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#PRACTICAL EFFECTS SHOULD BE YOUR FIRST CHOICE
gay-jewish-bucky · 2 years
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Disney seeing the importance of Grogu being a physical puppet instead of VFX to the quality of emotional performances of the actors and to the critical success of the Mandalorian and deciding to learn absolutely nothing from it and not apply that lesson to Marvel projects
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inkskinned · 10 months
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so one of the things that's so horrifying about birth control is that you have to, like, navigate this incredibly personal choice about your body and yet also face the epitome of misogyny. like, someone in the comments will say it wasn't that bad for me, and you'll be utterly silenced. like, everyone treats birth control like something that's super dirty. like, you have no fucking information or control over this thing because certain powerful people find it icky.
first it was the oral contraceptives. you went on those young, mostly for reasons unrelated to birth control - even your dermatologist suggested them to control your acne. the list of side effects was longer than your arm, and you just stared at it, horrified.
it made you so mentally ill, but you just heard that this was adulthood. that, yes, there are of course side effects, what did you expect. one day you looked up yasmin makes me depressed because surely this was far too intense, and you discovered that over 12,000 lawsuits had been successfully filed against the brand. it remains commonly prescribed on the open market. you switched brands a few times before oral contraceptives stopped being in any way effective. your doctor just, like, shrugged and said you could try a different brand again.
and the thing is that you're a feminist. you know from your own experience that birth control can be lifesaving, and that even when used for birth control - it is necessary healthcare. you have seen it save so many people from such bad situations, yourself included. it is critical that any person has access to birth control, and you would never suggest that we just get rid of all of it.
you were a little skeeved out by the implant (heard too many bad stories about it) and figured - okay, iud. it was some of the worst pain you've ever fucking experienced, and you did it with a small number of tylenol in your system (3), like you were getting your bikini line waxed instead of something practically sewn into your body.
and what's wild is that because sometimes it isn't a painful insertion process, it is vanishingly rare to find a doctor that will actually numb the area. while your doctor was talking to you about which brand to choose, you were thinking about the other ways you've been injured in your life. you thought about how you had a suspicious mole frozen off - something so small and easy - and how they'd numbed a huge area. you thought about when you broke your wrist and didn't actually notice, because you'd thought it was a sprain.
your understanding of pain is that how the human body responds to injury doesn't always relate to the actual pain tolerance of the person - it's more about how lucky that person is physically. maybe they broke it in a perfect way. maybe they happened to get hurt in a place without a lot of nerve endings. some people can handle a broken femur but crumble under a sore tooth. there's no true way to predict how "much" something actually hurts.
in no other situation would it be appropriate for doctors to ignore pain. just because someone can break their wrist and not feel it doesn't mean no one should receive pain meds for a broken wrist. it just means that particular person was lucky about it. it should not define treatment.
in the comments of videos about IUDs, literally thousands of people report agony. blinding, nauseating, soul-crushing agony. they say things like i had 2 kids and this was the worst thing i ever experienced or i literally have a tattoo on my ribs and it felt like a tickle. this thing almost killed me or would rather run into traffic than ever feel that again.
so it's either true that every single person who reports severe pain is exaggerating. or it's true that it's far more likely you will experience pain, rather than "just a pinch." and yet - there's nothing fucking been done about it. it kind of feels like a shrug is layered on top of everything - since technically it's elective, isn't it kind of your fault for agreeing to select it? stop being fearmongering. stop being defensive.
you fucking needed yours. you are almost weirdly protective of it. yours was so important for your physical and mental health. it helped you off hormonal birth control and even started helping some of your symptoms. it still fucking hurt for no fucking reason.
once while recovering from surgery, they offered you like 15 days of vicodin. you only took 2 of them. you've been offered oxy for tonsillitis. you turned down opioids while recovering from your wisdom tooth extraction. everything else has the option. you fucking drove yourself home after it, shocked and quietly weeping, feeling like something very bad had just happened. the nurse that held your hand during the experience looked down at you, tears in her eyes, and said - i know. this is cruelty in action.
and it's fucked up because the conversation is never just "hey, so the way we are doing this is fucking barbaric and doctors should be required to offer serious pain meds" - it's usually something around the lines of "well, it didn't kill you, did it?"
you just found out that removing that little bitch will hurt just as bad. a little pinch like how oral contraceptives have "some" serious symptoms. like your life and pain are expendable or not really important. like maybe we are all hysterical about it?
hysteria comes from the latin word for uterus, which is great!
you stand here at a crossroads. like - this thing is so important. did they really have to make it so fucking dangerous. and why is it that if you make a complaint, you're told - i didn't even want you to have this in the first place. we're told be careful what you wish for. we're told that it's our fault for wanting something so illict; we could simply choose not to need medication. that maybe if we don't like the scraps, we should get ready to starve.
we have been saying for so long - "i'm not asking you to remove the option, i'm asking you to reconsider the risk." this entire time we hear: well, this is what you wanted, isn't it?
#where's the word woman in this u might wonder if u suck#good news i am nonbinary and have a uterus so that is something that can happen#im also gender fluid tho which means im immune to certain psychic damage bc if u call me a woman i'll be like <3 okay <3#writeblr#the tightrope of ''ppl need access to this''#and like also#''what the fuck is going on over there'' is like. so difficult as an activist#i was <3 punctured <3 during mine#and almost bled out on the table :) they didn't have anyone standing by bc it's ''just a little insertion''#so i started crashing and i vaguely remember apologizing for the fuss as i heard my heart rate monitor start going <3 tachycardic <3#she wasn't even a bad doctor tbh#ps btw the reason i even HAD a heart monitor is that i have a genuine heart condition and they knew GOING IN that there was a chance#i'd crash on the table#like my heart just likes to do fun little tricks and <3 stop working <3 (i do not want to discuss the specifics ty i am okay im ontop of it#and they were like 'oh u will be fine' and then she did do a puncture thru my uterus . pop!#and im sitting there dizzy and feeling my heartrate start to drop bc it feels almost. beautiful. like. the whole ground just#woosh! out from under you. and shit is like grey's anatomy. i'm looking up at her grey eyes#she's old she wears this nice shawl she's like got Cool Lesbian vibes and people are sprinting into the room#from other parts of the clinic unrelated to me. while the monitor is like a little aria singing#and shes like hey youre okay stay awake stay with me something went wrong we have to keep trying#and i remember thinking - i was trying to think of nice things. i have so many beautiful places that now overlap#with this terrible memory#i became dimly aware that there was too much on her wrists and hands. like#that was too many liters#and then when they had finished all this. i packed up and drove myself home#i have had (bad thing) happen to me. and the same feeling happened after#that numb almost lamblike bleating. you cry without noise. like. ur body is so shocked and ur mind so empty#you just stare at the road and everything everything is happening behind glass and static and you are standing so far away from it#while you hold ur hands at 10 and 2. and something in ur brain is SCREAMING at you - IT WAS BAD AND IT SHOULDNT HAVE HAPPENED#and ur just watching the alarms in your body going off and youre thinking. a little pinch! ha. i think i just lost something important.
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jstor · 5 months
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Searching best practices on JSTOR
Hi Tumblr researchers,
As promised, we're going to dive into some best practices for searching on JSTOR. This'll be a long one!
The first thing to note is that JSTOR is not Google, so searches should not be conducted in the same way.
More on that in this video:
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Basic Search on JSTOR
To search for exact phrases, enclose the words within quotation marks, like "to be or not to be".
To construct a more effective search, utilize Boolean operators, such as "tea trade" AND china.
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Advanced Searching on JSTOR
Utilize the drop-down menus to refine your search parameters, limiting them to the title, author, abstract, or caption text.
Combine search terms using Boolean operators like AND/OR/NOT and NEAR 5/10/25. The NEAR operator finds keyword combinations within 5, 10, or 25 words of each other. It applies only when searching for single keyword combinations, such as "cat NEAR 5 dog," but not for phrases like "domesticated cat" NEAR 5 dog.
Utilize the "Narrow by" options to search for articles exclusively, include/exclude book reviews, narrow your search to a specific time frame or language.
To focus your article search on specific disciplines and titles, select the appropriate checkboxes. Please note that discipline searching is currently limited to journal content, excluding ebooks from the search.
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Finding Content You Have Access To
To discover downloadable articles, chapters, and pamphlets for reading, you have the option to narrow down your search to accessible content. Simply navigate to the Advanced Search page and locate the "Select an access type" feature, which offers the following choices:
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All Content will show you all of the relevant search results on JSTOR, regardless of whether or not you can access it.
Content I can access will show you content you can download or read online. This will include Early Journal Content and journals/books publishers have made freely available.
Once you've refined your search, simply select an option that aligns with your needs and discover the most relevant items. Additionally, you have the option to further narrow down your search results after conducting an initial search. Look for this option located below the "access type" checkbox, situated at the bottom left-hand side of the page.
Additional resources
For more search recommendations, feel free to explore this page on JSTOR searching. There, you will find information on truncation, wildcards, and proximity, using fields, and metadata hyperlinks.
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teamatsumu · 3 months
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compression. (sakusa kiyoomi x reader)
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summary: atsumu is the perfect person to feed your obsession with kiyoomi’s arms.
word count: 1172
warnings: swearing, very mildly suggestive (if you squint), detailed descriptions of kiyoomi’s arms in compression sleeves so it’s not for the faint hearted
tags: @keiva1000 @kindnessspreads @msbyomimi
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When you studied Marketing and Communications in university, you didn’t exactly anticipate that your future would include you managing a V League Division 1 sports team. But every day when you went into work, you thanked the gods above that this is where your career path had led you, because that meant you could ogle Sakusa Kiyoomi and his infamous compression sleeves all day.
Oftentimes you were certain Kiyoomi didn’t mean anything by them. For him, they were practical. They kept his arms taut and ready for the ball. They made his movements sharper. He received the ball better. He didn’t have to feel his bare skin on the dirty court. These were all reasons you had heard straight out of his mouth. When you heard him mention them so nonchalantly, it almost made you feel bad for the absolutely sinful- borderline deranged- thoughts you had in your head about the way those sleeves made his arms look.
You were well aware of the kind of thoughts Kiyoomi’s choice of athletic wear caused among his fans. To put it simply and bluntly, they went feral over it. There were whole Twitter accounts dedicated to just his arms, or his chest. And as someone who often managed social media profiles for some of the members, you got to see the most unhinged of these comments with your own two eyes. And you would be the first to (secretly) admit that you agreed with 90% of what was being said, because holy shit did those sleeves do something to you.
Most of the time during practice, you could feel your eyes drift back over to the man in question, wearing a black sports tee and those godforsaken sleeves, working up quite the set as they played set after set to prepare for their next game. As the hours passed, Kiyoomi would get more and more disheveled, curls becoming unruly enough that he would grab a towel, biceps flexing as he ran it over the nape of his neck and dipped into the collar of his shirt. Christ almighty.
You should’ve known that you would eventually get caught. But if it was anyone who would notice, you had expected it to be Meian or maybe Coach Foster. But the person who did bring it up to you happened to be the biggest nightmare in this scenario; Miya Atsumu.
“Ya should be a little less obvious ‘bout it.” He commented when he trudged over to the bench where you sat, grabbing a water bottle and beginning to chug. You tore your eyes from Kiyoomi who now had his back to you, the muscles under his shirt flexing with every movement. You raised an eyebrow at the blond, not yet correlating his words with your hidden obsession. He placed the bottle down and placed a hand on his hip, giving you a knowing smirk.
“A blind grandma could notice the way yer lookin’ at him.”
Your eyes widened and cheeks flamed when he nudged his head in Kiyoomi’s direction, and you knew you had been caught. You clenched your jaw hard.
“You say a single word-”
He threw his hands up as if in surrender, effectively silencing your threat in its tracks.
“I won’t, promise! But there is one thing…..”
You groaned loudly, throwing your head back. Of course, of fucking course he would blackmail you with this.
“What do you want?” You deadpanned, glaring at him and preparing for the worst.
Atsumu looked a bit affronted, as if the mere insinuation that he might want something was preposterous to him. You gave him another tired look, until he sighed and gave up, plopping down heavily on the bench next to you.
“A phone number. Ya know that cute girl who comes by once a month? From the Volleyball Association?”
“No.”
Atsumu’s mouth dropped like a child who just got slapped. “Hey c’mon! Ya didn’t even hear me out!”
You groaned and pinched the bridge of your nose, feeling a characteristic frontal headache begin to build, courtesy of Miya Atsumu. “I’m tired of setting you up with people, Tsumu! It won’t end well, as always-”
“I’ll get you a picture of Omi with his compression sleeves.”
You give him an unimpressed look. “I can get hundreds of those off the internet.”
“I’ll get you a picture of Omi with just his compression sleeves.”
That made you halt in your tracks. You searched Atsumu’s face for any form of mockery or lie, and you found none. Your eyebrows shot up when you realized he was being serious.
“In the locker room. I can get it for ya today.”
Oh my god. Instinctively, your eyes darted over to the man in question, who was talking to Hinata about something. It looked like volleyball tips since he had his arms before him in a receiving position, and Hinata was rapidly nodding to what he was saying.
“No.” You shook your head. “No, that’s wrong.”
“I’ll take a selfie with him, yeah? He will know there’s a photo. And I can send it in the groupchat.”
You look back at Atsumu, seriously contemplating his offer. He kept yapping, as per usual, thinking that the more he talked, the likelier it would be to convince you. And the bastard was right, it was working.
