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proxima-writes · 18 days

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the harder the rain, the sweeter the sun

pairing: storm chaser!joel miller x storm chaser!female reader

rating: explicit (18+ MDNI)

word count: 6.5k

summary:

Storm chaser-turned-weatherman Joel Miller hunts down his old crew in an effort to serve his wife with divorce papers. When a storm interrupts his efforts, he finds himself falling back into old routines and old feelings.

A Twister (1996) AU

author’s note: are you someone, like me, who was fucking obsessed with the movie twister and at one point made it your entire personality (maybe even at too young of an age)? then this fic is for you! this may be one of my favorite fics ever and i hope you enjoy it, too. please consider reblogging or commenting or even dropping into my ask box if you like the fic, i would love to hear from you!

amazing title art by @atinylittlepain

tags/warnings: explicit sexual content (18+ only, minors do not interact), explicit language, undefined age gap, able bodied reader (actions include running, lifting, climbing), no reader physical characteristic descriptions, dual pov, established relationship, estranged marriage, mentions of divorce, alternate universe - movie: twister (1996), not a direct rewrite of the movie but pretty close, storm chaser!joel, storm chaser!reader, natural disaster action scenes, mild angst, mention of reader’s parent’s deaths, praise, dirty talk, pet names, oral (f receiving), unprotected p in v, cum eating, minor character death.

masterlists: all characters | joel miller

support for palestine

The first person to notice Joel’s truck pulling up to the makeshift weather station site is his brother, Tommy.

“Look what the cat dragged in!” He says, hands on his hips. Joel gets out of his truck and Tommy envelops him in a strong hug. “Had no idea you were comin’ out here.”

“I didn’t plan on it,” Joel admits. He waves the envelope in his hand. “But I can’t get her to sign ‘em unless I track her down myself.”

The expression on Tommy’s face drops and he nods, clearing his throat. “She’s around here somewhere.”

“Probably hiding from you,” another voice chimes. Tommy’s wife, Maria, jumps from the back of a nearby pick up truck where she had been fixing a satellite. “Welcome back, Joel.”

“I ain’t back,” he grumbles, giving her a quick hug. “How’re you, Maria?”

“Sweaty,” she replies. “Heard you got yourself a nice channel gig. Must explain the suit.”

Joel looks down at his outfit of tan slacks and a matching suit jacket over a white button up shirt. He tries to think of a response, but another familiar voice calls out his name.

“The prodigal son returns!” Tess shouts. Her short hair has grown out since the last time he’s seen her, but the ever present camera around her neck remains the same.

He notices movement from the back of one of the vans. You emerge, wiping your hands on a grease stained rag and for a brief moment, a bolt of longing courses through him like a lightning strike.

“Joel,” you say, a smile on your face that doesn’t reach your eyes. “Wasn’t expecting you out here.”

“You won’t answer any of my calls,” he replies. A tense silence falls over the group until Maria nudges Tommy in the ribs and drags him off while Tess mumbles an excuse about checking the radio and escapes in the other direction. “Have you looked at the papers?”

“Yeah.”

“Is there a reason you haven’t signed them?”

“Been a bit busy,” you say, gesturing to the camp. “I got something you’ll want to see.”

You brush past him and Joel sighs, rubbing a hand across his face in exasperation before turning to follow you to one of the trucks. You pull yourself up into the bed and stand beside a large metal container.

“She’s here, Joel,” you say proudly, hitting one of the buttons. The lid on the unit pops open. “ELLIE.”

“No shit?” Joel asks, climbing onto the truck for a closer look. He picks up one of the spherical sensors, holding it up for inspection. “I’ll be damned. You really did it.”

“We did it,” you respond quietly. The expression on your face is painfully familiar, that combination of pride and sadness that he’s grown accustomed to in the last few years. He murmurs your name, tries to think of something else to say, but a shout interrupts his efforts.

“We’ve got action!” Tess yells.

The camp explodes into a flurry of movement. Equipment is packed away with speed and efficiency while anything else that isn’t fragile is tossed into the nearest truck or van. Joel watches it all and remembers when he used to be part of this machine, calling out orders and getting on the radio for coordinates as he hit the gas and peeled out in a cloud of dirt and dust.

He’s so caught up in it all that he almost forgets why he was here, and when he remembers you still haven’t signed the papers he curses, running for his truck and taking off after you down the rural roads.

“You comin’ with, brother?” Tommy’s voice crackles over his truck radio.

“She didn’t sign!” Joel says back.

“Keep lying to yourself, Joel!” Maria calls back.

It’s a race against time and God, the storm clouds overhead dark and churning ominously. The air is filled with static, lightning striking in the distance. Joel can feel it all in his veins, the adrenaline thick as he keeps speed with the rest of his former crew. The honk of a horn draws his eyes to the rearview mirror, where a gleaming black Surburban is gaining speed on him.

“Son of a bitch,” he snaps. He grabs the radio. “We got company!”

The Surbuban pulls up beside him, a woman in the passenger seat that refuses to look his way. Marlene, once a lab mate of yours and Joel’s in the early days of your career, is now the face of FEDRA’s corporate sponsorship. Sold out for shiny toys, Joel once said.

“What’s Marlene doin’ here?” Joel asks.

“Bet she’s wondering the same thing about you!” You chime in.

The convoy of uniformed vehicles speeds past him, the old trucks his crew still uses no match for them. In his distraction, he narrowly misses a fallen tree limb, careening off the dirt road with a loud bang.

“Fuck!” He shouts. His tire has gone flat.

This is the last thing he needs.

You watch Joel through the window of the little diner you’ve all made a stop at once the storm broke up on the radar as you had been driving to catch it. He’s across the street at the mechanic to get a new tire, having driven in on the spare that Tommy circled back to help him put on. You twist the plain gold band on your finger, lost in thought.

“Hey,” Tess says, sliding onto the stool beside you. “How are you doing?”

“Fine,” you reply quickly. Her keen gaze makes you fold. “Weird. It feels weird.”

“Yeah, I know. He’s in a suit.” She takes a sip of her drink. “Never thought I’d see the day.”

“He looks good.”

“Sure, if you like ‘em with a stick up their—“

“What’s channel four doing here?” You ask, cutting her insult off. The news crew is unloading their gear from their van as the anchor speaks to Marlene, who’s gesturing to a piece of equipment that looks suspiciously similar to the culmination of your life’s work sitting in the bed of your truck. “You’ve got to be fucking kidding me,” you snap, racing for the door.

“This is ABBY, the first unit of its kind. It’s built to give us a look inside of the funnel, allowing more precise storm prediction that could mean a world of difference for preparation and survival,” Marlene says proudly. “Inside are hundreds of sensors that, once deployed, will spiral inside of the tornado and report back real-time, accurate measurements.”

“Hey!” Joel barks, coming up to the scene from the opposite direction. “What the hell do you think you’re doin’?”

“Cut!” The anchor yells as Joel crowds in close to Marlene.

“You really think you can get away with rippin’ off our idea?” Joel snaps.

“I only took your idea and made it a reality,” Marlene responds, holding her hands up placatingly. “Face it, Joel. Your team doesn’t have the same resources to get this idea off the ground. Literally.” She laughs. “Besides, what are you doing here? I thought you retired.”

“That’s where you’re wrong. ELLIE isn’t just a dream anymore. We’ve got her here.”

Marlene’s smile falters. “Is that so?”

“Yep,” Joel says. “And she’s going to be the first in the air.”

“We’ll see about that, Joel.” She steps back, addressing her crew. “Pack it up. Let’s hit the road.”

You stand there together watching as they pull out of the parking lot and back onto the two lane highway. When they’ve disappeared from sight, you give Joel’s shoulder a tentative pat.

“Thanks for the vote of confidence,” you tell him. “Hopefully you’re right.”

The look he gives you is serious, a furrow between his brow that you used to smooth with your thumb, back before things fell apart. You smile at the memory. The tension eases from his shoulders and his lips curl up the slightest bit, as if in response.

“Sorry to interrupt,” Tommy says, breaking your attention from his brother. “But we got another development on the radar.”

“Alright, let’s get her,” you reply, breaking away from them to get to your truck. Joel is still standing there when you chance a look over your shoulder. “You just gonna stand there, or are you coming?”

“You still haven’t signed the papers!” He shouts back.

“I can sign them in the truck!”

He curses but jogs after you, coming up behind you and beating you to the driver’s door. “I’m drivin’,” he says.

“No,” you argue. “This is my truck.”

“You think I forgot how to drive this thing?”

“I think you’re out of practice!”

“You’re wastin’ time, just get in the fuckin’ truck,” he snaps. You roll your eyes and do as he says.

Some things never really change.

“You have to get ahead of it!” You shout. Hail pelts the roof of the truck and bounces off the windshield as Joel drives down the dirt road. Wind whips through the trees and lightning flashes in the fields while the clouds churn and peak at threatening speed.

“I know!” He shouts back, both hands tight on the wheel. “I can’t fuckin’ see anythin’!”

“Just cut across the field!”

“I can get us further ahead on the road!”

“We’re going to get stuck alongside it!”

“Do you want to drive?!”

“I’d love to!”

Joel huffs, accelerating faster. The clouds gather more tightly, stretching from the sky towards the earth. He glances out of his window and catches a glimpse of the storm, his heart pounding as he watches the funnel organize. He watches it for a moment before slamming on the breaks, the truck fishtailing as it comes to a screeching halt.

“What are you doing?!”

Marlene’s team speeds by with angry honks of their horns, but Joel’s attention remains fixed on the tornado. “It’s goin’ to shift its path.”

“Are you sure?” You ask, squinting.

“Look at it, it’s a sidewinder. It’s headin’ left,” he confirms. He throws the truck in reverse, speeding back towards the road they passed. The rest of the team has caught up and follows them down the one lane road.

“There it goes!” You shout, smacking the dashboard in your excitement. You grab the radio. “Alright, tell us what you’ve got, Maria.”

“F2, shifting south. Repeat, shifting south. This thing is unstable,” she says, voice crackling over the speaker. “You guys have a shot but you’re going to be cutting it real close.”

You look at Joel, and he sees that spark in your eyes, the determination he’s always admired, even loved, and he knows he can’t say no. Not to you.

“Let’s get it.”

“We’re running out of time,” you tell him, binoculars held up to your eyes. “We’re not going to make it.”

“We will,” he insists. Joel brakes after another half of a mile and you’re out of the cab before the truck even comes to a complete stop.

The rain immediately drenches you, soaking through your clothes and wrapping you in an icy chill. You’re removing the tethers that hold ELLIE securely to the truck bed and turning the unit on when Joel joins you.

“We have to get it on the ground!” You shout, barely audible over the wind. One of the tethers is stuck, strap not coming loose from the buckle no matter how hard you pull. Joel jumps into the bed and tries to help but with the rain and wind, both of your hands keep slipping.

Joel looks up, eyes going wide. His hand wraps around your bicep, pulling. “We have to get out of here!”

“But ELLIE—“

“Now!” He shouts.

A sound similar to a freight train reaches your ears and panic courses through your veins. Joel pulls on your arm again and this time you follow, jumping from the truck and running as fast as you can. He reaches an arm back towards you, grabbing your hand and tugging you along. He veers to the left, the two of you sliding down a muddy embankment and landing in a ditch.

“Get up,” Joel urges, helping you to your feet. “We gotta get down over there by that bridge, come on!”

Together you trudge through the mud, wind picking up speed around you as the cyclone draws closer. You have your arm held up to shield your eyes from debris and your other hand in front of you, gripping Joel’s jacket tightly.

You make it beneath the cover of the bridge, a slight reprieve from the wind and rain. Joel squeezes his body tightly to yours, pressing you against the dirt and shielding you from the storm. You open your eyes, peering past his shoulder to where you can see the edge of the wide tornado base and the debris it kicks up in its wake.

Suddenly, the world grows quiet. The air goes still, the rain slows from a downpour to a shower. You can feel Joel’s chest heaving with breath against yours, cadence of it matching the pounding of your heart. He backs away slowly and lifts his hands, gently cupping your face.

“You okay?” Joel breathes, eyes searching. You wrap your hands around his wrists and nod. His thumb strokes across your cheekbone, slowly, before he releases your face. “Good. That’s…good.”

“Hey! You’re alive!” You both look up to find Tess at the top of the embankment, hands on her hips. “Tommy owes me twenty bucks!”

“He should know better than to bet against me,” Joel says. His attention returns to you. “Come on, let’s get out of here.”

Back at street level, you assess the damage. Your truck has been flipped, the ELLIE unit dented but still intact. More notably, the sensors didn’t deploy.

“Fuck,” you curse. “All of that and it didn’t even open.”

“There’s always next time,” Tess assures you.

“You know…we could all use a shower….and a meal,” Tommy says. You shoot him a look.

“No.”

“Come on,” he needles. “You’re covered in mud. We’ll need to get your truck towed somewhere for repairs.”

“I said no.”

“We haven’t had anything but shitty diner food and granola bars for four days,” Maria adds.

“You must really want a hot a meal if you’re willing to face Uncle Bill.”

“That a yes?” Tommy asks. Everyone watches you expectantly.

“Fine,” you sigh. “Don’t say I didn’t warn you.”

Joel rides in the van with Tommy and Maria while you go with Tess in her truck. It doesn’t take long to reach the familiar ranch style home that sits on four acres of farmland, complete with a barn that’s become more for show than for function in your Uncle Bill’s older age.

When the van pulls up to the house, Bill’s husband, Frank, is outside on the porch, sitting in a rocking chair with a drink in hand. He waves as Tommy honks to announce their arrival.

The front door opens, Bill’s large frame filling the doorway. His beard has grown since the last time Joel saw him, and it seems as though his ever present frown has too. Joel watches you run up the porch steps and wrap your arms around both men, though Bill is quick to shove you off when he sees the state you’re in. Despite the reaction, Joel can see the ghost of a smile on his lips.

Joel stays towards the back of the group as they approach. He won’t go so far as to say he’s hiding, but it’s a near thing. Handshakes and hugs are exchanged right up until Bill catches sight of him.

“Joel,” he says, crossing his arms.

“Uncle Bill,” Joel replies.

“Just Bill is fine.”

Joel clears his throat, avoiding the man’s gaze. you appear behind him, breaking the tension.

“I’m going to take a shower and then I can help you with dinner,” you tell Bill.

“Who said I was feeding you?”

“Frank did.”

“Sorry, honey!” Frank yells from the kitchen.

Joel escapes Bill’s attention with your distraction, darting into the kitchen to join the others. He helps Frank peel and dice potatoes while Maria and Tess make biscuits and Tommy helps Bill grill up a towering plate of steaks and burgers. Despite his outward show of annoyance, your Uncle Bill is a good guy who always takes care of the crew when they come rolling into his driveway, half starved and exhausted.

“Didn’t expect to see you back,” Frank comments, tone light.

“Didn’t expect to be back,” Joel replies.

“What brings you here, then?”

“Got tired of waitin’ on her to sign the divorce papers.”

Frank hums in response and Joel braces himself for a speech but a minute passes in silence. Then two minutes. Frank sets his potato peeler down and leans his hip against the counter, facing Joel.

“It’s a real shame,” he says, shaking his head and staring out the window to where Bill and Tommy are laughing together. “You two were really good together.”

Joel doesn’t reply, because what is there to say? Frank is right. You and Joel were good together. Where Joel was hotheaded, you were calm. Where Joel took things too seriously, you were more carefree. But perhaps the greatest difference between you two was where Joel let fear stop him in his tracks, you let it drive you.

It’s what started the arguments in the first place. He started feeling like he was getting too old, too worn out for chasing storms. He wasn’t as sharp as he used to be, not as quick, and it was starting to hang heavy over his head. Thoughts of retirement came to him more frequently and each time he brought it up, it would ignite an argument until he just didn’t have it in him to fight anymore. It was just easier to walk away.

“Shower’s free,” you announce as you enter the kitchen, no longer caked in mud.

“My turn,” Joel says. Frank gives him a sideways glance but doesn’t say anything about his silence and swift exit.

Dinner is ready when he's finished with his shower and he takes a seat in the open chair beside you. The whole scene, the normalcy of it, makes Joel feel like a ship returning to port after rough seas. He missed this -- the inside jokes, the playful ribbing, Bill's annoyed huffs and Frank's wide eyed stare as he listens to you recount the events of the day. You even pat his knee when you notice his leg bouncing beneath the table, like the gesture is second nature, even though you haven't done it in the two years since he's left.

He helps with the dishes after everyone has finished eating and puts away what little leftovers remain. Tommy and Maria decide to go to bed in one of the guest rooms while Tess remains in the living room, watching a rerun of Jeopardy with Frank. Joel notices that you're nowhere to be found, but he has a feeling he knows exactly where you've gone.

He leaves the house through the back door, heading through the field towards the barn. The sun is setting, casting everything in an orange glow as the sky begins to turn shades of purple instead of blue. The old wooden doors creak as he pries them open and steps inside the building, the smell of hay hitting him in the face like a wall.

There's a loft, accessible by a ladder, that he knows you've made your own. It's been your escape ever since you were a kid, when you came to live with your Uncle Bill after a storm that destroyed your home and ripped your parents from you. He climbs up to the loft, hoisting himself onto the platform.

You're sitting on the wood floor, a quilt from the house spread out beneath you. You’ve brought a lamp up with you, warm light beating back the rapidly oncoming darkness. You look up when he stands.

“Hey,” he says, stepping closer. He kneels onto the quilt with you.

“Hey.”

You shift your weight until you’re lying on your back and Joel does the same beside you, his shoulder brushing yours. You’re both quiet for a long moment, sounds from the field drifting in through the cracks in the wood.

“When will it be enough?” Joel finally asks. You sigh.

“Not this again,” you complain.

“What is it about retirement that scares you so damn much?”

“Retirement doesn’t scare me. I could take the easy way out, too. I could make a pretty little weather woman for some local news channel, but that’s not what I want. It’s never been what I want.” You take a deep breath. “So stop acting surprised that I won’t change for you or anyone else, for that matter. And if that’s something that you can’t love about me—“

“It ain’t about not lovin’ you. I love you. I have always loved you. I will always love you,” he interrupts, lifting himself so that he can look at your face. Your eyes are glassy, streaks of wetness stretching from the corners to your temple. “But I can’t ever be enough for you.”

Your expression changes, shifting from sadness to surprise to anger. “What the hell are you talking about?”

“I’m gettin’ older, I’m not as good at this gig as I used to be.”

“That’s why you left? Because you think you’re…what? Holding us back?”

“Wasn’t I?”

“No! You big fucking idiot,” you snap. “I can’t believe this.” You sit up, shoving his shoulder and knocking him onto his back. You throw your leg over him, settling over his lap. His hands settle on your thighs, a reflex that hasn’t faded. Your expression is stern as you stare down at him. “You will always have a place with us. With me.”

Joel lets your words sink in, the light of them illuminating the dark parts of his mind that had convinced him you were better off without him. He slides a hand up your belly, over your chest, curling it around the back of your neck and urging you forward.

You come to him easily, your lips finding his.

It feels like coming home.

Joel’s mouth is eager as he kisses you, devours you, hands hot on your skin and leaving goosebumps in their wake. You missed this, the feeling of being consumed by him, from your body and down to your soul.

He rolls the two of you over, easing you down onto your back and hovering over you. You gaze up at him, noting the deeper creases by his eyes and the grey that has started to become more prominent in his hair and the only thought that comes to you is how beautiful he is.

Joel leaves wet kisses on your neck in three spots — just below your ear, right over your pulse, and just above your clavicle, a pattern he established years ago. The warm air chills the spots he’s left behind as he moves lower, down your chest, pushing up your shirt to give the same attention to your belly. It makes your stomach flip, the way he peeks up at you with dark eyes when he reaches the waist of your jeans.

Instead of moving lower, his focus returns to your breasts. He moves the cups of your bra down to reveal your tight nipples, warm tongue circling each bud in turn. You squirm beneath his weight, cry out when his teeth scrape the sensitive skin. You can feel the smile that graces his lips.

“Still so sensitive,” he says. You gently whack his head in retaliation. “Quit it. Be a good girl or you won’t get your reward.”

“Yes, sir,” you murmur.

“That’s it, knew you could be good for me.” He squeezes your breast in one large hand. “Just needed the right motivation.”

He sits back on his heels and makes quick work of unbuttoning your pants, tugging the zipper down before curling his fingers into the waistband and dragging them down your thighs along with your underwear. Barrier discarded, he settles on his belly between your thighs, face close enough to your core that you can feel the quick brush of his breath on your needy cunt. You wiggle your hips, hoping to spur him into action, but a strong arm holds you still and you let out a low whine.

“What’s the matter, pretty girl?” Joel asks, fingers lightly tracing your skin. “Somethin’ you want? Somethin’ you need?”

“You,” you mumble.

“Louder.”

“You, Joel.”

He kisses your inner thigh, stubble scratching the sensitive skin and making you shiver. Your breath catches in anticipation as he draws nearer to your heat.

The first swipe of his tongue through your folds is like a bolt of lightning to your system, every nerve ending lighting up and your blood coursing hot in your veins. He starts off slow, just the way you like it, broad circles over your clit until you’re squirming in his hold. Then he dips lower, thrusting the tip of his tongue inside of you while his nose continues to nudge your aching clit.

He brings you to the very edge of release before backing off, just enough that you don’t tip over before he’s ready for you to. It drives you crazy, has you cursing his name and begging for him in equal measure, but he’s nothing if not stubborn, generous yet greedy.

“Joel,” you cry, his name a plea. “Are you going to let me come?”

“Of course, sweetheart,” he says. His chin is shiny with with spit and slick when he looks up, eyes a little wild and hair messy from your fingers. “But not yet.”

“Fuck!” You snap, head dropping to the wood floor with a thud as he presses two thick fingers inside of you, curling them with each drag from your body. His mouth rejoins the effort, lips wrapping around your clit. It’s too much and so good, that wave of pleasure finally coursing through you as you shatter from his ministrations.

He works you through it, tongue gentle and fingers stilling inside of you, your cunt pulsing around them. When your muscles finally relax, he sits up, holding his hand up to your face and pressing his fingers to your lips. You open your mouth obediently, the earthy taste of your release exploding across your taste buds as you lick the digits clean.

“Missed this,” Joel murmurs, watching you intently. “Missed you.”

“Missed you,” you reply. You reach your hand up, running it down his chest until you’re cupping the prominent bulge in his jeans. “Missed this, too.”

He laughs, shoulders shaking with the force of it. It pulls a smile from you, your beautiful man so carefree, no sign of that troubled wrinkle between his brows and his cheeks flushed with life, the same way they are when he’s coming down from the adrenaline of a chase. He unbuttons his jeans, shimmies the denim down just enough to free his cock.

