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chuluoyi · 7 months

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heartbreak hotel

- gojo satoru x reader

so you're going on a three-day-two-night getaway trip with the one and only Gojo Satoru. the catch? you two have just broken up.

genre/warnings: crack, jealousy, a dose of pettiness, hurt/comfort, fluff, zero angst i promise, suguru being a good buddy to his boyfriend best friend

notes: inspired by a very real life story :))) anyways, it takes place in an au where suguru never left and all is well with our little meow meow catoru the wonderful colored manga panel by the talented @redbluenight! this was so much fun to write (that it turned into a whopping 3k+ word, so sorry) and i even made a playlist while on it ;)

series masterlist | oneshot masterlist

"He's intolerable!"

There were many things that led to the end of your relationship with Gojo Satoru, but if asked one word to sum it, then that was it.

When you started this thing with him, obviously you had never planned on how it would end―who started a relationship with that sort of mindset anyway? But if you could choose, you definitely wouldn't want it to end with dramatic shouting match that left you in tears.

Anyways, some things were just not meant to be. You refused to spend your whole life crying over that smug bastard, and so you moved on.

However, if there's one thing you've learned about plans, it is that whenever you already make a foolproof one, the world always has some funny way to mess it up.

Like this time.

"I... I remembered saving for months," you stammered dumbly, staring blankly at Shoko in front of you. The realization felt like a spiritual ascent. "I paid for that damn plane ticket and hotel with my whole saving. I can't just throw them away."

How could you possibly forget about this? This graduation trip that had been planned between your group of Satoru, Suguru, Shoko and yourself for months now. It was meant to be a getaway, a celebration of your most significant achievement after four years of barely getting by on exorcising curses and not dying in the process. This was supposed to be the ultimate milestone celebration in your life.

"Then don't," Shoko replied simply, twisting the cigarette in her mouth. "I'm still going though. No way I'm wasting that money."

"But!" you vehemently hissed. "He will be there. It means I have to see him for three days straight!"

Your cringeworthy breakup happened just barely a week ago. You had sworn in front of Gojo Satoru that you didn't want to see his face again, and yet in less than a week from now, you and him would literally share the same space―again?

"Can't I get a refund?"

"This late? Nah, it's like yay or nay at this point."

You slumped in frustration. Were the gods making you swallow your own words now? You were left with no other choice. Your frugality and tendency to get broke often compelled you to make the decision.

You were going on this trip whether he was there or not.

Meanwhile, on his end, the said smug bastard was brooding, groaning and pacing over the same predicament. Satoru had two options and had weighed them all, and somehow he still arrived at the more seemingly no-good decision.

"I'm going, duh!"

"You are?" Suguru asked with a hint of surprise in his voice. "Well, might be the first time I've seen someone agree to go on an overnight trip with his ex..."

"Hmph. I just don't like squandering money."

Suguru snorted, unimpressed. “Satoru, you have an entire fortune. The airfare is just an amount you'd donate to charity. Besides, you have wasted more than that.”

“Well, I want to enjoy my youth too! I’m going—who cares if she’ll be there!”

He was still miffed, recalling the day your argument spiraling out of control. How could you say those hurtful things to him?

“You never take things seriously—heck, I’m not even sure if you’re ever taking me seriously at all! Satoru, you’re always acting all high and mighty, but you’re just a selfish little twat!”

No way. The last time, he was left in the dust, not being able to say anything in his defense. So now, he would use this chance to be the one who had the last laugh. He was going, because he was 70% sure that you wouldn’t let your hard-earned money go to waste.

And he was right when two days later, he found you at the airport with a bitter scoff upon seeing him.

“Hey, sweetheart,” he moistened his lower lip in that obnoxious way. “Missed me?”

You walked past him, tone lacing with disdain. “Get lost, Gojo.”

He couldn’t help the prickling sensation in his chest when you dismissed him just like that. And the use of his last name—whereas you used to call him with all sort of available pet names? Now that was just low.

“Nah, you can’t get away from me that easily, Y/N,” Satoru sniggered. “You’re going to see me for the next three days, so suck it up and enjoy the sight,” and then the idiot proceeded to pump his fist in the air. “Wooo! Kyushu, here I go!”

Suguru and Shoko merely observed your icy interactions in silence, occasionally exchanging glances from time to time.

ITINERARY ::: DAY 1 — BEACH DAY @ SEASIDE HOTEL

After the three-hour flight, the four of you arrived at Karatsu, one of the main highlights in your trip—or back then, one you and Satoru handpicked yourselves.

You swore you still had your heart frozen for him, so you didn’t know what stirred it when you saw him giggling and doubling over in carefree delight, surrounded by those beach girls in skimpy bikinis.

“Hey, handsome~ is this even okay?” one of the girls in pink thong scooted closer to him, asking him with this cheap seductive grin. “Won’t your girlfriend be mad?”

At that moment, you could’ve sworn Satoru threw you a glance from the corner of his eye before replying with a triumphant bark. “What girlfriend? I’m wholly and happily single!”

The hell?

A rush of squeals grated your nerves as they swarmed your ex-boyfriend, prompting you to stalk away in irritation.

Absolutely not. You wouldn’t let this fine establishment be your heartbreak hotel any longer.

Gojo Satoru knew fully that he was petty. He let you see that on purpose just to rile you up, because frankly, he still felt like he didn’t deserve your messy breakup at all.

But when you were no longer in his eyesight, suddenly the urge to entertain these strangers dissipated, and what remained was this hollow sensation in his chest. You not paying him attention somehow made him crave it all the more.

He recalled how you pointed out that playing in the clear waters would be your ideal graduation gift. He specifically recommended this place himself and you had agreed. He remembered planning all of this, dragging Suguru and Shoko too just to make it merrier. To keep that cute smile on your face.

You were supposed to fool around with him in the clear waters of Matsubara Beach, splashing and pulling him underwater.

And yet in reality, he was toying with these questionable women and in your eyes, he was nothing but an irritable twat.

He didn’t see you again until evening, during dinner time. And the sight before him made him want to pull Suguru to the side and trap him inside his unlimited void.

"Really?" Your clear voice rang in his ears, every bit the same as when you would energetically question him with those doe eyes of yours, as you peered at Suguru. "We should go together tomorrow then!"

His eyes twitched.

What has his life come to? Reduced into seeing his ex-girlfriend possibly going on a date with his best friend?

He almost hoped that you'd stage up your pettiness level. It was worse because unlike him, you didn't make this up just to gauge his reaction.

That night, in their shared hotel room, he ignored Suguru completely, as well as silently waiting for him to divulge where he and you were going tomorrow.

"Hey Satoru—"

"Shut up, I'm trying to sleep."

It was obviously a wrong move, because Suguru apparently caught the hint and stayed quiet as a mouse throughout the night.

ITINERARY ::: DAY 2 — HOT SPRING @ KUMAMOTO

Or at least, last he remembered, that was the agenda.

Until he saw that only Shoko who was there, idling around at the hot spring area.

"Where are the others? Why is it only you here?"

She shrugged. "Geto said he's going to try the local specialties. Dunno where. As for me, I'm going to enjoy this onsen to the fullest."

Shoko noticed his irritated scowl, and a sly grin crept across her face.

"Heh, jealous much now, Gojo?"

Meanwhile, you and Suguru went to various dessert shops in town as per his invitation. Perhaps he took pity on you because you really seemed not to be having any fun at all after you stormed off from the beach area yesterday.

"Mmm! This is tasty!" you remarked, munching away the three-colored dango happily. You were so engrossed in eating today that you no longer had any room to think about anything else, which was a good thing.

Suguru smiled. "I'm glad you're enjoying yourself now." However, he appeared to have something on his mind, prompting you to hum and tilt your head in curiosity.

"No, it's just... so it's really over between you and Satoru?"

You let out a snort. "Yeah. Totally. He's an ass."

"He really is miserable, you know..."

"Nah, he doesn't look like it."

Your friend sighed. "Honestly, what was the argument even about? Both of you usually didn't take it this far."

You didn't want to go back to that topic, really. But Suguru was always the one with cooler head, and after his kindness today, maybe you could spare him a detail or two.

"It's a lot of little things that have piled up, you know," you mumbled. "It's probably just how he is, and I know. But I finally reached my boiling point. Why can't he try to see things from my perspective? Everything that's important to me doesn't seem to matter to him, and relationships need two people, not just one who resigns and the other who does anything he pleases."

And until now, you doubted if Satoru even realized what he did wrong. That was what hurt you the most. Like you were so small in his eyes, like he could toy with you and get away with it.

As you expected, Suguru would understand your point. "So that's how you feel... Yeah, I think I get it."

You thought he would end it at that, but then he went on. "I'm not defending him, Y/N. I think some time away from you would do him good, but later, maybe you can talk this to him? See if he will understand?"

"I already did, so many times." You narrowed your eyes at him. "Not to offend you, but it awfully seems like you're defending him, Suguru, despite you saying otherwise."

"I'm saying this because sometimes we can forget that Satoru is different," he explained sympathetically, and to be honest, you were surprised by his statement. "He is born exalted. He has a hard time comprehending things that come to us naturally. I just think it's a pity if... you can actually fix this, but just because bad communication, you lose the chance to."

Have you properly communicated this to him? Now that you thought about it, most of the times you would just get mad and point at the little things he missed, but never actually told him how it made you feel.

Your mind was still muddled with the fact Suguru had shed light on even after you got back to ryokan where you were staying for the night. The two of you were in for a surprise though as apparently there was a festival happening there.

Everything seemed to spark with glitters. The bamboo lanterns, lights, the gentle breeze. It created an undeniably romantic ambiance, to be honest.

You didn't know when Suguru slipped away, but suddenly, you found yourself alone amidst the visitors and dim lights.

And you found yourself to be immensely lonely.

Satoru spotted you in all your solitary glory amidst the sea of people in this godforsaken place.

No, actually it was a pretty great inn and attraction, but this trip had been horrible so far, and so he just felt everything was bad.

But at that moment, bitterness no longer clouded his mind, because you were so beautiful, bathed in the glow of the lights that Shoko had forcibly dragged him to see. If it were up to him, he'd spend the last night sleeping his heartbreak away, but now that he was here, he was thankful to see the dazzling sight of you that reminded him once again just what made him hopelessly in love with you.

And why he didn't get his sorry ass back into your good graces faster.

He retraced everything had brought both of you to this point. Your last fight was about what again? Him not telling you any news when he would be back from a mission?

No matter how he thought about it, it was a trivial matter. So what made you mad? He kept thinking, and then he imagined switching places with you. What if you didn't text him at all for three days straight? How would he feel? Oh, he would be despondent, of course.

Now he was starting to understand. He had done that so many times he could no longer keep count. Granted, you would be angry.

