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#but i would definitely vibe with ‘and they did another five year mission’ or something like that. i’m That Bitch that never wants things to
onwegolove · 2 years
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star trek really is my newest brainrot because i woke up and the first coherent thought that came to me was my brain going like hey what if with all of the modern recasts they’re collecting in strange new worlds they’re planning to eventually remake the original series
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jillianallen14 · 3 years
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Spirk fanfic rec
Some amazing Spirk fanfic to bless your dash because I’m falling in love with this shit all over again (this is like the 10th time this has happened lol):
Entering Orbit:  Jim escapes to Iowa to avoid the media frenzy following the Narada incident, but a late-night miscommunication results in Spock turning up on his front porch; rated m; 30,957 words
Papers in the Roadside:  Non-Starfleet AU. Jim owns a small bar in Chicago, keeps on picking up strays and taking care of everyone no matter how hard it makes his own life. Spock is a journalist writing feature articles for the Chicago Tribune; he depicts the world with uncanny skill, but hides more than one personal drama and is possibly under surveillance from the Vulcan royal family. They meet by accident just before their lives start to spin out of control; rated e; 49,637 words
Take Refuge in What You Know:  AU - Kirk has moved into a apartment/house and wants to get to know his neighbors. He meets his neighbor Spock, a loner who suffers from extreme agoraphobia. Kirk thinks he's beautiful enigma; rated e; 120,334 words
Listen, this is not only my favorite Star Trek fic of all time, it’s also one of my favorite fanfics in general. It’s right up there with Text Talk and The Shoebox Project from the HP fandom, which if you’ve read, you know are incredible and frankly life-changing. And this fanfic changed my life. The description the author gives doesn’t do the beauty of this fic justice. I suffer from agoraphobia and Spock’s depiction as an agoraphobic man was probably the most well-researched, sympathetic, empathetic, caring, realistic portrayal of what it’s like to be agoraphobic that I’ve ever witnessed in fiction. It made me cry like a child because I had never felt so seen and understood. This writer is incredible, and this fic is incredible. I can’t recommend it enough. It’s an AU, which I’m usually pretty wary about, but it barely even feels like an AU. It just feels like Jim and Spock. The author’s understanding of both of their characters’ is perfect, like just a spot-on portrayal of who they are. This fic genuinely helped me accept who I am and helped me understand that I am capable of & deserving of love. If you don’t read any other Star Trek fics (and you def should read more Star Trek fics because they’re amazing), then let this one be the one you read. I dare you not to read it three times in a row like I did.
Observations:  First Officer Spock comments on life aboard the Enterprise and his service under Captain James T. Kirk; rated m; 500,000+ words.
So the author of this fic actually did a thing where they made this fic into two books (similar to what The Shoebox Project authors did many years ago in the HP fandom). They don’t get any money from people buying the books; the cost is just to go towards producing the books. This fic is the equivalent of two LARGE novels. We’re talking 600 pages & up. It’s a huge fic. Now, that being said, I read it in one day. ONE DAY. It’s that good. This is another one of my all-time favorite fics, though not quite as dear to my heart as the one I listed above. It’s focused on AOS, and tbh, I forget that what happens in this book isn’t actually canon. Like it’s so well-told, it just feels like it’s now part of the timeless story of Kirk & Spock. The “professional” Star Trek writers would never be brave enough to do what this author does with Kirk and Spock, though. This fic will make you angry, will make you laugh, will make you cry. It has such a good grasp on every single character. It also shows the love between the crew of the Enterprise, which is always a treat, and it’s beautifully done in this fic. It has a sorta-enemies-to-lovers arc between Spirk and an enemies-to-close-friends arc between Spock and McCoy that is beautifully done and fleshed out. This fic is definitely a journey to go through, and I can’t recommend it enough. It’s extremely slow burn, and you will want to slap both Kirk and Spock (and McCoy) upside the head at certain points lol. 
Of Coffee Beans and Green Tea Leaves:  The progression of a relationship, through Coffee Beans and Green Tea Leaves. Basically, it’s an AU where Kirk works at a coffee shop to pay his way through school, and Spock visits often. rated t; 16,429 words
Love, love, love, this fic. It’s cute, it’s in character. They have kind of a rocky start together, so it’s got a little bit of that Elizabeth Bennet and Mr. Darcy i-hated-you-but-now-i-love-you-marry-me vibes to it. I’m a sucker for that, if you haven’t figured that out by now lol. It’s really good, and a really enjoyable read. And it’s not too long, if you’re in the mood for something on the shorter end of things.
 Please Don’t Touch the Vulcans:  The "yes" is out of Jim's mouth before he can think about it. Jim is chipper about having time off for the holidays. He asks everyone if they want to spend time together but sadly, everyone ditches Jim over the holidays because they have plans. McCoy visits his daughter, Nyota visits her family, and everyone splits. Not knowing Spock has feelings for him, Jim doesn't even bother asking if he wants to spend time together figuring he has something to do. Something cute, romantic with the boys spending time with one another and confessions; rated m; 17,690 words
Super cute and has lots of Sarek, which idk about y’all, but I’m always a fan of. Sarek and Jim kind of get to know each other a bit, and it’s cute. Sarek knows about they’re in love before Spock & Kirk know lol. If I remember correctly, there’s also some appearances from everyone’s favorite: Old!Spock! You also get a little bit of jealous and protective Young!Spock. So you’re in for a real treat with this one. 
The Ren shat’var Trilogy:  A split-second decision changes Jim's life forever, as he enters into a bond with Spock in the face of certain torture. Enemies to the Federation emerge from unlikely places, and the command team must contend with unexpected threats, as well as challenges within their own intense relationship. In this three-part series, the Enterprise races across the galaxy to confront the unknown, and Jim and Spock discover the true significance of their unprecedented connection; rated e; 184,411 words
Textual Attraction:  Valentine’s Day does not bring up pleasant memories for Cadet Kirk. But the serendipitous switch-up of his cell phone with a particular Vulcan professor’s will make his day far more interesting –and romantic. Perhaps some new memories can be made! 15,900 words
SO GOOD. Just SO good
Spaceman:  Academy AU. Five times Spock realizes he's attracted to a barista at the academy spaceport, and one time he decides to do something about it. rated t; 3728 words
Short, sweet, funny. You’ll love it.
Subtext: Texting your Vulcan first officer in the middle of the night is never a good idea. Especially when you have an obsessive crush on said Vulcan.The holidays are approaching and Jim is left entirely Spockless aboard the Enterprise when his First takes shore leave on New Vulcan. After some midnight pining, Jim sends a text he instantly regrets. That is, until Spock responds and willingly continues their textual communications to an inevitable conclusion; rated t; 13,032 words
Cute, sweet, funny. It’s a texting fic. I think you’ve probably figured out I love those. This one makes me laugh so fucking hard. Like actually laugh-out-loud-omg-did-i-just-snort kind of funny. Spock is great in this one
All Spock Wants For Christmas:  While Jim is away on a delegation mission, he panics about what to give Spock for Christmas. With help from Bones and Uhura, and in between some spam texting with Spock, Jim realizes he already has the perfect gift. And all it needs is wrapping paper and a bow; rated t; 11,966 words
And here we have another cute, sweet, funny texting fic. Sue me lol
The Morning After:  Jim convinces Spock to take shore leave with him on Risa, hoping the time together will help re-solidify their bond of friendship after some recent tension. Meanwhile, Spock convinces himself he's on Risa for one reason and one reason only, to prevent his wayward captain from getting into trouble. After a passionately illogical night of Romulan Ale and chocolate infused liquor, everything changes when Jim wakes with something other than a hangover filling his head. Something he's sure neither he nor Spock can handle. Because if Jim knows anything for sure, it's that his messed up thoughts belong nowhere near Spock's clean, ordered mind; rated m; 50,381 words
HAHA. This fic fucking cracks me up. You’ve got drunk boys pining over each other & not realizing it. You’ve got accidental marriage. You’ve got bed sharing. It’s great, it’s cute, it’s funny. 
Take This Sinking Boat (And Point It Home):  In which Spock pines, Jim isn’t stupid (except he kind of is), and Christopher Pike has had enough of this bullshit; 6698 words
Pike is great in this one, and it’s super, super funny.
Extracurricular Activities:   Spock returns to the Academy from a tour of duty to find an intriguing cadet captures his attention; rated e; 15,433 words
Veritas: Basically, Kirk and Spock are on trial because the Federation thinks they are emotionally compromised by each other, which is putting the lives of their crew in danger. They have to convince a court they’re not actually in love with each other. They think the claims are bullshit. They think it will be easy to prove that they aren’t in love or emotionally compromised, damn it. It isn’t; rated m; 186,80 words
This one is so, so good. A real gem off of Fanfic.net. I remember it was actually one of the first Spirk fanfics I ever read, and it blew me away. The progression of their relationship is really well-done and interesting. It has star-crossed lovers vibes and has some really emotionally intense moments in it, especially for Spock. 
A Habitual Affection:  Living in 1930s New York with the Vulcan you're secretly in love with is no simple thing. But Jim never liked anything simple. And then, the big snowstorm hit...; rated t; 7998 words
A beautiful TOS fic about one of the gayest episodes of Star Trek. Love this one. 
Atlas:  Between what was and what will be stands James Tiberius Kirk, in all his fractured patchwork glory. Because saving the Federation was only the beginning; rated t; 135,529 words
A beaut. Really great characterization, and the progression of Jim and Spock’s relationship is really well-done.
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shurisneakers · 3 years
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if you're taking ideas for harmless drabbles, i'd love to see one of bucky on one of those dates he mentioned and reader's shenanigans. if you aren't, feel free to ignore this!
a/n: are we really going to let a word limit define what a drabble is? is the vibe and spirit not enough? i say this bc this is 5.7k words long im so sorry. also hey thank you to everyone who piped in with their knowledge of violent geese and how apartment security works in new york!! also thanks to my bby @spiderrpcrker for reading this and telling me to publish this bc i wasnt going to fkjghfkj
warning: swearing, bad luck, dates, frustrated bucky, anxiety, mentions of gore but like only a sentence
here’s my ko-fi if you’d like to support my writing <333
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Catch up with the rest of the series here: Harmless Masterlist
Bucky returns only two weeks later. His mission lasted longer than expected and all he wants is to lie down and sleep for forty eight hours straight.
“FRIDAY?” he mumbles, kicking off his shoes. His jacket had already been discarded by his bedroom door when he walked in.
“Yes, Sergeant Barnes?”
“How are ya?” He doesn’t miss a beat in asking, even though he’s exhausted.
“As good as ever. Did you have a successful mission?”
“If by successful you mean one sprained limb instead of two, then yeah.” He wasn’t really cribbing. His ankle was already starting to heal anyway and it was worth the roundhouse kick to a Nazi's face. “Do I have anything scheduled for this weekend?”
“You have a meeting on your calendar scheduled for this Saturday.”
“Could you send a text to Y/N and ask if we can push it to the next day?” His muscles feel sore and God, he could definitely use a hot shower but all of that becomes secondary the minute he feels the sheets under him.
“Would you like me to reschedule the other one as well?”
“What’s that?” He opens one eye in confusion. “There’s another one?”
“It’s on Sunday. You’ve labelled it ‘date’.”
Ah, fuck.
“Would you like me to change it?” FRIDAY never sounds like she’s judging him, which is nice. It also reminds him about how she, as an AI, can’t judge him, which is a rude wake-up call to how he doesn’t have friends.
“No,” his voice is muffled against the pillow, “no, let it be. Where is it again?”
“You’ve only specified diner, Sergeant Barnes.”
Public space, daytime, plenty of escape routes. Good on his less delirious self for selecting a diner.
“Thanks, FRIDAY.” Now that he’s a little more relaxed, he can feel himself slip in and out of consciousness.
“One last thing," her automated voice commands his attention again. "Y/N replied. She says sure and to take care.”
“Yay.” Not even a second later he’s out like a light.
____
“Did you bring me any souvenirs?” Is the first thing he hears as he marches into your lair.
“What could I possibly get you?”
“A postcard, a t-shirt.” You don’t look up from your tinkering.
“Decapitated finger, used bullets,” he continues, “cement blocks.”
“Ew.” You snap the lid shut on the thing you’re working on, spinning around on your chair. "That's not nearly romantic enough."
“That’s all you’re going to get from a Russian underground bunker.” He does a mini jog up the stairs of the platform to where you are.
“Does the finger have a ring at lea- oh hello?” You raise an eyebrow at the sight of him. “You look different.”
He peers down. The outfit was still all black. As always.
“Not your clothes, dummy,” you interrupt, making him look back at you. “Your face. What’d you do?”
He unconsciously raises a hand to his cheek.
“Did you wash your face? Is that it?” you squint at him. “Has it been a few months since the last time?”
“Wow, you’re so funny,” he drawls sarcastically.  “Top tier comedian right there.”
“No wait, it’s the beard.” You snap your fingers in realisation, completely ignoring his comment. “You trimmed it.”
“So what if I did?” He leans on your table.
“You going somewhere?” you ask, elastic snapping against your hands as you remove your gloves.
“It’s none of your busi-”
“Hold on a second.” A sly smile begins to make its way onto your face. “Are you going on a date, Bucky Barnes?”
His comeback dies down in his throat. That didn’t take you very long for you to figure out.
“I’m right, aren’t I?” You look smug, to say the least.
“Shut up.” A ray of light glistening distracts him. He traces it to the thing you were working on earlier.
“Where are you guys going?” You cross your arm across your chest, a small smirk on your face.
“Wouldn’t you like to know?” It’s a silver box, engraved intricately with swirls that, when he observes carefully, looks like a skull. Wow, terrifying.
“I’m literally asking you.”
“What are those?” He shifts the conversation towards a more productive angle instead.
“Evil in a box and some other stuff.” You shrug offhandedly. “Is it a lunch date or just coffee?”
“Like Pandora’s Box?”
“A discount version, sure,” you confirmed impatiently. “Stop changing the topic, listen to me.”
He tilts his head, waiting for you to continue.
“Do you need a chaperone?” The sincerity in your voice for such a bullshit question has him scoffing.
“Good God- no, I do not need a chaperone. I’m 106 years old, I can go out unsupervised.” He reaches over and plucks the box off your table.
“Sir, you’re a geriatric."
“What are those?” He points to a few ray odd ray guns.
“Minor stuff you don’t have to worry about right now.”
He shakes the box in his hand. “What’s gonna happen if I open this?”
“Very bad things,” you whispered ominously before your volume returns to normal. “How’d you meet this person? Online?”
“She’s Natasha’s friend.” He turns the box over, seeing a small latch at the side. “What bad things?”
“Bad luck and misery. Don’t play with it, it’s dangerous.” You pull the box away from him. “Aw, is it a blind date?”
“Why do you care so much?” he shoots back, tugging the box back towards him.
“Just lookin’ out for you, Bucko,” you huff, adjusting your grip on your device. “Need to keep my favourite senior citizen safe.”
“I have a vibranium arm.” Whose force he could use to grab the box once and for all, but wasn’t. “I think I’ll be fine.”
“What if she has one too, huh? Then what?”
“She doesn’t.” As far as he knows, he’s the only one alive with a metal appendage made out of the strongest metal in the world. That could very well change by tomorrow but he's keeping the title for now.
“But what if she does? I swear to- stop trying to take the box!” You pull a little more forcefully, but he doesn’t relent.
“I want this to get over before this evening.”
“What time’s your date?”
“Why do you care?” He’s sure anyone who saw the dumb tug-of-war you both were playing would just automatically assume he was an absolute manchild, not an Avenger.
“Because.” You don’t explain further. “Tell me what time your date is, you weirdo.”
“Five o’clock, now let go.”
“Fine,” you say, suddenly loosening your grip. Clearly, it doesn't make much of a difference since he isn't struggling to keep his balance from the sudden loss of force.
“Fine.” He clears his throat, straightening up. 
You don’t say anything. He doesn’t either.
A putrid smell creeps into his nose, one all too similar to spoiled milk and decaying seaweed. He has to physically stop himself from gagging.
“Have a good day.” You smile and lean far back. Too far. It looks like you're almost going to fall out of the chair.
Through the tears that are threatening to line his eyelids, he looks down at the box whose latch you somehow managed to lift, leaving the box open.
“What the fuck is this?” He coughs, swatting at the air in front of him to clear it.
“I told you; bad luck in a box.”
“You can’t scientifically create bad luck, that’s bullshit.” He tosses the box back onto your table. You watch it slide past you, not making any effort to stop it. “What is it really?”
“I’m not lying.” You pull open a drawer, brandishing a small table fan that you set down beside you. “If you open it, you’re going to have terrible luck for the day.”
He glowers at you when you turn the fan on, forcing the fumes back towards him.
“Besides, that’s all I was doing today.” You kick your feet up. “So you can leave now.”
He doesn’t care if you’re lying about not having anything else to do today. You could burn down the world if you wanted to but he needs to take a stupid shower. Again.
“You’re the fuckin’ worst.” He tries airing out his shirt, hoping that the smell would dissipate as soon as possible.
“Have fun on your date, sarge!” you encourage him as he stalks out of the lair. “Remember to wrap it befo-”
He turns it into a sprint before you can finish.
____
Six hours later and he’s absolutely convinced he fucked up.
He isn’t used to having his weekends free.
He realises that this is the first time in months that he’s actually stepped out of the Tower for something that wasn’t directly mission-related. He should probably get some air. Touch some grass. See the sun.
His shirt thankfully manages to rid itself of the odour from the dumb box so he didn’t have to go take a shower. With nothing much planned and a few hours to spare, he heads to the coffee shop instead.
It’s a small place, bustling and alive with a crowd of people. They have a little bookshelf that usually is full of books donated by patrons, free for anyone to read.
The barista smiles at him. The coffee costs more than his high school education. He awkwardly smiles back.
He’s not a regular, but they’ve seen him enough times to know that he usually asks for black coffee in a to-go cup, later adding a sugar or two according to his own taste. They're nice to him, occasionally throwing in a cookie or something on the house. He can't tell if it's because of the Avenger status or the sizeable tip he leaves.
He picks up a random book from the shelf, fully intending not to read it but to just sit there and think. The book acted as a shield for his resting bitch face, resting murder face and his resting rage face. More often than not, a good combination of the three.
He sets the coffee down at the corner table he manages to nab in a quick second, along with the two sachets of sugar.
“Is this seat taken?” Someone asks from beside him. He earnestly shakes his head in a ‘no’, gesturing for them to take it.
They give him a quick thanks and drag the chair away from his table.
He does a quick overlook of the book he picked up.
The Princess Diaries by Meg Cabot.
Well, now he’s too anxious to put it back. YA fiction it is.
He reaches for the sugar while glossing over the summary. He reaches a little further when it doesn’t come to his hand immediately, blindly running his fingers across the table.
Bucky peeks over the book, eyebrows knitting together when he notices that they’re missing.
He was sure he picked it up.
He looks underneath the table. It wasn’t there, neither under his seat. Strange, but okay. He picks up the book and the cup, walking back to the station to grab two sugars.
This time he makes sure to tuck it into his pocket, double-checking before going back to his table.
Which was now occupied. He wanted to groan.
His mind automatically reverts back to the box from that morning.
“Come on,” he scoffs quietly to himself. It was a coincidence. “Get yourself together.”
“A seat at the counter just cleared up,” the barista from earlier offers when she sees him standing in the middle of the store.
See? Good luck.
He shoots her a grateful look, venturing over to the barstool to take his place. It’s not the most comfortable, but then again, he wasn’t planning to stay there for very long.
He empties the sugar into the coffee, stirring slowly before opening a random page in the book.
He takes a long sip, ignoring how hot the drink was.
He chokes immediately. Because either he was losing his mind or his order had somehow got switched from ‘no sugar’ to ‘diabetes in a cup’.
He takes another small sip and his face immediately twists in disgust. Definitely too sweet. The sweetener he added only made it worse.
He catches the eye of the barista. She looks on in concern.
“Is everything okay?”
Fuck.
He’s not one to make a scene. He just wants to live as imperceptibly as he could.
“Yep.” The sweetness sticks to the back of his throat. “All good.”
He just closes his eyes and downs the rest of it without thinking twice, trying to hide the grimace in his face. He gives her a weak thumbs up. She doesn't look convinced.
He leaves the shop soon after, hands shoved in his pocket. Maybe he could go sit by the lake at Central Park, watch the clouds. It reminded Bucky of the lake in front of his hut in Wakanda and the hours he'd sit in front of it, feet dipped into the water as his goats fed. He misses it.
He makes a sharp turn at a corner, still thinking about his options when his ankle abruptly twists under him.
He stumbles rather ungracefully, almost hitting the ground, but manages to save himself through the newly built up immunity he has towards falling thanks to all his encounters with you.
His gaze lands on his hardcore combat boots. Their laces had come undone.
Now he just knew that was horseshit. He always double knots them; they had never loosened in the past before.
The box.
He shoves the thought out of his head, crouching down to tie them again. He tugs on them to make sure they’re secure before standing up again.
Central Park is a few blocks away but he’s glad he didn’t bring his bike. The weather was rather nice and the wind in his hair felt good.
He wanders around the park for a while, looking for the lake. He pauses at a board with a map of the park on it, assessing how far it was.
Once he's ascertained which path to go towards, he turns on his heel to go.
He fucking trips again.
“Are you serious?” he says furiously under his breath. “Cut it out.”
He’s half-convinced that he should tie it around his ankle like a sexy lace-up set of heels. He ties a triple knot this time, glares at it until he’s sure it’s fine and checks to see if anyone saw him humiliate himself.
Only a person on a nearby bench who looked like they were passed out drunk, given that their hoodie and sunglasses clad self was slumped over.
No witnesses. No 'You won't BELIEVE what the Winter Soldier did! Critics say it's his biggest blunder yet!' articles the next day on social media.
He manages to make it to the lake in one piece and no more falls, partly because he keeps his eyes fixed on his shoes to ensure no fuckery occurs.
There are a few people rowing and plenty of others lining the bank at scattered locations. There’s a mom and her kid at the place he ends up. She sends him a small smile in greeting and he returns the favour.
There’s a secluded bench that he takes a place on, letting out a small sigh. If he ignores the traffic and the skateboarders and the people in general, it’s actually kind of peaceful.
There are geese and their little goslings swimming around the water close to the shore. Maybe he should have brought some birdseed. Or kale.
The kid beside him is busy fashioning something out of leaves, only occasionally erupting into giggles when it doesn't pan out. His mom watches him fondly, pointing at twigs he could use. Everything seems kind of picture-perfect and his body automatically relaxes, easing further into the seat and closing his eyes for a second.
Until there's a large splash and loud distressed honking. He whips his head around to find the same kid staring straight ahead at the goose with a wide grin. His mother curses quietly, picking herself up off the ground and grabbing his hand, half chastising him for throwing something at an animal and half urging him to walk faster.
The goose turns to Bucky. With no one else to blame for the sudden attack, it logically launches itself at him. His smile drops.
He gets up in a rush. The dumb bird nearly comes for his head, but he deflects with his metal arm.
“I didn’t even do anything.” He swats at it swiftly, trying not to cause any real damage. The goose, understandably, does not speak English.
He flinches when one of them bites at his knee. He can punt it to the sun but he doesn’t want to.
“Stop that.” He sticks his hand out to shove the stupid thing away, retreating back to the road. “Jesus, why are you so aggressive?”
Among the barrage of feathers showering on him, he prays his damn shoelace doesn’t unravel as he shields his head with one arm, the other fending himself while he moves hurriedly away.
The goose honks angrily at him. He scowls at it, not exactly pleased with the reminder that these fucking overgrown ducks were constantly bloodthirsty.
It doesn’t leave him alone till he’s significantly away from where he was sitting. He wants to call it profanity but that’d probably piss it off more.
The box and its effects were definitely starting to feel real.
Fuck it, no more day out for him. The best plan he can think of is to just go to the diner he’s supposed to meet his date at.
The waiter greets him with a courteous nod, which Bucky can only imagine was the best he could muster when a dishevelled 200-pound man walks in covered in goose feathers and irritation.
He won't admit that he’s too scared to eat lunch at this point because he can’t rule out food poisoning. He spends the next two hours on his phone playing Fruit Ninja and plucking feathers that accented his all-black outfit.
Several glasses of water later and a second before he’s about to beat his high score, someone taps on his shoulder, breaking him out of his concentration.
Motherfu-
He clenches his eye shut, inhaling deeply before turning around.
“James?”
“Hey, yeah, that’s me.” Bucky almost falls over the table with how fast he stands up, clearly underestimating his size. “Leah?”
“Hi.” She smiles and he finds himself smiling nervously along with her.
“Hi.” He steps out to pull out her chair for her and she laughs. "Nice to meet you."
“How long have you been waiting here?” she asks while setting down her bag.
“Around ten minutes.” He clears his throat to hopefully hide the fact that he was lying through his teeth.
“Just give me a second, I need to tell my friend I reached,” Leah pulls out her phone and he nods.
“Another glass of water for you?” The waiter seems less enthusiastic about Bucky’s 8th refill.
“Yes,” he answers, hoping he doesn’t call him out on it, “please.”
“You must be really dehydrated."
Bucky turns to look at him slowly. “I like the taste.”
He can’t really blame the guy. Bucky’s been there for hours without ordering anything solid, just leaching off their free water and complimentary bread basket.
“So, James.” She tosses her phone back into her bag, leaning forward on her palms easily. “Tell me about yourself.”
He had rehearsed this a million times. He could do this.
“I, uh,-”
“Menu?” Okay, so someone clearly had a vendetta against him.
“Thank you.” She takes it with a smile.
His morning debacle with the coffee flashes through his mind. Suddenly the idea of a diner didn’t seem so smart.
However, she’s already placed her order and George is standing beside him expectantly, daring him to ask for another glass of water, so he places his usual order and hopes that your stupid bad luck thing wore off.
He quickly learns that his date is laid back, and it isn’t hard to fall into a rhythm with her even though she’s the one asking most of the questions.
“How’d you meet Nat?” Is his attempt at one.
“She used to come in for lunch every week at the place I work.” Leah leans back in her chair. “She can really handle her alcohol.”
He’d be worried about Nat day drinking if he didn’t know about her complete inability to get drunk. She might as well have been downing glasses of lemonade.
“Yeah, she’s-” Intimidating, scary, cool “-really something.”
“She mentioned that you like movies.”  He definitely spends a lot of time watching them. “You got any recommendations?”
It’s easier to figure out how different things are or how much he missed out over the years through them. He’s glad he sat out the early 2000s, judging by their fashion sense and hairstyles.
He's watched several movies over the past few months, a few of them critically acclaimed and others who were just there for the cult following.
But now everything goes blank and the only thing that he can remember are the biopics made about Steve that were somehow hilarious for gifting him the mental image of Freddie Prinze Jr. dressed in the stars and stripes, and highly distressing for the number of historical inaccuracies. Contrary to popular belief, Stevie did not, in fact, consider running for president after he took up the shield, nor did he start his own bar chain.
He can’t name Oh Captain, My Captain starring Channing Tatum as his favourite movie on his first date and hope to make a good first impression.
“Despicable Me was kinda fun.” He wants to kill himself. “I mean, it’s the last one I saw.”
Her face twists in mild disgust, but he can tell it isn't ill-intentioned. “It's a good movie, but God, that just gave me some intense flashbacks to my aunt’s Facebook page. Don’t think I can look at a minion ever again.”
He sniggers with her. He doesn’t know what the context is.
He’s a little awkward, and he can definitely tell he isn’t the most open book but she laughs at some of his attempts at jokes. There’s a distinct discomfort he has lingering at the back of his mind prodding at him, telling him over and over again that he isn’t ready for something like this. A warning bell, asking him to leave as soon as possible because he was in a dangerous situation.
He remembers what his therapist told him about breathing and remembering that the resources he had available were greater than his anxiety and he tries to get out of his head. It takes a few minutes of acting like he's fine but he manages to do it.
Other than the one time he scalds his tongue on the coffee but played it off with a pained smile, shoving down thoughts of your stupid invention, things actually went okay.
It was nice, even though they decided by the end that it was better if they both gelled together better as friends. It lifts the strange fear he feels and he can hear Dr. Mendoza say she's proud of him for taking this step before spending three hours psychoanalysing why they decided to stay platonic.
Bucky promises to visit her sushi shop with Nat soon and she says a bottle of sake awaits him for a drinking game. He doesn’t have the heart to tell her that Nat and he share the same tolerance for alcohol.
He makes sure to leave George a tip. A big one. It’s the first time he sees the guy smile the entire evening.
He’s waving goodbye to Leah outside and he thinks that maybe it was a good end to the day and that things actually turned out fine.
Until he turns around to leave, only to have someone walk straight into him with an iced tea.
The cold comes as a bit of a shock, making him jump slightly. He stares at his shirt, using his fingertips to pull it away from his body.
The person melts into a series of apologies immediately, offering to dry clean his shirt but Bucky just forces a shake of his head and says it’s okay even though he can feel the sugar making the shirt stick to his chest. Goose feathers and iced tea. Was there anything else that would like to attach itself to him?
