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#I also kept a lot of the elements from the original story; but they are part of a greater plot
gio-scrabbles · 1 month
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“Shadow the Hedgehog vs the World” Poster Redux
Here is the final render of the poster that started it all over a year ago! This is for an AU I am still working on. I have a summary of the story and the original rough draft of the poster down below ⬇️
The story centers around Shadow the Hedgehog transporting himself to a new yet hostile world,
a world where GUN becomes corrupt,
a world where Black Arm/organic hybrids cause chaos within the umbra of society,
a world where Shadow died,
after Sonic is accidentally taken through a portal. Specifically in a Westopolis that will soon face the Promised Day.
Within the city, he is faced against a disgraced scientist as well as Sonic’s kidnapper named Dr. Kreo along with their hybrid experiments and their acquaintance, Doom’s Eye. In order to return him and Sonic to their own world, he must either follow every whim of the Doctor within the underground of Westopolis, or trek into the world to find the chaos emeralds. It won’t be easy to achieve the latter, however, as he is now a wanted suspect by gun due to stealing something, or rather someone, valuable to them as well as being a Black Arms hybrid, an ultimate lifeform, out in the open.
Will Shadow let humanity defy his destiny once again to save those he value, or will he face against the world to risk his powers and potentially his life in order to keep his newfound identity intact while protecting those in his own way?
Here is the original poster for reference:
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The Hashira and their Sense of Humor
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Apologies for the hiatus! A lot has happened over the last couple of months and I'm finally getting some of them (somewhat) resolved through therapy and A LOT of patience with myself. So here's a post that I written back in October that brings me so much joy! Thank you all for your patience ^^
Word count: 2k~
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Mitsuri Kanroji
You know those types of people who want to tell you a really funny story but they need to stop laughing first?
And they've been laughing for the past fifteen minutes?
Yeah that's Mitsuri
I'm not entirely sure what to categorize this either than comedic storytelling
She could probably be a standup comedian too, she has some good stories to tell
But Mitsuri is really in her element when when someone else is telling a mildly amusing story
She will just keep adding onto it to somehow make it even more funnier than it was originally intended
Misturi could make an inside joke between you guys too, she is the designated funny friend of the Hashira
I also feel like she sometimes makes self-deprecating jokes, but not on any serious topics
Like she enjoys poking fun at the fact that she's still single
For an example, Mitsuri and Shinobu could be making an order at a restaurant for lunch
By the time Mitsuri finishes her first round of food and hands the dishes to the waiter, she accidentally drops them causing all the plates and bowls to shatter all over the floor
She tries to help clean up but the staff insists that she shouldn't worry about it
Sitting back down with Shinobu, cheeks red from embarrassment, Mitsuri will crack an awkward smile and say "Yeah, this is why I'm still single!"
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Obanai Iguro
Obanai is the most sarcastic motherfucker on this list
I feel like his number one policy is "Don't ask me stupid questions"
He's already annoyed like 70% of the time, just don't annoy him even more
But then again...
"Hey Obanai, did you lose this?" "No I was just playing hide and seek with an inanimate object for fun, YES I fucking dropped it"
"You look really tired, are you doing okay?" "Hell yeah, nothing says healthy like eye bags as dark as my hair"
"Can I pet your snake?" "Yeah you just gotta let him nibble you first but don't worry, he's only venomous"
Usually he's kinda rude about it but he does have his nice moments
"Hey Obanai, can you pass me that?" Obanai will just say no but hand and just hand it to you anyways
Some people just don't understand sarcasm all the time and that's when he kinda runs into some trouble
Obanai and Kyojuro were walking to a meeting together, but Obanai had forgotten his jacket AND haori
It was quite chilly outside too, so poor Obanai was shivering while trying to keep Kaburamaru warm
Kyojuro asked Obanai "My friend, winter is coming! Aren't you cold?"
Obanai deadpanned and said "Of course not, I'm just practicing my acting. Glad to see that my shivering is that convincing"
"How interesting! Maybe you should audition for a play at the theatre!"
Obanai's annoyance kept him warm for the rest of the day
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Tengen Uzui
Quite an obvious statement, but Tengen’s humor mainly comprises of sex jokes and innuendos
The man has three wives, of course he would find that shit funny
Like he will be in the middle of a meeting, and everyone will line up to receive some gifts from Kagaya
He will say "Come in a straight line, my students"
Tengen will chuckle and say "That's what she said"
Tengen is also the type to be "gay with the homies" and loves to embarrass Sanemi and Obanai by making jokes about being in love or hooking up with them
He chooses specifically those two because it felt awkward to make the jokes to Gyomei
Tengen once spent forty-five minutes explaining to Kyojuro that he didn't actually want to buy him dinner after Kyojuro gave him a genuinely offended look to the highest degree
"How deceitful of you, Tengen"
He pretty much wrote off saying jokes like that to Kyojuro following that incident, but he really can't help himself sometimes
I don't think that Tengen solely has generic innuendos he uses on everyone, he likes testing what SPECIFIC category of sex jokes makes people uncomfortable
Like if Giyu goes to the bathroom, Tengen will saunter up with a finger gun on his chin and ask "Pissing all by yourself, handsome?"
Everyone is throwing their shoes at him
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Sanemi Shinazugawa
Of course this sadistic bastard likes slapstick, what we’re you thinking?
He may be good at holding in a laugh, but you can still see that stupid smirk on his face if anyone stumbles
One time Tengen's six foot ass fell face first while running late to a meeting
Sanemi actually struggled to keep his composure that day, he had to bite his lips together to hide the uncontrollable grin on his face
People getting smacked upside the head, tripping others, people getting violently angry, Sanemi loves it all
He refuses to admit that Zenitsu is funny
Now a regular civilian is one thing, but children getting roughed up is another
there was a particular incident where Sanemi had come across some kids swinging on a tree branch near a market he occasionally visited
This week ass branch definitely didn't have the strength to hold up any of those kids
So Sanemi did what any sane person would, and stuck around to watch this disaster happen
Well unfortunately for this one child, the branch snapped mid-swing and fell right on their face
And there was Sanemi, a hand over his stomach from laughing at these dumb kids
He didn't even stop to help them or anything, just calmed down from laughing so hard and walked away to continue shopping
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Shinobu Kocho
An absolute queen of insult humor
Even Sanemi can’t beat Shinobu at her best
Do you even think she would stick with the basic ass jokes? Of course not
She can be an absolute menace if she really wants to
Shinobu is just tired of everyone's shit, and she can get even more exhausted from putting on that smile nearly as much as Kyojuro
She just can't keep up
Which brings me to my main point, which is that Shinobu's funny side usually comes out in rants or vents with the people closest to her
She and Mitsuri both express their humor by storytelling, Shinobu's just originates more from anger an annoyance rather than an effort to be entertaining
Regardless of who Shinobu's around, everyone can tell that when she walks through the door with steam coming out of her ears, everyone's gonna be laughing their asses off
As anyone can agree if they've worked in any form of customer service, there are some days where you are so damn close to breaking your cool
When Tengen got placed in the Butterfly Estate's infirmary, Shinobu was actually going to kill a patient instead of saving them for once
Like this man was just demanding shit and teasing his friend left and right, and Aoi had never been so afraid of her mentor in her entire life
Aoi tried to calm her down, "Sticks and stones Shinobu, don't let him get to you!"
Tengen only snickered
Ooooo, she lost her shit
"Sticks and stones may break my bones but PLEASE. FUCK. OFF"
Angy Shinobu is best Shinobu
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Kyojuro Rengoku
Look me in the eyes and tell me Kyojuro doesn’t like puns
I know you can't do it
He will howl with laughter nearly every time you tell him a pun
"Hey Kyo, you're never gonna believe it! Remember my friend with a bakery? Well it just burned down!"
At first he'll show genuine concern, politely shouting "How unfortunate!"
"Don't worry about it, his business is toast"
Give him a minute...
"Ahahaha! Good one!"
Not only does he like being told puns, but if he has a good opportunity to tell a well timed pun he will not stop giggling until he tells it
One time you, Tengen, Mitsuri, and Kyojuro were all trying to decide where to eat after a long day of work
At one point Tengen suggested hotpot, even offering to take you all to one that Makio and Suma liked
Kyojuro tried muffling his laughing, but his attention was redirected when you asked him what he thought of the idea
Finally able to cease his giggles, Kyojuro proudly shouted "SOUPER"
It doesn't matter if you find the joke funny or not, Kyojuro's laughter is so contagious that you're dying at the silly pun
What a fucking dork <3
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Giyu Tomioka
If there was a form of comedy that’s applicable at any given moment, Giyu would use it on a daily basis
Luckily for him, Giyu discovered it very quicky and refuses to let the tactic go
That's right, Giyu is physically incapable of stopping himself from making a "your mom" joke
Everyone can blame Obanai for that one
Quite literally at any opportunity, Giyu will mutter the phrase under his breath
Unfortunately, because it has become such an unconscious thing for Giyu, this bad habit of his ends up kicking his ass at the worst of times
with all due respect to Giyu's efforts, it just makes him unintentionally funny
in an awkward way
Giyu visited one of his favourite restaurants on his day off, the waiter asked "Is there anything else you would like, sir?" after giving his order
Now Giyu didn't mean it, he really didn't
It just slipped out of his mouth so easily
"Your mom"
Let me tell you, the silence was absolutely deafening
After the two stared at each other in mutual confusion, Giyu just wordlessly left due to the sheer embarrassment and awkwardness he had caused
He tried to go back, truly, Giyu made the effort and walked through the door
But he made uncomfortable eye contact with that same waiter and walked out
He hasn't gone back to that restaurant since ;,)
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Gyomei Himijima
I have already established in my Gyomei Headcannons post that Gyomei is the dad friend of the Hashira (go check out that post if you haven’t btw ^^)
So of course he's going to make dad jokes, everyone saw this coming
God forbid you ever complain around him, he will see it as an opportunity (usually)
"Man, I'm really hungry" Gyomei will hand you a bento box and say "Hi hungry, I'm prepared
He is THAT GUY that makes "I haven't seen you since last year!" jokes
Every single year without fail
Shockingly, Gyomei and Kyojuro will bond over their mutual love for super corny jokes
One time while training Genya, Gyomei asked him "Child, what is long and sticky?"
Genya paused his routine to think for a moment, slightly disturbed by the question
"I don't know what you- fresh mochi?" Gyomei shook his head
Genya made a claw gesture with his hands, knowing Gyomei couldn't see it
"No idea, what's long and sticky?"
Gyomei gave a small, sly smile before responding
"A stick, little one"
To be honest, Gyomei's jokes do annoy some of the Hashira whenever he makes them (mainly Shinobu, Obanai and Tengen)
Normally because he's so calm about it
Tengen usually is one to lose his temper over it though
"You really got a joke for about everything, huh?" "Indeed I do, Tengen. I even have one about construction"
Tengen's eye will twitch as he taunts Gyomei "Oh yeah? Well let's hear it then!"
