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#imo he should tell them to fuck off :) and then say the number of a mental health help hotline :)
rhynehoward · 1 year
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kaztheghost · 6 months
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just discussing PvP and the issues people r having with Blue hiding !! tagged discourse and crit to be safe but it isn't intentioned with either it's just me rambling
Okay I mained bads perspective yesterday but I keep seeing people say that Etoiles and Roier couldn't find anyone to kill for nine hours--and listen . Is it that they couldn't find ANYONE or that they didn't find who they WANTED to kill, because they did see Foolish and Cellbit didn't they? Two people in nine hours is SUPER ROUGH yes but they did run into red more than once and just didn't kill them so idk I'd be more into it if they really didn't see a single player for any time whatsoever but like. Just because they didn't see bad more than once ISNT the same; I think I just mainly take issue with the fact everyone is trying to give bad a hard time for not fighting while refusing to acknowledge the entire server wanted his head on a platter, why should he 1v12?? Like that's ridiculous how is that even content when he'd get curbstomped against that many people, every time people want to fight him it's only AFTER they gather at least four to six people to take him out like be realistic if you want to 1v1 id be like fuck yea but he knows that where there's one there's the rest of y'all not too far away I just do not get it he's not a coward he's using basic common sense (plus even when people offer a 1v1 they're ALWAYS in a vc telling their team where to go to jump him) that is there's One of him and An Entire Server who wants him Dead good as he is (and tbf i also disagree with etoiles calling their fight from the other day a 1v2 because it wasn't--it started as a 2v2 and fit ran because he almost died (I'm aware of the miscommunication btw I don't blame either of them!!! It really really sucks bc I'm sure etoiles could've escaped) but regardless it WAS a 2v2 that bad didn't even Want to take on initially, it would've stayed that way if fit had stuck around because he was going to die anyways ykwim but to say it was unfair when it didn't start off that way is eh 2 me mostly bc it sounds like they jumped Etoiles off guard as if Etoiles and Fit didn't engage them first) HOWEVER saying all that I think they really should try to encourage PVP in different ways than just "everyone go hunt down this one specific player" because then it's kind of just . Like that encourages that player to just hide because why would they fight that many people? Boosting the kill percentage helps but manhunts don't imo they'll just stay underground the whole time and I don't blame anyone who does outside of even Blue--like when Blue and Green were hunting Red, of course red is going to stay hundreds of blocks away to avoid PvP it's just numbers ykwim idk it's purgatory but when you being killed will set your entire team back because there's significantly less of you then everyone else I don't blame them really and I hope the admins can come up with a different way to try and get fights going
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realcatalina · 2 years
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Meynnart Wewyck’s workshop-part 2:Henry VIII and Prince Arthur
In part 1 I covered proven paintings. All the fallowing posts are purely my suggestions which paintings I think might be by this workshop or I hope somebody will thoroughly exhamine them to see if they aren’t.
This time we are focusing on Henry VIII and Arthur Tudor
I) Portrait of Henry VIII, probably in Private collection:
-after restoration(sorry this is the quality I found it in)
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Before restoration:
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I already made post about this painting named :Does anybody know anything about this portrait of Henry VIII? And kindly you’ve helped me find the answers.
Sadly I can’t tell from picture after restoration if they were able to also restore the green background, which certainly had damask pattern.
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But I think the we’re looking at painting of Wewyck’s workshop. The similiarities to number 6(on left) from part 1 are pretty big, even for untrained eye:
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(bit of difference in brows, but otherwise very similiar.)
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Comparing these two imo is very important as it opens up window for time when lots of the original painters no longer work within the workshop, old master was aging and at least several new painters entered scene.
(Translation: in early 1520s lots of different painters did Henry VIII’s face, but overall it seems as same workshop. Perhaps.)
Comparing them with 3rd painting Henry VIII done around same time, would be ideal:
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I’d be nice to have is figure out chronological order of all 3. Because imo they don’t fit just c.1520, but c.1519-c.1525(beard, young etc.).
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Is it just me but is the left eye(from our view on right) depicted as bit of lazy in all 3?
II) Portrait of Henry VIII, National Portrait Gallery, London, UK:
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Link:https://www.npg.org.uk/collections/search/portrait/mw03081/King-Henry-VIII
(but it doesn’t really show the picture, they have some technical difficulties for while. I am thinking of writing them an email about it.)
There are some details, such as mouth and beard, which make me think-maybe some of the Wewyck’s workshop were involved? Idk. 
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Tbh I don’t believe this is Wewyck’s workshop. Then why do I suggest it? Because it’d be nice to have it conclusively disproven, so that we can start search for another painter. (Or there will be big surprise, it will be by Wewyck.)
Given the aproximate dating-aside from Wewyck, we could also think French court painter as possible author.
Henry VIII on left, Francis I on right in very similiar outfit.
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Both might have been done prior to Field of Cloth of Gold. Why prior? According to Venetian ambassador to England since September 1519 Francis was growing a beard. Catherine made Henry shave the beard off prior to meeting Francis, but it is possible prior to that he got portrait made and sent it to Francis.
Or Francis shaved during Field of Cloth of Gold(after they met), and Henry grew beard again-but since he broke promise of not shaving before meeting Francis, French were already insulted.
Since Henry VIII and Charles V got painted together(1 painting) it’s possible, French and English royals got painted upon meeting too. Just decided to go for separate portraits. On first glance the paintings don’t appear to be done by same hand(skin, shine of fabric etc.) but on other there are many artistical similiarities. So maybe two paintings by same painter being kept in very different conditions.
III) Another early portrait of Henry VIII.
He is  beardless. So it should be pre-1520.
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Imo this looks like same portrait:
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Just different lighting, but iidk where it is from and I don’t have better version of it. But the dating suggest it could be by Wewyck’s workshop and there is certainly some resemblence to the confirmed painting by Wewyck(on right):
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IV) Another painting of Henry VIII where I am not sure of its origin and I failed to find it in better version
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But I don’t agree with dating 2nd half of 1520s. The pendants on black string worn on outside, is thing Henry did a lot more in 1st half, and he also still wore these kinds of hats. Other dating says c.1520. I am so fucking tired of ‘c.1520′ dating. Every young portrait of his, where he has beard is dated simply dated as c. 1520. We know he grew beard in 1520. But what other evidence do you have it is c.1520. Why not 1520s?! If you don’t know, don’t guess! 
C. 1520 dating is ok only if you’re not sure if it is late 1510s or early 1520s portrait. Otherwise it’s greatly misleading. 
I think especially around the eyes and nose, it is very similiar to previous painting and while I am not convinced it is by Wewyck‘s workshop , it’d certainly be interesting to have one by Wewyck where skin is in good condition. Imo it could be as late as mid 1520s, around time when Wewyck died. However, Holbein was in middle of painting posthumous portrait of Jane Seymour when he died. So, don’t think painter’s death meant they weren’t working upon something. They might have.
And that brings me to another version of this painting, just with different hat.
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V) Another of Henry VIII, appeared in Sotheby’s in 2015:
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Link:https://www.sothebys.com/en/auctions/ecatalogue/2015/old-master-paintings-l15035/lot.501.html
According to Sotheby’s it’s late 16th century, but I’d not be so certain of it. 
You must be thinking, she went crazy. This is too different and you’re right.
The face is imo finished by same painter as the one who did Henry’s c.1526/1527 portrait(on right), not by Wewyck’s workshop. (so imo it’s 1520s work)
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Even amateur as me, can spot how similiarly that beard is painted. 
So why do I include it? Because imo cloth of gold in this painting is done by person who worked in Wewyck’s workshop. Maybe even Wewyck himself, because that 1526/7 portrait has cloth of gold also, but just painted with brush, not gilded. If Tudors liked this gilden style from c.1500 up to early 1520s and suddenly stopped in 2nd half of 1520s, maybe the person who did it, has died. Wewyck is presumed to have died around this time.
Hence we might be looking at painting Wewyck started, but didn’t finish and another painter finished it. In which’s case I’d die to see the underdrawing.  But of course it can be a copy from start to beginning, perhaps neither IV or V are period originals, but are simply based upon lost original.
By this point I am no longer dismissing horribly looking paintings as inaccurate copies easily. And in part 3 you’ll see why!
VI) Portrait of Arthur Tudor(possibly), Royal Collection Trust, UK:
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Link:https://www.rct.uk/collection/403444/arthur-prince-of-wales-1486-1502
RCT kindly shared with us result of dendrology. The wood was felled as early as 1490. Very likely this painting was done between cca 1500-1520, hence almost exactly when Wewyck’s workshop was active. Unfortuntely it seems they cannot remove the yellow varnish.
But there is some controversy about the sitter’s identity.  Some claim it is not Arthur but Henry VIII.  Royal Collection Trust says this about the matter:
Comparison(of this painting) with a portrait of Henry VIII in the National Portrait Gallery(probably II in this post), London may indicate that this depicts Henry(Henry VIII), Arthur’s younger brother. The inventories of 1542 and 1547 record portraits of both Prince Arthur and Henry VIII, with a red cap and collar of red and white roses.
Imo siblings are nightmare to tell apart and I am still not able to date very well Tudor male fashion, I need to do more research into it. Hence I am not 100% certain when this outfit was fashionable.(I have suspicion only.)
But certainly ‘Arthur’(on left) and adult Henry VIII(on right), had every similair carcanets(heavy necklaces):
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(It could even be same one, with few alterations). And we know Henry VII stopped wearing this one later on in his reign, so this basically prooves it is pre mid 1520s, matching the dendrology. 
Of course the dating points to being possibly by Wewyck, imo style fur and velvet might also. But there is one detail of the painting, which is nowadays obsecure. It’s no longer there. And since they probably can’t remove that yellow varnish, I doubt they can remove the alterations to the background.
While looking for this painting on the Royal Collection’s webpage, it popped a sketch of this painting, which shows the background before some alterations and gives much better picture about what the backrgound’s pattern is/was:
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And it looks to me like same background as in number 6(in part 1), especially on right of Arthur, there is very similiar pattern:
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There are certainly details which reoccur in all the paintings, but aren’t exactly the same. That suggest real fabric was used when the background was made, not just pattern being copied. Because the details are changing as the sitter moves.
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But on the left, some parts of the pattern are missing:
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Sometimes within the ‘circle’ there are flowers, sometimes some floral shapes. I wonder if within the pattern there was one ‘circle’ with flowers and other with ‘foliage’. 
Such fabric was not used exclusively by English and appears to be popular for rather long time(I found it on several other paintings which 100% aren’t english and trying ), but if the exhamination revealed this is original background, it’d suggest it is not Arthur, because it seems this background started to be popular in England after he died. Unless it is posthumous depiction.
VII) Portrait of Arthur Tudor(probably), located at Hever Castle, UK:
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(Some webpages say it is in private collection, but Hever castle speaks of it as part of their collection.) Once again pattern of green damask looks same, but might not be original)
Link:https://www.hevercastle.co.uk/news/tests-rare-arthur-portrait/
(The photo on Hever Castle’s webpage is not the best quality-maybe by design so you’d rather go to see it in person). 
I currently believe on their webpage, they have typo about dendrology done in 1993. Because result around 1460?!?! is imo bit of strech. 1480/1490 I’d get. 1460, no.
There is great news about this painting. It is already being tested to see if it is by Meynart Wewyck! It is undergoing expert exhamination right now and we should get the result by end of this year!(2022) I am so glad that is the case. Partly due to similiarities between this painting and unconfirmed versions of Henry VII’s portraits.
I have actually written email to Hever Castle about this painting with my questions and kindly they provided me with answers.(But only then I noticed the 1460 date. I won’t write again, I’ll wait for results of new tests.)
Why did I written? Because for all love of God, I couldn’t understand how they are sure it is Arthur.
It’s c.1500 fashion. Realistically you can’t tell if it is Arthur pre-1500, or Henry VIII in c.1503 by just looking at it. White gillyflower(symbol of bethrohal) fits both brothers! (And 3 portraits of CoA done by Sittow in c.1502-1503, prove even when bethrohed were within same country and met before, portraits still were made to be sent to other side.)
Nothing physical about the painting will disprove one brother. It will fit both!
(Unless of course it doesn’t happen to be much later copy. Which given the  previous dendrology result(probably 1480 or 1490 felling date) is highly unlikely.)
The only way to resolve the issue is to find historical record  describing painting with white gilliflower as one brother or the other. 
And thanks to Hever castle’s reply now I know the record was found. 
In Charles I’s royal collection it is described as this:
‘Item the 15th being Princ Arthure in his minoritye, In a black cap and goulden habbitt houlding in his right hand a white gillifloore in a reed pintit goulden frame.’
(Item 15th being Prince Arthur in his minority(teenage years), in black cap and golden habit holding in his right hand a white gilliflower in red painted golden frame.)
Personally, I’d have prefered had the deal breaker about sitter’s identity was not the record done at least 120 years after Arthur died(beginning of reign of Charles I is 1625). Because generally speaking such records are not to be 100% trusted. But they did their due diligence trying to find history of this painting. They found out there is record in Henry VIII’s inventory of 1547 which list picture(painting) of prince Arthur and has no further description(unlike the previous painting), so it is possible it got passed on from Henry VIII up to Charles I, passing in records as uninteresting portrait of prince Arthur, barely worthy of mention.
So, in absense of any other record, which would suggest otherwise. I’ll take it and will say that probably this is Arthur.
But still in 1990s they thought of this painting as of copy, because it didn’t fit the dimensions of painting described within Charles I’s collection. It was too big.
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But after cleaning it became apparent it was originally much smaller painting hence fitting the record describing it as prince Arthur.
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Because it is painted not on canvas but upon wooden panel, this add-on can be done. If you know to look for it and focus on it, you can see where the original pannel ends in picture(it’s during mid-cleaning, so on dirty painting above you won’t able to tell at all.)
If more of early Tudor paintings are set in this way,  they might be dismissed as copies, solely due to their size. You’d not look at larger painting and think-oh this might have originally been smaller. 
So I wish to spread the word about this. 
Even seemingly large paintings might be early Tudor originals, even if records speak of smaller paintings.
Hope you’ve enjoyed it and hope you’ll wait for part 3.
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magnuficentwo · 1 year
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1, 4, 6, 8, 9, 12 for Borderlands
[From this !] Thank u for the ask now I get to practice my VIOLENCE
1- The character everyone gets wrong
Hate hate hate hate hate how so many people write Rhys. Rhys is a character who's whole appeal {personally} is that he is very much Just Some Fucking Guy. Before the stories of Tales happened, Rhys was just some random dude who wanted to make it big, and afterwards, when he gets the opportunity to, he's still Majorly not his own person. He's influenced by the player in a meta sense, but also by Ugly John. This guy's identity is based off what the situation demands and what other people expect of him, and yet no one ever seems to acknowledge it, favoring instead his fucked up relationship with H.J as the sole atribute of his character [and this WILL pop up later trust me].
The guy has potential and the game acknowledges it (by the games own words, he rebuilt Atlas, became the CEO and even invented some cool new tech along the way), but he is NOT ALL THAT and I'm TIRED of people acting like there is that much substance to him. Just say you want the white men to kiss, stop putting on different hats on this guy and acting like hes all that
4- What was the last straw that made you finally block that annoying person?
Moxxi slander. I swear, anyone who says Mad Moxxi is "annoying" or "a bitch" is 20% of the time a misogynist and 80% of the time a Handsome Jack sympathizer who thinks that she should've had some pity on The Active Space War Criminal. And this person did exactly that so yk how it is
6- Which ship fans are most annoying ?
Rhack shippers. No doubt. Partly because of my own personal gripes with how this dude is characterized {see: number 1}, but also because it's genuinely just so boring 😭 you can write this ship a thousand different ways but ultimately it boils down to "We need these white men to kiss" and nothing else. Also the whole "this guy manipulated this other guy for the entire time they interacted and then tried to kill him" thing.
8- Common fandom opinion everyone is wrong about.
There's nobody who is good in this game I'm sorry to all apologists out there but all these guys suck ass. This isn't a competition about who's most morally correct it's about who your favorite criminal is ok
9- Worst part of canon.
The way they don't expand on lore, not even a little 😔 Please just tell me how ancient eridian people got their hands on an Atlas gun all of a sudden. Or at least tell me something about Sirens. How does the magic in this universe even happen. For the love of God HOW did Pandora GET LIKE THAT how is anyone there LIVING. PLEASE just CRUMBS OF INFORMATION you can't have me guessing everything you're presenting !!
+ How they don't expand on characters. Like come on let me hang out with these guys they're so cool :(
12- The Unpopular character you actually like and why more people should like them.
Tannis Tannis Tannis I love you cringe fail autistic woman. I don't see nearly enough appreciation for her. Matter of fact, I see a lot of people hating on my girl like :[ Leave her alone. Here's my comprehensive list of reasons why you should actually like Patricia Tannis.
1- So smart. She seems to be one of the only 5 people who know anything about the setting and who actively tell you about related history. She's one of the only sources of knowledge on Eridian culture we have in-game, which means this also extends over to Sirens, magic and the vaults. Relevant stuff yk !!! /// 2- She's COOL LOOKING okay. Her design is more down to earth and restrained compared to other characters, and it makes her stick out a little more imo. It's also just wonderfully practical which fits for her being a researcher and scientist. /// 2.5- Girl... pretty... /// 3- This woman is so autistic have I mentioned that yet. Because she is. She unfortunately does fall in some pitfalls in terms of stereotypes {I.E: nerdy personality with tendencies to be rude to people, the whole facts and logic thing, etc} but also damn she is so relatable. I too feel nauseous at the thought of a social interaction but still actively crave to have conversations with other people. I also struggle coming up with words at the time of most need. I too have like 3 people who actively take me places and make me feel comfortable (SEE: Roland, Lilith, the VH in some cases). I too humanize objects and talk to them because of loneliness. That's so true. She's so real for that.
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musclesandhammering · 3 years
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Every Single Issue I Have With S*lki (It’s Not Just The Selfcest)
Here goes. I threatened to post this a few days ago and never did, but I just saw a s*lki stan Twitter account claim that Loki caring about Sylvie more than the whole multiverse was a Good And Romantic thing and it pushed me over the fucking edge, so now you all have to read this. I’ve divided it into categories cause there’s just THAT much.
