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#it’s fun how the colours on this ended up similar to the only other time i drew them all
colinprovolone · 28 days
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the low quality children
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alexwritingspot · 4 months
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Hi, I’m obsessed with Jason Grace lately, so can you do #15 when he can’t stop looking at Reader any time he has the chance and Reader just asked him why and ended up in a confession. SORRY I DON’T SPEAK ENGLISH
Too beautiful to not stare…
Pairing: Jason x gn!reader
words count: 800
prompt 15: “…why are you staring at me?”
warnings: none
A day at New Rome spent with your best friend, Jason Grace, will eventually turn out as a confession by both of you.
a/n: Hi lovely! Don’t worry, I don’t speak English either 💀 And also, loved this request, I just had so much fun writing it! Hope it was what you were hoping for, as always, enjoy! (Also, I’m deeply sorry to answer this so late 😭😭 hope you can forgive me babe 🧡)
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It was a warm day. You had decided to accompany Jason to New Rome after he had told you he needed to visit camp Jupiter to show his projects about the temples. And, given the huge crush you had on the blonde boy, you used every opportunity you had to spend time with him.
You both didn’t know tho, that today the responsible people for projects like these weren’t at camp, and you had to renounce about Jason’s willingness to explain why they should build other temples, and how.
So instead you decided yo take a walk around the streets of New Rome, even stopping by to buy something to eat.
“I’m sorry about it Jason” You told him as the both of you took a seat under a beautiful gazebo, its upper part adorned by a carpet of colourful flowers.
“It’s okay, it’s not like it’s your fault” He simply answered you with a gentle smile.
“Yeah, I know, but still…”
You were really sorry for what had happened. You knew just how much Jason cared about his project and how much he wanted to onor every god around, even if it would have sounded like a crazy plan to anyone else.
Jason took a bite out of his sandwich “Really y/n, don’t worry. Besides even if I didn’t present my models at least you came with me.” He smiled again, this time a bit more genuinely.
You smiled back at him “Yeah, you’re right. At least we get to spend some time together”
You stayed in a comfortable silence for the next minute, really just enjoying your sandwiches and the view. New Rome was a spectacle.
“Do you like it here?” Then Jason suddenly asked. You turned your head to look at him, noticing that his eyes were already set on you. “Yeah, I think this place it’s amazing. As you know at camp half-blood demigods don’t really have a place to stay when they’re older, or even just- you literally have college!”
You kept on talking about why you thought New Rome was actually a clever idea, and why in your opinion camp half blood should have had something’s similar.
And he actually listened to you. That was the thing with Jason. You actually felt heard in a world where demigods couldn’t have it easy. “Sorry I just- I get too worked up” you joked with a chuckle.
“I see your point, don’t worry” he offered you a kind smile. You swore you could have melted on the spot.
You two both fell back into that comfortable silence, just enjoying the sunny day when you noticed that Jason kept staring at you. You looked at him with a small frown of confusion “…why are you staring at me?” You then started panicking “Wait, do I have something on my face? No, I know! Is an insect in my hair isn’t it? Yes it is” You ruffled your hair in attempt to get away the non-existent bug.
Jason started laughing before stopping you by gently holding your wrist and putting it back down. “Nothing like that. I just… You’re too pretty”
You stopped working in that moment. You could have sworn one of those y/n.exe stopped working appeared in your brain. “What?” Was the only reaction that you could get out of your mouth, your confused frown only deepening.
He moved a strand of your hair behind your ear. “I said you’re pretty.” He declared it as if it was no big deal. You blushed slightly, trying to hide it of course.
This didn’t go unnoticed by Jason who just chuckled back. “Getting shy, aren’t we?” He teased you, and you playfully hit his arm “Jason Grace, you can’t just tell someone something like that and after pretending that it’s the most obvious thing in the world!”
He just leaned closer to you “Y/n, do you like me?” He then asked you. This guy was a moron, but he was your moron. You ignored how fast your heart was beating at the moment and quickly cupped Jason’s face with your hands and crashed your lips against his.
He was the dumbfounded one now, he just stood there, not even kissing back. You pulled away a few seconds later “Does this answer your question?” You replied playfully. He wrapped his arms around your waist and pulled you closer. He answered you with a smile plastered on his face “It does” And then he kissed you again, and you smiled in the kiss. Yep, you definitely liked this guy.
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a/n: hope this met your expectations! 🧡 (Btw I’m gonna reopen requests soon)
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fitzs-space · 1 year
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I want to talk about all the details I put into the Ties comic cause I worked on that thing for like a week and my brain likes to think about many things
Anyway, pspspsps I'm info dumping about my own designs gather round.
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Notes for the character designs themselves
-The colours show if they are Red/Yellow/Green are different per character. Tango with bright colours, Skizz's are cool and dark, Impulses are more yellow, and Ethos are more desaturated. -Not all characters in the Life Games will get colour indicators in their eyes, the fact 3/4 of the designs here have it is unimportant shut -Impulse has a heart knot in his tie!! Look at it!! -Impulse cannot tie a tie. Tango does it for him. -Tango having his tie undone is his own choice -The choice of them having/not having pupils is intentional. -Etho only has the one on one side, maybe its cause the red eyes a little fucky in the vision, who knows though -Impulse has i's in the eyes -Skizz just straight up doesn't have em, but I normally don't draw pupils with that iris shape anyway. something something normally only draw that iris style with certain magical characters -I just stopped drawing with Tango with iris' at some point, idk -Skizz is designed as a fallen angel. that's why the halo's are all separated/broken, and why you can see darker feathers growing -maybe Impulse used to help him dye them white cause of some insecurity, maybe not -the lower his lives go, the less dark feathers are seen in his wings. like a cruel joke the watchers get a kick out of
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-mullet Skizz MULLET SKIZZ!!!!!
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-Etho is a sentimental mf /pos. they will keep and make a lot of patches for memory's and stuff. notable patches are, The NHO patch, a creeper cause of general Spazz, Canada flag cause Canadian /j, I normally add rainbow ones for the button saga of s7 but forgot to this time. -the rings are from all their divorces /J -the colours on the rings correlate to their owners (Bdubs, Cleo, Joel) lives. ie will be red if one of them is red kinda thing.
think that's the most of the design thoughts, now the Details in the comic itself,,,
-Skizz is the kinda mf who would fiddle//stim with random things in his hands. Many times its other peoples hands -dude will just hold peoples hands randomly when talking to them, team Ties just got used to it -That's why Etho took so long to notice the bracelet!
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-their ass isn't phased by this kinda stuff anymore /hj -Skizz just enjoys contact man let me be -Throughout most of the comic Skizz has some sort of contact with Etho
-Tango and impulse also end up giving Etho bracelets as well -All the bracelets Etho gets share their colour indicator + the colour form the person who made it!
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-you can see the colours slowly shift when Skizz ties on the bracelet, something something the magic of the world does some shit sometimes man.
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-Skizz taught Impulse how to make the bracelets, so they have similar styles, Skizz's is more of a simple braid style though. -Tango went for something that took longer to do. it is a little scuffed /pos
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-Ethos been getting their ass handed to them the episode before this, had to rightfully reflect that. you know? /j -the Slashes across their chest where form when Gem/Cleo killed them twice in that one episode. -The bite was originally supposed to be cause of Scars dogs. But someone in a reply made a joke about it, and frankly I think it'd be funnier if it was cause of Joel or some shit like they said.
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-Had the axe as more of a battle-axe style. It was something Impulse made for Skizz (I forget who actually made it//Didn't want to go back to check) -I like showing characters having specific styles/ways they make armor and tools. -It's fun to show characters with tools and armor that can be distinctly seen as being made by another player
-That being an axe Impulse made adds more weight to the narrative of this moment and I want people to cry -something something for Etho its a moment of taking a weapon that Impulse made to protect Skizz, and using that as the tool that finally kills him -For Skizz this is a moment of his trust and care for his teammates. Being surrounded by people that he cares about and tokens that show their love for each other.
-Suffer, I could have been angstyier, and I will be actualy.
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-Skizz is the one putting the axe to his own neck in this moment. Etho is putting as little force into it as they can. -Red king parallels who- -Etho also gets cut by the axe, something about sacrifice and how no life/time can truly be free in these life games -The blood wasn't actually intended to be golden ichor, I was just lazy and didn't want to draw red blood// wanted to have the cool lighting effect -Etho has the same colour in their blood too so, take it as you will
-I've had this comic planed since EPICODE ONE. had full intentions for it to go angsty in the end, and dam if the narrative didn't play right into my grubby little hands.
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-I also just love how well I could parallel the moments in this comic. the comparison of the pages where both their faces are visible? the Joy in ethos face turning to complete anguish? the fact Skizz never stopped smiling? the way both moments start with an outstretched hand, and end with Skizz still holding onto Etho in a moment of trust? beautiful
-all the pages in the second part of the comic were framed specifically so I could avoid drawing Skizz ass.
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noneorother · 6 months
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Season 2 is the tales of Crowley Hoffmann, *part 2*
I guess this has to be a series now too. Part 1 l Part 2
I'm doing a series on the (frankly) astounding amount of parallels between the Powell & Pressburger movie The Tales of Hoffmann and S2 of Good Omens. I really recommend part 1 first. 7. Green is evil So if you've wondered to yourself why Hell has changed so much, colour-wise in S2 vs S1, I have come with answers! Here's a fun comparison between the two hells :
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Now let's looks at the the evil admin exchange in the Tales off Hoffmann :
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(The Tales of Hoffmann, Lindorf takes the contract in The Automaton Ball)
Whenever something evil happens in "The automaton ball" sequence, the light changes to this sickly green. Colour is THE important symbolism in Hoffmann, so now we know green is evil. 8. All the main characters are present and accounted for I've already covered in part 1 how Crowley is Hoffmann, Aziraphale is Stella, and alluded to the fact that Lindorf (main bad guy) is the Metatron. Here's a more comprehensive list of all the characters, because they're all there. N.B. The same actors play multiple roles in The Tales of Hoffmann. Gabriel is Schlemil/Spalanzani/Franz Léonide Massine actually plays 3 characters in the movie : Franz, a housekeeper who sings the only funny song in the opera:
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He also plays Spalanzani in Venice : A high ranking double agent who's been crossed by the bad guy Lindorf before, and who is currently hanging around Stella in Venice. He also plays Schlemil in The Automaton Ball, who helped make Stella the automaton and helps put on the ball. He strikes a deal with Lindorf to sell Stella.
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Muriel is the assistant Andreas
Andreas doesn't have much of a role in the story, they are mostly worry free and eager to please. They are there to be bribed by Lindorf to give him the key to Stella's dressing room, and the note for Hoffmann. I say they because even though this role is played by a man, this getup is EXTREMELY ambiguous for 1950s England.
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Now look at the last scene of both the movie and S2 of good omens.
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Shax is Nicklaus
In both casting and character, Shax is obviously Nicklaus. The all red outfit is a dead giveaway, but even the haircut in hell is similar. Nicklaus is Hoffmann's buddy, but they don't actually move the story forward or help him much. The fact that they're everywhere in the story but not really DOING much except casting doubt is pretty telling.
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Beelzebub is the muse
Now we get into characters where's it's kind of important know know both the opera and the movie. The only character we seem to be missing in the movie version is Beez, but don't worry, I've got another male character now usually played by a woman dressed in Charlie Chaplin drag and their name is "The Muse". Basically, the muse in the opera is there to make sure Hoffmann does his job (being a poet) and isn't interested in the girl anymore (Stella).
