#the good thing about the show is that because it is so removed from the SoC trilogy from the get-go that even though as a fan im upset | Explore Tumblr Posts and Blogs

heyclickadee · 1 day

Text

I understand that people are going to cope how they are going to cope, and trying to find meaning in the handling of Tech in season three is part of that, but it’s also okay to criticize the show.

I like a good character death. Tech’s departure was not that. My issue is not that he’s presumed dead, my issue is that it and the handling of it is nonsense. So (I once again get very negative about my favorite show under the cut):

1. When you kill off a main character, you really have to kill them off. How you do so can vary from story to story, but you really have to do four things:

One, you need a good reason to kill them off in the first place. (“Stakes” is not a good reason. A secondary character, sure, but not a main one. More on that in a minute.)

Two, you need to make it perfectly clear that the character is, in fact, dead.

Three, you need to show the other characters processing and accepting that death. This is important because doing so will allow the audience to do the same and let the character go. This is especially important if you’re writing for a young audience.

Four, you need to make it explicitly clear that the character cannot come back. This is especially true in sci fi or fantasy. Especially if you’re the Character Resurrection franchise.

And guess what the show didn’t do?

Any of that. Any of it. What it did instead was ambiguously remove Tech from the story (uniquely in a show that loves making us watch characters die on screen; last time we saw Tech for sure he was alive), never gave a good reason for doing so in or out of the show, never showed us any character working through the impact of his loss (even though there was ample opportunity for Omega, especially, to do so), and ripped the “could he come back?” box wide open by parading CX-2 in front of our faces. It is never, at any point, handled like an actual main character death. It’s handled as a plot point from which the narrative moves fairly quickly, and treated by all parties as an absence. By all the rules of storytelling, Tech isn’t dead. He’s just ambiguously gone. And that means the writing team did a terrible job if what they wanted to do was kill him off. We should not be debating this after the show has ended if he’s actually dead.

2. I understand why some fans are trying to find meaning in losing Tech. I am not, because that meaning is not offered by the text itself. And, if the plan was to never bring him back, it should have been.

We are not, for example, offered a lesson about how not everyone comes home from the war. In order for that to have been the case, we would have needed to see someone, probably Omega, working through that. We would have needed to see her refusing to accept that Tech is gone—like we do in Plan 99, by the way—and slowly coming to terms with the idea that her brother isn’t coming home. But we don’t get that, not even as subtext.

Something else we could have gotten that would have worked with all the little visual reminders of Tech, empty chairs, name-drops, and even the CX-2 leading? The batch being so haunted by losing Tech and not really knowing what happened to him for sure that they start seeing him everywhere. But for that to work we would have needed, again, to see that as an explicit subplot where someone, probably Omega, again, gets really invested in the signs that Tech is coming back and even starts assuming that CX-2 is him, only to realize that she’s seeing what she wants to see and having to accept that Tech isn’t coming back, but that she can still keep Tech’s memory alive by following in his footsteps. That’s something you can kind of project onto what we’re given in the epilogue, but you do have to project it, because it’s entirely absent from the rest of the show.

As is, Tech’s sacrifice isn’t given any weight. From a narrative perspective, it was an incredibly contrived set of circumstances that accomplished nothing except punting Tech off a train, and gave Tech no choice but to remove himself from the story—exit, stage down. Losing Tech doesn’t, even sub-textually, serve as anyone’s motivation. It does nothing to move the plot or anyone’s character development forward. The primary motivators of season three were Omega’s kidnapping, Crosshair’s PTSD, and Hemlock needing to get Omega back.

Tech’s absence does nothing to move anything forward and only really serves to slow the plot down and make the others struggle to do anything because he’s not there to carry the team like he did in the first two seasons—and nothing about that would have played out any differently if Tech spent the season in a coma in a bacta tank. The only part of Tech’s sacrifice that has meaning is that he loved his family enough to offer it. And that is profound, but that’s not something that would be negated by a return because the love and the offer remain. As for his presumed death? His return couldn’t have taken meaning away from that, because the show never gave it any meaning in the first place.

And no, Tech “dying” isn’t something I have to accept. Tech isn’t a real person, he’s an idea, and an idea that didn’t come to fruition. I can point out the ways the handling of his departure didn’t work all day if I want.

3. CX-Tech was not an overly online theory. I need people to understand this. It was an assumption made by most of the casual audience. My sister, who has no contact with the fandom and doesn’t like me discussing the show at all until she’s seen it, assumed he was Tech. My brother-in-law, who was a die-hard Tech-has-to-be-dead-shut-up guy for the entire hiatus and the first half of season three, was convinced he was Tech. Every kid I’ve spoken to who watched the show thought he was Tech and is deeply confused that he got speared like that. My brother, who doesn’t even watch the show but who does walk by when I’m watching it sometimes, thought he was Tech. You can’t get more casual and away from the fandom than that.

The thing is, the answer we get isn’t that he’s not Tech. It’s, “We’re not telling.” Which means that as it currently stands, a season-and-a-half of CX buildup amounted to a five minute boss fight and a non-answer. That’s…not something that works! That’s atrocious writing if that was the whole sum of their intent all along.

And you can say, well, that was a clever misdirect! Plot twist! Except, one, misdirects and twists only work if the real answer is more satisfying than the false one, otherwise it just falls flat. Two, if it was a misdirect, it’s not one the creative team is willing to own. No one will touch the Tech-CX-2 parallels with a twenty-foot pole, except the Kiners, who have incredibly meaningful explanations for every musical choice but then say shit like, “that chord just sounds good in brass” about Battle of the Snipers (…before going on to say that the four note lose motif from “Plan 99” is Tech’s leitmotif…which is also all over Battle of the Snipers…and is only there according because the batch is divided in that scene, a scene in which Crosshair’s leitmotif is entirely absent even though he’s just supposed to be fighting his own dark side represented by a guy who’s totally not Tech. Sure. I’m going to go eat drywall.) Because acknowledging that and saying that was supposed to be Tech will just make the audience angrier, and they may not even be allowed to do so, and saying that it is Tech—you can understand why they can’t do that, right? The implications are horrific. But that horrific implication is probably what at least some of the casual audience who will never interact with the fandom or a single interview is going to walk away with.

4. The thing that bothers me most about all of this is the combined toxicity of the fandom and the leading from the marketing and social media. Part of the fandom saying that there were never any signs Tech could have survived (in Star Wars, no less) is starting to feel like gaslighting; and while I don’t think there was any malice in the leading in the marketing and social media—I’m even willing to give a tiny bit of leeway for the creative team maybe knowing something we don’t yet—it was handled badly, expectations for this season should have been set early and clearly, and as of right now it all feels like an incredibly cruel prank at autistic fans expense, whatever the intent may have been or may still be.

5. And finally, here’s the thing: I’m willing to give the writers a bit of leeway on this. I’m willing to grant that some choices may have been out of their hands for unknown reasons. I’m even willing to say that maybe they’re not really done with this story yet, that The Bad Batch could just be the first chapter of a longer show that was split up for stupid business reasons, and that the finale is the way it is because they had to have an ending of sorts without actually resolving anything. I’m willing to grant a lot of grace there. In fact, I actually think there’s a very good chance we’ll still get Tech back alive in canon, and sooner than later, if only because no one (not even the voice actors) seems happy about this, most fans are coping but disappointed at best, the creative team got asked about Tech non-stop for a solid year and a half, and the writers don’t seem at all committed. We know from the rest of the show that they know how to definitively kill a guy, and, frankly, Tech in the first two seasons comes across as something of a writer favorite. They like using him!

But whatever I’m hoping or suspecting, and whatever leeway I’m willing to grant the creative team here, the final product is all we have right now. And I am going to criticize that final product for badly handling a (presumed) character death and straight up breaking the central conceit of the show in doing so.

#the bad batch #one thing I will say #is that if I knew for sure #that ‘the cavalry has arrived’ was simply a midpoint #not really a series finale in the writers’ heads but just a season finale #and that this story was going to continue but now with more focus on Rex and Echo #with Tech as the bridge between the two series #I would not be nearly as harsh about the finale as I am #it doesn’t resolve anything it simply stops #because it had to end

86 notes · View notes

wingsofimagery · 18 hours

Text

Face

✴ Summary: Seonghwa was in his dark times again. Thoughts that should not cloud his judgment roamed rampantly in his mind. A horrible mind game that only could be cured by your reassurance. ✴ Characters: Seonghwa x Reader ✴ Genre: Angst w/ Comfort ✴ Rating/Warnings: General/SFW ✴ Word Count: 758 ✴ A/N: I'm a constant liar but I did start writing that TA!Sehyoon. Just needed this one out before this account goes dead again. Writing long stories really isn't my forte...

Mingi had informed you of how Seonghwa’s mood has been drastically low lately. You decided it was high time to get him out of his slump. According to your books, one can only be left to their demise for so long. You knocked on the door softly to announce your entry to him. Silence greeted you, but you saw his hunched-up back.

“Seonghwa,” you called out to him with a reserved gentleness.

You got no response, so you tried again, only to get an acknowledging grunt from him. You sighed with resignation and plopped yourself down on the bed. He remained resilient, not letting you see him as he tilted his body away from your direction.

“Park Seonghwa, tell me what’s wrong,” you pleaded.

You wrapped your hand around his wrist and tugged on it in futile. You were beginning to feel frustrated. You only wanted to comfort Seonghwa in the same way he does for you. What is a relationship without mutual giving and taking?

“Look away,” he finally whined.

“What?”

“Look away,” he repeated, “I don’t want you to see how ugly I am.”

Your heart broke in an instant.

“What are you on about? Who called you ugly?” “I did.”

You crossed your arms over your chest.

“And why is that?”

He was quiet again.

“Look at me, my star.”

He finally removed his hands from his face, turning to face you. You brushed his hair out of the way, then knelt on the bed to hug his head to your chest. “No one is allowed to say mean things about the love of my life, not even the person himself.”

“I’m only speaking the truth,” he muttered against your chest.

You pulled him away and cupped his cheeks. Your eyes stared dead straight into his, causing a shiver to run down his spine. He could see the passion in your eyes.

“Have you ever heard of the saying: the current face you have is the face of the person you loved most in your past life?”

“But this is my first life,” he replied with a pout on his lips.

You heaved a sigh.

“Okay, so when I reincarnate, I’ll be born with your face. Does that mean I am unattractive?”

He rapidly shook his head in denial.

“You’re anything but. You’re beautiful inside out; you can make my face work on you, my love. You’d look good with any face.” You sighed, resting your forehead against his. " But that’s how I feel about you. You’re so ethereal inside and out. You don’t realize it, but I’m here to remind you just how truly amazing you are. The way you see me is the same exact way I see you. The higher being in charge of creating you sure took their sweet time to make you perfect because it’s unfair you are the way you are.”

He chuckled sadly, his eyes downcast to avoid your loving gaze. The confident persona was nowhere to be found, clouded by murky clouds of doubt. The shine was completely blocked out by a curtain of unease. Your lips pursed in response. His sadness flowed and struck deeply into your heart. Nevertheless, you refused to give up on him.

“Although the rain likes to ruin your peace, I, the sun, will always peek out to shine on you. What I’m trying to say is… Park Seonghwa, you are an angel. You have wings, but I think you shrunk them a little too much because you can’t even see them yourself anymore.”

You knew he wanted to refute you, but he resigned his argument upon seeing the sparkles in your eyes. You were determined to show him his worth, so the least he could do was wholeheartedly accept your feelings and make them his own.

You affectionately pecked his nose, to which he chased after you fruitlessly for a kiss on the lips. You laughed breathlessly at his desperation. A thumb reached up to graze against his lips before you leaned in to kiss him. You poured your love into the kiss, hoping he could feel even a portion of your ever-flowing adoration for him.

Once you pulled away, you tapped his nose with your index.

“I love you to infinity and beyond; remember that, Park Seonghwa,” you declared.

Seonghwa smiled and nodded, “I truly, deeply love you.”

You giggled because while you made a Toys Story reference, he went and made his own Star Wars reference. Two loving dorks just sitting there basking in their affection for one another.

#cromernet #k-labels #kvanity #kpopccc #ateez scenarios #ateez imagines #seonghwa scenarios #seonghwa imagines #ateez x reader #seonghwa x reader

71 notes · View notes

skitskatdacat63 · 1 day

Text

Happy 5/14!!!!

Aaaaahh not sure if this is my best work 😭 I just really wanted to draw smth for vettonso day but my brain hasn't really been functioning well LOL so I kept dreading working on this, especially bcs its so important to me, y'know? I hope it's good????? I'm happy with the concept, but I was just so unsure on so many of the angles and it was killing me. I did the color thing bcs I thought it'd add something interesting to it :) since I didn't paint it as I usually would

Anyways! Process!

Now I will explain all of them:

Boy king au is where it all starts of course. I think their relationship is the most developed in this compared to the others, but at the same point, they just start from such a different point, especially affection-wise. All of these kinda have a power dynamic, except the last one, and this is the most imbalanced. Fernando is being subservient, the only part of Seb he may kiss(in public lol) is his hand.

Matador au next. They hurt themselves when they try to be affectionate, because they live in the culture of a sport of violence and death. The sword separates them, their love for the sport keeps them apart, in fear that they hurt each other. Seb, yet again, looks down upon Fernando. Seb haunts Fernando's whole career, the constant overhanging presence. Also aside from that, shame that you can't see his three musketeers look bcs of the black background 😔

2012 core!!! I think this one is pretty easy to understand. Both of them often kiss their trophies, more so than any driver. So they're both trying to claim the wdc trophy by kissing it. Maybe you guys should just get rid of the trophy altogether and claim each other! But yes, just like the sword in the matador au one, the trophy and their ambitions divides, keeps them from ever bridging the vast gap between them, at least at that point in time.

The conclusion! Aka what I wish we will get at Imola 2024- kidding kidding. But it is 2024. Finally there is no conflict between them, there's no big thing keeping them in conflict, they can finally come together. Finally they can touch, there is no gap to bridge, they can appreciate each other, and appreciate what they failed to in years past.