Joel grips himself at the base, flushed head peeking from his fist. He teases your entrance, slipping his length through your wetness and bumping your still sensitive clit. Your back arches and a moan escapes your lips, one that Joel echoes himself as he slowly, slowly, slowly pushes inside of your tight heat.

“Joel,” you whisper, fingers curling tight into the quilt beneath you. “Joel.”

“I know,” he says. “God, I know.”

When his hips are flush with yours, he leans forward, elbows on either side of your head propping himself up. His cock fills you so perfectly, the stretch almost too much to bear as he starts to move. Each purposeful thrust has you seeing stars, has you gasping and moaning his name. He silences you with his lips, so messy and uncoordinated it can hardly be called a kiss. You clench around him, desperate to keep him inside of you with each drag from your body.

“Feel so fuckin’ good,” Joel groans. “Can you come for me, baby? One more time?”

“Mhm,” you hum. He picks up the pace, quick strokes that hit your g-spot with impressive precision. You feel the knot of your release grow tighter, tighter, until it finally unravels, every nerve ending lighting up like you’ve been struck by lightning. You wrap your arms around his shoulders, holding him close as he presses deep, cock twitching and spilling inside of you.

Joel presses his forehead to yours as you both catch your breath, sweat cooling on your skin as minutes pass. When he lifts his head and stares down at you, it’s with a smile on his face.

“That was—“

“Yeah,” you agree. “See? You still got it, old man.”

“Nevermind, I still want a divorce.”

You laugh, loud and carefree. For the first time in years, you feel a sense of peace.

A sense of home.

The two of you get caught in an unexpected downpour as you leave the barn and Joel follows the sound of your laughter as you run through the field back to the main house. Inside, you press a kiss to Joel’s lips, water dripping to the floor beneath you. You’re smiling and he swears he’s never felt more alive, even when chasing the biggest storm.

When you break apart, you whisper that you’re going to take another shower and change. Joel tells you he’s going to clean up the mess to avoid Bill’s wrath. Another kiss, and another, until you finally break away and shut yourself in the bathroom down the hall. He stands there for a moment, lost in thought, until the sound of the shower running spurs him into motion and he goes to search for a towel to clean up the water that’s pooled in the hallway.

As he passes by the living room, heading for the linen closet, he notices the TV is on, the room illuminated in its flickering glow. He stops in the doorway and Frank looks up at him, a knowing smile on his face.

Joel smiles back.

For now, it’s their little secret.

The next day, Bill deems your truck operational. It has a fresh new set of dents and scratches, but it’ll otherwise drive despite the abuse. You spend some time inspecting the unit and determine the lid latch is a little too secure, which explains why the sensors couldn’t deploy. Joel helps you loosen the bolts, the simple task taking twice as long with how often he distracts you when your crew members aren’t looking. You replace the latch with another tether strap that can be quickly released on deployment.

When all is said and done, everyone takes turns saying goodbye to your uncles. Frank tells you to be safe and Bill tells you to not be stupid, which is essentially the same thing. You watch as Joel receives a handshake from Bill that’s a tad too firm, if the grimace on his face is anything to go by.

“Alright, let’s head out,” Maria says, eyes scanning a computer screen. “Radar’s got something forming about twenty miles north of here.”

“What kind of something?” You ask.

“A big something.”

Joel catches your eye and gives you a wink.

“Let’s go get ELLIE into the air.”

The sky ahead of you is pitch black, clouds churning ominously. There’s a certain liminality when you’re driving into a storm that never ceases to amaze you, the image in the rearview mirror bright with sunlight but a foreboding darkness ahead of you.

“You okay?” Joel asks, drawing your attention. His hand rests on your thigh, fingers tapping against your knee. “Not gettin’ cold feet, are you?”

“About this?” You nod towards the sky. “Never.”

“That’s my girl.”

“Guys? You won’t believe this,” Maria says over the radio. You grab the transmitter.

“What is it?” You ask.

“There’s two cells. Radar maxed out.”

“They’re funneling back,” Tess adds. “This isn’t looking good.”

“You saying we can’t do it?” You ask.

The radio is quiet for a moment before Tommy says, “If anyone can, it’s you two.”

“What are we up against?” Joel asks.

“Cell one is measuring at the cusp of a three, cell two is reaching four,” Maria continues.

“Joel.” You tap his arm. “Look.”

A funnel has formed ahead of you, still teetering in the air and not quite making contact with the ground. It’s only a few miles ahead and Joel hits the brakes as he takes it in.

“What’s the trajectory of this?” He asks.

“Northeast.”

It’s heading your way. You both scramble from the truck, climbing into the bed to prepare ELLIE — Joel removing the tethers while you turn the unity on. The wind picks up speed as you work, dust from the road whipping around you and making it difficult to see.

“Let’s get her down!” Joel shouts. He jumps to the ground and together you ease the equipment onto the ground, removing the lid tether. After what feels like ages, ELLIE is ready and you both return to the truck.

Joel turns the truck around and drives in the opposite direction of the cyclone’s path. He stops and you can hardly breath as you watch the storm tear across the landscape.

“This is it!” Tess shouts through the radio.

You grab Joel’s hand as the funnel nears ELLIE, the wind making the unit shift and sway. You swallow nervously.

“It’s too light,” you murmur.

“No it’s not,” Joel says confidently.

Closer and closer the funnel moves, but ELLIE doesn’t lift from the ground. You’re biting your lip so hard that the taste of copper blooms across your tongue.

“We’ve got a shift!” Maria says. “We’ve got a shift, due north. Due north.”

“Fuck!” Joel shouts, slamming a hand on the steering wheel.

“Guess who just showed up?” Tommy adds.

Far across the field, a familiar caravan of black vehicles speeds towards the cyclone.

“What channel are they using?” You ask. There’s a brief silence until Tess calls back, “Six. Why?”

You switch the channel. “Marlene, you have to anchor the unit.”

“I’m a little busy right now,” she calls back. “Trying to make history over here.”

“Listen to me. Unless you manage to position your unit right under a touchdown, it’s not going to get picked up. And if it doesn’t pick up, it doesn’t deploy.”

“Maybe that’s just an issue with your unit. I can assure you ABBY will succeed where ELLIE failed.”

“Goddamnit,” you snap, tossing the transmitter down.

“Can’t fix stupid,” Joel says. He hits the gas, bringing the truck back to ELLIE. “Let’s load her back up, maybe we can catch the second cell.”

Pack loaded once more, you return to the cab. Joel is about to put the park in drive when you place a hand over his chest.

“Do you see what I see?” You ask.

Joel watches the twister, then Marlene’s team. He grabs the radio.

“Marlene, listen to me. That monster is going to shift and if it does, you’re in the path of destruction and that base is too wide for you to get out of there. You have to hang back now.”

“Radar isn’t showing a shift. I’m not missing this chance,” Marlene replies.

“You gotta look at the funnel action, too. Not just the radar. You’re goin’ to get yourself killed!”

“Clear this channel, Joel. I’ve got work to do.”

“Fuck!” Joel snaps.

Sure enough, the cyclone shifts its path, a minute change with dire consequences for Marlene and her team. The twister barrels toward the caravan, vehicles lifting from the ground.

“Oh my god,” you whisper, bringing a hand up to cover your mouth.

“I know,” he says. His throat bobs around a pained swallow. “We did what we could.”

Joel switches the radio back to your team’s channel, a flurry of panicked voices filling the cab. Maria’s voice snaps your name.

“Do you read me? The second cell has organized, five miles east moving north along 80.”

“Copy that,” you say as Joel drives in her suggested direction. “What’s it looking like?”

“Too soon to tell but the cloud base is massive.”

Joel drives parallel to Maria’s path suggestion, racing to get ahead of the storm. The funnel begins to form, dropping down from the restless clouds. It’s one of the biggest you’ve seen, more of a column of wind than a tapered cyclone. The strength of it grows as it hits the warm air, touching down with a contact point as wide as the funnel base.

“Wind speed is measuring at an estimated 270 miles per hour. We’ve found ourselves an F5,,” Maria says. “She’s slow, but strong. Movement only measuring at ten miles per hour, still heading east.”

Joel changes direction, heading towards the storm from the back, rather than trying to get ahead of it.

“ELLIE needs an anchor,” you remind him.

“I know,” he says, looking over at you. “I’m giving her one.”

“We’re using the truck?”

“You got a better idea?”

“No, no, go ahead. Can’t wait to explain this one to insurance.” You unbuckle your seatbelt and take the radio one more time. “We’re sending the truck up with ELLIE. If this works, get ready for the best data in history.”

“Roger that,” Tess replies. “Ready for the feed.”

Another mile ahead, Joel gets the truck speed up to fifty miles per hour before setting the cruise control. He unbuckles his seat belt and you follow suit, throwing the passenger door open and holding onto the grab handle.

“One,” Joel shouts. “Two!”

“Three!” You finish, jumping from the cab. You hit the ground hard, rolling through your landing, the air punched from your lungs. When you’ve caught your breath, you get yourself on your hands and knees, frantically searching for Joel.

He’s kneeling in the road, watching as the truck continues to barrel towards the twister. You crawl to him and he pulls you close, an arm around your waist to hold you up beside him.

“Go, go, go!” He shouts.

The sound of brakes squealing has you looking back over your shoulder to see your team has arrived. They gather behind you, Tess snapping photos at rapid speeds, Tommy recording video, and Maria’s eyes glued to her computer. You look ahead, just in time to watch the truck disappear into the swirling mass of debris.

Everyone is silent for a long moment, waiting. Watching. Hoping.

“I’m getting a read!” Maria shouts. “She’s up! ELLIE is flying!”

“Oh my god,” you murmur. “Joel, we did it.”

“You did it, baby,” he says.

The twister doesn’t last long. Its power wanes, the cyclone breaking up and retreating back into the sky. You have no idea where your truck has landed, but you don’t care. You and Joel stand up, your legs shaky from the rush of adrenaline. He takes your face in his hands, pulling you into a kiss.

“You owe me one hundred dollars, Tommy!” Tess shouts.

Joel pulls away with a laugh. “What did I tell you about bettin’ against me?”

“Does this mean you’re back?” Maria asks.

The arm around your waist tightens, pulling you closer.

“Yeah,” he says, smiling. “I’m back.”

#joel miller x reader #joel miller #joel miller fic #joel miller x female reader #joel miller smut #joel miller fanfiction #joel miller x you #joel tlou #no use of y/n #joel x reader #joel miller fanfic #joel miller tlou #joel the last of us #tlou hbo #the last of us hbo #joel miller the last of us #the last of us fic #the last of us fanfiction #pedro pascal character fanfic

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bettyfrommars · 4 months

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Dirty Metal Summer

a Dirty Dancing au

Part 1: Big Girls Don't Cry

Eddie x fem!Reader

MASTERLIST PLAYLIST

It's 1987, the same year the movie Dirty Dancing was originally released. 21-year-old reader is spending the summer with her dad and aunt at an all-inclusive resort in Indiana while she figures out what she wants to do with her life. After that summer, nothing will never be the same. Eddie is in his late 20’s and works as maintenance staff, he is also the frontman for the house band, begrudgingly delivering top 40 hits for the guests, and a secret third thing. When work is over, there is a completely different scene happening at a place the employees call The Hideout. Wayne is the head maintenance man, Chrissy is a metalhead, and a few other surprises. Bonus: Steve as a sexy, tattooed musician because I can't help myself.

my blog is always 18+only, MDNI please. The only warnings for the first chapter have to do with mention of a death of a parent, mention of grief, allusions to depression, a tiny bit of aggression, and alcohol consumption. But please read chapter warnings as the story progresses, because there will be angst, hurt/comfort, violence (fighting), and smut. Reader is called Bird as a nickname.

A/N: this is a rewrite of an OC fic I wrote over a year ago, and damn, I really needed to change a lot because my writing has evolved so much. I know I posted a snippet last week, but it's all been changed. Thank you to those who have been excited about this, I know Dirty Dancing is a cherished film, so I am treating this retelling with reverence, while adding some creative spins, and I truly hope you enjoy. The ST characters in this fic do not know each other in the same way they did in the show. For instance, Eddie, Steve, and Chrissy all grew up together, but I do my best to stick with their original character traits. This first part lines up very close with the film, but after that, it diverges and becomes a bit different. Same story line, but also not.

Part 1: Big Girls Don't Cry

word count: 6.3k

The soft murmur of a talk radio station hummed in the cement gray Mercedes-Benz 560, with your dad behind the wheel and his sister, your aunt Kim, in the passenger seat. From the backseat, you stared out the window with your headphones on, wishing for rain. The scenery was what you would expect from a place on earth that everyone considered idyllic, but you’d been exposed to so much lush greenery with that bright blue, theater backdrop of a sky for the last hour that you were starting to get a headache.

You pushed your wayfarer sunglasses up to rub the bridge of your nose, and then flipped the tape over in your Walkman before clicking it shut to press play. You were listening to a mixtape you’d made especially for the trip, the spine even said “road trip from hell”, but the first one on side b was Everywhere by Fleetwood Mac, and you closed your eyes for the next several songs. You were doing your best not to think about how you’d be trapped in BFE Indiana for a whole month.

You were also doing your best not to think about how your mother would not be home when you got back, or worse yet, the fact that you would never see her again. Never feel her generous hugs in those Laura Ashley dresses, smelling of Shalimar; never hear her voice at the other end of the line reminding you to eat something.

Your aunt said your name and your eyes snapped open. It was perfect timing because tears were beginning to form at your lash line. She had turned around in her seat and was trying to get your attention.

You pulled your headphones down around your neck. “Sorry?”

“The lake,” the expression on her face harbored more excitement than you’d ever felt in your entire life. “Isn’t it gorgeous? We’re going to get pedicures at the spa tomorrow, I already booked it.”

You glanced at your father’s stoic profile and then back to Kim. You felt bad for your aunt, getting stuck on a trip with two sad, mopey fucks who were too depressed to get excited about the things that thrilled normal people. You were the walking wounded.

“Pedicures, great,” your smile did not reach your eyes, but she didn’t seem to notice, as her enthusiasm doggedly refused to wane.

It had been almost four months since you lost her, and the world was still too…bright. Everyone was so talkative and alive and you couldn’t relate.

You looked out over the smooth expanse of lake that was nestled perfectly in the trees like you were in some type of miniature scale model rebuild of a town. Your aunt asked your dad, Owen, if he was still listening to the news, and when he shook his head, she changed the radio station to a golden oldies station and was satisfied with the tune Big Girls Don’t Cry by Frankie Vallie.

“You’ll love this cabin, Bird,” your dad said to you as the Mercedes crested the hill and began to maneuver down to your destination on a narrow, two-lane highway flanked with towering trees. A big green and white sign welcomed them to Hawkins Landing. “There’s a whole top floor where you can set up for your lessons.”

You turned away, back to the window, hiding the way your nose wrinkled. You thought maybe a perk of this getaway would be to have a break from practicing the cello you’d been tied to for over a decade, but no luck. He’d been forced to give up his dream of being a musician, and now you were expected to carry the torch for him.

You tried to come up with one thing you did in life that was not to please someone else, or boost some idea they had about you, and couldn’t come up with squat.

Besides reading. And taking long walks with music to clear your head. Those two were yours, and they could only be taken from your cold, dead, hands.

From the Hawkins Landing brochure your aunt had given you, it was clear that the property was enormous. Some 30 or 40 guest cabins scattered around, a main house that functioned as a hotel but also housed two different restaurants. A golf course, boat rentals, tennis courts, an outdoor theater, and a third restaurant situated on the water. Along with the full service spa, there were indoor and outdoor swimming pools, plus any class you could imagine wanting to take, from salsa dancing and water skiing, to chess and crochet.

Hawkins Landing was like a camp for adults who enjoyed alcoholic beverages.

There was a security checkpoint at the main entrance with two guards inside. The taller one with the neatly trimmed red beard recognized your father from the jacket cover on one of his many books. Thrillers mostly, horror if you squint. He nervously asked for an autograph, but Owen was very polite, adjusting his tortoise shell glass as he took the black marker that the guard was offering him.

After the checkpoint, it wasn’t long before the road opened into an expansive rose garden with a large fountain dead center, and the big main house with its wrap-around porch just to the right. You pushed your sunglasses up to get a look at the people mingling around, getting the idea that the median age there was 45, and it was mostly families.

The guards had given your dad a foldout map of the property and told him to check in at the main house to get the keys to the cabin they were staying in. The car moved at a crawl at the roundabout, and then came to park where a sign announced new guest check-ins.

Your dad told you to sit tight while he went in to grab the keys, and your attention trailed off to a black golf cart with a white awning that wheeled in like a racecar and took position in front of the Mercedes. It sat there close to the curb, idling. You could see there was a woman behind the wheel, and she was looking straight ahead, giving you her profile. Chin length, dark gold hair, just long enough for a ponytail, and the words “Hawkins Landing Staff” written in yellow cursive on the back of her navy blue jacket. Where her sleeve was pushed up at her elbow, you noticed some type of tattooed lettering there, and her fingernails were painted black.

Up ahead, you caught sight of someone strolling down the sidewalk toward the car with a hand in his pocket. It was a guy with honey tipped chocolate hair styled in a pompadour with a curl that bounced at his forehead, wearing tan chinos and a maroon, button down short sleeve with the square bulge of a pack of smokes in his front pocket. A tattoo peeked out from the V of his shirt, and there was another design on his bicep. He wore a pinky ring on one hand and rolled a toothpick around in his mouth as he sidled up to the golf cart to say something to the woman driving it. They bumped knuckles and talked for a bit like they were very familiar, him with one foot up on the running board of the cart.

“Steve, there you are,” from the open window, your attention bounced to a short, dark haired woman who’d just come out of the building and stood alongside your dad on the sidewalk. A closer look told you that her name tag said Joyce.

The guy with the toothpick in his mouth straightened, smoothing the front of his shirt with his hand. “Hey Joyce, I was just—”

Apparently uninterested in what he was about to say, she took him by the crook of the arm. She introduced you all by your family name, and let him know that you were “her special guests”, and you assumed that had to do with your dad being a famous author, or maybe she said that about every new family. While you chose to not do much else than offer a small wave from the back seat like you had no autonomy, Kim got out to greet them properly.

“This is Steve,” Joyce gestured to him with a Vanna White hand. “If you ever want to take guitar lessons this summer, he’s one of our best.”

“Or, if you just want to have some fun,” Steve’s eyes seemed to be searching Kim’s face, and then he shrugged. “I mean, I run the boats on the dock too, so if you want to ski or—”

Kim got flustered and tried to find her words, fussing with the lapel of her corduroy jacket in a way you’d never witnessed before. “I’m…I mean, sure, who wouldn’t want to be on the lake at a place like this?”

Kim hated boats and got seasick very easily, so you found her new interest amusing.

Joyce politely waved Steve off and he went, albeit reluctantly, backing up with slow steps to wave farewell. The smile stretching across his face grew wider the longer Kim couldn’t take her eyes off of him. When he was finally jogging up the sidewalk to get to where he needed to be, Joyce continued to try and sell Kim and your dad on the resort, even though you were already booked for the month.

“Sunday night is Bingo night. There’s karaoke in The Antler Room on Tuesdays and Thursdays, and you need to check out our house band if you can. They’re playing tonight on the back patio, and the rhythm guitar is sensational. She used to perform with Vixen and Lita Ford,” she handed over the necessary keys and pointed the way to get to the cabin on the map.

“Just follow us,” Joyce said, hopping into the golf cart next to the girl with the forearm tattoo.

They led the way down a long, winding stretch with lush lawn and manicured hedges on either side, littered with people coming up from the pool in their bathing suits. There appeared to be a Tai Chi lesson happening on the lawn near the rose garden, and some type of painting class going on just above them on a balcony.

Made you wonder why summer people always had to stay so busy.

The cabin you’d be staying in was down a side road, tucked at the end of a private driveway with a view of the lake. It had five bedrooms, which was more than enough, but one of them would immediately turn into Owen’s writing room so that he could work on his latest novel.

You were careful to tuck your Walkman into your bag as the Mercedes coasted into its parking spot. Squinting up at the place, you were somewhat distracted by how much you liked the creepy, old feel of the whitewashed cabin, and you underestimated how far from the curb you were when you stepped out, stumbling to the side.

The girl with the forearm tattoo caught you in both arms, preventing you from putting all of your weight on your twisted ankle.

“Whoa,” she moved her supportive grip from your waist to your elbow as you righted yourself. “You okay?”

Your heart shot into your throat, and then you coughed a laugh, covering your face. “What a way to start the summer.”

She said her name was Robin, and there was a polite handshake exchange. She tripped over her words a bit. “It’s not every day that someone falls for me.”

“Well, I’m pretty clumsy, you might need to stay close,” and the two of you shared a self-conscious laugh as you led the way to the trunk full of baggage.

When you reached in to grab your suitcase, Robin teased, “hey, that’s my job,” before leaning further in to take the oddly shaped black hard case, the satin of her jacket skimming your arm. She struggled with it at first, but then held it up by the handle and gave you a sideways look.

“This yours?” She asked, cocking one eyebrow up. “You’re a musician?”

“No, well, yes I am but no I, I play the cello,” you stammered, not sure why it was hard to get the words out. “But here, I can carry that. It’s big and heavy and—”

Robin winked. “I got it,” and then she snatched another suitcase with the other hand and shuffled by you to make her way up to the porch.

Once you were all settled inside and Joyce had explained all of the amenities, you and Kim pushed back the curtains and watched the two go from the living room window. Just before they took off in the cart, Robin sent you a wave.

“She looks like a nice girl,” Kim had her arms folded over her chest. “Maybe the two of you could—”

“I know you’re worried about me, okay, but I don’t need to make any friends this summer,” you were holding the case for your cello in front of you with both hands, using it as a metaphorical barrier. “I like being alone.”

By the time you put your stuff away in the bedroom you’d be staying in, your dad was already typing away in his writing room, you could hear the keys of his Selectric click-clacking.

“I’ll be back in a bit,” you called across the rustic but spacious cabin living room. “I’m going to look around the main house.”

Kim barely caught your words as she was struggling with her glasses to read an ingredient label as she put some dry goods away in the kitchen. “Mhmm sounds good, have fun. Be back in time for dinner, we have reservations at…whatever that place is called. Your dad knows.”

You tapped the Swatch on your wrist and gave an absent wave over your shoulder.

With your headphones on, you made your way down to the main sidewalk that split off in two directions, bordering either side of the swimming pool and tennis courts. You found the bike path that wound down along the lake to the boat dock, and then up into a lush pocket of dense forest. Two teenage girls on rollerblades almost crashed into you as they bolted around the bend, giggling. Trying to decide if you wanted to go toward the water or into the woods, you watched a staff member veer off onto an uneven stone pathway and your curiosity was piqued.