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Jacques Offenbach: The Tales of Hoffmann, The Muse & Lindorf, S2E6 Beelzebub
The Metatron is Lindorf
Lindorf is a major bad guy in both, but movie Lindorf has had all of his lines removed at the beginning, so he's the bad guy in the sense that he's doing all these bad things, and is the antagonist in every minisode and in real life. But we never really find out why. His evil genius speech is cut out of the movie, but is very much there in the opera. He's a shapeshifter, and takes on the form of 4 characters in the movie, all of whom hurt Hoffmann by ultimately taking Stella away from him.
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Here's Lindorf spying on Hoffmann in the prologue. And the reveal at the end when he comes to take Stella to "the temple of the gods"...
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Here are his other three forms in the minisodes. By the way his name in the last one, I shit you not, is DR.MIRACLE. In each minisode he plays a pivotal role in removing Stella from Hoffmann, first by legal contract, second by convincing Stella to double-cross him for a shiny reward, and third by trapping Stella in a time loop and then straight up killing her and sending her to heaven (she gets resurrected no worries).
So my question for now is : Does the plot of season 2 ALSO follow the movie?
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Obviously, there's always more. Next post it's analysis time baby....
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ao3commentoftheday · 2 years
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How do I get myself to stop getting stuck on the little things when writing fics? I'll have everything planned out and ready to go, but the second I start actually writing I end up redoing each paragraph up to 6 times each, and I spend probably a good 20 minutes focusing on whether to put the word 'to' instead of 'of', or 'and' instead of 'but'. It makes short fics sometimes months long projects and it's so annoying! I end up getting so frustrated over these teeny tiny things that I have to just stop writing altogether cause it ruins my mood. Any tips? Words of encouragement? I just have so many wips I want to finish and am constantly burning myself out from obsessing over things that don't matter...
(Lmfao, even typing this up I rewrote it twice and changed a bunch of words!! I can't stop!!)
Oof! That sounds rough, anon. I can give you a couple of tips for getting over it in the moment, but you might want to dig a bit deeper into why you're doing this. Is this level of perfectionism and scrupulosity something that you have in other areas of your life? What is it about writing that sends you into this state?
I think one thing you might want to try is writing with no plan to post. If no one else will see it, perhaps you'll be able to relax a little bit. So often, our desire to make everything just right is more about escaping the shame of being wrong than it is about wanting something to turn out well. If you're worried that someone else will notice an error that you didn't, you'll spend all of your time focusing on not making a mistake and less and less time focusing on telling a story or having fun.
Another thing you could try is working in a digital medium like google docs and changing the text colour to match the page colour. Force yourself to just type for a certain number of pages or a certain period of time and only then switch the font colour back so that you're able to read back what you wrote.
Editing sentence by sentence or word by word is definitely a situation where you're looking at the trees and ignoring the entire forest. Try to get yourself back to thinking about the story instead of the words you're using to tell it. That might mean stepping back from writing anything down at all. Think the story. Tell the story. Voice record it and play it back, even. Whatever you need to do to let go of the individual words so that you can find the whole tale.
Have any of you been in a similar spot before? How did you deal with it?
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hbystuff · 7 months
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Process breakdown #1
Here is a breakdown of the butterfly animation. This was originally posted as a twitter thread, but a real blog post seems to be a much better format for it.
Step 1: Static Drawing
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I've long wanted to experiment with Bokeh effect in pixel art as a way to avoid drawing background. It ended up being a lot more challenging than just a normal background 😂. Still an interesting experiment nonetheless and I might use it for some other stuff in the future.
Step 2: Rough Animation
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I traced the static drawing with a contrasting colour, then roughly sketched the other frames. Seeing it in motion made it clear to me that the form was very obviously incorrect, but I thought I'd adjust as I go.
Step 3: Refined Animation
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Before I got to this point, I naively tried to put in the colour. I quickly realized making the "veins" look consistent would be very hard without guides. So I looked up pictures of actual Morpho butterflies to study the wings in detail. Also made the shapes (mostly) correct and doubled the frame count once I was happy with the shapes.
Step 4: Colours
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This was the most fun part. I conceptualized the wings as two blue tinted, matte, textured mirrors rotating in 3D space. When two mirrors come together, they start reflecting each other. The closer they get, the less the lighting from the surrounding world contribute to the colours you see. Eventually, nearly no light from the outside world make into the gap and all you see is dark blue/black.
It started looking almost like mirrors as I figured out the rough movements of the reflections; then a shimmering mess of colours as I threw in more details from the static drawing. The key trick to making the complex colours look consistent was to pay attention to every "partition" of the wings to make sure the dark colours creep in and out smoothly.
I also gradually filled in the eye spots and details on the backside of the wings, not sure if many people noticed them but I was pretty happy with how they looked.
Step 5: Shadow
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A big part of realism comes from how a moving object affects the lighting around it. In this case: the shadow on the flower. This is a rough version of the shadows as I worked on it. Wasn't too concerned about making it look 100% correct, since the wings probably catch all the attention anyway.
Step 6: Final Touches
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I spaced out the movements so it didn't feel quite so frantic. Instead of using the last frame as the resting frame, I used the second last, and only briefly showed the last frame at the begging and end of the motion to add a bit of realism (although in reality, butterfly wings probably don't have enough mass for that to happen, but hey, 🤷‍♀️).
Also spent some time to reduce the palette down by merging similar looking colours. Also reused the darker, subtler yellow in the background to create the illusion of more flowers out of focus.
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blossomthepinkbunny · 1 month
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Not a lot of variety in Hazbin Hotel
Another thing I dislike about Hazbin Hotel is the genuine lack of diversity.
With a setting like Hell you have the amazing opportunity to have characters from so many different time periods interact. With different fashion, different skills, different believes or upbringings it's incredibly easy to make characters that stand apart from eachother and create conflict (atleast it should be).
But with Vivzepops disinterest in making characters that even slightly stray away from the specific way she likes to write them, a lot of them end up blending together in how they act/look. Hazbin Hotel has this pretended diversity, where it seems like the cast should vary because on the surface they are very different, but in the show they blend together. This is because Vivzepop throws around different jobs, sexualities, nationalities, goals and inspirations for her characters, but never puts in the work to make them feel like it.
Sir Pentious, Alastor and Vox are all from different times, with different occupations. Sir Pentious was an inventor in the 1880s, Alastor was a radio host from the 1930s and Vox was a TV show host from 1950 (that's the era they died in). Yet they all wear very similar suits, just colour shifted. They all have shoulder pads, the same lapels, stripes and bowties. Alastor and Vox even wear the same pants and have the same shoes (atleast in shape).
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Not to mention that in almost all of the designs there's that obnoxious red colour (especially with the red-black-white combination she just loves to put on her creations).
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Even characters like Vox who seem like they have different colours (for him a mostly blue colour sceme) still have red accents and only very few characters are allowed designs without any red. Which is not that great since the background is also mostly red and it just hurts to look at sometimes.
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Theres also all of the "typical" Vivzepop desing traits. Mostly sharp shapes and features, very slim bodies, sharp teeth, tophats, suits etc. A lot of her characters already blend together even though it doesnt make sense for them to. Would an inventor from the 1880s really dress the same as a TV show host from the 1950s?
Here I should mention that I don't mean blend together as in being completely indistinguishable from eachother but rather having too many similarities that it doesn't make sense for them to have.
As far as personality goes I do have to say that the characters are different enough in their basic chatacterizations. Vaggie especially was mostly refreshing because she acted as a voice of reason sort of and Charlie with her often naive (but very childish) attitude also stood out. But the devil is usually in the details.
I've heard people complain countless times about how pretty much the only continuous joke the show has is a character cursing, insulting others or making a sex joke. I get that cynical characters are sort of the appeal of HH but there's also just a lack of variety there for me. This is probably just a small nitpick here and something that is already done sometimes in the show, but there are different ways a person can be insulting and mean.
Like, for Husk it makes sense to be so up-front with being rude. He's a bartender and dealing with drunk people often requires being very clear and assertive.
But why does Angel never get to do anything else then directly talking about being sexy and making fun of others in such an obvious way. I think they wanted to give the appeal of him reading someone like a drag queen would but he just makes the same observations again and again and not in really clever ways (from what I remember!).
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Alastor and Vox could've also been used better in the sense that atleast from what I know people in the entertainment industry (especially ones who do interviews or that stuff) won't directly tell someone that they don't like them. It's much more common for them to bring it up in small ways, like asking a question tied to an embarrassing topic to force the person into having to talk about that stuff.
Like I said this isn't really all too important though. What makes me more annoyed is the lack of diversity when it comes to the villains and how they're treated.
To me Viv has an issue with trying for every villain to play a more goofy role even though it doesn't always fit. Of course you can have "stupid" or silly and mostly funny villains but that shouldn't be every single one. When there are multiple villains in a show what makes them interesting is often how they differ from the others in their attitude and motivation and in HH we just don't really get that.
Sir pentious is never taken seriously as a threat and is mostly treated as incompetend, (I know he gets out of being the villain rather quick but even before that) Adam is just constantly portrayed as a dumb and irrational until we are supposed to take him seriously in the end. Vox doesn't do anything in the show apart from be kinda antagonistic towards Alastor and outside of that he is mainly also presented as being a fun villain rather than an intimidating one (very prominently in the song he has with Alastor where Alastor just completely bashes him at the end). Velvette also has nothing to do. Lucifer isn't treated as an antagonist (even though he should be in my opinion) and is shown to be just a "goofy and silly little guy" ig.
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And apart from Valentino's genuinely terrifing scene he has with Angel Dust in episode four, he too is shown to be whiny, obnoxious and mostly dumb in his other scenes (this isn't helped by Viv pushing the idea that the Vee's are just like fun little saturday morning cartoon villains outside of the show). I guess Alastor is different in that regard kinda.
This plus the fact that outside of the characters who are obviously villains no one is allowed to be even slightly critical of Charlies idea without being presented as totally irrational, makes for no variety when it comes to the opposition in Hazbin Hotel. It's just kinda dissapointing to me that a show with this opportunity to create different characters gets stuck in the same conflicts and ideas over and over again.
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harcove · 2 years
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Billy x ! Fem reader
(basically just fluff)
Reader falling asleep during the car ride home and Billy carrying them into the house
Reader and Billy sleep in the same bed/room and Reader is afraid of the dark so they insist on keeping a night light on all night which annoys Billy who prefers complete darkness to sleep so Billy's head rested on the reader's chest <33
a/n: I decided to do that second one cause bruh that's cute asf and I used a nightlight for a while- I used to have to sleep with my tv on, but now it has to be pitch black lmao. I think I will also write that other one cause I did something similar with Billy and my oc (ya... i have an oc but lmao) and love it too! enjoy cutie!
Pairing: Billy x Reader
Length: 1.3k
Warnings: Mention of trauma, maybe slight PTSD on readers end?, Kind of Billy too, a fluffy Billy
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Personal Pillow - B.H.
"Seriously?"
Billy propped his head up on his arm. He looked at you with flat eyes, hardly amused by what you'd just said to him.
It was a bit funny to see him laying in your bed beside you; soft and fluffy light coloured blanket covering the two of you- one of your stuffed animals (a teddy bear with a pink ribbon around) under one of his arms; it looked so odd to see someone like Billy Hargrove lying there, looking like this. But it felt right to have him there with you.
"Yes," you say, turning to slip out of your bed in order to turn off the rooms light only to be stopped by warm hands grabbing you by the middle of your stomach, pulling you roughly into his front.
"What are you, like, five?"
He speaks into your ear like he's trying to seduce you, but his words are mocking, making fun. It makes you pout, only further making you look like a little girl, only making him squeeze you closer with a smirk on his beautiful face.
"See, you even look like you're five right now," Billy pinches your cheek closest to him, "my little baby."
