#April 20th 2021

[homophobicwarios]

I like to believe he had it specially commissioned

That's so real actually of course he would. I need to touch up on my Shrek Forever After lore... I'm getting rusty!

#asks #tbt april of 2021 when I prepared a special celebration for shrek's 20th anniversary #made soup and a cake and everything

[songoftrillium]

Werewolf: the Apocalypse 5th Edition and the Anti-Indigeneity in the Gaming Industry

reosted with permission from J.F. Sambrano

Dagot’ee!

Shii J.F. Sambrano gonsēē. My nations are Chiricahua Apache (Ndeh) through my maternal grandmother and Cora Indian (Náayarite) through my maternal grandfather.  I am a mixed race Indigenous person, and through my father my heritage is English and Scottish. I am currently residing and doing work in my community on the lands of Lummi Nation. I use both gender non-binary and masculine pronouns, but prefer the former. I have several published works in the TTRPG industry, and am probably most known for my contributions to Mage: the Ascension 20th Edition, Werewolf: the Apocalypse 20th Edition, and the Transformers Roleplaying Game, as well as being part of the Essence 20 development team. Further, I also work in higher education at an Indian college, both advising and teaching Indigenous students across the United States. My passion is education, and I believe that we all learn through play, and that TTRPGs are a valuable source of learning, especially on personal, cultural, and social levels. This has always been what has drawn me to TTRPGs since I started playing M.E.R.P. with my brother in 1996 (and before that HeroQuest), through to my “graduation” into more story-driven games such as those presented in the Storyteller System, until now, where I author and produce my own roleplaying games.

I was also part of the First Team (in-joke intentional) hired by White Wolf Studios/Paradox Interactive via Hunters Entertainment to develop and author Werewolf: the Apocalypse 5th Edition. After several months of work, Paradox Interactive chose to go in another direction in early 2021 (I believe it was either March or April) and in fall of that year, it was announced that Werewolf would instead be taken in house, with Justin Achilli as the Brand Creative Lead and primary author of the book. Going forward I will be describing my experience while I worked with Paradox Interactive, primarily through Karim Muammar, White Wolf’s Brand Editor, as well as the developmental editor for Werewolf. Although I worked in a team, both with hired authors and in-house representatives at Hunters Entertainment, I will not be speaking for the experience of others, except when specifically noting unanimous consensuses, and specific interactions (which will go unnamed) that are particularly relevant. My hope is that by highlighting some of the anti-Indigenous attitudes that are central to the foundational members and leaders of the White Wolf brand, that I can provide opportunities for growth and healing within the World of Darkness TTRPG community, but also in the broader gaming community, where these behaviors and attitudes are rampant. I also want the community to have a better understanding of what this experience is like internally, and the challenges that Indigenous creators, as well as other marginalized creators, are met with when they try to make positive change within nerd and geek communities clinging to inherited white supremacist values, even if they don’t realize they are doing so.

What I do not want to be doing in this article is creating fuel for edition wars.  I believe that both legacy and Werewolf 5th are rife with anti-Indigenous attitudes, and appalling amounts of appropriation. Both versions deserve criticism, I am not defending one over the other, I am only sharing what my experience was like working on the 5th edition of the book. Further, please understand that I was originally going to wait until I had read the final copy of the book, because I wanted to know how much of my work was used (based on previews I already know some was, just not the extent) and whether or not they decided to credit me for that work, and how I was going to be credited.  My belief is that I likely will not be, but I am genuinely uncertain.  Knowing how they handled that would have reframed how I addressed this. But more importantly, I want it to be very clear that even before Paradox ultimately pulled the plug on the Hunters team, I was preparing to exit working on the project based on the experience I will describe below. Not only did I find it frustrating, and personally disparaging, but I ultimately decided I was uncomfortable with my name being attached to the product based on the direction they wanted to go. So while I wanted to know whether or not I would be credited, because it would teach me something about their internal practices, I do not want or need the credit.

Finally, the reason that I decided to speak about this now instead of after having a chance to inspect the final product, was because my personal experience dealing with anti-Indigeneity coming from Paradox was just that: personal.  But since then I have witnessed a throughline of hateful and xenophobic attitudes wielded against Indigenous people across the globe, and we do not deserve this treatment.  I was outraged over the events that led to the segregation of the Latin American fanbase, which culminated from bottom-up criticism about how poorly their people and countries were being defined through World of Darkness products, and ended up with the firing of their Latin American Brand Ambassador, Alessa Torres, because she chose to stand with her community in those criticisms.  I was further appalled when the likeness of Tāme Wairere Iti was shoehorned into the Werewolf book, a blatant example of cultural theft: not only in stealing the literal physical identity of an Indigenous person, but also his sacred tā moko.  When Paradox Interactive issued an apology for this, it felt incredibly hollow to me in the wake of these events, the hateful attitudes I had personally witnessed coming from the top.

Whether from North America, Mexico, Brazil, Argentina, or Peru, or across the globe in New Zealand, not only do Indigenous people deserve better treatment from such a major company, but their Indigenous and Latino fanbases, who have twisted and worked themselves through difficult representation for decades at this point, deserve better.  Apologies are not enough, especially when they come with next to no real change.

Werewolf: the Apocalypse in Context

At the time that White Wolf Publishing began to produce its World of Darkness line, the TTRPG industry was dominated by white men, both as producers, developers, and authors, as well as the main characters in their settings. White Wolf's World of Darkness made an impact at the time, by defying these Eurocentric, patriarchal presentations, first by defaulting to feminine pronouns throughout Vampire: the Masquerade, and then by focusing on Indigenous representation and values in Werewolf: the Apocalypse, and as a young Indigenous nerd, it had a positive impact on me, as I know it has on some other Indigenous people who became fans of the World of Darkness at the time. This was because before opening the pages of Werewolf: the Apocalypse, I had never seen heroes that I could play who looked like me and my culture. It was off, and often offensive, but it was my first experience in which I could directly play a hero who shared my heritage--and I also had more than one option through two different Tribes to do so. This might sound a little like I was cheering for table scraps, but again, at the time, table scraps was more than I had ever seen before.

Werewolf: the Apocalypse 1st Edition was originally published in 1992 via then White Wolf Publishing (not to be confused with Paradox Interactive's White Wolf). From its inception, the premise was interwoven with what its then-authors believed to be Indigenous praxis and representation.  Like many pop-culture presentations of Indigeneity from this time period (see Fern Gully, Dances With Wolves, Disney’s Pocahontas, or in TTRPGs, the NAN from Shadowrun) it was rife with problematic and even offensive stereotyping. The most obvious examples thereof are within the two "Pure Tribes" Uktena, and W****** who I will henceforth refer to as Older and Younger Brother. However, Indigenous inspiration was at the core of the game's spiritual premise as well, where animism and "Totems" are central to the setting and gameplay. The way these concepts are presented is trivializing and dehumanizing, but it is important to acknowledge that the appropriation present in Werewolf: the Apocalypse goes a lot deeper than the two Brother Tribes (even the term "Tribe" was meant to invoke a vision of Indigeneity compared to the previous setting in the line's use of "Clan"). Additionally, there is art throughout every generation of these gaming books that represents humans, wolves, and human-wolf hybrid forms wearing Indigenous regalia, including sacred items such as headdresses, or engaged in sacred rituals such as the Sun Dance. The list of problematic representations goes deep, and my examples only scratch the surface, but it is also important for me to note the positive impact that this had, particularly in the 90's.

Even though the primary contributors to these narratives were non-Indigenous authors, or in one case, a Pretendian, and another, a culturally disconnected author, by the time the Revised (or Third Edition) era of the books came around, White Wolf Publishing was actively engaged in cultural consultation.  While I do not believe cultural consultation makes a big difference on its own, it matters that the attempt was made, to a degree: while these efforts fall short of what needs to be seen in cultural representation, this was still ahead of most other gaming companies at this time.

Hired by Hunters Entertainment

In February of 2020 I was approached by one of the co-owners of Hunters Entertainment to be one of the primary authors for Werewolf: 5th Edition due to my work on other World of Darkness projects, and let's be honest, because I was capable of bringing a much needed Indigenous perspective to a gameline that was rooted in Indigeneity and rotting with appropriation and racist stereotypes. I was overall receptive to the invitation, largely because I was very passionate about the World of Darkness setting overall, and Werewolf in particular, due to the impact that 90's representation had on me when I was a younger gamer. I also felt hopeful that with a really hard rewrite of Indigenous aspects of the game that I could shift a lot of really painful aspects of the game into something that was a net positive for Indigenous representation. I will tell you now, more than anything, I was excited to rewrite the Younger Brother Tribe, because when separated from racist authors, their message is very empowering and real to my lived experience.

That said, I did not agree to join the project without first asking for reassurances. I said that I was not willing to write negative Native stereotypes. I would not use appropriative language, or generally engage in appropriative writing (which meant at minimum that the names of the Pure Tribes would need to change), and most importantly, that I would not not engage in writing that contributed to erasure. While the person who recruited me to work on the project was eager to work with me, he acknowledged that he was not sure he could get everything I wanted to see approved, but also promised to fight for everything I suggested as hard as he could. Additionally, he shared with me that the original setting pitch for W5 involved all of Younger Brother being slaughtered en masse in a massacre. I made it clear that this was exactly the kind of thing that I would not write.  I cannot remember if this was something he suggested to be changed before or after I was invited onto the project, but with some pushback it was changed.  However, I point this out because I want you, the reader, to understand how eager Paradox Interactive was to start with mass genocide and erasure as a foundation to the setting.  All that said, I cannot stress enough that I have had nothing but positive experiences with Hunters Entertainment, and none of the following concerns fall upon them.

The Sword of Heimdall

The first encounter the Hunters Entertainment team as a whole had with problematic guidelines for the W5 draft was the direction that Paradox Interactive wanted to go with the Sword of Heimdall. At the time, the suggestions from Paradox and Karim Muammar were that the Sword of Heimdall was going to represent the new major villain of the Werewolf setting, and that they were to also represent the far-right, fascist direction that Werewolf society so often turned toward. They were meant to be representative of how far the new concept of Hauglosk could take entire communities. However, the Sword of Heimdall was discussed interchangeably with the Get of Fenris as a whole, and more than once Muammar seemed to suggest that every member of this Tribe was guilty of the same attitudes espoused in previous editions from the Sword of Heimdall. Now let's not beat around the bush: the Sword of Heimdall are literal Nazis. They believe directly in white supremacy and don't shy from it. They wanted to cleanse impure elements from the Get of Fenris, including BIPOC people, other non-white ethnicities, women, neurodivergent Garou, and other disabled Garou.

The writing team found this approach problematic for several reasons. The first, and most obvious, was that the direction seemed to want to turn one of the most popular Tribes into a horrific stereotype of its most abhorrent faction. Whether or not Muammar’s goal was to turn them into villains, we could not imagine a world where fans of previous editions would get their hands on this book, and not look for a way to play one of their previous favorite groups, thus creating the issue of making a guide to playing Nazi. Even beyond that, it’s not as if historically there were not players who used the tools of the setting to play Black Spiral Dancers, why wouldn’t this draw people who actually wanted to role-play through these toxic, harmful politics? Further, and while this is less important, it left a bad taste in my mouth, the justification for this major shift in Werewolf lore seemed to change over each pass. At first, Muammar suggested that all Fenrir were Nazis/SoH.  Then, when he was provided with evidence that it was a small faction that was eliminated in the early 2000’s, he started to shift toward the idea that we should not follow the lore. Finally, when every single member of the writer’s team flatly refused to provide what would essentially be “a player’s guide to being a Nazi werewolf” the writing was on the wall about the end of our involvement with this product. More than once, he suggested that we were cowardly social justice warriors for being unwilling to work with this concept, even though there were several attempts to write a heroic version of the Fenrir that were focused on undoing these ills of the past.