Satoru suddenly know how to rectify this. He can make things right. He would be damned if he didn't. He just had to pull you aside, and he was going to when he lost sight you in the crowd.

Okay, now he was frantic, as the longer he didn't see you, the more his opportunity to make amends slipped away. He moved through the crowd, pushing people in the process, earning ire and questionable glares and yet he cared none for it.

He nearly cursed at how his phone kept vibrating incessantly inside his pocket. Begrudgingly, he took it out and almost gasped.

You are calling him.

Bang! Bang! Bang!

It was so incredibly stupid. You just went to pee for a bit and then somehow got yourself locked in the toilet. It might have been fine, but then the lights unexpectedly went out, scaring the shit out of you.

How could such a upscale inn experience a sudden power outage and have doors that wouldn't budge? It was worse when no matter how many times you punched the switch or banged the door, it refused to turn on or open.

You were trapped. Honestly, it took everything you had not to cry.

And so you did the next best thing aside from forcing your way out. You called your friends. First, Shoko, and then Suguru, but both of them somehow didn't pick up the call even after you had called them three times each.

That left you with one possible person left. In your frenzied mind, it didn't even register in your mind what you were doing as the line connected and the last person you'd call on the other side answered.

"Satoru," you shakily breathed out, almost crying—or were you already? You didn't know as you focused on his sharp intake of breath, most likely surprised at how rattled you sound.

"Y/N? What? What is it?"

"I—" you wheezed, hating how helpless you sounded, yet still forced the words out. "I'm locked, it's dark—and it's just so—help! Help me please! I tried getting Shoko but she didn't—"

"Okay, sweetheart, calm down. Calm down, okay?" Satoru's voice brought you some comfort and it helped to reduce your tears, missing how he slipped up by calling you with his usual pet name for you. "Tell me. Where are you?"

"The women's restroom… I think it’s in the east wing."

"I'm coming, okay? Don't panic. I'll be there. Just stay on the line."

You heard his ragged breaths as he muttered several "coming through!" and "excuse me!" from where he was. It made your heart lurch. Despite the spiteful breakup, he rushed to your aid as soon as he realized you were in some kind of trouble.

Was this okay, to let your relationship end just like that?

"I'm outside." And then you heard his voice, much to your relief. "Y/N? Are you there?"

"Yes!" you shouted over the steel door.

You then heard how he rummaged to get the door open, and faintly hear him cursing it. "It won't open."

You wanted to sob, but then Satoru told you with an absolute tone, sounding so sure and demanding that compelled you to comply. "Get away from the door. As far as possible. Take cover."

Oh God, was he going to do what you thought he might do?

...he did. The next thing you knew, the door—and much more than that—was destroyed, and a rush of cursed energy was everywhere. After the blast subsided, you instinctively made a run for it, and you didn't know how, but you ended up stumbling into him.

Satoru caught you in his firm embrace.

"It's okay. You're okay," he cooed, whispering in your ear gently, urging your shivering body to calm down. "You're safe now, Y/N... I'm here. You're safe."

There was always something about your trembling form that made him want to tear down everything and anything in his path just to make you feel secure. And there was always this sense of rightness whenever you snuggled in his arms. Both desires clashed in a contrasting need and want and Satoru could do nothing but keep you close to him, torn between the two.

He kept his hand on your spine, and you clung on him, burying your face in his broad, sturdy chest.

Nevermind the fact that you technically broke up with him. Nevermind that ever since this botched trip started, it was the first occasion in which the two of you held a proper conversation without spewing bravado or sarcasm.

Afterwards, he led you away from the site, and he figured it would be best to go somewhere quieter rather than the festival, and so here you were, at the deserted lounge.

You had calmed down for the most part, and slowly you felt heat in your cheeks. In hindsight, you could've tried using cursed energy to blast the door too, why didn't you think of that earlier?

And yet, unaware of your internal musings, Satoru's thoughts were occupied with another matter entirely, and blame it on his insensitivity—he chose this moment to drop it without hesitation.

"I want you back," he declared, void of any hesitation. "I'll be better, I promise. Those things you hate—tell me, and I'll make sure not to repeat them again."

He wasn't the sharpest when it came to picking up on your feelings, but Satoru vowed that if it bothered you that much, then he would do his best to avoid doing it.

But you... you were still trying your best to grasp the situation. Amidst the plot twist you just experienced tonight, his blatant proclamation was the last thing you expected so you only managed a "What?"

He held your gaze, eerily serious. “I don’t want to break up. It’s hell. We can—I can still fix this.”

He looked sincere, unlike the usual empty promises he’d give you after you went off on him. And suddenly, you understood.

“…really?”

“Yeah. Just give me another chance. I’ll prove it to you,” Satoru said, visibly impatient now. “I won’t give you up. This literally is the fight of my life right now.”

You couldn’t help but chuckle, despite yourself. If there was anything that you had learned tonight, it was that apparently you and him were still salvageable.

“And how will you prove it?”

“Just so you wait and see, sweets. I’m gonna relight your feelings!”

It was beyond corny that he took a line from your favorite song. And both of you burst into a laughter at the sheer silliness of it.

You sighed, but this time of relief, in stark contrast to your earlier sighs that afternoon. You were giddy as a smile perched on your lips. “Fine. Let’s give this another shot.”

Satoru felt the tension in his shoulder melt with your answer. A genuine, wide smile emerged from the bottom of his heart and lit up his face.

“Now, this whole trip has been kind of terrible so far, don’t you think?” He made a brief pouty face for a moment before reverting to his mischievous grin His remarkable expressiveness—reminiscent of a child's, in your opinion—never ceased to fascinate you. “I have a pretty good idea where we should go next.”

You furrowed your brow in confusion. “What do you mean? Tomorrow’s our last day.”

“No freaking way!” he exclaimed, whipping out his phone to launch the travel agency app. “We are going to redo our graduation trip. This time just the two of us!”

There were many things that led to the end of your relationship with your dork of a boyfriend, but as you reflected on it, you realized that there were also many reasons for you to stay together, especially when he reached for your hand and held it firmly in his grasp.

You were unable to contain your excitement and bubbling with melodious giggles that he adored so much as he whisked you away from Kumamoto in favor of the last bullet train to Kyoto, where your long-awaited true vacation would begin.

Epilogue

“I told you this was a horrible idea. I fucking told you.”

"Can you blame me? Dude was about to throttle me in my sleep."

"Geto," Shoko scowled, her disbelief at his simple answer evident as she gestured wildly with both hands towards the wrecked lavatory, emphasizing her point. "Look—now that he had gone and done it, we're the ones footing the bill for the destruction of property!"

Gojo had blasted the washroom with a freaking Red. And the innkeeper promptly held both Shoko and Suguru responsible since their roommates were captured on CCTV and had vanished without a trace.

Suguru rubbed his neck sheepishly. "I genuinely thought it was a good idea. I didn't expect Satoru to go overboard though," then he threw her a stink eye. "And hey, you were complicit in this too!"

Shoko mumbled a string of curses as she pulled out her phone, snapping some pictures of the undeniable evidence of Gojo’s doing, and then made a call. Suguru frowned.

"What are you doing?"

"I'm reporting him to the headquarters!"

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celaenaeiln · 4 months

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I remember seeing a panel of Bruce and Barbara(?) talking how Dick's feelings for Starfire(?) Is just a phase and Babs(?), and thought about if Bruce had ever pushed/or try to direct Dick to date a girl he (Bruce) liked/preffered Dick to date? I mean I don't think Bruce will forcibly do so, but he clearly has preferences (cough titans is Nono to him cough).

Batman: Gotham Knights Issue #43

This one!

Even though he said this to Barbara, Bruce has drawn a line in overtly interfering with Dick's love life. Actually he makes it very clear that he's not going to interfere with Dick's love life after bringing up the topic.

Nightwing (1999) Issue #14

Which is....what just happened? Was he saying he disapproves? Clearly not because he says he believes in Dick and that sounds genuine. But then does that mean he approves? Then why didn't he give a clear answer, actually why did he even bring it up because Dick wasn't even talking about that in the first place.

He's openly supportive of Tim's choices so why doesn't he just say what he thinks about Dick? I guess it doesn't help that Dick reacts like a cat in hot water when it comes to Bruce's involvement in his life so this is probably that Bruce doesn't know what to say. I don't know if he doesn't want Dick to date anyone, which tracks from his thoughts on Dick's relationships with people in general, or if he has a particular inclination toward someone but he's afraid of saying it because he doesn't want it to blow up in his face.

Obviously the Titans are a no way. Like the Titans aren't even on the table for Bruce when it comes to acceptable Dick Grayson dating choices. They're probably in the neighbor's trash can lol.

He's against civilians in general, even for himself, so that wouldn't fly with him. Anyone from the league or heroes are just as bad as the Titans for Bruce because he's terrified of Dick leaving him and has canonical attachment issues to him. So it would have to be someone in Gotham or in direct attachment to the batfamily so he can gatekeep Dick Grayson.

That only leaves two available choices - Barbara and Helena - that Bruce would ever be okay with Dick dating. You know how sometimes people compromise or say things like "I love you and would do anything for you but in the end it's up to you and I respect that", yeah...Bruce just leaves off the last part indefinitely.

Although this comic issue is older, it shows that he's not particularly keen on Barbara either,

Detective Comics (1937) Issue #369

But that was then when it was just Dick, Barbara, and Bruce. Now there are more players in the game than just Barbara so compared to how much Dick would pull away if he dated or married one of them, Barbara looks like a shining star of a choice because all of Bruce's actions are inherently selfish although he tries his best not to be.

I think the issue with Bruce and Dick's dating life is the problem he has with Dick's life in general. He clearly wants to interfere, but he's worried about the backlash he's going to get.

Nightwing (2016) Issue #38

Because Dick loves to help others but he hates receiving help much to the despair of literally the entire rest of the hero community. But he's particularily sensitive about Bruce's involvement in his life because he only became Nightwing to prove to Bruce he can take care of himself. Since then, Bruce's relationship in term of helping Dick or giving him his opinions has been a series of "Can I-should I-" thoughts.

So although he'll never tell Dick his opinions because he's scared of the backlash, but he definitely has opinions.

#dick grayson #nightwing #bruce wayne #batman #barbara gordon #batgirl #cl anon asks #cl asks #thanks for the ask!

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mxigo · 1 year

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soul sick | part 1

SERIES SYNOPSIS: It’s hard enough watching the male that holds your heart pine for another woman, one that is the definition of beauty and grace, but to watch him fall for another yet again after you feel the mating bond snap into place is its own hell. A hell that makes you dangerously ill.

CHAPTER SYNOPSIS: you get ready to go out with Azriel after his check in with the Illyrian camps, but things don’t go as planned.

