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#Childhood Bereavement
Things That Helped Me With My Grief - 11/01/2023
Background - My Mum Died in 1998 when I was 6, Amy Granny Died in 2002 when I was 11 and my Dad died in 2011 when I was 19.
Talking about how I felt and what happened, talking about my Mum, Granny, Dad
Writing a diary
Letting myself feel everything instead of trying to suppress it all
Music
Therapy
Having photographs of them
Visiting my Mum and Dad’s graves (only found my Mum’s in 2015)
Writing poems
Nature
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the funniest thing supernatural ever pulled was when they brought back mary and instead of choosing the oedipal route for their compulsively masculine protagonist they gave him an electra complex
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howelljenkins · 2 months
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every time I rewatch atla I tell myself I won’t feel the aching sense of grief when it ends
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quotationsworld · 2 years
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The only thing childhood ever taught me is everyone loves you
in a hospital.
— Hand Made Ghosts, Reyna N.A.
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grvntld · 2 years
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why the hell would you think a movie that has death in it will be a fun and interesting watch?
HAHAAHHAHAHAHAHAHHAHAHAHHAHAHAHAHHAHAHAHAHAHHAHAHAHAHAHAHAHAHHAHAHAHAHAHA thanks for making my night
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lindiehe · 3 months
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Dining Room Dream Sunday 21st January 2024
I am standing in the doorway looking into the dining room Soft afternoon light filters through thin clouds And fills the air with timeless calm The dusky rose rug clasps gentle blue to its heart Muffled television seeps through glass doors Teenage strings echo through study walls The house is alive It knows all I dreamt I was stood in the doorway between rooms, looking into the dining…
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Love ❤️ Can Build a Bridge
Despite my reservations, I decided to attend “The Judds: The Final Tour” concert last Saturday. I had a variety of concerns about the event that were causing me to hesitate, none of which I’ll elaborate on, but in the end, I decided to take the plunge and go with my dear friend, Camille, who secured the tickets. As it turned out, my worries were unfounded.  Wynonna Judd has been a household name…
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kenobihater · 8 months
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i'm thinking hard about how every meaningful interaction the player has with lambert in the witcher 3 is with a man who is grieving. first is the loss of aiden, who lambert is defensive of and shares the bare minimum about during following the thread, basically just enough of his positives so he can ensure geralt helps him track down aiden's killers.
when we see him at kaer morhen before juicing up the phylactry at the circle of elements during the final trial, he's making booze, and later admits to drinking alone. he's not coping well with any of his grief, either regarding the loss of aiden or his more distant past, as is evident by the conversation about voltehre and later the conversation about his childhood.
in following the thread he's mourning aiden, in the final trial he's mourning both voltehre and his life pre-trials, and in blood on the battlefield, well... he's mourning the only real father-figure he's ever known, as is made obvious by his voicelines if keira isn't present and he doesn't feel the need to put on a brave façade.
lambert's entire diposition in game is shaped by the fact that he's actively mourning aiden and later vesemir, and that he's still bitter over both the death of voltehre and of his childhood innocence. he's in pain, and lonely, and resentful of the entire world! he's a grief-stricken man haunted by the weight of the past!! every meaningful conversation geralt has with him feels like traversing a minefield because he's bereaved!!!
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russingon-week · 18 days
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Russingon Week 2024: Prompts!
Russingon week will run June 10th to June 16th, 2024.
Day 1: Light
Valinor
Princes and exiles
Joy in the past 
Family
First time 
Childhood friends to lovers
Day 2: Darkness  
Doom of the Noldor
Angband and the Helcaraxë worldbuilding
Kinslayings
Grief and bereavement 
Despair and hope
Angry sex/hate sex
Day 3: Song
Rescue from Thangorodrim
Religious faith and worship headcanons 
Unchaining 
Trust and pity
Betrayal and reconciliation 
Hurt/comfort
Reunion sex 
Day 4: Peace 
Long Peace
Himring and Barad Eithel
Politics and diplomacy
Fealty and devotion
Noldorin traditions
Fluff
Tender sex 
Day 5: War 
Archery, sparring and battle
Battlefield traditions
Fire
Union of Maedhros
Horror in the past
Unhappy ending
BDSM/kink
Day 6: AU 
Canon divergence and fix-its
Time travel/time bending
Unusual headcanons
Different setting
Roleswap
Sexual experimentation
Day 7: The Future  
Weddings and oaths
Re-embodiment
Laws and Customs of the Eldar
Transformation
Parenthood, children, lineages 
Ósanwë
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Childhood Memories - 22/03/2023
Being with my Granny in her garden
Reading books with my Granny
My Granny looking after me when I was poorly
Playing with my Cousins at my Granny’s
Visiting my Mum in Hospital
Seeing my Mum at her flat
Having KFC with my Dad and watching Gladiators and Blind Date
Going camping with my Auntie and Cousins
My Dad telling me my Mum died when I was 6
Telling my Teacher my Mum had died
Going to the supermarket with my Granny
Going on holiday with my Dad and Step Mum to Mallorca
My Dad and Step Mum getting married when I was 10
My Granny dying when I was 11
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imakemywings · 10 months
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As noted, I have never bought into the “Finwe and Indis condemned Miriel to eternal death” take on their situation or other views that Finwe and Indis callously fucked Miriel (and/or Feanor) over, partly because it does not, to my eye, comport to how the situation is presented, where the narrative does not place blame on any one of the three of them. The choice to remain in Mandos very much belonged to Miriel, and it was a decision she made repeatedly and without hesitation or wavering. That she might have, many years later, come to regret it does not mean Finwe and Indis were necessarily wrong to rely on the choice Miriel had repeatedly made clear. Neither is Miriel someone malleable and prone to being coerced or manipulated--she, like her son, is firm of mind and unwilling to be swayed by others. And indeed it wasn’t until after Finwe’s death that she did begin to change her mind, at which point Finwe willingly remains in Mandos so that Miriel can accept rebirth.
