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#wattpad fantasy
cmwrites04 · 28 days
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Update!
Hey Everyone!
I know full well that I’m posting this into the tumblr void right now but my hope is that eventually people will start following this blog and read it lol.
If you’re coming from my Wattpad you may have noticed that I have changed my book covers for what might seem like the 50th time lol but it’s all for good reason.
I currently have been having a lot of inspiration for what I want to do with my stories and I have an idea of what I want to do after I finish the third and final book in my first series.
Speaking of my first series, it now has been renamed! The new name is ‘insert drum roll’
“The Hybrid Series”!!
The individual book titles will stay the same it’s the just the series name that is different.
Now back to why I have changed the covers. To be honest it’s mainly because I wanted to make the covers more cohesive and I also wanted them to be distinct from the covers for my new series of books. I also felt like it was time for a change.
I won’t say much about my plans for a new series since I still have to write the final book in The Hybrid Series before I can start it.
But what I will say is that it’s a series that will be connected to the Hybrid Series in a way but it’ll be about a different supernatural being that will be introduced in the final hybrid series book.
Remember to be kind!
C.M
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catfayssoux · 1 month
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thebookaddict7 · 5 months
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"go to hell" or "fuck you" is boring and basic. "I hope your favorite book gets turned into a horrible movie or TV show, with a horrendous cast and script" is smart. It's terrifying. It's possible.
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nightmare-niko · 5 months
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Welcome Home [Childhoodbestfriend!Coryo x reader]
Warnings: TBOSAS spoilers, angst, two idiots in love, too cute for your own good tbh, no use of Y/n
A/n: Im still getting back in the swing of fanfic writing but if you have any other characters from The Hunger Games universe you want me to write for just lmk!!!!
Copying or translating my writing is not allowed. If you see my work on another site it is stolen. Reblogs are appreciated and encouraged.
Childhoodbestfriend!coryo who searches for your face in the crowded train station, and when he finally sees you, his knees almost gave in.
The two of you didn’t leave off on the best of terms (he blew you off the second he met Lucy Gray) and Coriolanus didn’t think you’d show up to welcome him home.
But there you were.
There in the crowd you stood, nervously playing with the end of your hair just like you always did. You looked through the sea of faces for your best friend, at first you couldn’t see him. Perhaps you missed him? Surely not… But then, there he was. Coriolanus Snow, Your Coryo.
Before you could register what was happening you were barreling towards him. Engulfing him in a bone crushing hug that he doesn’t hesitate to return.
“Oh Coryo!” You exclaim, pulling back from the hug to get a better look at him. “Oh my goodness! Your hair! What did they do to your hair? You’re bald!” You rub your hands in his head, savoring the strange new sensation.
He laughs gently, taking your wrists in his hands and holding them close. “I am not bald! it’ll grow back before you even realize, a swear.” He pauses for a moment, staring deeply into your eyes. “I’ve missed you.”
“I’ve missed you more than you can know, Coryo”
“I’m sure i missed you more,” he paused again. “Where’s Tigris?”
“Don’t worry, she’s at work, she wishes she could be here but you know how her boss is.” Coryo hums in acknowledgment, “and I talked to grandma’am earlier today and she gave me strict instructions to keep you away from your house tonight.” You take his hand and start walking your way through the platform.
“What? Why?” The grip on your hand tight, as if he’s scared to lose you.
“Oh she wouldn’t tell me, she knew I was just gonna end up telling you anyway.” Your arms brush together as you walk, to anyone else, the two of you look like the loveliest couple. “But that just means you get to spend your first day back your favorite person!”
“I wouldn’t have it any other way~”
“Are you sure your parents are going to be okay with me staying over?" Your parents were never the biggest fan of Coriolanus Snow, they werent fans of the Snow family at all, and when they saw him on to with that District girl they deemed him no good.
"Oh they moved out, I have the place all to myself,” as you approach us your penthouse door you pat at your pockets for the key. "I Prepared the spare room for you for. When you come over, even though you always insist on taking up my whole bed...”
"Your bed is just the most comfortable bed, ever." He raises his hands in defeate. "Your bed is big enough for the both of us."
“It’s only big enough when you sleep normally which you never do. Ever,” the two of laugh as you enter your home.
When he walks through the door of your lavish capitol penthouse, he couldn’t stop himself from crying. The house didnt look the same from when he was last here. When he was last in your penthouse, it was right after his and Clemensia Dovecoats run in with Dr. Gaul. The once colourless decor of your house was now full of life, full of you.
