Tumgik
#yeah sure maybe it's run by bad people but they post a breakdown of every cent and where it goes
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just saw a post claiming ao3 is run by zionists with no links, facts, articles, or anything else to support said claim
i'm having a really bad brain fog year and i feel like search engines are getting worse and worse so does anyone know where the fuck this came from and if there's anything to it
like links to anything substantial are preferable but if you can give me an idea of what the fuck to look up that would also work
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ishipgenfics · 1 year
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You and Your Human: Part 2
Part 1
You let yourself fall apart with your human for a few more moments before pulling yourself up. You are not helpless. You have your own ship now. You can keep yourself and your human safe. But you need a new crew. Loyal ones, who are good at their jobs and don't mind humans. Which... isn't so easy to find.
Luckily, you and your human are at one of the largest trading posts this side of the Starry Abyss. If there's anywhere you can find someone who won't much mind working with a human, it's here.
You do not actually end up finding your first crew member, they find you. In fact, they run up to you, beaming.
"Pronouns?" they say, speaking to you in your native language. You are stunned.
"Er... she/her variance?" you say.
They nod and keep speaking, words tumbling out, accent like that of a native speaker. But unless the setup of the trading posts has very much changed since your last visit, they cannot be a native speaker. They are tall, with feathered wings and puffy gray-white hair. They wear flowing white robes and their beak makes a satisfying clicking noise as they speak.
"Oh my gosh thank you so much, I'm not sure why they sent you as opposed to one of my superiors... are you working for one of the ambassadors? You know what, it doesn't really matter. Anyway, thank you for reconsidering I swear I won't let you down--"
You puff your tail up and step in front of your human. "Pronouns?"
"They/them variant."
You nod. "Excuse me, but who are you and what do you want?"
The Equilian backed up. They looked genuinely remorseful, which made you feel a bit bad.
"Oh my gosh I am so sorry," they say. They chuckle nervously, teeth retracted into their beak. "I didn't-- I have been a mess today, Saints. I'll just tangle my way out of here then...?"
They start to walk away, but you let out a high-pitched squeak, a signal to wait. You aren't sure why. Your human squeaks at you, but it has the pitch wrong and you can't tell what it's trying to say. You pat its ankle reassuringly and then turn back to the Equilian.
"How do you know Pyricese so well?" you ask. Most people do not know more than their standard language, and maybe a second one they learned at school. It is the reason why most ships are only one species, why the United Galactic Council failed so badly, and why translators are one of the most coveted resources in the Abyss. Someone like you-- who speaks nearly every language a person might need-- well, everybody wants you. It's why you have to be careful.
"I spent five years as part of an aid program, for the alliance between our two planets." Their head bounces up and down, almost like a nod, and you notice your human copying the motion. "I'm essentially fluent!"
"Aid?" you say. There is a cold spiral of dread in your stomach. You feel sick. "What happened?"
"Oh. Oh Saints you don't know."
"What. Happened." Your human is babbling comforting nonsense in the background. Normally you would be happy to hear it speaking its native language, but you are too hopped up on adrenaline right now. When you get back to your ship, you are going to have a nice hot bath and a long lie down. This much adrenaline cannot be healthy.
"It was a sandstorm," the Equilian says. "A bad one. A lot of things were destroyed, pretty soon after the alliance was formed. So they sent over aid groups to help."
"You were one of them?" you clarify. You are starting to have an idea.
"Yeah." The Equilians wings slump. Their feathers are messy, they must not have preened in a while. "Was. My contract ran out and I wasn't a citizen so... I wasn't allowed to stay."
You realize that you are leaning forward, tail perked up. You look too invested in this, you don't even know this person. You're always emotional after a breakdown. "What I am hearing," you say, recovering magnificently if you do say so yourself, "is that you are in need of a job."
"Are you offering?" the Equilian says.
Your tail shakes upwards. "I am. What can you do?"
"I'm a builder, or have been for a while, but I've always liked to think that I'm a good pilot," the Equilian says.
You smile. "It just so happens that I have acquired a new ship. And I'm not a particuarly good pilot."
The Equilians wings flap in and out. "That's-- that's great! Are you ready to go, or do you have any other business? Is there somewhere I should meet you?"
Your human is making soft muttering noises. From what you can parse, although it is difficult to follow two languages at once, it is trying to figure out what you are saying. It does not seem to be having much luck, which makes sense, you've only taught it it/its variance and this whole conversation has been in she/her and they/them variance.
"Meet me at the docks, in the crow section," you say. "I'll show you where the ship is once I get there." You do not think your pilot would steal the ship, but it is standard procedure, and you do not want to risk getting stranded, especially not now that you have a human to protect.
The Equilian nods, and flutter-walks away. You grab your human by the hand, and head off into the crowd. You have more crew members to find.
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kass-storycorner · 3 years
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Mentally I’m getting worse again (tho I try to do all the stuff I learned from two years in therapy to … prevent it from getting bad bad ), so I’ve only been thinking about how some of the Genshin characters would comfort me? So here have this, whatever this is, that I wrote at 2am on a night before I have 11am shift at work. Using you in all of this but honestly this is 100% self indulgent. I just want someone to cuddle with. Pretty sure most of this isn’t really in character and every point is vastly different from the others but hey, it is what it is. As long as I’m in my current mindset my stuff won’t be any better than this
Genre: fluff, a bit of angst I guess idk man, comfort i hope
Content warnings: depression (?) I don’t go too much into detail, don’t want to write out those negative thoughts HA but you know you are just not in a good spot in these, absolutely inconsistent writing, every character has to deal with a different stage of feeling depressed and yeah
Characters: Diluc, Childe, Albedo, Yoimiya
Fun fact: my app crashed while writing this so thank the tumblr admins that you can restore posts you wrote after the app crashes one of the few good features of the app
Diluc:
Would definitely notice the first small changes in your behaviour, but wouldn’t think much of it in the beginning.
Maybe you are just tired? And even if not Diluc knows best that no one can always be chipper.
Still he doesn’t know how to act around you when you are sad / heading towards a depressive episode.
He would offer you his help, you just need to say what you need and he’ll give it to you.
Ah, but Diluc didn’t really consider at first that you would be too afraid to ask, even when he offered it to you.
One day he will directly ask you in the privates of your home if you are okay. At first you would try to brush it off, not wanting to be a burden on Diluc. You know how much he’s been through and that he also has his emotional scars… would be a bit selfish to dump it all onto him, wouldn’t it?
But oh, you’ve been dying to talk with someone about your feelings, craving a warm hug and words of comfort… so when Diluc doesn’t drop the topic you just let it all out.
He will take you in his arms and hug you, cuddle you, as long as you want. He’ll stroke your hair, quietly listening to your words, only small “mmmhs” and “it’s okay” leaving him, to reassure you that it’s fine for sharing it all.
When none of you talks all you can hear is his steady breath and oh, it’s so soothing.
Maybe you end up crying, while sharing all of it with him. All he does is to pull you closer into his chest, saying that it’s okay and tell you to let it all out.
Diluc hides his softer side from the people of Mondstadt, always hiding behind the more grumpy image some of him have, but he knows that it’s not good to run away from your own feelings. What you need to do is to feel them, do not try to push them aside because you are uncomfortable with them.
Generally he would be soft, kind and understanding. At first he might give you too much room, afraid he might be overstepping a boundary when he keeps pushing you in the beginning. Ends up in you isolating yourself / pulling away more, but once Diluc sees the pattern he will be more attentive to your needs and learn to differentiate between you needing space and you isolating.
Though please communicate with him better, he’s busy and if him having less time for you causes you distress you need to tell him, he might only notice it after the feelings festered.
Childe:
Oh boy - he hasn’t seen you in a while, Fatui duties you know, so when he knocks on your door one day he notices immediately that you are not in a good place.
This man - he cooks, he cleans, we all joke about him being the perfect husband but seriously. He sees the state of you, the state of your apartment and immediately helps.
Having spend the last week or two in a depressive state caused you to neglect your housework - the dirty dishes are everywhere and laundry keeps piling up. Not to talk about how you look.
Childe will make you a bath and while you’re in it he cleans. An immense help!!! Taking away a good chunk of thinks that made you feel just so overwhelmed and helpless.
The whole time he wouldn’t breach the topic of why it has come to that point, but now after you finished the bath and the apartment looks liveable again he asks you what’s wrong.
Honestly you don’t know yourself, you’ve been just lacking more and more energy to do the basic tasks and suddenly everything was a mess.
Will wipe away your tears and tell you “don’t cry, I’m here”, taking you in a hug.
When he’s around more, will he notice it when it slowly gets worse? Mmh, yeah!! He definitely notice when you are feeling more down, seeing how your interactions change and how your laughs become more forced.
In the beginning he will just try to make you feel all the “positive” feelings, not wanting you to feel any “negative” emotions at all
this man definitely represses his own trauma a lot and has a horrible way of coping with it so I doubt he would be the most emotionally intellectual person to help you through it
Though when you show that you don’t feel like showing your sadness aside and you just want someone to share it with / need some comfort he will adjust to your needs
Albedo:
Boy as impeccable observation skills, he will notice immediately when something is off.
However - he somehow struggles to understand your feelings. Like. At all.
When he asks you what’s wrong and you tell him that there is not a reason for your feelings, you just feel a bit depressed that’s all, he will not get it.
How do you feel a certain emotions without something causing it? There must be a reason for it.
And honestly he’s right there is always a reason for a certain feeling to arise, but sometimes they aren’t easy to understand for yourself or to spot, sometimes it’s just that your inner child needs a hug and it takes you three weeks and a metal breakdown to understand that this is all you needed… plus a good cry
He’s gonna be so awkward at trying to comfort you, making you feel better, at first. Trying everything out to cheer you up, he really doesn’t want you to feel bad. Asks around for advice what helps others when they are sad.
Honestly? The things he does, the small presents he gifts you - they are nice and make you feel loved, but it doesn’t make the bad feelings go away. Even worse it somehow builts up this immense pressure for you to get better quick because look! Albedo does nice things, he tries to help. He tries to figure it out. Why can’t you give him the results he hopes to get???
Only when someone (Timadeus for sure) finally tells Albedo that it’s not a special dish or flower or even place that helps with sad feelings - it’s that they remind them of something that’s comforting. Klee told him Dodoco helps when she’s sad, because Dodoco reminds her how much her mum loves her. So when people told him about certain foods or flowers - it was more because those were valuable for those individuals, doesn’t mean it has value to you. Most importantly is that he’s just there for you.
With that new bits of information he will try to adjust to your needs more, to learn what you need and to understand it.
He will be so upfront about it too, coming into your room and telling you that he’s been trying to make you feel better the past couple of weeks and noticing how your mood has not improved at all. Finally asks you what you need opposed to him only having asked why you feel that way
Will definitely make you cry with how he approaches the topic. When he apologises for making you cry you cry even harder at how soft he says it.
Albedo will remember what he was told, that it’s important to just be there for someone, so he will stay at your side, his hand on your back rubbing it while you are just sobbing.
After the tears have calmed down you can just be honest with him, tell him that you sometimes don’t know yourself what will make it better, that sometimes you just have to life with the feelings and accept them - but that his attempts really didn’t help.
He will apologise for putting more pressure on you, asking if you need a hug (something a lot of people have told him helps them but he was just to shy to actually try it out). After saying yes you both stay for a long time in the hug, the first thing in a long time to make you feel better.
Yoimiya:
My love, the light of my life, my future main - she would be SO good at helping you through an episode.
Notices the way you act towards her changes and immediately confronts you about it, afraid that something in the relationship is amiss until you tell her the truth that you are a bit depressed.
Canonically the one with the best communication skills, if you were to put her, Diluc and Kaeya in a room I’m 1000% sure those two would leave it as brothers again.
That said she can sometimes be a bit too overwhelming - she can talk a lot, but she’s a good listener too, but in her attempt to fix the issue she goes a bit overboard.
She’ll want you to talk it all out which isn’t a bad thing per se, but sometimes you just don’t feel like talking or that talking would help.
However the way Yoimiya is it will make you communicate with her more about how you feel and what you need - she kinda just seems to be more approachable and the kind of person you can pour my heart out to after meeting her on the toilets of a bar.
Will cuddle you as long as you need.
And honestly? 100% sure she would even make you a firework to cheer you up that you both watch from her favourite spot on a blanket while doing so (the cuddling!)
or you know maybe it’s just what I would really want to do with her when I’m depressed aka RIGHT NOW MAN
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ptergwen · 3 years
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sensation
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w/c: 4.6k
warnings: some swearing, suggestive tings, and a pretty bad ending
summary: it’s the last night of your world tour, and tom has the perfect way to celebrate
a/n: i know y’all have been waiting for this one! everyone really loved when worlds collide but i ran out of ideas for it lol sorry... anyways my solution was to turn it into a oneshot :D based off the au!! i’m honestly nervous about posting this cuz a lot of you asked for it and i don’t wanna disappoint but i tried my absolute hardest to make it special <3 please enjoy
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“thank you so much! we love you!” you shout to the audience, laughing breathlessly when they shout back. one of your dancers pulls you into a side hug, you throwing your arm around his neck. “we’re so fucking lucky you chose us, that you came all the way here. i’ve seen some of you back at night one. wow.” your voice gets wobbly, thinking about how loyal your fans are.
the tour started in new york, and they’ve followed you here to london.
tonight is an emotional night for everyone. you’re about to wrap your last show before you continue again in the summer. touring the u.k. has been a dream, and you’re just as thrilled to travel the rest of the world after your break. it’s bittersweet because you’re going to miss the hell out of your crew and the millions of lovely faces you’ve sang to each week. but, you do get to spend your time off with a special someone.
he’s watching you from the sound booth, sending fond smiles and loud cheers your way. thanks to you, tom has been at every show you’ve played in england. he brought harry along this time because he’s also a fan and wanted to see you. well, tom is more than a fan at this point. you’d say he’s more of a boyfriend. you haven’t discussed labels just yet.
your dates have mainly been over facetime, since you live on opposite sides of the world with insane schedules. a heartthrob actor and international popstar is quite the combination. you’ve only seen each other in person a couple of times, the first being pretty recently.
zendaya brought tom along to hang out with you in los angeles. he happened to be there recording some lines for a movie. she saw your concert earlier that night and invited him to crash the dinner plans you’d made, resulting in the best surprise and most fun you’ve ever had. the other time you enjoyed each other’s company was one weekend in paris. that was... something.
besides those two miracles, everything between you and tom happens through a screen. you’ll down bottles of champagne or keep warm under blankets while talking about your days. it’s nice, having someone on the other end who listens and actually hears you. tom gets it. you both do.
finishing your tour in london is convenient because not only will you have tom to comfort you, but you get to stick around for a while. he’s invited you to stay at his place. you can’t wait to meet the other holland’s, his friends, and obviously tessa.
“fuck, i’m gonna cry. i’m already crying,” you announce to the crowd, though they can tell from the tears streaming down your face. more dancers huddle around you and turn your single hug into a group one. you’re laughing and sobbing and holding on tight to everyone. fans bawl their own eyes out, the fact that this is it starting to settle in. the onstage crew even gets choked up, seeing you like this.
tom pouts from where he’s watching. he wishes he could run up there and squeeze you tight, but he’ll have to save that for when you’re done.
“i love you all so much, literally every single one of you in this room,” you tell everyone for the nth time tonight, swiping a perfectly manicured finger under your eyes. “my lighting crew, sound crew, my band, my fearless fucking dancers-“ a hiccup cuts you off. people burst into fits of giggles, which is a much needed tension breaker. you adjust your headset so the mic doesn’t pick up any other bodily noises.
grinning, you rest your arm on a shorter dancer’s shoulder, then go on. “sorry, sorry. i just wanna say, like, three more thank you’s before i get out of here.” there’s a chorus of no’s and encouraging whistles at the mention of you leaving. you blink back more tears to delay the breakdown you’re going to have. “thank you to my friends who always show up for me.”
with a knowing smile, you glance over at tom. “and, thank you to my more than a friend.” he smiles back, both hands held over his heart. harry elbows him in congratulations. more screaming erupts from the crowd as they realize where you’re looking and who you’re looking at. this will be sure to spark some headlines. whatever, you’re used to trending on every possible social media platform by now.
“this is the big one,” you preface, taking in a breath while everyone quiets down again. “thank you to you guys. for trusting me, for caring about what i have to say in any way. i feel your love. i really do, and i hope you feel mine.” your fans yell that they love you back, dancers gently swaying you side to side, emotions on high. there’s one last song, and it’s over.
“this has been the sensation tour, and i’ve been your host. was i good?” you try to lighten the mood, earning a bunch of what sound like positive shrieks. the earpiece you have in makes it hard to tell. “y’all were even better.” exchanging looks with your dancers, you pull out of the hug so you can get to your mark for the finale. they follow your lead. music comes through the speakers.
“i’ll see you again soon, okay? i promise. here’s sensation,” you introduce the song, immediately bursting into more tears. it’s torture to say goodbye. thankfully, you have the most incredible fans on earth, so they sing along with you at the top of their lungs. that includes tom and harry, your ultimate stans.
when the show is over, you run right off stage and over to tom. he’s waiting on the side with actual heart eyes for you. you practically leap into his arms, a hand cradling the back of his head, both his arms draped low and tight around your body.
“you were so amazing up there! absolutely smashed it, darling,” tom breathes out. his face is smushed between your neck and mostly bare chest. “thanks, tom. seriously, thanks for being here tonight and every other.” you smile a tired smile and wind your other arm around his neck. he presses some light you’re welcome kisses to your skin. “mm, thanks for having me. how’s it feel to be done?”
you sigh, fingers running through his curls. “like the biggest relief, and also really sad.” you’re such a mess that you could cry again on the spot. tom senses it and lifts his head up to see if you’re alright. “super depressing,” you surprisingly reiterate without the waterworks. “i know the feeling. you’ll be back soon, though. you said it,” he murmurs, a grin on his lips as they brush against the corner of yours.
you’re about to kiss him properly, then one of your dancers comes up to you. you’d forgotten that there are still stage managers and security everywhere, too. you get completely lost in tom whenever you’re together.
“you killed, babe,” coco greets you, linking your arm in hers. tom takes the hint and lets go of you. he watches on with a smirk. “nah, you murdered,” you send the compliment back and bite your lower lip. “i dunno, i feel like someone murdered me!” there’s coco with her dramatics. she’s genuinely hilarious, your shared sense of humor playing a huge part in your friendship.
she brings your free hand to her heart. you gasp at how fast it’s going. “that shit is really beating, coco. are you, like, okay?” “probably not. it was the freestyle that got me.” coco went a lot harder than usual tonight, since it was her last big dance break for a while. she puffs air from her cheeks and nods to tom. “this your man?”
“yeah, you could say that. i’m tom,” he answers, holding out a hand for her. “coco.” she pulls it like you would in a handshake. you beam at them, one of your best friends and unofficial boyfriend finally meeting. “sounds promising. i approve,” coco mutters to you. bumping your hip into hers playfully, you take one of tom’s hands in both of yours.