Indigenous Erasure in Werewolf: 5th Edition

While the entire Hunters Entertainment writing team was handling the major, glaring issue of Paradox’s fervor to include a major Nazi element in Werewolf, I was personally dealing with the problematic approach to the Indigenous issues in the setting. The largest problem, for me, was in addressing Younger Brother’s issues, the history of non-Indigenous writers creating horrifically racist stereotypes, and what was valuable in the Tribal identity that should be saved and recentered. However, my attempts to do so were thwarted with every approach. I rewrote this Tribe four times, and offered three different versions of it to try to earn approval for a final write-up, but each time there was a lot of negativity directed towards my attempts and all them boiled down to this: Muammar felt that having two Tribes (both Younger and Older Brother) representing the “Indigenous population” was too many, and wanted them to only be focused on Older Brother, and that Younger Brother’s connection to a central, Indigenous identity, was undesirable because “other sources wrote them as having Siberian and European connections” and that future writing on this Tribe would require a lot of sensitivity…suggesting that one, Muammar wasn’t interested in doing the work to handle that level of sensitivity, and further, that he wasn’t interested in including me in future work, since I was involved with doing that at the time.

I want to take a moment to remind you that the work that was put into recovering Younger Brother started with “Let’s Kill Them Off” and at this point, through a combination of convincing and pleading, had been walked back to “They can live, but now they’re not connected to being Indigenous anymore” which is just representative genocide of a different variety. “Kill the Indian in him, and save the man.” It was also explicitly something I said I would not write about going into this project. Ultimately, my efforts did not get much further than this, with some specific exceptions I will cite below.

Karim Muammar’s Anti-Indigenous Positions

Muammar consistently and repeatedly communicated to the team in ways that were condescending and dismissive of our collective accomplishments and capabilities, but from my perspective, no one suffered as much significant derision as I did while discussing the changes I wanted to make to Younger and Older Brother in order to make their representation empowering and exciting.

In the pulled quote from the previous paragraph, I want to point out to you that Muammar, who had the title of Lead Editor on this project, refused to capitalize Native American. Further, he would often redline my work with edits to decapitalize my own uses of Native American, as well as the word Indigenous when referring to Indigenous peoples. While there are plenty of people who might want to argue about this, I will point out that both the AP style guide as well as the Chicago style guide (the one which I am most familiar with in my academic historical work) both call for Indigenous to be capitalized when referring to a people. Further, I challenge anyone to defend the consistent decapitalization of Native American. More importantly, the reason that these are standards in respected style guides, is because the English language has been used historically to oppress and erase ethnic identities, including Indigenous identities. By transforming adjectives into proper nouns, we are declaring that Indigenous and Native aren’t descriptors that can be applied to animals, plants, and soil, but real lived identities and culture groups.

When I was explaining to the Paradox team (which was mostly just Muammar) why it was important to change the names of these two Tribes from the appropriative (and offensive) ones used in the past, Muammar pushed back by defending the previously used Younger Brother name, even after reading my extensive research and explanation about how this would harm Indigenous communities and fans.

While doing so, he also decided that it was appropriate to refer to this entirely Native American tribe by the word “savages” a slur that has been specifically used to dehumanize Native Americans, and then mocked my rewrite that focused on presenting them as stewards of the land using Indigenous methodologies and praxes, instead of the “savage” racist stereotypes they were presented as in previous editions. Further, as in the above quote, even after it was communicated that the use of this term was problematic, he kept doubling-down to use it to refer to the Tribe.

Even though I worked hard to redefine Younger Brother through Indigenous theory, such as place-based theory, relational theory, and communal theory, Muammar either refused to recognize this work, dismissing it as simple, or else simply could not understand the importance of these changes. Either way, the choice is that he didn’t want them to change, or couldn’t comprehend why the change was important because of how entrenched in white supremacist thinking he is. Further, after the massive effort that I put forward to attempt to educate him and the rest of the Paradox team on these issues, the insistence on using offensive terms and belittling my work felt intentional. So let’s talk about the work I did that was above and beyond my job description: free cultural consulting work.

“Sensitivity” and Consultation

I have seen several misunderstandings of my role working on this project going around, so I want to make something very clear. I was hired to work on this project as an author, and nothing else. I was not ever hired to be a cultural consultant. I do not do cultural consulting work. While I feel that there are many creators and companies who hire cultural consultants with the best intentions in mind, their responses often fall short of what is needed, as no one is ever obligated to actually follow the advice of cultural consultants. Further, I think there are also many companies who choose to hire cultural consultants only to say “we did this minimal step, and that is enough” in order to ward off naysayers.

However, anyone who hires me gets some level of cultural consulting for free, because it comes out in my writing–in both what I won’t write and what I choose to center my writing around. In the case of Werewolf 5th Edition, however, it was far more involved than this. I came with a plethora of “I will not write X” because I knew the setting was so problematic.  A short list of my demands besides not being willing to write Indigenous erasure, was that we needed to change the names of the Pure Tribes (and the term Pure Tribe itself), we needed to change the word Totem to Patron, and also the Patrons of the Pure Tribes. We needed to move away from the term Metis for obvious reasons, and we needed to move away from the term Skin Dancers. I also specifically noted that there was a lot of cultural theft happening from the beginning of Werewolf until now that I wanted to address. The only way these issues were going to be addressed was to convince Paradox they were actual issues on the level of PR concerns, because nothing else was likely going to be considered. So in order to achieve this, I put in weeks worth of research, writing, and meetings with top level administrators with Hunters Entertainment so that they could bring this information to Paradox.  I never documented my hours, but I would guess that I did approximately 80-100 hours of what I could only describe as cultural consultation work for free that was outside the contract work I was hired for. Let’s be clear: I did this willingly because I was passionate about the positive changes I wanted to see in this product, because I believed that Werewolf’s historic ills could be turned toward non-toxic representation.

Besides my actual words, such as naming the Ghost Council, and arguably the name Gale Stalkers came from a combination of names I pitched to Paradox after Winter’s Teeth was denied, and several sentences and paragraphs that I have seen so far that appear so close to what I originally wrote that you could imagine they were just edited versions, my largest contribution toward the final version of Werewolf: 5th Edition was this work. The only reason the offensive, appropriated names were changed were because of hours of my work to convince them it needed to happen. The reason that the Gale Stalkers aren’t just dead and gone: again, I pushed against this. The reason that Skin Dancers, Totem, and Metis will not appear as canonical titles? I pushed against their unwillingness to alter these things (see Karim’s defense of Wen**** Tribe name above).

Further, and this is the biggest reason I decided to write this article before seeing the final version of the book, I want to mention that I was also included in discussions with Hunters Entertainment to potentially be part of the art direction team, especially to oversee depictions of Indigenous characters, regalia, and art, to ensure that it would be represented either respectfully or not at all. I decided I needed to speak as soon as possible after the artistic portrayal of Tāme Iti appeared in the Glass Walkers preview without his permission. There are many arguments surrounding this issue and I am not going to address everything, but ultimately, I can tell you that had I remained as part of the art direction team, and saw that, I would have questioned it immediately. Even if I didn’t recognize Tāme Iti immediately, I would have asked what the source was on the depiction of moko in that piece, because I am aware that this is a sacred form of art–and I had already discussed wanting to make sure things like Crinos in headdresses didn’t appear in the book (as had often happened in previous editions, particularly on a certain white-skinned character whose name rhymes with Steals-the-Past).

As time working on this project went on, and I went through rounds and rounds of trying to convince Muammar and Paradox that it was important to not steal Indigenous identities, art, and stories, and that a greater effort needed to be put in powerful and empowering Indigenous representation, and I constantly ran into refusals and criticisms that were clearly hateful toward Indigenous identities and peoples, not to mention the push to represent Nazism as a major part of the game setting, I grew increasingly frustrated and restless with feeling like I was trying to work on a challenging project while also defending my right to exist as the person I am at every turn. Eventually I turned to another Indigenous TTRPG and game creator to ask for advice, and after a long and difficult discussion, I came to the conclusion that I was going to talk to the Hunters administration team and tell them that if Muammar kept using slurs and other anti-Indigenous language and attitudes, I was going to need to step off of this project, because it was harmful to me on a personal level. In furtherance of this point, I have been avoiding doing any contract work at all where I can tell that I am wanted for my specific cultural perspective ever since, because this situation was so harrowing for me.

Unfortunately, before I could have this conversation, after one final draft of Younger Brother and Bone Gnawers (which had its own issues, but that is not the point of this discussion), before we received any other specific feedback, the Hunters Entertainment administrators announced to the writing team that Paradox had decided to take the book in-house, and would no longer need our services.

The main point I would like to leave you with, besides these few specific quotes (out of dozens and dozens) that Muammar made that were anti-Indigenous, is that there is often a big call to have more BIPOC voices in various entertainment industries, so that both our stories, perspectives, and unique views on how the universe and life works, can be included; so that an industry that is historically, harmfully Eurocentric, might turn toward new, healthier, and inclusive directions. And I agree with this call for change, but I implore you to consider the conditions that BIPOC creators often have to work under: doing cultural/identity work and consultation for free as part of being present, being subject to vicious refusals of our experiences and perspectives, and straight-up having slurs lodged against our work. I want to see these changes in the industries we love, including the gaming industry, but currently the people who are in charge, who have the most power, are severely hostile to our work and our perspectives. This is why, for example, works like Coyote & Crow were done with an almost entirely Indigenous group of creators, and led by Indigenous creators, because trying to work for and with this ugly, hateful, and xenophobic group of people is so often exhausting, both mentally and spiritually, and because no good changes end up being made.

I am glad the harmful, appropriative terms were removed from the setting. I am glad I was part of the fight to make that real. I am not so glad that I was treated with hostility and racism by Muammar for the effort and love I put into this work, and I am not so glad that I will certainly be reviled by one of the two communities I did this work for–the gaming community, and certainly the people in power in this industry–and I am also not so glad that I didn’t have the opportunity to properly acknowledge how much of Werewolf’s base themes and setting are twisted and tied-up in Indigenous appropriation without giving the proper acknowledgments.

More than anything, I hope that this story will help you, the fans, realize that there is a lot of darkness in these communities, and they won’t change unless you hold their feet to the fire.

Ánaagodzįįhł

J.F. Sambrano

#decolonization #ttrpg #werewolves #writing #world of darkness #werewolf: the apocalypse #werewolf the apocalypse #mage: the ascension #vampire: the masquerade #changeling: the dreaming

[blocksnbeetles]

apparently i reblogged 1k post in under a month… is that the normal rate on tumblr or uh

#july 21st i got the notification for 4k and august 20th i got the 5k one #i’ve had this blog since april 2021 so that means it took me 15 months to reblog 4k posts #or well 16 #so that means that july 21st- august 20th i reblogged 4 times more than my average #if you include the last month my average per month goes from 250 to 295

[spnscripthunt]

Deadline’s Read the Screenplay series spotlighting the year’s most talked-about scripts continues with Nimona, Netflix‘s animated feature based on ND Stevenson’s 2015 National Book Award-nominated graphic novel about finding friendship in the most surprising situations and accepting yourself and others for who they are.

Nick Bruno and Troy Quane (co-directors of Spies In Disguise) directed the film, which was adapted by Big Hero 6 scribe Robert L. Baird and Spies co-writer Lloyd Taylor and features the voices of Riz Ahmed and Chloë Grace Moretz in the lead roles. Frances Conroy, Lorraine Toussaint, RuPaul Charles, Eugene Lee Yang, Indya Moore, Sarah Sherman and Beck Bennett also have voice roles.

A family-focused film with authentic queer themes set in a vibrant techno-medieval world (credit to teams at Blue Sky Studios and DNEG Animation), the plot centers on Ballister Boldheart (Ahmed), a knight in a futuristic medieval world, who is framed for a crime he didn’t commit. The only one who can help him prove his innocence is Nimona (Moretz), a mischievous teen with a taste for mayhem — who also happens to be a shapeshifting creature Ballister has been trained to destroy.

Baird and Taylor said their main challenge in the adaptation was to stay true to Stevenson’s story while morphing it from the episodic form of the novel to a feature-length narrative – in itself a process of shapeshifting that mirrors one of the novel’s core themes.