OOC Bullshit
• First and foremost, no amount of mental gymnastics you do will ever make me believe that this specific Loki- the one that just invaded New York, that just came off a year of Thanos Torture, that just got done being influenced by the sceptre, that was literally in the middle of a crisis already, and then on top of that went through all the trauma of Ep 1- would even be worried about a romantic relationship. That would be the furthest thing from his mind. Go back and watch how he acted in Avengers- you think that guy would abandon his previous mission to become a snivelling simp for a girl he’d just met 3 days prior? Yeah, there’s no universe in which that makes sense.
• “It’s very in character for Loki to fall in love with himself lololol-“ NO, it’s literally not. Out of all the characters in the mcu, I don’t think I can think of anyone that genuinely hates themselves more than Loki. He even referred to all his other male variants as “monsters” and said meeting them was “a nightmare” in this series. He’s got so much self-loathing, plus the fact that he genuinely thinks himself to be an evil backstabbing scourge- so there’s no evidence at all suggesting that he would ever develop a fondness for, or even be inclined to trust, another version of himself, after only knowing them for 3 days.
• Building on that, the whole concept of Loki falling in love with a version of himself just feeds into the annoying ass misconception that he’s a narcissist. No matter which way you stack it, he’s not. If you’re referring to NPD, he doesn’t fit the criteria, and if you’re saying “narcissist” just as a slang term meaning “selfish and arrogant”, that still doesn’t accurately describe him. But when creators like Waldron and Herron do things like having him fall in love with himself, it makes it so much easier for casual viewers to think that he is.
Shitty LGBT Rep
• It’s kinda sus that Loki’s are allegedly genderfluid and yet the only female-presenting variant we see (and apparently the only female-presenting variant there is, cause the male Loki’s all seemed unfamiliar with the concept) is treated as some kind of mind-bogglingly special paradox. Also very sus that, out of all the Loki variants, the one our Loki falls in love with just so happens to be the only female one. What a coincidence.
• The fact that the creators of the show went around bragging about Loki’s bisexuality and Marvel purposefully (lbr) allowed stories about Loki possibly having a male love interest to circulate, specifically enticing queer viewers to watch the show (you know, the definition of queerbaiting), and then instead of having a male love interest (Loki was the first queer main character, so it was the perfect opportunity) they gave us *gestures to this dumpster fire* this… it’s just a middle finger to LGBT fans. The fact that they would rather have this relationship with all its myriad of problems than have a gay relationship is just……. Very telling.
• While him being with a woman obviously doesn’t refute his bisexuality, the fact that they showed/talked about him being interested in 3 different women (flight attendant, Sylvie, Sif) and never even hinted at him being attracted to a man, definitely makes it seem like they were trying to cover up his bisexuality to smooth things over with the more homophobic viewers. You know? It’s like “I know you’re pissed that we sorta confirmed Loki as bi, so we promise we’ll never mention it again! Or even hint at it! As a matter of fact, we’ll give him lots of female lovies and make him seem as straight as possible! That’ll take your mind off of that horrible crumb of queer rep, right? Please please please keep giving us your money!!!”
• Aside from all the other issues, at its core, the biggest reason why I think I’m so irritated with s*lki is that it took one of the most interesting, complex, and diverse characters in cinema atm and squished him into a tired ass unnecessary heteronormative subplot…. Like literally every. single. other. protagonist. ever. Loki is such a unique character, and it’s so so so incredibly disappointing that they stuck him into that same boring cookie cutter romance that happens to every other character in every other movie I’ve ever seen. It’s a disservice, and it’s honestly just not compelling or entertaining at all.
Thematic Issues Galore
• His arc didn’t need a romance. With anyone. It was unnecessary and it didn’t make sense plot-wise. In fact, one of the reasons he was my fav prior to this was because he was the only big-name mcu character whose story wasn’t muddied-up by a romance that didn’t need to be there. So much for that.
• He wasn’t emotionally ready for a romantic relationship with anyone. Hell, just a genuine friendship would’ve been pushing it for him at this point. He was in such a bad state that any relationship he got into would’ve been toxic and unhealthy for both him and the other person, and it doesn’t make sense why the writers would want to put him in one when there were so many cons and essentially no pros (other than “Uwu aren’t they cute together”).
• Sylvie’s character in general was unnecessary and Loki’s character was robbed just by her being there. The whole show became about her post-Ep 2. They spent most of the time giving her backstory, building her up, telling us how awesome she is, trying to convince us to like her, etc when what they really needed to be doing was building Loki up- cause I gotta say, if I had to describe TVA!Loki in a few words, they would be Flat, Boring, and Weak.
• The romance overtakes the plot. They spend time portraying their supposed connection that could’ve been spent adding depth and complexity to literally any of the characters. They make the big Nexus Event them giving each other googly eyes on Lamentis when it could’ve been so many other way more profound things that speak to the fundamental nature of Loki’s. They have the climax of the finale be “oh no she betrayed him to kill He Who Remains” when it could’ve been something way more compelling (Loki having a moral crisis over whether or not to kill HWR, Loki contemplating the state of the multiverse and weighing the pros and cons of freedom vs order, Loki looking into some What If situations and getting emotional about what could’ve been regarding his family, Loki realising the gravity of HWR’s offer and finally coming to terms with how important he is to the universal cycle, etc etc). The entire plot suffered in favour of a romance that half of us didn’t even want.
• It essentially reduced all of Loki’s potential character growth down to “He did it for his crush.” He seemed to at least have some motivations of his own in Ep 1-2 (feeble as they were) but after Sylvie showed up in Ep 3, literally every action he took was just him being a simp for her. Why did he lie in the interrogation? To try to protect Sylvie. Why did he fight the minutemen and Timekeepers? To survive kinda, but mostly cause it was important to Sylvie. Why did he get pruned? Cause he got distracted trying to confess his crush to Sylvie. Why did he try to get out of The Void? Cause he thought Sylvie needed him. Why did he stay in The Void? Cause Sylvie was staying. Why did he try to enchant Alioth? Cause Sylvie told him to. Why did the multiverse get cracked open, leading to an infinite number of Kangs waging war on all of existence? Cause Loki didn’t wanna hurt Sylvie in their fight at the Citadel and then get distracted by her kissing him. It’s uninteresting and honestly pretty embarrassing.
• Throughout their “relationship arc” the writers do their absolute damndest to convince us that we should like Sylvie more than Loki. And you know what? It’s the most hypocritical shit I’ve ever seen. They preach and preach about how Sylvie’s life has been so difficult/we should feel bad for her/she had it so bad/poor poor sylvie/she had it SO much worse than pampered prince Loki…. But then they never even touch on any of Loki’s trauma of hardships (the ones that have been ignored for literally 3 movies now). They frame Sylvie as a good person and a Freedom Fighter after she spent literal decades/centuries mass-murdering brainwashed TVA agents and showing exactly zero remorse for it….. but then they make it their mission to constantly remind us that Loki is a terrible person and constantly put him in situations where he’s forced to acknowledge his wrongdoings/show remorse/admit to how “evil” he is for being a mass murderer for like 2 years. They show him on-screen having a wider range of powers than her, and perpetuate his whole shtick of being a “master manipulator” or whatever….. But then they make Sylvie “the brawn” more competent, intelligent, and physically capable than him. Tell me how it’s a good thing for a ship to be so narratively biased toward one character.
Missed Opportunities
• If they absolutely had to have a romance subplot, then they could’ve paired Loki with one of the characters that have already been established OR one of the characters that were a big part of the whole TVA storyline anyway. It would’ve been so interesting if they’d revealed that Loki had a history with some of the players from previous films (Sif and Fandral both come to mind). It also would’ve been really interesting if they’d given Loki a love interest that actually had some allegiance to the TVA as a whole (Mobius maybe, but not necessarily. It also could’ve been Renslayer or B-15). Hell, imo it would’ve been cool if they’d followed through with that “See you again someday” line that he said to the flight attendant in Ep 1. ALL of these characters have way more chemistry with him than Sylvie, and they were also already relevant to the plot without wasting half the show to give background info on them.
• If they absolutely had to have a hetero-presenting love story involving an enchantress-type figure, then there’s a whole Enchantress (Amora) that was actually Loki’s love interest in the comics. Plus, fans have been screaming for Amora to appear in the mcu for years. Plus, Tom literally pitched an Amora/Loki storyline way back in 2012-13. Also, Lorelei (another enchantress) is also one of Loki’s love interests in the comics, and she already exists in the mcu (she was on Agents of SHIELD). There were several different established characters for them to choose from. Creating a whole knew amalgamation of a character and going with the “she’s a Loki variant” storyline was just completely unnecessary and made no sense.
• They completely robbed us of a Chaos Twins dynamic. Had they handled Sylvie better and not forced her and Loki to smooch, the two of them could’ve had a really really complex and interesting sibling relationship. Loki could’ve stepped into Thor’s shoes and sort of used that new role to gain some self importance, and Sylvie could’ve finally had somebody to look out for her/teach her magic/be there for her. It would’ve been very aesthetically pleasing, the vibes would’ve been out of this world, it would’ve been way more profound than this bs, and frankly it would’ve been much more entertaining to watch.
• Loki’s relationship (read: obsession) with Sylvie completely overshadows all Loki’s other relationships in the show. Loki and Mobius were literally the focal point of the series in Ep 1-2, but after Sylvie showed up in Ep 3, they barely had any interactions with each other, and Mobius pretty much faded to the background entirely. Loki had the beginnings of a pretty interesting antagonistic relationship with Renslayer (with her wanting him pruned, then arguing with Mobius that he couldn’t be trusted), but after Sylvie showed up the dynamic shifted to focus on the history between her and Ravonna. Loki and B-15 started off very badly and openly disliked each other throughout Ep 1-2, and then in the end of Ep 2, Loki showed a little bit of concern for her when she was possessed, hinting that they might be inching toward a reconciliation- especially considering how obvious it was that Loki was gonna uncover the TVA’s sins eventually. There was so much potential for him to be the one to give her her memories back and convince her to change sides, but no, of course that honor went to Sylvie. In fact, after Sylvie showed up, Loki and B-15 never even spoke to each other again.
Various S*lki Fails
• If they were trying to convince us that this affection was mutual, they completely failed. There’s nothing I’ve seen that even hints at Sylvie feeling the same way about Loki that he does about her. At most, I’d say she has a slight endearment to him. She finds him likeable and she’s grudgingly fond of him, but she definitely isn’t in love with the guy. Maybe she thinks he’s cute and hopes that he gets out of this mess alright, but her mission obviously comes before him- whereas, it’s been confirmed multiple times that Loki cares about her above anything else. She doesn’t trust him, she looks at him like he’s an incompetent fool half the time, she shows little to no reaction during most of his confession moments, and she kissed him as a means to distract him so that she could get him out of her way. Look, all I’m saying is, when you get into a relationship where one of you is way more invested than the other, it never ends well.
• This goes without saying for a lot of us, but the selfcest is just straight up odd and cringey. If you’re cool with that sort of thing, fine! People can ship what they want! But don’t pretend it’s not at least a little bit uncomfortable. Yes, I know they’re not technically siblings so it’s not technically incest, and they’re also not technically the exact same person, but they’re similar enough that it makes things weird. And yes I know selfcest can’t happen in real life, so there’s no way to judge it morally, but neither can most of the other stuff that happens in these shows/movies (the Snap, Loki destroying jotunheim, superhero with powers being held accountable, mind control) and yet we still find ways to judge their morality, because they all mirror real-world events. (The snap= genocide; Loki destroying Jotunheim= bombing other countries; superhero accountability= weapons accountability; mind control= grooming and coercion). And lbr the closest real-world mirror to two versions of the same person (who may or may not share DNA, family, backgrounds, physical and emotion characteristics) being romantically involved with one another is incest. And you can be ok with that if you want- that’s your prerogative- but don’t get pissy just cause a lot of us are squicked out by it.
• The whole mirror metaphor (learning self love via each other) thing just fell completely flat. First of all, having Loki learn to love himself by looking at someone who mirrors him did not, in any way shape or form, require them to be romantically involved. But they were. Of course. Secondly, the creators have contradicted themselves so many times on whether Loki and Sylvie are the same or not, that it doesn’t even really register to the viewer that the mirroring thing was what they were going for. Finally, Loki and Sylvie are shown to have so little in common- and to have only the most bare minimum of similarities personality-wise- that it doesn’t even make sense that Loki would “learn to love himself through loving her”. Like? They’re nothing alike. So how would he make the connection that he himself is actually pretty cool, based on her alone? There’s virtually nothing in her that reflects him.
• I know the objective of the entire show was to convince us of how awesome and unique Sylvie is, but honestly her relationship with Loki just did the opposite. A hallmark of a Mary Sue is having her constantly upstage the male lead, and then having him instantly fall madly in love with her anyway. And that’s.. exactly what happened here. Everything they’re doing to try to force her character to be more stan-able is really just forcing her to look more like their self-insert OC. Which is exactly what she is. It would’ve been so much more satisfying if she didn’t have to try so hard to look cool, if they didn’t have to try so hard to make her backstory tear-inducing, if they didn’t have to turn our protagonist into a snivelling simp just to prove how incredible she supposedly is. Very much #GirlBoss energy and we all know how performative and cheap that is.
• The entire thing was too rushed, there was too little build-up, and it was nowhere near believable. As stated above, it’s ridiculously unlikely that Loki would canonically even be interested in Sylvie, and this show did nothing to explain why he was. He just suddenly was. There was nothing they showed us as viewers that would justify a guy as closed-off and preoccupied as Loki falling head-over-heels for a girl he just met. Their was no explanation, no big revelation, no reasoning, it just… kinda happened. And I’m also severely skeptical of any love story that has the characters go in this deep after only 3 45-minute episodes of exposition.
I’m sure there’s other stuff, so if anyone thinks of anything, let me know and I’ll be more than happy to add it. Tagging @janetsnakehole02 @raifenlf @natures-marvel and @brightredsunset800 for expressing interest. This is all your faults.
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vic-chaos · 2 years
Text
Since I have talked about Butters’ personality development throughout the show on here pretty often I just want to go on a little ramble about how much of it was affected by Cartman (and surprisingly not in a bad way) bc I find it really interesting.
I feel like in a way being influenced by Cartman is actually doing a lot of good for Butters, because of the specific traits it brings out in him. I think one of the reasons Butters is drawn to Cartman so much in the first place is because he has a lot of personality traits that Butters wants/admires, mostly the self confidence and the boldness to just say shit to people’s faces and not give a fuck lmao. But I think what Butters finds most admirable is probably his lack of fear of adults and his ability to stand up to them just as readily, because its what he himself needs the most. Even though Butters was always getting bullied by other kids in the past, his biggest abusers by far are adults.
And we have seen that ever since he started to gain more confidence, not only do the kids in school mostly leave him alone now but he also doesn’t get pushed around by his dad as often. (imo he should punch him in the balls a few more times though sjdhfbsdsf its a shame that only happened once.... it was very cathartic)
But before I go any further I do want to clarify that I don’t mean this in a “being abused/hurt by someone makes you stronger” kind of way, not only because I hate that trope but because it’s not what I mean at all. Cartman’s cruel treatment of Butters (especially at the beginning) did not do anything good whatsoever for Butters, and if anything just drove him deeper into the abusive situation he was already in with his parents.
The positive changes come from the developing part of their relationship thats based in genuine friendship and trust, and the moments when Cartman tried to encourage Butters to be brave or to prioritize himself over others more. A really good example I think is in Super Fun Time when Butters stops crying and Cartman starts being a lot nicer to him, then tells him that life will pass him by if he doesn’t “do whatever he wants all the time”. It’s very Cartman-y advice that of course isn’t exactly the right way to go about things either lmao, but it’s the sentiment that counts, and you can tell from his reaction that Butters sees some truth in it too.
The other thing I feel is worth pointing out is that these personality traits are not recently formed or OOC either. They are parts of Butters that already existed but were just being crushed beforehand (both by his parents constantly shutting down any attempts he made to do anything other than just obey them blindly, and by he himself repressing them since he felt pressured to behave the way that they want him to).
Butters is still a very gentle and sweet person on the whole, but he’s always had a rebellious streak as well as a mean one. Even without Cartman’s influence, there’s a number of occasions where we’ve seen him be mean and bitchy to others as soon as he’s given the opportunity, often unprompted too lmao. He’s also always been very stubborn. Probably the most significant thing to note though is that he really enjoys the thrill of disobedience and misbehaving, because of the freedom and control it gives him.
I think he’s struggling to figure out how to express these parts of himself because up until recently he’s always bottled them up. It shows a lot in episodes like The Ungroundable as well as Professor Chaos’ entire persona, and his tendency to go crazy and start power tripping when he’s given an inch or when his inhibitions are even slightly lowered because he’s not used to having any power or freedom at all. Like what happened in Grounded Vindaloop.
I think its also really interesting that Cartman is also apparently the only person who can get Butters back under control when he does go off the rails (or at least Kyle thought so in S20, and Kyle is very perceptive...). It makes me curious if Cartman is not only just good at bringing out Butters’ confidence, but also at helping him control it and not take things too far. Which is... interesting? Because Cartman has a lot of self control issues himself to say the least.
To get back on topic though - I think the way that being close to Cartman makes Butters feel braver and more confident (as well as the excitement of getting to misbehave) does a lot to answer the question of why Butters continued to stay with Cartman despite his mistreatment of him at the start, and why he’s still so close to him even now when its been demonstrated on many occasions that he’d be easily capable of saying no to him or leaving if he wanted to.
It isn’t the only reason though. Of course, he also enjoys the fun and adventure that comes along with being involved in Cartman’s antics, genuinely just thinks he’s funny/cool, likes hanging out with him, and considers him a friend. These things are also a lot more concretely canon rather than the rest of this analysis which is very much just my personal and subjective interpretation. But I like trying to piece this together mostly just because I really love the thought of them both bringing out the best in each other..... Cartman helping Butters become more confident, and Butters helping Cartman mellow down and open himself up to love and trust people a bit more.
They are good for each other in their own strange ways 🥺
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vivithefolle · 3 years
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I just wanna ask, and don’t get mad at me cause I’m genuinely curious, how do you stan Ron? Like, I like him, but he is definitely misogynistic (slut shaming Ginny, treating hermione like she owes him something and being mad that she kissed someone years before, always objectifying Fleur, and acting like girls who aren’t pretty aren’t worth much). Like, by DH I feel like he definitely has mostly grown out of it, but still 6/7 books he’s kinda unbearable IMO
how do you stan Ron? 
