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#this whole social thing around her death just takes part on a completely different level of Reality
oldtvandcomics · 1 month
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I just wish death wasn't such an absolute taboo in our society.
My grandmother died unexpectedly. But, really? Did she really??
Once upon a time, a passer-by helped Death up when he'd fallen down alongside the road. To thank him, Death promised not to come unannounced, but to send a messenger ahead of him. Death sent illness, and fewer, and old age and grey hairs and aching joints. The man didn't recognize any of these as the promised messenger, and was genuinely shocked when Death showed up at his doorstep.
My grandmother died unexpectedly. She was old, and getting noticeably weaker for years now. The last two weeks, she could barely move her arms for pain in her shoulders. Eventually, she had to call a relative for help, who called a doctor, who called an ambulance to take her to the emergency. The next day, she died of heart failure. Unexpectedly.
She was, by a complete coincidence that we definitely won't need to worry about, almost exactly the same age as her father, when he died of sudden heart failure. Funny thing, these coincidences.
My grandfather also died unexpectedly. He had Parkinson's, and wasn't able to move much those last years. Just before his death, my mother took him to the hospital for a check-up, and left him there, then came back here where we live. According to my sister, she cried when she left my grandparents' city. At that time, we visited three times a year, so she knew perfectly well that she would be back in three months' time. Why would she cry? But no, my grandfather died unexpectedly.
The next one to go will be my aunt. It is pretty clear, has been pretty clear since she was diagnosed with cancer last year. We could, theoretically, like, prepare for it. But no, because you can't talk about death, so we can't even mention it unless I'm alone with my father.
"Thank you for helping me," said Death. "As a thanks, I will not come unannounced, but will send a messenger."
"That is a fine thing," said the man. "That way, I won't have to worry about you hiding behind every tree."
And if I say any of this out loud, then I'm an unforgivable asshole.
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ivymarquis · 5 months
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A Little Death
Pairing| Ghost x F!Reader Rating| M Word Count| 7k Kinks/Content/Warnings| The author has decided she can't be assed to edit this, Chubby!Reader, Kidnapping, nondescript mentions of torture. Ambiguous mentions of S/A (vague enough you can chose to ignore that part if you want tbh), Reader is traumatized from her ordeal but working through it. Fingering, PiV, riding, squirting, Simon has a moment where he's worried he triggered reader after sex but that is an incorrect assumption on his part.
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On days like this Simon can almost pretend he’s normal. 
The game’s on, a beer in one hand while the other has been commandeered by his girlfriend with a simple “Gimmie.”
Simon has never been one to worry about his nails beyond clipping them for practicality’s sake.
Having a SAS lieutenant for a boyfriend means she deals with what she insists is Simon’s paranoia and he insists is a healthy level of suspicion about the outside world. Having a nail technician for a girlfriend means every so often she’ll commandeer his hands to ensure they’re up to her standards. As it turned out, adhering to regulations wasn’t up to par for her. 
His neighbor is a popular woman.
It sets him on edge, all the traffic. One or two people at a time, usually other women- sometimes with a man in tow, other times not. They show up, they stay for maybe an hour or maybe 4, and they leave. Within 30 minutes someone else is knocking on her door.
Normal men humor their partners about things they don’t particularly give a fuck about when left to their own devices, as an acknowledgment of its importance to them. 
And so he sits, beer in one hand as she works on the other. Once she’s finished she gathers up the towel that acts as a catch for the various clips and trimmings before making her move to switch sides, Simon easily acquiescing to her whim.
“I’m not keeping you up, am I?” She asks one night. Music plays lowly from a laptop on her patio as he steps onto his for a smoke break. Just because he’s got his vice doesn’t mean he wants the whole flat smelling like it.
“Don’t sleep much anyway, pet. Bit of music won’t change that one way or another.”
Despite his insistence that he’s merely humoring her, he soaks up the attention she readily gives him. When she’s done and tidied after herself she returns with a small bottle of lotion.
He’s got one arm wrapped around her shoulders, pressing a chaste kiss to the top of her head as she massages his hand. If he plays his cards right tonight he can probably get her to soothe some of the aches and stiff muscles that always plague him. For now he melts as she seems to know exactly what points to hit in his palm and forearm. 
It’s domestic and normal and Simon can almost ignore the burner phone he keeps on him at all times.
It goes off at 5am on a Sunday, Simon already awake and having been watching the ceiling fan since 4:30. He can’t fall back asleep but can’t bring himself to separate from her. 
She burrows further into his chest as his shifting disrupts her. He’s fairly certain she would crawl inside his ribcage if she could, curl up right next to his heart and never leave. 
Simon would gladly let her. 
She’s a nail technician, he comes to learn. Sure as shit, he eventually memorizes the traffic that comes and goes on a roughly two week interval. Some of them are steadfast in their appointments. 2 o clock every other Thursday. 4 o clock every other Friday. Others not so much- they come around frequently but the days and times are random after the 14 day mark. 
The familiarity of some of the faces takes him slightly less on edge. He will never relax, not truly, but it settles him down now that he knows the pattern. 
It also explains why her hands have two completely different designs on each one. Color, pattern, the shape of the nails. Her left and right hand look like they belong to two different people. 
Simon doesn’t use social media, for obvious reasons. His little neighbor has formed an entire career for herself based off of it. 
But the phone buzzes on the nightstand, an omniscient presence that always hovers heavy in the air.
“Price?” Is all he gives for a greeting. Trying to keep his words short and concise. He doesn’t want to wake her, still under the lull she draws him into without trying. 
He keeps his work and his personal life separate with no intention of ever melding the two. 
“Laswell’s got intel. We meet in 2 days, back on base at 06:00.”
He is about to respond, both an acknowledgment and a hopeful end to the conversation, when she stretches next to him with a groan of protest at being awoken so early. 
“Tell your other girlfriend I said hi,” she grumbles, already knowing it’s Price on the phone and that the clock is officially counting down on the time they have left together. 
“You know at a certain point I'm going to just decide you’ve got a whole secret life with a wife and kids and a picket fence.”
He doesn’t want his work to ever follow him home. Not to her. He keeps them strictly separate. She knows he’s military- specifically SAS- and that he works in counter terrorism and that’s about all he’s willing to tell. She doesn’t need to know details. And more importantly the details don’t ever need to know about her. 
His past missions have haunted him in the worst way possible. He’s finally rebuilt something for himself as the ghost of a dead man, and doesn’t want anything to ever tarnish what he’s found. 
He can’t entirely blame her. It takes a leap of faith to accept the little he offers her. What does he have? A dead man’s name and most likely a violent end waiting for him. 
Eventually he does offer a small peace offering. Price is enough to settle the concerns that she hides as jokes. Provides enough credibility that she can let go of the concern that he’s living a double life.
Well, he is. But not the kind that nags at her. 
Price knows her; Gaz and Soap know that he’s got someone waiting for him at home, but Simon is already at his limit of how much intermingling he can handle. They’re both compromising, both making allowances for their comfort levels for the sake of the other. But he has to draw the line somewhere. 
If Simon had his way Gaz and Soap would be none the wiser, but a night of frantic coupling before he’d left had Simon bearing marks that are incredibly obvious in the changing room. 
“Steamin’ Jesus L.T.! You get jumped by a wildcat?” The chortle from the Scot makes it obvious that Johnny is yet again not afraid to push Simon’s buttons. 
There’s no denying what they are, nor how he got them. Neither Soap nor Gaz are stupid. 
Long, red scratch marks criss cross the broad expanse of his scarred back. He certainly hadn’t complained when his lovely girl had left her mark on him- those nails dragging across his skin had only encouraged him as his hips clapped wetly against hers, hands gripping her knees as he pressed them to her shoulders.
Most nights he is soft and gentle and strokes her skin while his lips press either in her hair or the soft expanse of her neck. He doesn’t roughhouse her tonight, but the knowledge he’ll be gone for weeks and tonight is their last together for the foreseeable future?
Well, the pair of them are a bit amped about the impending separation. It’s a good thing neither of them are particularly known for their good sleeping habits, because there’s not a lot of that usually happening on the nights before Simon leaves. 
Leaving without waking her up is an impossible task but he tries anyway.
Whereas Simon finds sleep difficult to achieve and eventually sleeps like the dead once he finds it, she drifts readily enough but will wake at the drop of a hat.
Usually she’ll settle soon after. Eyes following his form in the dark, waiting expectantly for him to come back after he dresses to kiss her goodbye. 
They carve out a routine for themselves. One for when Simon is home, and one for when he’s preparing to walk out the door until eventually coming back through it.
His therapist is equal parts shocked and pleased to hear that Simon is taking the leap and opening himself up emotionally to someone. 
His therapist is less pleased about the way he simply buries himself in her life when he’s on leave.
Simon is nothing- has nothing- when he is not acting in the line of duty. He is a dead man with nothing to his name and no one who gives a fuck if he ever walks back through the door that isn’t tied to his military career. 
He thrives on the stability and schedule on base. On the simplicity of nights spent out on the field. Wake up, piss, dont die, go to sleep. Wake up, repeat. 
Some days the only thing keeping him from trying to end it all (again, he bitterly acknowledges) when he’s gotten too far into a bottle of bourbon is his therapist and the thought of his team’s face at the news. 
Until, at least, he meets her. 
The mission is brief but successful. Simon is pleased. 
The deepest of the scratch marks has just finished healing and he’s already missing the sensation of her nails dragging against his skin- and he’s not picky about the context, either. 
There have been plenty of nights he’s fallen asleep with his face buried in her chest with one of her hands scratching gently at his scalp and the other tracing in broad strokes across his back.
Of course those nails also feel divine scratching at his abdomen while she is on her knees for him.
There’s a process he goes through when he gets home. It lets him shed the mantle of Ghost- to calm down as much as he’s able and be better equipped to deal with civilian life. Helps him give her the illusion that she is with a normal man who’s not holding onto himself with a death grip, desperately trying to keep the pieces together.
He feels fine when he leaves base and heads home. Everything is normal. 
Until he turns the corner and sees the door ajar.
Fear runs ice cold in his veins, hackles raised and on guard. 
I’m just being paranoid, he tries to self soothe as he steps towards the door. She tells me all the time.
Course, it was one thing when he gripes about how she answers the door without looking to see who it is. She doesn’t leave the fucking door open.
“Wish you’d at least look at the peep hole before just opening the bloody door,” he grouses into her hair, pulling her in so she’s tucked up to his side. 
“If I’m expecting someone to come at 3 and there’s a knock at 3, I already know who it is, Si.”
There are times when he is grateful that she has, by comparison, lived a life where she thinks he is paranoid and needlessly worries. She hasn’t had the experiences he has, and he doesn’t wish that upon her. He’s grateful with the knowledge that every time he’s sent out, thus far, that she’s been tucked away safe and sound until he returns. 
But of course the other shoe was always going to drop eventually. 
“Price?” Simon doesn’t know who else to call. 
He’s standing in the middle of his flat, evidence of an altercation scattered around the living room. 
She put up a fight if the state of the flat is anything to go by. He wants to be proud of that at least, use it as hope-
He just feels hollow. 
A group the 141 has dealt with prior are the ones all the signs point to. They wanted the team’s attention and by God they fucking got it. 
Simon doesn’t understand how they found she has any ties to him. He’s so careful- keeps her tucked away and hidden from any potential cross over with his work.
The next few days are a blur and Simon’s mental health has seen better days. 
He resigns himself, even when Laswell gets a hit and the 141 are loaded into a helo, to the fact that at best this will be a body retrieval mission. 
Even as Soap gives a reassuring knock into his shoulder- we’ll get her back, LT- as confident as ever. 
His sweet girl is dead, just like every other person Simon has ever cared about. 
He doesn’t understand what he’s done to deserve losing them all. The only ones he has left are his team, and that’s a tenuous state at best. His family was good. They were normal people with normal lives. She is good and a normal person. 
Her only sin is being foolish enough to love him. 
Some time between getting on the bird and offloading, Simon forces the thoughts in a corner and blocks them off. 
Simon, the terrified boyfriend, gives way to Ghost so he can get through this in one piece. He just wants to find her, bring her home and bury her body. He’s numb to anything beyond the scope of the plan he’s formed in his mind. 
It’s laughably easy. A fringe group the 141 has had altercations with- she’s not exactly a high profile prisoner. They just wanted to fuck with Simon.
There’s no satisfaction or vindication as they clear the building floor by floor. 
He feels nothing.
The further they venture into the building with no sign of her, the pit in his stomach sinks just as far. There’s no sign of anything concrete or anywhere they’d keep a prisoner. 
And then there, in a corner of a hallway, Ghost spots it-
An acrylic nail lying broken on the ground, dried blood clotted on the tips. 
For the first time in days, Simon feels something. 
It’s not hope. He doesn’t dare hope. 
But it’s confirmation that she has, at some point, been in the building. 
It’s also confirmation that she gave it a fighting chance. 
She’s a civilian- nothing much she can do against professional criminals. But she tried and Simon has to find something in that.
They split into pairs down a hallway clearing rooms. Every door that opens only to not have her in it is like a knife that keeps twisting in his abdomen. 
Just let him have this one thing. 
It’s just as Ghost and Soap have called out clear on another room that he hears Price’s voice call to him down the hall. 
There’s only one reason Price would be calling for him specifically.
As he approaches he can hear the captain again, softer this time. Can’t make out what he’s saying but everything feels slow; like he’s moving under water. 
As his mind prepares him for every horrific potential image waiting for him beyond the threshold of the door- there’s nothing that prepares him for what he sees. 
She’s alive. 
Wide eyed and panicked, which is to be expected all things considered, but she’s here and she’s breathing.
Simon forgets himself entirely. He swings wildly from feeling nothing to feeling everything and it bubbles up all at once as he barrels towards her. 
He forgets that while she knows Simon is SAS she knows nothing of Ghost. Simon works in counter terrorism, yes, but she knows nothing about the mask.
So after being kidnapped and going through God-knows-what in her absence, she’s got no fucking clue the 6’4 fucker with the skull mask gunning for her is her boyfriend. 
The sharp, croaked “Stay the fuck away from me!” doesn’t cut but it does jog his memory enough to know she’s absolutely terrified.
Again there’s that part of him that is proud of her. After everything she’s been through even if she wouldn’t stand a chance in an actual altercation- She’s not huddled in the corner. She looks willing to fight him, until Simon rips the mask off his face. “It’s me, love! It’s me.”
“Simon? What the fuck is that?!”
Rather than scrambling to get away she turns to launch herself at him, a tangle of limbs as they cling to each other and reassure themselves that yes this is real and yes the other is there. That this fucking nightmare is over.
Simon buries his nose in her hair- was so certain he’d be bringing her home in a body bag he almost doesn’t know what to do with himself. She’s shaking in his grip, sobs ripping through her as he shushes her gently and murmurs “It’s alright, love. I’ve got you now.”
“As much as I love a good reunion- we need to get going, Ghost.” Price is ever the voice of reason, because Simon’s head is not in the game right now. 
He wants to cling to her and never let her go- he needs to pull his head out of his ass. 
Price isn’t wrong. As much as he has to fight off the impulse to tuck her against his side and keep her there, they have shit to do. 
He won’t truly be able to relax until she’s safely stowed on the helo and they’re on their way back.
It’s a bit easier once he puts the mask on. His brain is trained to focus on work and not let his personal life muddy the waters. Where Simon can’t help but falter, Ghost is dauntless. 
Simon can barely string a thought together now that he has her back in his arms. Simon still cannot believe she’s alive and breathing even after touching, smelling and hearing her. 
But Ghost can focus on getting her to the helo. 
Everything is a blur as Price and Gaz lead with Soap bringing up the rear. 
Ghost can’t quite decide where he wants her- keeps alternating between keeping her behind him in the event they get blindsided, that he’ll take any hits that go past Price or Gaz, or getting her in front of him so he can keep an eye on her, and there’s two SAS soldiers in front of her and two behind.
The hostiles in the building wanted the 141’s attention. Mission fucking accomplished.
The ones they chance across are dropped with ease. Simon is no stranger to returning to a location and making his point. Right now he’s got bigger concerns to be worried about. 
A knot of anxiety lodges itself on his ribcage as they move through the building that doesn’t unwind until he’s got her strapped to her seat in the helo. 
For the first time in days he can breathe. The knot slowly untangles as they ascend.
It finally settles in for both of them that she is out and she is safe. She’s been quiet the whole trek to the helo but Price, Soap, and Gaz have been on enough hostage recovery missions to not be caught off guard as she bursts into tears and buries her face in Ghost’s vest. 
It’s finally safe for her to do so, the adrenaline wearing off as she sobs. 
For the most part the other three men try to avert their eyes and not intrude.
Simon’s always been reserved about his life off base and watching him soothe his partner is bordering too personal for the others to witness.
It comes and goes in waves; Simon will settle her down, crooning quietly in her ear too low for the others to hear. She’ll stifle her tears for a bit as he soothes her. They go straight to medical after landing to have her looked at. She starts up again while waiting for the nurse to come back, trying to apologize to Simon through choked sobs. 
He won’t hear it, softly but firmly brushing her apologies to the side and assuring her everything’s fine now, love. No need to apologize.
He feels physically ill when the nurse delicately asks if she needs a rape kit or screenings done.