Nimona, which was just nominated for Best Animated Film at the Critics Choice Awards, had a long path to travel to get to its world premiere at the Annecy Animation Festival in June, followed by a theatrical run ahead of its release on Netflix on June 30.

Then-20th Century Fox’s Blue Sky originally optioned Stevenson’s novel the year it was published, and the project moved forward despite the Disney-Fox merger and then the pandemic. But it almost didn’t survive a third blow: Disney shuttered Blue Sky in April 2021, halting Nimona mid-production.

Blue Sky principals Baird and Andrew Millstein kept pushing on the the project however and eventually found a partner in Annapurna’s Megan Ellison, who sparked to its themes. Baird and Millstein became EPs and created Shapeshifter Films to complete the movie, which then landed at Netflix. The pair have since joined Ellison at her company, forming Annapurna Animation.

Click here to read the script.

#nd stevenson #nimona #fyc scripts #scripts #screenplays #admin: lets-steal-an-archive

[allthecanadianpolitics]

Dollarama has reached a $2.5 million settlement in a class-action lawsuit over the advertising of prices on its products. LPC Avocats Inc., a law firm in Montreal, announced Tuesday that the deal was reached in Superior Court. The plaintiff had alleged that the company did not properly advertise the price of certain products for sale that were subject to an Environmental Handling Fee (EHF). Under the terms of the agreement, anyone who purchased batteries, lightbulbs, toys and other items that were subject to the EHF in Quebec between Dec. 11, 2019 and July 4, 2023, or elsewhere in Canada between April 29, 2021 and July 4, 2023, is entitled to compensation.

Continue Reading

Article published February 20th, 2024. The last day to submit a claim according to the article is April 5, 2024.

#cdnpoli #canada #canadian politics #canadian news #quebec #dollarama #class action lawsuit #electronics

[fullcoffeemoon-nem]

Timeline Theory

First update: 9-21-23

Lats update: 11-14-23

——————————————

Hi there!

After another re-watch and the head to pay attention to the small details, perhaps I have reconstructed a possible

Timeline of Helluva Boss

It would be better to define them as hypotheses. First of all, here is an outline of the episodes and their release dates.

I know, I also included the one whose title we know, just for the sake of general overview. The theory for the moment covers 2 seasons out of 4 announced.

Here the synthetic timeline. From the estimate version I have removed the year here, we'll get to the reason.

Here I also report some of my thoughts:

Already from the first episodes there's a strong focus on clocks and time, it is much more striking in Oops, where Asmodeus' clock marks the whole day.

I'm not sure about the year, but also from the analyzes carried out later, 2021 could be the year of the narrative arc that goes from Murder Family to Ozzie's.

(*) The Verosika's tour t-shirt was official and linked to the episode, at the moment I'm undecided on its validity at the year level, althought the date could be very possible.

However, my research started with Seeing Stars because it's the first episode to feature an almost specific date: the 20th of a 30-day month.

In my opinion it could be April chronologically and it's agreed with the information in the subsequent episodes.

The only problem is that the full moon would't coincide with what was marked by Blitz.

Noteworthy:

Blitz's calendar suggests that the full moon that month is the 14th.

Stolas wrote in the Western Energy chat that Blitz was supposed to come that evening and that therefore the full moon was the 20th.

We are certainly either in 2021 or beyond given Moxxie's coin in Seeing Stars.

From the chat we can understand that:

About a month passes between the trio Ozzie's - Queen Bee - The Circus (1 moon)

About 3 months (3 moons) pass between Seeing Stars and Western Energy

Western Energy is placed a week before Oops and among these the week told in Unhappy Campers

From Millie's flyer we know that her and Moxxie's mission ends on Friday July 17th. We know from Blitz that this lasted a week, so it started on Monday 13th July.

According to what Striker says to Crisom, Western Energy should be set around July 11th and Oops around July 18th.

We should be in 2022 though, but in that case July 17th was a Sunday.

In Mammon's magnificent concert Blitz says on the call with Ozzie that it's a weekend.

Theoretically, it should be the week parallel (July 21-22th or 28-29th) to the events of Western-Unhappy-Oops. At the latest the following month (August).

Here we come to the gap:

(*) The Mammon's official t-shirt is clearly linked to the episode, but the date (2023) and month (October) cause the information to conflict.

So, at this point we have this options:

The official t-shirts are tied exclusively to the release date of the episode.

They are official at the date level but not at the year level.

They're official and we're actually 2 years removed from Murder Family.

I think it is more canonical to consider a connection with the month of July shown in the episode and maintain the hypothesis.

Seeing Stars -> April

Wester Energy to Oops -> July

In the end, I report here some of the most interesting posts from Blitz and Stolas' Sinstagrams, due to that they're the only two accounts that hide canonical information.

(Thanks @timkontheunsure for the source)

I underlined my opinion, they certainly respect real events but I don't think that in terms of dating they are canonical.

What a mess...

What do you think about it?

Have you noticed any other details that could clarify the mystery? Make me know it and let's solve the mystery together :}

Bye~

#blitzø #helluva boss #helluva #stolas #stolitz #vivienne medrano #vivziepop #spindlehorse #helluva millie #moxxie #moxxie helluva boss #loona helluva boss #striker helluva boss #fizzarolli #helluva boss asmodeus #helluva boss theory #helluva blitzo #helluva boss timeline

[gracefireheart]

A collection of drawings I did of Bunnyblade Origins!Technoblade (along with a few friends).

First drawing (November 24th 2021) - One of the first drawings I did of o!Techno after he revealed his origin. I liked this design at the time, but later on, I decided to change it and liked how it looked more in that later design.

Second drawing (December 18th 2021) - Just a cute lil’ drawing I wanted to do of Niki and Techno where I originally was hoping for them have some fun interactions in season 3 of the origins server.

Third drawing (December 20th 2021) - Sneeg and Techno are just a fun combo tbh. The stream where these two + Phil were just having fun in the season 2 origins server is still one of my favorites.

Fourth drawing (January 7th 2022) - Tommy and Techno can be such a chaotic duo. Whether it’s them trying to screw with Phil or the two of them going on a mining trip together. It was just fun to watch.

Fifth drawing (January 9th 2022) - Tbh, just wanted to draw the meme with Techno and Ranboo lol

Sixth drawing (March 28th 2022) - Decided to redo the design a bit as I wasn’t quite satisfied with it. And eventually, it landed on a more rounded version that I liked way more.

Seventh drawing (April 9th 2022) - The last drawing I did of o!Techno, which I’m still pretty happy with. I might try and draw him again soon considering the origins server is coming back to life again, but idk yet.

Eight drawing (October 2nd 2021) - Before he chose the frog Mario goat kangaroo bunny origin, many of us had theorized that he might choose something like a wither skeleton origin (aka what this drawing is supposed to be of), which came with it’s own share of HCs and scenarios people thought up. But it’s safe to say that a lot of people loved that he chose the bunny origin instead :]

#my art #technoblade fanart #nihachu fanart #sneegsnag fanart #tommyinnit fanart #ranboo fanart

[heroesriseandfall]

Canonical Batfamily Birthdays

Here are all the birthdates I know of that are canon somewhere in DC, with a preference for the main comics continuities. I have included exact sources and image references when possible. I am not including character introduction dates, just actual birthdays.

If you find any other sources for Batfamily birthdays, please do share!

A moment of silence for Batfamily characters who don’t have canonical birthdays yet, so far as I know. This includes Damian Wayne, Stephanie Brown, Duke Thomas, and more. :(

Summary

Source images will be further down, but here’s an overview in roughly age order (I’m not sure of Kate vs Selina’s ages) with the dates the birthdays were introduced and used:

Tim Drake: July 19th (from 2003)

Jason Todd: August 16th (from 2004)

Cassandra Cain: January 26th (from 2002)

Helena Bertinelli: February 14th (in the Batman: The Brave and the Bold universe, from 2010)

Helena Wayne: September 7th (from 1984), potentially October 20th or the 22nd of unknown month or maybe October 22 or maybe Feb 28th (all the New 52 on passports from 2011-2012). These could also be New 52 Helena Bertinelli’s birthdays or nobody’s birthdays. who even knows.

Dick Grayson: March 20th (from 1995), October ~24th ish (from 1990), November 11th (from 1976), December 1st (on Earth-16 in animated Young Justice universe, from 2012)

Barbara Gordon: September 23rd (from 1976), sometime in fall (from 1987)

Selina Kyle: March 14th (from 1976)

Kate Kane: January 26th (in Batwoman TV series from 2020), March 21st? (word-of-god by J.H. Williams III from 2012)

Bruce Wayne: October 7th (from 2021), February 19th (from 1970s various to more recently), April ~7th (from the late 1940s)

Jim Gordon: January 5th (from 1976)

Alfred Pennyworth: April 8th (from 1976), August 16th (in the Injustice: Gods Among Us universe, from 2016)

Note: in this post when I say “main comics continuity(s)/universe” I’m referring to anything that’s been a “home” continuity for the comics at some point. For example, pre-Crisis Earth-2, Earth-1/New Earth, and Earth-0/Prime Earth, as opposed to Elseworlds or DCEU earths that are still part of the broader DC multiverse but have never been the primary continuity of the comics.

Below are further details and source panels.

Details and Sources

Tim Drake

Tim has only been given one canon birthday. He turned 16 on July 19th in Robin Vol. 2 #116 (cover date Sep 2003).

Robin Vol. 2 #116 (Sep 2003)

Jason Todd

Jason turned 18 on August 16th in Detective Comics #790 (March 2004). This is his only canon birthday.

Detective Comics #790 (Mar 2004)

In post-Crisis/preboot (1986-2011) continuity, there was a gap of six months between when Jason died and when he was resurrected (Batman Annual 25). Jason died April 27th according to his death certificates in Batman Annual 25 and Batman Files 2011, so he would’ve resurrected near late October.

Batman Annual 25 (May 2006)

So, it could be that post-resurrection Jason is biologically 6 months younger than he chronologically should be. But honestly, do we even really know what multiverse-breaking resurrection punches and then a Lazarus Pit on top of that do to someone’s body??? Either way it’s just much more simple to just use his chronological age.

Cassandra Cain

Much like Tim and Jason, Cass has only ever been given one birthdate: January 26th from Batgirl Vol. 1 #33. With that birthday, she turned 18 in Batgirl Vol. 1 #37.

Batgirl Vol. 1 #33 (Dec 2002)

When Jan 26th actually comes, Bruce suggests David Cain could’ve lied about it, but Cass denies that idea and continues to treat the day as her birthday.

Batgirl Vol. 1 #37 (Apr 2003)

Why it's likely her real birthday: Bruce initially believes Cain must’ve lied because he doesn’t think Cain could’ve known her birthday. However, we later learn Cain had lied about her origins and was actually her biological father. Batgirl v1 #62 and #73 show he was there for her birth and could absolutely know the date.

On top of that, in Batgirl #37 Cass remembers celebrating her birthday with him as a child, so he did seem to actually keep track of it. I honestly don’t see any reason to believe he’d lie (Bruce is just a jealous spoilsport).

Helena Bertinelli + Wayne

I’m combining them here because the New 52 gives me a headache.

Helena Bertinelli celebrated her birthday on February 14th in a spin-off comic from the animated Batman: The Brave and the Bold series. This is obviously not part of regular comics continuity and the characters differ from the usual comics in many ways. And yet, for reasons that will soon be clear, it’s my favorite for actually being about Helena Bertinelli the Huntress and for not being an utter mess.

Batman: The Brave and the Bold #14 (Apr 2010)

In a character profile at the end of Infinity Inc. #7 (Oct 1984), Helena Wayne’s birthday was September 7th, 1959. Calculating back from October 1984, that would make her 25 at the time.

During the New 52, Helena Bertinelli was initially portrayed as a long-dead (secretly alive but don’t worry about it) mobster’s daughter and replaced by Earth-2’s Helena Wayne who got stranded on Prime Earth. This H. Wayne stole H. Bertinelli’s identity in the form of several forged passports and IDs, which had hints toward birthdates. The question is, can we take any of those birthdates seriously, and if so, which birthdates and for which character? (Cue my headache.)