“No one else will bat an eye. We see each other in the lockers all the time. No big deal.”
You bit your lip in thought. The possibility of seeing Kiyoomi shirtless and only in compression sleeves had your pulse rising.
“And you just want her number in return?”
Atsumu nodded eagerly. You gave him a narrow-eyed glare.
“Send the picture. Then I will give you the number.”
His triumphant grin made it feel like he had already won. “Deal.”
That evening, when your phone pinged with a text notification, you nearly flew across the bed to grab it, opening the picture Atsumu sent in the groupchat with eager fingers and freezing as soon as you laid eyes on it.
Atsumu had held up his end of the bargain spectacularly.
He had taken the picture with Kiyoomi a little further in the background, so he could get the man’s full torso in it. He was facing slightly away from the camera, but his face was turned towards it, capturing the scowl between his eyebrows and the little pout of his mouth. He was gloriously shirtless, still a bit sweaty from practice, and he held his shirt in his hand, one arm flexed as he held it while the other was held carelessly by his side, compression sleeves hugging the cords of toned muscles just right.
There was another ping, pulling you out of your trance and making you realize just how dry your mouth had gotten. Atsumu had messaged you privately.
“My payment? ;)”
You rolled your eyes and sent him the number, immediately going back to the picture and starring it for future reference, a tiny smile quirking up the corner of your lip as you did so.
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messiahzzz · 15 days
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it is a conscious choice of mystra to initially present herself as this benevolent, courteous, and merciful being. a practiced and perfected approach she knows will compel gale to follow her demands with the least amount of resistance on his part. he already refused to follow her instructions when she sent elminster to request his death — his effective father figure, gale’s self-proclaimed hero, mentor, and the one who plucked him from obscurity in the first place — so another appeal is in order.
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narrator: "elminster's visit weighs heavy on your mind. his face you did not expect to see again." narrator: "when you last saw him, you were in your prime. no orb, no tadpole. a mage of growing renown, all power, pride, and potential - beloved by the goddess of magic herself. narrator: "it's one thing to have fallen from such heights, but to have elminster himself now witness your humiliation is almost unbearable." gale: [his disappointment cuts deeper even than mystra's. he was your hero.] narrator: "while most know of elminster the legend, few know him as you have. he plucked you from obscurity. offered you his guidance. his faith. and most recently, his pity."
yet it is curious how quickly she changes her tune once gale doesn’t readily agree to her demand to return the crown of karsus to her, no questions asked. or even dares to impugn, or criticize her reasoning for leaving him to die.
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gale: "a great ask indeed. you've given me much to think on - as you always did." mystra: "so be it. follow the needles of your own wisdom. we shall see how truly it leads you."
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gale: "because i disobeyed you. you punished me for it." mystra: "how so? you think i should have cured you? erased the consequences of your actions?"
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gale: "you break up with me, cut me off from the weave, leave me to die, and that's all you have to say? 'you look well'?" mystra: "i did not come here to suffer a mortal's admonitions. certainly not yours."
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gale: "you were threatened. you realised you couldn't control me." mystra: "you were many things to me, but never a threat. and never a saviour." nodecontext: sharper, almost a warning - don't entertain such thoughts, gale. you won't like where they lead.
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gale: "i don't know. i need time to think." mystra: "so be it. follow the needle of your own wisdom. we shall see how truly it leads you."
particularly interesting to note is how she uses his surname as a tool to chastise and taunt him. only referring to him as "gale dekarios" in the context of him displeasing her, when he doesn't readily obey, whether he simply wavers (needing time to think) or outright declines her instructions. she uses the very name he had actively discarded and refuses to be referred to at this point in time. a deliberate reminder of his fallible humanity, of the flaws he tried to distance himself from. she knows this.
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gale: "i won't let you down again. when the absolute is vanquished, i will surrender karsus' powers to you. you have my word." mystra: "thank you. may the weave's light guide your purpose, and it's wisdom guide your hand." mystra: "the future of magic rests on your shoulders, gale of waterdeep". mystra: "i promise you - it is a burden you are strong enough to bear."
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gale: "i don't need your forgiveness. the crown of karsus will be mine, and the karsite weave will obey me." mystra: "crown yourself, gale dekarios, and you will learn what it is to carry such weight upon your shoulders." mystra: "if it does not crush you, i will." nodecontext: an icy edge entering her voice - a hint of a challenge gale will face if he pursues this course. nodecontext: here we glimpse the true, unimaginable power of mystra. she's still in control of herself, but her anger should be palpable.
i have already addressed the overall topic of mystra & gale's relationship in several posts i wrote some time ago [x] [x] [x]. however, since then we have received new snippets of information with patch 5 that shed more light on the progression of their relationship as a whole. this post is intended to be an update of sorts, containing a more comprehensive list, as well as lore excerpts for added context and proof. i will split this essay into several sections for coherency — buckle in, cause this is going to be a long one!
✧ mystra's history of manipulation ✧
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one of the epilogue letters revealed that elminster first sought gale out when he was about 8 years old. which according to gale's canon age being 35 (as listed on his idle champions character sheet) means that their first meeting occurred around 1465 DR. although elminster's wording suggests that this may merely be an estimate on his side.
furthermore - in the ending where gale dies in the attempt at ascension, raphael has the following to say:
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raphael: "you were the spark of ambition that rekindled gale's ambitions, after mystra had so cleverly put them to rest."
insinuating that mystra did make an active effort to keep gale in line, to temper his ambition, lest his thirst for more knowledge would eventually prove bothersome for her. keeping an eye on him at all times, keeping him close, placating him, and urging him to be patient.
what distinctly stood out to me is how this also aligns with some of azuth's quotes in the temptation of elminster, while he gives advice to a then-young sage of shadowdale.
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we are her treasures, lad—we are what she holds most dear, the rocks she can cling to in the storms of wild art. she needs us to be strong, far stronger than most mortals ... tempered tools for her use. being bound to us by love and linked to us to preserve her very humanity, she finds it hard to be harsh to us—to do the tempering that must be done. she began the tempering of you long ago; you are her 'pet project', if you will. [...]
"you serve mystra differently. she watches you and learns the human side of magic in all it's hues from your experiences and the doings of those you meet—foes and friends alike. yet the time has come for you to change, and grow, to serve as she'll need you to, in the centuries ahead."
and yet again, there is a reoccurring pattern in her relationship with sammaster, another of her chosen, as well:
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sammaster fell to his knees and wept upon mystra's feet. they ended up spending ten days together. this made him the first chosen of mystra since the seven sisters. when he asked for the reason that mystra had chosen him, she replied that she had foreseen that one of her chosen would be killed in battle, and he would be the replacement. he left this encounter feeling as though he and mystra were in love.
mystra is no stranger to fostering feelings of boundless devotion that weren't present before. observing her potential chosen, appearing before them, promising them power. luring them into service without the knowledge of what this may entail. where other gods may instill fear, mystra instills the notion of love. practicing seduction while mirroring her chosen's humanity. intentionally portraying herself as someone sympathetic and approachable. syncing their language, highlighting mutuality, making them feel favored and seen. mystra sees no need in the act of divine separation, a display of godlike grandeur — inimitable, menacing, larger than life, towering above her chosen. instead, her manifestation is purposefully unassuming. she meets them in the form of a woman in her early 30s, conventionally attractive, palpable, and appealing to the masses — a human figure. the very embodiment, the very ideal of traditional beauty an impressionable, young wizard may have.
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gale: "i can't quite describe it, the need i sometimes feel to see her - to draw the filaments of fantasy into existence." gale: "no sculpture or painting could ever do her justice, only the fabric that she herself is and embodies."
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gale: "in her likeness, i used to read a thousand stories. she was beauty, wisdom, elegance, power... she contained universes."
player: “what did mystra’s attention feel like?” gale: “love. [...] perhaps it was not quite love, but you see, the wizard was but a very young man. it was most certainly love to him. [...]"
how we see her in the game is very likely the same form she chose to present to a young gale. beauty, wisdom, elegance. perceived perfection, yet humble in her divinity.
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the mystra of now (1490s DR) retains some of the memories of all of her earlier selves, and the relatively young and inexperienced midnight is “in there,” but wholly subsumed. mystra could generate an avatar or seeming that might fool some mortals into thinking they were meeting midnight, but it would be an act. [x]
generating an avatar in the form of a mortal she subsumed. purporting mutuality. midnight was just another mortal added to mystra's long list of "human stock" — vessels intended to preserve her power. favored, chosen, and ultimately suppressed by the very essence of mystra herself. midnight is no equal piece of mystra, the deity, there is no conscious part of the mortal that remains. [x] the mystra that currently exists is a union of the original mystryl, as well as all the other reincarnations of her that melded into her being. fragments of their minds that linger in the weave, scraps of humanity that could perhaps aid in her knowledge and understanding to prevent further betrayals in the future.
mystra's approach has always been indirect, instead of being outright menacing and portentous. the fact that mystra isn't written like the other gods in the game doesn't mean she's more sympathetic to gale's struggles or more inclined to understand human nature. her concern will always be the preservation of her domain and her hold over the weave — to do as the gods do.
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gale: "you're one to talk. how many innocents were you prepared to sacrifice if i detonated the orb?" mystra: "such eddies are unexceptional. souls arrive and depart your plane with every tide, in circumstances just and unjust." nodecontext: matter of fact, not interested in these kinds of specifics
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ketheric thorm: "who decides what is right? the gods did not care for right and wrong when they dismantled my life piece by piece." ketheric thorm: "and when i tried to buy it back, it cost me everything - everything." ketheric thorm: "we are copper pieces in their belts. tokens to be traded for scraps."
it is often mentioned that mystra makes her attention known by brushing against her potential chosen. whispering to them, touching their skin, eliciting a tingling sensation. which is also how mystra chose to reveal herself to ariel manx (midnight) in 1353 DR, while she was 21 years of age.
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gale mentions feeling a similar sensation if he chooses to destroy the summoning circle in balthazar's office at moonrise and thereby receives her blessing.
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gale: "did you feel that?" gale: "if i wasn't surrounded on all sides by the darkness of the shadow-cursed lands, i'd think it was mystra herself brushing against my skin."
mystra isn't above using manipulations to get her way. once again evident in her instigating dornal and elué silverhand's union in the first place, as well as intentionally withholding information from dornal that she actively took possession of his wife, elué. to ensure that they would indeed produce her offspring — the seven sisters — her chosen and the vessels to house her power.
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where elué had previously been reluctant to acknowledge dornal's advances, he found them suddenly returned with great fervor once mystra took possession of her body. [x]
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"by the time elué was carrying her final child, she was in effect a lich - a crumbling shell kept alive only through mystra's power. dornal was shocked at her deterioration. he sought magical aid to cure his wife, and when he learned from the most powerful priest he could find that his wife was possessed by an intelligent force of great power, a sickened dornal tried to slay her. he struck off her head one moonlight night as they walked together in a wooded glade. mystra was forced to reveal herself. dornal was shattered by what he had done, and aghast at how he - and especially elué - had been used." [x]
dornal, who had been kept in the dark throughout, abandoned his lands and children after slaying his wife, traveling to the north, with the plan to seek his own death. he repeatedly tried to poison himself, yet mystra wouldn't allow him suicide and magically neutralized the lethal doses to keep him alive against his will. after his death in 797 DR, mystra turned him into another servant of hers: the watcher — one who wanders the realms, seeking out new potential chosen to this day.
which brings us to...
✧ mystra's foresight and her "death" ✧
mystra possesses a degree of foresight - she foresaw the time of troubles and her own passing at the hands of helm in 1358 DR for defying him and her attempt to converse with the overgod ao without the tablets of fate. the very reason why she sought out mortal vessels to house her power (the seven sisters) — to avoid disaster should another entity win control over her in the chaotic period of wildly fluctuating power struggles that was the time of troubles. this divine power slumbers within these individuals, which she can call upon.
in 1385 DR mystra (midnight) was struck down by cyric and shar, which brought upon the spellplague.
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in 1479 DR mystra was located by elminster inside a cave in cormyr, guarding her mortal body. she survived cyric's assassination by inhabiting the body of a bear, while still able to contact her chosen. she returned to her full power in 1487 DR.
the important part, that i've often seen outright ignored or misinterpreted by fandom altogether, is that mystra wasn’t actually “dead” for over a hundred years. at least not in the way we perceive it. we can’t equate her death with our mortal understanding of it. her powers were diminished to an extreme and she was weakened, yet she was still able to communicate. it was in her power to contact her chosen and to guide them. evident by her calling for elminster through her telepathic link and directing him to recruit other chosen for her to restore her power.
the plot of baldur’s gate 3 takes place in 1492 DR. meaning gale's actual year of birth would be 1457 DR. while elminster likely sought him out around 1465 DR, when he was only 8 years old. however, i once again want to emphasize that “couldn’t have been more than 8 summers old” indicates that this may merely be an estimate on elminster's side. he could’ve possibly reached out to him even earlier than that, or perhaps later. gale was 22 year old at the time when mystra was found in her diminished state by elminster in 1479 DR.
✧ mystra's awareness✧
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gale: “so, all it took to get mystra’s attention was to learn how to reforge an artifact that once destroyed her." gale: "it's obvious, when you stop to think about it."
even if you may personally be skeptical of elminster’s insertion into gale’s life at age 8 (as well as mystra's ability to contact her chosen during her death) to be enough evidence of mystra’s attention — she had to be aware of him for his talents alone since he was a mere child. there is no way around this.