His fists clench and his teeth grit and he has to physically control himself from sprinting to your lair because God knows what else is in store for him and he didn't want to add in any way.
The door to the lair is locked. Fuckin’ brilliant.
When no one answers after minutes worth of waiting, he fishes for his phone and realises that maybe two hours of Fruit Ninja was not the best idea, especially on a phone known for having shitty battery life.
There’s roughly 2 percent left. By the time he opens his app to give you a call, his phone screen goes black.
He groans. He’s desperate at this point and under any other normal circumstances, he would have never, ever considered doing this.
But ten minutes later he’s outside your apartment building. You’re aware that he has your address; no doubt that it was in the SHIELD file he had gotten, and he knows that you know but it was still weird.
The buzzer has your last name listed next to it. He’s sure that he’ll break it if he keeps pressing it at this rate but he really needs you to let him in.
“Who the fu-” your voice comes through the intercom.
“I’m sorry for showing up like this, my phone died and I couldn’t reach you,” He breathes out as soon as he hears you. “But I need you to fix this.”
When he doesn’t hear a reply, he wonders if the thing actually worked. He’s about to start pressing it again-
“Bucky?” You sound a little surprised to hear him. “You’re at my house. Why are you at my house?”
“I need you to fix whatever this is.”
“What are you- fine, I’m buzzing you in,” your voice, initially confused soon trails off into something more dismissive.
There’s a soft click from the door, allowing him to push it open. The elevator is already on the same floor as him so he just uses that.
The elevator goes up a floor or two. His feet tap restlessly against the carpeted floor.
The lights turn off and everything comes to a standstill. His foot stops tapping.
He should have known. He should have fucking known.
Thirty seconds pass. He’s still in pitch darkness with the elevator showing no signs of moving.
In fact, he’s resigned to his fate. He sits down on the ground, only one step away from completely laying down and hoping someone finds his body here someday.
It’s six minutes of plain silence. He might as well get comfortable if he’s going to get stuck here for the rest of his life. Did he change his will? Does he even have a will?
There’s finally a whir. He thinks that maybe he’s going to plummet to his doom as the perfect end to this day, but then the light switches on and it starts moving upward.
It stops at the floor with a ding. He doesn’t get off the ground, only eyes the door wearily. With his luck, it wouldn’t open.
But it does and within a second he’s on his feet, scrambling to get out before it changes its mind.
He remembers your door number, basically charging down the hall to get to it.
The door is white and the paint is starting to chip off it. The handle itself is dented in a few places and he wonders if it was your fault or someone else's.
His knocks are rapid, agitated even. He doesn’t stop until he hears your loud shouts telling him to cut it out.
“What the hell were you doing, trying to break down my door?” It swings open, revealing you in your pajamas. “Haven’t you done that already? And where were you, I’ve been waiting for like, ten minutes.”
He honestly feels bad for showing up uninvited and highly flustered. He can’t imagine it’s a pretty sight either. "This bad luck shit- fix it. My whole day’s been fucked up.”
“What are you-” Your eyebrows knit together in confusion, taking in his appearance.
It takes you a second to realise what he’s talking about but when you do, your face settles.
“How was your date?” You lean against the door frame, arms crossed over your chest.
“Really,” He glowered at you, “that’s what you care about?”
“Yes.” You nod. “Did you have fun?”
He hesitates. “I guess?”
“Was she nice?”
“Yeah.” Where was this going.
“Good, I’m happy for you.” The smile on your face is genuine. “Look at you go, Casanova.”
“We agreed to be just friends, but that’s not the point here. Y/N,” he whines. “I have a mission next week, I can’t afford to fuck up. My whole day was off and I don’t want it to carry over.”
“Your whole day?” you questioned, standing up instead of leaning against the wall. “Buck-”
“Just fix it.”
“Okay.” You lift your hand up, extending it towards his face.
He waits for you to do something.
You flick him on the forehead.
“There,” you declare, going back to your previous position. “you’re cured.”
What.
He says exactly what he’s thinking.
You laugh. “Dude. I was fucking with you.”
Huh?
��Well, actually maybe just like, three things and then I got bored.”
He’s confused.
“You know,” you begin when he doesn’t reply, “taking the sugar packets, switching your coffee order when you were looking under the table, took your place when you left, the shoelaces.”
“The shoelaces?”
“Yeah.” You nod. “That’s the other ray gun you saw this morning. Unties your shoelaces. I stopped after that because I thought you figured it out.”
His face scrunches in puzzlement.
“I mean, you looked right at me and told me to cut it out.”
He racks his brain about what you could possibly be talking about before it hits him. The hungover person on the goddamn bench in the park.
“You were the one in the hoodie and sunglasses.”
“I just followed the Avengers’ code of disguise.” You shrug. “Turns out it kinda works. Also teleportation. So helpful.”
He forgot about the teleportation. That's why you could do all of it so fast without him noticing you were even there.
“What about the fucking geese?”
You pause for a second. “The geese?”
“And the elevator.”
“What the hell are you talking about?” The confusion on your face is apparent. “What geese and elevator? I have no idea what you’re saying right now.”
“Everything’s been a mess today,” he grumbles. “I don’t know what’s real or not.”
“I swear I had nothing to do with it other than what I mentioned.” There’s indignation on your features that quickly gives way to delight. “Holy shit, did I just accidentally invent portable bad luck?”
“Okay-” his palm finds its way to his forehead in exasperation, “-then what the hell was the smell?”
“What smell- oh, the one from the box?”
He nods briskly.
“Secretions Magnifique.” You snorted. “It’s a perfume. The worst rated one I could find.”
“Perfume?”
“With notes of milk, seaweed and sandalwood.”
“It wasn’t an inator?”
“No, it wasn- did you get vibe checked by a goose at the park?” You stifle a laugh when you notice a stray feather on his thigh.
“What does that even mean?” he asks in despair.
“I can see why it attacked you. You got bad juju.” You raise an eyebrow. “Maybe if you stop staring so much-”
“So I just have shit luck.” Is that a fucking relief or even worse?
“Well,” you begin but decide not to continue.
Even with all the irritability masking it, you could see that he genuinely was just not having a good time.
“Wait here a second.”
You leave him at the door. He shifts his balance and sighs, fingers pinching the bridge of his nose. He still had to walk back to the Tower. Maybe he could grab a slice of pizza along the way since he skipped lunch.
“Okay, here.” You return with a large glass of water. He only looks at it. “It’s just water, I promise. You look like you ran a marathon."
He takes it from you sceptically, pushing away the urge to sniff at it. It’s gone within a few gulps.
You wait until he’s finished to point at his arm. He draws his eyebrows together, but you only curl your index finger and beckon for him to give you his hand.
He reluctantly extends it towards you.
“Don’t laugh,” you warn him, taking his metal arm. “This usually helps me.”
You tie a small bracelet around his wrist. It has a few beads, which he realises represent the colours of the solar system.
“Keep that for good luck.” You pat it gently after securing it. “I think you just had a bad day; those don’t last very long. Do you want to charge your phone before you leave?”
“Uh-” The bracelet’s pretty, the colours shine against the dark vibranium. “-no, I’m good. I’ll just leave.”
“Okay. Anything else I can help you with or will you be fine?”
He narrows his eyes. “You’re being suspiciously nice.”
“I’m not evil all the time.” You huff. “My hours are in the morning.”
“Okay.”
“Okay.”
“Okay,” he says again. “I’m gonna go then.”
“See you next week.” You give him a little wave. “I’d say break a leg on your mission but knowing your situation...”
He scoffs. “Thanks.”
You make a move to close the door when starts walking down the hallway towards the exit.
He adjusts the beads slightly so he can see them better. The Earth one has glitter in it. He thinks it’s cute.
“Bucky.”
He turns around.
There’s a hint of a smile on your face.
“Take the stairs.”
He doesn’t have to be told twice.
Next part
946 notes · View notes
purplerose244 · 3 years
Text
My thoughts on Seabound!!! 🌊🌊🌊 (1/4)
SPOILERS ALERT!!!
Finally Nya's season! Our queen, our water goddess, our amazing girl gets what she deserves! 😍😍😍
What I know about the season beforehand is that Nya's powers apparently are getting problematic for some reasons? Which is a pretty common topic in other shows but it's a first in Ninjago, usually the elemental powers don't have focus and I LOVE that we now get to see stuff like that 💕💕💕
I know there should be Wojira involved, trusting The Island to deliver that little foreshadowing at the end of the episode 🤷‍♀️ Also Maya is back... MAYA IS FINALLY BACK AFTER SEVEN SEASONS YES!!! 😭😭😭
I have nothing else to say, I have no idea what this will bring, hopefully something as good as Master of the Mountain! 🖤
Alright, here we go!
GENERAL THOUGHTS
Warning reader, I might be fangirling to an extreme because I love mah girl Nya and I've been wanting Kai and Nya's parents to be back ever since Hands of Time ended. So yeah... screaming alert 😅
At this point I don't doubt that the intro is great, we reached such a level of animation and we got The Fold 😍😍 Love the marine vibe and how it's similar to The Island, because it's a great intro 👌
NOW I like the writing! Maybe they rushed the dialogue's quality for The Island to get here? It's just fun and in character, maybe it's just me but I'm enjoying it a lot for now
How many episodes are in this? Wiki says ten, then I checked again and it's sixteen like with Master of Mountain... eh, it looks good so far so it's fine whatever happens 🤷‍♀️
A BIG SPLASH
Oohhh, new villain! One that uses... flames... huh, does she know there's literally a master of fire in the ninja team? Eh whatever she looks cute, give it up for Miss Demeanor!! 👏👏
Wait... OMG IS THAT ERIN MATTHEWS??? WE GOT MACY!! ❤❤❤
Whoa, we're finding out where did the order of the vengestone from season 13 come from?? YAS! CONTINUITY!
Yep, there it is, Nya lost control... her attacks look so cool 😍
Lol that kid trying to be a nindroid and Zane being offended 😂😂 Sorry hun, you're that popular
Aaahhh, thank you Ninjago! You gave me back Nya the perfectionist 😂 I was worried her reaction to her powers wasn't going to be in character but it looks fair so far. Brings me back to Possession, my favorite season 💙💙💙
WE GOT BACK THE FACT THAT SHE CAN MAKE IT RAIN!!! YAS!!! I might be easy to please but I love these details 🤩
🤯🤯🤯 Okay they are definitely going somewhere this time and I LOVE IT, because wow. WOW. Are we actually addressing the forever questioned fact that wind and water weren't elements that Chen needed at the Tournament? Are we giving a reason for them to exist outside the main set of elements and the elemental masters?? Duuuude, season 15 don't let me stop you, keep going 😍
Mm, so water and wind are connected to Wojira (now I see the connection with the special). Are we setting the ground for a new master of wind? 😏😏 It's risky going for a Morro replacement but it's a super intriguing idea! Oooor Edgy Boy TM might come back? WHO KNOWS I'M CURIOUS ANYWAY 🤩
Love how it is universal knowledge that Nya is super indipendent 👌
YES YES FINALLY WE'RE TALKING ABOUT MAYA!!! 😍😍😍 Is it too much hoping into a Ray cameo as well?? Pleaaaase? Also addressing Krux after so many seasons, this feels exciting!! 😊
This is what I'm talking about, training, fighting scenes, show me everything that water goddess can do! 🌊🌊🌊
Aaahhh, Nya flexing her mightiness through anger, just to remind us that she is the descendant of a water master as much as of a fire master 😅
YES YES YES YES IT'S HAPPENING FINALLY AFTER SEVEN SEASON THE FIRE WATER PARENTS ARE FINALLY BACK!!! 🔥🌊🔥🌊🔥🌊 I'M SO HAPPY I'VE BEEN WAITING FOR SO LONG!!! 😭
RAY IS THERE TOO HECK YES!!!! 😍😍😍😍😍😍😍😍 I shouldn't get this excited at only the first episode... WHO CARES RAY IS BAAAAACK!!! ❤❤❤
Omg Maya is definitely different from what I expected, turns out Kai's enthusiasm came from her 😂
Oh look at my flame babe 😍
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He's so happy his parents are here, he's a total family man ❤❤❤
Nya is maaaaad... 😅
THERE SHE IS
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WELCOME BACK JILLIAN I MISSED YOU 💚💚💚 Would it be too much having a "Your voice sounds familiar" moment with Maya and Lloyd? 😂
I'm so stoked for this! I want all the interactions I've missed for all of this time, asap!! HECK yes!! 😍😍😍😍
Oh, are we looking over the Miss Demeanor, vengestone situation? Mm... for now at least... WHO CARES FIRE WATER PARENTS!! 🔥🌊🔥🌊🔥🌊
THE CALL OF THE DEEP
Imma just slow clap for The Fold because this is another amazing intro, one of those things in this show that stays awesome no matter what happens 👍👍
So Maya gave Nya her discipline and perfectionism, but not the passion behind it 😂 I like this, it's not your conventional master of water, although I'd say it's different from the impression she gave me back in HoT. Maybe this is how she is when she's not trapped for fifty years? 😅😅
Is it too much asking for Kai and Ray bonding while the water women get the work done? 😅😅
Is this the sequel of Green Eggs and Ham?
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Green Pancakes and Ham? 😂
Oh it's seaweed nevermind... at breakfast? I'm all for sushi rolls but this is a little 😅 Although since Maya missed their childhood she probably never cooked meals for them... how did I get myself sad 😢
Whoa, Maya is a strict teacher! I got flashbacks from my first and only dance lesson, teachers nitpicking every single pose, uuurrrggg I feel ya waterlily 😡
Again, not a fan of Misako, but coming from her the whole speech about wanting to be there for her child makes a lot of sense
Yes. YES.
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YEEEEESSSS KAI AND RAY FAMILY BONDING THIS IS EVERYTHING I'VE EVER WANTED I'M GETTING ALL OF MY WISHES GRANTED FOR THIS ONE ❤🔥❤🔥❤🔥❤🔥❤🔥❤
AND MY FLAME BABE IS SO GLAD HE GOT HIS PARENTS!!! 😭😭😭
Lol with Kai's new hair they look even more related 🤣
Ray also sounds so happy he gets to have his moment with his son 😢 I feel so blessed in this moment 👍
Also this scene makes a lot of sense. Nya grew up to be indipendent, one that succeed in most of stuff without problems, she built her life without any help and doesn't look for it. Kai grew up more insecure, he got some walls up but loves to take care of others and be taken care of. With a childhood lost he looks forward to a bit of softness ❤❤
Did Maya make real bacon for that sandwich? Do I smell some favoritism? 😅 Or maybe she really wants Nya to get onto the water mind setting idk 🤷‍♀️
Little tiny complain, why isn't Jay doing the fixing? Did he give up mechanics completely? It feels like we haven't seen him do tech stuff in so long, I miss techy boy in action 😞
And no, having to check on the bathroom doesn't count 😅
Aww robot date 💜🤍💜🤍
AAAHH ROBOT DISASTER 😱😱😱 ZANE DANG IT YOU WERE DOING SO GOOD NOT TRYING TO DIE IN THE LAST TWO SEASONS!!
Oh that was weird, weird magic purple wave thingie?
I DID NOT ASK FOR A SEASON WITH A BEST GIRL AT THE EXPENCE OF ANOTHER BEST GIRL PIX DON'T YOU DARE DO THIS TO ME 😱😱😱😱😱
"Well this is troubling." I love this samurai so freaking much 💜💜💜
GUYS THIS IS ONLY THE SECOND EPISODE, I'M A LITTLE SCARED NOW 😢
Okay Nya admitting that something's wrong looking so apologetic, girl you don't need to do that you already own my heart 😭
Alright, I'm guessing this is Wojira's power or something, and they will have to go down below and find out why... just throwing this in, maybe Maya did something? Because she wanted to finally be with her family and needed an excuse? JUST A THEORY WITH NO BASE I REALLY HOPE I'M WRONG!!!
Okay, two episodes and I'm BEYOND engaged, let's keep it up! 😍
UNSINKABLE
Getting an idea how this episode might end already 😂😂
Look, I love best girl Pixal, but I'm kinda sad that she seems to be the only one tinkering at this point. Like, I saw Nya fix little stuff, while Jay dropped engineering altogether, I miss my engineers team 😭
Aww, the guys didn't want to crush Pixal's dream of an unsinkable boat 💜 But honestly yeah, I agree with Cole, this might end badly 😅😅
Thank goodness
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I was worried they forgot about Jaya ❤💙❤💙 Jay is such a cutie omg
Nya: Mm, going on a potentially dangerous mission with unstable powers in the heart of my element or... mom's tofu pancakes... *yeets herself over the ship*
I'm making too many screenshots of the Smith family... WHO CARES THEY ARE BACK AND THEY ALL LOOK SO GOOD!!! 😍😍😍😍
Aww Ray wants to play with his son and his friends so CUTE ❤❤❤ Still can't believe they play Prime Empire after everything that went down 😂😂
Whoa whoa whoa, Kai and Cole are sitting this one out? That's actually interesting, I'm pretty sure I saw Cole's scuba suit in the sets though so I didn't expect it... lol it's actually kinda fair that the two that used to be afraid of water aren't going 😂😂
Bet Kai is happy to stay behind because he gets to spend time with his dad 😭
Also studying the fire elementals?? Uhm, yes please?? TELL ME EVERYTHING ABOUT MY FLAME BABE!!! 😍😍😍😍
I'm sure this one scene...
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... made so many lavashippers happy ❤🖤❤🖤 Cole you got Ray's blessing
Ninja team acting cool while Jay is being Jay, it's how it always goes, it's the entire show's description and I absolutely love it 😂 That wink though 💙
PIRATE ZANE IS BACK 😂😂😂 Haven't seen him since Possession, and this time he's not even malfunctioning 👌 Pixal is so done with his dorky boyfriend 😝
Of course Jay already has a ghost butler theory going on 😂
OF COURSE IT'S MAYA 😂😂
To be honest muffins would sold me too 😅 Not sure if she will make them out of tofu again though...
It's actually really interesting that we still haven't met the actual enemies, it does build up excitment! Very curious about these squid guys 👍
Well what do you know, the Unsinkable sank. Who would have thought?
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... yeah same, sorry Pix 😅
FIVE THOUSANDS FATHOMS DOWN
Aaaahhh, Nya fixing stuff! That's more like it!! 😍😍
Oww, that one speech, I've been waiting for so long for that! Maya just wants to catch up with her daughter and it's not her fault she was separated from her children, but Nya did everything on her own with Kai. Only fair she isn't seeking for her help right now... still sad 😢
Pff, with this ninja team there's not a moment of privacy 😂😂
Maya cleaning his future son-in-law's laundry what the HECK 😂😂😂 To be fair Jay has a bit of a history of having to change underwears during sea travels 😝
Zane was attached to a battery? When?... are you talking about that one scene in Prime Empire? Cause that's not really a flashback I wanna ha- whoops never mind got the flashback 😱
Maya looks more calm now, I think she's trying to act more reasonable and she's got good points 👍 I know people were a little weirded out by how more cheerful she looks in comparison to Hands of Time, but I think she gets the most serious and rational when time needs. That's actually fascinating of her 🤔
CALLING OUT AN ATTEMPTED MURDER
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THIS GIRL IS TOO GORGEOUS MY HEART CAN'T TAKE IT 🤩🤩🤩 Like my gosh that smirk, what the heck Pix 💜💜💜
Okay but Jay looking at Nya until the doors are completely closed?? CAN YOU FEEL MY JAYA HEART BEATING?? ❤💙❤💙
Whoa green gas I thought this was Nya's season 😂
MAYA WHY ARE YOU SAYING THIS STUFF YOU'RE SCARING ME 😱😱😱 I SWEAR LEGO IF YOU BROUGHT BACK WATER MOM JUST TO KILL HER OFF I'M GONNA SUE YOU 😭😭😭
I really REALLY like the atmosphere of the entrante of the temple! Super sealike and ancient! 🌊🌊🌊
Maya: off we go, into the spooky old temple! (Why does it feel like something Kai would say? 😂)
Oh gee, someone sleeping in the deep, who could that be? Coff Wojira coff
Whoa the jellyfishes look pretty lifelike!
HERE HE COMES
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WELCOME BACK GILES!!! ONCE AGAIN ON A LEGO SHOW I MISSED YOU SO MUCH YOU AND YOUR GODLIKE VOICE!!! 😍😍😍😍 Gosh he's a villain but he's got Clay's voice, how can I even try to hate him?? 😅
Alright, knocking down my water girls, that is pretty hateful material... BUT CLAAAYYY 💙💙💙
So they need the two amulets to wake up Wojira? Isn't one on the island? Fire dad and son coming to the rescue? WHO KNOWS BUT I'M ENJOYING THIS A LOT SO FAR KEEP GOING SEABOUND 😍😍😍
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maxwell-grant · 3 years
Note
One last one for the moment; top five superheroes who definitely AREN'T Pulp Heroes, but could be with a little tweaking?
Oof, that's a hard one. It's a hard one because, again, there ultimately isn't that much separation between the two to the point there's enough of a hard line in there to work with, but I guess the cat's out of the bag now that I've staked claims on there being differences between them.
Okay so, not counting superheroes who are deliberately modeled after actual pulp heroes, so no Tom Strong or Night Raven here. I'm sticking mainly with comic book superheroes (barring one oddball exception) since the medium separation is important), who I think could become pulp heroes with some tweaking.
5: Captain America
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Sort of cheating because I already covered it here, but I definitely have to include Captain America in here, especially in the stories they actively go for a "pulp" vibe as well as the earliest ones.
Fun fact about Marvel: As Timely, they actually began life as pulp publishers. Not just pulp publishers, but specializing in some of the sleaziest, ghastliest magazines of the era, and you can bet this carried over to their superheroes. Where as DC's superheroes took inspiration from the big pulp heroes such as The Shadow and Doc Savage, Timely's superheroes seemed instead much more inspired by Weird Tales stories and Poverty Row horror films, and even in the 60s, Marvel never really abandoned their horror roots, the trick was just using them as a baseline to create superheroes. In DC, the world's first contact with superheroes begins with the world looking in wonder at a friendly strongman. In Marvel, it began with the world looking in panicked horror at a flaming monster rampaging through the streets desperately trying to not burn everything it touches. It should come to little surprise then that the majority of characters I'm including in this list are Marvel characters.
People think Captain America's first comics largely consisted of him fighting Nazis left and right, but they were actually much more often based around him encountering monsters and creatures of horror, like the above panel where it looks like Cap's staring down the beginning of Berserk's Eclipse (RIP Miura).
The early Captain America comics pretty much consisted of Kirby dipping his toe into the monster comics he'd make in the 50s which would later bleed into the 60s Marvel entourage. They even tried repackaging Captain America into a horror anthology in the 50s titled "Captain America's Weird Tales", just imagine how different the character would be today if that somehow stuck.
Imagine a world where Steve Rogers never became leader of The Avengers, never got to become the shining beacon of heroism of an entire universe, and instead, when he was unfrosted, he woke up to find a world running rampant with crawling nightmares and Nazi tyranny, and he has no idea what's become of his former sidekick. That definitely sounds like the start of a promising pulp adventure.
4: Namor
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Another Timely creation. In Namor's case, he didn't so much encounter horrors from beyond imagination, as much as HE was the terrifying thing beyond us ready to rampage upon mankind, whose first on-screen act consists of the calculated slaughter of a ship full of innocents. The first true villain protagonist of comic books. Not just an anti-hero, a villain intent on wiping out the human race.
And not just a cardboard supervillain, but the beautiful prince of a race of ugly fish monsters, a momma's boy who's doing what he thinks is right by warring with surface dwellers. While Namor's become largely defined by his gargantuan arrogance, here, he's almost childlike, despite being much more brutal and villainous here, spurred on by the whims of his mother, who even acknowledges that Namor had no real reason to kill the divers but did so anyway, and now encourages him to genocide. His mom even tells him "Go now, to the land of white people!", and the very last panel of the story even states he's on a "crusade against white men".
The massacre of explorers at the hands of something beyond their understanding. A monster born of an interracial coupling. A race of fish monsters with bulging eyes, antagonistic towards humanity but are shown to have positive traits just the same. A dash of racism. There is no mistaking The Sub-Mariner's pulp horror influence.
A non-white superhuman warrior born from a Lovecraftian horror story, who gradually moves away from his villainous crusade into becoming more of an anti-hero, never truly putting aside his hatred for humanity, remaining a temperamental, unpredictable outcast, with a strong, palpable undercurrent of anger in his stories. I could very easily buy Namor as having crawled out of a Weird Tales story and I can't think of other superheroes whose origins are as steeped deeply in pulp horror.
3: Doctor Fate
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Technically we already have a pulp hero version of Doctor Fate in Doc Fate, and I'll get to him separately, but even besides him, the earliest Doctor Fate stories in particular feel very much like he's a character steeped in the worlds of pulp and pulp horror who decided to put on a superhero costume and show up in comic.
He's got a similar set-up to The Shadow, from the pulp Shadow in the sense that he's a mysterious, eerie crimefighter who dwells as a presence more often than an active character and who kills criminals without remorse, always watching and waiting for the right time to strike as a a wrathful old-testament force of vengeance, and from the radio Shadow due to him using superpowers to fight crime while being accompanied by a smart, fierce love interest.
Originally, Fate was not a sorcerer, but instead a scientist who discovered a way to manipulate atomic structure, of his and other things, thus making it appear that he can do magic (although we never see his face, and he's implied to be thousands of years old, before they settled on the Nabu origin). And going back to Lovecraft, a lot of it appears in the earliest Fate stories. Fate was given powers not by a sorcerer, but an alien worshipped as a god. He barely encounters traditional monsters, but instead contends with hidden races, zombie slaves, abandoned alien monoliths, and half man and half fish creatures. Fate may have actually been the very first pastiche of Lovecraft in pop culture.
And of course we can't forget the gloriousness of Doc Fate pulling an Indiana Jones on us.
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2: Wolverine
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I don't even think you'd have to tweak Wolverine at all. You'd just have to get him out of the costume and Avengers/X-Men associations (although the X-Men have a substantial background in pulp sci-fi stories like Slan and Odd John, so they aren't really at odds here), maybe tone down his powers a bit and, that's it. Logan's already the kind of character who has such a varied sandbox history, whose powers can lead to so many different scenarios, that it's not a stretch at all to picture Wolverine in the usual pulp hero scenarios.
You can have half-naked Wolverine running around in the jungle with animals Tarzan-style, take him to Savage Land if you wanna throw dinosaurs in there. He's already Marvel's foremost "wandering samurai/cowboy" character which was one of the stock and trade types of the pulps. Western? Done. Samurai? Done. Wuxia? Just put him in China and add a couple extra fantasy elements. Wanna make a sword and sorcery story with him? He already comes with a bunch of knives and savagery and ability to survive grisly injuries. Horror? The MCU is crawling with them, or alternatively, tell a story from the perspective of someone who's being hunted down by Wolverine. Wanna tell a detective/noir/post-apocalypse story? Logan's right there.
Wanna have him crossover with pulp heroes? He's lived through the 1800s and 1900s and traveled all over the world, you could feasibly have him meet up with just about any of them. Logan may actually be the purest example of your question, because he's very much not a Pulp Hero, and yet, he definitely feels like a character who could have been one, at just about any point in the history of pulp magazines. He's perfect for it.
1: Wario
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WAAA-okay, look, bear with me for a second here, I'm not just picking Wario because I love oddball choices and he's one of my favorite characters, I got some logic to this.
Okay so, the first question here: is Mario a superhero? While I'm usually adverse to calling characters prominent outside of comic books superheroes (hence why I'm definitely not interested in debating whether Harry Potter or Goku or Link or Frodo are superheroes), I do think it's a pretty shut case that, yes, Mario is a superhero. Superheroes don't just come in the form of skintight crimefighters, right from the start comic books have had varied types of superheroes appearing in comics and comic strips. For example, the "funny animal" superheroes are a type older than superhero comics, and they were arguably not only the most successful type of superhero of the 40s-50s era, but arguably defined trends dominating nonfunny animal superheroes, traits that predated or influenced Captain Marvel as well as Otto Binder's reshaping of Superman that defined much of superhero convention as we know it. It's part of why the question of "Is Sonic a superhero" has a very clear Yes as an answer.
So upon establishing that, yes, funny cartoon characters can be and are superheroes too, is Mario one? Well, I'd say yes. He's got an iconic uniform, he's got superpowers, he goes on fantastical adventures, he is both a nebulously general do-gooder as well as having a clear mission as protector of the Mushroom Kingdom. His adventures span multiple storytelling formats, he's got catchphrases, he even dresses up in Superman's colors and has a Super prefix iconically associated with him. Not a superhero the way we usually think of, but a superhero nonetheless.
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And Wario? Well, putting aside Wario-Man who's more of a running gag than anything, Wario does just about everything Mario does. He's got all the traits that define Mario as a superhero short of a Super prefix and the selfless mission (which isn't exactly a rule). He goes around and gets into crazy adventures, he picks up items, beats bad guys, conquers the odds, and gets some kind of prize for it. He's got Mario's physical traits, and Mario's costume, and just about the same name short of a single letter. The caveat being, of course, that he's Wario, and so everything Mario is or does has to be exaggerated to gross extreme.