Creeping along in their wake, you marched up a hill for what felt like forever, with Bring on the Dancing Horses by Echo and the Bunnymen playing in your ears, until you realized with a start that you’d already arrived at the main building. It loomed up ahead like a mansion from some old gothic romance novel.

You continued to plod your way along the trunks of trees, until you spotted a group having a chat on the wide porch, and took a few steps back.

They were all leaning against the railing in a semicircle, facing each other, so that you could see the Hawkins Landing Staff on the back of a few of their navy jackets.

One of them was Steve from earlier, next to him was a girl with a blonde ponytail, and then two others.

“I met that author guy today,” Steve took a drag and then blew the smoke up in the air, away from everyone’s face. “The one who wrote Darkness on the Hill, that one they made into a movie.”

You realized that it was your dad he was talking about.

Not looking where you were stepping, you caught your toe on a tree root and your arms windmilled before you were able to find your balance, floundering to duck behind another tree. Your mouth opened in a silent scream, trying not to gasp at the pain in your foot. Grimacing, you turned the volume down on the headphones that were around your neck to better hear what they were saying.

“That actor from that one show about law and order is staying in cabin 8,” the girl with the ponytail said. “Housekeeping says he finishes a bottle of whiskey a night.”

But then, there was another voice. “Now that sounds like a great fucking vacation to me,” followed by the heavy footfalls of boots on wood as a new person approached the group.

The sight of the new arrival made you feel like your brain was wiped clean—-the whole world came to a screeching halt.

Swallowing hard, all of your attention tunneled on him; his long dark hair with bangs that crowded his eyes, a thin but muscular build, tattoos scattered over his exposed arms, and a leather jacket hooked over his shoulder with one finger. He combed a hand through his hair as he walked, chunky metal rings catching the light, and headed over to the blonde girl. You took note of every movement as she passed him her half-smoked cig and he gave her a quick kiss on the temple.

Was that his girlfriend?

He stepped back to introduce the younger guy he had with him. “This Jamie, my new maintenance trainee,” he used the hand holding his smoke to point to each one on the balcony individually. You really didn’t pay attention until he got to the blonde one. “...that one there is the lovely Chrissy, and the moody one with the hairy chest is Steve. They’re the other musicians I told you about.”

Jamie had short black, curly hair and a hoop piercing in one ear. He lit his own smoke while the metalhead started in with a story about a pump exploding at the pool house, complete with wild hand gestures.

“Hey, there the fuck you are. I’ve been looking everywhere for you losers.”

Another voice, another person making their way down the long stretch of squeaky wood planks from the front of the building. You stepped closer, snapping a twig under your foot, eliciting a worried lip bite.

Everyone stayed right where they were, but for Eddie who moved in front of Jamie in a protective way. The guy approaching at a stroll had very nondescript good looks with his wheat blonde hair in a tight cut that looked freshly trimmed. While the others were dressed more casually, this one wore a white dress shirt and tie with black trousers, as if he had some fancy place to be.

“You talking to me?” The metalhead flicked his cigarette ash and stepped forward to meet the new guy before he could come any closer to the group. “Cause, if so, you might want to change your tone, precious.”

“Eddie, don’t,” Chrissy said, and then she stood up, addressing the guy in the suit. “Jason, what the fuck do you want?”

Eddie, you moved your lips, whispering the name to yourself. His name was Eddie.

Jason put his hands up in mock surrender. “Why so hostile?” He turned to Eddie. “Joyce has been trying to find you for an hour. There’s a toilet backed up in one of the cabins, and trash that needs to go to the dump. Sounds to me like you’re having a hard time doing your job, Munson.”

You scuttled like a crab, moving to a spot where you could see their faces instead of the backs of their heads.

So that you could see Eddie’s face.

Steve checked his watch and pushed off of the railing to snub his cig out on the bottom of his shoe. “I gotta run. See you bastards at the show tonight,” he said in passing, shoving both hands into his trouser pockets. He walked right into Jason, shoulder checking him, before casually going on his way. Jason shot him an evil look.

“Well,” Eddie took a deep breath. “Tell Joyce I got the message,” and then he motioned for Jamie to follow him.

“Too bad we can’t take you out with the rest of the trash, freak,” Jason mumbled, loud enough for you to hear every word, and a tension crackled in the air.

The metalhead stopped dead in his tracks and drew his shoulders back.

When he finally turned on his heel, he wore a satisfied smirk, inclining his head, as if he’d been waiting for Jason to say something all along.

Chrissy moved as if she were about to go over and break up whatever was about to happen, but one of the others put a handout and stopped her.

“Just keep sending your laundry home to mommy, baby boy, and leave the real work to me,” Eddie said, and then he flicked the butt of his cigarette at Jason’s face.

Jason moved his head just in time so that the hot cherry missed his cheek by a hair and bounced off the wall behind him, spraying sparks. Chrissy and the others snickered at how beet red Jason’s face got, but he didn’t say another word, he just waited for Eddie and Jamie to be far enough away before he went back around to the front entrance.

When the coast was clear, you stood and made your way to the path again. With a curse you realized you were going to be late for that dinner reservation, and picked up speed to a slow, sad jog.

You found yourself thinking that maybe being trapped at Hawkins Landing for the summer wouldn’t be so bad after all.

—----

Your aunt Kim gave you an exasperated look when you all finally sat down for dinner, being that you’d made everyone 20 minutes late for the reservation. There didn’t appear to be a single open table when you arrived, but Joyce had made sure to keep the one by the window facing the gardens open for your party. She came around to introduce the guy who was to be your waiter, and you sat up a little straighter in your seat when you realized it was Jason from earlier. The way he’d been dressed out on the porch made sense now, as his uniform was the same as all of the other waitstaff.

Near the end of the meal, Joyce returned to the table in her black pencil skirt and fitted jacket, but this time, she was with a guy who you could tell wanted to look like Don Johnson in Miami Vice, but it came off more as Gary from Weird Science.

“I'd like you to meet Troy, he’s the son of Mr. Brenner, the owner of the resort,” there was a reluctance about her, as if she’d been forced at gunpoint to introduce him.

Troy stared at you with an uncomfortable intensity, making your attention fall to your plate.

“I’m in charge when my father isn’t around,” Troy said with a smug grin, putting his hands in his white trouser pockets, and you spotted some type of metal retainer on his teeth.

Joyce cleared her throat, annoyed that his statement was far from true. But she recognized that it was part of her job to indulge the little shit.

“I just graduated with a business degree from Georgetown,” he gloated, giving you a wink. “This place will all be mine one day.”

Your father exchanged a look with your aunt over his chocolate mousse.

“Well, it’s nice to know someone else your age here, isn’t it, Bird? Maybe you two kids should go have some fun tonight,” Kim chirped.

If your aunt wasn’t so far away, you would’ve kicked her under the table.

Troy bent at the waist so that his face wasn’t far from yours. “I’d love to show you around after dinner, if you’re interested in a tour?”

Before you could issue a vague excuse like, “sorry I can’t, I have a headache,” Kim spoke for you again.

“I think that’s a great idea,” she even clapped her hands, applauding it.

In the end, you went with him to make Kim happy, to get her off your back, hopefully for the rest of the trip.

An hour or two with a pretentious prick wouldn’t hurt you.

—-------

Troy wasn’t bad company, but he was quite full of himself. He had interesting stories about his extensive travels, but then he also told awkward stories that were possibly fibs about how many models he’d dated, and expanded on how he wanted to be married with two kids by the time he was 30.

You, on the other hand, couldn’t imagine thinking that far ahead, and he wouldn’t let you get a word in edgewise.

You followed close behind through the huge, busy kitchen of the restaurant you’d just dined in, and he tried to hold your hand when he introduced you to the head chef, but you were sly, and pulled it away to cross your arms over your chest. He gave you a tour of the ballroom and took a stroll through the other restaurant on the opposite end of the building that had a much more relaxed feel, low lighting, red carpet, and a bar at the center.

You went down to the boat docks and walked along the pier. The stars were breathtaking, but Troy didn’t notice, he was too busy trying to convince you to go out on his boat with him. You declined, taking a page from Kim’s book to mention a freshly born curse of violent seasickness.

You had your elbows on the railing at the pier, enjoying the velvet reflection of the crescent moon in the lake, and you could feel your jaw grow tense under the weight of Troy’s stare.

On the verge of telling him you were ready to head back to your cabin, the sound of music drifted down from somewhere on the property.

Yes, no mistaking, it was Take Me Home Tonight by Eddie Money, but it was being executed with someone else’s voice, and whoever that person was had some serious pipes.

And then there was the distinct sound of a feminine voice chiming in with the parts from the song Be My Baby Now by the Ronettes in the chorus.

"Is that a live band?" You turned away from him to try and find the source of the music. It wasn’t coming from the restaurant on the water or any of the cabins to your right.

"There's a cover band every Friday out behind the main house. You want to check it out?" He held the crook of his arm out to you and hesitated before you took it. His ego sufficiently stroked now that you wanted to spend more time with him.

Around the side of the building, overlooking the golf course, was a huge, fenced in back patio garden area with a private hot tub and pool for hotel guests. Troy led you through a white arbor wound with ivy to find that there were plenty of people mingling, drinking, and dancing. The area was mostly manicured lawn, with stone pathways meandering around from a concrete floor that was right in front of the small riser that was meant to be a stage. You imagined that a million weddings had taken place there.

At the door was a bar, and Troy got you a flute of champagne, which you downed with abandon and asked for another. While he was getting your second glass, you made your way along under several boughs of white string lights to get a view of the stage and who was performing the top tier Eddie Money cover.

Just as you stepped into the crowd of people shuffling to the beat, you stopped dead in your tracks.

There he was at the mic: Eddie the metalhead.

Guitar slug low at his hips, wearing a tuxedo with light blue cummerbund and bow tie, his hair neatly combed back and fixed into a knot at the back of his head so that you could really see the curves of his face. If you didn’t know any better, you’d think he was performing the song against his will.

The rest of the band were dressed similarly, and you instantly knew the one strumming the bass guitar as Steve, and the woman on backup vocals rocking on the rhythm was Chrissy, who wore a conservative skirt and flats. There was also a keyboardist and a drummer, both of whom you did not recognize.

“What’s your major?” Troy asked, breaking your reverie to pass you the glass of champagne. “In college?”

You were confused for a second but then, “oh, I took the year off to…figure some things out.” The full truth of it was that you had dropped out completely and had no intention of going back.

“I spent a summer in Greece my freshman year,” he offered, unprovoked. “The women there are, wow, so smoking hot.”

The song finished and Eddie took his tuxedo jacket off, rolling up his shirt sleeves to his elbows, exposing the scattered tattoos you’d noticed earlier. He leaned over to whisper something to Chrissy, motioned at the drummer, and then stepped back into place, brushing a loose wisp of hair off his cheek.

“Find someone special for this next one,” he told the crowd, and was answered with a rush of murmurs.

The first notes to In Your Eyes by Peter Gabriel, a slow song, lit up the space, and your stomach tightened, fearing that Troy would ask you to dance. As he escorted you to the floor, you tried to keep your head down and stay to the back of the crowd, but Troy kept maneuvering you closer to the stage.

I get so lost, sometimes

Days pass and this emptiness fills my heart

When I want to run away

I drive off in my car

But whichever way I go

I come back to the place you are

You watched the performance from over Troy’s shoulder and followed his lead, shifting from foot to foot. You were mesmerized by the muscles in Eddie’s hands as he played each note, and the way Chrissy came in like an angel on the chorus.

He’d captured the attention of everyone in the garden at that moment, and there was a group of women watching him from the sidelines, whispering to each other, possibly about how they wanted to eat him alive.

They were all thinking the same thing you were: Eddie was magic.

He liked to close his eyes when he sang, so you weren’t expecting him to be staring right at you when he opened them again.

All my instincts, they return

And the grand facade, so soon will burn

Without a noise, without my pride

I reach out from the inside

He wouldn’t break eye contact, so you eventually had to; the intensity of it was giving you butterflies.

Troy stepped back and tried to get your attention. “Did you hear anything I just said?”

You nodded, but your gaze only drifted back to Eddie. Troy followed your line of sight and then dropped both of his hands with a frustrated cluck of his tongue.

"What the hell is he doing up there?" He hissed to himself when it dawned on him that Eddie had been behind the mic that whole time. "That's our goddamn maintenance guy. He shouldn't be up there."

In a huff, Troy pushed through the crowd and headed over to one of the other staff members against the fence. Bird could see him shouting and pointing over at the stage. Whatever the staff guy said did not seem to cheer him up a bit, and he came back to your side, shrugging his shoulders.

"I guess our normal front man Drew has the flu," he reported back. "It's just so hard to find reliable help these days."

Eddie was making the song his own, and that was what you liked about it.

“Let’s get out of here,” Troy put his hand on your lower back to escort you out. “The music sucks.”

—--

It was 9:30 when you made it back to the main foyer, standing in the middle of the lobby next to an obnoxious floral arrangement, when Troy tried to get you to go back to his cabin and watch a movie, only to get respectfully declined.

“Don’t worry about your parents,” Troy said, brushing his finger over your chin. “They know you’re with me, so they’re probably the happiest parents at Hawkins Landing.”

The guy had quite an ego on him, you had to give him that. It was unsurpassed by most.

In the end, you got away, and as soon as your Mary Jane’s hit the cobblestones outside the front door, you could feel yourself trotting at a quicker pace, eager to put some distance between you and Troy and everyone else, for that matter. You didn’t stop until you were far enough away from the main hotel to be able to check over your shoulder and not see it through the trees.

It was then that you realized that you had a free chunk of time, and you could do with it whatever you wished. Your dad would think you were still with Troy, and as long as you made it back to the cabin before midnight, they wouldn’t worry.

As much as it was the dead of summer, Indiana by the water had very cool nights, and you buttoned up the jean jacket you were wearing just as you noticed a yellow sign on a lamppost to the right that said: Staff Quarters, No Guests Allowed Beyond This Point

And that made you want to venture in even more.

You checked around to make sure there was no one there to notice that you blatantly ignored the sign, and just kept going. The path at your feet changed from stone to a well-worn dirt path through the grass, and it wasn’t long before you could hear the sound of music erupting in the distance.

You passed by staff quarters, a few weathered red cabins with white trim, lined close together, and there were some people hanging out on their porches who gave you curious looks, but didn’t seem too concerned with your presence.

Following the source of the music, you descended down into unknown, poorly lit territory that no longer looked like it was part of the Hawkins Landing property.

(song playing in the distance is Dangerous Meeting by Mercyful Fate)

It was then that you noticed a pale yellow light coming from the windows of a building up ahead. Just as the dirt path turned to gravel, you identified the music you were hearing as heavy metal, and it was bolstered by distinct shouts and cheers, even a high-pitched scream or two.

“Hey,” a voice startled you from out of the dark and you jumped. “What are you going out here?”

Heart racing, you spun around to find out it was Robin.

She was struggling to carry several things in her arms as she walked and you rushed over to her.

“Where did you come from?” You asked, grinning ear to ear at how glad you were to see someone familiar.

“My cabin is right over there,” she bucked her chin in a direction behind you.

She had a crossbody bag over her shoulder, an amp in one hand, and she was juggling two guitar cases, one of which she fumbled, and you managed to catch it before it hit the ground. You wrapped your arms around the hard case with the Scorpions sticker on it, silently offering to carry it the rest of the way.

“You don’t have to—” Robin started, adjusting the bag over her shoulder.

“I want to,” you looked back up at the house where the music was coming from, assuming that was where she was headed. “I carry that big cello around all the time, remember? I’m used to it.”

Robin moved her jaw from side to side and she looked conflicted. “You’re not supposed to be here.”

Your eyes were still locked on the house hidden in the trees. “What is that place?”

“Listen,” she gave you an imploring look. “I will get in so much trouble if they find out you came out here. Your dad won’t want you here, trust me.”

Her warning did nothing to squelch your curiosity. “I’m a big girl, I go wherever I want. Plus, I won’t tell anyone.”

“Besides,” she gave you a knowing look, raising her eyebrow. “If your boyfriend Troy finds out you were here, Brenner will fire all of us.”

“He’s not my boyfriend,” you snapped. But then, softer, you added, “I barely just met him tonight.”

Robin wasn’t in the mood to try and rip the guitar out of your hands, and so, with a heavy sigh, she caved.

“Fine,” she sighed. “But stay close to me, okay? You’re not at the resort anymore, sweetheart.”

You nodded, waiting for her to lead the way.

She took a step forward and then stopped and turned on her heel to point at the instrument in your arms.

“Be extra careful with that, it’s Eddie’s baby. He’ll grow horns if anything happens to it.”

----

Hi! If you are familiar with the movie Dirty Dancing, you have an idea about what scene is coming up next. I've really enjoyed lining up certain events with the movie, but things will obviously be different in this because I want it to have some surprises in store for you.

Every chapter from here on out will start with a list of the songs, ones that will give hints for what to expect. I wanted to make music a big part of this fic, because it was a huge deal in the movie, and the original soundtrack is still dear to me.

as always, thank you so much for reading and interacting with this story! Comments and reblogs are deeply appreciated. or send me an ask and let me know what you think ❤️

------

taglist: @tlclick73 @micheledawn1975 @kurdtbean @katethetank @elvendria @spookysqaush86 @somethingvicked @stylesxmunson @laurenlokirby @sapphire4082

#Dirty Metal Summer #dirty dancing au #Eddie Munson series #Eddie Munson #Eddie Munson fic #Eddie Munson smut #Stranger Things fic #Steve Harrington #robin buckley

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lyralit · 26 days

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camp nano challenge prompts

choose a new genre to write in

or a new audience to write for! write something ya, or adult, or a children's fantasy series

transcript a movie

write 10k words in your secondary language (french conjugaison be damned)

write a story inspired by an album

write a story starting from the end

pantsers become planners and planners become pantsers!

write a spin-off / au for your main wip

ask your friends to create characters and weave them into a narrative

write a short story every day

find another writer to write a story with

rewrite the first wip you can remember working on

write a shakespearean retelling

rewrite a novel but change its genre

create characters and write a random scene with them every day; put it together at the end

#camp nanowrimo #lyralit #creative writing #writerblr #writers #writers block #writblr #writing prompts #writing ideas #writing #nanowrimo #writing prompt

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sie-rui · 4 months

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❀ SISTER, SISTER (REWRITE) | TOKYO REVENGERS 🤍 sano family 💿 female reader, second pov (you/your), angst and fluff, hurt / comfort, family, platonic relationship, implied soulmates, tw: canonical character death, au - canon divergence, timeline: pre-canon (headcanon), timeline: pre-moebius (imagine), headcanon + imagine 📅 july 21, 2021 🎙️ i accidentally deleted this. i had to rewrite… if someone has the original copy, please i beg of you, SEND it to me. i don’t really care if you plagiarized it or something, just give me the copy i beg. I had a breakdown because of this. 🔗 masterlist ,, parts: 01, 02, 03, 04, 05

Sano Shinichiro’s best friend isn’t just his platonic soulmate, they’re also his younger sibling’s older sister.

☆ Sano Shinichiro has a lot of tight-knit relationships (4lifers, some may say), but there is one that everyone unanimously agreed was his closest one.

☆ It was a wonder to some how the two of you become such close companions. To some, after seeing Sano Shinichiro with you, they easily understood.

☆ Meeting in school as his underclassman, it didn’t take long for you to get roped into his gang’s bullshit. It wasn’t that you were an official member but you were definitely someone. Someone to Sano Shinichiro. Someone.

☆ Sano Shinichiro is batshit crazy, especially during his younger years. It just so happened that you were crazy as well.

☆ In high school, you guys were definitely uncontrollable. Whatever Shinichiro did, you tagged along.

☆ As you grew older, the both of you were definitely calmer, outgrowing that childish recklessness the both of you had always shared.

☆ It was love. Not romantically, but it was love. The kind of love that Shinichiro was sure that in some other universe, the two of you were together as well.

☆ When someone tried insinuating that the two of you could start dating each other, the response was instant.

“With this asshole?” “With this bitch?”

☆ Shinichiro wonders if the reason why he’s always getting rejected by girls is because you’re always with him. You scoffed.

“Trust me, it’s not me. They just don’t like you.” “I have a great personality!” “Well your face isn’t that great.”

☆ Once Shin introduced you to his family, it was all over.

☆ Mikey had no reaction to your presence in the house at the start, blatantly ignoring you, giving you dead-eyes. You coddled on him, to his chagrin.

☆ Emma, on the other hand, adored you. To the point that Shinichiro and Manjiro wondered if this was really their sister.

☆ You managed to bribe Mikey with sweets. Not that you needed to because when he saw you picking on Shinichiro, he loved you already.

☆ As much as they want you to be a part of the family officially, they begged you not to marry their brother.

“Honestly, you can do better, Y/n-nee.” “Yeah. Shinichiro isn’t worth it.” “I’m right here?!” “We know.”

☆ Shinichiro thinks that they love you more than they love him. He doesn’t quite mind.

☆ Keisuke is Manjiro’s… friend, if you can even call him that. Mikey beats him up for fun. (In his defense, Baji asks for it.)

☆ It was only when you saw Manjiro literally kick a guy twice his size on the face, knocking them out cold, did you realize that this kid could literally kill you.

“Is Manjiro safe?” “Why are you saying that as if he’s some dog?”

☆ You love the kid, either way.

☆ You’d defend him from whatever happens. But if it’s a fight, you’re dropping out. Fuck no. Mikey can fight for himself. (If anything, you’re the one getting beat up.)

“Y/n-nee, Shinichiro hit me!” “Shin, don’t hit him! That was too hard.” “Why are you taking his side?!” “He brought home snacks for me and you’ve been pissing me off lately.”

☆ It does weird you out how he laughs at horror movies when the four of you watch at home, though. Everyone is screaming. You don’t know if he’s laughing at the gory scene on the television or at everyone’s reaction.

☆ Movie nights with the Sano family start during the afternoon because everyone wants a chance to pick a movie.

☆ Sometimes, you get suspicious of Shinichiro disappearing randomly. He doesn’t answer your calls, nor his siblings’. When he comes back and you ask him to explain, he just grins at you and ruffles your hair. Asshole.

“It’s a secret.”

☆ MALL DATES WITH THE SANO FAMILY !!!

☆ It was supposed to be shopping with Emma but three people were tagging along, acting as if it was a coincidence, because they wanted attention from you as well.

☆ It would be a bloodbath. Emma wants to go shopping, Shinichiro wants to go to the arcade, Mikey wants to go home, Keisuke wants to go to a pet shop.

☆ You want to go to the movies. That’s impossible because you’d never get to pick the movie you want to watch.

☆ When you get home, everyone is knocked out tired. After a whole day of complaining and fighting, you didn’t expect anything else. (You were also half-dead on the couch after all.)

