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namazunomegami · 1 month

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Atonement

Pairing: Geto Suguru x gn!reader

Synopsis: How can you cleanse yourself from the sin that has been tainting you since your attempt to escape? The answer is easy: walk on barefoot for him, suffer some misery, risk your health for him, open yourself up for him and you can earn his forgiveness.

CW: canon compliant, established relationship, toxic and complicated dynamics, religious symbolism, porn with feelings, Geto is a manipulative ass how surprising, gaslighting, m!receiving oral, fingering, non-consensual edging, good old unprotected sex + creampie

WC: 5.3k

Credits: my lovely @notveryrussian who worked so hard to get this fic proofreaded. Ngl they deserve all the praise and respect because we lost literal pages from the already edited draft because windows is crap and they had to start over again. Take one big break darl, you deserve it 💕

Song rec: mythical creature by pregnant whale pain was my main inspiration during writing but i think tumblr dot com is not ready yet to listen to an unknown hungarian avantgarde metal band while reading porn lmao. Maybe i'll drop the acoustic version later.

A/N: Here is part 1 in case if you missed it. I think you need to know what happened to completely understand the buildup and have a general idea about their relationship. This fic is probably my fave I’ve written so far, a special lil brainchild of mine. These two are living in my mind rent free with all their lore and they'll never let me go.

Reblogs are greatly appreciated 💕

Minors don't interact unless you want me to stand outside your house at 3 am with a pitchfork

It was very hard to explain to your family what happened to you. The worry which they approached you with, especially Mimiko and Nanako just stirred a weird sense of guilt in your chest. The twins even offered to help you out with chores, eagerly telling you to rest, let your body heal. Your heart shattered to pieces in that moment, weeping endlessly with fat, salty tears. Your precious darling girls, so considerate of you, so caring, their hearts filled with everlasting gratitude. And you wanted to leave them. You felt like a piece of shit of a parental figure, obviously.

Days passed as if nothing had ever happened. Even in your private moments with Geto, the issue was never brought up. He took care of your wounds, of course, but your escape attempt wasn’t a topic of conversation at all. You swept it under the rug.

Which means it was only a question of time until he was going to wield it against you.

“Leave the scabs alone.” he reprimands you softly, dragging your wrist away from them. The hot water softened your scars, making them itchy, easy to pick away at them. But Geto is so thoughtful for looking after you like some kind of crazy mother hen, right? Even sitting in the tub behind you.

He takes hold of the edge, stepping out of the tub swiftly. The water suddenly drops around you, goosebumps dot your skin from the sudden touch of the moistened air as he hides that broad, sun-kissed form of his beneath a bathrobe. You ache for a bit of peace, a bit of me-time, but since the so-called “accident”, he just couldn’t stop himself from keeping an eye on you constantly.

Your hand dances along the surface of the water, bunching the bubbles together into various shapes, like they’re islands. Like you’re a young god, decorating the plane you’ve created. But his outstretched palm appearing in your vision disturbs your creative process.

“Come, I’ll take the stitches out.”

Compared to when your wound was sutured, cutting out the thread is a relatively quick process. Especially with his competency. The tweezer lifts and holds the knot, as he severs the thread with a pair of scissors and pulls it from your flesh before he moving on to the next. It’s uncomfortable, not in a way that it hurts, but it makes your skin crawl and your bones bend. An overall disgusting feeling. But when it’s over, it does feel better. And knowing him, you wonder if it’s purposeful or not.

“Must you make it painful?” you complain, thumb pressing down on the closed, marred skin. For the wrong reasons though, but you can freely complain.

“I didn’t intend to hurt you.” his voice is soft like silk, but not without a sharp edge in it, slowly unfurling, like the jaws of a venus flytrap. “I just wanted to teach you a lesson.”

You glare at him, your eyes piercing him like a dagger.

“Me? I wanted to teach you a lesson.”

This… was a bit too far, you must admit.

You storm out of the bathroom, like you could get away from the conversation.

“Go on, speak.” his words echo through the walls of the bedroom, making your movements halt immediately. You glance up at the window, faced with his reflection as he leans against the doorframe. “What should I learn from you? That you’re not afraid to run? To put your life in unnecessary danger?”

A long sigh leaves through your nostrils.

“If it comforts you, then yes, I realized that I had made a dumb decision.”

You don’t have to turn around to know he’s standing right behind you. Looming over you, shrouding you like an evil trickster spirit.

“I must admit I enjoyed your little attempt…” his palms are heavy on your shoulders, just like his words echoing close to shell of your ear. “Catching you, watching your resolves crumble, the raw terror plastered on your face…” the way his voice caresses you is just like the way he would hold a blade right against your throat, pressing down on the pulsing veins that could be cut open so easily. Like needles slowly being inserted into your ear canals. Eventually it softens, getting more serious and chiding. “But you did scare me. Have you ever thought about what would’ve happened if I didn’t go after you?”

You’d die, you would definitely die. Bleeding out amidst the leaves and grass, letting the frosty night bite you tense and weak. All alone in the dark.

Hold on…

You wouldn’t be injured if he hadn’t frightened you in the first place.

Did he just… no, it can’t be.

He slowly walks away from you, and you hear the bed creak under his weight. The choking feeling finally lifts from your throat. You turn towards one of the incense burners, already filled, it merely needs to be lit. But you do it slowly, just for the sake of appearing busy, to not feel obligated to carry on with the conversation.

But you should make peace with him before he does. He’ll make you face all of your mistakes and their consequences, if not outright making you suffer because of them. Rub all of them into your face until you have no choice but to plead for forgiveness.

It’s not easy, but you open your mouth. The scent of sandalwood lowers your guards, helping you be honest and brings forth the thoughts you’ve been trying to hide for a long time.

“Sometimes I wonder if we’re doing the right thing. And I wonder even more about that if we’ll fail before reaching our goal. Fail spectacularly. Because we want to do the impossible.”

“What is exactly the right thing? Being selfless? Forgetting all about our grudges and letting the world trample all over us? Or being selfish and crushing anyone under our feet to keep each other safe?”

Like an elastic band being strained for far too long, you snap. Luckily, the bronze lid of the incense burner holds out under your grasp.

“It’s too fucking late for moral arguments! Can’t you speak to me more directly for once? Instead of hiding behind your… carefully crafted scenarios that only prove your point.”

You should have avoided looking at him. At your serpent, who made you sin, who was cursed alongside you, your serpent who devoured your beloved Adam. You yearned for the remains, sitting in the bottomless pit of his stomach.

But you swore those remains spoke to you, through layers of flesh, scales, and deception. Soft and calm like a light summer breeze.

“Do you have doubts about me, darling? Are you giving up on me?”

The question breaks you, evaporating all of your anger and resentment in a flash. Devoid of any playful tone or hidden meanings, so raw that it takes hold of your heart and squeezes it so tight that it couldn’t possibly beat anymore.