WARNINGS: 18+, angst, swearing. a relatively tame first chapter

WORD COUNT: 3.7k

MINORS & AGE-LESS BLOGS DO NOT INTERACT. YOU WILL BE BLOCKED. YOUR AGE MUST BE SOMEWHERE IN YOUR BIO OR YOUR BYF.

NEXT CHAPTER

a.n. if i get anything wrong i’m blaming it on my shit memory and the fact that i haven’t finished acowar and haven’t read acofas and acosf. really just going off what i remember and what i’ve read in other fics. enjoy!

It has been three months since Feyre’s sisters were Made and subsequently brought to the Night Court. You’ve done what you could in aiding their transition to fae life, even getting as far as calling Nesta a friend, cold façade and all. But while you have gained a friend, you’re beginning to lose your best friend, and the male that you love, all at the same time.

It first started with him checking in for a second after the two of you had come back from being out and about in Velaris, then it turned to him apologetically explaining that he already had plans with Elain for the evening, and now, you hardly see him at all anymore.

It’s become more often than not that he spends his time with Elain, leaving you on the back burner, as a second thought to his plans now. You have other friends, yes, but you don’t remember a day where you haven’t at least sent notes back and forth to each other since you became close. It’s like you’re missing a part of you, something that is supposed to be there but isn’t anymore, and your body knows it. Why did it have to be him? She has a mate waiting for her for crying out loud, one who you can tell just genuinely wants to know her, and Azriel is entertaining her, knowing full well what her position is.

Guilt eats at you for these jealous feelings, knowing that the girl has been through so much when her entire life was ripped away and was literally turned into something that she was taught her entire life to fear. You want to be accepting and carefree about the situation, but it is literally impossible when you catch him looking at her with the intense adoration that you have yearned for decades for, and she has simply swooped in and stole him from you.

But tonight, you and Azriel have plans to go out into Velaris for the night for dinner. It’s your tradition that you’ve had for years to catch up after his return from his visits to the Illyrian camps, something to help him unwind. You just hope that for a single night that you can forget about it.

The new dress you bought just yesterday is a beautiful deep burgundy color, the hem falling just above your mid-thigh, long-sleeved, and the neckline plunges lower than what you are used to wearing. You were able to find a pair of nude heels that fit you perfectly in a corner shop. You were even successful in keeping your hair styled for the occasion. It was safe to say that you looked stunning, and there was a glimmer of hope that it wouldn’t be left unnoticed by him.

The heels’ click echoes off the paneled hallway as you scramble to finish getting ready, knowing that you need to leave. You stride into your bedroom, beelining for the jewelry tree on your vanity. Considering the colors that you’re wearing, you think a gold set would be the best, and you know exactly which to wear. Gently, you pick up the teardrop Alexandrite earrings and necklace that Azriel had bought you after one of his trips to the Summer Court. The gem’s color shifts between purple and green depending on the light source, easily making them your favorite pieces.

It hurts a bit when you try to put the earrings in, meeting a bit of resistance as it’s been a while since you’ve last worn any, but you’re able to get them through without too much trouble. The necklace thankfully clasps easily around your neck, the pendant falling in the middle of your chest. The delicate gold glitters in the candlelight, making you smile at the memory of Azriel giving it to you. With a shack of your head, you snap out of the memory’s haze, misting yourself with perfume as a last thought before leaving your bedroom.

The click of your heels echoes off the buildings lining the road as you make your way to Rhys’ townhouse to meet Azriel for drinks before dinner. The night’s cool breeze causes your flesh to break out in goose bumps, but it feels nice over all.

The door unlocks as you turn the knob, and the house becomes alight as you enter. The candles flicker to life to bring the house into a cozy atmosphere, and even the fireplace roars to life to stave off the last of the early spring chill.

The grandfather clock in the foyer chimes, signaling the turn of the hour at seven o’clock. Your heart flutters, excitement filling you knowing that he’ll be here any minute. You make your way into the kitchen, pulling out Azriel’s favorite whiskey and your favorite liqueur, grabbing two tumblers out of the cabinet to set it all out on the table.

Minutes tick by as you wait for him to winnow into the kitchen like he always does, a soft smile on his face as he holds out his elbow like the gentleman he is to winnow you wherever you want to go. You settle into a cushioned seat in the adjoining living room, picking up a book that has been left out and flipping open to the page that you had left on.

Those couple of minutes turn into five, then into fifteen, and then by thirty minutes, you’re constantly glancing between the clock and the kitchen, anxiety eating away at you. Azriel has never been late like this before, and if he’s ever late, it’s only by no more than five. Your stomach rumbles as hunger makes itself known, and you set down the book on the table to stand up. Maybe something happened that’s causing him to be late, but there’s a little voice that’s whispering to you, saying that he’s forgotten about you, that he’s preoccupied by a certain sister.

You shake your head, setting the book back into its spot to stand up and head back into the kitchen. You pour a drink and watch as the dark amber liquid swirls into the cup before settling around the ice. More minutes pass as you finish the drink only to pour another, still waiting, hoping that he will pop into the room, spewing apologies as he tries to explain why he was so late.

But it doesn’t happen. Instead, it is Rhys that winnows into the kitchen, startling you so bad you nearly fall off the stool.

“Mother, Rhys, give a girl a warning before you snap in like that,” you joke, righting yourself up. Your eyes meet his, and you’re confused because he’s confused, staring at you like you are crazy.

“What are you doing here? Are you meeting someone?” he asks, his head tilted slightly as he stares still.

There is a sinking feeling in your stomach, but you want so badly to be wrong about what’s happening.

“I’m meeting Az here. We’re supposed to be going out tonight like we always do when he comes back from the camps, but he’s late. Have you seen him by chance?” A look passes over Rhys’ face, and you recognize that look immediately, your face dropping, heart hammering as you wait for those few words.

“Oh, sweetheart, he left the House with Elain,” he whispered, like you would shatter at just those words, and you suppose you do.

Your breathing stutters, and it’s like the world goes fuzzy, the sounds muted as your breaks cracks. Never in all the years have you been friends with Azriel has he ever forgotten about your nights out when he comes back, let alone either forgetting or just flat out choosing to spend it with another female and not tell you. And of course, it’s with Elain.

Your lungs shake as you take your next breath, reality coming back into focus as you realize that Rhys is still in front of you, worry etched across his face as he too realizes what has happened. You knock back the rest of your drink, and your hands shake as you pick up the glasses to take care of them and to put the bottles away. In an effort to try to get Rhys to go away, to be alone, you put on a fake smile, looking at him.

“Oh, well, I guess I shouldn’t have expected that we’d be going out tonight without checking in with him to see if he was free. That’s my mistake, but thank you for telling me, Rhys. I’ll clean up here and I’ll get going,” you try, but he just shakes his head.

“Nonsense. Leave it, I’ll take care of it later. Let me take you home.”

“Honestly, Rhys, I’m ok. It’s just a misunderstanding on my part. And my home isn’t far from here at all, and the night is nice. You don’t need to winnow me,” you insisted, already done with rinsing out the glasses and putting them away. But your voice is shaking ever so slightly, sick to your stomach, and you know that Rhys notices.

He grimaces, debating with himself on what to do.

“If you’re sure,” he asks, raising an eyebrow, and you nod. “I’ll talk to him when he gets back.”

“No! No, you don’t have to do that. Seriously, Rhys, it’s not a big deal,” you beg, and finally, he relents.

He nods once before stuffing his hands back into his pockets.

“You’ll let me know if you change your mind, right,” he asks.

“Of course,” you promise, and he pops back out of the house, leaving you to truly process the situation.

He took Elain out instead. He left you, that same voice whispers, louder this time. Tears sting your eyes, and a half-sob rips out of your lungs, a hand flying up to your mouth to prevent any more from leaving. But you’re fruitless in your efforts to contain your emotions as tears start spilling over, splattering onto the table.

You leave the townhouse in a flurry, harshly wiping at the tears. The house goes dark behind you and the lock snicks shut, leaving you in the night’s chill. Then all at once, your face crumbles as your emotions make themselves known. You try to reason with yourself that there’s no reason to be upset because it was true when you told Rhys that you never did confirm with Azriel if he didn’t already have plans, you just assumed.

But you never have to check in, he has always been there.

“Fuck,” you whisper, walking down the cobbled road back to your townhouse, furiously wiping away the stray tears.

The walk back is quiet for the most part, and you’re thankful that you don’t run into anyone. You would never let yourself live it down if someone saw you in the state that you’re in. You almost make it back, but as you look up, your heart drops and your veins fill with ice as you recognize two figures walking your way. They are so enraptured with each other that they haven’t noticed you yet, so you quickly move over to the edge of the road, hopefully giving yourself enough space that they don’t see you.

You continue walking, arms crossed, and hair falling around you to shield your face, and you’ve just passed them when you spare a glance, making eye contact with him.

Fuck. You walk faster, eyes trained on the ground.

“Y/N?” he calls out, but you keep walking, quickening your pace.

“Y/N! Hey, wait,” he shouts, and this time catches up with you.

A calloused hand closes itself around your arm, effectively stopping you. You whip your head around to face him, and he looks at you in confusion. His form towers over you, and you’re so close you can smell the cologne wafting off of him. You watch as his face crumbles while he looks you over, and it almost seems like he’s panicking.

“Please, just allow me a moment to explain,” he begs, but you shake your head, eyes screwing shut to prevent him seeing the frustrated tears.

“It’s fine, Az, really. I just wish you would have told me instead of having Rhys be the one to tell me where you were,” you whisper, your eyes now trained on his chest, still avoiding his eyes.

If there’s one thing you hate, it’s confrontation. Even if all you want is for someone to feel what you’re feeling, and to confront them about what they’ve done, you can never bring yourself to do it, to hurt them like they had hurt you. So right now, you just want him to let you go so you can let yourself fall apart and piece yourself back together in the comfort of your home.

He is helpless as he sees you put up your walls, trying to keep your emotions in check by shutting them off entirely. It’s something that he’s never been on the receiving end of, and it crushes him to know that he’s who caused this.

A cold whisper ghosts over your wrist, and you look down to find a shadow caressing you anxiously, but it only makes you even more upset, the corners of your lips forcefully tugging down and eyes burning. Blood thunders in your ears, and you can feel your hands shaking, and no doubt Azriel can feel it too, which just makes you panic harder.

“Please, let me go I just want to go home.”

“Y/N,”

“No, Az. Just—”

“Azriel? Is everything ok?” A soft, ethereal voice breaks the moment, your eyes snapping over to the culprit.

You’re horrified as she walks over, the object of your ire making herself known. She looks absolutely breath taking dressed up, and you can’t help but understand for a moment why he would choose her over yourself. She’s absolutely perfect, and you’re… not.

She stops just behind him, placing a delicate pale hand on his back, looking up at him with worried eyes. His gaze snaps from you to her, and it makes you sick as you watch his face soften for her. You take the moment of weakness to rip your wrist away, giving yourself a step to breathe.