"I'm afraid I can't, my friend. I'm still working on it"
Kyojuro's laugh echoes throughout the meeting as Tengen realizes he most definitely walked into that one
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Muichiro Tokito
His sense of humor is weird
That’s all I have, anything that Muichiro finds funny is actually kinda strange
He does this thing where he will go in with a fistbump, but change it to a high five last second
Muichiro can do it the other way around too, but regardless it results in this silly fist-five thing that makes him chuckle
He's a little bit of a devious child so his sense of humor kinda comes from whatever will annoy the other Hashira
Sometimes he will sit in the middle of a meeting and just blow raspberries while spacing out a little
It annoys the fuck out of Sanemi and Obanai because Muichiro's spit gets EVERYWHERE
Even Giyu thinks that kid comes with his own splash zone
He's not one for pranks per say, but he likes reaping a bit of terror amongst the other Hashira
One time Muichiro stole Tengen's red eyeliner one weekend purely for entertainment
the next day when everyone showed up to the meeting, people got to witness a very distressed Tengen
Holding up Sanemi and Obanai midair by the collar of their shirts, Tengen interrogated the both of them where they hid his shockingly expensive liner
Of course no one would suspect the slobbering kid, who was inconspicuously blowing raspberries
Had anyone asked Muichiro if he saw Tengen's liner, Muichiro would turn to the fuming man and giggle
Secretly, Aoi is Muichiro's unknowing accomplice in these scenarios
"Here Aoi, could you hold this for a while?" "Uhh, sure? What is it for?" "Hmm? Oh nothing..."
Don't underestimate this little shit
꒷꒦˚︶︶꒦꒷︶꒷꒦˚ ꒷꒦˚︶︶꒦꒷︶꒷꒦˚ ꒷꒦˚︶︶꒦꒷︶꒷꒦˚
Hey y’all! Hope you liked this post, it was such a pleasure to write it ^^
I’m hoping that now I’ll be able to write more for this blog now that I have more time, and I have more posts lined up in the future :)
Ask box and requests are still open, just please read the rules before submitting anything!
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astraltrickster · 1 year
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Saw a post about gacha addiction earlier and I didn't want to Get Into It with the OP because I fundamentally don't disagree with them but it left me raging internally at the counterproductive approach.
Listen. Gacha addiction is real. It's fucked, the companies that pioneered the softcore gambling-lootbox-gacha model straight up bragged about how effective it was. If you have never spent money on gacha, ideally you really shouldn't start, because the only way to determine whether or not you'll get addicted to any specific thing is to fuck around and find out even if you know for a fact that in general you do or do not have an addictive personality. The most dangerous gamble to take is the first. If you DO decide to spend money anyway, you should have a comprehensive strategy in place to keep it from slowly consuming your entire budget. Also, even if you don't spend real money it can still become a problem, because it can also end up consuming all of your time - any game can do this, any hobby in general can become toxic in fact, but gacha games in particular have the FOMO factor of "I have to keep grinding so I can save enough for my blorbo's next banner". If you play gacha games - even on a free-to-play basis - you should be aware that you are taking a risk and you should be willing to admit to yourself if it's become a problem. If you find your gacha budget creeping upward despite your income not doing the same, or you find yourself regularly trying to grind out pull currency even when it's overall not fun anymore, you should take a hiatus from the game/s, and call a therapist or gambling addiction hotline if that proves to be difficult.
And if you have concerns about other people developing gacha addiction...shaming people or downplaying what they like about the games or characters helps literally no one; if anything it only sends them further into denial for your smug sense of superiority.
Thing is? Gacha games are games. Most successful ones, despite the obvious comparisons, are a lot more than just slot machines to fill out a gallery of blorbos to rotate on your screen instead of in your head. They tend to have genuinely compelling lore and characters and enjoyable gameplay - the gacha is not the game itself; it is a recruitment and power-up system in an actual game. This only becomes more true as the market becomes more competitive - like, FGO shows its age with its slow start; you can really tell it launched at a point where all one needed for success was to tie to an existing big fandom and give you a little new content with your faves, but even then the appeal was the lore and the characters far more than it ever was the summoning system, and it's kept up as time goes on, intensifying both the story and the strategy as it's come into a life of its own. Genshin Impact, at 2 years old, is as "real" of an action RPG as a Kingdom Hearts game, with intense strategy elements involved in team building. Arknights is a tower defense that I'd love to play were it not for my medical phobia because what I know of the setting and lore is some POWERFUL social commentary that is right up my alley.
I could list more examples, but it's not really the point. The point is that gacha games are real games, with real lore, and real characters. These games don't have playerbases composed exclusively of victims of predatory monetization unless you REALLY stretch the definition; in order for a game to be a good gacha game, first it does need to be a good game. It's easy to say "oh, they don't really care about the story or characters or gameplay, it's just an elaborate ad for the slot machine, it's just a cash grab" - but...even accepting that as true (which is debatable), so what? What's the difference between that and the latest big studio movie? The latest Netflix original series? The latest "conventional" "one-and-done" AAA game? Do you think the CEOs greenlit those out of nothing but the love of art and storytelling?
People are going to get attached to these stories and characters, and mocking them over it isn't ~taking a brave stand against predatory marketing strategies~, it's not ~waking people up to the fact that they've been duped~, it's just being a fucking asshole.
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mask131 · 2 years
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A guide for reading The Sandman: Part 1
People will discover the television series and want to read “The Sandman”, the original comic books.
Some people are already reading “The Sandman” and are getting a bit confused about where to go with oh-so-many titles, extensions and expansions.
And some people already think they read all of the Sandman until they discover a new issue they never heard of. 
Well this guide is here for you! A small guide to explain the reading order of The Sandman, what to expect and where to go!
Part 1 will be dedicated to the original Sandman series, aka the “main story”, the “main series”, the original numbered issues going from Sandman 1 to Sandman 75 ; the original series running from 1988 to 1996. 
This series is divided into “volumes” (of course, those didn’t exist originally as the series was published issue after issue, the volumes were collected afterward - but each volume corresponds to an “arc”, a “step”, an “episode” in the wider story). The volumes in The Sandman actually alternate between volumes that contain a full story (basically “arc volumes”), a neat and clear story with a beginning and an end that together form the main story of Sandman ; and volumes that I would be tempted to call “expansion” volumes or “illustration” volumes - volumes that do not contain one overall story but rather a series of small stories, scenes, vignettes, “anthology” volumes whose role is to expand the world of the Sandman, and make the reader learn more about aspects or backgrounds of several characters, elements or details of the “arc stories”. 
Volume 1: Preludes and Nocturnes (arc-volume)
Contains issues 1 to 8. Preludes and Nocturnes is the start of The Sandman series, and what corresponds to the first half of the first season of the TV show. It is the story of how Dream of the Endless was imprisoned by a human wizard, the damage this imprisonment caused, and Dream’s quest to find back his items of power: his pouch of sand, his helmet and his ruby. Preludes and Nocturnes is quite noticeable, in comparison with the rest of The Sandman, as being HEAVILY relient on the DC Comics universe, with a lot of references to the DC Universe, its super-heroes and super-villains (something the television series massively avoided in order to be easier to access to newcomers). 
Volume 2: The Doll’s House (arc-volume)
Contains issues 9 to 16. Corresponds to the second half of the first season of the TV show. Another “arc volume”, this story is the one of Rose Walker, the discovery of her past and her quest to find back her missing little brother ; but it is also the story of Dream hunting down missing dreams and nightmares that left his realm to dwell into the world of humans ; and it is also the story of the mysterious “dream vortex” and of the disasters it can cause - three stories that in truth are mingled together in one mystery. 
Volume 3: Dream Country (anthology-volume)
Contains issues 17 to 20. The first “anthology volume” contains four separate and different stories. Three of them are related to Dream: they each explore a different facet of him (Dream the lover, Dream the deal-maker, Dream the world-changer), and they each talk of the different powers of dreaming in itself (inspiration as a blessing and culture, Dream’s influence on culture and reality...), plus expand the world of The Sandman to other “levels of existence” (such as animals and fairies). The fourth story is  around Death, and is basically exploring an obscure DC heroine (well, she had become obscure at the time of the publishing. It was something Neil Gaiman did a lot with “The Sandman”, and it was what made the comic book famous: he kept searching and hunting for the coolest, and yet most obscure and forgotten characters, heroes and villains of the DC Universe and “resurrected” them here to give them decent role and proper storylines). 
Volume 4: Season of Mists (arc-volume)
Contains issues 21 to 28. The story of how Dream of the Endless, after a meeting with the rest of his family, decides to save Nada his former lover from Hell ; but a story which also leads to (SPOILERS AHEAD SPOILERS AHEAD) Lucifer retiring from his position as ruler of Hell, and giving the Key of Hell to Dream. The story then covers the chaos, manipulations and conflicts that ensue.
Volume 5: A Game of You (arc-volume)
Contains issues 32-37. This story is centered around Barbie (a character that appeared in “The Doll’s House”). As Barbie discovers the fantasy world she dreamed and played in as a child is real, and ends up back into it, friends of Barbie are caught in supernatural conflict between a mysterious “cuckoo” that can send body-stealing birds in the human world, and a grumpy neighbor who turns out to be an immortal (and bloody) witch from Ancient Greece... This is one pretty weird story, I have to admit I always was very confused by this story and never fully got it - but it introduces key characters of The Sandman, and had some of the most iconic moments of the whole series.
The bizarre case of Volume 6: Fables and Reflections (anthology volume)
You might notice I skipped a few issues above. Well it is because when the sixth volume was created, Fables and Reflections, it was a compilation of several stories taken from across the series. As a result it kinds of break the chronology of the series, as it contains issues 29 to 31, issues 38 to 40, issue 50 and two “special” story. In fact, when I read The Sandman series, I never had this volume because I read the series in order (and the French “volumes” and compilations are quite different).
Originally there were two “sub-volumes” or “small volumes”. The first one is “Distant Mirrors”, containing issues 29 to 31 plus issue 50 (which was conceived as a continuation of the original trio) : this anthology of four stories is linked by the theme of “rulers and their relationship to their realm”, and the stories are recognizable due to being named after “times” (Thermidor ; August ; Three Septembers and a January ; Ramadan). The second “volume” was “Convergence”, the compilation of issues 38 to 40, three issues united together by the fact that they are “stories-within-a-story”, and fit the theme of “meeting and encounters”. 