You know how he twists the truth, striking right into the softest parts of you. He feeds you poison – yet you swallow it right down every single time.

“Faith has no zenith, my dear.” you answer, low and sweet, like you wanted to comfort him. The lid on the incense burner closes, giving you enough time to build up the courage to approach him. You weave your words carefully, in such fashion that it can be interpreted in multiple ways. If he switched just one little word, he’d immediately gain more insight into what’s really been weighing on your heart. “There’s no such peak we can reach on which we can stagnate forever. Faith sometimes wavers, sometimes we question our beliefs. Sometimes we’re unsure if our prayers are heard.” you get down on your knees before him, taking his hand into yours, giving him a gentle, reassuring squeeze. “But I do want to have faith in you.”

His features visibly soften. Heavy lids close in relief, and you feel his thumb brushing along your knuckles.

This is your chance! Go on, there’s no time more perfect than this to try to convince him.

“We should really get away from the temple.” you start with an almost resigned sigh, but your excitement soon starts to show. “Just for a few days. Manami will handle the followers while we leave for the countryside, or an island. We can bring the girls even.”

A faint glimmer in his eyes tells you his answer is going to disappoint you.

“They don’t know about the girls, but they certainly know about you.” he reminds you sternly. “The higher ups want us dead and the last time I offered to protect someone, they ended up getting killed.”

His voice is faint, almost shaky. He rarely talks about the death of Riko. And if he ever brings her up in a conversation, you know he means it.

The heavy lid above his eyes drops, violet irises hiding behind his lashes, averted from you. The words coming out of him are barely above a whisper, like his lips are made from lead, like forming the words is a tiring task because they’re so heavy, and filled with something violently torturing him.

“This is a risk I’m not willing to take again. Not even for you. Especially for you.”

You feel something pooling on your waterline. Translucent pearls of tears appear so involuntarily when you see him like this. Sometimes you do want to hurt him, but when you see him in pain, it torments you even worse.

“I’m not asking you to take risks for me. I never did. But you should take some for you. You could use some respite.” you lace your fingers with his. It brings you a strange kind of comfort how your hand just loses itself in his, but it’s yours that looks more lively and powerful. Like it’s you what keeps him together. As if without you he would shatter into pieces. “You take on an awful lot of responsibilities, I think sometimes more than you’re capable of handling.”

Affection sweeps through his features as he caresses your head, from the roots of your strands to the thick bone of your jaw. A lonely thumb brushing along from your cheekbone to the lobe of your ear. And there’s nothing you can do, only stare at him, wide-eyed with reverence, like he’s an ethereal being.

“This is not your cross to bear.”

He wanted to ease your concerns, but you’re much more stubborn than that. You won’t stand there, at a safe distance, watching him drag himself to his Calvary, whipped and crowned with thorns. You’ll push through the crowd, smash them to bits just to reach him and offer your veil to wipe his face. A thousand times, as many times as he needs.

“Of course it is, what do you expect from me? Unlike…” No, don’t say names, do not compare yourself to certain figures in your past and the way they treated him. “I’m worried about you, for no other reason than I genuinely care about you. That’s why I want you to put our plans to aside - let’s unwind a little, recharge. Before all of this drives us insane.”

He deliberately avoids answering, your concern grows and grows like vicious vine. Is this too much to ask for? A small moment of normalcy can’t be granted to you? What are the two of you really? Idols of worship, if not gods at this point because your sheep do regard you as such. But can’t gods long for a visit amongst mortals? Can’t they shed their divine status? You could, but maybe, before he’d let you leave, he’ll feed you pomegranate seeds.

Would you eat them again? Of course you would. Even if you fight and snarl a little beforehand. Because love is the death of duty, and of a peaceful mind, of comprehensive decisions. Love is so mystified, shrouded in the illusion of an immortalized existence, just like death. Love is, indeed, death.

Your palms cup his face, his skin radiates warmth through you. The warmth of the evening sun that makes the sky bleed with the prettiest colors you can imagine. Your touch slowly encourages him to look into your eyes, finding a strange kind of determination and care mixed with your obvious worry. A Magdalene dwells within your gaze, who already washed her prophet’s feet with tears and dried them with her hair before he starts his last journey to Golgotha.

“I told you a million times, if you fall too deep into your misery, when you feel like you can’t come back to the surface on your own, let me know, so I can pull you out. Or let me know so I can go after you. And we’ll drown together.”

All those little pacts and vows you made during the years echo through you. Even the first one, the most ancient of them all, when it was still easy to hide your concerns behind your techniques.

I’ll keep an eye on you.

It’ll keep an eye on you.

You lean closer, foreheads and the tips of your noses touching. Eyes closing in almost perfect synchronicity.

“Promise me, Suguru. Promise me again.”

You wait and wait, until his warm breath brushes your skin like fine silk, like a feather.

“I promise.”

You sigh in relief. It hurts, it hurts so much. There’s so much place in your heart for him to dwell in. He owns it and he won’t give it back. Ever.

You only wanted a chaste kiss, but a special type of hunger wakes deep below your navel. You taste his words, you swallow them down, nipping them from his lips. You look for the rest of them, his thoughts that hadn’t been formed into words yet, the rest of the sentence, you search for it with your tongue inside his mouth.

You grab onto the sheets, trying to push yourself up. Like you could overpower him, like you could battle against him. To have him laid out on the mattress, defeated. But he stops your advances with a palm resting on your shoulder, gently pushing you away.

“You’re not healed yet.” he whispers, truly concerned.

“Then I’ll be on top, I don’t care.” you oppose breathily, your fingers trying to pry his robe open.

“The cut on your hand could re-open if we’re not careful.”

Oh, how you adore him when he’s so tender with you, but now, this is the last thing you want. You want to bare your teeth and go right for the throat.

“Then you’ll stitch me up again.” There’s a playful edge in your voice, and you kiss him again with the same curve of a smile while he lets you crawl on top of him.

And he smiles against you too, delighted by your eagerness. You, trying to eat him up, digest him - he’s just enjoying you and the feast you’re having. Taking everything from you. He only wants to capture you, to cage you in his hold. He’s kneading your flesh leisurely and humming into your mouth contently, almost lazily.

In the crooks of his body, you find your religion.

The sharp line of his jaw, the tendons of his neck, the hollow caverns around his collarbone. But your mouth carefully avoids the scars slashing through his chest, after all those years, it still pains him when the lightly coloured, textured skin gets touched. As if these lips of yours and your aimlessly trailing fingers were the same blades, penetrating the flesh again and again.

There’s not a morsel of him that you weren’t intimately familiar with. In a way that rivals how much you know about yourself. And what you know even better is that how can you venerate them, dote on them, adore, and idolize with such devotion you could anger all deities created by man and make them scream blasphemy on you.

