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#I love old comic humor
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Breaking Down the Comics: Teaming up with the Devil.
Moon Knight Issue #13: The Cream of the Jest. (1981) 
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Moon Knight's first team up! Daredevil! 
At this point, he probably has appeared in the background of other comics and maybe even been badly sketched in one or two group shots. 
But this is the first Moon Knight comic that features another hero. 
And of course it's DareDevil. 
And thus we start Matt and Marc's long competition of who can be the most dramatically angst ridden. 
....I think Matt is winning. 
I'd also like to point out that ANY TIME Moon Knight teams up with someone, the issue always starts off with them fighting. (There is one hilarious exception and that is Franke Castle, who instantly bonded with Moon Knight and was like his BFF. That issue comes later). 
It's like anyone in the Avengers sees Moon Knight and kill bill sirens start playing. 
So the issue opens on Grand mansion and Jake (clothes and mustache make the man) is at the table reading the paper. He's not happy because someone he stopped as Moon Knight just got out on parole for being a 'model prisoner'. 
I want to point something out here: NEDDA THE COOK is better at respecting Jake than Marlene. 
She's still calling him Steven but whn Jake gets up to leave, Nedda takes the time to get it right: 
"Very well, master....ah, Jake." 
Little old granny Nedda! 
As Jake leaves, Marlene calls after Steven. 
"The name is Jake now, Lady." As he gets into his cab. 
Cut to two guys scheming together about what to do after they get out of jail. One promised to kill Moon Knight as his first act out of jail. The other is a villian named "The Jester '' because he had a poor stage performance and got booed off the stage once. 
He plans to ruin the director that fired him during his big big triumphant return to the stage. 
He also deeply hates DareDevil for putting him away. 
It's surprisingly easy to become a villain in the marvel universe. 
Yep, just as Moon Knight is planning to watch his guy, DareDevil plans to follow his own villain. I....I'm going to have to show you the glory of this age of DareDevil. 
Behold: 
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Matt….What are you doing…. Was this the best way to do this? 
So the Jester is preparing for his scheme, putting together his 'deadly toys' and so on. 
He heads to the city and DareDevil follows. 
Meanwhile, Moon Knight is hot on the trail too. 
And he spots DareDevil, but he worries DareDevil is going to get in the way before the Jester leads him to his guy. 
Unfortunately the Jester nearly gets hit by a car and in New York fashion, the driver chews him out, leading to the Jester hitting him in the face with a Yo-yo. 
DareDevil assumes the worst and is ready to jump in and take him down. 
And so, Moon Knight is forced to interfere to keep DareDevil from ruining his plan. 
What does he do? Of course the most sensible thing and talks to him, right? NOPE. Throws one of his crescent darts at DareDevil and cuts his Billy Club Line. 
....And DareDevil lands in an arcade. Because of course he does. 
If you've read any DareDevil comics, you'll know that DD's greatest weakness (besides his crippling catholic guilt) is having his hearing overwhelmed. 
So while DareDevil is stunned and having a bad time with the loud sounds, Moon Knight straight up tackles him. 
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Yeah, that's not how you make friends, Moon Knight. 
Jester stands outside the arcade watching the fight. 
I can't even imagine the citizen's of New York also watching these two idiots fight in an arcade. 
Jester runs off to carry out his plan. 
While DareDevil swings Moon Knight around on a billy club line. 
And Moon Knight throws his own Truncheon (big stick thing to hit people with). 
DareDevil is still off balance by the arcade sounds and gets whacked right in the face.
It's at this point that they've made a right mess of the arcade and the citizens decide they've had enough. 
Put to shame by the arcade patrons, Moon Knight FINALLY introduces himself. 
"The Name's Moon Knight, Daredevil, and it seems to me that enough is--"
"Right--Enough. We've almost hurt some innocent people as it is." 
They make up and decide to team up to stop the bad guys. 
Meanwhile, the Jester has made it to the theater and sends in his robots to cause chaos. 
They crash the play and take the audience hostage while the Jester does his thing. 
They proceed to rob the place. 
Running up to the theater, Moon Knight spots his man in the getaway car playing lookout. 
On a walkie talkie, he tells Jester that the cops are coming. 
They have a getaway plan, though. "Go get the helicopter, Taggert-and pick me up on the theater's roof in say, a half hour?" 
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Look at my boy go. Sending people to ‘Dreamtime”. I’m not sure that makes sense. Did you mean Dreamland? I’ll give him the benefit of the doubt, he did take a few DareDevil hits to the head, after all. 
He calls Frenchie in his chopper and tells him to get ready for a plan. 
You gotta love the early comics. They were about fun and surprises. Even when you could see where they were going, you had no idea how they would pull off the gag. 
DareDevil meets with the police at the baracaid. 
"You can't go barging in there--He's got five hundred hostages!" 
You can't stop DareDevil when the law is being broken. 
"...And not even the Jester can laugh at the law. I'm bringing him to justice." 
And he dramatically vaults the baracaid. 
He's just so passionate about the law....
He runs in before the Jester can hurt someone and jumps through a background prop. 
And I do mean through. He busts through like the Kool-Aid-Man. 
"DareDevil! Bursting through the scenery! But I thought you were--" 
"Trading punches with Moon Knight? Sorry to disappoint you, but we kissed and made up -- Deciding our punches would be better spent on YOU, Jester!" 
Gotta love old comic dialogue. You just... You just have to appreciate it. 
The robots attack DareDevil and Moon Knight busts in to help take them out. 
It goes about as well as it usually does.
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 Why does he always look so utterly helpless all the time? I’ve never seen someone spend so much time face down on the floor. That’s not just me, right? Does he splat on the floor a lot?
He jumps on a robot and just beats the shit out of it. 
Moon Knight has never been about elegance. He's not going to flip around like DD. He's always been about brute force. 
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He just has no regard for his own limitations or safety. He always just goes into every fight hoping to dish out more hits than he takes. 
The Jester makes a run for it and Moon Knight lets him go. 
This is what I like about some of the older comics. You get a lot of dynamic poses. You just don’t see art like this too often anymore. 
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Also, you get a lot of glimpses at Moon Knight’s sense of humor. 
Later, in the late 90s and early 2000s, a lot of comics took a dark turn and became more edgy. Moon Knight took that turn too, but Early Moon Knight really did have a sense of humor that was fun. 
You even see in some Marc Spector flash backs and side shorts that Marc was a bit of a doofus. Something I miss at times. Seeing how much of an goof he was. 
You see bits of that in modern Mr. Knight at times, but still not as carefree as it was. 
Anyways, Jester runs to the roof looking for his partner in crime to pick him up in a helicopter. 
And he sees one coming with a rope ladder! 
Getting on the ladder, he laughs about outwitting DD and MK. 
MK explains to DD who, when you think about it, has no idea what's going on, since he can't see the copter. 
"You see, that's MY helicopter... Piloted by MY partner, not his, and his ultimate destination is the True cream of the frothy jest..." 
He tells Frenchie to take him down. 
And the helicopter lands him right in the middle of the police line while he's screaming at what he thinks is his partner. 
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I want to say that this issue was just outright fun. 
Even in the fun, you still get a Jake moment, asserting his identity and it was really nice to see someone in the Grant mansion acknowledge it and trying. 
ALso, Sienkiewicz went OFF on this issue. The lines and faces were just amazing and a real pleasure to look at. 