The thesis is basically that they always have their aspirations between them, and their aspirations happen to be basically the same thing. Until those are resolved, the gap between them is too vast for them to recognize and/or find any commonality. How do you get along with someone when you're both fighting for the same thing? How do you get along when it feels like one of you is winning more? How do you get along when there's such a vast gap?

In boy king au, it's going to take a while before they both feel settled about the issue of the throne. That's what makes that au interesting, they're trapped in this state of non-closure and they have to actually solve their issues without the matter of one of them simply removing themselves from the equation. They have to find a way to get over themselves and their aspirations, because like it or not they're stuck with each other. I think with the hand kissing, it represents how Fernando, at that point, is only willing to play along with the game if it's tradition, and he often won't budge in other ways. Yes, I will show subservience, but only in this detached, formal way that I don't connect personally to. He's still holding his own bitterness over meaningfully appreciating Seb. Though it's not like Seb isn't at fault. It takes a while for him to not hold things over Fernando, and constantly humiliate him. One day they will meaningfully show affection, and it won't be some sort of power play.

I think matador au is pretty similar to real life, and the 2010s era(it's basically just their actual plot line but in the context of bullfighting.) They're forever going to have this big elephant in the room, and it only really gets resolved when one of them leaves the sport. Once they're not fighting directly against each other, they realize what they've been missing out on and what they were not appreciating for so many years beforehand. They finally come together because they can't just rely anymore on the sport keeping them together. They actually have to make that step to be in each other's lives, rather than just taking their presence for granted.

Also the text on the comic. "We keep missing, and missing, and missing, and finally kissing." It's basically: we keep missing the point of it all, we keep failing to appreciate each other presence in our lives and in our own individual grand stories. But when we're not forced together anymore, we have to make the choice to come together again ourselves. We keep missing what we actually need to do. Missing each other in favor of our aspirations. Etc etc. One day we will finally embrace and there will be nothing keeping us apart.

#hahaha im more proud of what i wrote under the cut so make sure to read that!#im happy w the concept but the art hurt my brain so its not my best work i dont think #i also never draw kissing #so please take my token of actual shippy affection for once #VETTONSO DAY!!!!!!!!!! AAAAHH #man im glad i realized that last wk bcs i think i wouldve never recovered if i didnt draw smth for it #tho thsts why i think i kinda dont like this drawing 😭#the process was rly stressful to me bcs im like I HAVE TO FINISH THIS #its my national holiday and i must pay my dues 🤧🤧#but im happy abt the plotline of this all :)#sigh. when will vettonso truly stop missing and actually start kissing #i rly hope 005's art and mine works as some sort of sacrifice so we get pics of them together from imola #like PLEASE guys if theres literally one thing you could do for me. it would make my year. genuinely #i just need that shock again of japan 23. just the completely unexpected pictures #cmon lets have a meetup of aston failboys as they look upon the amr24 and commiserate #^ see exactly the point of this art. they have this bridging them together.#conflict that keeps them together and that they can relate to rather than dividing them #conflict is not man vs man anymore. it's man vs car 😔#f1 #formula 1 #sebastian vettel #fernando alonso #vettonso #catie.art.#catie.rambling.txt

42 notes · View notes

derww · 2 days

Text

some really basic thoughts about last mape's stream (lifesteal spoilers to 13.05):

– squiddo doesn't make any sense, her speaking bad about ash is like pretty much as pentar speaking bad about jumper – yes, they did not have a proper public allieship, but everyone knows that they're good friends inside and outside of a character, so the sudden switch looks very unnatural. for now, my bet is that new league wanted to get more info through squiddo, so they gave her a piece of very real information about the project, which jumper abandoned, was not going to continue, and was ready to sacrifice, as pentar sacrificed his base to gain the trust of the players. its really in some way, pretty much the same situation, which can show new league's manner of work. and her wanting wemmbu to succeed is just very strange for her character arc, even if she thinks all these godmod things are cool.

– but, of course, knowing squiddo and nonsense of the lifesteal, there's still a small chance that she's not a double agent. she decided that her character is mad about rejection in the new league, and she likes wemmbu's plan or her understanding of it so much that she is ready to step over yourself to contribute to his success (what doesn't seem to make sense, combined with her desire to be in a new league, there are two very different motivations to work against them, and they don't work particularly well together). in that case, well, i guess jumper thought that it'd be very cool to make a video of them two standing right in the center of her unfinished voidhole and that she believed her too much because of squiddo's hatred for wemmbu&mapicc and friendship with ash. it's not beyond the realm of possibility, but it definitely doesn't meet the usual jumper paranoia. but in that case we can have a very interesting and funny and cool ally, which would be cool, despite all the improbability.

– wemmbu's attitude and motivations, as always, remain mystery for me. i get that he gave mape an immortality to mess with minute, but but now the players, his only allies, are even bigger underdogs than before (if we talk from a logical position, where we only take into account mape and ro, because leo and clown are definitely not considered reliable allies). realistically, of course, there are many complex and not too honest ways to win 2v4 and even 1v4 but mape's record shows that he's more likely to still take his sword and try to run in the wall. what is the interest for wemmbu in all this if only neutrals and the new league remain on the server? what if he needs help? is he that cocky? is he different from spoke in that he doesn't need dolls to play with them? i understand the argument that another immortal person or that reviving dead players destroys the essence of hardcore and generally makes everything less appropriate, but when wemmbu did what was right and not what was beneficial to him? maybe he just doesn't want a second god on the server, even if he will always be able to remove it. to be honest, i was sure that he would leave the mape with immortality for now, and then take it off at the most unfortunate moment just for fun of it but oh, well.

– it's just part of who mape is, but his crushing self-confidence is dangerous. he speaks as if he has power when he only has ideas and options that may or may not work. it worked in the re-election, but will it work now? i would like to believe in him and that he would get some interesting powers from wemmbu and fight the new league using them, because otherwise the last two weeks of the server seem incredibly boring to me. of course, even without the players, we'll still have a couple of plots on the server that might work, but they might as well be the chekhov rifles that never fired, and having two final weeks without big conflict seems very strange.

#lifesteal smp #lifesteal #lifesteal spoilers #mapicc #wemmbu #squiddo

28 notes · View notes

chaifootsteps · 13 hours

Note

@ the anon who asked what the difference is between fans being disappointed by the direction Goose took with Jax compared to the direction Viv took with Striker, I think it's pretty stark and clear

I didn't expect Striker to be 'one of the good guys' or 'redeemed' when he first showed up in e5, and I didn't even really like Blitzstrike much until later when I realized how much better both Blitzstrike and Blitzfizz are than Stolas

but I did think his appearance meant an increase in the complexity of the story. Like most 'knight of cerberus' characters, as TV Tropes calls them, his appearance signals things getting more serious. there are stakes now to Stolas' cheating

more than that, he was the first character to explicitly call out the class hierarchy and how Blitzo felt demeaned by Stolas' treatment of him (like fr, look at his face after Striker drops that line - it wouldn't get to him if it wasn't true)

that Blitzo and Striker fight felt like a comment on the rich pitting the poor against the poor. and that Striker is also a bully to Moxxie and kind of a 'dark mirror' to Blitzo means he's an interesting antagonist because he is also flawed, arguably partially as a result of the world he came up in

all of that sets up narrative expectations and shifts the gears of the show to put stakes on a plot point it was previously treating like black comedy

then Viv threw all that in the garbage to derail Striker completely - previously suave and smooth his ego is now so large that he has a statue of himself with a giant dick. previously his chemistry with Blitzo was through the roof and they genuinely seemed to have a rivalry/respect for one another, now Blitzo and Fizz both act like Striker is repellent to be around. he still points out the class divide - hard to remove that without gutting his character completely, but now everyone dismisses him as a hypocrite and a supremacist; the audience knows better than to side with a character like that, right?

tl:dr but Striker was set up partway through the show as a major turning point in how the drama was handled, only for the show to handle its class divide with all the grace of the Faunus from RWBY (recommend the segment in Hbomb's vid on this, tons of what he says about how the writing is compromised easily applies to HB too) and hammer it home numerous times that the status quo is good and the only good imps are the ones who kiss the ring of royalty, like Moxxie or Season 2 Fizz (the writers really thought they cooked with that dumb 'you just hate him for being a prince' line, as if it's unreasonable for Blitzo to look at Stolas' imp servants and have disdain for that)

Jax meanwhile was introduced in the pilot as a jerk, Goose says he is a jerk and we should expect him to get worse. there's no lost potential attached to him, just lost headcanons and fan characterizations

This, exactly.

Jax has a role to play in the story he's in, and it's very clear what that role is, and Goose has laid it out as much as she can without spoiling anything. Striker, meanwhile, was introduced as an agent of change, of escalating stakes and a sign that this show was shifting from goofy office comedy to what seemed to be a story about the class divide, only for the story to do a hard 180 and instead be about #NotAllRichPeople. And that's terrible.

#Anonymous #helluva boss critical #actual blog post #viv stuff

43 notes · View notes

caramel-covered-apples · 22 hours

Text

wolfstar + jegulus spiderman au

i was thinking about this in the shower. thats right, this is a literal shower thought.

the idea: both james and sirius are spider-man. they both know each other's identities - james tried to hide it for a week, but then sirius was like "you became spider-man and you didn't invite me? :(" - and are often seen together during fights and the such.

thing is, sirius likes remus and james likes regulus. you can see where this is going.

wolfstar

sirius has liked remus for a while - practically everyone but remus knows.

remus is an oblivious little shit who plays off sirius's flirting as just his usual mischievous behavior and doesn't take it too seriously.

remus doesn't care much for either of the two spider-men and it absolutely breaks sirius's heart (/j)

sirius starts to do the most reckless shit ever to gain remus's attention - both as sirius and as spider-man. he randomly starts coming home with a limp while spider-man is just reported to have leaped off a fucking building.

and sirius continues to do this until finally, finally, remus mentions how reckless spider-man is being.

sirius takes that as a win and lays off on the reckless attention shit, and remus takes notice of how sirius doesn't limp as much anymore.

but of course, he plays it off, because sirius was always doing reckless shit outside of his spider-man duties.

so they return to their usual wolfstar behavior.

that is, until sirius comes home to his house - where his parents live, and where sirius usually steers clear of - to heal up from a bad fight, and remus is there.

remus wasn't supposed to be there - at least, not until later, when the two had initially set up their meeting time. (sirius and remus and james and peter, who isn't really included, share a dorm, but sirius wanted to bring remus for a ride on his motorcycle and it was stowed away in his parent's garage)

and sirius doesn't notice - y'know, post-battle deliriousness - until remus goes, "spider-man?"

and oh shit does sirius freak out because that's remus, staring at him, bloodied and at his worst, with practically half of his mask torn off and remus still doesn't know.

so he rips off the bandage and takes off his mask - or, what remains.

and remus is staring at sirius in disbelief, and yet, sirius can see the cogs turning in his head.

"oh my god," remus whispers. "that was you. you fell off that building (or whatever sirius did to get his attention)."

and sirius tries to play it cool, but remus won't drop it because sirius currently has a bullet in his shoulder and oh god he's hurt.

remus knows that spider-man has sustained worse, and yet, he helps him with the bandaids and he helps remove the fucking bullet in his shoulder.

and they're both silent until remus says, "how long?"

and sirius goes, "since the field trip."

and remus asks, "who's the other spider-man?"

and sirius, being a good friend, decides against revealing james's identity, so he lies and says, "i dunno. we aren't exactly tight."

"but you're with him all the time."

"it's easier to have a buddy to fight with, moony. we don't go around showing off our identities."

and from then on, remus is hellbent on making sure sirius is properly healed after his fights and remus realizes that oh, sirius likes him too.

i think you know where this goes.

jegulus

james, on the other hand, has not liked regulus for a while. everyone knows that he's head over heels for lily evans, and yet, he finds himself drawn towards sirius's brother.

but he can't like sirius's brother because that's sirius's brother.

he tells sirius, who doesn't care, but james knows that sirius is very protective of his brother and sirius also wants what's best for james and so, sirius ends up laying off on him.

so he hyperfixates on being spider-man and completely ignores regulus - almost to an extreme, which throws sirius off, because james and regulus are good friends.

james also undergoes a sexuality crisis because he likes lily, he doesn't like regulus, he isn't gay, what is happening??

anyways, he continues on hyperfixating on being spider-man, before realizing that regulus is a nosy little shit.

regulus, he finds from sirius, is obsessed with spider-man. he tries to hide it, but his computer tabs are full with reddit theories on who the spider-men might be.

and james panics, because if he's actively ignoring regulus while he's on a hunt for the identity of spider-man, it'll be a little bit more than obvious.

so he stops, although his sexuality crisis is still underway, and so james is a mess of emotions, bruises from his fights, his spider-man life, his classes, and everything in between.

while trying to be as inconspicuous as possible - which is actually even more conspicuous, because he's james - regulus realizes one of the spider-men has been right under his nose.

james fucking potter.

and it makes sense, because james was ignoring him and then he was so obvious and regulus decides to play along with james because he's curious on how he might find out.

james eventually breaks under all of this pressure that he's mostly placed upon himself and goes up to regulus.

"hey- uh, I'm-"

"spider-man," regulus finds himself saying, shocking them both.

"what?"

"it's pretty obvious," regulus says. and he goes on a rant about how conspicuous james was being and james tries to play it off but he only proves regulus's statement further and he eventually tells him.

of course, regulus still doesn't know that james likes him, but he deduces that in a matter of time, and then jegulus is official.

(lily is secretly devastated because james is hot, but there's always marlene.)

part two coming soon! :D thanks for reading

#wolfstar #marauders #jegulus #spiderman #alternate universe #james potter #regulus black #remus lupin #sirius black #silly goofy mood #spidey #i live for jegulus spiderman aus and i live for wolfstar.#so here have both

27 notes · View notes

kaibutsushidousha · 19 hours

Note

Thoughts on Kirschtaria?