☆ You stay over so much at Sano's house that you’re basically a member of that household. Their grandfather doesn’t quite mind.

☆ Their grandfather appreciates your presence in the house. It seems as if it has been livelier with you around. He doesn’t mind the noise.

☆ He doesn’t quite understand how you can stand his grandchildren. For one, his eldest, Sano Shinichiro is running around, creating a gang and picking fights and getting his ass handed to him. Manjiro started calling himself some name, is addicted to fights, and refuses to learn anything else because apparently he’s going to take over Tokyo or something. Emma is… Well, that child seems to hate everyone. Then, there’s also Mikey’s friend, Keisuke. He doesn’t even have to say anything about that kid.

☆ He finally understood when he saw you laughing as you watched Keisuke and Manjiro get chased by wild dogs.

“She’s just as insane as them.”

☆ He says all of that but he loves all four of his grandchildren.

☆ Sometimes, it felt like you lived in that house more than your own. Shinichiro’s room is yours. (He did not agree to this. You sleep on his bed anyway.)

☆ Emma loves playing with your hair and styling it. She complains that her brothers’ hairs are too short. (That’s part of the reason why Mikey grew his out.)

☆ She also learned cooking from you. Honestly, you don’t know how they survived this long. The only thing Shinichiro can cook is curry and it’s shit.

“Shinichiro’s cooking sucks.” “You brat! Try starving!” “Instead of eating your food? Gladly.”

☆ Shinichiro annoys you to teach him how to cook better as well. Emma told him to get out of her kitchen.

☆ Mikey has this habit of judging people. He will blackmail you even before he learns the word blackmail. Be careful.

☆ Emma also has a bit of judging people, specifically her brothers. More specifically, Shinichiro’s sense of style and Manjiro’s inability to eat anything that isn’t sweet. She says that’s why he’s so stupid, his brain is filled with sugar.

☆ You can tell that the kids love each other so much though. You just hope that they can show that… properly.

☆ Shinichiro loves taking videos of everything, he uses this camcorder that was gifted to him years ago, on his 7th birthday. He has a shelf of tapes in his room. Later down the row, your videos were in the Sano Family Collection.

☆ It’s always noisy at that house. But it’s expected as it is home to five people.

☆ It only became silent when Shinichiro died.

☆ Everything was different after Shinichiro died.

☆ On the night he died, that was the one night you chose to laugh at him when he asked if you wanted to stay at the shop with him to help fix up Mikey’s birthday gift for tomorrow.

“Hey, Y/n! You better be there for Mikey’s birthday tomorrow.” “How could I not go to my favorite Sano’s birthday?” “I thought that I was your favorite Sano- Don’t laugh!” “Goodnight, Shin.”

☆ Manjiro called you an hour later; that was your last conversation with Shinichiro.

☆ Of course, it hurt you. How could it not? Almost ten years of your life was spent with him, from high school until adulthood. He was family. He was someone. He was Shinichiro.

☆ Sometimes, it felt like a part of you died with him that night.

☆ But you had to be strong. Mikey and Emma were lost, confused, and they were looking at you. How could you show them that you didn’t feel like yourself anymore?

☆ You put on a smile, hardened yourself, and took care of them. They were your kids as much as they were Shinichiro’s.

☆ You spend the nights crying.

☆ Emma refused to leave your side. She cried when you even tried stepping out of the house’s door.

☆ Mikey never left his room the days that followed Shinichiro’s death. He barely ate, the meals you left outside his door barely eaten. You had to beg him to go out of his room on the day of the funeral. He almost didn’t come.

“Mikey, please. Please. Go see your brother before he has to go. Please, Manjiro.”

☆ You cried outside his door that morning. Begging him.

☆ He came out, eyes red, lips pursed.

☆ The funeral was attended by family, friends, members, people whose lives were changed because of Shinichiro. You find that in funerals, you can see how good of a person the deceased is from the people that visit.

☆ You had no tears left to cry during the funeral, even when people came to pat your shoulder and tell you that he was a good person. You knew that. Shinichiro is a good person. They didn’t have to tell you.

☆ You caught a glance of a boy with light hair standing at the very back. You didn’t recognize him but something was pulling you to him. He left before you could approach him.

☆ The first night after Shinichiro was laid down on his final resting place, you found yourself on the couch in the living room.

☆ That night was the hardest you ever cried for Sano Shinichiro.

☆ The silence was unbearable.

☆ It took so long to finally stop shedding tears over the dead. When you realized that you stopped crying for him, it made you break down even more.

☆ You couldn’t understand how Mikey and Emma manage to go about their day as if nothing was wrong. How they declined therapy, or seeing someone.

☆ You never knew that it was because you were right there. They could act as if nothing was wrong because you were still there.

☆ Sometimes, you just want to run away and never look back. To forget about Shinichiro, about Mikey, Emma, their whole bloodline. It was heavy. It was so heavy. But you didn’t.

☆ That was love.

☆ But it was Mikey and Emma who insisted that you take the job offer overseas.

“We’ll be fine here, Y/n-nee.” “Yeah, we’re not babies. We can take care of ourselves just fine.” “Well, I can. Mikey can’t.” “Hey!”

☆ Your eyes were teary when you packed your bags and left, promising them that it would only be for a while, that you’d come back soon.

“They’re at their little meeting.”

You feel the breeze caress your skin, like an old friend greeting you home. Shibuya never changed in the years that you were gone. From their grandfather’s words, it seemed like the Sano siblings didn’t change as well. Seriously, why is the meeting still at night?

You just came back to Japan and the very first place that you went was, of course, home. The Sano Household. Only to find out that the two kids that you were planning to surprise weren't even there.

Their grandfather had welcomed you warmly like you were his own grandchild, telling you that as usual, they were out having a little meeting. You thanked him, leaving your bags, before finding yourself in the cold once more.

You were unofficially officially tasked to drag them home.

Mikey you can understand, but Emma? Why in the world is she hanging out with her brother? In her brother’s meeting? In her brother’s gang meeting? You wondered if starting or being in gangs was in the bloodline. It’s as if the Sano Siblings were destined to trouble, as if they’d get sick if they aren’t fighting something.

You adjust the plastic bag on your wrist. You bought some ingredients for dorayaki, planning on spending the night to make some with the siblings because you know that Manjiro wouldn’t be able to wait until tomorrow.

God, I love these kids too much.

The silence of the night was peaceful.

The silence of the night was broken by bellowing.

“Who in the world is screaming in the dead of the night?”

You sighed, starting your trek up the steps of Musashi shrine. It wasn’t until midway did you finally start to recognize that voice. “Manjiro?” What the fuck.

Hurrying to the top, the shrine was crowded by rows of black uniforms, young teens in lines looking up at the shrine where the familiar strands of blond stood. You blink.

For a second, you saw Black Dragon.

For a second, you saw Sano Shinichiro.

You couldn’t help the gasp that left your lips, unheard in the midst of one Sano Manjiro’s yelling. Last you heard, there were barely 10 guys in the Tokyo Manji Gang. To think that that snotty brat who refused to eat anything that isn’t sweet is leading such a huge group, is succeeding in his once little dream.

Manjiro looked like Shinichiro, you realize, standing at the very back.

You shook yourself out of your stupor. No. You refuse to let yourself walk backwards, to let yourself see things that aren’t there, to remember moments long past.

Emma is standing off to the side with a cute girl beside her. At least she didn’t seem to be a part of the gang, wearing civilian clothes that you hoped was keeping her warm. You don’t want her getting sick. You march forward, ignoring the looks sent your way by the members as they try to stop you.

Without a pause, you start matching Manjiro’s screaming just as Emma starts, “Y/n-nee!-”

“Shut the hell up, Sano Manjiro!”

The silence of the night returns.

Wide obsidian eyes stare into your as you stand at the very front, at the bottom of the stairs where Mikey stood. “It is eleven in the fucking evening. Everyone is asleep. None of your members are talking. So tell me, why the fuck are you screaming?!”

There were murmurs behind you. He doesn’t seem to mind, a grin splitting his face, the cold mask he was wearing breaking as he jumps down, skipping steps. “Y/n-nee!”

“We’re going home!”

You step to the side, letting him land on the space where you once were, knowing that you were going to get tackled if you hadn’t dodge. Mikey is unnerved, simply turning around and jumping on you, arm hitting your throat.

Draken looked exasperated, knowing that the President wasn’t going to go back to whatever he was saying and it was up to him to adjourn for the night.

“You’re back!” He looks at the plastic bag. “ARE THOSE FOR DORAYAKI?!”

“Nuh-uh! Go back up there and finish your little club meeting.”

“But Ken-chin-”

“No!”

Mikey pouts as he gets pushed off of you. Ken gives you a thankful look as if you were an angel sent by the heavens to rein their spontaneous boss back. “Let’s go, Emma,” you call to the girl already hurrying over.

“Y/n-”

“No.”

You turn your back to Mikey, grabbing Emma’s hand as she looks at you with wide eyes, a growing smile on her lips. Seriously, screaming at 11 in the evening at a shrine where no one is talking? You worry for Mikey sometimes.

“Keisuke, you’re invited as well,” you tell the boy in passing, glancing at the blond beside him. “Bring your pretty friend over as well.”

“Y/n-nee, when did you come back?”

You smile at her. “Just now.”

“And you headed straight here?”

Technically, no. You headed home. “Where else would I go if not to you and Mikey?”

It's just that your home is the Sano Family.

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theroundbartable · 4 months

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Modern AU:

Merlin is an actor who finds Arthur on accident during a model shoot at the lake of Avalon.

After Merlin takes Arthur in, he has to explain to Arthur what his job is but Arthur struggles to understand.

Arthur, after finally coming around to TVs, finally sees Merlin on screen, and the man keeps KISSING GUYS! Arthur can't describe it but it's a tight, desperate feeling that upsets him about it.

Eventually, Arthur is also cast in a movie with Merlin and plays Merlin's first crush who is a homophobe and makes Merlin's life hell. The problem is, the moment Merlin kisses him, Arthur forgets that he's supposed to act and freezes in his stance. It doesn't matter how often they reshoot the scene, Arthur turns into a statue.

Instead of firing Arthur however (they tested and found that this only happens when Merlin is the one kissing him), they rewrite Arthur's entire character around his cryptonite scene.

#bbc merlin #merlin #merthur #merlin bbc #arthur #concept #bbc arthur

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fluentmoviequoter · 11 days

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Speed Limit 2525

Requested Here!

Pairing: Tim Bradford x fem!reader

Summary: When Tim Bradford goes head-to-head with a bomber, he finds himself on a bus carrying a bomb and you.

Warnings: spoilers for Speed (1994) (I think this qualifies as an AU/rewrite), angst, bombings, nightmares, death and fear of dying, teasing, fluff, a little make out scene at the end? basically every warning that applies to the movie and The Rookie. I also made up a story about "Reaper"

Word Count: 11.7k+ words

A/N: This isn't completely proofread, but I'll be back soon to check it. I hope you enjoy!🤍

Masterlist Directory | Tim Bradford Masterlist | Request Info/Fandom List

Shoot him.

Tim doesn’t feel the trigger depress, only the hot desert air beating against his face. Though the trigger doesn’t move, a bullet rips through the barrel and into Tim’s only surviving squad member. He yells to warn his teammate, but no sound comes out. The wind is loud in the desert, yet the sound of Tim’s friend falling against the sand seems to echo for miles.

“Bradford,” the injured soldier coughs. “Wrong target, Reaper.”

Tim’s chest is tight with guilt and anxiety when he wakes. The sheets are wrapped tightly around his legs, and his shallow breaths distract him from freeing himself. Before he has time to orient himself, Tim’s phone rings and snaps him out of his post-nightmare, adrenaline-fueled state as he reaches across the empty pillow to answer it.

“Bradford,” he says.

“Get to the station as soon as you can,” Sergeant Grey demands. “Your Metro captain has me calling everybody in. We’re sending patrol units out, too. It’s gonna be a long day, Tim.”

Tim forgets about the nightmare and the memory within as he rushes to get ready. Tim’s tunnel vision focuses on work, and everything else fades away. Middle-of-the-night calls aren’t unusual, especially for a Metro Sergeant like himself, but this many officers getting a wake-up call is. Whatever is happening is big, and it doesn’t sound to Tim like it will be over any time soon. He makes it to the station in record time, and his commander is directing the other Metro officers when he enters.

“We don’t have time,” she says suddenly. “I’m running this force from here. Sergeant Grey will fill you in on the way. Get to the target location and stick together. Bradford, you’re with Temple!”

Tim nods as Harry Temple walks to his side. Harry was one of Angela Lopez’s first patrol partners, but he decided Metro was a better fit when the time to move forward in his career came along. Like Tim, he was in the Army before becoming a police officer, and he and Tim have some shared experiences. Neither of them is overly eager to bond over them, however.

“Do you know what’s going on?” Tim asks Harry as he turns on the lights and sirens in the shop.

“All I heard was ‘elevator,’” Harry answers. “I’m assuming they’re more to this than that.”

“Listen up,” Sergeant Grey says over the radio. “This is your official brief. When we roll up to the scene, we go straight in. No time for questions after we exit these cars. Fifteen people are trapped on an express elevator. The owner of the building is also inside. A bomb took out the cables, and our bomber is demanding three million dollars, or he blows the emergency brake, too. Cell phone service is spotty in the building, so we can’t rely on that to track anyone or anything.”

“Cell phone service is nonexistent in the elevator. A defensive move against trade secrets,” someone adds.

“What’s our clock, Sergeant?” Harry radios.

“He gave one hour when he called, which leaves us with twenty-eight minutes.”

“The only thing that’ll stop the elevator is the basement, right?” Tim adds.

“The city plans to avoid that. They’re working to release the money.”

Tim stops the shop beside the curb at the front of the building. He leaves the lights on as he and Harry remove their weapons from the back and meet the rest of their tactical team in the lobby.

“We can’t just unload them,” an officer says.

“The bomber wired the elevator doors and the hatch to trigger the bomb. So, he’s crazy, but he ain’t stupid,” Wade explains as he enters.

“Harry volunteers to examine the device,” Tim interjects. “He was on the bomb squad in the Army.”

Harry turns to glare at Tim as he says, “Right. And since Bradford also has Army experience, he’d like to provide a second opinion.”

“Fine,” Wade says. “You two check it out. Hey! Where’s the nearest access panel?”

“32nd floor,” a nearby employee answers on his way out. “It’s in the hall by the storage closet.”

“Report only. We’re in a holding pattern until we get word from your Commander back at the station. Confirm building evac and keep your radios active.”

“What about the other elevators?” Harry asks the employee.

“In an emergency, all passenger cars go to the nearest floor and shut down,” he says.

Tim frowns and moves his gun to his side. “Looks like we’re walking up the stairs.”

Harry nods before sprinting up the stairs behind Tim. Tim outpaces him but waits at the access panel for Harry to arrive with his small tool kit. He begins removing the nuts from the metal cover while Tim watches the hallway. Harry gives Tim a signal and Tim lifts the metal sheet. Light filters into the elevator shaft as Tim crawls through the opening and moves to the top of the elevator, where the bomb rests.

“Ladies and gentlemen, this is the L.A.P.D.,” Tim announces loudly. “There has been an elevator malfunction. Just relax and we’ll have you out of there as soon as possible.”

Harry looks up from the bomb and raises his hands in question.

“I didn’t lie,” Tim defends.

“I don’t recognize this work, Tim. Whoever our bomber is… he’s a pro and the work is solid,” Harry says.

“Bradford, Temple, hold position,” Wade radios. “We’re waiting to hear back from the bomber.”

Tim looks at his watch and muffles a curse. Their time is nearly out, and Tim continues to look at his watch rather than think about the lives in the metal death trap below his feet.

Harry sees the look in Tim’s eyes and decides to distract him. “Terrorist in a crowded room, five pounds of dynamite. He’s got a deadman’s stick. What do you do?”

“How close am I?” Tim asks, looking away from the elevator.

“Twenty feet.”

“Taser. He can’t let go with enough volts surging through him.”

“Alright, hot shot. Fifty feet?”

“Nice try.”

“Airport, then. Gunman with one hostage, using her for cover. He’s almost on a plane, you’re a hundred feet away.”

“Why is the hostage always a woman in these scenarios? Watch too many romcoms in the academy?”

“What do you do?” Harry repeats.

Tim kneels to examine the bomb once more and remembers his nightmare. Shoot him. He shakes his head before answering, “Shoot the hostage. Take her out of the equation, he can’t get to the plane, and I have a clear shot.”

“You are out of your mind, Bradford.”

“This is wrong,” Tim says suddenly. “He’s gonna blow it. How much do you think this elevator weighs?”

“Why? You wanna try to bench it?”

Tim doesn’t acknowledge the teasing as he adds, “We can do something about the hostages.”

“No shoot them, right?”

“Roof,” Tim reads as he points to a roof access sign. There’s a heavy-duty winch secured to the corner of the roof, and Tim runs to it as he says, “We don’t shoot them. Just take them out of the equation.”

Tim pulls the cable from the winch toward the elevator housing on the roof. He drops it in and watches it fall several feet before it catches.

“It’ll hold,” Tim tells Harry. “It’ll hold,” he repeats, quieter.

“Six minutes,” Harry alerts.

Tim throws his legs over the edge of the housing and lowers carefully onto the elevator cable. He hooks the winch hook to his tactical vest before moving down in the elevator shaft. Wade and the Metro team argue with the city council about releasing the money in the lobby, and no one has a clue that the shooter is listening to their radio frequencies. Without cell phones, they’re completely reliant on their radios to stay in touch with one another. Tim ignores his radio as he flips so he’s headfirst as he nears the trapped elevator.

“One more pop quiz,” Harry begins. “Psycho Sergeant Tim Bradford rigs an elevator to drop thirty stories. What do you do?”

Tim rolls his eyes before gesturing for Harry to hold the winch cable steady. A small pile of C4 waits beside his feet, but Tim ignores it as he secures the cable hook to the frame of the elevator.

“Why did I take this job?” Tim murmurs.

“Hey, a few more decades and you get a tiny pension and a free watch,” Harry answers.

“Hit the switch, Temple.”

Harry runs to the winch, hoping that the cables used to wash windows are strong enough to catch a free-falling elevator. He flips the switch, and the winch begins pulling in the cable. As the extra cable Tim pulled into the shaft begins unspooling, he moves up to the open access panel.

In the basement, a man missing a thumb presses a button on his handheld device. Instantaneously, a red light illuminates on the bomb. Tim sees it and throws himself through the access panel just before the bomb goes off. The passengers begin screaming, but the winch catches the falling elevator before it reaches the bottom of the shaft.

“What is happening, Bradford?” Wade asks, his concern evident over the radio.

“He’s early!” Harry yells as he returns from the roof.

“We have to get them out of the elevator. They can’t be lower than 28,” Tim exclaims.

When he and Harry meet the rest of their team on the 28th floor, they see that the elevator is stranded between floors. Only the floor is accessible from their current position, but there is no time to run up and down the stairs and look for the perfect access point. The elevator passengers lower to the floor and Tim and Harry pull people out one at a time. Tim pulls the last woman to safety seconds before the winch fails and the elevator plummets to the bottom of the shaft. After the sound of impact, Tim and Harry lean back against a wall and pant from the effort they exerted.

“Is your watch slow?” Tim asks.

“Nah. He jumped the gun,” Harry says with a shake of his head. “We had three minutes.”

“He blew more than the elevator. He blew his three million dollars. Why would he do that?”

“Maybe he decided it wasn’t worth it.”

Tim sits up as he declares, “He’s here.”

“He could have blown that thing from anywhere, Tim.”

“He knew we were doing something, that’s why he acted early. That means he’s close.”

“He’s not gonna corner himself in the building. The building we evacuated.” Harry leans his head back against the wall and thinks for a moment before he adds, “He’d want to be here, yes, but stay mobile… The elevators.”

“All of the passenger cars stopped, and we checked them.”

“Did we check the freight elevators?”

Tim’s eyes widen in realization as he and Harry push themselves to stand and run to the freight elevator doors. Once Tim pries the door open, he slides down the cable and lands on top of a car. Harry reluctantly follows and freezes when a noise echoes inside. Tim doesn’t notice Harry behind him as he prepares to enter the elevator. Before he can, a shotgun is fired between them, and Harry falls into the elevator. The man inside knocks him out with the butt of the shotgun, and Tim waits until the elevator moves up to drop in through the roof panel. As he lands, he looks up and sees a shotgun barrel in his face.

“I don’t suppose anybody would pay me three million dollars just for you,” the nine-fingered bomber muses.

He pulls the trigger, but the gun is empty. Tim removes his Glock from his side and demands the bomber lower the shotgun. He does so but opens his coat to reveal dynamite strapped to his chest and a deadman switch detonator in his hand.

“Hotshot,” the man begins. Tim’s jaw clenches as he realizes the man listened to their conversations over the radio, but he can’t say anything before the bomber says, “Terrorist holding a police hostage. He’s got enough dynamite to blow the building in half. What do you do?”

“Fifty cops are waiting for us in the basement,” Tim states.

“Standard flanking, I’m aware.” He presses a button on a device wired into the elevator controls. “So, maybe we’ll get off early.”

The elevator stops at a parking level, and Tim watches as the bomber pulls Harry toward the door. His eyes open slowly, and Tim keeps his eyes on Harry rather than the man pulling him.

“Well, end of the line, Bradford. This day has been a real disappointment, I don’t mind saying.”

“Why? Because you couldn’t kill everyone?” Tim asks.

“There will come a time, hotshot, when you will wish you’d never met me.”

“I’m already there.”

“Look! I have your partner, I’m in charge! I drop this stick and they clean us up with a sponge!”

“Go ahead!” Harry yells. “Drop the stick!” “Shut up!” Tim demands.

Harry looks at Tim and mouths, “Shoot the hostage.”

Shoot him. Wrong target, Reaper. Tim takes a deep breath and shifts his arms to shoot Harry in the leg. He collapses onto the floor, and the bomber steps back in shock before running into the garage. Tim steps over Harry to shoot behind the feeling suspect. As the man reaches the door, he looks over his shoulder to smile at Tim before he disappears. Tim can’t check on Harry as the garage explodes and the force pushes him back against the wall. As Tim collides with the concrete behind him, everything goes dark. And everything changes.

After Harry’s unplanned and involuntary retirement party, Tim nearly oversleeps. His alarm pulls him from a dreamless sleep, and he winces at the sound before turning it off. Before he showers, he decides to go for a quick run to clear his head. Once he’s dressed and ready for the day, he drives to his favorite café. It’s one of the only places in Los Angeles where you can get a decent cup of coffee and breakfast without being surrounded by millennials working on their screenplays. Tim nods at another regular, Vince, as he enters.

“Hey, Tim. You look awful,” Bob, the owner of the café, says.