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player: "how could she possibly know we read a book? hasn't she got more important things to worry about?" gale: "the weave is a highly sensitive magical network threaded through all life on this plane. any shift in magical energy, no matter how small, is akin to a beacon, alerting mystra to its cause." gale: "opening a book like the annals of karsus was akin to us shooting a firework spelling 'look at us, mystra!' directly into the skies of elysium. she knows."
mystra IS the weave, as gale himself has stated several times. it is an extension of her being, threaded through all life. by touching the weave one is directly touching the goddess of magic herself. mystra is aware of any magic user, able to deepen this contact at her choosing.
shadowheart: "isn't it so, that every time you speak as you cast a spell, you're endeavouring to call upon mystra?" shadowheart: "i'm surprised she still listens to you." gale: "she has no choice - she's sworn to hear all magic users. even me." gale: "i'm sure she at least stuffs her fingers in her ears to muffle my invocations."
gale described himself as a child prodigy. a virtuoso that was able to manipulate and compose the weave at will from an early age.
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gale: "magic is... my life. i've been in touch with the weave for as long as i can remember. there's nothing like it."
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gale: "i'm what one might call a wizard prodigy, who from an early age could not only control the weave, but compose it, much like a musician or a poet."
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gale: "such was my skill that it earned me the attention of the mother of magic herself. the lady of mysteries. the goddess mystra." gale: "she revealed herself to me and she became my teacher. in time, she became my muse, and later, even my lover."
someone who was able to perform feats way beyond the skillset of his peers. he managed to wield the blackstaff itself, accidentally facing an irritated death slaad, and lived to tell the tale. he summoned and befriended tara, as well as the magma mephit, k'ha'ssji'trach'ash. we also know from elminster that he was able to cast fireball — a 3rd level spell — at age 8.
it is indisputable that mystra must’ve taken notice of the precocious young wizard during this time, even in her diminished state. much like she had once observed midnight. she began to whisper to him, drawing back the veils, revealing herself bit by bit, urging him that he was special — chosen.
gale: "he fancied himself much more than that. he fancied himself favoured above all others. [...] mystra showed him the secrets behind the veils. the gossamer veils first, draped across the weave. the delicate veils next, draped across her body. ‘chosen one’ she whispered, as she slipped them off completely."
✧ final part: power imbalance & exerting control ✧
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gale: "the weave is still here, all around us - inside of us too. as long as the goddess lives, magic is a tangible thing for those who know how to touch." gale: "i've studied magic for many years, and in as many ways i am still a more than capable wizard." gale: "it's just that i'm no longer able to perform those feats even arch wizards would marvel at." gale: " to have one hand on the pulse of divinity." gale: "you have to remember that the weave is a living thing, both the embodiment and the extension of mystra herself." gale: "she can give and she can take away. i'm afraid i'm still very much on her naughty list."
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gale: "mystra commands all magic. salvation, if such a thing exists, is hers to bestow or withhold." gale: "and yet, even now, more than i fear losing my own self and soul, i fear losing my command of her art."
player: "he sounds like a very talented individual." gale: "he was. even though it was in mystra’s affections that his true power lay."
even apart from their innate different forms of existence as a mere mortal and the literal goddess of magic, mystra is in full control of gale's power at all times, able to grant and withdraw her favors at will. claiming that such a power imbalance doesn’t exist, that it doesn’t apply to their respective relationship, that it might’ve been “healthy” at one point if gale was indeed of age at the time their relationship transitioned into a sexual nature is —pardon my french— fucking insane.
this stance disregards everything we know about the gods, about mystra’s involvement with other mortals and her chosen. it disregards the level of authority she wields over any magic user. it carelessly and naively disregards the implicit difference in power. mystra is the goddess of magic, his goddess. the very object of his worship and adoration since childhood. the goddess he devoted his life, his work, and his unyielding loyalty to. it is ultimately irrelevant at what exact point their relationship underwent its final transition from muse to lover. this discussion is redundant. mystra has been a constant presence since his early childhood. his worship of her began with the practice of his first spells, even if it wasn't conscious at the time. every practitioner of magic inevitably honors mystra, regardless of their faith in her. magic is his life, in the same way that mystra is pure magic. she is in total control of the tools he wields.
✧ summary ✧
mystra possesses a degree of foresight, already knowing about the time of troubles & her subsequent passing. this being her reason to seek out mortal vessels to secure her power.
mystra feels any shift in magical energy no matter how small, immediately alerting her. gale was able to cast a third-level spell at age 8.
mystra has a history of instilling feelings of love that weren't present before and using her chosen/other mortals for her own means. (elminster, khelben, sammaster, the seven daughters, ariel manx etc.)
mystra's manifestation is a conscious choice. midnight has been wholly subsumed by her.
mystra wasn’t actually “dead” in 1479 DR, but merely diminished. she was inhabiting the body of a bear and was still able to communicate with her chosen. she directed elminster to recruit other chosen to restore her power.
elminster sought gale out around 1465 DR when he was about 8 years old, as stated in the epilogue letter.
mystra first functioned as gale’s mentor, then his muse, and later his lover.
gale’s relationship with her was indeed of a sexual nature, he has explicitly stated so several times. their intimacy wasn't restricted to incorporeal interactions either, even though they were preferred.
during the ending where gale fails to ascend raphael states during the credits that tav has “rekindled gale’s ambitions after mystra had so cleverly put them to rest”.
azuth describes mystra's chosen as "tempered tools for her use". being bound to them by love and linked to them to preserve her very humanity.
mystra's intention to shape gale into yet another loyal, devoted asset to her portfolio has been there from the very moment she chose to reveal herself, to instruct elminster to seek him out. it was a conscious decision to directly insert herself into gale’s life, sowing his conviction that he was favored above all others. singling him out among his peers, isolating him with subtle promises of his greatness, his uniqueness, and all he could yet accomplish to be under her guidance. offering him her teachings, her inspiration, and eventually her love. yet all the while tempering his perceived greed and thirst to reach for even greater heights, unless it acted in her favor. keeping him close — lest his growing ambitions should ever prove to be an outright challenge to her rule.
the groundwork has been carefully laid from the very beginning.
gale: “goodnight. and thank you for your patient understanding. [...] try not to think too poorly of me. a cat can look at a king. a wizard can look at a goddess.”
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astroeleanor · 7 months
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˚₊‧🪐 Saturn: Where To Build Discipline for a Better Life 🪐˚₊‧
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‎‧₊˚✩ 🪐✩˚₊‧‎‧₊˚✩ 🪐✩˚₊‧‎‧₊˚✩ 🪐✩˚₊‧‎‧₊˚✩ 🪐✩˚₊‧‎‧₊˚✩ 🪐✩˚₊‧‎‧₊˚✩ 🪐✩˚₊‧‎‧
Saturn’s placement in your birth chart shows where you need to build discipline. It points to a specific part of your life where lessons in responsibility take center stage. Saturn serves as a mentor encouraging you to roll up your sleeves & dive into self-improvement.
The challenges you face in this particular area of your life aren't just random events, they're essential for your spiritual & emotional growth. While this journey might involve some sacrifices & hard work, Saturn's lessons often lead to rewards that stand the test of time.
‎‧₊˚✩ 🪐✩˚₊‧‎‧₊˚✩ 🪐✩˚₊‧‎‧₊˚✩ 🪐✩˚₊‧‎‧₊˚✩ 🪐✩˚₊‧‎‧₊˚✩ 🪐✩˚₊‧‎‧₊˚✩ 🪐✩˚₊‧‎‧
1H Saturn
Saturn in the 1st House encourages you to practice self-discipline. Take your self-development seriously, emphasizing the importance of setting goals and working diligently to achieve them. Work on building self-trust & cultivating a strong sense of identity.
Saturn's influence in your 1st House also teaches you the valuable lesson of patience. It reminds you that personal growth & self-discovery are processes that unfold over time. Commit to your own well-being & self-care, understanding that self-improvement requires consistent effort.
2H Saturn
Saturn in the 2nd House suggests that you should build financial discipline. Work diligently to create a solid financial foundation by setting clear financial goals, budgeting wisely, investing & saving for the future. This placement teaches you the value of patience & the rewards that come with responsible money management.
Saturn's influence in your 2nd House prompts you to be mindful of impulsive spending and to prioritize self-sufficiency. Assess your material resources carefully & actively work towards financial independence. Saturn also urges you to align your life choices with your personal value system. Ensure that your work and financial pursuits resonate with your core beliefs.
3H Saturn
Saturn in the 3rd House highlights the importance of cultivating organized thinking patterns. Build mental discipline by being mindful of your inner dialogue & the kind of thoughts you give attention to. This placement reminds you that your mental landscape plays a crucial role in shaping your perception of the world & influencing your decision-making.
Saturn in the 3rd house also encourages you to overcome distractions & maintain focus, allowing you to harness your mental energies more effectively. Additionally, this placement urges you to practice active listening & develop effective communication skills. By honing these abilities, you can foster better connections with others, avoid misunderstandings, and express your thoughts and ideas with clarity & precision.
4H Saturn
Saturn in the 4th House prompts you to establish & enforce boundaries within your family dynamics, including your relationship with your parents. Define your limits & expectations while maintaining a sense of respect and responsibility towards them. Additionally, work on taking family responsibilities seriously!
Moreover, Saturn's influence in your 4th House highlights the importance of creating a stable & secure home environment. Work diligently to build a foundation of comfort & safety for yourself & your loved ones. This may involve financial planning, home maintenance, and emotional support. Additionally, Saturn encourages you to respect your need for privacy and personal space, reminding you that nurturing yourself comes first.
5H Saturn
Saturn in the 5th house suggests that you should aim for a harmonious work-life balance. While it's important to embrace the joys & pleasures that life has to offer, Saturn reminds you not to overindulge or become entirely consumed by these experiences. Instead, it encourages you to approach leisure with a sense of moderation & mindfulness.
Saturn in the 5th House serves as a gentle reminder that you can still bask in life's pleasures & creative pursuits while maintaining your commitment to your responsibilities. It encourages you to ensure that neither aspect of your life overshadows the other. By doing so, you can make the most of both worlds, nurturing your creativity while fulfilling your obligations.
6H Saturn
Saturn in the 6th House suggests that it's crucial for you to maintain a consistent & health-conscious routine. Prioritize a balanced diet, regular exercise & a well-structured sleeping schedule.
Saturn's influence in the 6th House also extends to your work environment & relationships with co-workers. It emphasizes the importance of setting strong boundaries in your professional life. This means being clear about your role, responsibilities & expectations at work. Make sure you establish healthy boundaries with co-workers to reduce unnecessary stress & conflicts.
7H Saturn
Saturn in the 7th House places a strong emphasis on establishing & maintain strong boundaries within your intimate relationships. While partnerships can be immensely fulfilling, it's crucial to define your limits, expectations & responsibilities within them. Prioritize fostering relationships that are built on trust, respect & mutual growth.
Saturn's influence in your 7th House shows the importance of cultivating committed, long-term connections. Approach partnerships with a sense of responsibility & dedication. Whether in your personal or professional life, find a balance between independence & interdependence, recognizing that healthy partnerships thrive when both individuals maintain their autonomy while also supporting each other's growth & well-being. If relationship issues arise, Saturn reminds you to take responsibility for your part and behavior, fostering open communication & a willingness to work through challenges together.
8H Saturn
Saturn in the 8th House indicates the need for you to develop a strong sense of financial discipline. It encourages you to take your financial matters seriously, emphasizing the importance of long-term planning, savings & investments. This placement also highlights the importance of taking a serious & methodical approach to your emotional & spiritual healing. Consider therapeutic or introspective practices that can help you navigate the depths of your psyche, confront unresolved issues & achieve profound transformation.
Moreover, Saturn in the 8th House prompts you to think about the legacy you will leave behind. It encourages you to work on leaving your own unique mark on the world, whether through your career, creative endeavors, or personal relationships. Saturn's presence in this house reminds you that your actions and choices can have a lasting impact on others and the world at large.
9H Saturn
Saturn in the 9th House emphasizes the need for you to approach your education with a serious & disciplined mindset. It encourages you to value the pursuit of knowledge & wisdom as a lifelong endeavor. Whether you're pursuing formal education or engaging in self-study, Saturn in the 9th House shows the importance of dedication to your intellectual growth.
Moreover, Saturn's influence in this house prompts you to develop a strong moral compass & a deep sense of ethics. It encourages you to seek higher truths & philosophical understanding, ultimately guiding you to make ethical & responsible choices in your life. Explore different belief systems, cultures & perspectives to broaden your horizons & gain a more profound understanding of the world around you.
10H Saturn
Saturn in the 10th House suggests that you would benefit from adopting a disciplined approach to your career & actively strive for long-term planning in your professional life. This placement emphasizes the importance of setting ambitious yet achievable career goals and working diligently to reach them. It encourages you to view your career as a journey that requires patience & persistent effort.
Saturn in the 10th House also points to the need for a healthy work-life balance. While you pursue your professional ambitions, it's essential not to neglect other aspects of your life, such as your personal relationships, well-being & leisure. Moreover, you should work on establishing strong boundaries in your professional relationships, particularly with superiors & authority figures. By setting clear limits & maintaining a sense of professionalism, you can navigate the challenges of the workplace with confidence & integrity, ensuring that your career path aligns with your values & aspirations.