Marlene is no longer just a vague woman shape in a sexy pink nightgown like she is in SO MANY of the earlier issues. 
Gena, Jake, and Crawley are all carefully inked out and even the clothes and lines in the shirts are just stunning. 
I also REALLY enjoyed the way Moon Knight's eyes were so easy to read in the black void of his mask. 
I've always loved how the eyes are the only thing you can see and how they give away so much. It's like looking at an all black cat in the dark and suddenly big bright eyes look up at you. 
There are also a lot of new angles and action poses that you don't get in the earlier issues. I think after a few years, Sienkiewicz really came into his own and started experimenting and having fun. 
Hats off to this issue. While not a big important one, it is still a pretty good one in the Moon Knight history. 
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calmbigdipper · 2 months
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What you mean to me
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theshadowrealmitself · 11 months
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Nick Fury being old as hell and just. always being there whenever people get recruited into SHIELD is great and all, but I think it’d be funny if he was also another person who’s not that old but no one knows that, it’s unfathomable to everyone that there was a time before Nick Fury, the guy just seems ageless and inexplicably tied to SHIELD, there’s theories going around that when SHIELD was created, Nick Fury just formed inside the first base, already an adult
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mell0bee · 1 year
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ok i dont want to maintag but just finished s4 of tdp and is it just me or was it kind of wack??? (spoilers in tags)
#like i love terry. i thought viren was pretty good. ezran was great and soren was pretty good too#but everyone else just like???? felt completely ooff#which is so weird bc i feel like this show usually has such a pulse on these characters#and as someone who didnt read any of the tie in novels i felt completely lost re: rayla and callum which is. wack.#the last ep or 2 also lost me. so much deus ex machina for no reason.#why is there a lemur.#the season is called the mystery of aaravos and yet hes barely in it#and it feels like there is hardly any payoff for anything#also i feel like they did claudia so dirty like she was such a compelling character so why did her motivations change to be completely wack#in that scene with soren#i liked the amaya and janai plot but it felt so disconnected from everything#idk man i havent rewatched it in a while but s1-3 were just. good. tight writing and characters. the humor pretty much always fell flat#but thats finr#but like. ?????#wack.#bee post#the last episode is almost comical with how many fakeouts and deus ex machina there is like im sorry but i cant take it seriously#maybe i really am too old for this. watching a show at 15 wont be the same as watching a show at 19.#but like part of why i liked tdp so much was bc it never felt like it was talking down to its audience???? it told it how it was!!#like it treated the audience like it was smart and it would catch onto nuances and here its just#cheap tropes and characters that are all over the place#am i going insane???#ok anyway give me a few days to be salty about it and then i will calm down probably
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lion-buddy · 2 years
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calviN and HobbEs,,, (affectionate)
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runningwithscizzorz · 1 month
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*sips tea* totally for funzies but since Narinder has the Lamb, and Leshy has his yellow cat. Imagine if Kalimar also had a spouse. Or in his case, a favorite spouse since he canonically has/had multiple. One that just so happened have been a little lamb of his own. But when Shamura started speaking of the prophecies, and about how the lambs had to be irradiated or they would destroy the Old Faith. He killed them off in semi-cold blood in his fear and paranoia of the prophecy coming true. Idk just,,, Kalimar looking at Narinder and Lamb with a little bit of jealousy humors me that's all.
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Jesus Christ that’s fucked man, I LOVE IT… Honestly might make a whole mini sketch comic off that heartbreaking idea
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neptunes-sol-angel · 1 month
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Pick the picture(s) that you're drawn to the most, then scroll down for its corresponding message about the pov of your spirit guides and their message to you
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Pile One
I feel like your relationship with your guides is like “hide and seek”. They have an old presence in your life. Even if you are just now beginning your spiritual journey or are just now having the urge to seek out more about them and who they are, it seems as if they have always been in your life, and already have a connection or have had close contact with you. Specifically when you were a kid. Perhaps you’ve had “imaginary friends”, repetitive encounters with the same person or entity in your dreams, or have parents who recall you being distracted and smiling a lot at what appears to be mundane things as a baby. I call this hide and seek, because it’s like a lot of your occultic knowledge or experience psychic gifts were things that you’ve already learned as a child, but were conditioned to move away from for whatever reason. Your stunted relationship with your guides could appear in interests that you also had to separate from, like studying mythology, an interest in plants but also marine animals, gaming, drawing comic book characters, collecting items for yourself but stopping because someone considered that as not intellectual or important, and even crafting things yourself, regardless of how good you were at it, but because it gave you peace and happiness. Your guides see you as their family, they protect you like they are your parents, because their love for you is like having a child. They love it when you’re being silly and they love to sneak in silly things for you, to let you know that they’re here and when something is going to be ok. Maybe you use dark humor frequently as a way to cope with something that you’re struggling with or when you think about the ways that you’ve been let down in the past. You joke that way because you feel that it’s the only way to have some control in a situation that you predetermined will go down hill and be the end of you. You could talk to yourself or talk about your life in a way that is self-loathing and impeded, but your guides work and send you messages meant to bring you back up whenever you’re losing your determination to keep going. They’ll joke with you, but not in a way that encourages you to lose hope or to fail in seeing the good in yourself. It’s more like instead of showing you to laugh at yourself, you laugh at your mistakes, or you laugh at how crazy other people can be when they displace their negative inner feelings onto other people to show that it has nothing to do with who you are, what you do, or what you look like. Money is strong in this pile. This could be a message saying that you won’t have to fear about money forever and that a financial breakthrough is going to happen for you and you’re going to be financially stable doing something that you love or are currently building to support your living situation. However, mainly, I’m getting that in your spirit guides’ eyes, they’ve watched you grow up feeling less than because you didn’t grow up with a certain luxury, maybe you grew up in poverty, felt insecure about the things that seemed so easily accessible to everyone but you, or don’t know what it’s like to have a loving parent, but your guides have always seen you as a rich person and it has nothing to do with material items. They see you as brilliant, you work so hard for what you have and you’ll see the results multiply in the future, even if you struggle to find the right words for yourself–You always know what to say to others about stuff that they struggle to see within their own lives.
Pile Two
Your strongest clair could be clairaudience. If not, then it feels like you guys are good with picking up things by what people or say, or you have a strong intuition for what isn’t visible or said, but you have a poor time going forward with your intuition. When you get “right”, you tend to go left, then regret what you find out because you didn’t listen to what was initially divinely given to you. Your guides are nature beings, you can connect with them through plants but also relics or shrines. I keep getting inanimate objects, so you could have a few deities that govern planets, like moon goddesses watching over you. I feel that the connection that you have with your guides is like Yue from Avatar: The Last Airbender. You mirror each other and embody dark feminine energy. They’re gentle, ancient, and wise. People think that all spirit guides are like that, but no. Guides have personalities of their own, and not all are good. They see you as loving, maybe too loving, meaning you love without boundaries which could cause you some pain and a lot of repressed anger. You may not like to be perceived or put on a pedestal, but they do, because they truly see what’s in your heart. You just need guidance. They accept you for your good and bad traits, but it doesn’t mean they don’t lead you into improvement and learning to take accountability. You can be sweet, but you can also be bitter. They feel hurt when they see that you’re hurting, but they don’t want you to hold on to bitterness because people that harmed you will see that again and it’s not your business as to when. I will say that this isn’t to mistake them as peace and turn the other cheek, because they are not. They are wrathful behind the scenes towards people who hurt you or even think about hurting you. They’re very protective over your life, but there are some things you have to do to look after yourself since you guys are from two different worlds. This pile feels extremely hazy. They say that you are so smart, beautiful, and talented, but you have trouble seeing this and it pains them. You have potent manifesting abilities that range from making things happen yourself with your skills to knowing how to conjure with spirituality. It’s like you can create and create, but that’s still not enough for you, even when you are likely to top the latest thing you achieved. You need to learn how to rest and also be okay with yourself. There’s this habit of working and studying a lot for credentials, but still feeling less confident, leading you to give your power away to people who are boastful. This is a problem if you are psychic and are trying to find your way in spiritual communities or communicating with other spiritual people. Stop falling for words that convince you that someone knows more occultic knowledge than you or about your own personal journey and intuition. This is also a message for people to stop shying away from making content or starting a business in the occult because you fear that other people are better than you when that isn’t true, and stay away from people who influence you to think like that because they are not your friends or someone to trust.
