Things That Are Infinite: Those Starry and Misty Eyes
Long ago, when the sky was a bit closer to the ground, hidden within the great mountains of the land was a small village in a great, lush valley. Its inhabitants were simple folk, rice farmers, and fishermen. And one extraordinary child named Luna. The whole town loved her and her family. Her father was a great fisherman, and her mother was a wonderful tailor who tragically passed away when Luna was born. What made Luna so special was her ability to float during a full moon. Because of her gift, every full moon, she and her father would climb up a hill by the village outskirts and gaze out at the stars. Luna’s father would tell her stories about her mother and how she watched over them from the skies, and that one day they would go with her. He would tie the scarf his wife made him around Luna to keep her from floating away, and it was their tradition.
But after one particularly cold and rainy day, the visits to the hill became quite scarce. Luna’s father came out of his room less and less, and Luna had no idea why. She didn't want to go to the hill without her father, but he had grown so distant that he did not even speak to her anymore. A few months went by. Luna was worried. Her father had not come out of his room at all. She decided to check on him and found him sleeping in his room. She spoke softly to him and nudged him a bit, trying to get him to wake up. But when she touched his hand, she found it to be very cold. Too cold. The reality of the situation dawned on her as she realized that in front of her was the corpse of her dead father.
Overcome with shock and grief, Luna let out a terrible cry of anguish that could be heard all throughout the village. Immediately, the townsfolk rushed over to see what happened and, seeing the devastating scene before them, wept along with Luna. A funeral was held a few days later. When it came time to say goodbye to him in the casket, Luna couldn't even find the courage to look her dead father in the face. All she could do was cry into the scarf that was once her father’s.
The town mourned, and Luna fell into a deep depression. No matter what the people told her, no matter what they did, nothing could bring her out of it. She never realized how much joy her father gave her each day. Now she could never have that joy back. Luna stayed in her room for weeks. Neighbors would occasionally come by to give her food and check up on her, but other than that, the most contact she had with the outside world came from staring at the sky from her window. As the starry nights passed, something resonated within Luna. A distant thought that came to her. That gave her a sort of strange peace. A thought that grew along with the waxing moon.
The night of the full moon came, and Luna was totally at peace. The moon was at its perigee, which made Luna’s power stronger. She felt the sky calling to her. With her father’s scarf in hand and sandbags to weigh her down, Luna made her way up the hill that she and her father always climbed together. As she traversed the hill, all the memories of her life and her father came flooding back to her. All the stories he told her, all the moments they shared, until finally, finally, Luna reached the top of the hill. Clutching the scarf close to her body, she stared up at the enormous moon and sky above. She removed the bags and lifted up off the ground, closing her eyes and crying, tears floating all around her.
She cried and cried and cried for a very long time. When she finally opened her eyes, Luna found herself high among the stars. It was quite a beautiful sight to behold. All of them sparkling brilliantly, the colors blurring together from the tears in her eyes. As she took in the scenery, Luna felt peacefully empty. There were nothing but stars and her father’s scarf to keep her company. She drifted endlessly into the infinite void of space, her unceasing tears adding to the glimmering beauty of the night sky.
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“You can’t tell me that reylo isn’t popular when the published fic sells well!”
Quick couple of questions here for you:
•Is it licensed as Reylo fic?
•Is it approved Reylo fic?
•Did Disney say you could publish Reylo fic in an official manner under their logo?
•Are Rey and Kylo named as Rey and Kylo in said fic?
•Is it still Reylo fic?
If the answer to these questions is “no” then congrats! You’ve just discovered that the ‘Published Reylo’ is not actually Reylo at all. It’s what you call INSPIRED. There’s a huge difference.
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Humans can't hear the same range of frequencies that whales can. They can't sing in the same pitch as whale songs either.
As if inflicted with the curse of Babel, Naida and her sisters can no longer understand eachother.
Whew this is missing like ALL of the context but here's an oc that I've been working with for a long while! Her name is Naida and she can never go back home :) She's really a sonic/Auros au oc that I humanized again (bc my hooman drawing skills were getting rusty). The specifics of her story is still in the works, but it's loosely based off the original version of The Little Mermaid.