As the tears fell down his pale check, you turned back to look at him. You were at his side in a second, "Coryo, what’s wrong?" You wipe his tears away with the cuff of your Sleeve.
"Nothing - It's nothing really, I just missed this, You." His voice just above a whisper.
“I missed you too, more than you can know.” You smush his cheeks in between your hand.
He swats your hand away, “I’m not a kid anymore, you can’t treat me like it,” a light pink flush blooms on his ears.
“Oh nonsense! I’m your best friend, and I’m older than you so I’ll always treat you like a kid!”
“You can’t treat me like a kid when I’m president,” he jokes through quiet sobs.
"I’m never going to stop, Coryo, I’m your best friend, it’s my job to annoy you," You run your fingers through his hair.
"You’re never annoying...”
As the two of you make your way into your room. It was the same as he remembered.
"It's the same," he points out.
"What is?" you question,
"The room, you didnt change it...”
"Why would I change it? I love my room, and when my parents moved away and left me the house, I figured: Why not just make the whole place my own?"
You take off your sweater and shoes before climbing into your bed. Your eyes follow Coryo as he walks around your room, making himself at home. After taking off his shoes he joins you on your bed, tackling you in a hug, knocking you over.
“Woah!”
You wrap your arms around his broad shoulders, basking in his warmth. Neither of you feel the need to say anything. Sure you were curious about his time away, but you knew Coryo was tired and all you wanted was for him to be comfortable.
Oh how you’ve missed this.
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Tag list: @nallasstuff @chmpgneprblem
(If you wanna be tagged when I post hunger games stuff just lmk and I’ll add u to a tag list!!!)
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theravensgloom · 2 years
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graceshouldwrite · 10 months
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The Most Powerful Hack to Make Your Readers Cry
You’ve seen it all: show, don’t tell, plant a visceral image in the reader’s brain of the environment/character, write a complex character arc with lots of growth and setbacks, establish deep relationships, high stakes, etc. 
All the advice for making readers cry I’ve seen so far is basically that list. But, while those things are absolutely important, I find that the thing that always does the trick, whether as a tipping point or in and of itself, is this: 
THE CALLBACK! 
Before we move on, this is an ANALYSIS heavy post, so all the book + show examples contain spoilers!!
So, what do I mean by a “callback?” Think of Chekhov’s gun, but, here, you use the gun to pierce your reader’s heart. As a refresher for anyone who needs it, Chekhov’s gun is just a rule in writing that anything you introduce in the book should play some role in the plot.
Specifically, the name comes from the example that if a reader introduces a gun in the first act, it MUST go off later, (maybe, say, in the third act). For example, in the TV show Breaking Bad, the protagonist Walter White prepares a vial of poison (ricin) that he wanted to use to eliminate an opponent early on in the series. After the assassination attempt falls through, the ricin makes an appearance again in the very last episode of the show, when Walt finally uses it to kill another opponent. 
Got that? Alright, onto the examples of successful, tearjerking callbacks: 
1. The Last Olympian (Rick Riordan); “Family, Luke, you promised.” 
Context: The character Annabeth says this line. Years ago, Annabeth had run away from home, and Luke had effectively adopted her into a found family with another kid named Thalia. Common reason for leaving home = parental trauma! Yay! He promised Annabeth that they would be each other’s “family” from now on. 
Now: Kronos, the antagonist titan, has possessed the demigod Luke and uses his body to strike Annabeth, injuring her. She’s also holding a dagger that Luke had given her when she joined his “family.”
Significance: her words + the dagger are a mental + physical reminder to Luke of his promise. They force him to recognize the sheer degree of his current betrayal by bringing him back to a different time. The fact that their found family only happened because of parental trauma bringing them together makes it worse—Luke felt abandoned by his Olympian father, Hermes. Now, he realizes that he basically did the equivalent to Annabeth by joining the titans. 
2. Les Miserables (Victor Hugo); Jean Valjean’s death 
Context:  At the beginning of the book, the bishop had caught Valjean trying to steal candlesticks to sell. Instead of handing him over to the police, the bishop told the police that he had given them to Valjean, saving him from arrest and showing him mercy. This changed his life forever, kickstarting his character redemption arc. 
Now: Jean Valjean dies surrounded by his loved ones, remembered as a benevolent man who bettered thousands of lives. He’s surrounded by light from candlesticks that once belonged to a bishop.