Azriel looks between the two of you, confliction painting his face as he tries to decide what to do, but you don’t give him the chance.

“I used to believe that you wouldn’t go as far as this, but I can’t say I’m surprised.”

He reels back like he was physically slapped, looking back at you in astonishment.

“What is that supposed to mean,” he begs, his eyes wide as his grip grows tighter around your wrist, but if you say what you want to say, you’re going to irreparably damage your relationship with him. Despite how you feel, that’s the last thing that you want.

You sigh, closing your eyes and shaking your head, just wanting the conversation to end. “It doesn’t matter. Enjoy your night, Azriel.”

You spin around and high tail it away from him. Although you just want to be left alone, it still makes your heart break even more when he doesn’t try to come after you.

The guilt eats at you again knowing that you ruined his and Elain’s night, but that selfish part of you is glad that you did and made him feel like shit.

Thankfully, you make it back home before you lose it, sobs racking your body as it all comes out. The pain of being pushed aside for someone else yet again comes to a head from tonight’s events. In a fury, you rip off the dress and heels, slinging them somewhere to be found later. You all but drop your jewelry onto the vanity, letting it clatter against the dark wood top. Tears still pour out of your eyes as you rifle through your liquor cabinet, pushing to the back to grab a bottle of dark and strong whiskey, but you slam the door shut as the thought of whiskey being Azriel’s favorite pushes itself to the forefront of your mind.

So instead, you crawl into bed for the night, staining your white sheets with your black-tinted tears.

Heavy thudding at your door drags you from sleep, making you groan as you have to peel open your eyes. The sun is blocked out by the thick curtains, confusing you even further as you try to figure out what time it could be. A headache makes itself known, pulsing behind your eyes causing you to groan as you sit up. The thudding continues, and you can’t help but snap.

“Give me a Mother-damned second! Fuck!” You slip from the sheets, stumbling across the room to get to your dresser. You pull a pair of pants and a t-shirt from a drawer, throwing on them on as you make your way to the door. You pray it’s not Azriel, but it’s more than likely it is. He’s the last one you want to see right now. Hopefully, he’s smart enough to stay away for a little while so you can cool off, allowing the whole situation to blow over.

You yank the door open, squinting at the bright sunlight, but they snap awake when you see Mor and Cassian in front of you instead, the latter standing against the door frame with his arms crossed.

“Uh…” You’re at a loss for words, guilty for the way that you had screamed at them.

“Get ready, we’re going to lunch, and you’re going to tell us why Azriel came home like his fucking puppy died,” Mor says, inviting herself in and grabbing you to lead you to your room. You look back at Cassian, eyes begging for help, but he just shrugs. Bastard.

The blonde immediately starts riffling through your wardrobe, picking through dresses and outfits, but you’re not sure what she has in mind. You allow yourself to flop back onto your bed, staring up at the ceiling. Cassian’s footsteps announce his entrance as he takes a seat on your love seat.

“What’s this?”

You pick your head up to see Mor holding your dress that you left in a ball on the floor. Your face flickers for a moment before you reign it back it, allowing the emotionless mask to take place.

“Nothing,” you whisper, letting your head fall back onto the bed.

It’s silent for a moment as Mor and Cassian look between themselves then back to you. It’s obvious something happened between you two last night, and the story won’t come easy from either of you.

The bed dips as both of your friends sit on the edge, one on either side as the flop down next to you. They remain quiet, but the tension and everything that you’ve been feeling makes your chin tremble, and you bite your lip to try and conceal it. But the tears sting at your eyes anyways, making the ceiling go blurry.

You sit up, digging your elbows into your knees, heaving a great sob. A small hand rests itself on your back, rubbing in circles as you allow yourself to finally fall apart.

“He fucking stood me up,” you choke out. “We always go out when he comes back from the camps. I got dressed up and everything, waited at the townhouse for a half hour just for Rhys to show up and tell me he wasn’t coming. Then I ran into him with Elain on the street on my walk home.”

They’re silent as they let you recount what happened last night, Mor’s face twisting as she watches one of her closest friends fall apart in front of her.

“I’m so sorry, Y/N,” Cassian whispers, but you just shake your head.

“It’s fine—”

“No, it’s not fucking fine. He’s either blind or just outright stupid to not see what he’s doing to you.” Cassian’s face is set in a scowl as he thinks about his friend’s behavior after Elain came into the picture.

He knows that his brother has a history of fawning over unavailable women, but for him to entertain one who already has a mate, one that lives with them and wants to engage with her nonetheless, makes him question if Azriel is really that ignorant to the entire situation. It’s not exactly a secret that you harbor feelings for the shadowsinger, but he has been oblivious to the way that you look at him, and Cassian can only imagine how you are with him when no one else is watching.

Mor’s heart breaks while she is helpless watching your face crumble and tears drip off your chin. There’s been a lot that has brought you down, but nothing like this. You keep a strong face around your friends, always trying to be a happy and fun person to be around, letting yourself be the shoulder to lean on when they need it.

Although Mor was the first obstacle between you and Azriel, she was always a good friend to you since you first joined the Inner Circle decades ago. Her warm and confident nature brought you out of your shell when she introduced you to everyone on that fateful night at Rita’s, which in turn brought you to Azriel.

You let your feelings ruin it all, the voice whispers, if you had just kept your feelings in check then you wouldn’t be in this position.

Then, with a deep breath, the mask comes back.

You wipe your face of the tear tracks, sniffling to try and clear your sinuses before looking at Mor and Cassian with a watery smile.

“So, what were you guys saying about lunch?”

A look passes between your friends before looking back at you.

“Well, we thought today would be a good day to try that new place on the Sidra for lunch,” Cassian answers, a slight smile on his face.

“I would love to. Will you two help me pick something to wear?”

“What else would we be here for, angel,” Mor giggles, standing up and taking you with her.

I’m so lucky to have them as friends.

#azriel x reader #azriel #acotar #a court of thorns and roses #angst #azriel angst #mxigo.acotar #mxigo.azriel #mxigo.soulsick #mxigo.masterlist.soulsick #mxigo.masterlist #mxigo.masterlist.acotar

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hamliet · 3 months

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thoughts on how oshi no ko has portrayed what happened to hikaru (thus far) and any ideas for what his motives/role in the story is?

Honestly? I think it's doing a pretty good job of portraying it. TW for discussions of childhood sexual abuse below.

When it's first introduced to us that Hikaru was raped by the adult actress, Aqua doesn't have much reaction. On an intellectual level, he gets it, but on an emotional level in terms of what this means for Hikaru, for his development and for his pain, he doesn't get it at all. It's only when we get to Akane's expressed horror ("that's sick!") that we get an actual reaction.

The previous chapter was honestly acting and a flashback as it actually happened, and I appreciated that they showed it as violent.

That's something so often missing from stories of older women who rape younger boys (see Mary Kay Letourneau). It's not a love story. He's not lucky. It's violence.

Like, I spoke about this with a friend after the chapter, but the wiki literally says he was "implied to have been raped." Implied? He was ELEVEN.

I don't think the wiki writers are intentionally being obtuse or dismissive, but there is a subconscious way in which a lot of the world, across cultures, reacts to female predators of young boys in a way that is incongruent with how we react to men who prey on young girls. And to be fair, the latter is a far more prevalent issue but still.

So anyways, I was grateful the final panel of the flashback showed Hikaru being dragged, violently, away from a girl his own age whom he likes by an older woman who won't even introduce his son as his son. Anything Hikaru has, he cannot have.

I've written about Hikaru before, but yeah, he's a scary serial killer at this point who is likely going to target Ruby and/or Kana. He's a final antagonist, obviously, and his past abuses don't excuse him. He's somewhat modeled after Lucifer, and not the Hazbin Hotel version.

But I don't think Aqua's final challenge is stopping Hikaru.

Aqua playing Hikaru in these scenes is challenging him to do what playing Ai has provoked Ruby to do: to empathize and further understand their parents. But, the problem is that Aqua can relate to Hikaru's anger and hatred already.

Again, as I wrote previously, Aqua already is very much like Hikaru (albeit at a far earlier stage): trying to reenact and kill the perceived causes of his trauma and not able to see that he's not going to be happy with such an ending because you can't kill your way to peace.

What Aqua actually needs to do is to come to understand Ai. Ruby, imo, is the one who will come to understand Hikaru, and probably forgive him (not excuse, but this is very likely where it's going).

Ai seemed to, after all. She reached out to Hikaru's proxy (the stalker) and definitely recognized the white roses and knew who had sent him.

Yet she still reached out to her stalker as a human being and empathized with him after he had stabbed her.

If it had been Hikaru standing there himself, she would have done the same.

And lest we think this is solely an example of her toxic wanting-to-please-people trait taking control, this was also the moment--the only moment in Ai's life--where she was finally able to express herself without a lie. It can be both an indictment of the entertainment industry prioritizing pleasing others over your own life and pain and Ai's moment of triumph even amidst tragedy.

Hence again why Aqua's challenge is to understand his mother, not to kill his father as justice for her. He needs to recognize her love for him as her son. She wanted him to live. She wanted him to love. She didn't want him to obsess over her in death.

Ruby, on the other hand, needs to understand Hikaru... and Aqua. Thus far, while she's had the best growth of everyone in this entire series, she is still idolizing Sensei and Aqua thereby.

She needs to see him as a person just as Aqua needs to see Ai as a person. Seeing Hikaru's anger and pain and seeing Aqua's go hand in hand for Ruby (again, not a coincidence Aqua is playing young Hikaru in the movie).

As for where Hikaru goes from there, I don't know. He might end his own life like the stalker proxy did, but I think the fact that that's already happened makes it less likely. He might find new life even if like, in prison, or he might die sacrificing himself for his kids. It's too early to make those exact predictions... but I think Ruby understanding him and empathizing is key.

#ask hamliet #oshi no ko #onk meta #oshi no ko meta #hoshino ai #kamiki hikaru #hoshino ruby #hoshino aqua #oshi no ko theory #onk theory #tw

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aashi-heartfilia · 10 months

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Why BakuDeku will be canon and not IzuOcha? Connection between TogaChako and the entire Love Square...

So this is pure hypothesis and I should clarify that I'm not a shipper when it comes to MHA. I just love the story, its premise and the various themes that it involves and I love to see what happens next. I don't particularly support any ships and so with all that being said, let's jump into it!

So, Ochako said that "You should never hide your true feelings or that face of yours".

Horikoshi is very very clever with the panelling.

While most people were debating on whether or not it was an IzuOcha ship bait, I think it signifies something completely different.

Notice how Ochako was thinking about Deku as she said those lines but even in Ochako's imagination, Deku wasn't looking at her.

HE WAS LOOKING AT BAKUGO.

I mean, look at it.