But when the big volumes were created, it was decided to unite “Distant Mirrors” and “Convergence” as one big volume, alongside a third block made of “special” stories not included in the numbered series : one taken from the “Vertigo Previews” comics, and one story that was originally published on its own as “The Sandman Special”. The result of this union was “Fables and Reflections.”
Volume 7: Brief Lives (arc-volume)
Contains issues 41 to 49. This volume tells the story of the quest Delirium and Dream end up undergoing (at Delirium’s request) to find back their missing brother, the “Prodigal” Endless. 
Volume 8: Worlds’ End (anthology-volume)
Contains issues 51 to 56. Several travellers from different parts of the multiverse are trapped at the “Inn at the end of the world” due to a gigantic “reality storm”. Across the issues, each of the travellers tell their own story, each wildly different as they come from very different universes. While being an “anthology volume”, its ending is actually an introduction/a mystery set-up for the next volume.
Volume 9: The Kindly Ones (arc-volume)
Issues 57-69. All the plots and elements laid out in the previous arcs converge. The biggest threat the Dreaming ever faced arrives, and Dream has to fight it.
Volume 10: The Wake (arc-volume)
Issues 70 to 75. The consequences of “The Kindly Ones” and the ending of The Sandman. 
This is the full list of Sandman “volumes” when it comes to the main, numbered series. This is the full story as originally conceived by Neil Gaiman. From beginning to end.
Or... almost everything. Because I haven’t covered the... “specials” yet. But that will be for part 2.
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sarasade · 3 months
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"Netflix’s Live-Action ‘Avatar’ Series ‘Took Out How Sexist’ Sokka Was in the Original: ‘A Lot of Moments’ in the Animated Show ‘Were Iffy’"
Not a huge fan of this honestly. It was integral to Sokka's character to grow out of that shitty mentality and how it was done was really cool too: Sokka actually had to listen to women and empathise with them, Suki especially and then he even wore her clothes as a symbol of that. I hope they kept the Northern Water Tribe sexism plot at least though I think it was much more powerful when the character we were supposed to spend time with and even LIKE acted sexist. (Also the portrayals of systematic misogyny leave a lot to desire as well)
Girls' first experiences with direct sexism and misogyny usually come from their own family after all especially from their fathers/brothers. Those elements only improved Avatar's story and added more weight to the themes of its fantasy setting.
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dial-p-for-placey · 5 months
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The last of the proto designs! Now there is a lot I want to say about this design especially because I had to compile it from a handful of partial designs.
I get into all of this and my process under the cut! Please read this one! I put a lot of work into coming up with this complete design!
Okay so this design is based off of these 3 images
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And as you can see there are already a lot small differences between them all but they are all too similar so I didn't want to draw each of them as their own (especially since the bottom pic the only real thing it has going for it is colored for reference)
So I combined them all. Took the crown and the double pauldrons and the battle bra since those are the most unique elements and very different from the other designs. I decided not to add the bow from the one pic since that looked similar to another proto design, though i did use her school bow color for the bra. Also the second image makes it look like the skirt was longer and I also remembered there was an interview (might have been included in the back of a manga printing) where Naoko said she originally wanted the skirts of the senshi to be longer but her editor made her shorten them so I kept the long skirt.
Next was the hardest part because none of these images have full color or Usagi's full body. So this is when I reveal to you that I do actually believe all these designs where supposed to be Minako for Sailor V (since Naoko came up with that story first). I don't have any proof of that and none of these designs have notes, but with that as a possibility I decided to pull from a proto Sailor V design
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I took the skirt design/coloring since the middle image is probably just a lighting effect on it, but does make it look like there could be a white stripe on the bottom. Also made the stripes on her shirt ruled to tie into that. Also just took Minako's shoes since I have no idea what the design of them would be.
Also directly pulled Minako's color palate (the blue, orange/gold and purple-ish color) and the green from her gloves for the design on the top pauldrons (which was a clip studio brush for a ribbion/fabric that I molded to fit)
Like I said... I did a lot of work to compile this design together. It's not an official one and could argue that this Minako, but considering Naoko abandoned a lot of these design elements and then came back to them for Usagi I still think it's fitting to say this is a proto Sailor Moon
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directdogman · 6 months
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Hello, oh great dog!
Since today is canon dsaf 3 endings day, i wanted to know if you already had important parts of the story/endings planned way ahead or not while making the series. (Such as stuff with Henry and everyone's backstories)
Sorry if I'm asking something you've already answered at some point.
I also wanted to say Happy Halloween and that i really love both of the incredible game series you've made!! :]
yeah! henry is name-dropped by Dave in one ending of DSaF 1 (he refers to himself as a 'helpful henry' when he helps jack get into a springlock suit) and the shit about Henry taking Dave's heart is foreshadowed briefly in DSaF 2 when dave refers to himself as 'heartless' in a conversation about Henry. Both could probably pass as lucky coincidences, if both usages weren't directly linked to springlock suits and henry specifically.
Basically, when I wrote DSaF 1's basic story, I did what I always do and kept coming up with ideas, which i wrote down. i adapted elements from FNaF 2, 3 and 4 (and later in DSaF 2 production, SL) into DSaF lore and basically wrote pages and pages of paper notes. It's why every expansion of the story felt really natural. Most of it was already in my head from very early on.
I didn't know then how many games I was gonna make and DSaF 3 was actually an amalgamation of 3 DSaF game drafts, hastily reworked to fit FNaF 6's tycoon context (most of the salvaging content was gonna revolve around Jack setting up Fazbear's Fright, originally) and a partial tycoon game set at Fredbear's, where the company makes Phone Guy, Jack and Dave all serve as managers with equal stakes, with a voting mechanic that allowed you to side with dave or phone guy (and gain leverage, which allowed you to get them on-side for certain decisions, like getting to expand the diner in a specific way, akin to the dsaf restaurant!)
the absolutely bonkers thing is that i never used up all of my material. there's references to fredbear's + SL stuff in DSaF 3 that was a lot more fleshed out on paper, a whole epilogue AU that's a parody of Underswap + It's a Wonderful Life that features Henry as the main character, and explores the question of whether Henry is capable of being better by showing him exploring a timeline where everything is jumbled, thanks to him never existing in it before his arrival. Also, it shows the end of his research into the origin of life.
I showed a few collaborators ideas from this weird AU (most notably Dave throwing Foxy into the grand canyon after a bomb is rigged inside him, saving a birthday party and prompting the company to promote him to manager, and a version of Legacy Jack that's based on a wolf (he was a cannibal before his death) and tries to get Henry to kill Dave for abandoning his nature.) Probably sounds really strange without context, but it's immensely detailed.
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1000sunnygo · 5 months
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The Three Captain's Interview (2021) Part 2: Mayumi Tanaka as Luffy & Namikawa Daisuke as Kidd - Translated
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The ask I received got deleted, I'm sorry! 😩
I've decided not to half-ass it, here's the remaining part of the interview with Namikawa san and Mayumi san's answers.
👒 : Tanaka Mayumi (Luffy)
🌷 : Namikawa Daisuke (Captain Kidd)
+ Kamiya Hiroshi as Law (already translated, check here)
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Q. How did you feel when you got the role?
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👒: I was mostly indifferent, as the work (the manga) itself was unknown to me back then. In retrospect, I think it was for the best. I mean, if you know it's a deeply beloved work, you'd feel greedy, won't you? That's why I passed the audition without feeling nervous. Looking back now, maybe it matched Luffy's freedom.
🌷: I remember vividly. Among the eleven rookies with more than 100 million bounty, Kidd's was the highest. I had a clear image of the voice that would express Kidd's powerful appearance, but I couldn't imagine myself playing the role of Kidd. So, I didn't know how to do the voice. I kept thinking about it while recording. I still have a hard time doing Kidd's voice, but it was even harder back then than it is now.
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Q. Did you have any specific thoughts or feelings while playing in One Piece?
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👒: In One Piece, there is the unshakable pillar called 'Eiichiro Oda' , but it's not enough to rely on him. I want people to think, "Wow, One Piece really is amazing" when - including myself, all the individual creators' imagination, music, scenarios, and everything else come together! We'd like to continue to create moments in anime that surpass the original manga.
🌷: Many One piece fans would say it's "fire" when expressing their opinions. Thinking about what makes them feel fired up, I can clearly see it in the scripts. The lines of a good scene are spread over several cuts. I feel that the timing; or rather, the process of speech delivery is given a high importance. So, in pursuit of an impact on the audience, when the scripts says "haah?" I myself try to stretch it with "HA~aah??" - to make everyone feel even more fired up.
[T/N: The Japanese word used was "hot", while "fire" expresses a different type of feeling, I think it works as a closer substitute.]
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Q. Impression of the character you're currently playing?
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👒: Someone who accepts his weakness, says "I can't" when he can't do something and then relies on his friends, and never wavers from the freedom of doing so.
🌷: He's surprisingly kind and considerate of his crew mates. He'd often say "Let's go!" and bring along some of them, but that's not because he's afraid. I interpret it as saying, "I'll protect y'all no matter what, so let's enjoy the thrill of going ahead together!"
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Q. Thoughts on Mayumi Tanaka's Luffy?
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🌷: Unwavering...isn't he? The story moves on, but the same old Luffy is always there. Regardless of the state you're in while watching anime, you can always relax and enjoy One piece. I think this is where Mayumi san's Luffy comes off as an undisputed champion. It's quite difficult to keep things the same for decades, so I have deep respect for it.
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Q. Thoughts on Daisuke Namikawa's Kidd and Hiroshi Kamiya's Law?
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👒: Some voice actors separate their personal lives from work, but those two are as transparent as I am! It doesn't have to do with their roles, but that makes it comfortable to work with them, so I enjoy it a lot.
🌷: Law looks cool, but he has his passionate sides; he has the calm aura, but he also becomes emotional. You need to incorporate a variety of elements to express those subtle ups and down in a Law-like manner, so I think it's an incredibly difficult role. That's why I think Kamiya kun puts a lot of thoughts and efforts in his performance.
That said, I can't help but feel a storm of jealousy regarding their rankings in the worldwide popularity poll (laughs). Law was in top 5, and Kid was 23rd. Even though they don't have the same screentime frequency, they were introduced at the same time, yet the difference was so big... Like, I understand Law's charm, but it was frustrating!
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Q. Do you think it's possible to win against Kaidou?
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👒: Of course, it's possible. But the absolute winner has to be Tesshô Genda (Kaido's voice actor). I don't think I can compete with that deep voice.. Well, I'd win though (laughs)
🌷: I want to believe that Kidd wouldn't lose his heart over his defeats. He doesn't intend to be beaten by anyone.
(T/N: Fun fact, Mayumi Tanaka doesn't read the manga. She only learns the manga's events when she reads her script. Sanji's actor Hiroaki Hirata does the same, and he admitted that he doesn't know much of the parts of story where sanji is absent.)