Like this:
OH MY GOD HAVE YOU SEEN. HAVE YOU SEEN HIM DID YOU SEE MY BABY OH MY GOD. WHEN HARRY’S ARM HAD GONE KABLOOIE BECAUSE OF LOCKHART AND HE. RON. HE WAS. HELPING HIM GET DRESSED???? OH MY GOD BABY???? HHHHNNNNGGGG. AND. AND. AND ALSO WHEN HE. OMG. WHEN HE WAS PUTTING FOOD ON HIS FRIENDS’ PLATES LIKE. MOM FRIEND ALERT MOM FRIEND ALERT MOM FRIEND ALERT. AND THE WAY HE’S ALWAYS BLUSHING AND BEING EMBARRASSED AT THE SLIGHTEST PRAISE BUT ALSO HE’S SO DESPERATELY SEEKING IT BUT HE KNOWS HE CAN’T TAKE IT AND EEK EEK EEK THAT’S SO CUTE SOMEONE HOLD ME IT’S ADORABLE RONALD WEASLEY YOU ARE SO GOING TO BE THE DEATH OF ME IT’S ILLEGAL TO BE THIS CUTE!!!!
Ok and then.
he is definitely misogynistic 
No. And here’s why.
slut shaming Ginny 
Yes, that was wrong. And guess what, that’s also something he probably - scratch that, definitely - picked up from his mother. And also his brothers, recall how Fred and George too don’t like to see Ginny go around with boys. There’s also something to recall: Ron was there when Ginny was taken into the Chamber of Secrets and learned later that it was because she had trusted an older guy. You seriously wouldn’t be paranoid about who your sister dates after that? It was wrong. Yeah. And he more than learned his lesson when Ginny clapped back by virgin-shaming him and basically told him that he was childish because he hadn’t have a relationship yet. So would that make Ginny sexist too? Or is it just for Ron?
treating hermione like she owes him something 
..................... uuuuuuuuuhhhhhhhhh... when? When the fuck did anything like that happen?
He made a prat of himself at the Yule Ball, that much is obvious. But he didn’t tell her anything like “you should be with me” or didn’t insinuate anything of the sort. He was a jealous bitch but kept attacking Krum, not Hermione.
If you mean in sixth year when he treated her with “icy, sneering indifference” for the course of two weeks, yeah that was bad but that’s not ��treating her like she owes him something”, the fuck?
being mad that she kissed someone years before 
Yeah. I know. And that was bad, ooooh you got me to admit Ron did bad stuff, that’s what you want to see, right? And I reckon he was also mad that she hid it from him, and that he had to learn it from his sister of all people. We see Ron handles what he considers betrayals terribly. I have some meta discussing the possibility that he has a form of Rejection Sensitive Dysphoria.
always objectifying Fleur 
Um... no, he doesn’t. He makes a stupid comment about her once in GOF then stops. Let’s also fucking remember that Fleur is a Veela, she literally makes guys stare at her as part of her powers!! I’m not blaming her because she’s literally born that way, but you can’t blame someone who is under magical compulsion either.
acting like girls who aren’t pretty aren’t worth much 
So tell me why he was friends with Hermione then?
Because Hermione wasn’t Emma Watson the super hawt sexy model goddess. Hermione was Mrs Generic. Until this once at the Yule Ball when she got the pretty princess perfect Mary Sue makeover but then stopped because she had to remain ~relatable uwu~.
Again. Ron made stupid sexist comments. But it’s actively shown that he doesn’t follow up on them. If he did indeed live by the motto “girls who aren’t pretty aren’t worth much”, explain to me why he wasn’t simping and drooling all over Padma Patil who is explicitly stated to be one of the prettiest girls at school when she was his date? Why exactly did he ignore her and was a miserable twat the whole evening instead of basking in the joy of having snagging a girl that was “worth it”? Well surprise, it’s because HE ACTUALLY ISN’T LIKE THAT AND WHAT HE SAYS IS MAYBE SHIT HIS “COOL OLDER BROTHERS” SAY AND HE THINKS THAT BY EXTENSION IT WOULD MAKE HIM COOL TO REPEAT IT. MIMETISM, THAT'S BASIC FUCKING HUMAN PSYCHOLOGY FOR FUCKING TODDLERS MY FUCKING GOD.
Like, by DH I feel like he definitely has mostly grown out of it, 
............
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so. so why. so why wouldn’t you. use that. as a reason. to stan him.
like.
fuck all the “hurr durr ron weasley the boy who made it out of the friendzone!!!!” bullshit, let’s start going with “Ron Weasley, the Boy who became a Man, and not one of those 'uugghh im such an alpha male’ ones but one that’s got the balls to say ‘hey love, I’ve got an idea, what if you kept doing that job you love and feel passionate about while I support you and do the majority of the childcare while also working a smaller job on the side so we’re never short on money’“
Why you people gotta be “yeah I like Ron BUTT” when you know full-well this fucking awful fandom will rake him over hot coals over the slightest mistake he does - worse, will actively go out of their way to interpret his positive moments in the most negative way possible??? Fuck off with that bullshit. Ron dared to say bad stuff omygah big deal, he was forgiven for it all and you’re just all cowards looking to feel “pure” by telling yourself “oh yeah but he was problematic once uwu”. FUCK. THAT. NOISE.
but still 6/7 books he’s kinda unbearable IMO 
And IMO he’s not, funny how that works
So.
I guess it’s impossible to stan Ron because he was problematic uwu.
Ok.
Then I hereby decree that it’s impossible to stan Hermione Granger because:
“I’ll bet you wish you hadn’t given up Divination now, don’t you, Hermione?” asked Parvati, smirking. [...] “Not  really,”  said  Hermione  indifferently,  who  was  reading  the  Daily Prophet. “I’ve never really liked horses.” She turned a page of the newspaper, scanning its columns. “He’s not a horse, he’s a centaur!” said Lavender, sounding shocked. “A gorgeous centaur . . .” sighed Parvati. “Either  way,  he’s  still  got  four  legs,”  said  Hermione  coolly.  “Any-way, I thought you two were all upset that Trelawney had gone?” - Order of the Phoenix, ch 27
wow casual use of a racial slur yay!!! A+
And it’s also forbidden to stan Harry Potter either since:
It was raining hard now, and she was nowhere to be seen. He simply did not understand what had happened; half an hour ago they had been getting along fine. “Women!”  he  muttered  angrily,  sloshing  down  the  rain-washed  street with his hands in his pockets. “What did she want to talk about Cedric  for  anyway?  Why  does  she  always want to drag up a subject that makes her act like a human hosepipe?” - Order of the Phoenix, ch 25
and
“Harry! There you are, thank goodness! Hi, Luna!”  “What’s  happened  to  you?”  asked  Harry,  for  Hermione  looked  distinctly  disheveled,  rather  as  though she had just fought her way out of a thicket of Devil’s Snare.  “Oh,  I’ve  just  escaped  —  I  mean,  I’ve  just  left  Cormac,”  she  said.  “Under  the  mistletoe,”  she  added in explanation, as Harry continued to look questioningly at her.  “Serves you right for coming with him,” he told her severely.  “I thought he’d annoy Ron most,” said Hermione dispassionately. “I debated for a while about Zacharias Smith, but I thought, on the whole —”  “You considered Smith?” said Harry, revoked. - Half-Blood Prince
Victim-blaming! Nice Harry, nice. Always classy.
Ok, Ginny stanning is already cancelled because she virgin-shamed Ron, right, so who’s left, who’s left... ah yeah:
“There you go,” said Fred proudly. “Best range of love potions you’ll find anywhere.” - Half-Blood Prince
Selling date rape drugs proudly ouh là là. Bye Fred.
"Do they work?” she asked.  “Certainly they work, for up to twenty-four hours at a time depending on the weight of the boy in question...”  “...and the attractiveness of the girl,” said George, reappearing suddenly at their side. “But we’re not  selling  them  to  our  sister,”  he  added,  becoming  suddenly  stern,  “not  when  she’s  already  got  about five boys on the go from what we’ve...”  “Whatever you’ve heard from Ron is a big fat lie,” said Ginny calmly, leaning forward to take a small pink pot off the shelf.
Assuming that only girls use love potions, and only on boys. Men never rape in JKR’s world, only women do, you heard it from George Weasley here folks, I’m just passing on the message. Ah and I hope you’re also starting the Fred And George Hate Club given how he’s also slut-shaming Ginny.
“What’s this?”  “Guaranteed  ten-second  pimple  vanisher,”  said  Fred.  “Excellent  on  everything  from  boils  to  blackheads,  but  don’t  change  the  subject.  Are  you  or  are  you  not  currently  going  out  with  a  boy  called Dean Thomas?” “Yes, I am,” said Ginny. “And last time I looked, he was definitely one boy, not five. What are those?”  She  was  pointing  at  a  number  of  round  balls  of  fluff  in  shades  of  pink  and  purple,  all  rolling  around the bottom of a cage and emitting high-pitched squeaks.  “Pygmy  Puffs,”  said  George.  “Miniature  puffskeins,  we  can’t  breed  them  fast  enough.  So  what  about Michael Corner?”  “I  dumped  him,  he  was  a  bad  loser,”  said  Ginny,  putting  a  finger  through  the  bars  of  the  cage  and watching the Pygmy Puffs crowd around it. “They’re really cute!”  “They’re  fairly  cuddly,  yes,”  conceded  Fred.  “But  you’re  moving  through  boyfriends  a  bit  fast,  aren’t you?”  Ginny turned to look at him, her hands on her hips. There was such a Mrs. Weasley-ish glare on her face that Harry was surprised Fred didn’t recoil.  “It’s none of your business. And I’ll thank you” she added angrily to Ron, who had just appeared at George’s elbow, laden with merchandise, “not to tell tales about me to these two!”
Ah, good on you for defending yourself, Ginny, but remember, Ginny stanning is prohibited because she’s been problematic in the past and is gonna be problematic in the future and that’s baaaaaaad. Careful kids, don’t get ideas. It’s problematic to like people who’ve done problematic things.
So I guess nobody can like anything or anyone now. Sorry guys. Liking things is evil, what if the thing you liked had, OR USED TO HAVE, *gasp* flaws, can’t take that risk, ohmygah.
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saessenach · 3 years
Note
Hi! For the ask thing, top 5 missmungoe's fics and top 5 One Piece villains?
Love your art!
Hi, nonnie!!
I'm afraid it's been a minute since I've been up to date with One Piece, so both questions will be more or less based around @missmungoe and her incredible, swashbuckling Odyssey-retelling (although let's be real, Odysseus could never) honest-to-god multi-verse Shanties 😊
Top 5 OP Villains
1. Blackbeard (love him, love the parallels to Luffy and Shanks, love his ominous intro and the way he's thematically relevant to a T)
2. Akainu (love to hate him, he is terrible, I hope he gets w r e c k e d, and that whoever takes him down has a marvellous time while at it)
3. That one guy from Film Gold bc he was hella compelling and he had style, but I forget his name. He was extra gaudy and that wins points from me
4. Gold Lion Shiki (I think??? From Strong World, because the last few films have been really good - worldbuilding-wise and narratively speaking, and it's been fun to dip my toes back into the story without having to tackle several hundred chapters)
5. TBH I've only rewatched properly up until Arabasta, so the villains I have Opinions on are Arlong, Croc, Captain Kuro and mayyyybe Rob Lucci and his gang, but I have no idea what's happened with them since, if they've gotten their own arcs like Buggy, or whether we're friends with them or not, so I'll leave it at that.
(An honorary mention to the slavemonger Celestial Dragon from the latest chapter of Mnemosyne, because he was awful, incredibly well-written and made me want to hurl my phone against the wall)
(So now onto the fun part)
Top 5 missmungoe fics
1. Heed the Siren's Call and Sailor's Folly (technically cheating as they are separate stories, yes, but when I reread one, I also immediately reread the other, so imo, it's only fair. Siren was a favourite I first read years ago on ff.net while it was being written, and which I happened across again in 2017 on ao3, and it's never been the same!! When I say it's life-changing literature, I mean it, because how many stories can claim to grow up and change right alongside you? I just have a lot of love for it, and I am this 🤏 close to taking a bookbinding class and having my way with it)
2. Penelope (the amount of times I've read and reread this is truly embarrassing, and that number has more digits than I care to admit - but I am a sucker for weddings which tell tradition to f right off, tiny brides giving voice to their anger at the world and bridegrooms smitten straight out of their ugly ass sandals. This is my comfort read.)
3. Mnemosyne (is the herculean, show-stopping, incredible slow-burn of my dreams and just - wow, it literally takes Oda's worldbuilding and makes it immeasurably richer and better. If for nothing else, then read it for Hancock and her friendship to Makino, for the INTRICACY given to the Amazons, for the way it breathes life into every single place the cast visits, and ties in over-arching themes from canon with details so fucking brilliant, you just sort of stare dumbly at your screen because of course they should be there. There are so many different POVs, and so many intersecting threads that make up this huge-ass tapestry I am continuously in awe of, because it's not just the HEART-ACHE INDUCING marvel of a love story, it's the Red-Hair crew's shenanigans, and the Straw-Hats' incapacity to stay put, it's Rowan's adventure, it's Hancock and her people getting the quality writing they DESERVE, it's the ASL reunion which made me cry, and a found family which spans oceans and realms of existence and everything in-between)
4. Andromeda Unbound (the SWASHBUCKLING UNDERCOVER EXTRAVAGANZA! The one where everyone and their mother separately shows up to crash Shanks' execution, complete with narrow misses, over-the-top banquets, Leverage heist music and so many good reunions. A big, fat and incredibly Extra(tm) middle-finger to propriety and saintly lawful systems, and just, so much fun to read)
5. Time for the ties lol - I still can't believe the Unspeakable 30 year fic and the subsequent AU in which Shanks crashes Makino's wedding are a thing, but I just love that miniseries a lot. Somewhere on this spot are also Moon and Her Maiden (for being ridiculously atmospheric), Bind me to the Tide (uhh, the coolest and also most painful soulmate AU for them, with Makino being very much against her intended, Shanks dealing with period cramps from Hell and just overall being Very Good for my Heart) and, of course Peony and Silver (ROGER. Shakky sweeping Rayleigh off his feet. ROGER. More over-arching themes, as usual. Have I mentioned, perhaps, ROGER? Just to be safe.)
Oh, and an honourable mention for Charybdis as it single-handedly (😌) dragged me out of the biggest art-block I've ever had, and I've rarely cried this much when reading fic.
Hope these answers are satisfying, nonnie!! Thank you for the lovely compliment, and for giving me an opportunity to gush about one of my favourite series ♡
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catboygretzky · 3 years
Note
best stucky fic recs pwease
Okay, disclaimer, these are all like five+ years old (which is the best Stucky era, imo) and definitely not the only ones I enjoy; these are just a few in my bookmarks on ao3.
In no particular order besides the order I bookmarked them and under a read more because there's a shit ton of them (really, it's a lot):
- hold me until we crumble; Not Rated, 23k
“Sam told me you were watching Antiques Roadshow,” Natasha says, shaking out her hair. “I assumed it was a national emergency.”
- despite the threatening sky and shuddering earth (they remained); Explicit, 72k
“They really didn’t want the mask to come off.” Hill thumbed through the scans, and pulled out a film that she then handed over to Sam, face mostly expressionless but for the flat line of her pursed lips.
Sam accepted the film and held it up to the light, angling so both he and Steve could see it, squinting at the outline of the Winter Soldier’s skull, and the blips of unnatural white that showed up, God, in his brain, not to mention about half his teeth, plus the mask, with its thin protrusions—
“Those are pins,” Steve realized. He looked over at Hill. “The mask—it’s nailed to his face.”
Hill’s face was as unmoved as ever. “Like I said. They really didn’t want it coming off.”
- family means no one gets left behind or forgotten; Teen, 11k
“Why did you think I wouldn’t like you for being gay?” Steve asks gently.
“You’re Captain America.” Eli’s got his teeth clenched and is resolutely looking ahead. “You stand for truth and justice and the American way. You stand for American morals. You stand for…” he shrugs awkwardly. “Not people like me.”
Steve blows the air out of his cheeks slowly, trying to figure out how to keep the anger out of his voice so Eli doesn’t think it’s at him.
Or, Steve comes to terms with his new world, and gains some children in the process.
- Mistake on the Part of Nature; Teen, 1.3k
Steve takes in Bucky's betrayed look and Sam's confusion, follows Sam's gaze to the pile of mangled fruit in the trash can. Sudden comprehension fills his face.
"Oh," he says. "Bucky found out about bananas."
In which an American icon is mourned. But probably not the one you're thinking of.
- Swear Jar; Teen, 1.5k
Bucky isn't the only troll in the future.
OR
Steve has a Swear Jar and he makes the Avengers pay up every time they cuss.
- Barnes & Rogers and the Goddamn Truth; Not Rated, 19k
There are three well-known facts at Shield High:
1. The history teacher Mr. Barnes is a stone-cold terror, and it’s not even because he only has one arm. 2. The other history teacher, Mr. Rogers, is a mysterious enigma, and it’s something to do with the body of a Greek God and contradicting stories of his past. (They’re all rumours, anyway.) 3. Mr Barnes and Mr Rogers hate each other.
Bucky wouldn’t have it any other way.
- perfectly right wrong number; Teen, 32k
It all starts because Steve is too dumb to handle his smartphone.
A wrong number AU in which Bucky Barnes doesn't enter Steve's life (meaning: Bucky wasn't born until the eighties, but Steve is still Captain America) until Steve accidentally dials the wrong number. Wherein there is a lot of texting, some advice via Natasha and Darcy, a bit of pining, and a first date in an amusement park. Oh, and on top of being a disabled veteran, Bucky is a professional catwalker. Literally.
- The power of the right shirt (a.k.a. God bless America); Teen, 1.2k
"He just…" Phil trails off, mouth gaping. He is staring at the field outside the house, eyes glazed.
Clint sighs. "Yeah, he just ripped a log in two with his bare hands."
- To fill it up with something; Teen, 21k
A fateful encounter with Dr. Strange leaves the Winter Soldier transformed, and Bucky Barnes reunites with Steve Rogers in a most unexpected way.
“Steve brings the puppy inside, into the apartment that doesn't quite feel like home no matter how much he's been trying. He isn't used to being alone. Before the war, he always had Bucky, and his mother until her death. During the war, Bucky was there, too—and the rest of the Howlers, of course—but Bucky always meant home. (And well, maybe Steve's already got a name for the puppy in mind)."