Even if you don’t accept History of Middle-earth as canon (and no one is required to), I think it can be very indicative of the intent behind The Silmarillion, so I have included some of those quotes below also, because Morgoth’s Ring addresses a few versions of Finwe and Miriel’s story.
“At their parting (for a little while as he thought) Finwë was sad, for it seemed an unhappy chance that the mother should depart and miss the beginning at least of the childhood days of her son.” (The Silmarillion, “Of Fëanor and the Unchaining of Melkor”)
Initially, Miriel’s time in Lorien was meant to be temporary and restorative, and Finwe treats it as such, anticipating Miriel’s eventual return. Each version of this story makes it clear that what Finwe wanted above all was not to remarry, but to be reunited with Miriel, and that he was willing to wait for her to return--but not if she persisted in having no plans to ever return.
“Then [after Míriel’s passing] Finwë lived in sorrow; and he went often to the gardens of Lorien, and sitting beneath the silver willows beside the body of his wife he called her by her names. But it was unavailing; and alone in all the Blessed Realm he was deprived of joy.” (The Silmarillion, “Of Fëanor”)
Some of the Valar speak of Finwe’s impatience, but their perspective is much different than that of the Children. Finwe does not immediately give up on Miriel; they speak of her healing in Lorien and Finwe persists in believing that she will return, even after her effective death. In “Of the Silmarils and the Darkening of Valinor--Of Finwe and Miriel” from Morgoth’s Ring, it was twelve years after Miriel’s death that Finwe first approached Manwe about remarriage--a fair chunk of Feanor’s childhood.
“Now Ingwë, hearing of the strange grief of Finwë, and desiring to lift up his heart and withdraw him from vain mourning in Lorien, had sent messages bidding him to leave Túna for a while, and to come and well for a season in the full light of the Trees. Finwë thanked him but did not go, while there was yet hope that Míriel would return.” (Morgoth’s Ring, “Of the Silmarils and the Darkening of Valinor--Of Finwë and Míriel”)
It really isn’t until after the passing of the Statute of Finwe and Miriel, when Miriel commits to remaining in Mandos, that Finwe surrenders the hope that she will return and they will be together again.
Even after the statute is passed and Manwe gives Finwe permission to consider remarriage, Finwe still expresses a preference for Miriel’s return rather than remarriage:
“Finwe answered: ‘I am in no haste, My Lord, and my heart has no desire, save the hope that when this doom is made clear to Míriel, she may yet relent and set a term to my bereavement.’“ (Morgoth’s Ring, “Of Finwë and Míriel”)
Certainly you can argue he is focused here on his own feelings--but generously I would suggest it’s not entirely fair to give Miriel the power to choose not return to life but also to prevent her husband from ever moving on. Finwe is and has been willing to wait for Miriel--what appears to frustrate him is that he sees no sign Miriel will ever change her mind and therefore that he will be expected to dwell forever in perpetual grief. Which is, you know. Not great for anyone.
Vaire relays this sentiment to Miriel, who insists she cannot be healed within Arda, and Vaire reports to Namo on her mindset:
“Then Vairë said to Mandos: ‘The spirit of Míriel hath dwelt with me, and I know it. It is small, but it is strong and obdurate: one of those who having said this will I do make their words a law irrevocable unto themselves. Unless constrained, she will not return to life or to Finwë, though he should wait until the ageing of the world.’“ (Morgoth’s Ring, “Of Finwë and Míriel”)
Further confirmation that Miriel’s mind cannot be swayed by counsel (hmm that sound familiar...). Having made her decision, she means to stick with it, no matter how long Finwe waits for her. Asking Finwe--the only widower in Aman--to simply accept never having a partner again is also a heavy price to pay, and for a decision that wasn’t his.