Skip ahead to Dick if overthinking fake passports sounds boring.

When comparing to a real Italian passport, the date on H. Wayne’s fake Italian passport appears to be a birthdate. Note that the fake name is Carol Bertinelli, not Helena. H. Wayne said her IDs were inspired by H. Bertinelli but clearly she’s taking liberties for the IDs so that’s a point toward these being useless for H. Bertinelli birthdays.

Huntress Vol. 3 #1 (Dec 2011)

I don’t recognize the month abbreviation as a real abbreviation, but from the visible letter O I’m going to assume it means October. If it is, then the date is 20 October 1985. Sidenote: a 1985 birthdate during 2011 could put her age at about 26, which is actually quite close to how old she could’ve been based on pre-Flashpoint! 1985 has been given as Helena Wayne’s death year before, so it’s an interesting choice of a birth year for her. (Thanks to DC’s sliding timescale, though, birth years don’t actually mean anything in the comics.)

They don’t show her complete US passport, but I can see a “22” in line where the day of the month should be for her birthdate. This already contradicts the previous passport. This one uses Helena Bertinelli’s actual name, though–does that make it more relevant than the Carol one or this all still ridiculous because of the discrepancies?

Worlds’ Finest Vol. 1 #1 (Jul 2012)

We can try to glean the US passport birth month from the passport number at the bottom. The first two digits (“12” here) indicate the agency that issued the passport. 12 means the Honolulu agency. Right after “USA” is supposed to be the birthdate plus an extra number, in the order of year/month/day with the year being the last two digits of a year. Here we encounter another problem. It says 810228. This would imply her birthdate is 1981/02/28. That’s February 28, 1981. Since the earlier line indicated her birthday fell on a 22nd, this already contradicts itself.

Interpreting a Machine Readable Zone (MZR) on a Machine Readable Travel Document (MRTD)

However, I’d bet comic writers and artists aren’t always well versed in passport numbers (it’s already a stretch for me to bother checking it…). If they put the extra digit before the birthdate instead after, and the date is formatted month/day/year (the most common format in American English, so probably their first instinct), then we can drop the first 8 and it’s 10/22/8[?] with the last digit unknown. This would put her birthday as October 22, sometime in the 1980s. The 22 matches the earlier line, the October might match the previous passport if that really did say October (but contradicts the 20th), and the 1980s year could be 1985 to match the Italian passport.

At the end of the day I’m personally just going to let Helena Bertinelli be a Valentine’s born baby and call it a day, unless/until she gets a better one in the comics. For Helena Wayne I’d easily pick September 7th.

(My question is: did they give the crossbow vigilante a Valentine’s birthday as a Cupid joke??)

Dick Grayson

Dick has probably had the most birthdays of everyone (unless Bruce has more I don’t know about). All of them have their drawbacks.

In a main comics continuity, his most popular and most recent is “the first day of spring” so probably March 20th. This comes from Robin Annual 4 when his mom says she calls him Robin because he was born on the first day of spring. That presents some problems since there are other explanations given for the origin of “Robin,” including that his mom said he was “always bobbin’ along” (Dark Victory #12, page 17) or the original inspiration of Robin Hood (Detective Comics #38, p3).

Robin Annual 4 (Jun 1995)

Before that, in Secret Origins Vol. 2 #50 (Aug 1990), Marv Wolfman wrote a version of Dick’s origins where Dick turned 10 a week before his parents died on Halloween. That would make his birthday October ~24th (presuming that “a week” before Halloween literally means 7 days here).

Secret Origins Vol. 2 #50 (Aug 1990)

The first drawback of the October birthday is that it’s tied to Dick being 10 when his parents die on Halloween. Dick’s age and the date his parents die change a lot depending on the writer (Nightwing Vol. 1 #1 says his parents died June 27th, Dark Victory #8-9 says May, etc.). The second drawback is that few people remember this version of his birthday even exists.

Dick’s birthday is November 11th in Super DC Calendar 1976. Note: Despite being a non-diegetic calendar from almost 50 years ago, this source remains well known and used among comic enthusiasts (including those working at DC). Generally, I would say it should mainly apply just to pre-Crisis continuity, but it is also useful for characters that haven’t gotten updated birthdays ever since (like Roy Harper, Barbara Gordon, or Selina Kyle, for example).

Super DC Calendar 1976

Sidenote: Since Damian doesn’t have a canon birthday, November 11th is favorite to steal for my own fan canon Damian birthday. Dick has plenty birthdays to share and I think it’s cute. @ DC, give Damian and Steph birthdays, they’ve been birthday-less for decades!

Indeed, DC writer Tim Sheridan and editor Mike Cotton debated whether Dick’s birthday was in March or November. They favored March 20th and wrote a birthday scene in Teen Titans Academy #1 (published March 23rd, 2021). The publishing time near Dick’s birthday was intentional, though the date isn’t mentioned within the comic itself.

Link to tweet

The above birthdays were all meant to apply to a main comics continuity at some point. However, Earth-16, better known as the animated Young Justice universe (therefore outside of main comics continuity), says YJ Dick’s birthday is December 1st.

Young Justice Vol. 2 #20 (Nov 2012)

Unlike Helena Bertinelli, Dick has plenty of comics birthdays to choose from, so personally I’ll only count Dec 1st as being the birthday for YJ animated/Earth-16 Dick Grayson until or unless it’s ever mentioned to apply to main comics continuity.

Barbara Gordon

Super DC Calendar 1976 says Barbara’s birthday is September 23rd.

Super DC Calendar 1976

Since then, the only time I recall her birthdate hinted at is in Secret Origins #20 when her adoptive mom says her birthday is in the fall. This could support her birthday being September 23rd.

Secret Origins Vol. 2 #20 (Nov 1987)

Although she has celebrated her birthday on panel since then (the end of Nightwing Vol. 2 #153), she hasn’t been given any other actual birthdate. So I’ll keep September 23rd and call it a day.

Selina Kyle

Super DC Calendar 1976 says Selina’s birthday is March 14th. Once again, although it hasn’t been mentioned within a comic, it’s stuck around in popular consciousness (see: Catwoman actress Zoë Kravitz wishing Selina a happy birthday on March 14th).

Super DC Calendar 1976

Selina celebrated a birthday on panel in Catwoman (2002) #37 but the date was never mentioned. I don’t know of any other reference to her birthday, but my reading of Selina is thus far more sparse than my reading of the others.

Kate Kane

Kate’s birthday options all come from outside of the comics themselves.

In “An Un-Birthday Present,” season 1 episode 11 of Batwoman, a parallel version of her twin Beth had a driver’s license showing her date of birth as January 26, 1990. She and Kate later celebrated their birthdays on an episode aired Jan 26th, 2020. I don’t keep up with live action DC shows so I unfortunately can’t offer a screenshot (if anyone has one or the timestamp, please let me know!).

(I kinda wonder if somebody looked up Batwoman’s birthday for these episodes, saw Batgirl’s (Cass’s) birthday, and just ran with it. Batwoman and a Batgirl sharing a birthday is just. Ughhh.)

In 2012, one of her comic writers tweeted to choose a random date for her birthday and picked March 21st, which so far as I know has never been used as her birthday in comics.

Link to tweet

Bruce Wayne

Bruce’s most popular birthday is February 19th, but his most recent one is October 7th from the digital-only comic Legends of the Dark Knight. I believe that’s the only time October 7th has been referenced, but I’ve heard the animated show The Batman said his birthday was in October (can’t confirm, haven’t watched it recently).

Legends of the Dark Knight #10 (Jun 2021) - Note: two pages have been combined into one for this post

Still, even associates of DC seem to remember his February 19th birthday better. In February 2023, Warner Bro’s Gotham Knights game did a sale for Bruce’s birthday. I’ve also heard the birthday was used in the Gotham TV show, but again, I don’t watch much live action DC shows.

The February 19th birthday appears to come from the 70s and 80s. It’s his birthday in the Super DC Calendar 1976, and in Batman Family Vol. 1 #11: “Suprise, Suprise!” (May 1977). Bob Rozakis (known as DC’s “Answer Man”) said Feb 19th was Bruce’s birthday in the letter column of Detective Comics #494 (Sep 1980).

Letter column of Detective Comics #494 (Sep 1980)

Batman Family Vol. 1 #11: “Suprise, Suprise!” (Jun 1977)

Super DC Calendar 1976

Way back in the 40s, his birthday was in April, possibly April 7th. During a birthstone murder mystery, Bruce says his birthstone is a diamond, which is traditionally the April birthstone.

World’s Finest Comics #33/6 (Mar-Apr 1948): “The 5 Jewels of Doom!”

Star Spangled Comics #91 (Apr 1949) might imply the exact date was April 7th but we’d have to assume the party is on his birthday and that “this month” refers to the publishing month of April. I believe this is where people get the April 7th birthday when they bring it up.

Star Spangled Comics #91 (Apr 1949)

Early April also shines in Batman: Year One where it shows Bruce’s first night out as Batman being either the night of April 6th or the early morning of April 7th (Batman #405). So although the April Bruce birthday hasn’t been used in decades, it’s still a Batman birthday in a way.

I have also heard people say Frank Miller considered Bruce’s birthday to be in November. However, I have yet to find an original source of him saying that, and honestly (just like the “March 21st” birthday for Kate) if he never used it in any canon material I don’t put much weight in that.

Jim Gordon

The only birthday I’ve ever seen for Jim is January 5th from Super DC Calendar 1976.

Super DC Calendar 1976

Alfred Pennyworth

Alfred’s birthday in Super DC Calendar 1976 is April 8th.

Super DC Calendar 1976

In the Injustice: Gods Among Us universe (an alternate reality where the video game of the same name is set in), they show Alfred’s birth certificate, where it says his birthday is August 16th, 1943.

Injustice: Gods Among Us Year Five #26 (Jun 2016)

Maybe you’ll notice that August 16th is Jason’s birthday. A little funny considering the issue features Alfred refusing to share his birthday only for us to learn it’s the same date as Jason’s. Still, annoying. There are so many days in the year! Stop choosing the same ones!

This Alfred birthdate runs into a similar problem Helena’s birthdates did: it’s not part of main comics canon, it’s an alternate universe, so it may not be applicable to the main comics universe.

Note: if we calculate that 1943 birth year from Jun 2016 when the comic was published, that’d make Alfred 72 soon to be 73. Does that mean anything in canon? Probably not, but oh well. Also...token British character born by Windsor Castle? …of course.

Personally, I would rather go with the April 8th birthday than the Injustice one, since Injustice is an alternate universe. Also, outside of the humor of it, the idea of Alfred and Jason sharing a birthday is a bit too much for me. Still, it’s up to people’s own cherry picking.

Chronology

The birthdays in publishing order alongside notable reboots. A soft-reboot refers to reboots that only changed a few details with minor consequences, keeping the overall continuity mostly intact. A major reboot has significant effects on continuity (too many to list).