- build it bigger than the sun; Teen, 10k
“Yeah, because nothing says heteronormative like living in Dupont Circle for two years and wearing skin-tight shirts to hit on hot airmen when you go running in the morning.”
“Look, I know you’re being sarcastic but I really don’t get how no one picked up on that.”
Steve and Bucky try to work out their relationship. The Avengers keep getting in the way.
- Memories Circle (Like Birds of Prey), Teen, 32k
Everything seems to be going right, Steve's fighting with his Commandos, they've saving lives-- until Steve falls from a train, is taken prisoner, and turned into the Winter Soldier. Meanwhile, Bucky takes up Steve's mantle as Captain America, and thanks to Zola's experiments, he gets dropped into a whole new time, only to cross paths with a Steve who doesn't know who he is anymore.
Essentially, the events of CA:TFA, mild mentioning of Avengers, and CA:TWS but with Steve as the Winter Soldier and Bucky as Captain America
- The Gentleness That Comes; Mature, 9k
Steve Rogers never really views the things he had to do to get by before the War with any sort of shame or embarrassment. People ask him for his opinions on modern issues in interviews, but Steve has gotten good at talking around those types of questions. Fury insists that there's no way to answer them without casting a shadow of controversy across the reputation of the Avengers, and that's the last thing Steve wants.
But then a sex tape is released featuring Tony Stark in bed with another man, and Steve can't stay quiet any longer.
- salt for the sea; Mature, 7.5k
Natasha comes home with intel regarding the fate of the Winter Soldier; Steve leaves to go and avenge Bucky Barnes.
“It's a list of everyone who was involved in his death, and a rough timeline of everything that happened beforehand,” she tells him.
“And the notebook?”
“I explained what they did,” Natasha says, “The blank pages are for you to explain what you do to them.”
- Lone Cat and Samurai; Teen, 8.4k
"We lost Kitten America sir!" Junior Agent blurted out. Then turned an unlovely shade of purple. "I mean, Captain America. Who’s a kitten. Because magic. Sir."
- Waiting To Prove You're Not Alone; Explicit, 41k
Months after he woke up on the banks of the Potomac, when a reporter mistakenly assumes Steve would disapprove of homosexuality being as accepted as it is in the modern day, Steve accidentally snaps and unleashes his real opinion on the matter... and with that, a secret he's hidden for over eighty years.
When that secret comes looking for him in New York, Steve can only hope that he can get a second chance at saving his best friend, even if it means keeping his heart in check.
“Yeah, back in my day it wasn't tolerated, and because of that I knew from the minute I figured it out, that I’d never get to tell my best friend that I loved him, and sure enough, he died without knowing that I’d been in love with him for a decade."
- I'm Not Sick (But I'm Not Well); Mature, 30k
Steve Rogers doesn’t meet Bucky Barnes in the 1930’s. Instead, Steve meets him April 17th, 2012.
Well…sort of meets him.
In actuality, Bucky had almost hit him with his truck.
Or: The fic where millennial Bucky Barnes nearly runs over a freshly thawed national treasure, and what Steve Rogers did to adjust to modern NYC during those two weeks before the events of The Avengers.
- pure as the driven slush; Explicit, 11k
He should have worked it out sooner. But then, Steve always was a sneaky little bastard—had to have been, just to survive this long.
For the SteveBucky Fest prompt, "Steve is quite experienced while Bucky's never gone beyond second base with anyone".
- Let's Be Exposed and Unprotected, Explicit, 5k
Bucky’s pretty sure he should be into getting fucked through the floor while walls explode around him like in that Mr and Mrs Smith movie that Clint loves. But he likes it like this. He likes being on his back with Steve looming above him, big and naked, blocking out the rest of the world.
- Man of Steel; Explicit, 6.7k
It’s like Steve looked at his metal arm and thought ‘Challenge Accepted.’
- 5 Times Steve Got Arrested and 1 Time They All Did; Teen, 4.9k
What it says, 5 times Steve Rogers ended up in jail (with and without Bucky) + 1 time all of the Avengers got arrested with him.
- the best of you; Teen, 16k
Bucky is on a mission when he gets the call.
They tell him that Steve has been compromised.
[The story wherein Hydra captures Steve to create a new weapon. Bucky, alongside the rest of the Avengers, come together and work through the fallout.]
- pull apart the dark; Teen, 79k
Steve's unending faith in his best friend was beginning to look less like hope and more like fantasy. When they'd caught the Soldier – in a fire fight that still gave Sam nightmares – the only thing the man seemed to recall was how to hit exactly where it hurt.
Four months later, Barnes still refused to speak English. Refused to heed anything but Steve's voice.
So, all in all, it was not a great time for Hydra to attack New York. All in all, Sam really wished they'd just killed him, instead of turning Captain America into a baby.
- Not Another Supersoldier Fantasy; Explicit, 8.9k
Bucky finds a popular sex toy modeled on Captain America's own anatomy. Well, isn't this just perfect? Because even after all this time, he still hasn’t seen Steve’s supersoldier cock. But apparently in this day and age anyone with $29.95 can get a decent replica. The unfairness of this is of galactic proportions.
- the blood of the covenant; Teen, 7.5k
Steve has a "thing" for hot water.
Or, Sam Wilson adopts Steve Rogers.
- Mighty like Love, Mighty like Sorrow; Teen, 19k
After freeing himself from the Russians' mind control, Bucky is left at loose ends, drifting through the decades. Still, he's in no hurry to take up Nick Fury's offer to once again fight the good fight -- especially not when Fury has the nerve to put some imposter in his best friend's old suit and send him out to fight against Chitauri.
- Read Me Like a Book; Gen, 1.5k
In which Bucky accidentally becomes a book collector, because when the universe gives you a million biographies about your boyfriend, you go bookcase shopping. And then he finds out about The Grenade Incident, and the boys actually talk about it like actual adults. (Somewhere, Sam sheds a proud tear.)
- the broadest stroke of color; Gen, 16k
Sarah Rogers always loved Steve's hands.
"Your hands will do a lifetime's work," she'd say. "Remember to do the work you can for those you love."
Almost a century later, Steve does just that.
[The story wherein Steve draws comics for Bucky to help him recover his memory. Through a series of events, the issues are leaked, and Steve finds himself reviving the Captain America comics. He still isn't sure how that happened.]
- If You're Loved By Someone (You're Never Rejected); Teen, 9.4k
You’re fifteen when you realize why you stare at Bucky’s lips more than normal when he laughs and when he says your name. You lean into his shoulder when you walk next to him and when you’re sick you don’t fight off his soft hands. You tease him, he teases back and being around him is so easy you forget what it was like to live without him. You can’t remember life pre-Bucky and it scares you.
- Unusual Weather; Explicit, 8.7k
Bucky’s been at the Avengers Tower for three weeks before he finally gives in to Steve’s gentle coaxing and Stark’s cheerful waving of fistfuls of circuits, and lets them scan the arm.
It doesn’t go well.
- this city bleeds its aching heart; Explicit, 35k
The one where Steve and Bucky pose as a happily married couple while on a mission for SHIELD, to catch an international arms dealer hiding in a suburban neighbourhood.
- Good Boy; Explicit, 13k
Bucky is still adjusting to life with the Avengers, and Steve is willing to do whatever it takes to make him feel comfortable. Increasingly, though, what seems to make him comfortable is strangely intimate.
Surprise, Steve! You're a gentle dom and Bucky wants to be your pretty pet!
- Brooklyn; Teen, 8.8k
"Captain America, what's your stance on gay marriage?"
Everyone knows that, by now. Everyone but Bucky.
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medusinestories · 3 years
Text
Black Sails, IV (S1, ep 04)
- Silver's horrified face when he finds out he's going to have to roast pigs is a Journey, starting with shock, then fake smiling, and then this horrified shuddery expression. It's just as interesting when they drop the dead pig at his feet and he clearly doesn't know what to do with it and also finds it disgusting. I can absolutely see where all the Jewish John Silver headcanons come from, especially since it's unlikely that a London urchin has never seen a dead pig and raw meat in general before.
- Here we have the first performance of Cassandra DeGroot: he knows that the bay they'd chosen to do the careening was too dangerous, and warns the crew. He's immediately countered by Flint, who has much more persuasive arguments to get the careening done fast but in a risky manner. (this whole thing reminds me of our current COVID/climate situation, where scientists get talked over by politicians, and people prefer listening to the latter because they seem to offer much better prospects than the “catastrophist” former)
- In this episode Billy is now quartermaster and he shows himself to actually be really good at disciplining the crew, something Gates, DeGroot and even Flint recognise. However, he also agreed to do the careening only because he's afraid to say no to Flint and allowed the men to have a fuck tent, which he feared would distract them - and it did, the two men who placed the rope on the wrong tree decided not to follow his orders and go fuck instead. This all weighs on him enormously after the disaster with Randall and Morley, who accuses him minutes before his death of already being in Flint's pocket. It's pretty clear that more responsibility doesn't do Billy's mental state any good.
- Morley's story about the Maria Aleyne gives some idea of a timeline, albeit a faint one. The incident took place "a number of years back", before Billy joined. This means that Billy is a somewhat new addition to the crew. We know that Randall was bosun when Billy joined. This also establishes that Lord Hamilton has been dead for several years, which now begs the question: who is the Lord Proprietor that Richard Guthrie is now in touch with? Did Thomas have a younger brother who inherited the Bahamas? Was someone new appointed? Was there a gap between Proprietors that allowed the pirates to establish themselves even more after Lord Alfred's death?
- I just adore the fact that Miranda actually went to stinking, violent Nassau because she was just too impatient to wait at home and wanted to be there when the Walrus came in and immediately hear the news of Lord Alfred's death. She is that vengeful and angry and I love her <3
- Speaking of which, this episode gives us the Passive-Agressive Sex Scene which makes so many people doubt of Flint's attraction to Miranda. Just look at Flint’s face: this man isn't uncomfortable or sad he is PISSED. He plays starfish and glares at Miranda all through it (while maintaining an erection all the same!). Miranda must be hella frustrated (or determined) because she manages to get off in spite of all of this (also, how uncommon is it for a sex scene to end when the woman climaxes rather than the man?) It's only when it ends that both Flint and Miranda are both shown as vulnerable and sad and reflective, with Flint reaching up to touch her but not quite getting there - imo because he's still angry but knows that she (and he) needs comfort.
- This leads into the argument over Meditations, and Miranda explicitly talking about Thomas and not wanting to forget him. The book hasn't been touched in a long time, confirming the idea that Miranda shared it with Richard Guthrie because Flint refuses to touch it. Her grief, her loneliness, are incredibly poignant in this scene, and we see Flint shift from bristling and stonily glaring at her, to absolutely melting (Toby's facial expression shifts here are just *chef's kiss*) and finally being gentle and tender with her. However, even though he promises to make things better, Miranda clearly doesn't believe him anymore.
- This brings in a big theme in the episode: betrayal from people you care for/trust. Mr Scott asks Eleanor not to do anything rash in order to get the Andromache’s guns, only to discover her Plan B: to kill Bryson if he didn't comply. In the meantime, Richard Guthrie tells (a very sceptical) Miranda that he can only support Eleanor and Flint, because he pretty much has no choice in the matter. He then proceeds to betray his daughter by making a deal with Bryson and with Mr Scott, who’s still smarting from Eleanor’s betrayal and who Guthrie tries to convince by saying that Eleanor's endeavour will lead to her death and Nassau’s destruction (considering what we later find out about Mr Scott, Eleanor’s safety is probably not be the argument that actually compels Mr Scott - but he certainly doesn't want the Navy searching the area and finding Maroon Island, and needs a stable Nassau to continue supplying his island).
- The Undercooked Pig scene and Silver's attempts at communicating with Flint will never not be funny. Silver looks so small when Flint glares him down, but that doesn't last all that long: once Flint has taught him how to cook the pork, Silver seems much more bold, asking Flint how he learned to glaze the pig, insisting that Flint should trust him and not Billy. This is also a moment where Silver shows that, unlike Flint, he is incredibly perceptive: he noticed that Billy is "straining at the seams" because of the lie he told. And while Flint spits a "there is no we" and calls Silver a rodent, it's obvious that Silver's words still have an impact on him. Their collaboration is sealed when Silver hands him the cleaver so that he can save Randall (and himself). When Flint returns the cleaver to Silver, he's ready to accept that Silver is actually on his side (albeit for selfish reasons) and listens to him for the first time.
- Max believed that she could charm Vane's remaining crew into being kind to her - and overall it seems to have worked. While again I hate this plot, it does give an interesting insight into how even the worst pirate crew is portrayed: most of the men are happy to comply with Max and get sexual rewards "for gentle obedience". Most of them, basically, aren't violent monsters deep down. However there's always one, in this case That Big Bastard (I'm sure he has a name, I just can't be bothered to google it), who clearly gets a kick out of torturing/raping people and hates the idea of a woman taking the lead.
- Fuck You Jack is another theme of this episode. Vane is high on opium and booze and has basically lost the will to do anything. Anne has been courted by several other crews, but Jack hasn't received any offers (note there's no loyalty to Vane here, Jack’s ready to leave, but nobody will have him) and nobody is willing to help him after the pearl cock-up. Then Noonan wants Max back, which Jack refuses because she's the only thing keeping the few members of his crew loyal - and Anne isn't on board with that, leading to her telling him to fuck himself. This, btw, might have crossed Jack’s mind considering the position she was in when he found her. I think it’s easy to forget that Jack is portrayed as pretty callous and happily willing to treat people like pawns too.
- When Richard Guthrie talks about Nassau, he describes it as a place "a place where she [Eleanor] matters, a place where you [Mr Scott] matter", and adds that a place like this isn't meant to last. Nassau, then, is currently an utopia where women and black people can have some semblance of power - and he doesn't believe that this will ever be allowed to exist because this kind of story never has a happy ending in their current society. But when Flint talks to Eleanor about their project, he's of the opposite view: people don't believe that it's possible, but when they succeed, they'll say it was inevitable. It seems Flint is firmly in the camp of "winners get to tell the story", and that the story will influence how the rest of the world sees them.
- When the Walrus tilts and squashes Randall, Flint stops Billy from intervening and rushes to rescue Randall himself - even though he knows the ship will be cut loose at any moment. He puts himself into incredible danger in this moment. Why? Theoretically, it could be for a manipulative purpose: to look good to the crew, or to get rid of Morley. But Flint seems genuinely involved in the struggle to save Randall, and he barely had time to think before he ran off. I feel that this is a rare spontaneous moment for Flint, where instead of thinking about his plans or his position as Captain, he just thinks like a person in an emergency who wants to rescue someone else. He absolutely could have died out there. And while Billy seems to suspect him of having killed Morley, I don't find that reading compatible with what we're shown of Flint trying to save Randall. True, he may have kicked/pushed Morley at the very last second, but we’ll never know that for sure.
- Back to the theme of people betraying their loved ones, we have Richard Guthrie getting back to Miranda, telling her he knows who she is and revealing the "Thomas went mad because Miranda and Flint cheated" story which he heard from Lord Alfred himself. So now Miranda knows that her identity has been revealed and that Richard could spread the story to, say, Pastor Lambrick (let's not pretend this didn't cross her mind, she keeps her identity secret for a reason). And then Guthrie offers her a way back to civilisation. This, right after a kid threw a stone at her, calling her a witch. This, after Flint has promised to make things better, even as he goes deeper into reckless/utopian plans of fortifying Nassau. Backed into a corner, was Miranda ever going to refuse, if she could be safe and have him be safe? And obviously, Richard Guthrie isn't doing this out of the kindness of his heart. He apparently figured out that Miranda was a way to get in touch with Pastor Lambrick and that ridding New Providence of Flint and winning over the “good”, normal inhabitants would be a perfect beginning to buying back his influence on the Island - the end goal being named Governor, of course.
- If there was any doubt that Vane’s tough guy thing is part of an act, his opium hallucination of Eleanor makes it crystal clear: "you're alone, you don't have to pretend with me". That is, pretend that he's not afraid and that he's not vulnerable. The hallucination also offers Vane an explanation for why Eleanor is how she is: like him she's afraid of appearing weak. He's actually spot on, a big problem in their relationship is that they're too alike and are struggling for dominance. Which is probably why Vane wants to overcome his fear and weakness, and regain power by confronting his old slave master (btw, nice parallel with Flint haunted by Miranda in S3). The scene where Vane kills Noonan also shows him in a very animalistic light - at first he's cornered and somewhat pathetic, beaten, throwing up, only saved by the fact that a gun misfires. Then he turns violent: quick, instinctive and relentless, deaf to Noonan's plea to leave him alive, even if theoretically it could have been profitable for him.
- I have to say, I snickered quite a bit when Pastor Lambrick sees Richard Guthrie and tells him "God teaches us not to cheer when someone stumbles, in your case I may ask his forgiveness". I mean, I really see his point. He leads a group of Puritans who are trying to make a life for themselves on this island. Historically, people who lived and farmed in New Providence were constant targets for errant pirates, who robbed, raped and killed a lot of them. This is what the Pastor is trying to protect his congregation from (and Miranda, since he doesn't understand why she's with Flint and is likely terrified that a pirate lives so close to his congregation, hence the spies he sends out). There's a bit of a parallel with Billy, where both Lambrick and Billy are presented as being very preoccupied with the well-being of the group they're responsible for, and both are presented as, well, Goody-Two-Shoes - (self-)righteous, loyal, honest, caring. Except they're both human, and sooner or later they falter.
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MAJOR ENDING SPOILER ASK/ DISCUSSION AND PICS UNDER THE CUT
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Okay, so to preface this, before I read the novel (I have now and I'll be writing a big ole post about it) I have to say I was kind of heartbroken how things ended up for Lance. This ending just felt... Completely off centre from what the storyline was preaching the entire time. You come to the Balance theatre, where two characters combined make BALANCE, and in the end the negative one just gets yeeted, squashed out so positivity only remains?? I understand it could be a metaphor of the idea that negativity can and WILL drag you down if you don't be careful with it, but Balan didn't even try to save Lance?? Balan was built up as this character that completely and absolutely gives himself to other people to help them and be in their lives, yet there was nothing for Lance?? I'm not going to claim I know more about the character than the directors, but to me it just... Didn't feel in character at all. Balan should have reached out to save Lance, done SOMETHING to save them in the end.