Mario is paunchy and strong, Wario's round and built like a powerlifter. Mario's got a friendly face and a fluffy mustache, Wario's got a massive horrible grin and jagged razors for a stache. Mario is a bit of an overeater, Wario can and will eat anything in front of him. Mario gets around with acrobatics and magic power-ups, Wario brute forces his way through everything and just rolls with whatever injuries he picks up along the way.
Mario gets fire powers by consuming magic flowers. Wario sets himself on fire and barrels around destroying everything in his path. Mario harnesses the elements or abilities of beings around him to clear obstacles and solve puzzles, Wario gets turned into a zombie, a vampire or a drunk to get the same things done. Mario befriends and rides dinosaurs who raised him from infancy, Wario piledrives dinosaurs and then uses their bodies to beat up more dinosaurs. Mario pals around with fellow heroes, princesses and friendly fantasy creatures, Wario pals around with aliens, witches, mad scientists, cab drivers, and lanky weirdos. Mario always ends his adventures joyfully leaping to the next one, Wario usually ends up either cackling in a pile of treasure or completely broke.
Mario races through plains to rescue princesses, Wario invades pyramids to hunt for treasure. Mario jumps through planets with baby stars guiding his path, Wario crashes into the Amazon jungle and fistfights the devil. You can see where I'm going with this.
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If you were to take one of Nintendo's heroes to make them into pulp heroes, Wario, specifically the Wario Land Wario, may be the only one who really could do it, because in essence, he's the videogame equivalent of Professor Challenger. He's Bluto moonlighting as Indiana Jones, the weird brute adventurer for weird brute adventures where everything's off limits and you can trust our intrepid hero, who really shouldn't be a hero on all accounts, to deliver us a good time, give or take a couple deaths, scams, shams and oh-damns to complete said mad treasure hunts.
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A Cursed Reality- JJk x Male Reader (Ch.5)
This chapter is a little longer than usual and very dialogue heavy. (also plenty of swearing). Sorry if the scene is disappointing but I'm not super good at fight scenes and I'm hoping to develop them as I go on. Also if I made [Name] OP then everything would be over too quickly.
Let me know what you think about the chapter in the comments (or the tags!!) enjoy
Last || Next
Chapter Five:
“Kugisaki-chan. Be honest with me. On a scale of Gojo to Yuji how stupid do you think I am?”
“Eh? Do you really want me to answer that?”
“... Yes”
“If I had to pick an idiot I’d say Gojo-sensei. He at least has the brain power to understand jujutsu. I mean he’s a childish and immature old man who ignores what’s staring him right in his face but he wouldn’t ask me what animal the pink panther was.”
[Name] uttered out a confused thank you before thinking ‘I have got to stop starting conversations like this’
He almost never gets the answer he wants. It’s like as soon as he asks the question he becomes humanized and not a mysterious special grade sorcerer a few seconds from ending someone’s life for finishing off the fruit snacks. (Based on a true story. Gojo can confirm.)
“You’re welcome. Why’d you ask anyway?”
“Actually I think I’ll jinx it if I talk about it. Plus I don’t want you to think poorly of your ‘superiors’ but let’s just say there are people plotting behind my back and I’m wondering if I have idiot written across the top of my head”
“Okay... “
“On a lighter note, do you think any of the other first years know how close we are?”
“I was asked whether or not the Pink Panther was a lion and spoken to in 6 word sentences just yesterday. You’re the only person I can hang out with. The other two are people I spend time with”
“What about Maki?”
“That’s totally different. You should know you have a totally different relationship with Gojo and Inumaki.”
“Explain”
“You and Gojo fight and tease each other like siblings or something and you and Inumaki spend time alone. Together. And sometimes you like go out and eat food and stuff”
“You make it sound like we’re dating”
“You’re not?”
“No”
“Hmm”
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[Name] absolutely hates talking on the phone and everyone knows this. Facetime has been like a happy medium whenever people need to get in touch with him but it’s still extremely annoying to have to have a face to face conversation over the phone.
“Why are you calling me Gojo?”
“My precious little [Name] I was just checking up on you to see how your day off is going?”
“It was going fine until you called and interrupted my peace”
“Don’t be like that [Name] I know you miss me”
“As if- No puppy- WAIT!”
Gojo furrowed his eyebrows “[Name]-chan?”
“Hmm?”
“Since when do you have a pet?”
“I made Fushiguro give me one of his divine dogs”
“Aww. That’s so sweet of Megumi. But you can’t keep calling him puppy. Give him a real name”
“He does have a real name I call him yu-yu”
“So who were you calling Puppy?”
“...Yuji”
“.....”
“Don’t make it weird”
“It’s already weird”
“Look me in the camera and tell me he doesn’t remind you of like a golden retriever or somethin”
“You made several points but still”
“It’s supposed to be derogatory”
“It’s a pet name”
“He’s hyper, adorable and excitable. I’m pointing out the obvious. Me calling him puppy has the same energy as calling someone four eyes”
“It does not”
“....I have to go Yuji just found out about Megan Thee Stallion”
----------------------------------------------
“Are you a Fall out boy emo or like Lorde sad boy?”
“That’s a loaded question”
“It most definitely is” [Name] replied holding back laughter “But I can like, vibe to either one so just play whatever music you like and I’ll enhance the atmosphere.”
“...Okay”
That day was definitely the most relaxed Fushiguro had been in weeks, and [Name] learned some very interesting things about Fushiguro’s…. tastes. They definitely had some things in common.
-------------------------------------------------
“You’re sending me on a mission”
“Yes”
“Alone?”
“[L.Name] you’re a special grade sorcerer. You can handle a first-grade curse on your own”
“I most definitely can, but so can others. Both Gojo and Okkotsu are away on missions. Are you telling me in your expert wisdom, you’re making the choice to dispatch all of the Special Grade sorcerer’s for first-grade curses? What if something happens on home turf.”
“I assure you if there’s an attack on the school Principal Yaga can handle the threat.”
“I’m not talking about the school.”
There was a brief silence in which [Name] just stared “You have your orders”
“I do”
And [Name] absolutely did have his orders. Ones that aligned with his personal feelings. You see, a little while ago Gojo ordered [Name] to protect Yuji. And if anything were to happen to the precious angel, it would be the one day that both he and Gojo were away. Yaga cares more for the rules than Gojo or [Name]. That was one thing [Name] didn’t like about both Yaga and Nanami. They cared about the kids, but only to an extent. In their eyes the kids would die out or grow older but rules wouldn’t change, and Yuji’s life mattered less to them than the stagnant outdated rules.
The larger problem was whether or not [Name] was willing to face the consequences for not following orders from the “respected” higher ups. Then there was the whole issue of actual people being in danger and that wouldn’t go over well, not with the old assholes nor with [Name]’s conscience.
‘I fucking hate Satoru.’ [Name] thought as he set out to do actual work. Ever since he got sent on that mission he found himself caring for more and more people. If he was going to exorcise the curse and return to make sure Yuji and the others first years were all safe, he would have to race against the clock. There was no doubt in his mind that something was going to happen today and he knew Sukuna wouldn’t let Yuji die without a fight.
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“What the actual fuck is going on anymore?? THREE FIRST YEARS WERE SENT TO DEFEAT A WHAT?” [Name] yelled into the phone
“A cursed womb”
“Say it as it really is Ijichi! They were sent in to fight a fucking special grade curse. They’re barely equipped to fight a second grade curse, and it isn’t as if having you there is going to help them much”
Ijichi flinched at that. [Name] only went for low blows when he was pissed, and it was obvious pretty soon someone would have to face his wrath. And because he knew what was best for his safety and peace of mind, Ijichi answered [Name]’s question before he asked
“I warned them not to engage a special grade so they should be fine until you get here. I lowered the curtain myself so you’ll be able to get in. They’re at Eishu Juvenile Detention Center”
“I’ll be there in 10”
[Name] would probably make it in less time than that but he always made sure to be careful with making promises. There was always a chance he would run into some issues on the way there. Grabbing his things, he set out for the detention center hoping Nobara and Megumi were okay. Yuji was stronger than those two, though Megumi could be a suicidal idiot at times. If things got anymore serious they’d let Sukuna out, but that would be a whole other problem.
“Ijichi, i’m here”
“...[Name]”
“What?”
“Kugisaki is hurt. I'm driving back to the school.”
“If you’re driving back, why is the curtain still up?”
“Fushiguro went back in to deal with Sukuna who’s more than likely already taken care of the curse I recommend-”
[Name] hung up. “Fucking rule followers and their precious higher ups. And look what a mess I have to take care of” he said as he looked up at the curtain. He sighed and then walked through
“I don’t feel a curse- is that megumi” [Name] thought aloud
“He ain’t coming back” Sukuna teased “Don’t worry I’m in a good mood. Let’s talk”
“I’m not feeling particularly chatty” [Name] called out. Fushiguro and Sukuna turned to the second year in shock
“Fushiguro you should go”
“No. I’m not leaving you alone. And besides it’s my responsibility-”
“Do you think I’m here to kill Yuji?”
“...”
“I’m here to rescue your sorry asses. I was sent on a mission earlier and came back in a hurry to make sure you were okay. I’m a little sad I don’t get to meet the curse that hurt poor Kugisaki-chan but he’ll make do” [Name]’s voice became darker the longer he went on
“My fighting skill is nowhere near the level of Maki’s, but my cursed technique on the other hand… Don’t worry, Yuji’ll make it out alive”
Fushiguro hesitated. He trusted [Name], it was Sukuna who was the problem. The curse was cunning and took advantage of Fushiguro’s hesitation to enact his plan
“It seems he’s having a hard time changing back” Sukuna started “This must be a side effect of using me without restrictions. It’s most likely only a matter of time though… So i’ve been thinking about my next move.”
Before [Name] or Fushiguro could realize, Sukuna had ripped Yuji’s heart out, smiling as blood dripped out of his mouth and the gaping hole in his chest. The two of them froze. If he were at his best [Name] would’ve been able to stop Sukuna from continuing to monologue or even from swallowing another of his fingers. But he had defeated a first grade curse, dealt with the higher ups and rushed to the first years’ rescue within 3 hours.
Fushiguro seemed to follow the conversation as [Name] just stood there, his ears ringing as if he were standing too close to a bomb that went off.
“Itadori will return” Megumi said confidently “Even if it means his death. He’s that kind of guy”
And Megumi was right, [Name] knew of it. So he made a sacrifice. Fushiguro would have to deal with Sukuna while [Name] figured out what to do next. With two fingers Sukuna might’ve been able to resist [Name]’s compulsion. ‘No’ he thought ‘it would take a few more fingers before he was that strong.’
“Stop”
The both of them froze in place. There was a trail of blood running down Yuji’s chest but [Name] could tell Sukuna had done more damage to Megumi than Megumi had done to Yuji’s body
“Stay out of my way Megumi” [Name] said before looking in Sukuna’s eyes “Yuji, if you can hear me. I’m sorry”
“This brat’s not worth the effort” Sukuna smirked. He may not have been able to move but he was going to try and tempt the second year into losing his composure.
“Choke”
Sukuna began to gargle on the blood that was supposed to be pumping through Yuji’s body. Choking, he fell on the ground. Megumi’s eyes widened and he moved to say something but [Name] shot him a desperate, angry look picking up Yuji’s discarded heart shoving it into the empty cavity.
“Heal Him”
“It’s too late [Name]”
“Yuji?? No! NO! YUJI! SWITCH BACK I CAN MAKE HIM HEAL YOU”
“Megumi. [Name]. And Kugisaki and Gojo-sensei. Well I guess I don’t have to worry about him. Live a long life okay?” Yuji smiled as tears dripped onto his face
“I Heard A Rumor” [Name] whispered “That nothing happened and you were gonna be okay”
“What a nice rumor senpai” “Yuji whispered back before the light in his eyes faded
Fushiguro laid a hand on [Name]’s shoulder looking up to the sky as he tried to keep from crying. [Name] let out a pained scream shocking Fushiguro. Megumi wrapped his arms around [Name] trying to pull him up and meeting resistance Fushiguro just walked toward the exit before stopping. Without looking back he said “I’ll send Gojo to collect you both” and then walked off.
Gojo did come back to pick up the body and the shell shocked [Name] but when he showed up there was nothing there. As if the land behind the two had just up and walked away. Gojo wasn’t informed of [Name]’s rumor but assumed the boy did it out of rage. He was the only one able to wipe a location off the map so cleanly. What he didn’t realize that if the land had returned to its natural state as if nothing had ever happened, Yuji was bound to be okay
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supersickies · 3 years
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Summary: "Steve absolutely wasn’t nervous. Compared to every intense and grueling Avengers mission he’s completed, taking care of a sick kid was a walk in the park right? Except when this sick kid was also one of the most precious things within Tony Stark’s life and if anything were to happen to this boy there’s no doubt in Steve’s mind that Tony would dump him in an instant.
So no, Steve was not nervous at all."
OR
Tony has meetings, Steve has anxiety, and poor Peter just has a fever.
A/N: It’s Sicktember 2021! Very excited for this month and to see all of the amazing works! Not to mention it gives me an excuse and the motivation to write as many sickfics as I can! And let's see if I do because writer's block is too real right now :) Anyway thank you @sicktember for coming up with this month of prompts and I hope you all like this little fic! Read it here or click the link to read on AO3! 
Steve absolutely wasn’t nervous. Compared to every intense and grueling Avengers mission he’s completed, taking care of a sick kid was a walk in the park right? Except when this sick kid was also one of the most precious things within Tony Stark’s life and if anything were to happen to this boy there’s no doubt in Steve’s mind that Tony would dump him in an instant.
So no, Steve was not nervous at all.
Tony, however, could see right through the false confidence.
“Relax, Stevie! Good lord, I can feel you panicking from over here.” Tony jokes as he enters the living room and gathers his briefcase and Stark gadgets for his day of meetings.
Steve jolts a bit as he looks up at Tony. “Huh? I-I’m not panicking.”
“You were just glaring daggers into Petey over there, hon.” Tony points out, to which Steve just shrugs with a blush. “There’s really no need to worry Cap, the kid is probably just gonna sleep and cough a bit until I’m back, alright? And if he wakes up and gets antsy or something just heat up some of the soup I made and throw on Adventure Time. Pete’s an easy kid, I swear.”
Steve stands from his chair with a deep breath and nods in understanding. Tony strides over to the super-soldier and takes his face in his hands. “There’s no one I trust more with Peter than you. Except maybe Pepper, but she can literally do everything.”
Steve laughs at that and bends down to give Tony a quick peck on the lips. They break apart so Tony can give Peter’s hair a quick ruffle. His hand pauses on the boy’s forehead as he gauges his fever. His lips quirk downward, he does not love the temperature the kids running at the moment.
With a sigh, he stands up and walks hand in hand with Steve to the elevator. “I think his fever went up, so just keep an eye on that. Friday is down for maintenance so you’ll probably want to wake him up in a bit to take his temperature manually.” The elevator doors open and the super couple shares one last peck before Tony steps in. “I’m just thirty floors down! You’re gonna do great! I love you both!” Tony calls as the doors close and suddenly Steve is alone. Well, save for the snoring spider-teen on the couch.
Steve wanders back to the living room, nervously glancing at Peter as he does. The poor kid is basically in the exact opposite of his regular state. On a normal day, Peter was a bright ball of action, seemingly unable to stop talking or moving at all. But that wasn’t the Peter he saw now.
Instead, this Peter was silent. Sick. There’s an eerie ambiance in the air and Steve hates it.
So, to quell the weird vibe, he turns the tv to TCM, (un-ironically his favorite channel as the rest of the team loved to tease him about) and sets it at a low volume so he doesn’t wake the kid.
He’s just about to the end of an old western film when he hears Peter groan and shuffle around on the couch. The sick teen sits up wearily, his hair a mess and his eyes unfocused. Not to mention his cheeks are deeply flushed with fever, which has clearly gotten worse in the last forty-five minutes.
“S’eve?” Peter slurs as he spots the super solider.
Steve’s focus quickly turns to the kid, who looks undoubtedly sicker. “Hey, Pete. How you feeling, pal?” Stupid question, Rogers. He thinks to himself.
Peter sniffs and shivers with sudden chills. “Mm, n-not v’ry good.” His voice cracks as tears fill to his eyes. His sleep-addled brain catching up to and feeling the full effect of his feverish achy body. He can’t stop his breath as it hitches and the tears spill over. It just hurts so much.
Steve’s up and at the boy’s side almost inhumanly fast, doing his best to comfort him. Unfortunately, he’s no expert on Peter care (i.e, he’s not Tony). If there’s one thing he does know, however, is that you can never go wrong playing with the kid’s hair, which Steve had quickly learned by watching his boyfriend. And while Tony was the “Peter scalp massage pro”, Peter definitely wasn’t picky about who or how. The kid simply just wanted his hair touched.
So Steve did just that. The larger man was relieved to find that the action had the desired effect—Peter had calmed almost instantly, curling up against Steve’s side— but the super soldier was quickly fulled with nerves again as he felt the nearly scalding heat coming from the kid.
When Peter had relaxed enough, Steve grabbed the thermometer Tony had left on the coffee table. Peter spots the machine in Steve’s hand and opens his mouth, accustomed to the routine after being sick all day yesterday as well.
With the thermometer under his tongue, Peter lets his eyes close as they wait for the reading to be done. When it is, Peter lightly jumps at the beep before burrowing back into Steve’s side as the blonde takes the thermometer back and reads its results.
And while Peter looks peaceful once again, Steve is panicking. 103.5. Steve’s not a scientist but he knows that’s not a good temperature for the body to be.
“Friday can you- ah.” Oh, right. Steve remembers that the AI was down for maintenance. Instead, he looks around for his phone, ready to research exactly what he should do for a kid with a near brain-melting fever.
Steve bites the inside of his cheek as he, again, remembers. He doesn’t have a phone right now, as he sat with his last one in his back pocket and it cracked in half. He and Tony had laughed themselves to tears when it happened.
Steve wasn’t laughing now.
He’s thrown back into the moment as Peter groans again, another intense chill running through the kid’s frame. Poor kid must be freezing, Steve thinks.
Freezing.
With that realization, Steve is taken back to his teen years. The years he spent consistently sick and feverish like Peter is now. The years his Ma used to keep him in bed for days, wrapped in every blanket they had in their house.
Blankets!
Steve suddenly remembers how to treat a high fever. You sweat it out, duh. With a tiny smile at the memory of his Ma, he stands from the couch carefully and heads to Tony’s linen closet. He spots a soft looking quilt beside a thick fluffy throw and grabs the two, knowing that when paired with the blanket the kid was already wrapped in they would make the perfect fever banishing covers.
Peter is almost back to sleep when Steve returns, but he hears the man's footsteps and his eyes open again. Steve makes quick work of unfolding the blankets and laying them over Peter. The kid hums, content with the warmth of the added blanked combating his chills, and falls swiftly to sleep. It makes Steve smile, pleased with his ability to care for the sick spidering.
Steve was feeling pretty confident that Tony was going to be just as pleased.
______
Tony Stark was far from pleased.
He had excused himself from his meeting after an hour, intent on checking Peter’s vitals on his phone through the watch the boy wore on his wrist.
What he saw was less than ideal. In fact, it was terrifying. 104.3 should be Peter’s physics grade after perfectly completing extra credit for fun, not his kid’s body temperature. The mechanic bolts to the nearest elevator, paying no mind to the white-collar assholes who awaited his return. They didn’t matter, not when his kid’s brain was melting thirty floors up.
“Steve!” He shouts when the elevator doors finally open to the penthouse. The blonde jumps when he hears his name and his eyes widen as he sees his panicked boyfriend sprinting towards him.
“Tony wha-?”
“Where’s Peter, Steve? Where is he— is he okay?”
Still a bit flustered, Steve just points to the sleeping boy on the couch, still wrapped in the thick blankets. When Tony sees him, his eyes only go wider.
“What, are you trying to fucking roast him?” Tony asks, exasperated. Before Steve can answer, Tony begins removing the blankets from his kid. Cringing at the heat that wafts out from them as they go.
“I-I- his fever got higher! I was trying to help him sweat it out!” Steve stumbles through his explanation.
“Sweat it out? Jesus fuck what are you from the thir- oh my god you’re from the thirties.” Tony halts with the realization. Steve Rogers was borderline a complete stranger to modern medicine and comes from an era of absolute batshit home remedies. The man smoked cigarettes for his asthma for fucks sake.
“Okay, alrighty then. Steve do me a favor and go start a lukewarm bath for me please.” Tony orders in about the most anxiously calm voice Steve had ever heard.
“Okay but Tony-“
“Now please, Steven.” Tony demands once more. Steve gets the memo, fast, and quickly heads to Tony’s bathroom.
Shit.
_____
After a quick dip in the tub and a quick anxiety attack from Tony, Peter’s temperature is back down to a less dangerous level. He’s sat back on the couch in the lightest t-shirt and boxers he owns, sipping ice water through a straw with a fever patch stuck to his forehead. Maybe it was overkill, but you couldn’t tell Tony that.
When the boy's eyes begin to droop Tony takes the water from his hands and helps him lay back down.
“Comfy, bubba?” He asked in a hushed tone. Peter just nods and yawns as he closes his eyes and quickly drifts back to sleep. “Get some more sleep bud.” He hums softly, laying a thin—thin—blanket over his kid.
Steve watches the pair from afar, afraid to step in or offer any more “help”. He doubts Tony will even want to look at him after what he’s done. Which is why when Tony stands and turns to him, he immediately tenses. He’s ready to be yelled at, cursed at, probably dumped.
“C’mere.” Tony says, opening his arms to Steve, inviting him into a hug. The blonde is shocked, sure, but he accepts the hug quickly, silently thinking it could be his last with the man he’s come to love so much.
“Again, Stevie, I can hear you overthinking.” Tony mumbles against his boyfriend's shoulder. He pulls away from the hug and takes the man's hands, looking up at him. “All things considered, you did nothing wrong, hon.”
“Tony I just-“
“You just did what you thought was right. You didn’t know any better Steve.” Tony rebuts before Steve can even finish.
“I’m just…I’m really sorry Tony. You trusted me with your most important person and— I fucked up bad.” Steve apologizes.
“Woah there big guy!” Tony’s brows shoot up at the apology. “First off, language mister.” Tony teases, it makes Steve blush and a hint of a smile ghosts his lips. Tony sees that as a win. “Second, yes, you’re correct. Peter is incredibly important to me. He’s my kid, but you are my Steve!” Tony emphasizes, shaking Steve’s shoulders a bit as if it will help get the point across. “You are incredibly important to me too! You made a mistake, and guess what Steve, that’s human— you’re human!”
Steve smiles sadly and nods before looking back at Peter’s sleeping form on the couch, just double-checking that the kid was truly fine.
Tony huffs lightly, using his fingers to softly move Steve’s head so he’s looking at him again. “Look at me, love. Peter’s fine, you’re fine, I’m fine, and we are fine. Okay?”
Steve takes a deep breath, closing his eyes with a smile. “Okay.” He confirms quietly. He can feel Tony’s hands move to cup the sides of his cheeks as he’s brought into a deep kiss. It quells all of his anxieties. Tony is here, with him, and he’s not going anywher-
“Eeugh, y-you guys ‘re cute and stuff, but the PDA ’s kinda makin’ me nauseous.” Peter’s voice breaks their kiss. Both Avengers turn to the kid, their faces about as red as his feverish cheeks after getting caught.
Tony snorts. “Oh come on kiddie!” Tony pulls Steve’s face closer to his again, this time just peppering kisses across his face. “A man can’t show his boyfriend some love?”
The older men laugh until they hear a legitimate gag from Peter. “N-no I’m serious Mr. Stark—“ Gag. “I’m really nauseous.”
“Steven grab a trash can.” Tony prompts, the same anxiously calm demeanor back in his voice as before.
Steve wastes no time, sprinting to the closest receptacle. “On it!”
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madaras-housewife · 3 years
Text
Nighthawk
I’ve had this idea in my head for like 2 days and I wanted to put it on paper really badly so I wrote it on a whim. It’s poorly edited too so forgive me if there are any grammatical erorrs. 3 am vibes babyyyyy 
pairing: Madara Uchiha x reader
length: 1.8k
tw: none
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It wouldn’t be too contrived to compare Madara to the weather outside. He was a storm; majestic, grandiose and powerful. And yet, there he slept next to you, in the same bed you had been sharing for a while now. Had it been two years already? Your mind was too foggy to think about something even as simple as that; or maybe the pouring rain was at fault. It was almost too loud for you to hear your own thoughts, but you still heard them, nonetheless.
Somehow, you wished the rain could drown them out, the way you knew your newly planted crops would be soggy by morning. What a shame. Madara was going to be so disappointed after pestering you about planting a garden and having worked so hard on it. He had several skills, ranging from diplomacy to combat, but gardening was not one of them. Nevertheless, he insisted that it would be healthy for your growing family.
 Even though your husband was near you, the abrasive feeling of loneliness filled your bones. It was always this way when it stormed, wasn’t it? Especially that night. 
You turned your head to the side, squinting your eyes, but the room was too dark to see the clock. Carefully enough, you stood straight so as not to bother your man and rubbed your dry cheek. The thought of sleeping was way past you and, if you weren’t already certain about that, you definitely were when a billowing thunder roared so closely to you, you felt it rock your body with intensity. Before realising it, you recoiled and stubbornly balled your fists. 
That night marked five years since Izuna had died. You only met him a few times, before you and Madara had become a couple. It often felt like the Uchiha compound was empty, as if it was missing something. Would it have been odd to say that you were missing someone you barely even knew? That was not quite right. In fact, you knew a great deal about the younger brother from Madara’s stories about their childhood, their squabbles and frequent conflicts regarding war. At one point, it started consuming Izuna’s consciousness, warping it into something dangerous, something that not even his elder brother possessed at the time; desire for conflict. 
Whereas you counted years, Madara counted every day, even though he would never tell you that. It was obvious when he called that name in his sleep, almost every night, in a meek, broken voice that sounded nothing like the man you knew. If anything, he sounded like a scared child who wandered alone in the darkness. Even when you hurriedly draped your arms over him and clung onto him, his brows never fully unfurrowed. 
Not even when he slept was he at peace. 
Without realising, you turned your body to his side of the bed. Madara was sleeping on his back, soundly, as small snores parted his lips. He hated snoring and he swore he would never sleep in that position again, saying that shinobi must have control over themselves at all times. You smiled and promised yourself you wouldn’t mention it when morning came. All you wanted was to bend down to give him a small peck, but instead, you settled for brushing the hair out of his face, caressing his face so gently that you barely touched his skin. Your husband would usually wake up at the smallest touch, since you knew him as a light sleeper, but on that night, he seemed to be more tired than usual. Even in the darkness, you could make out that the creases below his eyes were a tad more prominent than usual. Peace was… exhausting sometimes, to say the least. 
A flash of lightning cracked the midnight sky into two, brightening the room enough for you to see that he had a slight frown on his face. Your hand pressed itself against his forehead until you felt the tension slowly disperse. Now he looked rather calm and stress-free, as if a burden had been lifted from him. He seemed to have many of those these days and they piled up, almost forming a wall between the two of you. Deep within your heart, you wondered if that wall would become impenetrable, if you wouldn’t be able to reach him anymore. 
You truly wished Izuna had been there instead. Though it was nothing more than an oversimplified solution to the numerous problems you and Madara faced(when, in fact, it wouldn’t even be that anymore, now that his little brother had been gone for so long), you liked to think that he could make your husband happy, happier than you made him. The comparison felt silly, unfair and unwarranted. You even felt selfish for thinking such a thing. Despite rarely ever showing it, his stares had grown a little fonder and his hugs a bit tighter since he received the news, and it was your candle of hope during the grim days, when he chose solidarity over comfort, working all night long, going on missions only to separate himself from the village and the clan which had caused him so much pain. 
There would soon be another source of joy in his life and you wondered if you were up to the task. It was something that you had been ruminating over for months, but couldn’t quite put into words until now, though not exactly sure why. Maybe the chaotic life of inhabiting a shinobi clan had made it more difficult for you to truly look at yourself, to see what was inside. So instead, you chose to lash out at your husband again and again, until your anger poisoned him and all the patience he mustered for both of your sakes. But you were blessed with a headstrong man, who, in all that vast sea of insecurities and responsibilities, rarely ever mistreated your heart. Especially lately, when Madara had been sharing the same fears as you did. 
On the other hand, Madara didn’t take out his anger on you the way you did. He lets all his fury simmer, lets all his misgivings haunt him, until everything builds up to a tempestuous wrath which befalls him out of thin air. That was how he was taught, and it was one of the few lessons from his father, Tajima, which he didn’t reject. It was what his father had left him with, besides agonizing memories of war. However, when his last sibling passed away, it seemed as if all of Izuna’s own burdens were passed down, leaving him with double, maybe even triple the cargo(or maybe, you couldn’t really quantify suffering in mere numbers, the same way you couldn’t with words). 
