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#this is my first time processing an animal from start to finish
So... @muffinlance wrote a really awesome story. I read a post from a point in time, though I truly do not remember when since it seems like I've been working on this project forever, saying that she gives blanket permission for people to print and bind the story into a book (I think there was an also addendum saying that they do not give permission to be sold, since selling fic is illegal). This fic has had total control over my whole brain since it was sent to me (@creatorofthemind I believe it was you, so thank you forever for tuning me into it) back during the days of like chapter six or seven.
So here I am now, sharing this amazing journey of my first ever bookbinding adventure. Further reading below.
So to give you an idea of what's going on, this is a fanfiction about Zuko (Avatar the Last Airbender) (animated show version, the LA show did not exist yet and we do not speak of the movie) being adopted by Hakoda, Father of Katara and Zuko. (This might have also been what kicked off the Give Zuko A Parent craze, but don't fact check me.)
Overall, the characters from the show stick very well to the cannon versions, but where MuffinLance really shines is in the rich backstories and fleshed out feeling of all the non cannon elements. Especially the background characters. I would argue that the writing in this peice of fanwork could easily rival the cannon show at many points of comparison.
Now that you have context, we can get into the actual process.
To start, I used this guide to figure out where to even begin, and fount the included resource list to also be quite helpful. I cannot for the LIFE OF ME figure out where I found the template I used for the front matter and such, but it must be somewhere and I will link to it when I inevitably come across it again.
Then I began to typeset. This step took... a long time. I worked in chunks from about September of 2022 to late March of 2024. I would get a big section done, sometimes even the entire thing, but then find I hated the way I had done it and give up for months at a time. Such is the life of ADHD and flitting interest in projects I suppose.
And then finally, step one was done, and I was left with pages on a word document that look like this. (And do please let me know if you want the link to the document. It was so much work, and I would love to not be the only one to use it.)
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Next step was printing out this beast. Ended up being about eight pages of front matter, and about 630 pages of body text.
That I printed wrong.
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Twice.
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Before finally getting it right. And then not getting a picture of it, because I finished at 4 am and had work at 7, and am also an idiot.
Then I simply stitched along, putting everything together into a beautiful text block.
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And came up with a design for the cover.
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Yes the glue did end up lumpy. Ignore it.
Yes I did have to sketch out the design onto a scraped page several times before I figured out what I was doing. Ignore that too.
The cover design does wrap around the entire cover. No I did not get a picture before I glued the thing down. See again: I'm an idiot. And just... massively impatient.
Finally, we get to the stage of gluing. Behold, my bookpress.
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Of course, topped with Madam MuffinLances own actual professional-people book, Fox's Tounge and Kirin's Bone. It is Excelent. Here is the LINK so you can go and support this amazing author with the real-monies as well as the internet-kudos.
Then, once everything is glued together, one must give the book its "gilt" edges.
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raeathnos · 1 year
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#vulture culture so uh… read at your own risk?#but two and a half years ago a f.ox died in my grandmas yard and I was like oh hey free bones!#this is my first time processing an animal from start to finish#I’ve found bones in the woods behind my house before and cleaned those#but they’ve all been sunbleached so no flesh and they’re really like 99% of the way done#I buried the fox and a few days ago dig it up#my grandmas yard is unfortunately mostly clay#so it was decayed and down to the bones but the earth around it had a weird consistency and there was fur in spots still#I also couldn’t find the whole thing- I guess with the dirt settling and the ground shifting and bugs burrowing around it#but I got the skull and vertebrae which is what I wanted really plus a few extra bones#I’m macerating it now to get the fat/grease out of the bones and really glad I had the foresight to stick stuff in bags in a bucket#it stinks so bad#like I thought it would smell a little but oh man I was not expecting that#when I went to switch out the water today I decided to move the bones to a new bag since the old one was gross- which is why smells bad#it’s stuck in my nose help#not as bad as the actual dead fox though- that sat out in 90 degree heat for like three days before I got to bury it#that’s still the worse thing I ever smelled#but I got a better look at the bones when I switched them to the new bag now that some of the mud and dirt has come off#all the teeth are present in the skull which is rad#some of the vertebrae I took are broke though#it died in the flower garden but there was a road right there#I wonder if it got hit by a car#but the skull is intact- the only thing that broke was the lower jaw and that only happened after I handled it#it’s really big too#it’s smaller than my c.oyote skull but not by very much#the bones are all brown which I’m assuming is from the fat and stuff still being in there?#I’m curious to see how much they lighten and if they clay stained them at all#Im pretty sure the fox is male- it has a big saggital crest#I think I’m going to name him Clay
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hayisins · 6 months
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# — oral ! 🕊️
how : alhaitham, wriothesley, cyno, diluc, + zhongli give head !
disclaimers : afab!reader + no specific pronouns. mentions of a skirt in cyno’s ! zhongli has dragon features ! mndi ! 18+ ONLY ! 🍓
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#001 — ALHAITHAM !
his hands are gentle and delicate. like a wild animal he stares at its prey. alhaitham is fixed between your knees, watching your body as if it was some kind of experiment.
finally he stops staring, leaning right in close to your heat. again he stares but this time it’s not a careful study, no, he’s letting his mind run rampant with impure desires.
your grinding hips and needy whines fall upon deaf ears. alhaitham is not listening. slowly his tongue pokes out, gently using the tip of it to graze your clit. the gesture is so gentle it makes you shiver. he takes his time, slowly and calculated he devours you whole. ♡
— “i will take my time with you . . . just be patient, okay ?”
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#002 — WRIOTHESLEY !
the duke is rough. every action he has is always full of greed. he can’t take his time, it might kill him if he does. so it’s no surprise he has you pressed against the closest wall.
it’s absolutely no surprise that inbetween ravenous kisses and clashing teeth, wriothesleys hands would be tugging your bottoms down past your knees. at this rate he didn’t care who saw you like this.
he will kiss his way down, leaving a plethora of bite marks and hickeys along the way. now you’re able to look down and see your adoring partner eagerly spreading your thighs and sucking happily on your clit, shooting you a cheeky wink in the process. ♡
— “i don’t care who sees, i want to see you break darling.”
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#003 — CYNO !
it’s always the quiet ones you gotta look out for. the general mahamatra was more than skilled in keeping such a calm composure even when in a situation just like the one you’ve put him in.
you’re in the tavern, happily drinking and feasting with friends !! however no one knows that cyno’s hand has slowly creeped its way up the incredibly small skirt you decided to wear. for five minutes now his hand was rubbing lazy little circles when you needed him the most.
if there was one thing cyno was incredible at ? it’s eating you out into next week. the mahamatra was not only skilled in combat but also with his tongue. one by one more people started to leave. a perfect enough distraction for a very hard cyno to drag you to the restaurants bathroom to reward your patience. ♡
— “you did so well waiting for me . . . you’ll be compensated cumpletely . . get it because — sorry.”
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#004 — DILUC !
he melts. it’s as if a lifetime of stress slides right off his shoulders when he’s in your presence. he takes his time, kissing from your lips right down to your inner thighs. fiery red eyes never leave your expression.
diluc is rather quiet during sex — unless he’s eating you out. diluc truly gets into what he’s doing to you. he prefers to do it in the morning the best.
occasionally he wakes you up by gently kissing your thighs all the way to the softness that is your folds. his eyes hood and his mind swims in an endless sea of lust as he slowly wakes you up with his gentle kitten licking. ♡
— “good morning firefly . . . allow me to finish here and then we’ll get breakfast, yes?”
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#005 — ZHONGLI !
for a centuries old retired god zhongli is rather clueless in his ministrations. every way he touches you is like learning to read for the first time. gold eyes carefully watch and observe each and every gasp, whine, bite of the lip — you name it. he was watching.
the way you call out to him does a number on the god complex he tries so hard to deny. thanks to zhongli being an ancient dragon he also had a stunning tongue.
so here he has you in a field of glaze lilys, marking your body in light possessive geo markings you gasp at the all too familiar feeling of zhongli’s forked tongue working to gently flick against both sides of your clit. a satisfied hum leaves his mouth the more you scream and beg for release.
— “your body . . it belongs to me. your god. are we clear little lamb?”
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xiaosfavqingxin · 10 days
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Pillow Talks // OM! Brothers Aftercare hcs
Cw: none really, just fluff after a scene because aftercare is SO important, based on a convo i had with one of my bsfs (mentions of rough sex, bite marks and hickeys)
Gender neutral reader!
