn’t admit it, but while he’d given up on proving the Fenton-Phantom conspiracy and other identities, he did still have a bit of a stalking problem. So when Google sent him a news alert about the Waynes making a press statement about the break-in, he immediately hit it to read the article while Rebecca read new comments on TikTok aloud for him to hear. 
The Waynes Speak About Break-in At WE
The article discusses how grateful they were to Batman and his flock for stopping the break-in, even if they hadn’t caught the new villain. Really, it’s just a puff piece about the Princes of Gotham’s perception of the Knights of Gotham. And considering Wes’s insider knowledge, the article comes across as a little condescending and self-praising, and he’s close to exiting the website when a throwaway comment near the end of the article catches his eye, and he reads on. 
VV: And are you at liberty to say what the villain was looking for? Is it something we should have our eyes on?
BW: [laughs] Well, it’s something that has been spoken about before, I believe? I think Tim could tell you more about it than me. He’s definitely got the brains. You know, when he was—
TDW: Haha, thanks, B! I can’t give too much away because the lead scientist on the project, Dr. Michelle Amir, will get upset, but I can say that we’re expecting a breakthrough in renewable energy. 
VV: Are you sure that’s all you can tell us? 
TDW: I’m afraid so. Dr. Amir is very protective of her research.
VV: And it would seem with good reason! It’s a good thing Gotham’s own….
…And the interview returns to preaching the Batfamily’s praises.
Wes has to roll his eyes at the Brucie Wayne persona trying to take every conceivable opportunity to gush about his children. 
Still, he recognizes that the article was published just a few hours after the TikTok started to go viral. Any reports about the WE break-in will be buried under tabloids dissecting the new TikTok profile and what this means for future WE advertisements. Clever, and exactly what he expects from the Bats. 
As he exits the website, a text notification pops up at the top of his screen. It’s from Tucker Foley and all it says is, “YOU!” in all caps. 
He sighs as a rush of other texts hit his phone from his classmates at Casper High, some even including the link to the TikTok. 
And so it begins. 
xxXxx
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syl-stormblessed · 2 years
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So I have been having some. ahem. thoughts and feelings about Anastasia and Samael since Nona came out, and I’ve been thinking a lot about why John killed Samael. I think that after obsessing over this I may??have connected some major dots. please correct me if i’m wrong on anything, but I am currently convinced I’ve figured something out. also please forgive me if it’s incomprehensible. but this is the locked tomb nothing can make too much sense
Nona spoilers ahead
short TLDR, in case you don’t want to read the whole thing: Anastasia & Samael would have merged their souls together and become a being like Paul. John killed Samael because he thought of the synthesis like Nona did at first, believing that they would both die, rather than create a new life made up of 2 souls, and he would rather lose one of them than both.
After finishing Nona the Ninth, I’ve been thinking a lot about Anastasia. Specifically, the fact that Anastasia never achieved Lyctorhood. From Harrow the Ninth, we know that Anastasia did extensive research on Lyctorhood, and the only person allowed to watch her attempt was John. And John kills Samael, resulting in Anastasia never becoming a Lyctor. However, Nona the Ninth revealed that John and Alecto’s Perfect Lyctorhood only worked because Alecto was Earth’s Resurrection Beast, and John couldn’t completely exchange their souls. Alecto held too much power, so even after John had consumed a massive amount of her soul, there was enough left of Alecto that she could still live. This implies that Perfect Lyctorhood, at least as we perceived it before Nona, isn’t possible with two normal people who have two normal souls. Alecto was simply made up of billions of souls. This means that what Anastasia and Samael almost did couldn’t have been Perfect Lyctorhood. Meaning that John didn’t kill Samael to cover up the fact that he lied about Perfect Lyctorhood. Because he didn’t lie about that, specifically. So the question remains: Why, exactly, did John kill Samael?
In Harrow the Ninth, John says, “She panicked midway through. She hadn’t got his soul inside her all the way—if she had, Samael dying would have killed her too…They were both in danger.” This is immediately questioned by Augustine, and for good reason: It’s total bullshit. We already know that panic and other intense emotions don't cause a failure of the Lyctoral process. At the end of Gideon the Ninth, Harrow flat out rejects the Lyctoral process after Gideon falls on the fence. During that scene, Harrow gave us the iconic “I cannot conceive of a universe without you in it,” because she was already so consumed by her grief. She actively tried not to become a Lyctor, yet she still did. She even begged John for Gideon’s life back. And we know that Harrow did do the process correctly. When she tells John she misapprehended the process, John says “I don’t believe you did, Harrowhark.” We know that it was actually her homebrew lobotomy that messed with her consuming Gideon’s soul, not her own feelings of distress and panic. We also have Augustine’s story. While talking about Anastasia in Act V, he says “It didn’t make sense that I became a Lyctor under scrambling pressure and did it right, and that Anastasia screwed up in laboratory conditions.” Just from knowing about Harrow & Gideon and Augustine & Alfred, we know that John was full of shit when he said that Anastasia’s panic was why he had to kill Samael. Intense emotions and “scrambling pressure” aren’t enough to fail the Lyctoral process. So we know that John didn’t kill him because of Anastasia’s panic, like he said.