Madara’s shoulders were heavier. You felt it every day, when you gave him the regular massage in the evening. What was it that you promised him on your wedding day? (It was hard to remember, now that so much had happened.) You promised him you would always be his pillar, so that he wouldn’t tumble when it was too dim to see what was ahead of him, (in reality, no one could ever see what was ahead of them; one can only row the boat facing backwards), but marriage wasn’t as simple as that. If love is controlling, then wedlock is a dictator. It demands a home, sex, patience, shared meals, babies, empathy and eternity.  
Another thunder roared mercilessly, making the earth quake below you. Sucking in a sharp breath, you wrapped your arms around yourself, cradling your stomach. The disagreements had become too frequent, the scowls too obstinate and the distance between you too lengthy. How long would it be until you completely failed, until you wouldn’t be an adequate wife for Madara Uchiha anymore? Until you weren’t fit to carry his children? 
The rain now hammered the ground, like a deafening fusillade of bullets and, in a moment of insanity, you thought it was taunting you, mocking you. It was so loud that you didn’t even hear the raspy groan next to you, until you felt a hand on your forearm.
“Can’t rest?”. His dozy voice seemed to have pulled you out of your disquiet pitfall of thoughts. Without facing him, you shook your head. The lump in your throat was too thick to even open your mouth. 
Your husband then grabbed your shoulder and gently pulled you down, until your back hit the now-cold sheets. For a split second, you glanced at his face and noticed that his half-lidded eyes were locked on your belly, but as soon as he felt you looking at him, he stared back. When Madara noticed your pursed lips and glimmering eyes, he sluggishly crawled closer to you, turning you on your side until his chest was pressed against your back. Wrapping his arm around you, you heard him inhaling deeply into your messy hair. 
You eased into your man’s embrace. “Did I wake you up?”
“No. Now come sleep.”, Madara said. 
You meekly nodded, pushing yourself against his warm body, the worries gradually dissolving into nothing more than what looked like particles of dust, ready to be washed away by the rain. But when he didn’t hear you reply, he placed a deep kiss on your soft spot, the crevasse between your neck and shoulder. 
“You’re going to be a great mother, you know. I love you.” 
Could he have read your mind? You didn’t know, but you also didn’t care about the answer. You were at home, exactly where you needed to be, with the person you needed. In that moment, you realised that Madara was going to be a great father, too.
“I love you too.” 
Your husband always knew the right words to say; it was as if he could hear you even when you didn’t speak, mainly when you didn’t even want to. It might be that he just understood you that well. After all, he had a knack for reading people. Sometimes you would curse that talent of his, but it was in rare moments such as those when you were infinitely thankful for it, for it all.
It wouldn’t be too contrived to compare Madara to a storm. He was a majestic thunder in the sky, capricious, striking fear and admiration into your heart; a grandiose ocean which didn’t fall from the sky, but was driven, torrential, carving mountains and earth to his own pleasure, omniscient, poised; the powerful wind, howling loudly, as if yearning for a melody to sing his tune, bending trees and tearing houses in his way, almost seeking to outrun everyone else, until he felt forlorn. The floods were promised, the might of nature had already been unleashed, but there would be sunshine and warmth by morning.
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timerainseternal · 4 years
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This AU idea absolutely will not leave me alone unless I write it down, so here it is: Dolores is not a mannequin, but instead one of the 43, and is adopted by the Handler along with Lila.
Dolores is not a hard baby to get, since she’s abandoned the moment she’s born by a nearby orphanage. The only thing the Handler needs to do is be quicker than Reginald in her baby-snatching, and she has the power of time travel on her side. Dolores is gone before a single member of the orphanage staff even notices that she’s there.
Unfortunately, the Handler is not good at childcare, especially not for a child that cries almost constantly. She pawns Dolores off to extremely awkward agents, and this does not help matters at all.
It turns out that this is because Dolores.
a) is deaf
b) her power is to read minds/emotions.
(This power does not mix well with time-travelling assassins.)
So the Handler...well, she doesn’t give up on Dolores, because that is still a useful power, but she leaves her to her own devices as much as possible while also still retaining the title of mother for the purpose of loyalty. It wouldn’t do to have Dolores go and read her mind, now would it? And the poor dear does it automatically, with no way to turn it off. A pity.
I’m going to put a read more, because this will get long!
So, Dolores grows up a little, and keeps out of the way of the agents when she can. Their thoughts are all dark and swirling and confusing, and they make her want to hide. Dolores can’t turn it off, but she learns how to keep it to the surface thoughts, and then how to turn them to background noise, easily ignorable. She also learns how to read and do sign language, and spends much of her time doing that in her room or other out-of-the-way places.
(Her favorite book is The Secret Garden, which I have not read (or if I did it was when I was like 8), but the vibes I get from it are perfect, so I’m including this factoid.)
When she does run into people, they’re often angry or dismissive, and so she learns how to be sweet and disarming. She can see people’s thoughts, after all, and she can see both the way that she can hurt the people who do interact with her, which feels bad, and what they want to hear from her. She still mostly stays away from people, and still is mostly ignored, but the people she does interact with think she’s the most kind and positive person they’ve met. The Handler especially likes to hear what she wants to hear.
Then, when she’s six, the Handler brings home another child. Lila is four years old when she comes to the Commission, and when they’re introduced, she copies Dolores’ power and immediately begins crying.
(Dolores doesn’t notice it much, but something is slightly off about the way her sister comes into her life. Her mother’s thoughts are a little different than usual, her outfit isn’t what she was wearing just a little earlier, and when she sees Lila again later in her office, the feeling is not one of a newly formed familiarity, but of meeting for the first time, and of surprise.)
Their introduction and siblinghood is therefore a slow sort of thing, where Lila learns how to not automatically copy Dolores’ power, but instead do it on command (the Handler’s command).
Once they get over the initial hurdles, though, they become fast friends and sisters. Lila is the Handler’s favorite, and in a sense only needs Dolores as something for her to copy. This actually works well for everyone, since Dolores was always acutely aware of the disappointment she was to the Handler, and both wanted to do better and wanted the attention taken off of her. Lila and Dolores spend their days separately, with Lila doing training and other activities while Dolores continues to spend time alone, but they spend evenings together sharing stories about their days. After an argument escalates to a week of silence, they promise each other to never read each other’s mind, not in the deep way.
(This is kind of like a Luther and Vanya friendship, if it was just the two of them and Luther was more excitable and Vanya was happier being left alone.)
(Also, Dolores knows that the Handler is a bad person, but everyone she’s met has been a bad (and/or deeply hurt) person except for Lila, and she doesn’t want to dash Lila’s hopes by telling her. Lila, on her part, isn’t supposed to read minds except on missions, and definitely isn’t allowed to read the Handler’s mind, at least not without express permission.)
Then, when Dolores is thirteen, she feels Dot ping something unusual. Something--no, someone--just landed in the Apocalypse.
Nobody notices as little Dolores, quiet in every way, sneaks into the Infinite Switchboard room. She knows how to use it, she grew up in the Commission and can read minds, of course she does. She pulls up a day about a year into the Apocalypse, not too close to the day itself, since she doesn’t know exactly when they land.
And there’s a boy.
He’s in a school uniform, and he's writing something on a wall in chalk. Math. Complicated equations, ones she doesn’t understand. His hands begin to shake as she watches, and he drops the chalk and hugs himself, trying to stop the trembling that has taken over his body. He looks sad, looks desperate in a way that Dolores both does and does not recognize.
She feels someone coming back, so she returns the Switchboard to its previous position and leaves, still thinking about this mysterious, sad boy.
From then on, they grow up some, all three of them. Lila becomes more skilled, more confident, and begins to go on missions, just some small ones. She glows when she gets back from these intelligence-gathering missions, giving Dolores a step-by-step reenactment. Dolores still sneaks into the Infinite Switchboard when she can, watching this boy grow up, admiring his perseverance when he can’t know there’s anyone else watching him, cheering him on. And Dolores adds math and science textbooks to her reading material, teaches herself what this boy already seems to know, wanting to reach through the screen to help, to catch the errors in his math that slip by him that he only catches days later and leave him to tear his work down and scream.
And it isn’t like Dolores knows him, really. He doesn’t know her. She doesn’t spend every day thinking about him, not even when he jumps in a blue warp that reminds her of the briefcases and realizes that he’s like Lila and her, he’s special. It’s just that she looks at him and sees something of herself, something the same achingly sort of lonely even though their situations are so different, and unlike with every other point in history, she knows that just her being there would help. She wants to help.
And, when they’re in their early twenties, when she catches a glimpse in the Handler’s mind about his potential, about what a wonderful killer he’ll be once he’s broken enough to accept a deal without question, ready to be molded to obedience, Dolores asks for him personally.
Dolores has never asked for much, and she knows the Handler has written her off as a mouse in a hawk’s den, a soft little cuckoo bird in an unfit environment. She doesn’t know that Dolores is a hawk too. She writes it off as a voyeuristic sort of crush from a quiet little girl, and moves up her timetable. After all, even if Dolores is harmless, she still knows enough to be a threat in the wrong hands, so it’s better to keep her close and content.
So the Handler brings Five to the Commission, and when the Handler finally leaves him to himself, when he’s clean and in fresh clothes for the first time in a decade, there’s a knock at the door.
Dolores has written a pre-prepared speech for him to read, about how she’s been watching him--in a not-creepy way, she promises--how she wanted to save him from the Apocalypse, how she had powers like him, how she can’t hear him, and how he had added the wrong columns in his last equation and he was now powers of magnitude off.
And as he reads it, brow furrowed in concentration and surprise, Dolores is overwhelmed by his emotions. His thoughts are whirling, and he’s definitely smart--maybe even as smart as her--but it’s the depth of his love and loyalty and determination for his family that gets to her. She loves Lila, and Lila loves her, but she’s never felt anything quite this strong, and strongly positive. Maybe it was the isolation or the survivor’s guilt or the need for a mission, or maybe it’s just all him, but she’s captivated.
When he reaches the end, he raises his eyebrows at her and mentally runs through his calculations, huffing in surprise when he realizes that she’s right, and that she noticed.
So, Five still becomes an assassin, but he also becomes Dolores’ friend.
Five learns sign language, and when he gets back from missions or takes a (probably medically necessary) break, they talk about math or books or the Commission or nothing at all. Sometimes they talk about his family, and Dolores gains all the blackmail available on his siblings from the first thirteen years of his life.
There are also times that he comes back from a mission looking haunted, and Dolores does what she can to make him feel better, to prevent him from falling the way so many other Commission recruits had into cruelty or depression or apathy. He has his darkness, and she knows it, can see it, but it doesn’t bother her. Why would it?
Five also doesn’t stop working on finding his own time travel equations. He hasn’t said much on the topic, and Dolores knows that if he has to leave her to save his family, he will. She also knows that he doesn’t want to leave her either.
It’s on one of their nights of math, one where they’re arguing about which model to use for some calculation or other, and he’s just not getting it, and she just sort of pushes at him, to make him understand, and he pauses mid-rant. He never does that.
He had heard her voice in his head, he tells her.
After that they work on mental communication when they can, use sign language other times, and things move on. Sometimes they sit together and read, making little mental comments to another as something interesting or stupid happens in their novel.
Dolores also begins to question the Commission, something she had never really done before. She had never really thought to question it, despite knowing that there was a whole world she had never been to that didn’t even know the Commission existed. What if...the timeline didn’t need to be fixed, didn’t need to lead to the Apocalypse? If the Commission wasn’t all-powerful, which Dolores knew it wasn’t, then what if she could do something about it?
So one night after Five gets back from a mission, tired and withdrawn and covered in blood, Dolores tells him that she’s coming with him. He smiles like sunshine, and she knows she chose right. The Handler could never look at her that way, she could never love something so truly, so deeply.
And Dolores knows then that she loves him, asks him a few nights later if he’d be interested in going out with her--no pressure if he doesn’t, she values his friendship more than anything, won’t leave him to himself or tell the Handler about his equations if he doesn’t want to--and his smile then is shy, and he doesn’t look at her as he accepts.
Lila does not like Five, never has, and does even less when she finds out that they’re dating. She says Five is stealing Dolores away, that he’s not good enough for her, that he’s not special even though he has powers like them.
(The Handler has the same opinion. Dolores is becoming too independent. She can see a secret rebellion in her eyes, can see the way Dolores is pulling away from her and towards Five, that pet project that kept going a bit wrong. It’s not hard to show Lila the same thing.)
(It’s also not hard to give Five a special assignment, a secret mission watched over directly by her. There’s a child that’s now an orphan, poor thing, it wouldn’t do to leave her. She takes the girl back, not only to the Commission, but two decades in the past as well. She smiles a shark grin when she leaves the child in the office of her past self, only just restraining the urge to break its bones, to go find herself and break her own bones. This girl, Lila, is and will be the perfect weapon in every way.)
Dolores tries to build bridges between Lila and Five, but it doesn’t work, and since she knows that Lila is loyal to the Commission, wouldn’t stand the plan they’re hatching, she pulls away from Lila.
Also I like to think they take an actual vacation (Five, waiting for your flesh wounds to heal does not count) and get married at some point in history. Who knows when! I don’t, but I know it’s very cute. They  call each other “husband” and “wife” for a full month afterwards without ever using their spouse’s given name(/number). I love them so much.
And then, one day, they crack the code. They can’t travel with the briefcases, since those leave traces for a few days that can be tracked. Also, when an agent is in the field disrupting the time stream, the Infinite Switchboard gets a bit hazy and fuzzy because it needs to recalibrate and calculate about the new timeline that’s being created, so they won’t be able to be tracked for a while that way either.
(Me, answering the plot hole that the show didn’t bother to cover of why they needed to put a tracker on Five when they had the Infinite Switchboard, and also why they lost them ever???)
(Also this is why they go to 2019 like a week before the Apocalypse, because that’s about how long the Infinite Switchboard will cover their tracks and the Commission has to go in blind. Also also that’s when Harry Janky shows up and if they just stop him from meeting Vanya things should be mostly okay, and then after the Apocalypse doesn’t happen things should be more or less set (maybe, time travel in this show is weird).)
It is now that they gather information on the Apocalypse, stealing the file from Dot. Though Dolores had been able to use the Switchboard to view the aftermath of the Apocalypse, the event itself was locked, only accessible to a higher management that was never around. The Handler had access, of course, but she had used her time training Lila to train her own thoughts as well, and the probing necessary to find the information, either the codes or the details of the event, would have alerted her and ended their plan there.
Five learns that his favorite sister causes the Apocalypse :(
This is actually a real blow, but seeing the way that Harold Jenkins and the Commission manipulated the situation helps him reckon with it, and while it’s still a lot on Vanya, it’s not like it’s just her at fault. And besides, when he messed with his powers he ended up stranded in a post-apocalyptic future and then ended up working as an assassin, so he understands about the unintended consequences of their powers and also committing mass violence. He can also get therapy about it after the world is saved, which he won’t, but he could.
They have the information they need, they’ve got the equations worked out, and Five is opening the portal when Lila walks in on them. (I guess Dolores either took another briefcase to the Kennedy assassination or just hopped a ride on Five’s, or maybe they went somewhere else completely. It’s not really relevant.)
Lila Is Not Happy.
There’s a bit of a fight, and Lila is too late to stop them from going through the portal, but she’s been practicing with Dolores’ power, and though she hadn’t realized about the mental communication, she had found another aspect of the power: removing/suppressing memories.
So, as they go through, Lila erases their memories of what causes the Apocalypse: Vanya, her powers, Harold. She doesn’t get the eye or Five’s time in the Apocalypse because she’s just erasing those recent memories, not those old, cemented, formative ones. She also messes up the equations, just by a decimal or two. Later, she couldn’t tell you if that was an accident or not.
(Then she gets beaned in the head with a fire extinguisher, just for the fun of it)
(Also all of this is because I realized that if Dolores could find Five with the Switchboard she could see the Apocalypse and they could just avoid the whole mystery mess of season 1, which I did not want. I just wanted season 1 + Dolores, so I had to scramble to fix that, lol)
So, the Hargreeves siblings, all 5.5 of them, run outside to see a glowing blue portal, and their thirteen-year-old brother who had been missing for seventeen years falls through, looking the same and accompanied by a thirteen-year-old-girl who, after a minute of confusion and frustration, he introduces as his wife. Also there’s going to be an Apocalypse
(I have just realized that I have capitalized “apocalypse” the whole time and I don’t think that’s right, but I’ve been writing this for a while and I don’t wanna go back and fix it)
So yeah, then it’s season 1 + Dolores and maybe Lila!
I 0% have it in me to write anything about that right now, and my idea has mostly been on what I’ve already written, so that’s where this ends for now.
So, yeah! That idea just would not leave me alone, so I had to write it out. I always have more to say about it, and I’d love to see other people’s thoughts!
Oh, and one final thought that didn’t fit in to the narrative but I desperately have to include it:
As adults or as children, everyone looks at Five and Dolores, sees the annoyed and blunt boy and the kind and positive girl, and they think they know which one of them is the pessimist and which one is the optimist. They are wrong.
Listen, Dolores heard the thoughts of assassins for her whole life and saw the hurt or the cruelty that came with it, and intimately knows the worst things about humanity. Five lasted in the Apocalypse (for like ten years in this, but we know in canon he had it in him to go to forty and beyond) on nothing but willpower, a love for his siblings, and a belief that he could make things better.
It’s one of Dolores’ favorite things about him
She brings this up in conversation at a family dinner one night after things are all settled and the siblings all lose their goddamn minds
Five is very embarrassed by this
It’s lovely
And another actually final unrelated thing, Dolores gets him in his twenties because of the line in the show about them being together for “thirty years” when he was in the Apocalypse for forty, meaning they “got together” in his twenties. In this case it’s a more literal, physical “getting together” (aka meeting in person) than a romantic one
(This also means, depending on how you skew the timeline of this, that Dolores and Five are around the same age as the other Hargreeves when they go to 2019)
(Well, physically they’re thirteen, but still. I just think it’s funny that they could go down such different time paths and end up in pretty much the same relative spot)
Anyway, thanks for reading this far (an impressive feat), and I hope you enjoyed it!
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grigori77 · 3 years
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2020 in Movies - My Top 30 Fave Movies (Part 3)
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10.  WOLFWALKERS – eleven years ago, Irish director Tomm Moore exploded onto the animated cinema scene with The Secret of Kells, a spellbinding feature debut which captivated audiences the world over and even garnered an Oscar nomination.  Admittedly I didn’t actually even know about it until I discovered his work through his astonishing follow-up, Song of the Sea (another Academy Award nominee), in 2015, so when I finally caught it I was already a fan of Moore’s work.  It’s been a similarly long wait for his third feature, but he’s genuinely pulled off a hat-trick, delivering a third flawless film in a row which OF COURSE means that his latest feature is, beyond a shadow of a doubt, my top animated feature of 2020.  I could even be tempted to say it’s his best work to date … this is an ASTONISHING film, a work of such breath-taking, spell-binding beauty that I spent its entire hour and three-quarters glued to the screen, simple mesmerised by the wonder and majesty of this latest iteration of the characteristically stylised “Cartoon Saloon” look.  It’s also liberally steeped in Moore’s trademark Celtic vibe and atmosphere, once again delving deep into his homeland’s rich and evocative cultural history and mythology while also bringing us something far more original and personal – this time the titular supernatural beings are magical near-human beings whose own subconscious can assume the form of very real wolves.  Set in a particularly dark time in Irish history – namely 1650, when Oliver Cromwell was Lord Protector – the story follows Robyn (Honor Kneafsey, probably best known for the Christmas Prince films), the impetuous and spirited young daughter of English hunter Bill Goodfellowe (Sean Bean), brought in by the Protectorate to rid the city of Kilkenny of the wolves plaguing the area.  One day fate intervenes and Robyn meets Mebh Og MacTire (The Girl at the End of the Garden‘s Eve Whittaker), a wild girl living in the woods, whose accidental bite gives her strange dreams in which she becomes a wolf – turns out Mebh is a wolfwalker, and now so is Robyn … every aspect of this film is an utter triumph for Moore and co, who have crafted a work of living, breathing cinematic art that’s easily the equal to (if not even better than) the best that Disney, Dreamworks or any of the other animation studios could create.  Then there’s the excellent voice cast – Bean brings fatherly warmth and compassion to the role that belies his character’s intimidating size, while Kneafsey and Whittaker make for a sweet and sassy pair as they bond in spite of powerful cultural differences, and the masterful Simon McBurney (Harry Potter, Mission: Impossible – Rogue Nation, Tinker Tailor Soldier Spy) brings cool, understated menace to the role of Cromwell himself.  This is a film with plenty of emotional heft to go with its marvels, and once again displays the welcome dark side which added particular spice to Moore’s previous films, but ultimately this is still a gentle and heartfelt work of wonder that makes for equally suitable viewing for children as for those who are still kids at heart – ultimately, then, this is another triumph for one of the most singularly original filmmakers working in animation today, and if Wolfwalkers doesn’t make it third time lucky come Oscars-time then there’s no justice in the world …
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9.  WONDER WOMAN 1984 – probably the biggest change for 2020 compared to pretty much all of the past decade is how different the fortunes of superhero cinema turned out to be.  A year earlier the Marvel Cinematic Universe had dominated all, but the DC Extended Universe still got a good hit in with big surprise hit Shazam!  Fast-forward to now and things are VERY different – DC suddenly came out in the lead, but only because Marvel’s intended heavy-hitters (two MCU movies, the first Venom sequel and potential hot-shit new franchise starter Morbius: the Living Vampire) found themselves continuously pushed back thanks to (back then) unforeseen circumstances which continue to shit all over our theatre-going slate for the immediate future.  In the end DC’s only SERIOUS competition turned out to be NETFLIX … never mind, at least we got ONE big established superhero blockbuster into the cinemas before the end of the year that the whole family could enjoy, and who better to headline it than DC’s “newest” big screen megastar, Diana Prince? Back in 2017 Monster’s Ball director Patty Jenkins’ monumental DCEU standalone spectacularly realigned the trajectory of a cinematic franchise that was visibly flagging, redesigning the template for the series’ future which has since led to some (mostly) consistently impressive subsequent offerings.  Needless to say it was a damn tough act to follow, but Jenkins and co-writers Geoff Johns (Arrow and The Flash) and David Callaham (The Expendables, Zombieland: Double Tap, future MCU entry Shang-Chi & the Legend of the Ten Rings) have risen to the challenge in fine style, delivering something which pretty much equals that spectacular franchise debut … as has Gal Gadot, who’s now OFFICIALLY made the role her own thanks to yet another showstopping and definitive performance as the unstoppable Amazonian goddess living amongst us.  She’s older and wiser than in the first film, but still hasn’t lost that forthright honesty and wonderfully pure heart we’ve come to love ever since her introduction in Zack Snyder’s troublesome but ultimately underrated Batman V Superman: Dawn of Justice (yes, that’s right, I said it!), and Gadot’s clear, overwhelming commitment to the role continues to pay off magnificently as she once again proves that Diana is THE VERY BEST superhero in the DCEU cinematic pantheon.  Although it takes place several decades after its predecessor, WW84 is, obviously, still very much a period piece, Jenkins and co this time perfectly capturing the sheer opulent and over-the-top tastelessness of the 1980s in all its big-haired, bad-suited, oversized shoulder-padded glory while telling a story that encapsulates the greedy excessiveness of the Reagan era, perfectly embodied in the film’s nominal villain, Max Lord (The Mandalorian himself, Pedro Pascal), a wishy-washy wannabe oil tycoon conman who chances upon a supercharged wish-rock and unleashes a devastating supernatural “monkey’s paw” upon the world. To say any more would give away a whole raft of spectacular twists and turns that deserve to be enjoyed good and cold, although they did spoil one major surprise in the trailer when they teased the return of Diana’s first love, Steve Trevor (Chris Pine) … needless to say this is another big blockbuster bursting with big characters, big action and BIG IDEAS, just what we’ve come to expect after Wonder Woman’s first triumphant big screen adventure.  Interestingly, the film starts out feeling like it’s going to be a bubbly, light, frothy affair – after a particularly stunning all-action opening flashback to Diana’s childhood on Themyscira, the film proper kicks off with a bright and breezy atmosphere that feels a bit like the kind of Saturday morning cartoon action the consistently impressive set-pieces take such unfettered joy in parodying, but as the stakes are raised the tone grows darker and more emotionally potent, the storm clouds gathering for a spectacularly epic climax that, for once, doesn’t feel too overblown or weighed down by its visual effects, while the intelligent script has unfathomable hidden depths to it, making us think far more than these kinds of blockbusters usually do.  It’s really great to see Chris Pine return since he was one of the best things about the first movie, and his lovably childlike wide-eyed wonder at this brave new world perfectly echoes Diana’s own last time round; Kristen Wiig, meanwhile, is pretty phenomenal throughout as Dr Barbara Minerva, the initially geeky and timid nerd who discovers an impressive inner strength but ultimately turns into a superpowered apex predator as she becomes one of Wonder Woman’s most infamous foes, the Cheetah; Pascal, of course, is clearly having the time of his life hamming it up to the hilt as Lord, playing gloriously against his effortlessly cool, charismatic action hero image to deliver a compellingly troubling examination of the monstrous corrupting influence of absolute power.  Once again, though, the film truly belongs to Gadot – she looks amazing, acts her socks off magnificently, and totally rules the movie.  After this, a second sequel is a no-brainer, because Wonder Woman remains the one DC superhero who’s truly capable of bearing the weight of this particular cinematic franchise on her powerful shoulders – needless to say, it’s already been greenlit, and with both Jenkins and Gadot onboard, I’m happy to sign up for more too …
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8.  LOVE & MONSTERS – with the cinemas continuing their frustrating habit of opening for a little while and then closing while the pandemic ebbed and flowed in the months after the summer season, it was starting to look like there might not have been ANY big budget blockbusters to enjoy before year’s end as heavyweights like Black Widow, No Time To Die and Dune pulled back to potentially more certain release slots into 2021 (with only WW84 remaining stubbornly in place for Christmas).  Then Paramount decided to throw us a bone, opting to release this post-apocalyptic horror comedy on-demand in October instead, thus giving me the perfect little present to tie me over during the darkening days of autumn. The end result was a stone-cold gem that came out of nowhere to completely blow critics away, a spectacular sleeper hit that ultimately proved one of the year’s biggest and most brilliant surprises.  Director Michael Matthews may only have had South African indie thriller Five Fingers for Marseilles under his belt prior to this, but he proves he’s definitely a solid talent to watch in the future, crafting a fun and effective thrill-ride that, like all the best horror comedies, is consistently as funny as it is scary, sharing much of the same DNA as this particular mash-up genre’s classics like Tremors and Zombieland and standing up impressively well to such comparisons.  The story, penned by rising star Brian Duffield (who has TWO other entries on this list, Underwater and Spontaneous) and Matthew Robinson (The Invention of Lying, Dora & the Lost City of Gold), is also pretty ingenious and surprisingly original – a meteorite strike has unleashed weird mutagenic pathogens that warp various creepy crawly critters into gigantic monstrosities that have slaughter most of the world’s human population, leaving only a beleaguered, dwindling few to eke out a precarious living in underground colonies. Living in one such makeshift community is Joel Dawson (The Maze Runner’s Dylan O’Brien), a smart and likeable geek who really isn’t very adventurous, is extremely awkward and uncoordinated, and has a problem with freezing if threatened … which makes it all the more inexplicable when he decides, entirely against the advice of everyone he knows, to venture onto the surface so he can make the incredibly dangerous week-long trek to the neighbouring colony where his girlfriend Aimee (Iron Fist’s Jessica Henwick) has ended up.  Joel is, without a doubt, the best role that O’Brien has EVER had, a total dork who’s completely unsuited to this kind of adventure and, in the real world, sure to be eaten alive in the first five minutes, but he’s also such a fantastically believable, fallible everyman that every one of us desperate, pathetic omega-males and females can instantly put ourselves in his place, making it elementarily easy to root for him.  He’s also hilariously funny, his winningly self-deprecating sass and pitch perfect talent for physical comedy making it all the more rewarding watching each gloriously anarchic life-and-death encounter mould him into the year’s most unlikely action hero.  Henwick, meanwhile, once again impresses in a well-written role where she’s able to make a big impression despite her decidedly short screen time, as do the legendary Michael Rooker and brilliant newcomer Ariana Greenblatt as Clyde and Minnow, the adorably jaded, seen-it-all-before pair of “professional survivors” Joel meets en-route, who teach him to survive on the surface.  The action is fast, frenetic and potently visceral, the impressively realistic digital creature effects bringing a motley crew of bloodthirsty beasties to suitably blood-curdling life for the film’s consistently terrifying set-pieces, while the world-building is intricately thought-out and skilfully executed.  Altogether, this was an absolute joy from start to finish, and a film I enthusiastically endorsed to everyone I knew was looking for something fun to enjoy during the frustrating lockdown nights-in.  One of the cinematic year’s best kept secrets then, and a compelling sign of things to come for its up-and-coming director.