Pile Three
You guys could have a lot of ancestral type spirits in your team and are probably reincarnations of ancestors in your past bloodline. You guys are cycle breakers and reapers of work and good karma that’s been gained in the spiritual world, meaning lots of inheritances, especially if you have passed down closed spiritual practices. This pile reminds me of the 4h-10h axis in astrology, each house rules over many different things but what sticks out that relates to this reading is the fourth house dealing with ancestors and the 10th house dealing with your public reputation. A lot of celebrities are famous because they have strong ties with their ancestors who are well respected spirits. People in this pile are destined for blazing success and fame. This can reveal itself in different professions, that could be but are not limited to, writers, actors, singers, entrepreneurship or something related to public speaking. Even though I feel practitioners and believers of spirituality in this pile, especially since this is a tarot reading, there’s a lot of skepticism here. There’s not enough trust or belief and this could be upsetting to your guides, they’re able to see things beyond your present reality which could make them patient, you could even be an impatient person, but it seems like both of you need to allow time to do its thing. Your guides see what you’re capable of, and before you are finally able to see it if you don’t already, they don’t want you to become arrogant and feel like potential is enough to back you up. They believe in putting in the work. They also see that you’re traditional even though you don’t want to be. You guys could be raised around a religion where witchcraft is shunned upon, and speaking about ancestors is discouraged which could explain the impatience. This could also be interpreted as you seeing this success but frustration over how far away it feels or how impossible it could be, and it’s like they see you as being dramatic or frantic about things that are going to inevitably work out. There was a message that I channeled for pile one and didn’t mention but I’m receiving it strongly here instead. It’s like things could be taking their time because you have to learn self-control. They don’t want you to let money and social climbing get into your head and make you forget where you come from, humility, and being in community with others. The fame and success isn’t given for you to hoard, but so that you can continue spreading the blessings to others, especially in your family.
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soursturniolo · 5 months
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NSFW Alphabet • Matt Sturniolo
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NSFW CONTENT BELOW! This is your warning.
chris version
A = Aftercare (what they’re like after sex)
KING of aftercare. Cleaning you up so gently while leaving soft kisses all over you, accompanied whispered praises. Always getting you water or a snack if you need it, or tucking you in for a much needed nap together after. And any sore muscles? He’s rubbing them with your favorite lotion. He loves aftercare because he loves taking care of you in every sense of the word.
B = Body part (their favorite body part of theirs and also their partner’s)
he doesn’t really have a favorite body part of his own, but likes his hands and his stubble because he knows they’re your favorites. he really loves your hips and thighs. loves to grab, squeeze, kiss, feel, anything. they’re so soft and plush but strong when they squeeze around his waist or his head.
C = Cum (anything to do with cum, basically)
doesn’t do it often but when you allow it or ask for it he loves to cum inside you. other than that, he doesn’t really have a preference, wherever you say is fine by him.
D = Dirty secret (pretty self explanatory, a dirty secret of theirs)
mans a munch. he loves eating you out, because he knows he’s so good at it. it strokes his ego to watch you with hooded eyes as you fall apart from just his mouth on you.
E = Experience (how experienced are they? do they know what they’re doing?)
Nothing wild, 1 or 2 bodies before you since he’s not really a hookup type of guy. But even with his little experience, he knows plenty and is always eager to learn if he stumbled upon something he’s never done before with you.
F = Favorite position (this goes without saying)
it’s old school missionary. there’s just something so good about being able to see your face and hear every single little noise you make. he also likes the heightened intimacy that it can bring.
G = Goofy (are they more serious in the moment? are they humorous? etc.)
really depends on the night, but leans more towards the serious side of things. however, sometimes with sex there’s a funny noise or a muscle cramp and you guys can’t help but giggle.
H = Hair (how well groomed are they? does the carpet match the drapes? etc.)
he keeps it neat and short trimmed.
I = Intimacy (how are they during the moment? the romantic aspect)
he’s a real sweetheart, and how he acts during intimate moments really highlights how much he cares and loves you. he’s always checking in before for your consent and always asks before doing anything, especially if it’s something new. he’s always whispering you praises and little sweet nothings. he makes you feel so loved and special.
J = Jack off (masturbation headcanon)
he jerks off from time to time, but it kind of feels like a chore to him? now that he’s in a relationship with you it’s just not as satisfying getting off by himself anymore.
K = Kink (one or more of their kinks)
he has a praise kink, and it goes both ways. he loves telling you how good you are for him but he eats it tf up when you tell him how good he’s making you feel. and when you beg him for something? now that really gets him going.
L = Location (favorite places to do the do)
he’s a private guy, and takes your intimate moments seriously and with a lot of care and respect, so public sex isn’t his thing. The risk of getting caught or someone seeing you in a way that’s meant for his eyes only turns him off. he prefers the privacy of your bedroom or his.
however, when desperate and your roommates and his brothers won’t give you any time alone, he has been known to go for car sex a couple times. But he always spends an almost comical amount of time making sure to find and safe and very private spot to park.
M = Motivation (what turns them on, gets them going)
it sounds basic, but kisses. one well placed kiss below his ear and he’s taken the hint and is ready to go. he also loves when you wear that one pair of pants that just hug your hips and thighs so perfectly.
N = No (something they wouldn’t do, turn offs)
I don’t think he’d be into degradation much. it’d feel so wrong to him to call you names or say such harsh things when he loves you so much. I also think impact play like spanking would be a no. Basically anything that involves him hurting you physically or emotionally I think would be hard for him to do.
O = Oral (preference in giving or receiving, skill, etc.)
he’d never say no to head but honestly prefers to give it. he gets pussy drunk fr. loves hearing tasting you, hearing your sighs and moans and pleads while he eats you like you’re his last meal. he loves when you’re close and your back arches against the bed, your fingers tightening in his hair, and your thighs squeeze his head. you could suffocate him and he would use his last breath to thank you for the experience.
P = Pace (are they fast and rough? slow and sensual? etc.)
there are some nights where things are a bit rougher and faster, but most of the time he really prefers and more slow and sensual approach. He wants to drag out the pleasure and experience as long as possible.
Q = Quickie (their opinions on quickies, how often, etc.)
prefers to take his time with you. quickies aren’t his thing but if it’s been a while and you’re both desperate he will most definitely be grabbing your hand and pulling you to his room for 15 minutes.
R = Risk (are they game to experiment? do they take risks? etc.)
if you want to try something, he’s game to try anything once after you talk about it and establish a plan and boundaries.