He was a bit embarrassed and looking at someone else. It is most probably a memory from when they were training before the second war (when Bakugo was showing his new move Cluster to Deku)

But why would Ochako think about Deku looking at someone else during such an important time?

It parallels how Toga thinks about Twice in a completely platonic sense. He was more of a brother to her (Toga and Twice->brother sister bond)

Plus it also signifies Ochako's journey of self acceptance. Think about it!

When we met Ochako in the beginning, she had an inferiority complex about her hero motivation and background.

She met Deku, who played her knight in shining armor, who had this cool quirk and everybody loved him.

He was a Hero, and always in the spotlight. Even All Might was interested in him (according to Ochako because she never knew about OFA)

So she admired him and wanted to be like him as in wanted to be a great hero like him but it backfired because Ochako is Ochako and Deku is Deku.

Throughout the series, we see these feelings grow.

But with admiration, what Ochako always felt was jealousy....envy.

The theme of envy has been very prominent in the series. Bakugo is the biggest example of it.

I admit that Ochako might have had a tiny bit of crush on Deku because who wouldn't?

He is a cute, clumsy boy, well natured, a crybaby at times but a real hero at heart. Who wouldn't fall for that?

Plus it's not wrong to have feelings.

But in Ochako's case, she always felt that Deku is so far away.

It is such a literal representation!

Deku was moving forward while Ochako felt like she was lacking, like she is behind him, literally and figuratively.

We saw how she was struggling to deal with whatever she was feeling.

At first it looks like she is struggling to deal with her feelings for him, but at this particular moment her feeling could only be described as envy.

Admiration could easily be confused for love but!

You're never jealous of the person you love!!

Because till season 3 Ochako was feeling both admiration for his best friend (which everyone else confused for love) and jealousy.

It was especially awkward because they were friends and their other friends kept on pointing in that direction.

But the real change came in the war arc when Ochako got Deku's letter and realised that maybe Deku is not that special after all.

They are good friends, and she was worried about him because she realised that behind the Hero persona that Deku has, he is also human.

Being a fellow hero, it was more relatable to her.

"Special powers are one thing but there is no such thing as a special person" she said in her speech.

Humanizing all heroes and villains.

I also wanna talk about this specific panel after Bakugo's apology.

Something about Ochako's expression here really struck a crod.

As Deku falls in Bakugo's arms, the camera pans on Ochako who just stands there observing, what true love is.

She didn't feel anything, because she realised the bond between BakuDeku is a bond of love.

Which is why she never made an effort to follow Deku's footsteps again.

The famous cliff scene: the day before the second war! Both of them knew they could die the very next day and yet they chose to say nothing... Nothing as in love confession, because there was nothing to confess.

Ochako realised that Deku loves and admires Bakugo and she's ok with that, so she'll focus on more important matters, like the Toga situation.

Because she realised, she can be her own Hero.

And now she wanted to help Toga. A girl like her, that was crying.

Because she has seen so many happy faces, she cannot help but wonder what made Toga cry.

Plus Toga said that only heroes and the people they protect are counted as people and the rest don't even matter.

As a person, Toga should be free to love whoever she wants but because of her quirk she is constantly judged by people except LoV.

Toga was mad because nobody accepted her throughout her entire life, her parents, her friends, Heroes and the one place where she found home was also snatched away from her.

Everyone is free to love and admire heroes then why not Toga. Everywhere she went, she was rejected.

Even Deku's quirk pointed out that there was no real malice behind TOGA's actions. Her love is so strong that it puts people in danger.

Heck, Danger sense didn't activate in the beginning because Toga didn't wanna hurt Deku.

But it was after she was rejected so badly, that she turned against them.

It was not about a girl asking a boy out but a villain asking a hero out.

And Deku not only rejected her completely but also judged her.

So if the world rejects her, she is bound to do the same!

Which made Ochako the perfect person to face Toga. Both are girls full of love but hide deep inferiority complexes.

Ochako understood this and told Toga her smile is beautiful.

Why? Because Ochako realised it the hard way, what happens when you suppress your feelings which is why she admired Toga and told her that Toga is right and she should never hide her feelings or her face because she is beautiful.

She admired Toga for her genuine honesty and told her that it is nothing to be ashamed of.

Toga went on a rampage because Deku hurt her (he was the final nail in the coffin) but just because Deku rejected her doesn't mean the end of the world.

Toga is free to live her own life, just because Deku rejected her doesn't mean her life is finished and if she really wants to have a girl chat, Ochako will always be there!

She'll give her blood to Toga for the rest of her life..!!

It's just Ochako's way of telling Toga that just because a boy rejected her doesn't mean her life has ended. That Toga is beautiful and has a lovely smile. And if toga wants to talk about it, Ochako will be more than willing to listen and support her for the rest of her life.

And such is the beautiful dynamic of TogaChako.

Cheers! Sunshine!

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genericpuff · 1 year

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LO Art Analysis (or: A Real Example of Why You Shouldn't Use Multiply for Everything)

I've obviously been spending a lot of time recreating LO art and in that time, I think I've really cracked open some of modern LO's problems with its art. This is a lengthy post so turn on some lo-fi, grab some popcorn and strap in.

One thing in particular that I'm very eager to talk about (and go off about) is Rachel's use of color language and shading.

THERE WILL BE BRIEF FASTPASS PANELS AHEAD IN THIS ANALYSIS. YOU'VE BEEN WARNED!

One of the key things that most people seem to agree on when it comes to LO's current art quality is the lack of color language. Back in S1, we had colors that seemed to jump off the page, with gorgeous rendering that created panels that were vast and beautiful to take in. It didn't matter if the anatomy was wonky or if the backgrounds were translated directly from Google Sketchup, the color and compositions made up for its flaws and created unique vignettes that individually contributed to what we found so special about LO back in those days.

That last one especially is still hands-down one of the most well-known and influential LO panels out of the entire series. Many a phone background its graced (my own included, I've literally had this as my phone background for like 3 years now) and it serves as a beautiful standalone example of the mood and emotions LO used to convey. You don't need to know the context of the scene, you don't need to know the characters, the mere posing and color choice alone is enough to invoke a reaction from the viewer. It doesn't even have a lot of shading or final rendering, the composition and texturing is all it needs.

So why does a simple panel like that work, but panels like these don't?

I have such beef with this panel because it does the complete opposite of what the famous Tower 4 panel achieves - it puts on full display everything wrong with LO's current art style, from its character posing to its color language aaaall the way to its final rendering.

First off, the character posing and framing. I finally figured out what RS' male characters have been suffering from lately, and it's a phenomenon that I'm sure many of you will be able to recognize right away.

Seth Macfarlane Syndrome.

You might not watch Family Guy, you might not watch American Dad, or the Cleveland Show, but you'll know exactly what I mean when I talk about Seth MacFarlane Syndrome. It's the stiffness, the lack of movement or bend in joints, the boring posing of characters standing with their arms flatly at their sides and their entire body facing the same direction, eyes unblinking - and when they speak, heads slightly tilting, mouths always being conformed to the same default shapes, while the arms do something random and unrelated to create the illusion of natural movement.

This has been an issue in LO for a while now, incredibly flat posing that lacks any sort of dynamic curvature to it, but it's best exemplified by that Ares panel above because holy shit does he ever look like Stan Smith in it. Boxy shoulders with arms that appear to be WAY too short hanging off the side, elbows flattened, hands straightened out, no natural shaping whatsoever.

But that's not the crux of the issue I want to touch on today.

No, the worst offense of this panel is that it indirectly proves what I've been suspicious of for a while now.

To explain real quick for context, there's this thing in digital art called Blend Modes. It's essentially a basic function in digital art that allows you to change the properties of layers for the purpose of shading, rendering, whatever have you. Most of these Blend Modes are the same across all digital art programs, things like Multiply, Screen, Color Dodge, etc. are all fairly basic tools in the digital artist's toolkit but all have an INCREDIBLY high ceiling of mastery - meaning, blend modes are easy to use on a basic level, but require a lot of skill and understanding of color language to utilize to their full potential. Using them right can transform a passable piece of work into a great one - on the flipside, using them wrong can take a passable piece of work and piss all over it.

The one I want to focus on in this post is Multiply. I use this blend mode myself quite often, it basically 'multiplies' the properties of the layers below it, taking whatever colors are below and 'doubling' them to create darker tones. This makes it a go-to for shading.

But the issue with Multiply is that it often ends up being used when it's not supposed to be. Or rather, people starting out will often use it as a substitute for shading when you'd be better off using your own hand-picked colors. I've got characters with skin tones that I can shade with the same color set to Multiply, zero issues, because the base tone is one that doubles well, it creates a nice rich tone on top that's perfect for shading.

But do you know the one color that DOESN'T multiply well?

Yellow.

Yellow is NOT a color you can just multiply, not without the final result looking flat and almost putrid. Most people will thus recommend you shade yellow with other colors along the same side of the color wheel, including oranges and reds. This is precisely why knowing color theory is such an important skill even in digital art, because using Blend Modes improperly can create flat tones that can ruin a final composition.

Going back to that Ares panel...

Again, I've had this suspicion for a while, especially when looking at panels of Persephone (*pink is ALSO a color that doesn't multiply well)

So I put it to the test. I took the original panel, sampled the yellow, and overlaid it with Multiply to see what I'd get.

Fam.

That putrid deep yellow that I mixed above is literally NEXT DOOR NEIGHBORS WITH WHAT I EYEDROPPED FROM THE PANEL. Copy and paste that and eyedrop it yourself if you want to see it with your own eyes. It's pretty obvious she did the same thing with Hera as well, you can tell her skin tone has been set to multiply and repainted with the same color, same as with her jacket.

They are using Multiply layers for everything as the default. This is not how Multiply is intended to be used - it's lazy shortcutting that's resulting in flat, boring, ugly compositions.

RS has stated herself that she 'changed' how LO is drawn to help 'streamline' the process for her assistants. This isn't streamlining. This is cutting corners.

Streamlining would be having color palettes to refer to during the coloring and shading process. I use them myself for characters that I CAN'T multiply-shade, I literally have characters whose skin tones are too light and yellow-toned for it - using Multiply would wash out their tones and make them look flat and sickly so I have to use a separate color from a different part of the color wheel to shade them (usually a darker tone of red/orange).

Rachel, babe, this isn't streamlining, this is just taking shortcuts to the point of sabotaging your own work. You can't sit there and tell me THAT looks good and is worth the 'streamlining' when panels like THESE used to exist:

Turn off the Multiply layers and color your characters for once, please, I'm begging you. This is such a rookie move for someone who claims to be a professional (and regularly brags about the awards she's won); not to mention a tragic fall from grace because we know Rachel can and has produced better work than this in the past. She knows color language, she knows how to paint, so why is she resorting to shortcuts like this? She has an entire team of people and yet she's still consistently behind enough in her buffer - or just doesn't care enough anymore - that she's resorting to lazy amateur tactics like using Multiply for everything.