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7.  PARASITE – I’ve been a fan of master Korean filmmaker Bong Joon-ho ever since I stumbled across his deeply weird but also thoroughly brilliant breakthrough feature The Host, and it’s a love that’s deepened since thanks to truly magnificent sci-fi actioner Snowpiercer, so I was looking forward to his latest feature as much as any movie geek, but even I wasn’t prepared for just what a runaway juggernaut of a hit this one turned out to be, from the insane box office to all that award-season glory (especially that undeniable clean-sweep at the Oscars). I’ll just come out and say it, this film deserves it all.  It’s EASILY Bong’s best film to date (which is really saying something), a masterful social satire and jet black comedy that raises some genuinely intriguing questions before delivering deeply troubling answers.  Straddling the ever-widening gulf between a disaffected idle rich upper class and impoverished, struggling lower class in modern-day Seoul, it tells the story of the Kim family – father Ki-taek (Bong’s good luck charm, Song Kang-ho), mother Chung-sook (Jang Hye-jin), son Ki-woo (Train to Busan’s Choi Woo-shik) and daughter Ki-jung (The Silenced’s Park So-dam) – a poor family living in a run-down basement apartment who live hand-to-mouth in minimum wage jobs and can barely rub two pennies together, until they’re presented with an intriguing opportunity.  Through happy chance, Ki-woon is hired as an English tutor for Park Da-hye (Jung Ji-so), the daughter of a wealthy family, which offers him the chance to recommend Ki-jung as an art tutor to the Parks’ troubled young son, Da-song (Jung Hyeon-jun). Soon the rest of the Kims are getting in on the act, the kids contriving opportunities for their father to replace Mr Park’s chauffeur and their mother to oust the family’s long-serving housekeeper, Gook Moon-gwang (Lee Jung-eun), and before long their situation has improved dramatically.  But as they two families become more deeply entwined, cracks begin to show in their supposed blissful harmony as the natural prejudices of their respective classes start to take hold, and as events spiral out of control a terrible confrontation looms on the horizon.  This is social commentary at its most scathing, Bong drawing on personal experiences from his youth to inform the razor-sharp script (co-written by his production assistant Han Jin-won), while he weaves a palpable atmosphere of knife-edged tension throughout to add spice to the perfectly observed dark humour of the situation, all the while throwing intriguing twists and turns at us before suddenly dropping such a massive jaw-dropper of a gear-change that the film completely turns on its head to stunning effect.  The cast are all thoroughly astounding, Song once again dominating the film with a turn at once sloppy and dishevelled but also poignant and heartfelt, while there are particularly noteworthy turns from Lee Sun-kyun as the Parks’ self-absorbed patriarch Dong-ik and Choi Yeo-jeong (The Concubine) as his flighty, easily-led wife Choi Yeon-gyo, as well as a fantastically weird appearance in the latter half from Park Myung-hoon.  This is heady stuff, dangerously seductive even as it becomes increasingly uncomfortable viewing, so that even as the screws tighten and everything goes to hell it’s simply impossible to look away.  Bong Joon-ho really has surpassed himself this time, delivering an existential mind-scrambler that lingers long after the credits have rolled and might even have you questioning your place in society once you’ve thought about it some. It deserves every single award and every ounce of praise it’s been lavished with, and looks set to go down as one of the true cinematic greats of this new decade.  Trust me, if this was a purely critical best-of list it’d be RIGHT AT THE TOP …
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6.  THE OLD GUARD – Netflix’ undisputable TOP OFFERING of the summer came damn close to bagging the whole season, and I can’t help thinking that even if some of the stiffer competition had still been present it may well have still finished this high. Gina Prince-Blythewood (Love & Basketball, the Secret Life of Bees) directs comics legend Greg Rucka’s adaptation of his own popular series with uncanny skill and laser-focused visual flair considering there’s nothing on her previous CV to suggest she’d be THIS good at mounting a stomping great ultraviolent action thriller, ushering in a thoroughly engrossing tale of four ancient, invulnerable immortal warriors – Andy AKA Andromache of Scythia (Charlize Theron), Booker AKA Sebastian de Livre (Matthias Schoenaerts), Joe AKA Yusuf Al-Kaysani (Wolf’s Marwan Kenzari) and Nicky AKA Niccolo di Ginova (Trust’s Luca Marinelli) – who’ve been around forever, hiring out their services as mercenaries for righteous causes while jealously guarding their identities for fear of horrific experimentation and exploitation should their true natures ever be discovered.  Their anonymity is threatened, however, when they’re uncovered by former CIA operative James Copley (Chiwetel Ejiofor), who’s working for the decidedly dodgy pharmaceutical conglomerate run by sociopathic billionaire Steven Merrick (Harry Melling, formerly Dudley in the Harry Potter movies), who want to capture these immortals so they can patent whatever it is that makes them keep on ticking … just as a fifth immortal, US Marine Nile Freeman (If Beale Street Could Talk’s KiKi Layne), awakens after being “killed” on deployment in Afghanistan.  The supporting players are excellent, particularly Ejiofor, smart and driven but ultimately principled and deeply conflicted about what he’s doing, even if he does have the best of intentions, and Melling, the kind of loathsome, reptilian scumbag you just love to hate, but the film REALLY DOES belong to the Old Guard themselves – Schoenaerts is a master brooder, spot-on casting as the group’s relative newcomer, only immortal since the Napoleonic Wars but clearly one seriously old soul who’s already VERY tired of the lifestyle, while Joe and Nicky (who met on opposing sides of the Crusades) are simply ADORABLE, an unapologetically matter-of-fact gay couple who are sweet, sassy and incredibly kind, the absolute emotional heart of the film; it’s the ladies, however, that are most memorable here.  Layne is exceptional, investing Nile with a steely intensity that puts her in good stead as her new existence threatens to overwhelm her and MORE THAN qualified to bust heads alongside her elders … but it’s ancient Greek warrior Andy who steals the film, Theron building on the astounding work she did in Atomic Blonde to prove, once and for all, that there’s no woman on Earth who looks better kicking arse than her (as Booker puts it, “that woman has forgotten more ways to kill than entire armies will ever learn”); in her hands, Andy truly is a goddess of death, tough as tungsten alloy and unflappable even in the face of hell itself, but underneath it all she hides a heart as big as any of her friends’.  They’re an impossibly lovable bunch and you feel you could follow them on another TEN adventures like this one, which is just as well, because Prince-Blythewood and Rucka certainly put them through their paces here – the drama is high (but frequently laced with a gentle, knowing sense of humour, particularly whenever Joe and Nicky are onscreen), as are the stakes, and the frequent action sequences are top-notch, executed with rare skill and bone-crunching zest, but also ALWAYS in service to the story.  Altogether this is an astounding film, a genuine victory for its makers and, it seems, for Netflix themselves – it’s become one of the platform’s biggest hits to date, earning well-deserved critical acclaim and great respect and genuine geek love from the fanbase at large.  After this, a sequel is not only inevitable, it’s ESSENTIAL …
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5.  MANK – it’s always nice when David Fincher, one of my TOP FIVE ALL TIME FAVOURITE DIRECTORS, drops a new movie, because it can be GUARANTEED to place good and high in my rundown for that year.  The man is a frickin’ GENIUS, a true master of the craft, genuinely one of the auteur’s auteurs.  I’ve NEVER seen him deliver a bad film – even a misfiring Fincher (see The Curious Case of Benjamin Button or Alien 3) is still capable of creating GREAT CINEMA.  How? Why?  It’s because he genuinely LOVES the art form, it’s been his obsession all his life, and he’s spent every day of it becoming the best possible filmmaker he can be.  Who better to tell the story of the creation of one of the ULTIMATE cinematic masterpieces, then?  Benjamin Ross’ acclaimed biopic RKO 281 covered similar ground, presenting a compelling look into the making Citizen Kane, the timeless masterpiece of Hollywood’s ULTIMATE auteur, Orson Welles, but Fincher’s film is more interested in the original inspiration for the story, how it was written and, most importantly, the man who wrote it – Herman J. Mankiewicz, known to his friends as Mank. One of my favourite actors of all time, Gary Oldman, delivers yet another of his career best performances in the lead role, once a man of vision and incredible storytelling skill whose talents have largely been squandered through professional difficulties and personal vices, a burned out one-time great fallen on hard times whom Welles picks up out of the trash, dusts off and offers a chance to create something truly great again.  The only catch?  The subject of their film (albeit dressed up in the guise of fictional newspaper magnate Charles Foster Kane) is to be real-life publisher, politico and tycoon William Randolph Hurst (Charles Dance), once Mank’s friend and patron before they had a very public and messy falling out which partly led to his current circumstances.  As he toils away in seclusion on what is destined to become his true masterwork, flashbacks reveal to us the fascinating, moving and ultimately tragic tale of his rise and fall from grace in the movie business, set against the backdrop of one of the most tumultuous periods in American history.  Shooting a script that his own journalist and screenwriter father, Jack, crafted and then failed to bring to the screen himself before his death in 2003, Fincher has been working for almost a quarter century to make this film, and all that passion and drive is writ large on the screen – this is a glorious film ABOUT film, the art of it, the creation of it, and all the dirty little secrets of what the industry itself has always really been like, especially in that most glamorous and illusory of times.  The fact that Fincher shot in black and white and intentionally made it look like it was made in the early 1940s (the “golden age of the Silver Screen”, if you will) may seem like a gimmick, but instead it’s a very shrewd choice that expertly captures the gloss and moodiness of the age, almost looking like a contemporary companion piece to Kane itself, and it’s the perfect way to frame all the sharp-witted observation, subtly subversive character development and murky behind-the-scenes machinations that tell the story.  Oldman is in every way the star here, holding the screen with all the consummate skill and flair we’ve come to expect from him, but there’s no denying the uniformly excellent supporting cast are equal to the task here – Dance is at his regal, charismatic best as Hearst, while Amanda Seyfried is icily classy on the surface but mischievous and lovably grounded underneath as Hearst’s mistress, Marion Davies, who formed the basis for Kane’s most controversial character, Arliss Howard (Full Metal Jacket, The Lost World: Jurassic Park, Moneyball) brings nuance and complexity to the role of MGM founder Louis B. Mayer, Tom Pelphrey (Banshee, Ozark) is understated but compelling as Mank’s younger screenwriter brother Joseph, and Lily Collins and Tuppence Middleton exude class and long-suffering stubbornness as the two main women in Mank’s life (his secretary and platonic muse, Rita Alexander, and his wife, Sara), while The Musketeers’ Tom Burke’s periodic but potent appearances as Orson Welles help to drive the story in the “present”.  Another Netflix release which I was (thankfully) able to catch on the big screen during one of the brief lulls between British lockdowns, this was a decidedly meta cinematic experience that perfectly encapsulated not only what is truly required for the creation of a screen epic, but also the latest pinnacle in the career of one of the greatest filmmakers working in the business today, powerful, stirring, intriguing and surprising in equal measure. Certainly it’s one of the most important films ABOUT so far film this century, but is it as good as Citizen Kane?  Boy, that’s a tough one …
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4.  ENOLA HOLMES – ultimately, my top film for the autumn/winter movie season was also the film which finally topped my Netflix Original features list, as well as beating all other streaming offerings for the entire year (which is saying something, as you should know by now).  Had things been different, this would have been one of Warner Bros’ BIGGEST releases for the year in the cinema, of that I have no doubt, a surprise sleeper hit which would have taken the world by storm – as it is it’s STILL become a sensation, albeit in a much more mid-pandemic, lockdown home-viewing kind of way.  Before you start crying oh God no, not another Sherlock Holmes adaptation, this is a very different beast from either the Guy Ritchie take or the modernized BBC show, instead side-lining the great literary sleuth in favour of a delicious new AU version, based on The Case of the Missing Marquess, the first novel in the Enola Holmes Mysteries literary series from American YA author Nancy Springer.  Positing that Sherlock Holmes (Henry Cavill) and his elder brother Mycroft (Sam Claflin) had an equally ingenious and precocious baby sister, the film introduces us to Enola (Stranger Things’ Millie Bobby Brown), who’s been raised at home by their strong-willed mother Eudoria (Helena Bonham Carter) to be just as intelligent, well-read and intellectually skilled as her far more advantageously masculine elder siblings.  Then, on the morning of her sixteenth birthday, Enola awakens to find her mother has vanished, putting her in a pretty pickle since this leaves her a ward of Mycroft, a self-absorbed social peacock who finds her to be wilfully free-spirited and completely ill equipped to face the world, concluding that the only solution is sending her to boarding school where she’ll learn to become a proper lady.  Needless to say she’s horrified by the prospect, deciding to run away and search for her mother instead … this is about as perfect a family adventure film as you could wish for, following a vital, capable and compelling teen detective-in-the-making as she embarks on her very first investigation, as well as winding up tangled in a second to boot involving a young runaway noble, Viscount Tewkesbury, the Marquess of Basilwether (Medici’s Louis Partridge), and the film is a breezy, swift-paced and rewardingly entertaining romp that feels like a welcome breath of fresh air for a literary property which, beloved as it may be, has been adapted to death over the years.  Enola Holmes a brilliant young hero who’s perfectly crafted to carry the franchise forward in fresh new directions, and Brown brings her to life with effervescent charm, boisterous energy and mischievous irreverence that are entirely irresistible; Cavill and Claflin, meanwhile, are perfectly cast as the two very different brothers – this Sherlock is much less louche and world-weary than most previous versions, still razor sharp and intellectually restless but with a comfortable ease and a youthful spring in his step that perfectly suits the actor, while Mycroft is as superior and arrogant as ever, a preening arse we derive huge enjoyment watching Enola consistently get the best of; Bonham Carter doesn’t get a lot of screen-time but as we’d expect she does a lot with what she has to make the practical, eccentric and unapologetically modern Eudoria thoroughly memorable, while Partridge is carefree and likeable as the naïve but irresistible Tewkesbury, and there are strong supporting turns from Frances de la Tour as his stately grandmother, the Dowager, Susie Wokoma (Crazyhead, Truth Seekers) as Emily, a feisty suffragette who runs a jujitsu studio, Burn Gorman as dastardly thug-for-hire Linthorn, and Four Lions’ Adeel Akhtar as a particularly scuzzy Inspector Lestrade.  Seasoned TV director Harry Bradbeer (Fleabag, Killing Eve) makes his feature debut with an impressive splash, unfolding the action at a brisk pace while keeping the narrative firmly focused on an intricate mystery plot that throws in plenty of ingenious twists and turns before a suitably atmospheric climax and pleasing denouement which nonetheless artfully sets up more to come in the future, while screenwriter Jack Thorne (His Dark Materials, The Scouting Book for Boys, Wonder) delivers strong character work and liberally peppers the dialogue with a veritable cavalcade of witty zingers.  Boisterous, compelling, amusing, affecting and exciting in equal measure, this is a spirited and appealing slice of cinematic escapism that flatters its viewers and never talks down to them, a perfect little period adventure for a cosy Sunday afternoon.  Obviously there’s plenty of potential for more, and with further books to adapt there’s more than enough material for a pile of sequels – Neflix would be barmy indeed to turn their nose up at this opportunity …
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3.  1917 – it’s a rare thing for a film to leave me truly shell-shocked by its sheer awesomeness, for me to walk out of a cinema in a genuine daze, unable to talk or even really think about much of anything for a few hours because I’m simply marvelling at what I’ve just witnessed.  Needless to say, when I do find a film like that (Fight Club, Inception, Mad Max: Fury Road) it usually earns a place very close to my heart indeed.  The latest tour-de-force from Sam Mendes is one of those films – an epic World War I thriller that plays out ENTIRELY in one shot, which doesn’t simply feel like a glorified gimmick or stunt but instead is a genuine MASTERPIECE of film, a mesmerising journey of emotion and imagination in a shockingly real environment that’s impossible to tear your eyes away from.  Sure, Mendes has impressed us before – his first film, American Beauty, is a GREAT movie, one of the most impressive feature debuts of the 2000s, while Skyfall is, in my opinion, quite simply THE BEST BOND FILM EVER MADE – but this is in a whole other league.  It’s an astounding achievement, made all the more impressive when you realise that there’s very little trickery at play here, no clever digital magic (just some augmentation here and there), it’s all real locations and sets, filmed in long, elaborately choreographed takes blended together with clever edits to make it as seamless as possible – it’s not the first film to try to do this (remember Birdman? Bushwick?), but I’ve never seen it done better, or with greater skill. But it’s not just a clever cinematic exercise, there’s a genuine story here, told with guts and urgency, and populated by real flesh and blood characters – the heart of the film is True History of the Kelly Gang’s George MacKay and Dean Chapman (probably best known as Tommen Baratheon in Game of Thrones) as Lance Corporals Will Schofield and Tom Blake, the two young tommies sent out across enemy territory on a desperate mission to stop a British regiment from rushing headlong into a German trap (Tom himself has a personal stake in this because his brother is an officer in the attack).  They’re a likeable pair, very human and relatable throughout, brave and true but never so overtly heroic that they stretch credibility, so when tragedy strikes along the way it’s particularly devastating; both deliver exceptional performances that effortlessly carry us through the film, and they’re given sterling support from a selection of top-drawer British talent, from Sherlock stars Andrew Scott and Benedict Cumberbatch to Mark Strong and Colin Firth, each delivering magnificently in small but potent cameos.  That said, the cinematography and art department are the BIGGEST stars here, masterful veteran DOP Roger Deakins (The Shawshank Redemption, Blade Runner 2049 and pretty much the Coen Brothers’ entire back catalogue among MANY others) making every frame sing with beauty, horror, tension or tragedy as the need arises, and the environments are SO REAL it feels less like production design than that someone simply sent the cast and crew back in time to film in the real Northern France circa 1917 – from a nightmarish trek across No Man’s Land to a desperate chase through a ruined French village lit only by dancing flare-light in the darkness before dawn, every scene is utterly immersive and simply STUNNING.  I don’t think it’s possible for Mendes to make a film better than this, but I sure hope he gives it a go all the same.  Either way, this was the most incredible, exhausting, truly AWESOME experience I had at the cinema all year – it’s a film that DESERVES to be seen on the big screen, and I feel truly sorry for those who missed the chance …
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2.  BIRDS OF PREY & THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN – the only reason 1917 isn’t at number two is because Warner Bros.’ cinematic DC Extended Universe project FINALLY got round to bringing my favourite DC Comics title to the big screen.  It was been the biggest pleasure of my cinematic year getting to see my top DC superheroines brought to life on the big screen, and it was done in high style, in my opinion THE BEST of the DCEU films to date (yup, I loved it EVEN MORE than the Wonder Woman movies).  It was also great seeing Harley Quinn return after her show-stealing turn in David Ayer’s clunky but ultimately still hugely enjoyable Suicide Squad, better still that they got her SPOT ON this time – this is the Harley I’ve always loved in the comics, unpredictable, irreverent and entirely without regard for what anyone else thinks of her, as well as one talented psychiatrist.  Margot Robbie once more excels in the role she was basically BORN to play, clearly relishing the chance to finally do Harley TRUE justice, and she’s a total riot from start to finish, infectiously lovable no matter what crazy, sometimes downright REPRIHENSIBLE antics she gets up to.  Needless to say she’s the nominal star here, her latest ill-advised adventure driving the story – finally done with the Joker and itching to make her emancipation official, Harley publicly announces their breakup by blowing up Ace Chemicals (their love spot, basically), inadvertently painting a target on her back in the process since she’s no longer under the assumed protection of Gotham’s feared Clown Prince of Crime – but that doesn’t mean she eclipses the other main players the movie’s REALLY supposed to be about.  Each member of the Birds of Prey is beautifully written and brought to vivid, arse-kicking life by what had to be 2020’s most exciting cast – Helena Bertinelli, the Huntress, is the perfect character for Mary Elizabeth Winstead to finally pay off on that action hero potential she showed in Scott Pilgrim Vs. the World, but this is a MUCH more enjoyable role outside of the fight choreography because while Helena may be a world-class dark avenger, socially she’s a total dork, which just makes her thoroughly adorable; Rosie Perez is similarly perfect casting as Renee Montoya, the uncompromising pint-sized Gotham PD detective who kicks against the corrupt system no matter what kind of trouble it gets her into, and just gets angrier all the time, paradoxically making us like her even more; and then there’s the film’s major controversy, at least as far as the fans are concerned, namely one Cassandra Cain.  Sure, this take is VERY different from the comics’ version (a nearly mute master assassin who went on to become the second woman to wear the mask of Batgirl before assuming her own crime-fighting mantle as Black Bat and now Orphan), but personally I like to think this is simply Cass at THE VERY START of her origin story, leaving plenty of time for her to discover her warrior origins when the DCEU finally gets around to introducing her mum, Lady Shiva (personally I want Michelle Yeoh to play her, but that’s just me) – anyways, here she’s a skilled child pickpocket whose latest theft inadvertently sets off the larger central plot, and newcomer Ella Jay Basco brings a fantastic pre-teen irreverence and spiky charm to the role, beautifully playing against Robbie’s mercurial energy.  My favourite here BY FAR, however, is Dinah Lance, aka the Black Canary (not only my favourite Bird of Prey but my very favourite DC superheroine PERIOD), the choice of up-and-comer Jurnee Smollet-Bell (Friday Night Lights, Underground) proving to be the film’s most inspired casting – a club singer with the metahuman ability to emit piercing supersonic screams, she’s also a ferocious martial artist (in the comics she’s one of the very best fighters IN THE WORLD), as well as a wonderfully pure soul you just can’t help loving, and it made me SO UNBELIEVABLY HAPPY that they got my Canary EXACTLY RIGHT.  Altogether they’re a fantastic bunch of badass ladies, basically my perfect superhero team, and the way they’re all brought together (along with Harley, of course) is beautifully thought out and perfectly executed … they’ve also got one hell of a threat to overcome, namely Gotham crime boss Roman Sionis, the Black Mask, one of the Joker’s chief rivals – Ewan McGregor brings his A-game in a frustratingly rare villainous turn (my number one bad guy for the movie year), a monstrously narcissistic, woman-hating control freak with a penchant for peeling off the faces of those who displease him, sharing some exquisitely creepy chemistry with Chris Messina (The Mindy Project) as Sionis’ nihilistic lieutenant Victor Zsasz.  This is about as good as superhero cinema gets, a perfect example of the sheer brilliance you get when you switch up the formula to create something new, an ultra-violent, unapologetically R-rated middle finger to the classic tropes, a fantastic black comedy thrill ride that’s got to be the most full-on feminist blockbuster ever made – it’s helmed by a woman (Dead Pigs director Cathy Yan), written by a woman (Bumblebee’s Christina Hodson), produced by more women and ABOUT a bunch of badass women magnificently triumphing over toxic masculinity in all its forms.  It’s also simply BRILLIANT – the cast are all clearly having a blast, the action sequences are first rate (the spectacular GCPD evidence room fight in which Harley gets to REALLY cut loose is the undisputable highlight), it has a gleefully anarchic sense of humour and is simply BURSTING with phenomenal homages, references and in-jokes for the fans (Bruce the hyena! Stuffed beaver! Roller derby!).  It’s also got a killer soundtrack, populated almost exclusively by numbers from female artists.  Altogether, then, this is the VERY BEST the DCEU has to offer to date, and VERY NEARLY my absolute FAVOURITE film of 2020.  Give it all the love you can, it sure as hell deserves it.
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1.  TENET – granted, the streaming platforms (particularly Netflix and Amazon) certainly saved our cinematic summer, but I’m still IMMEASURABLY glad that my ultimate top-spot winner FOR THE WHOLE YEAR was one I got to experience on THE BIG SCREEN. You gotta hand it to Christopher Nolan, he sure hung in there, stubbornly determined that his latest cinematic masterpiece WOULD be released in cinemas in the summer (albeit ultimately landing JUST inside the line in the final week of August and ultimately taking the bite at the box office because of the still shaky atmosphere), and it was worth all the fuss because, for me, this was THE PERFECT MOVIE for me to get return to cinemas with.  I mean, okay, in the end it WASN’T the FIRST new movie I saw after the first reopening, that honour went to Unhinged, but THIS was my first real Saturday night-out big screen EXPERIENCE since March.  Needless to say, Nolan didn’t disappoint this time any more than he has on any of his consistently spectacular previous releases, delivering another twisted, mind-boggling headfuck of a full-blooded experiential sensory overload that comes perilously close to toppling his long-standing auteur-peak, Inception (itself second only by fractions to The Dark Knight as far as I’m concerned). To say much at all about the plot would give away major spoilers – personally I’d recommend just going in as cold as possible, indeed you really should just stop reading this right now and just GO SEE IT.  Still with us?  Okay … the VERY abridged version is that it’s about a secret war being waged between the present and the future by people capable of “inverting” time in substances, objects, people, whatever, into which the Protagonist (BlacKkKlansman’s John David Washington), an unnamed CIA agent, has been dispatched in order to prevent a potential coming apocalypse. Washington is once again on top form, crafting a robust and compelling morally complex heroic lead who’s just as comfortable negotiating the minefields of black market intrigue as he is breaking into places or dispatching heavies, Kenneth Branagh delivers one of his most interesting and memorable performances in years as brutal Russian oligarch Andrei Sator, a genuinely nasty piece of work who was ALMOST the year’s very best screen villain, Elizabeth Debicki (The Night Manager, Guardians of the Galaxy Vol. 2, Widows) brings strength, poise and wounded integrity to the role of Sator’s estranged wife, Kat, and Aaron Taylor-Johnson gets to use his own accent for once as tough-as-nails British Intelligence officer Ives, while there are brief but consistently notable supporting turns and cameos from Martin Donovan, Yesterday’s Himesh Patel, Dirk Gently’s Fiona Dourif and, of course, Nolan’s good luck charm, Michael Caine.  The cast’s biggest surprise, however, is Robert Pattinson, truly a revelation in what has to be, HANDS DOWN, his best role to date, Neil, the Protagonist’s mysterious handler – he’s by turns cheeky, slick, duplicitous and thoroughly badass, delivering an enjoyably multi-layered, chameleonic performance which proves what I’ve long maintained, that the former Twilight star is actually a fucking amazing actor, and on the basis of this, even if that amazing new teaser trailer wasn’t making the rounds, I think the debate about whether or not he’s the right choice for the new Batman is now academic.  As we’ve come to expect from Nolan, this is a TRUE tour-de-force experience, a visual triumph and an endlessly engrossing head-scratcher, Nolan’s screenplay bringing in seriously big ideas and throwing us some major narrative knots and loopholes, constantly wrong-footing the viewer while also setting up truly revelatory payoffs from seemingly low-key, unimportant beginnings – this is a film you need to be awake and attentive for or you could miss something pretty vital. The action sequences are, as ever, second to none, some of the year’s very best set-pieces coming thick and fast and executed with some of the most accomplished skill in the business, while Nolan-regular cinematographer Hoyte van Hoytema (Interstellar and Dunkirk, as well as the heady likes of Tinker Tailor Soldier Spy, SPECTRE and Ad Astra) once again shows he’s one of the best camera-wizards in the business today by delivering some absolutely mesmerising visuals.  Notably, Nolan’s other regular collaborator, composer Hans Zimmer, is absent here (although he had good reason, since he was working on his dream project at the time, the fast-approaching screen adaptation of Dune), but Ludwig Göransson (best known for his collaborations with Ryan Coogler Fruitvale Station, Creed and Black Panther, as well as career-best work on The Mandalorian) is a fine replacement, crafting an intriguingly internalised, post-modern musical landscape that thrums and pulses in time with the story and emotions of the characters rather than the action itself. Interestingly it’s on the subject of sound that some of the film’s rare detractions have been levelled, and I can see some of the points – the soundtrack mix is an all-encompassing thing, and there are times when the dialogue can be overwhelmed, but in Nolan’s defence this film is a heady, immersive experience, something you really need to concentrate on, so these potential flaws are easily forgiven.  As a work of filmmaking art, this is another flawless wonder from one of the true masters of the craft working in cinema today, but it’s art with palpable substance, a rewarding whole that proved truly unbeatable in 2020 …
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musicprincess1990 · 3 years
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The Best of Me - for ILY Anniversary 2021
This is inspired by the song by The Starting Line.  I was listening to my #TeenYears playlist (yes, that’s the title I picked, sue me), and I noticed the album cover featured the words, “Say it like you mean it.”  Um, hello TFP vibes!  And then I started the song over, paying attention to the lyrics, and BOOM!  A fic was born!  Starts out with a bit of post-TRF pining, leading up to a TFP finish. And it’s a long one, so catch the whole story below the cut.
Happy Sherlolliversary, everyone!  😘
*
Here we lay again, on two separate beds
Riding phone lines to meet a familiar voice
And pictures drawn from memory.
*
It started after the fall… some months later, in the midst of yet another doomed-to-fail relationship with some other not-him bloke.  Molly didn’t know why she seemed to measure time both by her own failed relationships, and by his major life events, but there you go.  After a ten-hour shift, a disappointing date, and an extra glass of wine, she was more than ready to pack it in for the night.
