#that is to say without really knowing what these phrases actually mean or what they entail

[razorblade180]

Martial Practice 2

March:*planking*…….

Yanqing:Two more minutes.

March:You’re insane.

Yanqing:You said you were going to take this seriously, and I’m going to take this-

March:*plops to the ground*

Yanqing:Seriously!?

March:I’m trying! Although I don’t get how this helps swordplay!

Yanqing:Your arms will get tired swinging a sword a lot, but it’ll never feel worse than planking for five minutes. Honestly I thought you had it. You can help fight Phantylia but not endure a five minute plank.

March:Not even remotely close to begin the same thing! Ugh, this is frustrating.

Yanqing:Imagine my position. I see you make similar pacing errors I’ve done and can’t help but patiently wait for you to stop!

March:It’s not like I’m not listening. I just-

Yanqing:Think you can make use of an opening, so you take it. Believe me, I get it deeply! Now I get what the General means when he says “Don’t think you can make a strike. Know you can make a strike.”

March:Ahhh, so know different than archery. Don’t let the bowstring go unless you know have the shot.

Yangqing:I…actually never thought of it like that.

March:Yanqing, I really am taking this seriously and I don’t mean to sound ungrateful but Yunli’s approach in our practice is a little less…intense. *sits up*

Yanqing:Of course it is. After all, you’re representing the Loufu, not the Zhuming. Not to say she isn’t being earnest, but certain pressure isn’t going to fall on her if you make errors.

March:Oh…it’s that serious?

Yanqing:Yes and no. Sorta?

March:What happened to needing certainty!? You can be direct with a sword and not an explanation?

Yanqing:Hey! I’m trying to find the right phrasing! March, you are an outsider but you’re also an accomplished fighter. In all honesty, you’re picking up the sword really well. People all over will be interested to see your skills, but I wouldn’t say their expectations are unreasonable. Like I said, you’re not from here.

March:So the bar is great instead of excellence. Mistakes won’t be held too harshly against me but that doesn’t mean I can afford to cause a blunder.

Yanqing:It wouldn’t surprise me if most citizens would simply be happy seeing someone as charismatic as you take part in learning our customs. Mistakes are bound to happen; however, they’ll be directed at my inabilities as a teacher. Then by extension…they’ll say things like “what has the General been teaching his disciple?” That’s where I draw the line. I refuse to cause him any unnecessary trouble.

March:So that’s why you’re so stiff. I can see why, but Jing Yuan doesn’t seem like the type of person to put too much stock in opinions like that. He definitely wouldn’t blame you.

Yanqing:Doesn’t change the fact I would be causing unnecessary problems for him. I’d blame myself…

March:…(He’s quite the little adult. Between him, Bailu, and Dan Heng, I’m starting to wonder if any kid on the Loufu actually gets a childhood.) Looks like I gotta put in double the effort. But first…mind if we eat?

Yanqing:Alright. Despite what it might look like, I’m not trying to run you into the ground. I’ll buy of course. I’m sure there’s something on the ship you’re still dying to try.

The sudden and loud sound of his stomach growling makes his face turn a little red as March tried not to snicker. Yanqing simply starts walking, prompting her to get up.

Even after that little moment, March notices how the boy carries himself maturely and as a teacher. If she was being honest with herself, March remembered how eager she was to do right by Himeko and Welt when she was brought into the Express family. Sure she entered the Wardance out of curiosity, but the choice to train so admittedly was born from the desire to continue helping her newfound family. She could definitely relate to Yanqing’s ambitions and fears.

Without hesitation, March pulled out her camera and ran to catch up with him. The girl put her arm around his shoulders and smiled brightly before hitting the flash.

Yanqing:Agh! What the heck!?

March:Hehe, hmmm not a bad photo of me at least. You might need some work though.

She shows him an image of her smiling cutely while he’s completely caught unaware and a little startled. His stern face quickly shattered into pouting as all prior thoughts vanished.

Yanqing:I wasn’t ready! That’s not fair!

March:Oh so you want another one? Okay, better bring your best smile!

“Best smile.” Funny, the moment he thought about it, Yanqing immediately found it difficult. Teeth or no teeth? Was he looking too directly into the lens? Why was this so hard!? His gaze shifted left at March to see what smile she was making; only to notice the girl was sticking her tongue at him childishly. Yanqing didn’t think twice about returning the gesture as they began the dumbest stare down in history.

It wasn’t long before both of them broke out into laughter over their antics, giving March the perfect opportunity. Click! The perfect shot of just two fast friends being silly and full of life.

March:Aye, I knew you had it in you. I’ll be sure to send you a copy. That way you’ll never forget!

Yanqing:Yeah well…thanks. *smiles* Now then, let’s get some food already. I’m starving!

March:Don’t have to tell me twice!

#honkai star rail #hsr march 7th #march 7th #yanqing #hsr yanqing

[tetitous]

Everyone, I have done it.

So, the post about Yugo and queerness in Wakfu is a 3 parter due to my use and abuse of pictures. You'll be able to enjoy part 2 here, and dw I'll add one at the bottom too

First, I would like to preface this by saying that, while I do believe they didn’t create or write Yugo with the idea making him queer in mind, I do not think the creators made things unintentionally either. What I think they actually wanted to do with Yugo, was to have a character that felt as gender neutral as possible, in order to make him relatable to the show's originally young audience, without alienating girls or boys. A character not leaning too much one way or the other.

But as such Yugo is a character that can be read within a queer lens without that much of an effort. I know a lot of people on this site hc him as on the aro and/or ace spectrum, some degree of nonbinary and in my specific case as genderfluid bi/pan, and I'm even considering possibly intersex.

Wakfu also happens to be the kind of show that, whether intentionally or not, just finds itself to have a ton and a half of queerness in it: from simple implications to actually out queer characters, the world depicted in the show is a diverse one, in that sense and more.

That’s why I genuinely think that it's not just random readings that come from fandom's typical queering goggles, I think there are elements in the show that do help these readings, precise elements as well as elements that need a little more digging.

So here's what this post aims to do: to find those elements and compile them in as clear a way as possible. Please do take into account that I am very easily prone to reaching so if you don't see it, that's totally fine, and I may end up structuring things in very chaotic ways, but I am doing my best.

I decided to separate my writing between the gender elements and the sexuality elements, with a listing format. One element, one dash. Since I am french and don’t know much about the english translation, I’ll be illustrating everything using screenshots as reminders, and will be adding some small notes and quotes translated by myself when needed. Well then, let's get started!

The gender category, or as I'd like to call it "this could have been an email- but make it about a trans character":

Yugo's name: first, this one is 100% due to a fic I read that made me reflect on a very interesting fact: in s1ep1, when Alibert finds Grougal's message, Yugo's name is never mentioned.

During that scene, he’s only called “this child” and “that small one”

What that means, given that Yugo's name has been "Yugo" since previous lives, is that either Alibert somehow picked the right name on first try, or, more logically, that he didn't. That Yugo got called another name for some years, until he got old enough to correct them.

And you would think the argument stops there, but in s2ep12, a character gets openly deadnamed and mocked for it by literally everyone, saying "his real name is…". There is one exception to this,

Yugo, who never mocks him and says "It’s not because your parents named you… ", which is a very interesting nuance in phrasing. It implies that, while to others the name their parents chose is a "real" name, an immovable fact of life, to Yugo it is a choice made by others for them, that can be wrong, that can be changed.

Yugo's relationship with femininity (and masculinity): Have you ever noticed that the Brotherhood of the Tofu very frequently separate themselves with gendered terms? You’ll often hear Tristepin and Ruel call Amalia and Eva “the girls” and Eva and Amalia call them plus Yugo “the boys”. Prior to the OVAs Yugo only does so in one episode, s2ep21, the one episode where he's magically seduced into being aggressive towards "the girls".

“You are so strong and smart, right guys?”

“If you aren’t happy you can go with the girls!”

Prior to this, Yugo never really plays into gender roles, and after it will be mainly due to his aging process, which we will discuss.

Yugo seems to treat socially gendered activities as if they weren’t, I believe it is also noticeable with his relationship to heroism, though that one can only be inferred in contrast to Tristepin's former very strict hero/princess binary viewpoint.

(Here I would have put an exception about the OVA and him admitting he always wanted to save a princess, but given that in the most recent manga the term is used as a pet name for him I guess I’ll let that one slide)

During s1ep4, Yugo crossdresses and not only is he comfortable with that fact, not only is he the one who came up with the idea (although Amalia gave him an unconscious push), he is thriving in it.

Look at the joy on his face upon putting a bow on.

I feel the need to remind everyone Yugo is 12 during s1, an age at which young boys are definitely aware of a gender divide and typically reject girly stuff like the pest.

Back to the Boufbowl episode once more, in s1ep10, you may have noticed Ruel calling being a cheerleader “being the girls”, and while Yugo may be on the bench as a substitute, he does participate in cheerleading right in the next episode.

Two three very motivated children and their unconvinced chaperone.

Actually he is the only character in the Brotherhood of the Tofu to be a cheerleader during both Boufbowl arcs.

His outfits are also not strongly gendered, especially compared to Tristepin's chest-out s2 design or Eva and Amalia's early short skirts, his most gendered character design might be his adult-form one, and even then, when compared to Nora's, you’ll notice Yugo is only ever wearing the same thing as her with added details (royal details?) and his own color palette. My take is he’s actually meant to look like the Eliatrope goddess, with his cape reproducing her hair.

S4 teaser Yugo because we don’t have a clean pic of his s4 design, and I did my best for Nora.

Yugo's aging process as a metaphor for transness: as we all know, from the OVAs until the last quarter of s4, Yugo is a young adult trapped within a child's body. He gets mocked and infantilized on the regular, his status as king belittled. The only thing that he maintains some form of respect for is his status as a hero. And you can tell it is weighing him down. For one, this body is an obstacle to his relationship with Amalia, not just due to the eyes of others,

"I grow slowly whereas she, she became a queen, a woman...", with the implication "and I'm not a man” or “I don't pass as one"

but also due to his own degrading self-perception.

“Let’s see who’s small!”

(notice how easily he gets tickled by a simple comment on his size, how the mere notion of his body being revealed becomes reason enough for violence in s3ep7).

Yugo gets angry and violent, a lot, and more than is typically expected of him.

“I tried thinking like Yugo, I’m sure he would have preferred this to the hit-you-in-the-face method.”

“Dear little brother, I don’t know what happened to you these last few years, but I don’t recognize you anymore!”

A result of trauma, sure, but if you're like me you may have noticed how turning into an adult made him feel very… relaxed, suddenly. In a way that can be compared to the disappearance of symptoms of body dysphoria with people who go through a process of gender-affirming transition.

As an aside, his s3 design really makes him look like he's wearing a binder, in addition to the turtleneck that would hide the absence of an Adam's apple, the look is very transmasc.

That one particular art of him is what really marked me, because of the slight shade under the chest. Doesn’t mean it is a binder, just means it could look like one.

Yugo's Eliatrope hat as a metaphor: There may not seem like there is much to say, but the fact is that this hat was very mysterious for a very long time. If you were part of the fandom before the s2 finale you may have been theorizing on a forum about what was going on behind that hat (I was on the "a second pair of ears but these are shaped like cat ears" team, but still slightly unconvinced), and you knew that there wasn't anyone more curious about this than Nox.

“We may finally get to find out what you hide under your hat.

-Even my friends never forced me to tell them!”

was a very iconic line, one that definitely could remind people of the infamous "what's in your pants" question.

Well the Brotherhood was curious as well, but mostly respectful and patient with their friend.

It was clear that there was discomfort with that part of him that he refused to reveal, so much so that he probably never washed with any of his friends. When they would hang around for days, when the girls wouldn't care between each other (and neither would Eva and Pinpin between each other, wink wink), when they would all sleep together, Yugo probably would still never take it off in front of them.

Overall my point is just that inthe rare times the hat gets discussed, it just doesn't sound cis.

the Eliotropes: they're coming back in the sexuality section, dw.

But, as Yugo himself says, they are "versions" of himself. The interesting question now is "in which way?" Since they are not "past versions" of him, and since they seem to "inherit" some of his personality/physical traits, I do believe them to be an expression of his own fragmented sense of self. Some of them may be men, as a reflection of his own perception of himself as one, but then some may be women for that same reason, and well some are women, some even are canonically enby.

Character on the far left is enby and character on the far right is a woman. Obviously Echo is not an Eliotrope.

One could even go as far as considering these traits can physically express themselves only because Yugo's anatomy reflects them, and in that case we can go into not just a gender reading, but into an intersex one. Pushing further into it, Yugo, being their creator, effectively gave birth to them, and as such they call him father, but the act of giving birth itself is typically associated with the feminine, sowe could argue that Yugo’s position is both one of father and of mother.

Of course they also have physical and mental aspects that are separate from Yugo, like none of the ones we met are the same sandy blonde as Yugo is for example, but the ambiguity of the existence of the Eliotropes is and will always be a matter of "where does Yugo end and where do they begin?".

A little question mark for the road: In OVA2, as a joke, Rubilax “reveals” that Tristepin was actually a woman all along. This is a sample of everyone’s reaction:

1st, Amalia is so bi it’s insane, but that’s not my point here. Yugo’s reaction being of absolute shock, even more so than Tristepin himself always had me wondering what was going on in his head. Through a queer lens it remains just as hard to read through, so my personal take is that Yugo is amazed at how male-“passing” Pinpin is, so much so he may think “You mean to tell me I knew that guy for years and never realized he was trans too?!” I don’t know, I’d love to get some feedback on that one.

That first section was 2 pages-long without the pictures, so let’s take a tiny break and enjoy some Yugo cuteness as a breather.

Just the cutest. He doesn’t even need to try.

part 2

#wakfu #wakfu spoilers #wakfu yugo #yugo #yugo the eliatrope #lgbtq+ #pride month #wakfu meta

[queerbauten]

in what universe is Sam Smith "fat". like. when was that something that We™ apparently decided they were.

#Sam Smith #like... yes they've got a larger build and Body Fat™ #but like. that's not what fatness is? #not inherently at least #whether you're saying it in a derogatory or a positive fashion it is just. not the correct turn of phrase. #yes they experience fatphobia obviously but that—again—doesn't speak so much to their actual body as it does how we view bodies #our language and terminology around body shapes and sizes is... not the greatest. #not the most comprehensive #(it reminds of when people call me 'skinny' TBH) #(like... I'm pretty objectively not—and that's okay!) #((TBH I had to stuggle for *decades* to properly internalize that it was Okay™)) #((so for people to turn around and suddenly start saying I *am* 'skinny' is kinda... I get that you mean well but. do not. please. k. thnx) #(what I think these people are looking to express is that I've got curves without being Curvy™) #(if you know what I mean; if that makes any sense) #(and that they find my body attractive) #(which... if you're gonna make unsolicited comments about my body #just go the extra mile and say I'm hot okay? just say that.) #and that's what it really comes down to #perceived (conventional) attractiveness vs. material reality #ack I have so many thoughts but I've had a long day (a good day but a long one) #so y'know. y'know. #fatphobia tw #body shaming tw #body image tw #long tags

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

#I found their original stuff while I was researching various waterhorses and their folklore for no reason #because one of the characters in their original work happens to be an each uisge #and then it turned out it ALSO included a lot of figures from welsh folklore in general #so yknow if you happen to have my incredibly specific hyperfixations you'll love it but even if you don't it's great #I didn't mean to bring up phantom of the opera so much it just happens to be very relevant to a lot of my talking points #I haven't actually seen it in years

[thecatspasta]

Inspired by @arrgh-whatever's post on helping ppl with BPD

Edit bc I forgot to add this: Being vulnerable means smth different for different ppl, something that could read as being vulnerable to you can read as just another Tuesday for someone else

[ID: a simply-drawn comic, narrated by a person coloured-in in pink.

Panel 1: The pink person narrates: "So there's a lot of "signs your ex is a narcissist and how to deal with them" and it's not very accurate. So here's how to actually "deal" with a narcissist from someone with narcissistic personality disorder."

Panel 2: This panel has the heading: "1. Supply." The pink person narrates: "People with NPD have very fragile self-esteem, and supply is what keeps us from having a mental breakdown. Supply can be many things, but often attention and praise are effective. Stuff like "Wow! That's super cool!!" can go a long way." A person is shown saying this to another person, who smiles.