And on the off chance that she ever sees this, Rachel, it's not even that hard to use proper colors. You've done it before, you should already have the color palettes available to you.

(P.S. One handy-dandy experiment to tell if your Multiply layers are failing you is the desaturation test. You'll notice that drawings being made primarily with Multiply layers will look a lot 'flatter' when desaturated, because the shading is just the same color on top of itself and 'doubled', there isn't any actual value or depth in the shading itself. These are the exact same panels I showed before, RS' on the left and mine on the right, they've just been desaturated to show the difference that proper color choice can make when defining values and tones in shading!)

#anti lore olympus #lore olympus critical #lo critical #lore olympus edit #antiloreolympus

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klanced · 5 months

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i just finally watched the batman (2022) and need a repository for my thoughts

anyway yes i know i am the voltron blog but you all must understand. and this is key to my lore. that i am an insane batman fan. i haven't kept up with comics in recent years but i am a total sleeper agent when it comes to batman and i've been waiting literal months to watch The Batman (2022) and i finally watched it last night and have been marinating in my thoughts since. and also my parents are tired of hearing my ranting and watching me walk around in circles.

ANYWAY.

cinematography

this is literally the best looking batman film in years, if not the best looking one ever. the color grading was like a balm to my eyes, especially after the slog fest that is some of the other superhero movies... even with the constant rain the city never looked washed out, reeves and his set designers made such awesome choices when it came to fluorescent and neon lighting... the DINER SCENE!!!!!!!!!!! also omfg the way they made battinson the Red and Black Batman like what an excellent color combination. i loved it. i need to buy some of the theatrical release posters post HASTE.

more than anything this movie was SHOT like a comic book and so many scenes looked like they were ripped straight from a comic book, like i could visualize the paneling and everything... so freaking baller.

my family wasn't super impressed but i think it's because they expected an action movie but No You Don't Get It. batman sees the world as a gritty detective noir movie but to everyone else in gotham they're living in a horror movie and that is BATMAN CINEMA!!!!

when the riddler was arrested i was like 'wait there's still 40 minutes?' and then i preceded to have my mind completely blown. i kept questioning what reeves was doing only for him to IMMEDIATELY correct me minutes later. literally, let this man cook he knows what he's doing. when bruce lit the flare i didn't immediately get it -- and then the little mayor's boy reached for batman without any hesitation. and then the crowd began to follow him, closing the distance. and then he began to lead them to higher crowd. And Then I Got It.

2. gotham

yes i'm devoting an entire section just to the city.

gotham city is one of the hardest things to get right in any kind of batman media. like gotham is Not Normal and that should always be something hovering in the background. but many directors just don't bother because gotham architecture is so fundamentally different from normal sensibilities that building lore accurate sets would be both incredibly costly and almost impossible to do. but matt reeves tried and the movie was so unbelievably better for it.

bvs gotham was basically just new york city and don't even get me STARTED on how futuristic minimalistic modern the nolan movies were. ugh.

but when bruce and alfred were in their penthouse suite surrounded by fifty layers of gothic style trim my dad verbally said 'are they in a fucking church or something' and like YES DAD! that's the POINT!!!!!!!!!!!!!!!!!!! gotham is supposed to be borderline CAMPY GOTHIC like the city itself is not just a setting, it's a full blown supporting character. the city looking batshit is essential lore and PIVITOL to the world building that has produced a man dressed up as a bat to fight crime like you DON'T GET IT!!!!!!!!!!!!!!!!!!! batman is divorced from our reality but he is GROUNDED IN GOTHAM!!!!

actually side note i've been playing gotham knights on the PC and 1) the game is way better than critics gave it credit for and 2) GOTHAM LOOKS SO GOOD IN THIS GAME. THE LIGHTING IS CRAZYYYY. best adaptation of gotham city fr, i loved the arkham video game series but the panache. the style. it became so diluted after arkham asylum fr.

my one criticism is that reeves needed to make one more rooftop set it was so silly that all the characters kept returning to the same gcpd roof with the bat signal on it.

3. plot

FINALLY A MOVIE WHERE BRUCE IS A DETECTIVE. i've waited literal years for this. i do wish batman had been a little bit more active/proactive in the plot, i.e. not strictly following with riddler's games, but this is also early batman so i'm more forgiving of his rookie mistakes... however in the second movie i expect him to be on his BALL GAME!!!! give me plot-armor-borderline-prescient batman PLEASE MR. REEVES I BEG OF THEE.

LOVED this adaptation of the riddler. using the zodiac killer as an inspiration for the riddler was amazing, brilliant, showstopping, spectacular. and they kept a little bit of camp in paul dano's performance which i appreciate. i don't think we'll ever go back to batman forever levels of camp, but that's okay </3

there was a nod to the character of hush in the movie (at least that's how i'm choosing to interpret it) but i don't think they could ever use hush in the future because they already adapted so much of his gimmick for the riddler... but that's okay tbh i don't think hush is that interesting anyway.

at its core the batman was a buddy cop movie and i LOVED that. jeffrey wright KILLED it as lieutenant gordon and the dynamic between batman and gordon was amazing. excellent usage of our favorite future-commissioner, you could really see they already had an established rapport but their bond was becoming even stronger... their conversation in the interrogation room was so amazing, as well as their scene with the penguin.

my one criticism is that alfred became non-existent after a certain point. also lowkey the lego batman movie did a better job at the 'bruce realizes that his trauma has made him reluctant to form bonds or deepen them because of his fear of losing anyone else' subplot. lego batman movie on top!

4. characterizations

everyone and their mom has already talked about how this version of bruce wayne is more focused on developing his identity as the batman versus his identity as brucie wayne so i won't repeat those essays. but i will say that i have such high hopes for bruce's development in the sequel. like the way the movie ended with him emphasizing how he needs to become a 'symbol of hope for the city' reads to me as him preparing to finally re-enter gotham society as Billionaire Bruce Wayne and i am SO READY FOR IT.

but what i actually want to talk about is how amazing catwoman's development is. i love how much backstory they gave her in this movie. i will always love the nolanverse version of catwoman but you really learn almost nothing about selina in TDKR. but in the batman selina's is this fully fleshed out character. you can immediately guess what her life has been like. and her motivations in the story... the way she was prepared to run until she found annika... and then she immediately changed gears and focused on vengeance for annika and her mother... god, i love it.

cobblepot's character was also so, so good. you can intimately tell that he's a two-faced bastard who's spent years being a yes-man purely so he can climb the social ladder. i know colin farrell is going to rock the HELL out of that monocle in the sequel.

5. hopes for the future

i know it's too late but i reallyyy don't want joker to be in the sequel. i unfortunately think that's more or less guaranteed though since they've already casted barry keoghan. and his performance was really good. i'm just tired of seeing the joker in batman media. (inb4 keoghan absolutely kills it in the sequel and makes me eat my hat). i don't really consider batman to have one arch nemesis, only that the joker has consistently ruined batman's life more often than all the other villains.

literally the one hill i will die on is that reeves NEEDS to include robin at some point. PLEASE. you can't have batman without a robin, he gets so lonely. literally that's all i want. i want battinson to become a dad so, so bad. you have no idea.

and (and this is key) robin must be a kid. a pre-teen aged 14 or younger. "oh but that's so unrealistic, child superheroes totally break the immersion" well I DON'T CARE. FULL THROTTLE ON THE CHILD ENDANGERMENT. let children fight crime, for the culture.

[okay, okay. make it a robin origin story where dick grayson is introduced and is plot-relevant but he doesn't actively patrol and fight crime and only becomes robin at the very end.]

introduce robin in batman 2, and then have robin be a participating older teen/adult in batman 3.

my incredibly indulgent ideal batman 2:

at least two years have passed (bruce is more or less settled and has finally hit his stride). he has mastered air gliding and now attacks villains from the rafters instead of just constantly walking out of the shadows. i want to see arkham-level combat So Bad.

selina is mentioned, but doesn't really appear (and there are no other love interests.

actually wait i change my mind about joker. joker can be included in the movie IF the red herring "main plot" is that he's using a circus as a base of operations (because clowns and circuses).

i say red herring "main plot" because the movie starts with a joker crime spree, so you think the movie is going to be all about the joker, but then he leads batman to his circus base and it turns out that PSYCH! THIS IS ACTUALLY A DICK GRAYSON ORIGIN STORY. because joker's base of operations is haly's circus.

batman is snooping around looking for evidence and that's when he comes across dick grayson, age 10.

kid dick grayson. PLEASE. PLEASE.

batman decides to visit the circus as bruce wayne. You Know What happens.

plot plot plot

COURT OF OWLS SUBPLOT.

bruce has to balance hunting down the joker while also protecting this little kid he pretends he isn't totally attached to.

this is incredibly indulgent because i have no idea how you would balance joker screentime with that of the court of owls. idk. that's what's fanfiction is for i guess c:

i have decided that over winter break i am going to rewatch all the batman movies from 1980s onwards so i can revise my Batman Cinema power rankings. i will create some kind of metric or spreadsheet so i can grade and quantify each movie.

hell i should also replay all my favorite batman video games. because those are basically just movies anyway. and i miss kevin conroy :(

thanks for reading. god i love batman.

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everliving-everblaze · 6 months

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hey. i'm literally never going to be over this set of panels. this scene was already one of the best in the entire series and now it's in visual format. hey. can you hear me SOBBING

#kotlc #kotlc graphic novel #kotlc graphic novel spoilers #book 1 #fitz vacker #sophie foster #sophitz #sophitz positivity

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skywriter97 · 2 months

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Farewell, My Friend💔😭

(PSA: Possible spoiler warnings for The Murder of Me by the Zielo Cave. Only a couple panels, but still...)

So, on Monday night, I was at work, and I checked my phone, mostly out of habit. (I don't recommend doing this, btw, it's a good way to get you written up or worse.) And I saw that I had a YouTube notification on my lock screen. So I open my phone and pull down my drop bar to have a look. And literally saw the absolute worst news.

TMOM is over from The Zielo Cave

Now for those of you that don't know: The Murder of Me, AKA TMOM, is a Sonic the Hedgehog fan comic that first debuted I think 15 or so years ago, give or take, and as much as I would love to claim that I've been a fan since the beginning, I only discovered TMOM about a year or so ago. (I have the worst luck when it comes to finding things; I'm always late to the party 🥺)

When I discovered TMOM I was in a terrible rut. I hadn't posted anything in YEARS, and the writing I had done I kept locked away in notebooks, never to see the light of day. I had no inspiration, no motivation to tell stories. It was a horrible place to be. (-10000/10 recommendation.) Then I was scrolling through Pinterest one day, and I saw a panel of this random comic.

