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#i love drawing group scenes like this so much my gosh
yayswag · 11 months
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discovering the joys of reading at the local library!!!
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doltoin · 28 days
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i definitely know what you mean about tsats…..my expectations were way too high and to me, nico and will were way out of character. there’s so much i could say….no offense to mark but I really really don’t think they understood their characters. it’s not ruined for me though, i think bc I’ve been reading so many good solangelo fanfics that i honestly don’t really consider tsats canon, it’s just an interpretation of them from another author that i don’t need to agree with 🤷‍♀️ i hope your inspiration turns but if not I’ve really loved your gorgeous solangelo arts and wish you well ♥️
gosh sorry completely missed it hope it didn't sit unanswered for too long...
i think the problem for me(besides them being ooc) was the fact that everything was resolved too easily and felt cheap and so the solution of the conflicts brought me no satisfaction. the scene with di angelo family group hug upset me so much:( someone pointed out that they completely ignored bianca's story and her wish to be reborn... and damn dude you're so right) and don't get me started with the lack of his current family in the book, with numerous unique bonds nico had with characters completely abandoned( like hazel, reyna, hestia)!!!😔
and thank you! really they mean so much to me so i hope one day my desire to draw them comes back too and new illustrations would be better then ever!!!!🩷🩷🩷🩷
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enchi-elm · 11 months
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Gosh. The hardest part of planning to write a tallster fic is realizing how much history was condensed for the sake of the show, and then the deeper you start reading (which is still relatively surface) the more you struggle whether to write historically accurate or lean into the fact that it's already not and instead write something that passes as 'appropriate' for the time-period. How the hell do you do it (awe)?
Hello, Delightful Human!
Casual blog readers, this Delightful Human left a truly wonderful comment on my huge Tallster multichapter and now seeing their username always makes me smile.
First of all, from this ask it sounds like you yourself are embarking on a historically accurate (ish) Tallster fic, to which I give you my most heartfelt encouragement and <i>sincere</i> condolences.
I really didn't know what I was getting into with Wind and Water. When I wrote Chapter 1, naive and with good intentions, the only historical understanding I had of the American Revolution was what was presented in the TV show. Not being American myself, it was never covered in school, nor had I ever been interested in it until I saw my two rogue boys swashbuckling across the screen playing at being spies.
So I know intimately the dilemma you present. Once I started delving, and oh boy, did I ever delve, I realized it was going to be impossible to present every aspect of the events I wanted to highlight in a way that captured properly and respectfully every point of view I wanted to include. To this day, I don't know about the major campaigns before and after Valley Forge, nor the greater political context of Washington's position and relation to Congress. (You know who does? @tallmadgeandtea)
To me, it was always more important to stay true to the emotional core of the story, and for that, I realized my ignorance wasn't as big a stumbling block as I thought. Nobody knows what's going on in a war, not <i>really</i>. Most of the events you're writing about were experienced through very very narrow perspectives. Ben is trying as hard as he can to figure it out, and even he gets it wildly wrong, endangering the people he loves most. On a personal level, on a soldier level, on a Caleb-and-Ben level, the things that were going to impact them were the things I prioritized learning about. And I leaned into the chaos. Centuries later, we still don't have clear answers and almost all the investigation comes from the Patriot side of the war. Getting it 'clean' and 'correct' was no longer the objective. Mess and confusion are central to any conflict.
So the setting became really important. The Frontier, the forests, the hills. The feel, the cold, the sensory bits. (I also played a stunning amount of Assassin's Creed III while I was writing, which may or may not have helped with some of the scenes.)
And honestly, I got a lot wrong. About two years into writing You've Caught Me Between Wind and Water, I submitted an early chapter of it to a writing critique group and was promptly informed just how much bigger and more industrial the Valley Forge encampment was than how I'd envisioned it. I pulled in elements of that knowledge into subsequent chapters, gently massaging the portrayal of the camp in my narrative. Wasn't until about Chapter 9 that I started reading Joseph Martin Plumb's account of the war, at which point it really sank in just how <i>miserable</i> and dire a soldier's experience was. So then that helped fuel Shepherd's characterization, and Reggie and Freddie and Stanley.
So, the short answer is:
Keep the emotions front and centre. The rest is just very clever window dressing, really.
Read as many historical sources as you can and learn when to draw the line and make executive decisions (maybe Washington didn't give Ben an earful about the horses <i>this month</i>, but it did happen and so it could have happened). People haven't really changed in millennia, so make them human before you make them historical figures. Remember that it's your story and you can include anyone you want (and indeed, restore them to their rightful status and importance, cough cough, "Han Yerry", cough.)
Try not to pull your hair out, but remember it grows back. Talk to people who know better than you and read other stories that are historically accurate but don't centre the history. Personal favourite examples from my circle of friends (who I have to promote whenever I can because I think they're all amazing) would be Lucyemers' Bewitching Precision, CrepuscularPetrichor's May 1792, LadyTP (@ladytp)'s ....Lady, where did Seven Autumns go??? I can't find it on AO3! Also ASheepsLife's Who could resist Deliverance and of course, the most historically accurate one I know about, Cchambers' The Summer Soldier and the Sunshine Patriot.
And thank you for asking your question! Hope this helps.
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2n2n · 5 months
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Hi hi I pretty recently got back into tbhk and fell harder than before lol. And I just gotta say I love your content! It's so refreshing to see someone in the fandom who.. idk... just gets it. Like the complexity of the manga and the relationships in it. Ever since I got back into the manga I've been reading all kinds of theories and discussions online, because just. Seeing people ramble about stuff they like for paragraphs gives me so much serotinin idk. But most of the time my brain would just go "he would not say that" mode gdhdvd case in point how so many still don't think Amane loves and cares about Tsukasa despite the manga basically screaming it into your face.
So yeah basically I just had to say I love your posts and godspeed 💫
ITS A GREAT TIME TO BE BACK INTO JSHK!!!! It couldn't be more exciting right now ((: every update steams my brain into a soft expanse.
AHAHA gosh well I'm glad I'm to your taste ahahaha, yeah… most discussions feel kind of "stuck" in conclusions drawn from the earliest volumes. It feels like many are still only ever looking at that bandaged classroom Amane, and drawing their conclusions off of scant exchanges between the twins from vol 4-7. It feels like everything from vol16 onwards is not really taken into consideration… !
I barely exit my own little pen but when I do, gah ahahahaha it's very "he would not say that" … completely missing the beauty and artistry of the manga!! It's quite egregious at this point, isn't it? Of course Amane loves Tsukasa, so painfully he can't look at him for long. So many scenes, and then all of Aida-sensei's doodles … I think it's just a kind of stubbornness. Some people wanna double down on their first impressions forever, I think! Especially if they made them super emotionally, or their friends did xD I think there's a kind of 'lowest common denominator' thinking that is sort of falsely elevated on the pretense of it simply being the "least risky thing to say". A lot of people these days communicate in like, big group chats, very social platforms with a lot of spectating … so what floats to the top is … the same 'safe' things to suggest or infer, you've heard 1 million times before, but everyone will 'yeah!' to. In that environment, it's best to double down repeatedly on what you've all socially already agreed on being 'the take' … you don't get a lot of "I reread the whole manga from top to bottom, and, actually I think everything we've been thinking is wrong, based on new context?" ahaha....
anyhoo…. thank you ^^!!! I really.. would make my posts even if nobody liked them at all….. but I am happy to entertain hehehe. It's such a fun manga!!! it's such a good time!!!! hope you have a lot of fun too coming back to it :DDD
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swiftlythebest · 10 months
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I LOVE YOUUU ❤️❤️❤️❤️ And can’t wait to see you tomorrow!!! As for a question…what is your favorite moment from each Heartstopper episode??
I love you tooooooooo!!!!!! I can’t wait to go to ANOTHER Pride with you!!
A BIG question! Oh gosh.
Episode 1: I love the lil “hi” montage. Especially contrasted with Ben ignoring Charlie. But the “hi” montage is something I love in the comic and love in the show and it’s such a great way to show their developing friendship without having to draw it out over a long period of time. And then the banter on the way to maths (such a British sentence omg look at me) is top tier.
Episode 2: The sparks/hands scene. I remember during my first watch, while I was obviously already so into it, that moment was the first moment when I thought “this is something so special. This is what pining feels like.” Everything about that scene is so perfect and gets me every single time I watch, despite having watched it so much already.
Episode 3: the whole sequence from when Nick goes onto the dance floor during Clearest Blue (WHICH WE EXPERIENCED LIVE TOGETHER) to the kiss is one of my favorite things I’ve ever watched ever. The music, the queer joy, the butterflies that scene always gives me!!! It’s perfect.
Episode 4: I love the little moment when Charlie goes into form the day after the rain kiss and he and Nick can’t contain their joy and Nick gets a lil smug look at the end and it’s so sweet and wonderful and I love that moment so so much.
Episode 5: the kiss in the arcade is so good, but if I’m being honest, the hug by the snack bar is so special to me. Both Nick and Charlie were so insecure for similar but different reasons and you can almost see the tension leaving them during the hug.
Episode 6: the whole milkshake scene is so good. I’m obsessed with found family and queer friend groups and all of that. I love the dynamic and the different relationships and it’s so good. But Elle drinking a banana milkshake will forever haunt me. You’re making fun of bubblegum, a perfectly fine dessert flavor, but letting BANANA slide?!
Episode 7: look, it’s cliche to choose Joe’s favorite, but the scene between Charlie and Tori is so heart wrenching and beautiful and hits me so hard. The acting is wonderful and the content is so important.
Episode 8: this episode kills me. The DRAMA they pack into those 30 minutes. Nick’s coming out will always be so special to me, but the sports day stuff is just such a great way to check in on all the characters and resolve all these conflicts while also just being a fun sequence to watch.
I love that you said favorite moment and for three of these I chose scenes that make up a large part of the episode. BUT I’M BAD AT DECISIONS, YOU KNOW THAT BETTER THAN ANYONE!
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morkofday · 2 years
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Not Me for the fandom ask thing! 😊🥰
lizzieeee~ thank you a lot for asking! gosh am always so excited to talk about not me :') let's go!
001 | Send me a fandom and I will tell you my:
Favorite character: Sean i think i’ve established already that i am utterly in love with this mess of a man. i still remember when i was watching the first ep of not me and at the end we have white finally meeting sean for the first time and i instantly knew sean was gonna wreck me emotionally. bc what am if not a slut for emotionally constipated boys who turn out to be super soft and only in need of some love and understanding? yeah. and then the nightmare scene happened at the beginning of ep 4 and i was like. yup. called it. my blorbo now. 
Least Favorite character(s): Dan and Gram ok ok hear me out. i don’t hate either of them. i truly do not. i find both of them quite charming in their own ways and i love them as part of the group. but out of all the characters we get to meet and see in this, out of all the characters that aren’t just straight up shitty, i find gram and dan the most boring. they’re kind of plain. the writing doesn’t do them justice bc they could’ve both been so much more. i expected them to be a lot more - and yet. 
5 Favorite ships (canon or non-canon): SeanWhite, DanYok, GramBlack, ToddBlack, GramGeneBlack
Character I find most attractive: Yok i wanna say sean bc he is one handsome motherfucker (all bc off is just. so pretty). but also just. yok. my absolute beloved. he has the looks. he has the wardrobe. he has the damn tattoo and the personality. he could flirt the pants off from a fucking table. he is absolutely mesmerizing and i do not blame dan for going absolutely bonkers bc of him. i would too. 
Character I would marry: Gumpa our garage dad! i would absolutely say yes to him if he asked lol. we could have a comfy life. he could do his gay garage revolution trainer stuff and i could maybe like. edit and draw and study in the corner. we could cuddle up when the time calls for it. no one can bother either of us about future marriage. we can stay bffs. maybe he can offer me a hug and some head pats, who knows. idk what i can offer him but i’ll try my best which seems to be enough for him. hey maybe this is not marriage but adoption instead. i have the papers ready man, get out your pen-
Character I would be best friends with: White this is all based on personality. i think all the other character would be a bit too intense for me to be best friends with. other than gumpa who i mentioned above, i could only see myself hanging out with white. he’s sweet and quiet and calm. he likes reading just like i do. maybe we could go do a couple of leap of faiths at times to spice things up. we can go brood by the sea. i won’t let him go drown himself tho, i swear.  
a random thought: we need a second season about black’s toxic relationship with todd. give us all the dirty little details. twist them up and break our hearts. or wait no, let them both be twisted together but make todd see he can be much more than a rich little shit. also i just wanna see more of black and how he came to be with his gang and how he actually cares about those assholes.
An unpopular opinion: Namo shouldn’t have been made to be in love with Sean idk how “unpopular” this opinion is but it always frustrates me when friendships between men and women are made romantic. there always seems to be this romantic aspect to it and i am just tired. can’t it just be a platonic relationship where they’re both comfy with each other? i thought we got that with them at first. they were just being so casual, and namo seemed to pick up on white’s interest on sean quite early. i thought she was just being an observant best friend. but no, they had to make her confess and kind of ruin that friendship. i know they can still be friends after but was it really necessary? tho of course her confession provided us with the extra angst when sean goes to her after getting beat up by black but dammit, you could’ve gotten that from somewhere else too if you just wanted to pile up on the angst. 
My Canon OTP: SeanWhite they are just so good. i adore they. i want to cry so much more bc of them. i miss them and their lovey-dovey nonsense ♥ 
My Non-canon OTP: ToddBlack yes i am in this pit too and what about it, i like how twisted they could be and how their past could just be so heartbreaking and how they could maybe have a future. i can dream. 
Most Badass Character: Black i think the ending episodes speak for themselves. like damn, ever since i saw him first fighting with todd and then going against half a swat squad with his bare hands i have not been the same, that was so sexy. 
Most Epic Villain: Todd idk if he’s truly epic in any sense bc he’s mostly just pathetic. but god is he more interesting than tawi or the twins’ parents. so him it is. also at least he dresses up better, those open shirts were truly something else. 
Pairing I am not a fan of: BlackGene/GramGene i didn’t really mind these happening in the drama but i just. didn’t really get into them? it felt boring. even more boring when we somewhat got baited with it being gramblack. what a disaster that was sigh. rest in peace our nice little ship. also pls eugene deserves someone so much better than either of these boys and i think she should date a girl instead actually. 
Character I feel the writers screwed up (in one way or another): Gram like i said before, both him and dan could’ve been so much more. they gave us so many promises with gram as the drama started and then continued but then made him just very boring. and somehow even an asshole? bc at the beginning he seemed to care so much about black, and i actually adored the thought of black having someone like gram in his life that he actually let a bit closer to himself. but then they just. brought in the whole gramgene mess. which made all of gram’s motives kind of dubious. like idk if the writers just simply forgot that the gang wasn’t actually white’s gang but black’s but god dammit they wrote black out of it quite harshly. 
Favourite Friendship: Sean and Yok absolutely obsessed with this couple of unhinged besties ♥
Character(s) I most identify with: Sean and White i feel like i’m a strange mix of both of them which probably explains why i like their relationship so much. i sometimes get very defensive like sean and i can be a bit impulsive at times too. am also bad at admitting my own mistakes, tho i will not go choking someone else about it hhhh. also i doubt myself and try to correct my own thinking like white. i try to be better. tho i can also see myself being as stubborn as sean when it comes to things i believe, and then again as understanding and sweet as white is with everyone around him. 