1935-1986: Pre-Crisis era (Golden Age begins ~1946, Silver Age runs from late 50s--early 70s)

Mar-Apr 1948: Bruce’s birthday is in April

Apr 1949: Bruce has a birthday party on the 7th of “this month”

Skipping a good three decades because I barely even know what’s in there. Sorry lol

Mid 70s to early 90s: Bronze Age era

1976: the super dc calendar says Bruce’s birthday is February 19th, Alfred’s is April 8th, Dick’s is November 11th, Babs is September 23rd, Selina’s is March 14th, Jim’s is Jan 5th

Jun 1977: Bruce celebrates his birthday on February 19th

Sep 1980: letter collumnist says Bruce’s birthday is February 19th

Oct 1984: Helena Wayne’s birthday is on September 7th, 1959

Mar 1986: the major Crisis on Infinite Earths reboot (begins post-Crisis/New Earth era, many previous comics are now considered Earth-2 instead)

Nov 1987: Babs birthday is in fall

Aug 1990: Dick turns 10 a week before Halloween (probably October ~24th)

Sep 1994: Zero Hour soft reboot (Batman and Robin become urban legends so Robin is not allowed on video, Bruce’s parents’ murderer is changed to unknown instead of Joe Chill, Selina is no longer a once-prostitute)

Apr 1995: Dick’s birthday is the first day of spring (probably March 20th)

Oct 2002: Cass learns her birthday is January 26th

April 2003: Cass turns 18 on January 26th

Sep 2003: Tim turns 16 on July 19th

Mar 2004: Jason turns 18 on August 16th

Jun 2006: Infinite Crisis soft reboot (Joe Chill is restored as the arrested Wayne family murderer, Superboy-Prime's punch retroactively resurrects Jason)

Apr 2010: In the Batman: Brave and the Bold universe, Helena Bertinelli celebrates her birthday February 14th

Oct 2011: the major Flashpoint reboot (end of post-Crisis/preboot, begins the New 52 and changes the primary universe to Prime Earth; significant character/timeline changes and erasures)

Dec 2011: Helena Wayne’s fake Carol Bertinelli passport seems to list October 20th as a birthdate

Jul 2012: Helena Wayne’s fake Helena Bertinelli passport lists some 22nd unknown month, Oct 22nd, or Feb 28th birthday

Sep 2012: Batwoman writer J.H. Williams III randomly picks Kate’s birthday as March 21st on Twitter

Nov 2012: Earth-16/YJ animated Dick Grayson celebrates his birthday on December 1st

Jun 2016: In the Injustice: Gods Among Us universe, Alfred’s birth certificate says his birthday is August 16th

Jul 2016: Rebirth reboot (restores some pre-Flashpoint continuity, some characters regain previous histories but now semi-synchronized with the New 52 era)

Jan 2020: Batwoman TV show Kate celebrates her birthday on January 26th

Mar 2021: Writer Tim Sheridan says he & his editor chose March 20th as Dick’s birthday, between the March or November birthdays

May 2021: Infinite Frontier holds all previous continuities as potential canon, restoring more of pre-Flashpoint

Jun 2021: Bruce says his birthday is October 7th in a digital-only comic

Feb 2023: Gotham Knights game has a sale for Bruce’s birthday

#batfamily #batfam #tim drake #dick grayson #bruce wayne #dc continuity #heroesriseandfall #cassandra cain #dc comics #jason todd #helena bertinelli #selina kyle #barbara gordon #jim gordon #alfred pennyworth

[lilianasgrimoire]

Every Pagan Holiday

JANUARY 

KALENDS 

1st January 

Origins: Ancient Greece/Rome 

Observed by: Hellenic/Roman polytheists 

Honouring Janus/Juno, first day of the Year. Kalends brought us the word 'calendar'. 

ÞORRABLÓT (THORRABLÓT) 

End of January/beginning of February 

Origins: Iceland 

Observed by: Heathens, Asatru 

Midwinter Festival honouring Thor, usually by feasting and poetry. 

FEBRUARY 

IMBOLC 

2nd February 

Origins: Celtic polytheism /Ireland, as St. Brigid's Day 

Observed by: Most neopagans, Wiccans, Druids, Asatru (as Charming of the Plow)  

Imbolc is the most widely known and observed pagan holiday in the months of January and February. It falls at the beginning of spring/end of the winter for the Celtic peoples; marking the changing of the seasons, as most holidays do. St. Brigid is a Christianised form of or inspired by the Celtic fertility goddess Brigid who is celebrated on this day.  

PARENTALIA 

13th-21st February 

Origins: Ancient Rome 

Observed by: Greco-Roman polytheists 

Translating to 'Ancestors Day', Parentalia is a nine-day celebration of deceased ancestors. Historically it was observed by feasting and making offerings and sacrifices to the dead and spirits of the underworld.  

VÁLI'S BLOT 

14th February 

Origins: Old Norse 

Observed by: Heathens, Asatru, Norse polytheists 

Váli's Blot is considered by some Asatru to be the Norse equivalent of Valentine's Day but is widely acknowledged as a season changing festival. A day for marriage and celebrating with family and friends, and for remembrance of Váli, the son of Odin who defeated Höðr on this day.  

LUPERCALIA 

15th February 

Origins: Ancient Rome 

Observed by: Greco-Roman polytheists 

Festival thought to honour a wolf who raised abandoned princes, celebrated originally by sacrificing goats to the gods, feasting, and, for fertility, nudity and fornication. 

LESSER ELEUSINIAN MYSTERIES 

17th-23rd February 

Origins: Ancient Greece 

Observed by: Hellenic polytheists 

Initiation to the cult of Persephone and Demeter by sacrificing a pig. Prelude to Greater Mysteries, initiations held on these dates. Once completed, initiates could then move onto Greater Mysteries in the autumn.  

ANTHESTERIA 

27th February - 1st March 2021 

Origins: Ancient Greece 

Observed by: Hellenic polytheists 

Athenian festivals dedicated to Dionysus and the dead. Held around the full moon in the month of Anthesterion, which in the Gregorian calendar this year roughly translates to 27th February. 

THE DISTING/DÍSABLÓT 

End of February/beginning of March 

Origins: Uppsala, Sweden 

Observed by: Heathens, Asatru, Norse polytheists 

Celebration of Valkyries and other female spirits, called dísir. Sacrifices were made for a good harvest. Celebrated still by an annual market in Sweden.  

MARCH 

KALENDS 

1st March 

Origins: Ancient Greece/Rome 

Observed by: Hellenic/Roman polytheists 

Honouring the god Mars/Ares. Kalends brought us the word 'calendar'. 

OSTARA/EARRACH 

20th March 

Origins: Anglo Saxon paganism, popularised as Ostara by Wicca 

Observed by:  Anglo Saxon Pagans, Wiccans, Neopagans, Druids (as Alba Eilir), Heathens (as Summer Finding), Ásatrú (as Sigrblót)  

The northern hemisphere's vernal equinox, the word Ostara was introduced though Wicca and named for the goddess Eostre. Surprisingly unrelated to Easter in all but name, Ostara symbolises the beginning of spring. As a seasonal holiday it is widely celebrated by many different groups of pagans.  

RAGNAR LODBROK'S DAY 

28th March 

Origins: Icelandic Sagas 

Observed by: Ásatrú  

Day of remembrance for Ragnar Lodbrok, Viking King of legend  

APRIL 

KALENDS/VENERALIA 

1st April 

Origins: Ancient Greece/Rome 

Observed by: Hellenic/Roman polytheists 

Celebration of the first of the month, this one honouring the goddess, Venus. 

REMEMBRANCE FOR HAAKON SIGURDSSON 

9th April 

Origins: Norway, C9th 

Observed by: Ásatrú 

Day of remembrance for ruler of Norway who claimed lineage to Odin in the Icelandic Sagas.  

WALPURGISNACHT 

30th April 

Origins: German Christianity, originally Saint Walpurga was known for banishing witches and other pests 

Observed by: LaVeyan Satanists 

Anton LaVey chose to celebrate this holiday as a follow up to the spring equinox and due to its past association with witchcraft.  

HEXENNACHT (WITCHES' NIGHT) 

30th April 

Origins: German folklore, as Walpurgisnacht but witches were alleged to convene with the devil in this night 

Observed by: Temple of Satan as 'a solemn holiday to honour those who were victimized by superstition'.  

MAY 

BEALTAINE/BELTANE 

1st May 

Origins: Celtic (Ireland/Scotland/Isle of Man)  

Observed by: Wiccans, Neopagans, Celtic reconstructionist, Ásatrú/Heathens (as May Day)  

One of the more well-known pagan festivals, Beltane is a festival of fire and the beginning of the summer. Also widely referred to as May Day, it is celebrated by lighting fires.  

KALENDS 

1st May 

Origins: Ancient Greece/Rome 

Observed by: Hellenic/Roman polytheists 

Honouring the goddess Maia, for whom the month may have been named.  

REMEMBRANCE FOR Guðröðr of Guðbrandsdál 

9th May 

Origins: C11 Norway, Icelandic Sagas 

Observed by: Ásatrú, Norse, heathens 

Guðröðr had his tongue removed by Óláfr for rebelling against violent conversion from Norse paganism to Christianity.  

JUNE 

KALENDS 

1st June 

Origins: Ancient Greece/Rome 

Observed by: Hellenic/Roman polytheists 

Anniversary of temples to Juno Moneta (protectress of money, her temple was where coins were made), Mars/Ares (God of war), and the Tempestates (goddesses of storms).  

ARRHEPHORIA 

3rd Skirophorion (translates to mid-June)  

Origins: Ancient Greece 

Observed by: Hellenic reconstructionist 

Feast in celebration of Athena and fertility.  

MIDSUMMER/SUMMER SOLSTICE 

21st June 

Origins: Agricultural holiday/longest day observed for centuries by many civilisations. Christianity can date to as early as C4th 

Observed by: Wiccans/Germanic neopagans (as Litha), Asatru/Heathens, Druids (as Alban Hefin)  

One of the main four holidays in the Wheel of the Year and popularised by Wiccans and neopagans as Litha which is taken from the Anglo-Saxon words for June/July, this is the longest day of the year and the middle point and sometimes considered the beginning of summer.  

JULY 

REMEMBRANCE FOR UNNR/AUD THE DEEP MINDED 

9th July 

Origins: C9th Iceland 

Observed by: Ásatrú, Heathens, Norse reconstructionist 

Aud was a traveller in the 9th century moving between Dublin, the Hebrides, Orkney, and finally Iceland following the deaths of her husband and son. This day is to honour her memory.  

HERACLEIA 

July/August  

Origins: Ancient Greece 

Observed by: Hellenic polytheists  

Festival dedicated to Heracles the demigod and his death, involving feasting and celebration.  

AUGUST 

LUGHNASADH/LAMMAS 

1st August 

Origins: Celtic Britain (Ireland, Scotland, Isle of Man) 

Observed by: Wiccans, Neopagans, Christians (as Lammas), Ásatrú (as Freyfaxi)  

Named for the god Lugh, this festival is one of the Celtic harvest festivals and marks the beginning of the harvesting months. It was celebrated by climbing mountains, bull sacrifice, offerings, and feasting. Handfasting is commonplace with Wiccans in modern times.  

REMEMBRANCE FOR REDBAD, KING OF THE FRISIANS 

9th August 

Origins: C7th Frisia (area of Germany/Netherlands)  

SEPTEMBER 

NOUMENIA 

8th September  

Origins: Ancient Greece 

Observed by: Hellenic polytheists 

Celebration of new Hellenic lunar month. Offerings of honey and incense made to household deities.  

REMEMBRANCE FOR HERMANN THE CHERUSCAN 

9th September 

Origins: C9th CE 

Observed by: Heathens, Ásatrú 

Hermann the Cheruscan, also known as Arminius of the Cherusci tribe, led the defeat against the Romans at the Battle of Teutoburg Forest and is lauded for saving Eastern Germanic peoples from being conquered by the Roman Empire.  

AUTUMN EQUINOX (NORTHERN HEMISPHERE)  

22nd September  

Origins: 1970s neopaganism 

Observed by: Wiccans and Neopagans (as Mabon), Ásatrú (as Winter Finding)  

Named Mabon by prominent Wicca and Neopagan Aidan Kelly, after the Welsh mythological figure Mabon ap Moldron, the autumn equinox is one of the harvest festivals and marks the beginning of autumn in the northern hemisphere. Mabon is a relatively new pagan holiday not based on any specific historical festival, but traditionally people around the world would celebrate some kind of harvest festival around the end of September/beginning of October. 

OCTOBER 

PYANOPSIA 

7th October 

Origins: Ancient Greece 

Observed by: Hellenic polytheists 

Pyanopsia, or Pyanepsia, is a festival to honour Apollo, one of the most important deities, God of music, the sun, knowledge, healing, and archery - amongst other things. During the festival, two special offerings would be placed on doorways and carried to the temple. These offerings were a bean stew, and an olive branch wrapped in wool with honeys, pastries and seasonal fruits hanging from it. 

REMEMBRANCE FOR LEIF EIRIKSSON 

9th October  

Origins: C10th CE 

Observed by: Heathens, Ásatrú, Norse pagans 

Remembrance for Leif and his sister Freydís Eiríksdóttir, children of Erik the Red, who are cited with being the first Norse explorers in North America.  