A/n: I'll work on the requests soon i swear!
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- Lucifer -
Man is so so gentle with you after it (in contrast to just a few minutes earlier)
PRAISE !!!!
Would definitely clean the both of you up and give you one of his shirts to cuddle into
After making sure you're alright and doing well he would brew the both of you some tea
Asks you if you would like to listen to a specific record and if not, he'd just put on something calming
Definitely spends quite some time in bed with you, cuddling and talking about everything and nothing, only going back to his work when he's 100% sure you're mentally and physically alright
- Mammon -
Would not give a single fck about the mess the both of you made, you're immediately wrapped up in his strong arms
He'd definitely would shower you with innocent kisses all over
Naked cuddles!! I repeat, naked cuddles!!!
Would also make sure you have everything you need, not leaving your side for more than five seconds though
Cracked jokes about what just happened!!!
Would probably spend hours just lying in bed with you, the both of you just scrolling through Akuzon, voicing out your thoughts about certain items you stumble across (he takes mental note of everything you mention to be to you liking )
- Asmodeus -
Spa time!!! Bubble bath especially!!
Would totally rant about how beautiful you looked earlier
Cuddles in the bathtub, facemasks and candles
If you would be sore anywhere he would totally massage it
Washes your hair and body for you, he just wants you to relax
When he dries you off, he'll wrap you in the softest towels and carry you to bed after he sprayed you with his perfume just so you still smell like him
- Satan -
would definitely question if he was too rough on you
Totally kisses any marks or hickeys that he'd left and brush over them gently
Cleaning up kinda is teamwork, until you curl up next to him, scrolling through ur DDD a bit
A book in one hand, the other arm wrapped around you, keeping you close
Makes sure to wrap you up in a nice fuzzy blanket too, he doesn't want you to feel cold after all
You fall asleep before him, but he eventually gets tired too, the book is now on his face, you still cradled in his arm, your DDD dropped next to you
- Leviathan -
Asks you if you enjoyed it and if you felt good immediately
Admiring all the love marks hes left on you
Cleaning up and then he seats you in his lap in one of his hoodies
Also quite literally SHOWERS you in kisses, extremely flustered
It's your decision what you want to do, rather its just cuddling, watching anime or him playing a a game, or even playing something together
Man is clingy asf, he knows that the afterglow is a quite vulnerable state so he keeps you as close as possible
- Beelzebub -
No doubt, this man carries you to bed after he cleaned your up. Bridal style. No exeptions.
Tucks you in carefully and would feed you your favorite candy from the jar in his room
Keeps you in his arms until you are fast asleep, then quietly goes to clean up the kitchen
Would totally kiss the bite marks he left, probably even lick over them apologetically
He finishes that cake you had started only for you to wake up to an almost empty plate of it, and a very sorry Beel
- Belphegor -
It takes him a while before coming down from his high, so hes perhaps a bit quiet at first and just keeps his arms wrapped around you, processing in silence
Veeeeryyy sleepy afterwards, but also cold
Will probably get another fuzzy blanket after wiping the both of you down lazily
Naked cuddles part II
Gives a lot of small tired pecks and pulls the blanket over both of you
Hes not gonna let go of you this soon, but that's okay, the both of you will take a nap first anyway
Heya everyone, this is it for today (kinda short im sorry) these are actually my first hcs posted on here, enjoy!!!!
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b0tster · 5 months
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cyberpunk bunlith meme breakdown thread incoming!!
i wanted to do a little peek behind the scenes for yall cuz i know a lot of u are interested in my process, so lets jump right in!
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first off here is a look of the animation itself in blender, with the original meme as a comparison, which can be found here btw!
the background itself was made to each shot, so the actual zoom out is a mess of meshes re-arranging themselves to line up for the next shot (i have 2 bunliths with associated cams that switch between shots so i can move things to set up the next shot while the other cam is live)
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the assets were all made from scratch! this project was essentially a 'dry run' for my next game, which will be made using this style (the same could be said about bunlith herself: testing out the pipeline for expressive, easy to read ps1 style visuals)
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i the space background painted a few years ago as concept art for said future game (this game has been a concept since before bloodborne psx started development!). heres a full res, non pixelated version of the art if you are interested!
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and here is how it looks in unreal engine! note the pink distance fog which was something i really wanted to experiment with for a very long time as changing the ps1 fog color is the quickest way to change the vibe and i was curious if i could pull off a color as bold as pink
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and that's basically everything! thanks for checking it all out 😃
once again, very fun project to work on on the side while i plug away at finishing bloodborne kart!
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art · 2 years
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Creator Spotlight: @tinypaint
My name is Michelle Fus. I’m a Jewish, non-binary artist. I graduated from the School of Visual Arts for Computer Art and Animation in 2011. I’ve interned at Pixar and worked for a few years at Dreamworks Animation. Over the past ten years, I’ve self-published two books and have run three successful Kickstarters. I now work with Skybound (The Walking Dead, Invincible) in developing my webcomic, Ava’s Demon, as a physical book series for stores. I like hiking, cultivating plants, caring for my cats, and hanging out with my beautiful husband. You can read my webcomic at avasdemon.com.
Check out our interview with Michelle below!
How did you get your start in art, and more specifically, with Ava's Demon?
I’ve always been into art since I was very young. I started to gravitate towards it in first grade, where we were required to keep a daily journal. I found myself drawing in it more than actually keeping entries. From there, I got more and more interested in honing my skills as an artist. I started making my own comics for fun. I signed up for classes outside of school and put together a portfolio for the School of Visual Arts, where I majored in Computer Art and Animation. After getting my first job in the field, I realized that it wasn’t what I wanted to do with my life. After working my day job, I would come home and work towards building a career in comics for myself by creating and uploading my webcomic, Ava’s Demon.
What is one habit you find yourself doing a lot as an artist?
Looking things up to learn more before I make art or write. For instance, how many livable planets are in a Galaxy? What does a black hole actually look like, and can it give off light? How long would it actually take to travel through space if you had the fastest ship possible? I look up all of these things and then ignore most of them for the sake of writing a fun story and making fun art.
From idea to final piece, how long does it take for you to create something?
It depends on the feeling I want to convey. Sometimes I’ll work for a whole week on a drawing and then delete it because I just don’t feel good about it. Other times I’ll make something in a day that I absolutely love from beginning to end. Some drawings I never delete nor finish, and instead, the files just kind of sit in a folder. The time it takes varies a lot.
Over the years as an artist, what were your biggest inspirations behind your creativity?
I really love good stories. So movies and books with captivating stories usually motivate and inspire me; stories that stay with you permanently, with twists and turns that you can’t stop thinking about. I also love finding characters whose struggles I can deeply relate to. I try to hold onto those feelings and emulate them through my art.
What is the hardest part of your process?
Actually finishing a drawing. The anxiety of it piles on me sometimes. I’ll work for a while on a drawing and constantly ask myself, “Is this drawing really finished? What terrible things about it am I not seeing?”. My desire to avoid making something terrible can sometimes put me in a mental prison where I keep chipping away at a drawing until I no longer know what I am looking at.
What is one interaction you had from a fan of yours that has stuck with you over the years?
In general, I like letting young artists in middle school, and high school know that I wasn’t very good at art at their age (I really wasn’t, I didn’t have the same resources they have now, and I didn’t have any perspective on what it takes to have a career in art, it’s a different world). Kids have come to me at conventions with their work for critique and advice, and I have to tell them that they’re already miles ahead of what I could make at their age. I have to tell them that it’s okay if they can’t make what all the professionals make online, to know that they have SO much time ahead of them to work at what they love. If you love making art, do it often, study art throughout history, and over time you’ll be able to create everything your heart desires.
What is something other people find hard to draw that you find enjoyable?
I have no idea. Sometimes it feels like drawing anything is suffering, even if you like what you’re making.
Who on Tumblr inspires you and why?
@loish has been consistently inspiring me since my days in high school. Every new painting has so much grace and power and is so excellent to look at. Her skill in shape and form seems limitless, and I hope to someday achieve even a small fraction of her understanding of art. Seeing her new work on my timeline also makes my dopamine spike, so I’m always looking forward to updates from her.
Thank you so much for stopping by and sharing, Michelle! Be sure to check out their Tumblr blog over at @tinypaint and follow their webcomic, Ava’s Demon, over at avasdemon.com.