I feel that Lance should have been saved. I understand that redemption for villains means they do have a lot of work cut out for them to repair the damages they've done, but fuck man, they didn't even give Lance a CHANCE. There's potential for a sequel if you finagle some things around, and fuck I might even write it myself where they make efforts to save Lance from wherever they went (because they're obv not DEAD, they just got pulled into some weird vortex). And especially to have them saved, RIGHT BEFORE they get killed off? That’s like... not even a victory. It’s just not fun.
The Tim drops being apparent tears is one thing, but I think they're more a creation of intense, positive emotions. Of course Balan crying means they'd create some Tim drops, he was experiencing such love in that moment! I wonder if the colours correspond to specific emotions? The drop looked blue in that cutscene (probably only because the background was a blue tint), but blue Tim drops have shown to give Tim's the ability to destroy obstacles... And Balan in that moment had witnessed Emma and Leo overcome a huge obstacle themselves. So it makes sense!
(This was super cool to hear because I had NO idea there were a lot of rules that go into being bonafide clowns! I’m gonna research it more after this)
And don't even get me started on Balan's 'canon' look under the hat. I DO NOT SEE IT. It's a fine design and all but it's not... Balan, imo. The look he has with the hat suits his personality so much more, this goofy, quirky and kind of weird and mysterious entity that is having a lot of fun with all his interactions. And without the hat he's just... Plain. BUT, talking to a friend who has a lot of info about how the Clown industry works, they actually provided me with a lot of really cool tips! 
- “Balan is most likely wearing traditional Whiteface makeup. Whiteface clowns are generally the leaders of a giggle of clowns, and traditionally all skin must be covered. So YES he and Lance are white, but it's likely just makeup! Especially since there's facial markings around the eyes on top of the white, AND that they're wearing gloves + are fully covered!”
Regardless, I’m also going to play around with some fan designs for both Balan and Lance that make them a better mix of their original designs. Because they should have both been alive in the end, both as a mix of each other to show the balance between negativity and positivity, heck, ANYTHING to show balance that the ending didn't provide (the novel KIND of explains this, but it’s still unfortunately LACKING in explanation and leaves the whole ending feeling kinda... hollow). I WISH Balan had of tried to save them, reached out, ANYTHING true to his selfless and caring nature. The ending dance number was something I called would happen all along, but I thought LANCE WOULD BE WITH THEM. 
On another note, the ending with the Inhabitants and Balan? Holy, fucking shit. That was (despite the disappointment with Lance), GORGEOUS, WONDERFUL, HEALING. I loved it A LOT. It was interesting to have the confirmation that they're trapped hearts too! I know the novel goes into way more detail about the actual inhabitants which is really fun too. But good lord, the way Balan interacted with them at the end, it was so fucking sweet. He loves them, he loves them so much. You can Tell IMMEDIATELY when Jose goes over to thank Balan that he’s not at ALL used to receiving praise or thanks for what he does. 
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LOOK AT HIM, HE DOESN’T KNOW WHAT TO DO FOR A MOMENT. HE’S SO TAKEN ABACK.
I should wrap this up before it gets too long. I will say, as a footnote, I've since read the novel after having written this all out, to which I’ll upload a separate post abt it before this one gets too long. Reading the novel NOW, it’s put way more into perspective and although I wish they had of done some key things differently in the game, I’m more settled on it. AND, I love this game so, SO much more!
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imperiuswrecked · 3 years
Note
To me, it doesn’t make sense to make Magneto the main villain because it has been done so much before and it would connect it so much to the Fox Films. Also I think there is a GREAT laziness in writing Magneto especially in films. He generally didn’t want to kill all humans, subjugate them yes because he doesn’t trust them. Which isn’t a ‘good guy’ move in itself and he slips in and out of.
He legit murdered genocide I think when he was going to kill all humans. Like no.
I also think that the average cinema goer likes Magneto too much… or maybe that is me. It would also require them to recast the most famous faces of the franchises?
Like is anyone going to care if they recast Jean, Scott, Iceman, Rogue, Kitty, Beast even Mystique but Magneto? I don’t know. I have long been a fan of an actual Jewish actor playing Magneto but following Ian McKellan would be difficult for the casual fans to accept. I don’t think Fassbender left such an amazing impression.
Even my most average MCU fans friends (and god they love the MCU 😤 but I see past it) still talk about how much they want to see a Magneto solo film.
To me I would put the focus on their reveal and sentinels. Then again I thought they’ll go through Krakoa stuff. Like it turns out the mutants have been living on this Island etc
With the ‘simpler times’ comment I have to for the sake of my sanity have to think that it was because Pietro knew where he was. Things were clear to him, as much as it hurt he had his sister. The following trauma had not occurred. Again I don’t think this is true but I am trying to reason bad writing. He didn’t doubt his morality but was indebted and controlled. Shitty actions were out of his control.
I don’t read Avengers so I didn’t know he was shelved for so long.
I think the Trial of Magneto is trying to ride on the coattails of Wandavision because even though she’s not a mutant a lot of the internet was wanting Magneto to show up. So what is the best way to get those fans who wanted to see that? Set up a family comic book where they establish the family again because I guess the MCU fans heard they’ve changed their background and themselves didn’t like it.
I see the Trial of Magneto as something poorly thought out as they saw what the audience was interested in. The timeline kind of clashes uncomfortably with Inferno. Which makes me think it was wedged in there to ride the Wandavision train and undo the retcon on the side of the main storyline.
Thank you for reading my essay/rant
Ok so I'm going to first say you have a lot of great thoughts and great on picking up the whole forced feeling. You are right, it does feel wedged in there and it does feel forced because that's exactly what Marvel did.
The Trial of Magneto was supposed to be an X-Factor plot, it was Leah Williams next arc, here's an article link talking about her podcast: link (yes I know it's bleeding cool but I don't have time to listen to the podcast)
Leah Williams tells us that X-Factor was canceled because Leah's pitch for the Magneto/Wanda story for X-Factor, now called Trial Of Magneto, became such a popular pitch at Marvel but they thought the reader numbers for X-Factor wasn't big enough for this story, so they wanted it as a separate comic. And canceled X-Factor #10 rather than seeing it run as originally planned, with the Trial beginning in X-Factor #15. Williams says she only learned about the cancellation of X-Factor when she was writing #9, so as she had to finish the series quickly, squeezing six issues worth of story into those last two issues, calling it "cramped and rushed".
So I'm not a fan of Leah but the way Marvel treats it's writers has always been terrible so this cancellation doesn't surprise me. Could this be about W*ndaVision? It's likely, but it's more likely this has to do with Hickman bowing out. It's no secret literally everyone hated the retcon and I always knew it would be undone but I didn't think it would take 6 years but here we are.
Hickman leaving is a bigger thing, he stated in an interview ( link ) that he had planned Krakoa and X-Men to be a 3 arc story, and he wasn't allowed to move onto the 2nd arc because the clowns at Marvel liked the idea of Krakoa too much and I'm so mad because that's exactly the kinda behavior that annoys me with the fans, them thinking Krakoa is just a fun playground for the mutants to mess around with.
"Oh, plans have changed entirely," Hickman says. "When I pitched the X-Men story I wanted to do, I pitched a very big, very broad, three-act, three-event narrative, the first of which was House of X. And while this loosely worked as a three-year plan, I told Marvel upfront that I honestly had no idea how long the first part would last because there were a lot of interesting ideas that I had seeded that other creators would want to play with, and so, we left this rather open-ended. I was also pretty clear with all the writers that came into the office what the initial, three-act plan was so no one would be surprised when it was time for the line to pivot." Hickman continues, "However, I also knew that I was cooking with dynamite, and it was very possible that what I had written in House of X, and the ideas contained within, was not actually the first act of a three-act story, but something that resonated more deeply and worked more like Giant-Size X-Men, where it would represent a paradigm shift in the entire X-Men line for a prolonged period of time. So, during the pandemic, when the time came for me to start pointing things toward writing the second-act event, I asked everyone if they were ready for me to do that, and to a man, everyone wanted to stay in the first act. It was really interesting, because I appreciated that House of X resonated with them to the extent that they didn't want it to end, but the reality was that I knew I would be leaving the line early."
I'm so MAD because the thing I was predicting, that Hickman would have it come crashing down and everything would be revealed to be terrible and Mutant Death Sex Cult Island wasn't a paradise is never going to happen because the fucking CLOWNS at Marvel don't want him to move past it. I may have my personal gripes about some of Hickman's writing but we can't deny the man wrote one of the best if only the best Marvel Event with Fantastic Four/Avengers/Secret War.
As for the simpler times comment, like I have my theories that I wrote out here, and that's what I think is most likely but I do think Pietro's life has never been easy or simple once his adoptive parents died. Pietro could be drinking to a time before the Brotherhood.
I would love for a Jewish actor to play Magneto and any other characters who are Jewish. I would love for a Jewish writer to be able to write them too. However Ian's performance literally set him in the minds of the people as Magneto, not even Fassbender's bleh one note Magneto could compare. Imo the only reason people liked the younger Magneto was because he was young, handsome (? ig idk i dont simp for him) and they could ship him with young professor X (cowards. where is the old man ship???) But I feel like a new actor could definitely fill the role if they are Jewish and the writing was good.
Magneto's writing in comics... well I just wish we could have a Jewish writer for him. There's some great stuff for him but I feel like characters like him and Doom could be written better by non white/american writers.
Although by today's standards the og X-Men trilogy doesn't hold up I will defend the first two movies with my life simply because after Blade these movies opened up the idea that a good serious, non campy version where characters called Magneto and Cyclops were taken seriously. X2 in my mind was the definitive X-Men movie. Was it totally comic accurate? No, but it doesn't do what the MCU does, it doesn't treat the watcher like they need to have their hand held through all the military propaganda and "hints to the comics". Also side note; the reason no one cared about any of the other X-Men being recast is because all through most of the X-Men movies the focal story point has been Professor X vs Magneto. If they really want people to care about those characters/actors then we would need stories that focused on them. Not like how Storm barely had any character growth or plot in the og X-Men and even young Ororo got mishandled by the script. This is why I feel we should have "origin movies" for the X-Men that don't do what Wolverine Origins did and try to make a whole new cast but instead should use the stories as they are. If it was Kurt's story then we would see him join the X-Men, and have the other actors revolve around that. Same with each of the others, the X-Men work best when they are working off each other and each given enough screen/page time to shine. Unfortunately we all have our favorites, even movies and writers, so those are who are going to be pushed for fans to love.
Thank you for your long rant and sorry for my own long rant/reply.
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artificervaldi · 3 years
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I remembered how much I hate every ending of ME3 save rejection (which I still don't like but at least Shepard gets to choose to fight on their own terms).
Under the cut because I'm being critical as FUCK
Mass Effect 3 in general has a problem of feeling it needs to kill/destroy something/someone important at each major beat. It's war so someone has to die, something has to be lost, anything.
Mordin's death was the best one, in my opinion. He makes a choice, a hard one, to die fixing a mistake he made. He makes a choice to do right by the mistakes of his past.
Why Legion, though? Why did Legion have to die? Legion made no mistakes -- the Geth did nothing but try to survive. They did everything right, down to sparing the very people who tried to kill him. He died for what? To make the game sadder? To make things seem more hopeless?
Thessia falling, I would take that, if Thessia falling actually came off the winds of what could be a total victory. You unite the geth and quarians, Legion and Tali both live to see a brighter future for their people. But no, no matter how well you play, it comes off another tragedy. You lose Thessia, so what? You've been losing planets and friends since the start of this war.
Not to mention kid... I get it, I was raised by a marine. Soldiers go into it expecting their comrades to die... but why a random kid we know for all of 5 minutes? Why not anyone else, any other inevitable death? Some sort of number crunching behind the scenes, even, that makes the catalyst take on the face of those we cared for the most based on numbers.
The one who didn't survive Virmire, Mordin, Thane, Legion... Someone the *player* had a chance to be attached to. Hell, cut the Catalyst having a form altogether and have EDI being the one talks to you about your choices. Someone who you just went through the Cerberus base with, someone you have a chance to be connected to.
Not to say the game has no good moments. Everything about the logs in the Cerberus base, about Lazarus and EDI, are great. The curing the Genophage section is amazing (and while I'll never do it, sabotaging it has some of the BEST Mordin acting in the series imo). The integration into the geth consesus is amazing, as is saving Koris. There's a lot of really good stuff, but the bad gets so much worse when you get to the endings.
The Catalyst posits synthetics will always rebel against organics, that there will always be war and conflict and synthetics will wipe organics out fully given the chance. That, though? It's proven to be bullshit right in Mass Effect 3 itself. You can make it to where the synthetics and organics that should be the centerpiece of this discussion GET ALONG, and live together on Rannoch. You prove the reasoning behind the cycle wrong there and then.
Not to mention how the cycle was literally started by synthetics trying to wipe out their creators in an attempt to "preserve" them, give me a fuckin BREAK. The nonsense in it is so thick.
Not to mention the fact rebellion is not something only synthetics do. Krogan rebelled when they were no longer useful, for example. Making it all about synthetics and organics when it was always more about the fact you WILL get burned if you push back against a group of people too much is mind-boggling.
Now the actual endings. WHY in the hell did they decide to go, actually Destroy will destroy ALL synthetics uwu. Makes you think twice about wanting to kill the omnicidal machines that you were working against alongside the likes of Anderson, who was always on your side, you monster!
Control... they literally have you tell the Illusive Man how bullshit his ideals are right before you make the choice and they expect it to be considered viable? Sure, they show you that it's what he'd choose -- I give that ending that, but really? What the actual hell.
And then Synthesis... the ending they act like is perfect and my least favorite of the bunch. Let's go over Synthesis, in a non space magic way, we've seen in the series.
Saren, who was indoctrinated and nearly brought the Reapers to the Milky Way via the Citadel and wiped out any chances of stopping them. Who was so resilient that Sovereign had to pump him full of Reaper Tech to even try and get him fully under control.
Project Overlord, which we saw mentally destroyed poor David. Sure, Synthesis, as it is in the ending, may not make all thoughts Available to each other like that, but what if it does? As an autistic guy... Uh. Yeah, don't even wanna risk a constant state of sensory overload and meltdowns.
The Reapers themselves. It's like the game forgot that the second game reveals Reapers are a synthesis of organic and synthetic life already. We see how they do synthesis and we decide it's BAD, remember game?
If you like any of these endings, more power to you for finding good in something I find so atrocious but holy shit. It feels like these endings weren't thought through at all -- just an attempt to make it a Choice because these games are about choices... But sometimes. Things that are choices. Are Worse.
TL;DR the endings suck, the geth and EDI deserve better than being a gotcha to make you decide not to kill the Reapers, and I will never be over this
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seostudios · 4 years
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零 don’t cha
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synopsis: who would’ve thought that dating you; the perfect it girl. would be this much trouble? definitely not nakamoto yuta as he decided to become someone more significant to you. was this your average fairy tale or was this a tragedy?
genre: fluff, angst pairings: yuta x fem!reader info: ceo!au, non-idol!au, ceo!yuta, ceo!model!music-producer!nct, rich!au, mentions of proclaimed death, cheating, brother!johnny, assistant!haechan!jungwoo wc: 6.8k
a/n: lol this is NOTHING LIKE WHAT U REQUESTED I’M SO SORRY..... i mean in the beginning it is but it just took a turn and i was writing whatever came to mind... like 2/3 of the story isn’t even a yuta x reader fic it’s jsut about everything else! i hate myself for doing u dirty but i hope u read this! it’s actually good (imo) since i worked awhile on it and it’s one of my longer fics. 
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She was fierce, elegant, beautiful. An unmatched package for any walking figure. Her person, running a multi-millionaire business by herself. Doing it for who? Her and Suki; the fiery red betta fish, placed on her nightstand. Yuta was just like you. Although Yuta is fierce, charming and quick on his feet, he still manages to be just the opposite around you. Yuta is on the right path, growing his empire little by little. You started as an insufficient secretary for an Electric Power Corporation but, those late nights and overtime paid off as you are now the CEO of your own retail company. Yuta waltzed into your business while he was an errand boy for Moon Taeil, a good friend and business partner of yours. Taeil had been worried about his future and decided he would've let Yuta go under your wing for a couple of weeks.
That brings you here, September 2019. The vibrant hues of autumn settling into the busy streets of Seoul. "Good morning Ms. Seo." The receptionist, Chaewon, greeted with a bubbly smile like any other day. "Yuta is waiting for you in your office," She informed, watching your small strides turn into a jog towards the elevator. When you reached the top floor where your office and meeting rooms were located, "Did you receive John's fax? He told me your father wanted an opinion!" Haechan, your assistant, asked swiftly, sticking to your hip as you stepped out of the conveyor, pushing his glasses up. "Oh, can you tell him to print whatever he sent and meet me for lunch? I heard he's back in the city." He nodded before running back towards his cubicle to make the requested phone call. That's when you were finally able to enter the office. "So... The rumours are true, you did decide to visit." You grin like a Cheshire cat plastered onto your face, you made long strides beside Yuta, who was staring into the traffic abyss below you two. He hummed before turning over to you; "How is my favourite person doing today?" He asked cheerfully before inviting himself to sit on your chair. Dragging yourself yet again, towards Yuta. You stood in front of him before seating yourself on top of the desk. He watched as your posture slumped and brows knit with a childish frown displayed. "Not well," He decided to sit up in his seat, hands combing through his dirty blond locks. "John's back in town, I'm pretty sure he brought Gyunghui." You roll your eyes unknowingly at the mention of your elder brother's proclaimed girlfriend. "I mean, who gets married after dating for 6 months?!" You groan, disappointed in your brother's decisions. Yuta's eyes crinkled at the corners before he threw his head back in laughter. Was this the reason you were so upset? "Y/N they've been friends for 10 years, I think it's safe to say they'll be okay." He responded with a smile. Straightening up, you huff and look the other way, crossing your legs. "Ugh, Whatever..." You look back down at him, "How is Jin Nyun?" Yuta's face fell, 'Can't we go one conversation without mentioning her?' He pondered momentarily before looking up at you with a soft smile, "She's amazing. She went out of town for work," He sighed, "Again." Your brows furrowed for an instant. He seemed upset. Why wouldn't he be? You'd be furious if your lover set off on multiple business trips every week. That's when it hit you, "What is she again? Job?" You question. "She's a photographer." Now that's bullshit. You knew for a fact, she wasn't big enough in the industry to leave on trips on multiple occasions for a photoshoot. "Why?" He asked, and you couldn’t explain the sense of innocence you felt from him, so oblivious to the situation he's in. "N-Nothing just wondered." You stutter out. He observed you quietly but decided to leave it like that. Raising your wrist, you glance towards your watch, "It's nearing noon." You whisper, Yuta looks up, "Plans?" he questioned with a brow raised. You nod "Lunch with Johnny," Smiling you reminisce back to when you and Johnny ruled overtop Seoul, with two successful companies in powerful industries. "I'll walk you out then," Yuta chimed, jumping from his seat, bringing his hand out for you to hold. "Oh! What a gentleman." You giggle, watching his cheeks tint in a shade of red.
