#i just also want to murder people who are like

[nightwolf14292]

What I think the Batfam's love languages would be:

This is not necessarily canon, you can take this as the love languages of my personal versions of the characters if ya want-

Bruce Wayne -

How does he show his love?: I think that if you two were casually going out, seeing each other on occasion for a date but not actually officially dating or anything, he would show his love through giving gifts. I mean, it's the billionaire thing to do—just dump a bunch of money on you and let you buy stuff. Then when you started officially dating he would continue to give you gifts, but I also think he would use acts of service.. Whether that be dressing up as Batman and beating up someone who threatened you, or being Bruce Wayne and making your boss give you a promotion. Then if your relationship got extra serious, like you were moving into Wayne Manor serious, I think he would finally start to warm up to physical touch and would slowly get more touchy with you over time.

What type of love does he respond best to?: Quality time. Just having you around while he's doing mundane things, you sitting with him in the Batcave while he's working a case, going grocery shopping together. Depending on his mood he'll also respond well to words of affirmation, but if you catch him in the wrong mood he'll get annoyed and upset by them because he'll feel patronized.

Dick Grayson -

How does he show his love?: No matter what stage of the relationship, his biggest love language is always going to be acts of service. He's a people pleaser at heart, he loves doing things for others even if it's detrimental to him. If the two of you were casually going out I think that he'd use a lot of words of affirmation on you, just being really sweet to you in general. When you started officially dating he'd make an effort to spend as much quality time with you as possible and get a little more touchy, starting to get used to hugs, cuddling, sleeping in the same bed, etc. If you got extra serious he'd become much more comfortable with physical touch, and start to lay more heavily into his acts of service.

What type of love does he respond best to?: Words of affirmation—but only if you do it right. Dick, being the people pleaser that he is, lives for praise and being told that he's helpful and good. Words of affirmation in the sense of 'I'm proud of you', or 'You did great out there tonight,' work wonders for him. However, words of affirmation in the form of compliments about his physical appearance have an adverse affect if you're still early on in the relationship. After all, Dick gets his looks complimented a lot and most of the time it makes him uncomfortable. He'll feel like you're only looking at his body and not who he is as a person. However, he's more accepting to physical compliments when you get into a more serious relationship.

Jason Todd -

How does he show his love?: Well to be honest if you're casually going out, he.. Doesn't- I mean that early on, he has no real reason to believe that he should. After all, he's never had any experience with this sort of thing, and why would you ever want to date a literal crime boss/murderer? He thinks that you're totally a spy and that you're going to betray him or something. If you manage to progress to the officially dating stage, he'll start to open up just a tiny bit. He'll become a little more protective of you, making sure his goons won't attack you if you're out in Gotham late and 'taking care of' anyone who gives you trouble. He might get you a gift here and there, pay for dinner, but he'll still stay somewhat distant. And if you eventually manage to get to the serious stage, he will become incredibly attached, lots of quality time, lots of gifts, lots of acts of service, and SO much praise over any little thing you do.

What type of love does he respond best to?: Physical touch, but only if it's serious. To get through the first part of your relationship you pretty much just have to stick around and not be an ass, because he'll be absolutely flabbergasted that you want anything to do with him, but he'll eventually get used to it and become attached because you're the only person(that isn't the Batfam) who's been with him this long. But if it gets serious, he'll love physical touch. Hugs, cuddles, sleeping in the same bed, putting an arm around your shoulder, massaging your thighs.. Just touching you whenever he can.

Tim Drake -

How does he he show his love?: Quality time, and by quality time, I mean he stalks you. You won't know it, at least not until much later into the relationship, but if he actually likes you he'll stalk you from the beginning. Stalking your social medias, tracking your phone's location, watching you in the Batcave on the Gotham security footage. Maybe hacking into your security cams and watching you in your house/apartment if he's particularly lonely. Aside from that, early on he'll pay for dinner, buy you flowers, maybe get you some little trinkets that he finds cool.. As you start dating he'll start to help you with school/work, putting his smarts and skills to the test to help you out with things. He always seems to know when you need help, somehow? (It's the stalking). When you get serious he'll warm up to you fully and start just being his weird lil' self, no longer masking his odd behavior around you.

What type of love does he respond best to?: Physical touch(but usually only when he's sleepy), and words of affirmation. He doesn't mind physical touch usually, but it won't always do much for him except for when he's feeling sleep deprived, in which case he craves your warmth and touch. He especially needs the words of affirmation, because he's sort of lacking that in his life right now (Though, his family[-Damian lol] are trying hard to make up for that, they're working on it), and it makes him feel useful and wanted. And like his own person for once.

Damian Wayne -

How does he show his love?: In the first two stages of the relationship he won't really show that he cares, he might be a bit less aggressive to you then everyone else, but he's still not exactly the nicest. However, if you manage to get to a serious relationship, you'll have proved that you're actually there for him, and you'll notice a more dramatic change. He'll become much more open, start smiling more often, get a little more touchy, shower you with beautiful art he painted of you.. You were the one who helped him learn to be less violent, so by extension he's willing to rely on you.

What type of love does he respond best to?: Words of affirmation, because he has an ego that needs to be stroked. Even when you get serious and he becomes more open, Damian is still at his core a pretty narcissistic and arrogant guy, and he still acts on impulse thinking that he's better and smarter then any of his enemies. So, if you want him to be all flattered.. Just compliment his fighting skills.. Or, y'know, tell him how much better then Tim he is.

Y'all can add the others if you want, I don't know enough about the other characters to do them yet :]

#bruce wayne x reader #dick grayson x reader #jason todd x reader #tim drake x reader #damian wayne x reader #batman x reader #nightwing x reader #red hood x reader #red robin x reader #robin x reader #batfam #tim drake #batman #jason todd #red robin #dick grayson #nightwing #robin #batfamily #red hood #bruce wayne #batfam x reader #batfam x you #batfam headcanons #headcanon #bruce wayne headcanon #dick grayson headcanon #jason todd headcanon #tim drake headcanon #damian wayne headcanon

[sunnyswide]

Murderer POLY 141 🔪 x Oblivious Female Reader

NSFW/MDNI (sexual activities and sexual themes)

Instead of military.. Why not just a bunch of fucking murders.

To you, it seemed so odd that they would show up at the most convenient of times. Nonetheless, you were mighty grateful for the help. For the quick fix-up on your car. The multitude of groceries you had. The short-lived stalker you never heard from again. The drunken who suddenly approached you late at dusk, but also got taken care of quite swiftly. The fruitful amount of cash that was hidden under piles of junk in the drawer. They were a bit tinted with red… Chalking that up to “Oh I must have put that there” even though you had no recollection.

But to them, it was all fun and games. Who'd be first caught or who'd be the last one standing?

Gaz was just so kind, inviting you to every opportunity for tea or snack breaks. You’re surprised when he tells you he lives at the complete opposite side of town.

“Thats an hour away Gaz! Isn't it exhausting?”

“Not at all, I have work here.”

He lies theough his teeth but hey? Isn't it all lies around here. As long as your adorable mind doesn't realize.. It won't hurt. Just like the many times he takes you to where he resides, eyes staring at the two of you.

Course you’re scared, but he promises it's because they’re not too keen with visitors. Not realizing the multitude of people don't seem to be glaring at you. But at him.

You don't ask questions and go along with it. Letting him lead you to his apartment that seemed to be barely lived in.. But it doesn't matter after he Fucks those pretty thoughts out of your mind. Making you see stars as he finishes inside of you for the third time.

But Price isn't that open. He keeps the conversation entertaining but reveals absolutely nothing about himself as he listens to you talk.

He loves the expressions you make, your lips pouting when you talk about the scary days you had over the week because of some weird stalker.

“I promise! There is someone following me!”

“Then why don’t you let me take you home”

He walks you home every night the two of you go out. The one day he doesn't, you swear you could hear an extra pair of footsteps. Looking around deliriously you opt for a run instead, going through alleyways and shortcuts. Until you accidentally bump into someone, causing you to trip over your feet.

“Gah! Sorry!”

You look up to see Price! He looked shocked at first but soon composed himself, taking your hand in his.

“Dont be sorry”

He smiles gently, kissing the top of your forehead while you burst into soft sobs. You swear you saw something.. Or someone else behind him. On the floor? Maybe it was your imagination..

He takes you home but you beg him to stay the night.

“Can you stay?..”

He holds you tight, pressing his fingers deeper into your hips. This only leads to an excuse to fuck you on his cock as an “apology” for scaring you. He whispers sweet nothings to you as he overstimulates your dripping cunt, making you cockwarm him even after cumming.

But after meeting Ghost and Soap, the perfect self-proclajmed duo, you couldn’t help but find yourself attracted. They were a mix of dark humor and wholesome dad jokes.

They invite you for a quick drink as friends. Friends that sit too close to each other.. Ghost insisting you sit in the middle as Soap drapes an arm around your waist, pouring you more and more Alcohol you didn’t want to drink.

Sooner or later the “fun” was coming to an end as you try to stand up, toppling over Ghost’s lap. They chuckle at your vulnerable state, taking it up as a reason to carry you back home. Of course this attracting other drunken dudes to come up to them asking them where they think they’re going.

“Cmoonnnn, We can all have a piece of that”

Soap smirks.. He was damn happy they even asked.

“Why not gentlemen”

But you didn't see what happened after as Ghost drove you back to his place with Soap after the quick charade. Soap smelled a bit.. Odd.. His hands covered in a.. Red substance.

“Just wine luv”

A few minutes later you sobered up quite quickly, surprised even though you drank so much. But hey no hangover!

And as a thank you they happily ate you out. Getting Fucked by both of them at once felt.. Ruthless. Your clit brimmed with overstimulation as Simon rubbed circles over it and your mouth forced wide open as Soap shoved his shaft deeper and deeper.

You sobbed quietly into the pillow as Soap rammed his Dick into your sopping cunt, relieved for the pounding to stop until Ghost took his time teasing your entrance. Making you gasp..

“Fu..ck.. Wai-wait”

Begging? Uselsss.

He didn't mind you screaming for him to stop. Overestimation turned into torture for your pussy. Brutilized after just one night, you’d had to come back to them for more right?

But it wasn't much of your choice to come back.

#simon cod #cod #cod smut #ghost smut #Simon smut #ghost x reader #Gaz x reader #price x reader #price smut #soap x reader #soap smut #poly 141 #price cod #Gaz cod #soap cod #simon riley smut

[comradekatara]

so on a scale of aang (killing is always wrong) to katara (killing is a statement) to sokka (killing is a tool), where would the rest of the gaang + ozais angels go?

toph is hard to pin down because she’s the only character who ever actually kills people outside of the context of war. and i don’t know if she even realizes what she did, because she’s 12 and the adrenaline rush of discovering that you can actually metalbend probably supersedes any logical reasoning in that moment, but like, she did just leave two guys to die a gruesome death in a metal box. so i do think it’s more nuanced that simply saying, “to toph, killing is fun and flirty,” but like, there is a not insignificant part of her that will gladly kill as a means of asserting her power over others and individual autonomy, and has no compunctions about killing those who threaten her autonomy specifically, as it is such an acute point of trauma for her. but also, she’s twelve so like, she’ll probably develop a more nuanced approach to that quandary as she ages.

zuko’s stance on killing is mostly that he’s happy to outsource that violence and then take credit for it as long as he personally doesn’t have to get his hands dirty. like he’ll hire an assassin but won’t bring himself to admit that “end them” means “kill them,” or he’ll threaten to kill zhao and then try to save his life at the last minute. he wants aang to kill his dad but would never actually kill ozai himself, just as he wants katara to kill yon rha, but would never actually kill ozai himself. and i’m sure zuko thinks this is all because he’s a coward who simply lacks the capacity to be ruthless and effective (like sokka), but actually it’s symptomatic of zuko’s greatest quality, which is his inherent sensitivity, his queasy stomach for violence, his predisposition for gentleness, the fact that he actually struggles to deny his own inclinations and simply submit himself to a logic of brutal death and destruction. he thinks it makes him weak, but the fact that he actually has a desire to do the right thing and be a good person despite it all is truly his greatest strength.

azula is always operating from a place of survival because it was impressed to her from a very young age that she exists in a world that is unforgivingly cruel, and it is kill or be killed. she does not want to die (which is quite possibly one of her greatest points of deviation from sokka, but i digress) so she wholeheartedly submits herself to this logic, and unlike zuko, who struggles to erode his own humanity even under the threat of violence, azula is very good at becoming something “monstrous” (her words) out of fear, can contort herself into any shape necessary as long as the threat is tangible enough. so obviously azula approaches killing in the same way sokka does, no surprise there. murder is a tool to achieve her ends, to ensure her own safety and survival. it is simply a mechanism of war. but unlike sokka’s view of it, she also believes that the strong kill the weak because the weak deserve to die, and that logic she inherited from ozai.