Panel 3: This panel has the heading: "2. Criticism." The pink person narrates: "Oh boy. So narcissists take things as personal very easily. It's because if anyone contradicts our delusions that we have built our entire self-image on, it feels like you are attacking us as a person." There is an example shown, where one person says "hey, you were a bit too rude back there," but the other person hears "You're an awful dick no-one likes." The alternative manner of phrasing is suggested as "Hey, you were a bit too rude. You're cool, but some people took it poorly." The second person in this example thinks "I'm still a cool person. It's not my fault, but I can do things to be better." The narrator continues, "We don't really understand the concept of a harmless mistake."

Panel 4: This panel has the heading: "3. Boundaries." The pink person narrates: "With narcissists, setting down strict boundaries is very important. 1. Knowing we have hurt you because you didn't set down boundaries can really upset and annoy us because the delusions that we can do no wrong and know you best get broken. 2. If you let us break boundaries, it can lead us to see you as "weak" and devalue you. Communication is key."

Panel 5: This panel has the heading: "4. Anger." The pink person narrates: "So people with NPD tend to be prone to anger. This is a defense mechanism, because to us, it's either facing the inaccuracies of our delusions and having a mental breakdown, or blaming something else. We do not mean to lash out; we just don't have the skills to cope properly. You can help by: 1. Letting us express out emotions without judgement; 2. giving us praise or attention; and 3. Distracting us from what angered us." Each example of how to help is accompanied by a small cartoon.

Panel 6: This panel has the heading: "5. Other NPD things!" The pink person narrates: "'Love bomb, devalue, discard' is actually: we are genuinely obsessed with you and want you to recognize us as cool, we lose that obsession and move on, we feel threatened in some way and lash out. We can't really handle being seen as vulnerable. We take sympathy and empathy as pity and pity as you telling us we're weak. Not acknowledging we're being vulnerable and acting as if nothing is wrong can be helpful in these situations. People with NPD have a very warped view of reality. We do not mean to hurt you and often do not realise we have. Remember, this won't work for everyone, and talking is very important."

/end ID]

Ty to @aromanticsky for the id

#garlic breath #pasta scribbles #mental health #mental health awareness #npd safe #actually narcissistic #actually npd #narcissistic personality disorder #npd #actually mentally ill #actually neurodivergent #mental illness #neurodivergent #art #my art #cluster b #cluster b safe #npd info #cluster b info #cluster b awareness

[steddiealltheway]

"I want you," Steve says, staring deeply into Eddie's eyes, watching several emotions flitter through them before stepping back and gesturing to him expectantly.

Eddie swallows hard and takes a deep breath before looking at the ground and mumbling, "I want you."

Steve sighs and hits his arm. "You have to speak up and make direct eye contact. Come on, try again." Eddie groans loudly and rubs his hands over his face. Steve laughs, "You said you wanted my help sounding sexy or whatever for Hellfire."

Eddie huffs and corrects him, "I don't want Jeff and Gareth making fun of me again when I'm acting out a talented seductress."

Steve raises his eyebrows and puts his hands on his hips. "Then, try it again. Picture someone you actually want, and pretend you're talking to them. Don't think about the Hellfire guys. Just think about that person."

Steve watches as Eddie takes a moment to stare at him before dropping his gaze to the ground. He huffs out a humorless laugh and shakes his head before collecting himself and slowly sauntering up to Steve. Eddie looks up at him through his lashes and lowly, very convincingly says, "I want you."

Goosebumps make their way down Steve's arms and his heart starts practically beating out of his chest. He can't help it as his eyes dip down to Eddie's lips, taking in how soft and pink they look. His tongue darts out to wet his suddenly dry lips, and he has the intense urge to lean in and close the distance between them.

Instead, Eddie takes a step back, and Steve finally looks up at his eyes, seeing a multitude of emotions once again. Neither of them says a word as they stare at each other, a tense silence filling the space between the two of them as Steve takes the moment to process what the hell just happened.

Eddie clears his throat and quietly asks, "Was that... good?"

Right. That's what they were doing. Steve nods and runs a hand through his hair. "Ye-yeah. That was... that was great." He settles his hands on his hips again and nods with a tight expression on his face.

"So... should we continue?"

Steve shrugs and decides to simultaneously torture and confuse himself. "Yeah. We have to see if that strategy works with more phrases, right?"

"Right," Eddie says sounding as hesitant as Steve feels.

"Okay," Steve says with a clap and ignores the way Eddie jumps at the abrupt noise. He juts out his hip and crosses his arms. "So what are some of the other things you'll have to say?"

Eddie's brows furrow and his tongue sticks out momentarily, thoroughly distracting Steve before he asks, "You want to kiss me, don't you?"

Steve's eyebrows and pulse shoot up at record speed. "Sorry?"

"It's... one of the phrases," Eddie says, staring at Steve with concern. "Are you sure you want to keep helping me?"

"Yeah," Steve answers a little too quickly and continues, "Okay, try that one again. Really have fun with it this time. Less like you're telling me- I mean, them, and more like you know a secret of theirs."

Eddie nods. "Less accusatory, more flirtatious. Got it," he says with a wink, a small smile appearing on his face showing off his cute dimples. He reaches up into his hair and twirls a strand of hair around one of his fingers as he asks, "You want to kiss me, don't you?"

Without thinking, Steve blurts out, "Yes."

Eddie's whole flirty act drops. "What?"

"Yes!" Steve says with a weird overabundance of energy that usually only Eddie contains. "That was it! Yes as in, you got it. That was perfect. Next line," Steve rambles out, trying to distract Eddie from his own reaction.

"Why don't you come closer, sweetheart?" Eddie asks, not even pausing to get into character as he just slips into the flirtatious persona effortlessly.

Steve turns away and runs a hand through his hair. "Jesus Christ," he mutters because yes he wants to come closer and-

"Hmm?"

"I said, 'Do another,'" Steve lies.

"While you're not facing me?"

Steve nods. "Need to hear if it's convincing when I can't see you." That's definitely a good lie.

He hears Eddie take a deep breath behind him. "I can't stop thinking about you."

Steve squeezes his eyes shut and finds himself yearning for the phrases to be truthfully directed at him. He tries not to give himself away as he asks, "Isn't D and D interactive? Like you'll have people responding to you?"

Eddie hums in confirmation behind him, and Steve finally turns around, catching a glimpse of fear before Eddie's face goes carefully blank.

"Should we practice that?" Steve asks, truly torturing himself.

Eddie stares at him for a moment and nods. His mouth opens and closes a few times before he finally commits to asking, "What's someone like you doing here, pretty boy?"

Steve's heart flutters in his chest at the nickname but sinks when he reminds himself that it's not real. "I'm not sure."

"Really?" Eddie asks and steps closer to him, smiling teasingly. "Because I think we both know why you're here."

Steve swallows heavily.

"Why don't you follow me, and I can help you figure it out," Eddie suggests innocently, but there's an edge of something in his voice.

"Okay," Steve answers weakly, completely forgetting how he got here.

Eddie smiles wickedly and grabs his hand, tugging him to the couch and guiding him to sit back. Steve's breath catches when Eddie leans over him and whispers, "Did you come here with anyone else?"

Slightly confused, Steve answers, "No?"

"Good," Eddie says as he straddles him and tilts Steve's head up in a way that has Steve nearly groaning. Eddie leans forward, breath ghosting over Steve's lips as he whispers, "And this is when I kill you."

Steve frowns as Eddie's hand lightly comes down to the top of his chest, clenched in a fist as if holding something. It takes him a few seconds before Steve finally gets what's happening and asks, "This was all a trap?"

"She's not a good character," Eddie states, still hovering mere inches away.

"I agree," Steve says and tilts his head slightly. "She should at least kiss them first. Give them what they want before they die."

"Won't they regret the last thing they ever did was kissing her?"

"Never," Steve states.

Eddie's chest rises and falls noticeably quicker than before. "Even after she betrays them?"

"Never," Steve insists, staring intently into Eddie's eyes, leaning ever so slightly closer.

Something between them breaks, and Eddie's hands fly into Steve's hair, tugging him close as Steve's lips meet his rushed and hungry. Eddie pushes back with the same passion, feeding on the tension that settled between them before.

Steve lingers in the kiss for as long as he can until Eddie pulls away and lightly hits his chest. "Regret it?" he pants against his mouth.

"Never," Steve answers honestly, moving forward to kiss him again.

Days later, when the seductress is reintroduced in the campaign, all the Hellfire guys shift uncomfortably in their seats and beg Eddie to never talk to them the same way he talks to Steve.

#steddie #eddie munson #steve harrington #stranger things #steddie drabble #steddie ficlet

[catcze]

not particularly a request if u don't want it to be but as a fellow wriothesley enjoyer I wanted to share this idea

fontaine is based off of france right? so the thought of wrio being able to speak french and absolutely using that to his advantage to be a flirt has been driving me insane. he would be INSUFFERABLE (especially if his s/o isn't fluent) and I'd be loving every second of it

(also love your works <3 it's the main fuel that's been making me so horrifically down bad for him)

OH ?!!? MY GOD ?!?! HEHAKJDJ FUCK I HAVE TO WRITE THIS I CANT NOT !! It's a little short and a little sweet, but i hope you like it!

(Translations listed at the end! I used google translate, so if there's any mistakes, please feel free to correct me!!)

Reblogs are greatly appreciated !!

Wriothesley has started to say things to you on the regular— but for the life of you, you can't understand. It starts first on a slow day. You're lounging in his office, reading a random book you've plucked from his shelves. He's just looking through some papers, doing nothing too important.

Then, Wriothesley glances up from his papers, lets his eyes fall on you. "Tu me rends si heureux."

And you're furrowing your brow in confusion, staring at him. It's a phrase form his mother tongue, that much you know. But you're not sure what it actually means. The way his smile is a bit too mischievous, you don't think that he intends for you to understand, anyway.

"I'm... sorry?" You ask. What else can you say? You're pretty sure from his insufferably smug expression that he's not going to tell you what it means anytime soon. At the very least, you're pretty sure he's not shit talking you to your face.

Your eyes narrow.

Probably.

He can see the question on the tip of your tongue, the suspicious glance you cast his way. Wriothesley just chuckles and goes back to the papers on his desk.

"Don't worry about it, sweetheart."

The next time, he does it as you're having dinner across from each other in the cafeteria. Your meal is halfway done, having been practically shoveled into your mouth. It probably paints an unflattering picture, but you're too hungry to really care. Resting on the table, he's stubbornly gripping your hand in his own, fingers intertwined. Even though it made eating much more difficult, Wriothesley would scowl and reach back for your hand whenever you tried to take it away, so you just considered it a lost cause.

Lost in filling your stomach, you're almost don't hear what he says.

"Je ne peux pas imaginer le reste de ma vie sans toi." Wriothesley mumbles, thumb stroking the back of your hand tenderly.

You narrow your eyes again, a silent question.

Wriothesley just smiles secretively and raises a hand to his mouth, miming zipping up his lips and locking it with a key, then tossing it away. He winks at you, and you roll your eyes. No answers today, apparently.

"Are you ever going to tell me what it is you've been saying?" you ask once you've swallowed your food.

"Mm. Maybe one day. If I feel like it." And he's grinning again— the cheeky one that he wears whenever he one-ups you, that showcases his dimples and his teeth. You kinda want to punch him, but it also makes you remember how handsome he is when he smiles.

"Fine," you grumble, sighing. You busy yourself once more with your food. "Keep your fucking secrets. See if I care." You do. A lot, actually. You're very curious now.

Wriotheley just smiles and lets you eat.

But he slips up, one evening. To be fair, it's late at night after a hard day's work. Both of you are exhausted— a tangled mass of limbs and sheets on your bed, both of you halfway asleep already.

Your head is cushioned on his chest, nose pressed against his collarbone, and his arms wrapped around you. Wriothesley's nose is pressed into the crown of your head, breathing in the smell of your hair. His breaths are deep and slow, and you can tell without even looking that his eyes are fighting to stay awake. You're no better, though.

Just before you nod off though, you can feel the brush of his lips against your hair. "Je t'aime. Je t'aime tellement," he says quietly, lips brushing the strands in affection. If you had just been the slightest bit more asleep, you might not have even heard it.

But while you may not be fluent in his language, may know little else aside from the most basic of phrases, you recognize that one. It's hard not to, when it's arguably one of the most popular phrases from his mother tongue. Je t'aime. I love you.

Something gooey finds its way into your chest, and the blood rushes through your body as you're overcome by the sheer sweetness of the man you're laying on. Slowly, you crane your neck up to face him, and can see the slight widening of his eyes, the quiet oh shit that runs through his head.

"Is that what you've been saying?" you ask, voice just as quiet as his. Wriothesley hesitates, arms tightening their hold on you.

"... generally, yes."

You smile gently, scooching up enough to press a kiss to his jaw, then to his lips, giggling when he leans down to make it easier for you. You bury your head into his neck then, resting your cheek against him. "I love you too, Wrio."

Translations:

Tu me rends si heureux. — You make me so happy. Je ne peux pas imaginer le reste de ma vie sans toi. — I can't imagine the rest of my life without you. Je t'aime. Je t'aime tellement. — I love you. I love you so much

#astronetwrk #「 🐈‍⬛ 」 catcze.desserts #wriothesley x reader #genshin impact x reader #cw gn reader #genshin impact #wriothesley #also !! thank you so much for loving my works ily ♡♡

[notafunkiller]

love me like you paid me - co-written with @marvelouslizzie​

Summary: You accompany businessman Bucky Barnes to all the events he has to attend, and you find yourself wishing he wasn’t paying you to be his date.

Pairing: businessman!Bucky Barnes x female reader

Warnings: 18+, age gap (the reader is 24, Bucky is 34), teasing, dirty talk, pet names, daddy kink, fingering, nipples play, oral sex, clit play, no condom (but they are both clean and the reader is on birth control), cursing, no mention of y/n 

Word Count: 11K

Bucky Barnes masterlist

A/N: @marvelouslizzie and I had a great time writing this story, and we really hope you will, too, while reading it.

Please, do not repost or translate without my permission!

> I think I'll be late for a couple of minutes, I am very sorry. You can go inside, you just need to say your name.

You look at the text he sent you once again, to make sure you didn’t miss any details. The thought of going inside alone spikes up your anxiety even though you never met him before. Everything looks so fancy, and you are already feeling out of place.

So you decide to wait. It's better for appearances, anyway. You didn't properly establish the context of you being his plus-one before, and you don't want to make mistakes.

And it doesn't even take a long time. He arrives just five or six minutes later. You watch him get out of the car and look around before your eyes finally meet for the first time.

"I am so, so sorry for being late. But why are you standing here?" He says awkwardly looking at you from head to toe twice as he starts arranging his suit jacket.

“I thought it would be better if we go inside together. It wouldn't look too convincing if we came separately.”

He nods. "Smart. I'm sorry, I'm..." He pauses, unsure, and extends his hand. "You're very beautiful, thank you. I'm Bucky."

You offer him a smile while extending your hand and giving him your name. “Thank you. You’re looking very dapper yourself.”

He snorts. "Not thanks to me."

“Huh?” You raise an eyebrow in confusion.

"I meant my stylist." He explains, freeing your hand.

“Oh.” You feel awkward. You didn’t even think about that. “Yeah, but you are carrying it well.”

You see his cheeks getting red. "Thank you. Shall we go inside?"

“Yeah, of course.” You offer him your arm.

"I think I should be doing that." He does the same thing.

You feel so embarrassed for a second but take his arm anyway. “Sorry. I’m just nervous.”

“Don't be sorry." He gives the man at the entrance a smile before saying your names, and in no time, you are led to your table.

You take a look around, trying to be as subtle as possible. It’s even fancier than it seemed when you were waiting for him outside and people seem to know one another as they greet and talk to each other. You feel a faint pain in your stomach.

"You know… in case someone asks you, my three favorite things are eating my family and not using commas."

“What?” You feel so lost.

"My three favorite things are eating my family and not using commas." He repeats this expired joke he read online at some point. "You know, eating my family and eating, my family."

You suddenly snort, not expecting him to make a joke like this.

"I guess you can smile, and what a beautiful smile you have." He pauses and scrunches his nose as soon as he finishes the phrase. "I don't mean to be you know... I am not trying to...."

“You are not trying to what?” You’re still smiling because of his dad joke, totally unaware of why he’s trying to explain himself.

"To make you uncomfortable or something. I just wanted to help you feel better. I am surprised, though. Usually, models feel a little less nervous."

“Model?” You repeat, visibly confused. “I’m… I’m not a model.” Did they tell him you were a model?

"Oh, it explains the height." He lets out a deep breath.

“The height?” You can’t believe he actually said that. Like your height isn’t good enough for his standards. Probably, you aren’t good enough for his standard since you aren’t a model.