THESMOPHORIA 

12th-14th October 

Origins: Ancient Greece 

Observed by: Hellenic polytheists 

Festival held in honour of Demeter Thesmophoros, goddess of agriculture, and her daughter Persephone, goddess of death and life, Queen of the Underworld. Celebrated primarily by women, this festival is linked with fertility, and we know very little about it due to its secretive rites. It is thought that it involved the sacrifice of pigs (although some sources say women), and abstinence.  

REMEMBRANCE FOR ERIK THE RED 

28th October 

Origins: C9th CE 

Observed by: Heathens, Ásatrú, Norse pagans 

Erik the Red, probably named for the colour of his hair and beard, was the first permanent European settler in Greenland. His children were explorers too, who went to America, and although his wife converted to Christianity, Erik remained faithful to his Norse pagan gods. 

SAMHAIN (HALLOWE'EN) 

31st October-1st November  

Origins: Gaelic - Scotland, Ireland, Isle of Man 

Observed by: Celtic pagans, Neopagans, Wiccans 

Pronounced SOW-in (sow rhyming with cow), Samhain was originally a harvest festival marking the beginning of winter. The day itself is the 1st November, but celebrations begin on October 31st, and this has become the accepted associated day. It's a festival of the dead, where the síthe, fae and spirits, can enter this realm from their own. Wiccans talk of a 'veil' thinning, meaning the boundary between worlds. Similar death related festivals around this time can be noted in other faiths from across the globe, and of course in the modern Hallowe'en. 

WINTER NIGHTS (VETRNAETR), ÁLFABLÓT/DÍSABLÓT 

31st October 

Origins: 

Celebrated by: Heathens, Ásatrú, Norse pagans 

Winter Nights is mentioned in the Ynglinga Saga as one of the three greatest blessings of the year, the other two being Sigrblót in April, and þorrablót in late Jan/early Feb. Winter Nights is the celebration of the beginning of the winter season; Álfablót is a sacrifice to the elves, and Dísablót a sacrifice to the female spirits (dísir) and Valkyries.  

NOVEMBER 

REMEMBRANCE FOR SIGRID THE HAUGHTY 

9th November 

Origins: C9th CE 

Observed by: Heathens, Ásatrú, Norse pagans 

It is not actually known whether Sigrid Storråda, or Sigrid the Haughty, was an actual historical figure, an amalgamation of a few, or simply a myth. The lore goes that she was proposed to multiple times and turned down many but went on to orchestrate conflict when a potential suitor - Olaf Tryggvason, King of Norway - attempted to convert her to Christianity.  

DECEMBER 

REMEMBRANCE FOR EGILL SKALLAGRÍMSSON  

9th December  

Origins: C10th CE  

Observed by: Heathens, Ásatrú, Norse pagans  

Day celebrating the poet, farmer, and berserker Egill Skallagrímsson, who is recalled in The Icelandic Sagas by Snorri Sturluson. Egill is known for his many killings and escaping death by writing an epic poem after being captured when washing up on our Northumberland coastline.  

SATURNALIA  

17th - 23rd December  

Origins: Ancient Rome  

Observed by: Roman polytheists, some Hellenic  

Like Yule and Lesser Dionysia, Saturnalia was the Roman winter festival celebrating the coming return of the sun and honouring the god Saturn. The standard feasting and drinking feature, and slaves would be treated as equals like Dionysia. Saturnalia is another festival cited as being picked up by Christians and used as inspiration for Christmas.  

WINTER SOLSTICE (YULE/MIDWINTER)  

21st December  

Origins: Germanic nations, as early as C4th CE  

Observed by: Norse pagans, Wiccans, Neopagans, LaVeyan Satanists, Ásatrú, Heathens, many Germanic nonpagan peoples  

Yule is the midwinter festival known commonly among pagans as a time for feasting, being with loved ones, remembering ancestors, and looking forward to the return of the light and warmer days. Many pagans will celebrate Yule for more than one day, some celebrating a week either side, some for longer, up to two months, and some for twelve days afterwards. True Yule would have originally been in January for midwinter, but King Haakon the Good  

moved it to coincide with the Christian celebrations in the 10th century, as told in the Ynglinga Saga.  

On the 24th of December, Anglo Saxons are said to have celebrated 'Mothers Night' honouring female ancestors. 

RURAL/LESSER DIONYSIA  

End of December/beginning of January  

Origins: Ancient Greece  

Observed by: Hellenic polytheists  

Smaller festival honouring the god Dionysus (Greater Dionysia took place in cities at the end of winter). Feasting, mask wearing to stop distinction between classes so that everyone could feel equal, sacrifices, parades, and phallic display were all used to celebrate.

#wheel of the year #wiccan #pagan #heathen #greek #mythology #holidays #religious holidays #pagan holidays #non-Abrahamic holidays #witch #witchcraft #witchblr #pagan wicca #polytheism #paganism #witches #witch holidays #witches holidays #pagan witch

[april-is]

April 1, 2024: vocabulary, Safia Elhillo

vocabulary Safia Elhillo

fact:

the arabic word هواء (hawa) means wind thearabicwordهوى (hawa) means love

  test: (multiple choice)   abdelhalim said you left me holding wind in my hands                           or   abdelhalim said you left me holding love in my hands

           abdelhalim was left                empty                                              or            abdelhalim was left                full

  fairouz said                   o wind, take me to my country                            or   fairouz said                   o love, take me to my country

           fairouz is looking for             vehicle                                              or            fairouz is looking for             fuel

  oum kalthoum said       where the wind stops her ships, we stop ours                            or   oum kalthoum said       where love stops her ships, we stop ours

                oum kalthoum is           stuck                                                    or                 oum kalthoum is           home

--

It's here, it's here; happy National Poetry Month! In case you forgot: I'll be sharing a poem every day in April.

Want it as an email? Sign up here and it'll be whisked to your inbox by a team of digital carrier pigeons.

Or follow along on Tumblr, Twitter, or RSS. (Want to see it mirrored elsewhere? [Instagram, Substack, Bluesky, etc] Please let me know!)

==

This is, uh, the 20th year of this project??? See many years of past selections by browsing the archives or exploring the poems sent on today's date in:

2023: Reasons to Live Through the Apocalypse, Nikita Gill 2022: New Year, Kate Baer 2021: Instructions on Not Giving Up, Ada Limón 2020: Motto, Bertolt Brecht 2019: Separation, W.S. Merwin 2018: Good Bones, Maggie Smith 2017: Better Days, A.F. Moritz 2016: Jenny Kiss’d Me, Leigh Hunt 2015: The Night House, Billy Collins 2014: Tim Riggins Speaks of Waterfalls, Nico Alvarado 2013: Nan Hardwicke Turns Into a Hare, Wendy Pratt 2012: A Short History of the Apple, Dorianne Laux 2011: New York Poem, Terrance Hayes 2010: On Wanting to Tell [ ] about a Girl Eating Fish Eyes, Mary Szybist 2009: A Little Tooth, Thomas Lux 2008: The Sciences Sing a Lullabye, Albert Goldbarth 2007: Elegy of Fortinbras, Zbigniew Herbert 2006: When Leather is a Whip, by Martin Espada 2005: Parents, William Meredith

Thank you for being here!

#language #arabic #but it was just the 15th year like yesterday #how how! #safia elhillo

[fallloverfic]

"Nimona" fandom informational rundown

New to the fandom and a bit confused about things? Hopefully this will help!

Nimona was a webcomic by Nate Diana Stevenson/ND Stevenson that was first shown on tumblr on December 14, 2011, and Nate later launched it as an official webcomic on its own website on June 19, 2012. It was contracted for publication post-completion as a graphic novel sometime before November 1, 2012. The webcomic finished online publication on September 30, 2014. Shortly afterward, most of the webcomic was taken down as part of the contractual agreement for publication as a physical graphic novel, leaving only a short bit of the opening as a preview. The website for the webcomic later went down entirely, and is no longer accessible.

The comic was published in entirety as a single graphic novel on May 12, 2015. The movie adaptation rights were sold to Fox in 2015, as well, and the project was given to Blue Sky Studios. The comic was later adapted into a full cast audiobook on October 4, 2016. The graphic novel is available for purchase in paperback, hardcover, and as an ebook, and the audiobook is also available for purchase. (The link has international seller links). The graphic novel has been translated into 16 languages. It is also available in a special edition English hardcover via Illumicrate. They only ship from the UK, but ship internationally, and you don't need a subscription to buy the book. As the standard graphic novel and audiobook are ~7+ years old now, if you have a local library, you can see if either of them are available that way.

Disney bought 20th Century Fox Animation (later 20th Century Animation, the purchase completed in 2019), but later shut down Blue Sky Studios in 2021, cancelling the still-in-production movie. Crew worked on shopping the movie around for a new home after talks with Disney. The movie was later picked up and completed by Annapurna, DNEG, and Netflix, premiered June 14, 2023 in France, showed in select theaters starting principally on June 23, 2023, and released to general audiences on Netflix for streaming on June 30, 2023. I have more info on this here.

In English, Nimona is voiced by Chloë Grace Moretz, Ballister Boldheart is voiced by Riz Ahmed, and Ambrosius Goldenloin is voiced by Eugene Lee Yang.

If you're looking for official merch, the movie soundtrack is up on multiple platforms, including YouTube, iOS, Spotify, and Amazon, and a vinyl version of the soundtrack will be sold by iam8bit. There is an official humanoid Nimona plushie, a whale Nimona plushie, and a shark Nimona plushie, available via Netflix, Gee, and Hot Topic, as well as a variety of official shirts available via Hot Topic and Amazon (just search Brand: Nimona). Nate also still sells "Nimona" comic art on his INPRNT store.

Netflix released a free-to-read digital-only multimedia 358-page artbook for the movie (but took it down in March 2024). (It's also been released at least for crew/friends of crew(?) in physical release, so maybe it'll get mass release as a hardcover). Outside of this, a lot of the crew for the movie from both Blue Sky and DNEG have been releasing a ton of concept art and development stuff, and the cast and crew have been doing a lot of promotional interviews and videos going back through like April 2023, so there's a lot of material to look through on YouTube, tiktok, tumblr, twitter, Instagram, Facebook/Meta, and Vimeo, as well as various news and media sites. Nate is active on tumblr, his personal blog, twitter, and Instagram. Annapurna, DNEG, and Netflix also have multiple accounts on many platforms, including their own websites, YouTube, Facebook/Meta, and Twitter, and have been sharing clips and behind the scenes stuff.

Nimona actually has been added to a video game: Nimona was included as an event companion in SharkBite 2, a Roblox game.

If you're looking for fanworks, the fandom is active on most platforms, and has been ever since Nate started posting early art of the characters. Nate's talked at length in multiple places about how big the fandom was during the webcomic's publication. Mostly back then folks were very active in the Disqus comments on pages, which are a bit harder to find these days. There's a lot of the older comic fanart still circulating in different places (particularly tumblr, where the fandom was most active), some of which Nate reblogged. There is crossover between the comic and movie fandoms, as many fans of the comic love the movie and vice versa, and both fandoms are quite active. There is at least one active subreddit and fanwiki (and many others on assorted fantasy, comic, movie, and non-English language sites), as well as TV Tropes pages for both the comic and movie adaptation and a number of Discord servers.

For fanfiction, there are a ton of fics on Archive of Our Own in the comic tag and in the movie adaptation tag. There are also a number of fics on tumblr, some fics on fanfiction.net, and some on Wattpad. There are fanvids on tiktok, Instagram, and YouTube. There is fanart on tumblr, twitter, deviantart, instagram, and pixiv. There are cosplayers, meta analysts, roleplayers, music makers, and many other fanworkers

Some tags to use/browse for posts on tumblr and other sites:

Nimona

Nimona fanart

Nimona comic

Nimona movie

Ballister Blackheart

Ballister Boldheart

Ambrosius Goldenloin

Gloreth

Meredith Blitzmeyer

Ballister x Ambrosius / Goldenheart / Boldloin / Boldenloin / Blackenloin / Blackloin / Goldheart

Will update this post as I come across new things.