“‘Therefore the one that is in the keeping of Mandos shall remain there until the end of Arda, and shall not awake again or take bodily form. For none among the Quendi shall have two spouses at one time alive and awake...this disunion shall come to pass only with the consent of both. And after the giving of the consent ten years of the Valar shall pass ere Mandos confirms it. Within that time either party may revoke this consent...’
It is said that Míriel answered Mandos saying: ‘I came hither to escape from the body, and I do not desire ever to return to it.’ (Morgoth’s Ring, “The Earliest Version of the Story of Finwë and Míriel”)
This earliest version of the story presents one where Miriel had a decade at minimum to choose to revoke her decision to remain in Mandos and that she herself could have put the nix on the possibility of Finwe’s remarriage, but chose not to do so. In later drafts of the story, the time required to pass before consent is accepted is increased to twelve years. (If you combine this with the twelve years Finwe waits to even approach Manwe about remarriage, this is a total of at least twenty-four years between Miriel’s death and even the possibility of Finwe’s remarriage. Add to this the three years that certain drafts place between this and his marriage with Indis for a potential total of twenty-seven years between Miriel’s death and Finwe’s remarriage.)
Here, Miriel is expressly, clearly, directly informed that she may choose to remain in Mandos, but that if she permits Finwe’s remarriage and he takes it, she will lose the ability to choose rebirth. Still, Miriel sticks with her original decision. With informed consent, Miriel makes her choice. Unless we are meant to assume she doesn’t know what she wants, it’s hard to take this as anything but confirmation that Miriel is sure she will never want to return to life. It seems unfair to condemn Finwe and Indis for taking her at her word, even if she eventually comes to regret her choice. (This is the price of the freedom of choice--you may make a choice you regret.)
“But the shadow of Míriel did not depart from the house of Finwë, nor from his [Finwë’s] heart; and of all whom he loved Fëanor had ever the chief share of his thought.” (The Silmarillion, “Of Feanor”)
Even after his wedding to Indis, Finwe does not forget his love for Miriel, and he certainly doesn’t show favoritism to the children of Indis--rather, he seems particularly concerned that Feanor should know he is loved despite his father’s remarriage. That Feanor refuses to accept this cannot, I think, be laid wholly at the feet of Finwe, particularly into Feanor’s adulthood. We can certainly say that Finwe failed to adequately reassure Feanor--but the text leaves that open as to fault and degrees of fault, and it may be there was nothing Finwe could ever have said that would have consoled Feanor, or it may be that they were both simply very different people and Finwe never managed to get through to Feanor, or it may be that Finwe did not try hard enough to make Feanor feel differently. But I also don’t consider it fair that Feanor’s disapproval should mean Indis and Finwe, two consenting adults, are prohibited from marrying.
That Finwe chooses to go into exile with Feanor and effectively surrenders his crown over it says quite a lot about his affection for Feanor and his willingness to publicly take Feanor’s side. This does not read like a case of Feanor being shunted aside by his father’s remarriage.
“In that evil time Finwë was slain by the Marrer himself, and his body was burned as by lightning stroke and destroyed. Then Míriel and Finwë met again in Mandos and lo! Míriel was glad of the meeting, and her sadness was lightened, and the will in which she had been set was released.
“And when she learned of Finwë all that had befallen since her departure (for she had given no heed to it, nor asked tidings, until then) she was greatly moved; and she said to Finwë in her thought: ‘I erred in leaving thee and our son, or at least in not soon returning after brief repose; for had I done so he might have grown wiser. But the children of Indis shall redress his errors and therefore I am glad they should have being, and Indis hath my love. How should I bear grudge against one who received what I rejected and cherish what I abandoned.’“ (Morgoth’s Ring, “Laws and Customs Among the Eldar”) (emphasis added)
In this earlier draft of the story from HoME, Miriel explicitly approves post-hoc of the marriage, praising the children of Indis and foreseeing they might fix Feanor’s wrongs, and disavowing that she might have any bitterness towards Indis for marrying Finwe. This, I think, is also deeply indicative of how we are meant to view this situation: Miriel herself does not resent Indis. Miriel herself does not think Indis did anything wrong--nor does she seem to believe either Finwe or Indis wronged Feanor. This goes to the point that just because Feanor was angry and upset about his father’s remarriage doesn’t, in and of itself, mean Finwe was wrong to remarry.