Context: Valjean had once taken in an impoverished woman named Fantine, showing her mercy and promising to take care of her daughter, Cosette, after Fantine died. Valjean then rescued Cosette from abusive quasi-foster parents (it’s a long story), raising her as his own daughter. This furthered his arc by allowing him to finally understand how unconditionally loving someone feels. 
Now: Valjean describes Fantine to Cosette, who never knew her mother. 
Significance: Both examples throw readers back to much earlier points in the story before the completion of Valjean’s character arc. In a way, this final scene feels like an external manifestation of his kindness paying off; both he and the reader feels a sense of accomplishment, relief, and just a general “OMG WE MADE IT.” Readers don’t feel cheated, because they were with Valjean every step of his 1,400 page arc. The weight of it all just crashes down on you...
3. Your Lie in April (anime); Kaori’s letter after she dies
Context: Kaori’s entire plot significance is that she helps Kousei, a piano prodigy who can’t play piano anymore due to traumatic parental memories associated with it, play again—but also, just to help him enjoy life again after a turbulent upbringing. She meets him a year before she dies of a medical condition, and her free spirit + confidence influences him to find beauty in life and music again. They basically do a crap ton of crazy funny stuff together lol
Now: Kaori has died, and she leaves a letter to him. Among other general confessions and thoughts, she references things they did and memories they shared: she says, “sorry we couldn’t eat all those canelés,” reminisces about  jumping with him off a small bridge into the stream below, “racing each other alongside the train,” singing Twinkle Twinkle Little Star as they rode the bike together, etc.
Significance: Yes, the nature of the letter is just sad because she’s revealing that she loved him all along, apologizing for not being able to spend more time with him, lying that she didn’t like him (to spare his feelings b/c she knew she would die soon), etc. BUT, these small details highlight exactly how many experiences they shared, and the depth of their relationship. Thus, they emphasize the significance of her death and the emptiness it leaves behind. 
4. Arcane (show); “I thought, maybe you could love me like you used to, even though I’m different.” 
Context: Character Jinx says this in the last episode to her now estranged older sister, Vi. Without going into the crazy complex plot, basically, orphans Vi and Jinx used to care for each other before a bunch of crap went down that got them separated. They then grew up on opposite political sides; Jinx grows up on the side of the underbelly city rebellion, and Vi grows up working on the side of the richer city that essentially oppresses the undercity. Thus begins the development of their opposing viewpoints and work environments, to the point where they always meet on opposite sides of a political battle, never able to come together as a family or understand each other again. 
Now: After a super dramatic confrontation, Jinx reveals that although she wants Vi to love her like she did before their separation, she knows it’s not possible because “[Vi] changed too.” She finishes with, “so, here’s to the new us” before blowing up a political council meeting a few blocks down filled with people Vi sides with. Oops! This cleanly seals the fate of their relationship as something basically irreparable.  
Significance: This callback isn’t through literal flashbacks or items like in the previous examples. Jinx’ lines are enough to bring back images of their childhood to the audience’s mind. Now, the audience subconsciously places this image of: 1) two sisters so different, hurt, and torn apart, right next to 2) the image of two sisters as innocent children who loved each other and would care for each other no matter what. 
Why do callbacks work so well? 
If you’ve noticed something in common with all of them, you’re right: they remind audience of a time BEFORE the characters have come so far on their arcs, developed, and put on so much more emotional baggage. 
Callbacks force the audience to SUDDENLY and IMMEDIATELY feel the weight of everything that’s happened. The character’s anguish and overwhelming emotions become the audience’s in this moment. Callbacks are a vehicle for the juxtaposition of worlds, before and after significant development. 
This works because we, as mortals, fear IMPERMANENCE the most. We fear LOSS. For us, time gone is time we will never get back; callbacks make us face that exact fact through a fictional character. A lost moment, time period, or even part of oneself may hurt as much as losing a loved one, and nothing makes humans grieve more than the realization of a loss. A callback slaps the audience in the face with the fact that something was lost; loss hurts so much because almost 99% of the time, what’s gone is gone forever. 
Of course, a good callback requires good previous character development, stakes, imagery, and all that jazz, but I thought I’d highlight this specifically because of how under covered it is. 
∘₊✧────── ☾☼☽ ──────✧₊∘
instagram: @ grace_should_write
I’ve been binging general media lately: I finished Death Note, Your Lie in April, and Tokyo Ghoul all within like a month (FIRST ANIMES I”VE EVER WATCHED!!), reread lots of Les Miserables, analyzed a bunch of past shows like Breaking Bad, watched a bunch of My Little Pony, worked to fix up my old writing... and that’s not even all! The amount of times I’ve CRIED while enjoying the above media and so much more honestly just inspired this post. 
