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#i’m still posting it
shipsgaysfordays · 1 year
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old bickering dramatic sarcastic wolfstar, the light of my life
young bickering dramatic sarcastic angsty wolfstar, my heart and soul
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bardofavon · 1 month
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not to be controversial bc I know this is like…not in line with shifting opinions on fanfic comment culture but if there’s a glaring typo in my work I will NOT be offended by pointing it out. if ao3 fucks up the formatting…I will also not be offended by having this pointed out…
‘looking forward to the next update’ and ‘I hope you update soon!’ are different vibes than a demand, and should be read in good faith because a reader is finding their way to tell you how much they love it. I will not be mad at this.
‘I don’t usually like this ship but this fic made me feel something’ is also incredibly high praise. I’m not going to get mad at this.
even ‘I love this fic but I’m curious about why you made [x] choice’ is just another way a reader is engaging in and putting thought into your work.
I just feel like a lot of authors take any comment that’s not perfectly articulated glowing praise in the exact manner they’re hoping to receive it in bad faith.
fic engagement has been dropping across the board over the last several years, and yes it’s frustrating but it isn’t as though I can’t see how it happens. comment anxiety can be a real thing. the last thing anyone wants to do is offend an author they love, and that means sometimes people default to silence.
idk where I’m going with this I guess aside from saying unless a comment is outright attacking me I’m never going to get mad at it, and I think a lot of authors should feel the same way. ESPECIALLY TYPOS PLZ GOD POINT OUT MY TYPOS.
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abd-appleboxdog · 3 months
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I love these fools so much. I hope in the end they stay together or keep in touch. I heart them its like the dad who didn’t want a cat but loves the cat
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the-phantom-peach · 2 months
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skyward sword… yeah <3
Crimson Loftwing
↻ ◁ || ▷ ↺
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disasterhimbo · 3 months
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He should NOT be at the club! There’s an airborne pandemic still killing thousands and disabling millions weekly
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anothersuperstition · 28 days
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will you welcome your extinction in the morning rays?
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softhe4rted · 2 months
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to begin with, the sweet grass by mary oliver, from “devotions”
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rendevok · 10 months
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“Take my hand” a comic for NaruMitsu Week 2023
day 1 - lies & secrets - 2 - 3 - 4
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bicheetopuff · 6 days
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I guess it’s this kids birthday so I’m gonna remind you what character development can do to a mf
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He deserves to be happy
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teartra · 1 year
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Siblings Parallel
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“I’m deeply traumatized but look at her!!”
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ato-dato · 1 month
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sabertoothwalrus · 3 months
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so I’ve been gaining a lot of insight into the animation industry recently, especially in regards to pitching & the creation of new shows. There’s a few ways to go about it.
First, there’s pitching to a studio. When you pitch, it has to be SHORT and CONCISE. You may write a lovingly detailed pitch bible that perfectly breaks down episodes and characterizations, and it might barely even get read. First impressions, first impressions, first impressions!
Most peoples’ first projects don’t get picked up. I’ve heard a few stories from directors that said they tried pitching a story they’d had for years, which got rejected, to then spend a week or even several hours in their car coming up with a new idea, only for that to get greenlit.
But that’s not the end of it. Just because a show gets greenlit, doesn’t mean it will ever get finished. There’s lots of things that can happen. Sometimes, unexpected major world events (like… a global pandemic) can cause projects to get chopped. Sometimes, a CEO change or studio merge means a single person can decide a project “no longer fits with the company’s brand.” Sometimes, the one producer that was rooting for your project gets laid off, and no one else cares enough, so it gets shelved. Sometimes, a streaming service decides to create an animation department, and then they decide they don’t want it anymore. Sometimes, the studio will be simultaneously be developing another project that was too similar to yours and they just didn’t think to tell you until they decide yours is the one with less potential.
On top of that, almost everyone in the industry is saying that “studios just don’t pick up original content anymore.” Studios want something they can franchise, something that will bring in money. New content is risky. Established fanbases are safer.
However! Studios can still be a very good thing. They can be unionized. They can provide better benefits and resources. They can have connections and infrastructure and a larger volume of workers. At a studio, you can divide the labor and produce more in less time. Longer episodes, longer seasons, more consistency in quality.
But this comes with all of the disadvantages of having more in the kitchen.
The alternative is indie animation.
With indie animation, you have total freedom. Full artistic control. It doesn’t even matter if your idea sucks ass, because there’s no one to tell you you can’t make it. You could make it anyway, and you can make it whatever you wanted.
The thing is, making animation is hard. In my production class last semester, the average maximum animation one person could make in that timeframe was 30-60 seconds, and that’s not even counting background design, sound design, or cleanup/color. To make a 5 minute animated short, you should probably have at least 5 people.
And it is CRUCIAL you have a production manager. Ideally someone who’s not already doing art for the project. Most projects without a production manager will fall apart pretty quickly. Once the adrenaline and impulse-fueled motivation wears off, you need someone to hold you accountable and enforce deadlines and proper time management.
Speaking of time, that’s also hard to get. The more people you have, the more likely schedules won’t line up. Most people will have school, or other jobs.
And it costs MONEY!!!!!! You either have everyone work for free and volunteer their time & energy, or you establish a business as a proper indie studio, with people who may or may not have experience on how to handle paying someone else’s salary. And the money has to come from somewhere, so you have to rely on crowdfunding like patreon or kickstarter. (This, by the way, is why I could never fault an indie animation for releasing merch with their pilot.)
And like, maybe you wanna do a series, and all your friends agree to volunteer their labor and time to make the first episode, but it was unanimously not sustainable. Deciding not to produce a second episode until you can raise enough money is not being suddenly greedy, it’s attempting to compensate people rather than expecting them to be continuously taken advantage of.