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haxkattpress · 5 days
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Away Childish Things by @letteredlettered
I'm so excited to finally share this bind of one of my all time favorite fics! Thanks to lettered's generous binding policy, I decided to go all out.
This bind has a foiled cover and spine, hand sewn silk endbands, and thirteen custom chapter headers. It was also my first time rounding and backing.
You can find more pictures and information about my process under the cut.
For the cover and spine, I recreated the design of Beasts of the Field (1902) by William J. Long.
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I wanted something that captured both the whimsy and maturity of the story, and this cover fit my vision perfectly. It also gave me the opportunity to recreate another antique cover from the public domain.
Unfortunately, the design was a bit complicated for my Cameo 4, so I was unable to fill the lines in. You can also tell that the foil did not adhere properly near the bottom, so the flowers are lighter than I would like them to be.
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Because of the trouble I was having with my Cameo, I decided to foil the spine by hand. I deeply regretted this decision two hours later, and it took me four hours to finish foiling. My wrist still hurts!
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Sewing the headbands was my absolute favorite part. I was encouraged to try them by a lovely binder on Instagram, and I ended up completely addicted. I splurged on some fancy silk thread so I could give this fic the royal treatment it deserves! I think they look like beautiful little caterpillars.
As for the rounding and backing... I'm not going to talk about it. Nightmare. Lots of nervous sweating. Emotional agony. Next topic!
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I worked on the typeset back at the beginning of January when I had some time off, and it took me a solid week of obsessive editing to complete. My sister suggested that I use Harry and Draco's patronuses for the chapter art, but there unfortunately aren't many public domain illustrations of deer and foxes playing together.
It was at that point that I also decided that I wanted the animals to match the respective ages of Harry and Draco and the tone of each chapter. For the 13 chapters I ended up editing 25 different illustrations together. The bulk of these are taken from vintage versions of Bambi and Reynard the Fox. It's possible that a few stock images from 1980s nature books snuck in there, but I did my best to keep them all pre 1925.
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I'm not a skilled editor, and some of these are worse than others, but I'm quite proud of what I was able to cobble together. On the final page I put a young fox and deer running off together. I wanted it to seem like Harry and Draco's inner children had been freed.
I'm a bit embarrassed to say that this bind took me about 4-5 months to complete! I started in early January, and went wildly off track learning how to round, back, and sew headbands. And then I was hit by some killer creative block that only lifted last week!
There are still many things I could improve on, but I'm so proud of everything that I learned and accomplished with this bind! A big thank you to lettered for inspiring me with such a wonderful story. <3
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nerdofthecentrey · 1 year
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For Them | Cha Hyun-Su x Human Reader
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Genre: Fluffy, Angsty
Summary: You do what you can to protect others and get hurt in the process.
Warnings: Blood, Getting hurt, monster descriptions, normal Sweet home stuff
Unedited
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It had been 16 days since this all started, It was terrifying but you wouldn’t lose hope. You wanted to stay alive not necessarily for yourself but to be with Hyun-Su. And for Kim Su-Yeoung and Kim Yeoung-Su the little kids both you’d both saved. You were determined for them to live, even in this cruel world they still deserved a chance.
You stood next to the stairs that lead into the rest of the apartment building. Your boyfriend stood across from you with that faraway look in his eyes.
“ I hate that you have to do this.” You sighed, glancing at the beaten door.
“Don’t.”
You looked back at him and he had this dead serious look in his eyes. You understood this was for the best but you still hate the way they treat him. You wish he wouldn’t take shit from everyone.
“ Gosh, Hyun-Su..I can’t keep letting them treat you like a caged animal. I’m gonna talk to Eun-Hyeok.-“
“ Y/N, Please.” Hyun-Su rested his hand on your shoulder bring you back.
“ I’m sorry, It’s just your doing so much for everyone here…. It’s like they don’t even care. I hate that.” You pause for sec thinking before you continue with, “ It’s okay if your hurt by this Hyun-Su. Your aloud to be upset-“
“ I have to go.” He cut you off in a quiet tone ready to retreat. You snatch his face back before he can go placing your lips on his gently. Warmth fills you and you savor the feeling. You never know when it may be the last time.
You headed into the daycare center not expecting to see Eun-Hyeok. It looked like he had just gotten finished talking because everyone was dead silent. He walked straight pass you out the door you followed. But before you could even say anything he spoke.
“ The answer is no.”
You suck your teeth, “ You don’t even know what I was gonna say.”
He turned.
“ I’m guessing it’s about Hyun-Su. My answer is no.” with that he walked away. You let out sharp sigh. You‘ll get him eventually just not now.
“ Y/N..?” A small voice spoke in almost a whisper. It was Yeong-Su. His eyebrows were slightly furrowed and his sister stood close behind him.
“ What’s up?” I asked a little worried.
“ Umm…” The little boy started his sister finished.
“ He wants you to come with us to get his toy. He lost it when we first got here. It’s on this floor. We just don’t want to get lost.”
Your heart warmed a little at the fact they were asking you and not someone else.
“ Of course, Shall we?” You held out your hand to the boy he toke it with a grin.
You all walked through the halls of the first floor. It’s only now you really understand how much a maze this building is. It makes your stomach turn a little at how many people actually lived here. Meaning how many lost their lives and how many turned. You guys had been walking for a little while before you could resist asking the boy.
“ Are we headed the right way?” He noded slowly showing you clear as day he was unsure.
“ Do you remember exactly where you lost it?”
“ No..” It sounded like he was gonna cry.
“ Yeong-Su!” His sister shouted forcefully pushing his hand out of his. “ You said you knew!”
“ I did know! … I thought I did.” He shouted back.
“ Hey.” You said sharply catching both of their attention. “ It doesn’t matter. We’re gonna find the toy either way. Let’s think of it like a mission okay?”
“ People who are working together shouldn’t argue and pointlessly yell at each-other. Deep breath.” You you inhale as did they. You exhale as did they. “ Now, Yeong-Su. Do you remember the area of where you left your toy?”
“ Yes, there was dirt it was in the hallway near the graves. It rolled into a room.”
“ That’s Good! I’m sure we’ll find it no time!” Before you can continue something goes off in your body. The atmosphere sudden tilting.
A bucket loudly crashed from the hall in front of you.
You push the kids behind you, cursing at yourself for not bringing a weapon. How are you constantly telling other to be prepared for anything and you aren’t even prepared. You look around for anything to use and find a short pole.
Just then you could see the shadow of a monster creeping up the hall. It’s tall and lengthy. You push the kids back the opposite way of the hall. Pushing them to run.
You knew it probably wasn’t the best idea to make loud noises but you weren’t far from everyone else. You wanted them to be safe as soon as possible being in the hallway was too vulnerable.
Just then the monster let out a loud screeching noises. You turn back just in time to see it round the corner, headed straight at you.
“ Run!” You shout. The kids pick up the pase sobs coming Yeong-Su and Su-Yeong pulling her brother along with all her might.
You grab a random cabinet pulling it down pushing multiple things in the way. It seems to slow the monster long enough for you to make back to the main area near the elevator.
Thud!
Yeong-Su fell to the floor. You quickly swept him up as fast as you.
A whimper come from Su-Yeong. Your head whipped around to see the monster creeping slowly into the room. Your heart was already pounding in your ears, your bones started to fell stif.
“ Go.” You tell them.
“But-“
“ Get the others.”
Su- Yeong didn’t wait she grabbed her brothers arm pulling him along.
You felt your body relax a little when you heard their foots steps getting quieter only for the monster to come bones cracking and stretching out with thin skin covering it. It was sickening to look at. You held up your pole knowing these we’re probably your last moments. But you were okay with that. As long as the others live.
Suddenly one of the arms came flying at you, you swung it away like baseball. Of course it only flew back but so far.
You ran closer to the main entrance leading it father into the hall.
“ Let’s go!” You yelled.
The monster seemed to let out some words you couldn’t understand. Only the word,
“ Family. ” “ I’ll do it for my family.”
The monster croaked sending his arm like tentacle thing towards you. You dodge to your left the tentacle missing you. But the sharp edge of a cabinet not.
You inhale sharply, but you can’t feel anything, not yet at least. Your whole body just feels warm and ready to move. You push yourself up from your spot grabbing onto the wall. You place your hand on your stomach to stop it from bleeding so much you fell the thick liquid coating your hand.
“ My family…my family…” The monster kept saying to itself eyes twitching. Sounding like it was trying to think or remember.