we never see suki actively kill anyone, but she does threaten to feed sokka to the unagi, so like, even if she is (probably) joking, i don’t think suki is flat out against killing. i think she’ll kill if she absolutely has to, but would also prefer not to because she clearly values and holds a deep appreciation for life. but also, whenever there is a gap in our textual understanding of suki, i usually just fill it in by being like wwkd (what would kyoshi do), so maybe that’s why i just said. who knows

mai always makes an effort to never actually stab people with her blades, but rather pin them in place. that said, whether this is because a Y-7 cartoon simply isn’t allowed to depict blood or if it’s because mai is genuinely that attuned to not seriously hurting the people she throws knives at, i’m not entirely sure. i like to think that mai doesn’t actually want to hurt people, because like zuko, she is naturally inclined towards sensitivity and gentleness, but i think there’s also a part of her that would lock people in a metal box if she could. i think the best way to summarize mai is thus, excitement is valuable (including the heat of battle), but killing is unpleasant.

ty lee has actively refined a technique that makes her extremely dangerous without ever actually having to cause long-lasting damage to someone physically (psychologically is another story). yet another W for ty lee air nomad heritage theory, but i digress. ty lee is smart enough that she never actually has to be personally responsible and culpable for killing anyone ever, but she is also submitting to and enabling the violence of an empire for the sake of her own survival, so it’s not like she’s not complicit either. so to ty lee, killing is also a tool, but one she personally doesn’t need to employ, which is a comfort to her.

iroh (technically you didn’t ask about him but he’s fascinating so i can’t just leave him out) used to view killing as a tool, and now views it as an inviolable taboo because it took him like over 50 years to recognize the inherent value of human life and the grief of losing a loved one. so it’s not that he grew up in a “kill or be killed world” that fostered his need to kill to ensure his survival, but simply that he grew up in paradigm that dictated that “killing is the path to attaining glory” and he was good at killing, and thus glorious. but then he experienced the consequences of that worldview firsthand, and had to completely recalibrate his own logic of conquest and domination. and so now he’s still capable of violence in equal measure, but is less willing to exercise it for purely shallow, destructive reasons. yay..??

jet actually does think that killing is fun and flirty. anyone who disagrees with him deserves to die because he is simply right about everything. sokka? closet fire nation sympathizer, obviously. guy he met on a boat who said “hey im not really interested in joining your child militia”? well he’s probably the prince of the fucking fire nation (okay he was right about that one but he had no way of knowing it so). he watched the rough rhinos burn down his house and murder his family with a smile on their faces, and a part of him that day calcified and decided that the only way to truly reclaim his power was to beat them at his own game. so he does everything in his power to control the people he can, to control his narrative, to refine his logic in a way that makes him the uncontested hero no matter what. but in truth, it’s quite simple: he wants power because he has none.

haru exists somewhere between “killing is a statement” and “killing is a tool.” killing is a tool because it functions as a statement. killing is a statement because it functions as a tool. violent resistance is necessary by any means necessary, but you know, in a nice way. he’s basically just the model of the “good” colonized subject who fights for collective liberation instead of personal empowerment, so it makes sense that he’s introduced before jet as like the emblem of what katara should do (how she should fight, what she would fight for) versus what she shouldn’t. which is like, perhaps a simplistic reduction of “good” vs “bad” methods of resistance into “our noble collective action” vs “their senseless terrorism,” but like. lol. what can you do

#turtles-alltheway-down #asks #analysis #toph #zuko #azula #suki #mai #ty lee #iroh #jet #haru #put the main three who matter here above and then the rest below the cut #sometimes i forget that zuko is a good character bc yall are so annoying about him…. but then i remember #i also need to talk about more at length about how azula rationalizes that the weak deserve to die thru ozai for MULTIPLE interconnected #reasons that I didn’t have time to get into here #and also just azula’s relationship to ozai in general #but im putting off actually writing that bc it is. genuinely devastating and i don’t wanna #anyway!!

[melrosing]

the thing that annoys me the most about the bullying claim among the stark sisters is that they talk about how much it affects Arya that she thinks she’s ugly and such and like she does, but she’s so much more worried about being “bad” she killed a boy. She’s also going through poverty and war and starving and being introduced to cults/bands of “justice” by murder

but nooooo she totally is more affected by being called horse face despite being compared to SOOOOOO MANY PRETTY PEOPLE AND THAT MEANS SHES GOOD (never mind that good looking=good person should NOT BE YOUR BASIS)

I think most people, and especially girls, know exactly how it feels to worry about your appearance and feel ugly and unattractive, and I get that this is a particular pain for Arya, who apparently has never been called pretty except by her dad one time in AGOT, in an offhanded comparison to her aunt Lyanna. I don't think attractiveness is the most important thing to validate in any child, but I do think that it is good and nice to affirm to your child that they have their own beauty, so that they can then negotiate their relationship with that word from a safer place in adulthood.

It's not about telling your child they don't look a certain way (e.g. no good telling Brienne she's a normal height and her nose is hardly crooked at all), but that the way they look is something unique to them and something they should take pride in, regardless of what others say. Like I think it's an OOC moment in the show, but I think it's sweet when Olenna tells Brienne she looks 'marvellous' or something. She's not saying 'you look like bella hadid', she's saying 'I love the way you look!' to a woman who has received nothing but insults (despite looking like fuckin. Gwendoline Christie lmao). that is nice. it's not the most important compliment anyone can receive, but it embraces divergence as positive.

as it goes though, Arya is a pretty girl and it's just weird that the adults found countless compliments for Sansa and none for Arya. and that's why I find it so bizarre that everyone wants to pin Arya's self-esteem issues on Sansa, a prepubescent child!! like, would Arya have taken these insults so hard if Cat had stepped in and said 'don't listen, you're a lovely girl and your father says you look just like your aunt Lyanna! sansa i am telling you off for calling people names'. children are always going to call each other mean names! it is one thing that is practically guaranteed to happen in any sibling relationship, and anyone who says otherwise is an only child or lying.

but it is much harder for a child to manage that hurt if they're getting called those names, and society seems to be reifying to truth of them at every turn! Septa Mordane is calling her ugly! Cat is calling her a mess! Ned has never complimented her till AGOT! etc! she has never received a compliment before! so how on earth can you say 'and Arya's self-esteem issues can all be traced back to the playground bickering between she and Sansa and Jeyne' when Arya is obviously getting the same message from what seem like far more authoritative sources! is it not worse that those sources are all complimenting Sansa all the time and never Arya? does that not make it worse when Sansa acts like a child about it? like!!

and yeah I agree that there are other more painful insecurities Arya is struggling with. I do think at least part of the reason that this argument keeps coming up in fandom is that people keep trying to claim that Arya's story is similar to Brienne's, in that she IS ugly according to society's standards and that's ok! which isn't true, Arya is canonically a pretty kid with a dirty face and unbrushed hair. that's all it is. so if we could just accept that, there'd be no excuse for the insistence that this is an important aspect of Arya's story.

because it isn't. like im sorry but the ugly duckling means nothing when there are plenty of people who don't grow up to be swans. they get called ugly as children, and they get called ugly as adults. look at Brienne: she has suffered far, far worse prejudice as a result of her appearance in childhood, and she doesn't get the catharsis of growing up pretty to show them all how wrong they were. Brienne has been treated like a fucking monster for how she looks, all of her life. this is a character for whom her appearance IS actually an important theme, and it will be meaningful to see her realise it's a strength, and find love etc. I'm sorry but Arya growing up to be beautiful doesn't mean shit to me lol. I fully accept it's canon, but it is not a meaningful story beat, in a story with people like Tyrion, Brienne and Sam. Arya's story has so many more fascinating themes about identity, trauma, justice, war, friendship and family. if Arya was pretty all along, why should I care?

#ask #asoiaf #arya stark

[acaaai-t]

thinking about…

stranger! xiao whom you encountered through a unexpected bank robbery one sunny afternoon. It definitely was love at first sight for you, especially after he had tackled you— a mere stranger to him at the moment— down to shield you from the stray bullets being fired. It was chaos amidst the environment, but all you could think about was how close he was to you… archons he’s pretty.

stranger! xiao whom you practically had to chase after after the entire ordeal just to get his contact information. He had first denied your approach, but you just seemed far too determined to give up so easily. “Sir please,” you begged. “You quite literally saved my life back there, the least I can do is repay you with something.” … “Fine.”

— ༉‧₊˚ 🐈‍⬛ ༉‧₊˚. . 。！

companion! xiao who has a grumpy face on at all times no matter the situation. You had invited him out for lunch as a way to thank him for his heroic act couple days ago, and this would be your chance to properly introduce yourself to him. The weather was near perfect today with the temperature hanging around in the low 70’s (20°C) and the skies cleared of clouds. His intimidating expression was also enough to make you nervous, but you pushed through. “Hi! My name is [name], what’s yours?” … “… Xiao.”

companion! xiao who you took out on a little amusement park hangout on a bright sunny Saturday afternoon. You hadn’t been to one in forever, and considering the fact that both of you had nothing better to do today, you dragged Xiao out with you.

companion! xiao who went near deaf after agreeing to go on a rollercoaster with you— which was a poor choice. The ride was exhilarating, but if you hadn’t been screaming bloody murder throughout the entire ride, it might’ve been a better experience. “I’m sorry!” you exclaimed, hands clasped together in a praying motion. Xiao didn’t say anything. He pinched the bridge of his nose and sighed. As an add-on to your apology, you treated him to a plate of almond tofu. Yeah no, he forgives you.

companion! xiao who gets an unwanted feeling of annoyance when he sees you occupied with someone else other than him. A stranger had stopped you to ask for direction to the nearest bathroom, and being the kind hearted soul you are, pointed to the map and gave the path to his destination. Too close, he thought. What? Why was he feeling like this? Is this what people called jealousy?

— ༉‧₊˚ 🐈‍⬛ ༉‧₊˚. . 。！！

Xiao is in denial. He’s only known you for a month or two now, and feelings are beginning to worm its way into his heart. Unwarranted feelings that he wants no part of— yet it’s constantly in the back of his mind. You’re always on his mind. He can’t get you out, no matter what.

Your smile, your laugh, your mesmerizing beauty…

Archons, what is he meant to do now?

— ༉‧₊˚ 🐈‍⬛ ༉‧₊˚. . 。！！！

lover! xiao who wrestled with his feelings for weeks on end before finally caving in to it. You were blabbering on about some drama unfolding at your workplace at a cafe he’d invited you out to when all of a sudden he stopped you. He couldn’t even pay attention to your words, for all he could do was stare at your lips moving. “Is there something wrong with my face?” you asked, fingers dragging across your cheeks. Xiao was quick to answer, giving a hasty ‘no’.

lover! xiao who kept stuttering his words when confessing his feelings to you. The sun had begun to set, and you had brought him to a secluded area of the woods, where there was a near perfect view of the sunset. Your heart was pounding so heavily against your chest— it felt like it could burst out at any moment. Although Xiao looked more of a hot mess than you did; his face crimson red.

“I.. I like— archons. Oh fuck it [name] I like you. Not as in just friends if you understand, you know what I mean right? No, it’s totally okay if you don’t like me back like—”

lover! xiao who you had to shut up with a kiss to his lips, arms wrapped around his neck to pull him closer to you. He seemed to had to take a moment to register what had just happened, and when it did finally process, he kissed back— hard. Is he dreaming?

just lover! xiao being the epitome of you fell first but he fell harder.

— ༉‧₊˚ 🐈‍⬛ ༉‧₊˚. . 。！！！！

✩ ·┆ masterlist

notes—

— more xiao content coming soon

© acaaai-t — do not plagiarize, repost, or translate

#[💫] acaaai-t #astronetwrk #genshin #genshin impact #genshin x reader #genshin fluff #genshin impact x reader #genshin xiao #xiao x reader #genshin impact xiao #genshin x you #genshin fanfic #xiao genshin impact

[kerosene-in-a-blender]

One thing about Orym saying that he can't put down the lens he sees the world with is that he's completely correct, he's always going to be viewing the moon plot and the conflict with the Ruby Vanguard from the perspective of "a guy whose husband and father were murdered by the Vanguard", but the same could be said about the rest of the party. They all have pre-existing experiences and attitudes that have shaped their perspective on things. Orym isn't uniquely biased in this sense.