"Oh god, no." He groans. "That sounded terrible. I meant, models usually are very tall and look... different. I told them I don't want a model, but my team didn't quite listen. That’s why I said that."

“So you aren’t the one who specifically wanted a model?”

"God, no." He shakes his head. "I actually chose you." He scrunches his nose again. "That sounds even more terrible."

“I know you chose me. How do you think they found a photo of me to send you?”

Bucky snorts. "I should shut up."

“No, no. I mean…” You lower your voice a little to make sure no one hears you. “I was aware of what this is when I said yes. It’s fine.”

"I am making a fool out of myself, I am sorry."

“No, you are not. It’s actually helping me to relax because I was really worried about…” You stop yourself right before saying something stupid.

"Did I seem intimidating?"

“Yeah.” You quickly accept it because his choice of words is much nicer than what you were originally thinking. You expected him to be a pretentious asshole. Instead, he seems like he’s just as nervous as you are.

He smiles. "What would you like to drink?"

“White wine is fine.” It seems like a safe choice.

"I love wine." He smiles. "And to be honest, it’s the only thing I drink at those events. Oh, and champagne, of course."

“That also works, but I can’t have too much.”

"Want to order food before?"

“No, not because of that. I have an early work meeting tomorrow.”

"Oh, we can leave earlier." He immediately offers. "I don't stick much around usually, anyway."

“That’s not necessary, we can stay as much as you want. I’m already prepared for my meeting. I just don’t want to seem unprofessional tomorrow by looking like I have a huge hangover. I kinda need it to go well.”

"What do you do if you're not a model?" He asks with a smile, genuinely curious to find out more information.

“I am running my own bakery.”

"That sounds so awesome. Family business?"

“No. I actually started it pretty recently. Still learning how to manage a business and get clients.” You suddenly stop, feeling self-conscious. “Sorry. That must sound really silly to you.”

"Silly?" He tries to tuck back a few strands of his hair as he looks at you. "I want to know more. If you want to share of course. Maybe I can even help. I know how hard it can be, especially when you don't have experience. Do you have a partner?"

“No.” You can’t help but smile because he seems genuinely interested. “I’m doing it by myself. Or rather trying.”

"Wow, that must be exhausting and challenging. Do you have employers? How new..." he stops mid-sentence when the waiter comes. "Can you bring us some white wine, please?"

"What kind?"

You watch him as he casually orders a specific brand, then his eyes meet yours again. You realize he’s actually waiting for your answer. “I have one person that works with me.”

"Paying a salary must be hard."

“Yeah, money is kinda tight.” That’s the whole reason you accepted being his date tonight: you want to be able to pay Nicole’s salary, but you don’t say that.

"I'm sorry." He sighs. "Maybe I can help, though." He thinks about a donation or something, but he doesn't even know you or your business.

“You already are. Don’t worry about it.”

The waiter returns with the wine, asking you if you want to taste it, but Bucky gives him a polite smile after looking at you. "Thank you, but no need."

The man nods and starts pouring slowly.

When you taste the wine, you understand why he specifically asked for this one. It leaves a really gentle after-taste on your tongue.

"Do you like it?" He asks nervously as he takes a sip himself.

“Very much. Probably the best wine I have ever tasted.”

"I am so glad to hear that. But did you eat anything before coming here?”

“Ihm… No.”

"Then we should order. Excuse me," he calls the waiter again with a hand gesture.

While he is ordering food, you find the perfect moment to stare at him. He’s speaking in a way that shows he belongs here. He is kind yet commanding. You focus on his face and watch a strand fall on his forehead. He doesn’t pay any attention to it, just gently pushing it back, but you find yourself taking a deeper breath. His lips are full, his smile is gentle and his eyes are curious. That’s when you notice he is actually talking to you.

"Do you have preferences?"

You shake your head. You have no idea what preference he is talking about, but even if you did you are sure you would have no idea what to order in a place like this.

"Do you trust me with this?" 

“Yeah.” You quickly answer to cover the fact that you weren’t paying attention to his food choices. “Just no sea food, please.”

"Of course." He nods and turns his attention to the waiter again. "The same for her, please. Also a bottle of water."

*

It's already pretty late, and it's clear neither of you has much energy left, but you can't interrupt this conversation. You are trying to listen so you can be prepared if they ask you something.

"I agree, the market doesn't look good, but let's see if something changes once they apply the new policies," he says looking at both of you for a couple of seconds. "It's hard for new businesses, unfortunately."

You take a deep breath, knowing what he says is true and how it affects you. Still, you don’t comment on anything, just watching them.

Bucky leans in, laughing politely when the man cracks a bad joke, and you notice how a few  hair strands fall on the side of his face and forehead.

Before your mind can register what you are doing, you find yourself leaning towards him and pushing the hair back. Then you notice what you’ve just done and freeze. Your hand lingers on his hair.

He freezes too, mid-sentence, and looks at your hand, his neck getting so red in just a few seconds.

"Oh, look at that. Your girlfriend is taking good care of you." The man in front of you teases. 

“I’m sorry.” You try to retreat your hands as gracefully as possible so it won’t look suspicious. His hair is back in its place.

"Don't apologize." Bucky smiles, taking your hand into his. "She's always shy in public."

“I forgot for a second we are in public.” That’s not a lie. You really forgot your surroundings and how you were supposed to behave.

"What a beautiful girlfriend you have, Barnes."

You can feel your cheeks burning because of his words. You are not his girlfriend obviously, but will he point that out?

"She's also incredibly smart. You know, she started her own bakery a few months ago in this crazy market."

“Really?”

"Yes, with no help either. I'm really proud of her."

Did he just say he’s proud of you? Jesus christ…

“That doesn’t surprise me at all. You know why?” He’s directly asking you that question, and you just shake your head as in no. “Because he started his own company, probably around your age, too.”

"Michael..."

That you didn’t know. You had no idea how he got this rich, and hearing that makes you feel more hopeful.

“I’m just saying.” The man continues. “I can see why you like her. And she’s pretty lucky because she can get the best investment advice or tips on how to run a successful business from you.”

"Oh, trust me, I am luckier." He gives you the warmest smile you've ever received.

You have no idea what to say or do. Should you act like his girlfriend? Should you just smile and nod? That would be rude, wouldn’t it? You should return the compliment. You would definitely do that if he was your boyfriend. 

“Oh, I know how lucky I am,” you say with a smile.

Bucky takes a quick look at his watch. "Alright, I think we need to go. Tomorrow is a long work day. Hope you don't mind." He shakes Michael's hand.

"It was nice to see you."

You are glad it’s finally time to leave. You were getting worried about how much longer you would have to stay here. Not because of him. Bucky seems like a perfectly nice guy, but this fancy place makes you uncomfortable. You gently smile while shaking Michael’s hand and take Bucky’s arm.

"Have a good evening. It was nice to meet you."

“It was nice meeting you too, Michael.”

"I'm sorry for that. Took too long," Bucky whispers in your ear.

“The event isn’t even over yet. We are leaving early.” He shouldn’t have to say sorry for something you agreed to do.

"Is it okay if we drive you home?" He gestures to his driver who's pulling in. You didn't even realize when he texted him.

“You don’t have to, I can take a cab.”

"At this hour?" He puffs. "Not in a thousand years. My driver can drop you off." Bucky offers instantly. It's clear he won't let this go.

“Only if it won’t be a bother…”

"Of course not." He gestures to his driver. "I want you to drop the lady off and make sure she gets inside safely, please. I'll take a cab."

“What?” You didn’t expect him to take a cab. “No, I can’t accept that.”

"Please. Also thank you for tonight, I am really grateful and I enjoyed having you here."

“Bucky…” You stop for a second, feeling hesitation over using his name. “Can I call you Bucky?”

"Of course."

“Bucky, thank you for tonight. I enjoyed it more than I expected. You are a gentleman, but I can’t take your car. I thought you meant dropping me at my place on your way home.”

"I thought..." he pauses. "You felt uncomfortable around me and that's why you refused the ride."

“No. Why would I feel uncomfortable around you?”

He smiles shyly and opens the door for you. "Alright, then let's go."

You really don’t know why he thought that and it bothers you. While you take your seat, you decide to apologize for what happened in there. Maybe that’s why he felt uneasy.

He looks absolutely confused when you actually say the words. "What?"

“I am just really sorry about what I did back there. I don’t know what came over me.”

"What did you do?”

“You know… Making you uncomfortable by fixing your hair.”

Bucky can't help but giggle softly. "Why would you apologize for that? That was very thoughtful, thanks."

His giggle catches you off guard. “I thought… I crossed a boundary.”

"No, not at all. Sorry for the boring conversations."

“It wasn’t that boring. I actually learned a couple of things.”

Bucky smiles. "Did you? Not surprised, you're a businesswoman after all."

“I try to be.” You smile back even though you are feeling kinda sad that your time with him is about to end.

"I think you have a big potential. You control your emotions very well. You are smart and know how to enjoy good wine." He gives you a playful but innocent wink as he says the last part.

“And now I know you, so I can ask for business advice.” You repeat Michael’s words very poorly.

Bucky nods. "Of course. And you know maybe I can help... with a donation."

“A donation?” You really didn’t mean to sound that offended, but you are.

He frowns. "Yeah, I really think you got potential in business and it's hard when no one helps you."

Talking about money always bothers you. Getting paid for going out with someone already feels wrong enough, but the way he walks about it makes you feel worse. 

“Can we…. not… talk about this?” Your discomfort is much more clear in your voice than you realize.

"I-Of course, sorry if I bothered you," he immediately says apologetically.

“Talking about money like this bothers me and… just to be clear, I don’t want any help.”

"I understand. I wasn't trying to intrude."

You offer him a smile, but it doesn’t reach your eyes.

"I'm really so-"

"Is this the right address?" The driver interrupts Bucky all of a sudden.

“Yeah, it is.” Your answer comes instantly.

"Perfect."

“Thank you…” You stop for a minute realizing you don’t know his name. “I’m sorry I didn’t catch your name before.”

"Noah."

“Thank you, Noah.” Then you turn to Bucky. “And thank you for tonight, Bucky.”

"Thank you." You give him one more smile before opening the door. "Wait."

“What?”

"Are you free on 18?"

“I… think so. Why?”

"I have a proposal for you."

*

As the 18th comes closer, you get more worried about what to wear. You used your fanciest dress at that event and now your options are pretty limited. You search your closet and try to think of a friend who would let you borrow a dress. That’s when you finally see that simple black dress. That might work. When you put it on, your feelings are conflicted, though. It looks good on you, but it doesn’t seem good enough. You are not completely sure about how fancy this event is. Maybe… maybe you can ask him. 

< Hey. Sorry to bother you but how fancy is this event?

> Hey, no bother. Like the one we attended.

> Why?

< I’m not sure about my dress. Is it okay if I show it to you? I don’t wanna be underdressed.

> I am sure that's impossible but of course.

You send a mirror selfie, showing your dress.

>You look very beautiful.

>The dress is absolutely amazing too, but it's a black-tie event. Would you consider me disrespectful if I sent my stylist to you?

< Thank you. 

< No, of course not. I need help. I would appreciate it.

> Gonna send Lila a message and then I'll give her your number if that's okay.

< That’s perfectly okay. Thank you and again sorry to bother you with something like this.

> You don't bother me.

> I mean it.

< I know you are busy. That’s what I meant.

> Well, I am sure you are very busy yourself.

> How is the bakery and how was the meeting?

< I’m done working for the day. So I get to worry about the dress I’m gonna wear.

< The meeting went well but I didn’t hear anything from them yet.

> I hope it was a full day.

> I mean with many clients.

> And I hope they will give you a call.

< It was a tiring day. How was yours?

> Tiring, but productive, thank you for asking.

> Lila will call you in two minutes. She's a nice person. She manages to make me look decent every time.

< You look more than decent and I don’t think it’s all her doing.

5 minutes later

< Talked to Lila. We go shopping tomorrow. Thanks again for the help.

> Don't thank me for that. My pleasure. Have a good evening.

< You too.

The next day, you meet Lila and go shopping together like you agreed. She seems like a fun person and definitely understands your style. Her suggestions are great. but the only problem is the cost When you notice the price tags, you want to leave, but she assures you that it is all taken care of. That’s when you realize Bucky Barnes is paying for this shopping trip. You feel dumb for not thinking about this while talking to him. That’s why he was guarded when he offered help. That usually restlessness creeps up on you because you don’t want his help like this, but Lila convinces you that he is the reason you need new dresses anyway. And it is true. He is dressing you so you look the part. That eases your anxiety and finally, you are able to enjoy your dress hunt. When you come back home, you are completely exhausted but ready for any event he might want to take you. 

*

> Hi

> How are you?

< I’m good, getting ready. How are you?

> I am good too.

> I was wondering if you mind me picking you up...

< You wanna pick me up?

> Yes. I might need your address again, though.

< Noah doesn’t remember?

< I am picking you up.

Oh.

> You should say no if you don't want that.

< No, why wouldn’t I? I just didn’t think you would come without your driver for some reason.

> Do you want me to come with Noah?

> I can.

< I don’t need someone extra to feel comfortable around you, Bucky. 

< It’s up to you. Whatever you wanna do, I will be fine with it.

> Perfect 🙂

> 7:30 or 8? We should totally skip half an hour.

> So boring

< That emoji makes me feel like I did something wrong and you are being kind.

< Both are fine by me.

> See you at 8 then 😁

> Since you hate the other emoji

< Oh this one is much better.

< See you at 8. Leave your overthinking hat at home.

You quickly send him your address.

> Thank you

*

The evening comes even quicker than you expected. He picks you up alone and you have a great conversation on your way to the event. He gives you some pointers about it and the people you will most likely have to talk to and warns you that it’s gonna be boring. And he is right. It is even more boring than the first one. A lot of speeches and conversations with people you don’t know. You try to stay composed and play your part, trying to hide the fact that you are bored as fuck. Bucky comes to your rescue with a fun game. He makes funny comments and on-point jokes before and/or after you talk to someone. His observation skills are extraordinary. He notices stuff that you wouldn’t normally remark. Like a missing wedding ring, so he knows not the mention their spouse during their conversation. He whispers into your ear and makes you laugh the whole night. Hearing his voice that close, and feeling his breath on your neck drives you crazy. Does he know the effect he has on you? Is he doing it on purpose or is he just trying to pass the time as pleasantly as possible? You don’t know. Just like the first event, you leave a little bit early. He drives you back home, offers you a warm smile, and mentions when the next event will take place. You just nod in agreement, already looking forward to it.

*

> Friends or The Office?

> Also hi

< The Office. Love how intentionally awkward it is.

< Hiii back.

> How are you?

> Let me guess who you like the most

> Is he tall?

< Yeah genius, it’s Jim.

< I’m good, how are you?

> I knew you have taste.

> I am good. Now even better.

< Why better?

< Also who else could I like? He’s the only sane person in that office.

> Because I talk to you.

> So true.

He’s feeling better because he’s talking to you. God, that makes your blood rush.

< I like talking to you, too.

< Okay I have a question. What do you think of Karen?

> Karen? Don't make me be a hater while texting.

> It would never end.

> You?

< You know the word hater? I’m impressed.

< I don’t like her either. She tried too hard to make things work.

> I am 34, not 304!

> I feel offended

< It’s so easy to tease you.

> She is boring and annoying. More annoying than that douchebag.

< You mean Roy?

> Yeah

> That punching scene though

< God, that guy is a walking red flag. 

< Pam was truly blind.

> She was. Sad...

< Favorite season?

> Hard.

> Very hard.

> Maybe 4.

> Yours?

< Either 4 or 6.

> Tastee

< You are starting to sound like me 

> Well, I am older, so it's the other way around

< Sure old man. Whatever you say 

> Old but handsome, to quote you

< I can’t be held responsible for the things I say when I’m tipsy.

> Excusess

< Shh you are exposing me too much

As time passes, your conversations become friendlier. You don’t feel like this is something you have to do just to keep your business going. It feels like you two enjoy each other’s company. It feels like flirting. Yet you are not sure if that’s how he feels about all this, too. 

> Hi. Are you home?

< Yeah?

> in a few minutes you might have a delivery

< A delivery? 

< Bucky what did you buy this time?

> I can sense a tone

< Can you?

> A bratty tone.

> You'll see when it comes.

Just a few minutes later you open the door and see a huge bouquet of flowers.

< Jesus Bucky!

< These are so pretty!

< Thank youu.

> No complaining, huh?

> Glad you like them.