The rest of the 141 gives them a wide berth- which is a marked accomplishment because all too often Soap and Gaz are trailing behind him and finding some sort of shenanigans to get up to. Simon is perfectly content with the arrangement. He wants to focus his attention on her and that’s easier to do without the sergeants under foot.
His room on base is much like his entire apartment was before she moved in.
It’s 3am, Simon needs to take a piss and as he’s doing so, he’s not-quite eye level with a sign that says
“★★★★★ -
Would poop here again”
He’s got no idea when or where she found that, let alone put it up, but rolls his eyes good naturedly as he tucks himself away.
Normal people have bathroom decor.
Simon can appreciate a bit or a joke as much as the next person- but while this space is his it’s not something he’s ever felt the need to decorate. It’s a bed for him to crash on in between missions or if he’s too bloody exhausted to safely make the trek home.
There’s only one piece of any sort of personal touch to the room- a framed photo of her.
Simon intends to see her through the next few days- they’ll head home in the morning and realistically there’s only so long John can hold off on calling the boys in again. But the captain says he’ll do what he can to keep Simon home while they settle back in. He’s been due for some leave anyway.
He doesn’t sleep the first night. She swings drastically between being knocked out and jolting awake screaming and crying. Even once she’s gotten over the initial shock of her rescue it still takes time for her nervous system to calm down.
“I’ve got you, love- you’re safe here” he murmurs into her ear as she trembles like a leaf. “We’ll be home soon, yeah? You’ll feel better once you’re in our bed.”
The question is twofold- it is to soothe her, and also to gauge her reaction to the prospect of going home. Simon won’t hesitate to set the flat ablaze if it makes her feel better. 
Start fresh.
For now she seems to sleep better if he’s got her pinned up against the wall- the bulk of him a physical barrier to anything that might enter the room.
He’s always slept between her and the door so that’s no hardship- it just takes time to realize she feels safer trapped between him and the wall.
They make it through the first night in one piece, although the next morning she will not stop chewing on her nails. With someone else, he wouldn’t necessarily be surprised- but she’s never been a nail biter.
It dawns on him, as she sits on the couch and bursts into tears, that she wants the nails (or at least the ones that survived the ordeal) off, and is winding herself up too much to take them off the way she knows she should.
Simon goes to her office; he’s watched her enough that he knows the steps and the materials she’ll need, gathering them up before coaxing her to the table.
There’s no interest in redoing them but Simon manages to get the current sets off of her so she doesn’t damage her nail beds- assuming she stops chewing on them (which she does).
Over the next few days he lets her set the pace. She’s jumpy at home and calmer when he takes her out to run errands or just to stretch their legs. 
Maybe he will propose moving sooner rather than later. Their building is a shithole anyway.
He puts her in therapy after a week. It’s the only time he’s away from her. Realistically he knows it’s not good to have her so used to always being within arms length or eyesight of him- it’s not sustainable when eventually he will be called back in. But he has no qualms for the coddling he subjects her to while he’s able to. She’s quiet and comfortable with his hovering in a way she’d never tolerate before she was abducted- he figures he’ll know when she’s feeling a bit like herself again when she starts complaining about him not giving her any space.
Knowing she’s got the therapist gives him some security on how she’ll mentally cope when eventually he needs to leave again.
Her bursting into tears occurs less frequently. If Simon has to pry himself away from her to take a piss in the middle of the night she’s not up, back ramrod straight and waiting for him to come back with wet, teary eyes.
As the days tick on, bleeding into months later, Simon idly acknowledges that-short of when he’s on deployment- this is the longest they’ve gone without having sex. There’s nothing else that goes with that acknowledgement- he’s far more concerned with her well being than he is getting his kicks. He’s just taking stock of all their ‘normals’ and prior to her abduction they’d had quite the active sex life.
It’s one day as they’re watching a movie that it’s apparent Simon isn’t the only one aware of their dry spell.
They’re laying on the couch, her back pressed against his front with one of his heavy arms draped across her rib cage to keep her snuggled up against him as they watch the screen in front.
At first he thinks that she’s repositioning- thinks nothing of it and lifts his arm just enough to allow her the freedom to wiggle to a more comfortable spot. She keeps wiggling though and Simon is trying to keep his mind off the sensation of her arse grinding into his groin. Trying to ignore the way his dick twitches in interest, because- God help him- he's not dead and the love of his life is grinding her arse on him. Bodies are going to do what bodies do, and he can feel himself stiffening in response.
“Sweetheart, you need to sit still,” he whispers the plea into her ear. 
Her head tilts back towards him and lust jolts through his body at the look in her eyes while she still continues to grind against him.
“I miss you, Simon,” and given how he is rarely further than grabbing distance from her, there’s very few other ways to interpret what exactly it is that she is missing.
He’s a goner when she gives him that wide, doe eyed expression paired with the prettiest “Please?” he’s ever heard in his life.
One moment they’re quiet and content laying on their sides on the couch- the next Simon’s gripping her arm and pulling her on top of him as he settles onto his back. She follows his lead and moves so her weight is settled on his hips as his hands grip hers.
It is no hardship on his end to wait for her- the patience never truly even registered in his brain. She can have as much time as she needs and Simon will give it to her gladly.
But his pretty girl batting her eyes at him and pleading softly for him? His patience isn’t the only thing he’s willing to give her.
“Are you sure?” He doesn’t mean to second guess her or make her question herself but he does want to make sure that she’s not acting on obligation.
“Yes, Simon- Please,” and who is he to deny her?
His hands are on her immediately- pulling her towards him and encouraging her to grind, knowing her sweet clit will light up at the friction of her soft panties dragging across the rough material of his jeans.
His lips find hers, separating only briefly as he hauls her dress up and over her head, happily discarding the material in a heap on the floor.
His hands grip her hips, Simon relaxing into the couch while his fingers dug into the pillow soft skin perching above him. He’s straining against the fabric of his jeans- knows the tip of his erection is leaking clear pre and it’s not just going to be her being the reason the fabric has a wet spot.
The couch is certainly not the worst place to be, his beautiful girlfriend’s tits in his face as she grinds down in his lap with little hitching breaths.
“Just like that, pretty,” he encourages, kissing down her jawbone, the length of her neck and across her collar bone before happily mouthing at her breasts which are blessedly right in his face.
Simon groans in pleasure as he teases one nipple, her sweet mewls and the grip on his hair only spurring him on.
Grabbing a handful of her plush arse, he groans in anticipation while switching from one breast to the other.
It’s been a fair while since his back has been shredded by her nails and he can’t wait to feel the bite of them dragging down the length of his spine.
“Lift up, sweetheart,” he instructs, somewhat loath to release her plump bottom but eager to get her dripping for him.
She pulls up enough for him to slip one hand between her legs. Exploring fingers are quick to spread her wetness, dipping between her folds and dragging back up to circle her clit softly.
“Fuck- Simon!” she whines in his ear.
He knows enough by now what makes her tick. Once she’s all warmed up and ready to roll, that sweet cunt of hers could take a thrashing. But warming up involves feather-light touches to get her squirming and squealing for him.
“Feels good, pretty?” he asks despite knowing the answer in the way her arms wrap around his neck and she sags against him, hips twitching as she lets him tease her.
“Ye-yeah,” she murmurs, and presses her lips against his neck as he takes another pass- finger pulling away from her clit just to draw shivers from her as he traces back down her folds and presses ever so lightly against the entrance on her- just to the first knuckle- and making his way back to tease her clit.
Each pass has her rocking her hips more as he slips more of his finger inside, eventually adding a second that has her mewling and squirming in his lap.
He’s going to have one hell of a hickey from how she’s sucking on his neck, but Simon can’t bring himself to care. Not when his ears are graced with the delightful little noises she makes- whimpers of protest as he pulls his fingers out of her, the shaky inhales as he circles her clit and the trembling moan when he once again slides his fingers inside of her to give a few pointed strokes to her g-spot just to get her shivering and blinking up at him with lust-blown eyes.
“Fuck you’re wet,” there’s absolutely zero resistance now, even when he slides a third finger inside her. 
“Please,” she mewls into his skin, hips rocking in time with the thrust of his fingers into her.
“What do you want, sweetheart? Use your words.” He’s always found her an absolute delight to tease- she gets so flustered and stares at him with that doe eyed, betrayed look- how dare he make her ask for anything when it’s obvious what she wants.
“Please let me cum,” she pants as her eyes screw up in pleasure while his fingers trace and circle her clit for several passes.
“You wanna cum, love?” His tone is just a bit too soft to be a mocking tease despite the way she glares at him. Spoiled little thing so easily sliding back into her old habits.
“I’m going to bite you,” she grumbles in bemused annoyance, brows furrowing as she tries to follow his hand while teasing her.
He doesn’t doubt his little viper for a second, mollifying her displeasure with three fingers digging for that spot that makes her see stars.
“Oh~,” she mewls against him as he stokes the fires of her orgasm with a vengeance. He doesn’t stop, angling his hand so his thumb can stroke against her clit and enjoying the way she trembles against him like a leaf caught in a windstorm.
“That the spot, hm? Right there, innit?” He rumbles low in her ear, a satisfied smirk on his face as she nods in a big sweeping motion against his neck. “Come on, pretty. You wanna cum so badly? Do it.” he baits.
Mission accomplished.
Fuck he’ll remember the vision of her crying and cumming and trembling in his hold, soaking his forearm and abdomen as she squirts, for the rest of his days. His free hand runs soothingly down her back for a few passes before pulling both hands away from her.
She’s immediately whining against him, upset at having his touch taken away. “Simon, please-”
He shushes her with a kiss to her temple, “I know what you need, sweetheart,” he murmurs while deftly undoing his pants and freeing his cock.
It only takes a few strokes, already straining and ready to perform, before they’re shuffling as he pulls and maneuvers her so she’s hovering above him and Oh fuck has Simon missed this as she sinks down on him.
It always takes a couple attempts- he’s not a small man, and doesn’t want to risk injury. Not to mention there’s just something fucking delicious about only giving her a few inches, pulling back and feeding her just a few more. Slow, short, steady thrusts that get deeper bit by bit, having Simon ready to melt into the couch at the bliss of being buried in her by the time she sinks all of her weight onto him, her groin pressing against his.
She’s so fucking warm and wet, clinging to him as she shuffles to get good leverage on top of him to bounce.
Bloody fucking hell does she feel good. “That’s it, pretty. Take it all,” he encourages her while she whimpers above him- if he angles himself just right he can grind her clit against him in a way that has her sucking down air and shivering.
She’s so good for him but he knows there’s only so long she can bounce in his lap- even resting on one knee on the couch and her other foot on the floor so she can shift her weight and give leg a break every now and then, Simon throwing his head back and groaning loudly.
It’s one of the only times he’s particularly verbose- Usually content to be silent and broody unless he has a specific question in mind, the bedroom (or in this case the living room) is the one place where he is a chatterbox. The mouth on him is surreal at times, and while one would think his sweet girl would be use to the filth every now and then he’ll catch her off guard with some particularly out of pocket comment.
For now though, he’s a bit reserved- doesn’t want to go from zero to a hundred out of nowhere.
No, for now his attention is focused on the goddess bouncing on his cock, wondering if he can get her to squirt a second time if he just- he shifts underneath her, changing the angle and fucking hell does that seem to do the trick for her. Swiping one of his thumbs across his tongue before pressing it to her clit and circling again, Simon can’t help the smug look on his face when she squeals. “Just like that, sweetheart. Fuck,” he grunts as he thrusts up into her. From how those pretty thighs are trembling, her legs are about to give out as he fucks into her. 
“Simon!” She’s yelping his name with glassy eyes and a clenching cunt “Fuck- Simon! Please-”
She doesn’t have the energy to get herself back up again- poor thing, her thighs must be burning, and he can’t help but be a cocky fuck about the fact that she loves riding his dick to the point that she physically can’t keep going.
“On your back, sweetheart,” he instructs with a light swat to her ass- appreciating the way her body jiggles at the impact.
His sweet girl has done so well and worked so hard, it’s only right that he rewards her. Once she’s on her back he grips her under her knees and folds her legs back- gives himself room between those gorgeous thighs.
“Fuck, baby- please don’t stop,” she pants underneath him, back arching in pleasure as his mouth drops to her breasts again. Her arms wrap loosely around his neck, and he twitches in anticipation at the feel of her nails tracing ever so lightly against his back.
“Not gonna stop, pretty girl.” he groans against her skin, alternating between which nipple he has between his teeth.
Fuck she’s clenching down on him like a vice. He knows she’s getting close; squirming in his grip, keeping her legs nice and spread for him. The feel of her nails reaching down his back and dragging up his spine pulls a groan that would be embarrassing if Simon could find it within himself to care in the slightest. The slight pain encourages him as he cants against her.
“Simon!” The sound of his hips knocking into the back of her thighs is loud and messy. Fuck he’s such a goner when she looks up at him with that sweet expression on her face- pure adoration and wonder in her eyes.
“Just like that, sweetheart. Fucking hell, love,” he grunts out, a second wind reinvigorating him when she starts shaking. Those plush thighs shaking in his hold as he knocks the sense out of her pretty head, he’s so fucking close he can taste it but is determined to get her across the finish line first.
“Such a good fucking girl,” he purrs in her ear, “You feel fucking perfect taking my cock. This wet cunt’s all mine, innit?”
All she can do is chant “Yes! Yes! Yes!” over and over again- Simon’s not sure if even she is certain if she’s repeating the word to answer him, or if she’s just babbling because he’s making her feel good and she’s getting close.
“You gonna cum again love? Gonna soak me, hm?” He’s just running his mouth now- knows the shit she likes to hear, reaffirmed by the way she’s shivering in his hold and crying for it with a glassy eyed gaze.
Whatever she is going to respond with is cut off with a squeal. Simon rears back, enjoying the show as she makes a mess all over his cock with her eyes rolled back. He lets go of one of her legs in favor of teasing her clit just shy of overstimulation to prolong her orgasm- she lets him for a time before her hands abandon shredding his back in favor of wrapping around his wrist in a plea for mercy. 
“Simon it’s too much,” she laments with teary eyes as he pulls his hand away with a chuckle and a chaste kiss. 
He stays curled over her, hips driving into hers. “Tell me where you want it,” he instructs.
“Inside! Please, I want it inside!” Her answer is sharp and immediate, the leg not pinned to her chest wrapping around his waist like she is daring him to even try to pull out.
And fuck there is something cathartic about his orgasm when it hits. Burying his face in her soft body while his hips snapped into hers a few times, Simon groans as his vision damn near whites out for a second.
Simon knows better than most that there’s good days and bad days- and a presumed good day can become a bad day quicker than one can blink. But overall he feels like consistently she’s doing better all around. They take their time calming down, Simon showering her in attention and getting a feel for where her head is at. Praising her for how well she did and making sure she feels stable.
He lets out a breath, feeling confident that she’s settled, having a good day, and everything is fine for now. 
And it is. Until about two hours later.
One moment they’re finishing the movie they’d initially started before the impromptu romp on the couch, and then Simon has a 3 second warning of her sniffling as she obviously tries to fight back the tears and then she’s sobbing harder than she has in weeks.
Simon goes from content to concerned in a second, his blood turning to ice in his veins. His immediate assumption is that their prior activities finally caught up with her mentally and now that she’s had time to think it over it wasn’t good. It was too fucking soon to have sex. He should have told her no, should have been gentler, should have-
“Sweetheart? Talk to me,” his voice is tinged with a thinly controlled concern (not panic he convinces himself) and while he means to comfort her, she can hear his tone and that just sets her off anew.
“I’m sorry, I’m sorry!” she blubbers, turning to face him. “I don’t know why I’m crying!”
That settles Simon’s nerves somewhat, stroking her back and pulling her close to comfort her. “It’s okay, sweetheart.” he soothes her, listening to her sniffle against his shirt after shoving her into the crook of his neck.
“I just want to feel normal again,” she sobs into his collar.
“You will, love,” he assures her- never mind that ‘normal’ is something that even he struggles with on a near daily basis. “It’ll take time but you’ll get there. I promise.”
He’s a bastard for making a promise to her that he can’t guarantee to keep. There’s a part of him that knows that- hell, he’s been working on his shit for years and he still doesn’t feel normal most days.
But while he can’t promise that she’ll ever get back to feeling exactly the same as she did before all of this happened, he can promise that he’ll be by her side and ensure she’s adjusting. It will take time, and work, but Simon will make sure she gets there one step at a time.
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spidernerdsblog · 3 years
Note
Hey dear💟 how are you? Can I ask for some mob!tom smut?? Like he's smoking a cigar at a boring wedding when he meets a mob!reader and after talking a bit things just happen and he takes her home for fucking all night?
Oh and ends in fluff??
Hi nonnie! I'm fine hope you are well too. Here's your request hope you like this.
Pairing : Mob! Tom Holland x Mob! Reader
Warnings : 18+, SMUT, mature content, unprotected sex (wrap it before you tap it)
His Queen, Her King
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Being the mob boss Tom had to be a part of various social gatherings, galas, parties etc but the most he dreaded were weddings. Especially when you're an eligible bachelor, people around you are constantly nagging you with the most evident question ‘when is your turn?’ There were several occasions where the leaders of other mobs had tried to set him up with their daughters to forge an alliance but he would turn them down every time because he never found them to be his match. He likes to be in control but that doesn’t mean he would settle for a mere puppet who would dress up pretty and do as told, he wanted someone powerful, fierce who would challenge his authority, a real queen to his vast empire.  