“Thanks, Bob,” Tim grumbles.

“Pretty boy party too hard?” Vince asks Tim.

“I- I don’t remember that well.”

“Wake up alone?”

“Always do.”

“Must be nice,” Bob interjects. “The last time I partied like that I worked up married.”

Tim shakes his head as he accepts his order and walks out behind Vince. He sets his coffee on top of his truck as he retrieves his keys from his pocket. Vince’s bus starts behind Tim and pulls away from the curb. Tim turns to wave at Vince before unlocking his door.

After it crosses the first intersection, the bus explodes. Tim stumbles as he looks toward the source of the noise. He runs to the bus as it rolls to a stop and fights against the flames to help Vince, but it’s too late. As Tim lays his hands on his knees in shock, he notices an abandoned cell phone lying on the sidewalk behind him. It rings continuously, and Tim doesn’t hesitate before he answers the phone.

“What do you think, Bradford?” the bomber from last month asks. “You think if you and Harry find all the driver’s teeth they’ll give you another medal?”

“Where are you?” Tim demands.

“Twenty-second delay. I’m in the air duct when the garage blows. Did you think I wouldn’t come prepared? I spent two years on the elevator job. Two years. I invested myself in it. You couldn’t understand the commitment I have. A child, Tim, you’re a child. You ruin a man’s life’s work and then think you can walk away. You’ve got blinders on, but I got your attention now. Didn’t I, Tim?”

“Why didn’t you just come after me?”

“This is about money – 3.7 million. Not you and your ego. None of it had to happen, Tim, and I hope you realize that. How long do you think the driver’s wife and kids will wait before they get worried tonight?”

“When I find you, I will kill you,” Tim threatens.

“There’s a bomb on a bus, hotshot. Once the bus hits fifty miles an hour, the bomb is armed. If the bus drops below fifty, it blows up. What do you do?”

Tim doesn’t answer but looks around for any sign of the suspect.

“What do you do?” he repeats.

“I’d want to know what bus it was,” Tim answers. He’s accepted the challenge and knows that it has to end with a death: either his or the bomber’s.

“You think I’m going to tell you that, Tim?”

“Yes.”

“Very good.” The man sounds happy, and Tim presses a hand against a nearby wall to control his anger. “Now there are rules, Tim; we have to do this right. No one gets off the bus. One passenger leaves, I will detonate it. Now, if I don’t get my money by 11 a.m., there’s also a timer.”

Tim looks at his watch: 8:05 a.m. “I can’t pull that money in time-“

“Focus, Tim! Your concern is the bus. Don’t call, the radios are jammed. Number 2525, running downtown from Venice. At the corner of Lincoln and Pico…”

Tim drops the cell phone and runs to his car to follow the bus. The lives on that bus are in his hands, and he doesn’t plan to shoot any hostages today.

“Please stop! Sam!” you yell as you chase your bus.

You don’t want to ride the bus, but since your most recent speeding ticket, it is your only mode of transportation. In the few weeks since your license was suspended, you’ve gotten to know the driver, Sam, and some of the regular passengers. You hope that camaraderie is enough to convince Sam to stop for you. The brakes on the bus squeal as it stops, and the door opens.

“This look like a stop to you?” Sam asks.

“You are an amazing man, Sam,” you say as you walk onto the bus. “The men in books and songs have nothing on you.”

You swipe your bus card and take a seat before saying hello to Ortiz, a regular passenger. Comfortable in your seat, and glad that none of the passengers are in a talkative mood this early on a weekday, you relax and hope to get your car back soon.

Tim drives his truck in and out of traffic, onto the shoulder, and into the emergency lane as he tries to catch up with bus 2525. Other drivers honk their horns, flip him off, and yell insults through open windows, but Tim doesn’t notice or care. If he can stop the driver before it reaches 50, then the bomb will never activate. The only danger would be the man with the detonator.

You look up as Sam slows for a traffic jam.

“Can’t you just drive over them?” you ask with a smile.

“Is it always like this?” a man asks from the back of the bus. “It’s my first time here, and it took me three hours just to get out of the airport.”

“Yep,” you answer. “It’s usually worse.”

“That’s why I never drive,” the woman behind you interjects. “I’d never have a car in this city.”

“I have a car. I miss my car,” you lament.

“In the shop?” the tourist asks.

“Something like that. Sam, seriously, the bus is huge, just run them over,” you say again.

When Tim sees the bus has stopped because of a stalled car ahead, he sighs before he pulls onto the shoulder. He exits his truck and runs toward the bus, but the accident clears faster than he expected, and begins moving before he reaches the door. Hitting his fist against the side, Tim yells for the driver to stop.

“Can’t blame him for wanting to get on the bus,” you mutter as you watch him slap an open palm against the door.

“Get off the doors, man! Wait for the next one,” Sam yells before he speeds up.

Tim removes his badge from his pocket a moment too late. He continues chasing the bus, and you look down at your phone as the other passengers watch the unknown man run down the freeway.

Nearly half a mile from his truck and with no other option, Tim stops and waits at the edge of the road. He sees a speeding sports car approaching, and he moves into the middle of its lane and raises his badge.

“Stop!” Tim yells over the traffic.

The young man driving the car slams on his brakes to avoid hitting Tim. Several cars behind him blow their horns, and he raises to yell over the convertible’s windshield.

“What the-“

“L.A.P.D.,” Tim interrupts. “Get out of the car.”

“This is my car! It ain’t stolen and you have no right!” the driver argues.

Tim pulls his gun from its holster and says, “It’s stolen now. Move over.”

The man nods quickly before he jumps over the console and settles into the passenger seat. Tim sits behind the wheel and swerves into another lane as he ignores the owner’s pleas not to scratch the car. Tim drives the expensive, sporty convertible exactly as he had driven his truck, and the man in the passenger seat covers his eyes in fear for his car more than his life. As Tim steers the car beside the bus, he lays on the horn. Sam looks over and immediately recognizes him, and his eyes widen to prove it.

“I’m a cop!” Tim yells.

Sam lowers the window and raises his voice to ask, “What?”

“L-A-P-D!” Tim spells slowly. “There’s a bomb on your bus.”

“There’s a what?” Tim’s passenger exclaims.

“I can’t hear you,” Sam says.

“There’s a bomb on the bus!” Tim repeats.

Sam shakes his head, and Tim looks at the convertible’s speedometer. He’s over 50, so the bus must be, too.

“Drive!” Tim yells as he gestures for the bus to keep moving. “FIFTY! STAY ABOVE FIFTY!”

Sam nods rapidly and trembles a bit as he holds the speed steady. The commotion draws your attention, and you turn in your seat to watch the man who desperately needs a ride or is crazy.

“Call the Mid-Wilshire division station,” Tim says as he hands his phone to the man beside him. “Ask for Detective Angela Lopez.”

“Okay, okay.” The man speaks into the phone briefly before passing it back to Tim.

“Angela,” Tim says.

“Why are you calling me on your day off?” she asks. “Harry’s here, if you’re looking for him.”

“He’s alive.”

“Who?”

“The bomber! He’s back.”

“Harry!” Angela calls.

“Tim, did he hit the bus in Venice?” Harry asks as he approaches Angela’s desk.

“Temple,” Wade interrupts. “We just got a ransom demand from your dead terrorist. Says he rigged a city bus. Where’s Tim?”

“Where do you think?” Harry replies.

Tim ends the call and navigates around the back of the bus to drive alongside the door. Traffic is increasing with the morning rush, and he doesn’t want to risk getting stuck in another slowdown. He honks to get Sam’s attention, and gestures for him to open the door.

“Drive straight,” Tim directs him. “Stay in this lane.”

Sam agrees before Tim speeds up to get ahead of the bus. He opens the driver-side door and hits the brakes, so the bus rips the door off the car. Tim presses the accelerator again to catch up with the bus as he is yelled at by the owner of the car.

“Take the wheel!” Tim says.

Tim waits until the car’s owner moves back into the driver’s seat to jump into the open bus door and pull himself up the stairs.

When the bus rips the door off a convertible, you finally look up. The man driving the car beside the bus is attractive, but you’re a little concerned for his mental well-being. Sam seems willing to help him, and you don’t understand why. When he jumps from the car and onto the bus, you stand and grip the bar above your head. He locks eyes with you before holding up a police badge.

“Everyone, I’m Sergeant Tim Bradford, L.A.P.D. We’ve got a slight… situation on the bus,” he explains.

“Are you crazy?” you ask.

“Ma'am, if you’ll please sit down, we can deal with this in an orderly-“

“But what are you-“

“Ma’am.”

His tone and the look in his eyes convinces you, so you sit down as Tim walks toward the back of the bus and looks at the other passengers. You watch him move and wonder if he’s truly a cop or just insane.

“Just stay in your seats and remain quiet,” Tim says. “Then we’ll be able to defuse the, uh, the problem.”

A passenger you’ve spoken to before, Jay, leaps from his seat and points a gun at Tim.

“Jay!” you yell worriedly.

“Get away from me!” Jay demands.

Tim pulls his gun and matches Jay’s stance. Two women at the back of the bus scream, and you look between Tim and Jay from your seat.

“I don’t know you, I’m not here for you. Let’s not do this,” Tim says calmly.

“Stop the bus, Sam,” Jay calls.

“He can’t. Look, I’m going to put my gun away.” Tim holsters it slowly and raises his hands to show they’re empty. “I don’t care about what you did. It’s over. I’m not a cop right now. See? We’re just two guys on the bus.”

Tim tosses his badge to the floor beside your feet, and you look at it before raising your eyes to Jay again. You understand why he calmed down so quickly; Tim Bradford has a soothing voice, and his presence is assertive but caring. More importantly, you can relax now, because his badge looks real. Jay’s hands begin to lower, but your fellow passenger Ortiz jumps onto his back before Jay puts it away.

Tim rushes forward as Ortiz tries to pull the gun from Jay. A shot goes off, and everyone ducks before a second shot fires.

“Sam!” someone screams.

You turn toward the front of the bus before moving to help Sam. Tim disarms Jay with minimal effort while another woman joins your side.

“Move him,” you say.

“He’s bleeding,” the woman argues.

“We have to stop the bus!”

At your words, Tim spins quickly to face you.

“No!” he yells. “Stay above fifty.”

“Sam is wounded,” you begin.

“You slow down, and this bus will explode!”

Tim holds your eyes and nods slowly. He’s not kidding, you realize. Turning quickly, you look at the speedometer, which falls to 51. While Sam is still in the seat, you push your foot onto the gas pedal and watch the line rise above fifty.

Tim handcuffs Jay to one of the poles before he explains, “There is a bomb on this bus. If we slow down, it will blow. If anyone tries to get off, it will blow.”

The women on the bus surround Sam and help him get comfortable as they try to slow the bleeding. As they pull Sam from the driver’s seat, you slide into position and steer into another lane to keep the speed over 50.

“We’re only gonna make it through this if everyone stays calm, sits down, and listens to me,” Tim adds.

You don’t hear everything he says, with your complete focus on the road ahead and the speedometer on the dash. Your knuckles are white because of your grip on the wheel, and you don’t hear Tim approach behind you. He lays a hand on the headrest behind you and leans down.

“This is great. A bomb on wheels,” you muse sarcastically.

“Can you handle this bus, ma’am?” Tim asks.

“Yeah, yeah. It’s just like driving a big Toyota, right?”

“Can you handle it?”

“I’m fine. What’s the plan? Is there a plan?”

Tim nods and stands to his full height. He watches you take a deep breath before turning to the rest of the passengers.

“Everyone, I need your cell phones,” Tim announces.

“No way, man!” the tourist yells.

“There is a terrorist out there with a bomb, and I don’t need any of you live streaming or interfering with the radio signal he could be using to detonate a bomb. So, I will only say this one more time. Phones - and anything else with a cellular connection – now.”

The passengers nod and offer all of their cellular devices. Tim accepts an empty bag from a woman beside Sam and places everyone’s belongings inside. He returns to your side and removes his phone from his pocket.

“Do you have anyone you need to call?” Tim asks softly.

“No. I- I don’t want to think like that,” you answer.

“We don’t have to. Everything’s going to be okay. Just keep doing what you’re doing.”

You nod and Tim lays a kind hand on your shoulder to add, “But I need your phone.”

“Oh, yeah. It’s- uh- it’s in my back pocket. Right side.”

Tim’s hand brushes your lower back as he pulls the phone from your pocket. He apologizes, though you can’t imagine why. You’ve only known Tim Bradford for a few minutes, but his words mean something, and you can only hope he keeps the promises he’s making.

“You’re a cop, right?” you ask.

“That’s right. Metro Sergeant,” Tim says. “But you can call me Tim if that’s what you’re asking.”

“Uh, no. Thanks, and you can stop calling me ‘ma’am’ while we’re at it. I just- I should probably tell you that I’m taking the bus because my driver’s license was suspended.”

“What for?”

“Speeding.”

Tim shakes his head and hides his smile before calling the station again. He leans forward, but keeps his hand beside you, to look at the news chopper circling above the bus.

“Lopez, it’s me. I took phones from all the passengers. Where do we start?” Tim asks.

“Alright. Harry and Wade are with me,” Angela replies.

“Check the speedometer, Bradford,” Harry says. “Has it been messed with? Any wires or anything that don’t belong?”

“Sorry,” Tim whispers as he leans in front of you to check the dash area. “No, it’s clean.”

“Then it’s gotta be under the bus. Probably rigged to one of the axles.”

“I can’t get under the bus to check right now. The whole you stop, you die thing. Remember?”

Tim doesn’t sound like he’s kidding; in fact, he sounds grumpier than when he first boarded, but his comment makes you laugh. He pats the back of your seat before turning.

“Sergeant Bradford,” Sam calls weakly. Tim kneels beside him to listen, and Sam stutters, “There’s a- an access panel… in the fl-floor.”

“Hold on, Angela,” Tim says into the phone.

He unscrews the panel and pulls it aside. The asphalt moves quickly under the bus, and Tim looks around before handing his phone to a passenger. You look up in the mirror above you to watch Tim briefly before returning your attention to the road.

“What’s your name?” he asks.

“Stephen. I’m a tourist,” Stephen introduces.

“Welcome to the City of Angels. Hold my phone, please. Tell my partner what I see.”

Stephen nods and raises the phone to his ear as Tim moves so he can see under the bus. He takes a deep breath; Tim knows a bit about bombs from his time in the Army, but it’s Harry’s expertise.

“Okay, there’s a bundle here,” Tim yells over the wind. “Pretty big.”

“There’s a pretty big bundle,” Stephen relays.

“Brass fittings. I think I can reach the circuit wire.”

“He can reach the circuit wire- No, don’t do that, Sergeant Bradford. It can be a decoy, he says. What else?”

“Hold on,” Tim murmurs before moving further underneath the bus. He sees the extent of the bomb and pulls himself back up to take the phone. “Angela, Harry, there’s enough C4 on this bus to take out everyone on the highway. There’s a wristwatch: gold band, cheap.”

You look back at Tim quickly before inhaling sharply. “Sergeant,” you call.

“What do you think, Harry?” Tim asks.

“Bradford!” you yell into the bus speaker.

Tim moves to your side and places a hand on the dash to lean forward. His face is right beside yours, and you wish you were nervous because of him and not the bomb underneath you.

“Everybody’s stopping,” you point out. “What do I do?”

“Get on the shoulder.”

“This is an exit!”

Tim flinches as you sideswipe several cars.

“Tim!”

“Off. Get off!” Tim yells.

You nearly miss the ramp and pull the wheel to the right to merge onto another road. Honking the horn and yelling for people to get out of the way, you take a deep breath. At least you’re off the freeway. Tim tells you to keep driving as he answers his phone again.

“Where?” he asks. “Got it.”

“Do I stay here?” you inquire.

“Yes. Just straight on this, they’re trying to clear the roads for us.”

“I’m never getting my license back, am I?” you grumble.

“The police commissioner will buy you a car if you ask,” Tim says quietly. “You’re doing well, okay? Don’t worry about anything else.”

You nod and return both hands to the wheel. Tim removes the flannel shirt he’s been wearing, leaving him in a white t-shirt, and drapes it over the back of your seat. Your eyes catch on his biceps before you chide yourself for getting distracted.

One of the phones in the bag rings, and Tim yells, “Who didn’t turn their phone off?”

No one is willing to admit their fault or doesn’t want to risk dealing with Tim’s wrath and ending up like Jay where he sits on the floor. Tim digs through the bag and pulls the ringing phone out. The number is one he recognizes, but he hesitates before answering.

“Taking their phones was smart,” the bomber says as the line connects. “2525… nice passengers, aren’t they? See, that’s the beauty of being in this day and age. I know everything about everyone on that bus. So, if you or your little girlfriend, or even the tourist from Kalamazoo try to double-cross me…”

“The bus explodes,” Tim interjects. “I’m aware.”

“What’s with the attitude, Tim? You’re seeing one of the prettiest places in the world, riding a bus for free… Oh, no, I know. Can’t shoot a hostage that makes that cold heart beat again, huh?”

“What do you want?”

“You know what I want! 3.7 million dollars. I get the money, and then we can both get what we want.”

“You don’t know what I want.”

“I know what you don’t want. Tell your girlfriend to keep her eyes on the road.”

The call ends and Tim raises the cell phone in his hands. “He knows who is on this bus.”

“How?” Ortiz asks.

“Your bus passes, your phones, both, maybe. Look, one of the conditions of our survival is that no one gets off the bus. If he knows who you are, then we are even more obligated to keep that promise.”

“You didn’t even try to get us off the bus!” Jay accuses.

“Because he would have blown it. I understand what you are feeling, but I need you to trust me, trust the L.A.P.D., and work with me on this.”

“Tim is this your team?” you ask over your shoulder.

A police car pulls into the lane in front of you as several more flank the sides of the bus. The road clears around them, but more news choppers are joining the airspace above you.

Tim nods and looks at you. “Are you okay?”

“Yes. What happens now, though?”

“My teammates are working on it. We’ve got gas and open road, so keep driving.”

“Is it- can I be okay and really nervous at the same time?”

“I’d be more concerned if you weren’t nervous.”

“You don’t look nervous.”

“My friend Angela says I never look anything; thinks I can’t show emotion because I can’t feel them.”

“Is it true?”

Tim looks at you and lowers to squat beside you. “No, it’s not.”

“How’s Sam?”

“The driver? He’s gonna be alright. Thanks to you.”

Someone calls for Tim, and he squeezes your shoulder reassuringly as he stands. You glance at him in the mirror as he returns to the access panel. A police helicopter drops to fly above you, and you wonder what the news stations and police officers know or think about the situation. The bus begins losing speed as you steer around a curve, and when you try to speed up again, you realize something is wrong.

Back at the station, Harry and Angela work with Wade and a bomb expert to search for a way to disarm the bomb and for their suspect. Harry has a description of the bomber, but there’s only so much they can learn about the bomb without seeing it.

“Sergeant Bradford!” you cry as you press the gas again.

“What?” Tim asks with wide eyes. You were calling him Tim, and your sudden change of formality and tone concern him.

“The gas pedal’s stuck.”

“What else can go wrong?” Tim asks under his breath. “Move your foot.”

You pull your foot from the pedal and steer as Tim presses his leg against yours to slam his foot down against the pedal. It doesn’t move, and the speedometer dips closer to fifty. Tim moves his hands to cover yours on the steering wheel and moves his leg between yours to try a new angle. You’re close to him, but the fear of dying keeps you from enjoying it in any way. He pushes the pedal again and his shoulders drop.

“There,” he announces as he steps back.

You take the wheel back and press the accelerator down again. The bus gains speed and you catch up to the police car before you.

“Lopez, talk to me,” Tim greets as he answers his phone again.

“You’ve got a hard left coming up,” Angela says. “Really hard.”

“Hard left up ahead,” Tim tells you.

“We’ll tip!” you argue.

“Who is that? Your driver?” Angela inquires.

“We’re not going to tip,” Tim says.

“Yes, we are!”

The curve in the road comes into view, and Tim suddenly agrees, “We’re going to tip.”

He leaves your side to move everyone onto the right side of the bus. The weight distribution keeps the bus from tipping, but as Tim helps you pull the wheel as hard as possible to make the turn, you forget why you were concerned. His presence is the only thing keeping you calm, and you wish he could just sit beside you the whole time.

“Angela, get those news crews off our tail!” he yells over the cheers of the passengers.

You look in the mirror beside you. The news crews must have arrived recently because you didn’t notice them before.

“On it. Harry’s working with the bomb squad. Keep it fifty,” Angela responds.

“Don’t try to make that a thing, Lopez,” Tim says before he ends the call.

“Hey, who’s doing this?” you ask Tim.

“The bomber? He’s just a guy who’s angry with me for foiling his last bombing attempt,” Tim explains.

“So, he’s trying again? Using you to get whatever it is he wants?”

“More or less.”

“What if you stop him again?”

“We do this again tomorrow. Until one of us dies trying.”

“That won’t work.”

“What do you mean?”

“I mean, I’m not available to drive tomorrow.”

Tim nods but doesn’t reply before a flatbed truck merges into the lane beside the door. His Metro captain and two officers are on the back, and the driver blows the horn to get his attention. Tim opens the door and moves out of the door to talk to them. You can’t hear much but suspect that they want to get the hostages off the bus, which Tim already said was impossible. Your sudden and unbending trust in him should probably concern you, but you will do anything and everything he tells you, even if that means staying on a bus with a bomb on it.

“He called the station looking for you,” an officer announces.

“Why? He has my cell,” Tim says.

“Maybe it died.”

“Just give him my number again! And keep looking; find this guy so we can move these people.”

Tim steps onto the main platform again and closes the door.

“Are they going to help us?” the woman holding Sam’s head up asks.

“Sure, they will. They’re the police,” someone jokes.

Another phone rings in the bag, and Tim pulls your phone out this time. He hadn’t thought to turn yours off because he was concerned about you and wanted to make sure you could drive like the bus needed to be driven.

“Hello?” he answers.

“Tim, you know I trust you. But it looks to me like you’re trying to move passengers off the bus,” the bomber says.

“I need one as an act of faith,” Tim argues. “The driver has been shot.”

“You shot another hostage?”

“He’s dying! If you want your money, show a little charity.”

The line is quiet for a moment before the bomber says, “Fine. You can try to get the driver off. I have more people to kill. Tell your girlfriend behind the wheel not to slow down or he won’t get a chance to bleed out.”

“We’re getting the driver off,” Tim announces after returning your phone to the bag. “Just him for now.”

Ortiz moves out of the seat to help Tim move Sam to the door and onto the truck.

“Get as close as you can,” Tim says. “A little closer.”

The side of the bus hits the truck and swerves, and you rush to apologize.

“It’s okay.” Tim says your name, and you know that he means what he says. “Perfect! Hold it steady!”