> I can complain if that’s what you want.

> I want you to be good and put them in a vase.

< They are already in a vase, sir.

You send a photo of the flowers in your prettiest vase.

> Great.

< I can’t stop smelling them.

> Noted

< I’ve got something to show you. Well two things because I can’t decide.

> Waiting

You send two mirror selfies in two different dresses. The first one is a black dress with a high slit on the right side. The other one is a simple pastel pink dress but the cleavage is on display a little.

< Which one should I wear for the next event?

> You think I am the right person to choose?

< I am your date, aren’t I?

> They both look great.

> Depends on what you want.

< That’s what I think too!

< And that’s why I can’t decide.

< Please help me out.

> Pink?

< Pink it is.

< Thank you.

*

What you didn't expect from this arrangement is how your attachment grows more and more every time you see Bucky. He makes it hard not to miss him with his smile and his jokes, the way he tries to integrate you and always asks how you feel. Truth be told, you're not even professional anymore and you catch yourself wanting to make a move on him every time he compliments you. But you can't, so you're forced to wait for him to do it. And you really hope he will.

*

You probably put too much faith in a rich person because when you see your notification from the banking app, you have to refrain from making a scene. You check twice just to be sure. For some reason, you are paid double the amount for this date and it’s not because he missed any previous payments. No, he just decided to pay you more the moment you started to grow closer.

When you look at him, he immediately catches something's wrong and leans in to whisper. 

"What happened?"

“I don’t wanna talk about it right now.” Because you know if you do, your whole act will be exposed.

Bucky nods and looks at the rest of the table. "We're gonna head back home now. It was really nice to see you."

His reaction surprises you. You have the whole night ahead of us and he already paid you double. Why does he want to leave already?

"Of course. Have a good evening!"

“Oh, are you really leaving this early?” Someone else asks.

"Yes. We have plans for tomorrow pretty early in the morning."

“Ah! Too bad. Still, it was nice seeing you two.”

You both nod before you make your way to the door. You absently watch him asking for both of your coats and holding the door for you.

The way he’s acting like everything is fine infuriates you more. You really hoped something was going to happen between you two. It felt like you were headed in that direction, but you are not so sure anymore. Maybe he never saw it that way. Maybe he was thinking the worst of you and he’s just paying you more for everything he considers extra. It makes you feel nauseous.

"I should have made them change the plate…  Do you have an allergic reaction?"

“Yeah, I am having an allergy reaction.” You lash out as soon as you feel safe to react. “An allergic reaction to you trying to buy everything.”

"What?" He looks at you so confused as if he didn't double paid you a moment ago.

“Tell me it’s just a mistake and you didn’t do it on purpose.”

"Do what? Pay you?"

Oh… He did it on purpose. And just like that the last hope you were hanging on vanishes. 

“Yeah, pay me double just as we were getting closer. Is that all I am to you?” 

"All you are to me?" He repeats shocked.

“Someone you can pay for whatever you want.” You don’t wait for an answer. You just keep going. “Of course, that’s all I am. What else can I be? It’s my fault for accepting this… deal. I put myself in this position. Why would you see me as someone other than a hooker.”

"Stop!" He screams back but not as loudly as you do. "What are you saying? What the actual fuck? When did I even imply that? Paying you double has nothing to do with disrespecting you! Contrary!"

“You don’t have to say it! The moment we started to get closer, you decided to pay me double. I don’t need to be Einstein to put 2 and 2 together.”

He scrunches his nose. "How about us getting closer and me wanting to help you, huh? Did that ever cross your mind? Me wanting to help you pay your debt faster, knowing the effort you make to accompany me to these," he gestures to the place behind you. "But no, of course, you didn't because you think the lowest of me. That I would believe I can buy you and your affection!" 

“Help me?” He must be joking. “When I specifically told you I don’t want help!”

"I just don't want you to struggle. Is it so bad?" His voice is soft now while he stares at you, trying to show you he's entirely honest 

“Have you ever stopped for a second and thought how getting help would make me feel? I’ll tell you. It makes me feel like a failure.”

"You're not a failure. And getting help doesn't make anything you did and do less important, especially since it's small. Please..." he sighs. "Let's continue talking in the car at least, it's freezing. You shouldn't get sick."

“Fine. I will get in, but this… this conversation is not over.” He’s right. It’s freezing and you can’t take it anymore.

He nods gratefully and opens the door for you, which you close with force.

As soon as he gets in the car and starts the engine, he turns on the ac, giving you a look. You keep taking deep breaths and avoid looking at him.

"Please... do you really think that low of me?"

"I don't know what to think anymore." You finally look back at him. "Are you gonna drive or are we gonna have this conversation here?"

"I don't want to drive you home upset. I want to talk about it..."

You stop for a second, consider your options. You can't have this conversation in a public place. "Your place or mine?"

*

Money is clearly not an issue for him so he probably didn't even blink to pay you double you realize as you get inside the house. You try not to look around too curiously. Your image in his eye is already as bad as it could get.

"How low do you think of me?" He repeats the same question while he starts to take off his shoes.

“I should be asking you that question.”

"You're the one who thinks I tried to buy you as a hooker."

“What were you trying to do then if not buying my affection? And don’t tell me helping!”

"To help."

“I don’t want help!” You don’t notice how loud you are. “I don’t want anyone’s help! I have to do this on my own. Is that so hard to understand?”

"Yes and no." He sighs. "I get this drive, I had it too, but I wish you could try to see... that you don't have to do this alone. But instead, you think I see you as someone buyable." 

“Imagine when you started your business and had debt, someone had the means to help you, just give you money like it’s nothing and you don’t get to pay it back. Would you accept it? Would you think it’s your success if someone helped you out like that? Just be honest and answer.”

"Fuck no." He sighs. "But you deserve the money. And you put up with the events and your business..."

“Fuck no indeed. I want to do this myself. I have to prove myself I’m not a failure like my-” You stop yourself from finishing that sentence.

"What? Like what?"

“It doesn’t matter. I just need to prove that to myself, okay?”

"How could you think you are failing when you already did so much?

“As long as this business doesn’t succeed, whatever I’ve done so far does not matter. Only the result matters.” You don’t notice you are repeating your father’s words.

"That is bullshit. You think success is based on wins only?"

“It doesn’t feel like winning when you are worried about paying the next month's salaries.”

"That's a worry that honestly doesn't stop. Or at least not for me. Success means failure and worries sometimes. Success means trying and holding on."

“I’m not here to have a conversation about what you view as success, Bucky. I’m here because I’m mad at you.”

"You're mad at me, but you think I am an awful person." He starts taking off his jacket.

“I’m mad at you because you can’t pay me double just because you want to. That’s not how real life works.” 

"Oh, really?" He smiles sarcastically. "I should totally give zero shits about you worrying about paying salaries and having student debt. Totally real-life fun stuff."

“Student debt? How do you even know about that?”

"You mentioned it."

“I don’t remember mentioning my student debt to you.”

He puffs, not breaking eye contact. "I have ears."

“You heard me mentioning my student debt and decided to pay me double?” He’s unbelievable.

"Yes."

“Do you have any idea how much you were paying me before?”

Bucky blushes embarrassed and strokes his beard. "No..."

“You were already paying me nearly a monthly salary. Just for going on a date with you once a week. Do you have any idea how it made me feel seeing that double payment in my account while I was hoping for…”

"Fuck, I want to say I am sorry, but I am not. I am not buying you, no matter how low you think of me. I want to help you. I thought we are already friends."

“Friends.” You give him a bitter smile. “Friends don’t pay each other.”

"Friends help each other." He is getting closer to you.

“Not without the other one asking for help.”

"You're impossible." He sighs. "You can pay me back at some point." He is so serious.

“Which point will that be?”

"Whenever you won't be worried about salaries."

“You said it yourself, that time never comes.”

"Please, doll." He closes his eyes, not even realizing what he said.

“Please what?”

"Can we just stop fighting?"

“We can if you stop paying me.”

"It's your money. You come with me every time. This event was more boring than usual... consider this a bonus for putting up with it and me." 

“I don’t want- I don’t need that.”

"Why not? It's just for now." He seems upset. "Do you want nothing to do with me anymore?"

“I don’t need money to… enjoy my evening with you. I was actually hoping for you to… you know… stop paying me soon.”

"You want to end this?" He doesn't even try to hide his disappointment. His voice starts trembling.

“I want to end the payments.”

"So no more events..."

“I didn’t say that. I said I don’t want you to pay me for that anymore.”

"Oh." Bucky thinks a little. "You want to come to meet more people?" 

“Dear god… You are so dense for a smart businessman sometimes!”

"You are calling me dumb."

“Yeah, because you are being dumb or just acting dumb, I don’t know anymore. You can call me if you want me to accompany you as your friend… or date, okay? It’s up to you now.” You reach for your stuff to leave his place.

"I just want to know why you'd find it so bad for me to pay you. Would you not pay me?"

“Don’t you really see the implication?”

"What implication? Tell me what you think."

“Would you pay me if we had sex?”

He freezes, completely taken aback. "What?"

“You heard what I said. Would you love me like you paid me, too?”

"You want to fuck me?" He asks unsure. As if he doesn’t know if he heard you right.

“Do you need things spelled out for you like this?”

"Do you mean it?"

“I have already said too much, Bucky. I think it’s better if I go.”

He grabs your hand when you turn toward the door. "I don't think you said enough."

“You want me to embarrass myself more?” He rolls his eyes. “I think I have made myself clear enough. Time for me to leave.”

"Come on." He smiles. "You didn't say anything."

You let a frustrated breath out. “Take care, Bucky.”

"Doll, please. You can't leave in the middle of a conversation like this!"

“Of course, I can leave. What else is there to talk about?”

"You asked if I'd pay you for sex."

“And I think I got my answer.”

"No, I would not pay you for sex."

“Because you didn’t even consider that option.”

He puffs, and you notice sweat drops on his neck. "Why did you even ask that? I already said I do not consider you buyable." 

He is very close now, holding both of your hands and staring into your soul.

“Because that’s how I feel every time you pay me to spend time with you.”

"God, doll. You are really fucking impossible. You think I don't want to kiss you or fuck you? I think about it all the goddamn time if I let myself, but we had an arrangement..."

“And that’s why I wanna end the arrangement.”

"Done." His answer is instant.

“So you can take me out on a normal date, maybe.”

"Yeah?" He wraps his arms around your waist, making you drop both: your coat and bag. But you don’t look down even when they hit the floor. 

“If you want…” You feel your voice suddenly getting smaller.

"May I kiss you?"

“Only if you aren’t gonna ask permission for everything.”

He snorts. "Just answer." 

“You may.”

He does, moving a hand to your chin as he immediately tries to deepen the kiss. The way he kisses you takes you by surprise. You didn’t expect him to start this kiss so strongly, but you definitely aren’t complaining. His other hand goes from your waist to your ass, grabbing it over your pants. You gasp in surprise, which interrupts the kiss.

He smiles. "Hi."

“Hi.” You try to catch your breath while he starts to kiss down your neck without warning. Your right hand trails up from his neck to his hair as you let out a low moan.

"Fuck." He starts sucking on a spot below your collarbone.

“Jesus, Bucky…” You try to sound as normal as possible. “Take a girl out to dinner first.”

"You want dinner?"

“Well, not right now.” 

"What do you want right now?" 

“Just keep doing what you were doing.”

He kisses you so sloppily, his hands going under your shirt without realizing. You wrap your hands around his neck and close the remaining distance between your bodies.

"Fuck, you taste so good."

“Maybe it’s the lipstick.” You joke and without letting him answer, you start to kiss him again, immediately using your tongue. He moans in the middle of the kiss and then opens his mouth a little further, inviting you in. Your hands go to the buttons of his shirt.

"Oh, fuck."

“Can I take this off?” You ask for permission the way he did before.

"Please." He is breathing slowly, looking at your hands

You take your time unbuttoning the shirt, testing his patience.

"Doll, please." His mouth finds your neck.

“Please what?”

"Faster."

“That part comes later,” You say with a suggestive tone and he snorts, leaving another kiss on your neck.

"Left you a few pretty marks." 

“Maybe I should give you some too.”

"Later." When you finally finish unbuttoning, he takes it off in a heartbeat. "Hope you won't hate me."

“For what?” He simply rips your shirt in half in response. “Bucky!” His hands grab your bra while you are still talking. “That was an expensive top!” 

"Was." He just rips off the bra, too. "Just like this was on you. Past tense.”

"Do not!" You lift your finger. "Rip off anything else!"

He bites that finger without hesitation, sucking in it further. You try to take your finger back. 

“Jesus Bucky, how am I gonna go back home now?”

"What? You want to go home?"

“I have to go home eventually, you know.”

"I have clothes, you know?" He starts to take off your belt. "Pants too." You can see he wants to get rid of them too.

“You want me to leave your house in your clothes?”

He kisses her. "What?"

You take a deep, annoyed breath. “Fine, I will worry about this later.”

"May I rip these too?"

“No. No more ripping, please.”

"Alright," he says disappointed but lets you take off your pants while he’s simply staring at your breasts.

“At least I have this to wear while going back home,” you say, swinging your underwear.

"You talk so much about leaving."

“Hmm, do I?”

"Yeah." He's obviously trying not to show he's upset, but he's failing. And this makes you happy… the fact he doesn’t want you to leave.

“Does it bother you?”

"No," he whispers and looks at his own pants. "I can just make you feel good, you know? No rush, then I'll drive you home as you want."

You reach for his pants and start to unbuckle it. “I have a mind that… keeps on worrying. I think about stuff I have to do later constantly, but there’s a way to turn it off. At least for a while.”

He tries to stop you. "I can make you feel good, drive you home and take you on a date tomorrow." 

You finally understand what he actually means. “What? No. That’s not what I want.”

"Okay. Just wanted to make sure you understand we can stop like any time."

“Oh, I know. I just don’t want to.”

"Okay." He smiles and lets his hands fall down.

“I feel like you are tiptoeing around me. Where’s that Bucky I see at these boring events every week?”

"He's here, just trying to do everything right. But I don't know what you mean by that Bucky."

"I mean that Bucky who doesn't hesitate."

"This is different though. I don't want you to think I am a douche, you know?" He sighs. "I don't want you uncomfortable."

"Your hesitation gives me anxiety. And I know you by now. You don't need to worry about that." You push his pants down and they pool around his ankles. Impatiently, he takes off his boxers himself and steps out of them.

"Alright then. Should we move to the bedroom?"

But you are too busy to finally look at him, all naked, to hear him. He looks better than you anticipated and that makes you even more eager to touch him.

He tries not to smile, but it's hard.

“Uhm… what?”

"Nothing, nothing. Keep going."

“Okay.” You move closer and start kissing him again. You grab him gently yet firmly and start moving your hand slowly, just to get him used to the feeling.

"Fuck." He moans against your lips. "Feels good."

You gently bite his lower lip while you keep moving your hand. It’s still slow, but you pay attention to grab his balls and brush against the tip, just to see his reactions

"Doll..."

“Hmm?” You stop kissing him and look into his eyes as you decide to kneel down.

"Doll, no." He groans. "Fuck, I really dreamed about this, but let's go to bed."

“If you dreamed about it, why are you saying no?”

"Because we can do something else fun for you too."

“Oh, believe me, this is fun.” You take your tongue out, swiping it on the shaft from the bottom to the top, making him moan immediately. “Do you want me to stop?” You ask, your lower lip touching the tip. He doesn't even seem to hear you.

“Hmm…” And that’s your answer. You take the tip into your mouth, gently licking. "Oh, shit," He moans and without thinking he wraps his hand around your ponytail.

Your tongue swirls around the tip, occasionally swiping on that sensitive spot that makes him moan really loudly. "Holy fuck." He's fully playing with your hair now. "Baby, please..." He doesn't seem to know what he's begginh for though.

“Hmm?” You silently ask while your tongue keeps working on him.

"We should... stop."

You take your mouth off him for a second, just enough to ask: “Why?” Then you take him right back inside your mouth.

"I'm gonna come," he says a little embarrassed.

He might have wanted you to stop because of that, but you have no intention of doing it. You want him to feel good, so you grab the shaft, moving it up and down while you take your mouth off for a few more seconds.

“Then come.” 

Your tongue goes back to the tip, moving in sync with your hand. He can't even ask you if he should pull out because he's already coming in your mouth. You keep moving your head and hand until he finally hisses because of overstimulation.

"Doll."

You look at him while swallowing. “Yeah?”

"Thank you so much, I'm just... fuck me," he groans at the sight in front of him. There is something absolutely sinful about you like this. "I am just really sensitive."