S = Stamina (how many rounds can they go for? how long do they last?)
he can go a couple rounds when the night calls for it, but usually for you both it’s just one round since he loves taking his time with you. that one round can feel like it lasts hours in the best way possible.
T = Toys (do they own toys? do they use them? on a partner or themselves?)
he doesn’t own any, when it comes down to it his hand is just fine. you have some toys. if you have some toys and a suggestion he’s game if you are.
U = Unfair (how much they like to tease)
he likes to tease a little, but never too much. he loves giving you everything you ask for too much to ever really drag out the teasing for too long
V = Volume (how loud they are, what sounds they make, etc.)
Definitely more quiet. His moans and groans are low and soft, just like his whispered words and praises to you.
W = Wild card (a random headcanon for the character)
hates shower sex. it scares him because he thinks two wet bodies in a small steamy space is just asking for a pair of concussions and various injuries.
X = X-ray (let’s see what’s going on under those clothes)
nothing crazy. he’s a little longer and thicker than average. just enough to make you feel full and satisfied every night.
Y = Yearning (how high is their sex drive?)
yall don’t have sex every single night. probably twice or maybe three times a week. little waits between helps keep things intense, and the yearning for it sometimes makes things even better.
Z = Zzz (how quickly they fall asleep afterwards)
he never falls asleep first. because he loves and takes aftercare so seriously he makes sure you’re all situated and happy and comfy before he lets himself drift off.
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navybrat817 · 9 months
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his tongue 👅
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YES. This man and his tongue.
What That Tongue Do?
Pairing: Bucky Barnes x Female Reader Summary: Bucky doesn't get why you're attracted to an actor who plays him in another world, but he's happy to remind you what his tongue can do. Word Count: Over 1.4k Warnings: Multiverse discussion, Sebastian Stan and his tongue, d/irty talk, implied o/ral (f. and m. receiving), jealousy, humor, Bucky Barnes (yep, he's a warning) A/N: It's Sebastian Stan's birthday and this is my take on Bucky discovering his existence. And for the Bucks and Noble server, a quick position mention. Hehe. ❤️ Not beta read and written on my phone, so any and all mistakes are my own. Please follow @navybrat817-sideblog for new fics and notifications. Comments, reblogs, feedback are loved and appreciated!
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“I don’t like him.”
You chortled as you turned in your chair to face Bucky, amusement twinkling in your eyes as his nostrils flared. “Why don’t you like him? That’s you. Well. Kind of. His name is Sebastian Stan.”
Bucky honestly couldn’t remember at this point if Tony had played around with something or if Wanda joined in and tampered with an experiment, but the monitors showcased what they were told were different versions of themselves in various worlds and dimensions. And you, his girlfriend, zeroed in on the screen where some punk who admittedly looked similar to him couldn’t stop showing his tongue and licking his lips.
Everyone else left quickly after that.
Does this guy have an oral fixation or is he a slut? Not that I would shame him if he is, but I don’t like how you keep looking at it.
“That is not me,” he stated, crossing his arms with a defiant glare. Had it been his old metal arm instead of the upgraded vibranium one, the distinct “whir” sound would’ve filled the room from how hard he clenched his fingers. “He’s a punk.”
“Steve is a punk. Seb is an actor,” you corrected him.
“Oh, it’s ‘Seb’ now. The punk has a nickname.”
“He is not a punk,” you giggled, the sound bringing a small smile to his face before he raised a lip at the screen.
I know punks and he’s a fucking punk. He can’t fool me. He looks shorter than I am. Why does his hair look so good after a fight? That’s not realistic. I have to admit, they got the likeness of the arm pretty close. Wait, do I make those facial expressions? Why are you smiling at his nose crinkle?
“His tongue is out. AGAIN. I swear he’s doing it on purpose,” he snarled when your head whipped back toward the monitor. “Seriously?! You’re looking?!”
“Only because he looks like you, Bucky!” you said innocently, facing him again. There was nothing innocent about it. The moment that guy’s fucking tongue moved, you clenched your thighs together. The only one he wanted you to do that for was him. “And like I didn’t hear you groan when you saw the Earth 314 version of me.”
That is not the same because I don’t love her. I love you.
“Fine. So, he’s an actor,” he grumbled as you got up and did your best to block out the view of the faces behind you. “And he ‘plays’ me?”
“Yeah, he does. In that world, James Buchanan Barnes, and pretty much everyone here that you know, are comic book characters brought to life. He plays you in the movies. Oh, they made a show, too. About you and Sam.”
What kind of world is that?
“Sam and I in a show together? That would never work.”
“It does in their world,” you said, touching his cheek and bringing his attention back to you and your loving smile. “Stop giving the television that death stare, please? Those monitors are shutting down in the next few minutes and we’ll never see those faces again.”
“Please. You think Stark didn’t find a way to keep that Earth’s video on a loop to taunt me at any given moment?”
Things were better between Bucky and Tony after what happened in Siberia, but the genius, billionaire, playboy, philanthropist, according to the actor who portrayed him, liked to give him hell from time to time. It was usually in good fun. Usually.
“So, I shouldn’t tell you it’s Sebastian Stan’s birthday today?” you asked, sucking your lips in as you tried not to giggle.
His nostrils flared again as he took a breath. He was a war hero. The former Winter Soldier turned Avenger. He was not about to be jealous of some actor in another dimension that you’d never see. “Why do you know that?”
“Because the information is right there,” you said, pointing over your shoulder. You had the decency to not turn around. “He was born on August 13th, 1982, in Constanta, Romania and he-”
Your eyes widened as Bucky gently shoved two vibranium fingers into your mouth, pushing them deep enough to make you pause. “Stop talking about the man who can’t keep his fucking tongue in his mouth.”
With a moan, you wrapped your mouth tighter around the digits and bobbed your head. You already choked on him once today. Maybe you’d do it again. Seeing that guy with the bright blue eyes though, he wanted to give you a firm reminder of what he could do to you with his tongue.
Why lust after him when you have me to worship you?
“Why do you like it so much?” he asked as his fingers slipped free.
You began to laugh before he tilted your head to kiss your neck, the sound shifting to a moan. “I don’t like his tongue, Bucky. I like yours.”
“Not good enough,” he murmured against your skin, trying to go slow when he was two seconds away from ripping your clothes off and bending you over the console. “I need you to love my tongue.”
“I do,” you whined, palming him through his pants. “Love when you get it nice and deep, just like your cock. Or when you thrust your fingers in and flick my clit with the tip of your tongue. Make me drip until I’m practically a puddle and you still don’t stop.”
“You and that fucking mouth,” he groaned, laying you back as best as he could and sliding your skirt up. The growing stain on your panties made him twitch and he told himself it had nothing to do with the actor who played his part well. It was all him.
“Remember the last time you ate me out?” you asked, biting your lip as he slid your soaked underwear down your legs. As much as he wanted to shove them in your mouth because he loved making you taste yourself, he didn’t want to smother a single sound. “You had me ride your face and it wasn’t enough. You spun me around after the first orgasm and kept your tongue inside when I got my mouth on your cock.”
That position deserves more attention.
“It’s never enough. I always want more,” he said, taking in the glistening lips of your pussy as he glanced down at what belonged to him and licking his lips as he ran a finger along the slit. “If you could eat yourself out, you’d understand why I love being buried between your thighs.”
