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#mary is a villain
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META COLLECTION
Masterpost n.5 - MARY MORSTAN IS A VILLAIN
X (Mary is introduced as a villain)
X (Moriarty wants to kill John so as to stay with Sherlock - Mary does the same but for John)
X (Mary works for Moriarty - John is Sherlock's heart and has to burn)
X (Mary = heteronormativity)
X (John's moustaches and Mary as the personification of heteronormativity)
X (Mary is the villain, not Magnussen)
X (Mary is emotionally abusive and sadistic)
X (Mary's posthumous revenge)
X (Was Mary the reason why Sherlock and John didn't see each other for one month?)
X ("You don't tell John")
X (Leinster gardens - Mary threatened to kill Sherlock for the second time)
Part 4 is here, part 6 is here
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Hey Steph! You know that scene in TST where Sherlock says Mary is better than John? There's a very weird and seemingly unnecessary close up on Mary looking at Sherlock while he says that and her smile fades for a moment, am I the only one who was like wtf?? The only logical explanation I can think of is that Mary told Sherlock to say those things and is warning him with her eyes not to make any mistakes or something
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(timestamp is around 30 minutes in)
Oh hey, Nonny, yeah you're right, LOL. Never noticed mainly because I haven't watched S4 in years, LOL.
Honestly, nothing would surprise me at this point with her. Sherlock SAYS he texted Mary, but like....... She knows John would want to go with Sherlock on the case, but she's purposely shoving John to the side and making him feel small. It's so.... ugh. Just the deliberate way she tries to split them up never sits right with me, and Yeah, I honestly wouldn't be surprised if she did threaten Sherlock at some point.
I still believe that there is an unreliable narrator scenario happening here, and what we're seeing is actually a false story being told to cover up Mary's death. Just... they whole episode feels OFF, and I STILL felt unsettled JUST in the 10 minutes I took to find this scene to screencap. Oof. So yeah, call me a tinhatter if you want, there's something else going on here.
And don’t even get me STARTED on the just stupid casual way John brings up a divorce. I never realized how FAKE this whole scene feels, like it’s being told in a storybook...
(transcript is here, about a quarter of the way down)
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bigfatbreak · 2 months
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The Charity Ball part one / part two / part three / (you are here!)
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bonus! rehauled Mayura~
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I wanted. something. more dynamic to draw when she was getting thrown around-
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luciferslilith7 · 3 months
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I turn my pain into poetry.
@luciferslilith7
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draftmonologue · 1 year
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1. Susan Sontag—As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980, 2. Phoebe Waller Bridge—Fleabag, 3. Richard Siken—Wishbone, 4. Anonymous, 5. Atonement dir. Joe Wright 6. Hot Priest Monologue—Phoebe Waller Bridge 7. Gillian Flynn—Dark Places 8. Meditation in an Emergency— Cameron Awkward-Rich , 9. Billie Eilish— idontwannabeyouanymore, 10. Stephen Adly Guirgis— The Last Days of Judas Iscariot, 11. Lioness Dewinter—Sìren Loa 12. Bernie Wrightson’s Illustration of Frankenstein’s Monster. 13. Bonnie Winterbottom—How To Get Away With Murder, 14. Sade Andria Zabala—Paper Napkin Stories, 15. Sor Juana Inés de la Cruz — Love Opened a Mortal Wound, 16. Unknown 17. Miley Cyrus — Never Be Me, 18 Kim Addonizio— Wild Nights; New Poems; Pareidolia, 19. Crazy/Beautiful dir. John Stockwell, 20. I.B. Vyache, Conversations Over Sanguinaccio Dolce.
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m-o-o-n-f-i-r-e · 4 months
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my favorite type of ship is 100% the ones where they have unending love and devotion and trust for each other. would do anything for the other. would do whatever the other said without question because they know that whatever it is, their partner knows what they are doing and they would trust them with their life. they could move mountains with their love. they would kill for their love. they would do anything for their love. everyone in the room can see that they are connected on the deepest level and will never be separated. nothing can break them apart. they are always on the same level, they know every thought that goes through their lovers head. when they are in a room together they control everything that happens. when they are apart they would tear up the earth to find each other. they would kill god for their love and give gods throne to their love. that kind of love is the best shit
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bethanydelleman · 6 months
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Writing Villains (Advice from Jane Austen)
One of the reasons that I find Jane Austen's novels so wonderful is that they have amazingly realistic villains, some that are fully fleshed out characters. Austen's biggest strength is that she gives her villains clear, logical motives. In fact, for many of her villainous characters you can turn the entire story around and see a rational story from the other side.