You could probably imagine my reaction. It's so random. Then more cropped up:

My thoughts went HAYWIRE. "Why is Sonic fighting his mother? Why's he dressed like that? WHY IS HE DROWNING?? WHY ARE KNUX AND TAILS LETTING HIM DROWN??? WHAT IS EVEN HAPPENING???" So I went hunting, and came across The Murder of Me by Gigi-D on DeviantArt.

I was HOOKED. The plot was so well thought out, the characterization was incredibly done, and as you can see, the art itself was BEAUTIFUL. I couldn't get enough. I flat out ignored life and read through 14 issues in one sitting. It took me all day but it was so worth it. AND THEN: I discovered the dubs on YouTube, and found that Gigi-D had decided to put together a creative team to produce the issues of The Murder of Me as episodic dubs, and I fell head over heels. The cast and editing was absolutely phenomenal, and The Murder of Me had my heart, hook, line, and sinker. What was even better was that they turned Issue 15 into an animatic episode.

Episode 15 Part 1: Purpose released on October 30th, 2022, and since then I have been anxiously awaiting the next episode by rewatching the series and all the prequels and bonus episodes I could get my mouse on. I even forced my best friend one night to binge the entire series with me, and she's not nearly as much of a Sonic fan as I am!

TMOM was more than a great watch or story for me. It was inspiration. I had an itch in my fingers that grew from writing a TMOM fanfiction that would stay hidden away into it's own complex project who's rough draft is now in production. (And could very well be released this summer if all goes well.) It was life breathed into my creativity. It was hope. For the first time in a very long time, I wanted to write. To tell a story like Gigi-D and the Zielo Cave.

And then that notification came. It was like a punch in the stomach. I was terrified and without watching it, I reacted and sent it to my best friend, wailing that once again, a story that I loved was being abandoned. That the writers were giving up. I was indignant. Screw that, I was angry and hurt.

Then I watched the video. I listened to Gigi's story, and immediately felt shamed by my own reaction. The Zielo Cave had been saying that Part Two was taking a while because of personal situations, and when Gigi revealed what had happened, that her inspiration was gone and couldn't bring herself to even sketch these characters that she loved so dearly...my heart shattered for her. While I might not really know or understand the pain of her personal situation, I do know what it is to completely lose the passion for your story. For the characters you still love, but can't bring yourself to engage with.

And while my heart of hearts aches, I know Gigi is doing the right thing. No one wants a story that it's writer is dragging their heels to share, can't bring themselves to write. God knows I've tried that, and trust me, it only hurts everyone. The writer, the fans, and the story itself. By ending TMOM here, she's protecting TMOM and its fans, and even though my heart breaks for TMOM's fate and (mostly) for her, I couldn't be more proud of her. The courage and strength it takes to walk away from such a huge part of your life in search of something more, something better?

Not only that, but honor the work and effort her team has given for Part Two and post it anyway, even though it's unfinished? To offer a written conclusion for the series for the fans that want to know what happens? I've never heard of any creator doing that, ever. All that I have seen would NEVER post any unfinished content, or unveil the unwritten plot and ending. And while I'm devastated for what that means, that TMOM is well and truly concluded and Gigi will probably NEVER return, as a fan of this series, I'm so grateful that what happens to these characters won't remain a mystery.

And to repeat what I said in the comment section of the announcement video: I pray a future that is bright and beautiful for you, and you discover what an amazing person you on this journey of healing. You're going to be magnificent because you are already an incredible person, Gigi. I can't express how important TMOM has been for me, how inspiring the story has been when I was down and unable to pursue my own creativity in my writing, and I just want to thank you for the years of dedication, passion, and love you and your team have given us through The Murder of Me. I bless all the paths you walk from this day forward, and all my love and support for you goes with you on your journeys for all the rest of your days.

The Murder of Me is over. I will always be a TMOM fan, and I will always love Gigi-D and the Zielo Cave for giving me inspiration, passion, and hope for my writing again. It's because of TMOM that The Three Sovereigns even made it to development and is now currently being written with the hope of release this summer, and The Three Sovereigns will always be a tribute to The Murder of Me and the hope this story has given me.

Thank you so much, Gigi-D, the Zielo Cave, and The Murder of Me, and fare thee well, my friend.

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gae-bolg-alternative-dot-exe · 1 year

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Naruto keeps getting promoted to the top of my twitter timeline for some reason but today it seems naruto fans are in-fighting about Sakura/Chiyo vs. Sasori being one of the best fights in the entire series, and frankly it IS. I give Kishimoto a lot of shit justifiably but the dude is amazing at fight choreography and has a great sense of motion and panel flow within a fight (most 90% of the time).

Even among all the really good fights, the sasori fight still remains uniquely original and uniquely naruto. It wasn’t the first fight with against an akatsuki member but it was the first decisive full fight with one and It was also the first time we got to actually see Sakura in action since honestly the chunin exams.

And it might be because of the nature of puppet fights, the ability to do random bullshit, and the fact that literally every attack was drenched in poison. Kishimoto did a great job making every attack feel as lethal and cheap as possible. Fights between ninjas should feel dirty and unfair so this fight really did have a different vibe to it then many of the fights that came before it. The entire fight itself felt unmistakably miserable to be a part of which was awesome. A dire time all around and also a great reintroduction to a character that was both massively hated and loved by fans.

It’s a shame that Kishimoto never brought this kind of Sakura energy back and frankly it’s ABSURD that he just simply never wrote her to be this cool again. Like, he proved to himself and the fans that Sakura could have great fights and to open shippudden with this kind of Sakura and almost immediately lowball her for the rest of the series after this arc is still incredibly baffling and frustrating even after so many years.

Okay naruto talk over.

#sorry I don't know what came over of me to make this post #gae-bolg writes shit #Naruto #Sakura #Sasori

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marimeeko · 1 year

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I know I complain about Bones' habit lately of barely animating certain scenes(and i am gonna continue to if i see the need or if i have to vent abt the opinion) but like I am going to really be feral if the part where Katsuki catches Izuku when he faints is one of those static "screencap" moments with no animation put in.

Like I can see it now, they show a moving image of the water splashing as Katsuki runs forward(but no katsuki himself) and then cut immediately to an unmoving, 1 to 1 replication of that manga panel, with the only motion there being mouth flaps and maybe the movement of Izukus cape.

No, I want to FEEL the weight of Izuku falling forward like a sack of potatoes. I want to see Katsuki literally CATCHING that weight. His body and grasp reacting to it. The care as he adjusts to the weight and holds izuku steady, paired with the soft, tired, and SO CARING "I Know/we know" as he holds him, Izuku PASSING OUT in his arms. Maybe throw in some extra care with Katsukis hands shifting to best support Izuku. MAYBE A CLOSE UP ON SOFT BAKUGOUS EXPRESSION as he holds Izuku, if Bones is feeling extra generous!

I. Need. This scene. To have the dynamic animation it deserves. Please I am begging 🙏

This of course goes without saying, but the rest of the UA retrieving Deku arc NEEDS TO BE ON POINT. Honestly, it is one of the best parts of the series and it deserves SO MUCH. But so does Katsukis entire apology moment in this arc! It has a special spot of importance and please Bones, all I want is ANIMATION. I just want the emotional and physical WEIGHT of these moments.

#this series deserves the kind of animation chops they gave it in the first few seasons!#what is the point of animated adaptation if youre not going to USE THE MEDIUM #bones critique #im still mad about shigs quirk awakening #that one scene of toga using Ochakos quirk #and kacchan running across the hospital #all BARELY BEING ANIMATED or in the toga case having bomb animation sequences trashed in favor of more inferior ones #i am back on my bullshit #bakudeku #bnha spoilers #bakugou katsuki

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victimsofyaoipoll · 8 months

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Round 3

Propaganda Under Cut

Stephanie Brown

Literally my best friend ever!!! Every time she shows up in a comic I point at her and smile!!! She’s the vigilante known as spoiler & batgirl & was a robin before getting fridged because of editorial mandate and misogyny she deserves so much better @_@. The m/m that some people hate her for is timkon; like they ARE very gay but people are genuinely insane about hating her instead of also realizing that she too is gay (insane amount of subtext w her bff cass). Basically she was Tim’s girlfriend for a long time on and off. People will literally call her abusive for no reason they’ll be like oh but she didn’t apologize for starting a gang war accidentally and faced no consequences for it :/ as if she wasn’t literally KILLED OFF BRUTALLY. And although hate is rarer for her nowadays from what I’ve seen she’s also a victim of Background Lesbian Syndrome. And also a victim of Woman Not Allowed To Have Ocmplex Feelings in the source material itself (tim is canonically bi now yay but like steph wasn’t allowed to have any complicated feelings at all at her on again off again ex breaking up with her for good???). Anyways she’s the light of my life.

she’s the light of my life my baby girl my everything. she canonically dated tim drake, but people love to ship tim with his male friend kon or his male brothers (🤢🤮) and so they constantly sideline her, making her the quirky wingwoman or sometimes even villainizing her by trying to claim she was abusive to tim. i don’t know why so many people hate her my girl will literally just be standing there and people will hate on her.

Stephanie was first introduced in the 1994 Robin series as a side love interest for Robin, but when she turned out to be really popular she became the main love interest. Because of this, she was fully fleshed out as a vigilante calling herself Spoiler to try and take down her villainous father, the Cluemaster. She later grew a lot closer to other cast members, such as Batgirl and Oracle, to get herself a firmly established place among the bats. Then, she dies in a gang war after taking up the Robin mantle. Eventually, in 2009, she was brought back from the dead and took on the Batgirl mantle. Her and Robin get back together sometime around ~2010 and they are solidly together until 2021. Then, Robin breaks up with her off panel for zero reason in canon, only to date some really boring guy named Bernard. By fanon, she's often demonized and turned into an abuser to make either this ship, or a lot of other mlm ships happen. Either that or things are mysteriously set in the time she's dead despite characters who were not yet introduced until she returned appearing. strange.

Amy Rose

WAUGH okay so basically like everyone villainizes her when shipping Sonic with any other character (and 99% of the time its Amy being villainized against a m/m ship ://) but yeah Amy canonically has a "crush" on Sonic and stuff (which is weird in its self cuz age gaps and things but creators smh) and anyways any time people write Sonic in a relationship with other characters they always make her super upset and mad that Sonic isn't dating her etc etc and basically make her a pouting 12 year old because her super hero crush doesn't date her instead of writing her as a supportive best friend to sonic WHICH SHE SHOULD BE WRITTEN AS !!!! and uh yeah if you couldn't tell this makes me so upset because amy is such a good character people should stop ruining her

Even outside of yaoi, she is the most hated character in the FRANCHISE. THERE ARE ENTIRE WEBSITES DEDICATED TO HATING ON HER. HER MERE EXISTANCE CREATES SHIP WARS. IT IS HELL. EVEN THE OFFICIAL TWITTER ACCOUNT AND THE ARCHIE COMICS HATED ON HER IN THE PAST.