“I’ll settle for your cock,” you said as he sank to his knees, a shuddering breath leaving your body. “And I’ll also settle for your tongue first.”
“Should make you beg for it,” he said in a low voice, taking a long lick and groaning at your taste. Sweet and a bit tangy, a hint of your essence coating his taste buds and daring him to have more. “Should slap this pretty pussy and remind you exactly who it belongs to.”
“It’s yours. It blelongs to you, Bucky. James Buchanan Barnes. No one else,” you said, your hand shooting out to grip his long hair and twist the stands. “Get your tongue or your cock in me. I’m begging you.”
Bucky smirked, watching your hole clench around nothing. He’d fill you up the way you need. “That’s my good girl. Gonna make a mess all over this. Might make you lick it up when we’re finished.”
“Not to interrupt?” Steve’s voice rang out over the room speaker as Bucky gripped your thighs. “But I think the speaker is on and we can kind of hear everything?”
And you’re telling us now?!
“Stark has bet me twenty bucks that your lady will call out Sebastian’s name when you bring her to orgasm,” Thor chimed in. “Just so you know, my friend, I have the utmost faith that you will please her.”
You let go of Bucky’s hair to cover your mouth, your body shaking with laughter when he growled.
Of course, I fucking will.
“Make it forty bucks, Point Break. Ha. Bucks. Bucky. Yeah, get to it.”
“You heard the man,” you said through your laughter, not at all embarrassed by the commentary. “Get to it.”
Taking one last look at Sebastian’s face on the screen, Bucky smiled in determination and did exactly that.
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Happy Sinday! Love and thanks for reading! ❤️
Masterlist ⚓ Bucky Barnes Masterlist ⚓ Ko-Fi
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genericpuff · 2 months
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All the cool kids use ComicFury 😘
Hey y'all! If you love independent comic sites and have a few extra dollars in your pocket, please consider supporting ComicFury, the owner Kyo has been running it for nearly twenty years and it's one of the only comic hosting platforms left that's entirely independent and reminiscent of the 'old school' days that I know y'all feel nostalgic over.
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(kyo's sense of humor is truly unmatched lmao)
Here are some of the other great features it offers:
Message board forums! It's a gift from the mid-2000's era gods!
Entirely free-to-use HTML and CSS editing! You can use the provided templates, or go wild and customize the site entirely to your liking! There's also a built-in site editor for people like me who want more control over their site design but don't have the patience to learn HTML/CSS ;0
In-depth site analytics that allow you to track and moderate comments, monitor your comic's performance per week, and let you see how many visitors you get. You can also set up Google Analytics on your site if you want that extra touch of data, without any bullshit from the platform. Shit, the site doesn't come with ads, but you can run ads on your site. The site owners don't ask questions, they don't take a cut. Pair your site with ComicAd and you'll be as cool as a crocodile alligator !
RSS feeds! They're like Youtube subscriptions for millennials and Gen X'ers!
NSFW comics are allowed, let the "female presenting nipples" run free! (just tag and content rate them properly!)
Tagging. Tagging. Remember that? The basic feature that every comic site has except for the alleged "#1 webcomic site"? The independent comic site that still looks the same as it did 10 years ago has that. Which you'd assume isn't that big a deal, but isn't it weird that Webtoons doesn't?
Blog posts. 'Nuff said.
AI-made comics are strictly prohibited. This also means you don't have to worry about the site owners sneaking in AI comics or installing AI scrapers (cough cough)
Did I mention that the hosting includes actual hosting? Meaning for only the cost of the domain you can change your URL to whatever site name you want. No extra cost for hosting because it's just a URL redirect. No stupid "pro plan" or "gold tier" subscription necessary, every feature of the site is free to use for all. If this were a sponsored Pornhub ad, this is the part where I'd say "no credit card, no bullshit".
Don't believe me? Alright, look at my creator backend (feat stats on my old ass 2014 comic, I ain't got anything to hide LOL)
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TRANSCRIPTS! CHAPTER ORGANIZATION! MASS PAGE UPLOADING! MULTIPLE CREATOR SUPPORT! FULL HTML AND CSS SUPPORT! SIMPLIFIED EDITORS! ACTUAL STATISTICS THAT GIVE YOU WEEKLY BREAKDOWNS! THE POWER OF CHOICE!!
So yeah! You have zero reasons to not use and support ComicFury! It being "smaller" than Webtoons shouldn't stop you! Regain your independence, support smaller platforms, and maybe you'll even find that 'tight-knit community' that we all miss from the days of old! They're out there, you just gotta be willing to use them! ( ´ ∀ `)ノ~ ♡
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demonicchicken1121 · 3 months
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Alastor, Rosie, and Cannibal Town: an Analysis (I’m fucking at it (Alastor Posting) again)
Ok I know that a lot of people have already been talking about this, but I really want to analyze Alastors behavior in cannibal town and how it’s so much different than how he behaves literally anywhere else.
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Alastors true motives, personality, opinions, etc are widely debated in the fandom. Does he actually care about Charlie or the hotel? What’s his beef with Lucifer? Why did he make a deal and who was it with? Al is such a mysterious and closed off character, and his demeanor changes so frequently that no one in or out of universe really knows much about him. I personally think that the closest we get to seeing Alastor in his truest and most authentic self is when he’s in cannibal town.
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From the moment they arrive, Alastors demeanor changes dramatically, even from a few moments before, when Charlie was venting about her relationship issues. He seems genuinely excited to be there and see Rosie, to the point where he seems to forget he brought Charlie here for a reason (hell I think he forgets Charlie is even there at a few points.)
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Al and Rosie HAVE seen each other since he returned to hell, at the overlord meeting, but they didn’t really have the time to interact. Even so, they are so in tune with each other. This man was gone for seven years and here they are gaslight gatekeep girlbossing like nothing happened.
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But once they actually have the opportunity to interact outside of the overlord meeting they’re super excited to catch up. The only other time he shows this much enthusiasm to see someone is with Mimzy, but things quickly goes south when she puts the hotel is danger. Alastors friendship with mimzy feels very onesided, and it seems that she only shows up when she needs something. While Alastor and Rosie clearly ask each other for favors, it feels a lot more equal in a way where they each get an equal amount of benefit.
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And while we haven’t seen much of them yet, I get the vibe that they hang out in their free time and respect each others boundaries and schedules. I think Al went through cannibal town hoping to see her in the prequel comic, but figured she was busy after the extermination and instead asked some of the residents to say hello on his behalf. But that’s just a theory, a gam-
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Also just a little thing I noticed, when rosie is joking about Charlie being too young for Alastor, Charlie looks visibly annoyed, but Alastors body language and expression don’t change. He tends to react relatively strongly when anyone (Angel) makes a move on him or assumes he’s dating anyone, but I think he knows Rosie well enough to know she’s joking.
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Alastor lets his guard down so much in this part of the episode. He’s really in his element and his behavior seems so natural and genuine.
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I love how he’s so willing to just roast Susan. Every iconic duo has that one person they fucking hate and will not be subtle about how much they fucking hate them. It’s especially funny with alastor, who’s usually really pretentious and passive aggressive when he insults someone, but with Susan it’s just
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“✨Ornery old bitch?✨” also this is the only time in the entire series that alastor swears in a genuinely humorous way. In almost every other example, he is trying to intimidate someone or piss them off, and also when his staff was broken.