You leaned up against the pole watching the monster,
“ Hey!” A voice shouted a glass bottle was chucked at the monster it screeched in pain as it burst to flames. You jolt back from the heat your body hitting the wall feeling weak as ever. Ji-su rushing to you.
“ Oh my god, that’s a lot of blood.” She states.
“ Thanks a couldn’t tell.” You groan. Just then a loud buzzing sound rang from the door. You knew it was Hyun-Su it kept ringing violently. Till Sang-Wook opened it, you heard your boyfriend rushing down the stairs. Everyone watching the creature burn. His eyes fell on you.
“ Y/N!” He ran to you.
“ Hey.” You croaked.
He stared at you with a lost look on his face Ji-Su held you up. He had his lips parted as if he wanted to speak but he didn’t know what to say.
“ Maybe you should help!” Ji-Su shouted at him.
“ Right.” Hyun-Su said. “ I’m gonna lift you. It’s easier okay.”
He carried you to the room where Yu-ri works in. She patched you up carefully, Meanwhile you tried hard not to curse. While Hyun-Su stared with his lost eyes.
Once Yu-ri left you spoke.
“ Don’t keep looking like that.” You tell him.
“ What?”
You pause for second your heartbreaks a little, “ You look so lost. Why don’t you just share what your thinking?” Hyun-Su looks taken back but you go on.“ Hyun-Su, I won’t judge you for how you feel. I want you to tell me not keep it bottled up inside. Out of all the people still left in this word I won’t be the one to judge you.”
You watch a tear slowly falls down his face, you reach up brushing it away softly. He grabs your hand pushing your palm against his face. It’s like he said it all in that moment. More of his tears fall for the first time it’s like a wall had fallen down slowly. You watch him breakdown right in front of you. It hurt you to see. You pull his head down to rest between your neck and shoulders. Massaging his head gently.
“ I’m here, Hyun-Su.”
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A/N: Okay this is my first time writing anything that has so many parts to contribute in and my first Kdrama. Hopefully this is good. I might end up switching or adding more the ending. Let me know if you have any tips and/or misspellings.
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solaariia · 2 months
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the self-concept
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hellour! this is gonna be a long post!
.・。.・゜✭・.・✫・゜・。.
i was studying for my social psychology course today (for context i'm a psych major) and read something that might be helpful for everyone who's been having doubts about manifestation subconsciously being part of our everyday lives—as opposed to something made up by the internet.
the information i'm about to provide is from actual sociologists and psychologists, so this is rooted in studies. i promise i'm not about to pull info out of my ass! this is mainly just a very very brief summary of the self concept chapter we're reading about in class.
side note, i named all the researchers in case you wanna check out their work yourself! i made this post to provide insight about our self-concept and clear limiting beliefs. :)
what is self-concept?
so we hear the term self-concept a lot in the manifestation community. Neville, Edward, Sammy, Dr Joe Dispenza, bloggers on tumblr… all of them talk about it all the time. but what does it actually mean?
the self-concept refers to the total sum of beliefs that people have about themselves. it consists of cognitive molecules that social psychologist Hazel Markus called self-schemas. these are the beliefs about ourselves that guide the processing of self relevant information. but what does this actually mean?
well, self-schemas are to the self-concept what books are to a library. if someone asks about yourself, you will probably answer with something quick like: “i am a woman” or “i am a student.” those simple attributes are part of your self-schema; if we want to go deeper, body weight is also a self-schema. for people who regard weight as a crucial part of their beliefs, something simple like a gym trip with friends or buying stuff at the supermarket may trigger thoughts about the self. but if a person is aschematic (not concerned by a certain attribute) about body weight, no thoughts will pop up.
we already know that the self is a special object of our attention. whether its a thought or a song, our consciousness is like a spotlight. this means that it can shine on one object at one point in time, yet shift rapidly from one object to another and process information outside of awareness. in this spotlight, the self is at the forefront of our minds. its what's most important to us at that moment. keep this in mind for later!
to finish with the explanations, neurologist Oliver Sacks highlighted two important points about the self:
🩷 there is a private “inner” self, and an “outer” self we show to others. if we don’t self reflect to understand how were feeling, how will we understand our emotions and actions?
🩷 the self is heavily influenced by social factors.
now–what does that last point mean? well, what we think about ourselves is rooted from childhood. if we grow up hearing “you’ll never amount to anything” or “you’re my favorite child” (extreme examples i know), then that's what we’ll ingrain in our self-concept. this notion brings me to the fun stuff–the studies!
is self-concept scientifically proven?
psychologist Gordon Gallup performed a series of studies where he put animals in front of a mirror to test if they could recognize themselves. at first, they vocalized and greeted themselves in the mirror (my dog did this too when he was a pup, he would bark at his own reflection and play with it), but after several days, only great apes seemed capable of self recognition, using the mirror just like any other human would. grooming themselves, making faces… in short, they recognized themselves!
why do i bring this experiment up? well, this proves that the concept of “me” is necessary to define our self-concept. we must first recognize ourselves as Something to become Someone.
using that same study in humans, this process of self-recognition begins between 18-24 months. which means that from this point onwards we start to define Self (consciousness).
you might read this and–admittedly–think: “oh this blog post hasn’t said anything about manifestation!” true, but i want to present the basics or self-concept first to understand how it affects our daily thoughts!
there was another experiment we talked about in one of my lectures (i do not remember who performed this study specifically, but Dr Patrick Heck did one similar to this one and the results were the same), where participants were told to take a test. half of them were told to boast about themselves, and the rest were instructed to describe themselves modestly. naturally, participants who spoke highly of themselves scored higher on these tests than participants who didn’t. so… you all see where i’m going with this.
remember how i said to keep the “consciousness is a spotlight” paragraph in mind? i’ll finally touch on it with this next and last thing i’m gonna talk about (in this post at least!).
we already established that the first step in the evolution of our self-concept is the ability to recognize ourselves as Someone. the second step, however, involves social factors. sociologist Charles Horton Cooley introduced the term looking-glass self to suggest that other people serve as a mirror in which we see ourselves. and another sociologist by the name of George Herbert added that the only way to know ourselves is by imagining the opinions of our significant others and applying them to our self-concepts. sounds familiar?
how do i change my self-concept?
Neville mentioned the “mirror-self” on his conferences too. he said that one of his favorite techniques to better his Self was to imagine a loved one speaking kindly of himself. in his book Your Faith is Your Fortune, Neville wrote: “Stop trying to change the world since it is only the mirror. Man’s attempt to change the world by force is as fruitless as breaking a mirror in the hope of changing his face. Leave the mirror and change your face. Leave the world alone and change your conceptions of yourself. The reflection then will be satisfactory.”
since the self-concept is a library (our perception of Self) made out of self-schemas (books brought to us by our peers), we can see that sometimes, what we think of ourselves is just an amalgamation of beliefs implanted to us by the people in our lives. so if we were given these books we don’t like, why should we keep them in our library?
to change these negative beliefs we have about ourselves, all we have to do is replace them with positive ones. i know, i know, this is what every person who studies loa and manifestation regurgitates over and over. its nothing that hasn’t been posted to numerous blogs or twitter threads before.
however, the point about this whole post is to tell you why that is the only way to change your self-concept. if your daily thoughts are filled with phrases like: “my sp doesn’t want me” and “i’m so broke” or “what’s the point? this is all worthless anyways.” STOP. DROP. CHANGE.
journal. write your limiting beliefs in your ipad, paper, wood, stone–whatever.
use your hands to apply muscle memory. once you have them, CROSS THEM OUT!
i can’t manifest = I CAN MANIFEST EVERYTHING I WANT
i hope i shift tonight = I KNOW I SHIFT EVERY NIGHT
i wish i had money = I HAVE ALL THE MONEY I WANT AND MORE
just those small changes are enough to rewire your entire self-concept. also, exposure. the more exposure you have to something, the more insecure it will make you. if you’re having a hard time manifesting, remove all blogs, twitter accounts, and people that limit your beliefs. less exposure to negativity = less negativity reflected in your self-concept.
problems with the Self will always be there. if you remove a negative belief, another will pop up. all you can do is learn more about your “inner” self and recognize how you’re feeling. what you can do is focus on the positives, and automatically, your self-concept will change.
persist in the assumption until it becomes your reality!