Like, no joke, my eyes were almost always swollen during this period whenever I hung out with my friends and it was so embarrassing help 
Personally, I just find that this method works super well for me, and I watched a bunch of reaction videos to these above scenes (and read book reviews on the book scenes I mentioned), and it seemed that just about everyone cried during these parts. That’s when I realizes that the callback might also just be a universal thing. 
Anyway, this post is long and dense enough as is. SORRY! As always, hope this was helpful, and let me know if you have any questions by commenting, re-blogging, or DMing me on IG. Any and all engagement is appreciated <3333
Happy writing, and have a great day,
- grace <3
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simonnebethel · 4 months
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Looking for writer moots
I dont know how to do this as I've never used tumblr, but I'm looking for writer mutuals. I write fantasy, and am currently working on a gothic victorian fantasy that's on it's second draft currently : ). I also have an urban fantasy novel that I had written for Nanowrimo last year that is uploaded on wattpad. Would love to discuss with ya'll ^^
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thewritingsofevbrowne · 8 months
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The Vampyre's Princess
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saintsir4n · 2 months
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HAIR
in which klaus is taught how to braid his son’s hair.
PAIRINGS: 21st century klaus and adrienne mikaelson. (malachai is around 2 years old)
WARNINGS: FLUFF
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“It’s different to how you were taught handsome. I know you used to braid your hair and Rebekah’s when you were kids but our son’s hair texture is different.” Adrienne paused as she sat up in their bed. “It’s a mixture of both yours and mine and that just means you need to be more gentle with it because the curls are thicker and tighter but can be loose in other places.”
Klaus just listened, knowing that was best… for now.
“And the oils for his scalp will work wonders.”
“He’s always itching his scalp,” he murmured, recalling the times his son was in discomfort.
“Our scalps dry out quickly. But I tend to wash his hair more often because of his hair type.”
Klaus’ eyes raked over the many products sitting on their bed. Sure he noticed how much his wife would go through back when they started dating, then when they got married and even more so when she was pregnant with Malachi. He was invested in the time she spent doing her hair and often asked questions, sometimes the wrong ones, but she never grew angry… mildly irritated yes, but not angry.
He saw how long it took for her to gather her kinks into buns or part them into cornrows or twists. Pregnancy had made her hair even thicker and he loved it, and only was allowed to touch when she gave permission. When his hair grew out, she often recommended products that would help define or strengthen his locks which he deeply appreciated.
But there were times that Klaus watched Malachai sit in front of his wife, toy in one hand and snack in the other whilst his hair was parted and put into cornrows, Klaus was slightly envious. He couldn’t help it, it was who he was. Their child only verbally communicated if he was comfortable and Klaus realised that whenever Adrienne did Malachai’s hair, he spoke the most, babbling away in his soft southern accent about his day. Which was adorable as Malachai was only two years old, but Klaus had enough and decided to ask his wife for some tips.
When raising Marcel, he always kept his hair short as a prevention, it felt wrong yet it was the norm. Even now Marcel rarely allowed his hair to grow out and everyone knew him for it.
“You ready?” Adrienne’s voice broke him from his thoughts.
Klaus slowly nodded as their toddler shuffled into the room, with his box of snacks — a mixture of healthy and unhealthy of course, but somehow he would always sneak chocolate into his vast room.
“Mama,” his cyan eyes settled on his mother first, making her smile as he was pulled up onto their bed and found his place around the dozens of products. “Hi dada,” he waved at his father who gently smiled at him.
They were all wearing loungewear, Adrienne sported one of her husbands Henley’s, as did he, but she wore nothing but shorts underneath whilst he wore jogging bottoms purely for her satisfaction. Malachai was in his pyjamas and had been all day, only changing into another pair after his morning bath. His socks were off and thick curls down to his tiny shoulders.
Klaus pulled his son onto his lap, and pressed a kiss to his head that would instantly gain a squeals in response.
Malachai didn’t focus on anything else that was happening now his mother gave him a toy to play with.
“Make sure he stays distracted,” Adrienne advised and passed him a bottle full of water.
Klaus hummed, heart hammering in his chest not wanting to distract his son as soft music began playing in the background. Adrienne had told him to gently spray water in his hair and he did, the action didn’t halt their son in any way, although his face scrunched up at the feeling.
The toddler remained quiet, not like he would say much.
“Now the comb…” Klaus listened to his wife as he followed her guidance.
He winced whenever he tugged too hard or heard his son whine. He knew he wasn’t hurting but to him it felt like he was.