“That’s normal.” You kiss his cock really gently on a spot that wouldn’t cause any discomfort. He lets go of your hair and smiles. You quickly wipe away that line of come dripping down to your chin before he helps you stand up and kisses you hard. You are already unbelievably wet, but the way he uses his tongue takes it to another level. He lifts you in his arms when you least expect and a yelp leaves your lips.

"Gonna take you to the bedroom."

“Yeah, okay.” You wrap your legs around his torso, trying to hide your excitement.

"I'm gonna eat you, okay?" He opens the door with his leg.

The way he says it sends shivers down your spine. You can feel the throbbing between your legs.

"You want to ride my face, pretty doll? Or do you want me on my knees?"

“God…” You think for a second, both options being tempting. “On your knees.”

"You want me on my knees? Want me to beg to eat your pussy?"

“Would you?”

"Beg for it?" He puffs. "For you? Of course."

“Jesus fucking Christ…”

"Just Bucky." He puts you down on the bed and kneels. You laugh a little. His nervousness is definitely fading away. He smiles and starts kissing below your knee. "Please, can I eat you, baby?"

“Oh god… I wanna hear that again.”

"I am begging. Please, allow me." He kisses all the way up.

“It’s all yours.”

He makes the most animalistic sound you've heard from his mouth before and lifts both of your legs over his shoulders.

"Gonna let me do it over and over again?"

“I might wanna do different things in between, but yes…” That makes him smile.

"Thank you." Then he finally starts licking at your entrance.

The first moan you let out sounds like you are trying to catch your breath. Bucky's fingers dig into your thighs when he properly enters you with his tongue.

“Oh god...” That feels amazing. He says nothing, trying to move his tongue around for a little while testing what you like. You instinctively move your hips a little, forcing his tongue closer to your clit.

"Fuck." You barely hear him say as he properly moves his mouth to your clit.

“Yess!” You shake with excitement. Bucky starts to flick his tongue gently on your clit, bringing his hand to your entrance. You don’t realize how you are moving your hips to create more friction. And he adds the first finger inside you without stopping his tongue motion. 

“Ahh, yes.” It sounds like you have been waiting for this forever. His free hand goes up just to squeeze and massage each breast as he adds his second finger.

“Bucky, fuck!” It feels like he’s everywhere. His flicks turn into full licks while his fingers move faster.

“I’m gonna- I’m gonna- come.” You can already feel your legs shaking. He continues the pace exactly like this and moans against your clit.

“Oh fuck. Oh fuckk. God, please- don’t stop. Please.” He doesn't stop, he couldn't even if he tried, eager to make you come.

After a few seconds, something snaps inside you and finally, you feel loose. Your whole body is shaking and you can’t get enough of the way he makes you feel. The movement of his tongue, the way his fingers move… And it doesn’t end quickly. No, he keeps going and you feel the same high over and over again until it’s too much to bear. You stop him by grabbing a handful of his hair.

“That was… incredible.” He smiles, raising his head enough for you to see how wet he is. “Jesus…” His beard is soaked. You had no idea you were that wet.

"Just Bucky." He repeats the same joke as he licks his lips.

“Your beard… it’s so wet.” You are too shocked to react to his joke.

"Wanna clean it for me?" He winks and god, he looks so charming.

“Come here.” You open your arms.

He hugs you immediately, his beard making contact directly with your breasts as he’s spreading your wetness all over them.

"Oops." He giggles. "Guess I have to clean up my mess."

You giggle, too. “You know you don’t need an excuse to suck my nipples, right?”

"What? This is not what I'm doing. I like to clean." 

And just like that, you feel Bucky's tongue all over your tits, making sure to avoid your nipples.

“Hmm… That feels good.” He bites a little the skin on your left breast, and you whine in response.

"Hurting?"

“A little.”

"Sorry, baby." He sucks a little around the bite as an apology.

"It's fine. Come here and gimme a kiss."

"No." He gets stubborn and he finally takes the first nipple into his mouth.

You grab his hair and force him away from your nipple. "You are so stubborn."

"You like pulling my hair."

"I was thinking about pulling it for a long time."

"Why didn't you?"

"Well, I touched it instead of pulling. On our first date." 

"Yes." He smiles giving you a small kiss. "Not enough."

“There’s no way I could pull your hair there, you know.”

"True. I would moan."

"You and me both." You giggle again.

"So you felt okay?"

"Okay?"

He smiles. "More than okay?"

"You have no idea how okay that was."

"Probably not. You get to feel pleasure in ways I never will."

"Poor you. We should totally try to change that."

He snorts. "You want to suck me again? Or do you want to fuck me?"

"I want you to fuck me."

"Yeah?" He kisses your cheeks. "That's easy."

"Yeah?" Your hips move a little, rubbing against his erection. "Then what are you waiting for?"

"Gonna be right back." He tries to get up, but you stop him.

"Condom?"

"Yep. Any preference?" 

"Yeah, none if possible."

Bucky looks at you confused. "What?” He thinks maybe you meant the flavor. “I can find one without it." 

"I meant no condom because I'm on the pill, so it's up to you."

"You sure?" You aren’t sure if he’s excited or surprised.

"Why wouldn't I be? As long as you are clean."

"Want me to bring my blood tests?"

You laugh a little because you know he means it and you couldn’t help but imagine him dutifully showing you the papers. "I will take your word for it, Mr. Barnes."

"Mr Barnes?" He repeats amused as he spreads your legs properly. "Are you gonna call me that when I come inside you, too?"

"Mr. Barnes sounds too formal for that. Gotta find something else for that moment."

He grabs and positions himself at your entrance. "I'm sure you're creative."

You push your hips impatiently. "I will find something fitting."

He enters you without waiting, but he's careful not to hurt you so he stops for a little. You throw your head back because of the way you feel with his cock inside you. A lower, nearly animalistic moan escapes your lips. 

"Oh god."

"Please move."

He kisses you gently as he finally starts to thrust slowly. You are so wet that he's moving so smoothly, dragging your walls every time he pulls back and then filling you up all over again.

"Aren't you a wet little doll?" He shifts his weight on his elbows that he places on both sides of your head.

"I’m so unbelievably wet." 

"Perfect." He buries his head into your neck and starts to move faster.

“I have been… imagining how… this would feel.”

"Did you dream about it?" He doesn’t miss the chance to ask that.

“Once.”

"Only once?" He tries not to sound disappointed, but he fails.

“Yeah, and I was surprised because I don’t dream about sex.”

"How?" He starts sucking harder.

“Ahh.” You moan softly. “During one of those fancy events.”

"Fuck." He lifts his head to look at you. "Did you dream of me fucking you in the closet? Or the baby changing room?"

“In a dark closet. Suddenly you are all over me.”

"Fucking you from behind? Or holding my baby?"

“You were holding me and- ahh. I was trying to- stay quiet. But- you kept fucking me- harder.” His hips move so fast now you can barely speak. 

"Did you scream?"

“I was about to, but I woke up suddenly.”

"Fuck." He groans. "The worst. Did you finish the job?"

“Yeah.” You breathe out. “I was so fucking wet.”

"Just...." He closes his eyes. "I'm imagining you using your little fingers under your panties to play with your clit- Shit."

“And it wasn’t enough.”

"No? Poor baby." He leans in to bite your bottom lip for a few seconds.

“It was frustrating.” You moan when he moves his hips a little harder. “Nowhere near… this.”

"Nothing like my cock? Like us?"

“Nuh-huh.”

"God, can't wait to come inside you... to see you dripping."

“Shit, Bucky. You can’t just say things like that.” It makes you clench hard. You need to come. Now.

"Why not? So fucking hot." His thrusts slow down but become deeper at the same time. "Dripping down your thighs. Gonna clean that up for you and share it." He curses. "Gonna pass you my come in a kiss."

“Oh fuck.” His words, the image just pushes you over that edge. “I’m coming. Oh fuck, please don’t come. Not yet. Please.”

"Why not? Do you want me to pull out?" He teases.

“I need one more.” You say while shaking hard. “Just one more.”

"I'm right here," he whispers assuringly. “I'm inside you, not going anywhere. I dreamed about you too." He pauses to curse. "Fuck, I was fucking my bed."

“Tell me… tell me about it.” The orgasm keeps washing you in waves. Over and over again until it fades away.

"You were in my office at work. Came to talk about a gala or we were leaving from there, I don’t know. And we just... we were suddenly kissing and I was ripping off your dress. And I was simply fucking you all over the desk."

“How did it feel?”

"Not even close to this, but it was good. So good. I almost came in my sleep."

“You didn’t come?” You finally feel like your breath is going back to normal. 

"I stroked myself after I woke up and came. A lot."

“Made a big mess because of me?”

"Mhm." He brings his fingers to your lips. "And you weren't there to help me." 

“I’m here now.”

"Gonna help me this time?" His index finger plays with her bottom lip.

“Oh, I will.” You bite his finger gently. “And no mess this time. I’m here to take every drop of your come.”

"You sure you can?" He teases. "What if it's too much?"

“It’s all mine. I don’t care if it’s too much.”

"I'm all yours."

“Oh, Bucky.” You feel like you are melting. You kiss him on the lips passionately. “I’m all yours, too.”

"Yeah?" He smiles and starts thrusting faster. "Aren't you a pretty little doll? All mine, ready to take my come."

“Yours.” You repeat and that familiar pleasure starts to build up again, but you want to try something else. Something you have been imagining. “Can you… flip me over?”

"Sure," he answers a little surprised, and helps you move.

“I have been imagining how this would feel.”

"Thought you did it only once." 

“You know dreaming and imagining are different things, right?” You tease him. You can’t see his expression, but you know he made a face right after hearing your words.

"How many times did you imagine it?'

“Oh, who knows? A lot of times.”

"Tell me what did you imagine when we were like this." He squeezes your hips, so turned on to see your on all fours.

“You fucking me hard.”

"How hard?" He teases leaning in to kiss your back.

“As hard as you can.”

As soon as he starts to properly thrust inside you, a few gasps and whimpers leave his mouth. The positions opens you up in a different way. 

"God, this is... fuck me."

“Yeah, I would say- the same.” It’s hard to speak when he is pounding you like this.

"You're making such a mess on the bed, baby. Around my cock. God, so fucking wet."

“Should I apologize for the mess?” You ask cheekily because he seems so gone.

"You should." He squeezes your ass. "By making a bigger mess."

“I think- that’s- possible.”

"Yeah?" He fucks you even harder, properly using his knees and your hips. "You gonna come?" 

“Yeah! Please!”

"Please what?" 

“Please, daddy.” The words leave your lips before your mind can register them.

"Holy fuck, what did you just say?" He barely manages to keep going, just slowing down. He looks at you as if he doesn't know if he imagined something, and that's how you  realize what you said.

“Shit! I’m sorry. I’m really sorry.” You start to panic.

"Hey, baby." His voice is soft, assuring. "What are you sorry for?"

“I didn’t mean to say it out loud. I was just… thinking that.”

"God, baby." He tries to turn your head to look into your eyes by grabbing your chin and titling it up. "You think of me as your daddy?"

“Is it bad if I do?”

"Yeah, it's bad because I can come any second when you call me that." He kisses your forehead. "Be a good girl for daddy and try to come, okay?"

“God, Bucky.” You moan because of his words. You’ve imagine this, indeed, a lot of times, but hearing it? It’s something that can’t be described.

He pulls your hair. "Daddy."

“Oh, fuck.” It turns you on even more and you don’t know how that’s even possible. “Yes, daddy.”

"Did you imagine this, too?" He is leaving you breathless with the way he is pounding you, yet he still demands an answer. "Did you imagine calling me daddy while I fuck you like this?" 

“Yes.” You are so close to coming. So close that you can taste it. “I did- so many times.”

One of his hands finds your right breast and sqeezes. "Please, come for daddy. Gonna be a good girl and come?"

“Oh fuck. Oh fuck. Oh fuuckk, I’m coming!” The way your orgasm hits you makes you lose the last drop of control you had over your body. You can’t think of anything beside Bucky and how good he’s making you feel. His pace quickens for a second before he comes. He doesn't manage to warn you he's coming too, but he doesn't have to. His moan and the feeling of his come are enough.

He keeps it going until both of you finish and when you do, the only thing that you can hear is your loud breaths. Then you feel a trail of kisses all over your back.

“Oh my god,” you finally manage to speak.

"Just Bucky." He reaches your neck. "Or daddy."

You laugh. “God, you are so smug.”

"Smug?" He smiles and pokes your skin with his tongue. 

You turn around, finally fully facing him. “Yeah, daddy is real smug.” It feels so good to be able to call him that without worrying about anything else.

"Thank you."

“Who knew Bucky Barnes had a daddy kink?” You can’t help but say. 

"Not Bucky Barnes himself." He snorts.

“You just found out?”

"Yeah." He burst into laughter a bit embarrassed. He’s never thought about being called daddy before, especially not in bed, but with you? With you, it just makes sense. It feels hot.

“Oh god, I am so lucky.”

"Did you always have a daddy kink?"

“I didn’t even know I had one before meeting you.”

Bucky's smile is so big. "Fuck, I am the lucky one." He kisses you properly now, immediately trying to open your mouth by licking your bottom lip. 

“I thought I would freak you out, but look at you, fully embracing it.” 

"How could I not?"

“You liked it that much, daddy?” You wrap your arms around his neck playfully.

"God, I did. You're so hot when you say it. And the way you looked at me."

“How did I look at you?”

"Can't even explain it... I just wanna see that over and over again.”

“Well, you can.”

He scrunches his nose in the most adorable way possible. "Thank you."

“For what?”

"For everything. And for wanting me."

You frown because of that last part. “What does that even mean?” 

"Boring older man."

“Handsome older man, who I have been fantasizing about for a while.”

He giggles shily. "You make me sound like a dirty dream."

“Well, it’s because you are.”

"You are mine too."

“Lucky us.”

"You might never get rid off me." He kisses your forehead.

“I might be okay with that.”

*

It has been a while since you started to date Bucky. After that night, everything slowly started to fall into place. You found a great balance between your lives and your relationship, always making time for each other. You spend a lot of nights at his place. It doesn’t feel like his anymore, it feels like you are living together. Everything is so natural. 

“I just got the most unexpected call ever,” you say, still feeling fairly surprised by the job you got offered.

"What was it about?" Bucky is still in bed, surprisingly. He's usually the first the get up and go to the kitchen in the morning.

“Mrs. Moore called me to ask me if my bakery could do the catering for their next event.”

"Oh my god. That’s amazing."

“It is! But I am not sure if I can actually do it.”

Bucky frowns and immediately taps on the bed. "Come here."

You listen to him and continue talking while moving closer. “I haven’t given her the final answer yet, I acted like I need to check in to see if we are available, but the more I think about it, the more I notice how hard it would be.”

"I am gonna say something, but I don't think you'll like it."

“You will say you can help me out.”

"Yep." He gives you the biggest smile. "But it doesn't take away anything from your success or your efforts, okay? Just hear me out."

You take a deep breath. “Okay. I’m listening.” You have been warming up to the idea of him helping you. Maybe not financially, but he has been helping you. He has the best ideas and a great perspective. So you won’t say no to hearing him out.

He reaches to hold your hand. 

"Let me take care of the transport and hire the extra stuff who can serve at the party. I'll call a friend." He pauses. "Just this once, okay? You can curse me out later, bit let me help so you can get more jobs in the future. This is a great opportunity."

“How did you even know I needed help with transport?”

"Baby," Bucky giggles at your confused pouty face. "It's a first experience. You don't have employees for this and it's a big party." Then he shurgs, like it wasn’t that hard to guess.

“Transport, service staff, and extra place to store the food. These are the problems I need to solve if I wanna do this.” You list the things you need to be able to take this job.

"Is that a yes?"

“That’s an I am considering it.”

In response, he simply raises on his knees and kisses you, with his hands on your neck. "Good girl."

“I didn’t say yes yet!”

"Ihm."

“If you assume I will say yes, it’s definitely gonna be a no.”

"No, I am very, very, very fucking horny right now."

“Just because I might say yes to your offer for help?”

Bucky blushes. "It's very hot. And I'm so hard..."

“Jesus… You really want a sugar baby, don’t you?” He must have. He loves the idea of taking care of your every need. That would explain why.

"I just like doing this for you."

“Do you like being useful or do you like spoiling?” You insist. You want him to say it.

He makes a sound from the back of his throat. "Can we just focus on you?"

“No, please… Tell me why exactly this turns you on.”