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hawkland · 18 days
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Art masterpost: Sunflowers & Pussy Willows Story by: MBQ (@mbqnoyolo) Art by: sidewinder (@hawkland) I'm so happy to get to share the first of my five (yes, five) collaborations for my very own event, the SPN Angels & Demons Reverse Bang (@spnangelsanddemons-rb)! I admit to my own selfish reasons for organizing the event — I wanted the excuse to draw & paint more of my favorite angelic characters and relationships than I usually get the chance to. And I'm so proud of all of the work that's come out so far and is yet to come! Be sure to visit the blog to see the other masterposts so far!
Anyway, I've been on quite the pre-Raphaelite kick for a while and doing a number of SPN pieces inspired by classic paintings. And when I saw Anna Lee Merritt's "The Watchers of the Straight Gate," it immediately screamed out Cas & Jack to me. So with that in mind (and spending a fair amount of time posing myself in my trenchcoat and white jacket to get the right references for the clothing), I ended up submitting this work for claims:
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I had a lot of fun doing the wings on this one, as well as playing with different little things to keep the original inspiration while also making it more these two.
It was lovely getting to work with MBQ again who was the perfect author to write something lyrical and magical, drawing on elements of nature and floral symbolism as hinted in the artwork. Once I saw the draft I was inspired to do this piece of Jack as I felt captured him in the story:
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Both of these pieces were done on Arches hot press paper which allowed me to do a lot of detail (necessary for the main piece, as it was a lot to fit on a 14"x20" paper block and keep some of the distinct brushwork) and kept the colors light as I wanted. With the Jack piece, I was experimenting with some new honey-based paints Mr. Hawkland gifted me from a. gallo watercolors. Their greens and blues in particular are amazing, and it's so hard to find good greens for doing botanical work! I was fortunate enough to get to visit their main shop in Assisi while in Italy last month too and stocked up on all the colors I didn't have.
Now, please go read the story - and I'll be back in about two weeks with my second collaboration for this bang!
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The Lightness of You // This Soul Outstreaming - a @rendherring duology
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The entire origin for this bind was because I was extremely excited to use my newly purchased legal paper and I had wanted to make a tête-bêche quarto - and I just had so many feelings about Good Omens after watching the second season and I needed very much to bind something that is my love letter to Good Omens and express ALL MY FEELINGS ABOUT THOSE TWO LOVEABLE IDIOTS.
Stats:
36055 words || 153 pages
Body text: EB Garamond 11 point
Accents: Alchemist Serif font
I bound these two little fics written by the same author (in 2019, so they are spoiler-free fics), of which they are opposing points of view but also are slightly different stories. I mainly used the character point of views to guide a lot of my design choices.
did quite a few new things with this bind: a tête-bêche, also a quarto! a legal quarto! plus edge gilding! and a half-bind which i have legitly not done since my first bind 1 year ago.
the tête-bêche is a trial run for an author copy - and thankfully is easier than expected.
i chose decorative papers (renato crepaldi, because i have a Stash) that specifically gave me aziraphale and crowley vibes - and leaned into the elements of light and dark, contrast and harmony, while matching it with forest floor colibri. AGAIN PLANT VIBES, JUST BECAUSE.
I kept my typesetting very classic - a) because i wanted to speed bind this (which i did in 2 days) and b) because i wanted to preserve old book vibes. i also practiced++++ and took the electric sander for a whirl because by god i was going to get some foiled/gilded edges on this bind so it would look like a fancy pancy book Aziraphale would covet for his shelf. this is my third attempt at sanding and gilding and it's still a little patchy - not perfect enough yet for a consistent result but i hope to get there one day and to be able to do foiled edges for author copies, hopefully soon. i would say despite the patchiness, it looks pretty fucking fancy and i really liked how it turned out.
Endpapers are the same papers on the cover but on the contralateral endpaper sides, which is a great contrast and an amazing idea from @pleasantboatpress because i was befuddled by Options.
For the endbands, i took inspiration from @celestial-sphere-press's recent beautiful gradient endbands, but leaned more with the usage of sunlight breaking through the contrast of light and darkness, for Aziraphale's side, while Crowley's side is done with green, black and gold because PLANTS. i stitched the main textblock with lovely variegated galaxy thread (IFYKYK :)) hand-dyed by @pleasantboatpress.
i actually really like how the bind came together and i'm rather proud of its simplicity and how intentional it feels as a bind, design-wise. every design choice was done with love, for the show, the book, the author, the characters and the fic and i am just FILLED WITH FEELINGS, Y'ALL. i'm not ashamed of them.
my only (small) gripe is my legal paper grain snafu because i am one of those grain purists and i only ever like using the correct grain but despite the textblock being in the wrong grain, it is still a lovely book and my fears were unwarranted, the book lies flat and open (it's not a monster book of monsters, which i had always assumed erroneously was a grain issue) and is still very readable other than a little sticky-outyness of the pages. am also very grateful because paper supplier is replacing it for free (they are legit the nicest).
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riddles-n-games · 4 months
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Why do you think avery and Jameson’s characters/Jameson’s story felt off? It feels off for me, too, but I can't put my finger on it.
Hoo boy, where to start? This feels like peeling wet paper from wet paper. Also, sorry this took so long to make. I was constantly putting it off because I felt like I kept not knowing how to continue this review at times so I really hope this doesn't disappoint.
Spoiler Warning: The Brothers Hawthorne Discussion
Plot-wise, first off, it felt like we spent a lot of time with the set up to get to the Game and usually JLB spends a very minimal amount on that before we jump into the riddles, puzzle-solving, clue finding portion of the story as shown in the last three books. Then when we get to the actual portion of the plot which is dedicated to the Game itself, the running around Vantage feels like it was all so quick and you don't even get to take it in because we're already at another part with a new clue that by the time you feel settled in, the Game is done and Jameson is the winner. So, I think the concern with the story on that front is the fact that she wanted us to have an element from the old books that we're comfortable with so we can continue experiencing that thrill we're used to, just from Jameson's perspective because this suits him to a T. And she's right. This is the Hawthorne brother we've come to associate with all these high risks, high stakes, riddles, puzzles, complex games, etc., etc. It's just her approach didn't feel right; she spent more time on one thing than the other, the set up vs the climax as a result of said set up were disproportionate and this would probably be as a result of the dual pov. We never had a dual pov before in the series so where one story feels completed, the other didn't. Had Jamie's story been one whole book on its own, she likely could have made everything in the plot more evened out, especially the part we're anticipating most: the Game.
Also, from what I can see, Grayson's plotline does serve as the typical storyline we see in TIG, THL, and TFG in terms of set up and execution of actions after the build up. But it also must have been thought out better because there was pressure from the fans to redeem Grayson after the events of the last book. To be fair, JLB may have also planned it out that way in the first place. It's just disappointing to read through a book with the one brother I wanted to see in his best element because he fit this script the most having his storyline cut off seemingly abruptly. I know it's easier for her to come up with stuff for Grayson because he's still underdeveloped but she should have taken more care of Jameson since he is already developed. It causes inconsistency and on her part, looks like lazy writing and that she didn't even want to write his story. Most complex story she's written, my ass. If she wanted to just write Grayson's story then she could have done that, it would be believable enough that she just wanted to leave Jameson untouched because of the work she put into him rather than taking back all the good stuff we've seen come out of him by the end of TFG.
Now, with Jameson's character development, I think that the problem was the dilemma he was facing with his mind being "ordinary" compared to that of his brothers. I don't think I minded that part that much but when I review how he acted in the original trilogy versus how he was in this one, this problem kind of abruptly seems to show up, even with the flashbacks where this was demonstrated to be a topic of interest. Maybe JLB should have created some kind of set up for his character having this problem in the first books like she did with his lack of father figures issue which clearly makes him sensitive and his desperate need to win. These were things that had an origin and were portrayed appropriately in the book with a somewhat satisfying conclusion. This one just felt like it was there and the issue was quite quickly resolved so it kind of just makes itself appear as something that could have been easily ignored. He also falls short on sounding like a human being because she has made his mentality and personality so one dimensional and basic that a robot has more complexity than him. We get it, he's hungry for more almost all the time! But that's not all there is to him. And as a Jameson girlie, I feel like she made it so much harder for us fans of him as a character and the chosen love interest for Avery to give reasons as to why we liked him. I mean, back in 2022 and throughout 2023, I don't know how many little analyses and rants I came across that projected the goodness of his character. Now what am I supposed to justify? I was hoping we'd get that deserved deep dive to see what else drove him besides the obvious and what did we get? Just an endless loop of what we already know and have seen.
On the topic of Avery and Jameson as a couple in this book, uh, I think that JLB could have done a better representation of it from Jamie's perspective than the way she did in TBH. They had some pretty great moments like their problem-solving sequences, the getting ready scene before the opera, the little stuff like their hand symbols to signal to each other, Avery comforting Jameson, and Jameson confiding in her the secret of what happened in Prague. However, I found the way that JLB described Jameson's thoughts towards Avery a little too out of character. I get it, there's nothing wrong with him being physically attracted to his own girlfriend, that's definitely part of it but it felt too lusty and not the way he seemed to view her from what we saw in the last three books. I mean, even Avery wasn't quite so lusty towards him. The flirtatious components weren't what I was hoping to see especially after his many swoon-worthy moments from THL and TFG. Honestly, regarding my opinion on this, there's a recent post by @elif-in-wonderland that summarizes my thoughts for me perfectly.
There, that concludes my current thoughts on the book regarding Jameson's side. If I do end up having more opinions to share, I will be sure to make a continuation to this in a follow up post. Thanks for the ask!
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kipxan · 1 year
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ohh my god ok so i love clangen and the WONDERFUL Nimaereth created a mod that lets you customize and import your own cats into the game and i’m obsessed. i’ve had zero time to draw so i’ve been creating characters from my own personal warrior cats ““worldbuilding”” project (plus my beloved lightningclaw of course).
the folks working on this game are incredibly smart and do all this work for free, and i respect the hell out of them for bringing together such a lovely fan project! definitely show them support if you can!
credits: mod by Nimaereth (linked above), merle and abyssinian coat patterns by MagiBaxter, extra pelt colors by Eragona (no github link but can provide link to her thread in the discord server), just-some-cat for the original sprites, and ofc the clangen team itself!  if any one of you want me to take this down, just lmk! :)
more about these characters:
row 1: eclipsestar, murkmist, frostmoon
row 2: riverhaze, silvertongue, nightstep
row 3: wolfstorm, ashfrost, lightningclaw
except for lightningclaw, who is the SkyClan deputy, all of these guys belong to PineClan, which is one of the four clans formed far in the north after several lake clan cats were wrongfully chased from their home. their territory borders MountainClan and ValeClan, while CavernClan makes their home in the cave system underneath the three territories. they make their camp in a pine forest, but their hunting grounds also include a muskeg dubbed The Frozen Mire by the cats. most of their ancestors come from either ShadowClan or SkyClan.
their territory also includes the outer edges of the Fox Hollows, home to an intelligent fox pack that long pre-dates the Clans. PineClan maintains an uneasy truce with the foxes over the strip of their territories that overlaps, and as such all PineClan apprentices are taught to speak a little bit of fox. while it doesn’t always stop natural predator conflict, they live in peace most of the time.