You like how he calls you baby. But you don't like why he's doing it.
Maybe you didn't like the dark, it was hard for you to sleep at night when it was pitch black. And at your age, it maybe seemed a bit much. Like something you should have grown out of long ago.
But with the oddities that had been happening in Hawkins over the past year, the darkness had become something that scared you; things that shouldn't exist or rumours of the happenings around town are what hid in the corners of your room, darkness that couldn't be tamed.
The thing that had attacked Billy was something that haunted your mind the most. You wondered how come it had to affect you so badly.
And yet Billy could sleep perfectly fine in the dark. In fact, he preferred to sleep with it dark, pitch black. Most people older than the age of ten did.
So all it did was make you feel embarrassed as you forcefully pulled yourself away from his tight grasp; perhaps he realized you were a bit upset and that's why he let you go, or the more likely reason was that he hadn't actually expected you to pull away from him.
"Come on doll," he sighed, watching you walk to the light in your room and hesitating. Your nightlight was on already, so you had nothing to fear, logically you knew that even in the dark. But the illogical parts of your brain demanded to be heard.
You didn't give him a response as you shut the light off and quickly walked back to your bed, the nightlight illuminating your path as you jumped back into the bed.
Back turned to him, you refuse to acknowledge him. But you feel embarrassed, and slightly bad.
This was supposed to be enjoyable. You were lucky enough that your parents liked Billy, that your parents trusted you in your room, and trusted you to have sleepovers with him. They were privy to the knowledge that at the very least his father and him had a bad relationship, and were fine with him being here.
And granted, it had been enjoyable till this point.
He had come over and spent most of the time in your room with you, talking and messing around (mainly on his part; he just loved to get under your sin sometimes- always says that you have the cutest angry face,) at one point you even sat in the living room and watched a movie while your parents went to their room to give you two the space. Dinner had been fun as Billy got along really well with your father, who loved Billy's Camaro.
It had been good. Fun. You loved him, you loved him being here.
But now you felt bad, embarrassed.
You reached your hand over to flip the tiny nightlight beside your bed off. You'd swallow your fear because Billy was the guest and you wanted him to be comfortable (and you were embarrassed enough as it was; you felt like a little child). You could hack it for the night you supposed.
But the moment your fingers touched the switch, they were pulled away as Billy's hands grabbed your arm and dragged it back down, in the process dragging you away from the edge of the bed that you'd situated yourself on, pulling your frame into himself. He wouldn't let you move an inch.
"Leave it."
Your eyebrows furrowed and you tried to twist your body in order to look at him, but his arms were like vices and he only squeezed tighter, making it impossible to turn much less wiggle too much.
It takes you a few moments to realize he's referring to the nightlight you had on. He's telling you to just leave it on. And you can't figure out why. You were so sure he would insist it be turned off, thus why you didn't argue back much, but instead he was stopping you.
For Billy, it's a matter of understanding- and not having you be cross with him all night, inching yourself away from him when all he wants is to be pressed against you. He would rather it be pitch black, but he would have to be blind to not realize that the darkness in Hawkins had become one of the things you feared most. The metaphorical darkness that was a world, an upside down one, one that was bleeding into the right one. The upright one.
For Billy, darkness was familiar. He had been shrouded in the dark in most aspects of life and he had found it easy to navigate; you were (as silly as it sounded; trust him, he knows-) a brightness in that darkness. He didn't need to feel scared of the darkness at any point if you were there.
And darkness hid the things he didn't want (nor need- in his opinion) to see.
"Are you... Sure?"
"If I wasn't fuckin' sure I wouldn't have said it, would I?"
It was a rhetorical question.
Billy finally let you turn your body towards him, loosening his arms on you just a bit in order to allow you to turn your body. His intention- aside from enjoying the ability to feel the front of your body pressed against his own and see your face up close- was to bury his face into your chest, and it actually wasn't a sexual thing in that moment.
He shimmies his body down a bit; it's a funny feeling and a funny sight. The word 'shimmy' doesn't sound like a word you would use in relation to Billy Hargrove, but it's what he's doing. It tickles a bit as his body rubs against your own. If you weren't tired, you might've felt different about it. But at this point, you only smiled softly.
When he positions himself properly to press his head against your chest, he lets out a moan; god he loves the feeling of your chest, your body, skin, everything. The heat you radiate against him makes him melt (and Billy Hargrove never melts.) He's lucky he enjoys heat, because the way he's pressed against you under the blanket is radiating heat, your body temperatures mixing.
He knows in a few hours you are going to be trying to push him away. But he's not letting it happen.
With his face pressed into your chest, it's dark, almost like there isn't a nightlight on. He's fine with that. He's perfectly fine with that.
"Might have to take this pillow home with me."
He is referring to you, and it makes you squeeze his shoulders.
You let him stay there, because you know he's using your chest to block out the light in your room. And you feel the way he's loosened his muscles pressed against you, comfortable. Safe even. And that's all you want for him. You don't need to be so scared with him there pressed into you. 
Maybe the nightlight isn't so bad, Billy thinks, if it means he can use your chest as a pillow and a blockade for the light.
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aeriona · 11 months
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I literally hit 300 followers while writing this so here you go: Here is a study I've done on the various sapient species of Splatoon! Drawing them all in their entirety would take too much time, so I've stuck to just some hands. besides, it looks cool.
Quick note: Keep in mind that the art i’ve done for each group is a generalisation, there is an ABSURD amount of variation between different species so if you want to use this knowledge for your own stuff then literally go nuts! There are basically no rules!
Anyway, This is a very long and nerdy post, so strap in.
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First we have the Cephalopods. This includes Inklings, Octolings and Nautili. (I made seperate sciencey-art posts for each a while ago). These guys are cold-blooded, have no bones, blue blood and suckers on the end of each finger (except nautili, cause they’re weird.) These suckers are quite strong especially in Octolings, which can use them to cling to walls and even ceilings. Squid also have sucker-teeth, these retractable, chitinous rings inside each sucker that vary in length and sharpness between species.
Inkfish (excluding nautili) have 3 main types of skin cells;
Chromatophores, which allows for colour-changing
Iridophores/Leucophores, which gives the skin an iridescent effect
Photophores (some squid only) which can produce a blue glow.
Instead of bones, they have a unique system of muscles called a hydrostatic skeleton, which uses fluid pressure (in this case, ink) as a support structure. Blood is used too, but mostly ink cause they have so much of it (once again except Nautili, as they have no ink at all). This means that these guys are super bendy, they can stretch and contract their limbs and even turn their heads nearly 270 degrees!
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Next we have both Cnidarians and Echinoderms. (I've excluded crustaceans cause idk how to draw them lmao sorry). These groups include jellyfish, anemones, sea slugs, snails and urchins.
Similarly to cephalopods, they’re all also cold-blooded and lack bones, instead having similar hydrostatic system for support with varying strength between each class. For example, Anenomes have super robust supports in their legs thanks to calcified rods in the fluid cavity, however jellyfish are extremely floppy as they have extremely weak hydrostatic muscles.
On a side note, Jellyfish and Anenome are also unique, as many species have cnidocytes in their various arms and tentacles. These are cells that when stressed, will inject a venom that varies in strength from a bee-sting to literally killing you.
Urchins are similar, as each finger is tipped with a brittle spine that can not only inject a weak venom but also break off into your skin, leaving behind nasty shards that cut you up from the inside. Fun.
And then there’s Sea Slugs/Snails which are literally the sweetest little people alive, they have no natural weapons at all apart from their poisonous flesh. They don’t even have teeth at all! They’re just slimy little buddies who love you! However, urchins are immune to their poison as they eat them. Sea Slugs are actually an urchin’s ONLY source of food (they get sick/weak eating anything else), and this has resulted in quite a lot of legal and criminal issues. It’s whole other can of worms.
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And finally, fish. Fish are actually the ONLY people in the entire Mollusc Era to have proper bones and red blood, literally everyone else has either an exoskeleton or a hydrostatic system, with either blue blood or none at all. Damn fish and their weird joints.
Cartilaginous fish (sharks, manta rays) have cool, rough skin that’s kinda unpleasant to touch, whereas the most of the remaining species fall under the ray-finned fish (basically everything else) category, and they are covered in shiny scales.
Also eel, there is no hand. Because eel. I’m very funny.
And with that, I have concluded. I’ve done a lot of research on this stuff so if you have any questions at all or if you want me to draw some more diagrams/related artwork, please don’t hesitate to shoot me an ask! I love talking about/drawing this stuff so it’s of no inconvenience!
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sorenphelps · 4 months
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All the artwork I made for the fanfic Crazy Ex-Boyfriend by @amethystheart2421 for this year's @rsbigbang!
It was a wild run, we got paired up quite late due to our original pairs dropping out of the Bang, and even though it was already December and time was running thin, I decided to make this whole deal a way bigger challenge than it supposed to be... So I ended up drawing all 7 fantasy sequences, trying to mimic a different style for all of them, and finishing both versions of the banners I had in mind. I know, I know, but I swear even I wasn't aware that I am such an overachiever either!
Also, I usually like to hide little details as easter eggs on all of my artwork, so naturally this was the case with these too. I'm gonna list them one by one, also share a little story about each piece, sort of like a "directors cut werk", just so we stick to the screenplay motif. The numbers in brackets lists the order in which I drew the pictures.
The banners (1.,9.): I haven't watched Crazy Ex-Girlfriend the show, so I really had no idea about this whole thing, hence my initial idea of re-drawing one of the official promo posters of the show as the banner. But then Nicole shared the first scene with me when we got paired up, and also told me that her original artist wanted to draw the stargazing scene, which I also really liked. I sketched out both versions to see which one would look better, and also to warm up a bit for this version of the characters. (Nicole also shared some faceclaims, so except Sirius' and Lily's design, I tried to stick to her vision as much as I could.) The Netflix poster was considered the final one for quite a while. The stargazing banner was the last piece of artwork I finished, which I also edited to be used as Chapter dividers. I liked the idea so much I actually referenced the starry sky on the other pictures too. On the Netflix banner, Remus' socks and Sirius' suit handkerchief (how do you call those things in English, gahh) both have the starry pattern.
The western (3.): By this time it was decided that I'd do all fantasy sequences in a different art style, but I couldn't really come up with any specific style which could have fit the western vibes, so the characters are drawn in my own usual style, only the colouring is different. I tried to go for a sepia effect, without using a filter, I think I could pull it off well enough. I was considering to draw Sirius as a Native American for this, because I just don't see him as Caucasian in general, and also, Black Dog sounds like a badly translated indigenous name... But I discarded this idea for the sake of "historical accuracy" (and to save time, haha), as I think they wouldn't visit a saloon this way. I added the starry sky pattern to Sirius' handkerchief and... scarf? (I really should learn how certain textil items are called in English...) There is a wanted poster in the background with Voldy. And I swear I didn't mean to draw Remus looking this horny, it just kinda happened by accident! He is sure VERY fascinated by Sirius'... pistol.😜
The Star Trek (6.): My original idea was to draw like usual and just add so many lensflares to the picture that it's not visible if I copied another style or not. But in the meantime I started to watch Star Trek: Strange New Worlds with my bf and also found out that there is a new cartoon too, so it was then settled. This style is very different from my own, but it was so much fun! It was weird not to draw every single strand of hair in excruciating detail, actually that was the hardest part, haha! I struggled a bit with the placement of the lensflares too, the first version had too many and too bright, it had a disco vibe rather than a spaceship. I wanted to add easter eggs to the background screen, but I was running out of time, so there's only one light blue star similar on the screen! Also now I know that the uniform colors are not really consistent in Star Trek, and Remus’ might have had to be gold as Captain…🤷🏻‍♀️
The Disney (2.): This one sparked the first idea in my head after I read all fantasy scenes Nicole kindly shared with me. When I first sketched this, I still had no idea that I will end up drawing for every chapter and the style copying was not settled either. It started with this piece, I had the vision of the wolf chasing scene from Beauty and the Beast, and we were discussing whether it's plausible to collect berries during the winter or not... I've tried to make the final piece look as classic Disney as I can, and since I could pull it off, it was not a question anymore whether I'd try to do this with other styles for the other scenes. Retrospectively, this one was the easiest to make, apparently my usual style is not that far from Disney (I grew up watching those movies, so it's not a surprise), but I had to really focus on drawing the animals, it's been ages since I last drew any! (The trick is to give them eyebrows, and bam, it's Disney style!) Sirius' armour, clothes and sword has the star, and I also designed his own "crest" with the black dog and a star on his shoulder plate. The whole concept of the picture is Sirius' side being very bright coloured, while Remus' with the scary wolves in the background being very dark. This might have worked better if it was not set in the winter, but I wanted to stick to the Beauty and the Beast vision I had.