For example, Lucy Steele. She doesn't attack Elinor out of mindless evil, but because Edward Ferrars is her golden ticket to wealth and she knows that Edward loves Elinor. Lucy might twist the knife a little on Elinor out of sadism, but generally she attacks Elinor in an attempt to secure Edward. When it comes to other characters, Lucy is overly sweet if she wants something from them, otherwise she acts normally. As an example, she leaves Marianne alone because Marianne is not competing for Edward and also can't do anything for Lucy. Anne, Lucy's sister, likes her. Lucy has friends and family she stays with, she's a fairly well-rounded person.
You can put yourself in Lucy's shoes, you can turn the entire narrative on it's head and play it out from her perspective and it would make complete sense. You could even make Lucy sympathetic! She probably sees herself as a hardworking underdog, trying to wrest her one chance at prosperity away from the conniving Elinor Dashwood. I'm sure she thinks the pain she causes Elinor is justified.
If you can't do that with your villains, then there is a good chance they are just evil for evil's sake. I picked Lucy Steele on purpose because I hate when the entire motivation for a antagonist female character is "bitches be crazy". Bitches may be mean, but almost always for a good reason.
Even Mrs. Norris, who is probably the most cruel of Austen's female villains, can be perspective switched. Her life is about being useful to the Bertram family so she can feel important because her married status/wealth is lower than she wished. As she must always be deferential towards the Bertrams, she takes out her negative emotions on those below her, the servants and Fanny, while also showing off how good she is at "managing" those people. (And yes, she is your childhood bully)
We often hear her perspective and she clearly sees herself as a useful part of the family and a defender of Sir Thomas's wealth. She thinks she's a good person! Which is also an important point: most people doing wrong do not believe that they are doing wrong. That is what really makes a villain scary. Mrs. Norris thinks she's helping Fanny in a very twisted way by teaching Fanny her station in life. If you asked her, she'd give you a self-justified answer and she'd probably actually believe it.
Another way to do a good villain is to just make a person very selfish. Henry Crawford doesn't sit around all day laughing about how much pain he causes women, he doesn't think about it. He only thinks about the fun of flirting for himself, not the harm to others. The glimpses we get into her perspective are not cruel at all. It's the same with Willougby, he thinks only of his own pleasure and tries very hard to ignore that he has crushed Marianne and destroyed Eliza Williams. When he is forced to accept that people were hurt, he blames everyone but himself.
Wickham thinks that he's a victim, Caroline Bingley is ambitious and doesn't care who she steps on to get to the top, Mr. Elton is insulted that Emma could even dream he's a match with Harriet but he can't touch Emma so he punches down at Harriet. They all make sense, they all probably believe that their actions are justified.
Also, imagine taking the heroine/hero right out of the story, would the villain still act the same way? If Anne didn't exist, Mr. Elliot would still try to bring himself into the Elliot family because he was afraid of losing the title. If Elizabeth didn't exist, Wickham would have had another favourite in Meryton. If Fanny didn't exist, Mrs. Norris would have found some other puppy to kick. The villains don't just appear for the plot of the main characters, they have their own reasons for moving around and messing shit up.
Lastly, explaining but not excusing (though unfortunately some people will excuse anyway but that's not your fault). Mary Crawford is mercenary and doesn't seem to believe that love is even a real thing. It's pointed out several times in the novel that her defects have to do with being raised in an immoral environment and a broken home. She was taught by her aunt to marry for wealth and disregard love. Austen doesn't excuse Mary, she doesn't give her a happy ending, but she does explain how she came to be. She's not just greedy, she has been taught that wealth is the best recipe for happiness. As an adult now, it is her responsibility to question that maxim or remain a villain.
Austen wrote amazing morally grey characters and "villains" (a term I used a little liberally here, some of them probably only count as antagonists, not full blown villains). I love how real and human she made her characters, it's something I aspire to myself!
Linking my Caroline rant because it's related, people remove her motives so often and flatten her into a "bitches be crazy".