"I don't know." You see the sides of his neck getting red.

“But I wanna know.”

"Please, just..."

“Gimme an answer and I will give you one back.”

He takes a deep breath but doesn't look at you. "I just love spoiling you even though you don't let me."

You smile. “I might let you a little bit.”

"Just..." He sighs embarrassed. "Just ignore me, okay?"

“This is me… saying yes.” You spell it out for him.

"For my help?" He finally looks at you.

“Yeah.”

"Wow.” He sounds completely surprised. “This is... great." He tries to keep his emotions under control. "Then go ahead and uhm, call Moore back as I send a few messages, okay?"

“She can wait a little bit longer.” You gently grab his erection. He has gotten really excited just because you let him help you. It’s just unbelievable yet you love it. You love that he cares about you this much. “I need to take care of daddy first.”

#bucky barnes #bucky barnes x reader #bucky barnes x female reader #bucky barnes smut #bucky barnes au #bucky barnes x you #bucky barnes fanfiction #bucky barnes x y/n #dilf!bucky barnes #daddy!bucky barnes #sebastian stan #dilf!bucky #bucky barnes x reader smut #businessman!bucky barnes #millionaire!bucky barnes #billionaire!bucky barnes #bucky barnes one shot #rich!bucky barnes #marvel fanfic #marvel fanfiction #my stories #my fanfics #co written with marvelouslizzie

[autball]

Part 1 of a 5 part series about the ways harmful practices are being made to sound more appealing through the co-opting of language and how to spot the differences between helpful and harmful approaches.

The language of the Neurodiversity Paradigm is soooo hot right now. Everyone from ABA centers to social media creators are adopting it to sound like they’re safer and more knowledgeable than they are.

But you can’t just pop some neuro-word in place of “autism” and stop picking on a couple of Autistic traits and call yourself “Neuro-affirming.” That’s the low-hanging fruit of #neurodiversitylite.

REAL Neuro-affirming practice comes from a complete shift in mindset, unlearning all the harmful things you once thought were true, and learning about all the things you never even knew you didn’t know. It’s also an ongoing process, not just something you can learn from reading an article or taking a single training.

ABA practitioners are probably the worst offenders right now, mainly because they know they need to rebrand as more and more people learn about what ABA really does to people, but also because their practices in particular are THE furthest away from being Neuro-affirming compared to any other discipline.

They are not the only ones, though, so be wary of #neurodiversitylite in ANY resource aimed at autistic people that appears to be saying all the right things, including: OT, speech, play/talk therapy, early intervention, education, your favorite parenting expert or social media personality who just discovered the world of Neurodiversity, etc.

Look beyond someone’s use of the “right” words or symbols. Do they talk about teaching people to fit into the normative world, or how to more safely and authentically navigate a world not made for them? Do they talk about making the person easier to deal with, or making life easier for the person? Do they concentrate on external behaviors, or are they more concerned with internal experiences? Does most of what they know come from people who studied autistic people from the outside looking in, or from actual autistic people who can speak from lived experience? And are they even using the words right??

The good news is that there are SO MANY resources out there BY autistic and otherwise Neurodivergent people for anyone who wants to learn how to make their practice *actually* more Neuro-affirming. SO MANY!! Three such resources are featured in the second panel from Autism Level UP, Neurowild, and Kieran Rose-The Autistic Advocate. (Big thanks to them for letting me include their work in the cartoon!)

EXPLANATION OF WHAT’S WRONG IN THE “FAKE” PANEL:

- The phrase “individuals with neurodiversity” misuses the word “neurodiversity” and utilizes person first language. The Neuro-affirming phrase would be “neurodivergent people,” or “autistic people” if they specifically meant autistic people.

- Getting rid of puzzle piece stuff is merely a surface level first step, not an end point.

- Not forcing eye contact and allowing hand-flapping are also only surface level first steps. The fact that they still target other stims means they do not understand the importance or functions of stimming, making them incapable of being Neuro-affirming.

- Social skills training aimed at ND people usually centers NT social skills as the “right way” and frames ND social skills as the “wrong way,” making them shame inducing and not at all affirming.

- “Tolerating distress” most often means “suppressing distress.” Neuro-affirming practice would concentrate on identifying and avoiding triggers, helping the person stay regulated, and teaching the person how to accommodate and advocate for their needs so that they are not distressed in the first place.

- “Sensory desensitization” is not a thing that can be done to someone without harm. It is usually done with exposure therapy, which should not be done TO someone who cannot consent. It is also inappropriate for sensory issues, which tells us they don’t understand sensory processing differences at all.

- The posters: Whole Body Listening is based on neuronormative expectations; “They say I’m neurodiverse” is incorrect usage of the word “neurodiverse” (it should be “neurodivergent”), and “but I say I’m perfect” insinuates that being “neurodiverse” is a bad thing, while the use of the rainbow infinity symbol with such a non-affirming message adds to the dissonance; the ABC’s of Behavior is an indicator that ABA/behaviorism will be used, which is the opposite of Neuro-affirming practice.

EXPLANATION OF WHAT’S RIGHT IN THE “REAL” PANEL:

- The person accurately explains what Neuro-affirming practice looks like, without needing to use (or misuse) any Neurodiversity “buzzwords.”

- Bumper, A Whole Body Learner, is a resource created by Autism Level UP that encourages people to discover what it looks like for them to be ready to learn, acknowledging that there is no one right way to appear attentive.

- The poster by Neurowild indicates that they value difference and neurodiversity and that they know there is no one right way of being.

- They use the Advoc8 Framework, a resource created by Kieran Rose, The Autistic Advocate. Using this framework means they want to help the people they work with achieve Agency, Autonomy, (Self) Acceptance, and Authenticity.

#autism #autistic #actually autistic #adhd #audhd #neurodiversity #neuro-affirming #neurodiversity lite

[theminecraftbee]

fae zedaph, avian tango, and/or butterfly impulse?

Tango pinches the bridge of his nose. He breathes in. He breathes out. He looks at Zedaph.

"Okay. Why do you have a baby," Tango says.

"Well, it was an accident!" Zedaph says.

"How! How do you accidentally end up with a baby!" Tango says. He pauses. He considers what he has just said. He revises: "How do you or I accidentally end up with a baby! I am a robot and you are an immortal fairy creature. You can't babyificate. I know. You've checked."

"You don't have to sound so haunted," Zedaph says, vaguely hurt.

"I am very haunted by most of what you do, that's not the point. How did you end up with a baby! I can't take care of a baby, Zedaph! You definitely can't take care of a baby! What are we going to do with a baby?"

Zedaph shuffles his feet. When they'd first met, Tango had been reluctantly impressed with how human Zedaph's mannerisms were for a guy who, at that time, still hadn't been entirely certain you weren't supposed to eat people who were rude to you. He's come a long way since Tango had discovered he was just alive enough to be able to accidentally slip into the feywild, and Zedaph discovered he was actually much happier experimenting in the human world most of the time than dealing with other fair folk and their 'predictable rules' and 'annoying laws of hospitality'.

If Tango wasn't mostly made of steel and cold iron, he probably wouldn't have survived the early encounters with Zedaph. Nowadays, though, it's easy to mistake Zedaph for just an exceptionally weird human. Sure, he still looks at everyone a little bit like they're more of an experiment or strange animal than a person, but that's just Zedaph. Even if he were human, Tango's pretty sure he'd follow his own idiosyncratic laws.

None of this explains why he has a baby.

"Okay, look, it's not my fault this time, I swear," Zedaph says. "It's--look, I was in-town, and there was this guy, and he made a bargain with me! It was a very little bargain! I didn't think he'd break it. Honest! He just wanted gold--"

"Oh no," mutters Tango.

"--and I just told him that I wanted him to take care of a sheep for me without looking at it! I wanted to see what would happen if a sheep grew up without anyone looking at it. Would it want to look at other people more or less? You know my problems with sheep and looking at me."

"I hate that I know where this is going," Tango says.

"And he was all like, oh that's easy, I won't break that bargain. And I remembered what you said about how most people don't like having their babies swapped out with fey, which still doesn't really make sense honestly because I think a baby me is WAY more exciting than a baby human to take care of and also then I can experiment with the baby human but that's not the point. The point is that you said most people would avoid that! So I said, okay, if you break our bargain and look at the sheep, I'll come take your first baby. It's a traditional fey thing! I thought he wouldn't do it! I don't want a baby, I want a traumatized sheep!"

"Sometimes I wonder if my inventor knew my life would end up like this," Tango says.

"So imagine my shock when one day I just--poof--I have a baby!"

"I don't know how to take care of a baby," Tango says. "You absolutely shouldn't be trusted with a baby. What do we do with a baby."

The two of them look at the child.

"I mean, I cast a spell on it so it would sleep?" Zedaph says tentatively. "But to be totally honest with you, I don't actually know how long those last. You know how it is with my magic."

"I have decided this is Impulse's problem," Tango responds after a moment. "We give the baby to Impulse. He's a human. Humans know what to do with babies, right?"

Zedaph gives Tango an extremely skeptical look. "I got this one from a human."

"Impulse will suffer with us," Tango says.

"Sold," Zedaph says. "Let's go give Impulse a surprise baby."

"Please don't phrase it like that," Tango says, and they both start heading in the direction of where Tango thinks Impulse is currently living. Surely, he has the solution to this problem. Surely.

#answered #ask game #prompt ficlet #a bee fic #hermitcraft #zedaph #tangotek #and also a baby i guess #anyway i feel like fae zedaph would get into a bunch fo weird hijinks #so my brain invented. this entire au for that.

[honestlyvan]

ALAN WAKE 2 ANNOTATED: WHAT THE FUCK IS THAT WEIRD FINNISH GUY SAYING

(This post is also available on Dreamwidth)

Preamble: What is this?

There’s a lot of Finnish shit in Alan Wake 2. I speak Finnish. I’m really annoyed about how wrong about some of the things that are in Finnish in the game people actually are. @drdarling is an Ahti fan. We’re mutually annoyed about how wrong about Ahti people are, because in general the trend is people thinking Ahti is spooky and mysterious because they don’t know what he’s saying, rather than thinking he’s spooky and mysterious because of the things he’s saying.

So Autumn went through the entire game, transcribing Ahti’s dialogue, and I went through the transcript, translating everything untranslated in the game, and providing cultural context for the rest of it (with some saves from @saikkunen, @rhpurasu-blog, and my mum), because truly this dude is not nearly as cryptic as people make him out to be, and is actually twice as weird as people think he is as a result.

Disclaimer: Finnish is very regional, and even with people from all over pitching in, some of the shit Ahti says might still be idioms we’re not familiar with. If you’re a Finnish person reading this going “HOW DID YOU NOT KNOW WHAT THAT MEANS”, trust me that I had many moments like that while putting this together, and please leave a comment so I can add your insight :D

This post is going to go through all of Initiation, followed by all of Return. There's unmarked spoilers past the cut -- enter at your own risk.

INITIATION 1: LATE NIGHT

First meeting with Ahti as Alan:

Ah, (no niin) there you are, Tom. Not so much evil that not a bit of good as well. Not one without the other. Good to see you.

“No niin” -- utterance, roughly the same as “alright” or “now then”. “No” is a common filler word like “well.”

“Not so much evil that not a bit of good as well.” – “ei niin paljon pahaa ettei jotain hyvääkin”, a common Finnish turn of phrase. Broadly has the same meaning as “silver linings.”

Alan asks Ahti to point him towards the exit:

(No totta helvetissä.) Of course, Tom. The work will instruct its maker. I was gonna get something from the basement for you, but you can get it yourself now. The more cooks the worse the soup.

“No totta helvetissä” – “(in Hell), of course”, a variation on the phrase “totta kai”, meaning “certainly” or “of course”

“The work will instructs its maker” – “työ tekijäänsä opettaa”, common proverb. “You learn things by doing them.”

“The more cooks the worse the soup” – “mitä useampi kokki, sitä huonompi soppa”, common proverb, same as “too many cooks spoils the broth”

Alan asks Ahti what Ahti wants him to get from the basement and clarifies that his name is Alan, not Tom:

(No joo, mutta katopa kun) a man’s a man but a man with a tool makes two, Tom. (Eikö niin?) And a man with a tool can build his own exit. It’s in a shoebox in the basement where you left it. Safe as in the Lord’s purse. Here’s the key.

“No joo, mutta katopa kun” – “see, here’s the thing (with that) is”

“a man’s a man but a man with a tool makes two” – this may be an obscure saying, my whole gaggle of Finnish friends were equally stumped by it. Entirely possible it’s just those little shits from Espoo fucking with us, entirely possible that it’s a variation on a saying that we’re just not picking up on.

“Eikö niin?” – “isn’t it so?”/”Right?” a filler phrase. (It is very common for people to say this right after saying something that makes no fucking sense.)

“Safe as in the Lord’s purse.” – idiomatic, comes from the Bible (1 Samuel 25:29)

Alan asks Ahti if they have met before:

You remember Ahti. The janitor. You can’t be lost if you don’t worry about where you are headed. So don’t worry Tom, the sun will shine even into a heap of twigs. Just remember to turn on the lights. It won’t take long when you get to work.

“You remember Ahti. The janitor.” – the intonation of this line implies to me that in Finnish he’d be using emphatic -han/-hän for it

“You can’t be lost if you don’t worry about where you are headed.” – may be an obscure saying, none of us recognised it.

“the sun will shine even into a heap of twigs” – “paistaa se päivä risukasaankin”, everyone has their little successes, “every dog has its day”

“It won’t take long when you get to work” – “ei mene kauaa kunhan pääsee alkuun”, “as long as you get started it won’t take long (for the matter to resolve)”

Alan asks Ahti if he knows a way to escape The Dark Place:

He who moans about his troubles, is the prisoner of his troubles. It’s not easy to get out. But don’t you worry, Tom, the home is still there, where the heart is. I often think about it when I mop the floor and look into the puddle. Water is the memory of the world. Water finds its way.

“He who moans about his troubles, is the prisoner of his troubles.“ – “Joka murheistaan valittaa, on murheidensa vanki”, common proverb. Finnish people love telling other people to stop complaining.

INITIATION 4: WE SING

After the musical sequence, when you walk past Ahti in the studio:

My Swedish brothers, (perkele). (Ai että nyt on kyllä joo). (Lattoi pojat jenkkakoneet soimaan, saatana).

“Perkele” – “(by) the Devil”, one of the most common Finnish swear words.

“Ai että nyt on kyllä joo” – Untranslatable, can be approximated as “now we’re talking”, “that’s more like it”, or “a hell of a thing”. I love this phrase because it means fuck-all even in Finnish, and conveys a sense of deep appreciation regardless.

“Lattoi pojat jenkkakoneet soimaan, saatana” – literally “Those boys really made the jenkka machine ring, (by) Satan.” “Jenkkakone” refers to the band, playing a song for people to dance “jenkka”, a fast-paced folk dance to. (Addition from @sluiba: jenkkakone is a colloquial term for a jukebox, nowadays more commonly used to refer to audio equipment more broadly e.g. speakers; so he's basically saying, "those boys really turned it up to eleven".)

INITIATION 7: MASKS

When Alan runs into the janitor’s closet:

Hurry, Tom! Here is the light at the end of the tunnel. (Jumalauta), that held you close, Tom. (Ei muuta kun) onwards, said the granny in the snow. When the panic is biggest, the help is also near.

“Jumalauta” – “god help us/you”, a common swear word

“that held you close” – “otti läheltä”, meaning about the same as “a close call”. A more literal translation would be “that took close”.

“Ei muuta kun” – “nothing else to do about it, but”

“onwards, said the granny in the snow.” – “eteenpäin, sanoi mummo lumessa”, a common turn of phrase, an motivational expression of perseverance and sisu

“When the panic is biggest, the help is also near” – “kun hätä on suurin, on apukin lähellä”, a common turn of phrase, broadly means the same thing as “there is light at the end of the tunnel”, can be thought of as a more optimistic companion to “things will get worse before they get better”

(I like this block of dialogue a lot because it demonstrates that a lot of Ahti’s Finnish is just filler words and a tonal component to what he is actually saying.)

Alan mentions that Door didn’t seem happy to see him this time:

Fearing the master is the root of wisdom. But don’t let the game get you down. He is playing his role. Maybe put him in your films, Tom, like you have put me. (Perkele! Sehän olisikin).

“Fearing the master is the root of wisdom.” – “herran pelko on viisauden alku”, the fear of the lord (or rather, The Lord) is the beginning of wisdom. It’s an interesting choice to omit the reference to the Christian god, because it’s preserved in other phrases.