#Nimona #ND Stevenson #Nimona comic #Nimona webcomic #Nimona graphic novel #Nimona movie #Ballister Blackheart #Ballister Boldheart #Ambrosius Goldenloin #FAQ #Nimona FAQ

[macaronis-telegraph]

Queer WWI Literature

This is a very niche and limited category, so I’ve been trying to throw together a list of what I can find out there for anyone else who might also be interested. What follows are all books that contain LGBTQ+ rep of any kind, that also involve the First World War as a central theme.

Titles with an asterisk* are the ones I have personally read, and would be more than happy to talk about/answer any questions about their content/rep!

Written in the 20th Century

Alf, by Bruno Vogel (1929)

Despised and Rejected, by Rose Allatini (pseud. A.T. Fitzroy) (1918)*

Lads: Love Poetry of the Trenches, edited by Martin Taylor (1989)

The Memorial, by Christopher Isherwood (1932)

My Father and Myself, by J.R. Ackerley (1968)

The Prisoners of War: A Play in Three Acts, by J.R. Ackerley (1925)*

The Regeneration Trilogy (Regeneration, The Eye in the Door, The Ghost Road), by Pat Barker (1991, 1993, 1995)*

A Scarlet Pansy, by Robert Scully (1932)*

Strange Meeting, by Susan Hill (1976)

Written in the 21st Century

The Absolutist, by John Boyne (2011)

Across Your Dreams, by Jay Lewis Taylor (2016)

Alec, by William di Canzio (2021)

Ashthorne, by April Yates (2022)

Awfully Glad, by Charlie Cochrane (2014)

Bonds of Earth, by G.N. Chevalier (2012)*

The Boy I Love, by Marion Husband (2005)*

The Daughters of Mars, Thomas Keneally (2012)

Eleventh Hour, by Elin Gregory (2016)

The Fallen Snow, by John J. Kelley (2012)

Fighting Proud: The Untold Story of the Gay Men Who Served in Two World Wars, by Stephen Bourne (2017) – (I know I said fiction, but I’m going to leave this one here anyhow)

Flower of Iowa, by Lance Ringel (2014)*

The Great Swindle, by Pierre Lemaitre (2013)*

The Indian Clerk, by David Leavitt (2007)

The Inheritance of Solomon Farthing, by Mary Paulson-Ellis (2019) *

In Memoriam, by Alice Winn (2023)

The Lie, by Helen Dunmore (2014)

The Paying Guests, by Sarah Waters (2014)

A Pride of Poppies, short story collection published by Manifold Press (2015)

Promises Made Under Fire, by Charlie Cochrane (2013)

The Shell House, by Linda Newbery (2002)*

Spectred Isle, by K.J. Charles (2017)

The Stranger’s Child, by Alan Hollinghurst (2011)

The Warm Hands of Ghosts, by Katherine Arden (2024)

Whistling in the Dark, by Tamara Allen (2008)*

Wild with All Regrets, by Emma Deards (2023)

The World and All that it Holds, by Aleksandar Hemon (2023)

This is a dynamic list, which I will continue to update whenever I find something new. If you know of anything that isn’t on this list and needs to be, please let me know!

#wwi #queer fiction #lgbtq books #queer lit #queer literature #lgbtq literature #historical fiction #booklr #book recs #queer wwi fiction #world war one #world war 1 #the great war #lgbtq

[bizarrequazar]

Collected Information about the Bangkok Concerts

This is a post collecting information and sources about the concerts held by the Zhang Sanjian scam gang on May 10th and 11th. I will keep this updated as more information comes out. Please let me know if you have any questions, corrections, or additions.

[Masterpost of my informational posts about the situation]

Lead-Up

The earliest account to promote the concert was a planted fan trying to collect information from other fans in group chats, not an “official account”. This was on April 10th, only a month prior to the day the concert would be held. Accounts officially associated with the scam would not start promotions until April 20th.

Someone who contacted the venue on April 20th was told that the hall had been booked for 05-11 but that the venue could not disclose who it was for.

On April 22nd, the Instagram made a post announcing the ticket sales using a promotional photo from 2021 that had been made for the concert the real Zhang Zhehan had been planning prior to 813. This post did not include a link for purchasing; including links to purchases increases the chance of Instagram checking an account for fraud activity.

The production company for the concert is partnered with CAPA.

Seat prices went up to 16,000 baht ($465 USD / 3200 RMB) and went on sale on April 22nd. As a comparative, the BTS member Suga held a concert with VIP tickets pricing at 6200 baht.

Within hours, scam believers were saying that tickets had sold out, but on the actual purchasing site they were instead listed as not available (ie. reserved for sale by scalpers). On May 3rd, these reserved tickets that had not been sold were made available again with less than half sold.

On April 23rd, it was announced via the Instagram that an additional concert would be held on 05-10 due to “popularity”. (As I write this, I realize that it’s odd for them to book 05-10 rather than 05-12 since it means those first comers who bought tickets for 05-11 would not get to be the first ones to see “him”.) Tickets for this became available the following day and “sold out” within ten minutes only to become available again; it’s likely this was just a glitch. 

On April 24th, a promotional video was posted for the concert using only footage from 2021 (same context as mentioned above).

Some tickets had been available as a “tour package” through a company that had a history of scamming customers. On April 26th, the tour package’s name was changed then deleted from the company’s website. On April 30th, the Taobao shop selling these packages was closed without refunds and over 400 people who had made purchases had their information leaked. Some people who purchased these packages were later left stranded at the airport for hours when they arrived.

On May 5th, the Weibo Supertopic used by scam believers, which had been filled with people reselling tickets and encouraging others to fake information for travel visas, was deleted. The following day, “official” accounts directed users to a new Supertopic that was created less than 15 minutes after the previous one disappeared despite it taking 1-3 days for Supertopics to be approved. This new Supertopic was made private on May 9th then deleted as well on May 10th.

On May 6th, photos were posted to the Instagram of “Zhang Zhehan” in what appeared to be Thailand. The following day several photos and a video were spread of “chance encounters”, originating from accounts that did not belong to fans.

The scam gang requested that people who had bought VIP tickets provide their home addresses so they could be sent tshirts and light sticks, four days prior to the first concert date. Have fun getting doxxed, I guess.

On May 8th, a new song was released to streaming sites by the scam gang despite it being only two days before the first concert. As a comparative, for his mini-concert to promote his Another Me EP in October 2020, Zhang Zhehan released only two of the three songs for streaming prior to the concert, leaving the third song 不说 to be debuted at the concert before releasing for streaming.

On May 9th, several photos and a video were posted by paparazzi of the venue being set up. It was noted that workers present in these photos were fully dressed despite there being a heatwave with outside temperatures climbing to over 40°C; it’s uncommon for AC to be on during set up, though not impossible.

On the same day, a figure fully covered in sweats and a hoodie was filmed entering the venue for rehearsals. Again: heatwave. 

May 10th

The venue looked less than half full less than ten minutes before the set start time.

A collection of some photos that look obviously off: [1] [2] [3] [4] 

Chinese CPFs keeping track of things concluded that three different impersonators were likely used, with one possibly being a woman. There were visible differences in the nose, jawline, eyebrows, Adam’s apple, butt, and stature. Furthering this, people watching reported that the costume changes were remarkably fast and there were no breaks over the course of 20 song performances (3 hours).

It’s quite likely that the cameras used for the screens inside the venue were using deepfake tech to correct for these mistakes. Yes this can be done live. It was noticed that the screens seemed to noticably lag more than is standard (example, comparison to another concert) and occassionally jumped.

Some of the audience members visible in photos look quite unexcited to be there. It’s possible that people were hired to fill empty seats, especially given that so many were left unsold that they decreased the number of seats physically present in the venue. A number of people looked to be in quite a hurry to leave afterwards. There is hearsay that some of them may have been students who were paid to attend. [translated chatlog between Chinese fans]

About an hour and a half after the concert started, the bought hashtag #Primordial Theater# suddenly appeared on the general Weibo hotsearch, reaching #14 before completely disappearing ten minutes later. Coincidentally, the Weibo administration account made a post shortly afterwards warning about celebrity impersonation fraud.

Around this time, all photos of the concert posted by Ranyi, one of the “official” accounts, were removed by Weibo and the account was later banned for violating community rules. Similar photos and a video were also removed from Xie Yihua’s Weibo accounts.

A whaler who made a post that she shook hands with him at the concert forgot to change her VPN to Thailand, with it instead saying she was in Japan. 🤡

There are rumors that some whalers who attended said it was fake and closed their accounts, I haven’t seen direct evidence of this yet. Also a rumor that one went to the police. Some whalers were reportedly afraid to speak out about what they had seen at the concert because they had given the scam their personal information.

May 11th

There was significantly less posted footage and discussion of this day. Many people who had attended gave excuses such as phones being too low on battery to film, only having blurry photos, wanted to capture the moment with their own eyes, etc.

Additional photos that look distinctly off: [1] [2] [a whole collection] (Here’s an example of full-face prosthetic makeup btw) 

Videos show that barely anyone in the audience appeared to be singing along to some songs, including Surround.

Comment about the vocals from a trained musician: “The voice doesn't feel open, it feels like it's covered with a layer of veil. Generally speaking, the voice is not clean, and secondly, the breath is not stable, and the voice is obvious. Trembling, as well as out-of-tune and treble, the treble sounds very laborious, and the out-of-tune is also sandwiched between the two notes, and the way of vocalization is not right, it is all in the throat, singing like this is easy to hurt the throat and make it hoarse.” (mtl) 

[Video comparing the singing to Zhang Zhehan’s]

A video and group photo showing Xiao Yu were passed around, with him being visibly too short in relation to “Zhang Zhehan” in the photo.

Again, many of the photos posted by Xie Yihua were removed by Weibo.

VVIP ticket holders (on both days) were able to take photos with Zhang Sanjian afterwards:  -  Reports from them say that Zhang Sanjian was quite touchy-feely and eager with hugs (😰). If you look at old photos and video of the real Zhang Zhehan, he was always very polite and often kept his hands clasped when taking photos with unfamiliar people.  -  The attendees were assigned a number so the photos could be sent to them afterwards. Standard practice for celebrity photo ops is that the photos are printed there; being sent later allows time for editing to be done.  -  It took two weeks for people to be sent their photos. Despite this, some of the editing is... not very good.

Followups

Yahoo! Taiwan published an article talking about the concert, referring to Zhang Zhehan as an “artist who insulted China”.

[Written notes] from a Twitter space discussion about the concert. Main points not previously covered here:

It was learned by Chinese CPFs that any Chinese person who wants to hold a concert outside of China needs to get written permission to do so. There is no evidence that the scam gang did this, and it’s doubtful that someone in Zhang Zhehan’s situation would do so.

If you watch the videos of Zhang Sanjian talking at the concert, it looks very performative, not a real emotional response like what you can see in videos of the real Zhang Zhehan at his past concerts. Especially at a concert after 813 and not seeing his fans for two years, wouldn’t you expect him to get quite emotional?

Likewise, there are enunciation differences and dialectic differences in how Zhang Sanjian spoke.

If the point of the concerts was to make money, they would have started promotions much earlier, it doesn’t make commercial sense to announce it at such short notice. The intent of the concert was to get attention.

Another intent seems to be to try to divide CP fans, similar to how last year they succeeded in dividing haizhe and whalers.

Following the concerts, there was a significant uptick in fans of other celebs harrassing those saying the concerts were fake—especially in c-ent fan culture, fans of other celebs can and will happily take advantage of the scam to eliminate their bias’s competition even if they are aware that it’s a scam.

This post was last edited 2023-05-24.