The most obvious one is of course Imogen, as her long-absent mother is a Vanguard general. She heard Liliana's voice in her Ruidusborn nightmares telling her to run as long as she had those nightmares, and she came to associate that with her mother trying to protect her from whatever the red storm was. It resulted in Imogen giving a lot of grace to Liliana once she found out she was alive and with the Vanguard, a grace that more recent experiences are now making Imogen start to believe was misplaced, but a grace that was born over what she considered her mother's voice to be for years.

Fearne was raised in relative isolation in the Feywild by Nana Morri, and as result her approach to a lot of the events she's now embroiled in has an oddly naive slant to it. The whole would is new to her and she's approaching it like someone who is new to it; there's a lack of understanding of implications that she has that goes beyond her simply being fey. This is best seen in how she's grappling with the reveal that Sorrowlord Zathuda is her biological father. She's aware that Zathuda is terrible and that the circumstances that led up to her birth are dubious but there's also a large part of her that desires a connection with him as her parent and feels like they could have a relationship. She's naive to what exactly she is to him, and also influenced by having grown up longing for the parents that left her with Morri.

Ashton lost their parents and found themself blown halfway across the world after a cult ritual went wrong, and had a spectacularly shitty life that he often found himself begging the gods to fix without answer, and as a result he's very down on the idea of gods and even more down on the idea of letting a cult do whatever they want in order to achieve the perfect world that is just beyond reach by whatever means they must. Especially after the entire shard debacle in which Ashton learned that their parents were definitely wrong to do what they did and there were no good ends for the means that they engaged in he's fallen even harder onto the line of, as he said himself, "I hope her ends are fucking great because these means are just not forgivable."

Laudna's sole experience with anything resembling a higher power for much of her 50-odd-years of life has been Delilah Briarwood, the woman who had her horrifically murdered and is still rather explicitly using her as a means to some unknowable-to-Laudna end. This has both made her one of the members of Bells Hells most open to the idea of there being no gods (no more puppet masters) but also the most broadly sympathetic towards Liliana's view of the Ruidusborn (that they are creations of Predathos with no choice but to be slaves to his whims). Her ardent belief that her lift ended on the Sun Tree thirty years ago also means that she often refuses to advocate for herself or her own needs, resulting in moments where she openly wonders if it's Imogen's destiny to join the Vanguard, despite having herself been at one point brutally murdered by a Vanguard general.

FCG made it his mission in life to help people; that desire drove a lot of what he did up to and including his final act of sacrifice for the Hells. They saw the people struggling against the Vanguard and with the world that the Vanguard created and chose to do what they could to help them. Their desire to help even extended towards the gods, as one of the first things they asked of the Changbringer upon gaining the ability to cast Commune was, "Do you need help?". FCG was also a character driven by a desperate desire to find purpose and to understand the "why" of their own existence, a desire that ultimately drove them towards religion as a means of shaping the meaning of his life, and made him the most openly religious member of the group up to the moment of his death.

Chetney, while the most able to look beyond his own biases by virtue of being the oldest and most emotionally mature member of the party, still carries with him the perspective of having been someone who ultimately made little impact on the world up until, in his twilight years, random chance granted him the power to affect change. He gained lycanthrophy, he met other adventurers in the Hells, and got caught up in an end of the world plot and is finally making a true difference in the world. It's made him, arguably, the most enthusiastic adventurer in the party because he views that adventure itself as a gift, and as a way to create a legacy. The desire of legacy is also the reason he made the bargain that he did with Nana Morri; to secure a legacy as a famous toymaker that would persist after he is gone.

Orym's right that he's biased, but it's fallacious to assume that an unbiased perspective exists, because everyone in the story has their lens through which they view the world that they can't put down, not just Orym.

#bias is the human condition #and i count myself in this as well #i have my own perspectives that shape how i engage with the text of the show #critical role #critical role spoilers #cr spoilers #bells hells #orym of the air ashari #fearne calloway #imogen temult #laudna #chetney pock o'pea #fcg

[cecilysass]

The Penultimate Partner Episode: Analyzing the Second-to-Last Episodes of Seasons 3-7

So I was thinking about the show’s tendency to do an episode that is explicitly about the Partnership—about the deep abiding bonds between Mulder and Scully—right before the season finale.

This doesn’t seem to happen in season 1 and 2 (the penultimate episodes are Roland and Our Town, respectively, which don’t seem to play the same role). And something different is happening in season 8 and 9, so I don't think they fit as well.

But during the show’s peak popularity, seasons 3-7, the second-to-last episode seems to be setting up baseline emotional stakes for whatever plotline is about to hit. These episodes are giving us the state of the partnership, reminding us how devoted they are to one another. They also tend to have to do with one or both partners having a distorted perception on reality that requires the other partner's intervention in some way. I’m calling them the Penultimate Partner episodes.

So can we look at the themes of each of these Partnership episodes and see development over time? I think yes. It’s gonna be long. I rewatched them all, so buckle up.

Season 3: Wetwired - partnership as trust Season 4: Demons - partnership as loyalty Season 5: Folie a Deux - partnership as shared madness Season 6: Field Trip - partnership as touchstones Season 7: Je Souhaite - partnership as happiness

Season 3: Wetwired  (right before Talitha Cumi)

This episode, like several in the Penultimate Partner episode category, involves a X-file that distorts perception. Because Scully can’t trust her own senses due to the mind control, she also can’t trust Mulder, calling into question the key tenet of their partnership. (And by season three, they have definitely established trust as the bedrock.)

Her gradual mistrust of Mulder in this episode is tense and painful; you can see on her face how much she argues with herself about it even as her mind is tricking her. Others who fall victim to this mind control phenomenon wind up murdering their romantic partner, but in the end of the episode, when they’re discussing what happened in the hospital, they both seem pretty unsurprised that Scully’s paranoia focused on Mulder. They both know, late season three, how crucial trust is between them. They understand that it’s Scully’s worst fear that Mulder would betray her. It’s not even news to them.

What Mulder’s worst fear might be is also hinted at, although it’s unsaid. He’s furious that her life is put at risk by the mysterious informant. When Mulder believes Scully may be dead and he’s going to identify her body, his reaction is chilling. He seems to completely shut down emotionally, not even showing any reaction to the Gunmen. Tellingly, when he is offered a choice between getting answers and going to ID Scully’s body, he doesn’t hesitate—he chooses Scully. (Sometimes people claim Mulder doesn’t show this kind of commitment to her until much later, even until Home Again in season 10, so it’s interesting to see it so unequivocal here.)   

I want to say that Scully’s anxiety about trusting Mulder in this episode is foreshadowing aspects of the cancer arc in the next season, but I don’t think that’s really what’s happening. This episode seems more like an entirely season 3 cap to the Anasazi / Blessing Way / Paperclip storyline, especially the murder of Melissa. Scully’s paranoia calls back Mulder’s in Anasazi, and Scully explicitly blames Mulder for her sister’s murder when she’s drawn a gun on him. Even just the fact that we're there with Maggie, who has a picture of Melissa displayed prominently, tells me that loss is supposed to be on both partners' minds. (Actually, the interaction between Mulder, Scully and Maggie is pretty amazing in this scene; they’re an emotionally complex trio who seem to be communicating on some other level. I love how when Mulder and Maggie are talking to freaked-out Scully they almost sound strangely unreal, almost like they really are speaking falsely. It allows us to imagine the scene as it looks from Scully’s point-of-view, as a massive betrayal.)

Wetwired is, technically, a mytharc episode, as this whole mind control thing seems to tie back into X and the Syndicate. Personally I think the episode’s ending, emphasizing the mytharc-related plot and X’s involvement and whatever tf was happening there, was a little misguided. For my tastes they would have done better to play up the more personal, character-based themes a little more. But I also think this episode was the first real Penultimate Partner episode, and it was setting some patterns that were going to be expanded on.

Season 4: Demons (before Gethsemane)

From the cold open, we can already tell this is already a more personal episode than Wetwired. Mulder is the one having perception problems now; he wakes from a disturbing dream, covered in blood, muddled memory. This is also technically a mytharc episode, but much more concerned with direct impact on character than Wetwired was. 

Scully instantly rushes to Mulder’s aid—walks right into his shower, for heaven’s sake—and absolutely never wavers in loyalty to him, even when he looks real, real guilty and a "rational" person would be suspicious. She is in fierce, must-protect-Mulder mode throughout this entire episode, from the moment she shows up palpating his head with her hands to her back-off behavior with the cops to her badass cold “I know what you do” comment to Dr. Goldstein. She also helps Mulder see through his distorted perception, telling him "this is not the way to the truth" as he holds a gun on her.

In this Penultimate Partner episode, we see something more than simple trust going on, although there’s trust, too. Maybe the word is loyalty or devotion. We see Mulder coming apart and Scully completely and utterly devoted to him. It’s actually very clear foreshadowing for the following week’s episode, Gethsemane. Mulder isn’t stable, and he needs Scully to keep him from “los[ing] his course,” as she says in Demons’ end narration. Gethsemane will follow up on the Mulder losing-his-course idea, and also will explore the idea that Scully’s bottomless support of Mulder isn’t always good for her. (This idea is voiced especially by Bill.) 

There are some ways in which this episode is a neat little bookend to Wetwired. In Wetwired, Scully flees to her mother’s house, desperate and paranoid; in Demons, Mulder, similarly unhinged, seeks out his mother at her house. In Wetwired, Scully sees things that aren’t there, and in Demons, it’s definitely implied that Mulder may be seeing things in his past that weren’t actually there. In Wetwired, Scully pulls a gun on Mulder, and in Demons, Mulder pulls one on Scully. 

I adore this episode, even though it’s definitely vulnerable to the critique that Mulder acts like a self-obsessed loon and Scully a hopeless enabler lol. Especially because it comes before the Gethsemane / Redux three parter, I wish the episode would have explicitly connected his behavior to the cancer arc, as I feel like that would have made his wild choices seem more understandable. If he felt like he needed to find answers faster because he knew Scully’s time was running out and he saw it all tied together with her fate, then we would get why he was acting so rashly. It would also tie more nicely into Gethsemane, which misleads the audience into thinking Mulder has killed himself, in part, because he believes she’s been given cancer to make him believe. But again, I love this episode. Scully showing up and putting that blanket around Mulder when he’s shaking. Her hugging him at the end when he’s desolate on the floor. This shows a partnership that’s been through Paper Hearts and Memento Mori—that’s moved beyond trust alone.

Season 5: Folie a Deux (before The End)

This is another episode about perception—about one partner seeing things the other can’t. Unlike in Wetwired or Demons, however, in this episode the altered perception actually represents the real truth, something everyone else fails to understand. The episode plays around with the tropes of earlier episodes like Wetwired, at first encouraging us to think that it's a delusion that Pincus is a monster, but then convincing us, through Mulder’s eyes, that the delusion is actually reality.  

As other people have observed, this episode ends up being a nice little metaphor for the whole show: Mulder knowing what no one else does, being ostracized and considered insane, asking Scully to find evidence to corroborate him and ultimately convincing her to believe him and see what he sees. Their partnership is, quite precisely, a madness shared by two. 

It’s a monster of the week, not a mytharc, so there’s no distraction of elaborate mytharc plot, just characters and monster. And this is a Vince Gilligan operation, so our focus is definitely on character. From the first scene with Mulder and Scully, we sense that we’re going to be talking about the partnership. Skinner gives them an assignment in Chicago that Mulder doesn’t think is worth it, and he complains in a particularly self-centered way to Scully, which she observes (“You’re saying I a lot.”) The episode is going to be very explicit that while Mulder might be monster boy, they are in this unhinged partnership situation together. Another important moment comes later, when Scully is calling the perp crazy for thinking he saw a monster, and Mulder says, “Well, I saw it, too.” Scully’s careful about-face after that, her delicate avoidance of implying she thinks Mulder is actually crazy, is part of the dance they’re doing at this late season five stage of their partnership. She doesn’t quite believe him, but she doesn’t knee-jerk not believe him either. 

And the foreshadowing of what’s to come in this one, whoo boy. Most obviously, we must acknowledge that 1013 knew exactly what they were doing when Mulder tells Scully “you’re my one in five billion.” A mere seven days from now, a mysterious beautiful ex who believes his theories is going to show up to immediately cast doubt on that claim. And this episode is also toying with the question of whether Scully actually does always back Mulder up when it’s important, when she has to accept she saw something illogical. At the end, does she tell Skinner she actually saw a giant bug in Mulder’s hospital room? We don’t know, but I think it’s implied she doesn’t. That’s all presaging what will happen in The Beginning coming off of Fight the Future. It’s Scully’s little way of resisting the madness, but it also hurts Mulder and damages the partnership, which will be a problem in season six. 