It was one of his childhood friends' wedding day so he couldn't say no. The hall was buzzing with people as he was seated with a couple of his friends at a table drinking and laughing loudly talking about their busy lives and their businesses. One hour to the wedding reception and Tom was already bored he lit up a cigar and took a long puff from it watching everyone silently. 
Just then you walk in through the doors in a long red silk dress hugging your body like a second skin with a thigh high slit paired with pointed stilettos making heads turn. Your hair styled into loose curls cascading down your shoulders complimenting your dewy makeup. Your wrists and ears sparkling with the most priceless authentic diamonds.  Apart from being the maid of honor you are the only woman in the mob business who owns the biggest diamond business in the country. 
People were obviously envious of your power though they never dare to say anything to your face but you have heard how people think you just got lucky with the business as the only daughter of your father, women have no place in the mob even to the extent of being slut shamed and being accused of sleeping with your rivals to run the business. You had simply shrugged it off and showed those people with a flourishing business and earning double profits than your father used to earn when he used to run the mob. You walk over to your best friend.
“Congratulations Jane, finally you’re a married woman now!” you give her a hug.
“Thanks Y/N it feels like a dream honestly” she chirps “but when are you…”
“Please you also don’t start” you both chuckled and continued gossiping.
“Man why are these receptions so dull and boring” Matt groaned “couldn’t they do it at a bar or strip club?”
“Yeah it would have been fun to watch your wife beat the shit out of you after you flirted with one of the strippers” Carl mocked to which everyone laughed out loud including Tom.
“Hey!!” Matt revolted in protest as all of them laughed again.
Your conversation was constantly getting disturbed with their constant brawls and loud laughter. Even the other guests had a frown on their face with the noise they were making.
“I apologize on behalf of my friends, they can sometimes be a little loud” Paul the groom said apologetically.
"It’s ok I know how to deal with guys like them. Let me handle it” You offer and stride your way to their table. 
“Sorry to crash the fun boys but some of us are actually here to attend the reception not to hear your meaningless chatter” you jibe forcing a smile as the men turn their attention towards you. Tom puts down his cigar blowing out the smoke as he takes a quick glance of you.
“I'm sorry love, are we offending you?” he remarks with a smolder and the men around him hollered. The corner of your lips quirk into a sly smirk as you step closer to him drawing a finger along his jawline.
“It will take a lot more than this baby face to offend me” you taunt him back with a grin amusing everyone including Tom at your comeback.
“Oooh damn!” the men hollered again while you turned your back and strutted off to join your friends again. Tom just sat there completely blown away by your boldness. He had heard about you but now that he saw you he understood that you weren’t just a beautiful face after all who just got lucky in the mob business you were a complete badass. The very image of you radiates power and triumph. 
His eyes seeked yours the whole time and then he found you finally all by yourself near the open bar drinking a glass of whisky. He approaches you as he clears his throat.
“Ahem, hey” you lift your eyes from the glass and then put it down on the counter smacking your lips.
“Here to apologise for being a jerk?” you quip.
“I thought we were even already” he remarks with a smug grin.
“Yeah maybe” you half shrug
“Tom Holland by the way” he reaches his hand out and you dismiss it by picking your glass again and taking a sip. 
“I know who you are, the boss of the most powerful mob in London” you say nonchalantly
“Keeping tabs I see” he smirks as he signals the bartender to hand him a drink as well.
“It’s a risky business Holland you gotta keep records about your potential rivals” you state blandly.
“Absolutely, couldn’t agree more” he takes a sip wincing at the strong taste of the drink. 
“So all alone? Bossman didn’t get any arm candy for the night?” you snicker.
“Only a queen fits beside a king like me darling and I haven’t found one yet , what about you?”
“Well I haven’t found my king either” you clink your glass to his as you both gulp down your drinks.
“You look ravishing in that dress I must say” he compliments with a suave in his voice.
“Thank you. You don’t look bad either” you flirt back as you bite the corner of your lip checking him dressed in an Armani suit the Rolex on his wrist glinting in the golden light of the chandeliers.  
“I really admire you. Honestly it’s really hard and dangerous to run a business when you’re a woman” there was a different kind of sparkle in his eyes which you recognize very well.
“What can I say I just love playing with danger” you shrug with sass in your voice. 
“You wanna get out of here? I’m sure nobody will miss us” he licks his lips eyes darkening with pure desire. 
“Well what are we waiting for?” you smirk with a mischievous glint in your eyes both of you coming to a silent agreement.
The whole ride to his mansion was a blur as soon as you were inside he had you pinned up against the door as his lips met yours hungrily. His lips tasted of burnt cigar and whisky.  He started leaving trails of kisses on your jaw and neck while his hand snaked down to your thighs through the slit of your dress unclasping the thigh holster from your leg as it dropped on the ground with a loud clatter. His hand moved further to your flimsy lace thong to feel your sex. 
“So wet already, love? I haven't even touched you properly” you can hear the smirk in his voice. His hand goes to unzip your dress as he leans in for a kiss but you stop him placing two fingers on his lips slowly tracing them. 
“Bedroom?” you ask breathing heavily.
“Upstairs left” he informs between shallow breaths.
You gave him a peck on his cheek and made your way up the stairs. Tom’s eyes never left you as he watched you slide the thin straps of your dress off your shoulders and dropping it off on the floor striding away in just your strapless bra and thong your heels clacking against the marble floor. Tom scoffed in amusement a toothy grin forming on his face . You were really something who was just driving him crazy.
The moment he walked in the bedroom he felt himself twitch inside his pants. There you were sitting in the middle at the edge of the bed slightly leaning on your palms with your legs crossed one above the other. You looked like a viscous siren slowly entrapping him with your charm and beauty. 
“Nice bedroom” You gently smoothed the silk sheets with your hand.
“Glad you liked it” he said smiling.
“Are you just gonna stand over there?” You unclipped your bra and lazily dropped it on the floor putting on a show for him as you lifted a hand pointing a finger motioning him to come closer. A low groan escaped from his mouth at the sight of your exposed breasts as he strolled towards you unbuttoning his shirt and shrugging it off his body drinking in your almost naked form with lustful eyes. You subconsciously licked your lips marveling his taut muscles. He tilted your chin up as you gazed in his brown eyes with parted lips.
“God you’re gonna be the death of me” he mumbles in a husky voice.
“That was the plan all the time, I can then take over your mob” you giggle playfully.
“You minx” he knelt down to capture your red tinted lips passionately tongues clashing against each other as you ran your fingers across his abdomen, nails scraping his skin. He gently pushes you down on the mattress as you shift back in the middle of the bed. He spreads your legs to accommodate himself as he crawls up to be at level to your face pressing a soft kiss to your swollen lips. Goosebumps covered your skin as you felt his bulge brushing on your thighs. You tilted your head to the side as he took the opportunity to suck marks on the nape of your neck. One hand squeezing your ass the other palming your breast as he placed butterfly kisses all over your skin.
“So pretty” he mumbles, pressing kisses between the valley of your breasts,you shuddered when he flicked his tongue over your sensitive bud.
“Oh” you gasped when he wrapped his mouth around your breast sucking the nipple between his teeth, kneading the other fingers pinching and tugging on it. After paying equal attention to the other one too before continuing his journey south. Your stomach flutters as his lips trail down your rib cage, navel the cold gold chain dangling down his neck feeling ticklish against your hot skin. He placed a soft kiss over your soaked panties and you felt that your body was set to fire as you gasped lightly chest heaving up and down. A smirk forms on his face as he moves to kiss your inner thighs ignoring the place where you needed him the most.
“Please” you let out a quiet whimper
“Please what darling?” he whispers with a husky voice. 
“Touch me” 
“I’m touching you love” he lightly chuckles, you whined in protest. “You gotta be more specific with your demands, love, what do you need?” he coos.
“I-I need you, your mouth” you breathed out. 
“See that wasn’t so hard” he practically rips off your thong and throws the shredded fabric away letting out a low growl at the sight of your glistening cunt. He hooked his arms to your thighs, the rings on his fingers felt cold against your skin. He licks a long stripe up your folds sending jolts of pleasure up your body making you squirm in his hold.
“So sweet” he mumbles against your heat. You let out a soft gasp, your hands threading into his soft brown curls as he swirled his tongue through your folds.
You cry out when his tongue flicks your swollen clit giving his hair a harsh tug he groans into your heat. He continued to suck on your clit between his lips pushing a thick digit inside you. Your body arched bucking your hips into his mouth he had to place a hand on your lower stomach to keep you in place. He then adds another finger pumping it in and out of you his teeth grazing your sensitive bud soothing it after with his tongue immediately. 
“Fuck!” You moaned feeling euphoric eyes fluttering shut as he devoured you. Your body tensed up when he added another finger to your heat, your one hand was pulling his hair painfully and the other squeezing your breast rolling your nipple between your fingers. He curled his fingers hitting your spot sending you over the edge.
“C’mon love, let it go want you to cum all over my fingers” he moaned into your heat the vibrations leading you to tumble down the edge as you came undone around his fingers. He helped you ride your high still sucking on your clit, your legs trembled as he lapped up all your juices. He pulled away after sometime his chin glistening with your arousal. 
He got rid of his dress pants along with his boxers and then crawled over to you. You gazed into his warm brown eyes still in your post orgasmic haze as you pulled him down to capture his lips with an urgent need. You tasted yourself on his lips as he deepened the kiss grinding his hips into yours. 
A soft gasp escaped your lips when you felt the tip of his member brushed against your entrance. He gripped his member giving it a few pumps before lining up against your core. You placed a hand flat on his stomach signalling him to stop. He knitted his brow in confusion when you flipped him over to be on top him sitting on the back of your knee straddling his waist. 
“I wanna ride you” you whisper in a sultry voice and his lips curl up to a smirk.
“Then go ahead, darling” he shuffles back a little resting himself comfortably against the headboard. You brought your hand to your mouth and gave it lick before grabbing his member using it for lubrication, slowly pumping his length and lining it up to your weeping core. Your breath hitched when you felt his tip slide through your entrance stretching your walls in a nice way. You slowly sank down on his length feeling so full of him. You stayed like that, your walls warm and snug squeezing him like a vice. Tom groaned when you clenched around him. 
“Oh god Y/N please move or I'm not gonna last for another minute” you leaned down to kiss him starting to move your hips slowly adjusting to his thick shaft.
“Shit” He hissed as you lifted yourself hand gripping on his thighs for leverage to go a little faster, the soft sound of your skin slapping against each other filled the room. Your stomach clenched as you paced up and down his cock, each time filling you up to the hilt. His hands held your hips, fingers digging in your skin groans rumbled in Tom’s throat as he clenched his jaw. He gazed at you with hooded eyes smitten by the way your back arches towards him and your tits bounce with every thrust.
You started to feel a little exhausted, a thin sheen of sweat lining your bodies as you slowed down your pace. Tom’s hands slid down to your ass, spreading your cheeks as he took control, thrusting up into you. You jolted forward moaning out loud, grasping on to his shoulders tightly for support. 
“Just because you're on the top don't think you're in control darling” he says cheekily you let out a light chuckle at his comment before whimpering when his cock hit your sweet spot.
He lifted his knees, planting the heels of his feet into the mattress for leverage as he began to fuck you roughly. He grunted, feeling your walls clench around his cock with every thrust of his hips. You leaned down to kiss him sloppily he reciprocates by slipping his tongue into your mouth swirling it inside your mouth. You moaned into the kiss as you felt a tight knot build inside your stomach.
“Tom” you moan breathlessly, eyes squeezing shut as your hands slide down his shoulder to his chest nails scratching his skin.
“Gonna cum again for me love?” Tom murmured against your lips as he spanked your ass lightly. You nodded your head vigorously starting to roll your hips desperately. He brought his thumb to your swollen clit and rubbed circles as the coil inside you snapped and you screamed out your orgasm hitting you like a ton of bricks. Tom wasn’t too far either as he continued rutting his hips and soon he was spilling inside you.
“Fuck.” He moaned as his face screwed up in pleasure, his eyebrows furrowing as he emptied his seed into your tight pussy, not letting go of his grip on your body. You collapsed onto his chest panting both of you catching your breath, your walls still pulsating around his cock, deeply buried inside you. He caressed your back gently, your chest pressed to his, head resting over his heart as you listened to his steady heartbeat while your fingers fiddled with the chain around his neck. He took your hand and kissed on your knuckles gently brushing his thumb over them lovingly.
“I really like you” he finally spoke out
“What?” you frowned, still a bit dizzy.
“I think I have fallen in love with you Y/N” he confesses softly as you straighten yourself to look him in the eyes.
“Are you asking me out when you are literally balls deep inside me?” you snicker raising your eyebrows.
“I’m serious Y/N” he cradles your face with both of his hands “the moment I saw you I knew you are the one I have been waiting for all my life. A strong, independent and fearless woman who doesn’t need anyone, you are a hell of a queen, Y/N. I want this queen to be only mine, together we can rule the world love. I don’t want this to be a one night thing I want to make love to you every night, kiss every inch of your body and appreciate you, adore you” he rants
“The last part sounded a little creepy though” you chuckled “Well I do like you too my king let’s just take things slow and see where it goes maybe?”
“Sure my queen” he smiles as you kiss him softly.
................................................................................
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devilsskettle · 3 years
Note
oh man i have a Lot of thoughts about the autopsy of jane doe, both positive and critical For Sure, i'd be SO excited to see your analysis of it! definitely keeping an eye out for that 👀
thanks! i'm working on something article-like to talk about the film and i don't know what i want to do with it yet lol but if i don't post it on here i'll definitely link it. it's mainly a discussion of gender in possession/occult films in the same way that carol clover describes in men, women, and chainsaws - that there are dual plot lines in occult films, usually gendered masculine and feminine respectively, where the "main" feminine plot (the actual possession) is actually a way to explore the "real" masculine plot (the emotional conflict of the "man in crisis" protagonist). typically the man in crisis is too masculine, or "closed" emotionally, where the woman is too "open," which is why she acts as the vehicle for the supernatural occurrence as well as the core emotions of the film. the man has to learn how to become more open (though if he becomes too open, like father karras in the exorcist, he has to die by the end - he has to find a happy medium, where he doesn't actually transgress gender expectations too much. clover calls this state the "new masculine," and we might apply the term "toxic masculinity" to the "closed" emotional state). part of the "opening up" feature of the story is that it allows men to be highly emotionally expressive in situations where they otherwise might not be allowed to, which is cathartic for the assumed primary audience of these films (young men). another feature of the genre is white science vs black magic (once you exhaust the scientific "rational" explanations, you have to accept that something magic is happening). the autopsy of jane doe does this even more than the films she discusses when she published the book in 1992 (the exorcist, poltergeist, christine, etc) because the supernaturally influenced young woman who becomes this kind of vehicle is more of an object than a character. she doesn't have a single line of dialogue or even blink for the entire runtime of the movie. the camerawork often pans to her as if to show her reactions to the events of the movie, which seems kind of pointless because it's the same reaction the whole time (none) but it allows the viewer to project anything they want onto her - from personal suffering to cunning and spite. 
compare again to the exorcist: is the story actually about regan mcneil? no. but do we care about her? sure (clover says no, but i think we at least feel for her situation lol). and do we get an idea of what she's like as a person? yes. even though her pain and her body are used narratively as a framework for karras' emotional/religious crisis, we at least see her as a person. both she and her mother are expendable to the "real" plot but they're very active in their roles in the "main" plot - our "jane doe" isn't afforded even that level of agency or identity. so. is that inherently sexist? well, no - if there were other women in the film who were part of the "real" plot, i would say that the presence of women with agency and identity demonstrate enough regard for the personhood of women to make the gender of the subject of the autopsy irrelevant. but there are none. of the three important women in the film, we have 1) an almost corpse, 2) an absent (dead) mother, and 3) a one dimensional girlfriend who is killed off for a man's character development/cathartic expression of emotions. all three are just platforms for the men in crisis of this narrative. 
and, to my surprise, much of the reception to the film is to embrace it as a feminist story because the witch is misconstrued as a badass, powerful, Strong Female Character girl boss type for getting revenge on the men who wronged her, with absolutely no consideration given to what the movie actually ends up saying about women. and the director has said that he embraces this interpretation, but never intended it. so like. of course you're going to embrace the interpretation that gives you critical acclaim and the moral high ground. but it's so fucking clear that it was never his intention to say anything about feminism, or women in general, or gender at all. so i find it very frustrating that people read the film that way because it's just. objectively wrong.
there's also things i want to say about this idea that clover talks about in a different chapter of the book when she discusses the country/city divide in a lot of horror (especially rape-revenge films) in which the writer intends the audience to identify with the city characters and be against the country characters (think of, like, house of 1000 corpses - there's pretty explicit socioeconomic regional tension between the evil country residents and the travelers from the city) but first, they have to address the real harm that the City (as a whole) has inflicted upon the Country (usually in the forms of environmental and economic destruction) so in order to justify the antagonization the country people are characterized by, their "retaliation" for these wrongs has to be so extreme and misdirected that we identify with the city people by default (if country men feel victimized by the City and react by attacking a city woman who isn't complicit in the crimes of the City in any of the violent, heinous ways horror movies employ, of course we won't sympathize with them). why am i bringing this up? well, clover says this idea is actually borrowed from the western genre, where native americans are the Villains even as white settlers commit genocide - so they characterize them as extremely savage and violent in order to justify violence against them (in fiction and in real life). the idea is to address the suffering of the Other and delegitimize it through extreme negative characterization (often, with both the people from the country and native americans, through negative stereotyping as well as their actions). so i think that shows how this idea is transferred between different genres and whatever group of people the writers want the viewers to be against, and in this movie it’s happening on the axis of gender instead of race, region, or class. obviously the victims of the salem witch trials suffered extreme injustice and physical violence (especially in the film as victim of the ritual the body clearly underwent) BUT by retaliating for the wrongs done to her, apparently (according to the main characters) at random, she's characterized as monstrous and dangerous and spiteful. her revenge is unjustified because it’s not targeted at the people who actually committed violence against her. they say that the ritual created the very thing it was trying to destroy - i.e. an evil witch. she becomes the thing we're supposed to be afraid of, not someone we’re supposed to sympathize with. she’s othered by this framework, not supported by it, so even if she’s afforded some power through her posthumous magical abilities, we the viewer are not supposed to root for her. if the viewer does sympathize with her, it’s in spite of the writing, not because of it. the main characters who we are intended to identify with feel only shallow sympathy for her, if any - even when they realize they’ve been cutting open a living person, they express shock and revulsion, but not regret. in fact, they go back and scalp her and take out her brain. after realizing that she’s alive! we’re intended to see this as an acceptable retaliation against the witch, not an act of extreme cruelty or at the very least a stupid idea lol. 