You take his cock in your hand, teasingly working your palms around him. Pumping it, stroking your thumb along the underside to make his breath hitch. His dick grows beneath your hands, getting harder and heavier. The first beads of precum get smeared along the length by your skillful fingers.

“You know you don’t have to- “but you cut him off while settling between his legs.

“Just relax and let me do all the work.” your response comes out a bit more deadpan than planned. “You deserve it once in a while.”

And with that, you wrap your lips around him, enveloping him in warmth and wetness, your tongue slowly swirling around the head. His thighs twitch, more precum oozes into your waiting mouth as the muscle between your teeth works eagerly. You give him a few, gentle sucks, slurping up the mixture of your own saliva and his arousal. Between ragged breaths, he reminds you to breathe through your nose as you take more and more of his length. You relax your jaw, your fingers tense around the base of his cock and you’re trying as hard as you can to defeat the urge to gag. When you fit all of him inside your mouth, you empty your lungs and give him a harder suck, hard enough to make you cheeks hollow and his chest heave. As your free hand is occupied with kneading his balls between your fingers and knuckles, a moan bursts out of him.

The sound boosts your confidence, filling you with a wicked kind of playfulness. The kind of wicked that makes you pull back your tongue a little, as to not keep your teeth hidden. You drag them along his sensitive, pulsing underside, balancing the pressure between pleasure and pain. Like you could prove to him that you’re ready to bite back, that this is the only moment when he can’t control you, that he shouldn’t underestimate you.

And just as if he could read your thoughts, his hand goes for your head, fingers getting lost between your strands. But he’s not as cruel as to push you down on him, instead he guides you, increases the rhythm that you’re working with. Steady and firm, but not too fast. You earn yourself his praises, soft curses pitched higher than his normal voice.

This is what real worship looks like.

When you feel the muscles in his thighs and stomach tensing up, you stop. You emerge from the space between his legs, wiping your lips clean and admiring your work. All that flushed skin blooming in pink on his chest and face. You move, trying to get into a new position, settling your calves right next to hips. You start aligning yourself with his cock to finally start grinding on him.

He sits up and traps you with an arm coiling around your waist.

“Since when were you so reckless?”

His hand creeps around the apex of your thighs. A finger barely brushes along your slit. By adding another digit, he spreads your folds, finding hot, smooth, slippery flesh.

“I would’ve prepped myself.” that’s all you can say in your defense.

Fingertips circle your hole, applying a bit of pressure, checking how much you’ve loosened up. He invades you slowly as your lungs empty, the hardened skin on his fingers stroking and massaging your sweet spots before he starts working you open.

You wrap your arms around him, slowly undoing his bun to have something to grab onto as you jolt, as your bones melt, as your brows furrow in bliss. The moans coming from you are breathy and tender, and you hide them in his strands. He twists his fingers inside you, stretching your warm muscles further, making your back arch and you press your hardened nipples to his chest. Your essence engulfs his knuckles, clear and sticky like honey.

The heel of his palm settles right against your clit and you shamelessly grind on it. Your mewls pass over his ears as he’s nuzzling into the crook of your neck, nipping at the skin of a faint scar. But you resist giving in, you stop him, telling him that’s enough, but in reality you just want your control back. Take back the lead and revel in it.

And somehow he obeys, laying back into the sheets.

You slip out of your robe, showing yourself fully. The bruises on your skin can finally bathe in the dim lamplight, painting the complexion of your sides, shoulders, and upper arm in different shades of blue and purple, like paint on bare canvas. Like the night sky carrying storm clouds, like you’re rotting, decomposing. You find a twisted, perverted joy in the fact that he must be seeing them for the whole time.

“Slowly, slowly.” he murmurs softly as you’re pushing the head of his cock inside you. “There’s no need to rush.” Trimmed nails trail up and down from the flesh of your thighs to your bruised sides. Tender and slow like a ghost, goosebumps pepper your skin from the tickling feeling. “I’m already yours.” He purrs and your heart flutters.

And there’s so, so much pride in you that only you can render him to this state. Too powerful for the world to bear him, capable to burn this plane to ruins, defying the barriers between a mortal and a god - or something way worse than that. Maybe you should receive twice the respect from your herd, for being the only person who can enslave him in this way, that only you can have this sort of power over him. Only you can overthrow him. Because you’re just too dear to him, too close to his burning heart.

Maybe it’s your time to warn him. Tame him like the monster he is.

You move with your own rhythm. His hand caged between your fingers and pressed down against the sheets. You give him no other choice but to venerate you back and he does, with pleased, low rumbles coming from his throat. Only a singular hand is allowed to roam your form freely. On your back tracing the shallow line where your spine lies beneath skin and flesh, wandering towards the inner part of your thighs, then to your stomach and chest. And you reward him with a prayer of your own, encapsulated in deep, long sighs.

But you’re too trusting of him. You let your guard down too easily.

You’re holding onto his kneecaps, leaning towards them a little, allowing every inch of you to be seen. You want to give him a show, but your knees are too worn and tired.

He takes hold of your hips, helping you guide yourself along his length. His pelvis moves along with you in synced rhythm. Your teeth are pressing down on the soft skin of your lips, but you can’t keep your whimpers in. You’re getting close, your muscles and nerves are st tight and pulsing, your walls are pressing down on his length. His name mindlessly slips out of your mouth.

Maybe you can say you love him before you shatter.

But his fingers clench around you, strong and firm, stopping your movements. Lifting your hips up so high that his cock is barely inside, robbing you from your incoming orgasm.

You’re shocked, eyes staring into the nothingness, open wide. Your stomach drops, stirring up all kinds of feelings dwelling in you. A chill races down your vertebrae as you glance down at him.

“Suguru..?” Your voice is weak, shaky.

Fear courses through your being, primordial and all-consuming.

And when he speaks to you it’s all dark, shrouded in malevolence.

“You forgot one thing, darling. After I brought you back from the forest.”

No, no, no, he can’t do this to you! He can’t hold your orgasm hostage for the sake of toying with you! You should puncture his flesh your nails, scratch him, tear him up, but you can only grit your teeth. Your features twist from bliss to rage.

“You…” boiling anger swims through your voice. It’s like it’s not even your voice - more like a hiss, a growl.

There’s an undecipherable mixture of pity and amusement in his eyes. He twitches inside you but you’re too upset to notice.

“Apologize.” he sneers - almost commands.

His words cause anger to bubble up in you.

“Oh, you piece of shit…!” you seethe, but sob and moan when he slams you back on his cock, stretching you around his length again. Wanting to quench your rage with the sensation you crave the most right now.

“I hope, for your sake, I don’t have to repeat myself.”