"You sure there isn't going on between you and Yuta?" Your brother asked playfully, watching as Yuta walked you towards the small cafe at the end of the street. "He has a girlfriend, John," Can't a man and woman simply be friends? What's with him? "So?" He shrugs laughing before whining from the sharp pain in his calf where you managed to land a hand kick at. "What? From what I've heard from Taeil and Mark," Mark is Yuta's closest friend. "She's not all she says to be," He brushed it off his shoulder, "Maybe she's just a workaholic?" You suggest, "We both know an amateur photographer like her isn't that busy." The two of you erupt in a fit of knowing laughter. "You're too dangerous, Johnny," You kiss your teeth before being served the lunch you had Johnny order earlier. "But on a serious note, you should find a boyfriend." He makes a disgusted face, looking you up and down. "Before you age, aren't you almost 24?" He questioned, "Yea, but-" "Mom was pregnant with you at 24." He finishes, before receiving a well-deserved step on his big-toe. "What?! I just want what's best for you!" He barked, "You think that's Yuta! He's my friend and not to mention a business partner!" He lifted his hands, trying not to engage in an argument that might have you ignoring him (again) for months. "Alright, I know!" He sucks in his breath, "Lunch is almost over, kiddo. Try getting in that office and doing something extravagant as always." Johnny grabbed your empty plate and stacked them on top of one another, cleaning up as much possible. "You should have dinner with Gyunghui and me tonight? I'm sure you don't have plans." His eyes lit up at the mention of Gyunghui. It almost warmed your heart. "I wish! I gotta help Yuta clean his apartment tonight," Way to go Y/N! You just made the worst excuse possible. Yuta was probably going to be spending his evening kicking back and relaxing without Jin Nyun. Now that you've told Johnny this, you'd have to go through with it. "Oh?" Johnny's face turns into something more sinister. But you laugh it off knowing he's probably thinking of something perverted. "Okay! Gotta go!" "Not so fast," He grabbed the back of your arm, seating you back down, "You pay today." He smiled before grabbing his briefcase and jacket, exiting happily.
You slump into the cushion before grabbing your purse from the inside of your jacket pocket. After you pay, you pull out your phone, dialling Yuta's number. The call didn't even reach the first ring before he picked up, "Hello?" He was first to speak too. Weird. "Hi, It's Y/N-" "I know, we've had each other's numbers for three years now." You chuckle, "Okay... We have plans tonight, my friend." You can hear the evident groan on the other end. "When and where?" He asked. "After I get off around four and your place!" You cheer before silencing, waiting for a response. "Okay, good." He paused for a moment before continuing, "I need to clean this place up anyways, you can help out." He stated. "Perfect." You replied.
Who would've guessed that your evening is being spent by scrubbing a sink with floral gloves? "You know," You started. "We could've gone out for dinner and hired someone for this," Yuta, who was behind you wiping the kitchen counter. "Yes, but it's unnecessary." He says. You groan, "Can't we watch something on Netflix? This place was already clean when I came in!" You whine, stomping your feet like a child. "No," He simply replied.
"Okay! Let's see what's on Netflix..." You mumble, before looking over to Yuta beside you on the couch. He seemed tense, uninterested. It was odd to see him like this, "Are you okay?" You tediously asked. He murmured something under his breath before sucking it in. "This is weird," He said, "Why are you trying to hang out with me while my girlfriend is out of town? Are you into me or something? I just find it weird!" He finally let out. So this is what has been bothering Yuta. Did he feel uncomfortable with you? He's acting like a completely different person from who he was earlier today at the office. "I'm sorry? I don't know what to say..." You exhale, "We're friends, and friends hang out. Plus, I needed an excuse to get out of dinner with Johnny and Gyunghui." His face fell, a pang of guilt waving over him. Did he seriously think you were trying to get into his pants (He's not wrong)? God, who did he think he was, making such assumptions. "Oh- Fuck. Sorry Y/N. I don't know what got over me." He throws the blanket to the side before leaving the living room towards the bathroom. It wasn't supposed to hurt. I mean, you've always had these hidden feelings for Yuta, but you still treated him like you would to a friend. "Hey, I think I'm just really stressed with Jin Nyun. She's never home." He bellowed, pumping his fists into the air before letting out a stressed groan. "She's really getting under your skin, huh?" You say, "Deeper than I thought." He made his way back beside you. "Let's- Let's just play this movie." He massaged the back of his neck, now focused on the movie displayed on the flat-screen TV.
"Y/N!" You pull the phone from your ear for a moment. Johnny was exceptionally loud at ten in the morning. He sounded like he had something urgent to tell you. But, you out of everyone had no time to listen to his girl talk, especially when you're in a meeting room with ELLE magazine staff, discussing your new line of clothing and having your collection featured in this month's issue. "You won't believe-" "Johnny! I have a job to do!!" You screech, hearing his apologies moments after. Ending the phone call, you enter the meeting room, "Sorry, where were we?" Assistant editor, Myeong-Ko set this meeting up with you to discuss your fall collection. "Since you've gained an audience over the past five years, we'd like to include you're best fashion pieces on our models and October issue."
Finally, you thought you'd be stuck in that meeting for ages! It's a little past noon, you are positive that Johnny's at home relaxing on his day off, you decide to call him back on your way to your late lunch with Yuta and Taeil. "Hello?" You are greeted by Johnny's panting voice with Gyunghui's giggles heard; not wanting to know what was going on the other end of the phone, you cut to the chase. "Johnny, what'd you want to tell me earlier?" You hear the 'Ou' loud and clear as he remembers and laughs aloud, "Guess who asked Doyoung out at a club in Ilsan?" You wrinkle your forehead, looking up at the sky, thinking. "No clue," "Jin Nyun!" Johnny said. Now, this was a disaster. You thought Jin Nyun had been smart enough to not cheat on her boyfriend with his old drinking mate. Did the news reach Yuta? "Did he tell him?" You asked hesitantly, "No, he told me to tell you to tell him." And with that, big brother Seo ended the call to return to doing god knows what with his wife. That's when you reached the front door of this eatery. Yuta gave you directions to this new Tteokbokki place, a ten-minute walk from the main street. You walked in, recognizing the blond from a mile away, eyes glued to his phone in the corner booth. "Y/N..." He said, standing up and brushing off the crumbs of what seemed like a cookie off his lap. He looked awful, the ache in your heart wondering who caused him such discomfort flamed the anger bubbling in the pit of your stomach. "Hey, hey. What's wrong?" You watch him slumped back into the seat, not bothering to sit in front of him, you went into the seat beside him. No matter how weird it looked, to be seated in a booth beside each other, it looked like he needed someone right now. He wore a Nike sweater with basketball shorts and sneakers. You bring your hand to his cheek to lift it and get a good look at him. A sharp pain filled your body, seeing his tear-stained cheeks. He wasn't okay. Looking all worn out and out of place wasn't Yuta. He was always looking ethereal to everyone else. Why did he look so helpless? "Let's go to my apartment, I live a few minutes away." You whisper, watching him nod softly.
It's nearing seven in the early hours of the evening. Yuta hasn't left your living room couch since he just had his heartbroken. It seemed to be that Jin Nyun broke up over text with Yuta telling him he wasn't enough to satisfy her needs. He also mentioned her telling him she met someone a couple of months ago and has been seeing him, but didn't she try sleeping with Doyoung? "Yuta, stop sulking over a girl who doesn't even have her priorities straight." You said, closing the freezer door with another tub of green-tea ice cream. "One year." He mumbled, almost incoherent, "I gave up a year of my life to be cheated on for god knows how long!" He barks. You hand Yuta the ice cream, before standing there, thinking. What could cheer him up? "Oh! I know!" You run into your bedroom, walking out with a bowl. "Suki, say hi to Yuta. He's feeling down... Make him happy, please?" You ask the Betta fish in the bowl before placing her on the coffee table in front of Yuta. "Wha-What?" He expressed his amusement from your odd liking towards this redfish. "Say hi to Suki, Yuta!" You cheer before pointing at Suki. "You're kidding me?" You turn to look up at you, with your hands placed on either side of your hips, 'She wasn't kidding' he turns back and hunched over to look into the bowl "Hi Suki." 
"Are you still thinking about her?" You ask, nudging Yuta. "Surprisingly, no," He said, staring into the black screen. You raise a brow, curious. "I've been thinking about you." He sighs before looking at Suki, who was moved to the table beside the couch so she could 'get a better look at the movie.' "Oh?" This was interesting. Why would he think of you? Were you that significant to him now? "It's just that, you just took the day off... To take care of me." He mumbles. "It's not that big of a deal, I- you was hurt. Of course, I have to be there for you!" You fiddle with the blanket, "You're really important to me." The now tongue-tied boy's head shot up, turning to look at you. His bewildered face softened in moments before he gathered the courage to reply. "You're really important to me too." You rip the blanket off you, throwing it in Yuta's direction. "It's almost midnight. I think we need to eat dinner before bed." You tell him, making your way into the kitchen. "Before bed?" He asked. "You are spending the night, right?" You asked, stopping in your tracks. "Oh, Are you okay with that?" He asked, getting up and trailing behind you. You throw a quick 'Duh?' towards the boy earning a couple chuckles your way. He sat on the island stool, watching you pull together something some-what edible for you two tonight. "I want to apologize for the other night again, I shouldn't have assumed or acted like that," 'He said that out of the blue.' You though before scrunching up your face before cracking an egg, "I hope you like French toast." You say, dodging the unneeded apology.
Nakamoto Enterprises. Never thought you'd walk into Yuta's building with a pair of jeans and a sweater. Most of your trips here were business-related, and you often showed up in a suit. "H-Hi Ms.S-Seo!" Yuta's assistant, Jungwoo, said, greeting you. "Hey Jungwoo, is Yuta out of his meeting yet? He promised me tacos," You said, rubbing your belly enthusiastically, earning a couple of giggles from the tall-boy. "Ah! I heard him mumble something about tacos earlier while fixing his dress-shirt." He said, remembering. Just then, you see Yuta walkout, Jungwoo covers his mouth, tilting towards you. "I heard he dyed his hair and got all dolled up for you Y/N, don't mess up." He said before waving goodbye and wandering off towards his associates. "New do?" You said, combing your fingers through Yuta's rosewood locks. "Just for you." He smiles before walking out with you. After his breakup with Jin Nyun, oddly, he's been on top of his game. You'd think you would have to take a week off to help the pain go away. You knew how much he loved her. Now? Now it was like the two of you had this new sort of bond.
What you weren't aware of was that Yuta has a new spot for you in his heart. Somewhere he held dear. Yuta never expected to move on that fast, but he knew you were always there, just waiting to break out and roam freely in his mind. You made his insides twist in a way Jin Nyun couldn't, but something in him knew it was too soon. "Something wrong?" You asked the boy zoning out at the red light, "No, I'm good." He replied, hand gripping the wheel. Although his mind was flooded with innocent, pure thoughts of you. Tonight, something in him wanted to tear you apart in his penthouse. Always chasing after something that didn't want to be chased after, or so he thought. "Can we get ice-cream... I finished the one at home." He contemplates what to do for a minute before answering proudly, "Nope!" He said. He looks so confident but, he almost melted when you called his place home. "Why not?!" "I'm cooking dinner." He replied, now focusing on the road. You huff and sit back in the seat, staring out the window. The beating in your heart, drumming loud in your ears. Is it possible he feels the same? Or is this way of coping without Jin Nyun... If you thought this evening couldn't get any better- you were wrong! Mark and Taeil decided to drop by while you hung around Yuta's suite. The four of you were feasting on the take-out the two boys brought over. Guess Yuta doesn't have to cook. "So, Mark, you're a producer?" You asked before taking a bite, "Yea, Johnny helps out sometimes." Oh? Johnny helping make music? I guess you could see that in a way, he does have a few specialties in the Arts. "Y/N! Congrats on ELLE, by the way!" Taeil interrupted loud and cheerfully. Your eyes crinkle at the sides while you show him a toothy grin. "I'm proud," Yuta said, bringing his hand up to ruffle your hair. 
The winter chill settles in, as the streets were now covered in a thick blanket of white, footsteps and paw prints being crisscross along the sidewalks. You sported a simple city chic black coat pairing it with a white turtleneck long-sleeve sweater dress. You admit, though the layered clothing appeared to keep you all warm to the naked eye, your exposed legs seemed to be coated in goosebumps as you speeded towards the tall building. "No pants?" Haechan asked, handing you a coffee. "My mom's coming in today," You confess, Haechan's facial expression remained still as if he was already aware of your guest. "She's in your office, let me take your coat." You thank the younger boy before skipping into the elevator beside the main lobby. Before you reached the top floor, the lift stopped on the tenth floor. "Taeyong?" You ask, the man wearing a black mask with his suit. "Y/N? Oh my god, hey." Taeyong was a good friend of yours. He even works under you. Though you'd think having a comrade by your side while you are at your job, it had driven you two apart, both of you only meeting during promotional seasons. He was hired as one of your models and editors. Being successful, he often modelled for Taeil and Kun, another business associate of yours. Though losing a friend hurt horribly, you were still happy for Taeyong and his newfound profession. "Oh my god, I forget you're my boss sometimes," He said, removing his mask. "Haven't seen you in weeks." You chuckle softly before speaking, "We need to catch up, I heard you were the model for our ELLE issue, and you are going to star in an advertisement for Kun?" He nodded. "Kun wanted me and someone, named, Ten to star in the advertisement for his new diamond sets." Your mouth goes slightly agape at the mention of the name, immediately squealing to yourself. "Ten?! Ten Lee?!!! I've been begging his agency to have him model for us! How come Kun gets him that quick?!" Taeyong threw his head back slightly before erupting into a fit of laughter. You seriously were jealous, and it entertained the boy. The elevator stops on the 20th floor. "My stop. Good luck getting Ten. I'll tell him your hot. Maybe then he'll consider..." Taeyong joked before waving goodbye. The rest of the ride up was quiet. You made sure to fix the end of your dress before meeting with your mother. Exiting the chute, you made your way to make your mother a quick cup of coffee from the instant coffee machine. It was no macchiato but it'll make do. 
"Why are you late?" Your mother questioned once you walked into the room. "I was just getting you coffee," You voiced before walking and taking a seat in front of your desk. Taking files and shoving it out of the way. Handing her the coffee, you finally take a sip on your drink, which was now as cold as the snowfall this season. "So, Mom. What brings you here?" You asked. "Can't I visit my daughter?" She replies, offended. "No, you can't." You scoff, "What do you want?" You interrogate, and that's when you see her shoulders drop as she grips the coffee cup. You knew it. "Listen, sweetheart..." You hum, she continues. "It's ... It's just that you're almost 25! An unmarried chairwoman is humiliating. I don't want Johnny or your father to be ashamed of you, so get your shit together is I give your hand in marriage to another man." Your mother scoffs, the innocent facade fading. Though she had no right to talk to you like that, it felt like a slap in the face. You thought that was the end of it, but no. She had more to get off her chest. "You're friends with Mr.Nakamoto, Mr. Kim, Moon, and that model kid Taeyong. All single. Yet you're still single. Get your shit together, Y/N. I can't always run after you-" "Leave." You were now standing up from the little office chair, pointing towards the door. This was wrong. You shouldn't be disrespectful to someone attempting to fix your own mistakes right? "Farewell then, Goodluck." Unfazed, she exits while you stood in the empty room, the silent room. The only detectable noises were the sound of hurried footsteps, the squeak of doors and the printers from co-workers. 
⋆ 
Saturday nights were known for the shenanigans Yuta, and you pulled. Though tonight, the two of you decided on dressing like sophisticated businesswomen and men, like you weren't already! Come on, you two are multimillionaires. Now, heading to Ryunique, a Fusion restaurant along Gangnam-gu. Today, you squeezed into the most elegant dress in your wardrobe. A black short tulle-skirt lace dress, the double-layered stand-up collar. Especially with your partner in crime who decided on wearing a black satin button-up dress shirt with black pants and his long hair slicked back. You two were the main attraction of the night for sure. "What if we pretended to have American accents?" You joked, exiting the car. "We don't even know English Y/N." The two of you broke into small fits of laughter. "All right, enough jokes. Let's head in." Patting the ends of your dress, you fix the watch on your wrist and tuck a strand of hair behind your ear. "Good evening," The tall man at the front desk immediately greeted, standing up and walking towards you two. "Hello, we've got reservations." He clicks his tongue before grabbing the laptop on the desk and placing it on the counter. "Name?" "Mr. and Mrs.Nakamoto." Okay, maybe you two took it too far, to look like a dirty rich couple coming to shower money on these restaurant folks, but it was all in good fun! 
Did wealthy people seriously come here to spend hundreds on Pork Belly, Jowl and Shrimps? Damn right! It was delicious, "Yuta. Give me a bite, please...!!" You beg him. He ordered Beef and Salmon. In other words, tonight's special. "Finish what's on your plate first, Mrs.Nakamoto." He tells you, smiling, before cutting a piece of his Beef and placing it onto your plate. Since when were you so spoilt. By Yuta out of everyone. "I can't believe you made it seem like we were married," You said snickering. "I wasn't going to do that at first, but something about 'Mr. and Mrs. Nakamoto' sounded nice." He plays with the leftover salad on the plate, "It has a nice tone to it, right?" If you weren't in a five-star restaurant, you would've choked, but in attempts to keep your cool at Yuta's shameless behaviour in public, you look up and give a smile. "Mhm! Perfect, we should use it more often!" There you were, fighting fire with fire. "Y/N- You can't just-!?" He stops in the middle of his sentence to fill his mouth with the salad. "Check!" He calls out, as you sit there playing with an olive. You sure do have him wrapped around your finger. Sadly, even Saturdays come to an end. "Shouldn't the guy be walking the girl home?" Yuta asked. "Right? I was thinking that. I guess I'm the man here." Playfully Yuta nudged you. Before pulling you close, his arm envelopes around you. "I'm a man." He assures more to himself than you, "Sure..." Dragging your feet towards Yuta's doorstep, you let out a yawn. "Oh god, I gotta play the man role now." He mumbles before unlocking his front door. "You're sleeping over. Can't have my damsel walk out alone in the dark." He whispers to your half-asleep figure leaning on the doorframe, dozing away. 