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.・。.・゜✭・.・✫・゜・。.
thank you all for making it this far! just in case, the book i got this information from is Social Psychology 11th Edition authored by Kassin, Fein and, H.R. Markus. there’s a lot of interesting information on this academic book that is similar to the ones Dr Joe Dispenza has written, so i could make another post like this in the future! take care!
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devildom-drabbles · 1 year
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Snippet - Last Name
How would each of the demon brothers react to MC saying that they’ll give him their last name?
“There aren’t any demons or angels that have last names, right?” MC randomly questioned the demon brother they were spending time with.  “Why is that?”
The demon explained how the beings in the Devildom and Celestial Realm were given one-of-a-kind names to distinguish them from others, unlike how many humans can share the same (first) name.  As such, having a second name was unnecessary.  Titles were more common to further establish their individuality, such as “Morning Star” for Lucifer and “Jewel of the Heavens” for Asmodeus when the two of them were angels.
“Do you wish you had a last name?” MC inquired.
The demon was mostly indifferent on the matter, but he did mention how he particularly liked MC’s last name. 
“In that case, I’ll give you my last name someday,” MC remarked in a casual manner.
He opened his mouth to reply but paused upon realizing what MC might’ve been implying.  A human typically would only share their last name with someone else when they were getting married to that individual.
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Lucifer felt a surge of pride in his chest at the notion that MC intended to offer their last name (and their hand in marriage) to him alone.  Still, from how nonchalantly they had presented the notion, he had to make sure that both of them understood it in the same way. “You’re aware of what that would mean for us, right?” he asked them.  “It’s not something to take lightly, even if I’m not human.”  After watching MC nod their head confidently, a small grin tugged at Lucifer’s lips.  “Good.  Seeing as how you already belong to me, MC, it’s only natural that your last name would become mine, as well.  I look forward to when that day officially comes.”  (Time to start planning a real marriage proposal, Lucifer thought to himself.)
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Mammon managed to choke on his saliva when he pieced together what MC likely was implying, which, on the bright side, provided him with an excuse as to why his cheeks were flushed.  All the money and rare treasures in the Devildom could never compare to the value of having MC’s last name all to himself.  “Th-The Great Mammon accepts your gift!” he declared once he finished coughing.  “If you’re gonna give your last name to anyone, obviously it’s gonna be me.  That means no one else can have it, got it?  No changin’ your mind, either!  A-And...don’t take too long to hand it over to me, ‘cause I’m ready to take it anytime.”  (Well, first, Mammon just needed to narrow down the best ring to give MC from his secret growing collection.)
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Leviathan could've probably rattled off the long title of a human world anime that had a scene similar to this—that is, if he wasn’t currently short-circuiting in front of MC.  “Y-Y-Y-You’d give your l-l-last name to a gross shut-in otaku like m-me?!” he asked incredulously.  “You mean it?!  Are you sure?!”  Once MC reaffirmed their promise, Levi was certain he could die happy (but not right now!).  “Oh man, it feels like I just unlocked the highest ranking class in an RPG!  MC, I’ll wear your last name proudly and do everything I can to make sure you won’t regret choosing me to have it!  ...Uh, when I do get your last name, I mean.”  (Levi started focusing more on anime and game content that included marriage as references for how to be a good husband for MC in the future.)
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Satan was left dumbfounded for a moment as he processed what MC was telling him.  “So then, you’re saying...you want to marry me at some point, correct?” he bluntly questioned them.  MC confirmed his suspicion, which brought a light blush to his face coupled with a pleased smile.  Although there was no record of a demon and human ever marrying each other, he couldn’t deny that he also wanted this with MC.  “All right.  I’ll make your dream a reality, and in return, you’ll share your last name with me.  This means we’ll spend the rest of your days together, too.  Let’s build a love so strong it’ll be the envy of all romance novels and poetry.”  (Afterward, while he was researching human marriage customs, he suddenly wondered if the cats he wanted to adopt with MC would also acquire their last name.)
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Asmodeus squealed and bounced cheerfully in place before wrapping his arms around MC in a tight embrace.  Normally the concept of being permanently tied to someone would be unappealing to Asmo, but those qualms became nonexistent when it involved MC.  “I love you so much, MC!  I’ll make you the happiest human in all the three realms as Asmodeus [Last Name]!  Oh wow, my name was already gorgeous by itself, but with your last name added to it, it’s even better!  Come on, let’s get a pre-engagement photo together.  I can’t wait to brag to everyone on Devilgram about this.”  (Since MC already offered him their last name, Asmo decided that he’d be the one to get them an engagement ring.  But if MC buys him one, too, he certainly won’t complain.)
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Beelzebub’s eyes twinkled with pure joy at MC’s promise.  “Really?  I’d like that a lot, MC,” he told them.  His words may have been a bit of an understatement, considering MC’s declaration filled him with so much glee that it was enough to satisfy the seemingly endless void in his stomach.  He couldn’t hold back his wide grin as he took their hands in his own and continued, “When I have your last name, we can finally be our own family.  We’ll wake up together, make breakfast together, go out for lunch together, eat dinner together...  Oh, yeah, I guess we mostly do that already, but it’ll be even more special than it is now.  Hehe, I can’t wait.”  (Despite the frequent distractions of thinking about wedding cake, Beel did take active steps to ensure that he’d be able to actually receive their last name.)
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Belphegor perked up in surprise from MC’s words, the constant nagging urge to sleep vanishing in an instant.  He feared he may have accidentally dozed off mid-conversation and only dreamed of MC wanting him to have their last name.  Fortunately, the look on their face assured him that he had been awake, so his expression softened into genuine delight as he replied, “Okay, I like the sound of that.”  Rather than ending it there, his mischief (and inner excitement) got the better of him, causing him to add, “Although, if you’re planning to give your last name to me, then that also means I can take it anytime I want, right?  Even if it’s sooner than you expect?  Because I might just do that.”  (Belphie now had an unusually high level of motivation to take the next step in his relationship with MC.)
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bleucalire · 4 months
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Hello!!! I literally adore your art style! The way you manage to add depth and perspective to your faces without heavy use of facial planes is really impressive because my art looks similar to yours, (but without the depth) but every time I try to use facial planes it just doesn't work with my style. Do you have any art tutorials or pics with guidelines?? and if not would you ever consider making any?
once again LOVE your art your azi and crowley are just ADORABLE!!
thanks!!
Hi !! Thank you for your kind message !!
I’m afraid I don’t have any strict process that i could explain..? Except A LOT of training ? 😭 I can share how I like to train though ! (it’s often warm-ups before starting working)
- Posemaniacs !!!
20min of 45sec-1min poses every morning is a super cool warm-up, and it forces you to be quick and go to the point ! No unnecessary lines ! (Posting my sketches because i often see people who starts using it trying to do super detailed pics, with a lot of lines, and can’t finish their sketches before the time limit. Loose sketches are fine, you want to get the pose, the perspective, the overall volume, not to create a masterpiece. Posemaniacs is super rad because it helps you learn how to draw any pose from any angle. Also they have a bank of hundreds of 3D models with various poses you can move and turn how you like in a 3D space when you want a reference for when you’re drawing !)
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- Do studies from animators/series you like !
Sakugabooru is a mine of references for that ! (i do both movement studies and still of frames i find super cool/instructive) Animators try hard to convey the depth/volumes, even on simple designs, so that’s good references (and yes i’m a kameda simp)
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- Pictures of real people !/Real people from real life !!
For studying poses, clothes etc ! (Super rough and not detailed sketches like these ↓ help me a lot ! Sports references are cool ! Try to stay concise, not too many details ! It will leave you more time to do even more studies, and it forces you to find the essential points and lines of what you want to draw !)
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- Michel Lauricella’s Books !!!
Suuuuper useful !! Also always checking them at work ! (My books are at work so sending my studies as well 🙈)
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As for the style, most of the series i work on have a « simple style » (i like it when there’s not too many lines because it’s easier and funnier to animate). So i’m used to it and it’s reflecting on my Azi and Crowley i think ! If you like my style i can recommend you to do studies from Ousama Ranking, Mob Pyscho, Sherlock Hound, Doraemon, The Gutsy Frog, (and many more haha) (also of course 80’s-90’s Aoyama Gosho’s works ! Magic Kaito, Late Yaiba/Early Detective Conan ! The expressions I draw are heaaaavily influenced by it, as it’s the first thing I actively studied)
I hope it gives you ideas to dig when you want to train a bit !