“Perkele! Sehän olisikin” – “(by) the Devil! Wouldn’t that be something.”

Alan asks what films Ahti is talking about:

I’m a fan of your masterworks. There is “Tom the Poet”, my favorite. And “Yötön Yö” is the most famous one, of course. And is it true what I hear, that it’s coming back to cinemas soon? Is there a bottom to this rumor?

“Is there a bottom to this rumor?” – “olla pohjaa”, to have a bottom, means “to have a factual basis”.

Alan says he needs to get back to his apartment, asks if Ahti can help:

Well-planned is half-done. You asked me to make sure you won’t forget the… (mikä se valokuva oli) light pictures, the photos that your artist wife took. They are waiting in the shoebox in the basement. What you leave behind, you find in front of you.

“Well-planned is half-done” – “hyvin suunniteltu on puoliksi tehty”, a common turn of phrase. What it says on the tin.

“mikä se valokuva oli” – “what was the word for ‘valokuva’ again”, a relatable bilingual moment. The Finnish word for photograph is literally just a compound word that directly translates to “light picture”.

“What you leave behind, you find in front of you.” – “minkä taakseen jättää, sen edestään löytää”, what goes around comes around.

He also has incidental dialogue, if you hang around after the conversation

I am looking forward to seeing “Yötön Yö” in the cinema, but first I work. And the work won’t end even when you do it (perkele). (No ei siinä), one potato at a time. Just remember, Tom - the brave will eat the pea soup.

“No ei siinä” – “well, nothing else to it”

“the work won’t end even when you do it” – “ei työ tekemällä lopu”, common proverb, warning against rushing and working too hard (because you won’t run out of work through hard work)

“one potato at a time” – “yksi peruna kerrallaan”. This one is so funny to me because he could have just said “one thing at a time”, since that phrase translates literally, and instead he says this just so sound slightly more Finnish.

“the brave will eat the pea soup” – “rohkea rokan syö”, a common proverb, used the same way as “fortune favours the bold”

RETURN 5: OLD GODS

At Valhalla Nursing Home, after Rose tells Ahti that he doesn’t need to clean, this is his home, and threatens to take his mop away even though she knows he would just find it again:

(Kyllä, kyllä mutta) once after being told no. Why rest, when you are born to work. (Eikö niin?)

“Kyllä, kyllä mutta” – “yeah, yeah, but”, exactly as “yeah yeah whatever” as you’d think it is.

“once after being told no.” – “kerta kiellon päälle”, a common idiom, to do something one last time before stopping for good. “One for the road”

“Why rest, when you are born to work” – possibly an obscure saying, the version I grew up with is “why rest when you are born to work hard (like a farmhand)”.

Rose tells Ahti to go pick a song from the jukebox, as a treat:

Yes box, holiday. Just thinking about it makes my dance foot waggle. (Kyllä näin on).

“Yes box, holiday” – This is a reference to Pirkka-Pekka Petelius, a Finnish sketch comedian from the Eighties. “Jees” is a loanword from the English “yes”, meaning “good, decent, alright”. The original append was far more vulgar, translating more properly to “yes box, dick face”

“makes my dance foot waggle” – “tanssijalka vipattamaan”, a common turn of phrase, means “makes you want to dance/makes you start dancing” depending on the context.

“Kyllä näin on.” – “That’s the way it is”, common filler phrase.

Saga introduces herself:

(No eipä siinä). Name won’t make the man worse, even a Swedish name. I’m Ahti.

“No eipä siinä” – filler phrase, same as “No ei siinä”

“Name won’t make the man worse” – “ei nimi miestä pahenna”, a common proverb, similar in meaning as “don’t judge a book by its cover”

Saga asks if there’s anything good on the jukebox:

We try to do good, but only prime comes out. Music from my Swedish brothers, Old Gods of Asgard. My pals, the (perkeleen) vikings, (perkele).

“We try to do good, but only prime comes out.” – “Hyvää koitetaan tehä mut priimaa tuloo”. This is a very specifically Bothnian turn of phrase, he’s just bragging about the Old Gods making good music.

“(perkeleen) vikings” – “Perkele” being used as an adjective for emphasis.

Saga asks where to find the Andersons:

You can never know where. Only a seaman can know that, but even the seaman can’t know everything.

“Only a seaman can know that” – this is also an honest to god pop culture reference, to a song called “Vain merimies voi tietää” (“Only the sailor knows”) by Tapio Rautavaara.

Saga asks if Ahti was in the band:

(Minäkö?) No no. (Perkele, saatana, en ollu en). Not so much sweet that it fills the whole stomach. But we have shared a stage or two.

“Minäkö? Perkele, saatana, en ollu en.” – “Me? (Perkele, saatana), absolutely not.” “Me” in the interrogative has a slightly dismissive/diminutive vibe in Finnish.

“Not so much sweet that it fills the whole stomach.” – “ei makiaa mahan täydeltä”, a classic turn of phrase about not overindulging.

Ahti’s incidental dialogue, hanging out by the jukebox as Saga:

Rain is coming down like from the ass of Esteri. (Vaikka vettähän ne kyllä lupasikin, että…)

“Rain is coming down like from the ass of Esteri” – “vettä tulee kuin Esterin perseestä”, same as “raining cats and dogs”

“Vaikka vettähän ne kyllä lupasikin, että…” – “Although (they, the weather forecast) did promise it would rain, so…”

Rushing is not good for you and hurry is not an honor. (Lietkö olet tämmöistä kuullut.)

“Rushing is not good for you and hurry is not an honor” – “ei ole hoppu hyväksi eikä kiire kunniaksi”, a very common idiom. What it says on the tin.

“Lietkö olet tämmöistä kuullut” – “I wonder if you’ve heard (of) such a thing”, he’s just making fun of Saga for being “hasty.”

(Joo näinhän se menee, että…) the lazy man gets sweaty when he eats and gets chilly when he works. (Se oli kyllä hyvin sanottu.) The song revives the soul.

“Joo näinhän se menee, että” – a filler phrase, similar meaning as saying “as they say”.

“the lazy man gets sweaty when he eats and gets chilly when he works” – “hiki laiskan syödessä, vilu työtä tehdessä”, a common proverb excoriating people for laziness.

“Se oli kyllä hyvin sanottu” – “That was well said”. This whole exchange comes across as Ahti trying to impart some words of wisdom to Saga.

After the power goes out, Ahti has dialogue upstairs:

No use crying in the dark place. What has been, has gone. But trouble doesn’t look like this! You can go to the basement and check the generator. But look out - you can never know in which tree the devil sits.

“No use crying in the dark place.” – This is most likely a deliberate play on words from Ahti. The relevant Finnish proverb is “ei auta itku markkinoilla” (there’s no use crying at the marketplace) which means it’s pointless to waste time feeling sorry for yourself.

“What has been, has gone.” – “ollutta ja mennyttä”, usually this phrase is used the same way as “water under the bridge”

“But trouble doesn’t look like this!” – “ei hätä ole tämän näköinen”, common turn of phrase communicating that the situation is not as bad as it seems.

“you can never know in which tree the devil sits.” – “ei sitä koskaan tiedä missä puussa piru istuu”, common proverb. The word used for devil, “piru”, refers to a folk devil or an evil spirit rather than a capital-letter Devil the way “Saatana” and “Perkele” do.

Ahti jumpscare at the Spiral door:

Getting in is forbidden, for your own safety. Time is long for those who wait. But in the end, stand the thanks.

“Time is long for those who wait” – “odottavan aika on pitkä”, common turn of phrase. Same meaning as “time is slow for those who wait”.

“in the end, stand the thanks.” – “lopussa kiitos seisoo”, common turn of phrase. Similar meaning as “good things come to those who wait.” The word for “thanks” can also be used to mean “reward”.

Saga asks Ahti is he knows anything about the Cult of the Tree:

Yes, yes! He who reaches for a spruce tree will stumble into a juniper. Blum was one of them. He has kicked empty. I wouldn’t want to be in his shoes. But I like his shoes.

“He who reaches for a spruce tree will stumble into a juniper.” – “joka kuuseen kurkottaa se katajaan kapsahtaa”, a common proverb about (edited by suggestion from Sluiba again) the dangers of excessive ambition and greed.

“He has kicked empty.” – “potkaissut tyhjää”, common idiom, "kicked the bucket"

Saga asks Ahti how he knows Blum was in the Cult:

A fox never runs out of tricks. Tease a crazy man and he will show his ways. Blum liked to talk.

“A fox never runs out of tricks “ – “ei ketulta keinot lopu”, proverb. Foxes are traditionally tricksters in Finnish folklore.

“Tease a crazy man and he will show his ways “ – “härnää hullua, saat tapansa tietää”, proverb. In essence, “fuck around and find out.”

Saga asks Ahti if he knows where Anger’s Remorse is, after finding the empty record sleeve:

The matter is not my business, (mutta niin, sanotaanko vaikka, että) but she who steals a needle, steals a nail. Wonders of the modern world - music captured on vinyl, on tape. What will they come up with next? (Mitähän ne vielä keksii) I’m a man of the old union.

“mutta niin, sanotaanko vaikka, että” – “but, yeah, let’s just say”

“but she who steals a needle, steals a nail.” – “Joka varastaa neulan, varastaa naulan”, an old proverb. I’d like to note that Finnish does not have gendered pronouns, so Ahti is deliberately giving a hint here. (Addition from @sluiba: "[the proverb] suggests that someone unscrupulous enough to steal small things will likely also steal something bigger.")

“Mitähän ne vielä keksii” – “what (else) are they going to come up with”

“I’m a man of the old union.” – “Vanhan liiton mies”, a biblical reference to the covenant in the Old Testament. He’s basically calling himself older than Christ. The phrase itself is used to mean "old-fashioned" in a positive sense.

Weird idle dialogue in Ahti’s room after this:

There are pieces of george on the floor everywhere. The black stuff. Shitty thing. Very bad. I need to clean it all away. (Perkele, kun sotketaan joka paikka)!

“pieces of george” – very sneaky, he’s saying it look like someone threw up (yrjötä, the name “Yrjö” being a Finnish form of George) on the floor.

“Perkele, kun sotketaan joka paikka” – “(Perkele), what a mess they’ve made of everything!”

(Kulkaapa nyt, mikä…) (Mitäs, mikä paikka tämä on?) (Voi helvetti soikoon). Where am I? (Tämä ei ole minun koti). This is not my home. (Minä haluan…) I want to go home now. What is this place? (Ei saatana. Ei saatana!) How did I get here? I’m lost… lost at sea. No lighthouse anywhere, and a storm is coming. (Voi jumalauta).

“Kulkaapa nyt, mikä… Mitäs, mikä paikka tämä on?” – “listen here, what… Where, what is this place?”

“Voi helvetti soikoon” – cursing, literally translates to “oh, how Hell rings (like a bell)”

“Tämä ei ole minun koti. Minä haluan…” – “This is not my home. I want…”

RETURN 8: DEERFEST

Alan goes to the Spiral Door in the Dark Place and sees Ahti there:

We loop around, and come together, Tom. I have put everything ready for the visitors. I’ll come to wash the floor of your room next. All you need is water and Vileda. Water is the oldest balm. Water finds its way. What water brings, it takes away. It can be clean or dirty, it can give life or drown it.

“We loop around, and come together” – “ympäri käydään, yhteen tullaan”, a common turn of phrase. “What goes around comes around.”

“All you need is water and Vileda.” – Vileda is a popular cleaning supplies brand. He’s quoting an advertisement.

“Water is the oldest balm.” – “vesi vanhin voitehista”, from Kalevala. What it says on the tin.

Alan asks if Ahti can help him find his way one last time:

Now there’s a devil in the fish trap. Don’t be spooked by it so that shit won’t start beating your underpants. Okay, I’ll get the door open for you, Tom. There you go. The matter is a steak. Now comes the end of the rhyme.”

“there’s a devil in the fish trap” – “olla piru merrassa”, an idiom. It means that there’s unfortunate consequences for something you did, similar to “a devil to pay”

“Don’t be spooked by it so that shit won’t start beating your underpants” – “älä säiky ettei lyö paskat housuihin”, would be more properly translated as “so that shit doesn’t drop hard into your pants”. Means the same thing as it does in English.

“The matter is a steak.” – “asia on pihvi”, idiom meaning that something has been exhaustively dealt with, the way you make steak out of a cow.

“Now comes the end of the rhyme” – “tuli lorun loppu”, idiom with a similar meaning and implication as “end of the line”, the expected end of the current circumstances.

And that’s a wrap! If there’s interest, and if I can get an assist from Autumn again, I might go back to Control and do the same thing for Ahti there. The point is to do justice to our collective weird uncle from the Remedy Connected Universe. Hope you had fun and learned something new :D

#Alan Wake 2 #Remedy Entertainment #Ahti the janitor #AW2 spoilers #Alan Wake (Remedy)

[bleedingoptimism]

𝙮𝙤𝙪 𝙩𝙖𝙨𝙩𝙚 𝙡𝙞𝙠𝙚

part 2

Steve is looking around the room when he sees Jay waving at him, so he smiles and waves back. He likes Jay. He’s nice and super fun to beat at cards.

And then he notices there’s someone sitting beside Jay and his hand falters before he puts it down.

The guy looks… tough, all lean and strong and sexy in his leather jacket and ripped jeans. Tattoos, rings, and pierced ears with long curly hair. But his eyes, his big eyes are beautiful and dark and his lips are round and look really soft. He’s all sharp but round around the edges. A walking contradiction. And Steve’s never seen anyone like him before. 

Without taking his eyes off him, he moves over to where Chrissy is sitting with Robin and sits with them, takes Chrissy’s hand, and holds it lovingly like he always does. 

“Hey, babe,” He whispers to her, “Who’s that guy sitting with Jay?”

“That’s Strider,” Robin says leaning over Chrissy to talk to him, “He’s an old friend of Jay’s, new in town. Why? You like him?”

“Strider…That’s a character from the book Dustin likes, right?” He wonders, “The Hobbit?”

“The Lord of the Rings” Chrissy corrects him.

“Right… nerd” He quips.

“So? Do you? Like him.” Chrissy asks squeezing his hand in retaliation.

“He’s gorgeous,” Steve confirms and Chrissy smiles excitedly. It’s not every day Steve notices someone in the bar. It has never happened before actually.

“You really think so?” Robin murmurs to him, “He looks like he’d like telling you what to do,” 

Steve hums appreciatively, “Yes, but like, in a nice way, right? Like he’ll say please and thank you,” he says dreamily.

Robin snorts, “Is that what you are into, you nasty boy?” Steve gasps so hard he almost chokes on his own spit and Robin starts cackling, while Chrissy giggles cutely.

“Fuck off,” He snaps, “And you, don’t laugh you dummy! You are supposed to be the stoic leader here!” 

Chrissy sobers up immediately, “Right, right” and then the three of them, look at each other amused trying to hold their laughs in. 

Fuck, if anyone heard how silly they were their reputation would be completely ruined.

The phrase ‘fake it til you make it’ never made more sense than it does for them right now. 

When the three of them, fresh out of high school moved into the city when Chrissy started showing symptoms… they had absolutely nothing to their name, and now, they owned a fucking bar. They had a roof over their head, food on their tables, and more importantly, they were offering shelter to a lot of people that used to be where they were a couple of years ago.

The lack of information around them made them look mysterious. And Robin had a way with business and marketing. So a couple of well-placed rumors did all the work for them. Just a few lessons on how to make a real bitchy face from Steve and suddenly Chrissy was the scariest girl in the night. 

It had been a rough start, and more than once Steve thought they wouldn't make it till the end of the month. But they’d gotten lucky when they found this place and they had been smart about it and now they had responsibilities and a establishment to uphold but that didn’t mean they couldn't have any fun.

“Go talk to him!” Chrissy tells him elbowing him subtly.

Steve shakes his head, “No, no way,”

“Dude, he’s been looking at you since the minute he came in!” Robin insists.

But that doesn't mean as much as she thinks it does. That doesn’t make it safe for him. Still, he kind of wants to talk to him, to hear his voice, to know what he’s like and what he likes and what not. And just when Steve is actually considering it Mayra, one of their hostess, walks up to Strider. 

Robin frowns, “Oh, fuck off Mayra” she mutters and Steve has to stifle a loud snort.

“Oh well, lost my chance I guess,” He says unbothered but actually feels really upset about it. He’s never felt jealous of any of the girl's conquests before. It’s strange, but there’s something about that guy.

He wanted him for himself. He needs him.