Season 6: Field Trip (before Biogenesis)

Full disclosure: this is my favorite episode. So I’m going to make some big claims about it. This is the ultimate Penultimate Partner episode—the one that best knits together what it wants to say about their partnership and what it wants to establish for the finale. It's a monster-of-the-week episode (another Vince Gilligan ep, with John Shiban) but refers to the mytharc often. It’s also one of the best episodes about their partnership, period. 

This is yet another episode about distorted perception. This time, however, under the influence of a giant mushroom, both partners are unable to perceive clearly, to determine what is real and what is a lie. And when they’re confused, they critically turn to one another to help them see what the truth is.

Coming off of season six, the partnership is rocky. Mulder is frustrated that after so many theories of his have borne out, he still can’t get the benefit of the doubt from Scully, something he explicitly says in the dialogue here. Scully has felt like she’s not been trusted or heard, like Mulder has turned to others (Diana Fowley, for example) rather than his partner.

This is an episode about how they absolutely need one another to be able to make sense of the world—that individually each of their points-of-view are not enough. In Mulder’s hallucination, Scully accepts his claims about alien life forms too completely, not applying enough skepticism, not pushing back against him. In Scully’s hallucination, a world without Mulder, everyone is unacceptably unquestioning of the status quo, refusing to dig deeper, lacking Mulder’s critical acumen and drive. Neither partner likes the feeling of being unopposed, and it makes both of them suspicious about the hallucination’s reality. They may think they want their own view to prevail, but they need one another to be a whole person.

The theme of what’s real and what’s not – and needing one another to discern the truth–is exactly what is picked up and developed further in the Biogenesis-Sixth Extinction-Amor Fati arc that follows this. Scully’s skepticism has to stretch to incorporate more of Mulder’s worldview to make sense of what she sees in the Ivory Coast, and of course, Mulder calls on Scully’s worldview to see through his misleading dream world in Amor Fati. In fact, you could argue Field Trip is really about the idea that Mulder and Scully are one another’s touchstones—the people they need to know what’s right and real. 

Incidentally, this episode also plays around with some of season 6’s other subtextual throughlines: Mulder and Scully’s anxieties about possibly entering a non-platonic relationship, their unease about what a normal, domestic life might even be for them. For the entire episode they’re directly compared and juxtaposed with the Schiffs, a young married couple who died on Brown Mountain. The Schiffs are a tall man and a redheaded woman. They even die hallucinating lying together on a hotel bed after she asked him to “hold her” (although I do seriously doubt 1013 was intentionally foreshadowing a full year ahead). The last shot is of Mulder reaching out to take Scully’s hand across the ambulance, suggesting a kind of partnership beyond just, you know, partnership. Which takes us to the next season.  

Season 7: Je Souhaite (before Requiem)

Truthfully, I don’t think this episode fits quite as well in the Penultimate Partner category. It doesn’t share some of the same traits as these other episodes—it’s not quite as notably about perception, for instance—and it’s not fundamentally about the partnership in the same way. But it does end up commenting on their partnership (even their relationship, really) as part of its theme, so I think we can include it—especially because its position right before Requiem ends up being important. 

Je Souhaite (btw, written and directed by Vince Gilligan) has a bit of an unsettled feeling to it because it was kind of treading water, waiting to see what happened with DD and the series. Nothing too monumental could happen with the partnership or the plot because it wasn’t clear to anyone what would happen next with the show: whether it would end or continue, whether DD would be involved or not.

So we have a story about Mulder and Scully making peace with not having a significant impact on the world—e.g. not bringing about world peace, not introducing invisible bodies to science. Instead, they are content to delightfully share a beer and comment that they have made one another “pretty happy” (as Scully says about Mulder). Through the jinni character, they seem to take the lesson that they can enjoy being with one another, accept the simple happiness that their relationship brings them. Rather than wish for success that comes too easily, they take joy in the little things with one another.

Comparing this episode to the Penultimate Partner episodes that come before, we can really see how Mulder and Scully’s dynamic has evolved by season seven. We have a Scully who is much more open to supernatural phenomena, for example, and whose skepticism seems more like a reflex or a defense mechanism now. Scully’s move towards belief is partially reflected in the plot of the episode: the X-file here really isn’t even science fiction. It is just straight up fantasy or magical realism. Aside from Scully's brief mention of a disease to explain what happened to the mouthless man in the cold open, no plausible scientific explanation for the jinni's long life or wishes is really even floated.

Scully is delighted by the discovery of the invisible body, and Mulder is visibly delighted by her delight. He’s also frustrated by her retreat into doubt when the body disappears, of course. But even the reversal into her old skepticism is half-hearted, as she soon after she's engaging in discussion with Mulder about what his final wish was. This is consistent with the overall blurring of the old hardline believer-skeptic dynamic we see in season 7. It’s also peeking ahead to Scully’s coming role as resident basement believer in season 8. 

The last scene, with the beers and Caddyshack, is meant to be a callback to djinni Jenn’s comment that she wishes she could “live my life moment by moment... enjoying it for what it is instead of... instead of worrying about what it isn't.” Mulder, we see, is taking a cue from her. (And good for him, as we almost never see these characters do this. Except on rare baseball-related occasions.)

However, this episode’s position right before Requiem—and right before the events of season 8—ends up giving this scene a real bittersweet bite. We know, after Requiem, that they were probably a romantic couple at this time. We know, after Requiem, that this time is going to be their last happy time together for a long while. Later in season 8, we learn that one lingering wish of Scully’s in season 7 is that she wanted to conceive a child with Mulder. And of course we know, after Requiem, that she gets her wish—but with a vicious catch, with a terrible side effect, much like what happens with the jinni’s wishes. 

So that’s my academic thesis on that. I know others have pointed out the existence of this type of episode before. What did I miss? Do you think I am wrong to leave out seasons 1, 2, 8, and 9? Why do we think these episodes focus so much on distorted perception? Interested to hear others’ thoughts (if they make it through this lol).

#the x files #x files meta #penultimate partner episodes #wetwired #x files #demons #season 3 x files #season 4 x files #folie à deux #season 5 X files #field trip #season 6 x files #je souhaite #season 7 x files #mulder and scully #fox mulder #dana scully #MSR

[y-rhywbeth2]

"Myrkul [compared to some gods, is autonomous] obeys no one but is influenced by Bhaal and Bane..."

I love this weird connection the Dead Three have with each other and how it never seems to go away completely. I don't think co-dependency is quite the word for it, but they're just utterly toxic for each other, keep fucking each other over, and somehow they keep coming back to this alliance. For some reason the opinion of the others holds sway!

Like Bane is... Bane. He thinks he doesn't need anybody and everyone is subservient to him! He's allergic to his own capacity to enjoy things or feel emotional attachments to people. He just fundamentally can't compute when he cares about someone. Why is he upset they're dead? Bane doesn't know! He also only got as far into the Time of Troubles as he did because he has Myrkul backing him up. He still kind of depends on the other two and at least once upon a time had respect for Bhaal.

Bhaal needs the other two to keep his murder hoboing in check, and they seem to be the only beings in the universe who can (or are permitted by Bhaal) to do so. Myrkul left him unsupervised for a week once and Bhaal ended up getting distracted trying to kill winged ponies and then got killed, ruining his and Myrkul's plan.

Myrkul, by all accounts, is shooting himself in the foot every time he agrees to work with these idiots and he keeps doing it. Some descriptions have assigned gods mortal-like feelings, wants and needs, so like, is he lonely or what? Myrkul's charisma is abysmal by mortal standards; by divine standards a landfill of rancid trash has more appeal (he spent the last stretch of the Time of Troubles in a sewer, talking to zombies and himself). Bhaal is basically his only friend in existence (Bane is... there. Myrkul doesn't exactly like him, and yet he still works with him.)

The last time these idiots cooperated Bane destroyed Bhaal's worshipper base and got himself killed and thus left Myrkul in a mess, then Bhaal got killed due to murderhoboing and left Myrkul even further in this mess, and somehow the 15th century rolled around and these three agreed to work together again. Working together worked so well last time! What is wrong with you.

#I'd say please just break up but tbh whatever's wrong with them is funnier #the idiot three #and whatever the fuck is wrong with them and this relationship #long post

[trappedinafantasy37]

I have never understood this whole notion that the companions don't take Durge seriously when they talk about their urges. it's not that they don't take Durge seriously, I just don't think they comprehend just how bad it is for Durge.

Shadowheart acknowledges that everyone has these thoughts and everyone seems to indulge in them. But you and the others have a conscious. She truly believes that you have the ability to fight them because she has faith that you do have a conscious.

Gale interprets it as if it just ordinary anger, something that everyone has from time to time. But, he also stresses that thoughts like that should remain only as thoughts because he knows that they should not be acted on.

Lae'zel says that there is nothing wrong with enjoying a little bit of murder, as long as there is a purpose to it and isn't done too often and without restraint.

Wyll also sees it as anger, but feels that that anger is justified considering what everyone has been through the past few days. However, he sees no issue with the problem, as long as it is directed to those who deserve it (like your enemies).

Karlach immediately applauds you for admitting your problem and suggests that you can either change, or also direct your urges out on those who deserve t.

Halsin perceives your situation as any other illness, but one that you may not be able to rid yourself from. He advises you to engage in mindfullness and self control.

None of these come off as people who aren't taking Durge seriously, but merely people who do not comprehend that the urge is pathological. Astarion, Minthara, and Jaheira are the only ones that truly know and understand just how bad it is for Durge from the get go.

Astarion will actually approach Durge if he notices the symptoms as he himself knows what it's like to be feral and driven by impulses he cannot control. All the companions (except Minthara) will tell Durge to resist the urges but Astarion is by far the most convincing because he has literally been in Durges place. He truly and fully understands what it means to have another force compel you to do things you don't want to do.

Minthara has personally witnessed people driven by darker urges both in Menzoberranzan and by being the plaything of Orin. When Durge confesses to her, she will admit that she fears that Durge is like those that even Lolth would destroy for the greater good (and Lolth has no concept of greater good, that's how serious it is). She admires the power of the slayer, but she believes it to be a power that should be controlled. If the slayer cannot control themselves, then she will destroy it.

Jaheira clocks Durge as Bhaalspawn not too long after joining camp. Considering that she has personally traveled with Bhaalspawn in her past, she literally does know better than anyone how deep things go for Durge. She has witnessed it herself, many times.

When Durge reveals to everyone about being Bhaalspawn, they are all surprised (except Minthara and Jaheira) because they are forced to recognize that these aren't fleeting thoughts, but the core nature of Durge. They are forced to recognize for the first time that these are persistent thoughts that Durge has to resist every single damn day. They are forced to acknowledge that if not for the incredible restrain, Durge would have killed them all.

#bg3 #baldur's gate 3 #shadowheart #gale #lae'zel #karlach #halsin #astarion #minthara #jaheira #durge

[scarlethexelove]

can you please write Y/N and Wanda also Natasha is not dead here (up to you thooooo) , and Y/N pretty much replaced Vision. But before these events Natasha has always been there for Wanda, (after Endgame) so she didn’t make a hex but still griefed about Y/N and Wanda making a big move for Y/N’s reincarnation but in a good way. After Y/N being back from the dead. She learns that her soon to be wife has already fallen for Natasha and her reincarnation just meant nothing and Y/N didn’t go on with her life and ended it just there.

Wands regretted everything until she lost herself and made a big mess with the universe (pretty much MoM) and overall Wanda regretting everything, and when she gets us back (it can be Wanda taking another one of us in an another universe) or her just making us alive from the dead *this all can be up to you author*

I love your stories 🖤

I'm Sorry

Pairings: Wanda Maximoff x Reader

Word Count: 3590

Warnings: Cheating (Allusions to it but really it is there), Angst, Major character death, Mentions of Murdering innocent people, Angry Wanda, Suicide by others, Not really a happy ending, tiny bit of fluff like very little.

A/n: This one was fun. I hope I did it justice. I may have changed a little bit of it but I hope you still like it.

NO ONE IS PERMITTED TO STEAL, COPY, OR REBLOG MY WORK AS THEIR OWN

Everything hurts. You have a splitting headache and it feels like you got run over by a MACK truck. Your face scrunches up in pain, the lights too bright even with your eyes closed. Sensory overload has you curling in on yourself. Hands come up to clamp on your ears when you hear a voice, but it’s so loud and muffled that you don’t even know who is talking to you. All you want is for all of it to stop. You had been an experiment but that experience doesn’t compare to what you are feeling right now. 

“Nat turn the lights off.” Wanda orders the older woman in the room. Nat flicks the light off as she watches Wanda brush some hairs back. You let out a whimper at the contact. It breaks her heart seeing you like this. When her hand brushes against your skin she can feel you. She feels your pain. Red whisps leave her fingers slowly seeping into your skin. Soon enough the pain starts to dissipate. 