Thank you again for your kind message ! Have a nice day !!
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verysillystarr · 2 months
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𝙸'𝚖 𝚐𝚘𝚗𝚗𝚊 𝚐𝚎𝚝 𝚢𝚊 (𝙸'𝚕𝚕 𝚐𝚎𝚝 𝚢𝚊!)
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One way, or another, I'm gonna find ya
I'm gonna meet ya, meet ya, meet ya, meet ya
One way, or another, I'm gonna win ya, I'll get ya, I'll get ya
One way, or another, I'm gonna see ya - Blondie
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☆: I originally got this idea from a fic I read but most of the credits got to them
★: Lucifer Morningstar (Magne) x Reader
☆: Mentions of kidnapping and yandere behavior(I think?)
★: Gender-Neutral reader.
☆: Reader is 20-23
★: This is a oneshot
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Short Summary: Who would've guessed that a certain devil liked you in particular? Unfortunately, there's no way out for you..
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Your friend kept telling you how good this show was. 'Hazbin hotel' I think? It was actually quite popular from what you know, and you already had prime so there was no hassle for you to watch it.
Surprisingly it was quite good. Even had some likeable characters. You only started watching yesterday and now you're on episode 5! Lucifers' character stood out to you. He was so, in a way, goofy but also kind of charming.
Though.. it felt like he was looking directly at you sometimes when facing at the screen. Or maybe that's just something the animators did intentionally. It wasn't that important just slightly off-putting.
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Your phones clock read 5:30. Didn't realize it was getting so late. Guess that's what happens when you spend so much time watching TV.
That show can wait till tomorrow, it did kinda waste your day. Though it was hard to shake that feeling that someone was watching you.
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You were confused why the next episode was playing. " I could've sworn I turned it off last night."
[ Breif time skip ]
You finished the show. Although, it did dim your mood that it was already over. So much had happened. Yet you'll have to wait for the next season to come out.
Oh well, you could always - " Hello dear! "
That's not right at all.
After the credits ended the screen went black. Meaning it was over. Meaning Lucifer Morningstar should most definitely not be on your TV screen.
" Are you.. talking to me? "
" I don't see any other person in your room. "
You had to sit down on your bed to process this.
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" Y'know, Y/N , I've been watching you for a while now. And what else can I say beside you have most definitely peaked my interest! "
" .. But aren't you.. you know, Satan? The devil himself. Why would I be interesting to you? "
At first you assumed this was a hallucination. Maybe your mind was playing tricks on you. But this was to real to not be happening.
That explains a little too much actually. The feeling of being watched was actually true.
But this can't be. He's fake. He's just a drawing basically. He's stuck on a screen. Which actually calms you down a bit.
It made you feel eased that he wasn't actually there. But you were still tense.
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" Listen, I don't what you want from me but- "
"Oh it's quite simple my love! I want you to come here! With me! I can do more than a few tricks. And perhaps treat you better than anyone ever could? Or do you need more convincing ? "
He must be delusional to think you're coming with him. Quite honestly he talks too much..
In attempt to escape him you tried turning off your TV. And it.. didn't work. He must have done something.
Unfortunately he knew and (threatened) "persuaded" you to hear him out.
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" Uh- hey! It's kinda rude to push someone who loves you away! "
" You're not real. "
" So I guess I'll have to make you come with me then? "
You laid down slightly, not really sure of how much he could do.
" As much as I hate to tell you this there's nothing you can do. You're trapped in there and I'm , thankful , not. So good luck trying to- "
There was a loud sound of something banging against the screen three times and then a shattering sound.. you flinched at it.
And there he was. Standing right at the foot of your bed looking smugly.
" You were saying something about 'being trapped' sweetheart? "
Oh Lord.
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ghibli-collector · 5 months
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Another interesting article about the new Ghibli film Boy and the Heron with great insights into Miyazaki’s relationship with Joe Hisaishi and Toshio Suzuki making films over the years. Again it has a few spoilers
What’s it like to work with Hayao Miyazaki? Go behind the scenes.
News of Hayao Miyazaki’s retirement can’t ever be trusted.
The Japanese animation master’s repeated claims that he’ll give up filmmaking are a response to the strain that creating each of his largely hand-drawn universes entails. At least that’s what Toshio Suzuki, a founder of Studio Ghibli and Miyazaki’s right-hand man for the past 40 years, believes.
"Every time he finishes a film, he’s so exhausted he can’t think about the next project,” Suzuki explains. "He’s used up his energy physically and mentally. He needs some time to clear his mind. And to have a blank canvas to come up with new ideas.”
A decade after 2013’s "The Wind Rises” was heralded as Miyazaki’s final film, the 82-year-old auteur’s newest feature, "The Boy and the Heron,” is being released in the United States after major success in Japan over the summer, where it opened without any traditional publicity.
Though the director hasn’t given any interviews about "The Boy and the Heron,” Suzuki, 75, who is also a veteran producer, and Joe Hisaishi, 72, the longtime composer on Miyazaki’s movies, describe in separate video interviews the master’s working process and how their collaborations have evolved — or not — over the years.
Suzuki is casually dressed and speaking, via an interpreter, from Japan, where he sits next to a pillow emblazoned with Totoro, the bearlike troll that serves as the studio’s logo. He says the new fantasy film is Miyazaki’s most personal yet. Set in the final days of World War II, the tale follows 11-year-old Mahito, who, after losing his mother in a fire, moves to the countryside, where a magical realm beckons him.
"At the start of this project, Miyazaki came to me and asked me, ‘This is going to be about my story, is that going to be OK?’ I just nodded,” Suzuki recalls with the matter-of-factness of someone who’s learned it would be futile to stand in the way of the director.
For a long time, he says, Miyazaki worried that if he made a movie about a young male, inspiration would inevitably be drawn from his own childhood, which he felt might not make for an interesting narrative. Growing up, Miyazaki had trouble communicating with people and expressed himself instead by drawing pictures.
"I noticed that with this film, where he portrayed himself as a protagonist, he included a lot of humorous moments in order to cover up that the boy, based on himself, is very sensitive and pessimistic,” Suzuki says. "That was interesting to see.”
If Miyazaki is the boy, Suzuki adds, then he himself is the heron, a mischievous flying entity in the story that pushes the young hero to keep going. Director Isao Takahata, Studio Ghibli’s third foundational musketeer, who died in 2018, is represented onscreen by Granduncle, a wise but weathered figure who controls the fantastical world Mahito ventures into.
Suzuki first met Miyazaki in the late 1970s, when the animator was making his first feature, "Lupin III: The Castle of Cagliostro,” an amusing caper. Back then, Suzuki was a journalist hoping to interview him.
But Miyazaki, who was working on a storyboard, had no interest in talking and ignored him. "Out of kindness, I thought it was a good thing to introduce his works to my readers, and for him to be very cranky and disrespectful, I was very angry,” Suzuki remembers.
He stuck around the studio for two more days of silence. On the third, Miyazaki asked him if he knew a term for a car overtaking another during a chase. Suzuki’s reply, a specific Japanese expression for such action, finally broke the ice and kick-started their long-term relationship.
"Miyazaki still remembers that first meeting, too,” Suzuki says. "He thought that I was a person not to be trusted. And that’s why he was very cautious about talking to me.”
Over the years, Suzuki has become increasingly indispensable for Miyazaki. "He always tells me, ‘Suzuki-san, can you remember the important things for me?’ And then he feels that he can forget about all the important things not concerning his films. I have to remember them for him,” Suzuki says.
Best friends more than mere collaborators, Miyazaki and Suzuki talk every day, even if there’s nothing urgent to discuss, and make it a rule to meet in person on Mondays and Thursdays. "What we talk about is very trivial most times, I guess he feels lonely or misses me, but it’s always him who calls me. I never call him,” Suzuki says, adding with a laugh, "Sometimes he even calls me in the middle of the night, like at 3 a.m., and the first thing he says is, ‘Were you awake?’ And obviously I was not. I’m in bed!”
In contrast, Hisaishi, the composer who first worked with Miyazaki on the 1984 feature "Nausicaa of the Valley of the Wind,” has a strictly professional relationship with him.
"We don’t see each other in private,” Hisaishi, wearing an elegant sweater, says through a translator. "We don’t eat together. We don’t drink together. We only meet to discuss things for work.” That emotional distance, he adds, is what has made their partnership over 11 films so creatively fruitful.