It doesn’t matter how much you try to squirm, fuss and wriggle, he forces you still. His behaviour frustrates you to no end when you’re so desperate for a bit of friction, the horribly hollow and burning feeling of your lost peak torturing you seemingly endlessly. To the point where you’re too tired to put up a fight, when you’re teetering on the edge of breaking. You know you must swallow your pride, you have let him have it his way.

“I… I’m sorry.” you apologize meekly, teary-eyed, your voice a pathetic mewl. He finally starts lifting you up and easing you down, building you up slowly. But it’s not enough. You need more but he won’t give it to you just yet.

“You do?” he asks you in a way that it cuts deep into your marrow. It’s not even close to a loving tease – no, he’s outright mocking you.

Vicious bastard. You should grab his throat and squeeze the air out of him.

“Yes, I do!” you cry out without thinking. “I’m sorry for running away from you.” you push the words out through your whimpers. He increases the pace, making you yelp and shake, you end up closing your eyes reflexively. He robbed you from the sensation for so long that you became sensitive, it’s easier to make a mess out of you. Your face is red with shame, so much so you can’t look him in the eyes. The humiliation is like an invisible rope tightening around your neck.

“Promise you’ll never do that to me again.”

He pushes your hips further along his length this time, shifting you a bit towards his thighs. Creating a perfect angle, he uncovers a sweet spot inside you that makes you almost incapable of forming coherent words. And he eats the sight right up.

“…I promise… I promise...” you manage to get your answer out in the form of a choked hiccup. Your vision blurs. Everything is too intense for you to handle. You swear that the very shape of you could dissolve at any given moment.

Faith is desperate. Gods are hungry for despair. So they deliberately make you suffer and only then reveal themselves to you.

His fingers dig into your waist so hard it burns. You feel the world shift with you and then you collide with the sheets. Your bruised back ripples with pain. You’re unsure if he did it out of spite or not. You don’t know if he’ll completely shatter your dignity, or if he’s fine with just enforcing the feeling that you can never be above him, that you can never defeat him.

His weight on top of you is overwhelming. The midnight dark locks of his hair spread around you like spilled ink. And through the thick fog of your mind, too far gone in twisted, masochistic pleasure, you lock your legs around his waist. You don’t want him to go away. You might as well cease to exist if he does.

“And what do we say when we apologize?”

The soft plea coming from you is more instinctual rather than deliberate.

“Forgive me.”

You ache for him to move, you’re starved for the incoming high. Like a ravenous beast, all devouring. When he finally gives it to you, his thrusts make you feel possessed, make your back arch, your head falls back into the pillow as if you were offering your neck to him (maybe one day he won’t be able to resist the urge and will bite down on the jugular, through your trachea, putting you out of your misery) - you don’t dare to beg for anything else.

Maybe just for a little blood. A mark he can wear, just like you wear your bruises. Your nails somehow acquire a will of their own, your scratches have him excited and pleased.

His fingers meander around your jaw, gently coaxing you into letting him guide your gazes to meet again.

He’s imitating you, admiring his work like you did with him. And what he sees is a being stripped from any likeness of a dignified human being. With eyes so blown he can see the bottommost pits of Hell in them.

And he’s satisfied, rewarding you with a soft kiss on your temple.

“I forgive you.”

Your release crashes over you like a tide, submerging you, burning you to cinders on the inside. Tearing you apart. And when he collapses on top you after filling you to the brim, you feel like a festering wound.

He’s a disease, miasma, a flesh-eating parasite crawling inside you.

“You’re…” you huff. “You’re awful.”

“I know. But you love me all the same.”

You wonder what you should have done to earn a different outcome, but you give up soon. Looks like he already had plans for your atonement in mind. After all, gods are impatient creatures. They’re dependent on your reverence and servitude. And you’ve waited for too long to make things right.

Why, why, why - it echoes inside your head.

But if you think about it… he’s your serpent. The vilest, most horrendous creature created by God. The one who charmed you, tempted you with sin and has now sunken his fangs into you. Of course he did, and instead of trying to heal from his venomous bite, you want to catch him - to find out his reasons, to prove to him that you didn’t deserve that.

And yet you could never, ever prove him wrong. Your serpent will always think it was right to bite. It’s in his nature afterall.

“Is your hand alright?”

He makes it up to you with spoiling you again. He cleans your wounds so sweetly, so thoughtfully, looks after you in a way that nobody could, which confuses you even further.

He cherishes you, destroys himself for the sake of keeping you safe - not like it’s a choice, but a must - just like a mother would. He scolds you, reminds you not to make the same mistake again, collars you, keeps you on a tight leash, only loosening it (just a little) when he succeeded at making you play by his rules, just like a father would.

And somehow, he excels at both. Way better than those two ever did when it came to you.

You wish your glare could pierce right through his skull when you hand the empty glass back to him. You don’t have it in you to play nice. You don’t even attempt hide that you’re sulking, he probably finds it funny - adorable even.

“Go to hell.” you spit and lay back into the sheets, your bruised back facing him.

“Oh, darling…” he coos, but the surface level sweetness of his tone hides a sharp edge of condescendence. He crawls into bed, right behind you, caging you in his embrace, forcing you to feel the warmth of his body. The warmth that you’re so used to, the one you can’t sleep without it. Nobody has ever made you feel this safe, and the fact makes your heart ache and your stomach twist.

“If there’s a Hell, I’ll see you there.”

#jujutsu kaisen x reader #jjk smut #getou suguru x reader #getou suguru x y/n #getou suguru x you #jjk x reader #suguru geto x reader #meesa writes #DAAARLING GUESS WHOS COME BACK FROM JAIIIIL #Idk what kind of deep psychological issue of mine is in that fic but now its your job to decipher #just please dont bring Freud into the picture I hate that man

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zepskies · 5 months

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Why We Love the Boys

As promised, here is my review of Supes Ain’t Always Heroes. I actually used to write book reviews in my high school journalism days, so here we go!

What this book is: A masterful deep dive. A study on character psychology, the source of the comic and show’s inspiration, and the narrative themes illustrated in The Boys that parallel American culture and our real lives.

It includes interviews from one of the comic’s creators, Darick Robertson, The Krip himself (Eric Kripke), and actors Jim Beaver (Robert Singer), Aya Cash (Stormfront), Chace Crawford (The Deep), Jessie T. Usher (A-Train), Nathan Mitchell (Black Noir), and of course, Jensen Ackles (Soldier Boy).

It also includes a small but significant ode to the creativity of fans and fandom (with a mention of fanfic writers)!

I’ll admit, I felt seen. 😊

Who wrote it: Psychologists Lynn S. Zubernis and Matthew Snyder. Zubernis is a self-proclaimed fangirl of not only this show, but Supernatural and Eric Kripke in general. (That aspect definitely comes through in her writing.)