#Zhang Zhehan #Zhang Sanjian #zzh info #my zzh posts

[thelibraryghost]

A Young Person's Introduction to Early 20th-Century Western Fashion

am i hip with the kids yet

General information Dotschkal, Janna. "1920's." FOUND. October 21, 2016. English Heritage. "Fashion Through History: Episode 3 – 1930s." YouTube. April 16, 2023. Rudolph, Nicole. "The History of Standardized Sizes in Womens Fashion and Why They FAILED." YouTube. May 16, 2021. Vintagebursche. "100 Years of Classic Menswear - and what we can learn from each decade." YouTube. February 29, 2020. Zebrowska, Karolina. "1920s Fashion Is Not What You Think It Is." YouTube. May 20, 2018.

Accessories Cox, Abby. "Flappers, Y2K, & Capitalism are Why Women "Don't" Have Pockets." YouTube. January 12, 2023. Cox, Abby. "The Disappointing Truth On Why We Don't Wear Hats Anymore..." YouTube. December 18, 2022. Rudolph, Nicole. "The History of the Iconic Cloche Hat: Making 1920s Fashion." YouTube. September 18, 2022. Rudolph, Nicole. "When Hats were Illegal: Sewing a Goth Edwardian Hat." YouTube. February 21, 2021. Sheehan, Sarah. "Neo-Egyptomania." PatternVault. December 31, 2022. Zebrowska, Karolina. "Why Did We Stop Wearing Hats?" YouTube. April 28, 2020.

Cosmetics Banner, Bernadette. "Making and Testing a Victorian Skincare Routine." YouTube. April 8, 2023. English Heritage. "1930s Makeup Tutorial | History Inspired | Feat. Amber Butchart and Rebecca Butterworth." YouTube. December 18, 2018. Holland, Evangeline. "On How to Be Lovely." Edwardian Promenade. April 15, 2010. Rudolph, Nicole. "The Controversial History of Color Season Analysis." YouTube. November 4, 2023.

Fabrics Rudolph, Nicole. "The History of Elastic." YouTube. July 4, 2021. Rudolph, Nicole. "Wearing Overalls to Boycott Fashion Greedflation? Weird History of 1920." YouTube. March 16, 2024.

Gowns and formal wear Banner, Bernadette. "I Redesigned Mary Poppins' Jolly Holiday Dress Based on REAL Edwardian Lingerie Gowns." YouTube. February 20, 2021. Banner, Bernadette. "I Remade Mary Poppins’ Dress to be Actually Edwardian." YouTube. July 9, 2022. Cox, Abby. "Alexander McQueen & the Patriarchy Problem in Modern Fashion." YouTube. October 20, 2023. Cox, Abby. "What Makes a Gown Haute Couture (like House of Worth) in Victorian and Edwardian Eras?" YouTube. September 19, 2021. Lady Rebecca Fashions. "An Edwardian Woman's Fashion Evolution." YouTube. June 4, 2022. Oakes, Leimomi. "Terminology: what is a lingerie dress or lingerie frock? (and blouse, and skirt)." The Dreamstress. July 21, 2018. Rudolph, Nicole. "Stop Idolizing Coco Chanel: a shocking history of theft." YouTube. January 13, 2024. Rudolph, Nicole. "The Truth about the Fringed Flapper: Making 1920s Evening Dresses." YouTube. November 6, 2022. Vintagebursche. "1920s Theme Party - How to dress." YouTube. December 9, 2023. Zebrowska, Karolina. "1920s Fashion Encyclopedia, Pt 1: Daywear." YouTube. November 27, 2019.

Hair care and styling Banner, Bernadette. "I Tried Following a Real Edwardian Hair Care Routine." YouTube. May 12, 2020. Lady Rebecca Fashions. "Getting Dressed in the Edwardian Era / Gibson Girl Hairstyle Tutorial." YouTube. June 12, 2020. Lady Rebecca Fashions. "Titanic-era Hair Tutorial // Getting Dressed in the 1910's." YouTube.September 4, 2020. SnappyDragon. "Historical hair myths debunked : How often should you wash your hair—daily shampoo or no shampoo?" YouTube. August 12, 2022. Zebrowska, Karolina. "Weird Edwardian Beauty Tips." YouTube. February 11, 2017.

Laundry and starching Banner, Bernadette. "Ok but how did the Edwardians WASH these dresses?" YouTube. August 3, 2022.

Outerwear Cox, Abby. "Athleisure: Destroying Fashion & the Environment." YouTube. January 18, 2024. Rudolph, Nicole. "150 years of Masc Women causing a Moral Panic." YouTube. June 17, 2023. Rudolph, Nicole. "The History of Jeans, T-shirts, and Hoodies: Time Travel 101." YouTube. March 20, 2022. Zebrowska, Karolina. "SPRING/SUMMER FASHION TRENDS REVIEW but it's 1936 (ft. original fabric samples!)." YouTube. April 22, 2022.

Shoes Rudolph, Nicole. "I Made Witchy Edwardian Shoes by Hand!" YouTube. March 14, 2021. Rudolph, Nicole. "The Myth of Tiny Feet "Back Then"." YouTube. September 26, 2021. Rudolph, Nicole. "The True History of Stiletto Heels : the battle between Ferragamo and Dior." YouTube. August 26, 2023. Zebrowska, Karolina. "Why Is No One Talking About 1930s Shoes?" YouTube. September 15, 2020.

Undergarments Banner, Bernadette. "1903 Patented Bustle Pad Reconstruction." YouTube. June 8, 2019. Banner, Bernadette. "Achieving That Classic Edwardian Shape: Reconstructing a 1902 Bust Bodice." YouTube. April 16, 2020. Lady Rebecca Fashions. "So What are Guimpes Anyway? // Examining Antique Edwardian Guimpes." YouTube. August 21, 2020. Lady Rebecca Fashions. "They Wore Corsets in the 1920's?!" YouTube. January 29, 2022. Rudolph, Nicole. "Did Brassieres End the Corset?" YouTube. February 28, 2021. Rudolph, Nicole. "Dressing in Edwardian Clothing: Undergarments and Layers of 1907." YouTube. November 1, 2020. Rudolph, Nicole. "How Flappers got their Figure: the 1920s Silhouette." YouTube. July 10, 2022. SnappyDragon. "How pin-up photos fooled dress history : the making and marketing of lingerie pictures." YouTube. April 1, 2023.

#1920s #1910s #roaring twenties #fashion #menswear #flapper #gibson girl #reference #1930s #1900s #early 1900s #coco chanel #brassiere #high heels #youtube #video #cosmetics #hairstyle #hair care #shampoo #nicole rudolph #abby cox #bernadette banner #lady rebecca fashions #snappydragon #karolina zebrowska #fashion history #history #art history #edwardian era

[putschki1969]

KEIKO Instagram Live #78

[20240330] KEIKO Insta Live #78 with comments

[20240330] KEIKO Insta Live #78 WITHOUT comments

I am of course biased but this was definitely one of my favourite lives. I just love this sort of beauty content. Watching Keiko do her make-up and hair is so much fun. The curls look amazing on her! (I'll admit, I am actually not the biggest fan of plain straight hair, I prefer a bit of dynamic and volume). We got a little hint of some of her upcoming solo activities. April will be dedicated to her YouTube Cover Collection. Then we have a bunch of YK stuff. For the end of summer, she plans to do a FC event that's supposed to have some sort of variety show vibe so expect it to be funny. I would assume it's gonna be similar to Keiko's Room #14 but a bit more elaborate or maybe like Wakana's FC Online Event during the summer of 2021 where she played all sorts of games. We shall see. After that, we can expect some normal lives again but she reveals nothing specific.

『FictionJunction Station Fan Club Talk＆Live vol.#３』 Announced!

Today it has been announced that 『FictionJunction Station Fan Club Talk＆Live vol.#３』 will be held this summer. Please look forward to it. All FC exclusive performances will contain a "Talk & Live" section.

『FictionJunction Station Fan Club Talk＆Live vol.#３』 Performers：Yuki Kajiura（Keyboard/Chorus） Vocal：KAORI・KEIKO・YURIKO KAIDA・Joelle

■ June 15th (Sat) Tokyo・TIAT SKY HALL 1st Stage: Open 12:45 / Start 13:30 *Guest Eri Ito 2nd Stage: Open 16:15 / Start 17:00 *Guest Eri Ito ■ June 16th (Sun) Tokyo・TIAT SKY HALL 1st Stage: Open 12:45 / Start 13:30 *Additional member rito 2nd Stage: Open 16:15 / Start 17:00 *Additional member rito ■ June 22nd (Sat) Tokyo・TIAT SKY HALL 1st Stage: Open 12:45 / Start 13:30 *Additional member LINO LEIA 2nd Stage: Open 16:15 / Start 17:00 *Additional member LINO LEIA https://www.tiatskyhall.jp

■ June 28th (Fri) Osaka・umedaTRAD 1st Stage: Open 13:45 / Start 14:30 *Additional member LINO LEIA 2nd Stage: Open 17:15 / Start 18:00 *Additional member rito https://umeda-trad.com

■ July 5th (Fri) Aichi・THE BOTTOM LINE 1st Stage: Open 13:45 / Start 14:30 *Additional member rito 2nd Stage: Open 17:15 / Start 18:00 *Additional member LINO LEIA https://www.bottomline.co.jp

■Ticket price: 5,500円 (all seats reserved)

■Application period 【1st round】2024/4/8 ～ 4/14 【2nd round】2024/4/26 ～ 5/6

■URL： https://fictionjunctionstation.com/contents/ticket

e+ Overseas travelers tickets for Yuki Kajiura LIVE vol.#20～Japanese Seal 20th Special～

e+ is now selling dedicated tickets for overseas fans on their international homepage. If you have plans to attend YKL Vol.#20 this summer, be sure to use the opportunity!

Yuki Kajiura LIVE vol.#20～日本語封印20th Special～

2024.06.02 Tokyo・SWU Hitomi Memorial Hall 16:45/17:30 2024.06.09 Kanagawa・Kenmin Hall 16:45/17:30 2024.06.23 Tokyo・LINE CUBE SHIBUYA 16:15/17:00 2024.06.29 Osaka・NHK Osaka Hall 17:15/18:00 2024.06.30 Osaka・NHK Osaka Hall 15:15/16:00 2024.07.06 Aichi・Niterra Shimin Hall 17:15/18:00  2024.08.03 Saitama・Sonic City Civic Hall 17:15/18:00

#kalafina #keiko #video #keiko on instagram #instagram live #fjs #fictionjunction station #yuki kajiura #kajiura yuki #fictionjunction #ykl vol 20

[sadiewayne]

i love that people are arguing that battinson shouldn't have a robin in the batman 2 because robin is so essential to batman as a character both in universe and looking at the comics as a medium

not only do you have the classic flashback in nightwing annual 2021 but a lonely place of dying is so much better for that thought

if you've never read it, lpod is the introduction of tim drake, where he goes to get dick and tries to get him to and help bruce who is acting out after jason's death. he told dick that batman needs robin right now but dick, having hung up robin, went as nightwing and so tim puts on the costume and goes to help, saving their lives and convincing bruce to train him, proving the idea that "batman needs a robin" correct

but this goes further than just in the comics

batman made his debut in detective comics #27 (March 30th 1939)

robin made his debut in detective comics #38 (March 6th 1940)

batman has always had a robin

dick retires as robin in tales of teen titans #44 (july 1984), but jason made his first appearance as robin in batman #366 (december 1983) his first proper appearance was in detective comics #525 (april 1983) but he isn't robin until december so there wasn't a time when there was no robin, even if he wasn't with bruce at the time

the only time there wasn't a robin was after jasons death in batman #428 (October 20th 1988) and before tim makes his debut in batman #442 (November 2nd 1989) leaving batman robin-less for just over a year

in total, since his debut, batman has been robin-less for a grand total of 720 days out of the 30,850 i am not getting into tim, steph, and damian's deaths ok, feel free to do the maths yourself but also tim is still robin so...

anyway, all this to say i want battinson to have a little 8 year old follow him around making stupid quips whilst being the only thing to have bright colours in gotham

#dc #dc comics #batman #the batman #the batman 2022 #battinson #bruce wayne #dick grayson #nightwing #jason todd #red hood #time drake #robin #red robin #dc robin #damian wayne #comic history #comic #comics #give battinson a robin #batman and robin #sadies dick grayson