"People think that if you really know a person’s full character then you can have a good working relationship, but that doesn’t necessarily hold true,” Hisaishi says. "What is most important to me is to compose music. The most important thing in life to Miyazaki is to draw pictures. We are both focused on those most important things in our lives.”
On "The Boy and the Heron,” Miyazaki didn’t provide Hisaishi with any instruction. The musician watched the film only when it was nearly completed but still with no sound or dialogue. At that point Miyazaki simply said to Hisaishi, "I just leave it up to you.”
"I feel he was just thinking that he could rely on me and expected me to come up with something,” Hisaishi says. "I feel like I was very much trusted to do this.”
For all of their previous collaborations, Miyazaki would bring on Hisaishi to discuss once three out of the four or five parts of the storyboard for a new film were ready. That the process changed this time was possible only because of their shared history.
"It’s as if we’ve been Olympic athletes making a film once every four years for 40 years,” Hisaishi says. "It’s been a long time of training and performing. When I look back I’m amazed that I could write music for these very different films.”
In his contemporary classical work, Hisaishi had been working on minimalist compositions with repeating patterns, and he took that approach to the new film.
While he maintains they are just colleagues, every January for the past 15 years, Hisaishi has composed a small tune, recorded it on a piano and sent it to Miyazaki as a birthday present. This tradition has now become the seasoned musician’s lucky charm.
"After about three times I thought, ‘This has probably run its course,’” Hisaishi recalls. "I didn’t send one the following year. That whole year I wasn’t able to work very well. It was sort of a jinx that I had not sent him something, so I started sending him the music again for his birthday,” he adds with a laugh.
Both Hisaishi and Suzuki say their interactions with Miyazaki have not changed much over the decades. On the contrary, the men have become staunch creatures of habit.
Asked why his profound connection with Miyazaki has endured so long, Suzuki says: "I don’t necessarily agree, but he once told me, ‘I’ve never met someone so similar to me. You are the last person that I will meet like that.’”
BY CARLOS AGUILAR
THE NEW YORK TIMES
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pyrondeeznutz · 9 months
Text
Ticci Toby Headcanons
PT.02
Toby Rogers proxy headcanons. See pre-proxy headcanons here ⬇️
CW: Descriptions of gore, violence, dark themes, abuse.
<NOTE> Once again this is very long cuz I have a lot of thoughts about Tobys character + story. I didn’t go as in depth with his story cuz I dont know if you guys are interested in that. I have his entire life start to finish planned out in my head so just let me know if anyones interested
TICCI TOBY .
For the first four months after the fire, Toby was completely under the influence of The Slenderman.
He was completely dissociated from the world around him. Toby would get an urge, an intrusion, and he would act on it and thats about the amount of control he had
The boy didn’t initially want to kill. He didn’t know what was happening and he felt like he was losing his mind. It was genuinely terrifying not knowing what was real or fake, not knowing why he coughed up blood or felt static in his head
Or why he felt like something was watching him wherever he went
Toby would find shelter in abandoned cabins littered around the forest he frequently ‘came to’ in, crashing at random junkies places, or even sleeping in trees
Slowly over those four months, he found himself losing track of time. He would wake up and days had passed, not knowing where he was or what he did
Sometimes he’d ‘come to’ with blood on his hands. Toby never knew if it was his or not.
He eventually began forgetting many things of his past. They would simply slip his mind. It started with his childhood, then the faces of his family, then the things they did, their voices, his sister, his mother, his father, his actions. It all became a big blur that eventually faded into nothing
Toby was too separated from reality to care or notice. He could barely process the present moment, he was working completely on autopilot almost as if someone or something else was in control. It’s not like He would let Toby dig into his past anyways
This was Tobys life for the first start. But then it got progressively worse as so did his mental state
He was already a sadistic fuck who secretly took pleasure in hurting others (but god knows he wouldn’t have ever admitted that in the past), so when he had his first target, it wasn’t difficult to push him over the edge
It wasn’t as if he hadn’t killed someone before, he knows by the places he had woken up in and the blood on his hands that he’d done some awful things when he wasn’t quite “awake”
He should’ve been freaked out, but Toby knew what he was capable of. And a part of him liked knowing he had that capability to take another persons life without hesitation
UNDERGROUND .
But despite this power, he was sick. He was plagued with Slender Sickness. The parasite burrowed in his mind and his body and now he was a conduit for The Slenderman
The forest Toby usually hid out in was typically called “Slender Forest”, or sometimes just “The Forest”. It was Slender himself. The forest was apart of Slenderman. The roots were his tendrils, the trees were his eyes, the ground was his skin.
The forest existed outside of the bounds of reality and could only be accessed if you were connected to Slender in some way. If you had access to The Slenderman, you had access to the forest
And most people who were like Toby would seek shelter there as it was the best place to hide from civilization and the authorities
The edge of the forest was connected directly to the real world. It was your typical woods with hiking trails, open areas for campers, and was right on the edge of a highway near a lake
The more you go into that forest (if you have initial access to it) the more you’d be entering Slender Forest. It gets darker, colder, the terrain is flat and repetitive
Deeper you go, darker it gets. Toby always felt like he was in a liminal space when he was in that forest, but in the way it feels like being carried to bed from a car ride by your father when you were 4 years old
Eerily familiar and nostalgic, even though there was no way in hell Toby had ever been there before becoming ‘sick’
Over the months Toby would find himself meeting more and more people like himself. Some by chance, some by the metaphorical hands of The Slenderman
This kid was a freak, a weird guy who was just generally uncomfortable to be around. He was unsocialized and an antisocial prick and you could easily tell that there was something fundamentally wrong with him
So no matter who he met, and even if they were just like him, Toby would never really get along with anyone
Toby had bad anger issues and would always pick fights with the others. When he met Hoodie and Masky, two men who were supposedly the same as him, he lost his shit
It caused a lot of problems at the beginning. But it hurt when he went against Slenders orders. It hurt. And to someone not used to feeling pain, it felt like eternal hell when he defied orders
Job after job, murder after murder, all the time lost. They spread the sickness, tied up loose ends, fell victim to the eldritch parasite. The group got to know each other in the most twisted circumstances
PROXY .
There are two types of relationship you could have with The Slenderman
You could be a proxy, a direct pawn for him, a spreader of the sickness, a vessel to allow Slender to interact with reality outside of his forest
Or you could be a Creep, a killer, entity, or person with connections to Slender or proxies but not useful/of interest enough to use as a vessel or pawn
Toby was a proxy. One of the top, the closest to Slender, one of the most used by him. And he was as obedient as he could be
The boy was lazy, but dedicated. He got the job done but he got it done messily and carelessly. Starting forest fires, leaving bodies to be found, letting victims go just for the thrill of chasing them, starting fights with connections, mouthing off, etc
This would piss his ‘coworkers’ right the fuck off because now they’re left to clean up his messes
He didn’t care though. He was hyper, reckless, and he always wanted more. Anything to keep him busy
More murder, more drama, more fights, more jobs, more sickness, more connections. More more more more
As time passed, Masky and Hoodie would beat the boy into shape and he would bite back like a bad dog. But he learnt how to survive the world, and he was crafty
Sometimes they'd go weeks and maybe a month without getting any direction from Slenderman. They were all horribly bored
It was so fucking boring
But after everything he's done, all the shit he's seen, all the people he's killed and convinced to start killing, after everyone hes led into Slendermans trap
There was no way in hell this boy could ever find redemption
This was what he was built for. Toby Rogers burned to ash in that fire, and like a phoenix Slenderman pulled him out and crafted him like clay
Just like he molded Masky and Hoodie
This group was in it together whether they liked it or not
BAD DOG .
Now this kid was a menace. He was a fucked up kid who never really grew out of his conduct issues, he grew into them
A spitting image of his father. Bitter, mean, and alone.