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liquid-luck-00 · 2 months
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Red Binding 1
Maribat March Day 1: Origins
@maribat-calendar-events @maribatserver
Next
Trigger for implied neglect, blood, and violence towards a minor
~~~~~~~~~~
Marinette was, what most would consider a normal, happy, child. But that was far from the truth.
She was ten when she finally noticed something was off.
Her parents as much as she loved them and they said that they loved her. Never made time for her. Never asked more than how was her day, so she would ramble about anything and everything. She never had a curfew and her parents never seemed to worry. That's when the bullying began.
She was eleven when she recognized that the bakery was the top priority and not her.
Her school life was in shambles. Her friendships were strung by a thread, with even a whisper from Chloé, they would abandon her.
So when a small box appeared in her room, at the age of twelve, and from it a small red creature asked her to leave with them she agreed. They talked for hours, extending for days (a bit over a week in total), before she was truly good and ready to leave Paris. They spoke about their lives (existence in Tikki’s case), the powers and responsibilities that would be placed upon Marinette, but most of that time they enjoyed one another’s presence.
The creature listened to her, actually listened to what she had to say, gave her a choice, so she agreed to follow the creature.
In the middle of the night she packed a small bag and stood in the center of her room. "Are you ready, Marinette?" The creature, Tikki they called themselves, chirped. "As much as I can be." She looked the creature in the eyes and everything spun. It felt as if she was floating, or not, as she slammed onto the stone floor.
When she stood up, she dusted herself off and looked around. She was in a well kept garden, the air was thin, but the moon was bright over head.
"ལགས་སོ། ཁྱེད་རང་ཕེབས་བྱུང་།" A voice startled her as she jumped from the sound.
"Who are you?" She questioned. "Where am I?"
The man was still, he didn't seem to hear her, or maybe he didn't understand.
"ང་དང་མཉམ་དུ་ཤོག" The man turned and walked into a building that looked like some sort of temple. She stood there staring where the man used to be before he turned back. His even strides carried him right to her. "ངས་རང་ཉིད་ལ་བསྐྱར་ཟློས་མི་བྱེད།" The man's tone surprised her, she jumped to her feet, following him at a brisk pace.
Lanterns lit the walls of the hall, no doors or even windows could be seen. The two of them walked in silence for what seemed a half hour, but she couldn't tell. She tried to remember the path, but there were too many turns and steps to remember.
They stopped at an ornate circular red door, that was roughly twelve meters in diameter. Golden knots were carved expertly into the wood.
He stepped aside as if she was supposed to do something, but she didn't know what. So Marinette stepped forward and placed a hand on a golden vein.
A flash of golden light erupted from where her hand touched the wood, as it swung open on silent hinges.
She had turned away, in an attempt to shield her eyes.
"Welcome, child." A voice from inside was warm and she stepped forward.
She wanted to say something but thought better. Yes she understood this new voice, but the man before she still has no idea what he said. She just followed him and he led her here.
"Do not fear to speak child." The voice came from everywhere, echoing through the large cavern. What looked like an island garden sat in the middle. A giant oak tree with flowers blooming in complete darkness sat at this center. Chimes rang thought the branches without any wind.
"Who are you?" She finally asked, voice small, as she looked around. "Where am I?"
Chimes rang almost resembling laughter. "I am known as the supreme. As to where you are, you are with the Order of Miraculii, my child of creation."
"Order? Creation? Where is Tikki?" She started rambling questions in the hopes of at least one being answered.
"All will be answered in time." Chimes once again filled the cavern.
"སུའུ་晗་ང་ཚོའི་ན་གཞོན་སྲུང་མཁན་ལ་བཀའ་སློབ་གནང་རོགས།"
"ཁྱོད་ཀྱིས་བཀའ་གསུང་གནང་བ་བཞིན་དུ་ངའི་བླ་ན་མེད་" The man spoke with a bow, before placing a hand on her shoulder and leading her out of the cavern.
He led her to a room that was somewhere deep in the temple, at least she assumes it is. The room was simple, a four poster bed sat against the far wall. A desk was set next to it with a bookshelf that was carved into the wall above it. A dresser was next to the door, and a thick rug was spread underfoot.
"Tikki."
"Yes." The little god appeared in front of her with a poof.
"What’s going to happen now?"
"There is a lot for you to learn, but for now rest. The morning will come soon."
•••
Jason didn’t know why he left that night.