“And hairbands, just keep them on your wrist.”
“You have an endless supply or so it seems,” Klaus remarked, as he gathered one side of Malachai’s hair up so it wouldn’t flip on the other.
“And so will you,” Adrienne snorted. “Now detangle,” she saw the apprehension in his eyes as he did. “You’re not hurting him.”
Klaus said nothing in return and just nodded as he combed out any knots in his hair. There was slight shedding but it was expected.
Each time Malachai would groan he would stop but Adrienne would distract the toddler, dazzling him with magic or just plain words.
A tender smile tugged at Klaus’ lips when his wife spoke, captivating both Mikaelson males even whilst he attempted to plait his son’s hair. His hands had to be gentle yet firm.
His heart beat grew tame as he got the hang of it, the cornrows were looser than he wanted but Malachai didn’t fuss as he continued.
Adrienne reassured him with another nod.
“And now the other side…” Klaus let out a sharp breath when he realised he was almost done.
Spray, part, detangle, oil scalp, braid… his mind was stuck on a loop, and he was grateful for it. He was grateful for Adrienne’s words and his son’s unexpected patience.
Mikaelsons had none and everyone knew it.
“Daddy’s almost finished,” Adrienne cood, “did you want to watch ms Rachel before bed Mally?”
“Not that aggravating woman,” Klaus grumbled.
“Nik. It helps with his speech.”
“He has selective mutism. That woman would more likely regress his bloody speech.”
“Niklaus —“
“ — done?” Malachai croaked out, looking up at his father who plastered on a grin when he stared at his work.
It could’ve been better, Klaus thought to himself but he nodded.
“I’m done little Fenrir,” he voiced.
“T-thank me,” Malachai beamed, scrambling his words up, making his parents laugh.
“It’s you, Mally,” Adrienne corrected but he didn’t understand.
“Thank me,” Malacahi repeated and bounced off the bed and skipped over to his box of toys.
“Malachai, no running,” Klaus’ words fell on deaf ears because their son did the exact opposite. “Authority doesn’t register with him.”
“Because you spoil him,” Adrienne claimed.
Klaus softly scoffed, “It’s the Lumiére genes, he doesn’t listen.”
“Fuck you,” Adrienne muttered, aware of how their son would listen at the worst times.
“I’d very much let you,” Klaus sent her a wink, as Malachai’s eyes darted over his toys, thinking of which one he would play with next.
“Mikaelsons are spoilt. Look at you.”
“What?”
“We’re getting distracted,” Adrienne sighed, waving off the argument and grabbing ahold of his hand, “you did his hair.”
Klaus’ face lit up, “I did his hair.”
“Now, only 16 more years to go,” she laughed at his deadpanned look, “And Nik…” she leaned closer, lips trailing his ear, “Good Job.”
His smile grew once more as he pulled his wife into his hold, careful of the hair products surrounding them. Adrienne’s praise meant the world to him, as did his son’s happiness.
The very son who was none the wiser as his parents beamed at him playing.
—-
this just reminded me that wash day is coming up soon and I cannot be asked. I got inspiration from a mum on tiktok who was doing her son’s hair and thought about how klaus would help malachai with his.
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ok, i'm just going to say it. there's a reason that some of us like reading monster/alien romance just as much as maybe even more than regular romance.
and no, it's not about the supernatural dicks (at least not for me).
in short, it's about respect. obviously, the monster/alien comes from a place somewhere other than human society on planet Earth. because of that, he is completely ignorant of the sexist bias inherent in our society. (and by inherent i mean literally trained into us since birth and embedded in every aspect of our society)
sometimes the monster's views are more misogynistic — but in those stories the heroine manages to change his views by earning his respect as they navigate their inter-special differences (aka, he learns and fixes himself).
usually, the monsters believe strongly in equality between the sexes, and they are often shocked and horrified if/when they learn of how human men treat their partners. [and yes, i know some of them are over-the-top protective to the point of being controlling, but even then it's because they view the heroines as someone to continuously be protected, cherished, and respected.]
TLDR: it's an escape into a romantic fantasy where the love interest is GUARANTEED to be a good partner because he literally could never think to harm, insult, or disrespect the heroine
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viviennevermillion · 2 months
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Mortals and Fools — First Look #1 (Coming Soon)
Want to read a SFW coming-of-age fantasy novel with evil gods, two adult aspec protagonists and magic? Consider supporting this project!