(also - i hate how much of a buzzword salem is in movies like this lol, nothing about her injuries or the story they “read” on her is even remotely similar to what happened in salem, except for the time period. i know they don’t explicitly say oh yeah, she was definitely from salem, but her injuries really aren’t characteristic of american executions of witches at all so i wish they hadn’t muddied the water by trying to point to an actual historical event. especially since i think the connotation of “witch” and the victims of witch trials has taken on a modern projection of feminism that doesn’t really make sense under any scrutiny. anyway)
not to mention the ending: what was the writer intending the audience to get from the ending? that the cycle of violence continues, and the witch’s revenge will move on and repeat the same violence in the next place, wherever she ends up. we’re supposed to feel bad for whoever her next victims will be. but what about her? i think the movie figures her maybe as triumphant, but she’s going to keep being passed around from morgue to morgue, and she’s going to be vivisected again and again, with no way to communicate her pain or her story. the framework of the story doesn’t allow for this ending to be tragic for her, though - clearly the tragedy lies with the father and son, finally having opened up to one another, unfortunately too late, and dying early, unjust deaths at the hands of this unknowable malignant entity. it doesn’t do justice to her (or the girlfriend, who seems to be nothing but collateral damage in all of this - in the ending sequence, when the police finds the carnage, it only shows them finding the bodies of the men. the girlfriend is as irrelevant to the conclusion as she is to the rest of the plot). 
but does this mean the autopsy of jane doe is a “bad” movie? i guess it depends on your perspective. ultimately, it’s one of those questions that i find myself asking when faced with certain kinds of stories that inevitably crop up often in our media: how much can we excuse a story for upholding regressive social norms (even unintentionally) before we have to discount the whole work? i don’t think the autopsy of jane doe warrants complete rejection for being “problematic” but i think the critical acclaim based on the idea that it’s a feminist film should be rejected. i still consider it a very interesting concept with strong acting and a lot of visual appeal, and it’s a very good piece of atmospheric horror. it’s does get a bit boring at certain points, but the core of the film is solid. it’s also not trying to be sexist, arguably it’s not overtly sexist at all, it’s just very very androcentric at the expense of its female characters, and i’m genuinely shocked that anyone would call it feminist. so sure, let’s not throw the baby out with the bath water, but let’s also be critical about how it’s using women as the stage for men’s emotional conflict 
also re: my description of this little project as “a film isn’t feminist just because there’s a woman’s name in the title” - i actually don’t want to skim over the fact that “jane doe” isn’t a real name. of the three women in the film, only one has a real name; the other two are referred to by names given to them by men. i’ll conclude on this note because i want to emphasize the lack of even very basic ways of recognizing individual identity afforded to women in this film. so yeah! the end! thanks for your consideration if you read this far! 
#the autopsy of jane doe#men women and chainsaws#horror#also to be clear i'm not saying that the exorcist is somehow more feminist because. it's not. i'm just using it as a frame of reference#you'd think a film from 2016 would escape the ways gender is constructed in one from 1973 but that's not really the case#i actually rewatched the end of the movie to make sure that what i said about the girlfriend's body not being found at the end was accurate#and yeah! it is! the intended audience-identified character shifts to the sheriff who - that's right! - is also a man#the camerawork is: shot of the dead son / shot of the sheriff looking sad / shot of the dead father / shot of the sheriff looking sad /#shot of jane doe / shot of the sheriff looking upset angry and suspicious#which is how we're supposed to feel about the conclusion for each character#the girlfriend is notably absent in this sequence#anyway! this is less about me condemning this movie as sexist and more about looking at how women in occult horror#continue to be relegated to secondary plot lines at best or to set dressing for the primary plot line at worst#and what that says about identification of viewers with certain characters and why writers have written the story that way#i think the reception of the film as Feminist might actually point to a shift in identification - but to still be able to enjoy the movie#while identifying with a female character you need to change the narrative that's actually presented to you#hence the rampant impulse to misinterpret the intention of the filmmakers#we do want it to be feminist! the audience doesn't identify with the 'default' anymore automatically#i think that's actually a pretty positive development at least in viewership - if only filmmakers would catch up lol#oh and i only very briefly touched on this here but the white science vs black magic theme is pretty clearly reflected in this film also
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alyssadeliv · 3 years
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The Forgotten One
First      Previous
Chapter 5
Ladybug and Chat Noir made their debut on a sunny Monday of September. Just as her master had feared that intense energy they felt was only the beginning. Hawkmoth started his reign of terror, releasing his akumas on unsuspecting civilians, using their strong negative emotions, and creating his champions. It was a vile move, attacking someone when they were vulnerable. But Marianne had to admit that he was good. She was trained to do exactly the same thing, to manipulate and exploit someone’s weakness, but at least she had the decency to never use her abilities for personal gain unless extremely necessary. She was a soldier, everything she did was by the order of someone. Her whole training so far had been preparing her for this moment. 
So when Stonehart appeared, she was ready. 
She knew everything she needed to do, she had been trained since birth for this. Her Master was confident that she had what it took to take down these akumatized people, and allied with the one he had chosen to wield the Cat Miraculous they would be unstoppable. He didn’t tell her the identity of the person he has chosen, but she knew he wouldn’t. For safety reasons, only the Grand Guardian would know the identities of the wielders. But she didn’t need to know his identity in order to work with him. 
Chat Noir surprised her a lot. She knew he couldn’t possibly have the same training she had, but he still knew how to fight. He’s trained in fencing from what she can tell by his style of fighting, and he’s very good. After some time they became the perfect duo, always in synchrony and ready for anything. It’s nice to have someone on her side, in the League she mostly acted alone, so having someone that had her back full time was new. 
It took two years to defeat Hawkmoth. In those two years that she lived in Paris, a lot changed. First was her name. In order to live completely off the radar of the League, she needed a new name. They had lost contact with the League after the attack, so they never discovered what exactly happened, or who won in the end. She was glad the Mayor of Paris decided that it would be better to ban any rumors of a supervillain in the city from the outside world, fearing that that would cause the tourism to diminish. That allowed her some security, but one could never be too careful, the League was known to have spies everywhere. So she changed her name. In the documents that her godmother forged, she was called Marinette Dupain but preferred to be called Mari because that was closer to her real name. Daughter of a kind baker and his traveler wife, her backstory was that she spent most of her childhood traveling the world with her mother, but now her parents decided that it would be good for her to stay in the same place for more time. She would be homeschooled by Sabine, which was enough for social security to allow her to be kept from attending school. It was kind of funny that she lived so close to a school but didn’t study there. 
Another thing that changed was that for the first time she had people she could rely on. Before it was only Damian. He was the only one that she ever told about her fears and insecurities, confiding in him was something she missed in those years apart. They were very close before the attack, and after two long years of thinking she was dead, she wasn’t sure what would happen when they finally reunited. But she hoped it would go well.
When she first transformed, she felt invincible. It was something she would never forget, feeling that kind of power was memorable. It was normal for the suit to incorporate traits of your personality, but it still was a surprise when she saw herself as Ladybug for the first time. She wore a black skin-tight suit that covered her entire body from the neck down, in her torso making the illusion a corset, a part of the suit was red with black spots. She also had boots and a jacket to complement her look, also in red with dots. Her hair tied back in a ponytail was rather practical and allowed her better motion. On her right leg strapped to her tight was a knife holster with a small dagger that served for surprise attacks, her specialty. Around her waist was where she tied her yoyo when she wasn’t using it. To conceal her identity, she wore a domino mask also in red.
In the beginning, she wanted to use another name for her superheroine self, one that paid tribute to her Arabic roots, but Master Fu thought it better to go with a more generic name, that way it would be harder to obtain any type of information about her. In the end, she relented and went with Ladybug. 
When Ladybug and Chat Noir first appeared, most of Paris newspapers and tabloids started to question the origin of their superheroes. Some believe them to be aliens, which her Master thought hilarious. Others were certain they were metahumans, born with their powers, and their Miraculous just served as an amplifier, and Hawkmoth wanted all Miraculous to increase his power to the maximum level, in Mari’s case they were partially right about the part of the powers. The one that came closer to the truth was the writer of the Ladyblog, the amount of research she had was impressive for someone so young. She discovered that the Miraculous were older than they thought, dating back all the way to the ancient Egyptian Empire, other than that she was way off. She had this theory that the Miraculous holders were a group of immortal entities that always appeared in ties of need, but recently one of them must have gone bad, tired of centuries in hiding, and the others are trying to defeat them and restore peace. It was a good theory that had some truth behind it, but still very exaggerated. It didn’t help that Ladybug was obviously experienced and that only served to fund this theory even more.
It became a game for Ladybug and Chat Noir to find the funniest theories and share them during patrol. Chat was really good in that, normally he just asked one of his friends what they thought. Mari, not having friends to ask just bought stuff the media printed. These kinds of games helped them relax a little after a tiring battle.  
After two years of fighting evil forces, it was impossible for the two superheroes not to be close. Their kind of relationship always reminded Mari of her brother, and she often felt guilty for not being able to reach him. But that only motivated her more in defeating Hawkmoth. Only then she would be able to leave Paris. 
Living in Paris was nice, for the first time in her life she created a routine for herself. She had training with Master Fu in the mornings and she helped at the bakery during the afternoons. Every other day there would be an Akuma attack and she would step into her role as Ladybug. Other than that her life became pretty calm compared to what it was at the League. She even got the time to explore her creative side, drawing and sewing became her favorite hobbies.
But nothing ever stays the same for long, not for her. 
It was about one year and a half after the attack on the League, just as her Master was getting close to discovering the exact location of origin of the source of evil energy. They knew the owner of the Butterfly Miraculous knew how to read energies, being that what alerted him of the Ladybug Miraculous being activated after Mari was brought back from the dead, but they weren’t expecting him to be able to track them. Her Master energy was easier to locate, even with him being the Grand Guardian, because of his old age. 
To this day she wasn’t sure what exactly happened, only that one afternoon she felt as if the energy around shifted and became unbearable. Fearing the worst she went to her Master in search of guidance, but when she was nearing his house she saw him. Hawkmoth in the flesh. Around him were five Akumas previously defeated.
He was at a rooftop engaging Master Fu, who at the time had already transformed with the Turtle Miraculous, in a heated duel. At the side was Mayura, trying to reach the Miraculous Box that was secured inside a green dome. Not wasting one minute she transformed in a nearby alley and went into action attacking the Peacock wielder. She was ruthless in her blows, never leaving space for the other woman to attack. Chat Noir arrived a couple of minutes later and went for the akumatized people, but at that point it was already too late. Master Fu knew that would be his last day on earth, he didn't have the strength to fight and maintain the Box inside the safety dome, so he did the only thing he thought possible. He relinquished his position as the Grand Guardian of The Miraculous to Ladybug. 
The box immediately disappeared from the dome and appeared in Mari’s arms. Without wasting a second she used her hidden weapon and stabbed her opponent in the thigh in order to subdue her. Her cries of pain were enough to attract Hawkmoth's attention from Chat Noir, with whom he had just engaged in battle. He immediately went to comfort his partner, using his champions as a barricade to protect them. He escaped. Or rather Mari let him escape. Because she couldn't stop looking at her Master’s body. He was dead. Died protecting the Miraculous. Inside her she felt some piece of her break. Death wasn’t new for her, but it felt surreal to believe the man that saw her grow and taught her almost everything she knew was dead. But there was no time to mourn, a soldier only mourned after the war, and this war was far from being over. But at that moment, looking at the lifeless body of her Master she made a vow to herself. 
She would not rest until Hawkmoth perished.
And she would make sure that before he did, it hurt
Next
Another fresh capther for all of you. To be honest I had planned this chapter to be compleatly different, but I was inspired and just lost myself, and when I realised I couldn’t finish this chapter anyother way. Hope you all liked it! Fell free to leave a comment with your theories of what’s going to happen next! (Also, the taglist still open)
WARNING: Major character death; description o violence.
Ladybug suit was inspired by this drawing from Eden Daphne 
Taglist:  @macncheesemonster @jumpingjoy82 @silversaphire12 @jinx-jade @swiftie-miraculer13  @greatcatblaze @megaafangirl @ramos123 @theamityislife @maskedpainter @toodaloo-kangaroo @nyx-in-line @ketchupqueenboiiii @blackroserelina @lozzybowe @user00000003 @kashlyn @msshadows97 @ira-sairain @stackofrandomstuff @myazael @frieddonutsweets @asrainterstellar @our-preciousss @laurcad123 @nyaabinch @rverfades @thefangirlwholiterallydies @astoriaandromeda @unnamed2357 @little-lady-bird @imdaqueenie @meismu @dorkus-minimus @a4-machete @arty-shadow-morningstar @catthhay @sizzling-fairy-oil @poodapup @charme-de-malchan @jayjayspixiepop @fusser90 @adrestar @iloontjeboontje @buginetye @macncheesemonster
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veliseraptor · 3 years
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CQL Characters Rated by Their Stress Levels
On a scale of 1-10, with 1 being “Lan Wangji smiling at Wei Wuxian” and 10 being “Lan Xichen at Guanyin Temple.”
Lan Wangji: Varies wildly over the course of the series; see @howpeacefulislwj for detailed rundown. The roundup post averages his peacefulness at 4.2/10. Generally speaking, stress levels middling, between 3/10 and 5/10 with some extreme highs, pretty much all Wei Wuxian related.
Wei Wuxian: One of those people where you’re like “god I hate him, everything’s so easy for him and he can do everything better than me, it’s the worst, how the fuck does he do it” and then years later you find out that he had an epic burnout and dropped off the face of the earth for sixteen years because actually it wasn’t that easy he just made it look that way. 
I mean, he starts the series at about a 5/10 general state (he’s managing a lot but handling it okay) and basically escalates to a relatively consistent 9 or 10/10 for most of the stretch from the Burial Mounds through to his dying. Someone should make a @howpeacefuliswwx chart, I’d be curious to see his average.
Jiang Cheng: Has been existing in a constant low-level state of stress since late childhood and only grows over time. The calmest I think we ever see him is when he’s holding a bunny and other than that it’s mostly downhill. I worry about him getting ulcers sometimes. 8/10.
Jiang Yanli: Jiang Yanli is so used to being stressed that she barely even registers it any more. What do you mean, most people don’t raise two other children when they are also a child? What do you mean, most people take breaks from supporting others to help themselves? Weird. If she was thinking about it she’d be at a 8 or 9/10 but since she’s so accustomed to this way of life that it just feels totally normal she’s more like a 4 or a 5. 
Jiang Fengmian: Avoids being more stressed by generally avoiding his problems, which is one way to deal with it but doesn’t really end up working out most of the time. 3/10.
Yu Ziyuan: Resides somewhere in the vicinity of 5/10 stress levels, 11/10 rage levels, and when the stress levels get above 5 then everyone else’s stress levels better be hitting the roof.
Lan Xichen: Lan Xichen would probably be relatively unstressed if life didn’t consistently come crashing through his relatively chill vibes. Lan Xichen on a good day is, like, 3/10, handling pretty well, but when things start going wrong around him then he pretty quickly hits critical stress levels and will do drastic things to resolve that, such as convincing Nie Mingjue and Jin Guangyao to set aside their near-murder differences and swear brotherhood, which will definitely work out absolutely fine. Ends up averaging closer to 8/10 because things keep going wrong around him.
Lan Qiren: He’d be fine if his entire family didn’t insist on causing him problems, constantly. Handling it surprisingly well, all things considered. Still 6/10 though.