Character I wish I could be: Namo she seemed just so cool in the series. she was an artist and very sure about it, and i truly admired her ambition and knowledge on things. also she was best friends with sean - and i truly refuse to think of them as anything else so let’s ignore the romantic part. i also just wanted to steal her style so this would be an easy way to do that haha
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sunnysviolin · 3 years
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Omotober Day Six
“Bran thought about it. 'Can a man still be brave if he's afraid?'
'That is the only time a man can be brave,' his father told him.”
― George R.R. Martin
The walk home had become much more fun since they had met Aubrey. Before they met her it was just him and Kel. That wasn’t to say Sunny hadn’t had fun on those walks. Kel was his best friend, and he never pressed Sunny out of his comfort zones. He did pretty much all of the talking between the two of them and only stopped periodically to check in with Sunny or get an encouraging nod. Sunny loved to listen to Kel’s ranting and wild made up stories, and he usually ended up drawing them once they got back home. But now that Aubrey was there too, it wasn’t just a walk. It was a performance.
“Did not!”
“Did too!”
“Did not!”
“Did too!”
They continued back and forth, practically tripping over each other in their haste to respond. They had seemingly forgotten anything was around them but their ranting, facing one another as they walked and expertly avoiding obstacles with the practiced ease of those who were used to doing two things at once.
Aubrey had only joined their friend group a week or two ago, but she fit so seamlessly in with them it was hard to remember she hadn’t always been there. Kel had found a sparring partner in her, Mari finally had a little sister to spoil and do girly things with, and Hero could have made friends with a brick.
As for Sunny? Well he wasn’t too sure exactly what he thought of the girl, but he enjoyed having her around. He had never been a fan of loud noises or anger, but somehow with Aubrey it was different. She never stayed angry for long, and even when she was mad, she had never been scary.
“Did too times a million!” Aubrey declared, and Kel gave a disgusted growl, throwing his hands up in the air. She smiled smugly and stuck her tongue out at him, which only started their argument anew as Kel’s fire was rekindled by her slight.
Sunny smiled to himself as their back and forth sped up even more, and he continued to walk innocently at their side. As long as he didn’t call any attention to himself, they wouldn’t remember to drag him into it and try to get him to pick a side. Sunny couldn’t exactly remember what started their argument, or why they were still going at it after being at each other's throats since they had all gotten on the bus, but their shouting was funny.
An unexpected bark broke through his happy haze, and Sunny froze. His good mood evaporated and in its place was cold fear, dripping down his back and gluing his feet to the sidewalk. Hector bounded closer, tongue waving in the wind as he ran towards them. Kel cut off his argument with Aubrey and called for his brother. He intercepted the dog as it got to him, holding his collar fast and keeping him back from Sunny.
Aubrey gasped and clasped her hands together, squealing at the arrival of the furry terror. She skipped over, elated by the new arrival.
“Oh my gosh, who is this?” She asked, holding out her hand towards him. Hector was distracted from his mission to squirm out of Kel’s grasp and sniffed her hand with a laser focus. Once he had determined she was friend and not foe, Hector refocused his efforts to escape.
“This is Hector. He’s my dog,” Kel said, his words punctuated by pauses as Hector jerked them back and forth trying to get his freedom. Hector was only a dog, but Kel was also only a nine year old boy, and trying to hold onto an energetic ball of fur was quite the exercise.
Sunny tried to remember the steps Mari had given him for when he felt like this. Calm down.. Focus. No, he had to focus first, right? He couldn’t remember, and if he couldn’t remember the order, then it wouldn’t work. Sunny shut his eyes tight, letting black starbursts try to distract him from the pain in his chest. It didn’t work, then he was just scared he wouldn’t see if the dog came near him. He opened his eyes again. Kel was watching him with a worried look, and shame colored Sunny’s cheeks. It was bad enough to have such an overreaction to something completely normal, but Kel’s eyes on him somehow made it even worse.
“So cute!” Aubrey shrieked, not noticing what was going on between the boys. She squatted down and let Hector lick at her face, giggling in joy and scratching behind the dog’s ears. She took his face in her hands, speaking to him in a sweet baby voice, “You’re just a little lovebug, aren’t you?”
“Yeah,” Kel said, trailing off. He was clearly distracted by trying to manage everything around him, “Where is Hero?”
Said boy was hurrying up the street, an electric blue leash in his grasp. He was panting from exertion, the same way he always did when what they were doing required any exercise, and Sunny vaguely wondered if Hero had his inhaler with him. It was just running up the street, it shouldn’t trigger an asthma attack, but Sunny also knew that stress sometimes made them worse and could make just breathlessness pull into a full attack. On top of the fear and on top of the shame, now he also had to deal with guilt wrapping around his shoulders for causing Hero to have to run out and help him.
“I’m so sorry guys, Mari and I left the door open to get a breeze and I wasn’t paying attention to where he was,” Hero explained as he clipped the leash to Hector’s collar and pulled him into a heel. Hector walked in circles around Hero and tugged to try and get closer to the group of kids. The second Hero had him, Kel was back by Sunny’s side, blocking him and Hector with his body and quietly checking over his best friend. From around Kel Sunny spotted Mari walking over at a much slower pace, and the steel in his spine began to melt. Mari meant safety.
“Why are you sorry?” Aubrey asked, cocking her head to one side and looking around. She finally saw Sunny hiding behind Kel and she seemed even more confused.
Mari arrived with a gentle smile, walking around Kel and hugging Sunny close without words. He wrapped his arms around her automatically, breathing out a sigh and letting the tension fall out of his shoulders and onto the ground. He had felt better when Hero had intervened, but Mari was the one that made him feel safe again. If she was here, nothing bad would happen.
“Calm down. Focus,” She whispered, and the order clicked into place in Sunny’s mind. Once he knew that, he took an experimental breath. It was easier. He could do it.
“Sunny’s afraid of dogs,” Kel explained as the sibling had their moment, “We always keep Hector in our parents room when he’s around,”
“I completely lost track of time,” Hero said apologetically, rubbing the back of his head with one hand. Now that Sunny was taken care of, Kel knelt down by Hector and shushed the still whining dog, scratching underneath his chin the way he liked. Hector’s leg began to shake erratically and he held his head high to give Kel better access.
“It was an accident,” Mari replied, keeping Sunny close to her. When she worried she liked to have him right beside her, and he never minded. Beside her was the best place for him.
Aubrey hummed to herself, clearly taking in all of the information. She pulled her mouth into a thoughtful frown surveying the scene around her. The young girl walked away from where the brothers were and over to Sunny and Mari. She stood in front of him with her hands behind her back rocking back and forth on her heels.
“He’s a nice dog,” Aubrey stated, shooting Sunny an encouraging smile. She kept her voice sweet and light, the way she always talked to him. He bit the inside of his cheeks, avoiding eye contact with the girl. The shame sitting in his belly got worse.
He knew that Hector was a nice dog. Hector was the only dog that Sunny could even get relatively close to, but that didn’t change the fact that he was a dog. He was loud, and he jumped, and he licked, and the energy was just...too much. Sunny didn’t even have a good reason for being afraid of dogs, he just was. He had always been, and he always would be. It was frustrating. It was humiliating.
“It’s okay, Sunny,” Mari soothed, as if she knew what route Sunny’s mind was bringing him down. She patted his shoulder and turned to Aubrey, “It’s just something that he’s uncomfortable with, it’s not something that has to change.”
Aubrey loved Mari. She liked all of them, but Sunny knew that it was more with Mari. Aubrey looked at her like she hung the moon and the stars, and her word was law. They had only known Aubrey for a short time, but he already knew that she would never disagree with his sister.
That’s what made her next words so shocking.
“My mom says that fears should always be confronted. You can never bring light into the dark unless you open the door.” Aubrey stated, the words clearly rehearsed from hearing them over and over. She ended by holding out her hand towards Sunny, her smile never wavering.
“Aubrey...” Mari started with a sigh, her voice kind but delicately firm. Sunny knew what would come next from that tone.
Mari would gently put Aubrey down from the idea and bring Sunny back to the shelter of their house before anything else could happen. She would wrap him in blankets and hot chocolate and love and he would never have to confront what scared him so badly. It was the option he knew, the one that he should take. It made sense and it was safe, responsible even. It would be foolish to break out of what he knew and go beyond into the unknown.
But Aubrey was still holding her hand out. She still believed in him.
Sunny took her hand before Mari could finish her thought, letting himself be pulled out of his sister’s arms. Aubrey hummed a happy tune as she walked them away from Mari and back towards the boys. They were staring at Aubrey in silenced shock, Kel managing to keep a tight grip on Hector’s collar in spite of being clearly lost for words.
Aubrey, unphased and unafraid, changed her grip on Sunny’s hand and turned it so the back of his hand was facing Hector.
“So what you do is let him smell you. That way he knows you’re a friend, and you know that he’s okay with you being close to him.” Kel and Hero had taught this to him over a dozen times, but trying now wasn’t quite so stressful.
It had to be the way Aubrey held no fear or concern. Every time he had tried this before, his sister and friends had reassured him they were holding Hector tightly and that should anything go wrong, they would be here. The possibility of going wrong was what scared Sunny so badly, but that possibility wasn’t present now.
Hot puffs of air hit the back of Sunny’s hand as Hector eagerly sniffed the offered appendage. Kel still had his arms looped around Hector’s neck and Hero was holding the leash, and nothing had gone wrong yet. A pink tongue darted out and licked at his fingers, and Sunny pulled away. It wasn’t the normal jerky motion that was usually accompanied by a sudden breathless panic, he just didn’t like that feeling. Aubrey giggled and reached her own hand out to pat Hector on the top of his head.
“If you pet him, he won’t be able to lick at you,” She commented, and Kel took the silent direction to turn Hector close to him so Sunny could reach his body, “He’s really soft!”
She was right, Hector was soft. His fur was thick and glossy, clearly cared for and brushed thoroughly to keep it this nice. Sunny had seen Kel brushing Hector in the backyard plenty of times before, but now he could see the appeal of putting in all that work. Experimentally he scratched his fingernails against the dog’s body and he was rewarded by Hector giving a full body shake, turning so Sunny could get to his other side.
This was nice, unexpected, but nice. Mari was coming over now, putting a hand on Aubrey’s shoulder and beaming. Sunny turned around to look at the two of them and awarded the girl’s with one of his rare smiles, both of them lighting up at the unexpected happiness on Sunny’s face. Aubrey let go of his hand and turned all of her attention onto Hector, distracting the pooch with her baby talk.
“Are you fwiends now wiv Sunny? Yes you are, yes you are you sweet little baby,”
Sunny pulled his hand back, but he didn’t retreat. He was focused on watching Aubrey. Strong, confidant, idealistic Aubrey. Sunny finally figured out what he thought of her.
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Text
I Know Places
Loki x Reader
1989, chapter 12
"And everyone was watching"
Summary: It's hard to find the one, but even if you do find him it's always going to be a daily struggle to make it work. Can you even make it work after he broke your heart? The answer to that is complicated, but it all started when you found each other again in the stark tower- and that's where our story begins.
Word count: 5,106
Warnings: an intense game of Uno, angst, fluff, Odin, and one perfect punch. Not in that order.
A/N: we are so close to the end! Thank you @chrissquares for the beautiful dividers! And thank you so much for @nacho-bucky for beta reading this for me!
No one is allowed to repost my writing or steal or copy my work! Reblog on tumblr is fine.
Series masterlist
Song on Spotify and YouTube
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His hands were on your waistline yet again when you woke up. It has been this way ever since Bruce cleared you from the med bay. Loki refused to leave your side. Every time as you fell asleep you felt the tingles of Loki's magic, helping you calm your mind and dream peacefully. Loki had told you all about what happened, so once he managed to get through your powers he took it upon himself to make sure you sleep safe and sound. You didn't remember your dreams, yet whenever you woke up you could not feel more at peace. It had been far too long without Loki for you- it always was.
You slowly cracked your eyes open through the daylight, coming face to face with the trickster god sound asleep. You couldn't help the smile that took over you- he looked so young, so innocent, here sleeping next to you with a soft light casting shadows on his long lashes. You brushed a strand of hair from his face and when he stirred you turned around and backed into his embrace.
"Good morning, darling."
"Good morning, Loki." You hid your head into the soft pillow loving how it now smelt of him, taking his hand that was draped over you and lacing your fingers with his, tightening his hold on you.
Opening your eyes you looked at the small blaze that stayed seated on your bedside drawer.
"Oh shoot, we forgot to put the candles out last night." You looked around the room where candles were still lit up, giving the room a warm light besides the illumination from outside.
"Leave it, darling. Let's go back to sleep." He kissed the side of your neck, grunting when you got out of the bed, leaving him in the warm sheets. "You don't need to put them out."
"It's dangerous, Loki, it'll take just a moment."
You went around the room and put out the small fires along the way, one by one. You got to your dresser and blew on the candle softly before stepping away, and then you noticed it didn't die out. You blew on it again and yet it only swayed.
"I can't put this one out." You tried again.
"Maybe it doesn't want to, just leave it be." Loki groaned as he stretched in bed. "Leave it lit."
You huffed and blew on it again with more force, and the fragile little flame burnt out, leaving the room lit only by the outside rising sun.
Satisfied with yourself, you went back to the bed, and fell on top of Loki with a giggle.
"Okay, now we can rest."
The walls were filled with hushed chatter as Thor passed the gold filled halls. He went through the familiar corridors with his head held up high until the guards pushed open the door for him and he entered the throne room.
"My son, what have you come here to inform me?" Odin looked down upon the golden haired prince as he walked towards the stairs of the Allfather.
"Well Father, I'm sure you will be glad to hear that we managed to find Y/N and she is all better now." Thor smiled at his father before continuing, "We also found the missing weapons, but I'm afraid there are some bad news as well…"
"Well, get on with it."
"We figured out who was responsible for the missing weapons- apparently it was Lady Iyllir, Father."
"What? How preposterous. You can't expect me to believe that! The lady and her family are very well respected, and the young lady is to marry your brother soon!"
"During the battle we saw her there- she was threatening Y/N and others. Loki had to take her down." Thor tried explaining to his father, but it was of no use. "I saw it."
"You saw it? Are you certain Loki didn't just act without thinking?" Odin questioned his son, Thor just nodded, remembering how Loki had looked at you when you laid motionless as they took you back from the warehouse.
"I have no doubt that he thought it though, what was done was necessary and just."
Odin only hummed, considering his son's claims.
"It ended as it should have, and besides- we got everything back!" Thor laughed lightly, smiling at his father but it didn't last long.
"Not everything."
"As much as I love having you back, kid, I will have Steve ground you to your room if you do what you're about to do!" Tony threatened you and you bit your lip to hide your smile. You looked to Natasha in front of you, and to Loki next to you, before laying the card on the center of the table.
"Take four, Uno." You let the smirk take over your face.
"Gosh-darn it- fucking hell-" Tony grumbled as he took cards from the pile.
"Come on Tony leave her alone, her cards were just better than yours." Steve chuckled and looked over at you.
"Yeah Tony, I won fair and square." Loki smirked besides you and put a hand around your waist.
"No, I don't trust it." Tony pointed at Loki and then at you. "You helped her cheat, didn't you?"
"I don't know what you mean, Stark." Loki tilted his head a bit in a show of innocence, but Tony didn't have any of it. "Why would I interfere in the game?"
"You kids are in love, that gives you motive!"