Not only is she a incredibly serious victim of yaoi, she is bashed in every fic where Sonic is paired with someone other than her. And when she is paired with someone other that Sonic, Sonic is bashed. And when she is paired with Sonic, other characters commonly paired with Sonic are bashed. It is a chain reaction of madness. Even outside of shipping, she is one of the most hated characters in the fandom. She was flanderized to ridiculous amounts. Even the official Sonic twitter used to mock her. Even official gaming news sites mock her, with a particularly horrible case being when TheGamer outright said Sonic being paired with TAILS is better than Sonic being paired with Amy. The amount of hate this character has attracted is incredibly large. There are entire websites dedicated to hating her.

#round 3 #poll #stephanie brown #dc #dc comics #dc universe #amy rose #sonic the hedgehog #sonic

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sapphic-agent · 5 months

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Hopefully, this ask won’t get you in trouble. If you feel it does, then feel free to disregard this. Or if you don’t feel comfortable or confident talking about it, cause it does involve talking about ships.

But it somewhat feels like Horikoshi for the later chapters seems to be catering for same sex pairings, like Midoriya always being around Bakugou, or Ochako’s most significant moments now being around Toga. At least to me.

And the fact he seems to be focusing on same sex pairings certainly isn’t the problem.

The problem is the fact is the pairings he’s focusing on are f****** shit!

BakuDeku is an angry asshole bossing around and being a d*****bag to a boy that has been conditioned to think so highly of his abuser. This is a hop, skip and a jump away from Stockholm Syndrome.

Togachako, imo, is slightly worse than BakuDeku (but not by much) simply because it’s a very one sided relationship where one partner always has to cater to the problems of the other with no sign of returned love or reciprocated love. I wouldn’t trust Toga to know when she’s had enough of my blood. Why should I believe she would know where to stop drinking Ochako’s blood? And despite the images throughout their fight, like Toga GROPING Ochako, Horikoshi, for some disturbing reason, tries SO hard to paint this as a CUTE couple. (Hell, the dude could be showing Toga literally EATING Ochako and somehow paint it as an endearing thing…)

Why is Horikoshi banking on these toxic forms of love for the LGBTQ when he’s had more HEALTHIER couples?!?

TodoDeku? Tsuchako? IidaDeku? Minachako?

Hell, there are other pairings that were literally already there!

MomoJirou!

Mirio and Amajiki!

It’s just…it’s baffling why BakuDeku and Togachako are paraded as these fantastic M/M and W/W ships when they are anything BUT.

I have a sapphic couple in their wedding dresses as my pfp and my user is sapphic-agent... I'd honestly be impressed if someone could accuse me of homophobia😆Feel free to submit any LGBTQIA asks :)

In the case of TogaChako, I just think Toga herself is queer-bait. Among BakuDeku and other queer ships becoming popular, good old Hori probably thought to himself, "What's the best way to capitalize on this?" without actually putting any thought or care into it (like with Bakugou's redemption once he started to become popular). So he made Toga canonically bisexual (I'm like 90% sure she wasn't originally intended to be bi as she was way more infatuated with Izuku than Uraraka initially). And she's bad rep to boot. Horikoshi is making his only canonically queer character a predator... that's not a good look.

I even like Toga. Or, I liked how much potential she had at the beginning of the series. She was original and I liked her quirk. He could have given her a lot of depth, but nah let's just make her creepy and a predator mfers will eat it right up... And he was right unfortunately.

What makes it worse is that Uraraka has to be at the center of Toga's advances (again, WHY THE GROPING PANEL). Idk if it's because she's the main girl or what, but she deserved better than this.

(Tbh, I know she's Izuku's LI, but her and Tsu are way cuter and a lot healthier than her and Toga)

BakuDeku I feel like is part of that queer-baiting. Look, the fact is that it will never be canon. We know it, the shippers know it (even if they feign delusion), and Horikoshi knows it. But that doesn't mean Hori isn't milking it for all its worth. Do you see how the shippers go nuts when Izuku and Bakugou are in the same panel together? The entire MHA feed will be filled with it here on Tumblr for weeks. They eat that shit up and Horikoshi knows that. That's part of the reason why he forced reconciliation between them, so that he'd have more content for them to froth at the mouth over.

#mha critical #bnha critical #anti bakudeku #anti togachako #queer baiting #anti bakugou katsuki #toga critical

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mustardyellowsunshine · 1 year

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In today's episode of Robin Physically Cannot Handle One More "But Kagome Is InuYasha's Second Choice!" Bad Take:

Y'all, we need to have a conversation about character POV in storytelling, and how a character's perception of a situation can be wrong.

Despite actively curating my fandom experience to avoid such content, I’ve been seeing a number of folks argue that Kagome is InuYasha’s “second choice,” and he only ends up with her because Kikyo dies. While there are many, many reasons this is a certified Bad Take™, I want to concentrate on one specific reason. Y’see, the folks arguing that Kagome is a “second choice” use as their primary evidence that “even Kagome knows it’s true,” and will show a manga panel or anime screenshot of Kagome doubting InuYasha’s feelings for her. This is apparently supposed to be sufficient evidence for their argument.

That “evidence” operates on the assumption that Kagome’s perception of the situation—her insecurity that she’s “second best”—is the gospel truth of the narrative.

But the narrative repeatedly proves that assumption wrong.

I want to take a close look at chapter 332 as a case study of this. But before I do that, we need some of the context leading up to it.

Chapter 332 occurs after the Mt. Hakurei story arc. Naraku attacks and nearly fatally wounds Kikyo; InuYasha and the gang think she’s dead, only to discover she’s been laying low under the guise of Hijiri; Kagome then discovers Kikyo wounded at the waterfall and heals her from Naraku’s miasma. There are quite a few encounters with Kikyo leading up to chapter 332, and as a result Kagome’s insecurity flares up. (While we’re here: please refrain from bashing a 15-year-old girl for dealing with an insecurity that multiple characters help inflame early in the series, including Kikyo herself when she implies that Kagome is a “copy.” Many of Kagome’s mistakes and character flaws are triggered by her insecurity—relatable tbh—but she shouldn’t be bashed for being human enough to have insecurities ffs. Anyway.)

One of those insecurity flareups happens in chapters 315 - 316. Kikyo’s shinigami summon InuYasha to meet with her. He goes, and literally all they do is swap information about Naraku. Kikyo warns InuYasha that Naraku wants Kagome’s eyes (i.e., her ability to see the shards), and that they need to be careful. When InuYasha returns to the group, this is their reaction:

We the audience know that InuYasha is telling the truth here, but his friends don’t believe him. Kagome doesn’t entirely believe him. They all assume he’s shielding Kagome from what he and Kikyo “really did” together, but the narrative shows us that they’re wrong. InuYasha is telling them the truth, whether they accept it or not.

The same thing occurs in chapter 327. InuYasha goes to check on Kikyo—because he’s afraid she’s hurt—but is unable to find her.

When he returns to the group, they react this way:

Once again, Kagome and the others are convinced that InuYasha is hiding something, even though once again, the narrative explicitly shows us that InuYasha is telling them the truth. Their perceptions of the situation are wrong.

This becomes a consistent pattern when InuYasha and Kikyo meet privately: the group assumes the worst of InuYasha’s behavior/motives, and the narrative shows us that their suspicions are inaccurate. (I think RT intended this to be comedic: “haha, it’s funny because he’s telling the truth and no one believes him!” sort of a thing.) As a reader, to take Kagome and the group’s assumptions at face value would be a mistake—the narrative shows us that their assumptions are wrong, and it wants us to be in on that.

So! We finally reach chapter 332, my case study of choice. I chose this chapter specifically because a) it’s an excellent microcosm of the broader themes around the "love triangle" situation, and b) this is the only chapter I can remember Kagome expressly referring to herself as a “backup choice.” We get this scene of Kagome feeling insecure about InuYasha’s affection for her:

A lot of readers will be tempted to take Kagome’s insecurity here at face value. They’ll be tempted to think that if Kagome is feeling this way, then it must be true. Otherwise, why would she think this? (Oh, boy. Too much to unpack there.) But by this point in the series, the narrative has established a consistent pattern, remember? That pattern isn’t accidental. The story repeatedly shows us that Kagome’s perception of being “second best” to InuYasha is wrong. Her insecurity is real, but it’s lying to her.

And even if we disregarded that narrative pattern, we’d still know that Kagome’s assumption is wrong because the rest of 332 proves it to us. What happens right after Kagome worries about being InuYasha’s “backup choice”? He makes it abundantly obvious through his actions that she’s not. These are not the actions of a person who merely has tepid feelings for someone they’re “keeping on reserve” (🙄🙄), and if InuYasha truly had another person he preferred to spend time with, he’d be spending time with that person instead. Let’s review how chapter 332 finishes (sorry for the lack of manga caps in this section—I've already reached 10 images for this post 😤).

InuYasha comes to Kagome’s home and actively seeks time with her (I know I like to actively seek quality time with people I consider “backup” options 🙄)

He tries very hard to fix her bike, which is frankly adorable

He helps her grandpa do chores around the shrine (can you even imagine voluntarily doing manual labor with a crotchety old man for the sake of someone you consider a “backup”?? Yeah, me neither)

He very patiently engages with Kagome’s friends as they launch into what can only be described as an affable interrogation (I know I put up with baffling social situations for the sake of people who are just my “backup” options)

In other words, InuYasha actively chooses to spend his time with Kagome—he is in her time, in her house, in her presence—even when that means performing menial tasks that it is frankly difficult to imagine him doing in any other context. His actions invite the readers to see that there’s a disconnect between Kagome’s insecurities and reality. The narrative blatantly shows us that Kagome’s fears about InuYasha’s feelings are unfounded. And by the end of the chapter, even Kagome stops giving her doubts much credence:

So in summary: yes, I did just take nearly twelve-hundred words to say, “Stop taking character perspectives at face value.” I think folks in this fandom have the tendency to treat Kagome’s perspective as objectively true even when the narrative shows that it’s not. And that failure to pay attention to the rest of the narrative has created a lot of misconceptions about InuYasha’s character (e.g., the accusations that he’s “two-timing,” that he “led Kagome on,” etc.), and about his feelings for Kagome (e.g., “Kagome is InuYasha’s second choice”). The series pretty clearly shows that Kagome is nobody’s “backup choice” and that she has nothing to feel insecure about.

And nobody better tempt me to address all the other reasons why the “Kagome is InuYasha’s second choice” argument is stupid, or you’ll be reading a whole-ass novel about it.

#Inuyasha #InuKag #Kagome #Kagome Higurashi #analysis #meta

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