PineClan prides themselves on their wisdom and history. they have strong oral traditions, and some stories claim to date all the way back to the old forest. elders are revered to a greater degree than in other clans, and their stories are a favorite among apprentices of other clans at gatherings. PineClan also has a role called the Lorekeeper. they hunt but do not fight or patrol borders, however their main role is to record Clan history. a large stone wall, sheltered from the elements in an abandoned burrow, is painted on to record births, deaths, and changes in position (think kinda like Paleolithic cave paintings). 
their build is lean and elegant, their fur kept sleek and well-groomed. dark coats are valued for nighttime hunting, while tabbies and tortoiseshells are great for hunting in trees. many of them, oddly enough, have large and pointy ears, which legend says they developed to listen for prey in the silent woodland. their scent is reminiscent of pine needles, with a muskier undertone from the wetland.
i won’t get into it too much here but it is important to note that all four clans have a special warrior called their Guardian. this warrior is stronger and wiser than the average clan cat, and their soul is continually reincarnated. though not technically a Guardian, the “original” soul comes from Moonchaser, who led the clan cats to their new northern home. there is a LOT of lore surrounding this bit but think like a mix between the avatar and the nerevarine.
anyway cats.
Eclipsestar (Eclipsestream): current leader of PineClan. she’s chill. has a very relaxed and open policy to outsiders (the northern Clans usually do to prevent inbreeding, but even by these standards she’s very welcoming). was very young to be appointed deputy by the previous leader, Wolfstar, so her inexperience and the need to grow up quickly does sometimes still show. however, she’s overall seen as a wise and peaceful leader.
Murkmist: eclipsestar’s deputy and longtime best friend. while she disagrees with some of eclipse's policies, they’re overall a good fit for each other. sly and crafty, she’s usually the first cat to send when dealing with the Fox Hollows. not above causing drama with the other clans, but she will do so in a manner that makes her seem completely uninvolved.
Frostmoon: the senior medicine cat, very old by the time most of these characters roll around. strict, cold, and deeply rooted in tradition. as an apprentice she was considered a prodigy, but like eclipse, she also lost her mentor at a young age, which led to her developing a deep desire to prove herself. this led to her severely mishandling a situation involving the Clan’s previous Guardian, and many cats (perhaps wrongfully, perhaps not) sadly ended up losing their trust in her.
Riverhaze: frostmoon’s former apprentice. nervous, a bit flighty, and eager to please. not a whole lot to say about him, but he’s a good healer and a nice dude. despite his mentor’s failings, he’s still close with her.
Silvertongue: the current Lorekeeper. not a kittypet since humans are gone in this world, i just thought the collar looked nice. though he probably does have outsider roots. clever, sassy, good-natured, and takes his job VERY seriously. also nightstep’s mate, which means he puts up with a lot of nonsense haha. 
Nightstep: the current Guardian and main character of this hypothetical story (and also the cat iteration of my beloved skyrim character, teravyn, though they’ve kind of evolved into separate characters). adventurous, impulsive, and gets into more trouble than what’s good for him. kind to the point where some might call him naive, but to his credit his heart is in the right place, and he’ll grow into the role. however, his impulsivity is again a problem, because he can be absolutely terrifying in battle. very close with wolfstorm and considers her a sister, and his mate is silvertongue whom he loves very much. his other best friend is a former loner called mireclaw, who’s not featured here.
Wolfstorm: young warrior, found by the Clan as a kit. assumed to be a loner kit, but her mother is actually the MountainClan deputy Magpieshadow, who secretly left her kit with PineClan after her mate died and she felt unprepared to raise a kit alone. due to her MountainClan genes, she’s HUGE (and fluffy) compared to the average PineClan cat. to wolf, the warrior code is...more of a suggestion than a rule set. she’s sneaky and not above stealing prey to feed her own clan, but by starclan is she good at staying hidden. some believe her blessed by the (currently unnamed) patron of stealth. very close with both nightstep and silvertongue, as well as another warrior called mireclaw (not featured here).
Ashfrost: a background warrior. also not much to say about her, but i like her a lot. you will never ever find her in the midst of any drama--she is too laidback and too chill with everyone for that nonsense. however, gossip? she is MORE than happy to listen to it, just don’t make her get involved.
Lightningclaw: my baby. my boy. go here.
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allykatsart · 2 months
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so, Peccantum is some kind of deer demon like alastor?
Who is Peccantum?
Yes! Peccantum has the antlers, the hooves, the tail, he's def got a mix of humanoid and deer anatomy! Not entirely the same as Alastor though, as I really didn't want to mimic Alastor's silhouette when I decided on Deer Demon for Peccantum. I also wanted Peccantum's design to contrast Alastor's in some ways.
(there's more thought to his design so I'ma take this question and run with it! :3 continue reading for fun)
Since Peccantum wasn't originally from this series, some elements come from his old design, and some are completely new to this iteration. Some I changed, like his motif of Stars turning into Diamonds.
Deciding on what he should be in Hazbin was kind of difficult. I knew I wanted him to have a deal with Alastor, since no matter what story he's in, Peccantum is always desperate for power. I had always associated Peccantum with deer, but I initially shied away from that because... Well, Alastor. So I went back to what kind of character Peccantum was and tried to make connections from there.
Peccantum was a desperate, scared, ambitious character. He's skittish and young. He's had everything taken away from him and is starving to have it back. He's power hungry at times and has no self esteem. He also makes deals that put his wellbeing at risk. Originally he used magic that slowly destroyed his soul, but here... Well, he made a deal with the Radio Demon. So, I thought maybe Alastor himself could be the risk factor.
In other words, Peccantum is a deer because Alastor likes to eat venison
It is extremely fucked up but I kind of like exploring those dangerous and messed up relationships. Plus it would give opportunity for a deconstruction of Peccantum's character if the relationship got worse. And it could be the start of change for his character.
Deciding on a Deer gave me an opportunity to keep Peccantum's horns, but adding ears on top of that would be too complicated. Without the ears, he didn't read like a deer, so I had them to his side, which looked weird, and I eventually settled on having them down and melding into his hair.
Speaking of hair, I kept his hairstyle/color the same. It helps define his silhouette as being him. Darker hair with light tips also contrasted a character from his previous design and show what he had lost. Here it contrasts Alastor who has lighter hair with dark tips.
I turned the blacked out constellation on his skin into freckles. He's not spaced themed anymore but the freckles are cute! His eyes are also simplified for my sanity, and to make them unique among the main cast.
This version of Peccantum has a very different story, but the core character himself has stayed the same in a lot of ways. It's what I was hoping for when I started designing the Hazbin version of him and I'm very happy with how he turned out. I'm even more happy with this design than I was with his original!
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tyrantisterror · 4 months
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I think it's interesting how the remakes of Black Christmas take it in two very different horror genre directions.
The original film, like many early slasher and proto-slasher films, goes with what I call the "anonymous killer route" - i.e. the slasher of the film is kept hidden from the audience as long as possible, ultimately being more of a force than a character. This was sort of a defining element for slasher flicks and, indeed, a lot of horror from the 70's in general (think of Jaws as a good non-slasher example). I think it stands out among early slasher films for also having a really well-defined and sympathetic cast of non-killers/victims. You feel for those sorority girls, dammit.
The 2006 sequel, by contrast, tries to re-structure the plot in the mold of the most popular slasher series, which is to say, it tries to make an Icon out of the killer in the vein of Jason or Freddy (little sidenote: I kind of consider Friday the 13th the turning point from "anonymous killer" slashers to "iconic killer" slashers - the first movie in the series is full on an anonymous killer story, but the personality they give Pamela Voorhees after the reveal of her nature in act 3, and the stinger with Jason's ghost, shifted things for the sequel, to the point where Jason not only became a character, but something of a focal point for the series from then on). And because the plot is designed to focus on the killer and try to make him an icon, the other characters get reduced to more or less one-note victims for a rising body count, and the suspense of the original is mostly traded for shocking gore. You get to see what the original Black Christmas would be under a different slasher mold.
The 2019 remake then goes an opposite route of interpretation, doubling down on the feminist elements of the original and focusing particularly hard on humanizing our non-killer characters. The villain of the piece, meanwhile, is in some ways more anonymous than the original, as this time it's not a single killer, but a whole evil fraternity that's really just the agents of the far greater evil at the core of the movie's plot: patriarchal misogyny. In this movie's case, the villain is really a force, a system of cruelty, with the killers all being its agents rather than the individual source of terror themselves. Rather than trying to refit the original story into a modern slasher mold, it looks at the themes and structure of the original and figures out a way to amp them up to eleven.
And I think that's pretty cool for an often overlooked slasher classic.
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im-not-a-l0ser · 5 months
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Her: Chapter Two
These chapters are much longer than the prologue, but this one is a few hundred short of the last chapter.
Feedback for this would also be amazing as well, especially since I feel pretty iffy about this chapter
CW- Deadnaming, insecurity, but other than that, it's a pretty wholesome chapter I think.
They told their mom as soon as they decided. 
They didn’t know if their father overheard or not, but the next thing they knew, he was telling them that he was staying at Jerry’s for a while. 
He said that they were welcome to visit. 
They didn’t think they would. 
By the time their mom reached Paul, the work week had started again, and Paul told her that he’d be busy until that weekend. 
They spent the rest of the week slowly tidying up for the visit. 
Paul was very boring looking. He was just an average guy. 
“You must be my…” Paul stopped talking, realising his mistake. “It’s nice to meet you, Kai,” He said instead, giving up on his original statement completely. “Your mother tells me you’re going into your freshman year?”
“Yeah,” They responded. “I’m actually excited, I’m gonna be in Geometry next year, since I took Algebra in my eighth grade year! I’m gonna be one of the only freshman amongst sophomores!”
They really were excited. The topic shook their nerves nearly immediately.
“Although, I think I’m gonna quit the swim team,” They said. 
“Oh,” Their mom remarked. “Sorry. I mean, it’s not surprising, this is just the first I’m hearing about it officially. Y’know what, I’m gonna go make dinner.” She rushed off, trying to avert the awkwardness. 
“Why do you think you’re gonna quit?” Paul asked. 
He seemed in between uncomfortable, anxious and just straight up socially awkward. But that was okay! Kai was feeling that way too!
