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#film marvel
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prokopetz · 5 months
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Insisting that there's only one good MCU film can be a much more effective way of winding up MCU fans than insisting that they all suck, but you've gotta pick the right one. If you claim Captain America: The Winter Soldier is the only good MCU film, they'll probably just be like "I disagree, but I can understand how you'd feel that way"; if you insist with a straight face that Thor: The Dark World is the only good MCU film you can get them to write entire essays about how wrong you are.
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ngl, I'm beginning to take issue with how in conversations about anti-intellectualism almost automatically, the face of girls and women will be slapped on the problem.
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doesnotloveyou · 6 months
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i'm actually very okay with "there was no other way this could end" endings. if they gotta die, let them die. if they gotta break up or go the wrong way or lose something important, let'em. so long as it completes the story. only thing i dislike more than a forced happy ending is a forced bad ending
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shesnake · 10 months
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Spider-Verse Artists Say Working on the Sequel Was ‘Death by a Thousand Paper Cuts’
Why don’t more animated movies look this good? According to people who worked on the sequel, Across the Spider-Verse, it’s because the working conditions required to produce such artistry are not sustainable.
Multiple Across the Spider-Verse crew members — ranging from artists to production executives who have worked anywhere from five to a dozen years in the animation business — describe the process of making the the $150 million Sony project as uniquely arduous, involving a relentless kind of revisionism that compelled approximately 100 artists to flee the movie before its completion.
While frequent major overhauls are standard operating procedure in animation (Pixar films can take between four and seven years to plot, animate, and render), those changes typically occur early on during development and storyboarding stages. But these Spider-Verse 2 crew members say they were asked to make alterations to already-approved animated sequences that created a backlog of work across multiple late-stage departments. Across the Spider-Verse was meant to debut in theaters in April of 2022, before it was postponed to October of that year and then June 2023 owing to what Entertainment Weekly reported as “pandemic-related delays.” However, the four crew members say animators who were hired in the spring of 2021 sat idle for anywhere from three to six months that year while Phil Lord tinkered with the movie in the layout stage, when the first 3-D representation of storyboards are created.
As a result, these individuals say, they were pushed to work more than 11 hours a day, seven days a week, for more than a year to make up for time lost and were forced back to the drawing board as many as five times to revise work during the final rendering stage.
"For animated movies, the majority of the trial-and-error process happens during writing and storyboarding. Not with fully completed animation. Phil’s mentality was, This change makes for a better movie, so why aren’t we doing it? It’s obviously been very expensive having to redo the same shot several times over and have every department touch it so many times. The changes in the writing would go through storyboarding. Then it gets to layout, then animation, then final layout, which is adjusting cameras and placements of things in the environment. Then there’s cloth and hair effects, which have to repeatedly be redone anytime there’s an animation change. The effects department also passes over the characters with ink lines and does all the crazy stuff like explosions, smoke, and water. And they work closely with lighting and compositing on all the color and visual treatments in this movie. Every pass is plugged into editing. Smaller changes tend to start with animation, and big story changes can involve more departments like visual development, modeling, rigging, and texture painting. These are a lot of artists affected by one change. Imagine an endless stream of them."
"Over 100 people left the project because they couldn’t take it anymore. But a lot stayed on just so they could make sure their work survived until the end — because if it gets changed, it’s no longer yours. I know people who were on the project for over a year who left, and now they have little to show for it because everything was changed. They went through the hell of the production and then got none of their work coming out the other side."
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curiosity-cat · 6 months
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if you told me there was a mcu movie featuring a cats the musical song, two alien species of the queerest looking people ever, including one that can only communicate through song and dance, mentions of fanfiction, three female superhero leads, only one of whom is white (and she has multiple romantic coded interactions with other women), found family, and iman vellani living her best life?? i absolutely would not believe you. anyway everyone should go see the marvels.
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kidovna · 5 months
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save me fem presenting loki… fem presenting loki save me….
bonus:
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avengerscompound · 1 month
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Sebastian Stan as Bucky Barnes My favorite look in each show
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bridoesotherjunk · 8 months
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so I saw this article today
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That says "5 years later, Sony still doesn't understand why it's biggest spider-verse hit worked"
And the article mainly talks about how the Venom films are self contained and don't try to be films in a cinematic universe. They have a clear identity. Yes, there is no Spider-Man in them, and that's okay because they knew what they wanted to do without him when they made the films. They even say at one point "the Venom films are not for everyone, but at least they know what they are"
This is something I personally have talked about many times. And I've seen other Venom fans talk about. And what I'm seeing MCU fans starting to say more and more now. The movies work when they have a clear story and identity and don't feel interchangeable or formulaic.
You could take any Disney plus marvel show or 'phase 4' movie and switch the characters around and the story would probably stay largely the same, or at least feel the same. We all know what I mean right? The characters all make quips like Tony Stark no matter if it is in character or not. They talk and act the same.
But the Venom films? You couldn't take Tom Hardy's Eddie and swap him with the mcu cast. He acts so differently than 90% of them, he wouldn't fit in. He's fucking weird and unhinged and is very much Tom Hardy's brain child.
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Also the Venom movies worked because queer people liked them. The films were hugely popular with LGBT audiences but you didn't hear that from me 👀👀👀👀
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nounaarts · 1 month
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LEAKED SCENE FROM SONIC MOVIE 3 ??
*queue 80’s music*
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Here’s all their crimes listed :)
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demifiendrsa · 4 days
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youtube
Deadpool & Wolverine | Official Trailer
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Posters
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itsagentromanoff · 5 months
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Rest In Peace
Andre Braugher 1962-2023
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krasnyel · 4 months
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lokius sketches in honour of me missing them endlessly
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toxxenn · 11 months
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I haven’t seen people talk about this yet but just like fucking kudos to the marketing team of this movie because with the way everything was edited and marketed we all believed The Spot to just be some silly little guy. None of us, like Miles, was taking him seriously and that was ultimately the way he gained power.
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theavengers · 3 months
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Maria Rambeau in the Multiverse: - Maria Rambeau (616) in Captain Marvel (2019) - Maria Rambeau/Captain Marvel (838) in Doctor Strange in the Multiverse of Madness (2022) - Maria Rambeau/Binary (Timeline Unknown) in The Marvels (2023)
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unicornspwnall · 5 months
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THE MARVELS (2023) dir. Nia DaCosta
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