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And speaking of his staff, I think it was actually a big deal that Alastor let Charlie use it, even tho it was for a very short time. This does show that whether or not he actually cares about her, Alastor does have a certain amount of trust and respect for Charlie. Despite that, I don’t think he would have done this if he wasn’t in cannibal town and with Rosie. The staff is clearly very important to him and likely holds some amount of his power, given how he reacted when it was broken.
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As weird as this sentence is out of context, I think Alastor feels very safe in cannibal down. Rosie and probably the other cannibals genuinely like and respect him. it speaks volumes that not only he let Charlie use his staff, but he put himself in the position that would leave him vulnerable to Rosie if Charlie were to turn on him. While he knows it’s highly unlikely that would happen, I think it’s still worth noting that he intentionally left himself in such a vulnerable position in cannibal town and nowhere else.
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Something else interesting I noticed, is that “ready for this” is one of the only songs that Alastor is interacting with another character, and isn’t competing for the spotlight. He is walking all over Vox in “stayed gone”, and getting walked all over by Lucifer in “Hells greatest dad”, but here, he’s very in tune with everyone else. He and Rosie are on equal footing and he feels secure enough to fade into the background a bit, harmonizing with the cannibals and letting Charlie take the lead.
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So yeah, I feel like Cannibal town is alastors home in hell. His relationship with Rosie is probably the most positive relationship he has in the whole show. I think viv has mentioned that Alastor wasn’t a cannibal before he died, and I’m not sure if that’s still canon, but if it is, I can definitely see him becoming a cannibal when he became friends with Rosie. I can also see Rosie being one of his first friends in hell, maybe they even rose to power together. I’m clearly getting into some more speculative headcanons because I do what I want, but I’m putting them in their own section.
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Now for headcanons with little to no substantial evidence ✨✨✨
I do actually really like the idea that they became friends very quickly and rose to power together. I like the idea that they were friends before Alastor became this super powerful force in hell. It also makes sense that he would trust someone who wanted to be his friend back when people weren’t constantly asking for favors or testing his power. Bc I do think that there was a short period of time between him arriving in hell and rising to power. (I have a lot of ideas about how he got his powers which probably will get its own post, but to brief, he wasn’t super powerful when he arrived in hell.) it makes sense that him and Rosie would have become friends in that period.
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When he did start rising to power, I think Rosie would have guided him, given that he was a relatively new sinner. She would help him find overlords to target, possibly even letting him recruit cannibals to help him take them down. After he was finished broadcasting their screams, he would return their bodies to Rosie for her to sell. Maybe any cannibals who helped him would get discounts or first pickings.
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This makes sense to me bc not only would it help explain why Alastor has never seen Rosie as a rival or a target, but also it would help explain why they’re so close. Nothing builds a friendship better than overthrowing incredible forces of power. Also they totally square dance on the weekends.
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Viv please I need an episode that’s nothing but these two dicking around in cannibal town for twenty minutes.
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incorrectbatfam · 11 months
Note
Batfam’s Father’s Day plans
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(also on Ao3)
"Morning, Bruce."
The way Stephanie says that instantly makes him look up. She traces her socked toe on the right angles of the tile, looking down. 
"Morning, Steph." Bruce puts his coffee down. "Something wrong?"
"Huh?" She perks up in realization. "No, not at all. I actually just have something for you. I stopped by Walgreens on patrol last night 'cause I ran out of antiseptic, and I saw something that reminded me of you." 
She hands him a dark blue greeting card with a cartoon fruit bat and Comic Sans text reading: You drive me batty, but I love you.
"Get it? 'Cause it's a bat, and you're the Batman." She scratches the back of her neck. "Not trying to make it weird or anything, you're just a cool mentor and whatnot. But also, it's nice to have someone who you can mess around with. My old man was always talking business even when he was at home—you kinda do that too, but in a good way 'cause anything's better than being a D-list villain, y'know. Plus, unlike him, you're working on striking a balance. Sometimes you even have a sense of humor." She chuckles awkwardly. "Anyway, I'm going on a jog. Text me if you need anything." 
Before he processes her rambling, she grabs a granola bar and races out the door. He opens the card and out falls out a handful of purple confetti plus an ever-rare two-dollar bill. Smiling, he brushes the confetti up and puts it in his shirt pocket. 
Bruce checks his watch. Everyone else is already out, except for Cass. She was out late last night on that Clayface mission, but even she should be up by this time. He fixes her a bowl of cereal with the package instructions and brings it upstairs. 
"Cass?" He knocks. "Are you up yet? It's past 9:30."
He hears the duvet crunch like a candy wrapper as she shuffles around. A moment later, the door swings open as a messy-haired Cass yawns. 
"I'll leave this up here for you," he says, putting the bowl on the dresser. "Any big plans today?"
She shakes her head. "Write reports. And relax."
"Well, you deserve a break. Great job on the stakeout, Princess." He plants a quick kiss on her forehead. 
"Love," she says.
"Huh?"
"Favorite thing you do. Love."
He laughs softly. "I try. Now go get dressed."
The rest of the day goes by like any other. Despite it being Sunday, he still has a meeting scheduled with some Singaporean investors on their timezone. By eleven, he and some other executives are gathered around the long conference table as the video call drones on, and it's not until over an hour later that they're finally let out. Bruce loosens his tie and Tim does the same, sighing in relief and exhaustion. 
Bruce asks, "Did you have lunch yet?"
"Oh, I forgot that's a thing," Tim says, stretching. "Hey, remember that ice cream place on 32nd?"
"You want ice cream for lunch?"
"I'd break your no killing rule for their M&M cookie sundae, okay?" he says. "Besides, remember when you took my friends and I there even though we massively bombed our first off-world fight? I might still be a massive perfectionist but that made me get a little more comfortable with failing. Anyway, I thought it'd be cool to stroll down memory lane—and have junk food as a meal without Alfred knowing. Unless you're busy, which I totally get."
"Not at all," Bruce replies, putting an arm around Tim's shoulders. "Duke and Damian will be at the arcade all day and I don't have any urgent side business." 
And so, instead of calling Alfred for a ride, they journey through the Gotham subways with Tim's camera capturing the Grammy-worthy saga of a billionaire CEO battling a common turnstyle. They get a few side-glances in the sparse train car, but besides a teenager asking for Tim's autograph, the civilians leave them alone. Pretty soon, they're at a 1950s-themed ice cream parlor, where the waitress slides their orders down the long chromium bar. 
"Why do they call it a banana split?" Bruce asks, grabbing the cocoa powder shaker. 
Tim pauses mid-bite of his cookie. "...Because they split the banana in half?"
"Really?"
He moves the whipped cream aside to reveal the cut banana in Bruce's dish. 
"How would it sound if I said I never noticed that?"
He smirks. "That's why I'm the brains of this operation."
"Indeed you are." Bruce ruffles his hair. "Though this head of yours could use some shampoo." 
"Will saying I love you get me a free pass out of it?"
"No." He laughs. "But I love you too, son."
Alfred catches on to their little dessert escapade and picks them up from the parlor, though not without commenting on the strawberry stain on Bruce's jacket. As Tim plugs his music into the car, Bruce takes the time to listen to the voicemails he got during their lunch break. 
"Hiya Bruce," Clark's voice plays. "I hope today's going swell for you. I just want you to know that I'm glad I can call you my pard'ner." Bruce snickers at the country twang.