11H Saturn
Saturn in your 11th House encourages you to establish strong boundaries within your circle of friends & associates. While friendships & social connections are valuable, it's equally important to define your limits & expectations within these relationships. Prioritize friendships that are built on trust, respect & shared values & distance yourself from those who may not align with your long-term goals or values.
Saturn's influence in your 11th House highlights the need for discipline & commitment when it comes to pursuing your dreams and making them a reality. It urges you to set clear goals for your future & to take meaningful steps towards achieving them.
12H Saturn
Saturn in the 12th House suggests that you should establish a consistent & disciplined spiritual routine. You would benefit from making a conscious effort to connect with your inner self regularly. Engaging in practices like prayer, meditation, and other forms of spiritual exploration can become powerful tools on your path.
Saturn's influence in your 12th House encourages you to hold yourself accountable by addressing & resolving any self-sabotaging patterns or subconscious behaviors that may be hindering your spiritual evolution. It invites you to confront the deep-seated fears & limitations that may be holding you back. By doing so, you can begin to transform these challenges into stepping stones on your spiritual journey. Embrace the discipline required to delve into your inner world, explore the hidden aspects of your psyche, and release any emotional baggage that may be weighing you down.
‎‧₊˚✩ 🪐✩˚₊‧‎‧₊˚✩ 🪐✩˚₊‧‎‧₊˚✩ 🪐✩˚₊‧‎‧₊˚✩ 🪐✩˚₊‧‎‧₊˚✩ 🪐✩˚₊‧‎‧₊˚✩ 🪐✩˚₊‧‎‧
Thank you for taking the time to read my post! Your curiosity & engagement mean the world to me. I hope you not only found it enjoyable but also enriching for your astrological knowledge. Your support & interest inspire me to continue sharing insights & information with you. I appreciate you immensely. • 🕸️ JOIN MY PATREON for exquisite & in-depth astrology content. You'll also receive a free mini reading upon joining. :) • 🗡️ BOOK A READING with me to navigate your life with more clarity & awareness.
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Dialogue Tags and Action Beats, Pacing and Scene Development; a Brief Overview
I've seen a few "dialogue tags to use instead of 'said'" posts now, but most of the tags provided by these posts are trying too hard and are much more distracting than "said" would be. "I'll kill you," he declared; "It's okay," she exonerated; He remarked, "He shouldn't have done that." These are clunky to varying degrees, and if you don't recognize that now, you will with practice.
The truth of the matter is that "said" is pretty much always blank space that the reader will skim over without a second thought. It's maybe the only word we have with this function, and it should be treated as such! So why don't we use dialogue tags that add meaning to the dialogue? Something like "argued," "rejoiced," "remarked"? You can, and these should be used now and then (maybe not "rejoiced"), but overusing them weights down the prose, and in general, they should be replaced by action beats or description.
In much the same way adverbs and adjectives should be avoided if the noun they modify already has the qualities of its modifier, wordy dialogue tags should be avoided if you can show the character's emotions through other means. Dialogue tags are telling; action beats and description are showing. Look at these examples:
He remarked, "I can't believe it's not butter."
His eyebrows rose. "I can't believe it's not butter."
"I told you not to do it," she cried.
Her body shook; words rasped her throat. "I told you not to do it."
"Cried" and "remarked" here aren't bad, but they are weaker than they could be. In the first example, "remarked" indicates tone, but it doesn't do anything else. "His eyebrows rose" indicates tone and also develops the scene. It places the character in the reader's mind's eye, and we understand how that specific character reacts to margarine. How would a different character react differently? This dialogue feels embodied; it belongs to a specific body, a specific host. The second example is embodied too, and a little flowery, though not excessively so. We see how a character reacts to whatever "it" is, and we aren't told how they react. How does she cry in the first sentence?
The debate about dialogue tags, however, misunderstands what tags are actually for. Probably 10% of it is imbuing meaning where there is none (a simple word like "whisper" is a great replacement for "said" when used with restraint), but 90% of it is about tempo/flow/beat/pacing/whatever you want to call it. Read these sentences:
She said, "This is none of your business, and you aren't telling anyone about it."
"This is none of your business," she said, "and you aren't telling anyone about it."
"This is none of your business, and you aren't telling anyone about it," she said.
These sentences convey the same information, but to the careful ear, they carry a world of difference. The first reads snippy, like a terse command; the second gives some added gravity to the second half of the quote, landing hard on the last clause; the third one may be effective if the character is responding immediately to something another character said, since there isn't anything to preface the dialogue, and there's nothing halting it in the middle. All this happens in the two syllables of "she said." Use this word to affect the flow of your writing; use this word to affect how people read your writing. Another sin of other dialogue tags is that they may have too high of a syllable count to warrant use. "He expostulated" is a wild distraction from otherwise smooth prose. "She interrupted" is also clunkier than just having the character interrupt with your choice of dialogue tag/action beat placement or omission. In general, I'd be wary of any dialogue tag longer than two syllables.
Wordy dialogue tags can also be avoided by seeding description in your conversation scenes! Just as the world still operates when we have conversations, so too should it for your characters. Here's an exchange from a story I wrote:
He smiled. “Sleep well?” “Girls were up late.” “Is that a yes—” “No. I didn’t sleep.” She squeezed her eyes closed. “They were screeching.” The crowd caught up with them, swallowed them, and they were carried along the cement. “Oh.” Carmen paused. “Sorry.” “It’s okay.” “Is it all bad?” Bodies shifted in the crowd, and Piper glimpsed Beatrice again. Familiarity warmed her chest. Here was the world outside the camp; here was everything Piper knew. She stood between Beatrice and Carmen and lived again in band class, lived again on the bus home, let public streams flood her roots and grow her as a social monolith, an independent and undisputed landmark in her social circles. But at camp, she was little more than Beatrice’s friend, than Carmen’s apocryphal lover. “It’s not all bad,” she said. “Bea is here. And you.”
Description can easily mold into a character's internal monologue, as it does here. You can also go straight to the monologue if you'd like:
Was she sad, Piper thought, or coy? No, it was the start of a joke. “You didn’t think you were a big deal?” But Beatrice didn’t smile. “I didn’t think people cared that much.” She drew her hands close on the table, covered right with left, and looked into her knuckles. This was defeat, Piper recognized. Beatrice conceded, but of her own will. Piper won, but her score was sour, and Beatrice seemed to crumple her arms into the abject statue of her body. And Piper felt as she never had before, as if a storm of locusts ate at the border of her stomach, as if her skin turned to deep and polluted waters, as if moving one hand or twitching one muscle would irrevocably alter the course of life; the drumming of a finger would set off some idle paranoia in Beatrice, or a sniff of the nose would throw her from the wide window, drop her thirty feet down the wooded hill, and crack herself in two on the base of an implacable oak. This was grief, Piper felt, or something approximating it, something resembling internally a dark and blank horizon, something feeling as a stone feels in a pond whose size may only house that stone, something taking shape in the woman before Piper, shrinking now to a girl, now to someone uninspiring in a world of couplets. Piper sat still, because she did not know how to affect the world without ending it. “I’m sorry,” she said.
Imagine if the second example read:
"You didn't think you were a big deal?" Piper said.
Beatrice frowned. "I didn't think people cared that much."
Piper frowned because Beatrice was sad. "I'm sorry."
Much weaker! Why is the description so long in the second example? Because it's a big emotion! In the world of pacing, big things get big descriptions. In both examples, you feel exactly what the characters are feeling, even though I never used a dialogue tag besides "said." And I used "said" a few times to affect the pacing, which adds to how you perceived the characters. You understood the characters because stronger, more descriptive, more pacing-aware things replaced what could've been clunky tags.
Still, you can do whatever you want with tags, beats, and description. I've read incredible prose with zero tags and sparse beats, prose with paragraphs of beats and plenty of tags, and anything in between. It's all a matter of style, which is to say, experiment! Writers will be stubborn and say things like, "I don't use anything besides 'said' in my prose" or "I'll never use 'said' in my prose again," but neither of those are your personal style. They're declarations that you'll die on this hill you don't fully comprehend, to take a stand on an idea you've never genuinely played with. Go full maximalist; go full minimalist; find what feels right for the pacing you want to incorporate into your style, and recognize how pacing changes depending on the context and content of a scene. Nearly every word is permissible somewhere, it's just a matter of finding the right scene for it. And "said" is permissible always.
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savannahsdeath · 8 months
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SOCCER!ELLIE WILLIAMS X CHEERLEADER!READER
PART 2TWO
part 3three
part 1one
mdni please<3
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summary: effects of the match seem simple - ellie either wins and gets what she wanted, or not. but even the score doesnt make things less complicated, as the past wont leave you
warnings: minors safe🩷
writers note: the start is shitty because i was writing it in a rush but it gets better after first goal i promise!! also this ones shorter because i had to stop right there cus i dont know wether to make it ellie x reader or change it to vi....
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'that's right, put your pom-poms down
getting everybody fired up'
you were excited for the match. not only did it mean that ellie was going to try her best to win your kiss, but the stakes were higher than that. you'd been excited for the rematch between your team and vi's team - your ex's team - all year, and now the time had come.
soon, the match was about to start, and you and the other cheerleaders took your positions on the sideline to cheer for your team. ellie and other players took their positions on the field, looking confident as well.
you cheered, watching ellie play against vi. the match was close, and the score was tied for a while. then, ellie managed to score a goal, turning the score to 1-0 in favor of their team.
you cheered as loud as you could for ellie, feeling a bit torn between wanting your team to win and not wanting to see ellie get her reward so easily. but just like you, vi had also noticed the connection between the two of you, and had to do something about it - she had no intention of letting the flirting continue. as the leader of her team, she made sure that they were playing aggressively, and they managed to tie up the score again, making it 1-1.
you watched as vi celebrated her team's goal with her team's cheerleaders, and you frowned, not at all happy to see her happy.
first 45 minutes ended, making all players spread out. some drank water, some stretched or practiced, but most of them just rested. ellie walked into your direction before suddenly stopping and turning around. just then, vi appeared in front of you.
"we need to talk." she demanded and you knew you have no choice.
you followed her as she led you away from the field. the two of you walked silently for a bit, until she finally turned to you.
"i've noticed you flirting with ellie." she said, her expression dead serious.
you couldn't help but stare at vi, trying to process what she was saying.
"what makes you think that?" you asked.
"don't play dumb. i've seen the way you look at her." she scoffed, rolling her eyes.
"what's the big deal anyway?" you inquired, trying to keep the conversation calm. you shrugged and added; "we broke up months ago."
"you're flirting with her right in front of me!" vi crossed her arms, glaring at you. "do your feelings towards me mean nothing to you anymore?" she asked.
you hestitated for a moment, not sure wether it's a good idea to bring this sensitive topic to the conversation. but you couldn't stand it anymore. "my feelings for you disappeared as soon as you cheated on me."
vi's eyes widened. she seemed genuinely surprised by your response - maybe she hadn't expected you to be so candid with her. "i never did. it would be different if you'd just- listen to me back there instead of believing what people say!"
you raised an eyebrow at the girl. "believe what people say?" you scoffed. "people don't just make something like that up."
you couldn't believe that she was actually trying to deny her betrayal.
"i don't want to hear it." you said, glaring at her. "i'm moving on, and you should too."
vi looked hurt. she clearly wasn't expecting such a bold response from you, and wasn't sure what to say.
"i should go." you said, turning to walk away.
"hey, wait a minute." vi exclaimed.
you defensively put your hands in the air. "no, that's it. the break ends soon, you should get ready." you nodded towards the field. "now, excuse me, i have to go cheer on ellie, so i don't miss her second goal." you said with a smirk.
vi rolled her eyes, so you could tell that you had hit a nerve. it wasn't necessary, but she deserved it. unless she wasn't lying...
you rolled your eyes back in retaliation, enjoying the little victory you had over her. you didn't even realize how intrigued you were by the match- no, by ellie, until this talk.
you didn't want to waste time chatting with vi, so you started walking towards the field. you saw ellie talking to her team on the field.
the second half of the match started, and the wave of cheers from the crowd got louder.
the last twenty minutes.
you watched as ellie started running towards the opposing team's goal, dribbling and dodging opponents with exceptional skill.
as ellie approached the goal, she noticed you in the crowd. she winked at you, and you couldn't help but grin back. as if she knew that she was going to score another goal, ellie took the shot, and it went in.
2-1 in favor of your team.
your ears were deafened by clapping, some people even stood up and jumped around. the game went on but ellie let herself rest for a moment, her players carrying the situation. even now, on her sweaty and tired face, you could see the same smirk she always has. she was proud, simply proud.
vi didn't like that, though. she saw the smile on ellie's face, and she knew that ellie was doing this for you. she kept yelling at her players, telling them to try harder.
soon, one of vi's teammates managed to push through your team's defense and scored a goal, making it 2-2.
vi smiled, looking right at you as she celebrated, encouraging her team to hold their position.
as the match neared its end, both teams tried their absolute best to score a third goal, but to no avail. time was running out quickly, and it seemed that the match would end in a tie.
you glanced over at ellie, watching as she ran back and forth on the field, sweating profusely and looking exhausted. she had given her all for the match and almost scored another goal, but it just wasn't enough.
the ref blew his whistle, as the match had officially ended.