She is also editor of Family Don’t End with Blood: Cast and Fans on How Supernatural Changes Lives and There’ll Be Peace When you Are Done: Actors and Fans Celebrate the Legacy of Supernatural. Both of which I now want to read.

Several other authors also contributed to this book, as their expertise and backgrounds lend to the subjects they’re covering, such as racism, sexism, the entertainment industry, the comic’s inception, and more.

Who wants to read this book: Anyone who enjoys learning about what makes characters tick. What drives their choices, their sense of morality and justice, and their trauma and strife that lead them to do heinous things. This book will help you better understand your favorite characters (and how to write about them).

Perhaps most importantly, this book is for anyone who wants to read it put into words, why many of us love The Boys, as well as Supernatural.

In a way, the latter is more escapism entertainment than The Boys. Because in this show, there isn’t much, if any escape.

Despite this being a “superhero show,” as we all know, it’s so much more than that. It’s a mirror held directly into our own faces: about why we enjoy heroes and antiheroes, and excuse the “bad behavior” of the ones we like.

About mental health, grief and loss, nature and nurture, coping mechanisms and the importance of choice in dealing with trauma; of racism, sexism, misogyny, weaponized social media, politics, corporate greed, and the power (and cruelty) of good marketing.

This book explores the true villain of the story (and it ain’t Homelander).

I’m going to get into my favorite aspects of this book—as well as an amazing chapter on Soldier Boy’s character study (and why we love him, perhaps too much).

Though in my opinion, it was missing one small, but key thing…

The Mirror of The Boys on Screen

This world is a gritty, bloody, and at times all-too realistic take on how superheroes would be if they lived in our world.

They are the worst of celebrities, professional athletes, and politicians all rolled into one. They are the shiny products of a company and are marketed as such. And they often buy into their own hype.

Some of my favorite quotes on this topic:

“The Boys often reflects darkness in our real world that is uncomfortable to watch. While we go through the tedium of our daily lives, trying to get by and using television or comics as an escape, it can feel difficult and overwhelming to confront the very real and insidious sources of authoritarianism, nationalism, and corporatism that are not just part of a story. “This show holds up a mirror and forces us to catch a glimpse of things we need to question, and asks us why we so easily believe the talking points of systems with marketing departments and press flacks behind them that carefully massage every word in order to get us to feel enamored with their product or policy.” (p. 227-228)

“The Boys works to reveal the nonaltruistic, sociopathic nature of contemporary US corporate culture. In a sense, The Boys uses the behavior of its characters to diagnose not an individual, but a culture.” (255)

In studying narrative I’ve learned that the best fiction and art serve to reflect the human experience. In this case, it’s something The Boys does expertly, even though it’s packaged in extreme, shocking, and often uncomfortable ways. But also in brutal, hilarious satire that’s fun to watch.

It “exposes real-world abuses, revealing many” of our own frustrations in American culture and in life in general (267).

Major Themes & Questions Explored

Several Boys themes are explored from a psychological, cultural, and narrative point of view, as I mentioned earlier. These are some of my favorite segments:

Toxic Masculinity & Narcissism

A whopper in The Boys, and the main theme of season 3. This book defines clearly what both of these words actually mean from a psychological point of view.

It also takes the bad taste out of your mouth that you might get from just hearing the words “toxic masculinity,” as it’s a phrase that can be carelessly thrown around to describe men and character traits that aren’t truly toxic.

How being emotionally available to your loved ones and not repressive of your feelings doesn’t make you weak, or less of a man. And how “being strong” doesn’t mean being physically violent and domineering. (AKA: the Big Swinging Dick™️ in the room.)

Narcissism is explored in a very interesting way. The book gives a diagram of different aspects of narcissists and how each character (Soldier Boy, Homelander, Butcher, and the Deep) falls into them.

Soldier Boy, for example, is classified as a “Classic Narcissist,” while Homelander a “Malignant Narcissist.” <- This will play into SB’s character study, and the main difference between SB and Homelander.

Butcher, however, displays narcissistic tendencies but is not, in fact, a narcissist. (More of an antisocial sociopath. Yay for him.)

Misogyny & Sexism

The classic superhero world of comics dates back to the 1930s and ‘40s. It has been, and in many respects still is a (White) male-dominated industry, where in narrative, female superheroes typically work under a male leading the team, as in Justice League, Teen Titans, and the Avengers.

As much as I love DC and Marvel comics, female characters have also been drawn wildly sexual for male readers and the male gaze, and non-supe characters have been written primarily as love interests and damsels for the hero to save. (Think Lois Lane, Lana Lang, and Mary Jane.)

Modern adaptions have given female characters more agency, but their foundations were rooted in underlying sexism and the mythic hero—an Odysseus-type with certain characteristics of male strength and heroism. And that goes all the way back to classic literature, like The Odyssey, Beowulf, and the Epic of Gilgamesh.

In The Boys, the female supes go through the same issues as their comic counterparts. And they are treated how women are treated in the real world—marketable as sexual objects. (Starlight’s forced costume change is a prime example.)

Author Danielle Turchiano argues in the book that the women in power at Vought (Madelyn Stillwell, later Ashley) are given only so much power as men like Stan Edgar and Homelander give to them.

Stillwell, Ashley, and even Stormfront “drink the Kool Aid” of the misogynistic infrastructure of Vought, but they’re not truly “powerful” in and of themselves. (112)

And I would add that the only female characters that have or find true agency are Grace Mallory, Annie January/Starlight, and Maggie Shaw/Queen Maeve. Even Victoria Neuman is trying to work the political schematic and Vought by operating “within the system” Vought has created.

Mental Health, Trauma & Unhealthy Coping Mechanisms

This is a huge section, and rightly so. It kind of spans throughout the book, really, because all of these characters have traumas that inform who they are as adults making the (often grotesque) choices they make.

For many of these characters, it stems from their upbringing and fraught relationships with their parents, whether explicitly or implicitly explored in the show.

Butcher: Is an antisocial sociopath with narcissistic tendencies. Arrogant, emotionally manipulative, violent, and obsessive. He was also physically and emotionally abused by his father, led to use drinking and violence as a means to cope and express himself. His rage is so deep under his skin—he loathes himself for it (and his father), but struggles immensely to escape it.

Homelander: A malignant narcissist, the height of arrogance, and emotionally manipulative. He lacks empathy for others' pain, and in fact enjoys inflicting it. Yet he was a sensitive, gentle child who only wanted connection and love. Vogelbaum raised him like a lab rat and fostered him in a cold, detached cell. He was raised to be entitled and to believe he was an all-powerful god, the lord of his own kingdom within his mind, excused from the responsibility of his actions.

Soldier Boy: Also a narcissist; violent, arrogant, misogynistic, and often indifferent to the damage he causes, emotional or physical. Yet he was also emotionally abused by his father, who set impossible standards for what it meant to be a man. It drives Ben to try and prove his worth to his father, though he’s never able to. It fosters the lack of self-worth he feels as he seeks validation through fame and what he believes power to be.