I love Kirschtaria lots but he isn't exactly easy to talk about. Olympus was 4 years but I still think it's too early for this post. Kirschtaria is the one who knows what the entire Animusphere plot is about. Until his final scenes, where he opens rebellion against the CHALDEAS and tries to unfold his secret plan, he's under constant surveillance by the priestess and pretty much all of his actions and speeches inform of CHALDEAS's (Marisbury's) beliefs rather than his own. A good analysis of Kirschtaria needs to wait until we know what exactly he was involved with.

The post-rebellion parts, where we get to see his past and learn about his ideals, are not easy to talk about either because Kirschtaria is too much of a straightforward hero behind his mage posturing and 5D chess. He's cheerful, accepting, driven to be productive, loves his friends, believes in everyone's inherent potential to be good, and wishes to end inequality above all.

One of the parroted Animusphere beliefs that Kirschtaria showed to genuinely believe in is the idea that humans are unequipped to immediately make the right choice but he puts a positive spin to it making we are experts in fixing mistakes later.

I don't think I can find anything original to say by explaining how his experience with Pino taught him that beauty can come from the least expected places and how much that is reflected in his relationships with Caenis and Beryl, so I guess all I got to close off this with post with is some speculative trivia that never leaves my brain.

I strongly believe Kirschtaria's characterization is the result of Nasu really wanting to write his original version of Jesus but knowing exactly how much of a bad idea it is to portray the central figure of a massively active religion. This is the same guy who made the Buddha into a boss character with no speaking roles and removed Hassan's Allah Akbar chant from every rerelease of Fsn for sensibility reasons. Jesus himself gets referenced as the Messiah sometimes but never by name. Nasu plays safe with this kind of thing.

So instead of Jesus, we have Kirschtaria. Named after the Japanese "kirishito" spelling of Christ, but written with a very unusual romanization because Nasu really wanted the English spelling of the name to contain an anagram of Christ (irscht). Then he put Kirsch through the basic Jesus plot of carrying out a major project to free mankind from its history of sin and enable everyone to do better, with the only life paid as the price being his own. And in true Jesus fashion, this ends with Kirschtaria dying by the side of a huge sinner that he personally pardoned and inspired to be better. And since subtlety is for pussies, we also get a scene where Caenis sees Kirschtaria shirtless and practically straight up says "Dude, you look like one of those Jesus portraits".

I could continue with commentary on how Pino being poor, sickly, and homeless is in line with the standard archetype of characters who appear to receive miracles in the Gospels, or how Nasu's interest in Jesus is tangible again with his next story portraying both Avalon le Faes as prophesized saviors born through special means for the sole purpose of going on a painful journey of pilgrimage fated to culminate on them sacrificing themselves to absolve the people of an ancestral sin but I think it's better not to stretch the idea too much.

#type moon #fate grand order #kirschtaria wodime #jesus christ

20 notes · View notes

gingermintpepper · 23 hours

Note

You're not wrong, but all the gods are terrible in Blood of Zeus. It's why Gaea goes scorched earth.

Actually, I'd argue that we only see a case for the older Olympians* being terrible and even then, it's not all of them: Poseidon, for one, is a really good example of someone who understood that mistakes were made, that something had to give, and was more that ready to set old conflicts aside in order to move forward in the wake of Zeus' death. Hera also seems to be genuinely reflective and apologetic for the crimes she wrought and wanted, more than anything, to be given the opportunity to make amends for her actions by doing the one thing everyone thought she never could; give up her power.

Going down the line, the talking point of "oh, all the gods in Blood of Zeus are terrible" becomes weaker and weaker: Apollo's only actual crime is being too filial/his contempt of Hera, but he shows more compassion and understanding than anything - both while comforting Electra about the nature of her son and by welcoming and supporting Heron, Hermes is also similarly shown with a very strong familial loyalty, but prioritises his work above all else, Hephaestus is a councillor and assistant, Athena is protective and shown, not only rallying together her siblings in order to properly inform them of the nature of the foe they were facing (even when they had been on different sides of the Hera/Zeus conflict and even when it casts Hera in a good light and plainly makes it known that she's being framed) but also getting Persephone to fess up her part in the scheme without resorting to violence.

The only gods that were portrayed poorly in Season 2 were Ares, who feels like he'd be better off being called Damian Wayne with how intensely he's preoccupied with blood purity and being Zeus' legitimate son, Aphrodite who sides with him (but even then is shown feeling ill at ease at going along with his treachery prior to the Eleusinian Stone trial), and Demeter who is so far removed from simply 'being an asshole' that she's hurtled headfirst into being a sadistic supervillain.

(Of course Hades is also a tyrant and an asshole but I also consider him too wishy-washy and inconsistent to figure out what angle they were trying to take with him. I can't think of him as good or bad, merely confusing)

Anyway, I think people hold on to the idea that the gods in BoZ are all assholes too closely because Heron and Seraphim, our main characters, hold on to the idea that ALL gods are assholes due to being the pawn of -counts on fingers- exactly two of them. With the exception of Ares, all of the other gods have been nothing but welcoming and supportive of Heron! And what Hades does to Heron in S2 has nothing to do with his feelings about Heron himself but rather with his own goals and desperations that have been multiplied by Demeter's machinations and his own frustrations at being unable to keep his family together.

#But yeah I don't agree with the reading that all the gods in boz are bad and terrible at all #It's literally just a handful of them #The others aren't perfect by any means #They still hate each other and have mad generational beef due to the constant eye for an eye lifestyle that they live #But that's where Gaea comes in - that's where Heron comes in #The gods - all of them - need to learn how to forgive #Just like Heron had to learn to swallow the pain Seraphim caused and let go of it so he could wholeheartedly help and mourn his brother #Gaea went scorched earth because Hades killed her messiah and without him the girlies won't ever stop fighting #ginger chats about greek myths #Greek mythology #boz #blood of zeus #apollo #athena #demeter #hades #persephone #hermes #heron #Anyway hope this helps <33

23 notes · View notes

tangents-within-tangents · 2 days

Text

Thoughts on Echo as amputee/disability representation

First and foremost, I am not disabled or an amputee and I don’t claim to speak for those communities. What little I do know mostly comes from this youtube channel (@oakwyrm), this post, and other research I’ve done for my writing (and like one amputee I kinda knew in passing). By all means correct me and add to the conversation, I just have some thoughts I want to share because I haven’t really seen this discussed anywhere

Overview

So Echo is interesting. He is a triple amputee which is pretty rare in media. His disabilities come from extremely traumatic circumstances: injured in a near-death experience, imprisoned and dehumanized as an experiment with no autonomy over what happened to his body.

There are a few moments in the shows where Echo is treated… questionably. Like this bit where Rex uses him as an example of the Separatists' evils to convince the locals to fight back:

To be fair, yeah Echo’s treatment does prove that the Techno Union is not neutral like they claim. The modifications that everyone is gasping in horror at here obviously weren’t made with comfort and accessibility in mind, nor with Echo’s consent. But you still just want to be sure that “They took away his freedom, his humanity, they tried to turn him into a machine” is about using him as a living computer, not the fact that he is missing limbs.

The Batch is also pretty insensitive toward him and his trauma imo, which is weird considering they've supposedly also faced discrimination for their mutations

Disabled people do have to deal with stuff like this in this day and age so I guess it can speak to those experiences. I think especially him being mistaken as a droid (and Hunter going along with it (bruh)) might resonate with some people.

Aside from that stuff, Echo isn't really treated any differently as a character/person which is really good (as low of a bar as that is).

We get this moment in CW where Echo contemplates that yeah things are gonna be different now

While also (imo at least) showing that he is still the same person regardless, evidenced by the fact that he just echoed Rex :,) I also think it's significant that he joins the Bad Batch on his own terms and we're given a really emotional scene to specifically show that he's not just like 'lumped in with the other misfits' but that it is his choice to go where he feels his place is.

A lot of people, myself included, are disappointed that TBB didn't have more time to explore Echo's PTSD, but I think the one panic attack scene we did get is really good. Even thought it's minor it at least is an appropriate reaction from a guy who was medically tortured (which is more than I've come to expect from Star Wars shows lol)

And it's really sweet to see Omega showing Echo some empathy and consideration.

It would have been nice to see more of his adjustment period, and other side effects like chronic pain and maintenance, but there’s a lot of daily life stuff the show never had time for (i.e. we don’t know if he removed his prosthetics to sleep, but we also never saw him sleep anyway). His disabilities might take on a background role (much like the character himself sadly) but for the most part they aren’t invisible or erased, nor do they define his character and arc.

Physical Appearance

Okay this one is bit dicey, bc on the one hand, yes complaints that Echo’s paleness (caused by burns from the explosion or chemical burns from the cryo-chamber) is whitewashing are totally valid. But I also think you can draw comparisons to real life conditions that affect pigmentation/complexion (like you know burns). So while I understand why a lot of fanart will depict him with his original skin tone and with hair, consider that there are real people who have to live with temporary or permanent changes to their appearance, and the idea of “fixing" him by making him look more like his old self can be problematic.

It's also interesting to note that Echo could act as a reversal of the 'disabled/disfigured = evil' trope. He's pale and bald and wears black and red, which is so often visually associated with villains, but we all know Echo is the bestest boy™

The Headpiece

Echo’s headpiece is interesting because within the show we don’t actually ever learn much about it (idk if there is more info in books or whatever bc i don’t have them so?). He didn’t have it in CW so we know it didn’t come from the Techno Union and therefore Echo probably had more choice with it. We don’t know its exact purpose but it’s most likely related to his scomping abilities. When he is hacking with his scomp in CW, before he has his headpiece, it’s clearly very mentally straining:

We don’t see him struggling like this in TBB once he does have it (though that could be bc he got more used to it over time). There doesn't seem to be much of an impact when he removes his headpiece in s3 ep14-15, except that he gets stuck in the ports every time he uses his scomp which is not something we’ve seen before:

There might not be an exact real-world equivalent, but the headpiece is some kind of accessibility aid. It means that someone specifically designed a device to help him adapt to the changes the Techno Union made, as well as a helmet that integrates it. It’s removable and visually very present, much like a cochlear implant would be. (A lot of people actually headcanon it to act partially as a hearing aid, since it makes sense that Echo’s hearing would have been damaged in the explosion, but there’s isn't really any indication of this in canon.) The headpiece is never really acknowledged in the show, but I think that's a good thing. It's something he needs/wants and it just exists, completely normalized, and that's pretty cool 👍

Legs

Sigh... So from the very first episode of TBB I was really disappointed that the animation team or whoever completely visually erased Echo’s prosthetic legs (I think we all were, honestly, if fanart is anything to go by). It’s one thing when he’s in armor because he would probably want to protect his prosthetics, but we literally see him in his blacks and there is no indication whatsoever that he lost his legs even though it was not left up for debate at all in CW:

Like ??????!?

This is just really strange to me! Idk what went on behind the scenes with this decision but I don’t really see why it would be that much harder to animate or anything since it’s 3D and they've done it before. We do see some pretty sophisticated cybernetic technology in Star Wars canon that mimics real limbs:

But Luke’s fancy hand is technically 20ish years from now, so Anakin and Maul are more of a representation of what level we could expect here

So yeah, for no apparent reason, his leg amputation is effectively, visually and narratively nonexistent. Which is not great 👎

Arm!

The scomp on the other hand (uh lol!) is the complete opposite and I kinda love it!

At first I, like many others, thought it was a bit odd that they didn’t give Echo a prosthetic arm. Losing hands is basically a Star Wars tradition at this point, so robotic arms/hands are well established within the worldbuilding:

We aren’t necessarily given a canon reason for why Echo doesn't get a cybernetic arm (again unless it's in some lore book I haven’t read, sorry). General fanon explanations I’ve seen are that he either couldn’t because the Techno Union wired the scomp too far into his nervous system, and/or the resources to give him one were deemed too expensive for a clone (what about his legs tho?), or that he chose not to, usually because he thought the scomping was useful.

Regardless, I actually really love this choice (and it's the whole reason I made this post), because here's the thing: There’s a lot of problematic tropes out there that either erase/cure disabilities or compensate them with perks (like how pretty much any blind character is actually not blind by some sort of magic power). With amputees that is done with robotic arms. The character is still an amputee or course, and there is still value in that representation, if this story from Mark Hamill that makes me tear up is anything to go by:

but for the most part these characters function like anyone else, just with a limb that looks a little different. It’s no more than a video game skin, an able-bodied actor with a green screen glove. It “cures” the disability, or it actually makes the character even stronger than usual:

It usually makes sense within the world of the story, but the reason it’s not so great in my opinion is that in the real world we just do not have technology anywhere close to that yet. Prosthetics can more or less replace any mobility from lost legs, but not for all the complexities of a hand (and even if they could the average person wouldn’t be able to afford it).

I think it's actually really super cool that Echo’s scomp bypasses the canonically-established amputee erasure and functions much like a stump would irl. He integrates it into his movements and everyday life and it’s (as far as I know) a lot closer to an everyday amputee’s experience.

It doesn’t define his character, it doesn’t hold him back, he lives a full life, the other’s don’t treat him any differently, and he’s still a total karking badass

The only additional thing is that he sometimes uses it as a weapon (which given his story, I think it’s cool to see him taking back autonomy in a way, and we only see that like twice)

And also the scomping, which could be seen as the 'added/compensating superpower' trope. But narratively it's no different than if he was plugging in with a hacking gadget of some kind (he didn't necessarily "need" to lose his arm for it) and it’s not like Echo is completely defined by this skill. Personally, I think it's well worth the positives of him actually having a visible and realistically impactful amputation.

