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#but not original fiction
a-kind-of-merry-war · 2 months
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A guy doing marine research into phytoplankton is far out to sea and waiting for the samples to be ready when he spots a fast-moving ripple in the water up ahead.
Fully aware that this spot is home to a migratory orca pod, he assumes he's stumbled across an orca hunting a seal and settles against the railing to watch, because it's not every day you get to see that.
The ripples get closer, the shadows in the water more defined, the water choppier, and suddenly the orca and its unfortunate prey are zooming directly towards the boat and he's waiting, breath held, for them to duck right underneath--
When the water breaks, the ocean sprays, and he's suddenly smacked fully in the face by a very wet, very confused, and very pretty merman, throwing them both down onto the deck while the boat rocks as a confused and now quite hungry orca dives beneath it.
The merman, it turns out, thought that the boat was an ice float and didn't realise his mistake until it was too late. But he's very thankful for the impromptu rescue, and wow don't you have nice arms, and holy shit you've got legs, can I touch them? Is that weird? Can I touch them anyway? And your hair--
So of course they get to talking because they're both utterly fascinated with the other, and soon the sun has set and the samples are long-since ready and the moonlight is making the ocean look black and they part with the knowledge that they'll never meet again, and a kiss, and a lingering look over the shoulder for all the things that can't be...
And the researcher gets back to land, moors his boat, readies his samples. He packs up his things, shoves them into his bags, and prepares to go home. He steps onto the jetty boards and thinks of the merman and the solid wood beneath his feet seems to sway for more than one reason.
There's a splash. He turns, pulled as if by the tide, and there's a ripple in the water. A face. A pair of eyes made black by the moonlight.
And this is how the researcher acquires a merman boyfriend who helps him find samples and the merman acquires a human boyfriend who rescues him from whales.
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roselilies · 20 days
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porcelainnpines · 1 year
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putrid air
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annabelle--cane · 1 month
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I am aware I have died on this hill before but people who really strenuously argue that fanfic isn't "real writing" drive me insane. what do you meeeaaaaannn. besides the fact that any attempt to define "real art" vs "fake art" is inherently reactionary, it just doesn't make any sense. it's Writing. people Write it. what the fuck are you talking about.
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bigboobyhalo · 7 months
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the anger inside of me
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A cool thing about writing is that the better you get at it, the more you're aware of what you want out of it, which means it gets harder, which means you actually feel like you're getting worse.
And by "cool thing," I mean "what the fuck, man"
– Sam Sykes
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bengaly · 1 year
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Meao-ixuí teeth concepts
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mjulmjul · 1 year
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Katya / Goncharov
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blue-eyed-author · 7 months
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Dear fellow writers,
‘Said’ is beautiful. Please use it more. It isn’t anything to be feared of hated. It’s not boring or overused. It makes all the other dialogue tags more special when they’re used on occasion.
‘Said’ makes your writing less cluttered. It can be a simple way of reminding the reader who is talking without bombarding them with synonyms.
“Use it along with action to make it more interesting,” she said, picking up her pencil.
He smirked, and said, “Or with expressions and body language.”
“Or,” she said, “just as a quick reminder of who is talking.”
“And if you know who is talking, a dialogue isn’t always necessary.”
Of course you can use other dialogue tags, but please don’t exclude ‘said’. It’s heartbroken from being ignored.
‘Said’ is beautiful.
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biscuitsandspices · 2 years
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Encouragment for writers that I know seems discouraging at first but I promise it’s motivational-
• Those emotional scenes you’ve planned will never be as good on page as they are in your head. To YOU. Your audience, however, is eating it up. Just because you can’t articulate the emotion of a scene to your satisfaction doesn’t mean it’s not impacting the reader. 
• Sometimes a sentence, a paragraph, or even a whole scene will not be salvagable. Either it wasn’t necessary to the story to begin with, or you can put it to the side and re-write it later, but for now it’s gotta go. It doesn’t make you a bad writer to have to trim, it makes you a good writer to know to trim.