"Perhaps, but alas you have no proof." You could feel him relax next to you as others laughed and some even threw cards around until you couldn't continue playing the game and instead you just talked about nothing in particular and ate snacks.
You looked around at all your friends with a small smile on your lips. It felt all too familiar and yet so foreign to you. You never thought you would have this, a family doesn't end in blood but it doesn't have to start there either. There, through the spies and geniuses, you found a place where you felt protected and happy- a safe haven. Maybe every bait and switch in the tapestry of your life was a work of art that was meant to bring you all the way here. It was almost perfect, you almost had everything you could wish for but you decided not to dwell on that now while Loki was smiling so openly and Steve was laughing alongside the group that gathered around you- surrounding you with warmth even December storms couldn't penetrate.
"Love," Loki called you in a quiet voice. You looked up at him. "What's going on in that pretty little head of yours?"
You almost winced at that, but you only shook your head.
"I'm just-" for luck of a better word, "home."
You stayed in the compound with the team for the weekend, the quiet outside and the trees helped all of you get some normalcy after everything that happened. You missed that.
It seemed like Loki understood you, he always did, as he kissed your forehead and brought you back to the conversation. It was almost weird seeing him exchanging non harmful snarky comments with Bucky, and somehow getting along with your newfound family, but you only took it with a smile, basking in the warm feeling as you caught Steve's eye and offered him a smile which he returned. You couldn't wish for anything better than this.
Loki has been called by Odin to a meeting, and so he reluctantly got out of your bed as daylight reached your window and was now walking into the palace. He was stopped in his tracks, however, by a shriek.
"You!" he turned to see Iyllir's mother pacing fast towards him with her husband trailing behind her. "You are a murderer, you killed our daughter and you dare walk here with pride? You are a disgusting vile frost giant-"
"If I were you, I would be careful with how you talk to your prince." He sharply replied. Loki didn't spare a thought about Iyllir's parents- or her demise at all, so it didn't occur to him that her parents would still be at the palace. "I understand your grief, I sincerely apologize for it, but your daughter was a traitor of Asgard and forced my hand. The deed was justified."
"You can say whatever you want, prince," Iyllir's father spat the word at him and he clenched his jaw, trying to keep his composure. "Our daughter only did it because of you! I heard the rumors, everyone knows about the Midgardian girl you chose over Iyllir! She was simply doing what had to be done to make you choose correctly!"
The yells started to draw the attention of the workers who were around the palace entrance, he could hear them whisper as they passed by. It's a scene that he is out here in clear sight with the mother and father of the girl he had killed.
"You are nothing but a cunning little fox, a pretend prince, thinking that a mortal could be with such a monster. Don't you know that their petty little lives are but a fraction of ours? Nothing can come out of it but you suffering- and I hope that you will suffer immensely." The once graceful lady was gritting her teeth now. "And as from what I know from Midgard, you can run but the hunters are always hunting for foxes like you."
Loki had had enough of it.
"If that is supposed to be a threat then it is a poor one," his voice was low now and he was satisfied with the way their eyes went wide and they took a step back when he took a step forward. "I suggest you leave Asgard, for good, before I show you what it is like to be hunted. You won't last long, I assure you of that, I will make sure you feel how insignificant you are that you think you can talk to me in such a way. Your daughter hurt the woman I love, and her death was quick but I promise it will not be the case with you if you even dare talk about my love in such a way."
He took pride at the fright in their eyes, the way they scrambled away into the nearest carriage.
Straightening his collar, his sharp glare silenced every whisper in the hallway as he made his way to Odin.
You stood in the kitchen, making a batch of pancakes when you saw Loki enter the kitchen. You walked to him with a smile.
"Loki! You're finally back, would you like some pancakes?" You leaned up to kiss him but you barely felt him return it. He seemed to be considering your offer for a bit too long, before he nodded.
"Of course, my love, I would love it." He smiled at you and it made you forget everything else, as well as the batch you had on the pan that was getting burned by the second. Loki scrunched his nose, "Why do I smell smoke?"
You spent the day with Loki, a lazy Saturday afternoon with your lover, a perfect day.
Loki didn't seem to talk much, he didn't have that usual spark in his eye that you always saw. But that was okay, you managed to bring it out of him, you always did.
Your lazy day got ruined when Natasha and Sam showed up at the entrance of the common room with a bucket full of filled out water balloons and a hefty amount of water guns.
"Grab your weapon of choice, Bucky started this so we are going hunting- and you are on our team."
You turned to Loki with a smile; maybe this will cheer him up.
"What do you say, trickster? Do you want to go hunting?" with a smirk Natasha threw a gun your way and Sam threw one towards Loki, as you got up you missed the ghostly look that crossed Loki's face.
Now, you were sure that Bucky and Steve started this as a friendly fight. But the two punks were now running away as the fight turned into a war.
"Come on now Y/N, won't you spare me?" Steve had a mischievous glint in his eyes that betrayed his words. You had him cornered as he had his hands held up at the loaded gun you were pointing at him. You disarmed him from his own water balloons.
"I'm sorry Cap, you started it." As you started spraying him with water he ducked to the side and grabbed water balloons.
"Run."
And run you did, you saw as others fought beside you, when you spotted Loki you grabbed his hand and took him with you. You sprayed water behind you when you tried to lose the ones who chased.
"Where are we running?"
"Come on, I know a place we won't be found!" you giggled when a balloon hit Loki and he glared at Steve who was right on your tail, grabbing your gun and aiming right at his face. At the shriek you heard you knew Loki hit his target.
You ran for the fences up ahead, yelling at Loki to jump right when you did.
"Love," he tried to keep up with you as you pulled him with you. "You have failed to tell me where we are going."
"You'll see! They can't track us here." you took a sharp turn when you reached the woods until you stopped in front of a big tree. You started climbing it and Loki followed until you got high enough that you saw above the other trees. There you decided to lean on the tree while sitting on a wide tree branch with Loki by your side.
Loki kissed the palm of your hand and no words were exchanged when you played with his hair and you watched the skies as they turned into a canvas of warmer shades of colours.
Days have passed as you went back to the tower and you found yourself waking up to a cold bed, and if Loki was there with you then he disappeared during the day with the same explanation, "I have a meeting in Asgard."
At what point does an explanation become an excuse?
One day you decided to distract yourself with cleaning your room, so you started with your dresser. Pulling out boxes of jewelry you went to open them and start sorting when you caught side of a green glimmer in the dead of the night just outside of your door and with sudden annoyance you threw the box you held back into the drawer then you closed it and got up from the floor.
"Hi love-" Loki started, smiling when he saw you again.
"Loki, tell me what's going on, you are gone so much lately!" He gave you a smile that you knew all too well.
"I told you-"
"No excuses! What's wrong up there in Asgard?" You sat on your bed and Loki stood in front of you, you tried to pull him to sit beside you but he didn't budge. You saw the resolve fall from his face and his sharp cheekbones only enhanced the somber look he had now.
"It seems that my brother has loose lips whenever he talks to my father, and some talks have spread."
"And what about it?" you tilted your head to the side and watched him as he tried to keep his composure; you saw the anger flash in his eyes but it wasn't directed at you.
"Well, it seems that my father is not pleased about everything that occurred."
"Of course he isn't, but I'm sure Thor made it better if anything!" you drew circles on his palms with your thumbs.
"No, he isn't pleased with what was taken from Asgard- he isn't pleased that a mortal has Asgardian powers," he clutched your hands in his when you started to let go. "He isn't pleased with you."
Now you were the crestfallen one. You tried not to get lost in your head.
"What does he want?" Loki knew you were trying to hide the fear that was sinking deep within you.
You adjusted the skirt of your dress, standing nervously in the middle of the room. You weren't really sure why you were feeling this anxious when you've seen Loki hundreds of times before, but now you knew why as you were straightening your dress you remembered that you bought it because of him- for him. The green of it reminded you of the shirt he often wears; when you complimented him he admitted to it being his favourite colour.
You hoped he would like it.
So yeah it was just another movie night with Loki, but it was the first one after you realized you were in love with him, after you actually let your feelings get inside your head and take over your actions.
The familiar gentle knock on the door startled you from the daze and you went to open the door to Loki.
There he stood in front of you in his green dress shirt- he always dressed like he was a royal going to a gala of some sort. And you loved it.
"Hi darling," Loki took a minute to look you over at the dress you wore. He had to tear his eyes away from your body to look into your eyes. "What are we watching this time?"
He smiled at you as he walked in and you willed yourself to act naturally- he was your best friend, nothing changed.
"I like the dress, you look marvelous in it." You decided to go to the kitchen to get some much needed water and snacks for the movie.
"Yes, thank you." You took pride at the steady voice you managed to voice out.
Loki stood there in the middle of the living room and admired the way your body looked as you wore his colours. He put his hand over the pocket of his pants, feeling the golden necklace he got you. In Asgard it would seem like courting- giving a lady a necklace such as this, but he hoped in Midgard it is regarded as something more casual. He wouldn't want to give away his own feelings that seemed to burst through. Loki knows he can be comfortable around you- you made him feel welcomed and loved. But this feeling is new to him, this feeling towards you was new as well.
He didn't know he was smiling until you walked up to him with a smile and his favourite snacks.
"Let's start!"
As the movie went on you felt more like yourself with him, the chemistry was still there just like he was still your best friend- your newfound feelings didn't change it and you were grateful for that.
"I could never be that," you said suddenly during the movie.
"What do you mean?" You had your legs curled under you as you sat on the couch next to Loki. You turned to him, setting your drink down.
"A hero." When he gave you a strange look you continued. "I know that magic doesn't exist, but everyone dream for it. And I know that everyone, me included, would want to enter that magical universe and get out of this mundane world- but in reality it is never what it seems like."
"But wouldn't you like magic?" Loki felt his heart drop at your words. "You love all of these movies and all of them have magic in them."
"I would love it! But think about it Loki, in reality it would be such a difficult life, even the characters there know it and we see it. So yeah I would love it, but I think it could never be peaceful and it would only end up hurting. So I can long for it, but I don't think I would like to have it," you explained and bit your lip before looking at him. "I'm happy right now."
You smiled at him and continued watching the movie. He decided it is probably better if he didn't give you the necklace tonight.
Whatever you imagined Asgard would be like after the countless stories Loki had told you- nothing could have prepared you for the extravagant sights of it. Golden arches and flush greenery everywhere you went. You knew Asgard was a place for the gods, it was a dreamland and yet still this was far from the capabilities of your mind.
The sights of it drew your attention from the reason you were coming here in the first place. That was until you felt Loki's hand squeeze your own, and you started to really notice your surroundings.
You heard the whispers of the Asgardian people as you passed by, standing between Thor and Loki. You saw the judgmental looks people sent your way when they saw Loki's hand was entwined with yours.
Then you saw the palace. If it were any other day, you could've pretended that you were there with Loki for a ball like the one you imagined so many times so long ago. But now you were filled with dread that you were certain you were going to throw up, and it wasn't because of the travel.
The travel was nice comparing to what you expected, a man named Heimdall greeted you and when you looked into his eyes you felt as if he could see through you, as if he knew everything about you. He was still nice to you, wishing you luck as you walked on the bridge towards the palace. You didn't know how he knew but you accepted the welcomed wish.
Loki and Thor were both quiet as you stepped through the guards and when you passed the gate chills went down your spine. You felt as if you were trapped in a box when they closed it behind you, like you just walked into a gilded cage.
You understood what Loki was always ranting to you about- it was stifling in here.
Loki guided you until the three of you reached dark yet golden doors that behind them you knew the Allfather sat. right before the doors opened you looked over at Loki and at the sight of his tense face and hollowed eyes you remembered it all: all the countless times Loki came home to you in distress and on the brink of crying, all those times you had to hold him until his mind finally let him sleep, all those times were you had to force Loki out of all the toxic self destructive thoughts that were planted in his head by his father.
You weren't as scared anymore when the doors opened and you walked forward, holding Loki's hand tightly.
You hated him from the minute you saw him. A king sat there on a throne, you didn't expect anything else but what caught your eye and fuelled your already blazing hatred were the stairs. The throne he was sitting on was placed on the top of a line of stairs that led up to him, letting him look down at anyone who entered the place. It disgusted you, but you had to keep your cool for now, for Loki.
You remembered everything that Loki and the team explained to you about what happened during all this time that the two of you were apart. And most of all you remembered your promise.
"Ah my children, you finally arrived." Odin said before looking at you. You refused to let him see your fear, so you straightened your back but still kept holding Loki's hand. "And are you the midgardian girl I have heard so much about, Y/N?"
You looked at Loki who squeezed your hand and gave you a small nod with a little smile.
"Yes, I am." You tucked your hair behind your ears before getting to what you really were here for. "I heard that you wanted to talk about my powers."
"Yes, my child. Come forward." He told you and you reluctantly let go of Loki's hand. Loki looked at his brother who seemed just as agitated as he was and that was already not a good sign. "I'm assuming you have been told already that by Loki's mistake you have received Asgardian powers. The kind of powers you have are of the ancient arts of Asgard."
"Okay, what about it? Loki protected me and I ended up getting these powers that I have learned to control over the years." you furrowed your brows at the information and tried to smile at your own claims, it had been difficult to process but you understood your powers better now.
"That is well, my child." Odin rested his hand on the armchair and leaned back with his staff. "But since these powers are Asgardian, a mortal should not have them. They shall be taken away from you."
"I beg your pardon?"
"What the fuck?" you and Loki spoke at the same time.
"Father, you cannot do this, she is more than worthy to carry these powers." Loki came forward to stand in front of you now, protective.
"I agree, Father the powers have chosen her. These types of ancient powers were supposed to kill a mere mortal but they didn't, that surely means something about her capabilities." Thor added and stepped forward too, putting a hand on your shoulder. You looked down as you got lost in thought before speaking up.
"How can you do it? Take my powers away, I mean." Loki turned to you but you kept your gaze on the floor.
"Well dear, I am the Allfather, ruler of Asgard and the 9 realms. I am capable of doing things you- a mere mortal, cannot comprehend. And about how I would go about it-"
"May I approach you, before you continue?" you then asked, and it took him a second to consider it before he nodded. What is the harm in a midgardian girl being by him? You shrugged Loki's hand off when he went to take your arm. He was downright scared by the look in your eyes.
You went up the stairs towards the almighty Allfather and when you were on his level, he leaned forward in the chair awaiting what you had to say to him.
"While you are all that, I am Y/N, a human girl from earth and-" you smiled at him before taking your fist and colliding it with his cheek, making him throw his head back in the process. The look of fury didn't startle you when you met his gaze. "I'm sorry, but I made a promise a long time ago, Your Highness." You bowed your head and walked back down the stairs to Loki, who seemed to be at war between a prideful smile and fear for your safety.
"How dare you, you cannot do such a thing-" Odin stood up with his staff ready.
"Can't I?" you tilted your head at him as you stood next to Loki. "I didn't use my powers like I so easily could, because I didn't want to. So do continue what you said."
"Are you mad?" Loki whisper yelled in your ear.
"Quite possibly." You turned to kiss his cheek and found that hidden mischief in his eyes that you loved so.
"Father, please forgive her, I am certain the lady was just upset about the new information."
"Oh no I wholeheartedly meant that." Thor gave you an exasperated look before Odin dismissed him.
"Well as a matter of fact, extracting the powers away from you will involve a very deep process since the powers are so attached to you and your mind. Extracting those means also extracting all the memories of everything your powers have touched or affected- as well as their source."