I see a lot of posts or comments out there that say stuff like “how come Echo doesn’t get a hand?” or fanworks that do give him one and I just think it’s a bit of a shame. If he did get a robotic hand, it just would have disappeared the same way his legs and Anakin’s arm did (aside from that one time he got yoinked by a magnet). When Echo did “get a hand” in the last two episodes there were comments like “yay he finally got a hand! but it doesn’t even work” but I was actually so relieved that it didn’t! Bc for one thing that wouldn’t make any sense, he grabbed it off a droid, it wasn’t designed to implement with his scomp, that would be really complicated. But more importantly because it again refused to erase/cure his disability! It functioned like a real-world cosmetic prosthetic (useless beyond appearance) which is exactly what he needed it for, so that he could blend in better with his disguise.

And he continually took it off throughout the episode and ditched it at the end. He only used it for the necessity of a stealth mission, he doesn’t feel the need to visually “fit in” in his daily life.

And, last but very much not least, he made a dad joke and from my intel that is very accurate representation!

TLDR: Echo’s scomp is actually really cool from an amputee representation perspective, especially within Star Wars, and I think that deserves some appreciation

24 notes · View notes

synergysilhouette · 2 days

Text

Making Netflix's ATLA an AU instead of a strict remake: some changes I'd make to Book 1

It's my personal opinion that since ATLA was great as-is, it didn't need a remake (even if it is underrated). But if Netflix was gonna make one anyway, I'd prefer they made it an AU and make significant changes without marketing this as "this is exactly like the show you enjoyed as kids/teens." (Note: Possibly controversial changes below)

Sexism against male waterbenders because of Kuruk--Due to what is viewed as a "failure" on Kuruk's part to properly manage his duties as avatar and his spiritual corruption, male waterbenders are believed to lack the necessarily gentleness and spirituality in order to bend properly, with combat or healing. Given how Harun was removed (at least from season 1), he could've been rewritten as a waterbender here, with Pakku as his uncle, who still holds onto tradition, even if it holds him back. He's still knowledgeable and teaches Katara and Aang, but does so in secret, with Katara inspiring Harun to learn as well. Eventually when he's found out, he and Harun are banished from the tribe (because beliefs can't be changed in a day or two).

More focus on the Water Tribe--The idea is supposed to be that waterbenders were wiped out, but I do like the idea that we still explore aspects of Water Tribe culture, as well as making the territory larger. Given the fact that most of book 1 takes place in different regions and the Netflix remake kinda condensed things, I do want more episodes to take place in WT territory. Kyoshi Island for example is an EK territory, but is also close to the Southern Air Temple and the Southern Water Tribe, so their culture could be shown as more mixed, maybe even with some hidden waterbenders there. Another (albeit controversial) idea could be introducing Bumi in book 2 before introducing Toph, given that Omashu and Gaoling aren't super far from Each other. We could also introduce Hama here to share more of the SWT culture and introduce the concept of bloodbending much earlier so it's a conflict for Katara throughout the whole series. Perhaps maybe even adapt "The Swamp" episode in this season, since I'm not entirely sure it'll be made in the next season.

Ozai's psychology is explored more--In both the OG show and the remake, he's presented as the pinnacle of evil at a first glance, but that's not completely true. Just like everyone else, he's complex, with his evil being brought about by his upbringing. He isn't trying to rule just because; he truly sees it as his divine right, which makes his persuasiveness that much more powerful. He isn't quite as aggressive and relies more on his manipulation and charisma. As such, he's good and making people fear him, love him, and second-guess themselves. The remake had Zhao and Azula take him for a joke, tbh. I'd also make him more acrobatic and agile like Azula rather than just a hard-hitter.

Lu Ten is alive (for a while)--Something I'd enjoy seeing for a minute would be evil Iroh. Let's say Ozai managed to best him in an agni kai for the throne (inspiring Zuko to do this to Azula later on), and Iroh volunteers to go with Zuko on his journey with the hopes of turning him against his father. With time, he develops affection for his nephew and becomes a better father than Ozai was. He believes Lu Ten won't be a threat to Ozai since he now has the throne, but Ozai sends him to help with the Siege of Ba Sing Se, where he ultimately loses his life. This puts Iroh at the crossroads of destiny like Zuko, but he chooses to defend Team Avatar instead. During his imprisonment in the Fire Nation, Iroh tries to calm the turmoil in Zuko's heart, which confuses Zuko due to Iroh's previous speeches and proverbs about power and triumph over his enemies. And I'd also make a rather odd change: both Lu Ten and Iroh are skilled in chi blocking. I definitely feel like Iroh would be well-versed in the art and teach it to his son.

More emphasis on Avatar Roku and Sozin's friendship. Seeing how Roku is Aang's past life and his friendship with Sozin was part of what led to the Hundred Year War, it should definitely take more precedence outside of book 3.

Iroh is Aang's first firebending teacher--This is super weird, I know, but if we're not gonna have Jeong Jeong, I like the idea that while evil (at first), Iroh is still super wise, and does give Aang a few tips on firebending, which he tries on his own, but lacking guidance he burns Katara (or Sokka; it'd feed into his insecurities as a non-bender if he gets hurt and Katara heals him).

Sokka/Zuko and Katara/Azula rivalry--I remember a video once explaining how Sokka and Katara are parallels of Zuko and Azula, given that their mom was gone at an early age and their father influenced them greatly. The big brother wants his father's love and is insecure, while the little sister seems more powerful and has issues regarding her mom. The big difference is that Ozai was a manipulative father while Hakoda was compassionate. Zuko wouldn't take Sokka seriously at first since he's a non-bender, highlighting Sokka's concern of being useless, and his growth would make Zuko feel more insecure in turn. Eventually when Zuko joins the team, they often work together. Azula is rational and a prodigy while Katara is emotional and still learning, but Katara gains confidence while Azula loses it. Just like Zuko, Katara sees it as her mission to stop Azula and sees the pain she goes through. I would also gives Azula a bit more frustrated moments to highlight her youth; a lot of people say she's beyond redemption despite only being 14 and the victim of growing up in an emotionally abusive household.

#avatar #atla #netflix #avatar the last airbender #aang #zuko #iroh #katara #azula #ozai #sokka

21 notes · View notes

steveinscarlet · 2 days

Text

Another vintage Kerrang article for your delectation. This one is loooong. Text below the cut...

THEY'RE ALL concerned and they all want answers. Mötley Crüe drummer Tommy Lee, hauling ass down Sunset Boulevard, Los Angeles, in a sparkling silver Corvette, certainly does. So does Blackfoot mainspring Ricky Medlocke, a recent unexpected apparition within the Marquee's glistening vaults. So does just about everyone I've met in the course of recent field-trips. They're all wearing that 'there but for the grace of God' look and they all want to know. So do I...

"Every time you speak to Rick on the phone you come away with a big grin on your face because he's in such good spirits. He's handling it better than I thought he would. He's matured 10 years overnight. He's totally accepted the fact that he's only got one arm and he's being very realistic about coming back into Def Leppard. He's mad to go for it, though, and we're mad to let him try."

That drummer Rick Allen will try, however, isn't in doubt. He's adamant about it and Leppard vocalist Joe Elliott is equally adamant that the band will give him their unrestrained support. As they've said all along, the decision is totally his "We aren't trying to show off or get sympathy," spells out Joe, "it's just the way we are. Def Leppard is simply five lads - we could have been a football team, we could have been international bank robbers. Rick's a mate, and just because he's had an accident doesn't mean he can't still be in the band. If he physically can't do it then obviously there's going to be problems, but with the technology available today I don't see why he can't play snare drum with his left foot, say. And if he can do that, and maybe have tom tom fills already recorded on a trigger, then the kit would look exactly the same. "Bill Ludwig, who builds Rick's kits, actually got in touch with him as soon as it happened, and it seems that there's a lot of one-arm drummers, guys who came back from Vietnam, y'know. The thing is, they tend to play Holiday Inns and places that like that; it's a different approach to drumming. Rick has a very John Bonhamish style - I mean, the quy doesn't need monitors, he's ridiculously loud! - and he'd never be able to do with one hand what he did with two for an hour and three quarters. It would kill him! So he's gonna need the technology. It's just down to whether he can accept the fact that there are gonna be people in the crowd trying to peer through the cymbals to see a plastic arm. He'll have to wear a shirt now, whereas before he'd always go bare-topped..."

THE DETAILS of the car crash that removed 21- year-old Rick (temporarily at least) from the Leppard ranks have been pretty well documented, grabbing column inches in the Nationals and beyond. The bare facts seem plain enough: at 12.50pm on New Year's Eve, while driving his Corvette along the A57 from Sheffield to his parents home in Dronfield (Derbyshire), Rick was involved in an incident which sent his car spinning out of control, turning over several times, injuring his female passenger and removing his left arm in the process. He remembers what happened vividly, and really can count himself fortunate to be alive. When the debris from the accident was examined it was found that the top half of the steering wheel had been bent back, Rick's particular power clearly preventing the steering column and dashboard from crushing against his chest. But why did it happen?

Picking through the events with Elliott it soon becomes obvious that the whole story is a little more complex than yer typical life-in-the-fast-lane pile up. Think about it...

When you're young and successful, with a streamlined US car and a female companion to match, it can sometimes sting the nasal membrane of the folks you've abandoned to a dole queue existence in your humdrum hometown rut. People have been known to glow green with jealousy, and on New Year's Eve people have been known to take a drink. Sometimes even a life...

"Yeah," says Joe quietly. "There was another car involved in the accident."

Mucking Rick around, you mean?

"That's right. But the people have denied it and there's nothing we can do. The coppers have interviewed them but it's no good I'd love to go round and kill 'em!"

Joe takes a moment to collect his thoughts, then continues... "The arm was placed in a bucket of ice gathered from all the houses nearby and Rick was in hospital (the Royal Hallamshire) within 19 minutes, which is unbelievable. He underwent an 11-hour operation; his arm was back on by ten to one the following morning, but infection set in and after three days they had to take it off.

"His nerves are still alive, though. They've got them wrapped up like spaghetti, and it's possible to have them connected up in a way that can give movement to a prosthetic arm. So the Steve Austin 'Six Million Dollar Man' thing is not beyond the realms of possibility one day. Rick still feels his arm because of the nerves."

When did you hear what had happened?

"I heard at about ten to four the same afternoon and I couldn't believe it. I cried like a baby for about three hours - my face was hurting. Peter (Mensch, manager) rang and said, 'Rick's had an accident, his arm's off, but they've sown it back on'. I've heard of that working before but unfortunately it was torn off, not cut off, so everything snapped and stretched in different places, which made it more difficult."

How soon after the accident did you visit Rick in hospital?

"I saw him two days after it happened... it was the worst experience I've ever had... but he was walking a week earlier than expected and telling the nurses to f**k off after three days because he was fed up having his bandages changed. He sounds in fine form now and wants to get back; drumming's all he's ever done, and he's done it very well."

"It's just up to him if he can stand the strain. I mean, he's going to go through some crap. He's not had it yet, but he's gonna suffer from depression; bad depression. He's being very realistic about it, though. He said to me, 'When it comes, it comes.' He wants to come out here to Holland but he knows he can't."

Presumably he won't be ready to play a part on the forthcoming tour?

"No, and he knows that. Somebody will guest with us until we know the result of Rick's convalescence." Would you consider using two drummers on any subsequent tours?

"Possibly, yeah, and Rick could do specific bits. We've definitely thought about that, but he's got a lot to learn first. I mean, there's certain things that are now a fact of life. If Rick wants to wear baseball boots, for example, he's gonna have to wear Velcro ones. And he's probably gonna need press-stud trousers. He's got to learn to bath himself even..."

"The thing is, at the moment his right arm doesn't work. The ball is smashed so they've had to pin it. He's got a six inch pin as big as a poker in there. Imagine if your elbow was sown to your hip; well that's all the movement he's got. I guess he's a bit of a mess, though mentally he's the best he's ever been."

What would happen if Rick returned to the band yet clearly wasn't cutting it? Would you have to tell him? "No, because he'd know himself. He's said that to me on the phone. He's being realistic- if he can't do it he can't, but he's definitely gonna try. There'll come a time when Rick will say, I'm ready, and we'll get together in a rehearsal room for a month and see what he does. He'll either turn round and go

'Yes!' and we'll go 'Yes!', or else he'll say 'Sorry, I'm not coping with it.'

"The important thing is that he tries, otherwise he'll never know, and that would be awful. I know he'd rather fail than not try at all. Besides, it's no big secret that we use drum machines on the records so, whatever happens, he could still be involved on that side. We would just take a session drummer out on the road."

"At the moment, we're trying not to get too depressed about the whole situation, but we were mega-depressed at first. I was in a real state, like a zombie for five hours, and for quite a time after I just didn't want to get into a car. I know it's daft, but it's true

A BONHAM of the biscuit tins, a Titan of the tupperware, since the age of 11 Rick Allen has thought of little outside of drums and drumming. At the moment he's at home, probably watching Cheech & Chong videos on the new system bought for him by Phonogram Records. But chances are that his thoughts are elsewhere, no doubt wafting with the music around the booths and corridors of Wisseloord Studios near Amsterdam, Holland, where Leppard are recording their fourth, as yet untitled, LP. As always, he's with his colleagues 110 per cent (for now it can be in spirit only), a continued commitment that should spur him on through the tough weeks and numerous hospital visits ahead.

Prior to the accident, he'd laid the groundwork for eight backing tracks, and the remaining two songs on the album were always destined to feature a less human touch, the band specifically wanting a more clinical punch, so there's no problem on that front. As for his work on backing vocals, well, Elliott can easily deputise in that department, leaving Rick free to concentrate on the speediest recovery possible and, as Elliott puts it, "Learn to live again. He's having all these drums built and a special car designed, all sorts of stuff..."

All things considered, '84 certainly wasn't an easy year for Def Leppard, a rude awakening for an almost unbroken streak of good fortune. First longstanding associate 'Mutt' Lange proved unable to produce the new LP, likewise his replacement Jim Steinman (though for different reasons - read on!), and then came The Accident, which instantly eclipsed all previous hassles, reducing apparent mountains of doom and dismay to easily skirted molehills. But, if anything, adversity has caused the four active members of the Leppard clan to virtually graft respective beaks to the grindstone in a collective consummate effort to make their next album their best.