He wasn’t friendly. He was a loud-mouthed, arrogant asshole who said and did whatever he wanted to. He would mercilessly tease and put people down just to be on top, and god forbid anybody hurt his fragile ego
Masky and Hoodie would often beat the shit out of him if he caused problems, even if he couldnt feel it. They knew he hated feeling small, and so when he stepped out of line or did something risky they would do just that
Everybody always made him feel small, and he'd do anything in his power to fight back
He spent so many years of his life not being able to do anything in his childhood. He spent so many years being a victim to those who were bigger than him when he was supposed to be nurtured and cared for
And he was so fucking angry. Toby would take these feelings out on his victims. The sense of power over them was exhilarating. It made him feel alive. For once in his life he made sure that no one would ever fuck with him again, he was finally capable of standing up for himself
Their life was in his hands. He loved chasing them through the forest or hearing them beg for his mercy. He loved the feeling of having the capability to beat someone into submission
He would target people who rejected him or made him feel like a freak just for that powertrip. So his victims were primarily girls at bars who treated him like he was a creep, or people who insulted him on the streets
Toby was a stalker. He would hunt them down and wait for the moment they forgot to lock their door at night or made the mistake of taking a shortcut through an alleyway
The boy wouldn’t let anybody fuck with him like that. He was a bully who pushed people around and hurt them if they went against him
But that was just his victims, he was always just the runt of the group back in his world. He wasn’t smart or mature or wise as those other guys were. He was a reckless idiot who never thought twice and would lose himself to dramatics
And so Toby couldn’t ever really escape the bullying and abuse. He was forever stuck being powerless
This reflected back badly onto his behaviour where he would get more and more reckless and do more risky things just to do more. He needed more. He craved stimulation and was a bit of an adrenaline junkie to a fault
Toby never considered consequences. He was an asshole who said and did whatever he wanted. He didnt give a fuck about boundaries or others feelings, and god knows he never once felt bad for the things he did or said
But while he was just like his father, he had his mothers heart. In another world where he was properly nurtured as a child Toby would’ve been a sweetheart who did good in the world
On the rare occasions where he shut his mouth, you could see this in him. He would sometimes awkwardly sit by people who were having a tough time, not really saying anything but just being there. Or he would give advice in the most annoying, intrusive ways. He always meant well though
But he never let this side show. He was far too paranoid and far too angry to ever be that vulnerable with someone
Toby had a good sense of acting though. He had a knack for theatrics and was very good at putting on a show. He could play a troubled teen, a victim of circumstance. Or he could play a stupid naive idiot who was more like a hyper child than anything.
Sometimes he played into the act so well people would completely forget what he was capable of, and what he’s done, until he got pissed off and starting threatening to hurt them
It was eerie at how well the boy could manipulate people
DIRTY WORK .
At the start, Toby glamorized and idealized his situation and The Slenderman. The strange creature was like a god to him, and Toby wouldn’t ever fight against His commands
But as more time passed and more atrocities were committed, after all the pain and suffering, he began to absolutely hate the life he was given
He began understand all of Brians resentment, all of Tims anger
No matter what he felt about it, there was no getting out. Toby couldn’t die, he couldn’t run, he couldn’t hide. There was absolutely no escaping the sickness
He was always watching
Toby did what he did, and he would forever be a puppet to this thing.
Sometimes he would sit alone in the pews of a Church, not to pray or seek forgiveness, but because in a house of worship and holiness the sickness subdued for a short while
The boy wasn’t built for hope and forgiveness anyways. He couldn’t imagine any sort of future for himself and just took everything day by day, moment by moment
So the next few years of his life was spent crashing in abandoned cabins or Tims apartment, ruining every good thing in his life, patrolling the forest, washing blood off of his hands and losing so much time to Him
And for those next few years, Toby would spend every waking moment wishing he was never saved in that fire
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art · 2 years
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Creator Spotlight: @velinxi​
Hello! I’m Xiao Tong Kong, better known as “Velinxi.” I’m the creator of the webcomic Countdown to Countdown and have been doing freelance artwork since I was a teenager. I love telling stories with my illustrations! Tumblr was where I first got my start as an artist, specifically a small fandom artist as a hobby… and now I’m somehow here! When I’m not trying my best to stay awake in front of my tablets, I’m usually cooking, gaming, or sleeping. Sometimes all three, in my dreams.
Check out our interview with Velinxi below!
Did you originally have a background in art? If not, how did you start?
Yeah! I’ve basically been on track to become an artist since I was a child. I went to a middle school with an emphasis on arts and a high school specializing in it. I went to SVA briefly for computer arts but dropped out to pursue freelance and webcomics after my first year.
Over the years as an artist, what or who were your biggest inspirations behind your creativity?
My biggest inspirations growing up were Yuumei and Shilin Huang, two titans on DeviantArt back in the day. They still inspire me today, but the list of inspirations has grown exponentially over the years, including artists, movies, entire art movements, etc.
What was your thought process behind the creation of your webcomic, Countdown to Countdown?
Well, Countdown to Countdown started as a passion project back when I was 15, in high school, and pretty depressed. I just wanted to draw whatever story I thought was cool, inspired by my favorite media at the time. There was a very loose beginning and outline, but I was truly just writing as I drew the story. That’s why I had to stop the comic in 2018 and restart from scratch the year after. Now, the story has a set story and a clear outline. It still has similar roots, characters, and themes of neglect, abuse, and escape—but I think the story is a lot easier to follow now. It’s got an artstyle I can actually keep up with in the long run. The origin of why CTC exists also remains the same: I simply wanted to make a story I wanted to read for myself. Which happens to be about two dumb boys with superpowers navigating a hostile world that wants them dead or caged—together.
Have you ever had an art block? If so, how did you overcome it?
Oh, all the time. It’s part of the process. Personally, though—I just have to draw through it. Every month on my Patreon, I have my patrons vote on a theme I have to draw by the end of the month, and I try my best to make it as interesting as possible. I draw quite a few—tens even, of doodles or compositions for each of these themes to try to make something that tells a story while still being aesthetically pleasing and clear. I think pushing myself like this helps with art block, really. I also do remember to take breaks and simply consume other media I like! It gets the inspiration juices flowing.
Advice you would give to an aspiring creator?
If you do one—your first webcomic should be a short, fun, messy thing. It’s not often you can get it right the first time, but you’ll certainly learn a lot through sheer experience. This goes for a lot of things in art, to be honest.
What is a medium that you have always been intrigued by but would never use yourself?
3D Animation. I briefly learned it at SVA, and I think that’s enough of that tech for me. I accept that there are some things that are truly beautiful if done right, and I am too simple and lazy for it.
What is your goal for the rest of this year?
Get Countdown to Countdown book 2 finished! And live HAHA
Who on Tumblr inspires you and why?
@yuumei-art on Tumblr, still! They’ve been a huge inspiration for digital artists and storytellers online for years. I have no doubt that many digital artists of my generation have been influenced by them, and they’re still here, making beautiful art and stories. It’s a thing to behold.
Thanks for stopping by, Velinxi! If you haven’t seen her Meet the Artist piece, be sure to check it out here. You can also follow her for more amazing art over at her Tumblr, @velinxi!
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spaceplush · 5 months
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Making a Crowley Plush from Good Omens Part 1
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I’ve been working on a Crowley plush for a few weeks now. He’s a redesign of my old Crowley from four years ago. He’s not finished yet, but I thought it might be nice to show my progress and talk about my process a bit. More below!
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The first step was redesigning the embroidery. Thankfully I didn’t have to do too much. I gave the snake tattoo a red belly, elongated the eye pupils, and thickened the mouth. Crowley’s eyes are actually a triple color gradient, which is a pain to make in the software I use.
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Next, I sewed the plush together. Before I started these, I decided I wanted them to be scented. (Macintosh Apple for Crowley & Brandied Pear for Aziraphale). I added a zipper pouch to the back and it only took three attempts because I don’t make these very often and I definitely didn’t forget how. Yes, the plushies have fruit embroidery on their butts.
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Here are both Aziraphale & Crowley unstuffed. Crowley is rocking that Troll hair.
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✨Star Nipples✨
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Post hair cut. I used a long pile faux fur for Crowley’s hair, shaved it down, then styled it with product made specifically for synthetic fibers. It took a few hours. And he do got a booty.
So why the star nips and butt? The truth is…I just think it’s funny and I recently got into kpop plush dolls, which have very silly and interesting embroidery. This was a little experimentation with that particular style.
The butt is thread sculpted the same way paws are sculpted on stuffed animals and Crowley’s blushing cheeks are made with real blush. It’s washable and fades over time, which is perfect if you don’t want to permanently stain the plush with paint for example. If it starts to fade just add more blush!
So that’s it for the actual plush. I oversimplified things, but the process is very complex. It took a few months to design the base pattern, vectors, and embroidery. All of that requires testing and if something doesn’t come out quite right, then it’s back to the drawing board with the pattern. All in all, I wasted a lot of fabric.
I’ll talk about making the clothes in part 2.
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