You did not appreciate the satisfied look he had on when your own face fell as you took in his words. You couldn't be comforted by Loki who you knew would have detected a lie if Odin had uttered it as a form of revenge and pettiness.
You knew that there was no choice as far as Odin was concerned, but you knew Loki and you could feel his brilliant mind spinning around seeking a way out for you, he may have let Odin hurt him but hurting you is crossing a line no one will come back alive from.
So you did have a choice in fact, but given the opportunity you never thought you'd have, the answer wasn't hard to pick.
"Okay." You heard your own voice pick the path you will walk on, your voice was quiet but you knew they all heard you clearly.
"Y/N!" Loki turned to you and you did too. "You don't have to do this, don't think that because he says so I will let it happen when you don't want it!"
"I want it, Loki."
"You what?" he was taken aback- his eyes were studying you now, calculating an explanation.
"These powers Loki, they are not good."
"No, don't say that, don't let him convince you that something about yourself is bad- Norns, darling nothing about you in bad."
He cupped your cheek, trying to get you to understand. But he didn't understand what you were saying. Your eyes turned glossy with unshed tears.
"It's horrible, these powers are evil- I don't want them anymore." You searched his blue eyes but all you got was resistance."I felt them Loki, I felt them and they hurt. I want them gone, and now I have a way to do it."
"No, love can't you see? I've been trying to tell you this from the beginning- Your powers don't only cause harm. They can also heal and calm people down, they can do good- you are good."
"I've been there Loki- inside my mind, and all these powers are just dark. They hurt me, I don't want them anymore. I don't want it, they are staining me like blood on my hands- I don't want to carry this around anymore." You put your head in the crook of his neck, seeking comfort in his touch.
Loki froze in place at your words, they broke his heart because of the way you felt, but you also broke his heart because if you choose to lose your powers then…
Next thing you knew Loki moved away from you and walked out of the door before you could chase after him.
"Loki!"
Tags: @ayybtch @buckys-other-punk @chaoticpete @madcrazy50 @mishkatelwarriorgoddess @the-departed-potato @rogerrhqpsody @onceupona-happilyeverafter-love @percabethismyotp14
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shadowed-dancer · 3 years
Text
My Thoughts on the New MHA Opening and Ending
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I have thoughts, and I will share them because oh boy if I don’t get this out I’m gonna explode
Vague Spoilers for the manga (up to chapter 258 and vigilantes) because I discuss the upcoming arcs, but I don’t discuss any major plot points in detail. Still, proceed with caution if you’re anime only
Keep in mind, this OP and ED will cover the Endeavour Agency Arc and the MVA Arc, so I will be judging them accordingly.
First, the OP
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This is a good OP... in theory (that’s going to become my catchphrase for this post). It’s nice to look at and flows pretty well, but my biggest problem is that it doesn’t do it’s job. An OP is supposed to be a sort of... summary (?) of the Cour it plays for. That means any cool plot points, emotional beats, and important characters should be featured in some way, shape, or form. We’ll talk about that more later, but first let’s discuss the music.
The song is really good. I have a feeling it will continue to grow on me as I listen to it more often, but yeah my first impression is that the song sounds great. My only complaint about the music itself is that it ends kind of abruptly (I noticed this is the JT opening too). The previous openings used to have a bit of instrumental to “play us out” and lead us to the end card, but this one feels like it ends very suddenly and unnaturally.
As for the visuals...
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Yeah alright I’ll admit, the visuals are stunning... in theory. I appreciate the variety in backgrounds and colours, it makes the OP really interesting to look at. This was actually one of my biggest problems with the JT Opening, it all took place on the training grounds, so there was no variety (everything was metal tubes with a blue sky, with only 3 shots set somewhere different). I appreciate the style of this OP.
But like I said, that’s only in theory, as in, through screenshots these are all pleasing to look at. The pacing of this OP is wild, and I truly don’t know who to blame for this.
That sunset shot above? It lasts approximately 12 seconds, zooming in every few to make it seem like something is happening (when in reality it’s still the same poses, angles, etc). While there’s nothing wrong with a nice, drawn out shot, it becomes irritating when compared to the pacing of the rest of this op.
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At the 41 second mark, we are given the shot above. It has flowed directly from the previous sunset scene. We still have not moved away from the image of the trio (aside from the opening shot and the title card) yet we’re approaching the halfway mark of the OP.
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The next shot is the MLA, which lasts about 5 seconds. Ok, perfect. Not too long, but also not short enough to be confusing. It cuts away a little fast once the dude on the far left appears, but does anyone actually know who that is? No, seriously, I’m asking. I don’t remember his name and he’s not on the wiki, so I can only assume he’s not important. Therefore, it’s not all that bad if the shot cuts away shortly after he comes into frame. The audience is able to take in the scene without having to pause...
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... And then the problems start
While this shot is fine in theory, it pans up fast and  cuts away quickly. You know how hard it was for me to get this screenshot? Really hard. You want to know why I struggled so much? Because, due to the timing of the cut and the way it pans upwards, it’s almost impossible to pause on Dabi’s face. I literally had to go frame by frame to get it, because he’s in shot for so little time that naturally pausing is guaranteed to miss him.
When watching this in real time (without pausing) the cut away makes you feel as if you missed something because “something was there, I just couldn’t register what because now it’s gone”. Unlike Compress, who wears a very colourful coat you can recognize the entire time, Dabi’s pants are more blended into the background.
It also doesn’t help that this shot is literally composed to draw your attention away from Dabi until the last possible second. Due to framing, your eye is naturally drawn to the brightly coloured Toga in the foreground, making it super easy to miss Dabi in the back (until, of course, his bright face appears and contrasts against the background, drawing your eye just in time for the scene to change, leaving you to wonder who or what you missed).
I know this sounds like nitpicking, but this shot is the only group shot we get of the League, and is also the start of a seriously weird trend for the villains in this OP getting the short end of the stick.
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Anyways, then we get what I’ll call “The Carousel Shot” in which every Class 1A kid shows up and poses dramatically, as if they were on a carousel. It’s a lovely sequence and I really enjoy watching it but... why is it in this OP?
Seriously, this is a genuine question. Class 1A barely shows up in the Endeavour Agency Arc, and NONE of the students are in MVA. This sequence (not counting the three boys at the end) lasts 8 seconds. Why is this much time dedicated to characters who are barely in the arc? (Unless Studio Bones extends their work studies into fuller plot lines which oh my gosh please don’t do that, or if they do, do it quick).
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We then get what I call the “Oh God I Blinked And Missed Everything” sequence, which lasts 3 seconds (not including the longer, moving shot of Shigaraki at the end) and features NINE INDIVIDUAL IMAGES, none of which are related to each other. Not only is this 3 images per second, but the fact that they are all unrelated means you can’t even use previous information to fill in the blanks.
What do I mean by that? Well, imagine if I show you 9 images of various pro heroes posing. If I play that in 3 seconds you’ll absolutely miss some of them, but as long as you catch some you’ll still get an idea of what I’m trying to show to you. Your brain is able to fill in the gaps that “I recognized 4 pro heroes, therefore the rest must have also been pros” even if you didn’t register every single frame.
That doesn’t work if every frame features a completely different subject. The shots in this sequence vary so widely that it’s impossible to find a through line. Some feature multiple characters, some feature one, some are closeups, some are super far away, some are character’s we know, others are characters we don’t. It’s impossible to get a solid read on what you’re being shown.
Now, again, there’s nothing wrong with these super quick shots... in theory. The problem comes from the fact that these shots are the only indicators for some of the major themes that will be explored during this Cour (like Twice’s growth and young Shigaraki).
That being said, let’s move away from criticism and talk about speculation, because hidden amongst this sequence are two... interesting images.
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This All Might one is very reminiscent of the shot in Chapter 257, where Aizawa and All Might have a conversation while staring up at the stars. However, this is technically the start of the “War Arc” (or the “prologue”, if that’s what you want to call it), so this might indicate that we’re going to get farther into the series than a lot of us guessed.
(Many people suspected we’d get to that cliffhanger at the start of the season (if you read the manga you know the one), but after seeing the pacing for JT a lot of us assumed we’d be lucky to even finish Endeavour Agency. It seems we’re back to the cliffhanger now though lol). 
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This is another really interesting shot because it’s indicative of Shirakumo, meaning we might get to see Aizawa and Mic confront him some time this Cour (this also makes sense, since this confrontation technically happens before that All Might scene I mentioned in the previous paragraph).
But the cat specifically is a really strange addition. That cat is named Sushi and, correct me if I’m wrong, but I don’t think Sushi is ever mentioned in the main series. I think he’s only in Vigilantes.
This might just be a little Easter Egg for Vigilante readers, but I’m personally hoping that they’ll add at least a few Vigilante shots in there to really tug at the heart strings. I’d say I want a whole Vigilante episode but I don’t think they have the time (unless they really cram MVA, which I do NOT want).
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I don’t have much to say about the last bit of the OP. The action shot between the 3 boys was nice, and it follows the sort of narrative through line they established from the early shot of them sitting at the sunset. I also like the shot of Endeavour fading in to replace All Might, even if it’s very simple.
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But I want to talk about an overarching problem I touched upon earlier in that villain shot: the way the villains are handled in this OP.
This is a good OP... in theory. The problem is, it doesn’t represent half the arcs in the cour! Every shot of the League is so rushed that you can barely register that they were on screen before they’re gone.
I have no idea how many Episodes Endeavour Agency will take, but I’d assume 3 (4 if you count the Christmas episode). 12 episodes for this Cour minus 3 for Endeavour Agency = 9 episodes left. If we truly do get the prologue for the War Arc (and if we assume it’s only 1 episode) that leaves us with 8 villains episodes.
8/12 episodes (aka two thirds of the Cour) will likely be about the villains. And yet they’re pushed to the background so hard in this OP.
I want to dream, and I want to believe that this OP is going to magically change when MVA starts. The song fits super well, and I can imagine like an inversion of the OP but from the Villain side! Wouldn’t that be neat? Imagine right after the “it’s alright” part Shigaraki just freaking decays the title card... oh man that would be so cool. But, alas, I highly doubt they’d do that.
Side rant, but you know what was so fun about MVA in the manga? It’s that, for 21 chapters, we leave the kids behind and the villains become our protagonists. Suddenly Shigaraki is the one we’re rooting for, suddenly we’re learning backstories for everyone, and suddenly we find ourselves just as attached to the villains as we are to the kids. It’s an inversion that’s SO RARE to find, and I think many people (myself included) were hoping it would be reflected in the OP.
A big part of being the protagonist means featuring heavily in the OP, and a lot of us just wanted the villains to get that honour, even if only once. As is, the OP still treats them as the antagonists when... really they aren’t. Not right now, at least.
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So yeah, final thoughts on the OP are that it’s good, it’s just not very representative of the arcs it’s supposed to cover. If this was just for Endeavour Agency, I’d say it’s actually really cool, but if we assume that this is what will play for the Villain Arc, then it simply doesn’t do it’s job. And it makes me sad to say that because, again, this OP is really well done.
If I had to rate it? Hmmm
If Studio Bones actually grants my wish and creates a different visual for the Villain Arc (while using the same song) and then this version only plays for the Endeavour Agency Arc and the War Prologue? I’d give it an 8/10. It’s really good, but it could use a few more elements that are clearly derived from the Agency Arc (ahem, Todoroki siblings).
But if this is the OP that will play for the entire Cour? a 6.5/10. It’s nice, but it’s not representative of one of the arcs it’s going to cover. And, unlike other arcs like Pro Hero or Summer Exams, the villain Arc is so important and takes up so much time that it honestly feels like a bit of a disservice.
Now for the Ending
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I want to say that I appreciate how soft this ending starts. This cour will likely feature a lot of episodes that end on... heavier themes, and I think the sight of peaceful, falling raindrops is the perfect way to let the audience process their emotions before starting the ending in earnest.
The song itself is very nice, and I like that it’s a bit slower than the more recent endings.
(Side note, but the FUNNIEST moment in the entire series is when Sir Nighteye dies because it’s so emotional and everyone is standing around his bed in his heartwrentching silence, only for the ending to come BLARING IN out of no where. If you forgot how jarringly hilarious it was, go listen to the Eri ending and tell me that’s not the funniest thing this series ever did. Anyways yeah I’m glad that’s not gonna happen this Cour).
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This ending is a bit all over the place in terms of it’s visuals, but honestly I think it works. Most endings usually have a theme tying them together (all the Class 1A girls, a fantasy AU, old photographs, planning a party, etc) but this ending’s theme is a bit harder to identify.
That being said, I think it’s just supposed to show everyone going about their day. It’s calm, it’s peaceful, and it’s just very sweet to think about
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I like this shot. Actually, scratch that, I like this whole sequence. I enjoy anything that allows Class 1A to chill and have fun.
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Hawks is featured quite heavily in this ending which, fair. He’s pretty important in this arc.
I really love the shot where Endeavour immediately switches to Hawks, I thought that was a lot of fun, and very good symbolism on how Hawks wants to be like Endeavour. I also love all the shots of Baby Hawks, because it’s adorable.
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Something about this shot is just so cute. It’s the little domestic things like waiting for a bus that make this ending feel... idk the word, real? It shows a side of the characters that we’ll never see in the episodes, but we know have to exist.
Like yes, of course the kids have to wait for the bus. We never see it, but of course there are those moments of quiet. Agh, I love it.
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The villains also make an appearance and I’m very happy about that (I’d love to see more of the villains just chilling around, I think they deserve it). I kind of wish they weren’t sitting in a dark room for the sake of being edgy, since I think it would be nice to see the villains just... sort of existing, but honestly it’s still a nice shot. I also like how this shot sort of mirrors the first one with Class 1A (someone coming in while everyone else is sitting and waiting for them).
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That being said, as much as I love looking at Dabi and his stupid face (affectionate)... why is Dabi the one getting the closeup?
Mind you, endings don’t need to be connected to their Cours (they can be, like the Eri one, but they don’t have to be). But this ending does seem to be connected to the arcs it intends to cover, given all the Hawks appearances, the boys wearing their work study scarves, etc.
So, I ask again, why Dabi? Out of the six League members, we learn the backstory for four of them in this arc (Shigaraki, Toga, Twice, and we very briefly learn about Spinner). The only two left out are Dabi and Compress.
I can only assume they chose Dabi because he’s constantly in contact with Hawks, and therefore that makes him important? If the OP told us anything, it’s that Bones values the Endeavour Agency Arc over the Villain Arc lol...
... Oh my gosh please tell me that’s not actually the reason Dabi is focused on here BONES WAI-
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Anyways, the ending comes to a close with Hawks watching over the kids and Endeavour. The relaxing time is done, it’s time for work studies.
Overall impression? It’s great. It’s hard to screw up an ending, so as long as you have something pretty on screen, it’s wonderful.
I’ll give this a 9/10
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littlesugarwords · 3 years
Note
May I request how the Ericson kids would comfort their s/o after they find out a walker they had encountered not too long ago was an old friend of theirs? I love your work btw! It's helped me get through a lot (especially with how the world is rn <3)
Oh my gosh I’m so glad that my writing has been able to help you ;-; i love you buddy thank you so so much for taking the time to read my work. I’m so glad it’s been able to help ❤️ i’m always a dm away if you ever need a friend :)
also this is a long one oops
Clementine: Clementine had seen that look before: the wide eyes someone shoots when they see something they wish they hadn’t. She remembered what it felt like to experience that moment and that expression. “What’s wrong?” She asked, approaching them immediately. All Y/N could do was point. In the distance was their old best friend hobbling amongst the crowd of walkers. Clem recognized them from pictures, and from the extent of the horror on her partner’s face. “Oh my God,” she hushed, a pit swelling in her stomach. Clem pulled her partner close and pulled them away, away from the scene and back somewhere to sit down. If they needed to say goodbye, she would respect that, but she wouldn’t let them do it alone. “What do you need?” She said softly, a hand settling on their shoulder. Her frown said everything she couldn’t. ��I’m here to help with whatever I can.”