The band's first LP, 'On Through The Night', produced by (Colonel) Tom Allom, took a mere 18 days to record and remains something of an embarrassment in Elliott's eyes (someday he'd like to remix it and touch up a few of the vocal parts), while the second, 'High 'N' Dry', with Lange now at the helm, was laid down in three and a half months, including a month's pre-production, bang, bang, bang, 'Mutt' clearly wanting to capture the excitement generated by these 21-year-old 'let's go for its'. But 'Pyromania' now that was a different story, with band and producer (Lange again) making a conscious decision at the outset to pin back the ears of a generation with something of genuine lasting quality; an attempt to update the glories of Queen's 'Sheer Heart Attack' and 'Night At The Opera' LPs...

They went for it in a big way and 10 months later came up trumps, creating a slice of history that many have doubted they'll be able to top; an album that left the whole of the music industry wide-eyed and open-mouthed, and caused bands both big and small to almost instantly re-assess their directions and aims. A (hard) labour of love still selling around a thousand a week, it broke taboos and set fresh standards right down the line.

"Hopefully, it'll be an Heavy Metal 'Sergeant Pepper...'," says Elliott, "who knows, but we've got to do more. It'd be tragic if our best album was our third and we end up doing 17 LPs."

Whatever the next album sounds like, however, Joe's convinced that it's gonna be slated by the press. He's resigned himself to the fact (not having heard the record beyond a few notes ricocheting out of the studio doors, I really can't comment), but, along with bassist Rick Savage and guitarists Steve Clark/Phil Collen, he's ploughing on regardless, helping to create something different to 'Pyromania' in content yet as good, if not better, overall.

"Since 'Pyromania' we're two years on technically," he explains. "The Fairlights are better, the keyboards are better and the microphones are better. And we're two years more experienced, of course. Actually, we keep putting on 'Pyromania' and listening to it back-to-back with what we've done; you have to imagine it without the mix, but it's definitely up there to my ears."

JOE ELLIOTT leans forward in the chair, tucks a fold of his rather battered dressing gown tight against private parts and pours himself another glass of one cal Coke. This for the moment is home, and has been since the middle of August: a simple hotel room in Holland ten minutes drive from the studio complex. Originally, the band were due to play the 'Mick Wall Festival' in Rio, but they eventually decided against it on grounds of not wanting to interrupt recording. So while certain jammy so-and-so's were sunning themselves on the Copacabana sands (maaaan!!), Elliott and co, tax exiles all, were trudging across frozen lakes, wrapped up tight against temperatures of 25° below! Still, there's always next year And if nothing else, in their present position the four are conveniently cut off from all domestic distractions. Through the hotel room window I can see Dirk, Elliott's treasured Renault 12 (and centrespread star of Kerrang! 79), basking quietly in the hazy sunlight, the central motif on an idyllic pastel canvas shaded only by the distant foghorn fuming of an adrenalised Peter Mensch. Somewhere, behind closed doors, he's informing an unfortunate Halfin that a five-piece outfit close to the latter's wallet have been 'stiffing' horribly in the South, and he doesn't mean Torquay! Let's just say he's on form...

Later, on the flight back to London, having persuaded Mensch to fund my purchase of a duty free Sony Walkman in tasteful pink, I tentatively suggest that the forthcoming Leppard biography should be titled 'Me & My Whine'...

"OH, YEAH, DAAAN-TAY!!" he snaps, blood vessels popping like balloons, "AND HOW LONG DID IT TAKE YOU TO THINK THAT ONE UP???"

Back to business...

"We've always upheld the theory," theorises Joe as things quieten down, "that we don't want to put out a record every nine months. We'd much rather put out a record every two to three years that's of real good quality

"When we started this album 'Mutt' was involved; we did pre-production with him in Dublin, Ireland, which is why we've put him down again on the songwriting credits. It's an honesty thing with us. He doesn't write anything as such; the six of us just sit round a table with a piece of paper in front of us and guitars turned down really low, then whoever chucks in an idea - be it Rick or 'Sav' or me or 'Mutt' - we play with it."

"Steve, for example, will come up with an idea and 'Mutt' will say, 'Change that round', 'Use this', 'Do it in another key', ' or whatever. It just creases me up to think that there are some people out there who look at us and say, 'Ha! They can't write their own songs', which isn't true at all. And even if it was, I'd much rather be involved with an album that sold six million copies co-written with a producer than one that sold 200,000 copies that wasn't."

Surely helping with the arrangements and so on is part of a producer's job, though "Yeah, right, but it's almost as if it's some kind of crime to let your producer be involved. That's what a producer's there for - to kick you up the arse and bring out the best that you can do. We encourage 'Mutt' to be involved and we repay him by sticking his name on the songwriting credits. Who cares! It's only a bloody song anyway..."

Isn't it true, though, that a lot of producers are really just glorified engineers and can't make the extra step up to that level of involvement?

"Yes, that is true, but 'Mutt's an exception anway because the guy's a musician, he's been an engineer since he left school - he's been doing it for 17 years and he's only in his early thirties now and he's also a brilliant singer and great songwriter, so you've got everything going for you! Whereas an engineer will be able to tell you if something's out of tune, 'Mutt' can go further than that and say, 'It doesn't feel right' or 'Sing it this way, shape your mouth like this, let's alter the phrasing'. "With most engineers, if it's in tune and it's what you want then it's a take, and that's all their job is, because if it's that way round it's normally the band who are producing, the way we are with this album. I noticed in Kerrang! it implied that Nigel Green is now producing – he's not, we are. Nigel's assisting." "Actually, he's worked with us on our last two albums, though not as main engineer. Mike Shipley was always our main engineer. Nigel's as good as Mike, it's just that at the time he was involved in other projects; so when Mike took a holiday or went to the dentist Nigel would come in. We've never worked with him on a long term basis before but we do know him."

What happened with 'Mutt' Lange, though? As I understand it, he originally agreed to produce the album as well as help out on pre-production...

"Yeah. In fact, he was still going to do it last February. We started with pre-production, as you've mentioned, but it soon became obvious that 'Mutt' was in no state to see the whole thing through. The Cars' album ('Heartbeat City') nearly killed him; our last album nearly killed him, and the Foreigner record ('IV') the same. I think he's just reached the stage now where to attain certain standards you're talking about grafting for a long time."

"The way we worked on 'Pyromania', for example, we were doing 20 hour days and the guy was sleeping on the couch in the control room. You just can't do that forever, so for the sake of his health he made a wise decision not to do our album. At the time, we were panicking; we thought, 'Oh, Christ!', cos things had all been planned. It wasn't a case of us being afraid of what the album would sound like if 'Mutt' wasn't there, it was simply the availability of other producers that we were concerned about. With top people like Ted Templeman, Mike Stone or Trevor Horn, you've got to book 'em years in advance, you can't just get in touch two weeks before you want to start..."

"Actually, we did approach Templeman just to see how much he wanted, and I don't think he was too keen to do it; he put in such a ridiculous money offer that no band in the world would have accepted it! But then we really wanted somebody a bit different, anyhow. We were interested in the people I've already mentioned initially because we thought, well, these are the names that we've listened to, Bob Ezrin, y'know. But then we started to think about people like Alex Sadkin, who we found was doing the new Foreigner album ('Agent Provocateur'). Trevor Horn would have worked with us in England, but Chris Thomas (Roxy Music, Procol Harum) turned us down flat - he obviously doesn't like us. We actually tried to get Phil Collins, who was interested but tied up with the latest Clapton LP ('Behind The Sun')."

So you were looking at people outside the world of heavy rock...

"Yeah, we were looking at up and coming producers like Terry Manning, who's engineered for ZZ Top, and Steve Lillywhite, who's yet to do a hard rock album but possibly could do a good one. Some of us were interested in him, some of us weren't. I like the fullness of Simple Minds' 'Sparkle In The Rain' LP, it's brill, but sounds are really no problem for us now, we can get good sounds; the thing we always like to have is musical input, and that's where we thought Steinman would come into his own. I mean, the guy's a good songwriter and he's had a hell of a lot of success with what he does."

He worked on the last Billy Squier album, 'Signs Of Life', with Tony Platt, didn't he?

"Yeah, well, he 'navigated' it is what Squier says. We thought, OK, we'll get the sounds and let him do the producing, but it turned out that Jim wasn't really what any of us thought he would be. In fact, I wonder how he's ever got a production credit on anything - especially with Squier, the kind of ego he's got. I can't understand why he even let Steinman's name appear on his album cos we're not putting it on ours."

What was the problem with Steinman then?

"Ahh... I wouldn't be lying if I said that you could have done it as well. I mean that. The guy just sat there reading 'Country Life' all day and going, 'Yeah, yeah, that sounds good', when it plainly wasn't. He's simply not used to recording the way we record. When we said, 'Listen, this is the way we work, you'd better get used to it', he tried and he couldn't. He just could not hear if something was wrong."

Were your standards too exacting for him, do you think?

"Possibly, yeah. It sounds strange to say that, though, cos to me those standards are normal. Doing 'Pyromania' was like going to college; I've grown up listening to things a certain way. As far as I'm concerned, getting the timing, the tuning and the feel spot on is the usual way to work, but Jim Steinman for all his reputation - could not hear it."

"After a while, we just thought, well, this is silly, we're wasting our time and money and wasting his time, though we weren't too bothered about that cos he wasn't too bothered about the project. I honestly don't think he was doing it for any reason other than credibility in the States. "We'd say, 'Right, we start at 12', and he'd wander in at 3.30. We'd stay till 12 or one in the morning, then he'd go back to his hotel and start writing songs for his own future projects, and he'd be up till nine o'clock doing that. So when he finally got round to us, he'd only had five hours sleep. he wasn't there half the time. I mean, he was there in body but not in mind. We found more and more that we were doing the work, which was fine, we didn't mind doing it, we just thought, why the hell should we be giving this guy so many points and so many dollars to sit there reading 'Country Life'!"

So how much did you manage to accomplish with Steinman?

"We did about eight backing tracks and scrapped them; almost everything has been done again. And even the things that went down were our decision Steinman never overruled us on anything. If he said a certain take was good and we said it was bad, we'd do it again."

Who was actually getting the sounds at this stage?

"Us and Neil Dorfsman, Steinman's engineer. He was good, actually, cos he was doing all the work. Jim was the ears of the partnership, but the ears were plugged up, I think..."

"Y'know, it annoys me intensely when a producer walks into a control room and says, "This carpet has got to go!' Sod the desk, that's not important. An SSL desk, 150,000 quid's worth of equipment, and the carpet's got to go! He even had the carpet changed in his hotel room. The guy was living in a suite while we were happy in rooms with a fridge and a cooker. Obviously, we paid for it all..."

"And the food! He went out to the North of Holland and had a 12 course meal! Which is fine, that's his personality, but when somebody walks into a studio and says the carpet has got to go... if I'd been there I'd have decked him. Seriously. Who gives a flying s**t what the carpet looks like!"

How long did Steinman last, then?

"Oh, we dumped Jim about November, we gave him a fair chance. We thought, well, alright, we're doing the spadework, what he might consider the boring side of the album, let's see what he's like on vocals, maybe that's his strongpoint. He did tell us that he spent something like five weeks trying to get Meat Loaf to sing one line, so we thought, OK, the guy's definitely got stamina."

"But when it came to doing vocals with me, it was exactly the same situation as with the backing tracks - everything was my decision. He'd say, 'Yeah, that's good', and I'd go, 'Jim, it's f**king useless!' I'd run out of breath at the end of a line cos I wasn't quite familiar with what I was singing, and he'd say, 'It's got a bit of feel'. Isn't that pathetic?!"

"I mean, Steve and Phil wanted to get rid of him two weeks after he was here. But I just kept saying, 'Give the guy a chance, blah, blah, blah' made meself look a right arsehole. But it was only fair to let him get to the vocal stage of things."

"Anyway, when Steinman went we all sat down and asked Mensch to sort out which other producers were available. We put down everybody we thought might be good. Mike Shipley couldn't do it cos he was off co-producing the new Loverboy album, so we just suggested Nigel. We were doing a better job than Steinman, so we thought, well, what's the point getting in another producer? We send 'Mutt' the odd tape now and then and he sends it back saying, 'It sounds brilliant to me', which shows that we can do it, so we are."

Has having Phil Collen involved from the start of this album (he became a Leppard member during the recording of 'Pyromania', replacing guitarist Pete Willis) made things different in any way?

"Yeah, it means that the songwriting's changed a little; Phil's input is better than Pete's ever was. Steve will always be the major songwriter, I think, but he's really encouraged Phil a lot. He doesn't just sit down and say, 'I want to write all the songs', stuff like that. In fact, everything that Steve's written, he's written with Phil in the same room... Phil's probably involved in eight of the 10 songs on the album."

And what about 'Sav'? He writes too, doesn't he?

"Yeah, but 'Sav's weird; I can't get to grips with him sometimes. More than anyone else in this band he likes your Journeys and your Bryan Adams, occasionally even the odd Duran Duran song, yet he was the one who came up with 'Stagefright' and 'No No No'. And on this new album he's got a number called 'Ring Of Fire' - not a cover of the famous Johnny Cash song! which is an uptempo, thrash, crash, Metal job. He just never writes like the people he listens to."

Will Steve and Phil be sharing the guitar breaks on the new LP?

"Oh yeah, 50/50, right down the middle. Actually, they argue about who's gonna do 'em; not in the sense of, 'I wanna do this', but Phil's telling Steve that he should do a certain solo and Steve's saying, 'No you do it, it's more up your street'. I remember hearing stories about KK (Downing) and Glenn (Tipton) from Priest not talking to each other for four months at a time, but it's the other way round with Steve and Phil. The only thing they argue about is who's gonna buy the drinks!"