Next is Diana. "Bruce, I apologize if I must keep this brief since I have a curator's convention today. However, I wish to tell you that you are an invaluable teammate and even more remarkable friend."
"Hey Batman, I gave you a shoutout to the Central City press for your help taking down Weather Wizard," Barry says. "Also, thanks for letting me borrow your communicator. I can always count on you to be overprepared. Have a good one!"
"Bats, tell your kid to quit taking my yogurt from the fridge." Ah, good old Hal. "Also, today's all about guys like you, so... yeah. I admit, you could be worse." 
Finally, there's one from Zatanna. "Afternoon, Bruce! I'd tell you in person if I wasn't caught up in Kahndaq, but I hope today is extra special for you. I know how much the birds mean to you, and I know they're gonna treat you well."
(There's also one from Ollie, but he's just asking if he can use the communicator after Barry. In the background, Dinah is is clearly ordering food.) 
After dropping Tim and Alfred home and switching to a more discreet vehicle, Bruce makes his way to pick two of his other kids up from the arcade. 
"Did you guys have fun?" Bruce asks as they climb in.
"We decimated every game," Damian says, "and won you the finest specimen as a trophy."
He plops a five-foot Snorlax into the front seat and buckles the seatbelt.
"This is for me?" Bruce asks. 
"Tt, who else would it be for?"
"I didn't win as many tickets," Duke says, "but I also got you a spider ring and a Chinese finger trap." He puts them in the cupholder.
"Why are you giving me all your prizes?"
"Again, who else would we give them to?" Damian asks.
Duke says, "I think what he means is that you do a lot for us, so this is a thanks from us."
As silly as it might seem, Bruce is genuinely touched. 
Pre-patrol dinner is a quiet affair, with Kate stopping by because she apparently forgot to go grocery shopping. She takes a fingerling potato off his plate. 
"Um, you're welcome?" he says. 
"Bruce, we're family. It's what we do." She takes a bite. 
He takes a piece of asparagus from her. "I wish all of us were here, though. Too bad Dick and Jason have that Penguin stakeout. Hopefully they're being safe."
"Even if things go wrong, they were taught by the best. You should trust them more." Selina gets up and places a peck on his cheek before going to get a drink. 
"I do," he mumbles into his meal. "It's the world I don't trust." 
As he puts on his cowl, he asks Barbara for an update on the evening. So far, Duke is handling a carjacking, the girls are preoccupied with a strip mall hostage situation, Damian is patrolling Metropolis with Jon, and Kate is kicking off her shift with a car chase against Two-Face. Tim and Selina are staying back to catch up on some overdue reports, but other than that, the cave is quiet. 
"Before you go," Barbara says, "my dad was cleaning out the attic and found something you might like."
From her bag, she pulls out a blue mug that says: World's Okayest Dad.
"My brother got it for him a long time ago, but... you know. It's all yours now, if you want it." 
He takes it, running his thumb along the words. 
"It suits you," she says before turning back to relay something to Stephanie. 
The route laid out for him tonight gives him the perfect opportunity to swing by and check on two of his boys. He lands on the rooftop silently, where Nightwing and Red Hood have already set up camp. Evidently, they don't notice him as they keep going with their conversation.
"Did you get dropped on your head as a baby?" Jason asks. "Sour cream and Greek yogurt are not the same thing."
"They totally are, change my mind." Dick glances through his binoculars. "No sign of Cobblepot yet."
A moment goes by as Jason not-so-covertly steals some of his brother's patrol snacks. 
"So how'd family therapy go yesterday?" Jason asks. "Did the old bat finally show an emotion?"
"It was pretty insightful, at least on my part." Dick lowers his binoculars. "I think I realized where Bruce's persistence comes from. It's annoying as hell, but I think that's how he maintains hope. And who knows, maybe it's his love language."
Jason scoffs. 
"I'm serious," he says. "I know none of us are stellar at this family thing, but we care about each other. You can't deny that. We just gotta... refine how we express it." 
"Count me out."
"Jaybird."
"Codenames, Dickhead."
Dick snickers. "You love us, admit it. All of us."
Jason mutters a string of curses under his breath before saying, "If you tell him, I'm filling your mattress with sour cream."
Bruce smiles and leaps to the next building. 
At the end of the night, Bruce finds Alfred brewing tea in the kitchen and takes the kettle from him. 
"I got this," he says. "Why don't you go relax in the living room? I think they added your favorite detective movie to Netflix." 
"This is a pleasant surprise." Alfred raises an eyebrow. "What brought it on?"
"It's Father's Day, of course," he replies, pouring the cups of tea. "You know you've always been a second dad to me."
"You made that clear with last year's breakfast surprise," Alfred says. "Care to join me?"
"Always," Bruce says. "By the way, do the kids seem different to you today?"
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secondlina · 4 months
Note
This might be a weird question, but what's the inspiration for your whimsy? There's a very specific and quaint.. I don't want to say aesthetic because I feel like that might devalue your art to looks, so development might be a better word? You art style is fantastical but semi-realistic (like it takes place in an actual world), the character interactions are (humorously) optimistic, and the scenarios are slightly bizarre (in a good way!). It's very unique and I'd love to learn about your references and inspiration, from one whimsy enjoyer to another :)
I read a lot of European comics / manga / webcomics along with weird old fairytale books and I think it all mixes into a soup in my head. I like oddball optimism. That's basically the Hobbit.
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weird-is-life · 5 months
Note
hey! i hope you’re doing well
i have a request for christmas/ winter.
aaron’s hotchner x reader where they’re either on a walk or on case/with the team and aaron can see the readers cold so tucks their hand into one of his pockets and gives them his spare glove for the other one.
i just think this would be so cute 💗
Hii lovely, ty for the request🥰! Hope this is okay, warnings: fluff, use of pet names, mentions of dinner, cold weather, (0.5k)
Aaron always thinks your dates through perfectly. But he wasn't prepared for the weather to be so bad.
As you are enjoying you lovely dinner date at your favourite restaurant, the temperature outside drops by a lot. But that isn't the only weather change, it also, surprisingly, starts to snow.
So as you step outside, done with your meals, you need to pull your coat tightly around yourself.
"What is this weather?" you ask yourself, frowning as the snow snows into your face. It's not like you don't like the winter, but you didn't dress for it tonight. It's especially worse, because you have to walk home, you didn't come by a car.
"I know," Aaron has a similar expression on his face," c'mon, let's quickly go home, yeah?"
Aaron takes your hand in his and both of you start to walk. While you walk as quickly as you can, you try to take your mind off of the fact, that you are cold and your hand is basically freezing. But Aaron notices your discomfort right away.
"Sweetheart, are you too cold?" Should I call an uber?" he asks a bit concerned, he doesn't want you to get sick, even if he doesn't mind taking care of you.
"No, no, it's okay, Aaron, we are almost home. I'll survive ten more minutes," you reassure him, but it's not very convincing. Not with your chattering teeth and ice like hands.
"Are you sure? Because I'll gladly call an uber," he questions with a worried face.
"Yes, I'm sure, you just need to walk faster, old man," you tease him, your humor not leaving you even if you are freezing to death.
Aaron rolls his eyes at you, he knows you are just poking fun, " you are so rude," he chuckles, "you are almost just as old as me, woman."Well, almost. He is a bit older than you, but it isn't a big deal.
You laugh at that with him, but your smile is gone soon enough, when the cold wind hits you right in the face.