PLEASE LET ME KNOW ARE YOU GUYS TEAM ELLIE OR TEAM VI??? i need yalls opinion🧎🏼‍♀️
TAGS: @wandasromanova @bellaramslover @aouiaa @glennns-blog @elliewilliamsfuckbuddy @iheartsadiesink @ximtiredx @coff1nn @jowdann @simpforellie @iveofficiallylostmymarbles @skylerwhitwyo @pinkigirl @islalips @ratdungeon @okayyesbutno and some more i cant tag for unknown reasons:(
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slaybestieslay946 · 1 month
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Stay
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pairing: paul atreides x reader
word count: 2000
warnings: light angst with a happy ending
summary: you are the empress of the known universe alongside paul atreides, however, you dont agree with what hes doing, so you give him an ultimatum.
You had always loved the rain. Especially on Caladan. Yes, on your home planet it had rained fairly frequently, but it wasn’t the same. The rain on Caladan came down by the bucket full, not measly little drops. Each minute sheets of water fell from the sky like rolls of silver fabric. 
The only thing that lulled you to sleep more effectively than rain on a window, was the slow, contented breathing of your husband beside you, and the slow movement of his fingers brushing against your waist. Every now and again he’d re-adjust his position to get even closer to you. 
Usually he fell asleep before he was practically clinging to you, but tonight was not one of those occasions. 
“Paul,” You laughed breathily, pushing away from him a bit in order to spin in his arms and face him. 
He groaned in complaint as you moved away from him and opened his eyes blearily. 
“Why’re you moving away…” He complained, trying to pull you back to him. 
“Because you’re practically on top of me, I’m not a hot water bottle.” You chided, although the teasing smile on your face gave away your true feelings. 
“No, you’re better.” He said, a sly smile on his face, “Now c’mere, I’m cold.” 
You sighed, but did as he said, tugging his arm around you and lacing your fingers together. 
You could feel Paul’s smile on the back of your neck as he found a way to hold you even closer. 
“I love you.” He whispered, and you replied in kind, the smile that formed on your face certain to match the one he was currently wearing. 
“Promise you’ll stay with me?” 
“Mhm. I promise.” 
Now, as you paced nervously around the hangar, you couldn’t help but think back to that promise you had made. At the time, you thought that nothing could tear you away from Paul Atreides, not the sun nor the stars. 
Of course, you could never have planned for him becoming Emperor of the known universe. And you could have never known that it would be him tearing the both of you apart. 
At first, when you had been planning your escape, you had hoped that the aircraft would arrive before your husband. That was before you remembered who your husband was now. He would notice you were gone almost immediately, so you had to plan for confrontation, not avoid it. 
“What is this?” A voice came from the entrance to the hangar, echoing through the cavernous room and into your ears. He didn’t sound angry, merely confused.
You turned to face him and his expression was just what you thought it would be, torn between angry and distressed. In his hand, he held the note which you had written, telling him to meet you down here.
“I am leaving, Paul. For Caladan.” You said firmly, turning to face him. 
He smiled weakly, shaking his head, “Why all the smoke and mirrors? If you wanted to return home you should have said so. I would have prepared a ship for us both-”
“Because I am not going with you.” You interrupted, your voice harsh.
“What do you mean? It is not exactly typical for the Empress to leave her husband days after the coronation.” He laughed, but it was not the melodic sound you had once loved, instead it was forced, choked even. 
“Well, you are not the typical Emperor. I am leaving, and you will not follow me.” You stated, remaining firm, even as your heart threatened to betray your mind and run back to him. 
Paul just stared at you, his face painted white in shock. 
“Why?” He asked, his voice cracking.
“Because I can no longer stay by your side and watch you become this. You are becoming someone I do not recognise.” 
“My love, what are you talking about-?”
“I'm talking about this, Paul! Your holy war! You do remember that, don’t you? The war you swore to me you’d do anything to stop? And now, here you are, at its forefront.”
“I had no choice.” He said, his eyes hardening slightly.
“You always have a choice. You are their so-called ‘messiah’. Their emperor. They would fly into the sun if you asked them to. So ask them, stop this war before it consumes everything.”
“You know it is not that simple!” He shouted, and you couldn’t help but flinch slightly before rallying yourself.
“The man I married on Caladan would not have cared about simplicity. He would have cared about what was right, what was moral! He would never have entered this conflict, he would have laid down his life to prevent it! And I would have been right beside him.” 
“This conflict was inevitable! I am doing my very best to minimise the damage, can’t you understand that?”
“I understand that you are still not doing enough.”
Paul looked at you, incredulously, anger filling his gaze, “Really? How can I do more when my own wife does not believe in me! You claim to support me, and yet now you are leaving me. My position is still weak, and you leave the only man you have ever claimed to love.”
“Your position! You are faced with the massacre of your people and all you can speak of is your position!?. Have you no soul left Paul? Did it melt away on Arrakis, scorched by the sun?” 
Suddenly all the anger and venom drained from Paul’s face, and he found himself dropping to his knees, and begging you to stay. 
“You are my soul. You have been all these years. You keep me balanced, you are my morality, my goodness. Everything I do is for you, my love, for your safety. I only care about my position for it is your position also, all the power I have acquired is only in the name of keeping you from harm.”
You looked at him, staring deeply into his eyes, that piercing blue that you had thought so beautiful when they finally changed. Now they were just a reminder of how much he had changed since coming to this awful place. 
“I want to believe you. But you have always had such a way with words. I watched the way you deceived those people into following you, is that what you’re doing now?” 
He rose to his feet again, taking your hands in his. His face was frantic with fear. 
“I would never deceive you. I mean every word, I’ve felt this way my whole life. You are the most important thing to me. You know I would never lie to you.”
For the first time since the conversation began, you hesitated slightly. Could you believe him? Eventually, you landed on an answer. 
“...I do. You would never lie to me on purpose. You are lying to yourself too Paul. You know that I have never wanted position, nor power, heavens, I have never even wanted safety! All I have ever wanted is you, wholly, truly, with no barriers-”
“And you have me!” 
You reached up to splay your hand across his cheek, wiping away the tears that threatened to spill from his blue-blue eyes. 
“No, I don’t have you. I have splinters of you, and I fear the rest is lost. You may bear the resemblance of the man I love, but you are not him.”
He opened his mouth to protest, but no sound came out. 
Suddenly there was the immense whirring of gears, and you knew your ship was here to take you to Caladan.
“I’m afraid we do not have much time, so listen to what I say,” He didn’t react, his face remaining desperate and heartbroken, but you continued anyway.
“If you finally realise what you have done, and you fix it, come to me on Caladan. But I don’t want to see the Muad’dib, or the ‘Messiah’, or the Kwisatz Haderach. The only man I wish to see is my husband, Paul Atreides. Remember that Paul.” 
You gave him one last longing look before turning away from him, and making towards the ship that was emerging from the floor of the hangar.
“I’ll see you again?” He called, his voice cracking slightly as he stared after your retreating form in defeat. 
“Hopefully so, my love, hopefully so.” 
And with that, you stepped onto the outstretched platform of the ship, and shut the door behind you. Paul stayed in the hangar until the craft was gone, biting his tongue so as not to call out to you again and beg you to stay.  
*
The message that the Emperor would be coming to visit you had come far sooner than you expected.  
And you were disappointed in him. He was breaking your agreement, and so soon. It had only been a year, and to your knowledge there had been no change in the situation.
 Perhaps he was coming to ask for a divorce, maybe he’d found someone else since you left. That would certainly be ironic, considering the way he had begged for you to stay on Arrakis. 
However, you were incorrect, because only a few days later a messenger came to tell you that the jihad had ended.         
Immediately you leapt out of your seat, clasping your hand over your mouth in shock. He had done it. 
For the next few days, Castle Caladan was abuzz with preparations for the Emperor returning home. You oversaw said preparations with a watchful eye, and though you wouldn’t admit it, you were happier than you had been in years. As much as you didn’t want to admit it, you had missed Paul terribly. 
Yet, when his ship landed, you were nowhere to be found. 
“Where is my wife?” Paul asked one of your ladies in waiting as he strode through the halls of his childhood home. 
“My lord, she left on a walk to the cliffs this morning, and has not returned since. Would you like me to send someone to fetch her?”
The Emperor’s harsh expression softened slightly. “No, I’ll go.” 
It didn’t take Paul long to work out where you had gone, and as he climbed one of the paths up to the cliffs, he was glad to see you sitting on one of the benches, clad in the green silks of house Atreides. 
He called your name, and his voice cut through the gusting winds into your ear, and you turned to face him with a searching look on your face. 
You stood, and couldn’t help but jog towards your husband, gathering your skirts so you didn’t trip and make a fool of yourself. However, you stopped short of running into his arms, opting to stand just in front of him so you could inspect his face properly. 
“Is it you, Paul? Have you finally come back to me?” You asked, your voice cracking slightly. 
“It’s me,” He whispered, reaching a hand out to touch you, “I’m sorry I didn’t listen to you, what I was doing was wrong, and I know that now, and-!”
You cut off his rambling apology by surging forwards into his arms and kissing him fiercely. He immediately responded in kind, wrapping an arm around your waist and cradling your head in his hand, whilst you held onto the lapels of his coat as tightly as you could. 
Despite the fact you wanted to stay like that forever, eventually the need for oxygen prevailed, and you broke away to take a deep breath in, laughing lightly at the sight of his flushed face. 
He grinned at you, moving the hand that was on the back of our head back to your cheek, brushing his thumb along your face. 
“You missed me?” He asked, teasing, but his voice had a slight edge of concern to it. 
“Yes. I missed you so much.” You said immediately, emphatically. Because you had missed Paul, it felt as if you hadn’t seen the real him for years, and the feeling of being reunited was almost too much for you to contain. 
He let out a short sigh of relief, “I missed you too. But it’s ok, because I’ve fixed it all. They still think I’m their messiah, but I’m going to stop acting like it. And you were right, I was power hungry, and selfish, and I exploited so many people, and I betrayed you, and-”
“Enough, Paul.” You said, looking at him with so much care that he couldn’t help but smile softly, “Yes, you have made mistakes, but it wasn’t all your fault. And you’ve made a change now, you’re doing the right thing. And I’ll always be there for you. I had to leave to help you, but I knew we’d see each other again. And here we are, back home, just like old times.” 
“You’re right.” 
“I often am, my love.” 
He wrapped his arms around you once again, “Will you stay with me, here?” 
You nodded, “Mhm. I’ll stay for good this time.”
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balioc · 4 months
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Holiday Engineering: What Not to Do
We can learn a lot from Chanukah, because Chanukah is a garbage-tier holiday.
I mean this in a mostly-detached, mostly-analytic way. Like many people who were raised Jewish, I have some very fond and happy memories of Chanukah. Anything can accrue fond and happy memories, if you have a way of getting people to do it. But Chanukah is full of features that actively detract from its being resonant, impressive, memorable, or fun. It is an anti-advertisement for its community.
If you're a would-be designer-of-holidays, this is actually a really useful thing. Mimicking the good and successful holidays is quite hard; their quality tends to hinge on a lot of idiosyncratic hard-to-replicate factors, and "invent something as cool and punchy as the $WHATEVER" can be a tall order. But it's easy to look at a design failure and say, "I"m not going to do that."
With that, let's go into the details:
CHANUKAH: THE GOOD
Timing. It's a midwinter festival-of-lights. Solid start. Everyone loves those. Brightness and festival cheer, in the long cold winter nights, is practically a need for many. The holiday mostly skates by just on being the winter light festival for the Jews. A+. Or, really, we should knock that down to an A, because Chanukah usually comes too early to be ideal for this purpose, but -- still, quite good.
Traditional food (side dishes). Latkes are incredibly popular, and for excellent reason. If you're trying to settle on a food that everyone will love, "fried potatoes" is a damn good choice.
CHANUKAH: THE NEUTRAL
Symbols. There's really just one that matters: the chanukiyah (nine-branched menorah). Which is, on paper, a very cool and snappy symbol. Distinctive silhouette, ritual engagement, plus the allure of fire. But it loses a lot of points for the fact that you don't actually light the whole damn thing, and get the proper visual effect, until the very end of a long-ass holiday when everyone's enthusiasm and attention have ebbed. On the first night, in particular, you light just two candles in your chanukiyah, and it looks lopsided and sad.
Traditional food (sweets). Jelly donuts are fine, I guess, if uninspiring and uninspired. Chanukah gelt is pretty lame as candy goes...but from a holiday-design perspective, it's hard to go too far wrong with giving kids candy.
Music. "Maoz Tzur" is kinda pretty. "Oy Chanukah!" is kinda fun. That's pretty much it, barring some silly kids' music (and I guess that Adam Sandler thing). Nothing that will knock anyone's socks off. But, honestly, two decent songs is more than many good holidays have.
Gifts. Being the big annual gifting holiday is a double-edged sword. It's some super-powerful mojo, culturally speaking. People are obsessed with giving and receiving gifts, in a way that's very hard to excise or evade, no matter how often you trot out your utilitarian language about deadweight loss. Chanukah gets a lot of its traction out of the fact that it's the holiday where you get presents. But. (a) In the modern world, the gifting holiday is unavoidably a locus of stress and misery for many people, and Chanukah doesn't have nearly enough upside serving to support that burden. (b) Chanukah is bad at being a gifting holiday. The gifting is not well-integrated into the event, it's a tacked-on thing copied over from Christmas, and it shows. There's no real ritual surrounding it, no presents-under-the-Christmas-tree equivalent, certainly no Santa Claus. Worse yet, the eight-day-holiday thing means that either you need a set of gifts whose awesomeness is equally divisible by eight (mega-awkward), or else you have inconsistencies and disappointments.