What about you, though? You play a bit of guitar...

"Badly!"

...have you written anything on the new record?

"Er... I did come up with some stuff but I don't think it got used. I wrote little bits on the last album, but my main worry is obviously melodies, lyrics and vocals."

"Sometimes, though, we'll have a vocal line and work the backing around that. We've got this one new song, 'Armageddon It', which is Piltdown, just two chords all the way through; it's based around a tongue-in-cheek vocal thing."

Is it a 'Rock Of Ages' type number?

"I suppose it is a bit, yeah. The vocals come out from all over the place once it gets going. It's just a totally stupid lyric... like 'Rock Of Ages', just a piss-take of ourselves, though not mocking the fans in any way."

"And then there's 'Ring Of Fire', which I've already mentioned. It's actually about an Indian meal, the day after, but nobody would ever know that... well, they will now!"

When you're writing lyrics, do you ever think about how the song will work live?

"Not really, no. Obviously, a number like 'Rock Till You Drop' is a stage song, and the same with 'Stagefright', but I've never consciously sat down and thought, well, I'd better come up with two songs about 'Rock This Place To The Ground', or whatever, and one meaningful one about Vietnam, and another about a vigilante in New York. They just turn out that way. You do it in moods. I was probably watching something about Vietnam on TV and 'Die Hard The Hunter' (from the 'Pyromania' LP) came out, and I'd probably been to see 'Deathwish' when I wrote 'Billy's Got A Gun' (also on 'Pyromania'). I can't remember, I just do it."

"I actually wrote 'Photograph' (ditto) while I was sitting on the bog. I was stuck for a chorus and I had a picture of Marilyn Monroe staring me in the face... Bob's your uncle!"

When you made the decision to go for something extra with the 'Pyromania' album, were you confident that you could pull it off?

"We were confident, yeah, very confident, because 'Mutt' was producing. We just had so much faith in the guy and in return he had total confidence in what we were doing. We didn't see how we could go wrong, though Mensch was tearing his hair out when we were nearly a million pounds in debt and the record company were drumming their fingers waiting. I think we had to sell 1.2 million copies of 'Pyromania' to break even, we were in a real big mess..."

"I mean, I nearly had a nervous breakdown, I just couldn't handle it. I was going through so much crap towards the end - do it again, do it again... I got what a lot of singers get, 'Lastitis', which comes from the pressure of finishing. We went through a lot of hell on that record..."

Including, of course, the slightly wobbly exit of young Mr Willis...

"Yeah, but in all honesty I think that did us more good than anything. The thing is, you sometimes take situations for granted and then all of a sudden something like that happens and it's like, wow, it's different, there's only four of us, he's gone, really gone. I mean, Phil joined the day after, but then he almost joined back in '81."

"I tried to get him cos we were having trouble with Willis in America. I rang Phil up and said, 'Can you learn 16 songs in two days?' He said, 'I'll try', but that was just totally out of desperation, there's no way he could have done it. However, when Pete started to act in the studio like he did on tour, which was making Keith Moon look like a bloody vicar, it was time for him to go."

Why doesn't he get some help?

"Well, I think he's beyond help, to tell the truth. He doesn't even realise he needs it, he doesn't accept he's got a problem, though the guy's been in hospital twice as a result of drink and drugs. He had a collapsed liver or something, and epileptic fits, God knows what."

That hasn't happened to the rest of you, though, and you're all the same age, you've all worked your way up together...

"No, it's just him. Pete's always had something to prove, y'see, probably because he's a midget. The guy thought he was 10 feet tall when he was pissed and he'd be taking on people as big as you it didn't work. He was like a gigantic ball and chain around our ankles..."

THE LATEST whisper on Willis is that he's currently swanning around the environs of Sheffield, complete with Rolls Royce and minder, recounting tales of some hush-hush supergroup he might be throwing in his frets with. Elliott finds it hard to take the whole thing seriously, and I think it's fair to say that the recording of album number four is proceeding all the smoother for the wee man's absence.

Already, a number of lead vocals are complete, and the band (employing two studios simultaneously) are steadily piecing together their ten new songs, ready to convince a waiting world that Life After 'Pyromania' does exist.

So what's on the boil? Well, in no particular order, there's 'Armageddon It' and 'Ring Of Fire', already mentioned, 'Excitable', 'Gods Of War', 'Fractured Love', 'Don't Shoot The Shotgun' (Stonesy, I'm assured), 'Animal', 'Love Bites' (a ballad), 'Run Riot' and the enticingly handled 'Women', all proudly produced by the Leppard members themselves, who, without the invaluable 'Mutt' Marten to administer the prods, are taking great and serious pleasure in booting each other up the bum! "Actually, I never envisaged us producing ourselves," admits Joe, "I thought it might be the one thing that would lead to us falling out. It's always been dead important to us that Leppard is a friends situation; we want to keep the element of why we started. Five mates who can still go into the same bar and look each other in the face after seven years. Happily, that's the way it's remained, and producing ourselves is working really well..."

The new album, which now looks set to be mixed by Lange in the UK, an added bonus, should be available by August, after which the band plan to tear up the tarmac on a world tour of, well... y'know. The idea, it seems, is to blow away the studio cobwebs with about eight shows in Ireland, some in smaller places, then steer a course for the UK, perhaps for a September stint (the British dates have already been put back four times!) of 20 or so gigs. A headline appearance at Wembley Arena isn't too far off for the boys, according to Queen's Brian May, a staunch Leppard supporter, but this time around I reckon they'll settle for something a little more cosy.

Next tour, though Europe too seems odds on to cop a visit, particularly as 'Pyromania' has now shifted over 100,000 copies in France and is making a late burst for the tape in Scandinavia as well. Business in Germany, however, remains a little slow, and as for Holland... well, now we're talking about a massive 639 units shifted. Still, at least it means the band don't have to worry about being recognised. Def what?!

By December Leppard should be into America, after which it's likely they'll travel to Japan, though probably not Australia, that stage of the tour having lost them around 60 grand last Feb. Indeed, all in all, their schedule will be less arduous than last time, including more days off to recover and recharge. The band should certainly feel healthier as a result, but then with the Rick Allen episode having shocked the Leppard camp into a highly body-conscious state, that's the way things are heading anyway "I don't want to waste away and vegetate," explains Joe. "I'm 25, I'm supposed to be at the peak of my fitness; I'm supposed to be Glenn Hoddle but I wasn't. I'd run a mile and be out of breath. Now I can run a six minute mile, no trouble, and I do half an hour's worth of exercises every day. 'Sav', Phil and myself all go jogging too - we take less for granted now than we did before..."

#the bit about Steve and Phil writing together 🥹#def leppard #magazine scan #my scans

17 notes · View notes

neanderthyall · 1 year

Note

Only watched the first episode of the second season but my thoughts are: bad

Fair, i definitely struggled through the season because, in my opinion, we're getting a lot of things that are clearly trying to get at the source content/arcs/whatever, while shoving three book series into a single show. Like, there are little bits that I felt I could really like, but the way it was written was so weird. Like, kaz having flashbacks in the stadwatch wagon with Jesper is both acurrate and inaccurate in such a weird way that i can't fully enjoy it or hate it. Idk im currently at the point where it all just feels weird to me and im being pretty selectove over choosing what bits i pay any attention to and care about lol

#sorry for rambling #the good thing about the show is that because it is so removed from the SoC trilogy from the get-go that even though as a fan im upset #i dont feel like my feelings towards the books are tainted #because they feel like distinct entities #idk s&b is such a unique adaptation #it doesnt feel disrespect or neglectful of the source like the PJO movies were #but they also deviate enough that the stories are irreparably different from the books #but i get why people dont like the show #i just dont #it doesnt seem fundamentally bad or good to me #at least the crow bits #cause the main plot was dryyyyy so boring #darkling was the most boring character ever we spent way to much time with him #sab spoilers

15 notes · View notes

collegeoflore · 4 months

Text

:))) ieriyn having a normal one

#see the thing is. since the grove defense he’s loosened up a lot #he’s less afraid. he’s stronger. he’s funnier and more open. he’s spent a lot of fucking time with gale.#and he knows no one is coming for him but he’s still sort of like.#in his mind his mission is Get Rid Of The Tadpole. because for all of his ego he does Not think he’s capable of taking down the absolute #his vague plan (he is not a details person.) has been like remove tadpole and then find a way to contact his mentor #(the real one. not the one who has been appearing in his dreams but just a little bit wrong.)#because if anyone can figure out what to do about this or like be able to mobilize The Powers That Be to stop it it’s him #(ieriyn may be growing as a person but he still believes in the ability of authority figures to actually do good. lol)#but this? elminster aumar showing up #with directions from mystra herself for gale to sacrifice himself for the good of everyone? well that changes things.#ieriyn may still be lost and confused but gale was the first person willing to give him a chance #the first person (aside from his mentor) who looked at ieriyn as someone whose magic is powerful and worthwhile.#ieriyn is not going to lose him. he’s not. so suddenly he’s no longer trying to figure out #how to get someone else to solve this. bc someone else may think gale’s sacrifice is a solution #but not him.#so i think this is where his mindset REALLY shifts like he’s been on his way there but this is the catalyst. he’s well and truly done runnin #g #he’ll do it for gale.#oc. ieriyn #漫言 #z plays bg3

3 notes · View notes

osaemu · 5 months

Text

GOJO SATORU: ONE FOR THE MONEY, TWO FOR THE SHOW

✩ ‧ ˚. synopsis: you and satoru, your fake boyfriend, have awards to accept and places to be. so how'd you two end up fucking in a bathroom? NSFW

contents: fem!reader. semi-public sex, p –> v, blowjob, unprotected sex, creampie, praise, you two get walked in on at the end (kinda). references hungry for more. not proofread, ignore any minor mistakes. 3.5K words.

“you two are so cute together,” the interviewer sighs, looking at you and satoru in turn. “please, tell us more about your relationship!”

satoru laughs, resting his hand on your back and pulling you into his side. you put on a smile and instinctually put a hand on his chest, pretending not to notice the way he stiffens up at the contact. “where do i even begin?” satoru asks dryly, turning and looking down at you affectionately, and he’s almost a good enough actor for you to believe there’s any real emotion behind those cold blue eyes.

two weeks ago, satoru’s media team came to you with a request for you two to start dating as a way of gaining more attention from your fans. naturally, you declined—it’s not like you’d gain anything from the deal but the burden of being paraded around on the arm of the man you hated—satoru gojo, the cocky son of some famous actor in the 90’s. but after multiple increases in the amount of money satoru’s team was willing to throw at you, you finally agreed under the condition that this arrangement would end the second you wanted it to.

“i’m sure you’ve seen our latest movie on netflix,” satoru starts, looking back up at the interviewer, whose eyes have practically turned into hearts. “the one with the serial killer, yeah? well, it started from there and just grew into more.”

“i guess you could say the attraction on the screen wasn’t all acting,” you add with a knowing smile. good thing you were a decent enough actor to pretend as if you weren’t just lying through your teeth, otherwise the millions of dollars in your bank account would all be gone.

the interviewer laughs and turns to the camera, saying something about how the chemistry between you and satoru was what really made the movie a hit—in fact, it might even be the reason you’re both getting nominated for best actor and actress.

“well, if you’d excuse us, i think we should get back to the party,” satoru jumps in, nodding his head at the interviewer in thanks. he removes his hand from your back as you follow him to the main area, weaving through crowds of fans and interviewers on his way there. you walk at his side, heels clacking against the freshly polished floor. satoru dips his head and whispers, “hold my hand.”

you scrunch up your nose and shake your head. “no thanks, it’s not like anyone’s watching right now. it’s way too crowded.”

“just do it,” satoru mutters, grabbing your hand anyways. when you start to pull away, he fixes you with a stern look and adds, “they’ll think something’s wrong if you don’t.”

“ugh, fine.”

two hours pass, filled with other actors’ remarks on how good you and satoru make as a couple. suguru geto, one of satoru’s close friends who had played a cult leader in a recent documentary even said that you might be the girl who could fix satoru. yeah, right.

“so, when do awards start?” you ask satoru, swirling your drink and relishing the sound of the ice clacking against the side of the glass. he shrugs and takes a swig from his own cup, which looks suspiciously like apple cider disguised as champagne. “really? you’re nominated for like, four awards, and you don’t even know when you’re getting them?”

satoru laughs carelessly and looks you up and down, eyes lingering on the short cut of your dress. “at this point, i’ve got so many awards that it doesn’t even matter anymore. and by the way, you look really good in that dress. oh, wait, didn’t i buy it for you?”

“you’re not smooth.”

“then why am i nominated for best actor, huh?”

“because the system’s absolute shit, obviously. otherwise toji would win every time.”

satoru groans and drinks the last couple sips of his drink, rolling his eyes. “don’t even mention that piece of shit.” you shrug in response, hiding your smile behind your glass. a couple years back, satoru had lost a role to toji and to his despair, the movie did really well, despite what he’d promised to the producers who had turned him down. and it looks like he’s still bitter over that, and all of a sudden, the perfect plan to piss satoru off appears in your head.

“look, it’s toji right there!” you gasp, setting down your drink and hopping off your seat, walking over to toji while ignoring satoru’s warnings. “oh, hi, i’m a big fan,” you say to the tall, well-built man, smiling bashfully. toji turns and looks down at you, raising an eyebrow and smiling.

“hey, pretty, you’re the girl in that movie with the serial killer, yeah?” he asks, crossing his arms. you nod and internally marvel at how tall he is—especially compared to satoru, who, by any standards, is pretty damn tall. toji looks you up and down, taking his sweet time drinking in the way your dress hugs your figure. “that scene in the alley was really fuckin’ good,” toji adds conversationally. “you’re definitely winnin’ best actress for that.”

anyone who’s watched the movie knows that the scene he’s referring to is the one where you get fucked by satoru against a dark alley wall—and you’ve seen enough edits of the scene to know exactly why it’s getting all the hype.