Immediately after this, Miriel expresses a desire again for life, and so Finwe entreats Vaire to release Miriel from Mandos:
“And Finwë said to Vairë: ‘Dost thou hear the prayer and desire of Míriel? Why will Mandos refuse this redress of her griefs, that her being may not be void and without avail? Behold! I instead will abide with Mandos for ever, and so make amends.’“ (Morgoth’s Ring, “Laws and Customs Among the Eldar”) (emphasis added)
Both Finwe and Miriel appear here to have regrets about what happened. Unfortunately, regrets are part of life and not necessarily indicative that something wrong was done. But Finwe now voluntarily remains behind in Mandos that Miriel might again have life, now that she has expressed a shift in her view on the matter. Not really the behavior of someone with no concern about Miriel’s happiness or well-being. Nor does he throw himself on the sword suggesting he was wrong to remarry, which would’ve called for some apology to Miriel. Again, I think this is just an overall difficult, tragic situation out of which there was no easy, painless path.
Nor is it suggested that Indis was seeking to horn in on the marriage between Finwe and Miriel.
“She [Indis] loved Finwë dearly; for her heart had turned to him long before, while the Vanyar still dwelt with the Noldor in Túna. In those days, she had looked upon the Lord of the Noldor, and he seemed to her the fairest and noblest of the Eldar...Therefore she remained unwedded when her people removed to Valinor, and she walks often alone in the friths and fields of Valinor, filling them with music.” (Morgoth’s Ring, “Of Finwë and Míriel”)
Yes, Indis loved Finwe even while Miriel was still alive--but no version of the story suggests she tried to slide in when Miriel had died, or tried to disturb their marriage before. In fact, the way she catches Finwe’s attention is entirely accidental.
“...when Indis saw Finwë climbing the paths of the Mountain, and the light of Laurelin was behind him as a glory, without forethought she sang suddenly in great joy, and her voice went up as a song of the lirulin in the sky. Then Finwë heard that song falling from above, and he looked up and saw Indis in the golden light, and he knew in that moment that she loved him and had long done so.” (Morgoth’s Ring, “Of Finwë and Míriel”)
The presentation of Indis has never been, in my view, of a gold-digger or someone who was looking to take advantage of Miriel’s death or absence. Between The Silmarillion and HoME, Indis seems presented more as one who, knowing Miriel desired never to return to life, saw that she and Finwe might find some joy out of his grief. She could not have foreseen that Feanor would take their marraige so poorly, or that he would never forgive it, or the extremes to which he was willing to go to show that, post-Melkor’s release.
As noted in quotes below, even the Valar recognized that Indis had loved Finwe “in patience, and without bitterness,” which is not a descriptor, to me, of someone trying to take personal advantage of the situation. She isn’t at fault for loving Finwe, and she isn’t at fault for his choosing to remarry, or for Miriel’s choosing to die. Honestly of everyone involved here, I think Indis has the least culpability. All she did was marry someone she loved, with the consent of his late wife.
“The wedding of his father was not pleasing to Fëanor; and he had no great love for Indis, nor for Fingolfin and Finarfin, her sons...In those unhappy things which later came to pass, and in which Fëanor was the leader, many saw the effect of this breach within the house of Finwë, judging that if Finwë had endured his loss and been content with the fathering of his mighty son, the courses of Fëanor might have been otherwise...But the children of Indis were great and glorious, and their children also; and if they had not lived the history of the Eldar would have been diminished.” (The Silmarillion, “Of Fëanor”) (emphasis added)
The end of this section is one I think is crucial to remember for the narrative: Tolkien explicitly eschews the idea that everything would’ve simply been better if Finwe and Indis had never married and never had kids. Yes, grief came out of the situation, but joy and greatness came from it too, and erasing Fingolfin, Finarfin, Lalwen, Findis, Fingon, Aredhel, Turgon, Argon, Finrod, Aegnor, Angrod, and Galadriel, and their descendants from the story and the history of the Elves would be a lessening.
This is a sentiment that existed from very early drafts:
“‘Behold! Indis the fair shall be made glad and fruitful, who might have else been solitary....Long hath she loved Finwë, in patience and without bitterness. Aulë named Fëanor the greatest of the Eldar, and in potency that is true. But I say unto you that the children of Indis shall also be great, and the Tale of Arda more glorious because of their coming. And from them shall spring things so fair that no tears shall dim their beauty; in whose being the Valar, and the Kindreds of both of Elves and of Men that are to come shall all have part, and in whose deeds they shall rejoice...When he that shall be called Eärendil setteth foot upon the shores of Aman, ye shall remember my words.’“ (Namo addresses the Valar, Morgoth’s Ring, “Laws and Customs Among the Eldar”) (emphasis added)
Attached to The Earliest Draft of the Story of Finwe and Miriel is this Laws and Customs Among the Eldar wherein the Valar debate whether or not to permit Finwe’s remarriage and whether any of the three Elves involved here is at fault for the situation. During this debate, Namo Mandos gives this proclamation about the greatness of the children of Indis and the impact they will have on the future of Arda, even to anticipating the arrival of Earendil in Aman.