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Author's Note: After a total of 8 years of posting fanfiction on this account, I am excited to announce that I am finally starting my first long-term original work as an author! Goal is to get this series published as an actual novel but until then, I will be uploading chapters online as I write them, hopefully building an audience in the process! Mortals and Fools will be available on Wattpad and potentially other platforms. The first 4 chapters will be uploaded to Tumblr as well. Over the next few weeks I will keep uploading promo posts with new characters and more info! Thank you so much to everyone who has supported me as a writer over the years and welcome to everyone who's new here!
Summary: In the land of Elsthess, brilliant but arrogant Dr. Immanuel Faust is doing his best to follow the teachings of the Goddess of Wisdom, live up to his late grandmother's expectations and hide the fact that he has been seeing strange, mystical apparitions all his life. When his pupil becomes afflicted with an ancient curse and the things he has seen turn out to be more than just hallucinations, Immanuel must forge a contract with Morgan, a being from another realm who's ready to humble him at every turn, and learn his religion's most despised art: magic. As he steps outside of the simple world he has grown up in, he slowly comes to realize that there is much more to learn for him still.
Themes:
The Meaning of Wisdom & Growth
Unlearning harmful narratives and prejudices
Religious Trauma
Healing from Abuse
Rebuilding trust in others
Learning to understand others
Navigating radical changes during adulthood
Elitism and class inequality
The problems with the ideal of meritocracy
Queerplatonic & Alterous Attraction
Addiction
Gender Dysphoria
What this story contains:
A variety of fun magical powers!
Evil Gods & Forces from other Realms!
Queer rep! (demisexual & aroace protagonists, a trans man and a wlw couple)
Mysteries to unravel
The coming-of-age fantasy adventures you're used to from YA novels but with characters in their 20s and struggles of adulthood
Humor
My blood, sweat and tears as an author
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The Cast: Introducing 3 Characters
Here's some info on the three characters in the header, from left to right!
#1 — Dr. Immanuel Icarus Faust
❝ It wasn't supposed to be like this... I've failed... as both a doctor and a man of faith. I wanted to follow your teachings, dear Goddess, and guide those who seek wisdom and knowledge, as grandmother did... but I couldn't even save one innocent girl. Have I become godless? ❝
Raised by his grandmother, the High Priestess of Solbrynn's temple, Immanuel was taught from an early age on to aspire to be the best in everything he attempted to do and dedicate his life to wisdom, in order to make the Goddess Adira proud. Having become a renowned physician at the age of 28, Immanuel understands himself as his kingdom's ideal of a self-made man: a scholar who can achieve everything he puts his mind to, no matter the circumstances. As a result, he has put himself on a pedestal, believing that those who achieved less than him had all the chances and merely didn't use them. Fearing nothing more than failure and becoming anything like his absent, alcoholic father; Immanuel is bound for a rude awakening.
#2 — Morgan Miralaith
❝ While you were having your existential crisis in the mad scientist laboratory you call your bedroom, I took the liberty to read your grandmother's diary. The good news is, I finally understand where all the hubris comes from. ❝
Morgan, belonging to a long-lived species from the realm of Calliah, is the second-in-command for the Elsthess Resistance against the Plague Avatars. While the Resistance on Mhorunn regards her as a capable leader and a skilled fighter; using fire magic to blaze her way to victory; it is clear to most that she has many secrets and ulterior motives. She cares about others in her own way, yet hardly lets anyone close to her. With her mischievous demeanor and cynical nature, Morgan has made it her new mission to recruit Immanuel for the Resistance and, while at it, shatter his very distorted self-image and worldview. Upon forging a contract with her, Immanuel believes that he has sold his soul to a demon. It is only upon meeting others of her kind that he realizes that really is just her personality.
#3 — Mortis Grimm
❞ People reject that which is foreign to them. You of all people should know this. Still, my personal aspirations and origins are of no concern to you. Remember that. ❝
While there are several people from the Realm of Calliah in Elsthess, the realm that Mortis Grimm originated from is unknown. He seems to be the only one of his kind and there is something sinister about him. Wielding powerful magic that matches no other in recorded nature, Mortis, despite being the leader of the Resistance, is a big mystery to all of its members. Usually donning a Plague Doctor mask, Morgan is among the few to have seen his face. He is Mhorunn's greatest ally, but hardly a trusted one. Most understand that he could just as well become its greatest enemy one day.