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CALL FOR LITERARY AND VISUAL ART SUBMISSIONS: DEADLINE APRIL 6TH
hi friends :) i'm starting a literary magazine called cigarette fire, and i'm looking for poetry, fiction (under 1500 words), flash non-fiction (under 500 words), and visual art submissions to include in the debut issue! i would love to publish your work 🫶
thematically, cigarette fire is a space for new writers and artists to take off as quickly as a cigarette butt can start a wildfire. i'd love to publish work that sparks imagination and catches readers' attentions quicker than a match strikes.
+++ feel free to share with writer and artist friends!
if you'd like to submit, dm me or email
[email protected] with your work + a brief bio/about you statement! the website has more submission details.
please submit your work by saturday, april 6th, by 11:59pm. (i'll be publishing more than one issue, but i'd like to have the first one up as soon as possible!)
logistics: cigarette fire retains first serial rights, but all other rights revert back to the author upon publication. not able to compensate contributors at this time, but hope to do so in the future!
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The old office was divided into two rooms; Rita’s office in the front and Juno’s in the back.
Rita’s was well… homey. She had a huge beaten up sofa covered in stuffed animals and fluffy blankets, and the walls where covered in stream posters and photos. She had stuck glow-in-the-dark stars on the ceiling, walls, and floor, and every available surface was covered in paper spaceships. People would show up and wonder if they had accidentally gotten the address for someone’s apartment.
Juno’s on the other hand, looked a little like a crazed conspiracy nut from some edgy af stream had recently gotten caught in a tornado and had yet to get things sorted back out. The walls and ceiling where covered in papers and photographs connected by bits of thread creating a sort of three d mesh making it difficult to move around. The floor was scattered with more bits of paper, all covered in a strange, incomprehensible scrawl. To top it off, the one window was completely papered over with what looked like photo negatives. The one clear spot was in the center of the room, largely because that was where the rug was.
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reading this book in one of my classes about a girl who has wings and my teacher is going on about how unique it is as a concept and how the author is so clever and talented for addressing the realistic consequences of being part bird and i just have to sit here knowing that not only did i scroll through several thousand extremely similar works under the ao3 wingfic tag less than a week ago but most of them were actually much more well thought out and logistically sound
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J. M. Hurowitz - Untitled - 2023 - pencil on paper - 22.5 x 30 inches
This is my most recent work, done specifically for a friend's 60th birthday. Like my other drawings, there are references to art, literature, science, history and other personal interests, as well as images with no special significance other than the fact that I felt like including them. And like my other drawings, my hope is that anyone viewing this work will take the time to make their own connections and interpretations.
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im gonna word barf about aus and why i use them. when i make aus i tend to focus primarily on exploring characters and themes under a specific situation- eg the roleswap au is about exploring what parallels and contrasts to dhmis.
dhmis to me is about conformity to norms and how the world is constantly telling you how and what to think about certain topics even though theres so much more to explore on any subject than the surface level. it’s about how episodic formats can stifle storytelling. its about how nobody really knows what theyre doing and theyre just trying to feel normal when everything is going to shit around them. its about inaction and passivity being beaten into you as a child. its about grief, and about mourning a past that distorts and warps itself to envelop your entire way of thinking, and the more you look back the stranger and more upsetting it gets.
so like, how can we explore that with the character archetypes we have? what themes and archetypes can we boil down to the very basics, what can be expanded upon? can we divorce the concepts from each other, or is it really the same media after being transformed so much? that’s what the fun of aus is to me. if that makes sense
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If you do decide to write someone here runs a prompt page that can help with inspiration when it comes to RWRB. Not really a question but just a little brain nugget
i do follow them and there have been a couple that caught my eye but sometimes that isnt even enough to get things going :/
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This photograph depicts a cadaveric spasm in a drowning victim grasping grass from the river bank. Also known as postmortem spasm, this is the instantaneous rigor cataleptic rigidity —a rare form of muscular stiffening that occurs at the very moment of death and persists into rigor mortis. Nevertheless the condition itself is not part of rigor mortis, which is characterized by a progressive rigidity of the deceased body due to biomechanical changes in muscles occurring 10-12 hours after death. It is a persistent occurrence when it happens, and the individual will continue to hold that pose from death until putrefaction allows for decay of the affected limb. However, cadaveric spasm can be seen in archaeological remains if the affected limb is buried. While the cause is still unknown, it’s generally associated with violent or traumatic deaths and intense emotion. It’s mostly seen in victims who have ended their lives.
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