Narratively, Tolkien thus emphasizes that great good comes from the marriage of Finwe and Indis, in spite of Feanor’s response to it which causes much grief for the Elves. If the purpose of the story was to feel that they had acted in pure selfishness and that their marriage was some turning point where the tragedies of the Elves could have been entirely averted, I don’t think he would have taken so much care to make it clear what beneficial things came out of it.
All of which is to say I stand by my original assessment that none of these people was wholly at fault for what happened. Unfortunately we are all of us swayed by our emotions and there are times when there is simply no easy way out of a sticky situation. As in the original post--there was no way to fix this without someone being deeply unhappy. The marriage of Finwe and Indis, particularly as approved by Miriel, probably seemed at the time like the most painless way to handle it, particularly as the strong love of Finwe for Feanor would likely negate Feanor’s being usurped by any children of Indis. Certainly you can choose to read malicious motives into any of the four characters chiefly involved here--but I don’t think it’s the most accurate reading of the text. At worst, I think they could be viewed as careless or blinkered, but I don’t think any of them was ill-intentioned.
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daisyblog · 9 months
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YN Tomlinson
Our Story Masterlist Summary: An insight into YN's life.
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Background Information: Birth Name: YN Olivia Tomlinson Born: 13th of April 1994 Origin: Doncaster, England, UK Occupation: Hair Stylist, Fashion Influencer, Owner of Styles Fashion Siblings: Louis Tomlinson (brother), Charlotte "Lottie" Tomlinson (sister), Félicité Tomlinson (sister), Daisy Tomlinson (sister), Phoebe Tomlinson (sister), Doris Deakin (sister), Ernest Deakin (brother)
YN Olivia Tomlinson, born on the 13th of April, 1994, is an English hair stylist and fashion influencer. She is also the founder of the fashion company, Styles Fashion.
YN was born and raised in Doncaster, South Yorkshire. Her older brother is singer Louis Tomlinson. She was raised with Louis and four younger sisters: Charlotte, Félicité, and twins Phoebe and Daisy. Her parents divorced in 2011. YN has two younger siblings, twins Doris and Ernest, who were born in 2014, from her mother's relationship with Dan Deakin.
Like her brother, YN attended The Hayfield School and later on Doncaster College where she studies Hairdressing and Beauty Therapy, which are both located in Doncaster.
YN began travelling with her brother, Louis and boyfriend, Harry on tour with their band One Direction when she 18 as the band's hair stylist and make up artist Lou Teasdale's assistant. She worked as Lou's assistant from 2013 until 2015, during their Take Me Home Tour, Where We Are Tour and On the Road Again Tour, and for the bands promotional appearances during those years.
In 2016, she collaborated with several fashion brands including ASOS, Adidas and Zara. Later in the year, YN debuted the collaborative clothing collection with Adidas, where her brother Louis and boyfriend Harry both attended.
In 2017, YN released her first book, Styles: Fashion By Me. The book includes over 50 different fashion outfits and styles. A year later in 2018, YN launched Styles Fashion, her own company and clothing line, including clothing items that she designed herself. In June 2019, alongside her sister Lottie, she released a collaboration collection with fashion brand In the Style.
YN began dating her brother's bandmate, Harry Styles, in 2011. The couples relationship was exposed after a photo was taken of them kissing, at Harry's childhood's friend party. Despite their relationship, it is still clear that Harry and Louis's friendship has remained strong.
Speculations began that the pair may have split in 2018 when YN did not attend Harry's Manchester or London dates during his Live On Tour show. The pair were not seen together until December 2018, when YN posted a photo on her Instagram of the pair at her family's home in Doncaster.
In 2019, Harry released his studio album Fine Line, where fans were quick to conclude that the couple did in fact split the previous year. The album is a mixture of happy and sad times that the couple experienced and Harry said in his interview with Zane Lowe "The times when I felt good and I felt happy, we're the happiest I've ever felt in my life, and the times I felt sad was the lowest I ever felt in my life". In the same interview, Harry also confirmed that the voice played at the end of the track Cherry is YN, which was from 2014 when she was trying to learn how to speak French.
YN has featured in some of Harry's music video's, including Lights Up, Watermelon Sugar, Adore You, Treat People with Kindness, As It Was, Late Night Talking and Daylight.
After the loss of her mother and sister, YN has been open about her anxiety and has since been an advocate for mental health and currently is an ambassador, alongside her sister Lottie, for the bereavement charity, Sue Ryder.