The Comicbook (4.): I was very excited for this one, I really like the looks of the old Batman the animated series, and the way some of his comics are drawn. It's such a unique style, I really like the simple shapes and bold contrasts. Well, it turned out I am very bad at this! I struggled quite a bit trying to capture what I had in mind, but I couldn't even come close to it... So I kinda cheated a bit because I just traced the lineart directly from the reference pictures of Batman comic books I found online. I tried to make Remus less buff, but it looked very weird, so I let him keep his muscular Batman body instead. I drew the wolf mask and the whole Sirius panel, and the coloring went smoothly after I finalized the lineart, even though I only realized that I switched the colour schemes of Remus' superhero outfit when I looked up the quotes for the comic panels, oops. Overall I like how it looks, but I am not that proud of it as I had to "cheat".
The Hobbit (5.): I've probably spent the most time with this one! I actually really like Martin Freeman as an older Remus FC, so I was quite excited to do this piece. My original idea was to mimic John Howe's style, as he is the Tolkien illustrator god, but his level of skill and mine are very very far from each other... and as I struggled a lot with the Batman piece, I felt like going for a smaller challenge. That's why I decided to have a go at Alphonse Mucha's art nouveau style. Turned out it was the worst possible idea! 🤣 The whole point of art nouveau is depicting attractive ladies in an ethereal way... But if you switch the ladies with a fat hobbit, the vibe def won't be the same! The first version just looks so extremely absurd, it's both awful and hilarious. By the time I could fix the pose so it wouldn't look as ridiculous, the final style looked nothing like art nouveau... I still have no idea what style it is now, not my own or any of the ones I tried to capture, that's for sure. I considered adding the star pattern to that tablecloth, but I decided that the lupin flowers in the foreground and the whomping willow-like tree are enough reference for this pic! I like how it turned out in the end tho, I think I could do justice for the watercolor-looking coloring technique, and the end result looks a bit like a fancier version of old children's book illustrations... Which is essentially what The Hobbit is, so it all sorted itself out by the end.
The Anime (7.): I like anime (I'm a little picky about them tho), so it was not a question that I would give this style a try! I am a huge fan of cyberpunk (the genre), so initially wanted to do that, I'm such a slut for Ghost in the Shell and I really like the aesthetics of the Akira posters, but after reading the actual scene, it was not really fitting. So I saved the cyberpunk AU for later, and went for the post-apocalyptic vibe instead. Obviously anime had a great influence on my art style, so similar to the Disney one, it was not that much of a challenge to mimic it. However I'm not that good at drawing backgrounds, and oh boy, I really made myself get over this obstacle with this series of pictures! Also as I was more comfortable with this piece, I actually added the starry sky pattern from the beginning to the scarf/blanket Remus has on this picture!
The Sitcom (8.): The original idea was to copy Hanna Barbera's old family cartoons' style, but as my deadline was very close and after reading the scene I realized that it will have a shitton of characters, I quickly abandoned my original plan. So this one is drawn in my own style, sort of, the designs of the characters are more aligned with Nicole's vision (sans Sirius, Lily, and partly Peter). The hardest part was definitely to figure out how I could fit 10 characters into one picture, let alone sitting in a living room! Also, I had to actually draw the living room too, considering perspective and scaling... Something I am not that good at. In the end the coffee table is maybe a little too big, but I needed that to hide the legs of the characters sitting on the sofa, haha! Also, the sofa is the Millennial Dark Green Velvet Sofa, because I also want to have one and it really emphasizes the general existential dread! (Just kidding.) Also also, I just realized that I have no idea how to eat tacos without making a mess (they are not that popular where I live). I added the starry sky pattern to Sirius' shirt, and gave a Teenage Mutant Ninja Turtles T-shirt to Peter, as he is talking about that in the scene. I wanted to squeeze in further references to the newspaper Remus is holding, but it was too tiny. The star from Knight Sirius' armour is in the background on the bookshelf. Also that globe just makes no sense but I had no better idea how to fill the empty space 😅. Molly is holding a mug with "BEST MOM" written on it, and I intentionally made Marlene's eye colour the same as Remus', who btw should have worn a bathrobe according to the original scene, but it was too late to fix that by the time I realized it. All in all, I am quite satisfied with how it turned out, it has the necessary sitcom vibes. And it is kinda a record for me in terms of number of characters drawn (the most was 12, but that one has no background, so I'd call it a tie!)!! I am very proud of myself for pulling this piece off, it really is the achievement of the year!
TLDR; (I mean really, my rambling is just too long!) I am happy that I was paired up with Nicole, working with her was such a creative process! My absolute favourite thing to do is work on AUs, and she has provided me with the opportunity to do so, I am grateful! It was truly a pleasure to participate in this (even if it's not that clear from all the complaining I just had above, haha)! If you ask me nicely I might show you the cursed first version of the hobbit picture!
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hi!! can i request where the reader paints their nails for fun?
i would love to see darry but i know you aren’t 100% comfortable what him tho- so sodapop or dally would be perfect as well ❤️❤️
love your writing :)
A/N: i actually really like this idea!! it was a little hard to not be repetitive since they’d all be pretty similar imo but i tried my best
Painting their nails…
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Darry would let you paint his nails any colour but he would secretly be hoping that it was either black or white nail polish. he’d sit still while you did them and just fill you in on his day. He wouldn’t take them off until he absolutely had to and if anyone asked him why he had his nails painted he’d be proud to announce that his S/O did it
Ponyboy would let you paint his nails but this boy cannot sit still to save his life, he’ll end up getting you to do one hand one day and the other hand the next day. he wouldn’t mind a colour but he just couldn’t make up his mind what one he wants! once you do them he’ll probably keep them on until they start to chip then he’ll take them off
Sodapop is an absolute sweetheart. He’ll let you do his nails but he just can’t sit still so you’ll want to have plenty of remover to clean them up. he’d probably want a blue or red to match his DX uniform, don’t ask me why I just think he would!
Dally wouldn’t be into getting his nails painted. if you made him sit down to paint them he will just throw a hissy fit the entire time and once you are done will take them off immediately. i mean he has a rep! he can’t ruin it by having his nails done!
Two-Bit would just be glad that it’s actual nail polish not what his little sister has. He’d probably start judging how you were doing them and just end up doing them himself. then he’d do your nails for you! he would leave them painted and be proud to announce that his S/O did them but he’d be bored of them within a week.
Steve would be hesitant to let you paint his nails and would only let you paint them black. he’s a whiny little shit and would complain about it taking so long. he would leave them on for a day max because soda would tease him too much.
Johnny wouldn’t mind but would be a little hesitant. he’d still let you do them cause he’s sweet like that though. he would actually sit still while you did them though! he’d keep them on for a while but if anyone teased him or anything like that he’d want to take them off.
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stagefoureddiediaz · 1 year
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Costume Meta 6x15
At first I thought this was going to be an ok length meta this week, having already written two mini metas based on bts pictures and then we didn’t get the download for a million hours and then just to add to the fun - Tumblr decided that I wasn’t allowed to type into a post wehre i’d added photos and then loading photos into a post wasn’t an option so this is the 4th version of this post I’ve had to create but I got there in the end, so I’m sorry its so much later that i would’ve like it to be - I just hope my insane ramblings are worth the wait!
There weren’t actually that many costumes this week but the guest cast had very interesting costumes and there are a million things going on with Buck, Eddie and Christopher so this week’s meta is very heavily skewed towards them! 
No Hen this week as she’s only seen in uniform - there was also very little Bobby - just the one costume!
Bobby
Bobby in navy blue actually doesn’t mean much this week - the choice of colour for his shirt is purely there to continue to parallel Bathena and Buddie from the last couple of episodes with the Burgundy and blue we’ve seen. Thank you as always for reading  - it really does mean the world to me that you're interested in the costuming of our wee woo show and I love reading your thoughts in the tags and notes!!! I’ll shut up now and let you have your lives back.
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Athena
Burgundy ribbed top - stylistically it is in keeping with the other tops we’ve seen her wearing this season. Burgundy isn’t a colour we see on her very often (the last time was in 5x10 at the christmas party and there are only two previous costumes before that), so there was definitely intention to keep the burgundy and blue theme running into this weeks episode. The ribbing is disjointed on this top over the left shoulder, it hints at the idea of Athena not being comfortable with Dominic dying in the back of her police car - its that feeling of something lurking over your shoulder.
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The other interesting thing it’s the return of the anchor necklace. We haven’t seen Athena in this necklace since 5x07. This necklace was very heavily connected to family and the idea of family anchoring her and giving her stability while she was in uncertain waters. It was a play on the idea that even when things were turbulent (Michael coming out, the divorce, Jeffery Hudson etc) her family was and is her anchor. The interesting thing about its reappearance here is that we don’t see her with any family aside from Bobby - for a necklace that has been so heavily tied to her extended family their absence in its presence is telling. It could mean some foreshadowing of choppy waters ahead (perhaps to do with Bobby in the finale) alongside her disquiet over this incident.
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The leather leather jacket is the same one as we saw her wearing in 6x12 and I spoke in the 6x12 meta how it was very similar to the one we see Athena wear when investigating Eddies shooting and how it, along with Tamara wearing an echo of Bucks outfit in that episode. We have a similar parallel happening in this episode with Christopher’s jumper at Shannon’s grave. To have it reappearing for this scene specifically is telling me to link the scenes - ergo link to the shooting. 
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For me that link surrounds the idea of mistaken or hidden identities because all three investigations include an element of this theme. The shooting - Ethan covers his tracks so that the police go for his ex partner and we see Athena hiding her identity by dressing as a firefighter to go to Bobbys rescue. In 6x12 Athena and May go undercover (with hidden identities) to try and find out what happened to Wendell, Wendell himself hides his identity to try and help Tamara and the Walshes tried to hide his identity when they set his body on fire. And now we have a case where Dominic tries to escape conviction through a body switch and hiding his identity. I haven’t quite pieced together what exactly this is saying about Bobby and Athena’s overall arc, but there is clearly something at play here.
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Chimney
Chim is paralleling Bobby in the dark blue this episode. The Navy shirt help establish the red/blue theme for Madney in the same way Bobby’s polo does for Bathena. It is designed to do the same thing it does for Bobby - shift focus away from him and onto the one in the brighter colour. It is telling us that Maddie is the one we should be focusing on in the scene rather than Chimney and I’ll explain a bit more of that when we get to Maddies section.