“Well, I, uh…” They swallowed. “It’s a girl’s team.”
“Ah, yeah,” Paul said, seeming to understand immediately. “Your, uh, your mom told me that you’re feeling a little nebulous about your identity. And that’s super fine, we all go through that.”
“Really?” They asked with a small laugh, not believing it in the slightest.
“Sure! I mean, I went through it at least twice. And learning about the world helps us learn about ourselves,” He said. “When I was in high school, I came out as bisexual, but I’m actually somewhere on the ace-spectrum, which means I’m not really attracted to anyone in general. Some people, sure, but not a lot.”
“Oh,” Kai hummed. 
“Labels can change more than once, is what I’m saying,” Paul said, “So there’s no rush to get it right the first time.” 
“Okay,” Kai said quietly. “You seem to know a lot about this.”
“Yeah, this isn’t the first time I’ve had this conversation,” Paul admitted. “My buddy Bill has a daughter, and she had trouble with her identity too. And Bill said he was out of his element, but claimed since I knew what I was in high school, that I’d be great at it!”
“I mean, you seem pretty great at it.”
“I wasn’t before, she’s actually how I figured out I’m asexual, because we kept talking in circles, and uh…” Paul looked around. “She had her friend Ziggs over and we all got high, and that really helped.”
Kai barked a laugh. They were not expecting that. 
“Yeah, it was a weird experience. Being high with two highschoolers and a basically sober one? Very odd thing to go through as a man in his late twenties,” He said, his eyes wide and staring off, as if he were recalling a war story. 
“Isn’t that three high schoolers total?” Kai asked. “Who was the other one?”
“Oh, Alice’s friend Deb,” Paul said. He cocked his head momentarily in thought. “Well, friends at the time. They’re dating now, going on a year I think.”
“Oh,” Kai said again. “That’s nice.”
“I think so too,” Paul said. “Bill’s still getting used to it. I think it just stresses him out, since he wasn’t able to figure it out or help. He thinks that Alice and I bonded better in that one day than they have from her whole life.” Paul shook his head. “I don’t think so. He tries really hard for her. She thinks they might be getting a divorce, which I haven’t seen first hand, but I understand. And she told me she wanted to live with him. And I think that’s just about as good as you can get with being a parent.”
“I’d want to live with my mom,” Kai said. “No offense.”
“None taken, I don’t like my brother either,” Paul said, shaking his head. “Anyway, maybe I could get you in contact with Alice. It might help to be around people your age. Or, y’know, I think my other… co-worker has a little brother your age.”
“Really?” Kai asked. “What’s his name?”
“I don’t know his brother’s name, sorry. But my co-workers name is Ted Spankoffski, if that means anything to you.”
“The last name sounds familiar,” Kai said. “I might’ve had classes with him before.”
“Probably,” Paul said. “Your mom said you’re a smart kid. And that kid is a nerd.” Kai laughed. 
“No shame in that,” They said, motioning to their admittedly geeky Doctor Who shirt. 
“Never said there was,” Paul said, putting up his hands half-defensively. 
“Kai, could you come set the table!” Their mother called from the other room. 
Kai excused themselves and began setting the table. They set it the same as they always did, since their father wasn’t there. 
Kai heard the door open. Maybe Paul left something in his car. They were setting silverware next to the plates when they heard yelling. 
They froze and their breathing became shallow. Their eyes glassed over.
It hadn’t even been very long since they last heard their name— their real name. But it hurt.
Eventually the yelling became more muffled and Paul walked into the kitchen.
“There was a kid at the door,” He said, seeming stunned.
“Sorry,” Kai said, their voice creaking.
“Whoa, ho,” Paul said, rushing to their side. “It’s not your fault, it’s okay.”
It was their fault. It felt like their fault. Whoever it was was looking for them. 
“Okay?” Paul asked, realising that Kai hadn’t really processed what he said. Kai nodded, shaking slightly.
“Okay…”
“Okay.”
“Okay!” Their mom said, entering the room. “Dinner’s ready.”
_________________________
A few weeks later, their mom, Paul, and Paul’s friends/co-workers set up a get together at a local restaurant. 
There was a girl with dark red hair, along with one with ginger hair. There was a kid sitting on the other side of Kai, with dark hair that was pulled back into a ponytail, showing a slightly overgrown undercut. 
Next to the red haired girl was a black man who reminded Kai of his classmate Jason. Across from him, a white moustached man— definitely related to undercut.
“Alright, so, everyone, this is my… the child of my brother. Their name is Kai. Kai, this is Alice, Deb, Bill, Ted, and…”
“Peter,” The person sitting next to Kai said. 
“Peter,” Paul said with a polite smile. “They’re all like us.” He looked down at his utensils awkwardly. “Except Bill,” He said, “Bill is a cishet man, he just happens to have a lesbian daughter.”
“Oh, our friend Ziggs is coming too,” Alice said. “They’re wrapping up a… at work right now.” 
“Ziggs?” Kai asked. 
“Yep,” Deb said. 
“That’s… not a name.” 
Deb and Alice giggled to each other.
“Yeah, that’s not really a thing,” Peter said. “I know someone called Stopwatch.” He cocked his head slightly, indicating thought. “Well, technically his legal name is going to be Daniel, but that’s just for job applications and stuff. He doesn’t want to be discriminated against for being trans.”
“Names are just as made up as everything else,” Deb said. “Oh, speaking of made up gender stuff. Pronouns, c’mon.”
“Oh, right, sorry,” Paul said. “I use he/him, but they/them are cool too.”
“She/They,” Deb said. 
“I use she/her, but not super exclusively either,” Alice said. Her whole demeanour was kind of nervous. She was playing with the sleeves pulled over her hands.
“Uhh,” Bill said. “He/Him? I don’t really understand it…” Pete leaned over to talk to Richie quietly. 
“We keep trying to tell him that he’s greygender, but he doesn’t get the whole thing,” He said. 
“I use he/him,” Ted said, seeming a bit annoyed. 
“He/Him,” Peter said too.
And now all eyes were on Kai. They looked down. 
“Uh,” They hesitated. “I don’t know. I-I’m not a girl though…” 
“Ah,” Peter said. “Yeah, I feel that.”
“Don’t we all,” A new unknown voice said. When Kai looked back up, there was someone else sitting at the table, next to Deb. 
They had dark hair poking out of their beanie, an eyebrow slit, and wore a sleeveless turtleneck. 
“Hey, Ziggs, they/them. My friends call me Ziggy. Sorry I’m late.” 
“It’s okay,” Kai said meekly. 
Ziggs’ whole attitude make Kai nervous, but in a… good way? It kind of reminded them of—
“So you’re questioning your identity, huh?” Ziggs asked. “I do not miss that.” Deb backhanded their arm. 
“What they mean is, they understand. And it can be a long journey, but it’s worth it. Labels like the ones under LGBTQIA+ umbrella can really help you understand yourself.”
“And make you more comfortable with yourself,” Peter said. “I lived like a girl for nearly twelve years, and I feel much more happy now.”
“It shows too,” Ted said. “I mean, he’s still a total scrub, but at least he feels like going outside sometimes. Even if it’s just once a month.” He punctuated his statement with a noogie upon Pete’s head, who shoved his arm away. “He’s actually enrolling in a tap class, fuckin’ finally!”
“I’ve been wanting to,” Peter admitted, “And mom says it’ll help me… make friends.”
“I asked out Deb,” Alice said. “A-After I figured myself out.”
“We were just friends before that,” Deb commented.
“You were friends before?” Kai asked. 
“Yeah,” Deb said. “For like three years.”
“Weren’t… Weren’t you afraid it’d change your relationship?”
“Uh, no?” Deb said. “We wanted our relationship to change.”
“But what if you broke up, what then?” Kai asked, their voice laced with anxiety and speed. “And what if you learned something new about your identity, and that made them stop loving you, even platonically? What if you don’t actually… like each other like that…” They slowed down at the end there.
Alice was shaking, which Deb must’ve noticed. She took Alice’s hand. 
“It’s worth the risk,” They said. “And we were really good friends before. If that friendship couldn’t survive a change in relationship and a change back, then it wouldn’t have survived our lives in the long run. And y’know. It’s survived this long.”
“I’m guessing you’ve got a friend you like?” Ziggs asked.
“I, I don’t know for sure if I like him. I just don’t want him dating someone else,” Kai admitted. “A-And I don’t think he’d like me now that I’m… like this.”
“Have you talked to him about it.”
“I don’t want to,” Kai spat immeaditely. “I don’t want him to think of me differently.”
“Isn’t that the whole point though?” Peter asked. “Like, he’d see you as… not what you really are otherwise.” 
“So?” Kai asked. “He likes me like that. He likes that me.”
“If he likes that you, he’ll like this you,” Ziggs said. “Like, if he likes you for reals, then yeah, he’ll like you like this.” They chuckled. “I mean, I wasn’t always like this. But when I came out to my friends and family, they accepted me. My mom’s paying for me to get a septum piercing next month.”
“But if they don’t accept you,” Paul said, “That doesn’t mean they never loved you. It just means they’re too shallow to let their image of you change.” Kai smiled weakly, knowing he was probably just adding to that because of his own brothers.
“I just, it’s easier this way.” Kai said. “Maybe I’ll change my mind.” They sighed and slouched down into their chair. “I just want to start over.”
“Well,” Peter said. “Maybe you can. We’re in the same grade, yeah?” Kai shifted in their seat under the anxiety that Pete might know who they really are. They nodded. “That means we’re going to high school next year. Everything’s gonna be different. Now’s the time to change.”
“It’s not the worst idea,” Ziggs said with a small nod. “I did that on accident I think,” They said with a laugh. “There are definitely people at school who don’t realise who I used to be. You have plenty of time to figure out who you want to be. A few more months.”
“I’m not sure it’s the best idea either though,” Paul said. “But I’ll help with whatever you need. We could probably get your name changed too if you want.”
“Isn’t that expensive?”
“Aren’t your parents getting divorced?” Ted asked, getting everyone’s attention. “The judge can change your last name to your mom’s depending on the situation.”
“Why do you know that?” Bill asked. 
“I agree,” Peter said, “Our parents are not divorced.”
“Our parents never even got legally married,” Ted said. “Just had a party and exchanged rings.”
“That makes it even weirder that you know!” Peter exclaimed. 
“He’s right though,” Paul said. “And you’re definitely going to be put in your mother’s custody. I’ll testify against your dad.” 
“Thanks,” Kai said. “I don’t know yet though.”
“And I’ve already got your mother set up with my uncle. He’s an attorney. Luckily I got to him before my brother did. Not that I think he’d be on his side. He’s been in numerous relationships with men.”