You sigh as Tim walks past you again after getting Sam to safety, but then you see a woman walking toward the door. The officers on the truck reach out to help her, unaware of what will happen if she steps off the bus.

“No!” you yell.

“I have to,” she responds.

“No! Don’t get off! Stop!”

An explosion echoes through the bus as the steps fall out and go underneath the bus. The female passenger disappears after she falls with the debris, and you look away quickly as Tim falls forward trying to catch her.

“You’ve got to get those choppers out of here!” Tim yells to his captain. “He’s watching!”

The bus is silent as Tim stands up and waits beside you. With your eyes on the road, he doesn’t see the tear that leaks out. When the passengers start arguing behind you, your grip on the wheel tightens.

“Hey!” Tim calls as he turns to face them. They silence, and he moves his attention to you. “How are you doing?”

Tim steps forward, sees the tears covering your face, and squats with an arm behind you. “What can I do?”

His voice is softer than when he yelled at the men behind you, and you can’t lie to him.

“I thought that was the bomb. When I heard it… I thought everything was over. But then I saw her fall under the bus, and-“

“You’re glad you’re still alive,” Tim finishes.

“I’m so sorry. Does that make me a terrible person?”

“No. It doesn’t mean you don’t care. We’re still alive, and we’re all allowed to be thankful for that. The guy who put us here? He’s a terrible person. Don’t think that you’re a bad person. You’re not.”

“Tim,” you say before pointing to his Captain, who is waving for his attention.

“There’s a gap in the freeway. It’s big. We have to get these people off, Tim,” he says.

“You know I can’t, Captain.”

“Tim?” you ask as he walks past you. “What’d he say?”

“There’s a gap in the road,” Tim tells everyone.

“How big is a gap?” Ortiz asks.

“50 feet, a couple of miles ahead,” Tim says.

“Tim?” you repeat. “What if I shift down and just keep the engine revving?”

“He thought of that… Floor it.”

“What?”

“There’s an interchange, maybe there’s an incline. Just floor it.”

“Okay.”

“Everyone keep your heads down.”

The police car leading you falls off the side, but you continue driving toward the unfinished overpass. The needle on the speedometer nears 70, and Tim waits beside you. As you approach the end, Tim yells for everyone to hold on. He puts his arms around you and pulls your head down with his. You feel weightless for a moment, grounded only by his arms around you before the bus collides with the other side of the interchange. Looking up over Tim’s arm, you see more road ahead and press the gas again, so you don’t slow down.

Your forehead begins to burn and hurt, and you press your palm against your temple as the people behind you cheer. Tim checks on everyone before returning to your side, and he immediately realizes that you’re in pain. He moves your hand and presses the bottom of his shirt to your head. It’s stained with blood when he pulls his hand away, and you grimace at the idea of a wound on your head.

“Get off here!” Tim calls suddenly.

“Yes! Get off!”

You obey and soon enter the Los Angeles International Airport. Tim gives you directions to an emergency runway and explains that you can simply drive here. Without traffic or road closures, the only concern is staying above fifty.

Being in restricted air space is also a bonus, and you notice that the news helicopters are hovering at a distance. Tim seemed concerned about the presence of news cameras, so maybe the location will also keep the bomber from knowing exactly what is happening.

“Yeah?” Tim asks as he answers his phone.

“The airport. Well done. You had some close calls, but you did well, Tim,” the bomber says.

“What do you want?”

“My money. Help me get it before it’s too late, will you? The negotiators think I’m doing this for fun?”

“Are you not?”

“Oh, now you think you know me too?”

“I know you want money you didn’t earn. More than you deserve.”

“I did earn it! I got a medal, too, you know.”

“Let me off. If you want my help, I need to explain that you’re not bluffing. Just me.”

“Alright. But you have to come back. I can see everything; remember that.”

Tim ends the call and slides his phone back in his pocket.

“There’s a plan now?” you ask.

“Maybe. He’s letting me off,” Tim says.

“Hey, don’t forget about us,” you call as he steps off the bus and onto an SUV. “He’ll be back,” you promise the others.

While you circle the airport runways, Tim works with the other officers he told you about to find a way to disarm the bomb. Ortiz walks to your side and looks out at the airport.

“Ortiz?” you ask.

“He’s not coming back, I’m telling you,” he says.

“He didn’t have to get on in the first place. Hey, get behind the yellow line.”

Ortiz looks down and takes on short step back. “You let the cop up here.”

“What is that?” Stephen asks as he joins Ortiz.

“I have no idea,” you answer as you look at Tim standing on the back of a truck covered in machinery. It pulls over in front of you, and Tim lowers onto a cart attached to a winch, and you mutter, “I was right. He is insane.”

“How’d they get that so fast?” Stephen asks under his breath.

You focus more on driving in a straight line as Tim disappears under the front of the bus. He looks up at you just before he disappears, and you nod once. Knowing that he’s under the bus makes you more nervous to drive than you have been at any other point today. Driving in a straight line at the airport is more stressful because Tim is underneath a moving vehicle and touching a bomb. You know he has friends and colleagues who are helping him, but you feel more than a need to survive when you look at Sergeant Tim Bradford.

The winch on the truck releases suddenly, and the cable unfurls.

“Check and see if he came out the back!” you demand. “Can you see him?”

“He’s not back here!” Ortiz calls.

“Look under the bus! Back by the tires!”

“I don’t see him.”

The winch cable snaps and the back tire bounces over something. You press a hand over your mouth in shock, and Ortiz runs to the back access panel.

“Please tell me he’s alright!” you yell. “Do you see him?”

“I see him!” Ortiz responds. “He’s alright!”

You look back and forth between the empty runway and the back of the bus. Ortiz and Stephen pull Tim up onto the bus, and you can’t decide whether to be angry or relieved with him. Tim thanks Ortiz before walking to your side.

“How are you?” he asks.

“You scared me!” you accuse. You slap his vest to express your displeasure before hissing in pain. “What’s that smell?”

“Gas. We have a new leak.” “You caused a leak?”

“It was that or get run over. You can see the difficulty I had choosing.”

“Don’t try to be funny right now. I thought I killed you.”

“I’ll ask my captain to get a fuel truck.”

“Will it work?”

“I don’t know.”

“You’re not exactly comforting, you know that?”

“You just hit me and now you want comfort?”

You sigh and look at him again before saying, “Thank you, Tim.”

“Just doing my job… ma’am.”

Tim stays beside you while Harry and a S.W.A.T. team infiltrate the house listed on the bomber’s records. He was surprised by how quickly they found his identification, but now that they have the element of surprise, he hopes that this game is almost over.

When he gets another call, you can only see the anger in his eyes as he listens to the person on the other end. The bomber tells Tim that Harry and the S.W.A.T. team walked right into his trap. You watch him and can only wonder what is making him so mad. His life is in danger, but something is capable of pushing him even further, it seems.

“I’m going to rip your spine out. If you know as much as you think you do, you know I can,” Tim threatens lowly.

“Oh, I do, Reaper. That’s why you should do what you’re told. You and I both know you can’t do it without Harry and his ability to follow a cheap watch, anyway. Get me my money and it’s over. Otherwise, you, lumberjack-ie, and the others are dead. Got that?”

“Yeah,” Tim says after a moment. “Howie.”

The bomber hesitates at the mention of his real name but doesn’t let it stop him. Tim listens to Howard Payne’s demands before ending the call. Tim turns around and kicks where the stairs used to be before pulling against the handrail in his anger. You try to get his attention over his yelling, but it falls on deaf ears.

“Tim! Please!” you try again. “I can’t do this without you. Please.”

Tim slows his movements before gripping the rail beside you. His jaw is clenched as he looks at you, but your pleas soften his eyes.

“Please stay with me,” you whisper.

“We’re going to die,” he says.

“No. You got us this far, right?”

Tim leans against the dash beside you and looks at you. His shirt is still behind you. Lumberjack-ie. Your little girlfriend.

“Lumberjacks wear flannel, right?” Tim asks.

“Uh, yeah. As far as I know,” you answer. “Why?”

“He can see you.”

“What?”

“Keep looking straight ahead.”

You turn your face to the windshield and watch the runway as Tim examines the top of the bus. He sees the camera at the top of the windshield and shakes his head.

“He said, ‘your girlfriend behind the wheel’ and ‘lumberjack-ie’. I didn’t even realize. There’s a camera in your face. He can see the whole bus.”

“He can see me, but can he hear me?” you ask.

“Doesn’t seem like it.”

“Bus cameras can’t be very high-tech, Tim. Can’t your people get it on a loop or something?”

“You’re brilliant,” Tim murmurs before pushing himself off the dash and to his feet. “Guys, there’s a camera over my left shoulder. I need everyone to sit still. No big movements, no talking, just look concerned and sit still.”

He calls his captain and asks for someone to approach the news trucks at the fence to end the live broadcasts and use their equipment to make a video loop. His captain agrees and texts Tim with an update that the reporters are cooperating.

“Remember, stay relatively still. Just look scared,” Tim reminds everyone.

“That won’t be hard,” Ortiz grumbles.

Tim leans beside you while the video is being recorded. You drive in silence for a minute before noticing the blinking red light on the dash.

“Tim,” you whisper. “Look.”

“Cap, roll the tape. We need fuel,” Tim says into his phone.

“We only have a minute recorded. That won’t convince him, we need more footage” Wade argues.

“No time. Get these people off before this bus runs out of gas.”

“Fuel tanker is running behind. Driver said big rigs need radio signals, and they’re still jammed. Crazy not stupid, right?”

“Right.”

“Now what?” you ask Tim. “Are you tired of that question yet?”

“I’d like an answer to it,” he replies. “Get alongside this bus, okay?”

You nod and drive steadily alongside an LAX passenger bus. Tim’s team lays a wooden board between the bus doors and helps people cross to safety. You listen to Tim encourage the passengers across and are glad he was the cop who got on the bus today. The rear tire blows out suddenly, and you pull the steering wheel back to the middle and yell for Tim to come help.

Tim falls on his way back to the front of the bus, but when he reaches you, he moves his arms across you to pull the wheel.

“Use this to hold down the gas pedal,” he says.

You take the device from his hand and lower it into place. Tim steps back to tie the steering wheel to the floor of the bus, and you steer to keep the bus straight while he works. The moment it’s secure, he pulls you to your feet and tells you to get on the metal access panel.

“I can’t do this,” you argue.

Tim raises his hands to either side of your neck and brushes his thumbs along your skin as he promises, “Yes, you can. I’m right here with you.”

You swallow nervously and nod before sitting on your escape route, a thin piece of metal that Tim moved with no problem. Tim moves to lay over you, and he wraps an arm around your waist as you hide your face against his shoulder.

“I got you,” he promises once more.

The bus turns and the access panel cover falls out of the bottom. You clutch Tim tightly as the metal door slides across the runway and into a nearby patch of dirt. He sits up and watches the bus slow as it nears a plane but doesn’t let go of you. Just before the bomb detonates, Tim pulls you down again and lays over you to protect you from any debris. Sirens echo in the distance, and you wrap your arms around Tim’s back.

“Are you alright?” he asks again.

“No,” you answer, your first honest answer of the day. “Oh, I hate the airport.”

Tim moves to your side but keeps an arm around your shoulder as he looks into your eyes.

“You can’t get mushy on me. You can’t show emotion, remember?” you tease.

“I think I might be able to after all.”

“Relationships that start like this never last. It’s just the high-stress, adrenaline pumping, all that.”

“Oh, yeah? Well, maybe we can change that.”

“Uh, I think your friends are here.”

Tim looks up but doesn’t move as Angela and Wade exit a police car and run toward him.

“I was worried about you,” Angela says. “And here you are.”

“I’m sorry about Harry,” Tim offers. “I wish we could have changed it.”

“You good?” Wade asks. “’Cause I might be a nice guy and let you take the rest of the day off.”

“And stop worrying about what we could have done differently. You saved a lot of lives today, Timothy,” Angela adds.

“A day off sounds like a good deal,” you murmur.

Tim shakes his head before introducing you to Detective Angela Lopez and Sergeant Wade Grey. When he finally stands and sees the scrapes and gashes littering your skin, he forces you to let a paramedic treat you. Tim follows you to the ambulance but hangs back to talk to Angela. He’s lost a partner before, too, and knows what it’s like.

“I’m sorry for bringing everyone into this. Howard could have just come for me,” Tim concludes.

“I appreciate everything,” Angela responds. “But, you’re going to the hospital, too. Is that Chen?”

Tim turns quickly and sees Lucy running toward the police cruiser parked behind the ambulance.

“Sergeant Grey!” she yells. “We’ve got Payne on the line, and he wants to know when he’s getting his money. Whoa, Tim, are you alright?”

“He doesn’t know,” Tim says. “He doesn’t know the bus exploded.”

“Tell him thirty minutes,” Wade alerts all the nearby officers.

“Stay in the ambulance,” Tim tells you.

“But I-“

“Ma’am, stay in the ambulance.”

You nod and climb into the ambulance after refusing help from the paramedics. They continue bandaging a cut on your leg as Tim climbs in.

“I need to make a quick stop on the way to the hospital,” he tells the driver.

“Where?” she asks.

“The drop spot. Pershing Square.”

The driver reluctantly agrees, and you watch Tim as she drives. He demands you stay in the ambulance until he returns, and you agree but don’t mean it. You’ve been beside Tim for most of the morning, and you neither remember how to be away from him nor do you want to. You stand on the sidewalk beside the ambulance and watch people move around you. It’s another normal day for them, but your life will never be the same after today.

“Miss, you can’t stand here, you need to move back,” an older officer says as he grabs your shoulders.

“Oh, I’m waiting for Tim-“

“Tim Bradford, yes. He asked that I move you out of harm’s way.”

“But he told me to stay here.”

His hold on your shoulders tightens as he says, “And I’m telling you to move.”

“Payne is late,” Angela complains.

“He’s not late,” Tim says. “He’s never late.”

“Two hundred cops are watching that sculpture, plus a tracker in the bag. He hasn’t been here,” Wade explains.

“Turn on the tracker,” Tim requests.

“What for?”

“Just do it!”

Wade presses a button on the laptop before him, and the blinking light of the tracker travels across the screen.

“He’s got the money,” Angela says.

Tim runs out of their hiding spot and to the drop spot. He pushes the art installation over and kicks it when he sees the opening in the sidewalk beneath it. As he drops into the defunct subway system, he sees someone walking farther into the tunnel and pulls his gun.

“L.A.P.D. Freeze!” he yells.

The person stops, and he aims at their head before saying, “Pop quiz. Someone has a clear shot at your head. What do you do?... Turn around.”

“If you don’t do it, I’ll kill Tim Bradford,” Howard Payne threatens as he secures a vest covered in dynamite around your chest. “What are you going to do?”

“Wait- wait for him to come in and walk away. Then I listen to you,” you answer shakily.

“Perfect. Maybe you two can have your happily ever after all. You say one word that I don’t like and you’re both dead.”

Howard disappears down the subway, and you bite your bottom lip to refrain from crying or screaming for help. Tim may shoot you, no questions asked, but at least he will be safe. When you hear something crash above you and sunlight infiltrates the dark staircase before you, you take a deep breath and begin walking away.

Tim’s voice doesn’t carry the same comforting words or soothing lilt as in the bus, but you still recognize it and want to hear it as he yells at you.

“Turn around!” he demands.

You turn slowly and can see the moment Tim realizes he’s pointing his gun at you.

“I’m sorry,” you whisper.

The apology echoes off the concrete walls as Tim lowers his weapon. You don’t see or hear him, but you can feel the change when Howard appears behind you.

“Be prepared!” Howard says as he walks up the stairs behind you and raises the detonator, a deadman’s switch. “What are you gonna do, Tim? I don’t think you can shoot this hostage.”

“Let her go,” Tim demands as he points his gun at Howard.

“I don’t think I’m going to do that. Move the money,” he tells you.

You transfer the money from the L.A.P.D. bags and into Howard’s duffel bag as Tim yells at him to let you go.

“You don’t need her!” Tim adds.

“I will let go,” Howard threatens as he moves the detonator switch. “You don’t get it, Tim. Do you know what a bomb that doesn’t explode is? It’s the cheap, gold watch they gave me after I lost a finger and a life to my country.”

“You’re crazy.”

You push yourself against the wall as you listen to their exchange, but you keep your eyes on Tim rather than the bomb just below your chin. Howard demands you take his money and enter another part of the tunnel system and you know that you’re going to obey because he’ll kill Tim if you don’t. You tear your eyes from Tim and walk exactly where Howard leads you.

As you enter a crowded stop, Howard fires several shots into the concrete ceiling as you drop your head and cover your ears. The subway passengers waiting for the next train flee in terror as you try to get away from Howard. Tim can’t be far behind, but when you’re pushed into a subway car, you’re tempted to think that no help is coming. Howard handcuffs your hands around a pole before the subway lurches into motion.

At the back of the subway, Tim struggles to pry a set of doors open before he falls into the car. He moves strategically through the empty rows of seats with his mind on you and ending this game with Howard Payne once and for all.

The subway conductor reaches for his radio, and Howard forces the deadman switch into your hands and tells you to hold it. He turns his back on you and kills the conductor as you struggle to move away.

“Look, you won. You beat Tim, you beat everybody, you can just throw me off the train. I don’t care,” you plead.

“You see this stick? When you explode, the police will come there. But that’s not where I’ll be, so I get more time. I promise it won’t hurt,” Howard replies as he pulls the detonator away from you.

A series of dull thuds echoes, and Howard looks up quickly. He smiles, and it makes your stomach flip.

“Hey, Tim. Is that you?” he asks. “He’s so persistent. Wouldn’t be able to interest you in a bribe, would I, hotshot?”

Howard kneels and opens the duffel bag full of cash. You watch as a dye pack explodes in his face and paints his money purple. In his anger, he fires bullets into the roof, and you drop to the floor as Tim rolls out of the line of fire. Howard runs through a door, and you can only listen as he climbs onto the roof and begins struggling against Tim.

Howard has the deadman stick in his hand and can kill you by moving a centimeter to the left or right, but you’re more worried about Tim with every noise against the roof. You stay low on the pole you’re cuffed to, twisting your wrists and manipulating your fingers as you try to slip free. The struggle above you silences suddenly, and you watch the door nervously.

“Tim!” you call when he rushes in. “Tim. Where’s Payne?”

“Uh, he lost his head. Turn around,” Tim says.

You circle the pole, and Tim rips a wire free before loosening the straps of the vest.

“Let’s take this off,” he says before pulling the vest away from your chest.

“Tim, can you hear me?” someone asks through the driver’s radio. “This is Wade. Listen, the track isn’t finished.”

“What else can go wrong?” you murmur.

“Wade, I copy,” Tim radios.

“Do you copy? Try the emergency brake.”

“I copy!” Tim tries again before throwing the radio down.

He steps to the right and hits the emergency brake. After the train doesn’t even slow, he begins hitting other buttons, but nothing happens.

“None of this works!” he exclaims as he hits the control board.

He turns away from the useless machinery and returns to you. When he notices the handcuffs holding you in place, he slows.

“You can uncuff me and we can get off,” you say with an exaggerated nod.

“I don’t have a key,” Tim replies.

“You don’t have…”

You trail off and look at the handcuffs. If only you could slip your hands through them, you think. Tim begins pulling and kicking the pole as you try again to pull your hands through the metal cuffs. He pauses and lays a hand against your arm to look at how tight the cuffs are.

“Help me pull,” you grunt as you lean your weight back against the restraints.

“No, no,” Tim says quickly as he pulls you forward. “You’re just hurting yourself.”

You stand still and see a bead of blood running down your fingers. As you stare at it, Tim walks to a map on the wall. He remembers the nightmare again; a series of bad memories that end with him, “the Reaper,” standing alone in the desert before being rescued and awarded a medal. As he searches for a way to save you, Tim decides that he will never shoot the hostage again, and he won’t leave you behind, even if that means dying with you.

“Tim, please just go,” you beg.

“There’s a curve ahead. I can make it jump the track.”

“Tim! Sergeant Bradford!” Tim turns to you, and you repeat, “Get off this train. You can still jump. Tim, please. Please.”

Tim ignores you as he returns to the controls and increases the train’s speed. You slide your hands down the pole as you sit on the floor, and Tim walks silently to your side. He leans in beside you, and you raise your arms to wrap around his neck as you lean your head against his. He moves his arms around the pole to circle you and holds you tight as the train picks up speed.

“I’m sorry,” you whisper just before the lights go out.

The train car hits something and spins, but Tim tightens his arms around you. With every bump and move of the subway, you become more convinced that you’ll never get out of this position. Light enters the windows as you crash through something, and the car flips onto its side as it lands on asphalt. The impact loosens the pole, and you fall onto Tim, whose grip on you doesn’t waver for a second. As the car slides to a stop, you squeeze Tim and take a deep breath.

“You didn’t leave me,” you say before forcing yourself to open your eyes.

Tim cradles the back of your head before moving his hands to your back. You lean up gently and look into his eyes again.

“I told you to leave me!”

“I didn’t have anywhere to be just then. Rest of the day off and all,” Tim responds before pulling you down against him.

He kisses you, and you’re surprised that it is more than adrenaline. The kiss is more than a relief to be alive, and you want to feel Tim Bradford at your side every day for the rest of your life (which would have ended today if not for him). You move your hands to Tim’s short hair as you return his kiss. It’s relief, joy, love, and passion in a single touch. When Tim begins breathing heavily against you, you move up.

“I’ve heard relationships that start during intense situations like this never work,” Tim says.

“Oh,” you sigh. “Then I guess we’ll be the first.”

“Whatever you say, ma’am.”

Glass rains down on you as you kiss Tim again, and though your day went nothing like you thought it would, it’s now the best day of your life. Tim helps you stand as his team approaches the scene, and you stop him before you exit the car.

“You know if this was a movie, they’d make another one where the same thing happens again, right?” you say softly.

“We’re never taking public transportation again,” Tim states.

“Yeah. Hey, where is the truck you were driving this morning?”

Tim hesitates and tightens his arm around your waist before turning away to yell, “Chen! I need you to do something for me.”