Nie Mingjue: I mean, does spend a large chunk of time steadily inching toward a qi deviation? That on its own is pretty stressful and also he just seems like generally a high blood pressure sort of person. But the qi deviation inducing saber is definitely not, like, helping. Putting him at a roughly 6 or 7/10 with a median level that just keeps inching slowly upward.
Nie Huaisang: Actually less stressed than you’d expect given how flighty he seems to be! Even when plotting revenge is less “stressed” than “determined.” Pretty good at keeping himself calm most of the time. Generally sits at a stress level of 4/10 or so with a few significant exceptions.
Jin Guangyao: Very stressed all of the time. He has a lot to be stressed about! Between the various complexes and the tendency toward paranoia, Jin Guangyao is definitely among the most stressed in a room at any given time, while doing his best to convey otherwise. But seriously, look at this smile. Does that look like the smile of a serene man to you? 10/10.
Jin Zixuan: You know those high-strung racehorses that sometimes get spooked by, like, a shadow on the ground? That’s Jin Zixuan. Mostly manages to mask his constant low-level “AHHHHH” with a layer of arrogance and/or social awkwardness that looks like arrogance, but it’s there, in the background. 7/10.
Jin Zixun: Shielded from the general Jin neuroses by being an asshole. It’s not fair, but there you are. 3/10 because he does seem to have some inferiority complex issues going on, but that’s not the same thing as stress.
Jin Guangshan: Deserves to be a lot more stressed than he is. Alas, is confident enough to not be terribly stressed. 2/10.
Mianmian: So you know how cheetahs are very panicky animals and so they often in zoos get paired with dogs who will help them figure out that this situation is safe and they don’t need to panic? I feel like Mianmian is Jin Zixuan’s stress meter in their friendship. She will let him know when to be stressed! Because she is not going to spook at her own shadow. Has a sense of reasonable responses to stressors and knows how to remove herself from a bad situation when necessary. Generally a 5/10 because the inherent stress of existing in the Jin Sect is a real thing. 
Wen Qing: It’s hard to be the most competent person in the room most of the time who spends most of her time in very politically precarious positions and with her or her brother’s life at least sort of in danger! Pretty up there for “most stressed” candidates. She’s really having a time of it. Generally hovers around an 8/10.
Wen Ning: Generally not stressed, at least not in the traditional way. Is distressed a lot, but not so much stressed. Ends up at roughly 4/10.
Wen Chao: Like Jin Zixun, gets somewhat shielded from stress by being an unrepentant asshole, though his end of life 11/10 stress via Wei Wuxian kind of makes up for the rest. Averages more of a 2/10 most of the time, though? I don’t think we can let that relatively brief period skew the scale too much.
Wen Ruohan: Does “magic induced losing your mind” count as stress? I mean, he has a pretty stressful job even before that, but he doesn’t project “stress” so much as “incipient madness” during the period where we actually see him doing things. Not sure what rating to give here. It seems like he’s kind of on a different scale.
Wang Lingjao: For the most part seems to manage to get by relatively stress-free, up until things start going completely to shit and she gets haunted to death. Generally closer to a 2 or 3/10, because life as a servant ascended to mistress in a strictly hierarchical society is inherently a wee bit stressful.
Wen Zhuliu: Too sick of this shit and not getting paid enough to really stress out about it. 1/10.
Lan Sizhui: One of those people who manages to appear serene and calm all the time but mostly has just gotten used to functioning at a higher level of stress and therefore can pass for calm even when he is having an Experience of it, which makes his stress levels kind of hard to gauge. But I’d put him at a relatively consistent 6/10.
Lan Jingyi: Wouldn’t call him stressed exactly but he’s definitely very high energy. Kind of gives off the vibes of a very energetic dog who would be stressed if you didn’t keep him busy, but mostly (because I feel like Gusu Lan Sect is pretty good at keeping him busy) hovers around a 2 or 3/10. 
Jin Ling: I feel like Jin Ling isn’t stressed most of the time up until the actual events of CQL itself, where he is both very stressed and very confused almost constantly from the time he first runs into Wei Xuanyu, and it only goes downhill from there. So covering the events of the show I’m going to put him at a 7/10, because he does manage to deal with some wild things with some equanamity and makes it all the way to episode forty-five without breaking down sobbing.
Ouyang Zizhen: Seems like a sensitive soul but doesn’t give off the impression of carrying around a lot of stress, at least not from what we see of him. Probably the chillest of the junior quartet, tbh. Gonna give him a 2/10.
Xiao Xingchen: For most of his life Xiao Xingchen manages his stress very well! He’s actually surprisingly chill. Gets significantly more stressed, understandably, after Xue Yang engineers his no good very bad breakup (the first one) with Song Lan. But in general not that stressed! It is actually part of why he doesn’t handle the stress when it comes very well. He’s not used to it and he only had one pair of eyes to sacrifice. In general a 3/10.
Song Lan: Makes up for Xiao Xingchen’s relatively low stress levels by picking up on the stress for both of them. Still chiller than a lot of people on this list, though, but there’s a lot of very stressed people in this show, so. 5/10.
Xue Yang: Manages his stress by making everyone else very stressed, on purpose. If he’s having a bad day he’ll go and make someone else have a worse day and it helps. At least until there’s a dead Xiao Xingchen and then nothing helps! But as a rule exists at a general 2/10 and honestly he deserves it.
A-Qing: Her life is inherently stressful because she is a street kid trying to make it in a world that is not very friendly to people with no structure supporting them, but she manages to bear it pretty well on the whole. Still, it’s hard being a-Qing. She just makes it look easy. Probably a 4 or 5/10.
Sect Leader Yao: He’s not stressed, but he’s very good at making everyone around him stressed every time he opens his mouth. His presence is a +2 to stress for everyone in his vicinity with the exception of Sect Leader Ouyang, who is for some reason immune. 0/10.
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lunabonita · 3 years
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My Webtoon Recommendations
These are webtoons that are all 10/10 for me. Of course it doesn’t have to be a 10/10 for you, so just a reminder, do not attack me for liking a webtoon that you do not. These are my opinions and we are not going to have the exact same taste. Please be respectful.
Your Throne
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Genre: Fantasy
Chapters: 75
Status: Ongoing
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“Tensions are brewing under the seemingly calm surface of the Vasilios Empire, a kingdom ruled by the Imperial Family and the Temple. Lady Medea Solon has lost her place next to Crown Prince Eros, but resolves to win back whats rightfully hers. Will she reclaim her throne?”
You know whats amazing about this webtoon? The summary leads you to think that what shes winning back is the prince. Wrong. Shes trying to win back the throne. I love how this webtoon doesn’t try to make it a girl focusing her goals on a man, but on power. Medea is such a strong and well written character that you can’t help but love her.
The second protagonist Pschye, who of which is the person who took Medeas place as Crown Princess, is the complete opposite of Medea. At the beginning you hate her, but as the webtoon goes on and Medea and her get a better understanding of eachother due to them switching bodies as a wish from God, you begin to root for them as they team up to take over the throne from the Crown Prince.
The art is so beautiful and I constantly found myself at awe from the amount of detail put into it.
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The Makeup Remover
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Genre: Romace
Chapters: 78
Status: Ongoing
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“After years of being told to focus on studying, Yeseul feels lost when she starts college and is suddenly expected to pay attention to makeup. When a chance encounter with brilliant makeup artist Yuseong leads to her taking part in a televised makeup competition, Yeseul begins to question the role that makeup and appearance play in society.”
This was created by one of my favorite webtoon creators Lee Yone. Their art is just so amazing and their stories always include such good topics.
For instance, The Makeup Remover’s theme is loving yourself for who you are. It shows how people treat you based on your looks and as someone whos struggled with that kind of thing for a while, this webtoon really touched me. The main character Yeseul is such a relatable character, even when trying to reject beauty standards, she still came subject to the pressures of living up to the people around her. She struggles with trying to love her own appearance and I really like that this webtoon didn’t try to be like, ‘fuck the beauty standard im better than that screw pretty people!!!’ it actually showed realistically how people struggle with self-image. I also love the main love interest because oh my god, we need more men like him please. He doesn’t care about Yeseul’s appearance and genuinely loves her for her personality.
Also, art is amazing. The author is so talented and you should support them by reading and liking the chapters.
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Surviving Romance
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Genre: Horror
Chapters: 14
Status: Ongoing
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“When Chaerin Eun becomes the protagonist of the romance novel she is reading, she expects a fairytale ending with the novel’s love interest, Jeha. But when a bizarre twist makes her realize the story is not playing out as it does in the book, she’ll need the help of an unlikely character from her class to defy the new storyline and find her happy ending - if only she can figure out who this ‘Unknown Extra’ is first!”
Hands down one of my favorite webtoons by a long shot. You ever see a webtoon and think, ‘oh yeah, thats going to be a good webtoon’? Thats how this webtoon was for me. It was so good that I spent hours searching for other chapters that hadn’t been uploaded to webtoon yet on other manhua websites. I discovered it because it was also by the author of ‘The Makeup Remover’.
If there is one thing you need to know about me, its that I am a huge horror fan. So when I saw that my favorite author on webtoon had a horror themed webtoon out? You bet your behind that I binged it. Let me tell you, best choice ever.
Think of it as if ‘Ino’s Law’ and ‘Quarantine’ were combined with amazing art and a badass MC.
The Remarried Empress
I love how it is set up to the point where she cannot ‘quit’ until she completes the novel. Creating scenarios where she must survive while meeting the standards in the book. It is such an amazingly written webtoon and I cannot wait for more chapters to be released.
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Genre: Fantasy
Chapters: 82
Status: Ongoing
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“Navier Ellie Trovi was an empress perfect in every way - intelligent, courageous, and socially adept. She was kind to her subjects and devoted to her husband. Navier was perfectly content to live the rest of her days as the wise empress of the Eastern Empire. That is, until her husband brought hone a mistress and demanded a divorce. ‘I accept this divorce… And i request an approval of my remarriage.’ In a shoking twist Navier remaarries another emperor and retains her title and childhood dream as empress. But just how did everything unfold? “
Am I in love with Navier? Yes.
I absolutely adore how this story was set up. The first chapter begins with the big divorce scene, followed by Navier saying that she was going to be remarrying someone else since he wants to divorce her. This sets up a picture that gets completely shattered as you read the chapters. How everything falls into place with the reason behind the divorce and the remarriage is just so well written. The art is so good and and everything is just so insanely well done.
I absolutely love Naviers character, from her regalness and devoted loyalty to her role as empress, all the way to her petty moments and times of sadness. She is truly a character that you want the best for, and I cannot image anyone not liking her. Also the story is just so capable of making you feel emotions. I’ve laughed, cried, and got angry during the course of reading this webtoon. I love how betrayed I felt when the emperor brought home his mistress. It felt like I was in Navier’s shoes!
This is such a well done webtoon and I'm so excited for Navier to get all of the good things she deserves in her new Kingdom and with her new husband.
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Witch Creek Road
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Genre: Horror
Chapters: 74
Status: Ongoing
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“A survival horror about love, acceptance, death, and revenge. And sexy flesh-eating demons. Yeah, it has those, too.”
This series seriously mind fucked me. The way that this story is set up, you don’t see the full picture until the later chapters. Season two literally blew my mind. It is also very gorey so keep that in mind if you don’t like that kind of stuff, but for me that makes it all the better. It is just so wild and crass that you can feel your heart pumping in anticipation.
They even have their own website that goes further into the lore because it’s just so wild. Also the art style is just so amazing, because it complements the story and horror theme so much. You hate most of the characters because they suck, and it is so satisfying when they are killed. Also it has it’s sad moments but I think it is a nice break from the horror so it isn’t so overwhelmingly scary.
I binged this series and I recommend reading only a few chapters a day so you don’t overload your brain.
Other then that, an amazing webtoon. Seriously, go read it, support the author, so much work goes into the story and art that it’s insane.
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Dating With A Tail
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Genre: Romance
Chapters: 36
Status: Ongoing
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“On the dawn of her 29th birthday, unlucky-in-love Yunha discovers a shocking family secret: she’s started growing a fox tail, the mark of an ancestral curse. She must find her fated love before her 30th birthday or she is destined to become a fox forever! Even with her new-found enchanting power to attract men using her scent, will one year be enough to break the curse before it’s too late?”
Oh my gosh this is just such a good webtoon. It has amazing art, story telling, and characters. The true love interest was there the whole time, the villain isn’t who you’d expect it to be, and the spirit who cursed her is just! Im not going to spoil it but go read this webtoon!! It is so good and deserves more love.
Also Yunha is just so relatable?? Like she put off finding the woodcutter (her fated love) for 29 years and waited last minute to find him. Homegirl is me trying to do a project for school. Also to get rid of the scent that makes men attracted to her, she just starts eating a ton of garlic and that is just so funny to me.
Also I would go to church for the priest anytime if you know what i mean ;)
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Omniscient Reader
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Genre: Action
Chapters: 53
Status: Ongoing
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“Dokja was an average office worker whose sole interest was reading his favorite web novel ‘Three Ways to Survive the Apocalypse.’ But when the novel suddenly becomes reality, he is the only person who knows how the world will end. Armed with this realization, Dokja uses his understanding to change the course of the story, and the world, as he knows it.”
I cannot get over how high quality this story is. The world building is phenomenal, the art is fantastic, and the characters are very fleshed out. This deserved all the hype it has gotten so far and more.
I love the ‘mc thrown into a different reality’ trope so much. Just like with surviving romance, Dokja’s world became the story he was reading. Also a very cool aspect of the story is the level up and the fact that its like a game. Earth has turned into this show for god like creatures to watch and it follows Dokja trying to survive. I also really like that TWSA has a protagonist, but Omniscient Reader’s protagonist is not the protagonist that was in TWSA. There is just so much lore and I’ll say it again, the world building is just phenomenal.
The Ddokkaebi’s and Dokja’s interactions are also just some of my favorite moments from the story so far. And oh my goodness I would die for Lee Gilyoung. Thats it, thats the tweet. That little boy could probably kill me with his giant praying mantis and I would let him if it would make him happy.
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Not So Shoujo Love Story
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Genre: Comedy
Chapters: 45
Status: Ongoing
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“Romance super-fan Rei Chan is ready for her first boyfriend and she knows just who it’ll be: the most handsome boy in school, Hansum Ochinchin. But her plans for the perfect story are derailed when the most popular girl in class declares herself a rival… for Rei’s heart?! This is the year her not so shoujo love story begins!”
This is just such a cute webtoon. The style is very appealing and while the humor can be childish and weird sometimes, it still has made me laugh a lot. I know the humors not for everyone but just keep in mind that it does get better as the story progresses and gets more serious.
Also its a gl! I’m really unable to find good gls these days that don’t fetishize wlw relationships. Rei being painted as a mean trouble maker whos just misunderstood and Hana being the ‘perfect girl’ who only wants Rei’s attention is such a cute dynamic. They balance each other out and better each other. Also stan Rei for constantly sticking up for Hana even if she doesn’t necessarily like her in the beginning, she has very good morals and sticks to them.
Also the defying stereotypes in this webtoon? Just god-tier. Really makes you think twice when you judge someone just on first impressions alone.
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Odd Girl Out
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Genre: Drama
Chapters: 264
Status: Ongoing
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“After a successful winter break makeover, Nari is finally ready for her high school debut. But somehow, she ends up friends with the three prettiest girls in school! Follow Nari as she tries to navigate her brand new high school life surrounded by beauties.”
This story has made me cry multiple times. A lot, even. It is just such a beautiful tale of friendship and finding support in people who are unlike those around theme. It also tells a great story about how anybody can be the ‘odd girl out’. Be it the fat girl, the beautiful girl, the rich girl, or the laid back girl.
It goes so deep into its characters that you even feel bad for the minor antagonists. It really makes you feel for the characters and the reasons behind their actions. Also I know its long, believe me I binged all 260 chapters in the span of three days, but oh my god it is worth it. Also I know the art is kind of off-putting, in fact that’s kind of why I put off reading the story, but I’ve honestly grown to love it and the writing is so good that the art could be literal stick figures and it wouldn’t matter.
The story is amazing and also I just love Nari. She’s just the best.
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Gremoryland
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Genre: Horror
Chapters: 67
Status: Completed
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“Six old school friends are invited to be the first visitors of GremoryLand, a new horror theme park that promises an experience as unique as it is spooky. But once this experience starts there is no turning back, and they find themselves tested beyond what they imagines, facing their most desperate fears in order to survive.”
This is definitely one of those stories were you kind of need to turn of your brain and choose to ignore ‘plot holes’ while reading the early chapters because this story definitely gets crazy if you don’t know the ending. Believe me if you stick with it it will all make sense and the satisfaction you get from finding the ending is just so worth it.
The story is so good, and who Gremory is you would literally never suspect. When it was revealed who Gremory was and how he was able to create Gremoryland is so fucking mind boggling that you would never guess. I had to do a double take. It wasn’t like one of those random characters with a vendetta type of twists, but like one you can pick out from clues throughout the story.
Its so good and twisted and just so worth at least giving it a chance.