She’d only just hit the mattress when her phone buzzed, and she whimpered in dismay, assuming it would be Mike needing her for a last-minute post-mortem.  She considered ignoring it and claiming she’d been asleep, when a second text sounded. With a sigh, she rolled onto her side and unlocked her phone.  It wasn’t Mike after all, but two messages from a blocked number.  Again, she thought about ignoring them, not keen on starting a conversation with a stranger, when a third text came through, and she began to wonder… Sitting upright, she tapped on the notification and opened her messages, her heart leaping to her throat as she read:
IN A SAFE HOUSE IN SARAJEVO.  
COULD DO WITH A FRIENDLY VOICE.
MOLLY?
It had to be him… it just had to be!  No one else she knew had any need for a “safe house.” And besides that, no one else would have been so cryptic, so confusing.  Sherlock Holmes never talked about his feelings, in fact, half the time he pretended not to have any.  This was bordering on soul-baring for him!  Why?  Why now?  Why her?  Well, she supposed it the fact that the rest of his friends thought he was dead might have something to do with it.  Even so, what had happened to make him seek her out like this?
A fourth text came through, interrupting her thoughts.
MAY I CALL YOU?
Sherlock Holmes, asking for permission?  Now she’d well and truly seen everything!  Anxious and delighted and terrified all at once, she quickly tapped out a reply in the affirmative, and waited.  It couldn’t have been more than ten seconds before her phone lit up with the incoming call.  In her haste to answer it, she dropped the silly thing on the floor, swearing loudly as she flopped onto her stomach to reach for it.  And, of course, to her embarrassment, the line was connected, meaning he heard it all.  Molly pressed the phone to her ear and whispered, “Sherlock?”
A loud exhale, and then a familiar voice, “Hello, Molly.”
She let out a watery laugh.  “Oh, my God, it’s you!  How are you? Oh, God, stupid question—”
“Molly, it’s fine,” he cut her off.  “I am… as well as can be expected.”
Her brow creased with worry.  “Are you okay?  I mean, is it… going well?”
A beat of silence.  “As well as can be expected,” he repeated.
Clearly, she was not going to get a wealth of information from him on that front.  Not that she was certain she wanted all the gory details—knowing who he was dealing with, “gory” would most definitely be the right word.  Still, he had instigated this phone call, she wouldn’t let him get away with perfunctory answers.  Shifting a bit so that she was leaning against the headboard, she asked, “What made you decide to phone me?”
“You weren’t answering your texts.  Figured you had gone into shock.”
She chewed on her lip a moment.  “Well… you’re not wrong.  It did surprise me.”
“Yeeeesss, I’d gathered that,” he drawled in that posh, pompous tone of voice she never thought she would come to miss.
“Truth be told, it wasn’t just the fact that you texted that came as a surprise, it’s what was in the text.”  She paused here, waiting to see how he would respond.  When he said nothing, she went on, “I suppose even the great Sherlock Holmes needs to phone a friend once in a while.”
“Don’t do that,” he said abruptly.  “I’m not ‘the great Sherlock Holmes’ now, am I?  I’m just…” he hesitated for a moment, “…just Sherlock.”
Molly’s breath came out in a whoosh.  So that was why.  Just like she had before, when he looked sad, she saw him clear as day… even if she couldn’t physically see him.  This mission, this seemingly insurmountable task, she couldn’t even imagine how difficult it must be.  It had to be taxing, even for Sherlock, who always seemed so detached from the situations. But deep down, he was still a man, he still felt things, and he still needed friends.
“Molly?”
His tone was soft, but filled with anxiety, and she realized she’d been silent for some time.  She put on a smile, making sure he would hear it in her voice, and whispered, “I’m here, Sherlock.  What do you need?”
A quiet laugh sounded on the other end of the line, followed by a one-word answer: “You.”
*
*
We turn our music down, and we whisper,
“Say what you're thinking right now.”
Tell me what you thought about
When you were gone and so alone.
Sherlock’s phone calls became something of a regular thing after that. Whenever he felt a little too human, or when he didn’t feel human enough.  Molly was happy to act as his anchor to his old life, to keep him afloat when he could easily drown in the work, the pain, the loneliness.  Even when being his anchor often meant being woken up in the middle of the night.
She never asked him to explicitly talk about his thoughts and feelings, knowing what a minefield that conversation would be, but she always asked what he was doing, usually regarding his mission. That was familiar territory for him, talking over the details of a case, discussing the possibilities and bouncing ideas off another person.  It was this familiarity, she thought, that most soothed him, reminded him of home.
These calls varied in frequency and length over the years, but they always came.  Through the horrors he faced in dismantling Moriarty’s network, through her engagement to Tom, through his four-minute exile (ooh, she’d had some choice words for him about that), and though Mary’s tragic death.
He called her almost daily after that.  She wasn’t entirely sure he really wanted to hear her voice, or if, while John was being a git and ostracizing him, any friendly voice would do. She decided not to care, and to just be there for him anyway.
One call in particular stood out to her, the night of his birthday. They’d gone for cake earlier in the day, and he’d been pleasant enough, but awfully silent.  John had seemed almost back to his normal self, and Rosie was an adorable bundle of energy, effectively distracting all three adults from their own loneliness.
That night, she returned with Sherlock to Baker Street, for the “night shift.”  After a few minutes spent scrolling silently through his emails, he announced he was going to bed.  Molly waited a bit before shuffling up the stairs into John’s old room, which had been converted into a guest-room-slash-laboratory.  The door was left open in case Sherlock started puttering about in the middle of the night, she would hear him and be down to help him, if needed.
Molly had just settled onto the bed when her phone rang, and Sherlock’s name appeared.
What?
“Sherlock?” she answered hesitantly.
“I realize you’re just upstairs, and I could easily have gone up there or had you come down here, but this seemed a bit more…”
A little smile tugged at her lips.  “Familiar?”
He exhaled slowly.  “Yes.”
“It’s okay,” she assured him.  “I don’t mind.”
“Thank you, Molly.  For everything.”
*
*
Jumping to conclusions
Made me fall away from you;
I'm so glad that the truth
Has brought back together me and you.
“What is she doing?”
“She’s making tea.”
“Yes, but why isn’t she answering her phone?”
“You never answer your phone.”
“Yes, but it’s me calling…”
*
“If it’s true, just say it anyway.”
“You bastard.”
“Say it anyway.”
“You say it.  Go on, you say it first… Say it.  Say it like you mean it.”
“I-I… I love you.”
*
Molly dropped her phone as the line went dead, then slid to the floor as sobs wracked her entire body.  She didn’t… she couldn’t begin to think… why had he asked that of her? After all the years he’d known her, all the time he’d been calling her out of the blue… She’d never once asked him to…
Her stomach lurched, and she scrambled up to her feet just in time to vomit into the sink.  Her body felt hot and cold and shivery and aching all at once.  Funny, the scientist in her thought, how a broken heart can have noticeable physiological effects on a person. She was in fact ill, bit of a cold, but it was that horrible conversation, not a silly little virus, that had made her stomach decide to violently expel its contents.
That wasn’t the worst of it, though.  No, the worst part was finding an old letter Sherlock had written, sometime during his absence from London, near the end.  She remembered getting it in the post, and quickly shoving it into a safe, secret place, where Tom wouldn’t find it.  He was at her flat no more than five minutes later, picking her up for a date. He proposed to her that night, and she completely forgot about the letter… until today.  She’d found it while rooting around her cupboards, looking for her favorite citrus tea, the one she always made whenever she felt ill. Its contents had nearly shocked her cold right out of her system.
Dear Molly,
I don’t know if this letter will reach you. There are so many unknowns at the moment.  I don’t even fully know why I’m writing.  I simply wished to express my gratitude for everything you have done for me.  I know that I have caused you pain many times, and in all probability, I will do so again.  And yet, after seeing the absolute worst of me, you are still my friend.  That fact baffles me more than any other mystery I have encountered.
When I return, yours is among the first faces I look forward to seeing again.  I wish I could offer an estimated time frame, but that is one of the many unknowns I now face.  But the one thing that I know is certain, the one thing I can cling to, is that you are, and always will be, a dear friend.  You matter more to me than you realize, Molly Hooper.
Love,
Sherlock
Tears had welled in her eyes, and anger pulsed in her veins, boiling her blood with every word.  Anger toward him, for writing such a letter, instead of calling her.  It was cowardly, no matter how lovely the letter was (dear God, was it lovely!), and when he returned just a few months later, he said nothing.  He gave no indication that he even remembered the letter, or the fact that he’d written it!  Why?
Because you were engaged, a traitorous voice whispered. And then her anger shifted, now aimed toward herself.
If she had read the letter before Tom proposed that night… she would have said no.
And then she was angry with him again, for not fighting for her, not saying what was clearly visible between every word on every line of that damned letter.
He loved her.
Or so she had thought.
After that phone call… she couldn’t be sure of anything.  If he really loved her, how could he do this to her?  Forget making her say the words, as impossible as that felt, how could he treat it all like an experiment? Treat her like an experiment?  Her anger and her desperation battled through the entire conversation, with anger eventually winning out, though it expressed itself with an eerie calmness.
You say it first.
Well, he had.  But only because she’d told him to.
God knew he’d never have said it otherwise.
Molly trudged into the bathroom and brushed her teeth, washing away the sour taste in her mouth.  She never had finished making her tea, but she was too exhausted to even contemplate remaining upright for another minute longer than necessary.  Instead, she went straight into her bedroom and collapsed onto the bed, falling quickly into a fitful sleep.
*
The knock on her door startled her awake, and somehow she knew exactly who it was, even before his voice followed the pounding, begging her to let him in.  She scowled in the direction of her door, rolled onto her other side, and smashed her pillow over her ear.  Eventually, one of her neighbors would complain, maybe even call the police. That, or he’d pick the lock… and if he did, she’d call the police.  Probably Greg, oooh, he’d love that!  There wouldn’t be any real consequences—big brother Mycroft had far too much pull for that—but it would be humiliating for Sherlock.  Served him right, after he humiliated her.
The pounding and the shouting stopped suddenly, and she foolishly let herself believe he’d finally gone.  But a moment later, her phone chimed with an incoming text.  Then another, and then another after that.  Equal parts annoyed and curious, Molly finally sat up and grabbed her phone to read the idiot’s texts.
PLEASE LET ME IN.  LET ME SAY IT AGAIN.
I DON’T WANT TO DO IT OVER TEXT.  YOU DESERVE BETTER THAN THAT.
PLEASE, MOLLY.
Unless…
Molly’s head spun by the end of the third text.  Say it again?  Did he mean…?  Oh, of course he meant that, what else could he be talking about?  But why the hell did he need to say it again?  Wasn’t once—well, twice—enough torture for one night?
A fourth text lit up her phone.
IF YOU WON’T LET ME IN, WILL YOU AT LEAST LET ME CALL YOU?
She almost laughed.  Answering his call was what got her into this mess, wasn’t it?  And yet, against her better judgment, that cursed curiosity forced her to type out a reply.
OK.
*
Sherlock sighed at the response, his hand shaking as he pressed the phone to his ear, listening to the dial tone.  He ran through a thousand opening sentences in his head in the time it took for her to answer the call, and the moment he heard her voice, forgot every single one of them.
“What do you want, Sherlock?”
Her voice was raw, probably from crying, and oh, how he hated himself for doing that to her.  But broken as it was, her voice was the most beautiful thing he’d ever heard.
“You,” he replied, his own voice matching hers.  “Always you.”
She sobbed, and the sound went straight to his heart, piercing it, shattering it.  “Then why—” she was interrupted by another sob, “—how could you—”
“I’ll tell you everything,” he said quickly.  “Everything you need to know, but not like this.  For now, I just need to say one thing.”  Sherlock drew in a breath, bracing himself.  “I love you, Molly.  I’ve loved you all along, before I even realized it.  I don’t know if… there was a letter I sent, but it must have gotten lost… I should have said it when I came back, but when I saw that ring on your finger…”  He swallowed. “I thought I’d lost my chance, that you weren’t in love with me anymore, that—”
The door opened, and there she stood, still wearing that ridiculous jumper, eyes filled with tears, and holding a piece of paper in her hand.  The letter.  His hand dropped to his side, phone still in hand, staring in wonder and confusion.
“I hadn’t read it,” she explained in a small voice.  “Not until today.  That’s… part of why it wasn’t a good day.  I’d gotten it the day Tom proposed.  Right before he picked me up.  I panicked and shoved it in the cupboard where he wouldn’t find it.  He never touched the cupboards, always left it to me to cook or make tea or… anyway,” she finished lamely.
“You didn’t read it?”
Molly shook her head, gnawing on her lower lip.  “I wish I had.  I wouldn’t have gotten engaged.”
“I am so sorry, Molly.”  His eyes fell shut against the pricking of even more tears.  “I should have told you every day, with every phone call…”
“I’m sorry, too,” she said, prompting him to open his eyes.  “I’m sorry for letting my anger get the better of me.”
He gave her a tentative smile.  “Understandable, considering the circumstances.  I tend to bring out the worst in everybody.”  To his delight, she laughed, and his heart lightened at the sound. In a more serious voice, he added, “You, however, bring out the best in everyone… including me.”
Molly went still, and Sherlock worried he’d somehow hurt her again, until she suddenly sprang at him and wrapped her arms around his middle, pressing her face against his chest.  Warmth erupted along his skin where she touched him, and his arms found his way around her, clinging to her, locking her against him.  He rested his chin atop her head, eyes squeezed shut to fight back the now-constant threat of tears.  Good Lord, he was a sop now…
Well.  If it meant Molly would continue hugging him like this, he’d be whatever she wanted him to be.
“You smell like algae,” she commented, her voice muffled against his shirt.
He must have been in shock, or otherwise delirious, for at her words, he burst out laughing.  Fortunately, Molly joined him, leaning back her head and grinning wildly.  “I suppose there’s a story that goes with that?”
“Quite a long one,” he nodded.  “And not a very pleasant one.”
Molly seemed to consider this, then gave a slight hitch of her shoulders.  “Later,” she said.  “I think a bath and a good night’s sleep are in order.”  She took his hand and led him inside, and Sherlock followed, happily leaving the worst behind them.  There was still much to say—so many words unsaid, his mind quoted at him—but for now… he just wanted to be with her.
Finally.
*
*
The worst is over,
You can have the best of me.
God, that took forever… I’ll be honest, this is still open to editing and rewriting.  There are a lot of things I want to add to it.  Hell, maybe I’ll even add a second chapter.  I don’t know.  But this song, OMG!!  Go look it up, listen to the rest of the lyrics.  ALL THE SHERLOLLY FEELS!!  Thanks for reading!
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itsmoonphobic · 4 years
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Moonbow at it yet again with a new Mcyt AU-But like what else am I supposed to do?I got so much positive feedback for my royalty AU that I decided to come up with a new AU! Plus I binged all the Ocean's movies and like the main one that inspired me was Ocean's 8,that movie slaps!If you haven't watched it yet you definitely should!!Anyway-Like I said my family and I just moved and I'm getting an extreme haircut today(lmao) so I'm pretty busy but don't worry the first chapter of "Royal Buisness" is going to be out in a few weeks/months!!Love u all and hope u like it <3💤💙
📷Target Spotted💻 (Mcyt Spy AU)
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Sleepyboisinc(S.B.I) -> my absolute favorite bois ♡
-The sleepyboisinc originally started of as a joke.A few five year olds have the dream of becoming secret agents and start their own Buisness.
-No one really took it seriously back in the days when the three boys would draw and write down ideas for advanced technology devices and gadgets,I mean c'mon it's only natural for kids to grow up with dreams.The childish roleplaying on the playground eventually stopped but the dream stayed.Everyone simply thought that the trio would forget about their ideas in a few years and "grow up".
-Well they were wrong.Nobody could have predicted that the three of them continued with their "shenanigans" through all of their years in highschool-
-Techno,Phil and Wilbur stayed in touch while growing up. The three of them developed such a stron brotherly bond that at some point they left out everyone else and only shared their time with eachother.Their families informed them that they should be more open and extroverted but the three of them are stubborn.
-Time skip to College.Techno went on to study Psychology and English,Wilbur went to start a musical career and Phil- he just kinda disappeared?He didn't tell them where he went to college or what he was doing after school.
-So after two years of somewhat going their separate ways and two years of Phil missing without a single trace,both Techno and Wilbur decide to meet up and look for him. What the two didn't expect is that that night their childhood dream would become reality.
-Turns out that Phil,during those two years,secretly developed the S.B.I foundation.Techno and Wilbur couldn't believe that he managed to do all of this by himself and honestly?They were more than impressed and happy.It was their life long dream afterall and the fact that Phil made it all possible was absolutely overwhelming and appreciated.
-Phil explained everything.He told them that he didn't expect it to actually turn out this good and work functionality but it did!Phil also didn't accomplish it by himself but he hired a few poeple they could use on their side.At this point Techno and Wilbur were even more in love with their new jobs that they immediately dropped out of their previous occupations.
-He showed them around and the two of them were awestruck.Phil couldn't help but smile and laugh at their reactions since he only expected it to be this way.Phil didn't have to show them how things work becouse they created and designed all of this together,Phil was only the one who made it reality.
-Everything looked like from their drawings.The whole aesthetic of the building the S.B.I was located in was amazing.The outside looked like nothing special,and that's the way it's supposed to be.People weren't ment to get suspicious and curious.So making it look like a simple buisness was perfect.
-The only thing Techno and Wilbur weren't familiar with was the new staff so Phil gladly introduced them to eachother! Techno could already tell that there are a few poeple who he clearly won't get along with aswell as people he sees himself working with quite okay.As Phil watched them interacting he couldn't help the wide smile forming on his lips: The sleepy bois are finally reunited :)
Techno N.(Blade):
Techno is one of the best if not the best spy and the one with the biggest amount of action going on.His loyalty and dedication to his job are insane.Even back when they were kids Techno was always the one to stick up for Phil and Wilbur and make sure that the kids who bully them never show their faces again.
Techno is tough and clever.He thinks before he acts.His movements aren't exactly the most precise ones but they are definitely swift.Not to mention that there are times where instead of intimidating the target into getting out the information they need Techno turns to violence.He does apologize for it afterwards though so it's chill.
Techno is a professional at his finest.Getting caught?Never. Messing up?Not Techno.Tricks or traps?Don't work- During his training arc Techno learned the ways of a spy in and out. When Techno wants something to happen or go his way he only focuses on said thing and leaves it aside once he achieves what he wanted.
Techno prefers to work alone,he is extremely shy and introverted so it isn't easy working with people he's not comfortable around or familiar with.His social anxiety is not really a big help either- (Protect him) Another fun fact is that Techno's ADHD makes him struggle with his big focus ability.But everyone in the company knows it and they know that he can't do anything about it. •Accepting friends am I right? :)
Techno is the only employee that Phil let's in on the biggest news and insights first(Apart from Wilbur) and he is also the only one he trusts with the more dangerous weapons.Techno is really good with those!
Techno's missions are the ones that mostly need to be taken care of at night-His sleeping schedule is messed up so Phil gave him the night shift.Of course Phil has days where he strictly tells Techno to take them off so he can take care of his health and sleep.Techno refuses but knows that it makes Phil happy so he takes days off for him (I love their relationship <3)
Techno's job is his number one priority.Due to the fact that he used to study and specialize in psychology as well as in English and it's History Techno is very smart. His intelligence and usage of certain words tend to confuse other people and Techno would do it on purpose just to see the expression on their faces.
May I add that Techno is very calm and sarcastic.He also tends to be very polite and cold which makes poeple uncomfortable sometimes.His ego and confidence are both massive aswell which has it's ups and downs!
Techno is really good in cartography(Maps).During highschool Techno unintentionally desroyed everyone in Geography.He didn't like the subject he was only a natural at it.(If you couldn't figure it out already I obviously had to put in an SMP Earth reference)
Techno is one hell of a pilot.Poeple seriously question themselves how he is so good at flying planes or helicopters.Why complain though?A talent like that could come in handy any time when needed.
Phil W.(1ZA):
The boss and founder of the Sleepyboisinc(S.B.I)
Phil was the one who made all of their childhood dreams come true,and he's very proud of how far he himself and his friends have come!
Phil goes on missions on very rare occasions.His main job is to stay in his office and make sure that things run smoothly and the way they are supposed to.
He counts and is known as the information center and the backup for his agents.Him going on missions is very risky since he always has to be available during everything.His main priority is that all of his agents and friends come back safely and most importantly alive from their jobs.
Becouse Phil is mostly stuck in his office busy with paper work,he can read his agents like an open book. Phil's ability to instantly make someone feel welcomed and loved can either be seen as comforting or scary.One look at you and Phil knows exactly what topics to talk about.He can't but choose to use that ability to his advantage.
Phil is a very caring and kind person.He is the definition of wholesome!S.B.I is pretty lucky to have such a understanding and nice boss to work with.
Phil tends to keep his eyes on the troublemakers(I will get to them later 👀)and Techno especially.The first one is pretty self explanatory since the nickname says it all.Techno on the other hand is in Phil's sight not becouse he's a brainless idiot but of his health issues.
He is a very patient and empathetic person it isn't in his nature to be angry or mad at someone but when he is it gets scary.To have Phil actually mad it you,you would have to fuck up big time.Poeple who have experienced Phil being angry with them have nightmares till this day.He won't be violent and he won't insult you but he will hit you where it hurts the most,he will fo under the deepest parts of your skin. (Not physically but mentally)
Phil knows the right time to be serious and the right time to have fun and joke around with his friends.After a successful mission the crew would go out and celebrate their victory.Phil has to make sure that all of his idiot agents don't get too drunk so that no laws will be broken and no unnecessary information will be spread around.Gotta keep up a good rep am I right?
Everyone in the company sees Phil as a big father figure.I mean who wouldn't?The vibes he gives of remind everyone of an overprotective dad.Whenever somebody of his agents has a problem their first instinct is to go and talk to Phil about them.Phil will gladly listen and cheer them up when he needs to <3
Wilbur S.(Dirty Crime Boy):
Wilbur is the S.B.I's decoy and undercover specialist. His biggest flex is that becouse he is so handsome and charming,Phil decided to let him be the distraction. This guy could flirt with anyone and he would have them wrapped around his finger in no time.
There is just something so exciting and addictive to taking on different personalities and outfits.Wilbur can pull out any look or personality trait.His favorite one would have to be a musician,he doesn't have to act around too much since he's in his natural habitat. Wilbur sometimes has way too much fun with his job.
There are times where Wilbur is asked to perform somewhere so that Techno or whoever is on a mission with him is able to do what they need to do.He will get caught up in the moment and forget that he is on a mission so when Phil tells Wilbur's partner to drag him off stage and calm him down they immediately do so.
Apart from that,Wilbur is extremely good at what he does.You know those guys in movies who will drug other poeple's drinks and stuff to either rob them or drag them someplace else?Yeah that guy is Wilbur. His suave attitude and velvety voice makes everyone want to have a drink with him :)
Wilbur has the power of blackmailing on his side.This guy knows everything about everyone.You smoked weed with your ex on a highschool party?Wilbur knows it all.Some shit you did when you were home alone three weeks ago?Wilbur has all the details.He knows so much shit that people who work with him are genuinely scared to get close to him just couse they fear that he will know all their secrets.
Somehow Wilbur is able to get any information that is required for a certain mission.Your grandma's name?Blood type?Favorite type of cacti?Wilbur has it all memorized in his head.Phil may have all the needed information but Wil has the dirty secrets and past shit someone has gotten themselves into.
Wilbur's favorite person to work with has to be Techno.Not only becouse of their brotherly bond but becouse Wil knows that if he's stuck somewhere Techno is always around and will get him out.Wil simply enjoys Techno's company,he doesn't talk much so it gives Wilbur enough time and silence to talk about his day or something stupid that pissed him off.
Becouse Wilbur has to work undercover and make sure that he doesn't get recognized,he is fluent in multiple languages,his most requested ones are: German,French and Spanish!!(My personal headcanon I know Wilbur doesn't speak all three of them fluently)
Wilbur is the one who gets send onto missions that require to travel to a different country.Most of the time Wilbur happily agrees but on rare occasions where he feels as if something might go wrong or when he has a bad feeling about some place he will desperately try and get Phil to send someone else.
Tommy S.(Innit) ->Proud Inniter btw <3
Sixteen years old and already a spy?Tommy is living the dream of surely everybody in his highschool.Being light and quick on his feet Tommy's job is sneaking in and pickpocketing.Need a unique antique located in a safely secured safe?Tommy's got you.A wallet with a credit card or ID?Tommy already has it.Maybe it's a watch or a jewelry piece?It's Tommy's now.
Tommy's outgoing and energetic personality is a huge boost to the company.Whenever an agent backs down from a mission,Tommy will immediately call them out for being a coward.Tommy has the mouth of a sailor so him calling you a piss baby or bitch boy is completely normal to everybody working in S.B.I
They are pretty much used to it that Tommy has no filter when it comes to his opinion on something.He is brutally honest and isn't afraid to call you out for you bullshit.Tommy can be a little too open minded from time to time which gets him into dumb situations.
Tommy has the stupid ability to make everyone hate him the moment they meet him.Tommy tends to start fights or arguments against multiple people who are way stronger and taller than him.He doesn't think before he acts and just dives head in.
Almost 99.9% of the complaints Phil receives from other companies or his familiars are from Tommy.Even though Tommy promises Phil to stay out of trouble and keep his attitude to himself,he still manages to break those promises the moment someone insults his friends or makes fun of him.Phil seriously needs to teach him some proper manners-
"The business bay" is a small alliance that Tommy has formed in S.B.I,long story short it's all the younger agents (Tommy,Toby,Bitzel,Deo and Luke)in the company working together in a group.(Mostly just becouse all four of them go to the same School and Tommy needs people to steal homework from-)
Tommy seeks attention and admiration in any shape or form.Call him an "Alpha male" and you've got your name secured on "Keep them safe" list.The only other person Tommy admires,apart from himself is Techno. Literally the smallest "good job" or "well done" sends Tommy's ego over the edge.He will brag to everybody who is stupid enough to listen to him.He will constantly try and impress Techno in any way,which ends up in Tommy getting too ahead of himself and getting embarrassed for being so clumsy.
Wilbur and Tommy have a wierd relationship.One minute they are normally interacting with eachother and the other they are trying to kill eachother.Tommy complains about Wilbur all the time,about how annoying he is and that he thinks that he's best- Though when it comes to having eachother's backs that rivalry is put aside and they work together to save both of their asses.
Neither Techno or Wilbur will admit it but when Phil sends either of them to get Tommy's ass out of some shit he has gotten himself into the two of them are worried and get very protective over him.Sure Techno teases and ignores Tommy to no end and Wilbur annoys the living shit out of him but both of them make sure to take care of Tommy like their little bro.
AHHHHH IT'S FINISHED!!ANOTHER AU HAS BEEN WRITTEN QJSJWKKQ-Sorry guys I'm very excited about this AU,I have been working on it for a few days now and I had to write down all my headcanons and ideas!Don't worry my royal AU is still a work in progress so keep in mind that the first chapter will come out soon!I hope you guys enjoyed my Spy AU and ofcourse any kind of feedback is welcomed! Love u all <3 <3
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thornescratch · 3 years
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Alright, I'm here with mandalorian thoughts. So, up until now we've technically been following Din, but like really, we've been following Din and Grogu. So now there's 3 options: We follow just Din, we follow just Grogu, or they somehow end up together end and we follow both again. I think it's reasonably obvious we won't follow Grogu, because uh, it's called the mandalorian... (1/?)
It, to an uninvested disney exec, seems logical to follow just Din. We've set him up perfectly for another plot arc. He's got the darksaber, his covert is dead or scattered; there's definitely a story that can be made there. But I hope that they won't do that; because they'll probably quickly realise that people aren't all that in invested in just Din alone. People are here for him and Grogu. (2/?)
So, we're down to one logically option: somehow reunite Din and Grogu. But we have problems here. The one that first comes to mind is Luke. I looked up how the young luke thing was done (given the credits have Mark Hamill), and it's all CGI, not good makeup or prosthetics and a bit of CGI, or a double and a bit of CGI. That means having Luke is time consuming (because of all the CGI needed) and expensive (Mark Hamill + people doing the CGI). So logically, you want to cut down on Luke time
But if we cut down on Luke screen time, how do we reunite Grogu and Din? Yeah I dunno about that one... Maybe Luke decides he can't take Grogu? Or maybe that isn't actually a problem. The other slight problem is that Mark Hamill talked about this as a cameo, not as a cameo before a proper role. (Maybe there's stuff out there saying he's confirmed for season 3? idk I didn't really look).
Other thoughts I have: I can't imagine Gideon just being left. This can't be a tidy end to his arc. He's coming back. If he doesn't, what's the 'bigger, badder' enemy? Also, we haven't actually seen Luke leave the ship. We know 1 additional ship of dark troopers arrived. Do we really believe there's only one? Also there's still those TIE fighters out there.
So, my predictions are: We start on the ship again. Luke and Grogu go to leave. More dark troopers, or the TIE fighters, or both, or something else arrive. Luke returns to the bridge with the rest. They fight. Din either leaves with those two, or takes Grogu with him. Something happens and either Gideon reveals he's been working for someone and they're on their way, or he gets free or gets rescued. And then idk, I'm not that good at predictions
Now watch me be completely wrong about everything I just said...