#tim bradford x reader #hanna writes✯#tim bradford x fem!reader #tim bradford x y/n #tim bradford x you #tim bradford imagine #tim bradford fic #tim bradford #tim bradford the rookie #the rookie abc #requests #fem!reader #speed 1994

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daftmooncretin · 5 months

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rip to rian johnson but star wars sequels would be way better if ben solo was just kinda cowardly and han solo coded so he defected from the jedi and went to be a fun swashbuckling anarchist space cowboy instead

and finn and poe have to find him and try to convince him to come back to the rebellion but hes afraid who he is and what he could become

also instead of luke trying to kill his nephew for NO REASON (so insanely out of character it boils my blood) he just realises after ben dips thats hes not cut out for teaching. and is living on a mandalorian colony as rebellion liason/ambassador with chewie and sometimes lando i guess (din djarin is there) he aids the rebellion (because of course he would fuck that plotline) but he wont stay on the rebel base because he doesnt like all the chosen one clout and mandalorians are very chill and mind their own business

han and leia are still together and play active parts in the rebellion because fuck that plotline too although they do disagree about the ben situation (leia is annoyed and han is understanding) poe and ben childhood friends and for what.

in this au, rey is raised in the empire and is a sith lord but she has doubts and isnt as abjectly disgusting as kylo ren because of course not. (appears slightly too interested in the rebellion when poe is captured and maybe??? possibly lets finn and poe escape but thats up for debate.) rey gets more evil over course of movies before turning to light for plot drama and a satisfying zuko arc.

force awakens timeline

prophecy that a new jedi will rise and take down the dark side. rey and sith lord (dk who but fuck snoke im writing him out) assume it is the missing ben solo (its finn and rey tho fr) and are intent on finding him. movie opens on rey being evil probably and capturing poe. also finn as a character actully needs no real changes hes great. and then next scene space pirate ben solo doing his thing (but without identity revealed so we dont know who he is yet he may go by kylo because funny)

instead of luke poe has a lead on missing almost-jedi before he dipped ben solo and is searching for him on leias orders.(rebellion also believe the prophecy is about him. but nuh uh) torture scene and escape scene doesnt need to change but show reys nuances and how lost she is.

in the interest of narrative poe and finn still crash on tatooine but finn manages to pull poe out of the crash. (finn still gets the jacket at some point because i say so) poe is too injured to fly so they seek out help and and meet ben solo who saves them from pirates or something idk. (but neither know who the other is)

finn and poe convince ben solo to be their pilot still thinking hes a random smuggler named kylo. they get along very well, especially finn and ben. rey by this point is tracking their whereabouts

they end up on that lightsaber planet and ben gets the weird darth vader nightmare and freaks out, (hes afraid of being evil or something idk) poe is getting suspicious now also finn feels the force and takes up the lightsaber. rey comes and finn trys to hold her off. finn get hurt and drops lightsaber. ben is forced to take it up and his identity is revealed as rebel reeforcements led by han and leia arrive and they see him fighting. rey and ben have a weird charged moment (yes i guess i am still making reylo a thing but its reyben now and its woke so shh) and in a dramatic desperate effort he manages to knock her lightsaber away with the force. poe crawls into a plane at somepoint and blows up reys ship. the rebels destroy the stormtroopers but rey captures finn and escapes in a stolen ship.

ben has a oh-shit-i-said-id-never-use-the-force-again related existential crisis which makes him freak out and leaves. a distraught finn-less poe calls him a coward. poe picks up the discarded lightsaber and the jackettm and sadly packs them up. leia tells him about the starkiller and poe volunteers to go on the starkiller and save finn. han and leia have a sweet moment and han decides to go with poe on the suicide mission, chewie goes too.(chewie arrived at somepoint i guess)

mid hostage situation finn blocks reys force attempt and shes shook up. he sees something in her (finn is a beautiful sweetheart) and he trys to appeal to her. she force chokes him and books it out of there. but it is clear she fears him a little. he escapes with mind tricks and runs into han poe and chewie on the deck. finnpoe moment fr. poe gives him his jacket back in order to get the keep it it looks good on you line.

meanwhile ben is back on his ship(i guess its the falcon?) and he thinks about finn and his mom and luke or something.. a dream maybe?? idk something emotional and motivational for his arc. and he goes to a box under the floor in his ship and pulls out a green lightsaber. he turns the ship around.

on the ship poe finn han and chewie are planting the bombs and escaping when they get stopped by stormtroopers ordered by rey. poe is about to be shot by a big droid thing when it is cut in half by ben wow big reveal hes here oooo ah. rey is shot in the shoulder by chewie and angrily orders more stormtroopers. they cant take them all. han sacrifices himself by blowing up the bridge. he tells finn and poe to find luke in the mandolorian colony ben is distraught him and han have an emotional goodbye he tells him to tell leia he’s sorry and that he loves him and he proud of him then he makes chewy get ben out of there and he blows himself up. leia senses it v sad rip man but he had to die to intensify plot drama

rey chases them onto the ice planet and another weird charged moment. mind link established??? this time ben is too angry and grieving though so its not a good match and she wounds him real bad all over hes v scarred now. poe shoots at rey and throws lightsaber at finn. he gets ben onto the ship and finn and rey have the big force awakens show down. finn uses the force v powerful all that jazz the good guys get away. on the ship finn mentions how he felt a connection with rey to poe and claims he sees good in her

movie ends with meeting luke on mandolore. ben is very traumatised wont really speak to finn or poe and avoiding luke. finn returns lukes lightsaber and rey has doubts movie over. movies ends with ominous rey ben mind link

final notes (on first movie and overarching rewrite plans)

finn

finn is the protagonist of this movie so it would be much more character heavy on him them the original. more in depth on his stormtrooper trauma, how he always chooses the people he loves over the cause and his reluctance to join the rebellion. his friendship with poe and the han/leia parallel’s especially. relationships with han and ben important for his character exposition and he plays a key role in supporting both rey and bens character progression. possesses the strong sense of mercy and kindness at the heart of the star wars franchise.

rey

rey is raised in the first empire and does not know anything different. when she meets finn who was able to rebel and escape from the same system she is trapped in she becomes plagued by doubts and projects all of her hatred and resentment onto finn to compensate, but it is clear she fears him. to escape from her doubts she fixates on finding and capturing ben solo imagining him to be a frightening and terrible adversary. however when she meets him they see eachothers minds, and she sees how plagued by doubt and fear he is, how he runs from everything and he sees her too. they connect and develop a strange mutual fascination/understanding. this is put askew by finns appearance at the end of the movie in defence of ben. reys fear of finn increases when she sees the true extent of his power. she fears and hates equally finns strength of character and easy goodness and by extension hates ben for his alliance with finn. she blames finn for “taking” ben from her.

ben solo

kylo ren is a disgusting blight on the star wars names so ben solo is being completely reclaimed by me into a different character because i fucking hate that stupid pretentious eboy. instead ben solo is an incredibly han solo coded character with a heart of gold and deep love and loyalty to his friends and family. his main weakness as a character in this rewrite is his fear and lack of self belief. ben is terrified of being a jedi and of his own power. he fears his own nature and was so afraid he would become his grandfather that he ran from the jedi altogether. ben solo is a runner that wont face his problems, he runs from the jedi and from his parents to avoid failing or becoming something terrible. finn and ben recognise the need to run in eachother (although important distinction finn runs because he doesn’t want to fight for a cause. and ben runs because hes afraid he will be the reason the cause fails) and ultimately encourage eachother to break the cycle and stand their ground (well finn motivated ben in this movie, finns not fixed yet.) Bens arc in these movies is about learning to live with his own nature and fighting for what he believes in despite his fear. also dealing with mommy issues (ben is kind of jealous of poe and leias relationship the son she wanted or something blah blah blah etc) and being a malewife to his murder girlfriend. his job is kind of to support and fight with finn and later rey and help them save the world

finnpoe (will be a gay couple)

their friendship will be front and centre in these movies because they represent duty vs personal loyalty. poe puts the cause above all else and values his own life and personal relationships little. finn on the other hand is disillusioned with establishment cause of stormtrooper trauma and wants to protect himself and others from it. poe is the first person that finn truly bonds with and loves. he puts poe above everything, including being a jedi and the rebellion. this leads to a lot of fighting and discord between finn and poe as finn doesn’t understand how important the rebellion is to poe and poe doesnt get why finn is trying to protect him from it. ultimately though poe teaches finn faith and belief and finn teaches poe to accept love and value himself. (also many hanleia parallels) the two of them are the harbingers of a new age. poe as future leader of the new republic and finn as the jedi messiah or whatever. in terms of romance, im thinking slowburn. baity first movie, kiss at the end of the second and established relationship by the halfway mark of the third.

also when rey eventually joins the light in the beginning she refuses to talk to ben (cause of romantic drama i havent thought of yet but centres around some sort or betrayal in the second movie) or finn (because hes her narrative foil and slow burn best friend forever) so her first friend is poe and she kind of follows him around in her first few months before she eventually bonds with finn 4eva. her poe shadowing has lots of cute friend moments where they fly together and he tries to talk her down about finn and the ben drama but also more importantly it foreshadows her leadership ability and tactical mind as she gives him advice and aids him with the rebellion behind the scenes (also leads to leia taking rey under her wing probably because poe is her surrogate son and mirror) which will eventually lead to her and poe leading the republic together because in my mind rey is a jedi but actively a member of republic government because ben can’t do politics and finn won’t but shes great at it so she’d be a perfect jedi liason and vice president to poe. meanwhile finn and ben lead the jedi. finn as a knight travelling across the galaxy and ben as a teacher. (luke is happy in retirement rn on mandalore but leia is still probably an advisor in the republic because retirement is definitely not for her) and everyone is happy the end. force ghost han solo is clapping.

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gavalaa · 7 months

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Sketches of all my redone designs for my Phantom Thieves from my AU, Icarus! Lots of info down below on the cut, so if you want to know more about the details and inspiration, feel free to keep reading!

This includes Akechi’s design for his Princely/Robin Hood attire, BEFORE his Icarus attire you might have seen from my other posts! Check out the Icarus AU tag for more info! Icarus has a main focus on Akechi and his relationship to the thieves, but the AU is actually an entire rewrite with new designs, 3rd semester and epilogue/strikers/tactica stories, hence Zenkichi and Sophia’s inclusion.

Read below for individual info:

I decided to include more motifs towards their persona’s and general vibes; and also just my own personal touches haha.

AKIRA - Not much has changed, I really like his design overall. I raised his boots to be like Arsene’s and changed his neck area.

MORGANA - I hate the OG pill shaped head, his new design is based heavily on the shape of Palico’s from Monster Hunter. Added a little more nod to Zorro/His persona motifs and also just made him cuter! Little hamburger headed cat.

RYUJI - I made him a little bulkier and gave some more weight to his outfit overall. I gave him heavier boots and a slightly buffer build to relate back more to his sporty style.

ANN - honestly was never too big on her latex outfit, I wanted to call back to a personal favorite female lead; Christine Daae, and used one of the versions of her Don Juan costume as inspiration. I remember seeing Phantom live and in many stage versions of her character, the Don Juan scene was a pure moment of female control, and she was truly working the Phantom and controlling every movement on the stage. Her presence is commanding, and I thought it was a very fitting tribute to Ann’s character as feminine strength. (I’m absolutely not referring to the movie iteration of Daae btw.)

YUSUKE - I referred to some historical art and legend of Goemon to add more elements of design to his outfit. When I color them, I want to add some really strong pops of color to his clothing to really drive the aesthetics and artistry home.

MAKOTO - Another totally redid outfit, I opted to give her a design which relates back to Popess Joan, and also Anat. I gave her a clawed hand on her right side and an uncovered hand on her left as both a nod to Anat’s hand raised in iconography of her from art history, but also to show the duality of Anat’s title as both a goddess of war, and of love. It also relates to the mythology of Joan and her nature as both a leader and a martyr. I changed her mask to a Venetian Commedia mask as well.

FUTABA - ok. I’ll be honest. I never liked her skin-tight outfit, it just doesn’t match her personality at all. Also, the high tech Egyptian feel never really sold me. I totally understand the tomb thing, but I truthfully think a dungeon/palace which was more like… tech/nerd themed would have been much more “futaba” the inspiration for this new outfit relates back to her persona, the Necromomicon, as well as her nerdy personality, and her affiliation as Alibaba (Ali Baba.) I wanted to go more lovecraftian, long sleeves and patterning designed to look more like lovecraftian tendrils, and big baggy pants and her classic shoes to match. The patterning on her undershirt will resemble a rib cage, both as a reference to her deathly “tomb” iconography, but also to Lovecraftian and Necronomicon lore. I think she matches the description of a nerdy, techie DND dungeon master more than the initial outfit, so that’s the route I took personally.

HARU - relating back to some fashions from 17th c France, where Milady’s story (the three musketeers) takes place, I kept her design relatively similar. I just gave her a little more iconography relating to the three musketeers and that general timeframe.

AKECHI - in his pre-Icarus outfit, I’ve given him a princely sort of outfit befitting of his two faced nature, and edited it to relate to Robin Hood a little more. I tried to keep it sleek and just generally very concealing and layered.

SUMIRE - i gave her some iconography relating back to one of her personas, who is an inference to Freya. I also included some more nods to classic Cinderella, with fantasy gown elements. Overall, relatively similar.

ZENKICHI - again, relatively similar, I really like his outfit. I just opened up the face some to show more personality and spiced up the outfit generally to keep it matching. honestly, les mis/Valjean was a hard one, but I also think his character could be heavily related back to Edmond Dante (Monte Cristo.) so I gave some nods to that as well.

SOPHIA - I turned her into a FINGIE!!!! I made her whole dress as a nod to her persona/to pandora’s tiles around her/the pillars. I wanted to make her small and almost unnatural since she’s an AI, and I thought having a little guy on the team would add some more variation.

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swimmingwolf59 · 25 days

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A collection of my spones fics! I've written about forty of the damn things lol, so I tried my best to make this post the least cumbersome it could be. However it may be easiest to just check out my ao3 lol!

My personal favorites are bold and brash blue!

Series

Between Worlds. Spones raise Joanna on board the Enterprise. 9 fics. Ongoing.

After the Fire. Spones get-together centered around the original series movies. 2 fics. Complete.

Doubt and Trust. Mirrorverse spones - first fic is a tos s1 rewrite in mirrorverse. 2 fics. Ongoing.

Family. Old married spones and their relationships with Sarek and Amanda. 2 fics. Complete.

Canon Compliant

If the Stars Looked Down. Ace!Spock chronicles. Complete.

The Houseboat. Spones go on shore leave together. Written for summer of spones 2021. Complete.

Lines Around Your Thoughts. 5+1 McCoy loves Spock's art <3 Complete.

The Logical Thing to Do. Spones retelling of the DS9 episode "Change of Heart". Complete.

Every Stitch. McCoy knits Spock a sweater. Written for 12dos 2021. Complete.

The Importance of Keeping Your Vulcan Awake During Sehlat Hibernation Season. Old married spones and their pet sehlat. Written for 12dos 2021. Complete.

Held Together. McCoy proposes to Spock when he's half-asleep. Written for summer of spones 2022. Complete.

More Than Adequate. Trans!Spock gets a massage from McCoy after binding too much. Written for summer of spones 2022. Complete.

Just a Pinch of Salt. Spones get into a dumb argument while making breakfast. Complete.

Traditions of Intimacy. 5+1 spones making a meal for each other. Complete.

First Impressions. Spones through canon but ALSO mainly 5+1 McCoy meets Sarek :DDD Complete.

AUs

Spock 'n' Roll. Rockstar!Spock. Complete.

This Mysterious World. Pokemon AU! Also a series lol. 2 fics. Ongoing.

Take Me Out. Baseball AU - M rating. Written for summer of spones 2022. Complete.

Peach Melody. Stardew Valley AU. Written for summer of spones 2022. Complete.

Entangled. First contact AU. Written for the spones zine "We Go Together" vol. 1 issue 1. Complete.

Not Safe for Vulcans

Surgeon's Hands. Spock gets a taste of them surgeon's hands. Complete.

Bones. Post the tholian web, if you catch my drift ;) Complete.

Behind the Mask. Matchmaker Chekov convinces Spock to go to a masquerade party. Complete.

QPR

Whatever Gets You Through the Night. Post man trap + QPR mckirk. Complete.

Not Explicitly Shippy

Of Gods and Ghosts. Missing scene at the end of the Final Frontier. Spock and McCoy talk about loss. Written for 12dos 2021. Complete.

Weight of the Universe. Two scenes post some disastrous weddings. Written for summer of spones 2022. Complete.

AOS

Reciprocal Averaging. Sarek uses statistics to figure out Spock's most suitable mate. You'll never guess who it is. Complete.

#star trek tos #spones #leonard mccoy #spock #fic #my writing #star trek aos #compilation

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twisted-tales-of-all · 7 months

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Stray Kids Reacts to their Partner's Death Scene

Plot: You're an actor, and you've landed a role where your character ends up dying - a first in your career. You watch the movie with your boyfriend and gauge their reaction. Pairing: Stray Kids x gender-ambiguous!actor!Reader Total Word Count: 1.4K Tropes: idol!AU, actor!AU, established relationship, reactions Contains: death of reader's character, various shows of anger, pouting, hurt/comfort(?), cuddles and/or implication of cuddles, teasing A/N: Follow up to the ATEEZ version, which you can find here. Special thanks to connected storyteller Haru (@umbralhelwolf) for suggesting/requesting these ideas a while back.

Bangchan - Head over heels for his lover, he'd ask so many questions about the film as soon as you get the role. But, no matter how much he knows, he'll sit with you and watch intently. He's likely to make small comments on design and direction if he likes it, even if only slightly. Oh boy, when you're on screen, though. Heart-eyes, that bright twinkle, an ear-to-ear smile - man is in love with everything about you. And that's exactly why you didn't tell him that your character gets killed towards the end. Even if you're the main character's best friend and all of the audience is attached to you, you don't have the plot armor to live through the movie. When your boyfriend figures this out, he jumps to his feet with his head on a swivel between you and the screen. Laughing at his reaction, you pause the movie and let him rant about the betrayal of killing off the most loved side character, with small interjections about how believable your acting has become.

Lee Know - Mostly just enjoying a new slasher movie, he forgets that you're in it until he sees your first on-screen appearance around midway through the film. Suddenly, you watch his interest pique, like a dog hearing the word 'treat' or a cat hearing the can opener. Although he doesn't speak much during the movie, you know him well enough to read his body language. Seeing how much he clings to your character, you almost feel guilty as their death nears. In a dramatic chase, your character accidentally falls into a trap set for the killer, giving the killer a perfect opportunity to kill them off. Even if the death happens off-screen, Minho's reaction to your desperate screams for help hurts you. He tenses, knuckles white as he balls his hands into fists. You rub his back to keep him calm, and he resists reacting until the ending credits roll. He pouts about killing off his favorite character, especially making it someone else's fault entirely. He'll insist on rewriting it and doing it the "right" way, but you both know he's only joking around as an excuse to compliment your skills.

Changbin - Excited that you asked him to come with you to the premiere in theatres, Changbin dons a nice outfit that matches yours and follows your lead. It's the first big-name movie you star in, so he's excited to experience it with you, especially since you have a bigger role in a satirical horror film. He has no idea what to expect, so he has big reactions all night. By your death, he caught onto the theme of killing off the main characters - in stark contrast to normally killing off the side characters in other horror films - so he expected the death and chose to zone in on your acting. The death, however, isn't where his reactions are best; the ending, where everyone revives after the curse breaks, gets a strong reaction out of him. He finds your zombified acting adorable and lovingly teases you about it for days.

Hyunjin - Jumpy baby only agreed to watch your film in the safety of a blanket burrito, armed with snacks that wouldn't cause a mess when jumpscares inevitably startle him. Although there are plenty of classicly-timed scares in your slasher, he never adjusts. Half the time, he doesn't even know when you're on screen since he's hiding his eyes so often, but when he sees you, he calms down a bit. It's funny since you're a villain, but it's nice to know that your presence calms him - no matter the situation. Teaming up with the killer gets you through most of the film, but the others eventually figure out your stance and bait the killer into getting you. Hyunjin, only loosely following the plot, feels betrayed by the group and insists that they could've approached your character better than simply presenting them with death. He also picks apart the killer's lack of loyalty - as if the character isn't a total psychopath. After the movie, he urges you to choose a softer script next time, as he wants to enjoy your acting more without the threat of your character's death.

Han - As a fan of horror movies, he predicts your death from the moment he figures out that you play the main character's love interest. Although you pout about him analyzing your film, he insists that he'll still love seeing the movie, even if he knows what happens. As you continue watching, you find Jisung leaning forward whenever you're on screen. This is especially true during your death scene, as he interlaces his fingers and uses them to cover his face, leaving room for his eyes regardless. He doesn't want to watch you die but admits that your acting is too good to look away. After you're erased from the remainder of the movie, he chooses to talk about your acting instead of watching the movie as closely as before. Through his compliments, he admits that you might be made for roles involving death, as he found that scene to be one of his favorites.

Felix - Although he's excited, the jumpscares require cuddles. He encouraged you to try a new genre when you felt a bit off about work, so he's glad that you had fun filming horror, but his excitement and anxiety melt together as he sits down to watch. Luckily, the film doesn't play with too many jumpscares, so he can watch in your arms without much issue. When your death scene approaches, you feel his grip around your arm tighten. He uses your arms as a barrier, shielding his eyes from the scene. Reaching for the remote to pause, he pouts about not warning him about the plot point.

"Your acting is too realistic for me to watch something like that!"

He'll scold and ask whether the plan was to make him cry. If you bring up his sadder parts in music videos, he'll insist that his acting isn't as good as yours so it isn't the same. His reaction will wordlessly beg for cuddles for the remainder of the night - which, of course, you easily comply with.

Seungmin - As he sits down, he jokes about how it can't be too scary if you have the second lead - poking fun at you like normal. Brushing him off with a quick response, you play the movie and ensure subtitles are on. As the movie progresses, you find your boyfriend holding your hand in his lap, squeezing during scares or intense moments. You can't help but smirk at how scared he seems after his claim before the movie started. When you're backed into a corner by the killer, the suspense has Seungmin on edge; it almost feels like he'll crush your hand with his. He doesn't react much outwardly, but after the movie, he talks about having to join you in movies next time, saying that you'll be a lead couple in a romance film. He never says it outright, but all of his comments are his roundabout admission that he loves your acting - especially when he comments on how he would've thought you really died if you weren't there with him. You make sure to comment on the fact that you nearly lost a hand watching with him, making him more dangerous than the movie's filming.

I.N. - He's seen your acting plenty of times, and he always compares you to big-name actors. He is your biggest fan, so of course you bring him to the opening night of the first film where you play the main character. You didn't tell him anything about it and even hid the trailer away from him, so he didn't know he'd be walking into a paranormal thriller. However, he expected to be okay - you're the main character, after all, so you have plot armor. So he thought. After a dozen or so close calls, the end of the movie nears. In the final scene, the creature drives everyone insane, resulting in the main character driving themselves into a ravine. Although uncertain of the outcome, he turns to you with wide eyes, clearly asking for an explanation. When you leave the theatre, he rants about how they can kill off the main character, wondering how they plan to make a sequel or anything related to the film. You assure him that you might not have died, but he continues ranting about them killing you off, not stopping until you interrupt him and distract him with a kiss.

