there are so many amazing and powerful benders in atla but what i love about zuko is that whether or not he can use his bending in that moment has zero (0) bearing on how much he’s going to absolutely kick your ass. no bending? that’s fine - he’s got swords. no swords or bending? that’s fine - he’s literally just going to beat you up. if you’re REALLY unlucky then you get all three. as a treat.
I genuinely think that any change in behavior starts w telling yourself that your worst days, worst performances, just worst moments in general aren’t who you “truly are.” It’s all about unlearning any thought process that essentially chalks up traits you aren’t proud of to “this is who I really am” “in reality I’m lazy” “in reality I’m just a bad person” bc not only is that never true, but it impedes your efforts to try to do better as well. Anything we struggle with has roots in things like childhood trauma, thoughts you’ve been fed before, your upbringing…. but never that you’re inherently a bad person. What I’m learning this year is that a lot of us doing better & being better & improving really comes down to self-talk—to disavowing the very notion that deep down we’re simply bad.
its interesting to me how self-deprecation neatly ties into making others feel bad. like. if you constantly assume that you’re stupid no matter how informed or skilled in a topic you might be, people who are a bit less learned or skilled than you might see how you, someone who is obviously skilled, talk down about yourself, and assume that if you think YOURE an idiot you must think theyre an even bigger idiot and lose confidence or find you intimidating as a result. its fucked up. and its part of why it can be so important to break out of cycles of self-hatred--not just for yourself, but for people around you
I think 90% of my gripes with how modern anime looks comes down to flat color design/palettes.
Non-cohesive, washed-out color palettes can destroy lineart quality. I see this all the time when comparing an anime's lineart/layout to its colored/post-processed final product and it's heartbreaking. Compare this pre-color vs. final frame from Dungeon Meshi's OP.
So much sharpness and detail and weight gets washed out and flattened by 'meh' color design. I LOVE the flow and thickness and shadows in the fabrics on the left. The white against pastel really brings it out. Check out all the detail in their hair, the highlights in Rin's, the different hues to denote hair color, the blue tint in the clothes' shadows, and how all of that just gets... lost. It works, but it's not particularly good and does a disservice to the line-artist.
I'm using Dungeon Meshi as an example not because it's bad, I'm just especially disappointed because this is Studio Trigger we're talking about. The character animation is fantastic, but the color design is usually much more exciting. We're not seeing Trigger at their full potential, so I'm focusing on them.
Here's a very quick and messy color correct. Not meant to be taken seriously, just to provide comparison to see why colors can feel "washed out." Top is edit, bottom is original.
You can really see how desaturated and "white fluorescent lighting" the original color palettes are.
[Remember: the easiest way to make your colors more lively is to choose a warm or cool tint. From there, you can play around with bringing out complementary colors for a cohesive palette (I warmed Marcille's skintone and hair but made sure to bring out her deep blue clothes). Avoid using too many blend mode layers; hand-picking colors will really help you build your innate color sense and find a color style. Try using saturated colors in unexpected places! If you're coloring a night scene, try using deep blues or greens or magentas. You see these deep colors used all the time in older anime because they couldn't rely on a lightness scale to make colors darker, they had to use darker paints with specific hues. Don't overthink it, simpler is better!]
Young Justice is always a little...concerned. With Phantom's living situation.
Now they're outright afraid for him, and Bart has decided it's time to Ask An Adult.
It was the little quips. The tiny little things. Stuff that didn't seem to matter to Phantom at all, or appeared to be normal for him, that he didn't realize weren't normal at all.
"Oh, better not hope my mom catches me."
"Doing what, staying out past bedtime?"
"Nah, using my powers; she'd vivisect me!"
"Another stab wound. Great."
"Don't worry Phantom, I've got the med kit-"
"Oh, I'm not a baby or anything, I can handle it just fine. Just gimme a sec to take it out."
"My dad has better aim than that."
"...Like, when he's hunting, right?"
"...At what other times would he be shooting at me?"
"Huh. Not as bad as my parents place. Look; they have a decontamination shower!"
"Phantom, this lab has been vandalized to the point of needing a hazmat suit."
"Did I stutter?"
Finding out each others identities did nothing to soothe the worry. Tim quietly told the others that every time he tried to run facial recognition, he kept hitting a government firewall he couldn't breach. Phantom never told them his last name, just his first, and 'Danny' is super common.
The thing that really did it though, the thing that made Bart snap and run off to ask Max, was when Danny had a nightmare.
He was talking in his sleep.
"No. Don't-stop. Stoooop. I need...my skin. Mom, no. You can't...peel off...my skin..."
Bart didn't even wait for them to wake Danny up before he was standing in front of Max, talking a mile a minute as he tried to figure out what to do, with Wally staring in horror over a plate of waffles as he computed everything that Bart was saying.
~~~~~~
Danny had a dream about his mom and Skulker arguing about how to skin him. He wouldn't really call it a nightmare, because it was just Skulker, but the scariest thing was Skulker insisting to his mom that it was possible to skin him with a potato peeler. Dream mom was arguing that it was not, and that from a scientific standpoint that was a really piss poor way to preserve a specimen.
He hadn't been begging them to stop hurting him, he'd been whining at them to knock it off.
But when he wakes up, it's to a room full of worried friends and an old man who calls himself Max.
Hot take but canes are not a limited resource. Most mobility aids aren’t but canes especially. Canes are $20 at a lot of stores like CVS, Walmart, etc. You aren’t taking that resource away from “real” disabled people (hint: you ARE a real disabled person) in fact buying more canes creates more demand and works to make more stores carry them for better prices. You aren’t faking being disabled or hurting disabled people, you’re working to make canes more accessible which is helping disabled people.
Gortash designs and builds mechanisms so I imagine he has to be able to sketch fairly decently in order to sketch his projects and designs. And I'm imagining a pile of charcoal sketches of Durge, done over their entire acquaintance, starting out with sketches of them in battle and then slowly becoming more detailed and intimate and as they do, the titles changing from things like "The Bhaalspawn" and "Bhaal's Chosen at Their Bloody Work" to "The Chosen in Contemplation" and finally just Durge's name
Poly+ ACOTAR Week - Day 3 Secrets (Feyre/Tamlin/Rhysand) @polyacotarweek
I'm weak for 'two enemies put aside their differences coz they love me more than they hate each other' trope and I was somewhat sad that's not where Feyre's love life went. Just think of the possibilities.