These three characters have many similarities, but also notable differences that set them apart from one another. And both Butcher and Soldier Boy use substances like drugs and alcohol to cope with their traumas—ones that their forced stoicism and sense of manhood won’t allow them to easily express.

“We see Soldier Boy use substances almost continuously in season three to deal with his PTSD from the childhood emotional abuse he received from his father, the betrayal and assault from his team, and the torture he endured from the Russian scientists.

“In the short term, the use of drugs and alcohol to avoid thoughts and feelings about traumatic experiences can be felt as helpful, but in the long term, it hinders one’s ability to process emotions and can cause a deeper depression from the guilt and shame of both avoidance and substance abuse.” (27)

Heroes, Antiheroes & Villains

This book explores two key questions that the show encourages you to think about:

Who the hell is the hero of this story?

And who is the villain?

The surface-level answer is that Homelander and other supes like him are the villains, and Butcher and his band of bros are the heroes (or antiheroes). But they commit just as questionable, sketchy, and downright murderous acts as the supes they’re trying to take down.

“Butcher is not really a good guy. He’s manipulative and self-centered. His reasons for wanting to take down Homelander are utterly personal. That it serves the greater good is almost a coincidence.” (9)

And if Butcher is not a hero, but a vengeful vigilante, then why do we root for him so much?

Well, we see his incredible flaws. But I sympathize with his struggle in losing his wife and the life he could've continued to have with her. I root for the underdog going against the hydra head of Vought and the psychopathic Homelander.

And I see in Butcher, as I also do with Homelander and Soldier Boy, their traumas and their internal conflicts, their deep-rooted self-loathing, and a desire, deep, deep down…to be loved.

(And to foster connection with others, even if they’re unable to sustain them.)

On the flipside, we have antagonists in this show who do truly heinous things. What makes them compelling and even sympathetic, yet again, are their painful upbringings that have shaped them to be who they are. The supes of this show are byproducts of being treated like products.

Like the saying goes: Villains aren’t born, they’re made.

That’s why the real villain of this story is Vought International. It’s an allegory, and an indictment of the ruthless corporate greed that pervades American culture—and much of the world.

It’s why Stan Edgar is sometimes scarier to me than even Homelander (and was the true villain of my story, Break Me Down), if far more insidious.

Speaking of BMD, let’s get to it, shall we?

Here’s a (lot) bit about the Soldier Boy section of the book.

Soldier Boy: Why We Can’t Hate Him

I had to laugh out loud at the title of Soldier Boy’s chapter:

Loving the Villain: The Confusing Case of Soldier Boy

I’m not gonna lie. I felt called out. 😂

It is a confusing dichotomy. Soldier Boy is an absolute asshole. Misogynistic, narcissistic, arrogant, callous, violent…

But also deeply traumatized, a man-out-of-time, emotionally abused, byproduct of the historically and culturally different time he was raised in, a man who just doesn’t get it…

And also charming, adorably grumpy, and undoubtedly attractive.

It’s hard to indict “Ben” as an unredeemable villain in the same way I do Homelander, the psychologist-labelled Malignant Narcissist.

Therein lies the main difference between Soldier Boy and Homelander: Soldier Boy doesn’t take joy in harming others the way Homelander does. But he still harms people, whether he means to or not.

Zubernis confirms many of my own conclusions and ideas about Soldier Boy, and why I still rooted for him to be better, and didn’t want him to die at the end of season 3.

As Zubernis rightly exclaimed during her own watch of the finale: “Noooo, don’t kill the Danger Grandpa Baby Murder Kitten!” (175)

Because Jensen did what he does best in his roles: He made us feel Ben’s pain.

“What’s funny is, in regard to Jensen playing Soldier Boy, you know he’s fucking fantastic, he’s just so good at bringing the audience, and it’s almost like—what I laugh about is, he was probably a little too good at his job!” Kripke said. (180)

And he continues, “In part it’s because of the fandom. So many people took his side in the finale, they’re like, Were’s on his side, fuck everyone! And you’re like, but he’s the bad guy and he’s trying to kill a ten-year-old.”

Were there fans who held this viewpoint? I’m sure. There are some radicals who don’t give a fuck and will side with their favorite character, come whatever. But while I can’t speak for others, that’s not how I interpreted that moment in the season 3 finale.

Yes, I think Soldier Boy was (wrongfully) willing to fight Ryan. Do I think he would’ve killed him? I’m not sure. I think he would’ve done what he had to do to get Ryan out of his way in his fight with Homelander. Maybe he would’ve been more violent than he intended, in the callous collateral damage he’d shown throughout the season, or maybe he would’ve gone that far, if provoked.

It’s a tough call, as I think this character can go one way or the other in terms of his “villain” nature. We just haven’t seen enough of him in the series yet for me to make that conclusion on the canon-version of Soldier Boy. (In fanfic, I’ve explored my own interpretation.)

But overall, I think The Krip once again underestimated the power of Jensen’s acting.

…And the ardent nature of his mostly female fanbase. 😂

Why We Love Soldier Boy

The author cites multiple reasons for why we love Ben more than we probably should:

It’s Jensen Ackles. Fair enough. His talent speaks for itself.

Soldier Boy’s backstory: He was emotionally abused by his father and as a result, he has a complex regarding his self-worth, “something to prove,” and a secret need for attention, validation, and praise.

He has trauma and PTSD: He is displaced from what is familiar to him and confused when the boys find him, and that is the least of it. He’s been tortured for 40 years. Can you even conceive of that?

He’s charming: in a sexy grandpa, adorably grumpy, lovable asshole kind of way.

We’re drawn to danger: dangerous “edgy” types are fun, especially when you’re physically attracted to the character.

He has his moments of vulnerability: Jensen’s ability to play the nuance in the character is the ultimate draw. I felt his pain, could see his torture, and his resulting PTSD. He longs for a family, even if his ability to bring up those children is questionable at best. 😅

But I think the one aspect the author doesn’t consider is the character’s capacity for change.

Soldier Boy’s Potential

Again, I don’t think you can write off Soldier Boy’s potential for positive character development the same way you can Homelander, or even Butcher.

For one thing, we just haven’t spent enough time with the character. A lot of his collateral damage after he escapes imprisonment has been accidental, or PTSD-induced. Though we can’t discount how he murdered M.M.’s grandfather via collateral damage (and was callous about it).

I think this is what drew me to write about Soldier Boy. “For all his arrogance, his chauvinism, his massive ego and general bastardry, there’s still humanity in Ben.”

In the book, Nathan Mitchell also says something amazing about his own character (Black Noir) that resonated with me about Soldier Boy as well:

"One of the ingredients of a compelling character is contradiction. How does one aspect of our personality contradict with one another? [...] Who is he underneath? How might his true nature contrast with the demands of his job?"