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Interested in reading more and receiving updates as they're posted? Comment on this post and tell me if you'd like to be added to the taglist! Reblogs are appreciated to spread the word! 💞
Taglist — @gwaaaaar @silveryloneliness @noxochicoztliv @justletmeon12 @averytirednerd @letsallsleepoverwork @styrofauxm @non-pressurizeddiamond @mangoinacan13 @amateurmasksmith @kenobiblue @soru-dee @pictures-of-the-stars @elf-osamu @animusicnerd @jaytherat-hometothereblog @watcherofeternalflame
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thebookaddict7 · 5 months
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Person: do you know any good books?
Me: are you ready for this conversation because it will last hours.
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nightmare-niko · 5 months
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Childhoodbestfriend!Coryo headcannons!!
Warnings: TBOSAS SPOILERS!!! Coriolanus Snow apologist(within reason ofc, reason being hes sexy)🗣️
A/n: I haven’t written smth fanfiction related in like a year 😧
Copying or translating my writing is not allowed. If you see my work on another site it is stolen. Reblogs are appreciated and encouraged.
Childhoodbestfriend!Coryo Who no matter how hard he tried to act stoic upon his arrival home from serving in district 12 couldn’t stop himself from melting in your arms when you hug him.
Childhoodbestfriend!Coryo who seems to be more relaxed whenever you’re around. Whether he’s at home or at a capital event, when you’re with him he’s not big bad Coriolanus Snow, he’s just your Cory.
Childhoodbestfriend!Coryo that never pitches an attitude with you. After being best friends for so long he knows not to mess with you. You aren’t just any capital citizen or some district trash, you’re you.
Childhoodbestfriend!Coryo who will fight to the ends of the earth to defend your honor. No matter if it’s one of his (heavily disliked) classmates or the terrifying Dr.Gaul, Coryo is there to back you up.
Childhoodbestfriend!Coryo who tells you everything. You’re the only person in the whole world he could trust with his life, even when you two were kids, he had each other backs. From what happened to Clemmy and the snakes, to his crush on Lucy Grey, to what he did to Sejanus. Everything.
Childhoodbestfriend!Coryo who only cries in front of you, after coming back from district 12 many people claimed Coriolanus Snow had become cold. But you see, he’s hurt, he’s still just a kid.
Childhoodbestfriend!Coryo who only gets a full nights sleep when you’re nearby. This has been your normal since the war. While he did have Tigris and The Grandma’am, Coryo only sleeps when you’re around, and even now, you two are well into young adulthood and he drags you to sleep over multiple days a week.
Childhoodbestfriend!Coryo who keeps getting caught getting lost in your eyes-
“And then I told her— Coriolanus Snow did you hear a thing I just said?”
“Huh? What—I’m sorry what were you saying?”
Childhoodbestfriend!Coryo who regrets getting caught up with Lucy Grey because you were right in front of him the whole time.
Childhoodbestfriend!Coryo who no matter how much he tried to deny it, thinks you’re the prettiest person in the world.
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theravensgloom · 2 years
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graceshouldwrite · 6 months
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How to Write Political Intrigue (with book recs)
POLITICAL INTRIGUE! Intrigue in general! What is it?
For the purposes of this post (as well as how it's usually used in the writing/reading community), think: scheming. Plotting. Conspiracies in the shadows, bids for power and survival, secret plans, masterful illusions, all of that stuff.
It could be on any scale that you'd like, from a duel of wits (think Light's and L's game of cat and mouse in Death Note)
...to a large-scale plot involving entire countries and their people (like any espionage networks during any major wars, such as the American Revolutionary War to World War II, and so many more)
...or even medium-sized conflicts (families, like in The Godfather, or smaller national disturbances like the Watergate scandal).
Below are 4 core tips on how you can successfully write (political) intrigue plots:
1. Read + Research
Despite how hard it may sound, it's actually pretty easy to craft a realistic yet thrilling intrigue plot—with so many examples in real life and fiction, you can easily base your plot on an existing one and just change a few things like the characters, setting, and maybe a few plot points.
History and current events are always great places to look to, but here are some books that are chock-full of great politics + intrigue:
Leviathan (Thomas Hobbes): one of the most famous treatises of politics + human nature and their intersection. The book is an in-depth exploration of human nature, government, politics, and all of the root causes of why they exist. While it does take a specific philosophical angle (you might not agree with Hobbes' ideas), they are detailed explanations of how things work + why they are required from one perspective.
48 Laws of Power (Robert Greene): GREAT BOOK for helping you plan out the means by which you want the intrigue to happen. There are lots of simplified rules that tell you why people plan and scheme (e.g. "control the options; get others to play the cards you deal," or "pose as a friend, work as a spy"). There are LOTS of really great small stories of when a rule is applied in real life that are also general plot inspo!