You have to consider your output as well. There are some outliers like Worthikids, who afaik does all his animation himself, and afaik can work on it full-time thanks to his patreon subscribers. And he still has only produced a total of 30 minutes of animation (for Big Top Burger specifically) in the past 4 years. This is an IMPRESSIVE feat and this is with using a lot of 3D as part of his pipeline!!
Indie animation also has the complication of being more accessible for fandoms. When you’re posting your Official Canon Content on youtube, it doesn’t look a lot different than the fandom-created video essay in the sidebar next to it. What’s canon vs what’s fanon becomes less distinguishable. The boundaries are blurrier. When the creator is just some guy you follow on twitter, it’s easier to prod them for info regarding ships and theories and word-of-god confirmation. They don’t have a PR team or entire international tv networks to appeal to. And this is when creators get frustrated that their fans snowball and turn their creation into something they don’t recognize (and no longer enjoy) anymore.
So it’s tricky.
Thankfully, the threshold to learn animation is fairly low nowadays!! There are TONS of resources online to learn it on your own without forking over a couple hundred thousand to a private art college. There are conventions and discord servers and events where you can network, if you know where to look.
I know it can seem discouraging in the face of capitalism, but I think that’s all the more reason why it’s so important to BE DETERMINED about animation!! We’re already starting to see the beginning of an indie animation boom, and I think it’s a testament to humanity’s desire to tell stories and create art. Even if there’s no financial gain, we do whatever it takes to tell our stories anyway.
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a-sketchy · 3 months
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potatoes of indeterminate size
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ageofstarkey · 8 months
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soft glow ✰ m. riddle
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summary: sleepy mornings with matthéo
pairing: bf!matthéo x reader
warnings: slightly suggestive at the end, but nothing really other than that!! just tooth rotting fluff n théo who’s soft for u and no one else!! :’))
note: hi!! i’m not sure how i feel about this one but i still think it’s a lil tiny bit cute so i’m posting!! feel free to send in requests!!
masterlist
comments & reblogs are so appreciated! <3
✰ ✰ ✰
when you wake up, matthéo’s bedroom is warm with the soft glow of morning. golden rays of sunlight peek stubbornly through his drapes, and soft white noise filters steadily in through the window.
as you slowly come to, you begin to register the familiar sensation of matthéo’s touch. his calloused fingers glide almost curiously across your face; carefully tracing each curve and dip, as if to memorize your every detail.
with a soft hum, you finally blink open your eyes - squinting into the sunlight. you roll towards matthéo with a yawn, offering him a sleepy smile. “hi”
matthéo grins, smoothing a mess of tangled hair away from your face. “hi, darling.” his voice is raspy and painfully fond - and your heart aches pleasantly behind your ribcage. his hand slides casually to the back of your neck, and you quietly hope that your cheeks aren’t as red as they feel. “how’d you sleep?”
“me? oh - i slept terribly” you’re aiming for deadpan in a desperate attempt to play it cool, but you wear a giddy little grin that almost certainly gives you away. “worst sleep of my life.”
“oh yeah?”
you nod with all the conviction you can muster - which admittedly isn’t much. “mhmm” with a little stretch, you’re leaning upwards to kiss his cheek. “you snore louder than my granddad.”
matthéo scoffs in mock offence, fingers poking teasingly at your side. “‘s that so?”
you nod once more, trying desperately to stifle a giggle. matthéo’s teasing is relentless, and you squirm clumsily away from his prodding fingers. in the end - it doesn’t take long for you to give in. “okay! okay - fine!” you laugh breathlessly. “you don’t snore and i had the best sleep of my life. is that what you wanted to hear?”
“yes actually. because you on the other hand - you do snore and it’s really quite loud - sort of like-”
“matthéo!” he’s being mean on purpose and you pretend to hate it. “i do not snore!”
“okay but how do you know you don’t snore, hm? i mean - if you’re asleep when it happens…” he tugs you towards his bare chest, one arm wrapped firmly around your back. “you wouldn’t really know, would you?” he punctuates his words with a soft kiss to your forehead, and you all but melt into his gentle embrace.
“i hate you.” with your face smushed against matthéo’s chest, your words come out awkward and muffled. “like - i really, really can’t stand you sometimes.”
he tugs you impossibly closer with a pleased laugh. “don’t lie, sweetheart”
“i’m not lying!”
he tilts your head upwards before slowly kissing your lips. you feel warm all over, and you chase him with a quiet whine when he pulls away. “if you really hate me, why were you screaming m-”
“you’re so awful!”
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cordycepspog · 1 year
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There’s something horrifyingly beautiful about Tess’s final moments. In the midst of the most dire chaos, as she waits for her death to come rushing past so she can blow it sky high and give cordyceps a big fuck you one last time, one of the infected stops. It looks at her, really looks. Her own mortality is personified in this infected. It’s death that’s looking at her, and it sees her. She looks her own death in the eye, and the suspense is so high as it approaches. But then, it doesn’t bite her throat out like we all expect it to.
It kisses her. What’s more, it kisses her gently. And I think it was a brilliant choice on the writers part, because it reminded me that the infected aren’t supposed to be evil. Sure, they’re scary as hell, but really, they’re just trying to survive. They’re connected to one another, they can feel each other from miles away. They seek out and want to be close to their own kind, just like the human survivors do. And when they do find each other, they kiss hello.
And after so long apart from a loved one, someone you know and trust with every instinct in your body, wouldn’t you want to kiss them too?
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ninyard · 17 days
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Exy fans on Twitter (championship final edition pt2)
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