So why did he kill Samael, then? That’s where Paul comes in. During that same conversation in Act V of Harrow, John says “[Anastasia] learned the trick was to do the Eightfold slower—more methodically...” And now that Nona has been released, we have an example of the Eightfold being executed slower and more methodically—the creation of Paul. Let’s go back to Gideon for a second. When Gideon fell on the fence, it was a spur-of-the-moment decision brought on by necessity. They both would have died if she hadn’t sacrificed herself and forced Harrow to consume her soul. It was not a premeditated decision, they had never considered actually going through the process. There was no viable option other than the Eightfold. It happened in a split second, and Harrow consumed Gideon quickly, resulting in regular Lyctorhood. Now back to Nona. When Camilla and Palamedes merge their souls together, they are both entirely confident in their decision. Palamedes offers Camilla a chance to say no, and instead she says “My whole life, yes. Yes, forever, yes.” Their decision is in a much more controlled environment, and both of them are entirely sure of what they are doing. And then they actually begin the process, which is much slower and more methodical. Every action seems to have a purpose, whereas Harrow & Gideon scrambled and panicked. Nona observes that “Nothing particularly interesting happened, until Camilla burst into flames.” For Nona to have noted that nothing of interest happened, it’s safe to assume that at least five to ten seconds passed before Camilla combusted, meaning it was a much slower process than that of Harrow & Gideon. Even without Nona’s observation, the process was much slower and well thought out. And the result of the slower process? A fusion, or synthesis, between Camilla & Palamedes—what I’m going to call “True Lyctorhood.” And if Anastasia realized the secret to Lyctorhood was to do the Eightfold slowly, she would have had the same results with Samael as Camilla & Palamedes. Their souls should have combined, and they should have achieved True Lyctorhood. This is where John’s words start to have a little tiny sliver of truth. When he says that Anastasia & Samael would have both died, he wasn’t entirely lying, but it wasn’t the whole truth, either. Nona struggles with seeing Paul as both Cam & Pal because she thinks of them as dead. She’ll never see either of them again, but she has a harder time realizing that they both still live on in Paul. I think that John was able to see that Anastasia & Samael would have merged their souls had they continued, and he could only view it as the death of them both, rather than a new life made up of two souls. So he chose the option that looked most favorable to him, and he killed only one of them, rather than lose them both.
Now, you may be asking, how do we know that Camilla & Palamedes did the same thing as Anastasia & Samael? That’s where Cassiopeia comes in (and some speculation). Again, in Act V of Harrow, Augustine says “I knew [Anastasia] was working closely with Cassiopeia.” Cassiopeia was helping Anastasia research Lyctorhood, so she would have had access to all Anastasia’s notes and research. And the Sixth House are scholars, Cassy would never get rid of information as big as an alternate form of Lyctorhood. Cassiopeia would have stored her information somewhere, and if she didn’t make it accessible to the house as a whole, she could have put it in the instructions she left. Either way, her and Anastasia’s research would not have been lost, and it would have had a clear tie with the Sixth House. And as Warden and Cavalier Primary of the Sixth, Camilla & Palamedes would have had some sort of access to this research, and would have known that such a thing was possible.
So where does that leave Anastasia & Samael? It means that they, had John not intervened, would have achieved True Lyctorhood and completely merged their souls. We know that John was full of shit, Anastasia’s panic couldn’t have been his reason. We have already seen successful executions of the Eightfold while both people are under extreme stress—or even actively trying not to become a Lyctor. We know the process executed by Camilla & Palamedes was similar to, if not exactly the same as, the process that Anastasia attempted. And we know that they would have had some kind of access to the research done by her and Cassiopeia. So. John saw that Anastasia and Samael would have merged and achieved True Lyctorhood, and he killed Samael because he would rather lose one of them than both of them, even though, had they continued, neither of them would have actually died.
Anyways. I have so many thoughts about Anastasia and Samael. why is this relevant to the locked tomb going forward? if I’m being totally honest, I have no idea. it’s important to me though. if you even care.
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