The Godfather (Mario Puzo): very very good, intricate, and more emotional because it deals with the intrigue surrounding families
Joseph Fouché: Portrait of a Politician (Stefan Zweig) (biography): Fouché is absolutely insane. A genius at political intrigue. His life is literally one of the craziest stories of scheming, betrayals, survival, and a general vying for power, especially behind the scenes.
The Prince (Machiavelli): obviously, I can't leave out the original tips + tricks book with explanations of WHY intrigue matters as a means, especially in terms of protecting your power.
Trust Me, I'm Lying (Ryan Holladay): a large part of intrigue plots (you need to cover up the actual game you're playing) is the manipulation of information, creating illusions and spectacles for other people to believe. This book goes in-depth about media manipulation and information wars.
Empire of Pain (Patrick Raden Keefe): takes a rather different angle, through the personal/corporate manipulation of government, as well as how wealth dynasties (especially within families) are established. Remember the opioid crisis? This book explores the generational politics of money and power that led up to that.
Prince of Thorns (Mark Lawrence): Look! Fiction! Anyway, I'm biased because it's one of my favourite works of fiction of all time, but it explores political intrigue not only through an actor participating in it, but through the lens of the common folk. I.e., the consequences all that power play has on the populace due to a lack of actual good governance...
A Song of Ice and Fire (George R. R. Martin): I haven't personally read/watched anything GoT, but it's pretty much obligatory to put this series down in a post about political intrigue. It's famous for doing it well.
2. Plan. Like, meticulously
First of all, decide what scale you want your intrigue to be on: large-scale government/international affairs type, a corporation thing, something between two people, or even within a family? There are so many possibilities.
Intrigue plots are like mysteries; they must be tightly logical to be satisfying. One of the best ways of ensuring this is through analyzing each involved party—the actors.
Each actor has their own motivations, goals, and psychologies. After you establish what they want OUT of their intrigue, think about how they'd go about achieving it: a naturally hot-headed person might try to intimidate their way into getting what they want, or they might learn through the course of the story to cool down a bit.
A naturally imaginative and analytical person might come up with all sorts of scarily genius plans, and near-flawless execution. Of course, they would also react in different ways, depending on personality. Character consistency alone will make your plot seem that much more logical.
However, cracks in logic will happen because humans are inherently imperfect and not always rational. These cracks must be DELIBERATE and realistic and must seem planned out; they can't seem more like the author forgot a detail, or didn't know how to explain something (e.g. something happened and the writer never included the consequence of it because they forgot). It must be clear that it is a flaw on the character's part.
3. Never write intrigue for the sake of the intrigue
The incentive of all scheming comes down to mainly two things: gaining power and keeping it. Of course, you could choose to explore more unusual things, such as characters exercising intrigue to satisfy boredom... (think Light and Ryuk from Death Note).
But, the bids for power, security, and survival can be used to highlight things about human nature. Themes to explore include ambition, sacrifice, the pursuit of happiness, the corruption of character, the preservation of innocence in a cruel system, etc.
4. Explore through a narrow lens
Most intrigue plots are full of complex motivations, characters, goals, and the means they use to achieve said goals.
You should gradually let your intrigue plot unfold through the POV of a few characters, preferably one or two. An omniscient narrator for this type of story is INCREDIBLY difficult to pull off without confusing the reader.
However, more POVs work if you use all of them to focus on ONE or a few intrigue plots only—it can provide a multi-layered effect, exploring the same line of action and consequence through different perspectives. But, if everyone has their own intrigue plot, it's too easy to create a tangled mess where readers can barely delineate one plot from the next.
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instagram: @ grace_should_write
Sorry for the massive hiatus—I have officially started college!! I've been pre-occupied with settling in, classes starting, a social life, extracurriculars etc. etc...life has been super busy, but great :)
I've started working on my books as well as poetry more recently, and I'm glad I'm getting into a new workflow/lifestyle. It certainly is different, but I'm starting to enjoy it.
Anyway, I'm surprised it took me this long to do a post about this topic, considering the fact that it's basically my writergram niche and my entire personality IRL, but I think it was mainly because I was trying to find a good angle to approach this massive topic. But, stay tuned for (probably) a part 2 because there's SO MUCH MORE to cover.
Hope this was helpful, and let me know if you have any questions by commenting, re-blogging, or DMing me on IG. Any and all engagement is appreciated :)
Happy writing, and have a great day!
- grace <3
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