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The check shirt Chim wears to the IRS appointment clearly fits into check theory very nicely - not only in terms of the appointment itself, but it is part of a bigger piece of foreshadowing for Chimney more generally which appears to be connected to his family because we have seen him in a lot of check pattern this season and it feels like they’re building the tension with it - it is clearly leading to whatever happens to hi in the finale. 
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This shirt is the same one he wears when he finds Maddie giving Jee-Yun a bath after they all return home from Boston. and because of this it feels like there is something specific connected to this shirt around the idea of finding happiness in the place you’re in - not needing more in the moment than what you have - not pushing for more. 
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But there is also something connected to the idea of communication - that happiness is found when you communicate with your partner - the moment with Jee in the bath could only happen because Chimney and Maddie communicated which enabled her to return home and start rebuilding her family. The moment at the IRS was a clear indication of Madney not talking in advance, but ultimately coming out of the meeting in a better place - having communicated and reached a mutually happy decision. To me at least this speaks a lot about the marriage arc they are setting up for Madney - that we’re seeing them fail to communicate again, but they will eventually communicate and end up in the right place for them and will find happiness as a result.
Maddie
Maddie’s bright red top pulls our attention - it is far far brighter than Chimneys navy blue shirt and that is intentional - it is mean to make us think of a red flag and highlight to us that Maddie is where our focus should be for this episode. It is signposting us to the fact that in their relationship Maddie is the one who will ahve had dealing s with the IRS before when it comes to being in a relationship - Chimney won’t have had to do it as we’ve never seen him in this type of relationship. Maddie however would’ve had to file jointly when Married to Doug, so her having hangups about the fact the IRS have got in touch probably goes deeper than it just being the IRS getting in touch. It all connects into the theme of their arc for the episode. 
It is also important to note the difference in shades of red and blue that Madney are wearing - especially in relation to Bathena. Bathena’s are much closer together in terms of brightness and contrast. Athenas is slightly brighter becasue she is the focus, but it is closer to Bobby than Maddie and Chimneys are. This is a deliberate choice - it highlights the fact that Bathena are essentially on the same page - they are at the same level and in sync. Madney however are not in sync, they are in different places and we see that play out as the episode airs and we see Chimney searching for a ring at the end of the episode - back in his navy blue tee - we should note however that while he is doing that, Maddie is in her uniform - the maroon of her shirt bringing her closer into line with Chimney, but her uniform still provides a barrier - a safety net for her - in much the same way I described her scene with Buck in 6x12 when she is loading up his fridge.
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Ok the check blazer is all kinds of fascinating to me. the three different types of tweed check, the denim jacket placket making it look like a jacket over a denim jacket, the fact that Maddie is wearing a jacket - in complete opposition to Chimney who is in just a shirt. 
There is something about Maddie wearing yet another jacket that is multi layered. This one looks like a blazer with a denim jacket underneath. This has been a recurring theme for her the season where we’ve seen her wearing blazers with false insert hoodies. We only really see her in these outside of her home environment, and there is something in that which suggests Maddie is feeling insecure in someway whilst outside the comfort of her home. 
The false fronts suggest that Maddy is putting up some sort of front as a way of protection outside of the home, that she is hiding here self from the outside world in some way - projecting something false. The general idea of layering is also about protection too so it’s a multilayered (forgive the pun) theme I haven’t figured out exactly what this means yet, but I think the fact that the season is culminating in an engagement arc for Madney suggests to me that her insecurities lie, perhaps, in how she feels the world views her as an unmarried mother and her trauma surrounding that - the wider arc of her PPD is still in play here because her own trauma extends beyond the PPD itself. Maddie is still battling demons in relation to Daniel as well as the demons we know she struggles with in relation to her previous marriage and the trauma she suffered at the hands of Doug
There is something about the idea of her going out into the world fully suited up to defend the fact she isn’t married to Chim, to defend the choices she has made to protect herself and to allow her to continue to heal and her fears that society will judge her for those choices -something that the IRS has (in her mind) proven to be correct. 
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So you know how we’ve talked about the blue green theming being connected to break ups - Eddie and Ana, Buck and Taylor, well I don’t want to alarm anyone but we saw Madney in the same blue and green colour way!! 
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I actually don’t think this is going to be about a break up - I think its more connected to a couple of other times we’ve seen these especially dark yet bright shades of  green and blue - the scene in 5x09 (with the pink washing up gloves) as well as the scene when Buck tells Taylor about kissing Lucy - and those two scenes connect to the keeping of secrets and the revealing of secrets, the trying to keep things hidden but them ultimately coming out anyway. It is one of the themes of the episode - keeping secrets, and misunderstanding things and struggling with the reality of moving on and forward. We also saw a similar theme at play when Maddie wore that shirt in the 6x13 - her ‘neighbour’ was hiding their identity. So fear not all the Madney shippers, we’re all good - they just need to communicate and sort through a few things - for Maddie it is very much her hang ups about getting married again - she needs to move on from this last piece of Doug’s hold over her and her life and those shirts are helping with that. 
Dominic
Dominic was wearing a very similar jacket to Eddies jacket from 5x10  and 6x08. it is not the same jacket, but it is close enough to draw the parallel.
Ok this is a bit hard to explain, but go with me. At first I thought the wardrobe department were just reusing a costume, however some dots have connected and I think there is a larger metaphor at play here. We have to remember that Athena is wearing a jacket that closely resembles the one she wore to investigate the shooting and that the theme of mistaken identities is at play in both storylines as well.
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In 5x10 Eddie is talking to Carla about Christophers obsession over having a perfect Christmas then Chris wakes up from a nightmare about his mother. 
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The second time we see the jacket, in 6x08, it is as Eddie watches Chris make his way into his school dance and talks about being different and fantasy becoming reality. 
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 It’s therefore an interesting choice to have a very similar jacket on a guest character who is trying to hide, to hide his identity and hide the money he embezzled from an organisation with dream in its name all of this is telling me to connect his plot to Eddies. 
So if we look at Dominics storyline things make further sense in relation to what happens in this episode for Eddie. We have to place Eddie as Dominic, Natalia as the second body (whose name we eventually find out is Seth Davis, but not much more) and Buck as the coroner.
We get told a couple of useful things by the coroner (side note what is it with coroners in US tv programes contaminating their morgues by eating their lunch in them?!!!!) 
‘looking at a body doesn’t tell us much. Our answers are usually found under the skin.’ 
It is a pointed line and is the one that helps us to place Buck in the role of coroner - when he is at Maries grave with Eddie he talks about playing a role for everyone else, but he also talks about Natalia seeing him better than he sees himself. Buck hasn’t actually looked deeply at himself (because Buck is scared to - he is so very traumatised) but the coroners job is to look more deeply at others - to look below the surface of the skin and see what has happened, what is going on.  
Obviously in this case there are answers that can be found on the surface here - that it is the wrong person - the wrong body. The right body was there initially then it got swapped when no one was looking. So the body is labelled as the Dominic and the coroner has no reason to question the information they have (ergo Buck has no reason to question things about Natalia)it is only by twist of fate that the swap is discovered - you don’t have to look beyond the surface for the answers. Second time around it is definitely the right body because it is Dominic (who interestingly enough dies of a heart attack after taking too much of a medication designed to lower blood pressure - heart metaphor anyone?!) and the answers will only be found below the surface. Autopsies will be carried out on both bodies and in both cases it is likely that answers will be found - the cause of the Heart attack for Dominic and whatever it was that killed Seth Davis. This suggests to me that we will see Buck (the coroner) find his answers  that he’ll see into Eddies heart in some way at some point and also see whatever it is he needs to see below the surface in Natalia as well, but it won’t give him the answers he seeks (if they gave us the outcomes of the two autopsies - which we won’t get but thats fine - I would put money on cause of death being  completely unconnected with the heart)
Kelly - the speaker at Marie’s living funeral
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I wouldn’t normally include a character like Kelly in my costume meta but there is something interesting happening with chains being increasingly connected to Buck through his girlfirends in some way so Kelly gets a look in. This is going to sound a bit off the wall but I promise it makes sense!!!
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To start with I need to point out that there were several references to Charles Dickens in this episode. Kelly was giving  a speech about advice she had received from her Aunt and as soon as I saw the blouse she was wearing my brain connected dots to A Christmas Carol. This ties in so perfectly with the Victorian concept of a good death - which ties into Natalia as well. The chains connect to the ghost of Jacob Marley, who comes to warn Scrooge of what awaits him if he continues his current path. 
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So as I mentioned - Scrooge, a miser who is set in his ways is visited by the ghost of his partner - Jacob Marley. Marley appears in chains - the chains of his fate - basically he created these through his own poor choices and stinginess.
Marley tells Scrooge he can avoid the same fate if he changes his ways while he’s still on earth and that 3 ghosts will visit him. This concept - the idea of being visited in some way by someone dead who was connected to you in real life and them giving you advice connects into Buck through Bobby in Bucks coma dream - we have a Bobby chained to the things he was addicted to in life; the pills and alcohol - but a Bobby who gives Buck a vital piece of advice (which is also heavily connected into his current arc) 
‘If what matters to you most is how other people see you, then you haven’t learned a damn thing.’
This sets Bobby up as the Marley character. Scrooge is then visited by the three ghosts in turn who show him his past, things that are happening in the present and the what could be the future if he continues is path. If Buck is Scrooge then his arc is going to involve him ‘being visited by’ three ‘ghost’s to show him the way. 
We have some bts (thanks @911bts for all your hard work) that suggests we may be seeing Taylor Kelly make a reappearance (side note choosing to call Maries niece Kelly will be a very nice touch if this plays out!) and she would be the ghost of Christmas past for Buck - showing him in some way aspects of his past that have led him to where he is now. 
I haven’t figured out who the ghost of Christmas present is although I wonder if it could perhaps be Lucy?! This would make Natalia the ghost of Christmas yet to come.  In the novel the ghost of Christmas yet to come is the ghost that most closely resembles the traditional image of death (but isn’t death) this is the ghost that convinces Scrooge to change his ways and to learn.
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Obviously Scrooge does change his ways and we see him become someone who treats everyone with kindness, generosity and compassion, the embodiment of the spirit of Christmas.
But the concept of chains binding you to your past - to who you were and the mistakes you made etc is an interesting one in relation to Buck - the idea that death doesn’t free you from them and that second chances should be taken - but only if you learn the errors of your past mistakes - it all feels like it applies too well to where Buck is at and when we add the additional layer of Eddie and Christopher who fit into the roles of Bob Cratchit (who Scrooge helps and supports after his visitations) and Tiny Tim (a child who is disabled and whom Bob is devoted to). Dickens describes Scrooge as becoming like a second father to Tiny Tim at the end of the novel and we have been watching Buck become a second father to Christopher.
I leave you to decide whether or not I’ve completely lost my marbles!!!
Natalia
The handkerchief does in fact have blue roses on it. I wrote in the mini meta before the episode aired; roses in general terms mean love - red for romantic, yellow for friendship etc. Blue roses mean unattainable love (because they do not occur naturally - only through artificial means) - so that would suggest that both love is unattainable for both Natalia and Buck but also that any feelings etc are not real - they can only be achieved through synthetic or artificial means - suggesting that any attempt at a relationship is going to be forced. Blue roses can also mean (especially the lighter shades of blue) emotions - specifically the finding of hope peace and tranquility. So with all of this in mind we end up with the concept of Buck finding what he’s looking for and that Natalia will help him get there, but that it isn't love, its the peace, tranquility and happiness that he's been seeking for himself.
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The black velvet blazer and black matt dress has a Victorian mourning dress vibe. This is playing into her role as a death doula - the Victorians were obsessed with the idea of a ‘good death.’ This idea stemmed from evangelical beliefs around being with family and making peace with God. In the Victorian period death was a very common occurrence and so having a ‘good’ relationship with it and being in close proximity to the dying was actively encouraged. A good death was considered to be a slow death which gave people time to say goodbye and for the dying person to see all of their family and friends through that process.