“Here,” Ziggs said, pulling a small pen that seemed to have been tucked under their beanie, behind their ear. “I’ll write down our information. And if you need to talk to someone your age about help with your identity, or the divorce, or anything else…” They held the pen to their lips momentarily. “Just text whoever you need.” They continued writing. “Alice, are you okay with me putting you on here?” Alice nodded. 
They continued to write down phone numbers and usernames for themself and their friends.
“Peter, I don’t have your stuff, do you want to add them?” Peter held his hands out for the napkin and pen. 
He wrote slowly and carefully to help preserve the information on the napkin. 
“There,” He said, sliding it over.
The napkin had each name, followed by a colon and the contact information. Next to the highschoolers, there was a symbol to relay what platform was being used, for instagram, snapchat, phone number, and even a crudely drawn discord symbol. 
“Thank you.”
“Hey, man,” Deb said. “Us queers gotta stick together, y’know?”
“Yeah,” Alice spoke up. “Even if people here in Hatchetfield are more accepting than most are, there are still some terrible people. And some that just don’t understand.”
“And others who aren’t willing to,” Paul added, thinking back to his side of their family. 
“But you’re not alone, okay?” Peter said. 
Kai nodded.
33 notes · View notes
spectralscathath · 10 months
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May you explain the thought process behind all of Scorpion Faunus RWBY AU designs if you please?
Absolutely, buckle in. I'm a bit of a chatterbox, so I hope you don't mind long responses.
Let's start with Miss Scorpion Faunus herself. Now, Ruby has two versions of her design, one with her hood and one without, so I'm gonna pop them both beside each other just to contrast them.
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Starting with Ruby's Vale/Beacon outfit, originally I hadn't changed it all that much from her original look, but then looking at it beside her other designs it looked a bit dull, so I revamped her to have a white top under the corset-vest and what my friend dubbed 'Miku Sleeves'. I'm honestly a lot happier with how it turned out.
Breaking it down, my main focus was to try and bring in some extra red into Ruby's look. I've always felt that without her cloak, her first look was really plain, with all the red on her dress being dark and her tights being black meaning she didn't have much of her colour. I made her tights redder and changed her corset design to be more similar to her later look, with a long stripe of central red, and some brighter accents all around.
Her white sleeves and the collar decoration are tied off with darker red, and I mostly kept them because they looked both cute and kinda fairytale-ish, but the main thing I wanted to do with this design was bring in the star theme that I want Ruby to have. The scorpio constellation decorated the sides of her corset, the two buttons on her white vest are star shapes, and her cloak has a small clasp that has another star on it. I axed the crosses she had in her show look, no hate to Qrow but I just never liked them on Ruby, and overall I think she looks cute.
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I really like her Mistral look here. First major change is that her top is now a light grey instead of white. This will start a trend. Second major change is obvious, while in Vale Ruby is devoted to hiding her tail under her skirt, in Mistral she starts to wear it out a little more. Thirdly, I liked the idea from her show concept of battle damage, with the ragged cloak and the nicks on her red tights.
The main idea with Ruby's Mistral outfit here is that it carries elements of the people who were lost or impacted in the Fall of Beacon. The black neckpiece is taken from a cute piece of concept art and also references Penny, similar to the slits on her skirt. The trim at the top of her boots slightly references Nora's shoe style, and the puffier sleeves with a black cuff is a clear reference to Yang's own Beacon outfit. She also has changed her emblem to sit on her cloak, which is how Summer wears it in Antares as well.
Her hair's a bit messier, a little longer, and finally we can properly see that she has Tyrian's nose, which is one of my fav dumb details because it helps me slightly avoid same face syndrome (my enemy). There's a few extra belts, because belts on kickass goth boots Do Not Count as unnecessary, they're part of the style, and her gloves are way thicker and a bit more practical. I was able to bring in a darker red into this outfit, which ends up helping break up the black and red in a nice way without being too out of her colour scheme.
And yes: she has two star clasps on her neckpiece and the scorpio constellation on her skirt. Little star girl, falling fast.
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The Atlas outfit is where we start getting the signs of story progression beyond just Ruby's outfit. Her tail is thicker due to a moult she undergoes in Mistral, her face is scarred from SpoilerSpoilerSpoiler, and her hair is beginning to turn silver-white due to overusing her silver eyes. It also has a little braid in it (can't be a scorpion faunus without braids), and has gotten to its most fluffi and messy it'll be here.
The big goals with this outfit were two-fold: make it look warm, and reference Tyrian (though in-universe it's subconscious on Ruby's part). The skirt has been officially switched out for a set of overalls, the belts on her waist are an exact replica of Tyrian's in Ruby's palette (she starts wrapping her tail around her waist as a fake belt, similar to him), and I snagged the undershirt and cuffs from her Mistral outfit and made it a darker grey again from her Mistral outfit. Her cloak has also become even more tattered, I wasn't a fan of her getting a new cloak in Atlas.
The other main things in this outfit that are different is the addition of the metal caps on her boots, which helps keep the silver travelling through Ruby's outfit as she becomes more in-tune with her SEW heritage. The scorpio constellation is again on her cuffs, she has some dark red gloves to stay warm, and while she has three stars on her overalls, between the belts, the star pattern is mainly on her shawl.
Speaking of the shawl, it's fur lined to bring in a little bit of white, and once again, a reference to Tyrian's overcoat. It is also where her emblem is now located, on the back, as at this point Ruby's having some struggles with the concept of 'identity', poor thing.
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I'm a little biased but I still think her Vacuo look is my personal favourite out of these four. The hood is gone entirely, replaced by what I happen to think is an Adorable Poncho, and there is also the matter of the eyepatch. Due to SpoilerSpoilerSpoiler. But it has her emblem on it, very very faintly.
The rest of the Vacuo outfit is almost a reference to her Vale outfit more than anything else. We've nixed the darker red for a simpler colour palette, and her hair is messily cut short again, and a lot more silver. She still has a slight reference to Tyrian in the collar style of her undershirt, which is the darkest grey that she gets. She has cute lil lace edges on the sleeves tho.
The tights have also officially switched from red to grey, and while we haven't returned to the skirt, instead going for shorts-overalls, she does have a little overskirt patterned with scars that keeps her tail warm during the cold desert nights. The elbow cover adds a little funky assymmetry, very important in a rwby design, and the keen-eyed will notice the big departure in this from the other designs, the lack of bullets on her belt. It'll all make sense in context.
Finally, we've moved the scorpio constellation to her boots, nixed the goth belt on said boots, and kept the metal toecap from her Atlas outfit. Honestly there's not as much to say about this outfit, it's a bit simpler than the others, and there's less red in order to balance out Poncho Era, but I just think it's real cute, she's real precious.
Onto Weiss!!
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Weiss was, no joke, a goddamn headache and a half. I find it really hard to understand her exact 'style' of fashion. But here she is and I'm happy with her anyway. The first main things that one might notice is that she has a much larger scar then the thin one from the show. That would be because A. Scars are Cool, and B. her scar is from blunt force trauma over her orbital socket, and the cut is from the skin splitting right over the bone. Which is supposedly what happened in the show but whatever. Bigger Cooler Scar.
The other main things are thricefold: she has the beauty mark from her original concept, she has freckles all over if you look close, a really pointy nose to look down on people with, and she has the Snow White 'lips red as blood'. If anyone would wear lipstick into battle its Weiss.
Her Vale outfit honestly isn't that different from her show look because it was overall solid if very bright. Mostly I just added extra details to make her look richer, such as all the little metal diamonds on her dress and sleeves, and decorating her boots and dress, and adjusted the colouring a bit so it wasn't all Bright White (see also: the black heels on her boots and the black sash, just to break up the colours). I did change up some of her accessories, like making her apple necklace have a red jewel, adding a cute choker, black diamond earrings, and red nail polish.
The other main thing was her hair. I decided to borrow the idea from the amazing AZRE au that Weiss started with her ponytail being straight instead of assymetrical, to show how she's still under Jacques's control, and I'll be entirely honest I kinda stole her headpiece from Amity's grown-up look in Owl House because it looked real cute and princessy. Her emblem is also located on the back of her bolero, and you don't see it in any of these designs, but its canon now that the underside of her boots, like the sole part, is red.
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I based her Mistral Look mostly off her Snowpea look, except instead of making it a whole dress I decided to make it a jacket she wore over a dress. The dress is probably more like her Mistral outfit, you can see a bit of it peeking out, and I just adore the idea of Weiss wearing sweetheart bodices when she is flat as a board (I say this lovingly, and with respect). It's not visible here, but her dress is actually trimmed with sapphires that match her earrings, and the same with the gloves that you also can't see much of here but are very cute opera gloves. I try to keep Layers in mind when it comes to outfit design, usually.
The other big thing from Snowpea is that I gave her the thigh high boots, just to really look a bit different from the other outfits she has. She has a red scarf because I liked the idea in the show but not the execution, and I moved the idea of the white trim pattern of the scarf onto the black sash, just to help with breaking up the designs. Her jacket is designed to look vaguely business and vaguely military, since her Mistral arc has her very torn between her identities as Jacques's Heiress and being a Huntress like Winter.
I didn't mention it prior, but one thing I wanted to do for all the designs for the girls was to have some repeating elements throughout to tie all the designs together. Ruby has her stars, the belt, and the general boot design, Weiss has her jewellery, the triple diamond pattern seen on her skirt here, and transparent fabric, which is something that becomes more prominent across her designs as she grows into her own.
Also, we finally have the assymetrical ponytail, and the cute hairpiece from the show. She also has a slight change in her hairstyle from the show with the lil sidebangs, because if her hair was down I wanted it to reference the 'hime cut' a bit. And her emblems are on her shoulders here, just to add a lil extra spice to the jacket.
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I truly do love Pixie Cut Weiss, I think it's still super feminine and cute and also she should have been the one to cut her hair, not Blake. I'll die on this hill. Anyway, Atlas look. I wanted to go full Magic Knight here, adding in pieces of armour (the shoulderpiece has her emblem), the transparent overskirt, the whole shebang.
Some of the major changes here is that Weiss's tights are darker, as in thicker material, and she has a similar thicker undershirt below her dress and jacket. Again, same with Ruby, I wanted to make a look that actually appeared warm, and I didn't want to go the route of the show where they made her look cluttered and also freezing and also just Not Good. I decided to keep the red gem accents, but instead of having them on a hairpiece they're meant to be on her bodice (again, thinking in layers), and her boots.
The other thing I really wanted with this was to have her both reference Winter, with the white jacket tucked into the black gloves, and be the most 'militaristic' of her outfits, what with the actual belt, and the epaulette. In Atlas, Weiss is almost a go-between with her team and the Atlas Military, after all her training with FANCI, the Ace Ops, and Winter, and has a lot of trust in them.
The scar on her neck is gonna make sense in the story. If anyone can figure out how it references Snow White, I'll give you an internet cookie.