“aw, thanks,” you say coyly, resting a hand on your hip and tilting your head. “y’know, i’ve always wanted to star in a movie with you,” you continue, hearing satoru come up behind you in the background. you ignore the sickeningly obvious way he clears his throat and flutter your eyelashes at toji, who’s eying you with interest.

“i’d like that. i can probably pull some strings,” toji replies with a smirk. his dark eyes flicker from you to satoru and his smile turns almost patronizing. “and who’s this?”

“her boyfriend. and i really hate to interrupt this friendly chat, but she’s not up for grabs,” satoru snaps, wrapping an arm around your waist and dragging you back to your spot at the bar. you shoot satoru an indignant glare, but receive no reply besides his tightening jaw. toji laughs and waves you off, mouthing “call me” at you when you turn back apologetically.

satoru drags you by the hand to one of the bathrooms, shoving open the door with the side of his arm and pulling you inside. there’s a long, shiny counter, which you become very familiar with once your fake boyfriend hoists you up and sits you on it. “the fuck was that?” satoru hisses, narrowing his eyes accusingly.

“what, we were just talki—”

“i don’t like the way he was looking at you,” satoru interrupts, crossing his arms tensely. he fixes you with a cold stare and you fidget uncomfortably with the hem of your dress, which you now realize is rather short.

“okay, and?” you reply irritably, starting to get annoyed by the way satoru keeps patronizing you. “it’s not like we’re even dating, gojo,” you snap, emphasizing the use of his last name.

“yeah? well, i don’t need my ‘girlfriend’ slutting herself out to the guy everyone knows i hate,” satoru fires back, taking a step forward. his palms rest on the counter on either side of your exposed legs, and you suddenly notice how red satoru’s face is. the flush in his cheeks wasn’t as noticeable underneath the bar’s dim lights, but here, it’s rather obvious.

“are you jealous?” you ask incredulously, unable to suppress the cheeky smile that finds itself on your face. satoru’s jaw slackens and his eyes widen, and that’s enough of a sign for you to confirm it—satoru gojo, your fake boyfriend, is jealous. he doesn’t reply immediately, so you laugh, throwing back your head and giggling at the way satoru’s petty rivalry seems to be only one of the reasons he was so eager to get you away from toji. “aw, that’s so cute, but we aren’t even dating, sweetheart,” you coo, reaching out and caressing the side of satoru’s face.

he instantly swats your hand away, rolling his eyes at your laughter. “well, we still have to act like it, you idiot,” he mutters, leaning over you and eying the low neckline of your dress. you instinctively cross your arms and glare at him, and satoru only cocks an eyebrow in return. “so, if we were actually dating, do y’know what i’d be doing right now?”

“what?” you decide to humor him.

satoru’s demeanor completely changes at your question, going from pissed and flushed red to almost playful.

“this.”

and just like that, satoru slips his slender fingers underneath the bottom of your dress and pulls it up, exposing your black, lacy panties.

“gojo, what the—”

“shh, it’s all for the show,” he whispers teasingly, brushing one finger against the warm skin of your thigh. you involuntarily shiver from his touch, and against all rational impulse, find yourself wanting more.

in the acting community, satoru was well-known for being a stuck-up brat, and when you two had first announced your relationship, plenty of actors doubted it. after all, how could you, the classy it-girl of the movie industry, date an asshole like satoru? but even you were surprised at how easily people started to believe it when you two interacted in front of them. you’ve been told that you two had a rather unexpected burst of chemistry together, and that your relationship might actually make it.

what a shame.

satoru hooks his fingers underneath the waistband of your panties and tugs them down, raising an eyebrow when you don’t protest. he maintains eye contact with you as he slides your panties down your thighs, exposing your embarrassingly-wet cunt. satoru looks almost as surprised as you do at how soaked you are, even as he runs two fingers over your slit before sliding them in. you hate how good it feels—it’s been a while since you got a chance to sleep with another man, especially since you’ve been stuck with satoru for the past two weeks.

“shit, you’re so fuckin’ wet,” satoru murmurs, scoffing in mild disbelief as he meets your eyes and smiles. he curls his fingers upwards, causing your thighs to reflexively close before satoru reopens them. “so, wanna explain, sweetheart?” he tsks, tapping your thigh with his other hand.

you make a face and look away, cheeks heating up the longer satoru waits for a response. “it’s probably from toji,” you snap back after a moment. satoru laughs sarcastically, shaking his head almost condescendingly and pulling out his fingers.

“nice try, hon,” he says sweetly, lifting his fingers to his mouth and licking off your slick in one smooth motion. satoru exhales heavily and swallows, taking his time in doing so. “want me to go grab toji to join us?” satoru asks, forcing a smile on his lips. “i’m sure he’d love to watch you beg—”

“shut it, gojo,” you interrupt, swatting away his hand, which somehow found its way back in between your thighs. “we have an award show to get to, there’s not enough time for this bullshi—”

that was a mistake. satoru instantly lifts you off the counter and, ignoring the rather wide range of curse words you throw at him, sets you on the ground and starts unzipping his pants. “shh, we got all the time in the world. they can’t give an award to someone who isn’t there, right?” satoru cooes, threading one of his hands through your hair and pulling you closer to him. his other hand finishes unzipping his pants, freeing his already-hard dick.

you look up at satoru, forcing yourself to act unimpressed—even though you know damn well he can see through your half-hearted attempt at hiding your real feelings. “s’ that all?” you ask, hating yourself for the crack in your voice when satoru laughs at you.

“ah, i think it’ll be more than enough for your pretty face to handle. now c’mon, open nice n’ wide for me,” satoru instructs you, reaching down and tilting up your chin as he guides his dick into your mouth. against all rational impulse, you let him, all while glaring daggers at him from below.

you run your tongue over his flushed red tip, and satoru sucks in a harsh breath, chest tensing as you continue kitten-licking him. his hand moves from your chin to the top of your head, and he pushes your mouth farther onto his dick, jaw tightening the more your tongue laps at him.

sure, maybe you shouldn’t be sucking off your fake boyfriend in a bathroom where anyone could walk in at any time, but it’s the first time you’ve felt this way in too long, and you weren’t ready to let this feeling go just yet. so you humor satoru and moan, smiling when you feel the way his whole body loosen up at the soft vibration. “f-fuck, didn’t think you’d actually know how to give a man a good time,” satoru mutters through gritted teeth.

“really?” you ask, pulling away from his dick for a moment to catch a breath. “we fucked for that movie, though, and you seemed pretty damn satisfied then, didn’t you?” you say in-between heaving breaths. satoru scoffs and shakes his head, pushing your mouth back onto his dick.

“yeah, but that was for a movie. this isn’t,” he clarifies, eyes fixed on the mix of spit and pre-cum dribbling down your chin as you continue sucking him off. “fuck, why are you good at this?” he hisses, almost incredulously—it’s as if he was hoping you wouldn’t be this good for him for some reason, but now’s not the time to reason through it or wonder what’s going on in his mind.

satoru shudders around you, and you feel the hair threaded through your hair tighten. it’s not enough to be painful, but his grip still makes you whine from the increased pressure. his breathing becomes more shallow as you run your tongue over his length, and his foot starts to bounce on the floor as he gets closer to cumming down your throat. “shit, baby, m’ close,” satoru confirms a moment later, tilting his chin back and glaring at the ceiling.

“fuckin’ hell, i—” he cuts himself off with a loud, lengthy groan, pushing your head even farther on his dick and tensing as the full force of satoru’s orgasm hits him. he lets loose a flurry of curse words as he cums in your mouth, filling you up to the point where it starts dripping down the side of your face. it’s hot and salty, two sensations that you normally wouldn’t put together, but in this moment it’s all you can think about as you slide one hand downwards towards your throbbing pussy.

still reeling from his surprisingly quick orgasm, satoru leans back onto the counter and pants for air. as for you, you’re starting to want some of his pleasure for yourself—so you slip two fingers inside your cunt and pulse them back and forth, needy moans slipping out of your lips at every thrust. “gojo,” you call, looking up at him and licking his cum off your lips. the sight of you kneeling in front of him, cum dripping down your lips and fingers knuckle-deep in your cunt is enough for satoru to cum again, but he forces himself to maintain some level of control.

“jus’ call me satoru,” he murmurs, reaching down and tugging you up to your feet. it’s hard to stand while your legs are trembling, but thankfully, satoru does most of the work for you by positioning you against the wall, back facing him as he aligns his still-hard dick in front of your dripping pussy. “say it,” satoru mutters in your ear, resting one hand on your waist and the other on the wall just above your shoulder. “say my name f’me, sweetheart.”

“s-satoru,” you breathe, and a moment later, your fake boyfriend—who doesn’t feel so fake anymore—shoves himself inside of your welcoming cunt. you’re already wet enough to the point where he doesn’t really need to prep you at all, but you’re still just tight enough so that every thrust feels like he’s breaking you down in the best way possible.

“y’feel so good,” satoru groans, resting his chin on your shoulder and snapping his hips back and forth, setting a steady yet harsh pace. you stutter out satoru’s name again and again as your vision goes blurry, with your only thoughts revolving around the dick shoved up inside you and the man praising you in your ear.

satoru curses when he feels your walls clench around him, breaths growing shallower with every thrust. “arch your back for me, princess,” he mutters, eyes fluttering rapidly as he squeezes your waist. “yeah, jus’ like that,” satoru praises, breath brushing against the side of your face as he continues thrusting into you. “how’re you feeling, pretty? s’ this all right with you?”

you nod shakily in response, swollen lips hanging wide open as you gasp for air. satoru clicks his tongue and slows his pace, dipping his chin and studying your face. “gonna need you to use your words, angel.”

“m' good, i wanna cum,” you mumble, a loud moan slipping through your lips when satoru laughs and resumes fucking you a millisecond after you answer.

“i’m gonna fill you up, baby, i promise,” satoru whispers, and his words are barely audible over the lewd, sticky sounds coming from everywhere. all your senses are directed at satoru—the man you really shouldn’t be fucking right now, but all your inhibitions fade away as you feel your stomach start to tighten as you approach your orgasm.

“fuck, satoru, m’ close,” you whimper, arching your back even more and clenching your teeth shut. satoru sucks in a sharp breath as he confirms that he’s also about to cum, and his thrusts grow sloppier the closer he gets. “don’t stop, please, i—”

from there on, your words mix themselves together, with the only understandable word being satoru’s name. your fake boyfriend spills into you first, cum leaking from his tip and mixing with yours as you both chase your releases. and it hits you hard—if it wasn’t for satoru, you would’ve crumbled to the ground from the sheer force of your orgasm. all you can see is white as satoru finishes emptying his load inside of you, and the sticky, viscous liquid trails down the warm skin of your thighs as it overflows from your abused hole.

“shit,” satoru mutters, stumbling backwards and eyeing his now-soiled clothes. “this was a couple thousand dollars, damn it.”

you exhale a breathy laugh and turn around, leaning against the wall and meeting his half-lidded eyes. “you kidding? my dress was way more than that, and there’s no way i can wear that out now.”

satoru grins, running a hand through his ruffled hair and walking back towards you, touching your waist and sliding a finger over your dripping cunt. “you were so good f’me, baby. what were we arguing about again?”

“i have no idea,” you mumble, watching satoru lick his finger clean. he’s shameless—even as clarity returns to both of your minds, he still insists on dragging the moment on. not that you mind—that was the best sex you’d had in a while, even if it was too fast and in a bathroom.

“we should get back to the ceremony,” you say distractedly, pulling down your dress and frowning at the new wrinkles. “can i wear your suitjacket? i don’t want people to see this.”

satoru sticks out his bottom lip and pouts, looking you up and down. “but i like it. you look like you just got fucked by a really hot guy. oh, wait, that’s me!”

“you’re an asshole.”

before satoru can reply, the bathroom door opens, and you both jump out of your skins. thankfully, satoru had time to pull his pants on, otherwise it would’ve been significantly more embarrassing. suguru pokes his head in the bathroom and rolls his eyes when he sees you and satoru, and an exasperated sigh slips out of his lips when he sees your fucked-out states.

“are you two seriously fucking during the awards?” suguru snaps, amber eyes glittering with dry amusement. you look away bashfully, tugging down your dress even farther out of embarrassment. satoru shrugs nonchalantly and walks over to suguru, offering his hand in search of a fistbump.

suguru eyes him dubiously and crosses his arms. “did you wash your hands?”

“heh, no, not yet.”

ignoring satoru’s smug grin, suguru swats his arm away with the back of his hand, disgust evident all over his face. “gross, fuck off.” he turns to you and arches an eyebrow, looking you up and down disapprovingly. “you two should clean up before coming outside, otherwise they’ll probably take away your awards,” suguru adds, wrinkling his nose. “i’ll tell them you’re on your way.”

“okay, thanks,” you mutter, face warmer than ever. suguru nods in response and leaves, and when you and satoru finally return to the awards ceremony, there’s plenty of whispers about you two, and most of them aren’t very family-friendly.

well, at the very least, nobody’s gonna doubt that you two were a couple now!

12K notes · View notes

tender-rosiey · 6 months

Text

“GOOD! NOW PUNCH HIS FACE!”

— when your baby and gojo, geto, nanami, toji, and sukuna get protective over you (f!reader)

a/n: I am alive!! as an apology here is a multi-character post 🙏 btw in toji's part, you're megumi's mom

GOJO SATORU:

two peas in a pod, twins, copies: these are all things people have called your husband and son.

honestly, they’re not wrong. your son has his father’s looks—satoru swears he has your nose and ears but anyway—and he carries the same protectiveness and love he holds for you, if not amplified.

you can’t count on one hand the amount of times the house has been turned upside down because of their fights for a cuddle session with you.

of course, you have always tried suggesting them simply sharing you, but these problem children would rather eat raw zucchini than ever share the cuddle time.

so while your son is barely six, you can still count on him to team up with satoru against anyone who wrongs you in anyway like what’s happening right now for example.

you’re out with your lovely family to buy some groceries, and since they both were whining about getting some sweets, you allowed them to go and snatch a couple from the next aisle.

on the other hand, you stayed to look for another type of detergent to clean the floor—especially since satoru got this new type of paint for s/n and it’s quite an endeavor to remove it with a regular detergent.

however, being in the cleaning supplies section never guaranteed the lack of filthy men who can’t take no for an answer. this one man approaches you, smug grin on his face as he leans on the wall, “what’s a pretty lady like you doing alone?”