Once the person had died mourning was commenced and this too had strict rules. clothing was to be matt plain and black - bombazine, velvet and cottons were the most commonly worn fabrics (depending on wealth and status). Matt fabrics were preferred because they didn’t reflect the light - it represented the depth of the soul and the depth of grief. 
Dressing Natalia in an outfit which mimics Victorian mourning is playing into that concept - it is a physical representation of her job and more than likely her personality as well - she will very literally be all about death all the time in some way.
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I stand by what I said in the mini meta I wrote when we got the sneak peeks, but I want to talk about the necklace choice again in light of the fact that it was, once again, buck being pursued (whilst at work) rather than doing the pursuing. the choice to use this necklace to connect Natalia to Taylor, to Veronica and to Ana is a very clear choice. I’m going to write a meta that focus’s on the necklaces we see the various girlfriends wearing, because there are some interesting things going on with them. But the fact remains that the necklace also contributes to telling us that Natalia is headed the same way as all of the others - that she won’t be his endgame romance. She is a representation of death and this necklace is playing into the idea of death having a claim over Buck - of Buck feeling like death has a claim over him and like I said above this plays into the Christmas Carol undertones we’re getting. It all connects to the fact that with these women, Buck keeps on repeating the same mistakes, he needs to break these chains or he will end up like Jacob Marley in the novel.
There is also something in connecting the chains to the water theme we see playing out in Bucks arc - about water finding its level and the chains representing the anchors that give a boat respite to hold it in place when not in port. If Buck is a boat and his water hasn’t yet found its level, the implication is that his waters are at the very least choppy and at worst - tsunami waves and that he needs to pause for a minute on his journey. Buck seems to make most of his progress when fairly newly out of a relationship with a woman - they seem to stall him - hold him in place but his growth is minimal. We saw in the tsunami, the boat anchored off shore where a couple were trying to get married but in the end only succeeding in their nuptial plans when they were on dry land. All of these chains connecting to Bucks girlfriends suggest they are helping to anchor his boat out at sea, while he is on his journey and needs a moment, but that when his water finds its level he won’t need chains or anchors - he will be in the safety of port.
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The red dress is a great colour on her. it is a rusty red/orange and now I’ve been able to get a better look at this dress and I’ve seen the actual scene play out I have a few new thoughts. what I thought might be crosses is actually a looser design which looks remarkably like the graphics 911 uses for the incoming emergency calls to dispatch;
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This is Bucks emergency - meeting with Natalia is a cry for help, but when you are the emergency service, you cannot call yourself for help! There is also  something in the fact that the other parts of the design on this dress look like keyholes. This is an interesting concept because Buck is looking for a key not a keyhole because he is looking for answers - a way to unlock what is inside him and move on (and through). Natalia is also a keyhole - she is seeking the answers to death - to what comes after and she is interested in Buck for that reason alone - i’m not saying she cannot develop an interest in Buck beyond that but as it stands the show hasn’t shown us her being interested in anything more than the fact that Buck died - she is the one to bring the conversation around to his death, not him.   
Flowers 
We are pausing here to go off on a little side quest into flower land!!! because the little arrangement on the table at the cafe/restaurant made me giggle!!
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we have 2 pink carnations what I think is a deep purple chrysanthemum (although it could be a gerbera) sprays of babys breath purple statice
All of these flowers are very commonly associated with funerals and death.  Pink carnations symbolise gratitude while the dark pink one is also variegated with yellow - which means disappointment or disappointed hopes. the purple  chrysanthemum means sickness and is often given to those who are struggling with illness and need encouragement in their recovery and in most of Europe they are so deeply associated with death and funerals that it is considered offensive to give them to people outside of offering condolences. the babys breath means new beginnings while the purple statice means sympathy and remembrance (as an aside it also has a medicinal use - in the treatment of respiratory illnesses!!)
So all the signs both subtle and textual are telling us that Natalia isn’t going to be around for especially long as there is too much death surrounding her - even when in a setting that should be innocuous! 
Buck
The yellow ochre (at the brown end of the spectrum is very definitely a call back to not only his appointment with Dr Copeland - where he talks about hiding his true feelings from others - but it also connects with a broader theme for Buck that I’ve really only figured out because of this scene and his continued insistence on misunderstanding the assignment!!!
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I know I’ve spoken at length about yellow being a colour of communication and clear thinking and its brighter shades can be symbols of joy, however I don’t think I’ve spoken enough about some of the more negative traits that can be associated with yellow - which I’ve never really felt fit the narrative before now, however seeing this episode has changed my opinion somewhat, and I am fairly certain that the show has been leaning into the negative traits for yellow ochre far more heavily than it first appeared. 
So yellow is considered the colour of communication, in part, because it is the first colour the cones of the eye can detect and so over time it has become associated with the need to convey information (such as hazzards etc), but it is also associated with communication because it was used heavily in Christian artworks on Judas - to highlight him and his betrayal - in part because it contrasts well with the blues and reds Jesus is often depicted in. If you look up Hans Holbeins ‘The last Supper’ for example you will see Judas as the only one depicted in yellow ochre. As a result yellow ochre can be associated with cowardice and fear. the brown undertones of yellow ochre can also hint at loneliness and isolation as well as stability and foundations for growth. I’ve gone back through my notes and I’ll highlight some of the key scenes where I think the dual meaning of yellow ochre is at play.
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4x02 - the counselling scene with Dr Copeland 4x03 - Maddie talks to Buck after he confesses going to therapy 4x04&5 - Buck finds out about Daniel 4x14 - talking to Taylor while packing to go stay at the Diaz house          - At the hospital - the will reveal 5x03 - Buck gets home after the blackout - Taylor is on the TV 5x04 - Buck talks to Chim about Maddie being ok - ‘Its what she does” 5x14 - Equestrian therapy centre 6x11 - His trousers in the coma dream
These are most of the occasions where he has worn yellow ochre, there are a few others, but I’ve highlighted these one specifically because they tie into a key theme. Interestingly there are only two instances before the phone call with Dr Copeland in season 4. All of the ones I’ve highlighted are connected to Bucks mental state in some way and more specifically they are broadly connected with death (and Daniel). 
These are all times when Bucks mental health is in a vulnerable place - the therapy of it all is showing us Buck is not in a good place - we never really get told if covid lockdown played a part in his decision to go to therapy, or indeed how much the return of Abby played into it, but whatever his reasons, there was clearly some form of trigger, I surmise the fact that Abby returned to his life at a moment when death was surrounding them (including her fiancee being in the firing line) and I think it may have played its part. 
Finding out about Daniel is an obvious one - finding out why he’s felt like he wasn’t enough his whole life etc and how he has been walking in the shadow of death his entire life. interestingly we don’t see anymore yellow ochre in the rest of season 4 until Eddie gets shot - Death is back in Bucks life. The will reveal scene is a bit of a double ended sword on the yellow ochre front, not only does it connect to Eddies brush with death, it also links to Bucks own vulnerable mental state as well as being a moment that calls out Bucks passive suicidal tendencies by forcing him to live for someone besides himself. 
The one from 4x13 in his loft and the one from 5x03 both connect to his vulnerability - Taylor takes advantage of it in 4x13 and kisses him while in 5x03 she is absent and Buck is in a position where - after Eddie telling him he is going to take the advice Buck has given him - he is questioning his own relationship and if he is also doing the same thing to Taylor that Eddie has been doing to Ana. I genuinely think that if Maddie and Chimney hadn’t left LA in the next episode, Buck would’ve broken up with Taylor fairly quickly. As it is his support network shrinks very quickly and he clings to the one thing/person who isn’t expecting more from him and who is sticking around - even if he isn’t truly happy. 
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Seeing the ochre at the equestrian therapy centre is also a moment of vulnerability for Buck - he is obviously worried about Eddie and his mental health, but it is also the first time they bring up the shooting and say something more than stating the fact that Eddie got shot. the black being dominant on that jacket is a reflection of him trying to cover up that vulnerability so he can be there for his best friend, but it is also us seeing a chink in Bucks armour around Eddie (remember the only time we’ve seen him in that colour with Eddie is in that locker room scene from 5x03).
I’m not going to go into the trousers from the coma dream in great detail, except to say that we are inside Bucks head for the whole time he is wearing those trousers so we are literally walking through all of buck fears and trauma and that may be why the yellow is on his legs rather than his top.
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The graveyard scene was both interesting and loud on the costume front. You do not want to know how long I’ve spent trying to work out if this was the same jacket dyed or if it was a new jacket and I can confirm it is a new Jacket. Both Jackets are by Theory - the ochre one from last season the new one from this!!
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This jacket continues the green theming we’ve seen in action for Buck this season, it is however a much darker green that we’ve seen yet and also ties in to Eddies army greens very nicely as well. The darkening of the green is actually really interesting because we’ve kind of gone from the very pale greens in 6a to the coma dream bright sagey green to this much darker olive green - its like we’ve skipped a few steps - a few shades of green. 
The army olive green of it is also aloud choice and very much intentional - it not only connects to Eddie very directly because of it being a shade we see most often on him, but it is also a nod towards the military side of things - the idea that Buck is at war (with himself) and that he’s feeling under attack - not from anyone else, but from and with himself - the no longer knowing who he is or what he wants. 
This green is not one we see on Buck very often at all in fact there are only 2 instances - the low key date with Abby in season 1 and on the couch with Chris when the firefam are at Eddies house - the I’m not really a guest scene. I tend to discount season 1′s costumes unless they are the exact same costume, because they used several designers that season and the costuming of Buck in particular was very different from season 2 onwards, so it tends to not have as much relevance. The 3x11 scene however - very telling in relation to what we’ve seen play out this season 
Eddie 
So much going on in Eddies costumes this week and repeat outfits everywhere you look. At Shannons grave we see Eddie in the same Jumper as therapy scene/ coming home to Buck. While there is very much the connection to Buck misunderstanding the assignment and the heart metaphors at play, there is another aspect to this outfit being worn again and that is his therapy session with Frank. the use of the same jumper as we see him wear in therapy is pointing out that Eddie is able to sit here at his dead wife's grave with their son and create a good experience because he has been in therapy.
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I pointed it out in my mini meta, but its worth reiterating (this is literally the only vaguely decent shot of it I can get!) and notice how Eddie is very much not wearing his watch - there is no watch to be seen work or home or fancy watch!!! The lack of watch her is connected to Shannon - they have no more time - she is no longer a physical presence in their lives, in Eddies life, she is still present yes, but she no longer has any influence over Eddies time, his lack of time or indeed over Christophers time. Eddie has time, because the clock has stopped. This tells us Eddie has moved on and is at peace with Shannon now and that he has got past his anger etc, that he is in a good place with that aspect of his trauma and can look at things with a happier eye. 
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Talking on phone to his mom when we find out about the earth day field trip. we get Eddie wearing the same jacket he wore to Hens leaving the 118 party. Again Eddies watch is prominent here - in fact Eddies watch is prominent in every scene he has except for the two scenes at the graves of Shannon and Marie. 
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Having him in the same jacket as this one;
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while putting him in a black shirt that connects him to Shannons death is a choice!! 