Following the announcement of her sister, Lottie's, pregnancy in 2022, YN launched a maternity clothing line, quoting in her interview "My sister begged me to start working on maternity clothes as soon as she found out she was pregnant...how could I say no?".
YN has joined Harry on his Love On Tour tour, from 2021-2023. Harry announced during one of his Wembley shows that he had proposed to YN at the venue that very same day. Despite being on a world tour, YN still used her platforms to work in partnership with brands, but most importantly, provide the fans with the updates they wanted.
Tag List: (let me know if you would like to be added) @pansexualwitchwhoneedstherapy @harrys-flower @platinumbarbie143 @frickin-bats @harrysbbyh0ney @chronicallybubbly @goldensunflowe-r  @walkingintheheartbreaksatellite @kaverichauhan @peterholland04 @panicattheuc @indierockgirrl @or-was-it-just-a-dream @hittiesontour @bunnyharold @fanfictioncafe @lilfreakjez @jerseygirlinca @iamahallucinationnn @theekyliepage
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deprivedreality · 10 months
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𝗜𝗡𝗧𝗢 𝗘𝗧𝗘𝗥𝗡𝗜𝗧𝗬 ; 𝗡𝗘𝗧𝗘𝗬𝗔𝗠 𝗦𝗨𝗟𝗟𝗬. oneshot
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word count: 1.5k request by: @aichiomei
summary: neteyam with his childhood sweetheart and mate who died before him. alternative ver for childhood sweetheart.
content/s & pairings: neteyam x omaticaya! reader. angst. mention of death and blood. heavy visualization of trauma/losing a loved one. reader is called Yaw'ne which is yn, basically beloved in navi.
ᓚᘏᗢ | masterlist | feel free to make a request too!
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"𝗠𝗔 𝗬𝗔𝗪'𝗡𝗘. . . ?" His voice, pained and hoarse. Neteyam looked at his mate dying in his arms. The disappearance of the light in her eyes turned off all sense of consciousness in his body.
"Yaw'ne! Do not— no! You can't do this to me! Yaw'ne! Not now, not ever! My love— Look at me, please!" He cried, trembling as his chest heaved from the panic and anxiety he was feeling.
"Yaw'ne, look at me!" In an attempt to make a corpse look into him, he grasped her hand and placed it on his cheek, all while his other hand pushed through her chest, where blood spilled all over. Neteyam couldn't recognize himself anymore, all he could do was feel the warmth he couldn't embrace would be the last he'd ever feel from her as she went cold and pale.
In that moment, all he could think of was the future he envisioned with her, lost in a matter of moments. The love he swore to protect, the woman he promised to cherish, and soul he offered his life to. Gone. He couldn't grasp reality completely and amidst the war cry that echoes across the depressing field, he wouldn't take his eyes off her as tears swelled from his eyes, emotions daring to spill out.
He thought that if she stayed back, such thing would never happen. How did it come to this? How could one bullet determine the faith of someone? The faith of his mate, his love? Just Why?
He couldn't take off his eyes off of Yawne, the pain evident in his eyes as he looked at hers, lifeless and dim. All colors sucked off, replaced with the impeccable reminder that she no longer was with him. And will no longer be apart of a life she was supposed to be filling with colors.
"..." Neteyam spoke no more, but the silence has never been more loud. It was a mystery, really. How a broken heart can drive a man insane.
It was hard and brutal in each passing second. As smoke filled the air, so did the grief of the people all around him amidst the time of war. The cries of agony of a man who lost his mate was what filled the silence after the immediate aftermath of a battle between the RDA and the Omaticaya people.
Those who survived knew that if the Skypeople were foolish enough to have not surrendered earlier, then Toruk Makto's son— no, a man having been bereaved of his mate would've annihilated them with no hesitation and with bloodlust.
Neteyam's screams and shouts to bring her back were painful to hear to all those who were fortunate enough to be alive. As they echoed across the silenced field stocked with the corpse of Na'vis and Humans, taunting the ears of the many Omaticayan warriors that beared and witnessed the rage of the Omaticayan Prince's grief and agony upon losing his lover.
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Neteyam never felt so conflicted in all his life. His father was Toruk Makto, yes. However, he never thought once in his life that it would be the sole reason for his forced departure from the home he's ever known. And setting all of it aside, the biggest part of not wanting to go was because his love rested with his people. And the thought of having no exact time of going back home scared him to the depth of his soul.
"I have to leave you, my love." A tear traced down his cheek and to his chin. Neteyam smiled even if he was in pain, the sides of his lips trembling as he stood in front of a boulder decorated with striking bioluminescent flowers and herbs. This was where his mate was buried, a place he almost spent his time on after he lost her.
"I'm sorry..." Neteyam whispered, butb then his knees started weakening that he had fallen down and broke into tears. He held his shoulders, as if hugging himself as he sobbed. "Please know that I don't want to do this. I want to stay with you... But I can't."