“aw, we have your blessing or something? your permission?” you coo and get a push at your shoulder from coco in return. tom chuckles, his thumb running over the back of your hand. “no! i was gonna say you should bring him out back,” coco clarifies, like it was obvious. you’re not sure what she’s on about. “uh, what’s out back?” you question. “an axe?” tom teases.
coco gestures to the nearest exit. “we’re having a little goodbye party in the parking lot. fire pit, snacks. remember?” nope, you’d completely forgotten. the idea first sounded like the perfect way to end your night, so you agreed to go. that was before you were dripping sweat and mentally exhausted. now, all you want to do is unwind with tom and tom only.
the superstar life is one you’re happy to lead, just not at this exact moment.
“i do now.” you muster up your most apologetic smile for coco, tugging on tom’s hand. “i’m sorry, co. i think we’re gonna pass.” her jaw drops. you’re never one to skip these things. “aw, for real? it’s our last night!” tom threads his fingers through yours while you talk. “bro, we’ve been together for almost a whole year,” you laugh out, nuzzling your cheek into tom’s chest. “get sick of me.”
“never,” coco deadpans. she catches you gazing up at tom, relaxing as his arms hug your middle. she’s known you long enough to tell what’s a fling and what’s real love for you. this is something special, and she can’t get in the way of it. she’ll let you navigate this yourself. “ok, just for tonight. you’ll text me?” coco gives you a real smile, raising an eyebrow at tom. he gathers that’s a good thing. he’s in.
“mhm. maybe we can hang out tomorrow,” you agree and let your eyes flutter shut. all that’s keeping you up are tom’s strong arms. “tell everyone i love them.” “i think they know.” coco shakes her head lightheartedly. tom laughs at her. “be good,” she tells him and means it, rubbing your back on her way to the lot. that leaves you and tom alone at last.
custodians are cleaning up the arena, fans are piling out, and you’re clinging to tom while his steady heartbeat grounds you. this is the only after party you need.
“harry’s got the car when you’re ready,” tom mumbles, tucking a piece of damp hair behind your ear. you loop your arms around his torso with a hum. “i was kinda wondering where he went.” “yeah?” he gives you a small smile. “gotta ask what he thought... of the show.” yawns are creeping past your lips, tonight’s events catching up to you.
“i like feedback from the fans, or stans,” you elaborate in your sleepy state. tom uses his fingertips to tap your temple. “what about me? i’m your biggest.” “i’ll, um, follow up with you later.” your words are slurring. “right now, home.” warmth spreads throughout tom’s entire body, his house becoming yours for a bit. “your chariot awaits,” he affirms before helping you to your dressing room.
after collecting your things, you follow tom out to the car. harry is in the driver’s seat, and you two slip into the back. he exchanges a look with his brother through the mirror while you settle on his shoulder. you’re hugging his bicep, his lips pressing to the side of your head.
“thank you for driving,” you speak softly to harry. he starts to pull out of the spot with a nod. “no problem. get to say i was y/n y/l/n’s chauffeur.” tom clicks his tongue even though harry is joking. you snicker at his remark, joking back. “you want the job? better be a five star ride, then.” your banter brings yet another smile to tom’s face. his family is everything to him, so seeing you get along so well means the most.
“right, right. did you have a good time?” harry wonders, twisting to see behind him while he turns around. he also peeks at you snuggled up to tom before facing forward. “great, actually. did you?” you check, the grin clear in your voice. harry goes into full stan mode. “no shit! you were brilliant, y/n. god, every note was just like how you did it the studio.” he’s raving, which is much appreciated by you.
“good answer.” tom shoots his brother a wink. “‘s that what you wanted to hear?” he asks in reference to your conversation earlier. your response is a kiss to his shoulder. “yay. i’m happy you liked it, harry.” he buzzes with excitement, having his favorite artist care what he thinks.
not much is said for the rest of the drive. tom and harry make some hushed conversation about golfing this weekend while you struggle to stay awake. they’re obsessed with that damn sport. it’s honestly nice to see, that tom has something he likes to do when he isn’t shooting hollywood’s biggest movies. your free time will finally give you the chance to discover other hobbies.
you stumble out of the car upon arriving to the boys’ place, a backpack on your shoulders and tom’s hand held tight in yours. you’ve got only a few essentials with you for tonight. the rest is on the tour bus, so you’ll gather it after your hangout with coco. besides, everything you need at the moment is right here.
“home sweet home,” tom announces as harry unlocks the front door. his words bring a tired smile to your face. “finally,” you exhale, keeping your fingers laced with tom’s and following the two of them inside. “i could show you around a bit, give you the grand tour. or-“ tom stops talking, feeling your weight on him. harry huffs at how oblivious his brother is.
“mate, she’s falling over. save it,” he suggests and kicks the door shut lazily. you’re done in. you’ve been having to lean on tom since the show ended. “another time, then,” tom mumbles, securing his arm around your waist. “there is one thing i wanna see.” your voice is low, body curled into tom’s side. he raises an eyebrow. “and that is?” “your room.”
tom takes that in a suggestive way, like he does most things. “we’re getting right to it, are we?” he questions, harry gagging and you nudging his arm with your head. “not like that, dummy. ‘cuz i’m sleepy.” there’s a beat of silence. “ask me again in-“ “wow, look at the time!” harry interrupts so he doesn’t have to hear the details. he’s sure he’ll witness enough after it happens. “off to bed i go! goodnight.”
he rushes to get to his room, yelling out, “great show, y/n!” on the way. “thank you! night!” you call back, tom letting out a sigh. “div of the century,” he says under his breath. “must run in the family,” you playfully retort. that gets you a firm poke at your side. “where’s everyone else?” you glance up at him. there should be two other idiots and a lovely, furry lady running around.
“tuwaine’s gone to the pub, harrison’s filming late, and tess is at mum and dad’s,” tom fills you in, grabbing your arm and draping it around his middle. doing him one better, you hug him with both. you squint in confusion about the last part. “they watch her when i’m out,” tom answers your unspoken question. “ah,” you nod, then deflate ever so slightly. “i wanted to meet her, though. the other boys, too.”
tom smooths the pad of his thumb over your cheek. “you will, darling. it’s only for tonight.” he kisses the same spot reassuringly. “we’ve got loads of time.” “yeah, we do,” you agree, instantly cheering up and letting your head fall onto his chest. “now, where’s your room?” “just upstairs. you need some help getting in?” he’s only playing around, but you accept, tightening your arms around his neck.
“show me the way,” you beam at him. “happy to.” tom wiggles his eyebrows, you jumping up. your legs wrap around his waist, his arms holding you against him. with a satisfied hum, you squish your face into his insanely soft shirt. “what a diva,” tom sarcastically complains while taking you to the staircase. “doesn’t even say please. no manners from this one.”
“you try dancing in six inch heels for two hours,” you shoot back, patting the side of his neck. he moves one hand down to your thigh for a better grip. you’re nearing the top of the stairs. “think i’ll leave that to you,” he decides and squeezes your thigh. “look at me, carrying the whole music industry.” your face easily gets hot and your words turn to murmurs. “shut up. you should listen to other songs.”
you’re on the second floor now, tom going for the first door. he frowns at his rejected compliment. “no, i like yours. they’re my favorite.” “really?” your muffled laugh sounds from his chest. “what was the first thing i ever said to you?” he asks, a toothy grin on him even though you can’t see it. you recall the faithful night he slid into your dms while he carries you into his room.
he’d tripped over his words somehow, the fangirling fool. before that, he tweeted to the whole world that he wanted to see you in concert. it was a huge thing, and people were freaking out about it, even more so when your online interactions became routine. that’s nothing compared to where you are now.
you’re currently living with him and basically dating. possibly, in love. the base of it all really is your music.
“that you love me.” you pause for the ellipses. the corners of your lips turn up. “but, you really meant to say my work.” “both apply.” tom passes that off like it’s a side comment, carefully laying you down on his bed. you look up at him with a curious glint in your eyes. “what does that mean?” his cheeks flush, and he bites back the smile that’s growing. this was supposed to go... differently.
you sit up, breathing out a laugh at tom’s boyish behavior. he’s precious, truly. “you do love me?” those three words will change everything if he says yes. he takes both your hands in his and holds them between you two. you meet his doe eyes. “yeah, y/n/n. i do.” so, you were right. “i love you... and, that wasn’t how i planned on saying it.” signaling for him to elaborate, you tilt your head to the side.
tom sits down next to and faces you before continuing. “it was supposed to be romantic, right?” he rolls his eyes up to the ceiling, annoyed he ruined this. “candlelit dinner, flowers, that sort of thing. seems more fitting for the occasion.” you shift closer to him until your knees are touching. your face is lit up, voice dropped to almost a whisper.
“since when do we do things the way we’re supposed to?” you point out and set your hands on his shoulders. “we’ve gone straight from online dating to me moving in. that’s usually not how it works.” tom chuckles lowly. his own hands find their place on your hips. you’re so good with words. then again, you are a singer. “guess you could say we’re, um, spontaneous,” he agrees, fingers drawing circles on you.
you and tom have explored some of each other’s most intimate places, yet you’ve never shared a moment quite like this. it’s like meeting him for the first time again. he’s too tongue tied to spit out what he wants. you somehow know, anyway. what you cherish most about your relationship is that you two completely and totally understand one another, on every level.
“tom?” you speak quietly, butterflies filling up your body. “hm?” he hums back. this is one of those moments where it all just clicks. “i love you. i really, really love you.” you giggle out of the pure happiness that consumes you, tom joining in your laughter. “i love you, too.” he sounds like he’s said it a million times and he’ll say it a million more. he leans over so his forehead rests on yours. “really, really love you.”
your warm breath hits his face, eyes darting from his own to his lips. “i want you to be more than...” you trail off, unsure of how to phrase it. “more than... more than a friend?” tom pokes fun at what you said during the show. there’s less and less space between you with every second. “you mean, like, a boyfriend?”
“exactly. be my boyfriend,” you all but demand. you’re half asleep and desperate to be able to call him yours already. “bossy, bossy, bossy,” tom chastises, swiping his thumb across your bottom lip. how he goes from being shy and giddy to the cockiest person alive in minutes, you’ll never know. “please?” you throw in to sway him. your hand locks with his, slowly moving it off your face.
you run your tongue over your teeth. “at least kiss me.” “you don’t have to ask,” tom breathes, lips now ghosting over yours. “i was going to.” true to his words, he closes the microscopic gap between you, you pushing forward against him as you kiss back. your first kiss in love. his lips taste like the chapstick he always uses, and he moves them softly.
he places a hand on your knee, you opening your mouth so he can have access to it. instead, a yawn exits. tom pulls back with a breathy laugh. “you must be exhausted, yeah? let’s get you to bed.” he pecks your lips once more. “my girl needs her beauty rest.” that confirms your relationship. you scrunch your nose and grin wide. “and, she’s gonna get some with her boy.”
you’re reminded of how sweaty you are when you catch a whiff. “oof, wait. do you think i can take a shower first?” you grimace, fanning at the air for emphasis. tom uses the tip of his nose to nudge yours. “absolutely. need help in there, too?” he’s not asking in that way, only so nothing happens. the hospital wouldn’t be the most pleasant place to spend your break. plus, he doesn’t want to be without you too long.
“you know what? yeah.”
that’s how you end up intertwined under the hot water, letting it cascade down your back as tom hugs you close to him. you sigh in content and tangle your fingers in his fluffed over curls. you’ve learned that he’s super into having his hair played with. it’s endearing, how he instinctively leans into your touch, eyes closing as you tug on the roots.
he drops his head down to kiss your shoulder, dragging his lips to your collarbone in a way that tickles. they land on one of your breasts next. there isn’t anything sexual about it, only loving. just in case he gets too excited because it’s not uncommon he does, you gently put a finger to his lips. tom takes the hint and lets up. you continue combing through his wet hair while you step out of the water.
“do you ever sing in the shower?” he questions, drawing your naked body in closer to his. “sometimes, yeah. i honestly feel like i sound better there,” you admit and slide your hand down to the nape of his neck. tom’s tongue darts out to lick his lips. “not true. you sound beautiful everywhere, and don’t fight me on this one.” he smirks in satisfaction, you groaning at your loss.
“i really enjoy hearing your voice when it blares through an arena, though,” tom keeps buttering you up. you shake your head and settle both arms around his neck. “man, i just love you so much.” “i love you, sweetheart,” he murmurs back, you switching places so he can give his hair a final rinse. you watch him and his glowing body, admiring the sight.
“what a sensation you are,” you say mostly to yourself, which doesn’t stop him from hearing. “i see what you did there.” he eyes you while you do the same to him. your arms still around his neck pull him back to you. “tommy? do you sing in the shower?” you meant to ask him before, then he started throwing all those compliments at you.
tom scoffs, walking you back so you’re against the wall. “i don’t sing anywhere.” “what?” you gasp and put a hand on his chest. “you’re lying, you have to be. wasn’t billy elliot a musical?” he narrows his eyes at you as he tries to gage where you’re going with this. “that i did a decade ago, and way before puberty. couldn’t sing a word without cracking after that.”
your mouth is left hanging open in shock and disappointment. you bet he has a nice voice, and he’s downplaying it. “y/n,” tom begins, cupping your jaw with his palm. “since we’re living together now, there’s a lot you’re going the learn about me. good things, weird things.” he shrugs casually. “this is one of the weird things.”
“only because you make it weird! come on, let me hear you,” you request and wrap a leg around his waist. you’re giving him a hopeful smile. “god, no. you’ll hate it,” he almost laughs, a hand on your thigh. “i’m literally a singer. how could i hate something i love?” you refute, batting your lashes at him. “especially when someone i love is doing it.” “i love you, too. but, i’m not.” he’s quick to shut you down.
“drop a bar!” you try to coax him, which he already has a comeback for. “you first.” “i can’t. my throat is all scratchy from earlier,” you lie. tom presses his lips into a line, feigning pity. “aw, you know what’ll make you feel better? tea. i’ll go get you some.” he turns to shut the water off, so you grab his shoulders. “no, the steam is working. you can stay.”
“love,” tom addresses you in a warning tone that you can’t take seriously. he can’t either, a giggle escaping him. “my voice is shit. ask anyone, and they’ll tell you.” “i won’t believe them,” you hum, pushing back curls sticking to his forehead. “sounds like you just have stage fright. we can work on that, though.” “how?” he tightens his arm around your middle.
“i’ll bring you on for my next show. we’ll do a little duet.” you’re joking, though that would definitely be interesting to see unfold. “uh, never. what happened to you being tired?” tom cleverly deflects and digs his fingers into your side. you look down in defeat. “i forgot about that.” “yeah, yeah. no, seriously. we should really get to sleep, y/n/n.” he’s back to his sweet, attentive self. “‘s been a long night.”
giving in with a nod, you capture his lips in yet another kiss. tom never gets tired of them, and neither do you. you break it after a few seconds, lips lingering on his as they detach. “carry me?” you ask again, not caring how whiny you sound. tom presses a quick kiss to your forehead. “oh, you’re adorable. of course.”
well, you’ve found something to keep you occupied until the next leg of tour. you’re going to discover the many layers your intriguingly unusual boyfriend has.
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somecunttookmyurl · 3 years
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sorry if there was another part of this post/those tags that i didn’t see but… i don’t think that doctor was trying to say that doctors know more about drugs than pharmacists do?
i’m an md also, i graduated from medical school a few years ago. and that person is right. we do learn about pharmacology and drug mechanisms and interactions in medical school. at my school (which was broken up into long blocks by body system), this was all integrated into everything else we were learning, meaning it was on every test. and it’s continued to be on every test i’ve taken since graduating. the point isn’t that we know more or even nearly as much as pharmacists about pharmacology, but that we know enough that someone who completely ignores the concept of drug interactions or the idea that different patients may metabolize certain drugs differently is a bad doctor. and i’m sorry that you’ve run across so many of them
the thing about medicine is that there is so much to know about human anatomy and physiology and disease that it’s basically impossible for any one person to know it all. medical school lays the groundwork, but there’s a reason we specialize, and spend 3-7 years in additional training in our particular field. it’s important to know what you don’t know (which is a lot, no matter what kind of doctor you are or how long you’ve been practicing). that means consulting with pharmacists when prescribing a new med or changing a dose whenever possible, just like you’d consult, say, a nephrologist when treating a patient with kidney disease. but when there isn’t a good pharmacist available, it means looking up that information yourself. i may not remember every single drug that interacts with warfarin, for example, off the top of my head, but i sure as hell know that it’s a long list and i better check everything else a patient is taking before prescribing it
anyway, good pharmacists are an incredible resource and i wish we had more of them at my hospital. and if you can’t admit that there are things you don’t know, medicine is not the field for you
yeah i've had like. no joke. 2 good doctors in 31 years. and one of them i don't even get to see again it was a one-off. but i am surgically attached to my GP until one of us dies and by god i hope i go first.
(incidentally those 2 doctors are the only ones i've ever met who even knew that differing drug metabolism on different pathways was even a thing like at all. my old psych straight up said "never heard of that, don't think that's true" even when i was presenting him with literal medical journals to the contrary like okay buddy good talk let's never do this again. i wish so much this was an uncommon experience bc i for one am tired of giving the TED talk)
readmore bc this got long
the fact you guys don't learn stuff to the same depth as pharmacists was really like my entire point. i mean, sure, you have some knowledge on it but normally pretty limited to within whatever field you practice. you've only got a limited number of brain cells. if you did have all that knowledge then pharmacy wouldn't exist as a separate degree in the first place.
so a doc coming onto that like "oh we do know side effects and get tested on interactions" is uh. i mean do you? a little, sure, but there's a limit to that knowledge by design. it's really the pharmacists who know, you know? they're the experts on it, and it kinda struck me as "i did a bit of training on this so i know everything" which is an attitude i encounter.... a lot with doctors, sadly. along with the assumption a patient can never know anything about their condition/have any input or ideas of any value/that there may be gaps in their own knowledge.
[also along with complete lack of intellectual curiosity which always baffled me like "welp, don't know what that is goodbye forever" do you not... want to know? not even a little bit? god why are you even here. if all you wanted to do was flowcharts and tick boxes there are plenty of careers in the data entry field. not quite sure why you went to medical school my man]
you sound like a good doctor. hold onto that. sadly you're more the exeption than the norm, as pretty much anybody with a chronic illness or unusal presentation/response can attest. also women, and POC.
if you've got it in you to keep at it without having a nervous breakdown (rather have you in the field than out of it babes) absolutely chew out any other doctor you catch acting like a Supreme Unquestionable Being Who Can Never Be Wrong though.
honestly? i think, genuinely, most do start out like you (you said you only graduated a few years ago right? so you're still new really) and... at some point along the way they become fucking insufferable.
i don't know if it's burnout bc it's a stressful job, or if having power over the health & wellbeing over other people eventually goes to your head, or you get stuck in "what i learned 20 years ago is still unquestionable" or "i've been doing this for years pfff i don't need to check things anymore" complacency or what but there is for sure SOMETHING that changes in a whole lotta doctors. hold on to how you practice now. be one of the few who STAY like that 10, 20, 30 years from now. please. stay curious, stay cautious, stay sharp.
i don't hate doctors (i say it jokingly, true, but don't take it personally) but i have absolutely met enough of them that don't listen, or check, or investigate that i heavily side-eye a new one until they demonstrate otherwise. you're listening to me and working with me and checking things? cool! i'm still gonna double-check anyway because even good doctors make mistakes,
but a good good doctor doesn't take offence at that anyway. i mean. it's my health you're in charge of here. remaining alive and not hospitalised is generally preferable.
hey, maybe it's a bit harsh to judge from a couple tags but coming onto a post saying that pharmacists are the real drug nerds here and doctors have limited knowledge about that (with a heavy dose of complacency a lot of the time, tbqh) so please make sure stuff is checked with "we do know about interactions we get tested on it" sent up a HUGE "i can't admit when there are gaps in my knowledge and can't handle being questioned" red flag.