Marlon: Marlon had raised a brow at their silence, finding it suspicious at how quickly their friendly demeanour had dropped. Once they arrived back at Ericson, Marlon stopped them. “Hey, are you okay?” He paused, a hand brushing at their cheek, trying to understand. Spotting tears starting to well up, Marlon whisked them inside. “Hey hey, you’re okay.” He said softly. He said nothing to anyone - he didn’t even look anyone’s way - just pulled his partner close and brought them inside. Once in their room, Marlon would hold them close, sitting on their bed, listening to them talk. He’d brush their hair with his fingers as they cried, listening, just trying to understand.
Louis: Louis noticed Y/N was falling behind when returning from fishing. Curious, Louis lingered behind the group to figure out what was going on. As he fell back, he spotted the tears glistened against Y/N’s cheeks. Immediately, he took their hands in his and stopped them. “Hey, wait,” he reached out and brushed their tears away with one of his hands, the other firmly squeezing their palm. “What happened? Did someone say something?” Spotting the irritation in his jaw, Y/N shook their head. They always knew Louis would defend them until the end. In the midst of explaining, Y/N choked up and turned away. Quickly Louis pulled them into his arms. “Shh, hey hey,” he rested his chin on the top of their head, eyes closed, rubbing their back soothingly. “You’re okay. I’m so, so sorry, hun. I really am.”
Violet: Y/N almost always laughed at Louis’ corny jokes when they were returning from hunting. Hearing their silence, Violet turned away, spotting them hesitant and resigned. Undoubtedly, she also spotted glistening against the cheeks. She waved for Louis to go ahead and she fell behind, holding her partner’s arms sweetly. “Hey,” she whispered, brushing their hair out of their face, “talk to me.” As they told their story, they began to break down in tears, fumbling over their words and slurring their speech. Hushing them, Violet pulled them into her arms and guided them slowly back to Ericson. “I got you. It’s okay. We’ll go and stay inside for the night, okay?” It was the only thing she could think of that might be able to bring her partner some slight comfort.
Mitch: Something had happened during the raid that made Y/N seem different. They grew quiet, gaze downcast, demeanour hesitant and unnerved. He lingered behind the group, tugging them back with him. “Are you okay?” The whispered question caused tears to jump to their eyes. They shook their head. Immediately, Mitch swept his arms around them and tugged them away from the group. “Hey hey hey, you’re okay, you’re okay,” he hushed the moment they entered the gates. He swept them to a nearby bench, crouching in front of them, fingers brushing against their teary cheeks to see them better. “You’re okay, you’re safe. Did something get you?” Hearing their story through their wobbly, teary voice, he slipped up beside them and pulled them into his arms. He pressed his cheeks against the top of their head, eyes closed, just keeping them close. “I am so so sorry.” He hushed. It was all he could think to say. His heart ached for them.
Aasim: Aasim frowned as he spotted his partner returning from the group’s fishing trip, silently passing their catches to Violet and scurrying away on their own. Spotting this, Aasim frowned and scurried after them. By the time he reached them, they were cowering behind the school, head buried in their legs, sobbing. “Hey hey hey,” Aasim said, scurrying to their side. “I’m here, it’s okay.” He pulled them into his arms. He held them silently, not asking for an answer, just being present. Finally, stating that their best friend was spotted as a walker, Aasim closed his eyes and held them tighter. “I’m so sorry,” he said softly, eyes closed, keeping them close to his chest. “I am so, so sorry.”
Ruby: Ruby immediately could sense something was off. The moment Y/N walked through the front gates, she was on it. “What’s wrong?” She hushed, not wanting to draw attention. Watching their emotions falter and fumble, Ruby took their hand and pulled them away, appearing as though they were going on a walk. She held one of their hands with both of hers, her attention dedicated solely to them. “Talk me through it,” she hushed, “what happened?” Hearing everything that had occurred - hearing the story about finding their friend - Ruby paused their walking and wrapped them in a hug. “I am so, so sorry, sweetie.” She said. Immediately, they broke down into sobs and tears, holding her nice and close. Ruby didn't budge, holding them for as long as they needed, tearing up herself, feeling their heartache physically.
Omar: Omar could tell something was eating at them, but didn’t know what. It wasn’t until they’d returned to Ericson from their hunting trip and insisted on chopping wood alone did Omar know something was wrong. They would never do that chore solo. By the time he managed to slip away from their chores, he spotted them going hard chopping wood. They grunted with each swing, kicking the wood to the side once they were done. Omar could hear sniffles and faint whimpers: telltale signs of their pain. “Hey hey hey,” Omar said, trotting up to their side. They dropped their axe, exposing their teary face to their partner. “One of those walkers was my best friend.” They said softly. In so much pain, they closed their eyes and turned away. Before they fell into sobs, Omar swept in and brought them to a seat. “I’m so so sorry,” he hushed, sitting them down. “You’re okay, just rest. I’m sorry, hun. Really.”
Brody: When Y/N returned to Ericson, they were shaken. Pale, quivering, and silent. “Y/N?” Brody asked. Noting their silence, she trotted after them into the school. They didn't say a thing until they were in their room, Brody nervously closing and locking the door behind them. “Hun, what’s going on?” Then, they broke into tears, sitting on their edge of their bed, their head collapsing into their palms. Brody scurried beside them, her own yes welling up, setting her hands on their back. “What happened? What’s wrong?” She sat silently with them, wrapped up in her arms, growing teary eyed at their story as well. She just wanted to take their pain away. She was so sorry she couldn’t.
𝘵𝘩𝘢𝘯𝘬 𝘺𝘰𝘶 𝘴𝘮 𝘧𝘰𝘳 𝘳𝘦𝘢𝘥𝘪𝘯𝘨 💌☕️♡
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artxyra · 4 years
Text
The Secret Life of MDC | Part 4
Part 4 - Riddle Me This!
Part 1 | 2 | 3 |
It just had to be the Riddler who decides to grace his appearance at the strip mall. Just looking at his outfit was a crime against her eyes. Marinette had her far shares of a run-in with the green suited villain, and after countless complaints, he still hasn’t changed his outfit let alone attempt to contact her about an outfit change. Catwoman literally has her number; he could have just asked.
“Now who wants to go first. Choose wisely and you shall survive, but choice wrong and you may get a bullet.” The Riddler taunts his capture victims. They squirm under the threat, eyes widen beyond belief.
From afar, Marinette could see the shaking figures of her classmates. Years of being under Hawkmoth’s terror, showing little to no emotions during an attack, and they are shaking to the sight of the Riddler. Perhaps it was because there was no Miraculous cure or they have forgotten their permanent residency.  To be honest, Marinette was just waiting for Lila to say something stupid that would most likely get them all killed.
“M-my Damiboo would save me!” Yup, there she goes. Everyone, that was not fooled by Lila’s words (ie. Gothamites), facepalmed and groans as she gains the interest of the Riddler.
Tapping his chin, he stares at her before introducing his first riddle of this heist, “It's raining, and you pass a bus stop. There are three people there; your trustworthy friend, the love of your life, and a woman about to go into labor. Your smart car only has two seats. What do you do?”
Lila blubbers her answer, something about taking the love of her life and leaving. She is then scared shitless as a bullet zooms past her, nearly hitting her ear. A shock facial expression stays prominent on her face until she falls down, fainting.
“Oh, how the fibber swoons to darkness. Batsy isn’t here yet and I really want someone to solve my riddles.” He searches the crowd for his next victim. The Parisian teens quickly try to wake up Lila, but they also hope not to be the Riddler’s next targets.
Marinette mentally goes through answering the riddle. Chloe and Adrien stare at one another before shaking their heads. They knew what Marinette was thinking and that is a bad idea. Then again it might bet the better option seeing as they have no idea when the bat crew would make it to the scene.
“You give the keys to your friend so that they can take the woman in labor to the hospital and wait for the bus with the boyfriend.” Marinette confidently answers. The GA Trio stare at the Marinette in awe.
“She does that a lot,” Adrien whispers just enough for their new friends to hear. That was true, Marinette has a tendency of solving riddles which were due to her time being Ladybug.
Chuckling happily, the Riddler turns his attention to Marinette. Marinette doesn’t falter at him glancing at her, but she does narrow her eyes just enough to enforce a challenge.
Dancing closer over to Marinette and her friends, the Riddler chuckles. Half of the weapons turn to them, it's Adrien and Chloe that hold their ground while the GA trio looks like they want to bounce to safety.
“No amount of sass can save you from this riddle, pick the correct answer and your friend shall do free but pick the wrong—”
“They die?” Marinette quirks an eyebrow at the villain.
The Riddler blanches and says, “Only one color, but not one size, stuck at the bottom, yet easily flies. Present in sun, but not in rain, doing no harm, and feeling no pain. What is it?”
Emotionless and quick, Marinette gives her answer, “It's a shadow.”
“How about this one: if eleven plus two equals one, what does nine plus five equals?”
Adrien turns to Marinette, he knows the answer as Chloe taps the ground giving away the crook with a gun behind them. Tensions slowly rise among the group of friends.
“Uh, it’s two o’clock. You’re adding the hours of time.” Marinette answers with a sigh of relief at the end. She knows they are aching to pull the trigger, but unknowingly to the Riddler if anything happens to her, well let's just say he might not live to see another day.
The Riddler growls clearly frustrated with the teen's ability to answer correctly. Only a handful of people can do this to him. “In that case, what is it that given one, you'll have either two or none?”
Marinette only smirks, riddles was also one of her favorite past time against Tim when they are both on the verge of death by lack of sleep. Those late-night twitter messages give much to their twisted mindset on a lack of caffeine.
As Marinette draws on the answer a little longer, Chloe and Adrien take down the henchmen behind them. The henchmen fall to the ground swiftly as the blonde duo nod their heads. Adrien quickly pulls out his phone to see if there were any messages in the group chat. There’s none.
“How long do you think we can hold him off until they get here?” Chloe whispers side glancing at the rooftops of buildings.
“No clue, they haven’t sent anything in the chat, should I try texting Jon?”
Chloe’s eyes narrow causing Adrien to gulp and quickly tap on his phone.
“It’s a choice.” The blonde duo turns their heads towards Marinette who was now toying with the green suit villain. It was clear that she was slowly becoming agitated. “You know, what I have a riddle for you. What’s green and yellow, has no sense of fashion, and is literally killing my eyesight?” She yells at the villain.
It’s like a pin drop as everything freezes once more. Her classmates on the verge of leaving the scene as they were no longer the targets. Seriously, you’re just going to leave them to fend for themselves. Yup, they are as they make a large dash out of the scene. This then creates confusion among the Gothamite as they are used to this and what did they expect, screaming?
“Uh, I—uh…” The Riddle tries to formulate an answer. It takes him a second before pointing to himself. “Me?”
Marinette, like a disappointed mom, nods her head. “Yes. You dare show your face in such a green that could put someone’s eyes out. Don't you dare get me started on the yellow question marks? That tone does not do well on your skin. Gosh, you had one job, Riddler, one fricking job.” Marinette begins to go off. The Riddler and his henchmen pale at every word she says.
Just as Marinette was beginning to calm down, a shadow in the shape of a bat looms over the Riddle.
“Finally,” Marinette huffs as the Riddle turns his attention from her to fight against the Batman.
“Hey, you guys okay?” It was Nightwing who asks appearing behind the blonde duo. If looks could kill, he would have been six feet under with the look Chloe was giving me.
“Oh, my lord, it Nightwing!” Allegra squeals in the background but she goes ignore as Nightwing rubs the back of his neck.
“Get us out of here, like now!” Chloe screams to the vigilante.
Robin rushes to Marinette and tries to take her away from the situation.
“Are you alright miss?” He asks bringing them to the safety of the public. Marinette stares at him deadpanned before nodding. As much as we would like to kiss her lips, he sends her a shrug over to her friends. “Where are your classmates?”
“Gone, unless Alya decided to do something stupid like try and get a film of you guys in action.” Realization began to set over Marinette’s eyes. “You’re going to need to find them. Hopefully, they made it back to the academy without any problems.”
Robin nods then proceed to send a message over the coms about the missing foreign class from Paris. He quickly joins the search as Marinette turns to her friends.
“Do you any idea how ridiculously stupid that decision was?” Chloe grills the designer before whispering, “You know we’re not even in our suits.”
“Sorry Bee, but did you see that outfit?” Marinette counters before going on a massive rant about the Riddler’s outfit and how he could choose it.
~*~
Nette @GothamsFashionSense Yo, some foreigner just grilled the Riddler on his outfit. I’m so proud of her. #prideful #doIseecompetition
Chloe B. @QueenBeeOfParis Replying to @GothamsFashionSense That was my sista @MarinetteMemes, she too loves your content.
Nette @GothamsFashionSense And I ❤️ her, that rant was amazing 🤩. Need any tips @MarinetteMemes? #futureapprentice #fashionmess
~*~
Case in point, Alya did separate from the class when they were trying to escape once word got out that the bats were on their way. She is quick to make sure that Lila was alright before dashing back to the “crime” scene with her phone recording.
Batman had found her, but before he could get a word out, Alya was blasting him with questions regarding the situation and personal questions. He, of course, ignores them. Alya even tries to bring up Lila’s name but he doesn’t answer. Nightwing pulls on up on his bike to take the “aspiring” journalist back to the academy against her pleases and constant questions.
Upon returning to the academy, Alya was heavily lectured by the GA’s headmistress before her own teacher baby her. Mlle. Bustier was never one to give punishments unless it was warranted and even then, she doesn’t do it right. Alya was lucky to return to her dorm with a slap on the wrist and detention.
~*~
Babe Bee @Iheartthebatboy23 Um… can we talk about the girl that grilled the Riddler and how she looked so much like a Wayne? #newWayne #theorieseverywhere #brucewayneexplainplease
~*~
After a week of grueling classwork (aka grading assessments), getting pestered by her former classmates in Mlle. Bustier's class, Marinette wakes up with a beating headache. She hasn’t felt that way since the last time she had gone days without sleep, running on twelve shots of expresso before crashing.
“C’mon buggy, it’s Saturday and Jon’s in town. You know how much the kitten would want to spend time with him.” Chloe states, standing in front of Marinette fully dress and with a businesswoman power pose.
“And here I thought you did want to be the fifth wheel.” Marinette retorts only to get a chuckle out of the mayor’s daughter.
“No, but I will be FaceTiming Gami while you and the boys have fun,” Chloe responds back as she laughs at the dismal look on Marinette’s face. “But seriously though, get dressed. We’re meeting the boys in thirty.”
Marinette rushes over to her wardrobe and picks out her clothes then rushes to the bathroom. She comes out in fifteen minutes wearing black leggings and one of Damian’s sweatshirts that look like a dress against her small frame.