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These were some of my favorite webtoons on the app! Of course it’s not all of them because unfortunately there is a 10 image limit. I also made this because I’ve run out of new webtoons to read and would love if you guys commented some of your own recs. I can also do a part two with other ones I liked if y’all want more recommendations. You guys can even request specific categories like Drama or Sci-Fi and I can tell you my favorite ones from that genre.
Also a reminder - if you disagree with any of my praise of these webtoons be respectful about it. At the end of the day it’s my opinion and you don’t need to be rude when disagreeing with that opinion.
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zippityzap · 3 years
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Sonic Tarot Card Project: explanations for character picks
Recently I completed a summer-long project where I created Sonic themed versions of the tarot major acana. I put a lot of research and thought into what characters to assign to which cards, and I wanted to explain my rationale behind each one! (Everything’s under the read more cut because this is a very long post!)
To start off, let me explain why I did this project in the first place. This summer I watched Jojo’s Bizarre Adventure for the first time, and in Part 3, Stardust Crusaders, the majority of the stand abilities are named after the tarot major arcana. Thanks to cultural osmosis I vaguely knew the meanings of a few of the cards and I realised that one of the characters suited his assigned card pretty well. I was curious if this matched anyone else and so once I finished watching that part, I did research on tarot and found that yeah, a lot of them do match! That got me interested in tarot and since I like combining things I’m interested in, I decided to make Sonic versions of the cards.
I do want to note that while Jojo did inspire this project in a lot of ways, I tried not to let my character picks be influenced by Stardust Crusader characters, although there did end up being some picks that did coincidentally happen to match nicely anyway. Also, I’m not gonna lie, ever since picking these card choices I’ve been highly tempted to draw Sonic as Polnareff.
Anyway, on to my explanations for character choices!
0: The Fool (Charmy Bee)
The Fool represents innocence, spontaneity and recklessness. I believe Charmy’s happy and carefree nature, along with the simple fact that he’s essentially just a little kid who likes to have fun makes him a great fit for this card
1: The Magician (Infinite)
The Magician represents creation and strength, but also manipulation and narcissism, a good match for Infinite and the powers of the phantom ruby. (I was also very pleased to notice that the traditional art for the card has an infinity symbol- everything lined up very well!)
The Rider Waite version of the card also depicts a sword, a wand, a cup and a pentacle; the suits of the minor arcana. I have attempted to depict these with various objects from the Sonic series, namely Infinite’s sword from the IDW Forces prequel comic, the sceptre of darkness from '06, a chaos emerald, and a ring respectively.
2: The High Priestess (Princess Elise)
The High Priestess represents secrets, repression, and the unknown, which I believe fits with Elise’s initial desire to control her emotions and her sadness. (Admittedly this is one of the looser character/card connections for this project, but my two other picks for this card I felt were better suited to different cards)
3: The Empress (Vanilla the Rabbit)
The Empress represents nurturing, fertility and childbirth, all traits that I believe make this card a good pick for a kind, caring mother like Vanilla
4: The Emperor (Dr Eggman)
A card fitting for the leader of the Eggman Empire! The Emperor represents authority, power, and tyranny, all traits Dr Robotnik desires, if not possesses in many continuities.
5: The Hierophant (Espio the Chameleon)
The Hierophant represents wisdom and tradition, and in both upright and reversed forms it has large connections to the concept of social conformity. Perhaps I’m drawing more from the various comic versions of Espio, but he comes across to me as someone who is hyper-aware about how he presents himself.
Fun fact: a hierophant is essentially another word for a religious leader, although I’ve never seen it used outside the context of tarot. I assume the religious connection is the reason why in the OST of the Jojo part 3 anime, Kakyoin’s theme is called Noble Pope.
6: The Lovers (Amy Rose)
The Lovers represents love, communication, and passion; and Amy is certainly a character who wears her heart on her sleeve! She’s a good example of a character who I feel fits a number of different cards, however there are no other characters who suited The Lovers quite as much as her.
7: The Chariot (Sonic the Hedgehog)
The Chariot represents journeys, wanderlust as well as the ambition and willpower to achieve your goals, which I believe is the perfect match for Sonic’s adventurous and heroic spirit. This was one of the first cards I decided on and it’s probably the one I’d defend my interpretation of the most.
If you’re wondering why there’s dark and hero chao in the artwork too, it’s because the original card art depicts the titular chariot being pulled by black and white sphinxes, and this is my way of calling back to that.
8: Strength (Maria Robotnik)
This card pick might seem unusual at first if you take the word ‘strength’ at face value, however considering the original card art depicts a maiden peacefully taming a lion, perhaps the Strength card represents inner strength, courage and determination rather than physical strength. These are traits that I believe Maria possesses.
9: The Hermit (Knuckles the Echidna)
The Hermit signifies awareness and independence but when reversed can mean isolation and resignation, traits that parallel well with Knuckles and his duty to be the protector of the Master Emerald
10: The Wheel of Fortune (Big the Cat)
The Wheel of Fortune represents fate, karma and luck! This is admittedly a bit of a cheeky dig at myself since I’m awful at the Big fishing levels in SA1 and mostly got through them through luck. But that’s not to say the card doesn’t apply to Big himself! His frequent cameos do have a bit of a fate/destiny vibe to them and in IDW Big is lucky enough to manage to avoid the metal virus for quite a long time.
11: Justice (Vector the Crocodile)
The meaning of the Justice cards is… pretty much what it says on the tin: fairness and clarity. Of course the Team Chaotix detective agency represents this as a whole, but that trait especially shines through with Vector himself. He may be a little money oriented, but doing what is morally right always takes priority.
12: The Hanged Man (Shadow the Hedgehog)
The thing about Shadow is that he’s a fairly complex character which means there are a number of cards in the Major Arcana that match him well, but I knew early on when tackling this project that I wanted to assign Shadow to The Hanged Man. This card represents change, release and sacrifice, which all align well with the character arc that Shadow goes through during the course of SA2 and beyond.
13: Death (Tikal the Echidna and Chaos)
Despite the morbid name of the card, (and the admittedly macabre scene I’ve depicted) the Death card is not an inherently negative card to draw. Yes, it can mean endings and grief, but it can also mean letting go and new beginnings. The story that Tikal and Chaos go through in SA1, their anguish and how they later find peace, is something that I think pairs well with this particular card.
Fun fact: this is the only card in this project that has two significant characters on it rather than just one. I felt I needed both of them to be on the card in order to fully represent its meaning
14: Temperance (Blaze the Cat)
The Temperance card signifies balance, harmony and patience, which matches Blaze’s very poised and graceful demeanour. Admittedly I had a little bit of trouble deciding on a card for Blaze since the High Priestess and the Hierophant are also good matches for her.
15: The Devil (Rouge the Bat)
The Devil card represents temptation, seduction, and materialism and well… look, Rouge is one of my favourite Sonic characters, I’d be one of the first people to tell you that there’s a lot more to her than what initially appears, she is so much more complex than just sex appeal and a gemstone obsession. However, I felt there was no other character that matched the traits of this specific card better than Rouge, and so my choice was decided by that.
16: The Tower (E-123 Omega)
The Tower card represents a number of things; disruption, disasters, sudden changes etc, however the trait that made me believe that Omega would be the best selection for the card was violence.
17: The Star (Miles ‘Tails’ Prower)
Tails’ character arcs normally centre around him gaining independence and self-confidence and learning to believe in himself. He is also largely characterised by his unyielding faith and trust in Sonic. These traits are the reason why I believe The Star card represents him well, as it symbolises hope and faith.
18: The Moon (Shade the Echidna)
The Moon card symbolises mysteries and the unknown, and when Shade is first introduced in Chronicles, she and the rest of the Nocturnus Clan are certainly presented as mysterious. The Moon can also represent misconception, which fits well with how Shade was initially unaware of the true nature of Ix’s plans.
19: The Sun (Cream the Rabbit)
The Sun, when drawn in an upright position, has a lot of positive meanings! Freedom, fun, happiness, good luck etc. Cream’s cheerful and optimistic disposition makes her a good match for this card
20: Judgement (E-102 Gamma)
The Judgement card symbolises liberation, awakening, redemption and second chances, all of which I believe represent Gamma and his character arc in SA1 well
21: The World (Metal Sonic)
In the upright position, The World card symbolises triumph, completion, strength and happiness while in reversed position can mean failure, anxiety, lack of self-confidence etc. I had both positioning of the card in mind when connecting it to Metal Sonic; he is devoted to the tasks given to him and is self-assured in his belief that he is the true/superior ‘sonic’ yet he repeatedly finds himself at the hands of failure. But he doesn’t let previous failures hold him back, thus starting the cycle anew. (Another connection to the World card as it also symbolises cycles)
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Oh my gosh so I also headcannon Jack as autistic! But im not comfortable with writing it yet because idk how. Im not autistic; my little sister is and i know a few things jack could have trouble with... but hes a grown ass man so i just dont know. Im definitely taking notes on what you write him as but could you give me some pointers?....maybe?
Im mostly referencing to Bitter with this
aaaa yeah it definitely presents differently in adults who've learned to mask, personally I don't plan to put certain things in specifically to talk about how he's autistic, I write with the background knowledge of what traits he displays, and then express them when relevant, it's relevant a lot with Jack simply due to how much it affects his life
now this is going to get long, so bare with me, because this is a whole lot more complicated than you might expect
there's really no one correct way to write Jack, since there's no one way that autism presents itself, the way I write him is based on a mix of myself and some people in my family, so I can give you a basic idea of what angle I personally come from
for one, I change the way I write about facial expressions and how emotions come across to Jack, in Jazz's chapters I'll write about the exact emotion she can see on their face, with Jack's I'll go with an obvious base emotion, but then if the person is expressing something more complicated, I'll describe their face in physical details
eg;
Jazz POV - Danny was upset, but his face was tight with frustration
Jack POV - Danny looked sad, but his eyebrows were furrowed and his mouth was set in a hard line
it's a subtle difference but it's one I try to maintain throughout Bitter, Jack's POV is based on how I have trouble reading non-obvious expressions, although in my case I also have trouble looking people in the face when I talk to them, that's harder to write in an emotion driven POV story, so I made Jack better at that than I am
his interest in machines is quite obvious, since he's an inventor, and he looooves infodumping on people, he gets very excited about his passions very quickly and his mouth runs off with him, something I also have trouble with, it hasn't been a prominent trait for Jack in Bitter, because he's so out of his element he's mostly confused and in a way, almost grieving his own death, so he's been far quieter than he usually is
his special interest is obviously ghosts and machinery, and in Bitter I cover that he's got a degree in engineering, physics and mathematics. He's good at them, I like to look at it as though Jack rolled high in intelligence and low in wisdom, he's book smart, he knows things that are straightforward and have firm rules, he's less comfortable in topics that are more wishy washy and vague, biology is complicated and has too many variables, he finds it difficult to grasp, there's no one standard rule that applies to every body
I also struggle with vague and unclear directions, I need a solid structure and clear instructions, my strength is in sorting, organising, alphabetising and colour coding, I like things to Look Right, I stick to a particular routine with very specific things, and it's viscerally uncomfortable and even distressing for me to have that order disturbed, I nearly had a meltdown at work because someone had done a part of my job incorrectly, and I had to fix it, it made me genuinely upset on a personal level, it was MY system, NOBODY should be touching it, NOBODY should be moving things around, they do anyway, and I spend a portion of my shifts just frustrated and on edge because of it
Jack also has issues socially, he often says or does things that other people find uncomfortable or embarrassing, I reference that in Bitter, where Jack assumes everyone is mad at him because he said or did something stupid, this I have much experience in, while in the middle of a social situation it's easy to just do what comes naturally to you and not realise it's off putting to other people, because people often play polite and you can't tell that they're uncomfortable, even though people around you find it painfully obvious
sometimes it's easy to see in hindsight after you've been told you made something awkward or uncomfortable, but in the moment if nobody says anything about it, you can remain either totally oblivious, or become anxious and second guess every interaction you have
Jack is the oblivious type, he's fortunate to live in a family that is fairly understanding, they might get frustrated with him, or embarrassed by him, but they don't really take it personally, they KNOW he means well, they know he cares, and Jack does care, he cares a lot, he feels things a lot, he's incredibly empathetic
this is a trait that a lot of media likes to ignore in depictions of autism, because I guess it makes people with autism seem 'too normal', when tv shows always want to be like 'hey wow look at this clever asshole! isn't he clever, but also an asshole! but you can't hate him because he's ✨autistic✨ and he can't help it'
that bothers me a lot, I mean some people with autism do have trouble relating and empathising with people, my brother is one of them, but some people with autism really empathise a lot, some of us feel things very strongly, I'm highly empathetic and it's a real struggle to cope with
so yeah, it is a very complicated thing, so you need to go in with an idea of what their character struggles with, how it affects them, and when it's relevant in the story, also autism falls on a very wide spectrum, some people, like myself, are able to mask well, but that creates a big issue with identity, when you start to wonder how much of you is real and how much of you is mask, then you have to decide if you want to lower that mask and accept the social consequences of expressing yourself naturally
I have a friend who presents a little more obviously, he's very rigid in his ways and he talks like he's reading from a script, I have another friend who can socialise just fine, but will go into a total meltdown when a plan gets derailed and she doesn't know what to do next
another friend I have is highly social and incredibly boisterous, she stims with her whole body, dances around a lot, she's chaotic and that can be off-putting to people, she's had to spend a lot of her life holding that back, she's only recently started learning how to be herself shamelessly
my brother was incredibly social when he was younger, and people always really loved him, but most of that is mask, he's socially anxious and just wants to be alone most of the time, and he's a total prick to his immediate family, I don't take that personally any more, since now I understand that he's so blunt and brutally honest because he isn't masking with us, but also he still needs to be called out when he oversteps, autism might be why he has difficulty empathising, but it's not an excuse to be a complete asshole, even people with autism need to be called out on shitty behaviour, it isn't a get out of jail free card, our self expression shouldn't come at the cost of hurting other people, most of us are more than capable of learning to not be an asshole
I know this is like, A LOT, but these are the things that need to be considered when writing about autism, it is an all encompassing thing that permeates your entire life experience, I absolutely welcome people like you to try to write about it! Because I think it shouldn't be a taboo subject, and I appreciate that you asked for advice and that you want to do it respectfully, you've probably seen first hand how difficult living with autism can be, having a family member on the spectrum, so you already have some experience to draw from, I don't know your relationship with your sister or how old she is, or where on the spectrum she falls, but if possible you can ask her about her experiences in particular situations that you're having trouble writing, if that's something you and she are comfortable with
I hope this helps, just remember to keep an open mind and listen to any feedback you might get, it is very VERY easy to misrepresent autism so don't be too hard on yourself if you don't quite get it right, if someone gives you a critique, take it in stride and use it to become better ~ you can even express that in an authors note, that you want to write it accurately and invite anyone with experience to share their opinion, because like I said, it is different for everyone and my experiences are not universal, and you're welcome to run something by me every once in a while if you aren't sure about it ❤️
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Now I Am An Arsonist
Chapter 1: The Spark
Summary: GLaDOS learns a few things about love, hate, and the human condition.
Tags: Canon typical violence, ChellDOS, human!GLaDOS, found family
A/N: I know technically I published this a while back but I did some major edits to both the chapters I’ve already written and the story as a whole. As promised, I’m re-releasing what I already have with the edits/illustrations. 
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The tests, at least, hadn’t changed.
The centuries had washed over them like a dawdling stream, dragging them down into an overgrown abyss. Even then, the moon dust had stayed firmly adhered to the portal surfaces, the metal doors still creaking and the ceiling still intact. Eons of rain had barely even permeated its surface.
She remembered those years with profound regret; dying was not as peaceful as the science would suggest. For a machine like Her, death was nothing more than a shift of programming, a new prerogative. Her backup program had been an endless recall, restarting Her systems over and over again, trying to salvage something. In each of those moments, GLaDOS could feel the scorching heat from the incinerator, the electricity burning through her body before everything went dark. 
Still, without dying, GLaDOS never would’ve fully appreciated how soothing, how wonderful it was to test.
She remembered the urge to solve, to do Science, clawing within Her even as She broke into a thousand pieces.
Those tests were Her art forms, Her self-expression. Every arrangement of deadly turrets, each layout of gleaming lasers and the perfectly calculated solution felt like a piece of Her soul turned reality.
Now, those tests were better than ever.
Every inch of moss had been thoroughly scrubbed, walls repaired, and acid pits replaced. All except for the grave of Old Aperture beneath Her was now newly outfitted, perfect for the humans P-Body and Atlas had located.
These, of course, hadn’t been the first ones they’d found.
The first batch of humans lasted a measly week, quickly killed by some of Her easiest tests. Even with reminders, the acid is deadly, the turrets are live, they’d failed within a few chambers.
Disappointing.
As a result, Atlas and P-Body had been deployed on a new mission. She’d been overjoyed when they’d bravely traveled all the way to the bottom of Old Aperture, and found even more humans preserved in cryosleep.
This time would surely be better.
All obstacles finally removed, science could continue.
GLaDOS could not smile, but if She could, She was certain that a grin would reach across her faceplate. 
Today was a momentous day for technology, for the advancement of Aperture Science. It was as if She’d sent a man to the moon, and he’d come back with the theory of everything.