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We have reached Vacuo, and Weiss's Military Look is gone and her Rich Princess Look is toned down in favoour of what my friend dubbed 'punk ballerina'. Which is very fitting because this is the part of the story where Weiss takes the final step in a long journey towards anti-capitalism. In order to take out some of the princessy vibes, Weiss no longer has high boots, she instead has ankle boots that vaguely look like laceless converse, she has short fingerless gloves instead of something more operatic, and we've gotten rid of the jackets for a see-through top over a shoulderless look.
I think her dress here is pretty cute. I decided to do a sort of corset style that reminds me of the old-school disney princesses, and she still ahs a few metal diamonds scattered around, it's her thing. The observant may notice that all Weiss's buttons are diamond-shaped throughout her outfits, which was harder to detail then I first thought!
The skirt is meant to be more of a sundress style rather then something full of petticoats, and the red mesh under the dress was my way of trying to keep the pattern of 'red focused around Weiss's neck'. It also helps a bit with the more punkish look, which is aided by the pixie cut, which has grown out slightly. The white stockings are also just there as something of a sun/sand protection, and also because I wanted to really bring the colour back hard for Vacuo.
To Blake!
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Observant people might notice that Blake has melanin here. I would be disqualified from Certain Redesign Contests for such a deviation from canon. What a shame.
But anyway, most of the Beacon looks really were solid outfits, as seen by how they're the ones that get press in everything rwby does outside of rwby 90% of the time. I honestly didn't have to change much. Mainly just doing a few small tweaks here and there. I changed her shorts to lose the excess zippers and added one of those like useless button straps that don't actually do anything but look cute, and here we see that I made all of Blake's buttons look like lil moons. Just for flair.
I gave her a purple belt and changed the tone of the purple in general, since I prefer Blake with bluer purples/indigos to Yang's more lilac purple when it shows up. She has the purple soles, but not heels, one thing I wanted to do with all these designs was make sure that the shoes could all look similar but different, give them all something specific to them.
The other big thing I did was I took her glove away and replaced it with two shorter gloves, one of which has her emblem rather than it being on her leggings, and the other of which has fishnets on it, because Blake Shops At Hot Topic and Listens to Evanescence you cannot tell me otherwise. The little white straps on her top were just, again, a bit of visual flair, and a way to keep some white travelling through her design without making her upper arms empty with nothing to look at.
Also you can't see it at this angle but she has a crescent moon nose piercing throughout all of her looks, even in Beacon, and she has black nail polish. I like to think she, Weiss, and Yang all did manicure sessions together in Beacon.
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Her Mistral look is already a departure from canon, though I kept the thigh high boots and the idea for the cutouts on her top, even if I made her crop top white. You can't see it here that well because Blake is also wearing a sleeveless croptop jacket over a sleeveless croptop. It's fashion.
I gave her the glove from her show Beacon design here instead, for the assymmetry, and she has a bandanna tied around her right bicep with a moon pattern to kind of mirror the metal band on the glove. The big thing I wanted was to put her in a low ponytail, because that meant I could keep her bow motif while still showing off her ears. When she wants to cover them she has a beanie, because beanies are cute.
The zip for her zipper is, again, a crsecent moon, and she has a moon phases pattern along the tops of her boots. I gave her kneepads because Mistral Blake is ready to scrap and it matched with the metal band on the glove, and popped her emblem on her hoodie in a similar way to her vol2 outfit. Also similar to her vol2 outfit, I added those adidas tracksuit lines but in purple on her trousers. I liked this one a lot. It had the stuff I liked from the show Mistral one but without completely drowning her in not her colours.
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This one gave me trouble, I went through so many sketches before I decided on this, but I think I'm happy with it overall. As a lil sneaky on this I made her jacket clasps the Bi Double Moon, which can also be seen on the metal tops of her boots. I had a sort of idea for stripes for her pattern here, just to look cohesive and also distinctive. She has the white to black gradient on her trousers, which are meant to be thicker and warmer. I wanted to always make sure she had white on her upper legs, just for the follow-through.
The bow for her ponytail is also white here in Atlas, and it's not on this look but she has a new beanie with white trim and one of those fluffy pom-pom thingies. The belt has her moon phases design that I introduced in the Mistral design, and her jacket was just me playing around until I had something I liked that kept her colour and had just the slightest hint of a suit jacket or waistcoat or something, in the shape and the white cuffs, mostly.
Her emblem is on a neckerchief that she can pull up over her nose to stay warm, and she's gotten two silver piercings in her right ear as a homage to her mom's gold piercings. Also, the notch in her left ear? She gets it from a fight, but she also comes out winning, and if anyone can guess why 'A V-shaped Notch' and where I got the reference from, another internet cookie and also my apologies, possibly.
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I love Blake's Vacuo design, I shouldn't be biased but I am and I love it. I wanted her to have pirate boots, where I moved her bows to because she's dropped the ponytail, but my biggest wish for this look was 'that goth bitch at a rock concert who's about to scrap'. Everyone is punk in Vacuo, apparently.
She's wearing torn fishnets in the desert because she's hardcore like that, I gave her assymetrical gloves, one of which has like, a studded band purely for the 'about to dropkick someone in the moshpit' look, and a single-shoulder croptop that has her moon phases pattern. The more I look at her top the more I realise I may have been thinking of Amethyst from Steven Universe but Amethyst's designs all rocked so that's not a bad thing.
She still has the double bi moon on her pirate boots, right at the end of the bits that flop over (I don't know terminology), and finally she has her emblem on her legs, on her high-waisted shorts that are based off a pair I had as a teenager but in black.
And the jacket. Yes. Okay, I know: holographic fabric in the desert? Well the desert can be cold at night so she'll be warm then and also: she can blind her enemies with it. I just really like the shape and style of it, and I think it really distincts from her other looks. It was also really fun to draw, and I'm allowed to keep one darling alive as a present to myself.
Onto the fourth and final teammate, Yang!
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Well first of all, her new Vale look is pretty much just 60% of vol2 outfit with a few minor tweaks. i turned the black miniskirt under the cream miniskirt into a pair of short-shorts because she deserves it, I took her emblem off the sparkly purple sash so she could keep it on her stockings.
The top is a mix of her original outfit in her new colour scheme of black, white, cream, and yellow, but I changed up her sleeves to be white for the poofy-fairytale-goldilocks appearance. I also turned all her buttons into rectangular clasps, and made the croptop under her jacket purple, to really bring the colour through the outfit. She and Blake are really close in Beacon, so having more purple in Yang's outfit, the bows on her boots, and the matching black scarfs was a fun way to show that for her.
One may also not that Yang's now got a bit of an updo going on. I wanted to incorporate just a few more Chinese influences into her design, though I will admit it is heavily stylised, and not very obvious in her Vale look. I also gave her a tan, just to really help bring out the colour palette a bit. And she has lilac nail polish because goddamnit she's allowed to be girly AND tough I hate the erasure of Yang's femininity just because this fndm can't wrap their lil heads around a wlw relationship that's not butch/femme when Yang isn't even butch in the show.
Anger aside. Part of what I wanted with this look was to make it seem, well, a little impractical. More fashion and form over function. Her boots have four belts each that need to be individually done up, her sash reaches her knees, that sort of thing. She can still fight in it, obviously, but she's in the fight for the thrill of things, because she's cool and knows it, and isn't really choosing to think deeper.
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Her Mistral Look is meant to be very, very different from her Beacon look. She's axed the miniskirt and belt boots completely, she's wiped almost all traces of purple from her design, and she's got no bows. Yang in Mistral is almost running from everything in Vale, and especially anything that reminds her of Blake. She's trying to be a lot more practical here, her boots zip on, her qipao-influenced dress is short, cut high over the thighs, and out of the way of any kicks she might do, the sash wraps around the top of her boot and that's all, her hair's up in a ponytail.
The short jacket is pretty much the half of her vol2 look that didn't make it into her Vale look, and her yellow crop top under the qipao has her emblem, deliberately obscured and covered up a bit for symbolism. She has a black liner for her prosthetic here, and takes it on and off when she wants to. She didn't just put it on and never remove it, like in the show, here it's a bit more of an adjustment for her. Not as much to say about this outfit, it's simple but effective.
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Yang's in a much better headspace from about Atlas onwards. She's more willing to combine fashion and function, she's finally started incorporating cute patterns into her style, and she has the cute hair bun covers that are purple and sparkly and adorable! She really starts coming into her own in Atlas, and I wanted to show that by having her settle into her motifs of fire and bears, as shown by the fire design on her jacket and the bear patterns. She has a trio of ursa skulls on a patch on her super fluffy jacket, and a set of bear pawprints on the edge of her qipao.
The boots have belts, though they're mostly decorative and the boots are actually zip on, and her emblem is still a bit hidden on her thigh. She's incorporating a lot more gold metal onto her shoes, following through from her Mistral look, and has a little golden band she can use to tie off the sleeve of her jacket when she's not wearing her prosthetic. Under the jacket, I like to think the sleeves are short before it cuts off just above the end of her right arm, and transitions into a full black glove on her left arm. She's switched the liner out for a bright yellow one, and she's just happier here. Someone has to be the sunshine in this team.
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Similar to Blake, and Ruby, and possibly Weiss once I can look at her designs again, Yang's Vacuo outfit is my favourite of the four. She's got her hair up in cute buns for the bear ear ref, she's got cute ribbons that aren't bows because she and Blake have sorted stuff after Beacon but they're not codependent, and she's still got the purple sparkly fabric as her socks.
The main thing for Vacuo was to try and bring back some of the biker babe aesthetic, which I mostly did with the denim shorts that have that specific white fray thingy. She's got gold caps on the knuckles of her glove too, just for some extra fun. The emblem on her boots matches the metal inset of a fire pattern, and I brought back the bear idea with a paw on her sleeve. Maybe she has the ursa skulls patch on the other arm, I'm not sure yet, I'll need to decide if I want symmetry or not.
I simplified her arm from her show look, by trimming the amount of yellow into a few clear plates to cover the main workings. I never was sure how she managed to spray it perfectly enough on the finger grooves to not get paint everywhere.
Her necklace has turned into a clasp at her throat now, jsut to prevent it swinging around in combat, and the qipao is now at its longest, but still cut high over the sides so it's not impeding her movement. The pattern at the bottom is a fire pattern I found that also looked vaguely watery, which I think made it perfect, since she's kind of mixing the two into her mindset at this point, she's doing the kung fu panda thing, she's seeking inner peace. And she's looking great while she does it, she has a better colour scheme here.
And that's all of them!! All I have to say. I think. Thank you so much for this question, Nonnie, it was fun. I hope the quality of the images is at least half-decent, my tumblr fucks them all so I'll never be sure
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