As the teens exit the school, they were quick to avoid Lila who was making up another story as to where she’ll be this evening. It was something along the lines of going on a date with her Damiboo. It took everything in Marinette’s body to not grill the liar about her boyfriend, but with soothing words from Chloe, they managed to get out the building without bloodshed.
If only that wasn’t the case later on that day.
Part 5 >>
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ordinaryschmuck · 3 years
Text
What I Thought About "Keeping Up A-Fear-Ances" from The Owl House
Salutations, random people on the internet who most likely won’t read this! I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons!
When Dana Terrace did her AMA on Reddit, a fan asked what we could expect for the new season. To which she replied by listing five things:
Parental conflict
A lot of emotions
Island exploration
New characters
...There's a fifth thing in there. You just got to look closely.
Now, when Dana mentioned parental conflict, dozens of fans assumed she was talking about Alador and Odalia, which, I mean...valid. They were the only two parental figures who presented any real conflict, and the idea of Camila being involved seemed implausible due to Luz being cut off from the human world. But no matter how you perceived that line, one thing’s for sure: No one expected Eda and Lilith's mother to be a source of conflict!
Yup. Today we met the woman who created two of the (former) greatest witches in all of the Isles. Was her introduction welcomed? Or did she give the Blights a run for their money for the "Worst Parent(s) of the Year" award? Only spoilers can answer those questions, so keep that in mind as we go in-depth with "Keeping Up A-Fear-Ances."
Let's review, shall we!
WHAT I LIKED
The Flashback: Already, this episode comes out swinging by giving us so much information! We get an explanation of what Eda goes through when cursed (which is horrifying), the reasoning behind her gem, the revelation that Eda ran away from home, and the reveal of how she got the portal door. The best part is, none of it feels rushed or forced. Eda's curse and the portal are integral threads to this story, both in this episode and in future ones. Tying them together sets up Gwendolyn's determination to cure her daughter while showing Eda's determination to escape her mother by skipping town into another dimension. There's also a sense of mystery in how and why the portal was in their backyard. And judging by how we got all of this incredible information in episode FOUR of the new season, something tells me we'll get answers to those questions sooner than we might think. This was such a strong opening to the episode. Despite giving so much information, it makes fans like me want even more. Which is an A+ in my book.
Gwendolyn: Yeah, might as well step out the gate in saying that I like Gwen...but I can already see how others won't. Immediately, she sets herself up as a mother who would do anything and everything to cure her daughter. That aspect of her character is perfect, and it quickly won points from me in terms of liking her. It's just that Gwendolyn's disregard of what Eda wants and the complete dismissal of Lilith are aspects of Gwen that are certainly going to rub some people the wrong way. Especially if those kids come from households where their parents are a lot like Gwendolyn. I was in the same boat of hating her too for a while, but thankfully, the last act saved her.
First, there's that scene where Gwendolyn threatened the lives of the demons for not only screwing her over but making things worse for Eda. It's one of those "Hell hath no fury like a mother scorned" moments that I always love to see.
Then there's the fact that Gwendolyn learns her lesson and, more importantly, apologizes. Not many actual abusive mothers would do that (Looking at you, Odalia), so it's nice to see that she makes an effort to make amends. Oh, and by the way, since I mentioned it, don't go around calling Gwendolyn abusive. She isn't. Or, at least, not to my eyes. If anything, she's a lot like Sara Fitzgerald from My Sister's Keeper (The book. Not the movie. The movie sucked).
In that story, Sara makes controversial choices that result in her youngest daughter Anna getting the short end of the stick due to putting all attention towards her eldest Kate. But here's the thing: KATE HAS CANCER! So while Sara's choices are beyond questionable, you can understand her point. And if you don't, well, I'd see how you would react when in her shoes. Trust me when I say that situations like this aren't always cut and dry. It's the same with Gwendolyn. She's far from "Mom of the year," but you understand where she's coming from. She wants to do what she can to help Eda, even if her methods could have been better. But that's just how I feel, and I can't speak for everyone who dealt with mothers far worse than her. If you refuse to forgive her, I'll understand. But to me, I consider Gwendolyn a worthy addition to the series.
(Plus, she just radiates Grandma energy when interacting with Luz. It's cute, and therefore I must love it!)
Luz: This season is on FIRE when presenting Luz!
I adore that the first thing we see her doing in this episode is sleeping after, most likely, another all-nighter to find a new portal. It proves that she has a determination made of iron and an intense dedication to getting back to Camila. In fact, it's that dedication that works as a perfect way to build a connection between Luz and Gwendolyn. They both want to reconnect with their families and are willing to do whatever it takes to do so.
Regardless, despite so desperately wanting to see Camila again, I'm glad that Luz still has common sense when it comes to helping Eda. She quickly sees that Gwen's cures are doing more harm than good, and it's great that Luz is the one to call malarky on the whole thing. No one had to spell things out for her because she's smart enough to notice that everything Professor Warlop is marketing feels a lot more like the fake medicine real people sell in the human world. It's a testament that despite having a big heart and the best intentions, Luz still has the intelligence to know when something is up and put a stop to it. And, again, let's hope that more people pick up on that.
Lilith: ...who would have expected Lilith of all characters to have most of the emotional moments in this episode?! I sure didn't!
But...Yeah. Lilith is the best thing in "Keeping Up A-Fear-Ances." On top of her seeking Gwendolyn's approval being relatable for some viewers, it's also really heartbreaking. I mean, listen to the shocked and hurt tone in her voice after finding out Gwen visited Eda regularly. That alone should give away how much Gwendolyn is important to Lilith and says so much about how strained their relationship became after the curse. Then there's that scene where she just breaks down, feeling both scared and torn apart by the fact that she experienced the curse in its full form and could do nothing to stop herself. It...stung. That's the best way to describe it. It stung seeing a character who is (mostly) cool and collective to become so vulnerable and broken. And, you know what? It's because of this that Lilith has won me over. I still don't think she should have been as forgiven as quickly as she was, but after learning what Lilith went through and what she's currently going through, I'm more than willing to be ok with her. And--I can't believe I'm saying this--I'm going to miss her being a part of the Owl House. She earned her place, in my opinion, creating entertaining dynamics with everyone. Sure, she'll make appearances every now and again, but I wouldn't mind a few more episodes with her being with the main group. But I'm positive the writers will have plans for her in the future and seeing how well she was written in this, I can't wait to see what they do next.
King Hoping to see his Dad Again: This was just a cute tidbit that ties nicely into last week's episode. Bonus points for that scene where King and Lilith get drunk off of Night Market ice cream. It got a good chuckle out of me, especially when Hooty was the one who ended up being the voice of reason.
Cursed Lilith: ...How does she look worse and more terrifying than Eda?
How Beast Keeping Magic Works: Not much I can say about this. It's neat to be given a visual explanation of how Beast Keeping magic works and how it's more than just controlling animals. Judging by the roof shingles, it can also be making objects more animal-like. It's pretty cool, and I hope to see more of how the rest of the magic from the prominent covens work.
Luz wasn’t the only human: To tell you the truth, this doesn't surprise me. Eda did say that every myth humans have is a bit of the Boiling Isles leaking into the human world, so why can't the opposite be true? However, the reveal of there being a famous human around many years ago presents many more questions, and possible theories, that deserve to be discussed in a future post. For now, I'll just say that it's awesome how this reveal perfectly transitions us to next week's episode, "Through the Looking Glass Ruins." We already know Luz is going to the library. But, seeing how Gus is going to be a prominent character in that episode as well, he probably wanted to tag along with Luz to study about the first human in the Boiling Isles. Only to then get sidetracked by some cool kids from Glandis. It's in the realm of possibility, thus proving how more serialized this season compared to Season One while still being somewhat episodic. Because even if "Keeping Up A-Fear-Ances" presents a lot for the overall story, it's still its own tale about family relationships and knowing how to truly be there for the people you love. Resulting in a necessary and cute episode that ends on a wholesome note without any major surprises like--
Creepy Clone Luz: ...
...Dana Terrace, you lying--YOU SAID CREEPY LUZ WAS A FARCE! IN THE SAME AMA, TOO! CURSE YOU! CURSE YOU AND YOUR SNAKE TONGUE, GOSH DANGIT!
...Alright, now that I got my overreaction out of the way, this was an amazingly well-written surprise!
Tricking fans into thinking that Camila is crying over the realization that Luz is gone, only to then reveal this...thing, is the best shock to the system that this series has done so far. Even better, it results in all the right questions:
Who is it?
What is it?
Where did it come from?
When did it get there?
How did it get there?
How does it know about Camila?
And why? Just, why?
To me, a series that presents all of these questions, and makes me excited for whatever answers are given, is a series that's doing something right. Because if I'm still reeling over something that lasts for a second, despite seeing the episode hours ago, that is a testament to how good a surprise really is.
WHAT I DISLIKED
Trust me, I want to give this episode the A+ just for that ending alone. But, there are some issues I have that are worth discussing.
Eda’s Outfit Change: I know. It's the nitpickiest of all nitpicks I could present. Particularly because Eda doesn't even look bad (although that's no surprise). The issue is that it feels weird that Eda's having this permanent outfit change in the fourth episode of Season Two. Or, to me it is, at least. Because I think that if you're going to give a small yet constant change to the look of a character, it should be done right away. Like, in the first episode of a new season. I highly doubt fans would question why Eda is wearing different clothes by then, so it wouldn't be too bad if the first time we see her, she’s sporting a new outfit. Again, this is just me, and I have no problems with the outfit itself. It just seems odd they would do this later rather than sooner.
Screwing with Eda: I...did not like this. At all. It was funny at first to see Luz and Gwendolyn lure Eda with Apple Blood like how Wile E. Coyote would bait the Road Runner with birdseed, but it quickly took a turn. Because I don't want to see Eda meet inconvenience after inconvenience from her mother and surrogate daughter. I like Eda, and seeing her happy makes me happy. If I wanted to laugh at a character's suffering, I would have picked Boscha, Mattholomule, Alador, and/or Odalia. This? This was just unnecessary cruelness to a character who doesn't deserve it. And it takes up a good chunk of this episode, making me question whether or not this would be the stinker I was fearing. Fortunately, the ending increased my enjoyment by several notches, but that doesn't change how this was the low point of "Keeping Up A-Fear-Ances."
IN CONCLUSION
Despite the road being rocky in the middle, I still consider "Keeping Up A-Fear-Ances" to be another solid A episode. The first and last few minutes have some quality writing that adds more to the characters, ongoing plot, and mystery that the series is building up. It's one of those important episodes you can't skip when watching a series, but given how it's keeping the new season's impeccable track record, I fail to see how that's a problem.
(Although, I am scared. We haven't gotten a stinker yet, and I really don't want it to be next week's episode. It's a Gus episode with sweet Lumity content on the side! That cannot fail!)
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franeridart · 4 years
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Anon said: i dont know what blue lock is but that art you just posted is making me interested lol
AHHHHH please getting people interested in it is all my life is about lately hahahaha it’s a sports manga about soccer! Kind of!! Definitely has all the good sides of sports manga, but it’s also different enough from the usual sports manga that I know people who aren’t huge sports manga fan who loved every second of it, please do give it a try if you find yourself with the time for it! It’s such a cool manga!!!
Anon said: I don't even like BNHA anymore, haven't for more than a year, but your blog still has me shipping the characters somehow. I live for your KiriBaku content (and your KamiJirou stuff, when you post it!)
Gosh, I’m glad I can make you like them still!! It’s such a compliment, honestly ;A; <3
Anon said: so i was looking through your art and stuff and was wondering "hey i wonder if theyve ever drawn voltron stuff" and tbh, i didnt expect you to have
To be fair, if you checked it means that at least a little you thought it was possible lol I haven’t watched anything past s1 of it though, so the chances of me ever picking it up again are less than zero
Anon said: You... are one of the loves of my life... and also the main reason I check tumblr everyday lol.
Anon!!! You’re gonna make me blush here!!!!! ;;;; thank you so much!
Anon said: i started reading bluelock because of u and now im obsessed soooo,,,,, thanks!❤️😭
SO HAPPY TO HEAR THAT!!!!!
Anon said: Hii, do you have a Spotify account? If you do, can you share it? I really like the songs u use on your arts, and I would love to see your Playlists Sorry if it's already on your FAQ, I didn't find it And sorry for my bad English ps. I LOVE YOUR KIRIBAKU ARTS THANK YOU
I don’t! I listen to all my music from youtube, because I’m that kind of person lmao happy to hear we share music tastes, though! And thank you so much!!! <3
Anon said: What's your favorite arc of ToG both story wise and art wise?
SCREAMS I don’t know!!!! I’ve been thinking about this ask since getting it I have genuinely zero clue I love all arcs so much for so many different reasons!!!!! The first that comes to mind when I think about it is the workshop battle arc, because I love Viole with everything I have and the whole arc (plus the build up to it too!!) hurts in the most wonderful way, but then I keep thinking about it and I realize there’s so many character I live for that don’t appear in it - I love the floor of death arc SO MUCH cause for one, there’s nearly all my favorite characters in it, and also because it’s such a good, dynamic arc?? everything that happens is so much fun and interesting?? also Hockney is there, and Urek is there, and Garam is there, and the Hell Train gang is all there, so!! AH and the hell train as a whole is so damn good (the dallar show???? my whole soul rests in there, Khun’s trust in Bam!! the coin flip with rachel!! Bam’s whole everything!!!!!!!! GAH) but my fav part of it has to be the hidden floor?? because!!!!!! it’s perfect from start to end, everyone in it is wonderful, Bam’s growth in it!!! GODS! My favorite scene in the whole webtoon is in the hidden floor arc, it’s how much I love it - THEN THERE’S YAMA and the whole arc there is so so SO good too, and the latest arc!! how good is the latest arc!!!!!
so yeah I can’t pick - art wise I think it goes without saying that SIU’s art has only gotten better, so the closest to the newest update you go the more I like the art.... though, my favorite Bam is still the short haired one from the Hell Train arc haha
Anon said: Oh, wow, how stupid of me. Like 2 months ago, I sent you a message telling you how much I loved your work... and I didn’t see it on your page, or anywhere else. Finally today, I discovered I had an inbox where you answered me... 🤦‍♀️... I still love your work, by the way...
AHHH yeah I always answer off-anon asks privately! And thank you so much for still liking my things!!
Anon said: Have you read the last haikyuu chapter? How did you feel about it?
I’ve reread it at least twenty times and then I went and reread the whole of the last game again and it’s been three weeks and I’m still thinking about it more or less constantly and feeling giddy happy about everything that manga has ended up being, genuinely one of the best manga I’ve ever had the pleasure of following till the very end - that’s how I feel about it <3
Anon said: I really like looking at your art it’s so therapeutic it’s wonderful please keep drawing I want to support you on Kofi and patreon and yet I am broke please just know I love u very much ok bye
Ahhhh it’s okay anon! I try to keep as little completely unavailable for my followers as I can, and I’ll do my best to keep drawing! Can’t promise the fandoms will always be stuff you care about though haha
Anon said: This is my FAVORITE art blog. Is blog even a word that ppl use anymore?? Idk but anyways your kiribaku gives me life and cures my depression so ily and thank u
I’m so so happy to hear that! Thank you so much!!! TTATT <3
Anon said: just now realizing your oc looks like the human version of kamakiri
To be fair the only thing they have in common is the green mohawk, but I get where you’re coming from! I was very happy when Kamakiri’s official colors came out exactly cause he makes me think about my boy, after all xD my love for Kamakiri is definitely biased, in that sense haha
Anon said: Just wanted to let u know im very gay for ur oc giulia that is all thanks
Anon I’m gonna cry I’m so glad you like her!!!!!!!!!! She’s one of my oldest OCs out of that group, it’s always so thrilling to know people like her ;A; <3
Anon said: I really like how you draw kirishima’s hair
Thank you!!!!!!!!!!! I have a lot of fun with it, though it does mean it ends up being kinda off canon more often than not haha
Anon said: hi! just a random question but how’d you come up with your name?