#cultofdionysusnet #kpop scenarios #kpop imagines #kpop reactions #stray kids #stray kids scenarios #stray kids imagines #stray kids reactions #skz #skz scenarios #skz imagines #skz reactions

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rascalentertainments · 1 month

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My Official Wish AU Title: 🌟🌟🌟

Not sure if this will be an entire full length story or just bits of ideas to accumulate yet. It'll depend how much people actually like the idea here. And I need some pics of Valentino's concept so I can come up with a better redesign idea for him, I just keep losing the post that had it. 😅 But, as for the story plot, I can give ya a synopsis: *clears throat*

In the beautiful kingdom of Rosas, the citizens happily live their lives without a care in the world. Thanks to their wonderful and magical rulers; King Magnifico and Queen Amaya, together they created a place where everyone's wishes can come true..... Or so they thought.

Behind the castle doors, the two rulers (and their proud lynx, ) have been taking control of people's wishes, choosing who really deserves happiness or misery. They feed on the hopes and dreams of their citizens, quietly gaining power that will soon become insufficient. Magnifico's true goal is to harness infinite power. To rule with such cosmic force that no one would dare defy him. To catch a Star.

Not all the citizens had the wool over their eyes, as a small group of them quietly fled from Rosas into what was nicknamed "The Enchanted Forest". There the people made their own lives away from Magnifico and his dangerous magic, but they know they could only hide for so long.

Asha, a young woman of 17 who grows restless in the village and wants to venture back out into the world, but still has fear of Magnifico finding her family. Especially with her saba, Sabino growing weaker everyday as a result of losing his wish.

So in an act of desperation, she wishes upon a star for a miracle, for her family and people to restore what was taken from them. Her wish is granted, but not in the way she ever imagined: A Star comes down to Earth, taking the form of an excited, shape shifting, glowing, teenage boy. Together, the duo (along with Asha's loveable and loyal pet goat, Valentino) travel to Rosas to restore the wishes to their rightful places. Only Star has no idea what he's doing....but he'll try. 😅

Its A bit long, and its inspired by the bits of the original movie we did get to see. I thought the hidden village idea was an intriguing idea, really. So if I did do a full on rewrite, I'd include those deleted scenes as sort of bridges to other scenes I write and add interactive fun.

My last addition for now is that Star and Asha's dynamic would be A little more akin to Hercules and Meg, since he's heard stories about Greek heroes and such that humans have recorded in books. Asha is a little more down to earth and Star helps her see the good and magic still in the world despite the looming threat.

That's all I got for now, and I hope its good. Fantasy is not my strongest thing to write, I'm really into Sci-fi/Superhero, p. But I'm willing to try new things. Its no "Kingdom of Wishes" level of excellence, but if this grows some more, I'd be happy about that and appreciate it.

Thanks so much for reading this!

#rascal entertainments #disney wish #wish 2023 #wish concept art #wish reimagined #Wish Granted #star wish #Starboy #wish rewrite #wish fandom #wish au

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destinygoldenstar · 2 months

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I Analyzed The Ninjago Movie Instead Of Sleeping

I have real mixed feelings on this movie. But not for the reasons you might think from a fan of the TV show.

The movie didn’t NEED to be connected to the show. And it clearly wasn’t trying to.

It was meant to be an AU in a way.

(If you look at the behind the scenes one of their original rewrites was a plot of them going back in time to save Lloyd’s dad from becoming the villainous figure he is in the present day.)

So I can forgive the inaccuracy so long as it could stand on its own as a proper story.

It doesn’t do that.

If you DON’T compare it to the show:

You got a movie with SOME good jokes, amazing animation, (SERIOUSLY THIS MOVIE LOOKS BEAUTIFUL AND VISUALS ALONE ARE A CHEFS KISS TO ME) but is so strangely paced that it feels like the movie starts at the middle of the story and never shows the beginning, and feels like a completely different movie halfway through, and is also very choppily edited.

(I even double checked a clip of the movie just to prove my point there: When Lloyd uses all his dragon mech weapons on Garmadon, they play the exact same sound effect and explosion, just with different angles, SIX TIMES. FSM WAS THAT EDITOR HUNG OVER WHEN DOING THEIR JOB THAT DAY?! And that’s just one example I’ve got. I think this was the first time EVER when I was in a movie theater and I distinctly remember asking “What is wrong with the editing here? Who thought this was good editing?? Who thought this was appropriate in any way???” So I thank this movie for giving me such a memory and making me value good editing.)

You also got a world that isn’t very well fleshed out, characters that the movie chooses to not focus on except the main character and the main villain. And you got a movie that tells its audience it’s okay to forgive your parents that neglected you and are active terrorists even if they earned or done absolutely no redemption whatsoever.

I mean Garmadon in this movie BETRAYS them and leaves them to rot so he could terrorize the city again at the end. Then gets eaten by the cat. Then Lloyd forgives him. Idk what more you want me to say.

I’m not gonna act like Crystalized did it any better though. Pick your poison.

But then you got fans of the show. The people who watched the show since kids (that includes me). Who are naturally bias towards the shows lore and characterization…

OOOOOOHHH boy…

I don’t hate EVERY portrayal of the ninja in the movie as much as other people. I actually think there’s some good ideas for an AU version of these characters here. Problem is the movie never does anything with them.

Well, I say I don’t hate every portrayal, the one I truly cannot stand is Zane’s.

There’s just so much wrong with how they portrayed Zane that it just does not work. Not as an adaptation of the character. Not in any way that makes sense for this universe and is actually kinda insulting.

There’s no other robots in this city. (Like there are in the show) Why is Zane the only one and why is he in high school? Why would Wu ever pick a robot to be a ninja?

In the show the reason is pretty simple: Wu didn’t know at the time.

But everyone knows in the movie. What’s movie Wu’s excuse?

There’s also in terms of personality.

Keep in mind later seasons of the show have the same issues, so I’m talking about what it was at the time of the movie.

Zane’s whole robot identity is crucial to his character. The show introduced him as ‘the strange one’. As he couldn’t understand social cues, took things very seriously, didn’t share the same sense of humor as the rest of the team, had a hard time displaying his emotions, and bonded with things the others didn’t and excelled at certain areas like cooking.

He’s a character that connected to a lot of neurodivergent people in the audience who could relate to him. No he’s not intentional autistic rep, but one that definitely mattered to the people that headcannoned him as such.

(Also helps that they introduce other robot characters later that clearly don’t have the same characteristics he does. So really it depends on what you see.)

So the reveal that he was a robot was such a huge deal to not just the plot but to him as he finally got a concrete definition of what he is and who he is. And the show NEVER decides to say “You know, it would be so much better if you were a human!”

“Why can’t you just be normal?!”

That’s part of why I personally can’t stand fics that make Zane human. It just doesn’t feel right to me and misses the point of the character.

While I absolutely did not expect the movie to cover his… really heavy backstory with his inventor/father and how he outlived him, then got his memory and sense of identity wiped by him moments before death, which was meant to be an act of sympathy but would actually harm Zane’s mentality for the entire show…

The movie didn’t need to adapt that. For all we know, movie Zane could have a very happy backstory. And that would be fine. All I wanted was for the identity-seeking aspect of Zane’s character to matter in some way.

It didn’t.

The jokes they use for Zane in this movie are that of “Haha, he’s a robot. Isn’t it so funny that he doesn’t understand humanity very well?”

You know, something that in one episode of the show was portrayed as a BAD THING for people to think that of him! And that those people needed to learn to respect him for who he is!

And that’s the ONLY thing they do with him. Just robot jokes. Very stereotypical robot jokes.

Again, later seasons of the show are guilty of this too. So I will not act like the show is perfect.

For the reasons I listed, these are actually far more offensive and harmful than you think. Especially fans of the show watching the movie. Him being the only robot in this movie world makes me think even more that this actually is autistic coding… and that makes it so much worse.

Zane being a robot being equal to autism is its own discussion. And has its own problems on paper alone. Whether or not this is your headcanon of him, and whether or not you think this is good representation either way is up to your feelings and experiences. (Personally I think it’s better than some live action shows attempting this)

The others don’t even seem to trust or want to be around him that much. The others seem annoyed by him half the time. Like they’re only tolerating him because he’s on their team. Yeah they don’t say that but simple looks and gestures are enough to get that impression. And not once does anyone ever express Zane’s value in their team. That’s the ONE thing that would’ve had me forgive this all.

But there’s my rant. The others?

Jay is mostly fine. I think this personality for the movie is a neat AU concept. Yes show Jay is openly terrified of things and awkward, but if there’s something he wasn’t was SHY.

Movie Jay is a shy and nervous wreck. And you know what? For a high school AU, I think it works. It doesn’t erase Jay’s essence entirely. They at the very least kept the detail of his character that he’s a fast learner.

I appreciate that.

Cole is actually a REALLY interesting concept to me with the AU idea they gave.

On the surface it’s just ‘He’s a DJ and willingly old school’

But if you see the show, this is actually an ODD approach. Because show Cole has a very complicated relationship with music.

In the show, Cole’s parents thrived in singing and dancing. His father specifically was a performer that won several awards with his band ‘The Royal Blacksmiths’. After Cole’s mother passed away, his father proceeded to push his ideals and his passions onto his kid and pressuring him to become another version of him. It got stressful enough that Cole ran away from home and resented music, something that used to be a bond of family for them, and that’s where Wu found him and made him a ninja.

Throughout the show, Cole would open up to music again more, but it’s pretty gradual and a very subtle bit of character development for him throughout the show. He doesn’t need to say “I hate making music” to get the point across. He only starts the music route again whenever it has something to do with making a family member, blood or not, happy.

So movie Cole is interesting to me for that reason. Because at the start, he basically IS a mini Lou. His whole thing is music and it’s heavily reflected on his personality.

To the point where his element in the movie isn’t even animated or portrayed as earth like it’s supposed to, instead it’s… sound waves?

Weird choice. Interesting one though cause maybe that’s just how movie Cole functions.

So it’s “Oh, what if Cole DID follow in his fathers footsteps and DID want to become a musician?”

Very interesting approach for a completely different approach of character development.

But the problem? Just like the others, not utilized.

But I do think this was an interesting AU idea. Is it accurate to the show version of the character? No. But that’s kind of the point I think.

Then there’s the RGB siblings. This is where it gets kinda weird for me.

Thanks to the movie, a lot of my friends mistook Kai and Nya for being twins.

They are not twins in the show. Kai is older.

I don’t think that dents their characters too much in the movie so long as the same points were across. They’re the blood related brother and sister who raised themselves when their parents abandoned them, and climbed out of the ashes to protect each other, and found a new expansion on their family that didn’t have to be blood related to count.

These two, in different ways, are the support of the team and especially Lloyd. They’re usually the lancer characters that Lloyd goes to when he can.

I still say that about Nya even though originally, she was NOT a ninja, but rather was a Samurai with a mech of her own invention that acted as a Tuxedo Mask for the ninja. She didn’t become the water ninja until Season 5.

Which… I know the movie takes heavy inspiration from the first two seasons, the beginning, so for those who haven’t seen the show watching the movie… yikes I feel bad about the lack of a spoiler warning. Same goes for Zane being a robot.

But I think that’s also a factor into Kai, at the former half of this show, (again I’m talking pre-movie with this). He was the first character we were introduced to and we’re following in the show before Lloyd ever showed up. So naturally he’d be the one with the most attention to supporting the Green Ninja. Something that was very vital character development for him individually as well.

He’s the old school one. He’s the cool one. He’s the one who looks out for you even if you don’t want them to. He’s the one that will jump to anything without thinking. He’s also the one with the most value in tradition out of the ninja, as a blacksmith instead of a techie and as a traditional sword fighter rather than a fancy complicated weapon. He doesn’t get involved in tech willingly till he learns Twitter is a thing.

And in the movie, I think they took this characterization and said “Eh, give it to the girl instead.”

So most of show Kai’s character traits are now movie Nya’s. She’s the cool one with the most passion for traditional stories, she’s the one with arguably the most talks with Lloyd to calm him, and she’s pretty loud and brash in personality.

Not saying show Nya is not those things, she is. But the difference in the show was that Nya was HUGE on independence and doing her own thing. Being the only woman and a younger sibling in the main cast is actually a big deal to her. Not wanting to have her destiny be decided by the world or her brother as a damsel in distress or a sacrifice, she took to tech to invent her own ways of helping. Her own character.

Until destiny told her “Actually no, you can’t be the person you want to be. You have to stick to tradition that your mother had and be the water ninja.”

That’s… honestly a very brutally honest message that not a lot of people I see give credit for. Cause yes, expressing yourself and being your own person and being able to make your own fate is amazing… but it’s not always possible.

Sometimes you can’t be the person you want. Sometimes the world just will not let you. That doesn’t mean your identity is worthless, though. If you go with the flow, you can actually find that fate has plans for you that might not suck after all.

Basically a ‘It’s A Wonderful Life’ messaging there.

It’s part of why Nya’s whole thing throughout the show is her starting as a damsel trying to reinvent herself and her stereotype, and ending as a willing sacrifice and death of her whole identity that she doesn’t regret because she’s embraced the flow of life and purpose. Even if she forgets herself in the realm of spirituality, her loves one’s never will.

…Until Crystalized undid ALL of that. BUT LETS NOT.

Movie Nya just really isn’t any of that. She’s basically just her brother.

Which… I’m actually fine with. The show has some bumps in the road in execution of her story anyway. And they want the only female of this team to not be a background character cause that’s look bad. I totally understand that. And her being a sibling to Kai makes me forgive it a whole lot more cause it does make sense.

But again, we don’t know what their lives are like or if they have similar backstories to theirs in the show at all.

But where does that leave Kai?

Well his whole character in the movie seems to basically be “I’m the loud one and a complete klutz and meathead.”

Basically TD Tyler.

It’s a personality in the movie that bled in the show post movie. While I personally think it was not THAT bad in the show, Secrets of the Forbidden Spinjitsu made me go “Okay. I understand now.”

As for movie Kai, that’s really about it.

It really was an early indicator of just giving Kai’s character traits to other characters. Before the show was visibly doing it.

Cause movie Lloyd is also basically just Kai but with a different backstory and context to situation. But honestly, I DO see what they were going for here.

As the ONLY ninja to get ANY focus, this version of Lloyd is well explained on what his life is.

In the show, he’s an abandoned child in an abusive boarding school who heavily idolizes his father, Lord Garmadon, and runs away to become a super villain. Only for Destiny to tell him not to, and we see his true colors and that he just wanted his family together and to love him. Something that was… hard. Considering who Garmadon is.

That is actually carried into the movie. Just cut out him running away. Here’s the difference.

Show Lloyd loves his dad and refuses to hurt him until he has to. While he is the Green Ninja, he didn’t resent himself being Garmadon’s son. What he resented was the destiny that took them apart.

Movie Lloyd HATES his dad for abandoning him, terrorizing the city, making said city cancel him for EXISTING, and he wants every excuse to shut this man out of his life forever.

That does make sense. And to the movie’s credit, the movie logic DOES work to make this version of Lloyd make sense.

It makes the movie pretty mean spirited and kinda unpleasant at times. But it works for the story.

I described Lloyd as ‘The Emo Child’. In the show. But that’s two words.

Emo. CHILD.

He’s still a kid. He’s still the youngest. He still has his own child-like wonder of the world and the aspirations that of a child would.

Yeah he’s a lot of angst. But he’s also a sweet kid who deserves hugs.

That’s not very apparent in movie Lloyd. Not that it needs to fit movie context.

But because we never see how the ninja in the movie got together, we have no idea why Lloyd even accepted being the Green Ninja in the first place. He even says in the movie that he’d give it up if it meant he didn’t have to be Garmadon’s son.

Movie Lloyd is the only ninja in this movie with an actual character arc. He resents his dad, tries to be rid of him, only to get consequences for it, goes on a quest to fix his mistake, bonds with his dad to learn he’s… sympathetic? I guess?? And in the end forgives his dad and chooses to let him in his life again.

Simple. Fine. It works on Lloyds end just fine. And I have to give credit for the movie making Lloyd resenting Garmadon more logical than Crystalized ever did.

It’s Garmadon’s end that just makes the whole thing a bad message in the end of ‘forgive your abusers.’

Yes he’s funny. That doesn’t undo his actions.

No it’s not undone in the show either, but at least you can buy the forgiveness there because every character knew that he had no choice.

In the show, Garmadon is the Oni Child of the FSM. Thus all it took was for another Oni creature, the Great Devourer, to trigger his blood and FORCE him into the evil role without his consent. It forced him to do nasty things to his loved ones and the land his dad created, and by the time he became his evil form, he was forcefully stripped away from all of his loved ones and a chance at normal life. So the only way he could ever get that back was to turn the world into his own image, thus having the world become him too. A monster.

The show made it abundantly clear that most of Garmadon’s evil deeds are either out of ambition for what he deems as helping the family, or not his fault at all due to snake venom influence.

I THINK the movie also has this because they do address him getting bit and becoming the creature he appears as in both versions.

Better than nothing I guess.

But then you get his ‘sympathetic backstory’ which is pretty much just a love story between him and Koko-

Yeah Lloyds moms name is actually different in both versions. And in role.

Misako abandoned her child to try and solve the destiny crisis, then returned to his life to help her kid out.

Koko remained a mother to her kid and supported him even when everyone hated him.

These are very different characters basically, and which one you prefer is up to you. Personally… I actually prefer the movie. I do think the mom was the one character that the movie actually improved upon. Especially with a very interesting story for her.

In the show, Misako is a researcher and just the fair maiden figure that Wu and Garmadon fell in love with. To which she chose Garmadon because of Wu’s letter that Garmadon forged his name on… it’s complicated.

In the movie, she was actually a fighter as well and took a part of the wars Garmadon was in. She enjoyed the thrill of the fight and fell in love with her opponent in a pretty cute montage.

But then they had a baby and her reality changed, realizing she could not raise her child on the battlefield. And when Garmadon refused to change his mind, she took Lloyd and left him behind. So she could be a mother.

Explains her actions in the movie all throughout very well and I never got lost when it came to her. She’s probably the one character in the movie I felt the most sorry for. She’s such a sweet parent and her interactions with Lloyd are probably the best parts of the movie. I wanna hug her.

But that’s all that’s shown of Garmadon. Apparently Garmadon was oppressed, but that’s told at the end and not shown or been significant at all.

They don’t hate you cause you look funky. They hate you cause YOU TERRORIZE THEIR CITY ON A DAILY BASIS AND SHOOT PEOPLE OUT OF A VOLCANO

Yeah show Garmadon did similar stuff, but again, WASNT HIS CHOICE.

Here, it’s absolutely his choice cause nothing indicated otherwise.

Garmadon doesn’t even PROCESS his kids existence or his own negligence three quarters of the time. And you expect me to buy a redemption from him?

You know, I’d be fine with it if he was just a one dimensional villain and the story of the movie was about Lloyd putting his energy away from a family that doesn’t care about him and more towards a surrogate one he has.

But no. You gotta have Lloyd forgive Garmadon and have Garmadon redeemed.

Cause that’s what the show did.

Even though this is supposed to be an AU not connected to the show so we can do whatever we want.

The most they do for Garmadon’s redemption is force him to be the mentor after Wu got yeeted off a bridge by a butterfly, have him go “Oh yeah, I DID shoot people out of a volcano!”, teach his son how to catch, and tell his son his backstory.

(Speaking if, Wu to me is basically the same. Just different voice actor delivery. I got nothing to say on him)

And then if that IS redemption, then he failed it. Because he offers Lloyd to be his general when they take over the city again, showing he’s learned nothing. Then when Lloyd says no, he steals their magic weapons and ditches them in a temple leaving them to DIE. Then he goes to terrorize the city again.

What redemption. /s

Again, this was all HIS choice. If it was not and if it was snake venom, they couldn’t at least give a visual cue or address it?

And now LLOYD has to apologize?

NO. LLOYD WAS RIGHT. THERES ABSOLUTELY NO REASON WHY HE SHOULD LET HIS DAD INTO HIS LIFE. THE DAD HIMSELF PROVED THAT.

It just paints an unintentional bad message of ‘you have to forgive your abusers’

I’m sorry but Lloyd doesn’t owe this Garmadon anything.

I do like Lloyd’s VA delivery though, and the speech about green being the color of life. I actually like the idea of Lloyds power being his heart. Yeah it’s not flashy powers like in the show, but for an AU, it’s a really cool idea and I wish they used it more.

I have mixed feelings on the celebrity casting. Did I expect the original voice actors? No. But this casting wasn’t awful.

Garmadon’s VA is amazing in this movie. Jackie Chan as Wu is very subjective I feel, love it or hate it. Nya and Jay’s were really good too. I think the only one that didn’t work for me was Kai’s VA. Just… why does this teenager sound like a 50 year old man??

But honestly, I think the thing that got to me the most about the movie was something I praised about the show not too long ago.

The bond between the ninja.

I talked about how the show is a master class at character dynamics. There is almost no point where the characters are just standing there in one big clunk. Someone is saying something, someone is making a comment, someone is doing something, and it’s usually there for others to see and react to. It’s a very small thing, but it keeps the scenes alive and fresh the whole time and helps the audience be sold on the characters bond.

They don’t wait for the scenes of “Okay it’s time for characters to interact”. They just do it all the time.

And guess what the movie did? They’re just there in one big chunk all the time. With “okay it’s time for characters to interact” bits.

It’s one thing to not explore the other ninja at all. It’s another to ignore their bond.

In the show, they’re a found family. They all had rough upbringings in life and find a new sense of purpose in each other.

That’s NEVER emphasized in the movie except for one speech at the end Lloyd makes. Mostly cause we don’t know the other ninjas lives, and we don’t know how they even got together. Cause as I said, the movie starts at the middle, and awkwardly cuts after Garmadon is forgiven to be the end. We don’t know what it is about THIS ninja team that we should care about. It’s not shown.

All were shown is them being a team by circumstance only. Then Lloyd pulls out the cat laser and the cat nearly kills them. Then they hate Lloyd for it and spend the rest of the movie making fun of Lloyd.

Which yeah they make fun of each other in the show too, but where it ended in the show was playful teasing in the middle of moments that showed they cared about each other. And when one bond between two or more of them was broken, you felt it.

Here? I don’t know that and there isn’t anything besides the high school montage to show they cared. Just some comments about “Oh it’s okay Lloyd, it’s just awkward that your dad is a terrorist”. And then they make fun of Lloyds expense.

It’s mean spirited. It makes me think they don’t like each other. And it’s not like they ever apologize for it. They’re just teammates because Wu said so. They’re just tolerating Lloyd cause Wu said so.

Honestly the bloopers for this movie show more personality and more of this bond than the entire movie does.

…OOF that took awhile. I don’t even know why I did this, I just didn’t feel like sleeping. Uh… you read this, congrats. Idk why you did.

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