CHANUKAH: THE BAD
Theme. What is the holiday about, when everything is said and done? What is our key takeaway message from all the shit we're doing. "God is great, God looks out for His people, God performs mighty miracles." Stop. Shut up. You fail. That's every holiday, if you're operating within a religious tradition. You need something more than that, something powerful and deep and important and special, to be even halfway-decent as a holiday. But for the vast majority of Jews (including Jews in the most orthodox and observant denominations), that's pretty much all you get. Because...
Mythology. The story of Chanukah, the holiday's narrative raison d'etre, is just unconscionably bad. In some extremely vague sense, it's a story about Jews overthrowing foreign oppressors and casting off foreign influences...which is already pretty bad from a modern liberal perspective, we don't like jingoistic ethnonationalism these days. But the actual events of the Chanukah story are less about Jews-against-foreigners than they are about Jews-against-other-Jews. It is a story about fanatics seizing power and murdering cosmopolitans. Virtually everyone hates that shit, up to and including the most tribal-minded Jews. The rabbis of the Talmud were pretty iffy about Chanukah for exactly this reason, and didn't talk about it much, with the result that the holiday doesn't have much in the way of supporting cultural infrastructure. And you really can't tell the Chanukah myth without that horrible stuff; it's so baked-in that it gets incorporated into even the most sanitized propagandistic Hebrew-school versions of the tale (with exactly the effects that you'd expect on Hebrew school students). The miracle of the oil feels like a tacked-on narrative coda, because it is, because without it the only possible moral of the story would be "kill your neighbor if he's not pious enough for you." But it's much too little, much too late. The miracle of the oil is super lame by miracle standards: no one is saved from danger, there are no memorable SFX, the whole thing is relevant only to the rituals of a long-vanished Temple.
[There are several lessons that can be learned from this particular problem, at multiple levels of abstraction.]
Structure. You can have a good eight-day holiday, but a festival of that length needs an arc. The days need to be distinct from each other. You need to be either building up to a climax, or -- more commonly, as with Passover and [the twelve days of] Christmas -- coming down from a main celebration at the beginning in a long pleasant haze of semi-special time. Chanukah is flat and internally undifferentiated, except for the addition of more candles to the chanukiyah. You can't sustain real holiday feeling that long, and there's no particular day on which you're supposed to do anything special, so it all just turns into a mush of "how much do we care right this moment?"
Activities. The traditional dreidel game is the worst, most boring, most unbalanced game in the history of games. Pushing it on children only makes those children hate Chanukah, and Judaism, and games, and you.
Traditional food (entrees). There's no classic Chanukah dish that can serve as a viable main course, unless you're one of those people who can happily eat fried potatoes as an entire meal. This is a glaring omission. It's particularly bad for Chanukah, because Chanukah has so little else going for it that it really needs to lean hard on the standard holiday "gather for a festive meal" thing.
Social role. As many people will eagerly tell you, Chanukah was a pretty minor holiday for most of Jewish history; it got big largely because of a marketing push in the 19th and 20th centuries, mostly because people got scared about the prospect of the younger generations assimilating, and wanted to give them a holiday to compete with Christmas. Which is maybe the worst idea that anyone has ever had. For more reasons that I can easily list here, modern Western Christmas is an absolute SSS-tier holiday, one of the very best of all time. Setting yourself up as a direct competitor to Christmas -- inviting your own people to make that comparison -- is tantamount to telling them that your traditions and your community are worthless and weak, and that they should join the ranks of the gentiles. And that would be true even if your own offering were something halfway decent. Trying to do it with Chanukah...it's like Estonia declaring war on the US. It's the ultimate "we have food at home." It is, if you'll pardon my saying so, Christian rock.
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anisespice · 11 months
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“ hate your boyfriend ” || tokyo rev. pt. 2
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synopsis: " you can pick me or your little boy. "
pairing: college!toman x gn!reader
warnings: mature language, sexual themes, MDI. toxic!toman, cheater!reader (pumpkin eater!!), enabling behavior, mild violence, vague descriptions of sex (cause i’m lazy), vulgar language, corny marvel joke, dirty-talk, moral compass is a roulette wheel in this one lol and i think that’s it :P 
notes: did a little continuation of the first one before doing more characters lol i’m happy you guys liked the concept, lemme know who you’d like to see next :))) i don’t hate this one, but i don’t love it either (except maybe mikey’s) buuuut hope yall enjoy! <333
tagged: @fantasycantasy , @spacegirl05​
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A week had passed since the whole kick-back fiasco, and MIKEY had gone awol. Aki was over the moon about it, for obvious reasons; as far as he was concerned, he scared him off. Besides, the less you hung around the delinquent, the better for both of you.
“That guy’s just a nuisance, babe. Good riddance.”
Little did he know, this was a regular occurrence. Mikey always did this—Disappeared for days on end, only to pop right back up like he never left. Whether it be due to gang related issues, or because he felt like it, this frustrating habit was one of the reasons you invited him that night, despite knowing he’d pick a fight with Aki. You had missed him…in more ways than one. You knew it was only a matter of time before he came back to you.
And in the wee hours of the night, not far after said boyfriend left your place, you received a lone message from the former blonde himself.
from : bad influence ♡ 11:03pm     “ omw. ”
Short, but effective. His timing was impeccable, how he always managed to text the second you were alone was beyond you, but it made your heart race all the same. It was wrong, you knew that, Aki deserved better than someone who snuck around. You didn’t mean for it to get this far, but that was a guilt you’d deal with later. Mikey was your drug of choice, and tonight you craved another fix.
to : bad influence ♡ 11:07pm       “ okay. but just for a little while. ”
Even if you tried to play coy, to salvage whatever weak moral you had left, it didn’t matter—The only one you were fooling tonight was Aki.
from : bad influence ♡ 11:08pm      “ mhm. sure, angel. ”
It was a wonder how you didn’t draw blood with how harshly you clawed at his shoulders, fighting between wanting him closer or wanting to push him away. Mikey didn’t mind, though. On the contrary, he encouraged you to leave marks. As tempted as he was to leave his own, he figured beating up your insides would suffice.
Knowing you’ll struggle to walk tomorrow was all the reward he needed.
“God—fuuck,” he slurred, after a particularly hard thrust made you arch off the bed, forcing him to sink deeper. He gazed down at you with an all too pleased grin as you begged him for more. How could he deny you when you sounded so desperate? “Taking me so well, angel…always so good f’me…”
“J-Jiro..! Ahplease!” You sobbed, your knees practically knocking upside your temples as he increased momentum. Mikey snickered, angling his hips to continue ramming the spot that made your eyes cross, moans reaching octaves you didn’t even know you could hit.
“Mm, been feening for this dick, huh? Yeah? Maybe we should call up that smug bastard, let ‘em see how such good friends we are, right [______]? Bet he was real proud thinkin’ he got me to fuck off…but we both know who you really belong to. Don’t we?”
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He wasn’t sorry. That’s the short end of it.
The moment Takeru decided to act all big and bad, breaking stuff in a place where he paid no bills, it was in DRAKEN’s right to set him straight; mama may not have raised him, but he still ain’t no bitch.
It took some coaxing on your end, but you were able to reel Draken back from turning your boyfriend inside out. But, after he forced him to pick up every broken piece of the lamp, he told Takeru to choose a number between one and ten.
“…Why?” Was his response. Draken raised a brow.
“That’s how many shards I’m gonna shove up your nose.”
“Ken!”
The look on the shorter male’s face was worth it, earning a threatening smirk from the mechanic as he slapped a heavy hand on his shoulder. “Ahh, y’look like you were about to shit yourself, man! Nah, I’m not gonna hurt you.”
For a moment, there’s relief in your boyfriend’s eyes. It was short-lived, of course. Especially once Draken’s grip tightened around his shoulder. “But I will. Don’t ever let me catch you pop off on [_____] like that again. Would hate for you to have to pick yourself up off the floor next time. You feel me?”
With a gulp, he gave a shaky nod; now he really looked like he shat himself. “Y-Yes…”
“Hah? Yes, what?”
“Y-Yes, Draken, sir?”
He rewarded the poor sucker’s obedience with a couple taps to the cheek just to spite him before sending him on his way. It was met with little protest, Takeru scurrying out of the room with lamp pieces still in his palms, not even sparing you a passing glance. 
“Text you later?” You called at his retreating form. When all you got was the sound of your front door slamming shut in response, you swiftly turned on your heel to aim a dejected frown at your other houseguest. Draken sardonically pouted back at you, reaching over to pinch your cheek until you swatted his hand away. “Why’d you do that, you totally freaked him out!” 
He wasn’t sorry. Draken shrugged. “Good.” 
Merely rolling your eyes, you headed for the small broom and dustpan in your closet to gather what little pieces Takeru left behind–Might as well busy yourself to delay addressing the elephant still in the room. Unfortunately, said elephant wasn’t about to let that happen. Before you could even think of sweeping anything, Draken gently grabbed your elbow, those same eyes that stared death into your boyfriend’s soul now filled with something else as they appraised you, melting through whatever cold exterior you tried to aim at him.
He leaned down closer, sporting a slanted grin that sent signals straight down to your core. Sometimes, you despised how easily he made your insides flutter by just existing.
“How much longer y’gonna entertain that fucking loser, huh? He wouldn’t know the first thing about handling someone like you.”
You hummed, fighting the giddy tremble in your body at the challenging air that surrounded you both. With the inkling of boldness you had, you took the bait. “What, like you would?”
He wasn’t sorry; you’d be though.
The way Draken split you in half would make Lucifer himself bite the pillow. Hovering over his gigantic frame, chest bare with your hands perched on each pec, he manhandled you to take every unforgiving inch of his dick, having you feeling downright discombobulated as your hips struggled to keep momentum.
Forget about seeing stars, at some point, you were certain you saw into the quantum realm; say hi to Ant-Man for me.
“K-Kenny...I can’t...t’s too much!” 
He cooed up at you, though there wasn’t an ounce of sympathy in his tone. If anything, Draken enjoyed himself thoroughly, tongue-in-cheek as he watched you fall apart in his lap, just like he knew you would. With the way you tightened up around him like a vice, as if your own body was against the thought of him stopping, the former blonde chuckled breathlessly.
“Use the safe word then, doll.”
You glared down at him, to the best of your ability. With him practically jabbing you in the lung, it was more than difficult to say the rebuttal as smartly as you wanted to. “Y-you think…you’re so-oh! So f-funny…”
He did. Absolutely he did. By making your boyfriend’s name the safe word, nothing would soften his dick quicker. Plus, he knew you didn’t need it; just like you didn’t need Takeru.
“What? It’d be the only way you’d ever scream it anyways.”
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“Welcome back.”
You paused mid-step upon entering your apartment, not expecting the ravenette to still be there. With a deep exhale, you paid him no mind as you kicked off your shoes, irritated after a tiresome process of checking your boyfriend into the hospital.
To say BAJI did a number on him would be an understatement…Man’s fucked him up. Sure, maybe Makoto could’ve watched his tone when talking to someone with such a short fuse, but Baji could’ve at least exercised a little restraint.
…Oh, who were you kidding? It’s Baji.
“What, ya not talkin’ to me?” Barely sparing him a glance, you set your bag on the coffee table before heading for the bedroom for a much-needed shower. Baji didn’t take kindly to being ignored. He huffed, standing to meet you halfway as he trailed behind you. Even when you attempted to close the door in his face, he shouldered his way in anyway; it was gonna take more than that to deter him.
“Quit being mad…said I was sorry, damn.”
“No you didn’t,” you replied, incredulously. You really tried it with the silent treatment, but knowing him, it was only a matter of seconds before he'd get you talking again. Taking off the sweats you threw on in haste earlier, you continued. “You said, and I quote, ‘Talk shit, get hit,’ then fell asleep on the couch while I had to haul Makoto to the emergency room!”
Baji shuffled his feet, “…Well, I meant to say it. Jus' forgot.”
You scoffed, walking into your bathroom. "What are you even still doing here? Don't you have someone else's day to shit on?”
“Y’kicking me out now?” He teased, raising a brow. What he didn't expect was for you to start throwing your toiletries at him. Although his reflexes saved him for the most part, Baji still got hit a few times as he attempted to dodge between a shampoo bottle and mouthwash. "Whoa! Hey-!"
“Maybe I should! Do you have any idea how hard it was to get him in and out of my car with all that dead weight, let alone into the building? Not to mention, his emergency contacts were his uppity-ass parents, so after they chewed me out, I had to lie and say he saved me from getting mugged.”
“...They buy it?”
You tilted your head, exasperated. "Wow. And here I thought the next thing out of your mouth would be that apology you 'forgot' to say earlier…[Sigh] Whatever. You just better hope when Makoto wakes up he doesn't remember anything, or else we're both in deep shit."
“Tsk. The fuck’s he gonna do?”
“He could literally sue us.” You deadpanned.
“He’s a pussy, he wouldn’t be stupid enough to try me again. And if he gives you any shit for it, you let me know. I’ll take care of it.”
“Oh, you mean like how you did today? Pass.”
He groaned, “I said sorry!”
“No you didn’t! And still haven’t!”
At the moment, it felt like the conversation would just continue in circles. With Baji stubbornly claiming he was in the right, and you combating his warped logic with colorful language and more stuff thrown at him, it's a wonder how things ended up here–With your face pressed against the cold shower wall as he gave you his fucking apology.
Over, and over, and over again.