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collisiondiscourse · 3 years
Text
on the wonder duo (part 1)
(BNHA Analysis Post Ahead! This isn’t explicitly romantic, but it is an analysis of the relationship between the two most popular characters in BNHA--Katsuki Bakugou and Izuku Midoriya. Split into two posts because I realized that this was gonna be long as HELL)
yall ever think about the fact that the wonder duo is perfectly set up in so that bakugou and deku together are the better version of all might?
bc like. ive been thinking.
everyone knows the win to save and save to win parallel. How they are supposedly two halves of a whole perfect hero (which, previously, was defined as all might)
but ever since bakugou and deku started working as one—growing together to win AND save and continuously reminding each other that they shouldnt try to do things alone, ive realized that its BECAUSE theres two of them that they surpass all might. its not a case of deku and bakugou both being 50% of an ideal hero, but rather i think that they are 100% of what all might SHOULD HAVE BEEN from the very beginning.
as early as the AM v AFO battle in kamino, we see the effects of all mights flawed existence. the fact that he, the greatest and supposedly infallible symbol of peace, was destroyed—society had begun to collapse. there was suddenly no pillar to hold people together and the impacts were so severe that even in the latest chapters of mha it keeps on getting worse. the truth is, all mights biggest mistake was the burden he placed on his own shoulders
with bakugou and deku... its different.
its different for them because down to their attributions, they seem like two halves of a whole person.
i think that the wonder duo are going to surpass all might because of the fact that they work together.
@bakugoukatsuki-rising @svpercraigus @tybee​ @isaustraliaathing​
(batshit crazy and conspiratorial essay under the cut !)
1. Complementary Colors
I’d like to first preface literally everything I say by the fact that I am not an expert analyzer or literary major in any way. I am literally just some random fan on the internet who has wayyy too much time and looks wayyy too deep into things, but here we go!
A common thing we see when we talk about bakugou and deku is the way they are... sort of an inverse of one another.
Down to the design of their features and the way they move, Deku is the obviously softer of the two. There’s an intentional contrast between the two of them, in the way that Deku’s drawn with round shapes and curvy hair and the way Bakugou is literally all spikes and half-mast eyes and rough muscles. Bakugou’s movements too are languid and showy, with the way he leans when he walks and splays his legs and kicks open doors. Katsuki, in a casual sense, is loud and dramatic. 
Deku on the other hand s finicky. He jitters when he walks and he’s often fidgeting and mumbling. Comparatively, the aura he radiates is energetic and frenzied, even self-conscious to a point unlike Bakugou’s calm and confident movements.
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the point is, there’s a clear difference in how either of them are designed and what exactly they are supposed to represent. They utterly complement each other down to the way they behave and even their main colors (red-orange and blue-green) being literal complementary colors.
Now, moving to my more ungrounded points, this is quite a bit of a stretch so I’ll try as much as possible to make sense of these with hyperlinked sources because. yeah.
Down to their names, I think Deku and Bakugou both symbolize something deeper. I think that the way Hori expresses characters and what they’re meant to do is something that we have to pay close attention to when we talk about the Wonder Duo’s rise to success.
Izuku Midoriya (緑谷 出久), as some of us may know, does have an interesting meaning when broken up. According to a lovely fan translation of his name, ‘Izuku’--while not an actual name used commonly in real life--means to ‘Come out’ or ‘Long time’. ‘Midoriya’ on the other hand means (Midori) ‘Green’ and (ya) ‘valley’. The translator further pointed out that his first name ‘Izuku’ could be a reference to him being the first legendary hero to come out of the long-running All Might Era. (or, if you’ve been reading @/bakugoukatsuki-rising’s posts, the first significant anime protag in a long while to come out as queer, ppfft)
but that isn’t my focus right now.
We know that Hori LOVES telling stories with names, and more often than not in the BNHA universe, names alone tell us a lot of things about the characters. When referring to Izuku’s last name, Midoriya, it’s important I think to step back and realize that hey, maybe there’s something more to Green Valley than just the fact that his motif is all green.
After searching for a lil on the specifics of green valley, I’ve found out that across many cultures, the colour green and valleys in general tend to represent life. From dream analysts, to Christianity, and even old Taoist teachings, valleys are seen as areas of fertility and escape. They are seen as safe havens and often escapes for people to come to after running away from bad circumstances.
(Sound familiar?)
Deku, in essence represents life and peace. He represents being the “salvation” that the world in BNHA needed. To me, it sounds like Horikoshi is trying to say that he is the long-awaited hero in the sense. The one that people can feel will create a society that feels safe for everyone after years of All Might just saving people from themselves as a band-aid solution.
On the other hand, we have Katsuki Bakugou (爆豪 勝己), who’s name we commonly know means (Katsuki) Winner and (Bakugou) Explosion Master. He is essentially, the champion. The power. His name means success and power and all the things that make up winning.
When putting them side by side, it then becomes increasingly... interesting to me how their names almost perfectly slot into All Might’s save to win and win to save mantra, and how they are both quintessential parts to what made All Might as a hero.
2. Hero Too!
Now, I’m not even gonna really TOUCH much of what happens in canon. If you want me to do a step by step breakdown of their arcs in regards to the plot of manga and anime, feel free to send me a gratuitous ko-fi tip so I can pay for the headache I get after trying to organize my thoughts into word vomit.
What I WILL talk about on the other hand, is the subtle shift both of them slowly have in regards to how they look. Bakugou and Deku, while growing up, seem to have MANY many parallels--but before I elaborate on all of that, I wanna talk about something else.
Detour: Deku’s Red Shoes 
We all know the iconic symbol being Deku’s red shoes. For all his life, save for some outfits like his hero one, we see Deku more often than not wearing his signature red sneakers which have become a running joke in fandom.
But the funny thing is, in Japan, red shoes seem to have an interesting connotation.
In 1922, a popular Japanese nursery rhyme was written, called “Red Shoes”. The interesting part to me about this song was the symbolism that, in my tiny pea-sized brain, I could connect to the story of BNHA.
The story goes that there was a little girl with red shoes named ‘Kimi’. She was from Shizuoka prefecture (which, if you didn’t know, is most likely where Musutafu supposedly is) and was raised by a single mother. When she was young, her mother had to entrust her with a foreigner under the impression that they would give her a better life in America. The stranger is a man named Charles Hewitt (who was described to have blue eyes) and supposedly took her away. 
The singer of the song (supposedly the mother, but some argue it was written from the perspective of a childhood friend) believes that Kimi is happy and living a better life away from them, when the reality of the situation was much worse. The young girl with red shoes in actuality had Tuberculosis, and thus the foreigner whom she was entrusted to had left her to fend for herself and eventually left her to go to America while she died alone and orphaned.
“When I see red shoes, I think of her.”
A very interesting story with very interesting implications indeed.
-
Anyway, moving on to the more... “nuanced” and connected parts of this section, I have every reason to believe that Bakugou and Deku were simply MEANT to be working together down to how they dress. Now, I’d like to discuss their hero costumes.
At the start of their series, using these godawful pics for reference, it’s clear to see that neither of them seem alike in any way--reflecting the dissonance in their relationship at that point in canon.
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ough. deku why. (yes we know why its because you love your mom you stupid little bunny <3)
Anyway, we see an immediate gap in how the two of them are. Deku’s first costume is one that reflects how he treated his dream of being a hero. He was still in that childlike idolization phase, the one where his dreams and aspirations were hinged on pure feelings and inspiration from All Might. Katsuki on the other hand was a lot more tactical--professional to an extent. The gap between their respective development with their quirks is something that is clearly felt in every fashion decision they’d made.
(Notice how Deku’s green is a lot brighter and less like the green accents Katsuki has all over his costume.)
As time progressed however... their costumes changed. The colors, the silhouettes, the practical functions, most things.
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(Deku’s Gamma Costume and Bakugou’s Winter Costume used respectively)
we begin to notice a few similarities.
As the show goes on and we see more evolutions of their costumes, it almost seems like they begin to look like a matching pair. Deku’s green grows darker and almost teal in nature, while Bakugou’s orange is veering towards red territory. This is important to note because red-orange and blue-green as I said earlier were complementary colors as compared to simply orange and green. The minute shift is something I really wasn’t quite sure was intentional, but something I find interesting to pick up nonetheless as the colors they used to accent their costumes begin to match up.
Secondly, I think and important thing to note is silhouettes. The way that both Bakugou and Deku’s costumes are designed follow a lot of parallels that typically we don’t see with the rest of 1-A. For one, they both have a combination of tight long-sleeved tops with a bulkier set of bottoms. They also share the use of utility belts and metal pieces typically worn around their necks. Deku has his bunny-eared hood that mimics All Might’s hair, while Bakugou has his orange and black explosion ear-pieces that mimic his own quirk.
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i don’t think any other people in class 1-A match each other as subtly yet strongly as these two. Uraraka and Deku and Bakugou and Kirishima do come close however.
“But Codi, you fucking knob!” I hear you plea. “This is such a reach and tells us practically NOTHING!” And yes, I’m inclined to agree with you! You’d be sort of right in the idea that this is a reach. Maybe I am looking too much into this, and maybe it really isn’t that deep--but I do think that them subconsciously matching outfits means something quite brilliant.
In the way that their costumes are designed, each aspect of either outfits have a very logical explanation. The changes were strategic and made with their fighting styles vividly in mind, so what that tells me is that BECAUSE these costumes are so complementary or similar in nature (Bakugou’s reinforcing his arms while Deku reinforces his legs), these two are implicitly showing the audience that their combat styles are complementary as well. 
The evolution of their design choices and similarities tell us that even unknowingly, their minds line up in strategy on the battlefield--a clear exhibit for why they would be INCREDIBLY POWERFUL as a Hero Duo to begin with.
When I look at their hero costumes side by side, I see a mirror. I see the way that these two are reflections of each other and are strong where the other isn’t. The point I see in BNHA repeatedly is that EVERYONE HAS A WEAKNESS. Nothing is infallible, regardless of how hard you train or how powerful your quirk is. Everyone will always have a weakness, but the significant difference I see when fandom discusses the future of Pro-Hero Society is that the new generation is finally raising itself to be RELIANT on each other. 
Observing their fighting styles and the simple use of their quirks, its obvious that they are indeed two parts of a whole hero. Bakugou, who’s quirk emphasized his arms and hands and the power that comes from it, while Deku who’s quirk now emphasizes his legs and lower body and the way he’s always running to save people.
IN CONCLUSION:
As they become heroes, it is easy to assume that if nothing else, Bakugou and Deku will cover each other’s weak spots (especially when you consider the way Deku probably won’t be able to keep using his arms with the way both the anime and manga are going...) (also chapter 285, anyone?)
-
Part Two: Interactions, OfA
kofi || commission details
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mercs and nightly rituals? 👀
Those are the kind of off-the-wall asks I live for!
Spy:
The Frenchman has a very strict retiring routine.
It might have been because of his meticulous nature, or maybe because of his time at the academy, but he had almost a sixth sense for his bedtime as a result.
No one was really sure why he was so strict about it.
He has left in the middle of card games, arguments, and chats just because it “time for him to sleep.”
After a bit of prodding from Engineer - whom Spy trusts more than any of the other mercs - he reveals that the spy school he went to had alarmed halls that activated at a certain time. A few students had even died as a result. The habit had come from a place of pure terror.
Engineer is slowly trying to break the habit. Spy can now wait ten minutes after his usual time.
Spy puts his pajamas neatly on his bed, which he makes each morning, and turns on the fan so that his pillow can cool while he’s getting ready.
He makes sure all of his disguises are in the right place, takes off his mask and puts it on his coat hanger, brushes his teeth for two minutes exactly (again, an academy habit), and then changes completely into his pajamas.
Finally, he flips the switch next to his bed to activate his alarm system.
Spy goes to bed, sleeping on his back, and barely moving until morning.
And Scout learned the hard way that Spy keeps his butterfly knife in a makeshift pocket carved into the mattress.
Scout:
Can and will just konk out wherever possible.
He’s fallen asleep in Engineer’s workshop, outside, in his doorway, on the floor, against the wall...dude has even fallen asleep in the middle of hitting someone with his bat (NyQuil coma).
He will sleep anywhere, usually not his own bed.
His sleep schedule is also all out of whack, which is why he drinks so many Bonks.
He doesn’t have ADHD - his bloodstream is just pure caffeine and sleepy giggles.
If you get close enough to him, you can actually see dark circles under his eyes. He tells everyone they’re bruises.
“This...uh...Soldier punched me in the face! Yeah, that’s it!”
Boston boy, I love you, but please take a nap.
Take two. God dangit.
He very rarely changes into pajamas, he just strips and jumps in bed. He always brushes his teeth, though - he takes special care of his teeth.
Scout says their his “bread and butter.”
He also literally jumps in bed because he has a fear of somebody reaching out from under the bed and grabbing him if he gets in bed too slow.
Sometimes he even takes a running start.
He’s broken several bedframes that way.
Heavy:
Heavy has the standard fare: putting on his pajamas, brushing his teeth, and washing his face.
When he gets in bed, though, he picks up a book he got at the nearby library and starts to read it.
He has these small reading glasses that barely stay on his nose.
This is mostly to help him read and speak English, so he occasionally reads sentences that he doesn’t understand out loud.
He also has a legal pad next to his bed, which he uses to write down any words he doesn’t understand.
In the morning, he usually goes to Miss Pauling or Medic and asks what certain words mean.
He is currently at a middle-school reading level, and his favorite novel by far is The Giver.
He even bought the Russian audiobook so he could better understand the message.
He’s also a big fan of To Kill A Mockingbird, but he had an incident where Miss Pauling had to explain why their word for black person was so hurtful and why it should never be used.
Heavy didn’t understand at first, so Miss Pauling had to relate them to Russian slurs. Heavy understood really quickly after that.
His copy now has all the slurs blacked out in ink.
“What if Demo reads? I need to...disappear them.”
Sniper:
He almost always practices his shot before he goes to bed.
It helps him relieve all the daily stress.
You can tell if Sniper is having trouble sleeping because of the gunshots.
“‘Old on, mate, one more round.”
One time, after being ghosted for a date, he stayed up shooting until six in the morning.
The only reason he stopped was because he had tears in his eyes and couldn’t see the target anymore.
He ended up just sitting on the floor and cleaning his gun while trying to not get tears on the muzzle.
No one knew what had happened, but they did notice that Sniper stabbed his enemies a little harder and more violently that afternoon. He even broke a Scout’s spine because he walked on the body after withdrawing the knife.
Do. Not. Anger. The. Aussie.
Demo:
Demo drinks so often and so much that he usually doesn’t sleep during the night.
This has scared his teammates on multiple occasions, since you can’t exactly see uniform color in the dark.
He has been shot and/or trapped on multiple occasions, especially by Spy, who is a very light sleeper.
It got to a point where he now has to wear fluorescent bands so that people know he isn’t an enemy.
He also has a “sleeping eyepatch” that’s made out of the same cloth as his pajamas.
It has blue stripes and a little black X in the middle.
Engineer:
He tends to turn his light on and off many times before actually going to sleep.
Engineer also does this with his lamp, and if anybody ever walks by his room and asks why, he says that he needs to turn it off and on until it “feels right.”
He also checks every alarm system before he goes to bed.
And if there is a single update, virus, or false alarm, he has to get up and fix it.
He also tends to get very anxious at night, especially if he’s overtired or recovering from an injury.
If he and Scout are up at the same time (Scout gets nighttime anxiety as well) they make each other hot chocolate and watch MythBusters.
Engineer likes the explanations, Scout likes the explosions.
They either fall asleep on the couch or wait until Spy comes and makes his complaint known.
Since Spy’s so quiet, he has been known to move Scout, cloak as Engineer, and then scare the living daylights out of the Texan when he wakes up.
Engineer more than gets him back come next day’s battle, though.
Soldier:
Soldier has his own room on the other side of the base
And there is certainly a reason.
He fights with his pillow until he goes to sleep, making all sorts of ungodly noises.
At first the mercs thought Soldier was having some overzealous “private time”.
One night they walked in on him to find a triumphant Soldier body slamming his pillow.
He even drew Hitler’s face on it with a Sharpie.
I mean, he could be into that.
Honestly, no one knows.
Pyro:
As stated in a previous post, Pyro catches fireflies to use as a nightlight in order to go to sleep.
However, while the sun is still setting, Pyro winds down by sorting their shell and trash collection.
She sorts by color, then shape, then material.
If there are any new additions, he cleans them and put them in their own drawer.
They have a little plastic dresser they keep everything in.
Their favorite additions are pieces of broken glass from beer and whiskey bottles, bonus points if they are tinted a cool color.
They also have these sheets with a bunch of sheep and cows in nighcaps.
If they are feeling scared or overtired, however, they sleep in a unicorn sleeping bag surrounded by beanie babies she has collected over the years.
Fun fact: they sleep with their mask off, and for that reason, they usually sleep with a pillow on their head and their comforter on top of that to hide their face.
If they are in their sleeping bag, they zip it as far as they can upwards without struggling for air.
Medic:
You think you have a bad sleep schedule?
Hah! How cute.
He will run on energy serum and cocaine for an entire week, then disappear into his room for a few days.
And yet he always makes it to battle.
Some think he may have a clone, some think he has the ability to see the future. Neither would surprise anyone.
When he does sleep, though, he is fully clothed and usually holding either an organ or his bonesaw.
He has lost many specimens that way.
Archimedes usually wakes him up if he falls asleep at his desk, as Medic trained him to do. However, this doesn’t work very well if his head is down on his desk because of a mental breakdown. But hey, you can’t win them all.
Heavy has slowly been trying to change Medic’s sleep schedule. He’ll offer him tea around nine, or ask if he wants to go for a walk at eight. He’s trying to link relaxation with night.
It’s been working so far, but there’s only so much you can do.
Ms. Pauling:
What’s sleep?
@uprisist
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teamfreewill2pointo · 3 years
Text
Sam’s Emotional Arc 1/3
I hated the finale immediately, but I’ve spent some time with it and talked to friends who loved it. I can see now what it was about, and I’ve come to appreciate the story they were trying to tell, even if I think it didn’t land right.
I’ve been told that my meta on this has helped other people come to terms with the finale, so I thought I’d compile it in one place from across various discord channels and twitter posts. If you are struggling with the finale, I hope it helps you.