Wanda crawls in the bed behind you wrapping herself around your frame. You feel a body pressed against yours and you immediately know who it is. “Wanda.” You whisper. You turn around in her hold and nuzzle into her neck. “I’m here sweetheart.” Wanda combs her fingers through your hair. You're so tired and she feels like home. You fight to stay awake but her ministrations have your eyes closing. “It’s ok detka get some rest.” Wanda whispers and kisses the top of your head. You finally let yourself drift off to sleep. 

A little over 5 years ago the team was fighting Thanos. Your powers let you see brief points into the future. You saw that if you died that Wanda would be safe. Thanos needed you gone to get what he wants but you also saw that in the end the Avengers would win. The event that sets that in motion was your death. So as much as it pained you you let it happen. To save Wanda, to save the world. Wanda could move on but the fate of the universe was in your hands. 

“Wanda.” Nat says softly from the corner of the room. She looks at you curled into Wanda’s arms. A sight she had hoped to never see again. “Natty, she needs this.” Wanda says softly, still stroking your hair as you sleep. Nat just nods. It hurts but she knows it is something that Wanda had to do. 

Your mind races. Your dreams are of your last memories. The fight with Thanos and how you let him kill you just in order to save everyone else. Your body shoots straight up as your chest heaves from the memories. You feel a hand rubbing up and down your back but you haven’t quite gained control. You mind questioning how you are here. Why are you alive? You should be dead. That was all your mind could see and you had accepted that fact but here you are. Tears stream down your face. “Why?” You're not sure what you are asking, who you are asking the question of. You feel so small. “Why what detka?” Wanda asks you with concern on her face. “Why am I here? I should be dead.” Your voice breaks and Wanda’s heart hurts seeing you like this. 

Wanda starts explaining everything that had happened while you were gone. Excluding some details. They had worked tirelessly to bring back those that were snapped away. Wanda and Nat become the de facto leaders of the Avengers. It took 5 years but they finally did. Once that was done they set out to bring you back. It took some time but somehow when Bruce had snapped his fingers he was able to bring you back. But somehow you ended up in a pocket universe in a deep sleep. They were finally able to get you back safely. All the information flooding into your mind is a lot to handle but eventually you understand. Somehow the universe had different plans for you. 

It’s been a few months since you came back. Most things are the same but something seems off. Wanda hasn’t been as loving towards you. Before she was always so touchy and wanting nothing more than to crawl under the sheets cuddling while watching some sitcoms. But now she barely even gives you a hug. Sleeping in the same bed has you feeling like she isn’t even there. She is a million miles away even if she is only right beside you. Your heart hurts not understanding, is she still mad at you for letting Thanos kill you. Anytime you try to talk to her she just brushes you off and says nothing is wrong. So you're left alone to your thoughts and worries.

Nat had moved into your shared home while you were away. The two women grew closer at the loss of so many others. You want to be angry and jealous that Nat gets more attention than you but you still trust Wanda hoping that she will come around eventually. 

You’re walking towards the kitchen when you can hear a hushed discussion between Wanda and Nat. You stop just shy of the door frame listening in when you hear your name mentioned. “Wanda you need to tell Y/n.” Nat says her body leaning on the counter and arms crossed against her chest. “Tell her what Nat?” Wanda counters. She sits at the table with a sad look adorning her face. “You know what Wands.” Wanda lets out a sigh. “I can’t do that to her Nat.” Wanda’s voice is low. “You can’t keep lying to her. You can’t keep lying to me. I love you Wanda.” There is a pause in the conversation before Wanda speaks up. “I love you too.” Your heart drops the moment the words spill from Wanda’s mouth. 

You’re quick to turn on your heels as the tears start to stream down your face. Holding in a sob as it all makes sense now. In your absence the two had fallen in love. You’ve somehow become the other woman in Wanda’s life. You don’t know how you didn’t see this coming. Your powers should have felt this but they hadn’t and now you’re left heartbroken. You push into your shared room focusing on pulling yourself back together. You can’t let them know that you know until you figure out what to do. 

The buzzing of your phone pulls you out of your despair for the moment. You see Fury’s name flash on the screen. You quickly wipe your tears and answer the phone. “Sir.” You say masking the waver in your voice. “Y/l/n I have a mission for you. Since you have been cleared for duty I would like you to head out tonight with Barton and Barnes. I have sent over the reports for you to go over. Good luck out there and glad to have you back.” The phone line goes dead as the man hangs up the phone. You open the report sent to your phone. You now see the flashes in your mind of how the mission will go. And that is where you see it. What you’re going to do. 

That night you enter the Quinjet greeted by the two men. Hugs and joy at your return. Your powers are always a significant help to missions. You three go over the plans for the mission. You lay out what you had seen in your vision, excluding one crucial part that the men don’t need to know. You know if they did they would try and stop you. But your heart aches and you put on a fake smile so that no one would expect a thing. 

Everything was set to go. A long message meant to play for Wanda after it was already too late. This would be your last mission. Wanda and Nat would have all that they could ever want. You wouldn’t be the burden that you know you are. They should have just left you dead if they were going to do this to you. So you made that decision for them. You weren’t going to come back from this mission alive. 

The mission was going perfectly. Playing out exactly as you had seen it. Bucky and Clint were together and far away from you. You snuck into the building off the side. It held some hostages that had been taken by Hydra. You snuck in taking out every agent that you passed. It didn’t take long for you to make it to the hostages. You were able to release them from their binds and get them out of the building safely. But you knew it wasn’t over yet. Bucky and Clint were waiting exactly where you told them too. Having each hostage run towards them for safety while you stood with your back towards the open area. 

You waited knowing what was to come soon. You could change the outcome but you didn’t want to. You didn’t want to be in a world where Wanda loved someone else. You waited with bated breath as the last hostage ran towards your teammates. You exhale the air in your lungs before a sharp pain in your stomach is felt. You grit your teeth turning around firing off a few rounds, but you're hit with another round to the shoulder. You can hear the muffled sounds of Bucky and Clint calling out for you but you push through. Another shot to the leg sends you kneeling on the ground. You push through the pain as you stand. A few steps forward as you unload your mag into the man. Another man appears with his finger on the trigger of his gun. You watch as an arrow sores through the air and hits the man directly in the chest. His finger squeezes the trigger as he falls. You’re hit with the array of bullets. Your body sways before falling to your knees then falling to the ground. The ground below you stains red as your body goes cold. 

Wanda felt a change in the universe. She cries out causing Nat to panic next to her. Wanda clutches her chest in pain. She felt this twice before. Once when Pietro died, the second when you died fighting Thanos. She had never wanted to feel that pain again but here she is feeling it. The world stops turning at that moment. Not again she thinks tears streaming down her face. 

The doorbell rings but Wanda doesn’t hear it. Nat tries to console the younger woman pleading for her to tell her what is going on. It continues to ring when no one answers until Nat gets up and finds out what is going on. Wanda sits sobbing on the couch. Nat walks back in with a folded paper with your hand writing on it. Wanda scribbled on the top. 

Wanda sees this snatching the paper from her hands and quickly opening it before reading the words delicately written across the page. 

My dearest Wanda,

You’re reading this because I’m gone. I’m sorry to do this to you

but I can’t live life like this. I know that you no longer love me.

I see the way you look at Natasha and I know she is now

the love of your life. I want you to be happy. I saw this coming

and I could have changed it but who am I to keep you from the 

one you love. Don’t mourn for me, just live your life. You don’t

have to worry about me anymore and you can be happy, that 

is all I have ever wanted for you. But my love I can’t live in

a world where you love someone else. So this is goodbye.

Love,

Y/N

Tears hit the paper blurring the words in front of her. Wanda’s heart shatters into a million pieces. How could this have happened? How could she have thrown away all that you two have? She is absolutely disgusted with herself and with Nat. This isn’t how it was supposed to go but she was blinded and now her eyes are finally open but now it could be too late.

Through the tears Wanda gets up making her way out the door and immediately taking off towards the compound. Her magic lifts her into the sky as she flies as fast as she possibly can to the one place she knows you would be. Praying that maybe it was all wrong, maybe you can be saved. Nat calls out for her as she leaves her alone standing in the yard. 

The ground cracks below Wanda’s feet as she lands hard on the ground. Anger and guilt pumping through her veins as she walks towards the building. Her magic slamming doors open as she makes her way to the med bay. Your body is already lying there. Bucky and Clint talking outside the room. Windows lining the wall as they keep looking back at your body. Wondering what they would tell the angry redhead but they didn’t have to wait too long. They spot Wanda fear and sorrow on their faces. “Wanda we can -” Clint is cut off. “Save it.” 

Wanda makes her way into the room. The boys walked away looking like kicked puppies. Wanda’s breath picks up as she sees your still body encased in a black bag. The top half of it unzipped revealing your pale skin and blood staining your suit. You look so peaceful like you could be sleeping. Wanda cups your cheek, a light jerk of her hand when she feels how cold you are. She lets her magic slip out the ends of her fingers going into your head. Fresh tears streaming down her face. “I can’t feel you.” A sob wracking her body. “I’m sorry. I’m sorry love you never deserved any of this.”

Wanda silently sobs as she sits next to you. Your hand in hers as she just stares blankly at your body. The door clicks open a while later. Wanda doesn’t turn to look. “Go away.” Her voice is hoarse from all the crying but she doesn’t care. “Wands.” Nat whispers. “I said leave.” Wanda’s voice raises as her head snaps towards the door red swirling in her eyes. Nat knows she is just upset so she doesn’t back down. “Detka.” She whispers. “Don’t you dare detka me.” Wanda stands letting your hand drop off the side of the bed. “This is all your fault. She is fucking dead because of you.” Wanda seethes. “Don’t put that blame on me Wanda. You're just as much the problem.” Wanda stalks towards Nat red surrounding her body and slamming her into the window, a crack forming behind her body. “Don’t you fucking dare blame me. It should have been you. You should have died back then. I would still have her. She is more of a woman than you will ever be. I let myself be blinded by you. Blinded by the love you gave but I didn’t love you. I don’t fucking love you.” As hard as Nat can be, Wanda's words cut deep. Tears shine in her eyes as she holds back a sob. Wanda sends Nat’s body flying through walls until she lands outside. Wanda follows as she does so. Releasing Nat’s body which is now battered and bruised. She then flies off into the night. 

It’s been months since anyone has seen Wanda, held up in a small cabin in the middle of nowhere surrounded by mountains. Some have tried but they always get blasted out so they stopped trying. She has been lost to the Avengers and they aren’t sure they could ever get her back. The day they lost you they also lost her. 

Wanda’s black tipped fingers comb through a book. A very dangerous book. The more she searches the darkness in her soul grows and the blacked tips grow. She has tried everything in the book to bring you back to life but none of it works. She had another attempt today, something new, something hopeful but it ends with a magical outburst throwing everything in the cabin. She continues to comb through the pages ignoring the disarray around her. She closes her eyes and lets her magic do the work. It’s not long before she finds something new. She thought she had seen all that this book had to offer. All that the Darkhold had to offer to the Scarlet Witch. 

You are sitting in your living room, two small boys cuddled into each of your sides as you watch a movie. Empty bowls of ice cream sitting on the coffee table that you have your feet propped up on. You laugh as your son Tommy tries to mimic you. You other son Billy giggling along. Tommy huffs and crosses his arms. “Not funny.” He mumbles. You can’t help but ruffle his hair which makes him swat at your hand causing you to chuckle. “One day buddy you will reach it.” You kiss the top of his head. All of you falling back into the silence, the only sound is the movie playing. 

Your mind flashes to a vision of Wanda but not your Wanda standing in the middle of your living room. Her face twisted into something you can’t even imagine in your wildest dreams from the woman you loved. The pain that she has caused to get to this point. As your world comes back to you you are met with a star shaped portal in the middle of your living room. What was once an image in your head now in front of you. 

Wanda’s hand wraps around the young girl's throat in front of you. “What did you do?” She seethes. The two boys next to you are terrified. You quickly stand and tell them to run but Wanda’s head snaps towards you. The couch you were once on is now thrown at the stairs blocking the way. You push your boys behind you in a protective manner. Wanda’s eyes trailing the boys curiously, a small warm spot forming in her heart seeing your protective nature. She didn’t expect to find you with kids but she always wanted a family with you so it can’t hurt. 

“Wanda!” You yell at her. Wanda is startled by the anger in your voice. You have never yelled at her like that. “Let the girl go.” You demand of her. Her hand slips from the girl's neck as she coughs on the ground holding her throat. Wanda starts stalking towards you but you back up with your boys behind you. 

