A happy relationship is about three things: memories of togetherness, the forgiveness of mistakes and a promise to never give up on each other.
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overlooking all the other reasons why the show went downhill: katara’s feminine rage missing, aang getting guilt punched every episode, bumi being ooc, almost zero gaang bonding episodes, three episodes compiled into one (done twice), azula being introduced too early + given too much screen time, the cave of two lovers being in s1 when it was a s2 episode— all of that is valid but the show can really be pointed out in two ways where they went downhill:
aang never waterbended once during a season where it is literally called book one: water.
yue’s wig.
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Broke: Acknowledging that a character who is an objectively terrible person is also a complex and intentionally well thought out individual with different levels of nuance you can empathize with in some ways while not in others is immediately “woobifying” or “poor little meow meowifying” them.
Woke: “This character is a bad person” and “this character is still a person” are two statements that can, should and do coexist and admitting that they exhibit nuance and depth and are more than just their bad actions doesn’t immediately excuse or condone their bad actions or mean that you’re ignoring or trying to soften the canonical version of the character.
Bespoke: That’s the whole point, that’s always been the point, to be made to empathize with horrible people so you can understand that they can be anyone, that bad people can be likeable, can be interesting, can be human, are human, and it’s scary to think about all the ways they’re just like you and all the ways they’re just like everything you hate, forcing the use of critical skills in media analysis, forcing a confrontation of the duality of man.
Whatever Level is Above Bespoke: But sometimes, yeah, sure, maybe they are a poor little meow meow, what are you gonna do, get a lawyer
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things in DC canon i’ll literally never get over
1. dick finds out batman replaced him as robin (without asking him) from the NEWSPAPER and simultaneously finds out bruce adopted a new kid without telling him (to make things worse: bruce didn’t even adopt dick)
2. dick finds out jason died from the newspaper (AGAIN? REALLY BRUCE?) and bruce had the fucking funeral WITHOUT HIM while he was still in space
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I drew some Jon cuz he's begrudgingly my favorite
[ID: Magnus Archives fanart of Jon Sims, a thin brown man with chin-length white-streaked hair. In the first piece, he frowns as he holds up a manila folder and says, "| know you guys hate me, but please stop hiding the statements.. I need them." The second piece shows him sitting on the floor of his office in front of his desk, biting his nails with a tired, distant expression. The lighting is dim and yellow. Captions show there's knocking followed by a muffled "Jon?"
End ID]
ID by princess-of-purple-prose
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A little hopeful moment which I missed on the first watch, but which I think is so important. Nina and Maggie come to have their talk with Crowley. Now, we all know that Crowley is Maggie—yes, sure, Nina is sarcastic and suave and cool and calls Maggie angel—but it’s obvious that Crowley is Maggie and Nina is Aziraphale. Crowley even admits it himself in the very beginning of this conversation when he tries to justify meddling to get Maggie and Nina together:
“Nina needed rescuing.” Yeah, you know who else always “needs rescuing”? Anyway, moving on.
Nina says she just got out of a relationship and it would be a disaster to get into another one right away. And then this happens:
Nina says she hopes Maggie will still be around, but she knows she can’t ask Maggie to just wait while she figures out her own baggage. There's no guarantee. And then Maggie interjects—
The parallel between Maggie/Nina and Crowley/Aziraphale is so intentional as to feel heavy handed. So what does it mean that we get this exchange in at this particular moment in the script—buried within the conversation which is the catalyst for Crowley confessing his feelings, occurring in the lull immediately before the spectacular dissolution of everything the first two seasons were building towards?
“We could have been us,” Crowley says. Crowley walks out of the bookshop. Crowley turns off their song in his car. Whatever tentative blooming thing has been building between him and Aziraphale for six thousand years appears to be very clearly over. Aziraphale presses the kiss to his lips and knows there is no guarantee they will ever have a chance to be together. There's no guarantee that Crowley will ever want to forgive him, that he will keep on waiting for him.
But.
There is.
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no but really let’s talk about the dynamic between the older gen spideys vs young gen spideys for a moment, because it’s really got me fucked up.
miguel and all the older gen spideys seem so entirely accepting of all these “canon compliant” rules, because those rules absolutely validate the trauma that every one of them has gone through. the idea of “oh our pain had a reason, oh our heartbreak was for something after all” is a VERY powerful notion that—understandably—they welcome with open arms because they have already lived it.
but the younger gen spideys…. yes, most of them have bought into miguel’s logic for most of the movie, because of course you’re going to listen to the 1,000,000 adults all telling you the same thing when you’re fucking fifteen and desperate for any semblance of mentorship. and it sure does make a lot more sense when you yourself have also experienced a similar trauma to all the others.
but that’s exactly it, isn’t it? they’ve all experienced the same trauma—
that miles and pav have not.
so, no. actually, fuck your rules. and really, fuck your demands that i must suffer what you suffered just because you cannot accept me without it. and good on miles for saying it—good for all of the spideys who realized he was right—realized he was asking all the right questions instead of drawing all the wrong conclusions.
(yet. for all my anger i feel towards the older gen for pressuring him in that way….i also understand why they cling so desperately to these stupid “canon” rules. because, if miles can manage to resist it—if he or gwen or pav can escape what they never could—then suddenly, they have to ask the question of:
“what didn’t i do right?”
and
“was all that pain really for nothing?”
and accepting your life after having to ask those questions instantly becomes much more difficult.)
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