Part of this actually started with a shit post. I was making a joke about Sam being psychic since he was scared of clowns when Dean died by one. I realized that may have been deliberate. I dug into the story more and now I’m convinced it was. Then I came across some excellent meta that fit with the themes I was finding and opened up the series even more for me.
Happiness isn’t in the having, it’s in just being. It’s in just saying it.
Cas said it. Dean accepted it. Sam lived it. First, Sam’s journey. 
Clowns pop up in s15 before the barn scene. In 15.01, which was written by Dabb, Sam is injured by a clown. Castiel is able to save Sam and heal his injury. The clown keeps coming after Sam, with Sam having fight scenes with the clown, while others attack the other ghosts. The clown is kicking the shit out of Sam again, and Castiel saves him once more. Sam is unable to fight off the clown on his own both times.
They run until they are able to escape outside a magical barrier. Sam turns to the clown and says, “shut up”. 
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This is literally Sam running from his fears. On top of that, this isn’t just any clown, but the ghost of John Wayne Gacy, from an episode also written by Dabb.
Dean: A serial killer clown. I mean, this is, like, the best/worst thing that’s ever happened to you, you know, ‘cause you love serial killers, but – but you hate clowns.
Sam gets nervous and struggles with the lighter before he’s able to get rid of the clown, for now.
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I believe this is a metaphor for hunting in general: it’s both the best of Sam’s life and also the worst. The clowns symbolize his relationship with Dean.
Plucky Pennywhistle's Magical Menagerie was co-written by Dabb (see the pattern?). Sam’s fear of clowns was known since season 2. In season 7, Dabb explored where this fear came from.
On the surface, Sam’s fear is just because he found them creepy, but the episode explains that they actually come from Sam’s fear of being left behind by Dean.
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This episode comes directly after an episode where Sam worried that Dean would get himself killed
Sam: Look... Dean, the thing is, tonight... It almost got you killed. Now, I don't care how you deal. I really, really don't. But just don't – don't get killed. Dean: I'll do what I can. Sam: Well, what's that supposed to mean? Dean: It means I'll do what I can. All right? You can shut up about it.
Sam is dealing with Hallucifer at this moment, but Hallucifer doesn’t really scare him. Losing Dean does.
Sam has a conversation with an employee about greatest fears.
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Recognize the actress? She came back for s15 in 15.06. I don’t believe this was a coincidence. 15.06 featured Castiel helping a parent find their lost child in a season that features Castiel worried about losing Jack. Through his experience with her, Castiel confronts his fears and doubts and then returns to join in the fight against God. [I’ll touch on Castiel’s journey more in his chapter]
Sam’s greatest fear is losing Dean. There’s a lot in the series about how Sam felt lonely and abandoned for much of his childhood. A whole episode, Just My Imagination, centers around this. Sam hated when Dean went off on hunts without him.
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source In The Chitters, Sam tells Dean how his fear of losing his family paralyzed him as child. It’s a story where an older brother dies and the younger brother never recovers from it until he’s able to lay him to rest (sound familiar???)
Sam: You know, whenever you and Dad used to leave me to go hunting, and I-and I wouldn’t hear from y’all for a while, I, um, I was always sure that some vamp or rugaru, or take your pick, I always figured one of them finally got ya. I tried to think what to do, you know, the next step to take. I was just lost. Dean: We came back, though, every time.
You might naturally think, “Wait a minute! Sam left Dean multiple times!” Honestly, this was something I had a huge issue with when watching through the show the first time. I didn’t understand Sam and hated him leaving Dean in s8. I was completely on Dean’s side at first. But, on multiple rewatches and talking to others, I’ve realized that when Sam left Dean, he was running from his fear. In this TV Guide interview, Jared perfectly sums up why Sam left in season 1; he couldn’t stand to see his family die. Dabb wrote Dark Side of the Moon along with a comic that explains why Sam left in detail. While the comic isn’t official canon, it shows Dabb’s thought process. In it, Sam sees his family as running towards a horrible end and can’t handle dealing with that.
Dean: So what are you gonna do? You're just gonna live some normal, apple pie life? Is that it? Sam: No. Not normal. Safe.
There are many more points in the series where we learn about Sam’s fear of Dean dying. This would be 3948573945 pages long if I wrote them all out, so I’m going to focus on the key moments that loop back to this ending, but there’s so much more there.
If you are struggling with this and need more, please let me know and I can do a deeper dive into that subject. We first see Sam’s inability to let Dean go in season 1 when Sam refuses to let Dean die in Faith.
Dean: You're not gonna let me die in peace, are you? Sam: I'm not gonna let you die, period. We're going.
Sam’s whole arc in s3 is him being unable to handle Dean dying. He wants to save Dean, but Dean won’t let himself be saved. This was what Gabriel was trying to teach him in Mystery Spot.
Trickster: This obsession to save Dean? The way you two keep sacrificing yourselves for each other? Nothing good comes out of it. Just blood and pain. Dean's your weakness. And the bad guys know it, too. It's gonna be the death of you, Sam. Sometimes you just gotta let people go.
This is how Ruby gets under Sam’s skin and what gets him to start working with her. Everything Sam did was to save Dean. In s4, Sam’s arc is about him sacrificing himself in order to save Dean. He’s gutted from being unable to save Dean. In 4.12, Sam decides to drink demon blood in order to save Dean
Dean: [says that they will die early] Sam: Maybe we'll be different, Dean. Dean: What kind of Kool-Aid you drinking, man? Sammy, it ends bloody or sad. That's just the life. Sam: What if we could win?Dean: "Win"?Sam: If there was a way we could just...put an end to all of it.
When Sam breaks out of the panic room, he’s suicidal. He’s determined to save Dean with his life as the cost he’s willing to pay. He didn’t think he would survive killing Lilith. He was committing suicide in that moment. The reason why Sam is so willing to sacrifice himself in s5 is because he has low self esteem. He blames himself for everything that goes wrong. In Sam, Interrupted 5.11, also by Dabb, Sam has a breakdown under the weight of his guilt. He hates himself and he feels his rage is out of control. In season 6, we see soulless Sam and, unlike souled Sam, he has no rage. Yes, he’ll kill when necessary, but he’s not angry. It was Sam’s fear driving his rage. He felt out of control of his life and let it lead him down a dark path. In season 7, he sees Dean heading down a dark path and he feels helpless to stop it. He worries about dragging Dean down and tells Dean to let him go. But, at the same time, he’s developing coping techniques. He’s starting to face his fears. 
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And then Dean disappears and Sam completely falls apart. Sam didn’t have a healthy relationship with Amelia. They were two broken people clinging to each other. Sam and Dean struggle to reconnect after their time apart. There’s a lot of text addressing the horror of a partner dying and people trying to escape from it.
Mrs Holmes: He could see the end of my days were at hand, and... He had lived centuries all alone, but I don't think he could bear the thought of life without me. That's why he drove off that bridge. You must think I'm a monster.
In Hunteri Heroica written by GUESS WHO!?!? Sam finally acknowledges that he was living in a dream world with Amelia. He was running from his past. We see a flash back with Sam pressing on his scar, which he did to help himself distinguish fantasy from reality.
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The episode is about a man refusing to engage in reality and harming those around him. Sam has a big confrontation with him
Sam: Look, it can be nice living in a dream world. It can be great. I know that. And you can hide, and you can pretend... all the crap out there doesn't exist, but you can't do it forever because... eventually, whatever it is you're running from – it'll find you. [CASTIEL appears to be taking Sam’s words to heart.] It'll come along, and it'll punch you in the gut. And then... then you got to wake up, because if you don't, then trying to keep that dream alive will destroy you! It'll destroy everything!
Likewise, when Sam was with Jessica, he wasn’t honest about himself. He was hiding from his family and his past. Running to avoid pain. Sam is avoidant in general. Not just in his relationship with Dean. When he talks with Rowena in 13.12 Various & Sundry Villains about his fears of Lucifer, he admits that he could talk about it with Dean, but he can’t bring himself to.
Sam: I’ve seen it too. What he really looks like behind – behind whatever vessel. It… Yeah, still keeps me up at night. Rowena: How do you deal with it? Sam: I guess I don’t deal with it. Not really. I mean, I pushed it down and, um, the world kept almost ending, so I keep pushing it down, and I don’t know. [stammering] I really don’t talk about it, not even with Dean. I mean, I could. You know, he’d listen, but… That’s not something I really know how to share.
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In 15.20, Sam’s past is front and center. Literally. I know a lot of people found the Winchester family portrait odd and upsetting, but it symbolizes something I’ll get to in a bit. Instead of trying to avoid his grief, Sam has moments where he lets it wash over him. He goes and sits in the car. He’s no longer avoidant. He’s no longer running away. He’s letting his grief move through him. He’s literally sitting with it.
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Soulless Puppy pointed out that the characters emotional arcs is similar to DBT. Please look through their awesome meta here.
Personally, I see them as similar to the therapy I do called ACT. Both are forms of therapy where instead of fighting against them, you accept painful emotions and allow yourself to feel them. If you don’t do that work, then you can’t stop feeling them and your fears/ghosts will always haunt you.  In Swan Song, Chuck tells us that “Dean didn't want Cas to save him. Every part of him, every fiber he's got, wants to die, or find a way to bring Sam back. But he isn't gonna do either. Because he made a promise.”  In 15.20, Sam initially didn’t want to let Dean go. He’s been refusing to do this since season 1. When he’s separated from Dean he lives a fake life or destroys himself/the world trying to get Dean back. There’s a moment in 15.20 where Sam looks at Dean’s guns. He wants to commit suicide, but he makes the choice to live. For the time in Sam’s life, he let Dean go and lived with his pain. He no longer ran from it. After Swan Song, Dean was unable to let Sam go. He wanted him back. After Carry On, Sam is able to do what Dean couldn’t do. He lives a life outside of Dean. What’s more, Sam has reconciled himself with his past and his family. It’s clumsy and I wish it were better shown, but having the family portrait and their parents in heaven isn’t meant to excuse the way Sam and Dean were raised. In order to move past the trauma of his relationship with his parents, Sam fully integrates them into his life. In Lebanon, Sam was able to confront and forgive his father. In doing so, he can also forgive himself. Mary asks for forgiveness too, and he grants it to her. He doesn’t forget what happened, but he’s able to move forward and leave the intergenerational cycle of violence. He’s able to raise his son, Dean, the way his brother should have been raised.
Happiness isn’t in the having, it’s in just being. It’s in just saying it.
Cas said it. Dean accepted it. Sam lived it.
I can see why people see Sam’s life after Dean as unhappy. I hated it so much because I saw it as horrible and sad the first time through. I had to sit with myself and my emotions first. I think it’s because we’ve been told by society that we have to get rid of our grief in order to be happy. The finale was showing us that it’s possible to do the opposite. [Personally I think it would’ve been better had they showed more overtly happy memories, but many of my friends saw this straight away] When I began therapy, one of the first things I learned was that there aren’t “negative” emotions. When working with our kids, we call them Big emotions. In DBT/ACT, all emotions are treated as normal and natural. Grief, anger, sadness, etc, these are all normal parts of the human existence. We don’t need to run from them in order to have happiness. We can live with them. As interstitial said in our chats, “you can't change the past, you can only change your relationship to it. To accept that your past contained both love and heartache, to miss it, but also know you can do better; that's actual recovery, as good as it gets.” As Soulless-Puppy explained to me, Sam lived in duality. Dean was dead, but Sam lived. Sam was happy, but he grieved. Dean was with him in the watch and the car and his son, but Dean also waited for him in heaven. I hated the finale the first time I saw it, then next watched it with my boyfriend who loved it. As we were watching together and discussing it, I realized that Dean’s death scene wasn’t just about him, but about the show itself. 
Dean promising Sam that he will be with Sam in Sam’s heart is also the show promising us that they will never leave it. That’s why Alex kept posting “The end has no end.” Just as Sam carried Dean with him in his heart, we will carry the show with us. I hope this helps. It’s a terrible thing to feel upset about an ending and thinking of the show this way, recognizing these patterns, is bringing me peace. I still have issues with how it was written, but now that I see what they were doing, I wish all the more that they had the chance to do it right. Please share your thoughts and experiences. I love hearing different opinions. Next up, Dean. Then Castiel.
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smp-live · 3 years
Text
Was scrolling through c!Wilbur crit blogs again and it got me thinking about why exactly I argue in favour of him so much so here’s a random ramble (that got long) about it:
Most c!Wilbur critics (at least, in the tag, not directly post-lore stream. The ones that do actual analysis on him) are like... really reasonable about it, actually, lmao. Like it’s mostly just calling him a bad person because of power hunger/manipulation/being a bad dad/whatever else. (Not talking about antis. I mean people who are really critical of him, but recognize that he’s a well-crafted character with nuance.)
Which I agree with! I consider myself an apologist, my writing and analysis leans really sympathetic, and I still agree that he’s a shitty rat bastard that I would run far away from irl. Even at the beginning of the story, he’s very morally grey, sometimes using underhanded persuasion tactics, doing ehh things like stealing, and it only gets worse from there.
But on the other hand, he’s... not that bad. Like I saw one person say about c!Dream, “My reaction to most critique of him is... so what?” and that’s how I feel about c!Wilbur, I suppose. Yeah, he tried to rig an election - but it was a last-ditch effort at not going full dictator, he didn’t follow through, and later on he - in part - decided to blow it up because they couldn’t get it back while being democratic. And yeah, he manipulated people - all in all, it wasn’t really really bad things, mostly to paint himself in a better light because of his insecurities, and people sometimes fall into manipulative language without even outwardly realizing that it’s a shitty thing to do. Of course, that shows a bigger underlying problem in their mindset and the way they interpret relationships and possession, but then that’s a different discussion - and definitely one that applies to c!Wilbur.
(Not saying he doesn’t ever intentionally manipulate people. I think that a. sometimes it might be accidental, (”If you wanna be President you’re gonna have to get on my good side,” mans was Not thinking straight,) and b. other times he falls into old habits/coping mechanisms that happen to be manipulation, (Tommy at Las Nevadas.) Other than the election and maybe some times in the early founding of L’Manberg, I can’t think of any moments where I’m like, “Yeah, he is Purposefully Manipulating here.” And even then, it just doesn’t strike me as a terrible thing. People manipulate, it’s a thing they do. That’s it. A morally grey action.)
And I think the majority of the reason I make more posts painting him in a positive light and don’t really discuss my critique of him is because it feels like the fandom has an overwhelming bias of hatred/crit, even if a lot of that isn’t, y’know, proper analysis of his character. I instinctively want to balance it out for this character I love/relate to, because a lot of what I see straight-up ignores the lighter side of his moral-greyness.
Like, a while back, I posted a couple clips from late-election arc, of Wilbur talking about how he feels about Fundy siding with Quackity and against him. And the way I initially saw it while watching was, “Okay. He feels betrayed by his son who disagrees with his politics - and thus, him as a person, because your politics are a reflection of your identity, especially in Wilbur’s mind - and it’s perfectly understandable that he’d want to vent about that in private to a close friend. On the other hand, he should be able to recognize that Fundy’s allowed to be his own person and shouldn’t be babied. Fundy is in the right, here, but Wilbur’s feelings shouldn’t be dismissed.”
But then 90% of the tags were just straight-up hate for c!Wilbur, going as far as to say that he should die again. (And this was after we found out how bad the afterlife was for him.) That fucking floored me. I just couldn’t understand how they took this nuanced character aching for ‘the son he knew’ back (hm. very similar to c!Phil, actually) and turned it into ‘wow. This suicidal man sucks and should maybe die.’ I was so close to making a post defending him before realizing - I was letting fandom bias against a character push me further onto the sympathetic side.
And that’s such a fuckin’ weird thing to have happen, because you’d think that exposure to negativity about a character would make you feel more negative about them? But without fail, every time I scroll through the crit tag, or read a critical post about c!Wilbur/L’Manberg, I maybe lean a bit more towards that side for a few hours before swinging back hard onto the apologist side. Because a lot of the critique, to me, is really just, “so what?” after I let it stew a bit.
Then there’s the whole mental health issue. Obviously it doesn’t excuse the shit he did - I know people who have been in the middle of breakdowns and the stuff they say still fucking hurts, even if they didn’t truly mean it. But recognizing that he needs help? That for pretty much all his time on-screen, he was depressed and paranoid, which obviously affects the way he acts? That’s obvious. And were he in the position to get professional help - which he deserves - everything would be much better off. That’s the root of my apologism, I think: He deserves to get better. He’s not inherently evil, or bad, just a fucked up little man who’s ruined his own life and needs help. I want to see him, specifically him, get better.
Narratively, his punishment has been extreme and disproportionate. Every mistake, every choice - good or bad - has led to suffering, on his part. Start a fun little rebellion, maybe to gain some power? War and betrayal. Declare an election to consolidate said power? Lose, and get exiled. Blow up a nation? Die, and even in the afterlife, he can't catch a break. Purely as a sympathetic human, it feels like he deserves to rest. Deserves to heal.
But even medicated and less anxious, or going to therapy for his neuroticism and depression, or whatever, he still would be quite morally grey. A lot of his manipulation, his power hunger, comes from this neuroticism; from needing to feel safe and needed, (just like Quackity.) Not all of it, though. He’d still have his unhealthy ideals about relationships and possession, for example. Less prominent, sure, but still there. Some people, I feel, discount how tied up with his mental illness it is, while others don’t really recognize that it’s also a personality problem. Like, changing those beliefs is changing part of who he fundamentally is, as a person.
Actually, I think the c!Wilbur apologist community, in general, tends to scapegoat his mental illness a little too much? Not in that we explain his actions with it or ask people not to villainize it, (although sometimes I feel that what we call villainizing mental illness is a bit excessive, but it’s not my place to talk about that as someone who doesn’t really relate to Pogtopia!Wilbur,) but in that we use it in discussions a lot. Which is fair, because it permeates every single aspect of his character, but even without it he’d have toxic traits? Like his possessiveness is not purely a byproduct of his mental illness, imo. Nor is his treatment of Fundy. It’s amplified by it, surely, but that little seed of it is there in the first place. Just as c!Dream’s abuse needs to be addressed as a central part of his character, c!Wilbur’s possessiveness does too - and also outside of the context of their mental health, because they’re both brought on by an internal personality flaw, some fucked-up belief, if that makes sense.
As I said before: c!Wilbur is a mess of a human being that I would hate if I actually met. (irl I would’ve been a SWAG supporter, based on policies, but since this is fiction, I was POG.) But because he’s a character, that flies out the window, and I can love him - not even just as a character, in the sense that I appreciate he’s well-crafted, but in terms of personality and all that shit, while recognizing he’s a kinda crappy guy. Because he’s a character. That’s the fun of it.