Scratch that he knew exactly why.
Bruce and Dick were arguing again, and no matter where he was at the manor he still heard them. But it wasn’t them it was Cathrine and Willis fighting for the uptenth time. So he did what he always did, he snuck out.
He was running roof tops trying and failing to get the voices out of his head. The weather was starting to change and a sludge of rain and snow fell around him. If only…
He shot out to grapple to the next building but with the semi frozen and slick exteriors the hook slipped. He began to free fall, as the line retracted, and everything was quiet. He heard his heart flutter then a sharp click. The line was back and he shot it again, this time it landed. He was yanked and thrown into a graceful arc before landing on another roof.
He stood in the middle of the high rise roof. Completely soaked but he didn’t care, he just wanted to stay in this quiet for a little while longer. He sneezed, breaking him from his stupor, sure the suit helped keep him relatively dry, but it didn’t do much for the cold, less still for his head that was completely out to the elements.
He kicked a few rocks that were strewn in the roof in an attempt to warm up, but stopped when some sort of metal glinted underfoot.
He reached down and found a ring, and when his fingers wrapped around the metal a flash of green illuminated the rooftop.
"Finally!" A nasally voice echoed around him. "I thought you were never going to notice it."
"Who are you?" He half whispered half yelped. "Show yourself." He reached for a batarang.
"No need kitten." A tiny cat like creature floated up to his eye level. "Names Plagg, and you are?"
He didn’t answer, he’ll he didn’t know if this was real or if he might actually be asleep. He gripped the batarang, feeling as it sliced through his glove straight to his hand.
"Not asleep." He whispered to himself. "So what are you?" He attempted to poke the creature with his finger, but it easily evaded him. It took hold of the ring and dropped it on to his finger.
"I am a kwamii, specifically of chaos and destruction." They puffed their chest, watching as the ring emanated a soft glow before it stopped. "And you are my kitten."
"I’m not your anything." He didn’t want to be involved with magic, it only seemed to cause problems, if the reports Bruce had was anything. "It started with that ring, right?"
"Yes an…" He didn’t let him finish speaking, he tried to pull the ring off, but it was gone.
"What did you do?" His attention snapped to the supposed god, or whatever it was.
It was about to say something when his vision started to blur. Something heavy slammed into his head. He felt himself starting to crumple forward, laughter ringing behind him.
When he woke up, Jason was tied and laying face first in a dingy old storeroom or maybe a warehouse. There wasn’t much light except for three industrial lights towards the center of the room. And under the furthest one was the silhouette of a person.
"Is the birdie awake?" The voice was tinged with laughter, it sent chills down his spine. He knows who that voice belongs to.
I’m sorry.
"Let’s have some fun now!" Joker came into his view and then he noticed the item in his hand, but he couldn’t stop him. The crowbar swung down and it connected with his upper arm. He was thrown into a box to his right. The next hit was to his stomach, as he coughed up blood.
I’m sorry. He heard again, but Joker didn’t react to it. So he knows Plagg is in his mind.
Stop apologizing and talk. He thought, and he did.
Plagg told him a story. He tuned out best he could, but it was difficult whenever he would be thrown around. It even felt like Plagg was holding his breath at times, waiting for his attention to continue.
"Well it’s been fun, Boy Blunder, but you should go to bed. Don’t forget to brush your teeth and say hello to the Big Bad Bat." He left him there in a heap on the floor, a ringing his ears silenced everything except for Plagg.
"Come on, get up! Please!" He saw Plagg flying in frantic circles over a box.
"There is a bomb, and…" Plagg placed two paws on his forehead before flying back, to where the bomb must be. "You will live, Kitten, I swear it."
A flash of green and black rolled over him, yet the blast of air did however destroy the building they were in. But he saw Plagg fly back to him. He felt him curl into his hair, his purring rhythmic, as he began to loose consciousness.
"What a waste." He felt someone turn him over. Changing the path of the blood on his face to stream into his mouth. It tasted like iron, and dirt, and it burned his throat. "I will see you when you awaken."
His world went black, Plagg’s put was a constant rumble. The next time he opened his eyes it was dark, Plagg was on his chest staring at him, his green eyes glowing in the dark.
Steady breaths kitten. Plagg’s voice echoed in his mind, as he tried to explain what was happening. You’re in a coffin.