• There are several stories just like yours. And that’s okay, there’s no story in existence of completely original concepts. What makes your story “original” is that it’s yours. No one else can write your story the way you can.
• You have writing weaknesses. Everyone does. But don’t accept your writing weaknesses as unchanging facts about yourself. Don’t be content with being crap at description, dialogue, world building, etc. Writers that are comfortable being crap at things won’t improve, and that’s not you. It’s going to burn, but work that muscle. I promise you’ll like the outcome.
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villiedoom · 3 months
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Two wandering Moonhorses in their natural habitat - the Narr-Vaan Desert ~
They are probably the most unrealistic of all my creatures, but I love these skeletal guys - they are so surreal! Through drawing or sculpting them in all the detail is such a headache… It took some courage (and sleepless nights…) to finally finish this sculpt.
Made in Blender ~
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thespianwordnerd · 3 months
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The key to understanding Leonard McCoy is that he only ACTS like he hates everyone and everything. Underneath that sarcastic abrasive middle aged man is a fundamental love for living creatures, desire to help others so strong that he made a career of it and a respect for the simple joys, which occasionally show their face when he's turning on the southern charm for a woman or offering to sacrifice himself to save a patient. I mean, you'd probably be a bit grumpy too if your marriage ended and you were stuck in space (a place you hate) trying to stop your best friends getting themselves killed when you could be spending time with your daughter. He's not surly and outspoken because he doesn't care, he's surly and outspoken precisely because he cares so much and yes, that has got him hurt before and probably will again but dammit, he's not going to let that stop him being what he is - an old country doctor who will do anything he can to help people. I love his sardonic witty banter as much as anyone but I think the real reason we take him into our hearts is because despite his complaining he's arguably the most down-to-earth, no-nonsense character in TOS and deep down we all admire his simple selfless dedication to caring for others. Never change, Bones.
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torpublishinggroup · 4 months
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Devilman Crybaby meets Marvel’s Venom in Exordia, the science fiction debut of Seth Dickinson, author of The Traitor Baru Cormorant. 
Ssrin Character Illustration by Julie Dillon
WHAT’S IT ABOUT
Meet Anna Sinjari, a refugee and disaffected office worker eking an existence in New York City. Her life is about to be upended by Ssrin, an alien with eight serpent heads, no qualms with cold-blooded murder, and an appetite for turtles (yum).
The universe is governed by seven passions, seven patterns which appear again and again, across species and across time. Anna and Ssrin are bound by the last and the greatest. The cosmos itself ships their very souls. Specifically for them, that means they’ll have to outmaneuver spies, armies, and government agencies to save humanity from a diabolical alien entity, hellbent on pinioning the souls of every creature on earth.
Exordia is expansive adventure science fiction that reads like a race-against-the-clock thriller in the vein of Michael Crichton, but steeped in the irony, humor, and pain of the Internet age. An alien-human epic for those who've always rooted for the monster.
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drchucktingle · 1 year
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to clarify about fan fiction
to clarify something chuck said in post about being PRO FAN FICTION, some buds have asked if i misspoke when i said ‘fan fiction is part of the original art’. i did not misspeak. i really truly believe this.
if i write a story and you read it an this moves you to paint a picture of snabe and harriet porber, that WHOLE EXPERIENCE FROM ME TO YOU is its own mixed media piece. the medium is motion (getting up and getting the paints) visual (painting) literary (reading the book in first place and then writing your own commentary when you post about it later). it is drama and performance. it is meditation. it is dance in its own way.
i very much mean this: art does not begin and end on the canvas or the page. it is what you had for breakfast the morning you wrote those words, or the story that stuck in your head after watching a show the night before. art is the buckaroo who was moved to pen a whole five page romance story about your characters having a kind picnic in the part.
we are here to create as we push back against the blank empty void, and we prove love is real every time we fill this blank space with little pieces of us. i will not stand in the way of that, and it is an honor to fill this space with this web of inspiration from one bud to the next. ALL OF THIS TIMELINE is a piece and we are one big writers room. there is no shame in this and it is a group project i am proud to be a part of.
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reactionimagesdaily · 11 months
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