gonna see if i can get one of these out daily so i guess i'm making a queue now
y/n: [rambling about some niche morbid topic]
chan: babe, i love you, but what the fuck
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Edited to add;
Both are by Ukrainian artist Vasily Korchevoy the left is called "Bohatyrka Sculpture" and the right is called "the Altar of Dionysus". He has a website is VasilyKorchevoy.com and his IG is v.korchevoy .
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a girl can convince me of anything as long as she’s saying it while the tip of her cock is sliding up and down the sopping wet opening of my cunt
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So...... I sort of came out to my mum?
We were watching the scene where Isaac takes the ACE book from the library and she asks me "Do you identify with him? Is that why he's your favourite?" And I just went "yeah🧍" And she goes "awww okay, I love you☺️" so yeah that was that afahahahshsg
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These two relax in slightly different ways. And slightly different baths x)
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queer palestinian short film: "houria"
queer short cuts is a biweekly newsletter where i share queer & trans short film recommendations. i’m featuring some of my favorite films on tumblr because why not
palestine | 7 minutes | 2010 | experimental short film
audio in arabic; english subtitles embedded
houria | حـ(و)ـرية, an experimental film directed by raafat hattab, intercuts between a violinist (boodi el esawi) playing on a beach at manshiye who is joined unexpectedly by a mermaid (played by raafat hattab himself), a person getting their chest tattooed, and an interview with hattab’s grandmother, yousra, talking about her parents’ flight from their home in jamaseen al-garbi when she was a baby, during the 1948 nakba (“catastrophe”), during which thousands of palestinians were killed and an estimated 700,000 were displaced because of Israeli ethnic cleansing. The gender fluidity of hattab’s mermaid, the permanence of the tattoo, and the impermanence of palestinian life and homeland in yousra’s story come together to illustrate the paradoxes and grief of dislocation that palestinians face daily.
- deepa's full review, including content notes at the end
watch on youtube, and learn more about creator raafat hattab, who is a queer palestinian interdisciplinary artist based in tel aviv, at his website
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[getting ready for a halloween party]
minho, trying to do jisung's makeup: sit still or i'll make sure your zombie costume won't need sfx makeup anymore
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The thing is, most people (in the US and Western countries at least, that’s where my experience is from) have some forms of privilege some forms of oppression. This isn’t saying everyone is equally oppressed and privileged, but most people have privilege in at least one way and oppression in at least one way.
And if you experience oppression in some ways and privilege, it’s much easier to see your oppression then you privilege.
Privilege is largely invisible to those who have it. Oppression grates against you all the time. So it’s much easier to see the forms of oppression you experience then the forms of privilege.
That’s why it’s so important for us all to listen to each other and not play Oppression Olympics. You can face very real oppression that really affects your life, and still learn a lot from other people who face other forms of oppression that you don’t. We have to listen to each other. In the queer community especially I think this is important, because there’s so many different ways to be oppressed and to be privileged.
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The kids love to tease Steve and call him an old man.
Well they call him lots of things. Mom, Goober, Steeeeeeeve, Party Pooper, Uptight, even Mother on occasions where Steve is being particularly annoying to them.
But old man is new.
It starts when they find him asleep on the new couch in the Byers's home. Steve doesn't even remember falling asleep, he just remembers waking up and having seven sets of eyes peering down at him and scaring the bejeezus out of him. The Party poked fun like normal, but moved on quickly to the next thing to snark about.
Then it kept happening.
Over and over. In Eddie's trailer when they play DnD and he's waiting to drive them home. During movie nights in the Wheeler's basement. Even at his job when they come over after school finishes. But, no matter how hard they push, Steve won't tell them why he's so tired all of a sudden.
He's just sure they would never let him live it down if he admitted that the reason he kept falling asleep was because he only felt safe enough to relax if all of his kid were close. He really can only sleep these days if knows that he would hear if they were in trouble and needed him.
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First attempt at making audio for y'all
Exactly what it says on the tin.
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solangelo has overtaken my brain once again
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