While one hand wrapped around the column of your throat, fingers shoved knuckle-deep into your mouth to pacify the excessive whines tumbling out, the other made use of gripping the meat of your thigh, giving you no chance of running from the punishing thwap of his hips ramming against your wet ass-cheeks. The water cascading over your bodies had long turned cold as Baji chased after orgasm number five, his muscles ached from the strain, but he'd be damned to stop until he was certain all was forgiven.
Even if it meant missing every single one of Makoto's phone calls.
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“God, I am so, so sorry, Takashi. Can’t believe he just…I-I’ve never seen him act like that before. Does it hurt?”
MITSUYA, despite the sting in his split lip, gave you an easy grin. “Nah, y’know I’ve been through worse. Fucker hits like one of my younger sisters.”
You had brought him back to your place to ice the bruise forming on his jaw, still frazzled over what occurred in the last half hour. Back at the restaurant, everything seemed fine when you excused yourself to the bathroom, having a blast knowing that your two favorite people were actually getting along. Unbeknownst to you, there was a storm brewing in Hajime. And the second you were out of sight, he used this opportunity to set a record straight with Mitsuya.  
Evidently, he allowed his fists to do the talking. 
You groaned, rubbing down your face in distress. “We’ll probably never get to set foot in that restaurant again...’m so embarrassed.”
“Hey,” he softly reprimanded, “Don’t sweat it, t’s not your fault-”
“I’m the one who begged you to let him come with us in the first place. I mean, I know you two butt heads from time to time, but I didn’t think it’d ever turn that serious. Please, Taka, just tell me what happened.”
Mitsuya shook his head, about to lower the ice pack until you shot him a pointed look. With a small exhale through his nose, he kept it on his jaw while he spoke. “I told you, he was probably pissed he couldn’t get a free meal outta me-”
“Don’t bullshit me, Haji wouldn’t explode like that over a fucking chicken sandwich.” You huffed, frustrated at his evasive behavior. He was holding back information on purpose, you were certain. Ever since the fitting, he'd been acting weird all evening. And that fight only solidified your suspicions. “Just tell me what started it!” 
"Doesn’t matter."
"Taka-"
"Let it go, [______]." He laid back on your couch and made himself comfortable, even so much as turning on your tv to fill over the dead conversation. Mitsuya trained his eyes on the lit-up screen, still icing his jaw as he subtly avoided eye contact.
You could just scream.
Childishly, you snatched the remote from his hand and switched it back off. The lavender haired threw his head back in defeat, the hand holding the ice pack slowly coming down as Mitsuya eyed you from his peripheral; so stubborn.
“Be honest. It was about me again, wasn’t it?” His silence spoke volumes. “So it was then. Ugh, okay listen, I get that you’re both really protective of me, I do, but that doesn’t excuse-”
“I’m in love with you.”
You choked. Though, only on your words.
With that now hanging up in the air, you gaped like a damn goldfish, the remote slipping out your grasp and clambering to the floor with a clack. Mitsuya exhaled; no turning back now. “You…huh?”
“Yep. Have been for a while, actually.” He placed his arms behind the couch, wry smirk on his face. “Planned to tell you over dinner tonight, but that backfired fast, no thanks to that walking steroid you call a boyfriend.”
“Y-…You’re messing with me. Right?” The designer offered a humorless laugh, gesturing to his split lip and bruised jaw.
“Didn’t get hit for saying what a great pal you were, [______].”
Now it was your turn to be silent. A lump began to form in your throat, overwhelmed with the newfound information, borderline confession.
“So then…what did you say to Haji to make him so angry?”
For a split second, you saw a glint within his pools of amethyst as they slowly rendered to a deep violet. Staring at you from beneath his pretty lashes, Mitsuya resembled that of a starved animal on the verge of cornering its prey, causing a sudden warmth to envelop you as you squirmed under his heady gaze.
Sitting up a little, he merely beckoned you to his empty lap. You blinked widely at him, sputtering as you tried to protest the idea. But, what he said next played into your curiosity.
“C’mere, and I’ll show you.”
You blinked at him, uncertain; he made no move to rush you. If you were against the idea, you were more than welcome to decline and tell him to shove it. However, when you eventually crawled into the awaiting throne, settling all your weight on top of him to the point he couldn’t keep from groaning shamelessly, Mitsuya was fucking elated.
You gripped his shirt at the shoulders, sporting that signature pout you’d do whenever you wanted something from him—The designer was more than ready to give it to you. All you had to do was say so.
“Hajime’s gonna kill you if he finds out, though. Don’t want you getting hurt again because of me…”
Mitsuya chuckled, hands slowly rubbing up your thighs until they settled on your hips. “Don’t worry about it, sweet thing. He may have gotten two hits on me today, but all I need is one tomorrow.”
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© 2023-2024 anisespice ッ all rights reserved.   likes, comments & reblogs much appreciated!
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unnerving-presence · 5 months
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Hi, i just read the coochie unhooking and im in love omg 🥲💕 could we have another part with the huntress, pyra and a third one of your choice? Thank you, you're the best 👀💕
GAGAGAGGH YESSSS I LOVE THESE 😭 TARHOS HAS BEEN INFESTING MY BRAIN SO HE WILL BE THE LUCKY THIRD !!
ooc shit incoming this is literally abt them loving them thighs i do not gaf i tried to make them in character somewhat anyways hehe
could you tell i’m utterly obsessed w tarhos right now i wished i could’ve written more dear lord
i had already written this for huntress initially but i did want to revise it a bit to be more in character. still sort of experimenting with it all. enjoy though :)
♥︎♥︎♥︎♥︎♥︎♥︎♥︎♥︎♥︎♥︎♥︎♥︎
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Anna:
Straight confusion and a.. little bit of panic? She’s never had her prey attempt something like what you did. It catches her so off guard she practically thrashes around as much as you do to get you off of her. She doesn’t like feeling so vulnerable and very much does not appreciate it when you manage to escape the hook and her alike. She can’t shake that ghostly feeling of your thighs around her. It’s like you’re still there. She can’t discern whether she likes the feeling or not.
You’re interesting prey, prey that she enjoys hunting. She mostly does it for necessity and to please the Entity, but she likes you. She likes that. She especially likes your drive to survive. It amuses her, makes her curious about you. Anna would be angry about the ordeal thinking about it, but it simply makes her intrigued now. She simply can’t brush aside the concept of your thighs around her. It was like a warm embrace she hadn’t felt since she was a child. She likes it.
She decides she will observe you more. Watch as you speak in a language she doesn’t understand and interact with those she sees as nothing more than human animals. You’re afraid, but you’re also determined. It’s cute. Perhaps she’ll conveniently place herself near the hook she puts you on next time, just to feel you fight to survive, just to feel those thighs around her again.
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Pyramid Head:
Pyramid Head would have absolutely never expected this to happen.. ever? Considering his absolute fridge of a head he’s.. startled to say the least that you managed to both effectively wrap your thighs around him AND have enough leg strength to take him down AND unhook yourself. It doesn’t all come to mind at first but he’s definitely a bit aroused. Unfortunately, that is an emotion that fades quite quickly. He has a job to do, he would very much like to get back to that. If he could get back up from the ground from his big ass helmet holding him down 😭
Pyramid Head is simply indifferent about the situation. A tiny bit excited at the though, but would quickly move on. It would certainly stay in his mind if you had done it several times over though. Some part of him is glad he has this unbearable helmet over his head, he might have had a full system shutdown had your thighs gotten too close to his face, though your thighs being around him in the first place is more than enough to turn him on a bit, not that he acts on it of course. He prioritizes his role in this realm more than anything else.
Though he won’t pass up the opportunity to listen to your cries of pain if given the chance. They didn’t mean much to him before. But now he rather likes the sound. He’d even say he rather likes you more than anything else. Maybe he should stick extra close to you from now on. Perhaps you’ll try other suggestive methods of trying to escape him. Either way, it feeds into his desire to punish and his desire for you.
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Tarhos Kovács:
Tarhos is trained for moments like this, when the enemy has the upper hand. He cut through hundreds of swordsmen far more experienced than you could ever wish to be. He wields his imposing claymore and knows he strikes fear into those that dare cross him. He is anything but one to be so easily defeated. It should’ve been impossible for him to be taken down by someone in such a pathetic position as yourself. It has to be the Entity’s assistance. It has to be. He can barely get himself together again before you dash up the stairs and out of his reach. He grumbles and pushes himself up off the ground, more determined than ever to put you in your place.
You don’t survive the trial, but it’s very clear you did something to him. He’s angry, but there’s some other emotion, like a smoldering fire that was once not even worth a passing glance had suddenly burst into a wildfire. It could be confused with bloodlust. He can barely tell the difference between the two until he sees you again by the campfire next to those worthless maggots. He watches only for a moment and in that moment he wants more. He wants more of whatever you did to him.
He will never come to terms with these feelings. He believes it’s your fault. Your existence shouldn’t even be welcomed in this place. You can so easily disrupt the balance of death, sacrifice, bloodshed. He wants nothing to do with you if you think you can deter him from his rightful privilege of endlessly butchering such peasants as yourself. He hates you more than he hates Vittorio, he thinks. Vittorio was an imbecile who thought he had the answers to peace. But you? God, you actually do something to him and you don’t even have to try.
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kiyolovesart23 · 7 months
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Sweet tooth
Where some genshin men have suddenly gotten a sweet tooth… or is it because a certain someone is working at the bakery near them… hm…
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Al haitham
Al haitham usually don’t care for sweets or sugary goodness (stupid), either ways now that he was grand sage, he didn’t have time to think about these useless things, he’d much rather focus on his work and his books, however once he went to run some errands and collei (yes her) happened to ask him to get sweets for nilous big celebration party later, he couldn’t say no to her now come on ( tighnari will kill him if he did)
So when he entered the bakery and saw you, looking so beautiful while.. working the counter..? He figured you worked there so he decided that now he had a sweet tooth
All just to see your beautiful smile everyday
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Diluc
Occasionally Diluc didn’t mind indulging in sweets once in a while, especially if it’s some special occasion but bro is literally batman ( no I am)
He sometimes gets too caught up in his work to go and eat sweets regularly, so he doesn’t really eat much, ( bro is ripped and hot ugh) however, HOWEVER, there are exceptions after all
When a sweet blonde hair ish looking cute girl with pyro vision who calls him weird asked him to get sweets for her since master jean wouldn’t let her ( master jean is a bitch, jk ily jean, don’t ruin my 50/50) diluc obviously takes his chance to redeem himself and not be called weird, so he goes to a good bakery and get the requested sweets
When he sees you working behind the counter he falls head over heels, love at first sight, there was just.. something about you that made his heart beat out of his chest, obviously now it was his life purpose to come visit you and the bakery regularly
He can’t say no to you and you’re baked sweets whenever you give him some,
He just can’t say no to you, you’ve stolen his heart after all;)
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Ayato
If you thought this dude had a sweet tooth, no he had a traumatising taste preference, thoma would know, plus being the commissioner he really can’t catch a break ( poor baby) it’s like he’s practically glued in his office
Ayaka and thoma are super worried about him and his health, after all no matter how strong he is, everyone needs to go out and touch some grass in a while;) ( yes us too genshin players) so while it takes the two of them a lot of time to convince ayato to go out, ayaka has an idea, she asks him to go get some sakura mochi for her with her puppy dog eyes, he can’t say no to her and it’s a good excuse to touch grass take a walk and so he does
And boy when he enters the bakery and sees you his heart melts, for some reason you have that effect on him, the way you smile and greet him and show him around the bakery at his request, your voice is only background as he finds himself listening to in your beauty, he thinks to himself what a wonderful idea ayaka has given him and that let him to you
Now he won’t let go, if you asked he’s willing to give you his life
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Zhongli
Zhongli is a mixed person to be honest (bro already has a bakery wym) he won’t mind eating the most finest of sweets even tho he’s broke asf ( Childe’s wallet is crying) and yet he happens to find himself in a simple bakery run by you smitten by your beauty
It all started when Childe gave him some more and left for a mission, that made zhongli realise that he has to plan efficiently and not waste a lot, and he saw your bakery on the way home and spent some time thinking to himself if he should actually go in.. once he did, he immediately realised it was an amazing choice, the way your hair fluttered as you moved and the way your eyes sparkled as you heard the bell when the door opens and the way you were so friendly with him, it made him feel a different way.. something he hasn’t felt in a while, it made him feel warm and fuzzy
Your laugh gave him joy and a new found purpose to now have a sweet tooth
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sully-s · 27 days
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I don’t know if you’ve answered this already but how do you draw your poses so fluidly?? A lot of my drawings seem stiff
First off your art most likely isn't as stiff as you think. Sadely you have taken interest in the art of making art therefore you've been cursed like all those before you with stiff-ism. I swear all artists think their art is too stiff. I think my art is stiff. Artists who do those paintings that are all abstract and just squiggly lines you ask them "How do you feel about this piece" They say "Hmm little stiff." Lol. But to answer your question it really just takes time. Fuildy in your art comes from confidence in your art. Confidence comes from doing something a lot so often you do it well. Some of that is pure muscle memory. Training your arm (or wrist though you should discourage leading with your wrist because the range of movement is lacking so you can crutch yourself) to make smooth sweeping lines is like working out any muscle it just takes practice. Some of that is honing your "Eye" which is mainly having the mindfulness to notice how weight flows, pools, and moves in the world, other's art, and in your own art. When I say in the world you study real life when you walk about you see how a dead fall dry leaf curls in on itself having only a tiny section of its being in contact with the sidewalk. While a wet freshly plucked leaf is face plastered almost stamped on the same sidewalk. When I say other's art you can see and understand the choices and placement of movement. And can reverse engineer the same choices with various results (because it's one thing to understand but to do is whole another thing mainly because you' don't have the same muscle memory) When I say your own art you are mindful enough to locate the problem points. We've all times when we look at a piece and are like it's stiff but can't qauifty why. Eventually, you'll notice patterns and weak points in your work that you can choose to work on if you want. Lastly you think it out. Just think about the cause and effects of forces on your piece. The jacket on your subject is stuff with all manner of things that one would keep in a bag so it's weighed down so you'd make a long narrowing U where the pockets are. Thinking it out also will help dictate your line weight which is a lot of how fuild lines feel Tho it will become second nature as you mature as an artist. All of these get better with time and experience now you can do line drills to help with your muscle memory, you can do life studies to help your world eye, you can take tutorials to hone your other's art eye and you can have other's criquite your work to help expose problem points. Or you could just draw it will come in time slower but you will improve. I hope that was some what useful and I wish you the best with your fluidity in your future pieces :)
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transgenderer · 3 months
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i dont think embryonic screening for disease is like, unethical, but i do think its an ethically *weird* act. scott alexander is very confident that it's like, the Future and it will seem obviously good then and man. idk! i think it will become more common but people will continue to feel weird about it indefinitely. like he says
But other times it’s even weirder - a bioethicist in this article and a geneticist in this one both say variants of “medicine should be about treating schizophrenia, not preventing it”. This is both totally antithetical to the spirit of real clinical medicine as it’s practiced, and ethically odious to anyone who has witnessed the side effects of antipsychotics first-hand
and i think hes misrepresenting embryonic screening when he talks about it as "medicine". like you're not helping a particular person! youre choosing which person you want to come into existence. and i guess its better to choose a person who's less likely to suffer. but this isnt a normal ethical choice. its a weird one! i think the benefit here is least thorny in terms of the benefit to the parents, who are also the people making the decision, presumably largely out of self interest
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plutoswrath · 1 year
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ᴀꜱᴛʀᴏ ᴍᴜꜱɪɴɢꜱ 2: ʟɪʟɪᴛʜ - ᴀɴᴄɪᴇɴᴛ, ᴡɪʟᴅ ᴍᴏᴛʜᴇʀ
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TW: themes of abuse, power dynamics, sociology, misogyny. Astrology + politics mixed, I'm leftist after all, if that's not your cup of tea, skip this one and save yourself the rage quit lol. Women/femme presenting is an all inclusive term in this post!