“Bet you a burger that if you go there right now, he’ll choose you over her” Chrissy says studying his expression like she can see right through him. 

“I’m not gonna cock block Mayra for a burger” He smiles at her shaking his head.

“Oh! No need! He rejected her!” Robin tells them excitedly.

And then they both stare at him,

“What are you waiting for?!”

“Well then, go on!” 

They talk at the same time.

“I- Ok! Fine. But if he rejects me you are buying me that burger,” He says standing up.

“If he rejects you I’ll buy you burgers for the whole week!” Chrissy whispers-yells at him as he’s making his way there.

He sees Jay walking up and leaving Strider alone at the little table and makes a note to thank him later as he sits beside Strider and puts his elbows on the table, using his hands to rest his chin over and looking at him.

“Hi” 

Strider blinks at him a couple of times and visibly swallows, “Hi,” 

Steve just leans his head to one side and smiles at him, and Strider just looks at him for a long second before smiling back crookedly, a dimple appearing on his left cheek that makes Steve want to bite him.

“I’m Ee-Strider,”

Steve’s smile becomes something a little more genuine and less flirty, he seems so nice, his strider, “Hi, Strider”

“And you are Sunshine, right?” Strider asks leaning a little closer over the table.

Steve bites his lip before answering. He was never particularly fond of that nickname, it’s too much to live up to. But he really likes the way it sounds coming from Strider.

“That’s what they call me, yes” he answers smirking confidently.

‘Fake it Till you Make It’

“So, Strider, What brings you here tonight?” 

Once more Strider just looks at him intently, looks at his lips, and then shakes his head, looking around feigning casualness, “Oh, you know, just checking out the scene”

He muffles a giggle over his own shoulder and then leans his head to look at Strider sideways, exposing the line of his neck, “And how are you finding it?” he asks softly.

“Oh, it’s really neck so f- nice really nice… So far” Strider stumbles over his words and then cringes to himself and blushes faintly.

And Steve gets suddenly really fucking impatient. He needs this cute dork upstairs, naked and under him right now.

“Has anyone explained to you how things work around here?” He asks him, trying to move the conversation along. 

Strider nods, “Je-Jay explained to me the gist of it, yeah” 

“Oh, yeah?” Steve nods too and puts his chin on his hands again, fawning his eyelashes at him and waiting for him to elaborate.

“Well, you choose right?” Strider continues and gestures vaguely around the room referring to the hostesses, “And then you take us upstairs…”

“Mmhm” Steve hums encouraging him to keep talking, “And then?”

“And then I get to taste you,” Strider breathes and fuck.

Taste him? Taste him. Yes. He wants that. He wants that so much.

“Taste me?” He asks because the concept still sounds too good to be true.

“Right?” Strider asks like he’s not sure the said the right thing.

‘Oh, he has no idea how right he was’

Steve leans over the table and stops just an inch away from Strider’s face, almost going eye crossed to look at him, “Would you like that, Strider?” he asks and then moves closer and to the side to whisper in his ear, 

“Do you want to taste me?”

“God. Fuck, yes. Please?” Strider says in a rushed whisper and Steve tries his best not to shiver.

He stands up and offers up a hand to him, “Follow me.” 

part 1: 🍷

part 2: you are here

part 3: 🩸

bonus content: ☀️

ao3: 🌙

art: 🦇

coffee?☕🥐💕

#stranger things #steddie #vampire eddie munson #steve harrington #i wrote something #oh boy we are in it now

[ao3commentoftheday]

on the interpretation of comments

this post is also available on Dreamwidth

When a comment hits your inbox, it arrives without knowing your current frame of mind or stress level. It doesn't know whether you're having a crisis of confidence or the best day ever. The comment doesn't know your history, your insecurities, your preferences, or your personal stances on a wide range of issues. 

More importantly: neither does the person who left that comment. 

What prompts someone to leave a comment on a fanwork? Most of the time, it's some combination of

enjoyment of the work

anticipation of what might come next

happiness that someone else has a similar interpretation to what they themselves are looking for

camaraderie related to the canon, the fanon, the trope etc.

liking the creator, themselves, and wanting to make that creator happy

While there are certainly people out there who leave hateful or harassing comments, the overwhelming majority of commenters are trying their best to share joy and make someone's day a little better. 

So why is it so easy to take a comment that was written in an attempt to make someone happy and instead be annoyed, frustrated, hurt, or otherwise upset? 

As I said at the top, the commenter has no way of knowing what kind of day you're having or how you feel about the work they left their comment on. They don't know whether you feel guilt or pressure to post the next chapter. They don't know whether you're desperate to talk to someone about your characters and the story. If you do feel those things, though, it can be far too easy to read more into a comment than is actually there. A neutral statement becomes a demand. A question becomes a harsh critique. One wrong word can take a comment from a compliment to an insult. 

In those moments when you start to feel those things, I encourage you to pause and take a breath. Remember that most people who comment on fanworks are not trying to upset you. Look to see if there might be a different way to interpret what they've said. Perhaps the phrasing is awkward or the word choice is odd. Not everyone who leaves comments feels comfortable writing. Not everyone speaks the same language you do to the same level of proficiency. 

Look at your interpretation and see if you're actually projecting your insecurity. Is your anger at the comment actually a defense mechanism because something in the comment pushed an emotional button for you? Do you have guilt related to how slowly you're writing? Worry about how your ending will be received? Anxiety around receiving hate for the ship or the character that you're writing about? Fear that your writing isn't any good?

Maybe it's not your own insecurity at all. Perhaps you've just seen other writers who are upset at comments and taken their interpretation on as your own. Negativity is easy to pass on to those around you, and if you have a whole group of people saying, "This is obviously rude!" then you'll have blinders on to any other possible meaning.

It can be difficult to look at a comment that you interpret as mean and try to find a way to read it positively, and I don't blame anyone who doesn't want to put in that effort. I've just found that if I put myself in the other person's shoes and remember that most people are actually trying to be nice instead of mean, I can often find a way of reading something "rude" and realize that it's really not that bad at all.  

#thinky thoughts

[byoldervine]

What Common Writing Phrases Actually Mean

For years I assumed a lot of the common writing phrases that get thrown around were just generic things that were never actually going to help people write because it doesn't actually tell you what to do. But recently I've been able to work out the meanings for a few of them and I'd like to share them with my fellow writers, especially for my fellow NDs with literal thinking

"Write what you know" - it doesn't mean that you should only write what you're already familiar with, it means to do your research, gain knowledge and go from there; if you haven't done the research, don't write about it *until you have*, not just shrug your shoulders and find something else without ever trying to write it. Additionally, things will have more of an emotional impact if you write about things you yourself have experienced, or when you tie in your own experiences to something; you’ve probably (and hopefully) never had acid thrown in your face, but you’ve probably gotten shampoo in your eye and can amp that experience up

"Writing is a discipline"/"Write even when you're not motivated" - my reaction to this was always that, since I was only doing this for fun and didn't have any deadline to meet, why should I force myself to write even when I don't want to? But what they're trying to say with this is to make sure you have some level of consistent progress, even if it's only one sentence every week; having a minimum level of progress you can count on is an absolute lifesaver when writing, as well as being motivating in its own right

"Edit as you go" - this one really doesn't mean to change up your entire chapter every single time you get a new sentence down, it means to take breaks from writing new chapters to reflect back on what you've previously written and make sure to fix up any inconsistencies while the next few chapters are still fresh in your mind. Outside of SPAG mistakes or quick one-sentence-or-less tweaks I generally wouldn't advise properly editing the same chapter you just wrote simply because you could easily burn yourself out speedrunning to the final draft before you even get to chapter two

#literal thinking #neurodivergent #autism #adhd #writing #writers #writeblr #bookblr #book #writers on tumblr #writerscommunity #writers of tumblr #writer #creative writing #how to write #on writing #write #writing tips #female writers #queer writers #writblr #writer things #writer stuff #writing is hard #writing advice #writing life #writer problems #writerblr #writerscreed #young writer

[yousaveeveryonebutwhosavesyou]

How to Talk to Someone Who is Struggling⁣

It can be tough to talk to someone who is struggling with their mental health. We want our friends and family to feel comfortable reaching out to us, but most people aren’t actually sure how to react when that happens. I’ve heard a lot of people express fears that they might say the wrong thing or even make the situation worse. And that’s valid. It took a lot of training for me to learn how to talk to suicidal and depressed people, and they just don’t teach those skills in regular school. But having those skills can save lives. ⁣

So if you’ve got a struggling person in your life and you’re not sure how to talk to them, remember:⁣

Don’t be afraid of using the word ‘suicide’. It’s a harsh word, and a lot of people are scared that talking about it directly might push someone to do it. It won’t. Suicidal people are thinking about suicide in explicit terms all the time; hearing the word out loud isn’t any worse than the things they’ve already been thinking. Using euphemisms and beating around the bush just makes it hard to have an honest conversation. Be direct. Say exactly what you mean. Ask your loved ones if they are thinking about killing themselves. Say the word suicide. It’s hard, but it’s important.⁣

Don’t make the conversation all about you. It is really, really tempting to jump in and tell a struggling person all about your own struggles with mental health in order to empathize with them. Don’t do it. Not right away. You might mean well, but when you launch into your own mental health struggles, you are suddenly putting the other person in a position where they have to comfort and empathize with you, when it should be the other way around. They don’t have the energy for that right now. Let them talk about themselves first. ⁣

Don’t have an intense emotional reaction to what they’re saying. This is really, really hard, but it’s important. When someone is telling you about their self-harm or suicidal thoughts, try to keep your face and your voice as neutral as possible. Offer empathy in a calm, comforting way, and avoid crying in their presence if you can. They are watching you closely to see what’s okay and what’s not okay to disclose; if they see you getting upset at what they’re saying, they won’t want to talk about it anymore. And once again, it puts them in a position where they have to stop and comfort you. ⁣

Don’t say “I know exactly how you feel”. Because you don’t. And hearing statements like this, even if they’re well-meaning, can come across as dismissive or patronizing. Even if you’ve been in a very similar situation, you can’t really know what it feels like to be someone else, or feel the pain they feel. Instead of saying “I know what you’re going through”, validate their pain and say “I can’t imagine what you’re going through” - because you can’t. ⁣

Don’t ask “why” questions. Asking questions that start with “why” automatically puts people on the defensive. When you ask “why do you feel that way”, it makes people feel like they have to justify themselves to you. Instead, ask “what are some of the reasons you feel that way?” This is a much more non-judgmental way to phrase things, and it allows people to explain what’s going on without feeling like they’re on trial. ⁣

Don’t be afraid of silence. When someone tells you something really heavy, sometimes you just won’t know what to say. That’s okay. A lot of the time, distressed people aren’t looking for comforting words - they just need someone to sit there in their pain with them, by their side. Silences are a natural part of intense conversations, and they’re important. Let them happen. And sometimes, a long silence gives someone the space to say the things they were afraid to say before. ⁣

Don’t try to “fix” the problem. When someone comes to you with a problem - their partner dumped them, they lost their job, they’re broke - it can be really, really tempting to just start hurling solutions at them. We’ll sign you up for dating sites! We’ll spruce up your resume! We’ll make you a budget! If the person reaching out to you wanted that kind of help, they would ask for it. If they’re reaching out to talk about their problems, they aren’t looking for practical solutions right now - they don’t need you to fix it, they need you to listen to them, understand how much they’re hurting, and sit by them when they cry. ⁣

Validate their feelings. Distressed people often feel that their emotions are ridiculous, or that they don’t “deserve” to feel sad because they are better off in life than other people. Remind them that they have a right to their own feelings. Confirm that, yes, their situation sucks and it’s okay for them to be upset about it. Never confirm suicidal feelings, but do let them know that their sadness or anger or shame is okay to feel, and they have a right to feel it.⁣

Offer resources only if they are okay with it. Pelting a suicidal person with unwanted pamphlets isn’t helpful. Even if you know a great mental health resource in your area, it’s important to ask if the person even wants resources, or feels comfortable reaching out to a resource. Always check in with the person’s comfort after providing a resource, and ask if you can help them to be more comfortable accessing this resource. If you gave them the name of a local mental health clinic, ask if they would like you to call the clinic for them, or accompany them to the clinic - offer whatever help you can, but don’t push resources, and always check in with their needs and comfort. ⁣

These tips aren’t perfect, and they won’t necessarily work for everyone - they are a guideline to get you started, and to feel more confident approaching struggling family and friends. Having intense conversations about mental health or suicide with a loved one can be overwhelming, and many people don’t feel prepared to have these conversations, even if they want to. Do your best. Even if you make mistakes, showing someone that you honestly care about them and you’re making an effort to be there for them can make a world of difference. Having an imperfect conversation is better than no conversation at all. ⁣

If you’re still having doubts about your ability to have these conversations, remember that there are helpful videos online that you can learn from, and you can always call suicide hotlines to get tips and reassurance about approaching a loved one you’re concerned about. At the end of the day, it doesn’t really matter how you have this conversation - it matters that you have it.

#mental health #mental health awareness #mental illnesses #depression #anxiety #bpd #cptsd #ptsd #bipolar #psychosis #panic disorder #schizophrenia

[noonblight]

Arven, And The Habits Built By Parental Neglect

So I was going to make this big song and dance post about Arven’s entire arc and character psychology but I think other people have picked that one apart better than me. However I DO still want to talk about something I haven’t seen addressed too much.

As much as I think the phrase ‘love language’ is a gross over-simplification of psychology (and also not real, go look it up, the guy who made it was awful) it’s actually a really fitting term for the thing I want to talk about, which is how Arven has built up a habit of caring for others despite the neglect his parents showed him, and made it a core part of his personality. In essence, he’s deemed himself the ‘mom friend’ because he never had that kind of support growing up.

You can see this throughout multiple parts of the game, but here’s my list of favourites:

• If you pick the dialog option and say that you’ll go along with Arven’s quest-line before he explains what you’ll be doing, he exclaims that you have no sense of caution for your own safety. That you shouldn’t just go brazenly dashing into agreements like that.

• He is always looking after Mabosstiff so tenderly, and while a lot of this is due to them growing up together, I think it’s the way he shows his care for Mabosstiff that communicates my point.

• After noticing Miraidon eat your sandwich, he begins to make extra ones so that you don’t go without one. He even splits his own sandwich with you after Miraidon steals the first one you ever make together.

• He mentions that he cleans his dorm every day he’s there because Maboschiff sheds fur a lot.

• Post-Game, he admits that he would like to be a chef who can make good food for others.

Basically, I adore the tiny writing detail that even Arven’s positive traits are still shaped by the parental neglect that he went through, because it’s surprisingly realistic for the writing of a kid’s game.

He’s messy, he’s allowed to grieve and be confused about his feelings openly, he’s allowed to be irritable and strange in the eyes of others. But the game also never lets you forget how much he truely cares for others, even those he doesn’t know very well.

This can also be subtly inferred from just how amazingly fast Arven manages to raise a team that is arguably the only bordering-on-difficult fight in the game. Arven claims to not be a good trainer and claims Mabosstiff was his only pokémon before the events of the game (we can infer this from how he mentions after your first battle with him that he only just caught that Skwovet)

But just look at how fast he manages to make a team! Your trainer is always complimented for their rapid success, but man, they should look at Arven who doesn’t even have that much skill at the start of the game. I like to think this improvement is a direct result of his care for his Pokémon, and his desire to help and protect others. It’s no wonder why he claims in the post-game tournament that he’s been working super hard to build a team that can protect his loved ones, he really means it.

Arven also has a terrible habit of attempting to do most things by himself until the absolute last minute. He refuses to ask Nemona for help with the titans despite knowing she has the skills for it. He only asks you when he’s at his wit’s end starting to lose hope in Mabosstiff, and notices that you had the skill to work with Miraidon.

Even more than all that stuff I mentioned before however, I adore the end cutscene of the game for taking Arven, this character who displays all these little quirks, and then turns around and says ‘it’s your turn to be cared for by people who care about you, you don’t need to do this alone’

Nemona tells the group to take the scenic route home.

Penny suggests snacks.

Miraidon gently pushes Arven toward the group.

And the last scene in the game is so important for that reason, Arven is finally having others care for him. After everything that has happened, he has at least a few people who will support him and show him that care his parents lacked.

So anyway happy holidays, have that shoddy analysis <3

#arven #arven pokemon #mabosstiff #pokemon #pokemon scarvi #spoilers #pokemon spoilers #scarvi #nemona #penny #analysis #pokemon scarlet violet #pokemon scarlet #pokemon violet #Pokémon