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I have spent a lot of time while writing this meta trying to figure out why this shirt looks so familiar to me - I haven’t succeeded - it isn’t one we’ve seen Eddie wear before, but it is an interesting choice for him. its this greenish grey colour and has echoes of some of the clothes we saw him in during 5b, but it also has echoes of Buck in 5b - wearing a lot of grey with black. This is relevant because we saw Buck supporting Eddie during his recovery and this scene at Maries grave would appear to be the opening overtures of Eddie providing the same for Buck - now that he has seen more deeply into what is going on with Buck. in the same way that the Kitchen scene in 6x12 echoed the kitchen scene in 5x11 when Buck saw that Eddie wasn’t actually happy or in a good place, this scene in the graveyard has echoes of Buck being there in the immediate aftermath of Eddies breakdown.
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Its not the exact same jacket, but I think its close enough that we can draw a comparison between the scenes because the black leather jacket Eddie wears here when Buck talks about Natalia seeing him is incredibly similar to the one Eddie wears to Bobbys in 5x18 - when he tells Bobby that he saved bot hEddie and Chris. That bobby saw him and provided Eddie what he needed, even if Eddie wasn’t necessarily welcoming it with open arms at the time - implying that Eddie will potentially do the same for Buck now - Buck may not be completely open to Bucks help in this moment - distracted as he is thinking Natalia has the answers, but that Eddie will provide support etc anyway.
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The jacket is in fact the very same one Eddie wears when we see him at Bucks bedside for the one and only time - it is his widows weeds suede jacket. the moment we see how broken Eddie is over Bucks death and resurrection. The same jacket being worn a couple of episodes later when we have them at a grave side talking about dying alone and being seen by people is a really interesting parallel to draw. there is something in the fact that we see it here in this scene - when Buck is talking about being seen and when coma Buck didn’t see Eddie - in his coma dream or at his bedside in the land of the living. Buck felt/saw everyone else’s presence during his coma - he knew about Bobbys rosary beads and we hear Athenas voice from the real world echo in the coma as well as Christophers voice guiding Buck to the hospital. 
But Eddie was missing from it all - in Bucks eyes and mind. We the audience of course know that Eddie was present and that he was broken over it, we know that his lack of presence was far louder than if he had been more present in the episode. Bucks subconscious however doesn’t know that. He knows that Eddie cares for him, that he is his best friend etc but Buck exploring why Eddie wasn’t there in the dream beyond a conversation with Hen and Chim about what happened to him without Bucks presence is not something he is ready to look at yet. so we have a deeply traumatised Buck searching for answers without the tools to do so and therefore looking in the wrong places while we have an Eddie realising that Buck is different, but that he himself is also different and needing to mourn the fact that things have changed. 
This isn’t about him having his heart broken in a romantic sense, this is him having an epiphany about time and making the most of it. It is about him needing to mourn the fact that he has been changed by Bucks death and reconcile with himself so that he can move forward, so that he can be there fore Buck as Buck was for him. 
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I will be forever obsessed with the choice to have Eddie wear the exact same henley in this episode as in 6x07 and 6x13. A scene showing Eddie missing his family and choosing to make time and go home to Texas to see them in the aftermath of seeing Buck make another self destructive choice which will probably end in failure. Connected to a scene where Eddie is talking about his Abuela being taken advantage of to the point of losing almost everything and to a scene where we can not only see the Buckley-Diaz family in full swing, but also see Christopher trying to take advantage of Bucks math skills and failing and the foreshadowing for the poker hustle which also isn’t as successful as Eddie had planned, and which he mentions in the previous scene at Maries grave - choices were made! 
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Chris
At Shannon’s grave we get a rare sighting of Chris in a jacket!! The denim jacket is both a connection with Texas and with Eddie, but it is also a connection with Shannon and Shannon‘s death.  Thanks @theladyyavilee  for pointing this out to me, but Chris is wearing a denim shirt of a similar colour when Eddie told Christopher that Shannon had died. 
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Denim jackets are culturally tied to westerns, cowboys and to Texas. Christopher wearing one here would appear to be a visual way of tying him to the childhood he had with his mother - backing up the conversation about making s'mores with her when he was younger. The fact that Chris is wearing a denim jacket connected to Shannon and her death over the top of a jumper which is connected to Buck and the moment Buck saved his father is an interesting connection and piece of layering to me.
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The hoodie is white and grey striped - the horizontal version of Buck shirt from the shooting. this is suggesting two things to me - one it is connecting Chris directly to the fact he nearly lost both parents - sitting at the grave of one parent while wearing something that echoes an outfit from the moment he could've lost a second parent. I also think there is something in the connection to Buck specifically in this - its directly connected to the will and that Chris has a third parent - I can't wait to see if I'm just clowning hard, or if the change the stripes Chris is wearing are foreshadowing some connection to the will! 
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We can't not talk about the fact the striped hoodie actually plays on several fronts not just the Buck connection! Stripes according to my theory are all about change incoming - the theory hasn't yet been disproven by the wardrobe department and I get the feeling that here is no different. The idea that a change is coming in Christophers life is one that has been hovering around for the whole season and the narrowing of the stripes would suggest that change is getting closer. The stripes have been telling us, but so it would appear are the little surfing skeletons on his tee at the end of the previous episode along with a proliferation of water and surf theming surrounding Christopher. I’m at the point now where I think Bucks water might find its level when Chris is in danger - it will be the wake up he needs to sort himself out and get his head out of his ass!!
Then we are onto the shoes. I know its almost impossible to see from the scene, but I am nothing if not determined so after a lot of zooming and messing around with the image levels and a bit of googling, I am pretty sure that these are the shoes Christopher is wearing;
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If they aren’t foreshadowing Chris in danger in connection with water after all of the other water and surfing related clothing we’ve seen him in recently I don’t know what to tell you. 
Space theme surrounding Chris retuning to me from the wilderness in the form of a backpack - you have no idea how happy this made me. We haven’t seen Chris wearing anything space themed since 4x08 - in the scene with Buck when he ran away from home after Eddie told him about Ana. We have seen a backpack - a Star wars backpack in season 5 however we never actually see him holding it, it is always Eddie - and the space theme remains in his bedroom (the little we’ve seen of it). To me the star wars backpack was connected to Eddies mental health because he was at war with himself which is why we never see Chris in contact with that bag. The space theming is so closely entwined with Buck and Eddie, no one else and because there is so much blue in Bucks costume choices this season, to have Chris holding a space themed backpack that is blue is an interesting choice. The back pack is one that shows galaxies and very much represents the universe, but we have also seen Buck to be very entwined in Christophers school life this season - helping with homework, baking cookies etc. so it really isn’t that much of a leap to connect the backpack to Buck - giving him a presence in a scene that is connected to Christopher heading out for some school activity it is continuing the universe theme and continuing to Connect Buck to the Diaz boys - in a subtle way which gives him presence in their lives even in his absence. In an episode that is so strongly connected to Shannon, her continued presence in their lives even in her eternal absence, its a clear choice. 
The jumper with its three bands of colour is also intriguing me. there is something in the idea that it connects into the 3 theme we’ve had all season, but there is also something in the idea that the three bands represent the three people who are having the most influence on who Christopher is growing up to be  - Shannon - white as she is not of this world any longer and was the first parent Chris spent time with - Buck - Blue - in part becasue of the blue theming around him tis season, but also because it is next to the white - and therefore suggests the idea of the batton being handed over  - Eddie - the yellow ochre which is much closer to the brown we see Eddie in so much - Eddie is the earth from which Chris grows, it its the brightest colour on the jumper and suggests the brightest and biggest presence in his life.
The jumper in these colours also suggests the three elements of earth water and air, themes we’ve seen in play throughout this season - the blimp being the air (and an episode coming up called love is in the air), Buck being in the air when he gets hit by the lightning, the water theme has been there all season long in various forms, not least the pictures on the Diaz house walls and all the water connected themes on Christophers clothes, and there have been several episodes that have shown us Buck and Eddie digging - the slingshot tree call and the father hit by lightning in the sand are the two main ones. 
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Chris sleeping away on the sofa in his stripey top while covered in a check pattern blanket just continues the theme of Chris and change incoming, as well as the threat of danger. For me the fact that we seem to see so much of Christopher in stripes in connection with Buck in some way - implies that the change that is coming is in relation to Buck and the fact that these stripes are being worn on the sofa where we have Chris mimicking Bucks sleeping position on the couch wearing a shade of sea-foam green (which means revitalisation and enlightenment) that also seems to be connecting to Buck - after we saw him in a striped top that echoed Bucks white striped shirt - its all making my eyes stand out on stalks. 
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Honestly if you have made it to the end of this epic then I don’t know what to say other than I love you form the bottom of my heart. Its a bit of a beast. Will this show and its wardrobe department ever give me a minute to breathe?? Probably not and thats why we love it!! I’m off to sleep for a million years and send some prayers to the tumblr gods that next weeks meta is n’t such a challenge to upload!
As always, tag list below! Until the next episode! 💜💜💜
@mistmarauder @theladyyavilee  @leothil @girldadbuddie @kitkatpancakestack  @buckscurls @lemotmo @trashendence @elishareads  @clipboardsandstethoscopes @comfortbuddie @fiona-fififi  @callanee @calyssmarviss @pbandjeremiah @batgrldes  @spotsandsocks @livingwherethesidewalkends  @idontshitpostbuttheolympicpark @diazboysbuckley @sweettsubaki @shortsighted-owl @sherlocking-out-loud @wh0re-behavi0r  @favouritealias @hearteyesdiaz​  @ktinastrikesback  @princesschez75​ @bucksbuddie​ @oneawkwardcookie​  @leatherati​ @moniquekatie​ @wanderingwomanwondering​  @trickster-archangel​  @asharadaine​ @ajunerose  @talespinner230​ @pop-kam​ @swiftiebuckleys​ @xxfiction-is-my-realityxx​ @butchjerry​ @mandzuking17​ @yelenasbuddie​ @copyninjabuckley​ @name-code-black-widow @rogerzsteven​ @bi-moonlight​ @usercowboy​ @inthecarwithaboy​ @inandoutoffocus-blog​ @toboldlynerd​
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One day they will make a 3D Zelda with hair that doesn't mildly bug me.
I love Zelda, I love so many aspects of her character designs. She's such a cool character. But her hair consistently breaks my immersion in a way that many other characters just don't, so I am compiling a silly little list.
My credentials for this are the fact that I am a person with long hair who dabbles in hairstyling and I like doing my hair with braids and ribbons. I am also in theater, and purveyor of historical hairstyles.
This is a very unserious and rambling rant, so please bear with me! No shade and no harm meant. This is me having fun.
Alright, down to business.
CATEGORY 1: NO BUT SERIOUSLY, HOW THICK IS YOUR HAIR? OFFENDERS: BOTW/TOTK Zelda
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That is a thicccc braid she's got there, but she simultaneously has long flowing hair (botw) that would need to be incorporated into the braid, OR her hair is shoulder length (totk) and you cannot physically make a braid that looks like that with hair that short. ALSO, the braid is very thick, starting from the crown of the head, while not incorporating any hair around it?
It looks like a fake braid headband (which is, I believe, what most cosplayers end up using). If you reeeally wanted to give her a headband, you could use a circlet or a ribbon.
Which brings me to...
CATEGORY 2: PHYSICS DEFYING RIBBONS OFFENDERS: SS Zelda and TP Zelda
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I really do not understand this design choice at all. Ribbons are used to style hair in the real world all the time, but the only way I can conceivably see these ribbons staying in her hair is if they're made of velcro, or they're sticky. Either way, sounds painful. (Cosplayers how do you pull this off? I'm assuming glue?) Now, hair wrapping using string, ribbon or fabric is a common practice in many parts of the world, but you need strong tension, a full wrap around the hair, and these wraps usually begin at the scalp. An artist friend said that this was likely a way of getting around having to render braids. Which, fine, I am not an artist, but then why not just have those two locks of hair falling forward like normal? All you need to do is delete the ribbons. And if you insist on having that splash of colour, maybe you could give her some earrings or something?