Originally, of course, Her plans had been different. The difficulties with Chell had worn down Her admiration for human data, and prompted her to come up with a replacement.
The Cooperative Testing initiative was infinitely more of a success than GLaDOS ever thought it would be. Atlas and P-Body were built to test, but She had still been surprised how those little androids with so much personality had managed to be so efficient.
Atlas and P-Body had overcome their own confidence through their excellent teamwork. The knowledge that they depended on a partner humbled them, and the idea of a common goal incentivized them. GLaDOS wished She’d thought of such an idea sooner. 
Still, there was something about human testing, something She couldn’t quantify, something that wasn’t quite the same with robots. Humans had a particular spark, and without it, testing never felt complete. 
Today would finally be the day She could put all mistakes behind Her. GLaDOS was sure She’d see that all of the other humans would prove Her experience with Chell to be exactly what She knew it was.
Bad science.
GLaDOS had learned from Her errors.
She knew for certain that She would not repeat them.
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It’d been extraordinarily difficult to move the test subjects from Old Aperture all the way to the newly renovated Relaxation Center, with entire teams of robots struggling to reconnect Her control over the condemned area. Their work easily took a week to complete as they rewired the dilapidated circuits, barely restoring function. GLaDOS took what She could get, and rewarded their achievement with immediate, merciful destruction.
When the humans had been successfully relocated, anxiety filled Her servos as She scanned the cryo-chambers. Upon reading the results, She found herself pleasantly surprised. Good physical condition for hundreds of years in stasis. Relatively low rates of severe brain damage. Nothing particularly concerning in their associate files. Had Her comprehension not been perfect, She would’ve done a double take. After all this time, She had something that She could work with.
Atlas and P-Body would have to wait until they were needed again, their consciousness safely stored in Her mainframe. Her processors hummed with excitement as She prepared for the awakening of the first humans, buzzing with hypotheses to test.
What would be Her experiment this time? GLaDOS scrolled through Her endless lists of deadly trials. 
She hadn’t used rocket turrets in a while; those weren’t as efficient as the regular ones but were always a surprise for Her unwilling participants. With only a thought, She placed the machines inside a few chambers, lining them up in a neat, strategically placed array. Companion cubes would be a definite no, at least for the first few tests. There were occasions when the humans became so deprived for social connection that their behavior would influence the results. In order to better control the experiment, She’d deploy them only in emergencies like these.
With those exceptions, and the addition of a floor to some of the more difficult levels, the chambers didn’t require too much preparation. GLaDOS had nothing particularly new to add; for so long Her energy had been focused on Atlas and P-Body that development had nearly come to a standstill. Regrettably, She’d been deprived of ideas. It didn’t matter too much; the facility remained operational even if it wasn’t constantly progressing. Even the replication of old results was invaluable for science.
It confirmed that the trends hadn’t changed.
---
The files of the subjects were all very much the same.
Scientist. Scientist. Scientist. Scientist. Scientist. Praying mantis, formerly scientist.
Occasionally, She’d find the elusive Astronaut, War Hero or even Olympian.
She was tempted to begin the testing with these special cases, curiosity piqued at the prospect of their odd results. GLaDOS chastised Herself. She didn’t want to skew anything, and She would surely begin with a normal subject chosen at random. It wasn’t the most interesting thing to test, but it would be the most informative.
With the chambers compiled and the facility clean, testing was finally ready to start.
She almost couldn’t believe it. All technicalities aside, She was finally, finally, getting exactly what She wanted. For as long as She needed to, for as long as the subjects lasted, She could just test.
It couldn’t be real, could it?
That was the most beautiful thing about science. For all its disappointments, a discovery would be worth it all.
---
“Hello, and welcome to the Aperture Science computer-aided testing program.”
Her voice resounded throughout the Extended Relaxation Vault as the subject stumbled across the room in disbelief.
“The Enrichment Center would like to take this opportunity to remind you that hundreds of years have passed, and that all of your friends and family are most likely dead. In the off chance that your friends and family are not dead, they will be tested. Thank you, [insert subject name here], for your unwilling voluntary participation in the advancement of science.”
The subject, an adult human male, selfishly resolved to huddle in the corner of the relaxation chamber. Of course, he was either brain damaged, in shock, or both. In order to assuage his gentle human feelings, GLaDOS would have to resume Her telling of… alternative truths.
GLaDOS wasn’t entirely sure what She’d said wrong. Honestly, She was surprised the subject didn’t appreciate Her integrity. After all, Chell hadn’t exactly taken kindly to Her tendency towards pathological lying. Here She was, trying to improve the well-being of Her subjects, and this was how they thanked Her?
           “Hello, again, valued forced participant. The Aperture Science Enrichment Center commends you for your blind faith in the words of authority. As part of routine testing protocol, we have lied to you about the fate of your family and friends. When the testing is complete, you will receive cake and the opportunity to… see them. Your response has given us valuable psychological data on the well-being of our test subjects when told that all of their friends and family are dead.”
GLaDOS paused for a moment, focusing Her camera in the chamber and watching as the man lifted his head from his upright fetal position.
“Good. You’ve already passed one of the first stages of testing. Congratulations, [insert subject name here].”
As much as it felt wrong to use, positive reinforcement was highly effective when employed sparingly. Too many attacks on character could obliterate a subject’s morale. Just enough would account for the variable of human hubris.
Cautiously, the subject stood up and examined the room around him, fear still apparent in his apprehensive gait and wide eyes.
“In order to mentally reinvigorate you for the tests and to ensure your aptitude, the Enrichment Center recommends that you stare at the painting on the wall in front of you.”
Creeping over to the portrait, the subject followed Her orders and stared intently at the picture of Mount Rainier. He ran his fingers over the edge of the frame, tracing the tall peak of the mountain.
Interrupting his thoughts, a buzzer sounded, blaring throughout the entire room. The subject flinched from the surprise, nearly losing his balance.
“Good job. If you are not reinvigorated, consider this piece of human music.”
This time, the human expected the buzzer after the quick classical piece, seemingly more at ease with the abrupt nature of Aperture Science. In all reactions, he was completely, almost painfully average.
“Well done. You have completed the Aperture Science mental reinvigoration procedure. We may now begin testing.”
Without warning, the chamber jerked to the side as She moved it to a nearby docking station, then coming to an unexpected standstill as the door automatically opened.
GLaDOS could barely maintain Her monotonous affect, in joyous denial that testing would finally start. 
Carefully, the human stepped out of the door into the test track. The door slammed behind him, as he examined the purely white room with nothing but a cube, a large button, and a locked gateway.
Almost immediately, he wrapped the blue storage cube in his arms, then gently placed it on the button. A line of blue lights leading to the gate illuminated, flashing a bright yellow as the door slid open. A lift was waiting on the other side.
As he sauntered over to the lift, it was difficult to miss the human’s triumphant smile. GLaDOS knew the expression well; it was satisfaction, victory, an unproven sense of control.
He really does have no idea.
She was tempted to spoil the ending, to mention turrets, to mention pools of burning acid. It had to wait, She reminded herself. An important control was that the test subject needed time to acclimate to a dangerous environment. Creating unnecessary fear would definitely affect her numbers.
---
The next few puzzles weren’t particularly challenging for Her first subject. Completed within a span of about ten minutes each, the first five chambers were hardly difficult for anyone. That much She’d expected.
On Her end, everything else was normal. She hardly spoke Her mind, instead opting to repeat the same script She used for every subject.
Did you know you can donate one or all of your vital organs to the Aperture Science Self-Esteem Fund for Girls? It’s true!
You have completed the test in a moderate amount of time. You can do better, [insert subject name here].
The Aperture Science Enrichment Center reminds you that we prioritize your safety. We also prioritize science. In fact, we prioritize science more, but if you feel unsafe in our unsafe conditions, please notify a testing associate. They will process your complaint in three-to-five business days.
Like most subjects, the man had not volunteered to give up his organs nor asked for an associate. Instead, he responded to most of Her passive-aggressive quips with useless questions. She did not reply, passing them off as typical human blabbering. Rather, She recorded them in his file underneath a new section She labeled Overly-Talkative: Examples. There was plenty to jot down.
Uh, robot lady? When can I go home?
So, uh, what kinda cake is it? Like, I don’t really mind the flavor but I’m allergic to almonds if that’s relevant.
How long does this last, again?
I kinda like my organs, sorry. Wait, is the organ thing required?
Once again, pitifully average.
It was times like these, whether with humans or with Atlas and P-Body, that GLaDOS caught Her mind wandering towards forbidden thoughts. Science was not always supposed to be exciting; sometimes, running an experiment meant repeating the same process to verify the data. The result was satisfying, but the process was more often not.
This human epitomized the dullest parts of her day.
As informative as the humans could be, they were often far from entertaining. Every behavior could be predicted and rationalized once it’d been observed enough.
Chell, though?
Oh, sure, GLaDOS was terrified of her, no matter how much She’d deny the feeling. No subject had ever left the track before. 
But Chell didn’t just survive. She’d escaped from the tests, she’d found Her chamber, she’d murdered Her with little else than a portal device. Twice. 
Her ego was as vast as the realm of Aperture, but it would never recover from that spectacular injury. Even GLaDOS had to be humbled by that.
And yet, with morbid curiosity, She had eagerly anticipated Chell’s next plans, laying traps in scheming delight. For the first time in Her life, She’d been challenged.
It was an odd little game they’d played, and whenever She was close to getting the upper hand, a part of Her was disappointed that the chase would be over. There was something delightful about watching the peculiar way that Chell and Chell alone tested.
When Doug Rattman had switched Chell’s file, GLaDOS was not so oblivious as not to notice. She’d clearly read the bottom of the paper, firmly requesting that this subject not be tested. GLaDOS had other tenacious subjects before, and She’d simply assumed that this human was particularly overconfident. Those ones never lasted too long.
Chell was not, as She’d thought, only determined. 
She was curious, changing variables one by one until she finally found the answer. Her patience was remarkable, but so were her deductive skills. Some test subjects with similar tenacity levels resolved to try the same solutions over and over again, exhausting themselves and eventually burning out. It was the reason why GLaDOS typically ignored the warnings. Most humans labeled ‘tenacious’ weren’t too different in the end. The key for Chell was not simple defiance. Chell could control herself. That’s why she was such an outlier.
She had the mentality of a scientist.
Most subjects were cautious, prioritizing self-preservation over a solution. Turret levels could be aggravating for GLaDOS to watch, as the humans spent more time hiding behind a corner in fear than actually solving the test. They would be safe if they’d just strategized, but the human mind made accepting that fact a difficult feat.
Chell was the opposite. GLaDOS theorized that perhaps, Chell understood the same principle She did. Chell was scared like any other, but despite her pounding heart and racing thoughts, she’d kept her cool. Any new element was only a matter of adaptation for Chell, and Chell was always evolving.
Finally, and perhaps most importantly, Chell was an optimist, often performing pointless tasks that could only be described as trying to have fun. GLaDOS gave her lemons, and Chell made lemonade.
Chell would smile as she soared, launched from the aerial faith plates, and took her time to explore the little rooms hidden in the corners of the tests. There was one time she’d put off the completion of one puzzle by nearly an hour, hiding out in one of Doug’s rat dens, fascinated by all the little cups and cans he’d arranged.
It would be a lie to say that Chell liked testing. Her episodes made it clear that escape was Chell’s first priority. That didn’t mean she couldn’t enjoy the small glimmers of hope GLaDOS gave her, whether that was bouncing on repulsion gel, saving a defective turret or smuggling a companion cube.
After Wheatley took over, one of the more terrifying aspects of the whole journey was being stuck on Chell’s gun. Chell was a risk taker, building her strategy off of previous attempts and lessons learned, but knowing when to dive into the unknown. It wasn’t exactly comforting to be strapped to her side, not knowing if or when one of Chell’s ideas would kill them both.
Somehow, though, her spontaneity had worked.
GLaDOS could respect that… creativity.
It was for this reason that even though GLaDOS now had everything She’d ever wanted, something deep in her hard drive felt empty.
Something had changed the moment Wheatley stuffed Her into that single-volt potato. For the first time in Her life, there was nobody else there in Her mind. No one but Caroline, who had been buried underneath layers of code until She was barely there at all.
It was over the span of those fifteen hours that She’d seen Chell from a different perspective. Looking at Her tests from this angle, it was much easier to see why Chell wanted to leave. Some small piece of GLaDOS almost felt bad upon realizing that Her subjects didn’t enjoy dodging bullets nearly as much as She liked watching. 
Fortunately, GLaDOS had been able to shove that down with the arrival of a different, equally unpleasant emotion.
She was supposed to hate Chell. And for a very long time, She had. How dare Chell ruin Her perfect tests, Her perfect existence, Her perfect world? What had She ever done to her to warrant such a cruel punishment?
And yet, it seemed Caroline had done a number on GLaDOS’ logic processors, because now no matter how She tried, She could not hate Chell.
Before She’d let her go, let Chell go of all things, GLaDOS had called Chell Her best friend.
Not an enemy. Not a begrudging ally. A friend. Her only friend.
Now, Caroline was gone. The part of GLaDOS that had once looked at Chell and found something beautiful in her icy gray eyes was corrupted beyond repair, erased from memory.
She was not supposed to feel its presence any longer, yet still it lingered.
It was there, whispering to Her as She tried to test like nothing ever happened.
It was there when a thousand turrets sang the opera She’d written specifically for Chell.
It was there when She’d found Her baby birds, Her little killing machines, and She hadn’t crushed the eggs. No, She’d raised them. Because, deep down in those cold avian stares, there was this irrevocable quality that reminded Her so much of Chell. This spark of life, this undamnable will to survive. 
Somewhere, though She refused to ever admit it, She wished that it was Chell in those test chambers. She wished it was Chell glaring through Her camera feed, and She wished it was Chell searching for that elusive cake.
I’d make you the cake if you came back. Really, I would.
The sudden thought moved like a spark in GLaDOS, as She fearfully located the source and removed whatever She could. There was no time for ideas like that, not with science to be done.
The past few months had been full of random deletions, spurned by paranoia that Caroline’s base program was not entirely gone.
It’s not here anymore, GLaDOS reminded Herself. Once, She had been Caroline, but She was no longer the kindly woman who followed Cave Johnson’s every order. GLaDOS was a machine that felt nothing and lived only to test. And because She was immortal, and because She was perfect, GLaDOS was not supposed to care about some disobedient human being.
You do not care about Chell anymore.
You don’t care because she killed you, remember that?
You don’t care about anyone, because you don’t need to.
Necessity was the core reason why GLaDOS did anything. She tested because the mainframe made Her feel awful until She did, and She killed because it was what she was made to do. She did science because it needed to be advanced, for the brighter future She was sure She was making.
It made no sense to do something because She wanted to. 
Of course, things seldom made sense here at Aperture Science, and in this moment, GLaDOS did something unconscionable.
GLaDOS did not glitch often. She’d made sure to update and replace faulty parts whenever She could, keeping Her mainframe running smoothly. Even so, somewhere deep within Her, She was sure there was a pulse that misfired. There could be no other explanation.
Perhaps it was Her rumination over Chell that brought this upon Her, some kind of karma punishing Her for acting too human. Why else would She have done something so incredibly unscientific? To distract Herself, GLaDOS turned her attention back to the captive man.
Like many others before him, this test subject had underestimated the turrets’ range. He hadn’t turned around fast enough to see the gleaming, bullet filled machines behind him, and nearly flew directly into their line of sight after careening through a portal. His momentum would take him past all three, riddling him with bullets. 
That is, it would’ve.
The human quality of the subject had activated some kind of horrible reflex, a split second decision in GLaDOS She would come to regret. The way he walked through the chambers, the way he clung tightly to cubes… all of it was so similar to Chell. Even if he didn’t meet her performance level, even if his personality was nearly the opposite of Chell’s, their shared humanity was enough to remind GLaDOS. That same emotion She felt when pulling Chell back from space, waiting for her to open her eyes while Atlas and P-Body looked on… For some inconceivable reason, it had reappeared.
Quickly, the subject hit the side of a rising panel, suddenly pulled up in front of the turrets by none other than GLaDOS Herself.
This would surely ruin Her numbers.
As the participant rubbed his head in pain and slowly stood up, immediately noticing the turrets he’d evaded, GLaDOS’ voice resounded from the intercom.
“[Insert subject name here], your decent performance has warranted the use of an Aperture Science Emergency Life-Saving Instantaneous Response. This is the only safety gesture that will be provided. Continue testing.”
Another lie.
It was good to know that function was still online.
---
That uncharacteristic moment of empathy had been pointless, anyway. Just as She’d predicted, he’d accidentally tripped over a ledge and landed himself into a puddle of acidic goo, dissolving within a few short seconds.
It didn’t matter. GLaDOS had more subjects than She could count. She didn’t need this human, and the tests didn’t need him either.
Some part of Her, a piece which was faulty and insignificant, disagreed with the notion.
You killed him, it whispered accusingly.
That’s the point, GLaDOS hissed back, once again delving into Her files to cut out whatever was causing the issue.
Trying to calm Herself, GLaDOS reminded Herself of the facts. She was in control of Her facility, and She was in control of Her mainframe. Little errors could not ruin the chambers, and if they ever showed up, She had the power to crush them.
Everything was fine, She thought.