Billy tugs on your shirt a little trying to get your attention and you quickly look back at him. “Is that Mama?” His voice sounds so small. Your attention quickly turns back to the woman in front of you who has stopped. You can see tears in her eyes at Billy’s words. “That is not your Mama.” You shake your head. You can see the hurt on Wanda’s face as she gets closer to you. “I can be.” She says a crack in her voice. 

You start to walk towards the woman but your boys try to stop you. You motion that you will be ok as you stand in front of Wanda. “You could never be my Wanda.” She falls to her knees, her hand on her chest as she looks up at you. “I can see your hurt and your pain but you have caused so much more and for what.” Tears rolled down her cheeks. “I did it for you.” She whispers. “I would never want you to do this for me. Wanda you murdered people. Good people.” Wanda stands back up and moves towards you, her hand reaching out to cup your cheek. You back up away from her touch. “I wanted you back.” You scoff and shake your head. “After seeing what you did I could never want you. I miss my Wanda but you are not her and could never be.” 

Wanda’s face twists in anger. You try to back up again but she is quicker this time. She grabs your wrist in her hands. “Wanda that hurts.” You whimper as she digs her nails in. “Too bad. I’ll make you love me just you see. Now that I have you back I will never let you go again.” There is a panic that rises in you. “We will have the perfect little family.” She looks behind you. “Won’t we boys?” They are too scared to say or do anything just holding onto each other for comfort. 

Wanda keeps one hand on you as she turns around. Her wrist flicking as America is thrown back through the portal. It dissipates from the middle of the room before she turns back to you. You struggle to get free but she is stronger than you remember. She clicks her tongue and looks at you, her hand finally reaching to cup your cheek. Red whisps leave her fingers as they sink into your mind. “All mine now.” She replaces every memory and thought of your Wanda with her. Changes the fear to love. You’re hers now and no one will change that. Her magic soon flowed into the boys having the perfect little family. She would tear the world in two to keep you and the boys forever. 

#syd answers #wanda maximoff x reader #wanda maximoff #wanda x reader #wanda fanfic #wanda marvel #wanda #wanda x you #wanda x y/n #wanda maximoff fanfiction #wanda maximoff fic #scarlet witch #wanda maximoff angst #wanda maximoff x fem!reader #wanda maximoff x you #wanda maximoff x reader angst

[purrassicjet]

I can’t find the post but a while ago you made a post about Jawbone not being able to show his anger due to the way people see/fear werewolves and Sandra Lynn showing it for him.

With the fucking Bobby reveal I just keep thinking about it Jawbone having to know the kind of details he knows about how this man likely manipulated and abused someone barely old enough not to be a student at the school. Jawbone constantly having to talk himself down from wanting to rip the man limb from limb by reminding himself that if Bobby tries that shit again that student will need him just as much as Sandra Lynn does

(Also, just Sandra-Lynn breaking down at Mordrid finding out he’s back in town and Lydia just offering to take Ragh and the two of them to murder him in the middle of the night since she’s not his coworker and wouldn’t have to worry about it being obvious.)

I have this post in my drafts about Jawbone's behavior changing post finding out that Bobby Dawn was the one who did that to his partner.

How he used to respond politely to conversation with strained smiles and curt words, but wouldn't even look at him after. How his lip curls whenever he walks into the room. How he refuses to look him in the eyes, nor speak to him at all. How he never talks about Sandra Lynn anymore, and when asked about her, he just replies with a curt "she's fine" and won't elaborate.

Somehow, the silence is more chilling. The glancing daggers over the staff room over the lunch she prepared for him.

He puts extra care into the cleric students after that, asking careful questions to make sure they aren't being abused as she was.

(Lydia and Ragh killing him in the middle of the night is so perfect too. Like yeah, get his fucking ass. Two barbarians very protective of their families, sneaking up on this bitchass man when he least expects it)

#dimension 20 #fantasy high #fhjy spoilers #sandra lynn faeth #jawbone o'shaughnessey #lydia barkrock #ragh barkrock

[insufferableprotagonistpoll]

Propaganda why Aang is insufferable:

He has some very bad ideas that the narrative never explores and gets rewarded by the narrative for bad behavior.

Mostly just the way he deals with his crush on Katara and kind of forces it on her. It’s honestly really shitty because she never truly reciprocated his feelings and had plenty of moments where she shows she’s just trying not to hurt his feelings with a straight up rejection, but ends up with him in the end just because that’s what he wanted.

Like we know what it looks like when Katara actually has a crush on someone, she wouldn’t let the situation like the war affect how she feels about demonstrating those feelings when she’s so in touch with them. Like how she was with Jet and Haru. I just wish the writing team did a better job of showing Katara developing feelings for Aang way better than they did lol.

Made a series that was otherwise reasonably tolerable impossible to watch. I hate that all the jokes written for his character target 8-year-olds exclusively. Also his little TV show keeps appearing on my dash no matter how many words I block and I hate it

Propaganda why Gregory is insufferable:

This boy is so poorly written, it hurts. In the gameplay, he just acts annoyed and pissed off the whole time. Then, in the endings, he becomes a whole other character who acts scared and sad, which does not match the previous hours of gameplay AT ALL

But that just annoyed me

What really made me hate him was the GGY and Robot Gregory stuff, because OH NO, Gregory could not just be a normal kid who got into this situation by chance, he has to be a robotic recreation of the Crying Child, despite not acting one bit like CC, or, according to the GGY story in the books, he's responsible for multiple murders and is Afton's/the Mimic's apprentice.

Just let this kid be fucking normal!

(Also, unlike a lot of people, I really enjoy what the Ruin DLC did to his character. And don't try to say that's still the mimic, the mimic recycles dialog from the main game. This Gregory uses completely unique dialog, and unless the mimic was able to form new words in his voice all of a sudden, that's still him. He had to make a tough decision, one life or over hundreds and I can respect that)

Suffers from being made into another one of Matpat's ""is actually a robot theory"". It is annoying as hell, especially if its canon. We do not need robot children theories in a game about possession, child murder and serial killers. Especially not dumb theories about him being a 'recreation' of someone with a completely different personality. It has completely ruined any enjoyment I had in that character because we're just going back to the Afton family again

Someone made a good point about how his personality seems to be reminiscent of a certain trend where a video game protagonist has to be snarky even though it would’ve worked better for the horror atmosphere if he was more scared because it would’ve made the player feel his fear. I recall people being surprised about his personality and expecting him to be more scared, and I assume the developers were just afraid of ppl calling Gregory “whiny”, but it still feels like a missed opportunity

#aang #avatar the last airbender #atla #fnaf gregory #fnaf security breach #five nights at freddy's #insufferable protagonist poll #insufferable protagonist tournament #tournament poll

[iwritenarrativesandstuff]

Killua and the Power of Wishes

Okay going to try and make this coherent because the amount of wish association all through Killua's character development makes me want to chew plaster.

As a fair warning, this analysis ended up being long as hell, and I didn't even include everything I could've said. This is also just one lens to analyze Killua's story arc with, and I feel there are other valid interpretations of some of these moments. This is just one of mine, so keep that in mind please.

One last warning that this analysis does discuss emotional manipulation and abuse, as is par for Killua's background.

Let's set the stage with one important piece of info: Killua's birthday.

Killua's birthday is July 7th, the same day as Tanabata. Tanabata is a folklore-rich festival where according to legend, the two lovers, weaver Orihime and cowherd Hikoboshi, represented by the two stars, Vega and Altair, are allowed to reunite once a year after separation. A popular custom of Tanabata is to make wishes by writing them down on tanzaku, then hang it on a bamboo tree so that the wish might one day come true.

Tanabata is also known as the Star Festival. Please keep this in mind, because I'm going to come back to it.

To finish setting up the lens for this analysis, I'm going to need to dig into the game-changer scene for Killua's early characterization - his confrontation with Illumi at the end of the Hunter Exam, and specifically, the exact nature of Illumi's manipulation of him.

I say "game-changer" because it really is - up until this point, it's kind of fair to not fully know what to think about Killua. Certainly, he seems excited to hang out with Gon (he approached him first, after all) and he's friendly enough, but he's also arrogant and claims to be motivated mainly by boredom. For all intents and purposes, Killua seems set up to be Gon's dangerous yet charismatic rival... but then this scene happens and it completely turns it all on its head.

Because Killua may have mentioned his family was controlling before, but he seriously downplayed the severity of it - likely because he has no point of reference for how awful his situation actually is other than it makes him feel bad and trapped. Illumi's appearance immediately shifts our understanding of Killua from runaway murder kid with annoying murder family to straight-up victim of emotional abuse, and dissolves his cockiness instantly to terror.

What does all this have to do with wishes? Glad you asked. Let's look at some of Illumi's dialogue.

[ID: A screenshot from HxH episode 20 of the 2011 anime. Killua looks up, sweating and conflicted, as Illumi tells him "You don't want anything or wish for anything." End ID.]

This is the crux of Illumi's (and the family's) control. Killua's desires do not align with the family trade. They must be excised from him.

When Killua insists that he does have something that he really wants, Illumi says "Tell me what it is you want", in a mockery of a certain other sibling who would have helped fulfill this wish - Illumi asks only so he can completely dismantle it. And Killua isn't even really surprised at Illumi's words, just heartbroken. You can tell this isn't the first time this sort of thing has happened.

Killua states his wish quite fervently; he really means it. But his words are not rebellious, nor cathartic. Instead, he answers Illumi quietly, as if fearful or ashamed, almost reminiscent of a sinner's confession.

[ID: Two screenshots from HxH episode 20 of the 2011 anime. In the first Killua looks down with a troubled expression, saying "I want to become friends with Gon...". In the second, his face is hidden as he stands with hands clenched at his sides with a spotlight on him. He says "I'm sick of killing people..." End ID.]

It's such an innocent, simple want.

And Illumi proceeds to make him feel like even something so simple is harmful and selfish of him... not to the family, but to Gon.

In a matter of a few minutes, Illumi breaks down Killua's wish by:

Acknowledging this desire, but twisting it into something that will inevitably fade over time, thereby causing Killua to doubt his own conviction and feelings -> "Gon is a novelty, a radiant presence who has piqued your curiosity. No more than that."

Acknowledging that Gon is someone important to Killua, and undermining this by telling him that by his very nature, he will eventually bring harm to Gon, which makes him feel as though Killua cannot trust himself to be a good friend -> "If you try to be friends with him, you will one day want to kill him... because you are, by nature, a murderer." (As a... delightful... bonus, this is also apparently how Silva and Illumi justify their treatment of Killua to him - "This is the essence of your existence and we taught you accordingly." Like they adapted to Killua's nature, instead of them molding Killua into who they wanted him to be.)

Delivering an ultimatum - to fight Illumi and win, or else Gon will die - that Killua is doomed to fail due to his upbringing and the needle in his head. Since Killua doesn't know about the needle, he assumes this is his own personal failure, something Illumi feeds into -> "You're just not qualified to make friends."

And it's the last point that breaks him. The first two shoot down Killua's present wish, but the last proceeds to shatter any hope he might've had of wishing for anything similar in the future - he has told him that his desires are weak, temporary, inherently dangerous to those around him, and worst of all, aren't enough on their own for him to deserve friendship and love from others. And the clincher: Killua feels like all of this is his own fault, that there is something inherently dangerous and wrong with him!

So, it doesn't even matter to Killua anymore if he fails the Hunter Exam. To him, he just failed the only test that mattered.

10/10 manipulation, Illumi. Fuck you, seriously.

Killua's character arc is mainly his quest and struggle to refute Illumi's arguments and to shake off the manipulation and the ways in which his family have molded and controlled him. And by far, the most difficult part of his conditioning to shake off is this idea that he is undeserving of anything more than what he is already given.

It's almost like the family has drilled it into him that wishes are dangerous. How interesting.

Thankfully, however, there are two parties to Killua's wish here - Gon, too, is a part of it, and it is not simply his reciprocated desire to be Killua's friend that saves him, but also his recognition of Killua's situation for what it is (notably, when no one else correctly identified the true issue).

"You know it wasn't his choice. You manipulated him, kidnapping his spirit!"

The ensuing Zoldyck family arc emphasizes that Gon is 100% correct: the main hold Killua's family has on him isn't physical - it's all emotional.

Killua breaks one of his shackles when Milluki threatens to have his new friends killed, but he only breaks the rest when Zeno tells him he's free to go. So, if Killua could break loose at any point, was this still a rescue like Gon said?