CATEGORY 3: THE DE-BUTCHIFICATION OFFENDERS: OOT Zelda, Tetra
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So I have no issues with the respective hair of any of these characters. My qualm is the immediacy of the transition, and the resulting sudden new length. Because I guess Zelda has to be super femme and that means she has to have long flowing locks when she transforms out of her pirate outfit/masculine sheikah disguise, so no more short hair for you! (Also, you can't be cute and femme and have melanin, apparently?? But that's a whole other issue...)
(And despite my beef with the overly chonky braids, I must give kudos to totk Zelda for righting this injustice. #shorthairzeldarights)
HONOURABLE MENTION: I REFUSE TO BELIEVE YOU CAN FIGHT IN THESE CONDITIONS OFFENDER: AOC Impa
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I just had to include this, because I otherwise love the design for Impa in AOC, but the way I feel about this hair is similar to how most of tumblr feels about boob plate armor. You mean to tell me that this highly trained, stealth and combat expert fighter would wear her hair this long and this loose, when she is often in melee situations where someone grabbing and pulling your hair could absolutely be deadly?? Nah. (She also suffers from the same "how is your hair so thicccc??" issue as AoC/BotW Zelda)
Anyways that concludes my very silly rant. I will again add the disclaimer that I know dick all about character design, I just know how to style my thigh length hair with ribbons and braids. If you disagree, or you have any that I missed, I welcome your thoughts!
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dixonsgirl93 · 6 months
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What I think the Harry Potter men’s type of partner would be:
(I tried to be as realistic as I could with HCs that people might not like. But remember this is just for fun so if you don’t like it, just scroll. Thank you)
Draco Malfoy
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- I think Hogwarts era Draco would be more likely to date a Slytherin girl mostly because he would be afraid of his father ridiculing him. I feel like his mother would just be happy to see Draco happy but he cares a lot about what his father thinks.
- I don’t think he would care about their hair colour, he wouldn’t have a preference but he would be hesitant to date someone with red hair. Partly because Lucius would make a big deal of the image of the Malfoys and mention their children being gingers and how much he’d despise that and also for the similarity of the “blood-traitor” Weasleys.
- I think his personal preference of body type would range from very slim to midsize. Whether because of his upbringing or what, I just don’t think he would date a plus-size or larger girl.
- Adult Draco wouldn’t care so much about their blood status but having been brought up with racist views, that kind of ingrained mentality would be hard to shift.
Sirius Black
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- I don’t think he cares about their body type. Skinny, midi, larger, whatever. As long as you get on well and find each other attractive then he’s happy.
- He prefers more boisterous women, who can match his energy and put him in his place. The type who rather rebellious but also intelligent and kind.
- I’d say he’s also heteroflexible to a degree. He enjoys kissing men and doesn’t care if people think he’s gay but he definitely prefers to date only girls.
Lucius Malfoy
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- His type? Basically Narcissa. Pureblood, slim, intelligent. Someone who can also put him in his place but respect him.
- For him, he wants someone equal to him, someone he can proudly show on his arm. This also means she has to be pretty and slim and well groomed.
- He’s grown up with the ideals and racism that Draco faced but leaned into it rather than away like Draco wanted/tried to do.
Severus Snape
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- He’d perhaps want someone who matches his energy. I think he’d want someone happy-go-lucky to suit his more serious personality. Someone patient and kind. He hides it but he has a delicate heart.
- Looks-wise I’m not sure he could date someone with red hair, her reminding him too much of his first love. She would have to really wear down his walls before he would consider letting her in. Otherwise he wouldn’t have a preference.
- He wouldn’t care about their blood status if he felt a true connection with someone. At the end of the day he wants someone kind.
- He’s a sucker for brown eyes and freckles.
Remus Lupin
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(I know he’s with Tonks but let’s say if she wasn’t in the series, what would be his type?)
- He’s a smart, bookish guy so I feel like he’d want his partner to be similar. He’d someone he could debate with about world topics and literature.
- He’d prefer if she was well dressed but if there was a genuine connection he wouldn’t care so much if she wore hoodies or something all the time.
- He goes more for personality than how pretty someone is, but he is a sucker for long, wavy hair (that was until Tonks came along and he realised he didn’t even care about hair).
- He would either want someone who was rather opposite to him in terms of out-going and more interested in movies than books or someone who’s more bookish.
- He would like someone he could settle down with though, who would be serious about him. Family is a big deal to him.
Alastor Moody
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- As much as I adore Moody and want to just write that *I’m* his type, he’s actually pretty hard to write for. He’s a very stoic person, very serious and paranoid.
- I think he would just be surprised if someone desired to get close to him and didn’t care about his scars or missing body parts. He’d be paranoid at first, assuming the worst but presuming this…
- He wouldn’t really have a preference of how they look. More so that they take care of themselves and present themselves nicely etc. That sort of thing.
- Now, if I am to picture Moody with a partner. I imagine a woman in her mid-late 40’s (youngest), smartly dressed, maybe a secretary or manager, brunette, sophisticated.
- However, do I think he would date someone younger? Like half his age? (If we are to assume he’s in his 60’s). It’s possible. He’d be very hesitant though so you’d need to form a strong bond first which could take years. He’d be worth it though.
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more details of experiment edits on AAC:
first i will show 3 pictures of Supercore 50:
how it looks automatically without any edits
my current grid set that i use for communication
the version of this grid set i added just to try colour changes and other visual edits.
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[Image description: 3 images of the same vocabulary grid set in Grid 3, called Supercore 50. the first image has rounded corners on buttons, a white background, bigger spacing, and text labels on every button with text above symbol. second image is similar looking with same rounded buttons, but less spacing. is different by black background, text label removed from folder and menu/function buttons, text below symbol. third image is very different looking from other two. same black background, menu and main folder buttons have black background with simple coloured symbol, mainly yellow. no folder buttons have text label, and many have simplified symbol. all button colours are altered in tone and shade. all darker colours, easier on the eye. the "little words" buttons are changed from almost white to dark grey with yellow text. End ID.]
here is explanation:
added new version of my grid set (Supercore 50) to just play around with and change colours and see what works. didn't want to mess up my actual grid set with all my personal edits and added vocabulary. didn't go to bother of making it all "uniform" across the whole device (because is time consuming and i will have to do that eventually on my real grid set).
mostly just tried out different colours. and how to make home page as easy to visual process as possible. didn't change colour coding (for example pronouns yellow, verbs green, adjectives blue, little words grey-ish - that all stay. just change tone of colours to not "attack" eyes).
eyes can't cope with a lot of "whiteness" in any colours, especially on a screen where there is so much white/blue light already. makes much sensory overload and bad headaches. pastel colours or very bright neon or light blue/purple/yellow/grey... not fun. brain simply skips over any blocks of those colours cause it can't get past whiteness to see what is on the button.
in Grid 3 edit menu you can change colour of button - there is a palette of pre-made colours, but you can also do "adjust colour" and choose custom colour there. and there is something called "button styles" so you can just edit one button how you want, then say "update style" and it will change all buttons with that "style".
i worked out that turning down "saturation" and "luminosity" helps me a lot. then the colour doesn't "attack" my eyes so much, so i can actually search the screen for the symbol/word i want. better visual scanning ability.
also removed borders on buttons. just adds extra stuff for eyes to get "stuck" on. it looks cleaner without border.
On Grid 3 there is also different button "themes" available (different from button styles), which changes the entire automatic look of the entire grid set with just change that. changed from "modern" to "blocky" theme. because there is a slight "colour gradient" on buttons with "modern" theme (I think🤷🏻‍♂️). meaning there is more highlight at the top of the button on more shadow/darker at the bottom. makes it hard to see the symbols and text because it is not "flat" looking. to me the "modern" theme looks slightly bumpy and 3D, the "blocky" theme looks flat. and brain can't process 3D (especially not at same time as try to search for words and scan screen).
i also made the "menu" buttons or "grid functions" buttons have black background (to match black background of entire grid set), with symbol in yellow. and remove text labels for these buttons and some folder buttons. this helps because then only the word buttons "jump out" at brain. so there is less "bulk" of the screen to process. and the "function" buttons have only simple symbol, so can easily find!
this is all still only changed in the blank version of Supercore 50 that I added for this specific purpose. it is a HUGE change to my AAC. so i can't just change it all at once. it will have to happen in stages. and i am still not 100% sure of all the changes. (for example i don't really know what to do with the folders. don't like how they look right now...). so i have to be very confident in a change before i can make my real grid have it.
(also there is still folders and buttons i haven't changed at all. just mostly did home grid so i can see the difference. still working on it and will be long time until ready to change my real AAC).
i will keep updating on the changes!
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cloudninetonine · 2 years
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Linktober: Link
“LINK, GET YOUR ARSE IN HERE, NOW!”
In a split second, the atmosphere had turned from warm, mirthful and fun to a stone-cold dread, the group of men freezing on the very spot.
Not once had any of the boys heard you scream like that, not a single time. Sure, they had experienced your frustration, your anger but this wasn’t that. No, nowhere close- this was pure, unfiltered rage, a rage so deadly it seemed to petrify the whole team as all actions paused within the second, petrified as if Medusa herself had walked amongst them turning all to stone.
The gorgon certainly would have been impressed by how still they all seemed.
The look Wind and Spirit shared was a haunted one, not even the most mutilated of ghosts would have caused such a fear between the two, cold and sharp as if death herself had clasped her hand upon the twos shoulder. Both were debating whether or not to book it right then and there, did not matter if they weren’t the cause, the pure emotion behind their shared name was reason enough not to stay.
Four was reaching for the Four Sword, reasoning from the Colours would be the only way of survival- after all you couldn’t chase them all. Hyrule and Twilight faced similar predicaments, you couldn’t chase a wolf nor would you be able to find a hidden fairy, but Goddess did they know you would try.
Wild was already backing out of the room, slowly, as if a bear was staring him down, asking for him to make one wrong move and die by its hand. Though, as of now, he much preferred such a death compared to what waited for him by your hands. 
Courage and Koridai were fighting, clawing at one another, trying to sacrifice each other, pushing selfishly as they both tried to scramble through the door opposite where your voice had come, cursing at the other and pulling at each others’ hair.
Legend was certain that the panic had permanently frozen him in his place, unable to move, unable to speak- it was as if his entire body was encased with ice, eyes wide and waiting for when you came stomping through the door. He considered playing dead, but he knew it was for nought- you would crawl to wherever he ended up and drag him right back to face you.
Mecha was already working through his system, putting every single wire, cog- any and all mechanisms that made up his entire being through hell to shut down the entire system and hide behind the faux appearance of death. His pride told him you would never dare to shout at him, a machine so devoted to you, but reason told him you working to put him back on may calm you down enough from this raging inferno.
The knights had shared the same sense of acceptance, telling themselves they were ready for what you were bringing in those next few moments. An odd calm over all of them, no one shook, no one cried, prayed to the Goddess for aid- no, all were ready, they were made to be ready- they weren’t afraid to die. Warriors, Sky and Calamity had been born for this, carved from the fires of conflict for this very moment.
Finally, Time and First were stoic, faces void of any emotion that currently plagued them. They were trained on the door which you would eventually storm through, still, not an ounce of reaction on their forms as your footsteps began to storm towards them, getting louder by the second.
“LINK WHEN I GET MY HANDS ON YOU I’M GONNA WRING YOUR FUCKING NECK-”
All faces turned to look at the eldest, waiting for reactions.
“Old man…?”
“Gramps?”
Time looked at First; First looked at Time.
They shared an understanding nod before once again facing the group.
“Run.”
“Now.”
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