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neproxrezi · 3 years
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Are you participating in the proposed dbd boycott to get them to do a game health update?
yeah, i wasn't sure at first caus "dont play the video game for a brief period" isn't going to work but "this company has put all its eggs in one basket and they are frankly quite neglectful of said basket, everyone stop buying anything ingame for 3 months" has me interested
more than 'fix the bugs' or anything else like that what i want to see out of the game is them being less god damn stingy with cosmetics (you should not have to pay $10 for ONE FUCKING COSMETIC) and addressing the grind. holy shit the grind in this game is so rough and it could be fixed fairly simply (i'm in favour of removing perk tiers, to cut a long post short)
hold on im gonna complain about dbd under a cut caus itll get long, i love this game so much but oh boy it has issues
it's been said a million times already but dbd's grind made more sense when there were like 4 or 5 characters per side, there are now over 20 and each new one introduces 3 perks to each side
I want to write about the grind in this game for a moment. There are 95 survivor perks in DBD. Every perk has three tiers. Some of them are great, and many are kind of pointless. Realistically, I'd bet you're only going to see about 15 of those perks in action in most of your games. However, if you unlock a perk to be taught to other survivors (which I tend to do even if I don't particularly want it, out of a mix of completionism and a 'may as well get it out of the way' kind of thing), you can't get rid of it. It's in your bloodwebs forever. 95 perks. 285 perk tiers. Let's talk about how long that takes to claim.
You buy a new character in the next chapter. You have every teachable perk unlocked. The new chapter really excited you, and you want to claim every perk on the new character (who I am going to name... Doug), so you saved a lot of bloodpoints in advance. In fact, you played for days and days and saved the cap, which is a million bloodpoints. You buy Doug, after much excited testing him out in the PTB. You spend all million points on Doug. Doug is now about level 35 to 40, out of 50. Hm. Well, time to keep playing. The bloodwebs kind of gave you a bunch of crap stuff on Doug, and you don't feel like running Power Struggle, Ace in the Hole, Babysitter and Breakdown, so you can't play Doug yet. You go play someone else.
Solo queuing as survivor is a mixed bag, and your games range from getting 10,000 bloodpoints (pretty rough game where everyone got wiped) to 27,000 (a great match, maybe with a bloodpoint offering). You save enough to get Doug to level 50. In the later levels, you start being able to get two perks a level instead of one. Let's say from level 1 to 50, you collect a total of 65 perks, because I don't remember exactly when it starts offering 2 per level. Okay, there are 220 perk levels left. Because of the game's propensity for giving you the same perk over and over to get you lots of perks at level 2 out of 3, of those 65 perk tiers you've probably got something like 20 to 25 actual perks. You're missing like, 70. Best case scenario, the ones you picked up include a lot of what you want. Most likely, you've got like half a good build and some gimmicky crap to slot in alongside it. Worst case scenario, which has happened to me plenty of times, you have like maybe one good perk and a pile of gimmicky crap. So. How long is it going to take you to get what you want?
There are 220 perk levels to go. After level 50, the webs are all the same size. It costs about 50,000 points to level up, and you get two perk levels per bloodweb. That's going to be 110 webs to get everything for Doug. Which is 5.5 million bloodpoints. Oh no. How many points were you earning per game again?
If you play with friends, you're probably going to do better. I find this to be true even if me and my friends are playing without voice comms or anything, because I just sort of know these people a bit better. I know my friend who mains Lisa Garland is a hook-diving bastard, so I don't need to go rescue anyone. Ace, god bless him, makes batshit altruistic plays, so I certainly don't need to go protect my teammates when he's out there doing things like this. I think I'm just going to sit on generators in the distance, think about our final gen spread, and try get us out of here. I'd say if I'm playing well, and accounting for offerings and WGLF stacks, with friends I average 30,000 a match and by myself I average 20,000. Playing killer I average more like 60,000, but playing killer is a bit stressful sometimes and I'm very indecisive about actually queuing up for it, so I probably actually get bp faster as survivor. I'm going to call the average per match across everything 25,000, because for every good game there are plenty where you underperform, or things just go drastically wrong. To earn 5.5 million points like that, you're going to have to play 220 matches. A game, including queue times and whatnot, can take ten to twenty minutes. That's... that's going to take a while. And that's ONE CHARACTER.
Now, on the survivor side you only really need to do this once. They're all just reskins of the same gameplay loop. On the killer side, you need to re-earn those perks for every new character you want to try out, because they're all different. Miiiiillions and millions of points. Hundreds of games. I have no problem with the game having a grind, but at this point it's absolute insanity.
In my opinion, removing perk tiers would cut the grind down to a reasonable level. There'd still be a grind, which I'm completely comfortable with existing, but it wouldn't be excruciatingly long, and you wouldn't have to spend as long dealing with bad perks.
HOWEVER, on top of that is the fact that they just. Holy shit the game updates slowly. I don't want to blame them for that in a way of like "these developers are incompetent and lazy", I really do love DBD to bits and I'm sure they do work very hard on it. That said, its update cycle is really slow. Reeaally slow. I wish they either had a bigger team, made balance updates faster (a handful of perk adjustments once every six weeks is... very very slow) or something to just try make the changes faster. Even when things do change it always feels so anxious and tentative, I wish they'd experiment more often. The time they disabled bloodlust to see what happened was really cool!
Yeah in short I just hope the grind gets addressed more than anything else, caus that's the part I actually think there's a relatively straightforward solution to. Also, I never got to play the older events where you could do shit like earn cosmetics, but they sounded way fucking cooler than the new ones. The halloween one last year was absolute shit, it's weird that their special events would get worse over time rather than better.
Buuut I agree with Scott Jund that the Resident Evil chapter was bad news for DBD's long term health because the one thing that would really give BHVR a kick up the ass is competition, and every time they land an amazing licensed chapter they become harder to compete with. They have an absolute monopoly on asymmetrical horror, and I honestly think the game would be in a better state right now if they had some competition >:[
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fallenhero-rebirth · 4 years
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Brain update
First, let me say that this isn't about what anybody has done. My reactions are not in proportion to anything that has happened, and might be considered odd, weird and sensitive to people involved.
So let me explain.
I'm an Aspie (what we call ourselves in Sweden), on the autism spectrum. Yeah, might have guessed that from the story I'm writing, Sidestep is not the only one trying to figure out how people work.
Over the years I have built up an arsenal of knowledge and analysis to be able to pretend to be neurotypical, something that I can manage alright most days, but which breaks down once you get to know me better. I'm open with this at my current job, and luckily both my bosses seem to be okay dealing with open communication and just telling me what I need to do.
It was not always like this, and that is one of the reasons why I had a breakdown and needed to get off discord/tumblr.
Back in the late nineties, I had finally got my dream job. I was a product developer in the food industry, part of a rather small department of middle-class academics. I was the new hire, everyone else had worked there for years, and things were going well. Or so I assumed. I got cool projects, got along well with one of the sales people, and well, my boss was weird but bosses always are.
Three years later. Our parent company wanted to sell us off, everyone was starting to get worried about their job. We tried to expand into things were weren't equipped to do (you don't bring spices into a fruit jam line, will be hell to clean) and while I did the projects, I also raised an (in retrospect) too big stink about the fact that we were wasting time developing things we couldn't produce without expanding. My boss (who I had learned was a devout christian) started to get really weird, I got called in and he wondered if I was a member of a cult (I was often wearing a headscarf at the time because pressure on my head is good for stress relief). I also got told off for wearing army boots to work (we had lab shoes in the lab), because (I kid you not) if we had danish visitors to the lab (we didn't have visitors) they could be offended since they had once been occupied by Nazis. Yes, at the time I was an Antifa metalhead/satanist, it was a very volatile time in sweden and nazis were everywhere. Now they're a political party, go figure.
It all came to a head when I was confronted with a folder one of the secretaries of the department had where she had written down every odd and strange thing that I did, and there were a lot of accusations of things I quite frankly blocked out. Around this time I was suffering from bad burnout, had memory loss, my hair was falling out and I lost two bikes because I forgot where I parked them. All because of workplace hostility.
So for the first time ever, I went to the company doctor, who immediately sent me on a one month sick leave, and gave a reference to a therapist. When I went and told my boss, his reaction was "It can't be anything at work," in a dismissive tone. I wrote my resignation right then and there, left the building, snuck back a Saturday to clean out my stuff so I didn't have to meet anyone. Luckily I was backed up by my union, so I got unemployment despite quitting, and the therapist helped me get back on my feet and hook me up with some antidepressants.
Still, I was a wreck for years.
At the time, I had NO idea I was an Aspie. It weren't talked about, the only thing I knew about Autism, was from the various portrayals in movies, and well, in the nineties you can guess. Rainman pretty much was it.
What destroyed me the most was not that people disliked me, I didn't like them either, we didn't have anything in common, and middle-class people always scared me. No, what broke me was the fact that my system failed.
See, I had built up myself over ten years into someone I wanted to be. Smart. Capable. Metalhead. Researcher. Activist. I thought I knew the rules. How to interact.
It turned out I knew nothing. People had been talking behind my back for years, and I didn't know. Getting annoyed by my ticks, and I had no idea. Nobody ever brought anything up to my face until it exploded one day out of the blue. This is why I have ranted about anons on this tumblr. This is why I have been so openly against passive aggressive posts and bullying, especially the anonymous kind, because it destroys people and I don't think the people who does it knows the impact they can have. I hope they don't.
I have never gone back to the lab. I can't. I'm having heart palpitations just thinking about it when I'm writing this. I retrained. Became a machinist. Back to the working class I came from. Eventually started writing.
And this is exactly what these last months have felt like.
I thought I understood things. I was pretty open with being old, an Aspie, not understanding memes, or humor, or tik tok, or certain aspects of people's behavior like jealousy, but the problem with joking about this is that it's so easy to take as just a joke. That I'm just making fun of myself (oh it's that too). I got advice from some of you, which I ignored, because I thought that I could be different. That there was no danger in getting close. That I could be just another voice in the crowd. An occasionally evil avocado. That this couldn't blow up in my face, that everything was cool.
And then it did. And I was wrong. And the talking started, and things were coming out that I had no idea that was going on. That I was being held responsible for. Opinions that were spoken in my name. Events I was supposed to have been aware of and supported. All of a sudden I was omniscient, aware of the true passive aggressive meaning of every reblog, aware of every post in every room in the discord I wasn't even running. Wasn't even a mod on. All of a sudden I had power, and I had used it to hurt people. The people I cared about. Everything I wrote was taken in the worst possible way, twisted into things I never meant, and the more I tried to talk to people, the worse it went.
Look. I know this was at heart a war between people that just doesn't like each other and the things they do/the ways they behave. I'm still not entirely sure who's been involved, and I'm not interested in finding out. I tried to build a supportive space, reblog everyone's art and fics, encourage people to make their own things, get a kofi, get some money, make some friends.
And herein lies my problem.
I thought I understood how to be, and now I don't. I have no idea who hates my guts and who doesn't (well, except some who has very vocally let me know). I can't trust anything. I can't trust anyone. And it sucks. Someone I trusted stabbed be in the back because they were convinced I stabbed them in the back and that sucks more than I can describe. Every time I make a comment on AO3 or twitter it's after psyching myself up for half an hour, and I'm usually a wreck afterwards, because my brain doesn't know if they hate me too, and if I am imposing on them and making their day bad.
So yeah. I need to figure out how to be. How not to have a nausea attack every time I accidentally click open tumblr from pure reflex, looking away from the screen just not to see how may messages I have.
I never wanted to be the aloof author, but maybe I have to be. The question is if I can. I have been told I can't comment on pics or fics, because then I have favorites. And that makes people jealous. And it makes people think I take sides. I have been told I can't be on the discord, because then I will be held responsible for what the mods do there, and everything that's said even when I'm not around. I should apparently have someone manage the tumblr, it's not something that I, an author should do.
I now understand the authors who just stay away and remain distant, because people give themselves the power to write the narrative for you.
Part of me wants to tell people what I've told my current bosses, don't assume, just talk to me. I don't pick up/do passive aggression, I don't understand hints, I have trouble with nuance, I don't listen to gossip, I don't interact enough to know anything that's going on. Just ask before assuming.
Except that right now I can't. I can't talk about any of this. It's too close. It sets me off. It's getting better, sure, I'm on medication again, but the smallest thing still can ruin my entire day. I have no idea how long it will take me to recover and come back to some semblance of normality. I'm not posting this myself (my partner does). Writing is going well, because it lets me not be myself. I need those walls again. The therapy of writing about pain.
I'll rebuild them. I'm not entirely sure who I'll be on the other end of it. We'll see.
I have consciously not spoken about any details because those could be misunderstood, this is not a passive aggressive callout to anybody. I have no hard feelings towards anyone, I am not angry or upset, just confused and sad. I am truly so very, very, very sorry that I've hurt people, both by action and inaction. It was never my intention. I will do my best to do better in the future.
Still working on how to do that.
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shattered-catalyst · 3 years
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Intro to OCD for the RPC part 1/?
This is a balmy 6 page document on the VERY BASICS of OCD by a person who has had OCD for over 15 years and knows their shit.
If you want to write a character who has OCD this series is going to be a good starting point. If you dont know much about OCD I encourage you to read it so you can be an ally to those of us who have the disorder.
OCD is made into a cultural joke and when there isnt the ‘Obsessive Cat disorder’ bullshit its an angst off with other people and their non-ocd intrusive thoughts. Its different. Do your research and be an ally.
This will cover the very very basics. The next post will look into subtypes of OCD and how those are experienced.
 Whomst can write it? 
Literally anyone as long as you 
● Do so respectfully and not make a mockery of the disorder and the harm it causes in peoples lives 
● Dont make OCD the characters single thing or boil them down to it entirely ● Do respect the experiences and opinions of muns who have the disorder if they have concerns about your portrayal.
● Dont milk it for angst - unless you have OCD in which case release some of your angst.
● Dont try and say you know what intrusive thoughts are because they have *insert any other neuro a-typical thing here* 
● Dont police how Muns who have OCD choose to portray it. Its our experience not yours. I like to write out my characters OCD as I experience OCD so my experiences are different from other muns. OCD is very diverse in its effects but always ask if you arent sure.
. What isnt OCD? 
● Cleanliness or organization- OCD is NEVER an adjective. 
● Planning/ Hypervigilance/Organized/Methodical 
● Turning light switches on and off, unplugging things (find out more on later time)
 ● “I have to organize my pencils otherwise it bothers me” “ I have to make sure my mattress is straight” “ my nails have to be the same length” are all typical responses from people WHO DO NOT have OCD. 
● Making sure objects are lined up neatly 
● Having things go in a particular order like the letters CDO as the joke goes
● Really loving Cats, Corgis, or Christmas; if you own any of these items i urge you to reflect and also send me 10$ (jk but do reflect)
The Barest minimum 
Google OCD this will be an advanced version of OCD. This will be long but if you want to be aware of others or want to write the character you will read it. 
OCD is made of Obsessions. Triggers. Anxiety, Compulsions/Rituals.
1. Obsessions are the thoughts 
2. Triggers are the object/person/image/situation/smell ETC 
3. The Anxiety occurs is at uncomfortable levels to the point of panic or anxiety attacks
 4. Compulsions or Rituals are performed 
*There is a variant of OCD called Pure O. In this individuals have the obsessions triggers and anxiety but there is NO compulsion or ritual. This is still valid OCD. 
Obsessions are the precursors to the flawed unwanted and harmful intrusive thoughts: 
Im going to use you so you really understand this because its important.If you misunderstand this you are basically encouraging a mental health condition and dont get a sticker for reading this far. 
First check out this link as it has ALL the subtypes and examples. 
Obsessions can be hidden by the intrusive thought and teasing them out can be difficult to do if you have the disorder because well its a disorder okay thats why. It boils down to ‘i could harm someone’ ‘i could cause harm’ ‘ i may have accidentally harmed ___’ ‘ i may accidentally harm’ etc 
This is the flawed powerful belief that predate the Intrusive Thought. 
Intrusive thoughts appear in every brain on earth. They are not special or unusual however intrusive thoughts with OCD get stuck in the brain- meaning they stay there no matter what you do. So yes , they are different from intrusive thoughts in other conditions. 
The thing about OCD is that it latches on to what you hold dear; it may be you are a caring person and love children and animals- your OCD would give you intrusive violent or sexual thoughts or images. These are horrible to experience. They are not welcome nor appreciated and there is no benefit or positive side to having them. 
If say social justice is something you hold dear your ocd may take the form of intrusive thoughts of slurs, jokes, visuals etc. These are horrible to experience and lead to high levels of anxiety and are not positive nor beneficial to have in any way shape or form. 
Maybe you would not harm someone or you value others; your OCD may present as graphic intrusive images or thoughts around poisoning, stabbing,accidental..ly murdering (yeah you read that right), hitting, insulting etc someone else 
I must emphasize this because it is critical that people understand POCD: for the sake of those of us who have OCD read this until its burned into your brain. 
This is the fucked up awful Obsessive thought that you are/were/ or could be sexually attracted to children. This is NOT pedophilia. People kill themselves over this because they are afraid that these intrusive thoughts are true. People isolate themselves and dont have families out of fear of harming a child. People take work in different fields or avoid areas with children out of the absolute terror their obsessive thoughts could be true. This is NOT pedophilia. There is NO attraction present.
Most people who experience POCD intrusive thoughts would rather punch a sharknado than even THINK of hurting a kid in any way shape or form. That is why the OCD does its thing it is like having an abusive brain. 
Again for clarity's sake 
If you value social justice -> the intrusive thoughts violate social justice stuff 
If you value animals -> intrusive thoughts come up with harming animals 
If you care about the protection and safety of children -> POCD 
Triggers would be the situation, scenario, object, person,creature, context etc that is related to the Obsession. It can be literally anything. 
What follows is a hell of a lot of anxiety that can range anywhere from discomfort to full on panic attacks. 
Everyone has different intrusive thoughts and everyone experiences different amounts of distress upon being triggered. 
● As a side bar. Do not ever try and expose someone to their triggers or write about a character being exposed to their triggers as a way to help ‘cure them’ or ‘expose them’ to ANYTHING. What you are doing is literally taking someone with a mental illness and shoving them into a breakdown and thats a piece of shit move. Exposure therapy does exist and is done by professionals TRAINED in ERP. My parents did this a lot and I am positive I am not alone in that experience. 
Compulsions or Rituals: Now you may be saying ‘hey i know what those are’ yeah dude me too and I have had ocd for over 15 years and trained in mental health for 7 and guess what. They teach ya wrong. 
Compulsions or ‘rituals’ are any behavior done to alleviate the anxiety from the intrusive thought and trigger object. 
This can be as passive as ‘i am leaving the room’ ‘ i am checking my body sensations’ ‘ i am trying SO HARD TO HEAR MY HEARTBEAT’ .
 It can also be repeating the same thing over and over. To illustrate this I once mentally chanted the same song lyric line on a 3 hour plane ride because otherwise we were all going to die. I took one for the whole team.
It can be somatic things like counting your heart beats, focusing on your breathing, swallowing, staring and not blinking for so many seconds. 
It can be readjusting clothing until the seams fit. It can be checking god yes checking IK its a common trope but it IS a compulsion that has ruined my life and can be as passive as checking my reality or texting for proof my cat is still alive. It can also be checking yourself for assurance you wouldnt do the intrusive thought or that the intrusive thought isnt going to happen.
Compulsions are mentally painful and sometimes physically painful; 
● Washing your hands with scalding water for 5+ minutes can lead to horribly dry and cracking skin to down right BURNS.
● If you do the same movement you can mess up joints and ligaments. So if you pray constantly you may have knee issues from standing and kneeling.