Or coded for Soldier Boy/Ben: The pressures he puts on himself to be the type of man he thought his father wanted him to be.

Again, his sexist, misogynistic ideals are shaped by the time he was raised in, by being a product of Vought, and of his father’s emotionally abusive upbringing. Does this excuse or justify all of his behavior? Of course not.

But I think those 40 years in captivity changed him from the careless alpha dog we saw in 1984 Nicaragua…

He admits to Crimson Countess, with tears in his eyes, that he’d loved her. That he waited for her and his team—arguably the only social system he has in his life—to save him. He’s gutted to realize that not only did she and the rest of the team never love him, they hated him. They traded him for nothing. Just to get him out of their lives.

For all he claims to be afraid of nothing, tough as shit, he is afraid when he goes to face Mindstorm. He knows what the supe is capable of, and he visibly takes a shaky breath and tries to steel himself.

For a moment, he drops the “Soldier Boy” persona that he wears like a fine tailored suit. And he tells Butcher that the backstory Vought created for him was a lie; he grew up a rich kid who got sent to boarding school, but flunked out, because "he was a fuck up." And his father couldn’t be bothered to discipline him, implying he didn’t care enough about his own son to even lay a hand on him.

He is reluctant to kill Homelander when he finds out he’s Ben’s son (sort of). He even claims that he would’ve been willing to share the spotlight “with his own son.” — Something I doubt even Homelander would do.

Ben even seems to be fighting tears when he levies the same vitriol at Homelander that his own father did at him:

Homelander: “Weak? I’m you.”

Soldier Boy: “I know. You’re a fucking disappointment.”

Let me be clear. I don’t think it’s up to someone to change him (like a love interest). I don’t subscribe to that thinking, that a woman can “change” a man.

For example: In season 2, Butcher tells Becca, “Who was I before you? Nothing.”

And yet, she tells him that he put her on an unrealistic and unsustainable pedestal, in which she felt like she wasn’t allowed to fully be herself, unable to keep him from flying off the handle in rage. That kind of relationship (where one is dependent on the other to “keep them in check”) doesn’t work as a lasting, satisfying redemption arc, and it doesn’t work in real life either.

I do think, however, that a person is capable of change if they’re broken down enough (pun intended), and if they themselves have a desire to change. Someone they encounter can inspire them to be better, like Butcher with Hughie. That person can help support the other.

At the end of the day, however, it’s Ben that has to want to change.

If he wants love and connection, he’ll have to somehow want it, and try (and sometimes fail) to get it, thereby giving him agency and a redemptive character arc.

Now, obviously, it’s up to The Krip where Ben goes from here. He seems to have a more indicting vision of the character than I do (at least, so far). But we’ll see! The fan demand to bring back the character has already had Kripke confirming that Soldier Boy will be back.

Maybe it will encourage him to give the character a more satisfying ending than Dean Winchester got in Supernatural. Though granted, that one wasn’t his doing, apparently he was in favor of the ending the writers came up with.

Comparing Dean & Ben

In his interview segment, Jensen talks about what, if any, are the comparisons between Dean Winchester and Soldier Boy. AKA: Wanting a father’s approval, and an undercurrent of “John Wayne”-esque masculinity in John Winchester that Dean sought to emulate.

Jensen also talks about where he drew from to not only embody the character of Soldier Boy, but bring nuance to him—and show the peeks of vulnerability under the bravado and stoicism.

“He’s so fragile and his ego is fragile. Just like Homelander. These bigger-than-life powerful heroes really have a glass jaw… “And everyone walks on eggshells around him [Soldier Boy], and they tell him that they love him, and it’s the same with Homelander. Then when all of a sudden he faces his old team and Crimson Countess says we never loved you, we hated you—that’s a gut punch for him. Because even though on some level he may have known that, he never thought he would hear it. “And he probably propped himself up around trying to believe otherwise, because how can you walk around knowing everyone you’ve ever cared about hates you? It’s too painful.” (191)

It really is. And I inherently felt this about Soldier Boy/Ben when I watched season 3 for the first time. That’s exactly what I got from his performance and thought, there’s more to this guy than the toxic masculinity he represents.

This guy just wants to be loved, like everyone else. He wants to feel important, and even after his father’s dead, “show him” that Ben is the man his father wanted him to be. And so, he bought into the illusion Vought painstakingly crafted for him.

Whether he can come back from that remains to be seen. But I choose to be optimistic until evidence points to the contrary. 😅 (We’ll see in season 4!)

So that’s my personal take on Soldier Boy and this awesome book. 💚 Thank you again @kaleldobrev for recommending it to me! I hope you all enjoyed my long-winded review and want to check this out.

And if you do read it, I hope to read your thoughts as well!

Tagging people who said they wanted to read my review on this book: @venus-haze @jessjad @kristophalis @sl33pylilbunny

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beanghostprincess · 4 months

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Sabo still struggles with memory loss. He had his childhood back, of course, he remembers Ace and Luffy and everything they did together. But he doesn't remember some stuff. Some anecdotes Luffy tells oh so excitedly? He can't recall that those happened. And if he does, it's all blurry and never at all like Luffy says. But he never says anything because that would break his brother's heart, to know his older brother isn't fully back with him, so he nods and smiles and pretends he knows what Luffy is talking about every time.

His room is filled with Post-it notes. Stupid, really. Dumb stuff. But he has all the meetings he needs to remember and the missions he has to do, along with everything he wants to write down at some point properly. The walls are covered in pictures of the people he loves (Luffy, Ace, Koala, Robin... All the others that have ever meant something to him because he refuses to forget somebody again).

He keeps writing dumb stuff down. Anything. He refuses to forget. He denies the possibility of doing it again.

But he forgets. Sabo keeps forgetting important dates. Important parts of his life, like his past with his brothers (he forgets a random adventure they had that he swore he had talked about the day prior) and crucial things he has to do. He has a hard time picturing his memories. Putting them in his brain. Turning them into images. Saying it's frustrating is a huge understatement.

Koala helps him out, of course. She's hard on him so he finishes his paperwork, but she knows it's difficult sometimes. She's his personal calendar and diary. She informs him of what he has to do during the week and always tries to talk and talk about anecdotes that she knows he still remembers but knows he loves to hear again.

His mental health isn't the best either, but he refuses to acknowledge it. There's a revolution at hand, he can't stop working. And fighting. And doing more and more and more. But sometimes it's just too much. Sometimes he goes into depressive episodes he can't control, and the medication is either addicting or the worst thing that has ever happened to him. Sometimes he's a bit too intense. Koala says he needs to calm down, that he has a problem with his fixation on the revolution and his past. Sabo keeps saying that it's fine. But he sometimes forgets or has blurry images of the fights and the people he has killed, filled with energy and excitement and like he has the power of a God. He doesn't like those. Enjoys the moment. Hates to forget it. Hates to know what he did during it too, even if it was for a good cause. Despises the look Koala gives him, also. Makes her promise not to tell Luffy about all of this.