I’m with you in that Grogu and Din and their relationship is not just the heart but also the bread and butter of the franchise, so I doubt they stay separate the entire season. (And since I think Disney is hopefully cognizant of the optics of implying that their cutest merch moneymaker gets brutally slaughtered by Kylo Ren some years down the line, I also doubt they go down that path to indicate that’s his future.)
I also agree they’re not likely to have a ton of Luke Skywalker because of the difficulty of the CGI needed for his appearance and because I don’t think they’re quite ready to pull the trigger yet on recasting him with a younger actor like Sebastian Stan or any of the other names tossed around. I don’t think it’s out of the realm of possibility that they would recast-- they did for Han Solo, after all, though that film was a bit of a dumpster fire-- but you’re talking about one of the most iconic characters of the franchise and fans already have, uh, strong opinions about how the character was handled in the most recent franchise sequels. Maybe whenever Luke does show up it’s in holograms or whatever; you could probably fake a bit more of the appearance that way; the deepfake wouldn’t look quite so uncanny, then.
(I’ve been spending way too much time on wookipedia figuring out the timelines of everything and how old everyone is, and while I’m sure Luke’s complete solemn frozen face act was mostly the CGI issues, it’s also kinda hilarious to think Grogu is his first padawan/force sensitive child pickup, and he’s been psyching himself up, all, “OKAY LUKE, ACT SOLEMN AND DIGNIFIED, BE A REAL JEDI, YOU GOTTA SELL THIS HARD, YOU’RE THE LAST ONE, YOU GOTTA MAKE THIS ENTRANCE DRAMATIC AS FUCK SO EVERYONE WILL TAKE YOU SERIOUSLY, YOU CAN DO THIS, NO SMILES. I SAID NO SMILES.” I kinda hope Grogu is the first, as that would work better, in my opinion, if he doesn’t have his school/temple set up yet-- it’s only, what, five years or so after Return of the Jedi. Given the almost foregone conclusion Grogu will be reunited with Din at some point, I kinda like the idea that Luke is just getting started there.)
I don’t think we’ve seen the end of Gideon either; though I imagine he goes on trial. Maybe he plays into the whole “Din trying to get out of being Mand’alor” by yammering about it and ruining Din’s ability to just hide the dark saber in a closet and sneak out the back.
ANYWAY. See, I’m going in the opposite direction for how they start season three; I suspect we’ll start season three with a time jump, and that way they kick the can down the road on showing Luke (and if you show TOO many cameos, they can lose their impact, though Favreau/Filoni have been pretty good at hitting the sweet spot of original SW nostalgia, Western vibes, and new shit) and they also don’t have to explain Gina Carano’s absence. I mean, she’s been fired, so they’re not gonna go right back to the bridge. Like, she’ll maybe just get handwaved as either back on Nevarro doing shit, or trying it out somewhere else.
My bet is that season three is going to be about Din either reluctantly becoming the Mand’alor, Din trying to get out of becoming the Mand’alor, or probably some combination of the two. I bet that’s the main plot line for the season, plus potential crossover with the Book of Boba Fett and maybe the Ahsoka shows. So, probably more Bo-Katan and her group, and more exploration of the different factions of Mandalorians, and maybe more on the culture.
Or maybe (I hope, anyway) they also plan to explore more with him reconnecting with his old covert, and part of the season is about him tracking them down, since now he’s technically fulfilled his mission with Grogu and I feel like it makes sense for him to return to that as his focus. Plus, with the whole helmet removal as a sort of Chekov’s gun thing, you gotta figure that’ll come up in some kind of confession/confrontation with the covert. (Of course, as stated, I doubt that his arc with Grogu is completely done, and we’ll see that come back into play.)
Favreau in this article seems like he has a pretty good handle on plotting things out in advance, so I’m willing to trust he knows what he’s doing. And those are My Thoughts on what’s ahead, I guess.
(obviously I also think Din and Luke should go through a weary bounty hunter/cheerful space twink courtship, get married, and raise a chaotic blended Jedi-Mandalorian family that could take over the universe and erase vast chunks of the sequel movies but that is a rant for another day)
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heartofether · 3 years
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The Vast & Starlit Special: Part Two - The Woes of Honey Comberbatch TRANSCRIPT
[You can listen to the show wherever you get your podcasts, or go to our “Listen” page if you’re on desktop.]
VAL
Hey there, Val here to let you know that this is part two of our Vast & Starlit special. We recorded this all in one session, so it would make the most sense if you listened to them in order, so if you haven’t listened to part one yet, please go do that first. If you have listened to that, then thank you so much for listening! Enjoy part two!
[MUSIC PLAYS FOR A FEW SECONDS BEFORE FADING OUT.]
LUKA
[OVERLAPPING THE MUSIC’S END] So, basically I’ll explain rules a little bit more in-detail now. So, this game? There are no stats, there are no rolls, it’s just you, and another person, and vibes. Um, and whoever isn’t in the scene observing your life fall apart, basically!
So, I think, as we established, the issue for this story is that our engine runs on love, and this family is breaking apart, you know, guys?
LAUREN
[OVERLAPPING] Mmhm.
LUKA
[CONT.] We gotta fix that. [VOICE BREAKING WITH HELD-BACK LAUGHTER] Our glass ship? It’s breaking apart.
VAL
Yeah. Just like my heart.
LUKA
[STRAINED] Yeah.
LAUREN
“Like boots or hearts, when it starts, it really falls apart.”
[GIGGLING.]
LUKA
And so, how this game works is that, um—I’ll go first, since I’m GMing. You pick two people to act out a scene together, and you just let them go at it for a little while, and then someone who isn’t in the scene gets to call when the scene ends on a cliffhanger, and they can end it by saying, “Dangerous,” “Difficult,” “Both,” or “Hot.”
[LAUGHTER.]
LAUREN
[OVERLAPPING] Okay?
LUKA
Now, Dangerous—if someone calls Dangerous, they get to tell you how it has hurt or endangered you. If it’s Difficult, someone tells you what you need to get before you can do it. If Both, someone tells you how you have failed and endangered the mission. [NOTICEABLE SHIFT IN TONE, PERHAPS WITH FEAR] And if it’s Hot—
[CHUCKLING.]
LUKA
[CONT.] —someone calls it, and then we fade to black.
[A BEAT.] Now, I know how we work.
[LAUGHTER.]
LUKA
So I’m a little worried what the Hot option is gonna give us. Um, but then the next scene, if Hot is called, the next scene that you are in a player with, someone tells you if you either, within that relationship, decide to press on, turn sharply away, or not decide how it went.
[MORE LAUGHTER.]
JESSE
Mm.
LUKA
So, those are the rules. [LAUGHING] If we need a reminder at any point, for something specific, or we need clarification, do not hesitate to ask.
[UNCLEAR TALKING BEFORE LAUREN SPEAKS.]
LAUREN
Wait, so let me get this straight, if there’s—if someone calls Hot—
LUKA
[OVERLAPPING] Mmhm.
LAUREN
[CONT.] —you can actually come up on the next scene and like, retroactively make a joke out of what actually—oh, okay.
LUKA
[OVERLAPPING] Yes.
LAUREN
Okay.
LUKA
You get to decide how that situation went.
LAUREN
[OVERLAPPING] Okay.
LUKA
Okay. So, I think for our opening scene...I think we can throw everyone in there.
JESSE
Okay.
LUKA
And then, just one of us will call it. I think you might be s’posed to have one person not involved.
VAL
But, you know, we—
LUKA
[OVERLAPPING] But that’s okay.
VAL
[OVERLAPPING] This is special.
LUKA
We don’t need that. This is for us.
VAL
Yeah.
LUKA
So I think the entire crew—
LAUREN
[OVERLAPPING] Sorry, could I just get a refresher on Difficult?
LUKA
Yeah. Someone tells you what you need to get before you can do it.
LAUREN
Okay.
LUKA
In my mind, I have no idea how these scenes are gonna go, but based on the problem, I’m not sure—
[THEY ARE CUT OFF BY LAUGHTER.]
LUKA
[CONT.] —Difficult is going to give rise to a lot of physical items that we need to get.
VAL
“You need to come to terms with what happened when you were, um, five years old on the playground.”
[OVERLAPPING LAUGHTER.]
LUKA
But, um, again, we can kind of take it as we go. Uh, so, I think let’s start with everyone on the bridge, realizing that their ship is no longer going forward.
JENSEN
Oh no! Our ship is no longer going forward!
[LAUGHTER.]
JENSEN
Whatever will we do?
ATTICUS
You know, that—that’s quite a bold statement. Uh, do you have anything to back that up?
LAUREN
Friday throws her wedding ring on the ground.
[LAUGHTER.]
ATTICUS
Oh my. That seems like quite a reaction.
VAL
Honey, Honey like, moseys on over to Friday and says, like,
HONEY
Listen. I’ve been through it before. If you need to talk it out, I can give some advice.
FRIDAY
[OVERLAPPING] Well, I’m actually—
HONEY
[CONT.] If you want to go light something on fire, we can stop somewhere.
ATTICUS.
[OVERLAPPING] Oh. Fire.
FRIDAY
Fire. I—mmm?
ATTICUS
Well, in my opinion, fire works, so. Get it?
FRIDAY
Did fire work? Did fire work for you?
ATTICUS
[OVERLAPPING] That was a good joke. Someone give me a pity laugh.
[OVERLAPPING FAKE PITY LAUGHS.]
ATTICUS
Thank you, thank you. Thank you very much.
HONEY
Is this how it goes on your little, your little radio show?
ATTICUS
Well, I wouldn’t call it my little radio show anymore.
LUKA
[IN A SLIGHTLY SOUTHERN ACCENT] I’m turning into a southern.
[LAUGHTER.]
ATTICUS
Well, on my little “radio show,” I uh...I just kinda did a lot of jokes and, you know, I couldn’t hear the people laugh, but I made people laugh—
JENSEN
[OVERLAPPING] Tell us a joke, funny boy.
ATTICUS
Tell you a joke?
FRIDAY
This marriage is a joke.
JENSEN
[OVERLAPPING] Yes, tell me a joke.
[LAUGHTER.]
ATTICUS
Well, I think, Friday, that’s an interesting point. Why do, why do you think marriage is a joke?
FRIDAY
I said this marriage is a joke, Jensen.
ATTICUS
This one specifically, not the other past twenty-two?
FRIDAY
You know, I don’t think I appreciate your tone, funny boy!
ATTICUS
Wh—oh, funny boy? I like this name. Funny boy makes me feel like I’m funny.
LAUREN
Funny looking, aintcha’? Ba-dum-tss!
JENSEN
Whatever did I do? What have I done wrong? Oh no!
[LAUGHTER.]
FRIDAY
[GRIM] You know very well what you did, Jensen.
JENSEN
That’s a scary voice you’re using on me right now.
FRIDAY
Mmhm. You’re gonna be hearing a lot more of it. [TEETH GRITTED] If you decide to keep it up.
[SLOW-BUILDING LAUGHTER.]
JENSEN
Alright. Well, about this engine.
ATTICUS
I—does anyone know how to fix…an engine? Do we got any engineers here?
HONEY
[OVERLAPPING] I—I don’t.
ATTICUS
Has anyone ever looked at an engine and ever conceivably understood what they’re looking at?
FRIDAY
Uh…
HONEY
[STUTTERING] I’m going to be honest with you, I was a housewife before the event. Um, so that’s why I’ve kind of been such a wanderer. I didn’t really have anything else to do. So, no. I could bake you a very nice, like, loaf of bread, but I can’t—
ATTICUS
[OVERLAPPING] That sounds lovely!
HONEY
Do you think that will fix the engine? Do you think if we just have to bake the engine for a little bit longer—
ATTICUS
Bake the engine?
FRIDAY
That’s—
HONEY
I don’t know how engines work! I just said that!
FRIDAY
Has anyone actually fueled up the engine since we took the ship? Have we stopped for any kind of—do we know what this thing runs on?
ATTICUS
We’ve been running for days. Um, no?
JENSEN
I remember there being a tremendous lack of gasoline. I was very thirsty, and I couldn’t find any.
ATTICUS
Gasoline?
FRIDAY
[OVERLAPPING] You know, you wonder why I have an issue, Jensen? You’re gonna—you’re destroying your health!
HONEY
Well maybe that’s the issue. We—maybe Jensen, you know…Jensen, you ever resort to drinking directly from the engine? Like—
JENSEN
No, I’m not an animal.
[LAUGHTER.]
ATTICUS
[OVERLAPPING] Did you drink our fuel? Jensen, did you drink our fuel?
JENSEN
[OVERLAPPING] No! There was no fuel to be found! I just said that. I thought you were listening to me.
ATTICUS
Well.
FRIDAY
Did the raccoons?
ATTICUS
[OVERLAPPING] I talk, I don’t listen.
FRIDAY
[CONT.] Did the raccoons get to the fuel before we did?
JENSEN
I don’t let the raccoons—
ATTICUS
[OVERLAPPING] Oh, don’t tell me it was Wet ‘N’ Wild.
[SNICKERING.]
JENSEN
That—it wasn’t Wet ‘N’ Wild! Don’t you dare accuse her of doing something this atrocious.
FRIDAY
Alright, alright, okay, so!
ATTICUS
Okay, which of us do we think is the smartest?
FRIDAY AND JENSEN
Me.
ATTICUS
Well I guess that means you two definitely know how to take care of this problem, yeah?
HONEY
I would agree with that, yeah.
ATTICUS
So I think Honey and I, we could go like bake some bread and you two can get this sorted out, right?
JESSE
Hot.
[LAUGHTER]
LAUREN
Oh no. No.
VAL
We are only one scene in.
LUKA
Everyone is in this room.
[LAUGHTER AND VARIOUS UNINTELLIGIBLE NOISES]
LUKA
How do you want that to play out? Um the other thing is that when you call something, you decide the next scene. You get to decide who you want in it and what they’re doing.
JESSE
[OVERLAPPING] Alright! Well I wanna see, um, what happened there with- oh my god what is your name, I have a name in my head, I know it’s not the right one.
LUKA
Me? Yes.
JESSE
Atticus! Atticus and Honey! I wanna see Atticus and Honey. Together, baking.
LUKA
In? Baking the bread?
JESSE
Baking bread.
[LAUGHTER]
LUKA
Baking bread if you know what I mean. Okay.
VAL
[OVERLAPPING] A ha ha.
ATTICUS
So, do we put the flour on the counter first? Or second.
HONEY
[OVERLAPPING] You, you- make the dough first. And then you put the flour, well you put some of the flour-
ATTICUS
Oh you mean you don’t just throw flour around the kitchen and the loaf comes out?
HONEY
No, no I wish it was that- I’ve tried, I’ve tried some extravagant recipes.
ATTICUS
Oh, yeah, you know I don’t really have the technique down.
HONEY
Right, right, well um. Well I guess I should ask, what type of bread do we want to make, cause you know we don’t have a lot of ingredients on this ship. We’ve already kind of eaten most of it. In fact, that flour’s really all we have. Do- do we have yeast?
LUKA
[OVERLAPPING]
Well, um, I’m gonna play the ship now.
[STIFLED LAUGHTER]
LUKA
I think there’s a little intercom in the ship and I’m gonna play it:
SHIP
You do not have: yeast.
HONEY
I’m- I’m sure it’s not that important.
ATTICUS
Well, shit.
HONEY
We can go without. So-
ATTICUS
[SIGHS] Well, what can we put in it. Cause we just have flour.
HONEY
We just have flour? Do we have water?
ATTICUS
We can find some. There’s a sink in the kitchen, right?
HONEY
I imagine so, um.
ATTICUS
So, flour and water.
HONEY
Those are kind of the bare necessities if you think about it.
ATTICUS
Okay, good!
HONEY
Is there anything else we can add to it? What else do we have?
ATTICUS
Uh, let’s look in the fridge. [WHISPERED] There’s a fridge on spaceships, right?
HONEY
In this one, there is.
ATTICUS
[WHISPERED] In this one, there is. [NORMAL VOLUME] Well all I’m seeing in this is, um, I see this kinda freeze-dried something.
HONEY
We could try it, I mean-
ATTICUS
What does that look like to you?
HONEY
It looks… It looks kind of like a weird powder, innit? Not… not just- there’s some chunks in there, not just- Not sure what it is.
ATTICUS
Well, let’s put it in.
HONEY
Might as well.
VAL
Alright, and um, Honey takes it out and uh, dumps all of it into the mix of flour and water they have.
ATTICUS
So, do we just start going at it?
HONEY
Yeah, yeah just start mixing, and then once it starts a little bit- a little bit sticky, you start um, kneading it on the counter with the flour.
ATTICUS
Uh huh. Okay. So we flip over the bowl and start kneading it on the counter.
[BEAT]
ATTICUS
So, so… come here often?
HONEY
I mean, we kinda live here-
ATTICUS
[OVERLAPPING] Oh, yeah, uh huh-
HONEY
I don’t come to the kitchen a whole lot, um, because you know sometimes… Sometimes when I open the cabinet and I see the empty bottle of honey, it uh, it makes me think.
ATTICUS
Oh! Don’t people put honey in bread sometimes?
HONEY
Well, it’s empty, we could put- we could try to scrape a tiny bit out but I don’t-
ATTICUS
[OVERLAPPING] Yeah, yeah, yeah.
HONEY
But I don’t eat honey much anymore.
ATTICUS
Well it’s on the top shelf, so I’d have to…
HONEY
Get the ladder.
ATTICUS
Well, I mean, do we have gravity on this ship?
HONEY
That’s a good point, yes. I- I’ve been using the ladder.
ATTICUS
Okay.
HONEY
Makes me feel a little bit better about myself.
ATTICUS
I think I’m gonna climb on the counter, just try to reach up and get it.
LUKA
Someone can call this at any time-
[LAUGHTER]
VAL
I don’t think I can call it, I’m in the scene.
LUKA
Yeah… So we’re just in hell until someone-
VAL
We’re in bread purgatory.
ATTICUS
If you uh, if you grab like a butter knife so we can scrape around the edges?
VAL
[LAUGHING] For context, because this is an audio medium, um, I feel the need to explain why we’re laughing. Um, Lauren, in the chat right now is talking about how her mother is banging pots and pans downstairs.
LUKA
I- [LAUGHTER] No it’ll just be like soundscaping, like this is what happens in the kitchen right now it’ll be fine!
VAL
Yeah no, like the pots and pans just like bang themselves.
LUKA
Yeah, Atticus knocks all of the pans off the wall.
VAL
Honey just kind of stares at them and just like sighs. Doesn’t bother to pick them up.
ATTICUS
I got the goods.
LAUREN
Sorry, so Atticus is on the counter?
LUKA
Yeah.
LAUREN
Uh, dangerous.
JESSE
I was gonna wait for them to do something super mundane and then call ‘dangerous’ but yes, I love it, I love it.
[STIFLED LAUGHTER]
LUKA
That’s why I kept saying “I’m gonna get a bread knife out or like, butter knife.” Someone’s gonna call it I hope! Um so Lauren, how did it… how did it hurt or endanger me?
LAUREN
Uh, there was a little bit of that whatever mystery substance actually turned out to be quite slippery and it was on the counter and as they went up to get what they needed, um, they fell completely back off the counter. And um… hurt their tailbone.
VAL
Ow.
LUKA
[IN A SMALL BRITISH VOICE] Ohh, oh noooo. I’m so weak.
[QUIET CHUCKLES]
HONEY
Do- do you need, like an ice pack? Do you need like-
ATTICUS
Do we have ice?
HONEY
I don’t think we do.
ATTICUS
I don’t know what’s on the spaceship.
HONEY
I can try to take something out of the fridge, can I. And just, put it on you-
ATTICUS
[OVERLAPPING] Yeah.
HONEY
We have more of that strange powdery substance if you… if you’d like some of that I can just-
VAL
And she just like hands Atticus the bag and she’s like-
HONEY
Put that somewhere, I guess.
ATTICUS
Okay…
LUKA
And I think that is the end, so, Lauren you called it so I don’t know if you want to uh, pick two people for the next scene.
LAUREN
Alright, well I feel like we already-
LUKA
[OVERLAPPING] I’m guessing it’s you and Jes?
LAUREN
Just to go to engineering to get that resolved, probably.
LUKA
Yeah. Um, yes. To take a look around. And if you ask questions, I will play the ship.
LAUREN
Okay. Cool cool cool cool.
LUKA Yes.
FRIDAY
[DEEP ANGRY SIGH]
JENSEN
This is a lovely engineering room.
FRIDAY
Yeah I’m sure it’s a lovely engineering room.
JENSEN
It’s almost as beautiful as you, darling.
FRIDAY
Don’t get sweet on me now when I’m trying to be mad at you. Alright what are we- what are we lookin’ for? Fuel, fuel, fuel, fuel… Uh, do we know where the fuel gauge is, Jensen?
JENSEN
Well, you know I’m feeling rather thirsty myself.
FRIDAY
I- Can you- I know that it’s difficult for you to drink things the way the Space-Lord intended, I know that that has been a life-long struggle for you, honey.
JENSEN
It’s so hard. It’s so hard. [OVERLAPPING SOBS AS FRIDAY SPEAKS]
FRIDAY
But for right now, if this ship falls out of the sky, we are all going to die in a fiery crash surrounded by the ra- by the remnants of the raccoon ball pit.
[LAUGHTER AND JENSEN’S CONTINUED SOBBING]
FRIDAY
It’s okay, honey shh. Honey, it’s okay. You know maybe we don’t have to get divorced if we’re bored enough. Come on. Alright. Uhm, ship? Sometimes the ship talks- I’m gonna try something. Ship?
SHIP
Doo doo do do!
FRIDAY
Hello? Are you there?
SHIP
Hello.
FRIDAY
If we wanted to look at the fuel gauge, where would we go?
SHIP
It is right in front of you.
FRIDAY
Oh!
LAUREN
And then Friday turns and looks at a giant monitor on the wall that has a cartoon heart-
LUKA
It has like a little beating heart on it and it’s slowly like beating, beating smaller and smaller.
LAUREN
[OVERLAPPING] Ah! Same brain! It’s like the Grinch little shrinking- shrinking Grinch heart.
LUKA
Yeah.
LAUREN
Great.
[LAUGHTER]
LUKA
It’s like- every time it beats it’s like a little bit smaller.
FRIDAY
And there’s a- and it says, uh you know, “Low Power, 7%.” But um. As Friday kind of begrudgingly wraps an arm around Jensen, gives him a pat on the shoulder-
JENSEN
[STILL SOBBING] Oh my god, oh my god.
FRIDAY
I know, honey. I know, it’s okay.
LAUREN
And the- If I’m allowed to make this decision, it ticks up from seven percent to eight percent.
LUKA
[OVERLAPPING] Oh, yeah. Yeah, and you wait a few more sentence- Sentence? You wait a few more seconds and for some reason it clicks up a few more notches to ten percent. Where elsewhere on the ship, Atticus is, uh, having a piece of cold, freeze-dried chicken applied to their tailbone.
[QUIET LAUGHTER]
FRIDAY
Jenses, are you seeing what I’m seeing?
JENSEN
It looks- it looks like the uh… label on my favorite cherry blossom body spray.
FRIDAY
Just get your- I know you’re a little lost in the cherry blossom spiral right now, honey, but I’m talking about the number on the screen?
JENSEN
Oh, yes. The number. Of course. I did- I did see that.
FRIDAY
Uh huh. Did you see it or are you just saying that you saw it because you don’t want us to get in another fight?
JENSEN
I- I definitely- I definitely saw it, my love.
FRIDAY
[OVERLAPPING] You definitely saw it? You’re not talking… you’re not talking nice to me now, are you?
JENSEN
I’m not. I would never talk nice to you. Never ever.
FRIDAY
Not even with what happened to the bulk size, detergent Febreeze? That I got from the store? You would never- you didn’t talk nice to me about what happened there? Mmm?
JENSEN
[OVERLAPPING] Nooo. No- I didn’t, I didn’t. Never.
FRIDAY
Cause I- I put a lot of work into stealing that giant jug of detergent. Mhmm.
JENSEN
I know you did, darling.
FRIDAY
Mhmm.
JENSEN
I didn’t appreciate it at all. I never would. I’m not that kind of man.
FRIDAY
[HEAVY SIGH] Alright. Well. The point is, I think what we’re looking at here is a good old example of your old ship powered by the power of love. Just like how my grand-daddy used to say. Sometimes-
JENSEN
How can something be powered by love? Love isn’t real.
FRIDAY
Love i- You know what?
JENSEN
You proved that to me, darling.
LUKA
Dangerous?
[LAUGHTER]
LAUREN
Okay, tell us about it.
LUKA
Um, so I don’t know exactly what this means and I’m gonna leave it slightly up to you? I feel like at this point this is a fairly common occurrence, but I do know that Friday is, uh, proficient in firearms as was previously stated.
LAUREN
Uh huh. Okay, um.
LUKA
And you may continue on.
LAUREN
Friday pulls one of her twin pistols, um, from the holsters on her waist, uh this one’s called “Incentive.” Uh, she just kind of looks it over.
FRIDAY
Jensen, I’m not a-
JENSEN
That’s a gun you have there, darling.
FRIDAY
It is a gun. Mhmm. Rather fond of this one. Mmm. Here’s the thing: I’m really determined to keep this ship flying because I’d really like to save my own hide, honey.
JENSEN
Uh huh.
FRIDAY
So just stop playing a fool and help me get the job done, we gotta go talk to the rest of ‘em.
JENSEN
Well- well honey here’s the thing, right? You say that like it’s a new thing. All you ever want to do is save your own hide, maybe I want to save my own hide this time.
FRIDAY
Well saying stuff like that, you’re not doing a mighty good job of it.
JENSEN
I’m so sorry, darling.
FRIDAY
It’s okay- I- you know what, I’ve been mean to you today and it always makes me so sad when you start crying, cause I realize that I can be really mean to you sometimes but also-
JENSEN
[OVERLAPPING SOBBING]
FRIDAY
I’ve got a gun.
JENSEN
[A BIT MORE SOBBING] Can I have a gun? Please?
FRIDAY
Do you want- You gotta be careful with it, okay? You’re not gonna break it like you did last time.
JENSEN
I promise.
FRIDAY
[DEEP SIGH] Alright. Why do you want it?
JENSEN
So I can be just like you, honey.
FRIDAY
Too darn cute when you say stuff like that, alright.
LAUREN
She uh, she pulls out another pistol. This one is known as “Persuasion.” Um, hands it to her husb- to her-
JENSEN
You’re never gonna regret this, darling, you’re never going to.
FRIDAY
I already do.
JENSEN
I love you. I love guns.
FRIDAY
You- the way you’re saying that makes me-
LUKA
[OVERLAPPING] Scene.
[LAUGHTER]
JESSE
You’re never going to regret this.
LAUREN
I hate that I had to pull a gun on my husband!
LUKA
I think next-
LAUREN
I don’t know who Friday is!
LUKA
We can have like- [THEY CHUCKLE] That’s the point. You start the game thinking you know what you’ve made, and then they’re ruined for you.
LAUREN
[OVERLAPPING] No.
LUKA
Um, I think we can have a time skip around, assume that we’ve met back at the bridge, filled people in.
VAL
Uh the bread is- I do think- I don’t know if I can make this call- I do think the bread is done. And that we have the bread with us.
LUKA
Um, yeah. I think next scene, I would like to see Friday and Honey in… I-I think like, again, I think we’ve filled each other in. We don’t like each other necessarily, but I think you guys came back, told us what the deal was, and now we need to try and be friends, so now we can start doing some different combos here. So I’d like to see Honey and Friday eating bread in the dark academia section.
VAL
So true.
LUKA
Namely, without the dark academia section’s usual resident, um.. Lord- lord Jensen.
HONEY
Right then, what do you think of it? We didn’t have yeast per say, but you know, we um, we tried our best.
FRIDAY
Mm. Yeah no it tastes like the rations that we used to have on the cattle ship. So I mean… nostalgic.
HONEY
I will take that as a good thing and hope that the fond nostalgia you get from it will uh, up the juice on the ship a little bit if you know what I mean. Um, so I’ve been thinking. And I think I know the way to save this ship. And this might be a difficult task, but I- I really think it’s the best way to do it. We have to go get my wife back.
FRIDAY
Ohhhh…
HONEY
Because I think- I think if I can get her to forgive me, well there’s going to be so much love on this ship, well, you know. I- I would like to think that we have one married couple on this ship, well you two might be able to do it, but I’m not sure where you are in your relationship right now.
LUKA
The ship chimes in and goes:
SHIP
There is a perfectly good relationship to salvage right in front of you.
HONEY
What- well what about me? How ‘bout how I feel?
SHIP
We cannot go reach your wife without fuel.
HONEY
Al-alright. Fine! Then you- you two have to salvage your marriage, and then I can salvage my marriage! How bout that?
FRIDAY
Uhhhh.
LUKA
Difficult.