● If your compulsion has you doing movement against an object ie say gripping and regripping something you get callouses. 
● If you compulsively exercise you may get trapped doing something above a healthy amount or say going from not working out to running a five minute mile and wiping out on a treadmill because your brain demanded it. Totally didnt do that... 
● If your compulsions make you rub against any object you can get friction burns and scars. 
To put this in perspective 15 years of compulsions have left my hands and finger joints a complete mess, damaged my arm tendons, friction scars on my arms that only now faded, and scars on my legs from doing too much of an activity. 
Its not lmao I gotta fix these pencils its real agony and real torture. 
In short compulsions and rituals are not fun they are absolutely not logical, and we know they are not logical but we are forced to do them. Thats why its a disorder. 
OCD disrupts relationships with social components such as ; 
Obsessively checking in with partner/friend if things are ‘okay’ (this feels horrible to do too fyi like you KNOW things are fine but you cant NOT because the anxiety is SO BAD), 
Relationship OCD is a WHOLE category itself! this ties into sexuality OCD where your obsessive thoughts prey on your sexuality (regardless of your orientation), your relationship, cheating or being disloyal etc.
OCD causes significant withdrawal from others, fears of being a monster, intense guilt over intrusive thoughts, disgust with yourself over the intrusive thoughts sometimes leading to self punishment. 
OCD leads to strange behavior which more often than not leads to bullying and ostracization. To exemplify this I have an intrusive thought that I have stolen something when I am inside stores, my check-check-check-check-check-recheck! of my pockets gets me store security called so often its criminal.
OCD limits activities that may expose them to triggers or influenced by intrusive thoughts ie: not being able to take the train to work or only getting off at bus stops with even numbers.
OCD impacts where they spend time, who they associate with, what jobs they take or even if they have a family or not
OCD leads to overwhelming feelings of guilt, shame, and fear over having intrusive thoughts or images that they experience which causes them to socially isolate or have difficulty in social situations. 
OCD leads to Hyperfixation: like a lot of other things but thankfully it is just hyperfixation and not different from other diagnoses. 
OCD leads to rigidity or structured routines: I have listened to the same CD in my car for 5 years now. Every single day. 5 Years.And Im not okay with that. 
OCD impacts standards we hold ourselves to and others: its like regular perfectionism but like add on 5 extra layers of anxiety! 
OCD according to NIMH statistics 
1.2% Occurrence among US adults 
2.3% Lifetime Prevalence among US adults 
34.8% Of Adults who have OCD suffer moderate impairment to daily functioning 50.6% of Adults who have OCD suffer serious impairment to daily functioning
OCD has strong co-morbidity with the following:
Tourettes Syndrome- is a genetic friend of OCD and if you have tourettes or OCD your chances of having someone else in the family is high
ADHD
Autism 
GAD
Eating Disorders
Depression - this is a big one along with low self esteem because of the intrusive thoughts
Writers like to make jokes about characters “being OCD” well now they have clinical OCD and you should consider fleshing out your character with this information just as you would any other disorder.
Batman (DC)
Riddler (?)(DC)
Domino (Marvel)
 Cyclops (Marvel)
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partnersatfazbear · 3 years
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Analysis of The Real Jake (SPOILERS)
I can't decide whether to make this post a stream-of-consciousness style or group it into evidence for x... but since it's easier, I'll just write my thoughts as I go. Although a lot of this is factual ties to, say, FNAF 4, things like relating Margie to Henry are just my own headcanon and you can do with that what you will AKA don't take this all too seriously, but have fun with it. There’s also specific notes about Michael Afton, for those that just want to know what was said regarding him (presumably).
Before I start, please note I've had three hours of sleep in the last... 28 hours? IDK I can't math, especially not on this little sleep. So, there may be errors. I tried to make a note on things I was unsure about, too. 
Note: I wrote this before the Evan=CC theory was all but confirmed. Although I believe this theory from the logbook, I think a lot of these notes are still valid.
Read my notes under the cut:
Margie shares similar physical appearance to Henry: Pg 84 “The window fan blew a lock of her shoulder-length brown hair across her upper lip so it looked like she had a mustache.”
“Mrs. Afton” stand in is mentioned: Pg 86 “...it had been four years since his Mom had died...” (Jake is 9 in the story)
I notice when Scott mentions plaid. Pg 87 “...a green-and-blue plaid plush chair...” I mostly wanted to note this since canonically, Henry had a green plaid shirt.
“William” stand in is mentioned. Pg 89 “And you know he thinks about you [Jake] all the time?” “So, he has to concentrate on what he's doing... ...I don't want him thinking about me and end up shooting himself in the foot or something.” Pg 102 “Yeah, I did. [I spilled some chocolate ice cream] Right on my shirt!” Pg 122 “I did that today! [While playing a DDR like game, breaking a shoelace.]” (Admittedly, I only counted these because I headcanon William is much more of a bumbling fool than he appears. It comes up very often as you can see... although you could write it off as Evan just trying to relate to his kid.)
“William” stand in is mentioned. Pg 92 “...Margie was pretty sure Evan couldn't afford to replace a washer and dryer” and “...Evan, at his rank, could barely afford her” Pg 110 “Gillian's house shared stlying with Evan's, but hers was probably four times bigger.” (Again, I headcanon William and his family is on the low end of middle class, if not lower, in terms of income. Particularly, the house is cramped.)
“Mrs. Afton” stand in is mentioned. Pg 93 “First, Jake's Mom was killed.” Pg 139 “The mom's dead.” (You could infer that she died via something akin to a car crash in the context of the story, however if you reflect it to the games given the commonalities, I like to think of this as confirmation that William murdered her, given the word 'killed' is used.)
Margie records herself on her cell phone. Pg 93 (and on other pages) (Again referencing my headcanon for Henry, in which he records ideas/diaries often. At minimum, Henry is referred to as “Cassette Man” in PizzaSim so... I just thought it could make for an interesting comparison.)
Jake mentions his “friends”. Pg 99 “Patty and Davey... Vic... and the twins... Ellie and Evie... Kyle, Clay, and Garrett” (Also, he isn't mentioned until later, but there's his best friend Brandon, too. I noted these in reference to CC talking about his 'friends', either IRL or the plushies. I assume his IRL friends are the MCI victims. The number doesn't add up though. I really, really wanted to make a connection about the twins, considering Charlie and Sammy are twins, but there wasn't enough evidence to write it off as anything other than a coincidence. Also... Clay, really? We need another double name in this series? Ugh.)
What's your favorite flavor? Chocolate Pg. 102 “What flavor did you get?” “Chocolate. Duh.” (This is a stretch, but it did remind me of Help Wanted's final level in the main game, where you're asked to choose your favorite cake flavor. Although, they're discussing ice cream here.)
Maybe some insight into William's personality? Pg. 103 “You ever do that, Evan?” “What?” “Let off steam.” “Me? No. Steam is pretty much what keeps me going.” (Just more evidence that William is obsessed with his work. You could imply “steam” implies he runs like a machine, but that's stretching a bit.)
Pg. 113 -118 (Jake climbs out of his window to run off to play at the arcade with his friend. Obvious parallel to the child in Midnight Motorist, although it's daytime and no animatronics/fursuits luring him.) There is this, on Pg 121 also. Jake says, “We played all the racing games. I love racing games.”
PURPLE Pg 121 “...did you get a slushie at the arcade? I got one. I got grape. It turned my tongue purple.” “My tongue's purple, too!” “Purple power!” (Uh, do I really need to explain this? I should note that Evan is the one mentioning “grape”. I guess William likes grape flavor and purple.)
'Michael' is mentioned. Sort of a stand in for Michael Afton, but it should be noted that Michael and Evan are brothers in this universe. Pg 126, 127 “Michael...lived in Europe for a few years...” “Michael's a serious dude. He's, well, a little different. He's intense about making money...the way he is about it... can make him seem like he's not human.” “So, he's like a cyborg with bad programming?” Michael has some dialogue: “You must excersize caution. You could get chocolate on my suit, and that would be bad. Very, very bad.” (The very very bad thing is a running joke in the family, which is why this comes up. I don't have a lot to say about it, though. I think Michael [Afton] being obsessed with money seems a bit counter intuitive to how we know him, but who knows? I also want to note that Evan doesn't seem antagonistic towards Michael; in fact, he “hate[s] to ask him for favors”.)
Also, Pg 141 “His [Michael's] flat, gruff voice was unmistakable.” Michael is also the first one to hear his father is dead and informs Margie about it. “I have been notified that Evan's dead.” Pg 142 “She had only met Michael the one time, and she knew the way he processed the world was very different from what was “normal”” Michael also states to Margie: “I've got Evan's will... you're Jake's guardian and he left you the house and some savings. I'm the executor.” Margie also says: “He[Michael]'s a numbers genius, manages money for the wealthy people and has made a killing doing it.” “He's not a bad guy. He just doesn't know how to connect. He doesn't feel the way we do.” (Just more Michael characterization.)
Direct FNAF 4 easter egg references: Pg 128 “...the IV stand lurking in the corner of the room” Pg 129 “...and the line of perscription medication bottles marching across the top of the chest of drawers”
Margie is more than a nanny and possibly in love with Evan: Pg. 139 “She'd come to love Evan, too... like a brother.” Pg 140 “...she was included in the outings, movie nights, game nights, and storytelling time...” Pg 149 “...she wanted Evan to be more than just a boss, and being in his room when he was gone made her feel like a lovelorn stalker.” “Love him like a brother... She snorted. Boy, had she been lying to herself.” Pg 158 “What she was feeling called for a screaming fit or a total mental breakdown.” (Yeah, this is just me reading too much into this for Willry content, haha... But still. I am determined that Margie is a Henry stand-in.)
'I will put you back together' Pg 140 “I'm trying to bring you home whole.” (Evan is discussing “no man left behind” with his son, Jake. I think this is obvious.)
William's home office? Pg. 149 “When he was home, she'd go in and vacuum or put away laundry... ...when he was gone...coming in here felt like an invasion of privacy.” “Evan's room would be her room.” “...I'd feel like I was sleeping in your bed, she thought.” “...the room felt discretely masculine.” “The walls were covered in family photos.” “The shelves were stuffed with fiction... mysteries to classics, nonfiction... how-to books...from rebuilding a car engine to planting a garden.”
FNAF 4 reference. Pg 152 “Outside, a dog barked.” (You can hear a dog barking as ambient noise during nights when playing FNAF 4.)
Other notes:
It happens a lot, but one of the main things in the book is the doll Simon and how Jake talks to it. This is very blatantly a reference to the Golden Freddy Plush (“Psychic Friend Fredbear”). The story confirms it's Jake's father, Evan, talking through it. Although it makes the one scene in FNAF 4 a little wonky (the only scene where we see Purple Guy), I think it's pretty much confirmed that it's William talking to CC now. Obviously, we already suspected this due to Sister Location's “Secret Room”. In this story, Evan says he did it because he wanted to give Jake some hope he would live. Combined with both the IV/medicine bottle easter eggs (in the story and FNAF 4) I think it's plausible to assume that CC was taken home after the Bite of '83 for a period of time before he passed away. I will admit, also, that Evan definetly comes off as a very caring father (in comparison to how we presume William is based on what we've seen of him as a person; although I argued this before on this blog, I don't think William hates his kids. I think he's neglectful, moreso as the story goes on. I think he resents Michael for many reasons but I won't go into that here. I just don't think he's the abusive monster the fanbase interprets him to be—at least not early on.)
The cabinet reminds me a lot of the closets in the novel series. A built in shelf with a doll in it. A doll that represents a child. Considering Margie tends to this doll (see Pg. 130-135), I have to draw more parallels between her and Henry.
The fan is mentioned A LOT. I don't really know why, but I guess we can't help but think of every single FNAF office when it's brought up. Specifically, on Pg. 106, Margie mentions the fan in her room is as loud as a jet engine and the sound made her nervous. Once again, I'm reminded of PizzaSim. Seriously, screw you fan.
The heat is mentioned a lot, too. I know the story takes place in summer, but this did remind me of Pizza Sim.
Pg. 93 “Margie sat down in the faded blue webbed lawn chair that was set up, for reasons she never understood, in front of the shelves by the stairs.” (I noted this because it's specifically called out and I don't know why.)
Margie talks about why she's working for Evan: Pg. 95 “I didn't get the internship I applied for.” I like to think her and Mia (from 1280) were after the same internship. (I may be misremembering, but I'm pretty sure Mia mentioned an internship at the hospital.)
Jake is mentioned to have brown hair, green eyes. His favorite color is green. He also wears green often. I couldn't find anything really interesting about it. It would make more sense as a Puppet reference, tbh (because of the green bracelet (and eyes? I may be remembering wrong) I guess it's also worth noting that Elizabeth has green eyes.
Pg 135 “Are you afraid people will think you're murdering me?” “...I could end you so quickly you'd never make a sound.” (Just an odd conversation between Jake and Margie. Margie is joking here, obviously.) Also, Pg. 136 “I just figured your [Jake's] wires got crossed or your circuits were frying.” (Admittedly, I don't know what to make of this. Could be a reference to Robot-CC, if you believe that or MikeBot [I don't], but more likely just ironic dialogue. It could also reference Jake's future in the Stichwraith?)
Pg 139 “Sometimes, Margie wished she was like one of the robots Jake liked so much.” (Although I can't really compare this to Henry, I did write William with this mindset and thought it was worth mentioning.)
Pg 141+ So, Evan dies overseas (he's a soldier). (I think this could be hinting that William has been springlocked around the time CC passes away. Jake has been home for some time after his diagnosis so we can infer based on that and the easter eggs that CC was brought home to die in peace. At the very least, William's probably very absent during this time. Possibly brought in for questioning but not arrested. I don't know. I feel like there's something to this.)
Pg 154 “Dave's at work.” (Why? Can we not use established names? Aghhh)
Pg 155 “The ambulance arrived at 11:32.” (I don't know why this is stated so outright. I couldn't find a reason, except that a few paragraphs earlier they say it will arrive by noon. I don't know why it's so specific, but I felt like noting it anyway.)
Pg 159 “Five people. Five sets of eyes. And none of them noticed...” (Yeah. We all know how important 5 is in FNAF.)
Three medical personel are mentioned. One at the end is named Nancy [No Last Name Given], but I like to think its a reference to Man in 1280 and we're dealing with Heracles Hospital once more, although it's never said in this story. Speaking of, the only thing that really stood out to me in 1280's story was that a billionare funded the restoration of the hospital. I like to headcanon that was Henry's doing—I imagine him obscessing over overcompensating for his mistakes by giving back in every way possible, even if it isn't directly related to him.
So, this post only took two hours of my life. I hope someone gets some use out of it, be it for my intended Willry purposes or maybe those Michael fans that are curious about it. If you enjoyed this post, let me know. I'd love to write up more of these if I have the time.
I have other write-ups on this blog, too. Just search fnaf theories on my blog page!
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youtuberswithalex · 3 years
Text
PRVL, Volume 3, Chapter 4: Lessons Learned
Summary: With the second round of the tournament arriving, some of the team can't help but question where they stand in the minds of those they love.
Word count: 7,205
Warnings: Fighting (In a tournament), arguing, breakdown, talk about past death of a parent
I spent the last few days pounding out this chapter so I could post it today. Miss you, Monty. Keep moving forward.
Masterpost – Volume 1 – Previous - Next
-----
New Message from: Mom
Hi, sweetie. Been thinking about you a lot lately. I ran into Anise at the store yesterday (Remember her? Your friend Dominic’s mom), and she said she saw you fighting in the Vytal Tournament, so your dad and I looked it up. Happy to see your team made it into the next round. Dominic’s team apparently lost. He’s a little broken up about it. Maybe you could reach out, if you can find him. Anise would really appreciate it. I know you used to be close, so I’m sure he’d be happy to see you again.
New Message from: Mom
Your sister said she tried to text you. Did they come through? She’s worrying her scroll might be getting a little old…
New Message from: Mom
Could you message me back, please?
Delete Messages?
>YES<   >NO<
 ---------------
Gunshots echoed through the training area, followed by a scream of frustration and the skidding of boots on the floor. Metal clanged and echoed, and footsteps pummeled.
After a moment, wings fluttered, and a body skidded across the floor. Roman groaned as he began to pick himself up.
“Had enough yet?”
Growling, he shot a glare over to where Anole was putting the halves of his bow back together. “Y’know, when I asked you to join me in training this morning, I meant helping me instead of, you know, absolutely destroying me.”
Anole returned the look with a cross of his arms. “Uh, y’know,” he mocked, “I wouldn’t be kicking your ass so hard if you took two seconds to pay attention to where you are before you attack.”
“I do!” Roman exclaimed. When Anole only raised an eyebrow, he got to his feet and put his hands on his hips. “I do!”
“So what you’re saying is, you meant to be blasted by Thomas’s semblance when saving Patton during round one and get your Aura knocked down by like, fifty percent?”
Roman’s face reddened. “That—That was one time!”
“And you were totally aware of that Cephalo when you stopped to talk to Virgil when your teammates were in danger on your mission?”
“Alright, that’s hardly fair—”
“And you knew the White Fang was coming to kidnap you, and you let them do it on purpose?” Anole held up a finger in pause. “If that one’s true, I might have to kill you myself.”
Roman groaned and threw his hands in the air. “Alright, I get it! So I tend to get tunnel vision in fights; big deal! It’s not like the distractions aren’t coming from the target themselves most of the time…”
Anole furrowed his brow and threw his arms out. “Wh—none of those distractions came from—!” He cut himself off and sighed, rubbing a hand over his face. “Roman. Dude. It’s not just about fighting,” he said. “You gotta think about this stuff in regular, day-to-day life, too.”
Roman let out a laugh. “As if we aren’t training for fighting to be our day to day life.”
“That’s not what I meant!” Anole snapped. “This is exactly what I’m saying! I’m talking, like, people, and relationships and stuff, but you’re still focused on Hunter stuff!”
“Well, yeah! In case you haven’t noticed, we’re kind of in the middle of a biannual world tournament!” he exclaimed. “I do want my team to win, you know.”
“You were already knocked out! Because you weren’t paying attention!”
“I was! Just because it was on my teammate instead of my opponent doesn’t mean it was a bad thing!” Roman shot. “Patton could have gotten hurt if I hadn’t caught him!”
“And you got hurt instead,” Anole lowly pointed out.
Roman reeled back into stunned silence. “I-I didn’t…” His fists balled as he searched for his words. “I still had Aura left…”
Anole let out a breath and stepped forward, opening his arms in invitation. “I know,” he said. “That’s not what I meant.”
Roman looked at his brother for a moment, eyes flicking down to his open arms; his breath came out in a rush as he tucked himself into his grip.
Anole held him close for a long few minutes, saying nothing about his shoulder growing increasingly damp. He rocked him gently and ran his fingers through his hair. In return, Roman’s wings slowly curled around them.
“You’re not bad at fighting,” Anole eventually muttered. As Roman’s grip tightened, he hastily added, “Really, you’re not. I’ve seen you wipe the floor in 1v1 classroom fights a hundred times over. You’re good at what you do. You just… can’t be an idiot. You need to think, and pay attention, especially when you’re in the field. People are going to get hurt if you don’t.”