Even if he couldn't bear the pain of learning that he might as well never be able to see the memories of the life he once had, in the end, he found himself embarking on a harsh journey with his family. And although Neytiri and Jake knew about their son's dying desire to just be in the hands of the great mother just to be with Yawne, they would do everything to protect their son.
A sad soul waiting to just disappear was the person Neteyam had become. He never laughed whole heartedly nor expressed the same happiness he once had before tragedy of a broken heart befall on him. He never acted the same, focusing only on keeping his siblings align because it was the only thing Neteyam was left to do.
If he disappeared, Yawne would be disappointed of him. That is what he thinks, that deep inside, his mate would be upset if he would just off himself and leave his responsibilities as a son and a brother just to be with her.
From the very arrival of the Sully's in the Awa'atlu clan, he's always been perceived as the saddest amongst the forest children, unresponsive in daylight and sullen in the night. The village people pinpointed it. The tsahik of the Metkayina clan expressed her pity for him, to the point that he could not bear it anymore.
His brother and sister were in pain watching him cry every night, whispering the name of his deceased mate. All while he wished to be with just himself and his aching heart, in nights where he cradled himself to sleep. And kissed the necklace that only he had taken to leave with him as a part of his mate. The necklace that he weaved for his childhood sweetheart, dating back from when he had just learnt how to bead traditional jewelry at the ripe age of five just to impress his mate.
The memories that brought him back were the only thing that kept him together. He spent his life with his mate even before bonding with her as lovers. Neteyam had so much memories that the idea of it running out just made his day damp.
"Yaw'ne... It won't be long, I promise." One evening before tragedy happened, the boy had whisper as he looked at the beautiful sunset that reminded him only of one person, Yaw'ne.
The dazling gold color of the reef that blinded his eyes. The dewy-colored sky and it's undoubtedly gorgeous sight. And the atmosphere that flowed with warmth, that even if it wasn't as close to be similar to the warmth and comfort he felt by embracing her, it reminded him greatly of his mate.
Thinking about it made him smile genuinely, laughing to himself. "If things aren't the way it is, you would be sitting next to me, Yawne. You would've love the ocean."
The smile Neteyam showed, unknowingly, would be the last.
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"Dad, I wanna go home─" Even as he lay dying in the same way his late lover had died, it was the only words that came out of his mouth when he looked at his father. He thought that for once in his life, he could be a bit selfish. Neteyam struggled to breathe as he looked at his parents and at Lo'ak. Blood seeped down his mouth but he spoke once more, this time with great desperation.
"I just want to see her again... I miss her─" Neteyam cried, eyes swelling with tears. Even through Lo'ak's pleads for him to stop, Neytiri's panic and to Jake's realization, all of them could see the desperation in his eyes.
"I miss her so much..." Neteyam longed for a moment of silence and he got it. His parents grieved for him as he lay dead on the cold ocean, eyes wide open as though they stared at the sky like any other day he spent at sea.
His eyes were dim when she died. But now, his amber eyes were at its dimmest. Neteyam died that day, with a bullet ending the pain he never thought would be the one to kill him in its stead.
It was the pain that killed him, and the acceptance that made him rest alas. It would be a mistake to underestimate the influence of love, thus, accepting it would lead into eternity.
ᓚᘏᗢ @deprivedreality 2023 | do not copy my works!
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kpopscatterbrain · 5 months
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Kdramas/Movies with strong female characters
Dramas
Eve (2022): Lee La-El (Seo Yea-Ji) When Lee La-El was little, her father died unexpectedly. Powerful people were responsible for his death. After her family was destroyed, Lee La-El prepared for the next 13 years to take revenge. Starting by targeting Kang Yoon-gyeom, one of the main culprits who orchestrated the death of her father. Along the way she becomes torn between her desire for revenge and her feelings for Yoon-gyeom.
It's Okay To Not Be Okay (2020): Ko Moon-Young (Seo Yea-Ji) Ko Moon-Young is a popular children's book author with antisocial personality disorder. She had a troubled childhood and a turbulent relationship with her parents. She develops romantic feelings for a psychiatric caregiver after a coincidental encounter and often goes to extreme lengths to get his attention.
Hotel Del Luna (2019): Jang Man-Wol (IU) Jang Man-Wol is the moody owner of Hotel del Luna. The hotel catering to the dead has been bound to her soul in order to atone for the sins she committed 1,300 years ago. Through the new manager Gu Chan-sung, the mysteries and the secrets behind the hotel and its owner are revealed
My Name (2021): Yoon Ji-Woo (Han So-Hee) Yoon Ji-Woo’s father gets murdered suddenly. She wants to desperately take revenge on whoever is responsible for her father's death. She starts working for a drug crime ring that her father was a part of. Ji-Woo joins the police department as a mole for the drug ring.