"How!?" He began to panic, but Plagg began purring which calmed him.
You need to stay calm, you can get out. Focus my power.
I don’t know how. He thought, not risking wasting the little air he had.
The ring on your finger is a focus for power. Do you feel the space my presence takes up within your mind?
He searched concentrating on Plagg’s voice and presence in his mind. Yes.
Good. Now pull that towards the ring. He pulled at it but there was a resistance, like a rubber band being stretched too far.
Slowly. He made the connection and his palm glowed with a faint black and green light. Now touch the area in front of you.
He did and as soon as he did the rubber band snapped back. But a hole big enough for him to pass though was above him, along with a foot of dirt above it. He was tired but he tried again. It was harder this time, but he managed. He touched the top of the dome, but only a few inches disappeared this time. He was about to try again when Plagg stopped him.
Don’t kid! You’re exhausted. Channeling magic requires energy along with training it, like any other muscle. We have to dig the rest of the way.
Fine. He huffed.
The ground was wet and soft from all the rain. But he knew if he didn’t hurry that would be an obstacle. It was starting to freeze. That’s how he knew he was getting close to the surface. Plagg had been moving the dirt into the casket, allowing him to stand. Yet he flew up to him this time with a broken piece of wood, and he knew just what he needed it for. He finally broke through the surface and pulled himself up. He laid back, legs still in the hole, but he stared at the cloudy sky, taking giant gulps of air.
"I knew you could do it, Kitten." Plagg stiffened and his hackles rose before disappearing. Guard yourself.
What do you mean?
"You were quicker than I thought." A feminine voice carried through the cemetery. He stiffened, knowing what Plagg was warning him of. "Now let us be off."
Someone grabbed him and he tried to fight them, but he was exhausted and they weren’t.
Next
~~~~~~~~~~
Permanent Taglist:
@jennifer-rose123 @toodaloo-kangaroo @joydone07 @mizzy-pop @starling218 @crystalqueertea
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triplethreat77 · 9 months
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When you need a new show to watch, I can't recommend Twisted Metal enough. I was worried it would be terrible but the music licensing alone is impressive. Dark comedy, great writing and acting - they cast a wrestler for Sweet Tooth which is genius considering you need exaggerated physical moves for a masked character. Balanced story/action/comedy. I wanted to see the Brothers Grimm, but fingers crossed for season 2. POC cast, LGBTQIA+ representation, female empowerment, body positivity - more of this, please. You mother fuckers really did this. 🤡 🚘 🍕 🚀 🚔 🍆 🌼
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jennipond · 5 days
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I'M SO NORMAL ABOUT A ROGUE CENTRIC EPISODE I'M THE SANEST PERSON ON EARTH I SWEAR
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sea-buns · 5 days
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Would love a heel turn with the The Bad Kids where the Rat Grinders just pissed them off so much individually that senior year starts with them as the bbegs
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zenmastercharles · 9 months
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Audrey was really gagging everybody in D3.
“What are you doing with the scepter?”
“I wanted them so I took them, you of all people should understand that.”
Gagged.
“Wait, Audrey! Don’t use that!”
“What? I thought you liked spells.”
Gagged.
“Did someone curse you? Just tell me and I’ll-“
“What? You’ll marry them?”
Gagged.
I know the opinion of Audrey in the Descendants fandom is split, but I honestly love her and her villain arc was awesome.
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fandomnerd9602 · 9 months
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Mary: stand down villain or I’ll crush you-
Y/N: between your thighs? Would that be a threat or a promise?
Mary blushes profusely…
Mary: why do I put up with you?
Y/N: cause i make your life so much more interesting
Mary slaps a pair of handcuffs on Y/N…
Y/N: kinky (winks)
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delphicstrawberries · 3 months
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so there’s this book about a guy named victor who experiments with the powers of life and death but that science ultimately leads to death and destruction in his own life as he now has a bitter rival whose killing spree victor tasks himself with stopping and at one point victor winds up in jail for the death of one of his closest friends
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arcanumsposts · 6 months
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tragedy in blood
@redispoetic a mixture of our aesthetics
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hauntthenarrative · 9 months
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Haunting the Narrative Round 2 Side B
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Haunting the narrative means that the character’s absence heavily impacts the plot. They’re not present or active in the story when their influence is most strongly felt, whether they’re alive or dead!
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