“I know,” Roman choked out.
“And that applies in regular life, too. You can’t just rush head-first into things without considering where they’re going to end up, or who it’s going to affect other than you… Especially when it involves other people.”
Roman frowned. He pulled back just enough to look Anole in the eye. “What do you mean?”
Anole, while he had the grace to appear the slightest bit embarrassed with the flush of his cheeks, gave his shoulders a squeeze and shrugged. “W-Well… Y’know, with you and Riad…”
“What about us?”
“I…”
Yanking himself away, Roman put his hands on his hips and shot a glare that felt a hundred times worse than the ones just moments ago. “No, go on. I want to hear what you have to say about me and my boyfriend’s relationship.”
Anole looked away and shuffled. “He’s not just your boyfriend,” he attempted to say under his breath.
Roman could do nothing but stare at his own brother for a long moment, just processing the words that had come out of his mouth. If it wasn’t for the cool, early morning light seeping through the windows, he could have sworn he was starting to see red.
“Is that what your problem is with us being together?” he snapped. “The fact that you don’t get to spend as much time with him anymore?”
“What? No, Roman—”
“You spend almost every moment with him that I’m not there, not to mention an entire year before me, and you’re jealous?”
“Ro—”
“I cannot believe that that’s what’s been up your… your scaly ass this whole time! Jealous because your brother and best friend are taking time away from you to be happy together!”
“I don’t want you to get hurt!”
Roman froze. Anole huffed out a breath and ran a hand through his hair.
“Look, I just— I don’t know what I’d do if one of you got hurt because of the other,” he admitted. “It would suck so much! I love you both so much, and I hate seeing either of you in pain! I hate seeing anyone I love being in pain! And… And knowing I’d have to pick a side, pick only one of you to stick by, it’s just… Gods, I hate it! And I’d especially hate it if I knew there was something I could have done to stop it!”
“…You think I’m going to hurt him,” Roman slowly said.
Anole stiffened. He finally looked back at Roman.
“That’s not what I meant.”
“I think I know exactly what you meant.”
“Roman…”
Before Anole could say another word, Roman shut his eyes and shook his head. He turned and headed towards the door.
“I know you hate us being together,” he called over his shoulder, “But you don’t have to be such a jerk about it.”
The door slammed shut a moment later. Anole was left in suffocating silence.
 ---------------
“You’re absolutely sure you’re okay with me being your partner for this?”
Logan let out a soft sigh as he turned to look at his teammate. Patton’s fingers fiddled with the edge of his shield, and he was staring at the arena floor as if he expected it to jump out at him.
“Yes, Patton,” he said for what must have been the fifth time since they stepped onto the field. “You are undoubtedly the best choice for this fight, in many more ways than one.” After a beat, he added, “Besides, even if I were to change my mind, it’s far too late to do anything about it now.”
Patton’s head snapped up, eyes blown wide. “I-I’m sure there’s still time! The other team isn’t even here yet; I could run and go get Virgil, if you want!”
“There is no need, Patton. I was merely expressing a hypothetical situation,” Logan quickly corrected. “I am happy to have you joining me for this fight.”
There was a beat where Patton could do nothing but blink owlishly at him; even after it passed, all he could do was look back at the floor and say, “…Oh.”
A purple rubber ball rolled up to their feet.
“Sorry!” a voice cried.
A girl wearing a red and white sports uniform sprinted over and scooped it up before jogging back to the other side of the platform, where another person stood, shaking his head.
“Valerie, come on,” he chuckled. “We haven’t even started and you’re losing track of that thing.”
“Come on, I just dropped it!” Valerie said back.
Her partner rolled his eyes, smile on his face, and leaned his weight on the long spear in his hands that was about his same height. His cloak slipped off of the gold plated armor that rested on his right arm. “Uh huh, and which piece of padding did it ‘drop-bounce’ off of?”
“Jo!” Valerie huffed.
Patton giggled at the banter, only to slap his hand over his mouth when it drew the attention of the other two to him. They stared at him for a beat, and then looked at each other and began to laugh.
“Nice to meet you,” Jo said. “Patton and Logan, right? Team PRVL?”
Logan nodded. “And you must be Valerie and Jo of Team SVIJ.”
“Huh, would you look at that,” he replied. “The boys and the girls both did their homework.”
Valerie winked at Jo. “But only us girls are making it to the next round.”
“I’m not one right now, but you’ve got the spirit.”
Patton let out a soft whimper, but Logan only smiled.
“We’ll see about that,” he answered.
The platform beneath them shifted as the fields began to fill into place; all four turned and inspected them as they rose to the floor. A forest, pirate ship, the geysers, and…
Valerie gasped. “The gravity fields! Oh, you two are going down!”
“Val, don’t give our strategies away!”
“In three… two… one…”
They scrambled to get into position.
“BEGIN!”
Valerie threw her ball in the air and jumped after it, twirling up just high enough to slam her padded knee into it, surrounding it in a bright purple glow, and send it flying towards Logan and Patton. The two dove out of the way just in time; when the ball hit the ground, it dimmed and skidded like it was made of stone. She leapt towards it and grabbed it while somersaulting, and as soon as she was back on her feet, she tossed it up and began to bounce it between her knees. The purple glow grew with each hit.
Logan caught himself from tumbling by placing one hand on the ground and pressing down hard until he slowed to a stop. The second he regained his balance, he changed his book into its pistol form and aimed at Valerie’s ball; just as he was about to fire, Jo’s spear flew in and knocked it out of his hand. While his weapon skidded away, the spear redirected itself and soared right back into Jo’s hand just as he started to charge at Logan.
He was quick to throw up his arm and block the first swing, but Jo was quicker, grabbing the bar between his spear’s double-blades and detaching it from its handle. He balanced the pole on Logan’s forearm armor and spun it; Logan ducked down and somersaulted underneath Jo’s legs just before it collided with the back of his head. Jo whipped around and slammed the blades toward him, but they smashed into the ground while Logan leapt up and sprinted towards his own weapon.
“That’s my son!” a voice cried from the stands.
Logan cast a quick glance up to where his father was on his feet, screaming and jumping up and down. He let out a huff of exasperation before focusing back on the fight.
Letting out a yelp, Patton hastily threw his shield in front of his face just before Valerie’s ball could hit. It bounced off, the impact creating a vibration so intense he could practically feel his bones shake, and shot back towards her. She jumped a few inches off of the ground to headbutt it against the purple sweatband on her forehead, right back into his shield. Patton whimpered and took a step back as another bout of discomfort shot through his whole body. He squeezed his eyes shut in an attempt to focus, but at the next hit, he felt a tingle run up his arms. He bit his tongue and tried to keep it in.
“Patton!”
A strap wrapped around his bicep and yanked him away just in time, the ball just grazing the side of his head as he was whipped away. He found himself tumbling across the floor, only landing on his feet by chance; when he inevitably lost his balance, Logan caught him by the shoulders and righted him.
“Breathe, Patton,” he ordered. “Try to focus it.”
With a battle cry, Jo leapt into the air and brandished their re-combined spear over their head. Patton shoved Logan away and held up his shield. Jo didn’t miss a beat; he shifted just enough to use it as a springboard and flipped over him, choosing instead to javelin the spear at Logan, who sidestepped it and flung his book into his stomach. The impact sent Jo flying into the gravity fields, and his spear wasn’t far after.
A split second later, the glowing rubber ball flew between their heads, followed by Valerie chasing after both it and her teammate. She turned and shot a wink at them, smile as bright as her weapon.
“Catch us if you can!” she laughed.
As soon as her feet left the middle platform, Valerie soared into the air, leaning forward enough to hit her ball against an elbow pad and send it towards Jo; she flipped a couple of times before coming to a gentle landing on one of the large walls floating above the ground. Jo stood upside down on a platform above her and swung his spear at the ball, knocking it back to her like a game of baseball. She sent it back with her knee and ran up the wall to get closer to her teammate.
“That’s what the gravity fields do?!” Patton squeaked.
But Logan was already sprinting towards their opponents, only allowing himself a little wobble when he jumped off of the main floor and was pulled towards a platform three away from the others. Patton swallowed thickly and followed after.
His head began to swim once he was in the air, feeling himself being pulled towards or against all sorts of different directions; immediately, his arms and legs shot out, trying to get the balance that the area had no laws over. His stomach flipped as quickly as he himself did, and he watched as patches of ice started to form on the platforms he passed.
In the stands, Virgil cringed and ran a hand through his hair, ducking half his face beneath the wall in front of their seats as if it could shield him from what was happening to his partner. “Oh, Pat…!”
“That can’t be good,” Thamir said.
Logan somersaulted and used his hands to launch himself off of his platform, righting himself perfectly to land the final gap between himself and Jo. Jo turned to glance at him and smirked; the ball came flying in, and he batted it towards Logan, who threw up an arm for it to bounce against. It sent a shot of pain through his muscles, but it bounced at just the right angle for it to fly away from either of the members of Team SVIJ. Valerie began to maneuver her way back to it while Logan reared back and threw his book at Jo.
The strap wrapped tight around his spear, and Jo attempted to yank back and pull Logan with him, but he dug his heels into the floor and held his ground. He grabbed the strap with both hands and pulled, locking them in a tug of war of weapons.
Beneath them, the white glow around the edges of the platform switched to purple, and their feet lifted off of the floor. As they fell, they both yanked themselves towards each other, punching and kicking when they were close enough, until the side of another platform separated them. They both slammed against the floor of their respective sides.
As Logan clambered to his feet, a hand brushed against his hair, and he looked up in time to watch Patton yelp as he floated by.
“Logan, help!” he cried.
“Get to a platform!”
“I don’t know how!”
Before Logan could reply, he was yanked away and over the edge of the platform, the force causing him to lose his grip on his strap and send him flying in a completely different direction. He crashed into a large cube with a grunt. As he pushed himself up, he watched Jo tuck his book into his jacket and leap off to another platform.
Logan growled and pushed himself to his feet, only for the gravity to begin to shift again. He sprinted up the wall as fast as he could and dove, grabbing onto the corner just as his feet lifted off of the ground. Carefully, he swung his other arm up and pulled himself to the top as he calculated how to get to either Valerie or Jo from where he was.
Just as he began to stand, a yell sounded behind him, and a body slammed into his back, sending them both back to the floor. Valerie’s ball rolled innocently across their faces as he and Patton hurried back to their feet.
“H-Hey, I made it to a platform finally!” Patton laughed.
Logan glared. “Patton…,” he growled.
Before he could say another word, Patton reached down and snatched the ball up, tucking it under his arm. “Well, if they can steal your weapon, we can steal theirs, too! No need to play dirty in a tourna—Oof!”
Valerie slammed her feet into Patton’s back, sending him flying off the platform and her ball out of his grip and into the air; she hit it up with her elbow and blocked a punch from Logan before kicking him in the chest and sending him back a few steps. They repeated this a few times, with Valerie playing keepie-uppie with her weapon and Logan throwing attacks in between, until Logan’s legs were knocked out from under him and he dropped to the floor.
He rolled to the side just in time to dodge Jo’s spear coming towards him and slamming his elbow into his chest. As Jo recoiled, Logan smashed the heel of his palm into his chin and kicked him back into Valerie, who dropped her ball as the two stumbled off of the edge.
Logan was about to leap after them when Patton crashed into him again and sent them flying in a different direction than intended. They each grabbed onto each other by instinct as they swirled around, but once Logan’s head stopped spinning, he huffed and shot Patton a glare.
“I’m sorry!” Patton yelped in return. “I didn’t mean to!”
In a split second decision, Logan grabbed his teammate’s wrist and whirled as hard as he could, launching Patton out of the gravity fields and back towards center stage. Patton’s gasp and wide eyes followed Logan as the momentum sent himself onto another platform; as he landed, he checked to make sure safely made it to the floor.
Roman threw his hands in the air and jumped up, practically yanking Riad out of his seat when he refused to let go of his hand. “What is he doing?!”
Virtus and Esther glanced at each other, both letting out a soft, deflating sigh.
A blast of wind slowed Patton’s trajectory down, but he tumbled across the floor no less. With a quick glance at the scoreboard to check his Aura, Logan determined Patton would be alright while he took Team SVIJ out on his own.
Jo threw his spear at Valerie’s ball and knocked it over to where the two of them stood; she jumped up and caught it, and as soon as his weapon was back in his hands, they turned their backs to each other and looked around.
“Where’d you go, kid?” Jo muttered.
A blur shot by to their side, and they snapped their gazes over in time to see Logan high in the air above. His fist was reared back, and his necklace about to hit himself in the face; the platform behind him began to suck him towards it, but the gravity shifted just in time.
He let out a cry as the fields launched him towards the two.
They each jumped to the side just as he smashed into the ground; they reared their weapons back, but Logan was quick to block. He swatted Jo’s spear to shoot over his shoulder, and punched Valerie’s ball up and away. Jo threw his weapon across his body and pulled him tight to his chest, but Logan grabbed it and shoved it away, throwing his head back to collide with his jaw. While he stumbled, he ripped it away and used it to swipe Valerie’s feet out from under her.
He spun and crouched, holding the blade towards Jo while he recovered. As soon as he realized what had happened, he glared and pulled Logan’s book out of his jacket, switching it immediately into its pistol form and firing a few rounds. Logan spun the spear to block each bullet before charging towards him, blade out.
As soon as he was close enough, Jo ducked and somersaulted underneath Logan’s legs, purposefully knocking one out with his shoulder. Logan stumbled and rolled; he got back to his feet as fast as he could, only for the rubber ball to slam into his chest. The force knocked the spear out of his hand and sent him flying up and off of the platform.
He managed to right himself before landing on the closest ground he could find, only dropping to his knees when it pulled him in faster than he was expecting. He allowed himself just a moment to catch his breath and assess the situation when bullets began to strike the ground around him. Shooting to his feet, he ran, glancing over to watch as Jo fired Logan’s pistol while Valerie charged up her ball.
Logan was just about to leap again when a bullet knocked the book out of Jo’s hands; shortly after, another hit the ball away.
Right on the edge of center stage, Patton held up his shield, one eye shut for aim as he fired at their opponents.
A spark of pride shot through Logan’s soul just as he reached the top of the platform. He turned to send Patton a smile and thumbs up, when—
His foot slid out from under him.
Logan sucked in a gasp as he slipped off of the edge, hands reaching to grip the edge and catch himself, but they were only met with slippery ice. As he tumbled towards the ground, he bounced off of no less than two separate platforms; he slammed into the corner of the third and final one before he found himself hitting the tiles below.
A buzzer sounded.
“Ooh, and there goes the powerhouse of Team PRVL!” Professor Port’s voice yelled. “A rare ring-out caused by a student’s own teammate!”
Logan felt the blood drain from his face.
“It’s up to Mr. Passio to save this match now! But can he do it without any aid from his team?”
Patton’s eyes widened as Jo and Valerie started to make their way over to him. He fired a few rounds towards them, but they dodged without missing a beat.
“Pat, go for cover!” Virgil screamed.
Just as they were leaping off of the last platform, Patton turned on his heel and started to sprint towards the trees. He heard them hit the ground, and just a second later, Jo’s spear flew past. He yelped and spun around; immediately, he threw his shield up to block the ball. A whimper ripped out of his throat at both the sound and the shock crawling up his forearms.
Patton forced himself to take a deep breath before allowing himself to look up; the two were sprinting towards him at full speed. He squeezed his eyes shut and threw out his hand towards the ground, trying to focus on the fear running through his veins instead of the electricity.
Just as he opened his eyes, Valerie stepped on the sheet of ice that had formed in front of her. She froze and cried out, face contorting in pain, and stumbled down to the ground before ripping herself away from the area.
A blast of wind knocked Jo back a few steps while Patton gasped, but he recovered quick enough; his spear flew back into his hands, and he swung it towards his side. Patton jumped sideways and blocked it with his shield. While he was turned away, Jo jabbed his fingers into the side of his neck, and Patton screamed. His knees buckled, hand flying up to protect the area.
Jo startled at the reaction and went to catch him, but ice shot out around them, and he fell to the ground on top of him. He was quick to roll off, but a statically charged punch hit him in the stomach, causing him to slide halfway across the field. He landed near Valerie, who was just shaking off her own pain and reaching for her ball.
Patton, back on his feet, whirled around to look at them, eyes filled with panicked tears and hands cupping his neck. Crackles of electricity flew off his forearms, and his breath came out in erratic gasps.
Jo and Valerie shot each other concerned glances.
In the stands, both Virgil and Roman shot to their feet and grabbed the wall in front of them in white-knuckled grips.
“No, no, no, not now!”
“Breathe, Patton, breathe! Shit!”
Carefully getting to her feet, Valerie looked over at Patton. “We gotta end this,” she stated to Jo.
He glanced up at the board and pulled his spear into his hands. “His Aura’s low. One good hit should knock him out,” he replied. “Watch out for his electricity.”
“You don’t have to tell me twice.”
Jo planted his feet in the ground and held out his spear; Valerie grabbed onto the handle between the blades and started to run. He whipped her around himself a few times before she detached the blades and skated at full speed towards Patton. He threw out his left hand to try to catch her, but she grabbed him by the shield and twisted his arm behind his back. Bolts of lightning started to shoot out, but she held tight, using his weapon to her advantage.
On the other end of the stage, Jo backed up as far as he could before sprinting to the ice and hopping on, arm reared back as far as it could go. He slammed his fist into Patton’s stomach and used his torso to catch himself, sliding to a stop next to Valerie.
Patton fell to the floor and covered his ears as the buzzer echoed through the arena.
The screams of the crowd and the cheers of the announcers were lost to their ears as they dropped down next to him.
“Are you okay?” Jo asked.
Patton nodded, despite choking on a sob.
In an instant, Logan was skidding across the ice on his knees to make it to his teammate. He reached up and grabbed both of Patton’s biceps, squeezing them tight when he whimpered.
“Patton? Patton, it’s alright,” he tried.
Virgil and Roman bolted as soon as the fight was over, nearly tripping over Virtus and Esther in their haste to get to the aisle. Esther was quick to follow, and Riad and Thamir weren’t far behind.
Just as Virtus was getting up to join them, the hairs on the back of his neck stood up, and he froze. The all too familiar feeling of eyes on him caused his skin to crawl. His eyes flicked around the crowd until he found the source, standing at the bottom of the balcony two sections above.
Despite having been caught, the woman stood her ground, and they started at each other for a long, arduous moment. Virtus couldn’t read her expression from as far away as she was, especially with half of her face covered, but between her crossed arms and stiff posture, he could only find himself putting his guard up.
After a long minute, she finally turned and headed up the stairs, magenta ponytail flicking behind her.
Virtus watched her go before following after his family.
 --------------------
“Patton— Patton, please just let me—”
“Ah—Ah! Roman…!”
Letting out a soft huff, Roman sat back on the bed, ice pack dropping to his lap. “It’s going to bruise if we don’t ice it, Pat,” he stated. “Do you have any idea how painful bruised gills are? Because from what I hear, it’s a lot.”
“It feels fine right now,” Patton whined.