Vagabond (2019): Go Hae-Ri (Bae Suzy) Go Hae-Ri is an NIS agent and is currently working undercover at the Korean embassy in Morocco. She is tasked to help the bereaved families of a fatal flight. She helps Cha Dal-Geon whose nephew was on the flight uncover a darker and more sinister conspiracy than they expected.
Sisyphus: The Myth (2021): Gang Seo-Hae (Park Shin-Hye) Gang Seo-Hae is an elite warrior. She can take down the biggest men with just her bare hands. She is a sharpshooter and a bombmaker. She learned these skills to survive in a world that is dominated by gangsters and military cliques. One day she time travels to save a genius engineer.
Mr. Sunshine (2018): Go Ae-Shin (Kim Tae-Ri) Go Ae-Shin is an orphaned noblewoman and a member of the Righteous Army. Her parents were independence fighters who died in Japan due to their colleague's betrayal. She trains as a sniper. An american soldier Eugene meets and falls in love with Go Ae-shin. 
The Glory (2022): Moon Dong-Eun (Song Hye-Kyo) Moon Dong-Eun was a victim of high school violence. She waited for the bully ring leader get married and have a child. Now she is the homeroom teacher of her tormentor's child. Her cruel revenge plot begins.
Tomorrow (2022): Koo Ryeon (Kim Hee-Seon) Grim reaper Koo Ryeon is the leader of a crisis management team. The teams objective is to save suicidal people. Choi Jun-Woong (Ro Woon) is a young job seeker who is unable to secure a job. One night, he accidentally becomes a new member of the crisis management team.
Remarriage & Desires (2022): Seo Hye-Seung (Kim Hee-Seon) Seo Hye-seung who lost everything in an instant after her husbands affair and su*cide. She signs up to a matchmaking company Rex for the upper class, and participates in the race of her desires for her revenge.
Under The Queen's Umbrella (2022): Queen Hwaryeong (Kim Hye-Soo) Queen Hwaryeong is supposed to act with grace and dignity, but she has troublemaker sons. The queen decides to abandon strict protocols to transform her sons into deserving princes through education and personal growth, all while navigating the complexities of motherhood and royal life.
Juvenile Justice (2022): Sim Eun-Seok (Kim Hye-Soo) Sim Eun-Seok is an elite judge with a personality that seems unfriendly to others. She hates juvenile criminals and gets assigned to a local juvenile court. There, she breaks custom and administers her own ways of punishing the offenders.
K-Movies
Kill Boksoon (2023): Gil Bok-Soon (Jeon Do-Yeon) Gil Bok-Soon is a single mother and a contract killer working for M. K. Ent. Highly regarded by her peers, she has a 100% success rate and is one of a few killers rated "A" by her company. Right before Gil Bok-Soon is set to renew her contract, she gets involved in a kill or be killed confrontation.
Ballerina (2023): Jang Ok-Ju (Jun Jong-Seo) Ok-Ju used to work as a bodyguard. Ok-Ju is friends with Min-Hee, who is a ballerina. Min-Hee asks Ok-Ju for a favor. She wants Ok-Ju to take revenge.
The Witch: Subversion (2018): Ja-Yoon (Kim Da-Mi) A young girl escapes from a mysterious laboratory where she was trained to become a murder weapon. 10 years later, the girl, named Ja-yoon, is living a normal life, apparently without any memory of her past, she becomes involved in a crime.
Special Delivery (2022): Eun-Ha (Park So-Dam) Eun-Ha is a special driver for deliveries. She delivers anything or anyone for the right price. Her success rate is 100%, but she gets involved in an unexpected delivery accident.
Brave Citizen (2023): So Shi-Min (Shin Hae-Sun) So Shi-Min used to be a boxer in her student days. She now works as a contract teacher at a high school. She confronts a school bully, who frequently torments other students.
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lindiehe · 3 months
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Wallpaper September 2023
The 1960s table with the black fake leather chairs is in the middle of the kitchen. It is nighttime and the lights are on. The walls are covered in the old wallpaper that we all loved. It has a sepia-toned newspaper print, stuffed full of gardening news.  The article with a picture of a plump, ripe tomato, sits below the old cream wall-phone with the long, curly wire. The wallpaper starts to…
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Love ❤️ is the Answer
The tip of my head to the bottom of my toenails hurt and every part in between. Last Wednesday, January 18th, on what would have been my son’s 30th birthday, I needed a lot of love. More than usual. The stillness of the day exemplified how the world has moved on, and I’m still stuck in the quicksand of November 2019. The people I thought would at very least “check in” must have “checked out,”…
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