Well, yes - just because he absolutely could've broken out physically at any time, that does not mean he could just leave. That's the nature of situations such as this - it's not as simple as "just leaving". Support is necessary, as is actually having something tangible outside the situation to go to - otherwise there is little point to leaving at all. Gon (and Kurapika and Leorio) showing up to free Killua showed him that his wish was reciprocated and allowed him to break one cuff - this is the start of his journey, but he still has a long ways to go. Notably, he again hesitates and closes off when Silva asks what he wants.

[ID: Three panels from HxH chapter 42. In the first, Silva asks Killua "...would you like to see [Gon]?" Killua's expression is complicated in the next panel - he's closed off and uncertain. Silva continues "Be honest, Kil... what do you want?" End ID.]

Killua will backtalk and casually break his shackles and death glare his family... but he's too fearful to voice his wants aloud.

And once again, asked by his father what he wants, he is subtly set up to fail. His wish is granted, but made conditional - "Do not betray your friends", something Killua is regrettably set up to do by virtue of the needle in his head that he, again, doesn't know about. Silva fully expects him to fail and come back home, disillusioned, believing it's his own fault due to his "nature", and trusting in Silva still as a "reasonable" figure in his life.

This condition placed on his friendship is what drives much of Killua's fear and insecurity with regards to Gon for much of the series - the idea that Killua has to earn his right to friendship, and that if he doesn't, he will lose it, one way or another.

It really makes me wish that Killua had actually gotten to hear Gon's views on friendship from the beginning of the Zoldyck Family arc, because it entirely refutes this entire philosophy. He even outright refuses to go through the Testing Gates at first, purely because he thinks the sentiment of needing to prove yourself just to be friends is completely outrageous - he only relents because there is no other way.

[ID: Two screenshots from episodes 21 and 22 of the 2011 HxH anime adaptation. Gon looks up at Illumi and firmly states "[Killua] doesn't need to earn the right to be my friend!" In the second, Gon's face is seen in profile and close up as he asks "Why would you test your friends?" End ID.]

I doubt it would've truly prevented Killua's insecurity from manifesting even if he had heard this, to be honest - his issues with usefulness are very deep-rooted in his upbringing - but still, it would've been nice for him to hear, I think.

However, that's not to say that this exact sentiment doesn't come through in their interactions.

Gon, as Killua's friend, cares about what Killua actually wants and wants to make sure Killua knows that - and that's part of what makes the Whale Island conversation between them really important.

[ID: Two images, both of the same scene from HxH chapter 64, and episode 37 of the 2011 anime. In the manga panel, Gon has turned his head to look at Killua directly, who looks shocked and taken aback, to say "I like hanging out with you." In the anime screenshot, Gon has turned his whole body to face Killua, and says "I think it's fun to be with you." End ID.]

I see a lot of people chalk this up to just Gon being Gon, but it reads to me as much more deliberate than even his usual honesty. He's turned so he's looking directly at Killua, which is a sure way to make his words come across clearly. The lead up to this is Killua, again, not knowing or being able to vocalize what he wants. He doesn't have a goal to work towards like Gon, he only knows what he doesn't want - he's a mix of envious and admiring towards Gon, who knows what he wants and simply goes for it.

But this conversation makes it clear that they have a shared wish - they both want to be friends, and they'd both like to stay together. It's not about earning, to Gon, it's only about if they both want the same thing - mutual, not conditional. There's a nice almost call-and-response type dialogue here, where Gon asserts that he likes spending time with Killua (very directly lol), then shares that Killua is the first friend his age he's had. This prompts Killua to say that Gon is his first friend ever, and that he does have fun with him. And just like that, Gon replies "Then let's stay together!" and pointedly includes Killua's desire to find a goal in their, now shared, upcoming journey.

Overhead, a shooting star appears in the sky. A mutual wish is granted.

[ID: A panel from HxH chapter 64. The night sky is full of stars. In the centre is a shooting star. End ID.]

Hm. Stars. Remember how I told you to keep that in mind, all the way back at the beginning? Their association with Tanabata, making a wish on a shooting star, etc. etc.?

Well, buckle up because this star is going to make you experience so much sadness now.

[ID: Panels from HxH chapter 286. The first is a conversation between Killua and Meleoron where Killua asserts he intends to "go down in flames with [Gon]". When Meleoron looks concerned, Killua brushes off the declaration as a joke. In the second image, Killua is turned away, his outline pale, as Meleoron thinks "Why... did you looks so sad... back there?" The last image is a cloudy night sky filled with stars. At the centre of the panel is a shooting star. End ID.]

Yeah, it makes its reappearance directly after Killua has "jokingly" resolved to die with Gon if it comes down to it, after "since it means nothing to you".

I am assured, in Japanese, the word choice here is 心中 (shinjuu), the word for double suicide, where the intent is to die at the same time in the same manner in order to be reunited in the afterlife. The implication here is that Killua, having increasingly grown insecure in his place by Gon's side but unable to voice this, knowing that Gon is hurtling down the path of no return, thinks back to their conversation under the stars where they both mutually wished to stay together and, because he believes that it is no longer possible for him to help Gon, has resolved to stay by his side in death, and after it.

...holy shit, kid.

[ID: Two screenshots from the 4th ending of the 2011 anime. In the first, Gon and Killua stand back to back as meteors fall around them. In the second, they stand facing away from the audience towards a body of water under a night sky filled with stars - Gon throws a stone, which flashes in the air like a shooting star. End ID.]

And of course, here's the shooting star again in the 2011 anime's Nagareboshi Kirari ending, as well as it being the subject of the song itself and rather explicitly referencing that wish to go on a journey together, to stay together, because... Madhouse hates us. I guess. :'(

What started off as a simple wish for a friend deepened into a wish to always stay by Gon's side. This is largely good at first! Killua is able to explore and experience genuine friendship, to get a taste for freedom, and use the power of his fervent wish to protect his dear friend in order to rid himself of Illumi's needle. However, the more Killua wants, the more he traps these wishes in monologues within his own head and does not voice them aloud. Part of it is that he already feels he's been given much more than he deserves - seeing himself as a creature of darkness and Gon as light - but a greater part of the issue here is not that Killua is afraid to wish for things, but that he is afraid wishing without "compensation" will inevitably lead to horrible repercussions - namely, losing who he loves.

In order to feel worthy of staying with Gon, of earning his friendship, Killua works hard to help Gon achieve his goals, taking on the role of wish grantor, growing to do practically anything needed to support him for seemingly nothing in return - but that's not 100% true. Killua wants at least some appreciation, whether he admits it or not - it's a security thing, and it also clearly makes him happy, even if he's not great at accepting it. He insists in Chimera Ant arc that friends don't need to thank friends, but this declaration always read as very sudden to me or like a rationalization, and it's relevant to remember that this is at the peak of Gon isolating himself and self-destructing before his eyes, and Killua's own insecurity regarding his importance to him.

Killua might not mind doing things without thanks, but that doesn't mean he doesn't like to hear that Gon appreciates him. He clearly does appreciate verbal confirmation of their bond! We know this.

[ID: Two screenshots from the 2011 anime. The first is from episode 61. Killua smiles down at the ground with his hands in his pockets, the colours having gone soft and bright. The second is from episode 70 during the dodgeball match. Gon smiles determinedly in the foreground as Killua looks shocked next to him. End ID.]

Keeping all this in mind, Killua's story, or at least this part of it, couldn't have concluded in a better way than his rescue of Alluka, the wish grantor.

Now, I could probably write an entire other analysis on Alluka and Nanika alone, but for the sake of not making this any longer than I already have, I'm going to go through only a few points. Alluka is incomprehensible to her family because they make no attempt to understand her, with the exception of Killua. The only thing they do seem to understand, when explained to them, is the demands made after Nanika grants a wish - this, of course, fits neatly into their own predetermined views on "earning" and "punishment". However, beyond this, they make no attempt to understand her, and since her power is deemed dangerous and uncontrollable, she is locked away.

They are worried, first and foremost, that Alluka will bring harm to the family, and there's two ways in which this could be true:

As a function of failing to fulfill her requests, of course

Because she, just by existing, threatens the family's status quo

I stated at the beginning that Killua's desires do not align with those of the family business, and he's always apparently been more open to understanding others - he asks Alluka and Nanika questions to understand them, and treats them with respect, while his family are more so focused on subjugating anything that might be a threat. This is what Illumi tried to drill into Killua after all; never fight a superior opponent - everything is about assessments of relative strength, which leaves no room for open-mindedness or getting to know people.

Faced with a daughter who is clearly incomprehensibly powerful, and a son, the would-be inheritor of the family trade, who is showing a disturbing amount of willingness to befriend instead of retreat from her, the family made the decision to excise Alluka not just from where she could "harm" the family power-wise, but also likely to secure their control over Killua, who they then set about practically programming to not have any more wishes for himself, or at least to not be able to vocalize them without fear of loss or retribution.

The family's nickname for Killua is "Kil" or "Killu", which is deeply fascinating to me as a reader - nicknames are expressions of endearment, typically, and I actually don't doubt that here. Killua's family does love him, but their love comes with conditions. He must be molded into the perfect son, and every part of him that doesn't fit must be excised.

So: Killua's memories of Alluka are suppressed with the needle, and she is further cut from his life by dropping the "a" from his name (the Zoldyck children are named like a game of shiratori - Illumi -> Milluki -> Killua -> Alluka -> Kalluto). The nickname is also like a command or order "to kill", which is of course what they want him to do.

Saving Gon through saving Alluka and Nanika forces Killua to have to face down the last and hardest of Illumi's manipulations to shake, and that's the notion that a wish, that kindness and friendship and love, cannot be unconditional without severe repercussions - where the people he cares about get hurt because of him, something he cannot envision being forgiven for.

It's a little sad to me that after spending most of the series struggling against his family's teachings that they didn't lead to Killua betraying Gon at all, as he'd feared... but to him betraying Nanika, by sending her away.

Here is this little girl with a bloodstained past, incredibly powerful and dangerous and capable of amazing feats, treated as some evil thing by those who fear her. But she is kind at heart. Her true strength lies in healing, not killing. And she only takes commands from Killua.

Illumi thinks this is because Killua is the only one with control over her. Killua believes this is because she wants praise. They're both partially correct, but this is not the full reason Nanika does what Killua asks of her.

[ID: Two screenshots from episode 146 of the 2011 anime. In the first, Nanika smiles and says "I love Killua." In the second, Killua looks at her, stricken. End ID.]

Nanika loves him. Everyone has been trying to figure out all these complicated rules and conditions on her wish granting and why Killua is the one exception, but the answer is exceedingly simple. She loves him, and wants to do nice things for him so he can have his wishes granted. It's the only way she knows to get the love that she wants in turn.

Just like her brother, Nanika makes herself useful to earn love and appreciation from someone who accepted her when no one else did.

Even though he knows Nanika just wants to help, he still sees her presence as a danger to the person he sees as pure and innocent who must be protected. He sends her away because her "nature" is to be a threat to Alluka's safety, even if she doesn't intend to be. Killua's fear of Illumi and repercussions causes him to make a horrible mistake.

And Alluka tears into him for it.

[ID: A set of panels from HxH chapter 336. A furious Alluka glares and asks Killua if he made Nanika cry. When Killua stutters, she demands he apologize to her. End ID.]

You tell him, girl.

Oh hey, this looks a little familiar, huh?

"Apologize to Killua!" says Gon to Illumi after Illumi sends Killua away.

Nanika should not be the one punished for the actions of those trying to control her. She certainly shouldn't be forced to leave those she loves, or have to earn love from them.

And neither should Killua.

[ID: Three panels from HxH chapter 336. Alluka yells, tears in her eyes, "If you're going to protect me... you have to protect Nanika too!!" Killua looks shocked, then his eyes widen. End ID.]

It's interesting to me that this is the line that snaps Killua out of his fear enough for him to properly speak with Nanika and apologize. One party cannot receive all the protection, nor can the other only give and give limitlessly.

Killua makes it clear to Nanika when speaking with her that he will protect her, and that she doesn't need to earn affection from people by granting their wishes. He promises they will both be there for each other - Killua will praise her whenever she wants, and not just when she does something for him, but he also doesn't refuse Nanika's desire to grant his wishes. It's mutual, not conditional.

And on the heels of this "betrayal", Killua asks for what he never thought he could receive - forgiveness. And even though Nanika is clearly still very upset...

[ID: Two screenshots from episode 146. In the first, Nanika and Killua face each other, both of them teary. Nanika says "Kay." In the second, he has pulled her into a hug. Nanika is teary, her fingers gripping Killua's back tightly. End ID.]

...she doesn't even have to think about it.

I do think Killua still has a ways to go, but he is in a position right now to learn from his relationship with his sisters about balance - that love is not just selfless devotion, but also allowing those who love you to help you and make you happy too. I think that's what unconditional love is, in a way - supporting and working together with the people you love to make each other's wishes come true.