“Yeah, because Virgil’s holding you.”
Virgil’s already-closed eyes squeezed tighter, and he pulled Patton closer against his chest. “Don’t distract me,” he muttered.
Patton patted his arm with his free hand while his other gripped white-knuckled at his collar. “C-Can’t we just put it on top of this? The cold would get through eventually, right?”
“It would if you’d let me touch your neck,” Roman pointed out.
He immediately curled in on himself, shoulders almost coming up to his ears; they bumped against Virgil’s jaw, and he flinched. Patton let out a hiss when the pain started to seep back in.
“Gah—sorry, sorry!”
Virgil quickly pulled him into his arms again. Roman could only watch and offer Patton a pointed stare. When the ache began to ebb, their leader looked up and sighed.
“Am I allowed to hold it instead?” he asked, voice wavering dangerously close to tears.
If there was anything that could convince Roman to break every rule he knew, it was a sad Patton.
Reluctantly, he handed him the ice pack. “You can’t hold it on for too long at a time,” he said, “Or it’s going to burn your scales and hurt even worse. Fifteen minutes at a time, max.”
Patton wiped at his eyes and carefully peeled his collar away just enough to set it on his swollen gills. A shiver wracked up his spine, prompting both Virgil and Roman to reach to wrap his detached cape tighter around him. He squirmed under the attention.
“Guys, I’m fine, really,” he whispered.
Letting out a soft sigh, Virgil carefully rested his forehead on Patton’s opposite shoulder. “We know, we’re just… worried about you,” he said. His eyes flicked over to the empty other side of the room. “…Logan, too. But he’s too stubborn to let us take care of him.”
“He isn’t not letting us take care of him,” Roman replied. “I’m sure he just wants to be with his parents right now.”
“…He really wanted to win, didn’t he?”
The question hung in the air, answer only coming with the silence it created. Patton frowned and lowered his ice pack, fingers reaching up to fiddle with the clasp of his collar.
“I hope he’s alright.”
 --------------------
Logan clutched tight at his necklace, tugging at it as if it would help his cause. “Father, please.”
“Logan, no,” Virtus answered. “You don’t need to do any training tonight. You fought great today and deserve a rest!”
“I do not. There is clearly a need for me to keep working, and I would like to take advantage of you being here while you are,” Logan shot back.
Virtus rubbed a hand over his face, leaning back against the wall outside of the training arena. “You won’t learn anything if you’re exhausted.”
“Falsehood. Any training will still extend to my muscle memory.”
“But your brain isn’t going to retain it after a day like today.”
Crossing his arms, Logan raised an eyebrow. “Father, you of all people should know that we won’t have time to rest and recover when we’re in the field,” he stated.
“I do know that, and that’s exactly why I’m pushing you to relax,” he said, waving an arm out. “Look around you. You’ve got yourself surrounded by friends, training partners, time to study and do what you want… Take advantage of it while you’re here, Logan. This isn’t going to last forever.”
Logan scowled. “Why should I take advantage of it when it only serves to underprepare me? I can’t let myself get used to the luxuries here.”
“Because you’re going to miss this.” Virtus shook his head and looked around campus. “These four years are your last chance to be a kid, you know. Enjoy it while you can. It might not seem like it now, but after you graduate, you’re going to wish you had another chance to be young and reckless without any serious consequences.
“I don’t want you to look back with regret that you grew up too fast. I know you already did when… when we lost your mother. You deserve a chance at the same carefree childhood that the rest of us had. I know you have that here with your team, your friends. You can’t just push away everything that’s kind to you to harden up for the real world. It’s going to eventually do that for you anyway.”
Logan’s face slowly began to soften as he mulled over what he’d been told. A deep, weighted breath tumbled out of his lungs, and he looked away, closing his eyes.
“Father… I understand what you’re attempting to say,” he muttered, “But I can’t… I can’t—I can’t let myself continue to be a failure because I didn’t push myself enough when I could have.”
Virtus froze. “Failure?” he asked. “When have you ever been a failure?”
Letting out a huff, Logan turned and began to pace.
“I have been consistently failing at nearly everything from the moment I arrived at Beacon Academy!” he admitted. “I fail to keep myself focused on my studies instead of getting distracted by the world around me. I fail to understand how to form relationships of any sort; all of my friends so far have either been through assignments or association! I failed to realize Virgil was starting to struggle with anxiety before it impacted his health, I failed to save Roman before he got himself into danger twice, and I’m still failing to help Patton cope with what we’re increasingly suspecting to be autism, despite the fact that I’m autistic and am the most qualified of our team to teach him!”
Virtus opened his mouth, but Logan whirled around with desperate eyes before he could get a word out.
“And you saw what happened today!” he cried. “I thought I was making the right decisions, but everything I did was wrong! I failed my team, I failed Patton, I failed you! And I…”
Logan sucked in a trembling breath, turning his face away before his father could see the growing wetness of his eyes.
“…I failed Mother.”
Virtus could only think of one time where his world was rocked so suddenly.
“Logan… Logan, no, no, Logie!”
His breath rushed out of him as he rushed to his son, wrapping his arms tight around him and burying his nose in his hair. He cupped the back of his head and gently began to rock them; when Logan hugged him back, he could feel the slight tremor in his arms.
It was a long few minutes before they moved again. Virtus pulled away first, keeping a hand on Logan’s back, and directed them to a nearby bench, where he had Logan sit. Virtus kneeled down in front of him and pulled his mask down to his chin.
“There has not been a single moment since the day you were born where I wasn’t so incredibly proud of the person you’ve become,” he assured. “You are, without a doubt, the greatest thing that ever happened to us. You’re strong, you’re brilliant, you have a good heart, even if you struggle to express it sometimes… It’s like someone took the best parts of your mother and I and put them into one person. How could I ever not be proud of you?”
He reached up and gently took hold of Logan’s necklace, an old ache hiding just behind his eyes.
“I knew your mother better than almost anyone,” he said, slight crack in his voice, “and I know she felt the same way. She never, never would have seen you as a failure. Especially not over something as silly as a tournament.”
“I wanted to win for her,” Logan choked out. “I thought… I thought if I could get as far as she did, then I’d have lived up to her expectations. I’d have lived up to her. But I-I couldn’t even do that.”
Virtus took Logan’s hands and held them tight. “The only expectations she had for you was for you to be happy, Logan. She couldn’t have cared less about your skills as a Huntsman. You could have been knocked out by a gust of wind, and she’d have loved you all the same. You were her pride and joy, and nothing in this world could have ever changed that.”
He pulled a hand away to cup Logan’s cheek, doing what he could to cover the scars from view. A soft smile formed on his lips.
“I see so much of her in you,” he whispered. “The way you fight, the way you speak… The way you put so much pressure on yourself to do better, even when you’re already giving more than you have to offer.” He started to rub soft circles into his skin. “And I’m going to tell you the same thing I always told her: You’re doing fine.”
Logan shook his head, refusing to look at him. “But Mother—”
“—Had her flaws, too,” Virtus interrupted. “She didn’t win every fight. She didn’t catch every sign when her friends were struggling. And she certainly wasn’t perfect. But she was so, so loved, not just despite all that, but because of it, and you are, too.”
He pulled his hand away from his face, scooping up both of Logan’s again.
“You are, too,” he repeated.
Sucking in a trembling breath, Logan nodded. His shoulders hesitantly lowered, as if he was forcing himself to lift a weight that had haunted him for years.
“Okay,” he whispered. “Okay.”
“And Logan…”
Virtus sighed, looking at the ground.
“I love you and I am so proud of you,” he said. “I know you know that, and I know you know Esther does, too. And we always want to you understand that you can always come to us when you’re struggling with something.”
He squeezed his hands before turning back to him. “But you need to rely on your team, too,” he stated. “They love you and care about you just as much as we do, and I’m sure they want to help you as much as you want to help them. I know you’re strong, and you’re capable of handling things on your own; you’ve been doing it since the day you scaled the bookcase in the living room when we put your favorite story on the top shelf.”
Logan let out a weak laugh. “I don’t think I’ve ever heard you scream louder than when you saw me.”
“And I never saw your mother move as fast as she did when it startled you and you lost your footing,” Virtus chuckled.
Another noise came out of Logan, this one a mix between a laugh and a sob; a tear trailed down his cheek. He reached to wipe it away, but Virtus gently caught his wrist and used the pad of his own thumb to do it instead.
“My point is,” he said, “You don’t have to do everything alone, Logan. Let your friends take care of you. I’m more than willing to bet that they’d be honored to have the chance. Okay?”
Logan nodded, but the deep frown on his face didn’t budge. “I… I just don’t think I know how,” he admitted.
Virtus offered him a soft smile.
“Then let them teach you.”
Logan considered this for a long moment, and then he nodded again, tipping forward to rest his forehead on his father’s shoulder. Virtus wrapped his arms around him and held him close.
For one blissful moment, it almost felt like everything was okay in the world. Every problem, every emotional strain and social struggle fell away when his father was there to shield him.
In the back of his mind, Logan was reminded of a time where he felt the cold sting of a winter breeze on his ears. The crunching of footsteps against a thick blanket of snow landed in time with the jostling of his tiny body against her shoulder. He could practically still smell the vanilla and coffee radiating off of the thick coat he rested on. Her silky brunette hair tickled when it brushed against his face.
He didn’t want to open his eyes. But he knew it wasn’t going to last forever.
When they finally pulled away, a soft set of footsteps approached.
“I think you’ve both earned a little something nice today,” Esther quietly spoke, holding out the drink carrier in her hands. “Hot apple cider with a hint of caramel, fresh out of the press.”
Virtus climbed up to the bench to sit to the left of Logan, and Esther sat herself on his right, passing out the drinks with only soft “thank-you”s to break the silence. Their shoulders rested against each other as they sipped, despite the ample room on their seat, serving as a gentle reminder of their presence.
Logan found his eyes drifting towards the building where his dorm was. He could see the light on inside, but they were far too distant to be able to make out anymore details. A dull pang settled in his heart at the thought of them having fun without him; he pressed his lips together and looked down at his lap.
Perhaps he could skip training for one night.
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tonya-the-chicken · 3 years
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Hmm remember touya would do something that could end up hurting rei because of enji while shouto would defend her from enji since he was very small. It’s terrible that he had to in the first place but it shows how much he cared for her. She must have felt so vulnerable too. So I can understand her being more fond of shouto but she still had a duty to her eldest. But I also understand the bad situation she was in. The todoroki house really was hellish.
[Warning: This is kinda ranty, so if you are a diehard Rei stan I advise you to not read]
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Touya didn't attack Rei and Shouto "because of Enji". He attacked them because he had a mental breakdown because of neglect he experienced and may I remind you he had TWO parents both of whom were mentally stable at that point. He had TWO parents BOTH of whom ignored his mental state getting worse until he snapped... I mean Enji tried to talk to him at the very least but I explained why his tactics were shitty in previous posts
I really have very little empathy for parents who claim their children mistreat them because the first question on my mind is "yeah, and who fucking raised that child?"
Rei was responsible for Touya's mental breakdown too. She can't play the victim because her own mentally unwell son attacked her. She was the one who neglected his mental health. Not to mention it was one episode and she clearly understood Touya just wanted Enji's attention back then
Shouto surely protected her because she gave him a ton of attention and cared for him and accepted him and loved him. How much of that she did for Touya and other kids? I feel like she paid so much attention to Shouto explicitly because she felt like she already failed her other children, so she ran away from her problems. Shouto wasn't having mental breakdowns, Shouto was a baby who protected her and Shouto was pure and cute, not obsessed with his father. Of course, Shouto was better than Touya!
I understand there were a lot of factors that made her emotionally unstable and unable to be a proper mother but she was doing a shitty job before the boiling water incident and I feel like people completely ignore that. Todoroki Rei is not a good mother to any of her children except Shouto (and maybe questionably Fuyumi)
God I am just kinda mad because girl,,, you gotta take care of your children. Every day I look and Enji and Rei and I am just like you absolute dumbasses who taught you to treat kids like that??? And then I understand that it was no one. Like, damn girl, fix your issues, fix your issues, stop running away from the fact your son is having mental problems
I mean she owns up to her mistakes now, at least a little. I kinda understand why she isn't slandering Enji because she fucked up too and fucked up a lot (not as much as him but still). So kinda stan her for that
I know people want a simple tale of "abusive father abused wife and children and so they all are victims and he must die" but the truth is more complicated and the fact someone is abused doesn't make them innocent in all crimes. Stop pretending abuse victims are pure angels challenge. They are people with their own mistakes and misfortunes
I mean the main issue with Rei is that she willingly had a fucking quirk marriage and she is guilty of that and no way in hell I am waging on that. Like, that was the biggest sin she committed and that was why the rest of the story developed the way it did. She wanted to keep on smiling but you can't keep on smiling when your children are harmed by the decisions you make
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Text
Ariel’s Outfits in Icon For Hire (Part Two)
Off With Her Head:
Okay so like this whole video deserves a breakdown cuz there’s a lot going on but that would be a whole other post, I just want to focus on the outfits right now
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outfit one
So this one just looks amazing, like it’s completely fabulous. Now, I’m fairly certain that this is the Queen of Hearts here, but here when she’s at her worst, when no one sees her. In this song it feels like the Queen of Hearts puts on this entourage of being cold and vicious, but secretly she feels trapped by the darkness. And I feel the outfit helps with that. Like shes wearing a boned corset, which tend to be more restricting than the lace up ones she makes herself, her jacket straps across her chest, her hair and mask cover her face, not to mention everything in this setting is dark. Even her body language suggests feeling trapped and hopeless. The first time we see this outfit is in the intro. She’s struggling and being restrained/pulled by the weird beaked bug guard things. We see a brief clip of it during the chorus when she says “save your own” but the next full scene isn’t until “My enemies belittle me, reminding me the penalty for all my deeds, despite my pleas, is death”. I think this further shows how the Queen of Hearts knows that she’s in the wrong, she knows people are out to get her, but she can’t do anything about it. Her fate is inevitable.
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Outfit two
So we see flashes of outfit two throughout the whole video so I’m not sure how much the placement affects the meaning, but the outfit is really neat. Of course, the ruff helps add to the Alice in Wonderland vibe but she also has a wire halo. I’ve always felt this song dealt a bit more with her experience with religion (I might be wrong) but the lyrics speak of an impending doom for the characters, and the lyrics “you’re way to life has only shown me what a fool I am, it serves the purpose of confirming I remain condemned” help further that. Like a lot of evangelical Christians (speaking from experience, this is not representative of everyone) will force their way of life on you. The common belief in most forms of Christianity is that you’re automatically doomed to hell unless you do something to change that (in Protestantism you have to confess and declare your faith that Jesus is the son of God, in Catholicism it’s that plus a whole bunch of other stuff and generally being a good person. I don’t really have the experience to speak about the other forms of Christianity). Maybe the Queen of Hearts feels like she has to be condemned, she doesn’t want to be, but she has to be. She hasn’t lived a life worthy of heaven. The halo makes me think that this is some angel, or like maybe a representation of purity. Or she could also be the God-like figure in all this. We always see this outfit after following the lines that deal more with guilt and condemnation (”save your own”, “death is mine,” I don’t wanna be this”). Also, every time we see this outfit, she always appears calm, occasionally smug and righteous. Chaos is surrounding her every time she’s in this outfit, yet she always seems so still in the middle of it all.
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Outfit three
So there’s no mistaking that Ariel is supposed to be Alice here. The outfit itself is very childish. Stockings, a frilly dress, lots of lace. The makeup even looks like lace (I couldn’t get a good picture with the whole outfit and makeup because of the camera angles. I think that was totally done on purpose though to add to the cramped feeling). The hair is kinda childish too. It’s not exactly space buns but like the two buns on either side definitely give it a very childlike vibe. Also, this whole outfit is white so I’m imagining that this is to represent purity and innocence, especially since the whole song seems to deal with some sort of guilt and related punishment. So this is seen mostly during the first verse when she’s talking about feeling trapped and crushed. She feels alone. The walls she built to protect herself are growing more and more cramped. Obviously the setting helps with this but I’m trying to only focus on the outfits. Again, she’s wearing a boned corset. She also has buckles around her legs as well as a choker. Even though she’s still mostly innocent, she still feels trapped. She feels like she’s maybe running out of time or that she knows she’ll do something she’ll regret soon. Personally, I feel like Alice and the Queen of Hearts are the same people in this story, just at different stages in their life.
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Outfit four
Yeah, so this is definitely the Queen of Hearts. Her posture, hair, and outfit help with all of this. The hair reminds me of a lot of Georgian era hairstyles for noblewomen and royalty. It’s a large up-do, with a few different headpieces. The jewelry and the garment beneath the corset looks a lot like a rib cage so I think that’s just a nod to the fact that she’s the Queen of Hearts. However, rib-looking garment is wrapped very closely around her neck, she still has buckles strapped around her arms, and while this corset doesn’t appear boned, it’s still a corset. The Queen of Hearts doesn’t feel as trapped as she does in outfit one. She still has some of her control, but she’s starting to lose it. We see this outfit during lines like “death is mine I know” as well as the “my enemies belittle me...” line. The Queen of Hearts realizes that someone may be out to get her, but she’s not entirely trapped yet.
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Outfit 5
So I don’t have a lot to say about this one. First, I like that the bracelet is a little nod to that whole scene in Alice in Wonderland with trying to find the right key to unlock the door. Mainly though, I think this is just a transition. As I said I think Alice is the Queen of Hearts in this, so this outfit would be early on in her rule, she’s still fairly innocent, hence the lighter colors, but she’s starting to feel weighted and trapped. This outfit is mostly in the chorus so as far as the story goes, this would be the part where she’s starting to realize she may be going down a dangerous path, but she doesn’t quite know how to stop.
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Outfit six
So this outfit is kinda restrictive (corset belt and whatever is going on with her legs, not to mention the bracelets and shoulders of the dress, they kinda look like shackles). She’s still mostly Alice here, she hasn’t quite gone down the rabbit hole of bad deeds yet. I feel that right now, she’s a bit too caught up in everything that’s going on. We see this, outfit five, and outfit four a lot together. She realizes she’s going down this bad path, but again, she doesn’t know how to stop herself. This outfit mostly reminds me of the dandelions from Alice in Wonderland.
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Outfit seven
So Ariel has replaced Alice here. The fact that she’s in her normal clothes does more to show how she’s relating to the story of falling down the rabbit hole. Maybe she feels like that as she spiraled deeper into her mental illness, she did more and more things she regrets? This puts the focus more on Ariel’s personal feelings and not just there characters. Alice isn’t the only one who feels trapped.
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Outfit eight
So Ariel is one of the weird bug-bird things. So these things? have been shown creeping toward the house where Alice and Ariel are trapped, as well as surrounding and restraining the Queen of Hearts. I feel like this may represent that Ariel views herself as her own enemy. This could mean maybe self-sabotaging or creating fears/enemies where there aren’t any. Or maybe she feels scared of herself. She can’t trust herself (Curse or Cure anyone?). She’s scared of what she’s doing and scared of the path she’s going down. It’s almost as if she’s punishing herself with self destruction.
Part Three will probably come tomorrow
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