But it's fine, he keeps saying. Sabo will keep trying to never forget anything ever again.

#hello i am very sad #i struggle with memory loss because of depression and shit and i thought wow yOU KNOW WHO ELSE STRUGGLES WITH MEMORY LOSS???#this post is kind of like 'guess the disorder' type of thing #it's bipolar disorder btw i just didn't get too much into it #i mean i think sabo is bipolar that's a personal headcanon of mine #which btw the only info i know about it is deep research and two years of psychology in high school #something something i wanted to know if i was bipolar bc i haven't gone to therapy in........... uh.... a while. but i highly doubt it #now i just have a lot of info #anywayyy got real dark real quickly right #sabo i love you i don't want to hurt you but you're just so angst material #one piece #revolutionary sabo #koala one piece #asl brothers #monkey d. luffy #tw mental instability #tw depression #tw medication

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medicinanocturna · 10 months

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Energetic channels in a relationship: why to consider them?

Runes versus Astrology

Human relationships are one of the most vibrant themes in esoteric sciences. It is very difficult to understand, predict, or reason them. We are hugely emotional beings, and this defines lots of our connections.

Synastry is a good starting point to try seeing where the two people connect. But it is also a bit dry, and generalised. Not all aspects play out as they are described.

The most important disclaimer here is this: the synastry chart doesn’t work, and it never will, unless there are energetic channels between the two.

The potential nature of such channels is reflected in the synastry, but whether there is an energy in them or not is not explicit.

Imagine you have a scheme of a house. You see where the tubes and the power cords go. This is a synastry chart. But the scheme doesn’t reveal whether the water and the electricity are actually flowing in these tubes and cables.

In astrology, the term energetic channels do not refer to synastry, but rather to the energetic field of a person. I haven’t found any astrological means to tell for sure whether the planetary channels between the two people are functional or not, or whether there is a sustainable flow of energy present. Not rare are the cases when the synastry chart looks captivating and has many “magnetic” personal and sexual aspects, but in reality, not much of it is happening between partners. And vice versa, some synastry charts show barely two or three aspects of mutual attraction, but the couple has a great personal and intimate compatibility and exchange. (The only aspect that will almost always indicate the energy flowing between the two is a conjunction. But this is not the scope of this text.)

Here I would like to tell something about the runes as a tool of reading. Runes can be very accurate in describing personal chemistry in a coupe and whether there is an energetic channel between the two people in the relationships.

The first most important rune to mention in this regard is Nauthiz.

In relationships, this rune can be interpreted as a hunger or a need. In its upright position, its meaning remains the same, but in a more uncontrollable fashion that can also imply guilt or fear. This rune is well known for its extensive application in runic love spell formulas that are meant to conjure abiding passion and longing for the one who is activating it.

In divination for love relationships, Nauthiz comes as an indication of many things, but it always means a strong connection between two people. It may also be an external connection, like obligation, and here, the rune can be compared with Saturn in astrology. But in the sphere of feelings, Nauthiz is an intense channel pulling the energy from one person to another, or both ways. The Nauthiz kind of channel is very prominently felt when the two are separated. In real life, this type of connection can be a difficult one, and always comes with an emotional pain. This rune is connected with an ether body, and so are the feelings like hunger and thirst. Ether body is the one of the most actively involved in our loving relationships. Touch, smell, physical longing, tenderness or intensity of a hug - all come from our ether bodies. Nauthiz can also indicate a longing that is being hidden (restricted) by a person.

Eihwaz is the other rune that can signify an energetic channel between the two people.

Its form already has a direct reference to it. The energy from one side goes down to the opposite and vice versa. In love divinations, it is always an indiction of a very strong connection (emotional, mental, energetic). Eihwaz will usually indicate that the channel is deep and stable to the extent that the two people can influence each other, see each other in dreams, hear each other’s emotions well. In my practice, it is Eihwaz that would appear in divinations for relationships where some energy practices are involved, including shamanic practices or astral projections. Such channels are also present between a healer and a patient. It is due to this channel that the work can be done.

Eihwaz therefore can also signify the channel between the two people who are in service to each other in a certain sense.

Gebo is the rune of partnership, as it is obvious from its form.

It signifies a process of “exchange”. Ideally, this exchange is equal. But in certain aspects with other runes, Gebo is also a rune that would reveal vampirism. Unlike Nauthiz and Eihwaz that are self- sufficient for signifying the channel between the two, Gebo usually needs some other confirmation from other runes. If confirmed by other runes of love and feeling, Gebo indicates a channel of “give and take” nature in relationships. It may also be a sign of a harmonious flow of energy. Unlike Nauthiz, Gebo does not imply any painful feelings (unless it is not in combination with it (Nauthiz Gebo) in which case it will indicate a very strong sign of people being in an emotional need for each other). Not rarely Gebo is a sign of a telepathic connection between the two.

Laguz is not really a rune indicating a channel in a couple, but it is one of the most important marks of loving feelings among all twenty-four runes.

It is also a rune of water, magic and intuition, and thus suggests the flow. This flow can be one - sided, however. But in its upright position, this rune looks like a hook, and that is what it can represent - that someone is “hooked” (emotionally). In certain divinations, Laguz in the upright position is a sure indication of a love spell, or even a love curse being laid against a person. Laguz's upright signals the emotional state of confusion, often tears and instability rooted in a heavy co- dependence. In divinations where the reasons for unhappy love life are being diagnosed, Laguz will always mean there is a magical interference in place. Sometimes such magical spells come as a revenge from the ex- partners whose feelings were insulted and jealousy was untamed.

Jera is a rune of a circulation (or a cycle) of many kinds.

Per se it mostly refers to the circulation of time or events within the relationships. In certain position it can hint at karma. But when Jera goes with some other runes that signify an energetic channel, especially Eihwaz and Gebo, it will emphasize a strong energy circuit between the two. Appearing with Eihwaz especially, it is the sign of a channel that is either very stable, almost like a “loop” or is growing in its intensity, gaining more and more energy flow with each turn.

In some cases it can also mean something that is called "the energetic lock", i.e. the energy is constant and it is "locked" from leakage. But this would be considered as a magic influence that serves as a protection (for a couple).

Hope this piece has brought some light into your runic practices (and astrology alike), as well as your understanding of the nature of our human connections in all their complexity and artistry.

Drop me a line if you have questions.

Yours,

AlSheren

#deep psychology #astrology #runes art #runes meaning #elder futhark runes #synastry aspects #astrologymedicine #runesmedicine #graphic magic #runic alphabet #love runes #intimacy #karmic relationships

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