#oh my god this was supposed to be a brief write-up what happened 😭 #ugh i feel like this is a bit of a mess and there's infinite other little points i could've made or elaborated on or interpreted differentl #but i'm so tired lmao #anyways tldr fuck you illumi you suck #killua is a snarky little shit but he also has so much love in his tiny body and i think we should appreciate him forever and ever #this also accidentally turned into alluka and nanika appreciation. i love them #nanika sweet angel i love you so much i hope you get all the head pats in the world #ghhh i'm so scared this doesn't make sense anymore i've been working on it for almost a week #hunter x hunter #hxh #hxh meta #killua zoldyck #call me ace detective the way i am ace. and also a detective. #storyrambles #also that one scene where gon turns to look directly at killua and tells him he has fun being with him makes me jdfhbvsdjfbvh #he's so intense about it i start laughing. no wonder killua basically just went ??!?!?!?! and like. leaned back because i think i would've #done the same lmaoooo #it's very sweet though :') #argh. gotta post. i need to stop hesitating. let's go.

[hoegender]

BREAKING: the most toxic duo is currently rotting your brain and you need to see more of them NOW!

keep reading for my very incoherent thoughts about these two

i'm crying idk why i'm so attached to ginkir suddenly but they are currently my guilty pleasure brainrot. i know gin is so so so toxic to kir (and to everyone else. what's new) but i don't ship them in the "i want them to fall in love and kiss" way i need them in the "gin is strangely and inexplicably obsessed with kir and the series will end with kir killing him with his own gun" way (incoming spoilers for movies 20 and 26 + the kir arc/the shuichi akai special collection)

i'm probably reaching with this but bear with me. gin is an impulsive, violent man. his first instinct when faced with anything is to take out his gun and shoot. he's shot kir multiple times - in the darkest nightmare, when she and bourbon were chained to a pole for being on the NOC list, then in black iron submarine, when she was standing in between gin and the eur•p•l agent he wanted dead. OKAY. but he's never shot her with the intent of killing her AND I KNOW THAT'S A LOW BAR BUT BEAR WITH ME.

gin kills as a safeguard!! he killed akemi because of her relationship with an fb! agent and she'd become a liability. he wants to kill haibara because she escaped and is a liability. but after kir gets literally captured by the fb! AND is suspected to be a NOC, gin doesn't...gaf?? gin goes through so much trouble to get her back alive when he could've just blown up all the fbi vans and gotten rid of not only kir, who may have become a liability at this point, but also a bunch of fb! agents to snipe their manpower?? ok gin

"she's an absolute beast when she's cornered" ok gin. ok. is it also because she's the only woman apart from vermouth who dares to manhandle you. is that it. ok gin. i'm nowhere near done with this quote yet i fear i've truly lost my mind. gin is so clearly impressed by the lie she told him about brutally murdering the c!a agents but from what he actually sees of her firsthand he knows she's doesn't like to kill. he literally has to keep telling her "don't hesitate". gin's not dumb! he should have caught on to her lie by now! he should already know in his BONES that kir is a NOC! AND SHE'S STILL ALIVE?? ok gin

the close-up shot of kir's hand on gin's in black iron submarine as she stops him from pulling the lever. people d!ed (me). on a side note i feel like i understand gin on a whole new level after these revelations. i mean have you seen kir

to conclude i think gin is really, really strangely tolerant of kir and i love thinking about him having some sort of weird confused one-sided obsession with her that he doesn't know how to express apart from doing what he always does and holding her at gunpoint. i want this series to end with kir shooting him dead because YES i know gin's true long-established rival (cough 恋人 cough) and the one who will probably actually do him in is shuichi but shuichi's not the one who's been subjected to gin's impulsive bloodthirsty whims as part of his little evil squad ok. rena deserves this just as much as shuichi does

ok about the actual art. sorry i probably could've translated all of my ginkir thoughts into a much better more intense and analytical comic but then i started giggling like a crazy person and this happened. sorry i made gin too babygirl. i need kir to kiss me

#i think rena should kill him #sorry about the whole ESSAY #detective conan #dcmk #dcmk art #gin #gin (detective conan) #kir #rena mizunashi #hidemi hondou #black organisation #ginkir #thihart #thiha goes insane

[most-datable-datable-bracket]

QUARTER-FINALS MATCH 3

Claude propaganda:

"To say Claude has trust issues is an understatement—you have to spend half the game earning his. (Claude isn't even his real name!) Once you have it, though, he's absolutely ride or die for you until the stars go out. He is so full of heart and ambition: He wants both sides of his heritage to get along, he wants to open borders and eliminate xenophobia and promote equality between commonfolk, and deep down, I think he craves a partner to stand with him at that new dawn, or an equal who sees his vision for the future and will fight for it just as hard. Nobody believed in him when he was a kid, but if you put your faith in him, he'll return it tenfold. Some people don't like that he's calculating, or has to leave the player character at the end of the game to go back to his homeland, but both are necessary elements for his goals to change things. He will always come back, and everyone who bets against him and his love for his companions is wrong with a big fat W. #KhalidForMostDatablePrez"

"Claude is a fun little onion of facades. He calls himself the embodiment of distrust, he acts like he's carefree and without worries, an unscrupulous schemer--and so many in universe buy into that hook line and sinker. He's used to others viewing him with suspicion and uses it as armor to obscure his not-so-dark truth: that he cares immensely, that he values minimizing the loss of life, and that above all he has so much hope that people will fundamentally choose to do better given the choice.

His front guards a center that his conflict filled world would be happy to tear apart. As the child of people from two nations in constant conflict--one of which is explicitly isolationist and dehumanizes those outside its church's reach--he hasn't really had a place where he can be without his facade. As a child he thought he could run, but when confronted with the fact that this hatred existed no matter where he ran, he chose to instead try to create a more just and kind world.

His inability to let others in beyond his facade at first may lead to a sense of distance, but isn't it then all the more satisfying when you're allowed in? All he wants is a little trust, a little faith, and--like what he wants to give everyone--a chance to be better.

And like that you got a charming young lad with a fun personality that your grandma would be thrilled to have stay forever."

Milo propaganda:

“they were in the last contest sure but i feel like they could get farther. like they're literally a nonbinary grim reaper that's also an influencer and sure sometimes the influencer stuff can get kinda overwhelming i feel like it's very clear that they care about you and want to be around you. you guys go on a reaping date. their eyes and nail colour change based on their mood too and i think it's a really cute detail!! also SLIGHT SPOILERS but they even reference rocky horror in their special ending. they are perfect to me and i love them and i believe they deserve a second chance <3”

"Vote for Milo because they deserve it

They're literally so attractive

- They are a social media influencer

- They are obsessed with an adorable little kitty and will do everything in their power to make this cat the most beloved creature in existence

- They love makeovers and helping their friends rebrand (this includes working with Damien and the PC to help Jerry the Murderer rebrand so that they really has a brand identity)

- They are a grim reaper and even help the PC plan the PC's own funeral (special ending) and they give a great speech and it's super sweet

- They will sometimes take the PC on reaping jobs with them and shenanigans ensues

So in summation, vote for Milo because, as I repeat, they deserve it"

#claude von riegan #fire emblem #fire emblem: three houses #FE:3H #milo belladonna #Monster Prom #Monster Camp #Quarter-Finals #MDDC 2

[nin-carab-nidh-madt]

I have thought on Jadzia Dax from Star Trek Deep Space 9.

I'm currently rewatching the show (midway season 2), probably my 4th watch through over 8 years? My first time with slightly more youtube-essay-driven media analysis skills. I'm enjoying picking up on a lot more things than I used to but there's one thing that bugs me above all else.

Jadzia Dax doesn't really have a strongly defined character that shines through.

I've spent a while thinking about it. Obviously as a science officer its a little harder to tell stories the audience can understand and relate to compared to Odo's murder investigating or Sisko's exasperated diplomacy, but her stories have issues greater than that.

Both the stories centred on Dax, in season 1 where she stands trial for a crime supposedly committed by a former host, and in season 2 where someone tries to steal her symbiont, are about things that happen to Dax. Not the things Dax does. She is neither the perspective character through which we can see the world of Star Trek, with her own unique views and feelings, nor is she the one actively moving the plot forwards. She's either the victim who sacrifices herselr or quite literally refuses to do anything. Unfortunately this is quite a common failing of writing that's easy to fall into, writing about a character instead of the character making decisions that drive the plot. Its one that sci fi writing at the time seemed to do quite often with a lot (but not all) female characters. Ivanova and Talia from Babylon 5 fall victim to this too, especially in early seasons. In contrast, Major Kira, and even Ezri Dax later on have stronger characterisation and are the centre of their own stories.

I doubt this was intentional, its clear through the successes of writing other characters in the show that the writers, actors, and showrunners are trying to make everyone alive and meaningful, so what went wrong?

Looking at Jadzia Dax's character, I think what's clearly missing is a strong drive for her character. No real desires or vulnerabilities. No questions either. To provide constrasting examples:

Odo (who gets almost too much screen time in season 1) is clearly driven by a sense of justice no matter whatever starfleet rules say. He's in constant conflict with Quark, ever vigilant, somewhat isolated from other people. No one ever asks "Why does Odo do what he does?" His motivations are clear, and they even tie it up with an extra motive that's very plot relevant: the mystery of where he comes from. All things a single episode writer can use and explore.

Major Kira has her own conflict with starfleet, her desire to do right by her own people, to get justice for Bajor, and always stand up for the underdog which creates really good stories as she struggles with her own values and constantly has to make choices that affect the story.

Bashir wants acclaim, accomplishment, romance, and also for everyone to like him. Quark wants profit without putting himself at risk. O'Brien wants to just do his job and go home to his family. Sisko wants to hold everything together with the responsibility of peace and reason on his shoulders while singlehandedly raising his son. Jake wants community, friends, and freedom in his life. Funnily enough Ezri Dax has far better drive. Trying to figure out what she wants in life, handling this enormous change and overwhelming personality, and her own lack of confidence that she's useful to anyone sometimes. She grows and changes more over the course of a season than we ever see in early seasons Jadzia.

What does Jadzia Dax want?

I think in attempting to make a wise 300 year old person who's seen everything, they accidentally wrote themselves into a corner. Jadzia has no strong motivations to do much at all. She does fine as a secondary character, and I love how her friendship with Sisko plays out on screen, but beyond being surprisingly enlightened about a lot of things as the result of age and experience there's no drive there.

And so no drive or motivation, and no stories told from her perspective. We have ourselves a problem.

I thought for a while if I could find a solution to the issue rather than just offer criticism. I originally tried writing an outline for an episode. Jadzia would be a fantastic protagonist for any wacky sci fi short story concept that required a scientist to explore, such as time travel paradoxes, simulations, weird space anomolies that do "plot relevant thing" that she would be perfectly posed to actually explore instead of "technobabble and tap console" until the problem is solved.

Then I decided that all we really needed to have a framework any writer could use is to establish a strong character motivation for her. Here's my shot at it.

Jadzia Dax, in harmony with seven lifetimes of experience, is an extremely competent twenty seven year old woman. She can almost certainly do the job of anyone on the station better than they can. Fix a computer? Better than O'Brien can. First aid? She's there and solved the issue before Julian can get there. Solve a murder? A past host was an invesigator of course she can to Odo's chagrin. She has better ideas of what Sisko can do to bring the Bajorans towards the federation. Hell she's the best representative of federation values on that station and could constantly be presenting that of the story.

Dax struggles to hold herself back when she sees her friends failing at what she can solve the problem for them. She tries not to, that's what her training tells her to do. But out here on the edge of Federation space where there's constantly lives on the line? She finds herself interfering in other people's work more and more often. She just doesn't want it do be done wrong. She pushes herself hard to do too many jobs. She doesn't sleep or eat enough while telling everyone else to take care of themselves better. After a while people start relying on her. It turns from her helping to her having those responsibilities. Pilot. Diplomat. Linguist. Researcher. Mechanic. Leader. So much emotional support for her friends because everything they're suffering she's been through herself. It becomes too much for her and you could make the core of one story her just crashing. Learning how to balance her experience with giving room to other to shine through and solve their own problems, which they're very capable of doing. There's plenty more detail to elaborate on but I think this gives a core drive and conflict that lasts a character a couple of seasons at least to explore and grow through.

I happily invite thoughts as to whether my original observations are astute, or wether you think there aren't any problems with how Jadzia's passivity plays out in the show. If you think there are problems, do you think my perscribed solution helps fix them? How would you go about it?

#star trek #star trek ds9 #ds9 #jadzia dax #babylon 5 #writing