[VAL LAUGHS]
FRIDAY
You know, I never know where me and Jensen are at any given point in time. I’m even a little confused as to whether or not we are married in- in this very moment. I- I could not tell you. Now… like the ship says, I- I would have no problem leaving that to you and your ex-wife, but-
SHIP
Again: we cannot find an ex-wife if we do not have fuel.
FRIDAY
[OVERLAPPING] Thank you, ship, I was getting there. Thank you, ship, I appreciate it. So, uh-
SHIP
Of course.
FRIDAY
I mean- there’s… I mean is there no way we could sorta do something that isn’t me and Jensen? I just feel like that’s a- that’s a rough go to try and uh- to try and do that as our last hope. Feels a little- feels a little rocky when I look at it that way.
HONEY
Well if we aren’t… I- I’m guessing that, um, we’re not gonna be salvaging any marriages here, apparently, for some time, until we um, get out of this little um, stressful situation we’re in. So.
FRIDAY
Yeah, um, maybe if it was a little bit more relaxed we might be able to work things out. Here’s the thing though, I did give, uh, Jensen a gun. Started to regret it- started to regret it pretty much immediately, um.
HONEY
[OVERLAPPING] Oh? Right, um, that’s good to know if I ever- when I run into him next I will keep that in the back of my mind.
FRIDAY
[OVERLAPPING] So here’s what I’m wondering, um- you know how Atticus really likes that ball pit?
HONEY
Y- um yes? You mean the bathroom?
FRIDAY
Is… No I was… The-the ballpit- hold up [THROUGH LAUGHTER] uhmm?
HONEY
I was under the impression that the um- is it not? Have I been um...
FRIDAY
Um…
HONEY
Anyways, yes, the ball pit! What were you gonna say about it?
LUKA
This is like the TAZ Graduation level of: when you are entry, you just shit on the floor, and no one tells them otherwise.
[LAUGHTER]
LAUREN
[THROUGH LAUGHTER] Um, okay.
FRIDAY
Um, well, I was- Honey, before you said that, I was really going to… I was gonna be perfectly content to just let Atticus have a time of it in the ball pit, but now I’m all…
HONEY
Well what if- okay, I have an idea. What if we- the two of us, maybe, maybe Jensen, but I’m not sure how he is right now, but maybe just the two of us- we can… clean the ball pit. And then it’ll be a nice little gift for Atticus. I imagine that’ll be quite a bit of fuel, right? If we give him a nice little-
FRIDAY
You want me to clean human waste out of the ball pit?
[LONG BEAT]
HONEY
I’ll help! I mean, have you ever cleaned a bathroom before?
FRIDAY
I’ve cleaned a bathroom before. The bathroom, um, as… a ball pit is a very finicky situation.
HONEY
Well, have you ever owned a dog? Dogs they-
FRIDAY
No, I had a cat, actually.
HONEY
Well this is- didn’t you tend to livestock? Didn’t you have to clean them up?
FRIDAY
Yeah, but not in a ball pit! Honey! I- okay you know what? Fine. You know what? If it’s what’s gonna keep us flying, then sure we can… we can clean out the ball pit. I guess it’s better than marriage counseling so-
HONEY
[OVERLAPPING] Excellent. Excellent, I think that’ll be very helpful.
VAL
Also, I should double check, what are Atticus’s pronouns? Cause I feel like I fucked up there.
LUKA
Uh, I- they were just gonna be they/them, and then I changed them to they/he this morning, so it works.
VAL
Oh, okay, no I wasn’t sure.
JESSE
Same.
[LUKA WHEEZING]
LAUREN
It’s cause I am picturing Atticus Finch. I am, uh…
[LUKA LAUGHING]
VAL
Yeah… yeah.
LUKA
Um, yeah!
LAUREN
Oh.
LUKA
Um, I’m gonna say” scene” there, I guess! That felt pretty final. That felt like a decision.
VAL
Yeah.
LUKA
Um, also, I will say, if you wanna just ruin someone’s life, you can make them do a scene by themselves. Just monologue.
VAL
Alright, I’ll keep that in mind.
LUKA
Um, but I think… let’s see Honey and Lord Jensen.
JESSE
[OVERLAPPING] Okay?
LUKA
Um, Honey trying to convince Lord Jensen to partake in the cleaning of the ball pit.
LAUREN
This is the worst timeline.
JESSE
[OVERLAPPING] Alright.
LUKA
I really thought- I really thought we were gonna get on like a “Let’s save these two’s marriage” and you guys were like: No. No. We’re going to do one nice thing for someone who really enjoys hanging out in the ball pit.
VAL
[OVERLAPPING] I tried.
LUKA
Uh, let's leave it at that.
LAUREN
I was just terrified of having to do serious roleplay.
VAL
Yeah!
LAUREN
To be honest with you. And I was just like: Yeah no, the ball pit. Uh huh!
VAL
Yeah, for sure. Um, alright, so Honey-
LUKA
When- when I set out to GM this, with the vague idea of a broken engine, did I think we were gonna end up in the ball pit? No. Sometimes things happen though.
[LAUGHTER]
VAL
That’s how it is.
VAL
[OUT OF THE GAME] Tune in next for our grand finale, where we learn that our actions have consequences.
[OUTRO MUSIC & CREDITS PLAY.]
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peace-coast-island · 3 years
Text
Diary of a Junebug
Tumblr media
Fireworks, paper lanterns, and glittering stardust
The Sea of Lights is so beautiful! Lanterns and fireworks decorate the sky like constellations, little specks of stardust scattered about. I enjoy taking the time to craft a lantern, make a wish, and watching the lantern float away until it's nothing but a little speck in the sky.
Prepping for the Sea of Lights was a lot of work. Once again, the camp has held the honor of hosting a big event so naturally, we had to go all out. Luckily, we have some friends helping out with the festivities - two who happen to be a part of the committee.
Rika and Elowyn have been part of the Sea of Lights crew since last year so they pretty much know how to make the festivities a hit. Alma and Milana aren't directly part of the crew but they've been to the festival a few times so they were also able to chime in.
Elowyn hopes to get the couple to volunteer for next year but since they have to do a lot of work for the annual cherry blossom festival at their hometown, I don't think they're too interested in helping run another big event. Let's be honest, Alma and Milana are mostly here for the food - I mean, who isn't? That, and also the fact that they're finally visiting the camp after all this time!
Things have been pretty much the same at Corentine, well for the most part. Alma said there's some new guy who's been scouting the outskirts of the village due to rumored abnormal supernatural activity. It's not unusual for them to have strangers walking around these areas though it's frustrating for everyone - especially the stranger - when the mission's unclear. Despite suspicions nothing's been confirmed so the poor guy's been scouting the woods for weeks with absolutely no progress or direction. And since he's gonna stick around for a while, the town council insisted on providing him a place to stay so he's staying in Alma's old room.
Rika hasn't had too much of a chance to get to know the guy but from what she and the others learned, he acts all tough but gets startled easily. Knowing these girls, they've been messing around with him quite a bit. Alma says he's cool, probably a bit shy and prideful, but once his guard's down he has a good sense of humor. Milana wants to use him to test out her latest contraptions as she's in need of a newbie to critique her inventions. RIP (or good luck?) to the new guy.
Alma and Milana are enjoying their new house, which is only about five minutes from Alma's family house. They both figured that now they've been married for over a year, it's probably time to leave the nest and finally give Alma's father some peace of mind. However that still doesn't stop Alma from using him to occasionally get away with chores. Milana says that if Alma keeps this up, they might as well hire him as a housekeeper and pay him by the hour. Then Alma promised that she'll try to do her share of the chores so they could instead use that money to either dine out in a fancy place or go on a fun vacation.
There's never a dull moment with these two. They can be a bit much, especially when you throw in Rika, Elowyn, Emerald, Jade, and Kei into the mix. It's been forever since I've seen the latter three - last I've heard, they joined Rika in Jamie's entourage for a bit before it disbanded. I think all three transferred to Seashore Path so I guess Emerald and Jade probably graduated or will be soon by now while Kei's probably got another year to go.
Rika's been working on some new projects, teasing us as usual. They're always up to something. As of last week Rika now goes by she/they, which feels right for them. The elders are a bit out of touch but they try to be supportive. Ojiichan started complimenting Rika by saying they look gnc af and now all the other elders are saying it, which is sweet! The big mystery though is who taught Ojiichan that and whether or not he fully knows what it means. Still, it's nice to hear how supportive everyone is.
They have also taken up pickling veggies, which sounds kinda surprising but isn't at the same time. Given how much she loves kimchi, it makes sense that she'd want to make her own. My mom sometimes makes her own kimchi and she says it can be a hit or miss. It also looks like a lot of work so kudos for Rika for being successful! It also takes some patience and even then you never know how they'll turn out until they're ready. They plan on doing beets next. After that it's daikon and carrots, and then garlic - all which sound good.
As for the kimchi, it's great! They like it super spicy though so I was only able to eat a little bit before I couldn't handle the heat anymore, but it's tasty. The veggies are perfectly crisp and it's not too liquidy and salty. Rika plans on refining the recipe as well as make a mild version for those who can't take the heat - she means a weakling like me - which is something to look forward to, Buuut Rika's definition of mildly spicy and mine's is probably very different so either way I'll be chugging a lot of water or tea between every bite.
Rika's also been helping Elowyn start her own Patreon, which is exciting! A friend's friend of theirs is also gonna launch a Patreon too so I'm gonna keep an eye out for that as her work seems interesting. The friend had just moved from Japan a few months ago and she's an artist who has an ongoing manga/webcomic about a high school girl who becomes bonded with a young ghost whose job is to keep order between spirits and mortals. According to Rika and Miki - who knows her as well - the story's inspired by true events that happened to the author.
The premise sounds interesting and an english translation by a friend of hers who also serves as an editor/beta reader is usually uploaded the day after so when I have time, I'll definitely read it. From first glance, the art style looks nice so I'm intrigued. It definitely has the vibes of a deceptively cute and lighthearted story that's complex and tragic underneath. The manga's ongoing and usually updates twice a month.
Elowyn's also gonna be in a short fantasy murder mystery film directed by her brother called The Scythe. A few weeks ago she appeared in a music video as a backup dancer for Avery Ronnie. In between gigs Elowyn practices magic with Rika by going on various missions. Though Elowyn says it's no different than being an unpaid intern, except with an increased risk of dying and things going terribly wrong.
Rika and Alma are alike as they're hard working but also kinda lazy. Without prompting they can accomplish something cool and badass but ask them to pick their things up from the floor or do some cleaning around the house and they'll make up some excuse. We roast them for it but at the same time we get it - and it's not like they can't take care of themselves but sometimes they do need a bit of prodding. Both also have this charm that let them get away with it half the time so it's kinda on us too.
We've been hard at work setting up the stalls and decor as well as making lanterns and planning out the fireworks show. To our surprise, Rika and Alma have been pulling their weight, though I think bribing them with food helped with that.
Rika got some glittering stardust from a friend and wanted to put that to good use by adding some spark to the lights. We tested out the fireworks with it and it produced some dazzling effects. Problem is that glittering stardust is super flammable so we have to be super careful. So that's why I left fireworks duty to Rika while the rest of us kept our distance.
Making lanterns was a lot of fun! A while back Pai and Connie sent me a lantern they made for a similar festival in Bonsai Harbor. Apparently the two really got into making lanterns so they started giving away a bunch of them to friends.
Yeah, I think we also kinda went overboard with our lanterns. But they're so much fun to make! Well, I could just give them away too - I know a bunch of people who would love to have a souvenir from a festival. I'm gonna keep a bunch to decorate the camp and cabin when we're in a festive decorating mood. As for the inevitable surplus - I'll figure that out later.
The fireworks and lanterns were easily the highlights of the night, second to the food. Thankfully there were no incidents with the glittering stardust - we did a bunch of test runs to make absolutely sure that there's no chance of the lanterns and fireworks colliding to create a possibly catastrophic explosion as glittering stardust is dangerous around anything that involves flames.
(I mean it turned out to be a great idea, but why the hell did we take such a risk by using flammable stuff around fireworks? Then again, it's Rika and when they overlook something, we tend to follow suit too because it's too easy to get caught up and carried away. It's not our fault that she makes it easy to get away with a lot of dangerous stunts - but it all worked out for the better so it's good.)
Being surrounded by fireworks and lanterns, I feel light on my feet. Wishes floating up in the sky, finding their way into the black night sky. I wonder how far will the lanterns fly before their lights go out.
I wonder how many wishes were released throughout the night.
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purplerose244 · 4 years
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Thinking journal for season 12 Prime Empire 😎😎😎 (2/2)
Here we go with the next part! I really hope we get some major big plot twist at some point, because it's all really cool but I need something to really change from good to GREAT
For now, let's focus on the next episodes!
It's the 17th of April and here we go!
GENERAL
I feel like there's little time to really pull up something, I don't know. Like, what plot twist could happen now that there just half season left with only Unagami/Dyer's identity and maybe Scott's past as mysteries? There's little space for more plotlines, that's what I think
Overall fighting scenes, character designs and game backgrounds are AWESOME!!
Let's see how it goes, maybe I'll be surprised. Wouldn't be weird for Ninjago to pull a bomb last episode 😅
ONE STEP FORWARD, TWO STEPS BACK
ZANE AND PIXAL FINALLY!!! IT'S DETECTIVE TIME!!! 😎
Okay, so there is a photo, and there is a friend. As I thought, Dyer might not be Unagami at all, I feel like there's a lot of backstory coming along. I wonder if Scott has a part in this... WHERE IS SCOTT 💙
Ah, of course Kai would spend his credits on an avatar, I should've known, my flame babe can be such a dummie sometimes I mean why would you even do such a thing as buying an avat-
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NEVER MIND I LOVE IT 😍😍🔥🔥 I thought him being blonde was going to bother me, I actually kinda like the change. Still prefer my baby brunette, but it's really cool as well. The best of this season are definitely the characters designs
Was that "let's fight an ogre mission" a hint for next season? I wouldn't be weird, but it's been a while since I've seen forshadowing for new season in this show
HECK YEAH THE DANCING EPISODE!!! I was waiting for this, Jaya is so cute while they are on the dancefloor 😍 They have chemistry 😘😘😘
I like the implication that Nya was really bad at dancing before Jay, like Kai covering his eyes because he cannot handle her sister not being perfect at something 😛
And Cole being the dance expert, that little tango moment with Kai I bet made many lavashippers super happy 🖤❤🖤❤
THE TRIPLE TIGER SASHAY ALL THE WAY FROM SEASON 1-2 ABSOLUTELY YES YES YES!!! AND HE DIDN'T ROAR, HE STRAIGHT UP SAID "NO ONE PUTS COLE IN A CORNER" I'M DYING!!! With this and Nya's 'catch me', I expect so many Dirty Dancing AUs from this 😂👌
JAYA BEING AWESOME HECK YEAH ❤💙❤💙
JUST LOOK AT THEM!!! Nya better say I love you back soon, like Kai and Skylor are a little behind, Zane and Pixal already said it, Jay can't stop doing it, come on girl it's your turn! 😎😎
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RACER SEVEN
SCOTT IS BACK YES!!! 😍😍😍💙💙💙
Okay, I think my theory won't happen 😅 Feels like there are not enough episodes for a good reveal, and it doesn't seem like Scott is that influenced by Jay. My last idea is that perhaps he has spent so much time in the game like Jay said (POOR BABY 😭) that he doesn't remember. Maybe the moment he will come back, we will find out that it is Jay's brother/twin, I mean he still has those dragon and lightnings drawing on his back... yeah I like this theory a lot, gonna hold on to it!
So Scott is indeed a person trapped in a game, at least that's confirmed 👍
Also he's got some major issues, the poor thing, and I think there is some special reason behind him not wanting to race besides having just one life.
HERE IT COMES
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OH MY GARMADON 😂😂😂 Okay, okay, it's actually better than I expected really. The scarf is cool, and so are the golden tattoos, the suit and the golden sleeve. It's just the mohawk that will take time to get used to, it's not even bad, just weird 🤷‍♀️
Racer Seven is so cool! Always nice seeing a new female character in this show that is not a love interest. I do love Nya, Pix and Sky to death, but I love variety too ����
Really, really nice the piece of all Racer Seven's crashes! Impactful and sad, a never ending loop that she wants to break through from. That's the heavy stuff I like!
Okay, ready for the race! And I'm... scared? Like, a lot of they guys have one life?? KAI HAS ONE LIFE?? 😱😱 I hope for the best I guess 😅
THE SPEEDWAY FIVE-BILLION
Might be my favorite episode yet
Seven is SO COOL, it's another reason why I'm sad these episodes are so short! I really would had liked see her more, truly have her bond with the guys
Soooo... I guess since Scott's been in the game for 30 years it's safe to assume he's not Jay's brother/twin. To be fair it's really hard to tell a LEGO person's age😅 At this point I guess he could be either Dyer's friend, even if it sounds unlikely, or... idk, still think he could have a connection with Jay. Maybe he's like... an older brother? Libber had him a long while ago?
NOOOOOOOOOOOO!!! WHY DID SCOTT HAVE TO DIEEEEEEEE??? 😭😭😭 Just when he was getting more involved, come on! He even said he wanted to try that hero stuff, I love him! WE WILL SAVE YOU MY TECH BABY!!!
Cole getting a ride from Kai, this season has some pretty good lava material ❤🖤❤🖤
I've got some major Ninjaball Run vibes from this, that brings me back 😂 Even the no rules thing is there, come on, there has to be a little bit of inspiration from it!
Still don't know what I think of the rats, kinda seems useless and annoying, gonna be honest. But it's a nice race, exciting with nothing big happenin-
Kai and Cole sacrifice for Jay
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I KNOW I THOUGHT ABOUT IT BEFORE BUT I'M NOT OKAY WITH THIS!!! MY FLAME BABE AND MY ROCKY BABY!!! 😭😭😭😭 WHY PEOPLE KEEP DYING IN THIS EPISODE???
I so, so enjoyed how they did it. Like, one look between them to realize that yes, this is it, Jay is the expert and needs to go on. This is the end of our race... AAAHHH!! (Infinite shipping potential too)
Omg Nya screaming her brother's name and Jay his best friend's name, while Lloyd looks so devastated (those masks are actually kinda espressive, I really like them). Wow. This is the angst I needed, finally👌
YES SEVEN WON!!! HECK YEAH GIRL!!! SO HAPPY FOR HER!!! Also Okino in the background being happy, nice touch!
And now they are three... it's gonna end up with only Jay huh. I... I'm not ready actually, my heart 😢 They better all hug when this is all over!!!
STOP, DROP AND SIDE ROLL
I CAN SEE THEY ARE KEEPING THE FEELS FOR LAST APPARENTLY??? 😭
The music of the old school section was actually very nice, reminds me of the past, I kinda hoped The Fold were going to release some game themed songs. Been a while since I have one of those 😍
Lol, explaining the side scroll games was actually pretty cool
YES THEY ACTUALLY ACKNOWLEDGED THE AIRJITSU!! Maybe they will remember they can used it, right Cole? The ladder scene? YOU CAN FLY???
OMG NYA ACTUALLY SAID CICLON-DO JUST HOW CUTE IS THAT!!! All the way from my favorite season Possession, Jay's definition of airjitzu that I actually still kept in one of my fanfictions 😂
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Okay the design of the temple of madness is REALLY cool, you can immediately tell it's from an old videogame. Gives me the double vibe the googles for the first 3D movies used to give me 😂
Also look at this
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THIS IS ADORABLE!! 💙💚💦 Really old style videogame 😂
And there we go!! Harumi!! Since I saw her in the set I was wondering what she was going to be, maybe an avatar or an NPC of some sort... THIS HURTS WAY MORE!!! And of course pure heart BABY boy Lloyd doesn't feel good fighting her, he had a crush on her! AND HE FREAKING SAW HER DIE!!! It's really sad that he still hopes for her to be good...
The fighting scenes are really, REALLY good! So fluid and active! This fight was really pleasant to watch, not gonna lie 💜
NOOOOOOOOO!!!! NOT MY GREEN BABY BOY!!!! I KNEW IT WAS GOING TO HAPPEN BUT STIIIIIIL!!! 😭😭😭
Okay, down to three members. Remaining Zaptrap and water godess... omg Nya will totally die first and at that point Jay will go completely nuts. I'm both scared and DYING TO HAPPEN!!! ANGST FINALLY!!! THIS IS THE STUFF!!
Got some major Skybound feeling, like when it was only Jay and Nya... will Nya finally say I love you back?? I HOPE SO ❤💙❤💙
With the three keytana now, what will happen? I'm actually curious now, this is the exciting stuff I need! And yes I do realize it's a little weird that for getting hype I need my faves to die 😅
NINJAGO CONFIDENTIAL
OMG THEY ACTUALLY DID A DETECTIVE THEMED EPISODE BLACK AND WHITE I'M DYING 😂😂😂
The Weekend Whip with sax, never thought I needed this in my life 😍
Bet Brent had a blast recording this
Okay this is the third Chima reference I see, they better throw some Nexo Knights hits as well next season! Come on, it's about freaking knights!!!
This is not what I expected when they said there was going to be an episode with only Zane and Pixal but I'm sure as HECK not complaining 👌
Oh, seeing Pixal joining in so normally is so beautiful, I really wish we could have her even more often
Dareth's karaoke bar! From Sons of Garmaron! Also him guessing first try because the ninja really do get post in other dimensions very often 😂 Gotta love them indeed
Pff Zane narrating and getting stopped every time because of it, how I missed this naive little nindroid
So the bartender Tony is the friend? That's it? A little easy really, hoped for more... still calling him Milty is cute 💕
Buddy's Pizza from season 2!!! This season is killing me with references and I LOVE IT SO MUCH 💜💜💜
So, the mechanic is free again (the Kryptarium dudes should really learn how to do their job right 😓), Zane is kidnapped, and Pixal has a fedora that makes her possibly even cuter. I have emotions
AH!! KNEW IT!! UNAGAMI IS NOT DYER!! FREAKING CALLED IT!!... kinda expected really, but still called it 😅
So Unagami was the first name of Prime Empire and is also an AI that got crazy and was shut down, but now is back after programming the game itself and wants to get to the real world?... I'm down with it
So I'm guessing we won't get much of a Scott backstory... Eh, let's see how it goes!
THE PRODIGAL FATHER
I was seriously confused by why those dudes wanted to kidnapped Wu, but it made sense later. Still come on sensei, you're a freaking half god or something, pull yourself together 🤦‍♀️
Very nice that Pixal is the one to bring up the argument about feelings and AI. So very nice to have her in this!!!
I THOUGHT ZANE WAS GOING TO TAKE A BREAK FROM LAST SEASON, WHY ARE THEY MAKING HIM SUFFER AGAIN??? 😭
Oh finally the backstory of Unagami I'm really curious about what happened in the past and what exactly brought the shut down of Prime Emp-
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I LITERALLY CARE ABOUT NOTHING ELSE BUT THIS BEAUTIFUL GAMER BOY IN REAL LIFE!!! 😍😍😍😍😍
So Scott was the first beta tester, Milton asked Unagami to make the experience as exciting as possible, and that ended very badly so the game was shut down and THEY LEFT HIM INSIDE FULLY KNOWING HE WAS THERE??? I HATE DYER NOW!!!
Although it is really interesting knowing a tech genius like him, until now we got Dr. Julien and Cyrus Borg that were plenty open about the idea of AI with feelings as meaningful as humans'. While he doesn't get that, they are only machines for him and that's the reason why he doesn't understand how much Unagami is mad and filled with need for revenge.
This is why I want more than 11 minutes, the themes of this season are really, REALLY cool. I would have loved more introspection and development.
I guess Scott being Jay's brother is officially debunked 😅 Although I am curious about the life he left behind, since he was stuck in that game for 30 years. He still has those lightnings on the jacket I don't understand...
DON'T YOU DARE LET ZANE BE DESTROYED AGAIN PLEASE I STILL CRY WATCHING "THE TITANIUM NINJA"!!! 😢😢😢😢😢😢
The portal is open, Zane might get destroyed, Unagami wants revenge, Jay and Nya are the only one left and I'm pretty sure Nya will be killed as well leaving only Bluebell so there's THAT. So yeah, this is actually pretty cool!
Two episodes left. Okay Ninjago season 12 Prime Empire, wow me 😎
THE TEMPLE OF MADNESS
This felt a little simple if I'm gonna be honest. I felt like the last mission before facing Unagami was a little basic, with nothing really exciting. Still liked it, but this is probably my least favorite episode 🤷‍♀️
Of course, put Jay is a sushi restaurant-themed level and he will kill you with puns 😂 I love this prankster
Again, the fighting scenes are dope. Definitely one of my favorite things since they changed the animation. You lose something you win something 😙
Wooo, Jay saying that he had trained for years just for kick his butt was actually cool! Bluebell is unleashing!
"And that's how we roll!". You rock we roll, am I right 😂
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AH!!! CALLED IT!!! TOTALLY CALLED IT!!! MY POOR BABY BLUEBELL 😭😭
I wish Nya said that she loves Jay back though! Freaking come on girl, he is your yang!!! ❤💙❤💙
Unagami is not Dyer, he wants to get to the real world, I'm actually kinda curious about the confrontation that is about to happen... ALSO THERE BETTER BE LOTS OF HUGS WHEN THIS IS OVER
I... genuinely forgot about the dragon medallion 😅 Eh, I love dragons so I'm fine with it. Well, let's see how it ends!!!
GAME OVER
Wow, I actually love this ending?? A LOT?? After last episode I didn't have much hope, but after seeing it I gotta say, it was really great 👌👌
Thanks for not dying on us again Zane, much appreciated
Jay taking charge is quite rare and when it happens you know things are about to get crazy 😂 It was really nice seeing how sensible he could be, telling that Unagami wasn't evil after all, that he needed closure and answers
I know I miss the animation peak we reached with SoG and Hunted, but I gotta say the atmosphere of the city with the lightnings and the gray sky was really awesome. Very cool.
Pff, that part with the elevator though, reminds me of the one in season 1 that made me start watch Ninjago ✌ Also it's always Borg's Tower indeed 😂
OKINO KICKING BUTTS HECK YEAH LOOK AT OUR RONIN GO!!!
And wow. WOW. I didn't expect Jay to drop the I'm adopted bomb on us, I think I never heard him talk about it since Skybound (that technically never happened so 😅). It was SO good seeing him sympathize with Unagami because he was also left with no explaination. His desire to know, along with the hope that the past is the past, but they had a good reason for. Also he freaking said he didn't have the chance to ask because Cliff is dead and I 😭😭😭😭
And here I melted, because we finally see the situation for what truly is, the way Jay also sees it: Unagami is a kid, a child that doesn't understand how the world works, that just wants to make his father proud but got rejected instead. The confrontation was actually touching, I really wish we had more time for that. Even a little resistance from Unagami, another fight, and a finally reconcilliation with Dyer.
MY NINJA BABIES ARE BACK I MISSED YOU GUYS SO MUCH!!! ❤💚💙🖤💦💎
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Could you seriously be cuter than this?? ❤💙❤💙 I wished for more hugs but I'll settle for this I guess 😍
Okay, very nice to see Seven and Okino out there and deciding to live their lives in Ninjago, nice to see some others like the rats going back to Prime Empire. As Unagami said, he gave them a choice, it's up to them at this point
But I'm sorry, WHY ARE WE NOT GOING TO TALK WITH SCOTT??? That guy's been trapped inside the game the longest, not even a "Hey bud, you're alive, cool cool"? I know I've been overbearing about how much I love Scott, especially since I had all those theories about him (still don't know why he has lightnings on his jacket and hat, is it just a style thing? Idk), but come on! Well I guess if he's happy I am 🤷‍♀️
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Is that his girlfriend or something? After 30 years? Or maybe she got trapped with him a while later? Or maybe that's his... mom? Look, we all know determine the age of LEGO characters is hard, give me a break please 😅😅
Overall, very nice ending, it brought everything together quite nicely. I'm satisfied, yes!! 💜💜
FINAL THOUGHTS
As I said, the episodes' lenght I really think gets in the way of making this an excellent season. There is so much that could be explored more, the choice matter, all the amazing characters, and the AI feelings stuff from the latest episodes. There is room for more, I wished we got that
The characters though were really amazing. Between Scott, Okino, Seven and Unagami himself, there were very different personalities with very different dreams and thoughts, that made this ride much more interesting
Fighting animation was 👌👌👌
Comebacks from past seasons were 👌👌👌👌👌👌👌👌👌
Maybe it didn't really focused on Jay as much until the end? Yeah it was about him, but we got to see his sensibility and his past only last episode. He loves Nya, he likes videogames, of course but there's more about him than meets the eye! Wished we saw that, but in general it was nice seeing him first line again 💙
I liked this season. It has flaws, but I enjoyed many parts and at the end I was left satisfied 👍
Just... wasn't Jillian supposed to be in this? Or is it next season? She said a mom was going to come back, I took for granted it was going to be Edna. I'm curious about next season now... FINALLY A COLE SEASON EVERYONE!!! 🖤🖤🖤
Thank you for leaving notes to my last rant, this helps me not jump excitedly every time a new episode comes out 😅 Well then, that's all from me!! Have a nice day everyone!! 💜💜💜
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