Fran is my name! Erid comes from Eridan from homestuck! Art is what I try to do! And that’s the incredibly interesting story behind my screen name haha
Anon said: Heya, so i sent the ask about the person who i suspect either heavily referenced or traced your art (i sent another ask about this tho im not sure if it went through) anyway, it was posted by ****************** you'll know it when you see it i think
Ahhhhhh sorry for how long this took me to answer, I went to check and it’s!!! fine, I mean, would have preferred if they had credited but I don’t think it was completely traced so I don’t mind too much, I used to copy art of people I liked too back when I was first starting, after all haha
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wordsfromthesol · 4 years
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Character Model
Author: @wordsfromthesol Pairing: Jason Todd x Reader Summary: You may or may not have been following Jason Todd around a bookstore so you could model one of your story characters after him. He may or may not have noticed. Warnings: Language? Word Count: 2k A/N: Just a story from my drafts folder. Sorry I haven’t been able to write any of the wonderful requests I have sitting in my inbox...work has been running me ragged. But they are coming! Love you all 💛
You had no idea where this man came from, but he was perfect. Exactly what you envisioned the assassin prince in your newest story to look like, and he just waltzed into the bookstore. First, you tried to ignore him…after all it would be kind of creepy to stare at this man while sketching him and jotting down little details about the way he walks, talks, runs his fingers through his hair. The more you thought about it, the more you couldn’t get him out of your mind. As you watched his mannerisms, he just became more perfect. Fuck it. You got up from your seat and moved closer to him, pretending to look at the books on the shelf. It wasn’t a very good cover story, as it was quite obvious you were drawing him. I will never see this man again, who cares.
You were never the best artist, but the image got the message across. Once it was complete, you continued following him awkwardly around the store jotting down notes. His interest in certain books, the way he seemed to survey the bookstore…Maybe he is an assassin prince? Those didn’t actually exist right? You ignored those thoughts as you commented on his gait. Wrapped up in your descriptions, you didn’t realize he was now watching you. That is until you looked up again and saw his steel blue eyes staring into yours.
“What are you profiling me for, doll?”
You spun around, hoping he wasn’t talking to you. No such luck. “Oh, uhm, I wasn’t?”
“Hmm, sure does look like it. Can I see that sketch?”
“Heh, you saw that?” He raised his eyebrows. Of course he saw it, Y/N, you are being creepy. “Okay, I swear I’m not stalking you! I just…gosh this is going to sound so stupid…you look exactly like how I envisioned this character in my head…for a story.”
“You’re a writer?”
“Some people would beg to differ, but I guess technically.”
“So what’s the character then?”
Okay now he’s going to be offended. “Uhm…an assassin? But he’s also like prince to the guild thing. It’s kind of complicated.”
“So I look like an assassin?”
“Kind of…?” To your surprise the man chuckled.
“Not gunna lie, I’ve been called so much worse.”
Why are you so awkward? “Well sorry for being creepy…” You turned to leave and didn’t notice the man following you until you nearly slammed the front door in his face.
“I think I deserve to see that sketch after you followed me around for an hour AND tried to knock me out with a door.”
“Oh my go – I’m so sorry, I figured I’d thoroughly…embarrassed myself, so I left…why are you following me?”
“Thought I’d return the favor?” You gave him a nervous smile, the thought of this very large strange man walking you home, at night, in Gotham, did not provide you with much peace. “Relax, you look just like a character I imagined…” He quipped, trying to ease your obvious discomfort.
“Not funny.”
“Really though, it’s dark and getting late and this is Gotham.” You eyed him suspiciously, this still probably wasn’t the smartest move on your part, but you relented and motioned for him to follow.
“Don’t make fun of it, I’m a writer not an artist. This is purely for research.” You commented as you passed him the sheet of notebook paper.
“It looks good, I especially like all the little notes about me. Ruggedly handsome? Piercing steel blue eyes?”
Shit. I forgot about those. “Uhm, yeah.” You tried to snatch the paper back, but he could easily keep it from you. “It was research!” Huffing, you remember some of the descriptions were not very complimentary. Watching his eyes scan the page, you tried to explain. “Some of them are just for the character, don’t take it…”
“No, they are all…pretty spot on I’d say.” His voice turned solemn, almost sad, as he passed the paper back to you.
“I’m sorry.”
“Nah,” he waved it off, picking back up his nonchalant timbre.
The two of you mindless chatted about your favorite books until you arrived at your apartment building.
“Well, this is me. Thanks again…” You had just realized the two of you never exchanged names. “My name’s Y/N, by the way.”
“Jason. I’ll see you around. Try not to stalk anyone else.”
“No promises!” You called out as you entered the apartment.
**
It had been nearly a week, and honestly you didn’t expect to see the stranger again. After all, how would you? No numbers or last names were exchanged. Yet there he was, sitting across from you at the coffee shop, face buried in a book. This man is actually reading in a coffee shop. He looked so out of place compared to all the usual suspects. It would be creepy if I remembered him, right? I’m just going to ignore him. Your plan didn’t last long, as Jason soon came up and sat beside you.
“Stalking anyone new today?”
“Oh, I uhm…no. Writing about you actually…the character! The character not you.” God, you’re so smooth. You thought as you brought your hand up to cover your face.
“So how is assassin me doing today?”
“Honestly? You’re kind of being a bitch. Like how am I supposed to know how you will react if you are refusing to tell me?”
“Uhm…isn’t that the part you’re supposed to make up?”
“No, I made up you…the assassin…now you’re…they’re supposed to tell me what they want to do.”
“Uh huh. Right. You know they aren’t real right? Like I’m not actually a killer prince.”
“Heh, yeah I know. Wouldn’t that be cool though?”
“I just think you’d be assassinated.”
“Ohh, harsh. Though, sadly, I would just be murdered.”
“No, I had it right.” Jason gave you a smirk as he got up from the table and walked out the door.
Did that actually just happen? You quickly gathered your things and threw them into your computer bag, racing after him. “WAIT!” You noticed he had stopped just outside the door and well before you called after him.
“Walking home?”
“Uhm, yeah. Can I ask you some questions first?”
“How about you can ask me questions until we get to your apartment building?”
“Deal.”
It was a short ten-minute walk, but you picked his brain. Giving him situations to see how he would react. This was way easier than you rewriting the scene, or going back and forth for hours before giving up and not writing anything at all. In fact, his reactions were eerily similar to that of your murderous character. You weren’t accidentally copying his life, right?
**
The next time you saw him, you were out with friends at some random bar. He sat there stoically on the bar stool, staring into space. This was so…like if your character had just murdered someone. No, he couldn’t have. Probably just a bad day. You excused yourself from the group of friends and slide in to the stool besides Jason.
“So, Jason, bad day?”
“Oh, Y/N. I didn’t…you’re here.”
“Yeah, I try to have a life sometimes. Albeit very rarely.”
“Hm, well, don’t let me keep you.”
“That’s alright, they are content without me.” You pointed towards a group of people. “And plus, you look like you need some company.”
“…”
“Man, riveting stuff. So, what are you drinking?”
“Whiskey.”
“Just…straight? Alright, spill. Remember I know you.”
“I…just had a bad day at work. I’ll get over it.”
“I’m sure whatever happened wasn’t your fault. Some situations are inevitable.”
“I guess.”
“So what do you do, exactly?”
A sad, solemn smile laced his lips as he got up from the bar. “Another time. Get home safe, Y/N.”
“That wasn’t an answer…” you mumbled as you made your way back to your friends.
**
Just the next day, you were mindless going aisle by aisle in the grocery store, when you feel someone slightly bump into you. You whipped your head around to see the culprit, when what you saw was Jason with a big grin on his face.
“I’m starting to think you never stopped stalking me.”
“If anything, you’re stalking me. This is the closest grocery to my apartment…which you know the address of. I have no clue where you live.”
“Fair enough.” He looked down at the assorted items in your cart, “got a plan for those?”
“Honestly, my version of cooking is throwing some things in a pan and hoping for the best.”
“Hm, well, I could come over and show you some things?”
“Jason, I don’t know your middle or last name, are you offering to cook for me?”
“Peter Todd, and yes, Y/N  Y/M/N  Y/L/N, I am.”
You looked at him with surprise, “See, now who’s stalking who.”
He started to trail off with a smirk, “I’ll be at yours at 6!”
Did that seriously just happen? How did he know my name? Once you were done you raced home to clean. You were so not prepared for guests, with your scratch paper and sticky notes strewn about the apartment. As soon as the clock struck 6, you heard a knock at the door.
**
Jason tried to show you what he’s doing in the kitchen, but you couldn’t care less. You sat on the counter, pretending to listen to the instructions, while sipping on the wine in your hand.
“You’re not retaining any of this, are you?”
“Hmm, not really. But I’m quite enjoying watching you do it.” You motioned for him to continue preparing the meal.
“Are you just trying to get a free meal?”
“Well, technically I paid for the food, I’m just after the free chef…that was…I meant like after the preparation of the food…not after you…” Shut up Y/N, you are making it worse.
“That’s alright, I’m just after the free writer.” He looked over his shoulder and winked at you before returning to the stove.
“Does cooking always take this long? It’s nearly 7!” You were trying to quickly change the subject and forget the embarrassment you had just endured.
“Calm down, doll, it’s nearly ready. Grab some plates.” You hopped off the counter and took two plates down from the cabinet, placing them next to the stove before sitting at your kitchen island patiently waiting to be served food.
**
“Okay, this is amazing. MAYBE worth the hour wait.”
“Oh well MAYBE I’ll take it back then.”
“Don’t you dare.”
Though both of your plates had been empty for hours, and the mess in the kitchen was staring you in the face, neither of you could seem to move. You found anything and everything to talk about, well almost everything. For some reason he still wouldn’t tell you what he did for a living. Which annoyed you because whatever it was clearly took its toll.
“Okay, fine! Don’t tell me, some big ole secret. I’m beginning to think you actually are an assassin prince and your consciousness just went into mine…so now you’re a character in my book.”
“I guess I’ll just have to read it and let you know.”
You side-eyed him, “You can read it when I find out what you do?” You knew at this point there was no hope in getting an answer.
“Tempting. Perhaps you can tempt me further Wednesday night.” Jason rose from the stool and traipsed over to the door. You quickly followed him, mainly out of sheer confusion.
“What’s Wednesday night?”
“Well, I figure those leftovers will last about two days. Can’t leave you without your free chef.” At this point his face was inches from yours. “I’ll be here at 6.” He whispered as he quickly spun on his heel and left.
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touchmycoat · 3 years
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I LOVE YOUR PORN AU!!!!! LIKE SO MUCH - and i'm just. if you don't mind me asking, how - the way you flesh out the characters, their motivations, and feelings in every scene in such an eloquent way, and just little things here and there, a habit or an activity that adds dimension to who they are, and - your prose is wonderful. you achieve this addictive, engrossing narrative space that readers just absolutely melt into, and i have to ask - how did you develop your writing style? 1/2
what books did you read that formatively shaped the way you write? or you know, what did you do to improve your writing? i'm so in awe of how you world-built and established the porn au - like lqg & hc being national taolu champions?? how do you come up with that stuff? i cannot comprehend the amount of research and effort that must've gone into porn au, and i'm just so deeply thankful that you decided to share that with us. i apologize if i'm coming on too strong, but wow. thank you 2/2
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oh my god please don't apologize, when i saw your ask i rolled on the floor giggling hysterically for a solid 15 min, bless your heart
part of the answer to your question—i've taken like, 8 years' worth of creative writing classes/workshops! there was also a transnational literary component to my degree so whenever possible, i took literature classes fksjdfksd so whatever you see and like is definitely the result of a lot of work. My writing from not even 10 years ago but like, 5? horrid, ridiculous, wild, cringe. The Porn AU itself is the second draft of a MUCH more lackluster piece.
about my writing style. gosh, you really know how to make a writer blush. "I like your writing style" is literally an instant kill LMFAO okay okay, the useful answer: my primary criteria for choosing what to write is, don't be obvious, be interesting. Fiction tells us to show, not tell, right? Poetry is about concretizing the abstract. Screenwriting says cut all useless lines. A lot of writing rules and advice—never start with the weather, avoid detailed descriptions of the characters, don't use adverbs, etc.—are all really about this exact sentiment.
I once took a seminar on writing for horror movies. The golden rule of the horror genre is Never Show the Monster, because whatever the audience is imagining is always going to be scarier than what you actually show them. There are obviously exceptions to this (to all writing rules), but in my mind, it's all the same principle.
LONG answer under the cut
So you start with building a scene. I approach it like essay-writing—I state my thesis for the motivations/main propulsion of the plot. "In this scene, LQG and SY are motivated to save Cang Qiong's porn production, so they have sex on camera." Then you build the sub-motivations: "LQG is also doing this because he's pining after SY."
I learned this "thesis-writing" from theater, specifically from writing 10-min plays. Theater is all about characters being driven by their wants and needs, and the reason I say 10-min plays in particular is because longer forms of writing will give you more leeway, but in 10-min, you pretty much need your character motivations established from their very first line. That's why you need that very clear thesis for yourself—if you don't even know what the character wants from the get-go, then you can't establish who they are, what they want, and where they're going to go in a dynamic and interesting way.
So this thesis drives EVERYTHING that happens in your scene, just like an actual thesis for an essay, just like topic sentences for your paragraphs. Once I do this, I have the emotional direction & narrative scope of how much this scene will cover, I have a sense of where it begins and ends. "Begin with the dynamics of their sex. LQG starts showing signs of his feelings. Reveal LQG backstory for exactly what those feelings are and why he isn't telling SY. The rest of the scene implies that LQG's feelings may not be so unrequited, but also sets up the fundamental problem at the heart of the whole fic—SY's inability to comprehend his own feelings." This is kind of my new thesis now. They're having sex; LQG pines; SY doesn't know he himself is pining.
Now it's time to manifest. This is the "storytelling" part, and the hardest lmfao.
Personally, my approach is largely shaped by my very cool screenwriting teacher, who hammered into us: don't fucking waste lines. The Golden Rule of screenwriting is that every line should reveal something new. I found my old writing kind of repetitive, especially on the emotional front, so this is kind of my editing mantra now—is this line either propelling the story or revealing character? If it's revealing character, is it a revelation that has to happen right now, or is it slowing the momentum of the scene?
But these aren't rhetorical questions! "Momentum" doesn't just mean tumble forward as fast as you can, it also means taking the time to draw the bowstring back further, so your next move has even more propulsion. That's why you get the little "LQG has been in love with SY..." cut scene in the middle of the fucking (at least, that's my reasoning for putting it there). Every line has to bring a fresh revelation that "proves" your thesis further.