“buying groceries like a normal person; now please leave me alone.”

he quickly frowns, “don’t be so stingy doll,” his hand extends towards your arm, “I can show you a good time; I promise—“

the man is swiftly smacked with an egg on his face, and he is left with the egg dripping down his face, “what’s your wrong with your kid, man?!” he yells at the person behind you.

he then grumbles, “ruined a potential good night.”

“my kid was absolutely right in what he did,” you hear satoru’s voice. you then feel a hand on your shoulder, and you’re pulled into a chest you’re all too familiar with, “’toru—“

your husband shoots a small smile your way, pressing a quick kiss to your lips, before looking at his son, “that last throw was very good, s/n! throw another one but just below his stomach."

a cheshire cat-like grin is plastered on your husband’s face as s/n prepares to launch another egg at the man.

there is a very evident scowl on your son’s face as he yells, “don’t you ever bother mama again, you stinky bum crumb!”

the man gasps and tries to make a run for it, but your son wouldn’t be the son of gojo satoru if he doesn’t manage to land the hit exactly where he wants.

the man quickly crumbles to the ground screaming and alerting literally everyone in the store.

so satoru picks both you and s/n and makes a run for it.

you hold tightly onto him, “wait, ‘toru, the groceries!”

“we can always order! saving my princess and son is more important!”

your son grumbles, “but I want to hit the rude man!”

“me too, champ, but—“ satoru sweat-drops and glances behind him, “I doubt the angry security guards would like that!”

GETO SUGURU:

your twin girls are one of the sassiest to exist.

in a way, they take after their father who is also pretty sassy but very low-key.

the sass of all three combined is terrible to be the victim of. luckily for you, they don’t dare direct their triple ray towards you, especially—in any argument—at least one will try to win you over.

if it’s suguru trying to stay on your good side, then he is hugging you from behind, pressing feather-like kisses on your shoulder and whispering about how sweet you are. if it’s the girls, then they cling to your legs and keep yelling about how much they love you.

so it is safe to say that you have a small squad to protect you from any potential “danger”.

“oh my, dear shouldn’t you focus on refining yourself a bit more?” you hear a woman say beside you.

you turn towards her, offended, “excuse me?”

“I mean,” her eyes scan you, disapprovingly, “you look average at best, and with that you won’t be able to find yourself a husband, let alone have children.”

you’re still processing her audacity as she continues, “but then again, it’s probably for the better that you don’t have children; you can barely take care of yourself.”

“can I help you?” your husband says as he approaches the woman.

she smiles condescendingly before chuckling, “I was simply telling this lady to take care of herself more; she hardly looks presentable.”

geto’s smiles tenses up as he is about to give the woman a calm peace of his mind, but his daughters beat him to it.

your older twin stands in front of the woman, scanning her with pure disgust in her eyes.

she grimaces and voices out her thoughts, “you are like a crunchy lizard.”

the woman gasps, “how dare you—!”

you cut off the woman, curious about your daughter’s conclusion, “why a crunchy lizard, sweetheart?”

your daughter looks at you with a small frown, shaking her head, “a crunchy lizard is an ugly sad lizard.”

a snort escapes your husband, and you’re barely able to contain your smile.

your other daughter follows up, looking at her twin sister, “the lady looks like that one green thingy we saw yesterday,” she taps her little foot, trying to remember and beams at the woman, “shrek! you look like shrek!”

then they both glare at her, frowning, “you’re a monkey!”

your husband doesn’t let it go as he deals the final—subtle—blow, “come on now girls; we shouldn’t bully the lady with the mcdonald’s like hairline anymore.”

it seems like the woman can’t take it anymore as she starts sobbing and running to the hills.

a moment of silence is shared across the four of you, before you carry both of your girls in your arms and start tickling them, “I don’t know whether to be proud of you or scold you, little evil girls!”

they squeal, trying to escape your hold and calling for their father.

geto chuckles and wraps his arms around the three of you, “let them have it for tonight, y/n,” he ruffles their hair, “they were brave and defended their mom, after all.”

“yeah, papa is right!”

“yes mama, please!”

you pout then smirk at geto, “well I don’t mind, and since papa is also very proud of you girls, he will buy any toy that you guys want today!”

the color drains from your husband’s face, and he watches motionlessly as his girls latch onto him, screaming about the toys they want.

you giggle at his expression and blow him a kiss. he reluctantly blows you one back, while the girls excitedly pull him towards the toy store.

NANAMI KENTO:

you and your husband were blessed with the sweetest girl as your daughter, and she was just recently joined by another sweet girl.

you can never forget the happiness on your daughter’s face when she saw her baby sister.

it also seems that no matter how many times you give birth, your husband can’t help but get emotional when he holds your baby. his hands are forever delicate as he cradles her to his chest.

you remember what he said during the birth of your first daughter.

“I feel like a piece of heaven has been plucked and placed in my arms.”

the way he always goes soft for the three of you is honestly adorable.

today, you were going on an outing with your—now 6 months old—baby and your older daughter who is almost six.

your husband never brags about his muscular form, but he never misses a chance to carry the baby or the baby supplies.

you have offered to at least carry the bag, but he always refuses, stating that ‘you already carried the baby for nine entire months in your belly; this is the least I can do.’

so yeah, sometimes you wish to smooch your husband till forever, but that’s not the point.

you’re walking hand in hand with your daughter as she sings her favorite song. you hear someone click their tongue, so you look to the side and lock eyes with an old lady. she takes the opportunity and approaches you.

“you should be ashamed of yourself!” she yells pointing at you, “your husband shouldn’t be carrying the baby supplies nor the baby itself for the matter,” she scowls, “that’s your job!”

“with all due respect ma’am, but that isn’t her job, and taking care of the baby should be something we are both responsible for.”

“yeah!” your daughter huffs, “and don’t take out your sad life on my mama!”

your eyes widen as you stare at your daughter.

on the other side, your husband is just as speechless. your daughter pays no one any mind as she continues, “mama works hard every day! you wouldn’t know that! you immature nugget!”

nanami frowns lightly, “d/n, that’s not nice—“

and for the cherry on top, your baby daughter throws the bottle cap she was playing with at the old lady, and frowns at her.

she starts babbling some nonsense that you're pretty sure are curse words in baby language.

having had enough, the old lady huffs, “the utter disrespect,” and starts walking away.

the rest of the spectators’ eyes follow her till she is out of sight. finally then, people start minding their own business, and you and your little family are left to the aftermath.

you giggle, “that was funny.”

“really?!” your daughter beams.

nanami cuts her off, “no,” he then looks at you with a small frown, a sigh escaping his lips, “y/n don’t encourage them—“

your baby daughter screams happily when she sees her sister smile. she starts kicking her feet with the biggest smile on her own face.

your older daughter starts laughing with her and tries to make her little sister laugh more—she was successful.

meanwhile, you chuckle, leaning on your husband’s shoulder, “admit it, kento; it was kind of funny.”

his resolve softens at the sound of laughter from all three of his girls, “okay, maybe a little, but—“

“yay!!”

ladies: 1

kento: 0

FUSHIGURO TOJI:

your husband and son are so alike, save for the part that your husband is a bit more shameless, and your son is more on the shy side.

however, they both have the same bluntness and the tendency to give anyone who they don’t like attitude.

for example, today, you were walking in the park with the both of them to unwind a bit.

not to mention that megumi wanted to walk his dogs which was a plus, since you would be able to watch your dear son play around with them.

it was all going great until you saw an old ‘friend’ who came running at the sight of you. he was someone who has always been way too touchy and in your personal bubble.

you have tried talking to him about it, but you’re confident that he does it to somehow force you into reciprocating the intimacy.

even if you’re a married woman with a freaking kid.

he giddily clasps your hand, “y/n, ‘been a long time!”

“h-hey,” you smile awkwardly.

he laughs, “I was passing by when I saw your figure, and I couldn’t help but come and say hi.”

you nod, “that’s great, but I am busy, so maybe later?—“

“you’ve gotten even prettier!” he exclaims, “I wish you would finally take me out on a—“

“can’t you see that she is uncomfortable?” your son retorts, “also, you should step back; you shouldn’t touch someone like this without asking them.”

megumi squeezes himself between the both you and glares at the man.

the guy was about to reply to your son, but toji pushes him back with ease, pulling you beside him and hand resting on your waist almost by instinct, “kid is right,” he tilts his head a bit, “ever been taught manners or do I have to do the teaching for you?”

the guy is taken back; offended, he snaps “you can’t speak to me like that!”

“and you can’t hold my mom’s hands like that, but here we are,” your son cleverly sasses him.

on the other hand, your—shameless—husband pulls you into one scandalous kiss and smirks at the guy when he pulls back, “and you can’t hit on a married woman, by the way.”

you hear your son gag in disgust at his dad’s actions, but you’re too busy burying your face in your husband’s chest, hoping that the guy disappears before toji makes even more of a bigger scene.

you also hope that the ground would swallow you, but that’s the alternative option.

the guy clutches his fist, before walking away, spewing insults at the sky—since he is too scared to cuss out your buff husband. once the man is out of sight, toji ruffles megumi’s hair, chuckling, “good job, kid.”

your shy bean’s cheeks redden slightly as he looks away, “…thanks.”

you’re still thinking about what just happened when you slap your husband’s chest, “toji, literally why?” you grumble, patting megumi who started holding onto your leg the moment you hugged toji.

“why not,” your husband shrugs with a small smile, taking pride in your flustered form.

“dad, I want ice cream.”

“no, you just want me to let go your mom, so you can hog her for yourself,” toji grumbles, staring down at megumi.

unfaltering, megumi looks up at him ,“dad, I want ice cream.”

“god damn it, listen here you—“

“divine dogs.”

RYOMEN SUKUNA:

there is no denying that both your son and your husband care for you very much, and they both—very aggressively—compete for your attention.

I am talking he literally throws the kid across the room kind of aggressive, and your son, in turn, throws whatever he has at him.

it’s eventful, but you would be lying if you said that it wasn’t one of the reasons why you will get grey hair earlier than everyone else.

so their very aggressive nature is also shown in their protectiveness over you.

a person doesn’t need to insult or even dare flirt with you for your devil duo to make their life a living hell; your husband and son don’t tolerate someone speaking to you if it causes you to ignore both of them.

for example, this one new servant was clueless to where the broom is, and unluckily for him, he saw you sitting with your husband and son in the gardens. he humbly approached you, “excuse me, m’lady.”

you turn to look at him with a smile, “yes?”

he clears throat, a bit flustered by the attention, “I—I wanted to ask where the—“

“up your ass, you disgusting fiend,” your son sneers followed by his father’s ever-permanent scowl.

“who gave you the permission to come and speak to her so casually?” sukuna presses, and the servant quickly falls to his knees.

“m-my apologies, my lord! I did not mean to disturb you!”

sukuna crosses his arms, “well, you did, and you also disturbed your queen and prince,” his eyes narrow at the servant, “what do you have to say for yourself?”

meanwhile, you’re watching all of that, mouth agape and trying to articulate anything to save the poor guy. you finally find your voice, “sukuna, it’s okay; he didn’t mean—“

your son hugs you tightly and glares at the servant, “to think he would so brazenly speak to you like you’re old friends is terrible, mother.”

you can almost see your son’s cursed energy flaring, and you can spot the small smirk on your husband’s face as he watches his son.

before it escalates any further and you find yet another dead corpse in your palace, you pick up your son, kissing his cheek which makes him flustered and causing him to bury his face in your neck.

you look at the servant, “you’re dismissed, and you can ask the head maid about anything you need, okay?”

“y-yes, m’lady!” he, however, stays glued to the ground, “may I have the permission to lift my head?”

sukuna grunts, “sure.”

“thank you, m’lord,” the servant says, before scurrying towards the gate, having secured his freedom after his little mistake.

or at least, that’s what he thought.

your husband slices his legs off with a flick of a finger, and your son, who has inherited his father’s technique, slices the head off.

and so the body falls to the ground, and the other servants hurriedly start cleaning up the mess.

you frown at your husband, “sukuna! he apologized!”

he rolls his eyes, and pulls you by the waist, “do I look like I care? he shouldn’t have interrupted our time together.”

“aww, you’re jealous!”

“no, I am not—“

“hands off, old man!”

taglist: @magenta-cat-drawingss @pompompurin1028 @scul-pted @requiem626k @nameless-shrimp @sonder-paradise @jessbeinme15s-notebook @todorokichills @ginneko @missrown @shrynkk @simplyxsinned @beautiful-is-boring @starlostlaiba @izukus-gf @irethepotato @thekaylahub @dazaisbloodybandages @aeanya @sweetcloudsimp @moon-catto @the-midnightskies@pianopuppygirl @gojosblackqueen @kryscent @kunikida-simp @whoami-72 @mx-0-child @fiona782 @kisakitwister @imjustasimpxd @psychopotatomeme @dreamcastgirl99 @watyousayin @doobiebochana @laylasbunbunny @hojicha-expresso @4sat0ruu @nineooooo @chuuyasboots @alekssashka7 @rieejjyubi02 @satoryaa @nothisispatrick300 @fallencrescentmoon @etheviese @ho34gojo @the-mom-friend-dot-com @the-weeping-author @stray-npc @libbyistired @anon1412 @anakalana @maehemthemisfit @satorustar @b4nka1 @sad-darksoul @ko-fi-heart @pumpkindudeishere @suyaaachin

do not copy or plagiarize or you will be reported

17K notes · View notes