got roped into watching hazbin hotel and its so so infuriating that all that money on voice talent, music production, animation was spent on...a really mediocre show? like the concept even has potential its just the writing and execution is embarrassingly bad. despite its attempts to be complex the characters feel so one dimensional and the dialogue is painful to sit through. even the music, which is pretty decent, is hard to bear because often it doesnt match the tone of the episode or the scene. it feels like the show defaults to tropes because no one wanted to do any higher level thinking on how characters should actually think and act. the show is presented as a parody but takes itself serious enough that you cant blame comedy or parody for its shortcomings.
also the designs are so functionally bad like i was shocked when i was told what the previous lives of these characters were supposed to be because its barely communicated at all visually. you pick up almost nothing from their designs because theyre so busy that the purposefully simplified background characters are more appealing than the main characters. thats not to mention how the animators are clearly struggling to stay on model because of the weird proportions. and theres no excuse for it because Villainous pulled off almost the exact same style and did so while communicating information about the characters and looking professional quality.
this isnt even tackling the everything else about the creator and the drama and controversies. i only really care about the show on its own so thats all im going to talk about. i really just needed to rant so i guess the sentiment im trying to convey is i wish this concept had been put in more experienced hands so that all this money and effort wasnt wasted. there were parts i enjoyed but it really doesnt balance out the rest of the show.
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If Scooby Doo was Jewish:
Fred-Feivel
Daphne-Dafna
Velma-Varda
Shaggy-Slapi
Scooby Doo- Dooby Doo
Scooby instead of a dog is a vintage Teddy Bear since Dooby means Teddy Bear in Hebrew. Also the Teddy Bear has Jewish origins. Has a pull string that makes him talk. Old Hasidic Rabbi voice.
Fred/Feivel is the quintessential Nice Jewish Boy and obsessed with superstitions. Has orange kotel tzitzit and kippah instead of ascot.
Dafna is basically a younger and more naive and innocent version of The Nanny. Loves modest fashion and tzedakah since her family is wealthy.
Varda is the self proclaimed Torah law police. Dry wit and a passionate debater.
Slapi could clear a Shabbat spread faster than the Birkat Hamazon could be sung. Was originally studying to be a scribe but was relieved of his training because he kept dropping food on the parchment.
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Changed the lyrics to “My Kind of Town” to cope with OFMD being cancelled
Posted to my second channel. Can't sing and video got claimed, but I had fun.
My Kind of Crew (Frank Sinatra - My Kind of Town)
[Intro]
Now this could only happen to a guy like me
And only happen on a ship like this
So may I say to each of you most gratefully
As I throw each one of you a kiss, this is...
[Verse 1]
My kind of crew, the Revenge is
My kind of crew, the Revenge is
My kind of pirates, too
Pirates who smile at you
And each time I roam, the Revenge is
Calling me home, the Revenge is
Yes it’s a queer dream come true
It's my kind of crew
[Verse 2]
My kind of crew, the Revenge is
My kind of crew, the Revenge is
My kind of marmalade
And my love never fades
And each time I part, the Revenge is
Tuggin' my heart, the Revenge is
The wholesome queerness, the Revenge is
The living legend, the Revenge is
One crew that won't closet you
It's my kind of crew!
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Justice Warriors
Today (May 22), I’m keynoting Public Knowledge’s Emerging Tech conference in DC.
Tomorrow (May 23), I’ll be in TORONTO for a book launch for Red Team Blues that’s part of WEPFest, a benefit for the West End Phoenix, onstage with Dave Bidini (The Rheostatics), Ron Diebert (Citizen Lab) and the whistleblower Dr Nancy Olivieri.
The internet did not create Matt Bors, but the internet would be a much poorer place without Bors and his acerbic, scorchingly funny webcomics, which he publishes at The Nib (a site he founded), amongst some of the web’s most iconic humor:
https://thenib.com/
Founding The Nib and creating a home for all those great webcomics would be legacy enough for one creator, but Bors monumental accomplishment with The Nib is topped by his savage creation, Mr Gotcha, the single most effective rebuttal to the most annoying Reply Guys on the whole internet:
https://thenib.com/mister-gotcha/
Dayenu: if he had only founded The Nib, it would be enough. If he had only created Mr Gotcha, it would be enough. But Bors continues to amaze and delight. In Justice Warriors, a graphic novel he co-produced with Ben Clarkson, we get a distillate of all the weird, crazed things both grotesque and lovable about the net of a thousand lies:
https://membership.thenib.com/products/justice-warriors
Justice Warriors is what you’d get if you put Judge Dredd in a blender with Transmetropolitan and set it to chunky. The setup: the elites of a wasted, tormented world have retreated into Bubble City, beneath a hermetically sealed zone. Within Bubble City, everything is run according to the priorities of the descendants of the most internet-poisoned freaks of the modern internet, click- and clout-chasing mushminds full of corporate-washed platitudes about self-care, diversity and equity, wrapped around come-ons for sugary drinks and dubious dropshipper crapola.
Outside of Bubble City is the Unoccupied Zone, which is very much occupied with a teeming assortment of motley mutants, themselves gripped by endless crazes, fads, and trending subjects. The Uzzers are Bubble City’s hated underclass, viciously policed by the Bubble City cops, who mow them down with impunity, crying about their impending PTSD as they work the trigger.
Justice Warriors is a cop buddy-story dreamed up by Very Online, very angry creators who live in a present-day world where reality is consistently stupider than satire. As Bors told Cy Beltran in Comics Beat, “The current moment is so many things at once, it’s an omni-crisis of politics and attention — that’s what felt important to tap into, that sense of frenzy you can barely keep up with.”
https://www.comicsbeat.com/matt-bors-justice-warriors-interview/
That’s the feeling of Justice Warriors, all right. As Bors puts it, they tackle “social media derangement, celebrity culture, investment schemes, mass movements, and A.I.” in a tale with more sight-gags, densely packed literary references, and savage takedowns per page than anything you’ve ever read.
The art in this book is spectacular, styled a bit like those ultra-busy Al Jaffee full-page MAD Magazine spreads, or the Moss Eisley Cantina, or the wild alien scenes from Ben Hatke’s YA classic Zita the Space Girl kids’ graphic novels:
https://memex.craphound.com/2012/06/25/zita-the-space-girl-delightful-kids-science-fiction-comic-thats-part-vaughn-bode-part-mos-eisley-cantina/
But Justice Warriors is grosser, busier, and more frenetic than any of them. As Bors describes it, they created “a chaotic mutant-infested city that tops the most sensory-overloading cities in all of comics and animation.”
Justice Warriors is a mind-altering experience. If you liked Bubble, Jordan Morris and Sarah Morgan’s apocalyptic comedy podcast/graphic novel, you’ll love Justice Warriors:
https://pluralistic.net/2021/08/21/podcasting-as-a-visual-medium/#huntr
This is a comic book the internet needs. In a century, when our mutant descendants wonder how it all went wrong, they can use Justice Warriors as a Rosetta Stone to make sense of the detritus of our civilization.
Catch me on tour with Red Team Blues in DC, Toronto, Oxford, Hay, Manchester, Nottingham, London, and Berlin!
If you'd like an essay-formatted version of this thread to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/05/22/libras-assemble/#the-uz
[Image ID: A panel from Justice Warriors depicting a mob of motley mutants protesting over the financialization of bread. One shouts, 'Stabilize the economy!' Another shouts, 'Bread is not money!']
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