That brings me to the details. You said you like the details I inject into the world-building, and honestly that's so gratifying to hear, because that means I'm successfully manifesting my intentions, y'know? "Every line has to bring new info" kind of sounds like a tall order, but the most effective way I've seen it done in books and onstage/onscreen is with these hyper-specific details. If you're writing a scene in which someone feels dirty, never have them just say that—have them say they want to take a shower. Show them running out of bleach again as they scrub down the stall after they wash. Begin the scene like "Steve always washes his throat first now." Then pack the scene with even more revelatory details: "Soap in hand, he heard the pipes above his head groan for a half note on adagio, and readied himself for the blast of icy water that always followed." Shitty shower, probably not rich, is likely a classical musician.
By the same token, I want to build LQG's character. The "Liu Qingge has been in love with Shen Yuan" section is the first insight we get into his background and perspective, right, so: I need to establish LQG's emotional context for filming this scene -> I can characterize him as a nut for martial arts in the same stroke -> so this takes place at a gym, beating up sandbags is a classic way of showing manly emotional distress -> so give me more details on this gym -> Puqi Gym, XL the martial god is obviously the owner -> how do I have XL & LQG a relationship beyond gym owner & client? They spar together -> I want XL & HC's position in this AU to mirror their god/ghost king statuses in TGCF canon -> how can I concretize their fighting prowesses in real-world details? -> they're martial arts champions -> what's an actual competitive martial art form that involves weaponry? -> wushu -> wikipedia Wushu, find taolu weapons sparring
(I just realized that in my songxiao daycare AU, Hualian are Olympic gold medalists by the same narrative logic laksjdnflaksjdnflsd)
So, that's the flow of logic behind my world-building lmao. It's all in the details. Leverage is one of my all-time favorite TV shows and the way they build their stories is super inspiring. If their thesis is "the rich and powerful take what they want, we steal it back for you," they manifest it in the most specific and concrete narratives: mine workers who like the work but are fighting for workplace safety vs. the money-grubbing mine owner who will blow up their livelihoods if it means a bigger payday; the little girl from Iraq with refugee status forced to be an accomplice to antique smuggling vs. international smuggler with a fetish for British royalty.
Last pieces of writing advice I've gotten: pay attention to the real world. A writing exercise we did was just sit in a public spot and make concrete observations on our surroundings. There are stories in everything!!! I learned to observe things like weird holes in the concrete (earthquake? drilling accident? bullet mark?), odd patches of moss or bird shit (look overheard: it's an AC unit dripping water for the former and nesting swallows for the latter), ladies in flipflops walking alongside ladies in high heels (excited mother walking her antsy daughter to the bus for the daughter's first job interview—the daughter's shirt collar is unfashionable and she's taking the bus, so there's a good chance the shoes were passed down, maybe from an office lady aunt. Maybe she's even overdressed for the interview, so will her outfit be an unintended source of tension once she gets to the interview? Is it a group interview, to make the comparison more stark?).
Also, write what you know. You know why SY is a video editor in porn AU? Because I'm a video editor. One of my more popular MDZS fics is set in a plant shop 'cause I worked in a plant shop. SL was First AD in Bachelor!AU 'cause I was First AD on a set once. Concrete details like the editing software having a split-screen, always answering questions about how often to water plants, and being up until 3AM editing call-sheets are the ones that will fully immerse your readers.
And if you can't do the actual things, just watch someone who is, listen to them talk, pick up lingo, and fake it. I watched like a 15-min vox video on fencing for the fencing!AU and a 45-min music theory video on the hospital pianist!AU (also I started learning piano sklfjnlsdjlfkjsd). Of course, I just finished reading a wangxian fic that had me going, "holy fucking shit, the author is literally getting their masters in a music program" so my 45-min youtube video ain't shit, but if you just need a little bit of character establishment, then it's enough to do the trick.
Anyways, tl;dr. Find the details, find the tension. Never tell outright what the tension is supposed to be, manifest it instead. Make the manifestation as interesting as possible, and if it's meant to be funny, make it funnier.
Sorry this turned into a fucking lecture lskjnflskdjnflskd but last thing, someone asked me before if I had formative authors, and this was the list I wrote at the time:
Angels in America (play) by Tony Kushner
The God of Small Things (novel) by Arundhati Roy
The Penelopiad (novel) by Margaret Atwood
“Litany in Which Certain Things are Crossed Out” (poem) by Richard Siken
Night Sky with Exit Wounds (poetry) by Ocean Vuong
Giovanni’s Room (novel) by James Baldwin (and then Go Tell it on the Mountain and then his essays)
Franny and Zooey by J.D. Salinger
And, ooh, now that I have this list I think I can even roughly sort it as such: Kushner, Atwood, Siken, and Salinger I really latched onto for their dialogue and very present narrator voice—same is true for Go Tell it on the Mountain. Roy, Vuong, and Giovanni’s Room, I think, are texts more representative of the kind of saturated figurative language I like, and emulate. Of course they all do imagery and voice and overall structure amazingly, but that’s the rough dividing line I’d draw.
But yeah James Baldwin is my fucking hero.
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OC-Tober! Day 27: Anniversary
Okay, so, today marks the one-year anniversary of the Harklestone High School Drama Club’s performance of “Arsenic and Old Lace”. And, since you three are the only named original characters performing in the play were some of the key performers, I’d like to ask you a few questions about the experience. Cortie, Nella, Henton, thank you for joining me.
(C) Sure! Happy to chat, ‘specially about plays. Ha, ‘specially about that play!
(N) Yes, yes, you’re welcome. Don’t suppose it’ll hurt.
(H) Oh, get on wi’ it. I don’t wanna talk about this more than I have to.
How did you get involved with the drama club in the first place?
(N) I was always involved with it. Was always into that sort of thing, especially before I came here. Course I had to join the drama club once I settled in! And that was when I found out Harklestone High School’s drama group had almost no… how d’you put it… *hard emphasis* ACTORS. Not ones who could pull it off, anyway. Not for the first three years I went here. It got draining. Specially last year—we were so low on members, we had to accept people from the rugby team—the rugby team—and even then we were a little short.
(C) How’d I get involved? You kiddin’, mate? I LOVE plays! I’d been trying to get into the drama club for years! Sure, I had rugby, but, like ol’ Eddie says, “the play’s the thing”. Right, the BEST thing! I’d done tryouts for it plenty of times, but never got anywhere. Turned out that year, I finally got a position! Now I’m an official player!
(H) Huh, figured out I was pretty good at accents that year, decided to join. Thought it’d be fun.
What was your reaction to receiving your part?
(N) I was a little disappointed. I mean, Elaine’s an alright part, I just thought it might be harder for the other girls to pull off the aunts. Got over myself quick enough, though—with being practically a, what d’you call, an unofficial co-director, I had other things to bother about. Suppose the smaller bit was better that time round.
(H) What else was I supposed to expect? The doc was the one I auditioned for. He’s the one with the accent. Nobody else could do that, so of course it was gonna be me.
(C) Mate, lemme tell you, I was the cow jumped over the moon! Soon as I heard what play we were doing, I went in for tryouts. I watched the film with my mum when it came out a while back, y’know. So getting a chance to not just see it again but BE in it was champion!Then when they told me I got to play the bobby, I knew I made it! Ha-ha!
What did you think of your Mortimer, Edwin Blackgaard? Did you get along?
(H) Stuck-up twat… I’da give him stuck up years ago if he weren’t a blighted little Blackgaard.
(C) Haha, Eddie’s great! He was so… *awed tone* dramatic. Like he was a Real Actor and all! He was always giving me some great tips on acting, too. He must’ve been the smartest fellow we had! He reads that Shakespeare guy’s stuff, you know.
(N) At the time? Couldn’t stand him. Always going around telling people how to act and posture and pronounce, picking us apart when he didn’t even have the sense to take the scenery out of his mouth. I mean, of all the melodramatic, arrogant—gosh, he’s lucky he made it to the performance, or he’d never have gotten the chance to play it better.
How about his brother, on and off stage, Regis Blackgaard?
(N) He… *draws breath through teeth* see, at first, I didn’t think much of him. I didn’t think much of any of the actors. For a while, I didn’t get to see much of him either. We’re not exactly in many scenes together. I guess thanks to Edwin, I was a little prejudiced against any Blackgaard, though I didn’t say it. But then, when we practiced the one scene… well, gosh, if he didn’t really act. The first time we went over it, I almost ran off. Even after we’d practiced plenty of times, I still felt the least bit shaky once I walked offstage. *beat; shakes head* And you know, I might should’ve talked to him after that. I used to make a habit of talking to people I thought had a really good style of acting. Even when it didn’t make a lasting friendship, it was good conversation. But… well, he still unsettled me a bit. We had the off chat or two, but he kept more to himself anyway, so maybe it was better.
(H) *jabbing a finger, eyes narrowed* Don’t you talk to me about that backstabber. Oh, I thought he was so great when they first came here—I let the others pick on the newbies to see if they’re trouble, but Regis got the bloke back in the sneakiest way. That’s always how it was. Whenever he got payback, everybody knew it was him, but nobody could prove it, nobody dared say anything. And I thought he was so great. Sure, nobody could trace it back to him. Didn’t matter who else got traced, did it? *muttering angrily under his breath words which are likely unrepeatable*
(C) Wait.
(C) …
(C) Regis Blackgaard?
(C) …
(C) *silent figuring in his head, multiple thinking expressions*
(C) …
(C) There were two of them?
Did any of you know Walter? What did you think of him?
(N) Walter, Walter… oh, that kid! Yeah, the little stagehand. He was nice. I remember now, he was always helping people with their lines, with costumes and scenery… with everything, really. I almost think he liked it. Liked helping out behind the scenes. *smiles* Bit of a sweetheart, him. Even stepped in when I was too stressed to direct once or twice.
(C) YEAH, yeah, Walter! I know him—I never forget a name! A first name, anyway. But I remember ol’ Walter! Helped me learn the stepping… step, no, it’s called… it’s called… blocking, right! That’s what it was. Made sure I got it down, too, before he went off to do other stuff. Great chap. Really, I thought he was great!
(H) *scoffs* That dogsbody? Sure. Every hooligan in the school knows him. Oh, he’s always so proper and polite, ain’t he? Even when he’s getting shoved about. Best part is, nobody cares. Little servant-class pipsqueak, nobody notices if he’s got a bruise or two. *clears throat* Not that I did any kind of bullying. That’s just what I’ve heard. I quite liked the kid, yeah. Quiet, too, nice and quiet. *mutters* ‘Cept when he can’t keep his mouth shut… *louder again* Uh, besides, he did some helpful things for me! Like not being but a bit taller than me. That was sure helpful, heh.
How did the night of the play go for you?
(H) It went over fine, what we were doing. Went over without a hitch. The night went fine. It was the next day, and the telephone calls, and the principal, and the parents, and the suspension that didn’t go well. *to himself, seething* He said they could only say the twat overreacted. He said they couldn’t find a reason to punish us. But no, he gets off to college blameless, and leaves me in hot water for it. *aloud, angrily* It was HIS idea, not mine! I’ve said it before, I’ll say it again, it’s his brother he wanted to— *irritated* Gaw, what’s it matter? It’s been a year anyway. And nobody ever caught him in anything when he was here, did they? Dam’ sneak.
(N) Oh, I don’t even know anymore. It started off awful. Nobody was performing well, Cortie stumbled on almost every line, Edwin was the worst ham you’ve ever seen, and I came a little too close to strangling him right on stage, I got to admit. But then… well, I guess you could say Regis changed everything. Our scene shook me up, of course, but then that scene with Edwin, where Jonathon’s threatening his life… gosh, that felt genuine. I doubt it could’ve been realer if he was really afraid he’d be killed. *sigh* Tsk. It was funny, though: after that, everything seemed to start going right. I mean, Cortie did his part better, for goodness sakes! Not just him either! And then Edwin… *starts to flush* well, Edwin, he got practically manic at the end. Specially the very end, the bit with Mortimer and Elaine. I guess it was the acting, but… *ducks her head as she starts to think back on it, then shakes her head suddenly* I don’t know, I don’t know, it still confuses me. I mean, I never took that much note of him before, except when he was driving me batty, but then he did all that with me at the end, like it was real, like wewere, and I… *rolls eyes* ugh, sorry! Sorry, I’m nattering. Point is, the night did end fine, even if I’m not quite sure how. *shakes head, thinking* Strange night. And I still don’t know what to make of it.
(C) That was just about the best night of my life, mate, lemme tell you. And I was a little nervous at first. Kept worrying about my lines, how to act, where to go, when to leave. I musta messed up plenty in that first scene. I know cause Eddie said I don’t need to stumble over my lines like that. I told him it was because I was trying to think about them, but he said the way I did it sounded unnatural—it “wasn’t becoming”. But see, that got me thinking about one of his old tips, right when he was doing his scene. Something like “you gotta become something when you act”. Oh yeah, and Nella too! She’d said before I needed to make the lines sound more natural! And it was right then it started to click: you gotta becomesomething, when you act, and make lines sound natural. Thinking about the lines makes it sound unnatural and isn’t becoming. So, all I had to do was act, natural, and that’s how I could become! So when I went back out on the stage, I just acted natural, like I normally would. And the funny thing was, I wasn’t even thinking about lines! I just… said ‘em. I guess all the help I got memorizing paid off. So that’s what I did, just acted, naturally, the whole rest of the play, and it worked! We actually won! We—oh, well, no, not won, it wasn’t a rugby match. But, hey, it felt like winning! Felt just as much like winning as any rugby victory!
What are your thoughts, looking back on the anniversary of the performance?
(N) Honestly? For a play about murder, it really brought a little life into the drama club. We got a lot more members by the time we had to do another play. Everyone’s acting had improved since that night—even… gosh, even since that last act. It was like it got a little more real for everybody at that point. Even Cortie did a decent job. Ha! Don’t think he ever came down from that high point. And Edwin was… *hesitates* he was different after that. I mean, sometimes he still got all hammy, even in the more everyday things, but even then, it was like… something had changed. I couldn’t put my finger on it. Even now we’ve been talking more, I still can’t quite say. *shakes head* Oh, I’m being silly. The question now. Looking back, the least I can say is… everything changed, in some way, for everybody.
(H) Wish the blighted thing’d never happened. Oh, it was fun. Oh, wasn’t it, though. But when I have a bit of fun, at least I make sure I don’t get in trouble for it. Gaw, when I get out of here, remind me to never come in fifty miles of a Blackgaard again.
(C) Looking back? I still say it was one of… ha! No, I think it might’ve been the best night of my life! I mean, I know I can win rugby—I mean, look at me! My ancestors were probably winning rugby games against druids or something. But these plays! These plays are something else! They’re words, lots of ‘em, and good ones too. That’s something I’ve liked for a long time. That was my first chance to really try doing that, and, well, I mean, I was pretty confident I could do it most of the time, but when I got lost, I really didn’t have any idea what to do. Man, I’m glad I got a good team—Eddie, Nella, that kid Walter, Regis—I guess he’s a Blackgaard too? That’s what you said before? Well, he didn’t talk much, but he sure showed me what cues were in plays! And everybody else helped me figure it out too! If I didn’t have the team, I couldn’t have even played. But we pulled together and won, and we got even better. *thinking* Huh! I guess it’s not as different from rugby as I thought!
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Well, thank you all for your time! It took more of mine than I expected, but I did in fact finish it! And I must say, you three random side characters have all given me a very strong and irritating urge to come up with a lot of stories for this group of canon and oc characters just being in stories in high school together. Dash it all.
Once again, thanks to Cortie Busby, Nella Hudkins, and Henton for joining me, live from the “Art of Becoming” fanfiction!
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