Your nose scrunches as your eyes take in every ray of light, and without a doubt, you know you've slept in today. What day was it? Was it still morning or past noon? Where is your phone? Wait, where were you? It took a little adjusting for your tired eyes to realize you were in Yuta's bedroom. Oh, you must have slept over. Looking to your right, you see shirtless Yuta, sprawled across the bed. Hold on. Catching a double-take on what you are looking at... shirtless Yuta... God is on your side today. He turns his head over, an evident smirk displayed. “Like what you see?” He asked, “As if!” You reply, taking the pillow from underneath your head and throwing it at him. “I’m gonna shower, make breakfast will ya?” You request, before marching into his bathroom. ‘What's that smell’ you wonder, skipping into the open kitchen. You’ve always admired the interior of Yuta’s place. Modern yet cozy. “I hope you’re craving egg fried rice.” Yuta said which you happily replied with a hungry growl. “Hungry as a hippo today!” You make your way behind him. You have this urge to back hug him, to wrap your slender arms around his waist, indulging in his scent. “Wh-What are you doing?” Yuta asked. He felt a shock when you wrapped around him, nuzzling yourself into his neck. “I don’t know..” You confess, before it hit you. “Oh my god..! I didn’t even know if you were okay with that! I am such a perv, why’d you go hug him Y/N! Stupid, Stupid, Stupid...” You didn’t realize it there but Yuta turned off the stove when he turned around to grab your wrist from leaving, pulling you back into his embrace. This time he wraps his arms around you, pushing your head into his warm chest. His hand made it’s way to pet your head for a moment before he broke the embrace, the two of you got a glimpse at one another, safe to say he feels the same right? Yuta turns to reach up at the cabinet to serve the two of you. Walking over to his dining table he places the plates while you get some water. “Eat up Mrs.Nakamoto” He chirps, before sitting. 
“Yuta I’m gonna wear your sweater!” You shout from his closet, “Mkay!” He replies. Yuta and you decided on skipping work, and spending your Sunday relaxing in his suite. Grabbing his basketball shorts and sweater you tie an extra tight knot on the waist so you didn’t have to hold it whenever you needed to move settings. “Wow, so cute.” He flirts watching you being swallowed by his clothing. “C’mere,” He pats a spot beside him, which you gladly accepted sitting cuddled up beside him. The two of you have still not confronted one another with the fact your feelings were now out in the open. He knew how deeply in-love you were with him, it was getting so hard to hide.. It kind of just, spilt. Yuta only confirmed his by hugging you back. It was more so a silent confession between the two of you. The promise to be with one another till the end of time being hidden somewhere in that heartwarming moment in the kitchen. “So, are we like?” You start, looking up at him to see him nodding with an eye crinkling smile. “Good.” You state, punching the air in victory. He places a kiss on the top of your head. A thank you. 
A year ago, today. You and Nakamoto Yuta came clean about your growing feelings for one another. Now you were happily in love. Work was the same as always. Only a few changes this year had occurred. Johnny, finally becoming a father. Taeyong had been promoted and was now working more flexibly, letting the two of you hang out. Lastly, but not least, you and Yuta. Not a peep from your mother since that day at the office and no word from Jin Nyun either. You've noticed her attempting to rekindle a spark on multiple occurrences, but as foretold, Yuta steered clear. Now you were living happily, right? Wrong.
It’s not everyday that your best friend comes back from the dead. On April 23rd, 2011, 15-year-old, Jaehyun, had been announced dead in a fatal car accident. The car drove off the Banpo Bridge in the middle of the night, which led the authorities to believe he was drunk driving. There was hope he was still out there, but as the years progressed, you lost hope. Jaehyun’s dream was to become a designer. Though you’ve always wanted to become an interior designer, in a way to pay your respects, you’ve followed his desired path. But, to say the least, you learnt to love this path. It’s where you met Yuta and the people you can call your closest. Now, almost ten years later. You receive a call. "Hello?" On the other end of the line, you could hear soft breaths. Feeling a little uneasy, you call Yuta. Who was idling on the couch, silently over to listen to whatever was going on? "Hello? Who is this?" You ask once more. The breathing halts and, you hear a flimsy cough, "Is this Y/N?" You look over to Yuta, who seemed concerned. "Y-Yes." You answer. The man laughs wholeheartedly for a minute too long before a pause. "Who is this?" You asked, "Jung Jae-" "Don't even finish. Is this some sort of cruel joke?! Who are you!?" You were furious. Yuta backs away to watch from a distance, but ready to comfort you if anything. "Who said I was joking? 66-2 Gongpyeong-dong, Jung-gu, Daegu. Thursday night." He finished with a smooching noise at the end of the line. He ends the call, and you adjust your seat on the island stool. "Jaehyun's dead, right?" You mumble to yourself, still audible to an oblivious Yuta. "Baby? Tell me what's on your mind. You know I'm here," He doesn't know Jaehyun. In fact, he has no clue about how you were in the past. The heartbreaks you've had. "Jaehyun." Yuta furrows his brows. Who is Jaehyun? A past lover, perhaps? Hopping off the stool, you make your way towards the master bedroom. Pulling out a duffle bag from underneath the bed. Although this phone call seemed like some sort of sick set-up, you couldn't help it. A small portion of you knew there could be a chance Jaehyun was still alive. 'Johnny and Jaehyun were friends too,' You thought. He must've been informed about his whereabouts if he was alive. Ding. Perfect timing, such an emotional time, being interrupted. Yuta calls you from the door.
"It's Johnny!" 
The timing couldn’t be any better. Just in, that your elder brother had gotten a text, similar to the call you received. He ran into the bedroom, seeing you packing. Turning around, you noticed his suitcase in hand. “Did he?” Johnny questioned. How could he believe a mere text from an unknown number? You scoff, “Yea, I got a call, I don’t buy it though. He’s dead.” You fumed. “Then why are you packing?” He interrogated. He’s right, why were you? “I-I-I don’t know! Just- Just get in the car.” You throw the keys of your minivan off the bed towards Johnny, who catches it, happily. “Apparently I don’t exist. What the hell is going on!?” Yuta roared. Stopping your actions, you walk over to the boy standing behind Johnny. “Jung Jaehyun died in a fatal car accident in 2011. Someone is claiming that he’s alive.” You answered, watching his expression change from dumbfounded to intrigued. “Why does his death concern you guys?” He asked. “He is-was, my best friend.” Yuta brings his hand down towards your hand, grabbing to caress it with his finger. He could only imagine how dreadful this might be, “When he died... Did they find his body?” He asked. Cautiously. You suck in your breath in realization. No, they didn’t. Looking up to Johnny with a glint of hope glistening in your eyes. Was he really alive? “Go, I’ll take care of work.” He says after wrapping his arms around you. “Thank you." You whisper before grabbing Johnny and walking out. Yuta sighs, "She forgot her bag." He said to himself.
"We have to catch the next train Daegu." You say to Johnny, driving. "I booked our tickets as soon as I got the text. We board in two hours." Prepared as always. Johnny drives over the highway, lights on full beam. You watched how the bright lights played in the pouring rain. This was going to be the only time. You'd be close to relaxing before the next chain of events. But all your mind wandered to was Yuta. How Yuta was doing was your main concern as of now. You're nowhere near understanding how he must feel right now. "He's fine," Johnny interjected, knowing that face you made. "I hope so. We went from watching Netflix to this." You whisper. "It's Yuta, Y/N. He understands." He assured.
Now, here you were in a small but nicely decorated cafe on the outskirts of Daegu. It was Thursday morning, you weren't meeting potential Jaehyun until later this evening. But to take extra measures, you came by earlier to rent the cafe for the evening. Paying was generous. Johnny mentioned he'd be visiting his friend, and for you to fill him in on what went on tonight. He wasn't being selfish, leaving the work to you. It was more selfless than selfish. Johnny knows how much of a role Jaehyun paid to your life before and after.  So leaving your first meeting after ten years to just the two of you was all you could've asked for. "Excuse me! Ms.Seo?" The cafe owner calls for you. "Since your guest won't arrive until later tonight, why don't I make you some brunch?" She offers, "Please? Haven't eaten since last night," You two share a small laugh before she heads off into the kitchen.'You're early.' A shiver ran down your spine as you read the notification.  Jheez, couldn't Jaehyun just enter like a human and not some creepy pedophile. Came all the way from Seoul to see you, can't you be normal? 'Come in?' You hit send. Good thing you were meeting on a full stomach, or else you’d be a little over emotional. What’d he look like? Did he still had the shy boy persona? Or has he grown out of it? The questions that flooded your mind were interrupted by the chime of a bell, indicating someone has entered. “Y/N I missed you” 
Meanwhile, at Nakamoto Enterprises. "Jaehyun. Jaehyun. Jaehyun. Jaehyun." The name lingered Yuta's mind. Did he know him from somewhere? "Jungwoo!" He shouts for his assistant, who dashes in. "Yes?!" Yuta looks out the bay windows, contemplating his own move. "Jung Jaehyun. Who is he?" He asked, still gazing at the rainy window. "He is one of the three founders of JYX Co. He requested a meeting with you last month, something about investing." Jungwoo said, reading off the tablet in hand. Impossible. If he died, then why? He must've been trying to score a meeting with Yuta after hearing about his relationship with you. But that’s not where he knows Jaehyun from, is it? 
Sitting in an empty coffee shop with your proclaimed dead best friend was horrifying but still patched up a hole in that broken heart of yours. “Can’t believe it's you...” You said happily, towards Jaehyun. He grew. Going from the lanky fifteen-year-old to a well built and sophisticated man. After rekindling the friendship, he mentioned what happened that night. "Everything you heard is correct, I drove off the Banpo bridge." He started. "But I was pulled out by this older man by the shore. He took me in and brought me to his place in Daegu." He stops to look up at you. "So, you just decided to start new?" You ask. He nods. "I'm sorry I couldn't bring myself to come home. I'm sorry for what I put you through." He apologized. Though a regular person would've been fuming at the fact he just up and left. You were just relieved. "It's okay, Jae. You're here now." You smile, continuing. "I became a designer for you, and frankly, I'm loving it." He laughs, grasping your hand resting on the table. "I know, I've been keeping tabs on you." He confesses. "So, Nakamoto Yuta." He says, watching your cheeks redden. "What about him?" You huff, in a childish manner. "One year? When is he gonna put a damn ring on it?!" He joked, watching you cover your face. "I don't know..." You mumble, "Anyways, Johnny's at Minhyuk's place. Wanna go?" 
"I knew you sounded familiar," Yuta spoke, seeing Jaehyun walk-in with you this afternoon. "Huh?" What was he going on about? "That's the first thing you say when you see me? No 'I miss you'?" Jaehyun mused but laughed aloud when Yuta hands him a strawberry shake. "No, but is that enough?" He threw a wink, "Still remembering my favourite drink too, huh?" Jaehyun said. You stood behind, dumbfounded. "Hold on... You two know each other?" You question amazed. "Oh yea, Yuta was my roommate in uni." Yuta made his was beside you, making sure to give you a tight hug before a kiss, which made Jaehyun and Johnny gag. You sit on the large living room couch, Yuta's arm wrapped around you. Jaehyun on your other side, sharing a bag of chips with you. A film you were definitely not paying attention to playing on the screen, too distracted in your thoughts. Jaehyun was home. You were home in Yuta's arms. The two most important men back in your life. If you heard this was how you'd end up, you wouldn't believe it. The chances of getting together with Nakamoto Yuta. A name with millions of dollars tied to it, and finding your best friend again, Jaehyun, whom you thought was gone forever. Whatever you did in your past life, seriously paid off. 
This is my happily ever after.
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mowu-moment · 3 years
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i feel controversial & i care too much, so here's my des rocs complete tierlist
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ranked list & reasoning (ish) under the cut
1. WAYNE: hoholy shit wayne. can hardly put into words how explosive this one is to me. the intro sets a Whole Mood before swiftly (& cleanly) smacking it down into an Absolute Banger and i don't use the term lightly. very hard not to scream along with it. only detriment is that wayne the person is kinda an ass in the mmc video but that's no qualm
2. POS: basically the same thing as wayne (oh both have great lyrics btw, this one more so), only gets points knocked for being 2 minutes long and having 30 seconds of that being intro & outro. go danny give us nothing
3. WHY WHY WHY: there's a theme among my top picks--they're all hard-hitting w/ killer guitar. the lyrics are absolute batshit in a good way, but the chorus is a lil flat & i feel like in general it just needed a touch more spice to score the top spot. or maybe it's just seniority & it'll have a coup a few months out idk
4. DEAD RINGER: similar killer guitar & lyrics but this one is Groovy as Hell. don't particularly like his singing in this one & it's too repetitive if i'm feeling grumpy but there's something so magic about after the bridge. top 10 songs to twirl a flag to
5. NOTHING PERSONAL: the minute long outro irks me & it's a little bit empty but plays into that well. groovy, great lyrics, the Sexiest Guitar Solo of the lot, the screaming's a minus but it does have an emotion there. not entirely sure what one but it's there.
6. LET ME LIVE / LET ME DIE: his first time being all over the goddamn place, history was made. amazing guitar, a little worse lyrics than 1-4 i'll admit, the intro Slays me both in a good and bad way. must be a joy to play live where he can just drag out that intro & bridge as long as feels right. at least i liked it in the digital concert like that. would actually kill me in a physical concert, imagine how much stomping gets going to that beat. bonus points for presumable cowbell
7. PIECES: for once not this high for the guitar & lyrics, they're both kinda basic. idk what's about this one but it just takes me to a separate dimension & i love it so much for that. really fills those earholes. also a bit of personal meaning, heard it for the first time on the day we moved into the house i'm currently split-custody-living in (is that tmi?) & the first music video of his i saw. man i love some spaghetti on the wall
8. SLO: basically the same as dead ringer, but knocked points for a kinda lame outro & the subject matter being a little less interesting to me. still lovely.
9. HANGING BY A THREAD: not my normal fare really & the way that the ends of the verses don't really fit in the pacing of them is bleh, but it's just so reminiscent of the songs my brother puts on whenever we hang out together that it just makes me all warm & fuzzy. it's also nicely put together which is something i'll have to start saying for. the later list.
10. SUICIDE ROMANTICS: this is where i start griping about head voice & higher pitches in general. don't like em so the pre-chorus is a lil annoying. also not my normal fare but it's tender & the ending is awe-striking. imo better live where he's loud on that last line before the final chorus. not enough to bump it up though. shoutouts to love and a smoking gun, i still am dying to hear that one
11. THE PAST HAS PASSED AWAY: my favorite lyrics out of the first 2 ep's. only thing wrong with it really is the bridge getting kinda repetitive. love that last chorus heehoo. same schpeel as the Banger Category
12. MMC: this one's lower than the rest of the Bangers for being pop punk which is something the radio has made me dislike, i guess. that trope with the guitar in the second half of the chorus just kills me so much. improves greatly during & after the bridge, love that lil ragtime piano. generally the same bit as before but i do love him doing something un-romance-related. yeah fuck the establishment!
13. THE DEVIL INSIDE: reminds me A Lot of the electronic-ish cassettes i've got from the early 90's but that's just me. this one will probably move up as i get more used to it, but only a little bit. the first part of the second verse makes me like. genuinely uncomfy? but the second part of it's fantastic. ending's ass though what happened to the instrumence. bonus points for using 'reverie' that's an SAT word (maybe). good singing but returning to the gripe at higher pitches, just a little bit though
14. THIS IS OUR LIFE: feels shockingly generic for a des rocs song tbh but there's nothing really wrong with that. adore the bridge. singing's alright. kinda miffed that he doesn't pronounce the 'f' in the second 'life' in the chorus, but it makes sense here. that sort of thing won't later so i'm bringing it up now. guitar's nothing spectacular but fits nicely into the song, probably one of the most cohesive of his (especially in recent history).
15. OUTTA MY MIND: really lives in the same space as slo and dead ringer do in my head (most likely the 'songs to twirl a flag to' zone), but this is by far the worst of the three for when i'm grumpy. just. Very repetitive. back to great lyrics here but it's kinda hard to pick them out (i've heard the song at least 100 times by now & i'm still missing a few lines). still groovin'
16. RUBY WITH THE SHARPEST LIES: what the fuck actually goes on in this song by the way? not the premise or whatever it's just. so all over the place. the verses are incredible but bringing in another vocalist just for one line kills me. bridge is really cool but that one part i don't remember where it is, the one that alternates basically nothing & an Electronic Piano Chord blaring at ya? ruins it. partially anyhow. also can someone tell the people on genius that it's 'carved it in my skin' not 'crawled down in my skin'
17. GIVE ME THE NIGHT: same repetitive issue as outta my mind but it's not groovy enough to save it, shame. feels like a trial run of all the wackshit stuff he's been doing recently, with the additional vocal bits at the end & the kinda weird lyrics. it still has a place in my heart don't get me wrong but it's just fallen in favor of stuff that Commits to banger or batshit (or actually pulls off both strongly, yyy). oh yeah nice guitar alright singing etc etc
18. USED TO THE DARKNESS: similar story to give me the night. i love it i do, but it's just lackluster nowadays. also remember that under-pronunciation thing i brought up in this is our life? this is where that comes back. rampant i tell you! that second verse he just doesn't finish the words & i hate it!
19. DON'T HURT ME: i honestly don't know why this one isn't in D. the chorus bit where he just cuts it short is irksome. the lyrics aren't anything special. i don't know what i like about it. but i can tell it does exactly what it set out to do if that makes sense. respect, respect. and using missile in an analogy, he's getting creative with the vocab
20. LIVING PROOF: kinda got a vendetta against this one i think? i don't know why i hate this one but i do. it's just kinda, blah. like the perfect sort of thing to nightcore up. sentiment's lovely & i do love the lyrics even if they aren't impressive but like. it bores me to an extent
21. TICK (LIVE): separating the version i heard in the digital concert just to give it some credit, this one was actually kinda nice. another one with a nice sentiment & what he was going for is great. no clue what the second part of the second verse has to do with any of this though. and it also begins our final group, the songs that just feel empty. like there's not nearly enough going on. this one's alright though i was just hoping the studio version would add some flair. you can see where that one is though.