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So since a long time now I've been very intruiged by Lilith (mean, true, asteroid and waldemarth) but since we're most familiar with osculating Lilith and Black Moon Lilith, I will focus on these two specifically.
Keep in mind that there are multiple stories (even if it's just the tiny details that alter the story) and thus interpretations about Lilith, Lilith is also still very much unexplored in astrology.
But the stories of Lilith all do unite in the themes of demand, oppression, shame, morality, breaking free of limitations, isolation/ostracization, rage and autonomy. It’s about power dynamics, you and your raw self, all the desires and needs in relation to others/society. Lilith is described as dark and hidden because that’s exactly what we are taught to do with Lilith energy: hide it. Lilith is therefore often described as off putting, because nothing can be as uncomfortable as going against all reasoning and what you were told was ‘good’ and instead going by instinct and impulse. Lilith deals a lot with survivial. It can be both, a blessing in disguise or at times, a snake biting it’s own tail.
And before we dive deeper into Lilith, I want to say a few words on the practice of astrology, so you can get familiar with the way I use and practice it too:
Astrology is a tool to research our society/world and self, thus Lilith is a reflection of our societal circumstances and therefore you can't discuss Lilith without getting political and talking about misogyny/oppressive systems.
This does not (!) mean Lilith and its effects are limited to gender by any means, but because gender is a social construct, Lilith and it’s effects are influenced by the way we are socialized and by who we are politically. This is why people constantly find these weird power dynamics between men and women who share strong Lilith synastry in the first place.
Gender as we define it is not inherent in the stars and astrology, but our socialization will direct or at least set off the tone in which way certain astrological facts can develop potentially. This is why - very different to my usual approach - I do in fact want to highlight the performance and construct of gender in this take, because the themes of Lilith represent in the different roles and scripts that exist for men and women in our heteronormative society. It shows in the power dynamic that is created between those who are politically men and women or rather said those who are straying away from the script they we're ought to follow by those who hold more power over them. This is an universal experience that can be experienced by everyone, but I want to say that private and political self intertwine and it’s very much present in the stories of those who have experienced strong Lilith influence in their life. If you want to read further on my reasoning and understand my approach to astrology, you can read it here.
⇨ Sociology and politics aside, let’s get back to Lilith:
Naturally, because there is still a lot of mystery and complexion around Lilith, she is a very hot topic in synastry. But the assumptions of steamy sex and kinky encounters aside, and from what I've seen and studied, right now I'll go so far to say that when we deal with a (perceived) hetero relationship, it can only truly work out if the man involved absolutely sees the woman as an absolute equal and treats her as such. Even if difficulties arise and are set off by Lilith, both need to remain an be seen as an independend being with agency and acknowledge that at all times, no matter the decision. It's a choice both should commit to at the very beginning.
You think this is common sense in partnerships (should be at least) but Lilith has a very unique and personal relationship with ostracization, shame, humiliation, oppression and anger.
I often read that prominent Lilith contacts in synastry (but I'd add composite to that too!) need both partners to be healthy, functional (or at least have an idea of what that should be and look like) and communicate effectively and clearly, be vulnerable and honest. While this is definitely true, any strong Lilith energy in relationships between a woman and a man needs the man to dissect his views and held notions of women, I believe. Not that anyone should dissect and deconstruct what their internalized held beliefs of what gender, and what femme and masculine is, to begin with (duh), but I repeat my previous statement about Lilith’s themes: Lilith ultimately finds itself battling and dealing with power dynamics, because it represents you and your raw self, all the desires and needs in relation to others/society. Lilith is described as dark and hidden because that’s exactly what we are taught to do with Lilith energy: hide it.
The woman in the connection, especially if she is Lilith, will be the woman that will mentally have the man on his knees because her mere existence can challenge his previously believed authority he has on her/women, as well as the way people are wired and set in position in society. We see him questioning the ‘script’ or holding close to it like a dogma. There is (sometimes watered down) anger and resentment a man will channel towards the woman he has Lilith contact with. It can often be thoughts of ‘how dare she’ and ‘I’ll stop her before she even gets the chance to start’. As much as the escapism we search for online think this might turn out in an overly romanticzed femme fatale fantasy, reality often hits us hard when we see dysfunctional relationships unfolding right in front of us.
She will be the announcement of a possible challenge, a test of character, which he'll fail or master. It's a question of morality, for both. Because Lilith here can be the person he always dreamed of, but always has been too afraid to engage with. There is something uttrely objectifying happening when talking about lilith and it's effects, even if you don't want to, it is bound to happen living in the world we are in right now.
And this has all to do with what Lilith stands for. Especially those who have strong Liltih influence in their chart (doesn't matter which Liltih you use) - I'm talking in angular houses, on the angles, in contact to personal planets or to the chart ruler - have undeniably an interesting relationship with and effect on those people who want them to 'follow the scrip' in the way society wants it. And very important (!!): just because someone has strong Lilith influence, doesn't mean that they are in any way better or worse than other women. I want to highlight this because women with Lilith energy will get shit from anyone (!!) who has strong internalized misogyny in them. Think about the way women are raised to compete with each other and follow the script in order to survive and get by in a patriarchal society. Of course someone who's very 'Lilith' will trigger them. Same with men who encounter someone who's very 'Lilith'.
Lilith can join the club of the outsider that you'll find at the metaphorical table that is placed in an imagined highschool's cafeteria: finding her place right next to Scorpio, shaking hands with Uranus, Neptune and Pluto, nodding acknowledging to Cancer, Aquarius and Pisces.
I noticed women who have strong Lilith in their chart have had prominent themes of isolation, autonomy, exclusion and conflict in their life. Either born or forced in positions that has them relying on themselves and their gut instincts a lot (!) and the rest of their charts backed that up too. But whatever is touched by Lilith is bount to become fierce and brutal. Doesn't matter if it's natal, a transit, in composite; Lilith forces you to look within and unleash something inside of you, it works like a catalyst of some sort. Lilith also talks about demands. Think about how she demanded a different treatment, before she left the Garden Eden. Lilith's needs are that strong, that she is willing to face the brutal consequences of it. If anything, Lilith's pursue can be just as brutal (metaphorically, but perhaps phyiscally as well) as her will.
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Pop astrology makes Lilith out to be solely about the physical act of intimacy, and sexuality definitely is a theme for Lilith, but not in the way people think it is, I believe.
There is an undeniable generational trauma and influence Lilith has on those who are politically a woman (all inclusive term)/femme presenting.
I will be even bolder in my claims and say that we still view Lilith through the lense society views women that ultimately choose to abandon societal and cultural prestigue and status by choosing themselves no matter what will occure, especially if it also means having to play with those societal expectations or finding their own niche in those roles and scrips they have to follow to get by. And this is not me trying to #girboss Lilith, but rather me saying that our studies still integrate and reproduce held harmful beliefs of women.
Deciding to work with Lilith is deciding to choose yourself because you see beyond the oppression and injustice, no matter what you think that might be in your life or in the life of others. The reactionary nature is most of the times caused by pushing and pulling from those who want her to follow the script. But Lilith often wants to write her own script, or at least edit what people have been given to her.
This is why, for example, women with Lilith in contact with their Juno will be known as partners that are demanding in the eyes of those who want them to act as we expect women to be in relationships. They expect commitment that borders on obedience but these individuals will eventually combust under the pressure. They will find their way to assert their own role, but at the same time they can end up with people that are inherently lilith to them in the best or worst ways. Likewise, we see celebrity men with Lilith Juno contacts that are known to be immoral lovers, not caring if the spotlights are on them or not. The whole world is gonna see, how they want to have commitment and what it requires. (not to say that you are doomed to be a horrible partner just because you have Lilith-Juno contacts, this is just one way it can manifest!)
I believe that at it’s best and it’s very essence, Lilith is not about choosing hate over love, glorifying destruction over peace and community. I truly believe that at it's core and very best, Lilith is ancient and wise, she knows - because she has wisdom that is inherent to her - what is right and wrong for her and she downright rejects the status quo because she can see beyond the limitations and power plays people have put on each other. She is the link to our gut feeling, I believe. And it acts out, whenever something doesn't sit quiet right with us, or something might feel incredibly good (for better or worse). Again, Lilith was ostracized and forced to be alone, she had to be and sit with herself. That doesn't mean Lilith is the ulterior good, but rather the 'what if you would choose to not follow the script - what if you become mindful of your own and listen within yourself.'
She is very much wild and raw and instinctual as mother earth herself is (the sadow of the moon). Remember, after all, she is according to the stories the very first woman. She is following a very deep rooted beat of a drum, a melody, that will always guide her through life, she wants to connect to her own, inherent eco system.
When I research Lilith in astrological texts and read about her, no matter which Lilith it is, it most of the time feels almost like a caricature, oddly enough. If she's not 100% girlbossyfied, she is mostly only seen as the 'evil one' (or at least very constroversial figure). Despite the fact that she indeed can be bad, it's also a role Lilith was pushed to take on too, because after all, there hasn’t been any cooperation with her. So she doesn’t cooperate and rather does her own thing (for better and worse, but as long as it feels good to her, there's probably no one who can stop her). Looking at it from a more psychological and sociological lens, Lilith's story inherently integrates the idea of 'I play the villian you always thought of me as'. Which is in itself an (unfortunate) self-fulfilling and isolating prophecy. It's not inherently a cool, but rather a cruel thing, but she had to work her way around that too, I guess.
Growing up 'Lilith', I do want to talk about the many facettes she has. I don't think that the reduction of Lilith as a mere 'sexual' indication does her justice, even if the sexual part does play a role after all. Picking up the previous point about astrology and sexuality, I wonder how the extreme sexualization and fetishization of anything a woman does plays into the sex-focused interpretations of her (but I think part of the credit has to be given to the way sexuality - especially in women - is also used as a method and commodity).
I also often read about women that are Lilith and feel very wise and mature, being a spiritual teacher to their lovers. I personally agree. I feel the wisdom and knowledge of Lilith can get twisted - either she becomes the 'crazy one' or people take away her agency and personhood and reduce her to the (sexual) magnetism that she possesses by being deeply involved and concerned with her sexual energy (aka creative energy, it's the force we connenct with when we create ANYTHING). Thus, often resulting in her being very much in touch with it.
There’s also the concept of motherhood that I keep thinking about. After all Lilith made sure to revenge her killed children by.....kiling other children? Uhh, don't know really about that move but sure, you show them that was fucked up ig.
Since Lilith is the shadow of the moon, I wonder how much our upbringing, our mother figure and motherhood influence Lilith’s energy.
And of course: the other woman. Lilith came back to the Garden Eden just to find Adam with another chick!!! After she had to leave when she wanted to be treated with basic respect. And yes, she did take revenge on Adam too, but point is that Lilith also deals with betrayal and distrust.
There is so much I could write about Lilith. I feel one can't discuss and learn about lilith without getting sociological, political and a bit psychological as well. After all, she is one of the most complex and intruiging figures out there. Controversial. The dark side of the moon.
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