So Aaron takes both of your hands and tries to somehow fit them and also one of his into his coat pocket.
"Aaron, what are you doing? It's too small," you giggle at his attempt.
"Yeah, you are right," he sighs, he's amused as well at his stupid thought. Though he still doesn't want you to be so cold, so he comes up with a new idea.
He puts one of your hands into his pocket and covers it with his. You automatically put your other one into your pocket, even if it doesn't help much. Somehow, your coat pocket is completely useless, when it comes to storing the heat inside of it.
"Is this better?" Aaron looks you over, taking in the flushed cheeks from the cold wind and everything. His first thought is that you look freaking adorable.
"Yes, handsome, thank you. It's much better," you smile at him softly.
For the rest of the walk to your shared apartment, he keeps switching sides to keep both of your hands as warm as he can. It's a quite comical look.
But Aaron doesn't care, he will always do everything he can to keep you safe, even if it's just from the cold weather.
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cooketimm · 6 months
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Hardboiled #10-25 (1990-98) cover artwork by Bruce Timm
Interview from Cool Stuff Magazine #1 (1995):
Gary Lovisi: Much of your work is characterized by raw, intense energy and action, or beautiful women in stylish, dangerous settings. Some is obviously influenced by the pulps.
Bruce Timm: I’m big pulp fan, have been since the early 70s, when I started reading Doc Savage and Avenger reprints. I can’t really say how they’ve influenced my artwork much, except when doing pulp-homage stuff like the Bob Price books. But I do sometimes wish I was born decades earlier so I could have worked for some of the old pulps, which was why it was so much fun doing the Price stuff, and the «mock 50s» paperback covers for your Gryphon Books.
The hero pulps — Doc Savage, The Spider, The Shadow, etc — did have a big impact on my approach to the Batman cartoons. It’s something I tried to inject into the show from early on, the atmosphere, danger and illicit excitement, and especially that Norvell Page-type feeling of impending doom — the «doomed city» mood. It’s also why I set the sense in a timeless, 40s-styled world of big cars, padded shoulders, gangsters, shadowy streets, etc. I only wish we’d gone farther with it.  
For instance, my original version of Batman himself was actually close to the Shadow: rarely seen close-up, speaking in short, clipped phrases, more mysterious, literally. I wanted to play him cold and remote, almost unhuman. But the network and our various story editors would have none of that!  «We need to humanize him», «He needs to have a sense of humor», «We need to more about Bruce Wayne, the person», etc! Whereas I could care less about Bruce Wayne! He’s much more fascinating if you don’t know what he’s thinking, or what drives him.
A few «Shadowy» touches did survive. Batman is rarely seen be the public, almost never on TV. Even when dealing with the police, he’s usually off in shadows conferring with Commissioner Gordon only. And when he’s in the Batcave, he’s almost always in costume. My way of saying he’s Batman, not the other guy, not Bruce Wayne. Like Lamon Cranston, his true, «legal» identity is a facade.
I’ d love to do straight-ahead pulp hero adaptation someday. Doc or The Shadow or The Spider, either in comics or animation, without the senseless updating and over-explaining «character development» like in the Alec Baldwin-Shadow-fiasco-film.  
Gary Lovisi: Your stunning covers for my Hardboiled mag are very popular with everyone who sees them. What are your feelings on hardboiled crime-related art?
Bruce Timm: It’s hard, actually, to define «crime-fiction» art. There’s pulp crime-fiction art, and digest crime-fiction art, both of which cross over with paperback crime-fiction art. Basically, I’m a fan of good illustration. Period. Regardless of subject matter. Composition, emotionally intensity, color and lighting effects are what I look for. And pretty girls, of course!   
My favorite pulp crime artist is H. J. Ward, hands down. Gorgeous gals in twisty curvy poses, painted in luscious, creamy, wet-on-wet oil technique. My favorite paperback artists include Robert McGinnis, Robert Maguire, and Mitchell Hooks, the usual suspects.
My approach to the Hardboiled covers is different from my earlier «homage» work. When the covers were black and white, I used to experiment with different b&w textures, coquille board, zip-a-tone, xeroxed newsprint, whatever worked. Now that I’m doing them in color, I’m trying to make them as exciting and eye-catching as possible, with loud color, sexy gals, exaggerated action, and simple, graphic, almost cartoony styling.
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maxwellatoms · 6 months
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Would you trust ANY Korean studio for hand-drawn animation today? I ask because, when The Powerpuff Girls came back in 2016, I noticed how slow and stiff the Korean animation was. Since then, most Burbank cartoons animated in Korea, namely Cartoon Network shows, have been like that — mostly on 2s & with less inbetweening. Look at any Digital eMation episode of Victor and Valentino or Samurai Jack Season 5; do they animate as loosely and smoothly as Digital eMation episodes of Billy & Mandy do?
Sure I would. It would all depend on the studio and the circumstances. There are good studios and bad studios, and either of those will treat your show differently based on their perception of how valuable it is to their client. In the early 2000s Rough Draft was a top-notch studio. One of the reasons I switched over to eMation from Rough Draft was that I felt like Rough Draft was putting all of its resources into making Samurai Jack look beautiful, and we were still calling retakes on three year old issues. I knew we weren't a priority to Rough Draft, and I knew that stemmed from Cartoon Network's negotiations with them, so my griping was only going to get us so far. It seemed to me that I needed a studio that was smaller and scrappier like we were. We were putting in a lot of work on our end to make cool stuff and it wasn't ending up on the screen, so we needed people who were just as hungry on the back-end, and eMation stepped up.
There's also the fact, though, that animation itself has changed a lot in the last fifteen years. Powerpuff Girls and Samurai Jack's animation always seemed to have an air of "motion comics" to it. And frankly, that's part of what I love about it. It was all a throwback to the old UPA cartoons, which were built on strong, clear poses and made for the cost equivalent of a turkey dinner. Likewise, CN storyboard artists usually had around four weeks to write and draw their boards on paper, so there just wasn't time to take the effort to do anything too complex. It was all about snapping between those 300-ish storyboard drawings and momentarily savoring them for their humor and design mastery. Now we have tons of digital tools that make the basics of animation a lot more accessible to everyone, and have changed the entire studio pipeline. Things just won't look like they used to because nobody makes them that way anymore.
When I've had to choose an overseas animation studio, the network's production arm usually gives me one or three choices and tells me that's all there is. Deals have already been made. (Sometimes they make you pick two to save on costs, which (IMO) usually results in two studios that are less functional than any one of them would have been.) The studios usually have reels, so that gives you a basic idea of what they can do. You can (hopefully) find some other show creators who have worked with the studios and get an honest review. It's an important enough decision that it's worth whatever research you can put into it. Even over good bones, an ill-fitting skin can ruin the mood.
The most important thing to remember, I think, is that it's your job and your crew's job to make animating the show as easy as possible. Really, it's everyone's job to make the next person in line's job as simple as they can. Ideally, there shouldn't be a lot of questions because the materials you sent down the chain are clear.
So... yeah. I'd still trust Korean studios as much as I'd trust any overseas or domestic animation studio. You get out of them what you put into them by feeding them money and your own labor. It's quite possible that the shows you mentioned didn't do enough of either.
I imagine the overseas studios are hurting right now, so who knows what that landscape is even going to look like in a few years.
As with every step of the process making a TV show, you just sort of have to weigh your options and find the path.
Hmm. That got long.
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