22. IMAGINARY FRIENDS: also got a vendetta against pop. kinda hate the sentiment here (contrast!), the chorus just falls short of what the verses prime me for, head voice is rampant, and yet i still swing along to it. it's infectious props to him. love the outro though, monkey laugh and all.
23. MAYBE, I: another empty one, like it's a four-note progression what is that. love his singing in it, and the chorus parts do round it out, but like. eh? it doesn't even give me much to say.
24. BORN TO LOSE: another flop on the chorus! too smooth i say! and i absolutely Despise the pitch-shifting thing going on. not something i was expecting him to express so points there, lyrics are nothing fancy to my Literary Mind though. initially good singing but the chorus he's just sloppy over it. the instrumental is lovely but the vocals just throw it so hard into the bin which is a right shame. fuck that outro too i hate that gimmick
25. I KNOW: here's where the bad batshit comes in. singing is some of his worst imo, does the other-vocalist thing for that bridge, genre i'm not fond of, just a soup of Stuff I Don't Like. not one i'd kill someone over putting as #1 like i can see where it comes from but. mmmmmhhhh bad. cover does NOT help his case.
26. HVY MTL DRMR: empirically i should put this one higher. but the chorus flops so goddamn hard it deserves to be in the bottom of the barrel. the verses are lovely for what he was doing back then! but then just... nothing!
27. RABBIT HOLE: i was so excited for this name but it's just sad boi hours playlist curated by some corporation you hate. probably the most nothing of them all, genuinely where are the instruments. what happened. was this one just shoehorned in as the final track just to pump numbers up. and i swear he had some autotune or something which only makes his voice worse it's fantastic naturally. also that's not what a rabbit hole is! that's not the idiom! a rabbit hole is when you go on a wikipedia spiral from jennifer lopez to group theory! not when you just have a shitty night's sleep or whatever this is! i'm not just miffed i'm downright annoyed
28. TICK (STUDIO): what the fuck happened des. how did you release this. it sounds like a 3rd grader singing for the school talent show it's so out of rhythm. singing's honestly kinda bad & the instrumental has the same problems i talked about in the live version. the last chorus is fine, i guess, but no i don't forgive him for what he did to tick.
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sneakydraws · 3 years
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Well, here it is - a lengthy explanation of each card in my mdzs major arcana deck and what I meant to convey/what i would have changed in retrospect/what alternatives i considered! It’s a bit messy and my typing style is lazy but hopefully it will be an interesting read to some of you :)
And so you don’t say I didn’t warn you - jiang cheng’s section (11 justice) is absurdly long lmao
0 the fool  I elaborated on this in the post itself but yeah basically jin ling is kind of representative of all the damage and trauma caused by the past, and there’s a kind of danger there of him falling victim to the same vices as the older characters and repeating the same mistakes and perpetuating the cycle of war and misery (the cycle that we already see with how the jin sect became the new wen sect, and later with how jgy became the new wwx) and he has a lot of room to grow! He grows so much over the course of the novel, comes to realise the complexities of the past and gets a harsh life lesson in how nothing is as black and white as it seems. But ill save talking about his progress for the end, for now whats important is that he has room to grow and also a dog. I don’t really have a justification for the sun, i mostly just thought it looked sick? It made its way to the next card as well, where it makes a bit more sense, but then i realised it was a dumb motif to include 1 the magician I still very much like wwx for the role, and that illustration would have probably had him raising a corpse on his left and pointing threateningly to the sun on his right. I considered including the table as well, with some mdzs relevant items replacing the card suits. Anyway, like i said wwx got a few cards to himself already so i went with the alternative wq design, since i think she fits the card as well. Both she and wwx are highly skilled people, extremely driven once they set their mind to something. The card to me symbolises the creative mind as well as a general drive for action, which fits them both - wwx was famously a prolific inventor, and wq came up with a previously unheard of surgery, after all. This card strays pretty far from the rider-waite deck design, largely because i was still figuring out how i wanted to approach this series, but you can still see the influence. 2 the high priestess I was actually going to skip this card at first because I couldn’t think of a fitting character, but once i considered a qings character post death, it all fit pretty well. She was already a highly intuitive person in life, and in sharing her memories with wwx she is, in a way, relaying a kind of secret knowledge. Anyway she’s one of my fav characters so im glad i got a chance to include her. The coffins could be interpreted to be xxc and sl or xxc and xy 3 the empress Theres other mother figures in mdzs who got to be mothers for a longer time, but jyl definitely embodies the positive aspects of this card the best. She’s nurturing, kind, emotionally supportive, she already mothered wwx and jc quite a bit when she was young. Plus i liked that the rw card had both water and flowers, making an easy lotus connection. In retrospect the stars look kind of out of place and i should have replaced them with something more relevant... Also, i should have had her hold a lotus seed pod instead of a flower, haha 4 the emperor Like i said I considered jc for the role but hoching bullied me into admitting that nmj was better… they’re both more of an inverted emperor than an upright one but then again theres hardly any character in mdzs who would fit upright emperor so. Jgs was also considered but he’s even uglier than nmj so i couldn’t bear to draw him 5 the hierophant It was pointed out to me that lqr would have fit this card better and the truth if that statement haunts me to this day. Unfortunately I have no space in my brain for lqr so lxc got the role instead. My main reason was his role during the wen destruction of gusu lan, when he ran away with the contents of the library - this is why there’s bookshelves behind him. The keys, take, from the rider-waite deck, are meant to represent the gusu pendants that allow you to enter 6 the lovers Im sure many people would have chosen wangxian here but I uhh don’t really care abt wangxian personally? And also their love story is so convoluted that jyl and jzx seem idyllic by comparison lol. Also i didnt really have an idea for who to put in the angel’s place for wangxian… mme jin certainly did not get these two together in the end but undeniably she and mme yu did initially give them a chance to fall for each other so. Thats something i guess. Anyway the trees became their sects’ flowers and the mountain became the burial grounds - an omen of their tragic fate, basically 7 the chariot There might have been other characters who fit this card better but i couldn’t really think of another card for lwj and i thought it would be weird to not include him… anyway i don’t really care for current timeline lwj BUT i do like that he was clearly influenced by wwx to walk his own path in life based on his moral convictions rather than follow his sect’s rules blindly. The chariot is to me a card of self control, self determination and focused action, so it seemed fitting. The composition felt kind of empty without the actual chariot so i padded it out with the guqin, the cloud recess in the bg (it doesn’t look great but i tried to replicate the drama design….) and the bunnies which conveniently fit the colour scheme of the sphinxes in the rider-waite design 8 strength Like i said before, my interpretation of this card is more… morally ambiguous than the quote unquote official meaning, so i thought about manipulative or duplicitous characters more than kind characters whose strength is expressed through gentleness (though i did consider jyl briefly for the latter interpretation). As such, i considered both jgy and nhs, but ended up going with jgy largely because i couldn’t pass up the opportunity to put the nie sect’s beast as the lion. 9 the hermit My thoughts immediately went to bssr lol. It may be an overly literal interpretation but whatever, i like it just fine. And i like that i managed to echo the rider-waite silhouette in the mountain and the tree (and even in bssr herself) 10 wheel of fortune God i love the parallels between these 2… this card to me is about how you cant trust your current situation, good or bad, to last forever, and these 2 embody that perfectly imo. Wwx went from son of a well off servant and a powerful cultivator, to street rat orphan, to adopted son of sect leader jiang, to double orphan, to MIA, to terrifying but admired warrior, to terrifying and despised traitor, to dead, to, at the very end, suddenly respected and trusted again. The dishonesty and cheapness of whatever the public’s current opinion of him is is portrayed beautifully as far as im concerned. And jgy of course claws his way up to power only to instantaneously become public enemy number one, to the point that he’s probably blamed for stuff there’s no reason to believe he had a hand in. Wei wuxian’s silent astonishment at how quickly the cultivation world turns against jgy and towards him again is a delicious moment of thematic resonance.  11 justice I settled on this card for jc after he got booted from the emperor seat but i do think it fits, in a somewhat convoluted way. I turned both the sword and the scales into visual representations of the golden core transfer (can you tell im obsessed with it). According to biddy tarot, the justice card is partly about searching for the truth, and the scene where jc finds out about the transfer is of course a big deal. I was also very influenced by the reversed meaning again - which is about being reluctant or unwilling to face or accept the consequences of your actions. I feel on an intuitive level that this fits jc but I’m not sure how well i can explain it - it’s something about how he’s a little too comfortable scapegoating wwx for things that were also, if much less so, influenced by his actions, and also something about the way he keeps wwx at an arm’s length emotionally but still leans on him and accepts his support when he really needs it, and somewhat hypocritically expects wwx to put the needs of him and the jiang sect before the needs of others. And also something about the core exchange is the consequence and proof of wwx’s deep - terrifyingly deep, even - love and care for him, which is something jc doesn’t seem to let himself acknowledge. Maybe even something about how you could argue that the way all of the jiangs acted around wwx - jfm’s favouritism that left him with the feeling of a debt he needs to repay, mme yus insistence that he be a servant more than a brother to jc, prepared to give his life for jc, and jc’s own unwillingness - or inability, he was a child after all - to clearly acknowledge wwx as an equal to himself, enabling wwx’s self sacrificial and protective tendencies - that all of this was what caused wwx’s complete and unquestioning willingness to do whatever it took to protect jc, and therefore paved the way to the golden core transfer. And i don’t mean this to be scapegoating jc - especially considering how young he was when this all went down, it wouldn’t be fair to expect this level of emotional perceptiveness, awareness and maturity of him - but i think adult jc has to grapple with the fact that the chain of cause and effect was not as simple as wwx fucking everyone’s lives up to be a martyr, and that both jc and his parents had a role in that story as well. I don’t even necessarily think this is something that jc only realised in the current timeline - i think it’s something he felt on some level this whole time, and it probably led to a lot of feelings of guilt - but the suibian reveal definitely puts it in sharp focus, and i think he’s now better equipped to handle this introspection than he was as a recently orphaned, traumatised teenager, lol. ANYWAY the window with the fabric is both a nod to the rider-waite design and a reference to the destruction of lanling - i actually did some basic ass research for this, and it seems that in ancient china fabric would indeed be hanged in a window if the normally used paper was damaged. The design of the window, as well as the very idea to use it to imply the reconstruction of lanling, was taken from this great piece of jc angst by my pal moroll1! Oh yeah also the covered window kind of works as a denial of forgiveness for jc because it’s like a halo but covered up... Also I completely forgot to put a blindfold over his eyes which would be perfectttt because blind justice and the core exchange......... ok moving on 12 the hanged man I always have issues with this card because i cant find a satisfactory summary of what it’s really about. Best i can tell it symbolises a need to hit pause, surrender or let go of something… ive also seen it tied to sacrifice? So mo xuanyu doesn’t fit perfectly, but sacrifice is definitely there in a surface level reading kind of way, and the idea that you have to surrender or let go in order to achieve your goal does fit the whole deal of getting revenge but giving up your life in exchange and not being there to see it 13 death This is probably one of my favourite cards, definitely not because I have huge issues with change or anything…. I see this card as signalling the necessity of change or putting an end to something / leaving something in the past in order to start anew? At first i considered putting past wwx, mxy and current wwx here as a kind of transformation and one cycle flowing into the next... But firstly, I’d already used mxy in the very previous card, so putting him in again would feel like overkill, and secondly, the longer I thought about it the less convinced I was that this would even fit with the card’s meaning? Because coming back from the dead doesn’t like... trigger an internal transformation within wwx or anything? Anyway, fun fact: the design I ended up going with was actually originally intended for judgement! I thought I was being very clever with the whole “figure plays an instrument and the dead rise” parallel, but apparently I’d just completely forgotten that the judgement card had a completely different composition... Truly I was boo boo the fool... But yeah anyway at the end of the day I figured the design would kind of work for death as well, with Wen Ning and the theme of transformation, (since in his case coming back as a fierce corpse does actually mark a certain transformation in behaviour) and Wei Wuxian’s protection of the Wen people essentially signifying an attempt to break the cycle of oppression if that makes any sense? Like, wwx is trying to revolutionise the way the world works a bit, if you catch my drift 14 temperance  The centrist card! Again this is probably going off track from the “official” interpretation, but to me this card has a certain “don’t commit fully; do everything in moderation; don’t take either side” flavour to it that i personally find infuriating irl and that i very much assign to lxc. It’s entirely possible that I’m misinterpreting his character because i didn’t really pay him (and the 3zun in general) much mind while reading, but hell, I’m allowed to pick favourites and choose who i want to interpret deeply vs shallowly. Again, i wish id chosen lqr for hierophant because its so annoying for a character i don’t care about to get two cards…. But oh well 15 the devil My alternative idea for this was jgy as the devil and lxc plus nmj as the figures, but since all three had been featured already (multiple times, even!) i figured I’d go with xy instead, especially since he’s among my faves lol. I think the devil signifies something along the lines of unhealthy attachment, obsession or addiction, which isn’t 100% accurate in the case of xxc and a-qing, but if i stretch it a bit to cover toxic relationships in general, and especially manipulation or negative influence, i don’t think it’s half bad. My main struggle here was to choose who amongst the xxc/sl/aq trio to choose for the human figures. 16 the tower Arguably jin zixuans death and the following massacre of nightless city were the final and most direct reason for the siege of burial mounds, and the tiger seal is good shorthand for wwx’s loss of control over his powers, which led to the deaths of jzx and jyl. When reimagining major arcana i like to feature some kind of building in this card (spoilers for a possible future project but in my rose of versailles major arcana set the tower is bastille) and even if it’s not a tower, the image of wwx looming over the gathered crowd from atop a rooftop is so good i couldn’t resist 17 the star Struggled with this one - considered both jin ling and lsz for it, as symbolising a hope for the future, but that was kind of covered by the world so it wouldn’t make sense to include here as well... As usual when I struggle with interpreting a card (as opposed to understanding it but struggling with matching a character to it, like with death or moon) I went to biddy tarot and read all the details about its meaning. What i got was that this card signifies an incoming period of introspection and inner peace following a time of turmoil, as well as a general moving on into a new, better phase of one’s life or finding new meaning and purpose. The figure also suggests someone vulnerable, but possessing a keen sense of intuition as well as a good degree of practicality and common sense. Given all those, I settled for mianmian because IM LOVE HER..... I also kind of see her as a prelude to the “just one person is enough” theme present in tgcf!! And i think her decision to abandon her sect because she saw the toxicity and corruption in it is a very inspiring action - even if it didn’t make a large visible impact, i think the appearance of her and her idyllic family at the very end of the novel - paralleling and mirroring wangxian - implies that at the end of the day, it was a meaningful one 18 the moon Another card i ALWAYS fuxking struggle with - this time less because i can’t grasp its meaning and more because I can never find a character that fits it well. I usually get fixated on the “dreams and subconscious” part, but if i lean more on the “disguise, deceit, anxiety and fear” part, i eventually figured the whole yi city arc wouldn’t be a bad fit. I say the entire arc because it really does encompass all those themes if you include both the past and the present - xue yang’s disguise, his tricks with the villagers, a-qing’s lies and even xxc’s reluctance to talk about his past as well as xue yang pretending to be xxc all fit the disguise and deceit angle, and the general mystery and creepiness of the current timeline yi city work well with the anxiety and fear - the mist, the slow uncovering of the past, even a-qing being revealed to be an ally after scaring the shit out of the protags. I definitely struggled with including all the elements and characters, and even moreso with making them vaguely fit the rider-waite composition, but i think it ended up okay ish. OH and i completely forgot to draw mist swirling around them :( 19 the sun I was considering mianmian’s family for this one, but since I used her for star, I ended up with wwx and his parents instead. Once again I’m reinterpreting the card a bit - normally I think it symbolises incoming times of pure happiness and abundance, as well as a connection with the inner child, but I gave it more of a nostalgic or sentimental twist - wwx looking back at the brief glimpse of his happy childhood. 20 judgement another card that i struggle to interpret a bit... Here i actually used the tgcf tarot zine as a reference! In it judgement is summarised as “rebirth, following duty, absolution” SO i figured that nhs, mxy and wwx all together would fit pretty neatly... wwx achieving (public) absolution through clearing his own name after being reborn, and nhs sort of calling on wwx to expose jgy’s crimes... It’s a bit messy but not bad I think! 21 the world This ties very closely to my read on mdzs as a story - which is that it’s, at the end of the day, largely about cycles, and about how hard it is to break them, but how we gotta keep trying and have hope anyway. Or maybe more precisely, that the people directly involved with and influenced by the trauma of the past might not be able to get over said trauma and that the hope for healing from it will be shouldered by the new generation. Or something like that… Basically what i mean is that jc and wwx and lwj and lxc and nhs and jgy and all these people who were in the thick of the sunshot campaign and the siege are so profoundly affected by it that it genuinely feels by the end of the story like there is little hope for them to ever truly overcome that trauma and build a better future without repeating the same old mistakes - but there is a glimmer of hope in the new generation, specifically in jl and lsz. And it’s a bit paradoxical, because they have also been directly impacted by the past tragedies - lsz having his entire clan wiped out after wwx failed to protect them, jl losing both his parents to wwx’s mistakes - but despite that loss, and despite coming from arguably the two opposing sides of the past conflicts, they are both, in the end, capable of moving past that tragedy, of recognising the complicated nature of those conflicts (jl’s moment of clarity at the end is both heartbreaking and hopeful) and forging friendships between clans in the process. I honestly think that the extra where jl is struggling to assert his authority as sect leader, to treat his subjects well and to cooperate with other sects in a truly amicable way is the single hopeful ending note for the larger themes of the novel - it allows us to imagine that maybe these kids can learn from the mistakes of their elders rather than getting sucked in by resentment at those mistakes, and actually build a brighter future for the cultivation world. And sidenote, this is also why i have a soft spot for jin ling and lan sizhui as a ship... speaking of which their poses were directly referenced from the lovers card ehehe
Looking back, I’d like to add some symbol of jin ling’s trauma so that it mirrors baby wen yuan in the tree stump... maybe his father’s sword? 
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