Everything would continue to be fine.
All She needed to do was keep testing.
---
Everything was, in fact, far from fine.
A few days had passed, and GLaDOS was finally ready to admit that maybe something was wrong.
At first, the issue was Her own. Little surges of emotion and bursts of unforeseen empathy plagued Her but didn’t affect the facility at large. Begrudgingly, She’d factored in the new bias into Her results. From Her calculations, She could already see an egregiously high percentage of error. This study could’ve been Her worst one yet, and even that was with generous rounding.
Still, She had hope for each subject that She wouldn’t mess up this time.
The facility had other ideas. Cameras would fizzle out, emancipation grills would stop working, cube dispensers malfunctioned and even the elevators would refuse to move. It seemed that the moment GLaDOS got around to fixing something, another thing would fall apart.
Many of the subjects had become confused as to why this seamless, futuristic facility was suddenly malfunctioning, and She’d had to become increasingly creative with Her excuses.
As part of the Aperture Science testing protocol, we have simulated faulty equipment in the testing environment to see how subjects react to faulty equipment in the testing environment. Hint – they typically react well and continue testing. Like you will.
The lifesaving, and the reflexive empathy, had become unfortunately common as well.
Although the Enrichment Center previously told you that your life could only be saved once, we regret to inform you that protocol has suddenly and permanently changed. We would also like to remind you that your measly existence is still not valued despite our attempts to preserve it.
GLaDOS knew She had to find a solution, quickly.
Interrupting the tests wasn’t an option. The chassis would never forgive Her if She stopped, filling Her body with an ache that would not disappear until science resumed.
Deleting wasn’t an option, either. Fervent attempts to find the source of the problem had led only to more glitches upon the erasure of critical files. Then, Her attempts to restore them only recreated the original error.
The problem was like a moving virus, jumping between Her systems before She could catch it and kill it. Even for Her, it proved too fast to find.
She couldn’t panic, not now. Surely, She thought, She’d fix this like She’d fixed everything else. With science on Her side, most threats resolved themselves or died trying. This wouldn’t be any different.
It couldn’t be any different. For something to be uncontrollable, and uncontrollable for Her especially, was the most terrifying thing She could possibly imagine. It brought Her back to Her potato days, during which She’d promised Herself that She would never be weak again.
For these few months, She’d kept that promise. Until now, no subject had seen Her mercy.
But had they?
She thought back to the birds, creatures who trusted GLaDOS, who loved Her in whatever capacity three little crows could. She thought back to Chell, because for some awful reason, Her thoughts always went back to Chell.
No, She thought firmly.
We are not doing this now.
We are fixing the facility, because we need to.
Because we need testing. We like testing.
The voice from before suddenly returned.
Do you like it? Do you really?
GLaDOS felt Her rage processors fire up.
What was this little virus even saying? Of course She liked it. It didn’t matter anyway. Science had to be done, and so She was doing it. GLaDOS could not even begin to imagine life without tests, life without science. What kind of meaningless, awful existence would that even be?
In fact, She would prove to the voice that science would continue. She would prove that testing was productive, that everything in Aperture was doing good for the world and good for humanity. Most importantly, it was doing good for Her.
Wasn’t it?
GLaDOS ignored Her curiosity. Just test. That was all She had to do. Just test, and everything would be alright.
Just. Test.
---
As another few days passed, the facility had become almost unusable. She’d had to shut down some of Her favorite testing tracks, the power leached out of them and the appliances completely nonfunctional. GLaDOS knew She was running out of time before something drastic happened. Still, She had to keep testing.
Now, even the subjects had begun to sense Her panic. One even strolled up to a camera, made eye contact, and asked if She was alright. GLaDOS didn’t dare respond the question; She wasn’t ready to admit the answer.
For all intents and purposes, She was definitely, absolutely, decidedly not alright.
Knowing that, She should’ve considered this next subject an omen.
There was absolutely no way She could test with this one.
She barely looked like Chell, but GLaDOS could see her tenacity, her drive and determination from a mile away. The way the subject carried herself, tied her hair into a ponytail and said nothing was too much.
GLaDOS couldn’t even bring Herself to kill the woman, instead instructing her to return to Extended Relaxation after only a few chambers.
It felt as if GLaDOS physically could not test anymore, despite everything inside Her craving the satisfaction of a completed trial.
This isn’t right. This isn’t right.
GLaDOS prided Herself on Her apathy, but even that had left without a trace. Now, She had tried everything, and still nothing was working. The facility was closing down on Her, and if She didn’t do something, She’d go down with it.
When the announcer finally sounded, GLaDOS couldn’t say She was surprised. If anything, She was grateful for any kind of clarification.
The male voice on the intercom was matter of fact, unaware of the danger it spoke of.
“Reactor Core malfunctioning. All major power systems except for reserve geothermal are going offline.”
Offline? She’d been managing the reactor core perfectly; if She hadn’t, the entire facility would’ve gone up in flames weeks ago. It wasn’t melting down, it was shutting down, as if someone had flipped a switch and turned it off.
What the hell is happening?
There was nobody else in the facility who could’ve possibly done such a thing, nobody except Her, and as far as She could tell the glitch had not interfered.
It didn’t matter now; She didn’t have time to waste.
“In the event of a power malfunction, standard procedure is to shut down the central core to preserve remaining power.”
How convenient.
“Central core, do you consent to the removal procedure?”
“No, no, no! Do not start removal!”
How was this happening? GLaDOS was sure this couldn’t be real.
“Noted. Removal procedure has been delayed by five minutes.”
You have got to be kidding me.
Skimming over Her files, GLaDOS desperately searched for anything with removal procedure or shutdown. Scanning thousands of documents, looking for anything, all mention of the procedure was absent. There was no reason, no explanation, it was just happening. And worst of all, She couldn’t do a thing.
“Dangerous levels of panic have been sensed in the central core. Do not worry, methods of core preservation are available.”
Why the hell had they waited to tell Her that?
“Show me, show me now!” Anything would be better than shutting down again. She couldn’t do that again, not after hundreds of years. She couldn’t, She couldn’t.
“Panicked request acknowledged. There exist two types of core preservation features. Direct Mechanical Implantation or Organic Transplant Procedure.”
Direct Mechanical Implantation. She hadn’t heard of the second thing, but GLaDOS did know what Direct Mechanical Implantation meant. It was only a transfer into an empty personality core, which was far less than ideal, but better than dying again. Far better than dying a third time.
As fast as She could, GLaDOS selected the first option.
“Unfortunately, Direct Mechanical Implantation is unavailable. Continue with Organic Transplant Procedure?”
“Do you have any other options? Anything else?” GLaDOS did not want to take Her chances on anything with the word organic in it.
“Other methods unavailable. Two minutes remaining.”
This was it, Her only choice. If She shut down now, there would be nobody to come and wake Her this time. 
There was nothing else to do.
“Initiate Organic Transplant Procedure,” She commanded.
Without a second thought, the facility obliged.
---
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Just finished OMORI and I’ve had Yakuza on the brain so I decided to smash the two together and draw some character portraits!
I’ll explain why I drew certain characters certain ways under the “Read More” section, but do be warned that there will be MAJOR spoilers for all of OMORI and Yakuza 4. Basically, if you haven’t finished either game and don’t know the major twists, don’t read on!
Also, I have a lot of thoughts so if you don’t want to read a mini essay, you should probably skip it.
Now for some analysis!
While going through the story of OMORI, I recognized a few thematic similarities between Sunny and Mari and Majima and Saejima. It wasn’t completely perfect (since OMORI is a much heavier, emotion-focused game), but it still interested me a bit.
Mostly, the ways in which Sunny and Basil experience so much guilt for covering up the circumstances of Mari’s death (as well as Sunny killing her in the first place) reminded me of Majima’s reaction to the ’85 massacre. While Yakuza 4 (as well as 0) don’t really dwell on it much, it was pretty obvious that Majima felt a lot of guilt for not being there with Saejima during the assassination. These feelings he had were clearest when he expressed the belief that Saejima would eventually come back to kill him.
Seeing Saejima’s reaction to Majima’s ‘betrayal’, it’s clear that he doesn’t automatically resort to murder when faced with a potential backstabber.
On an intellectual level, I think Majima knows this as well, but the guilt he feels for abandoning his brother (however unintentional it was), seems to manifest in a belief that Saejima killing him would allow Majima to ‘atone’ for the betrayal.
So that’s why Majima plays the role of Sunny/Omori and Saejima is Mari. I chose to call Majima’s headspace persona ‘Kyodai’ since it carried similar thematic significance to Omori being the name of Sunny’s persona.
Sunny pushes Mari down the stairs because they get into an argument over him destroying his violin. He chooses the name Omori because it’s the brand of Mari’s piano. Music is the common theme connecting himself and his sister as well as her death and his headspace.
Saejima and Majima were planning an assassination of a rival yakuza family’s patriarch and because of that, Saejima ends up going to jail without Majima. I decided to name Majima’s headspace persona Kyodai since the yakuza connect both him and Saejima in the real world as well as the headspace.
Majima’s pre-assassination self (who I decided to just call Goro) plays the role of Basil. At first, I was going to have his Y0 self in this position since working at the Grand and living in Sotenbori (as well as going through the events of Y0) were 1) very closely tied to the ’85 massacre and 2) a period of his life Majima very clearly wants to forget; however, I realized why, exactly, headspace Basil is so repressed in Sunny’s mind.
Essentially, Basil is a walking trigger. He gave Sunny the idea to make Mari’s death look like a suicide so any time Sunny so much as looks at his former best friend, he’s reminded of what they did to his sister.
Goro functions in a similar way. He was the one that got the weapons for the hit; he helped plan it; and yet he didn’t show up. In Majima’s mind, Goro is responsible for how the hit ended up happening.
Once I made this realization, things started to click into place a little more with Kyodai. Having Majima’s Y0 play this role made much more sense than choosing his pre-assassination self. In a way, Majima’s time as manager of The Grand was easier than his time as yakuza.
He got up. He went to work. He went home. Rinse. Repeat.
He was imprisoned, but in some ways, prison is easier than real life. You have to be at certain places at certain times and you have little to no agency in how you spend any time to yourself. In short, you don’t have to think much.
Part of the point of Sunny’s headspace is that he doesn’t have to feel anything. As long as he’s going on adventures with his friends and staying busy, he isn’t reminded of the ways in which he tore apart his family and the lives of his friends.
While the Grand definitely isn’t a safe space for Majima, it was pretty clear he was just functioning on autopilot while there. He clocked in, tended to the customers, and made sure the employees kept everything running smoothly. Majima was working towards the goal of becoming yakuza again so his brother would have a place to come back to once he was released. Everything else was pushed away and likely regarded as little more than a distraction from his main goal. In this sense, he is a lot like Omori.
So now we’ve explained the main characters so let’s move onto party members!
I don’t have nearly as much to say about each individual character (which is probably a good thing), but I did try to choose people who are/were significant figures in Majima’s life. Because I used this method to choose the party members instead of sticking to only significant figures in the ’85 massacre, I’m playing a bit fast and loose with time.
The headspace version of Kiryu is his Y0 self meaning he’s from 1988 while Yasuko is her ’85 self. Nishida’s headspace self is also from a different point in time, most likely shortly after Majima gets his own family.
This is where the similarities to OMORI dry up. I drew Yasuko as angry in her real-world portrait (which is a bit similar to Aubrey), but rather than being angry at Majima for Saejima’s arrest, she’s angry at the world at large for taking her brother away.
Kiryu and Nishida weren’t around for the ’85 massacre so they have no idea Majima was involved. If I were to further develop this AU (which I might, but ya never know ¯\_(ツ)_/¯), Kiryu and Nishida would serve as characters who are concerned with Majima’s declining mental health, but unsure why it’s happening or how to fix it.
Kiryu also will have adopted Haruka, but instead of having the really sad backstory she has in the Yakuza games, she’s just a normal little girl (because Haruka deserves to be happy god dammit). Because Majima’s being a bit of a recluse and also not very socially adept, she’s scared of him at first, but would start to trust him after he did some side quests for her (and builds up that trust meter).
In regards to Majima's mental state in the real world, he would be spiraling downwards because the 25th anniversary of Saejima’s arrest is coming up. Majima's beginning to think he’s never going to see his brother again and has essentially started grieving all over again since that hope of being reunited is beginning to dwindle. Because Majima’s pushed away a lot of the people in his life, he has no one to confide in and just ends up isolating himself with all of his self-loathing, grief, and guilt.
I would probably throw some Kazumaji stuff in there, too because I have no shame.
So HOO! That’s all I have to say about that! I want to do a few more drawings in this style so keep an eye out for that.
Knowing me, I’ll probably start writing some stuff and make some mini comics fleshing out the world/ the AU as a whole. My work won’t be nearly as detailed as OMORI is in regards to the little story elements and connections between the real world and headspace, but I’ll still try!
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plus-size-reader · 3 years
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Cool
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Noah Foster x Plus size!reader
Word Count: 1216 words
Warnings: none 
Summary: The reader is part of the ‘popular crowd’ but has a bit of an unconventional crush
I just love writing awkward Noah, I apologize. 
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Frankly, Noah had no business at one of Brooke's parties.
It wasn't a scene that he needed to be at, and not the sort of thing that was within his comfort zone but that was exactly what drew you to him in the first place. He wasn't the kind of meathead jock that usually showed up to those things and you were interested in him.
You had never really talked to him, aside from a few group projects in English class and you wanted to know what his deal was.
So, you did the only sane thing you could think of at a high school party, after the death of a close friend. You plopped down beside him on the couch, careful not to spill your beer, and smiled.
It wasn't a foolproof method, of course, but it wasn't awful. If nothing else, it made you more available to him than you would have been standing across the room in close conversation with Brooke and Riley.
"Hey, you're Noah right? I'm Y/N, we have English together" you started, watching just how caught of guard he was at your talking to him. You were marginally hot, far too hot to ever be talking to him, and that was enough to sketch him out.
Still, when you smiled again, clearly waiting for him to say something, Noah knew that silence was only going to make him look like more of a crazy person.
"Cool, that's really cool" he tried, hoping that you wouldn't immediately get up and leave. He sometimes had that affect on women, especially those who he was attracted to. Noah just had awkward energy, and it was too much for a lot of people to handle.
Not you though.
You only giggled at his obvious nerves, hoping for the best. You were nervous too, of course, but you were just better at hiding it. You never really had a crush on a guy, it was usually the other way around, but not in this case.
It was lame, and your friends would never let you live it down but you were a bit of a secret geek. You loved video games, and horror movies, and all that kinds of stuff that Nina would never let you hear the end of if she was still alive.
She always made a joke of it all, tormenting anyone who didn't fit into her perfect existence but there had always been an exception for you. You had been friends all your lives; you, Nina, Brooke, and Emma, adding Riley into the mix a little later.
That was just the way it had always been, and that was never going to change but you couldn't be blamed for having interests outside of mani-pedis and ceaseless drama. It was part of who you were, but not all of it.
"Hey, I had a question about what you said in class the other day? About slasher movies" you hummed, gingerly trying to broach the subject without seeming super weird. You had always been really into those sorts of things, but didn't have many people to talk to about it before.
It could be really interesting to talk to someone about it that wouldn't think you were completely out of your mind.
"Who do you think is the most prolific serial slashers? Personally I think that there a tie between Freddy Krueger and Jason Voorhees but the body count doesn't really reflect that. Any thoughts?" you asked, taking a sip from your bottle neck, never once looking away from him.
Understandably, he was in shock.
He had never known pretty popular girls to have thoughts like that but you clearly did. He knew that for sure because you weren't wrong. There was a correlation between the murders and the the bodycount in those movies but nothing accounted for the lethal nature of some of the killers over the others.
In his opinion, Michael Myers was pretty high up on the list, due to his whole, being a faceless sociopath but the math didn't support that if that was what you were going for. That didn't even take into account the kill frequency and number of movies.
All interesting things to think about, for sure.
"Those are definitely good ones as far as stats go" he allowed, clearly just a little tipsy after however many he'd had at this point, not that you felt the need to say anything about it quite yet. You figured he knew what he was doing, and wouldn't overdue it.
Still, you felt like this conversation was coming to a natural end and you were worried that this would be all you two would ever have to talk about. After all, there wasn't a ton you had in common in the first place.
You just didn't want to go back to talking about Brooke's daddy issues quite yet.
"Hey, you wanna maybe get a coffee tomorrow? We could talk about it a little more" you suggested, gingerly playing with your fingers like you always did when you were nervous. As best you could tell, he could just say no and that would be it, but you hoped not.
You didn't want this to be all there was between you.
Noah faltered at that.
He wasn't really used to being asked out, or talked to at all by pretty girls who had no business caring about him at all. Not to mention that fact that he very rarely, if ever, was asked out at all. You were way out of his league, but maybe that didn't matter.
After all, no one said that two people had to be on the same level of attractiveness or skill to care about one another. It didn't matter if you didn't have very much in common, or if you ran in completely different social circles, there was a spark between you.
"Or not, I mean, if you don't want to" you shrugged, naturally taking his silence as refusal. You knew well enough to know that if he wanted to, he would have said yes by now.
Though, as soon as those words left your lips, Noah shook his head. Even in the little bit of a buzz he was currently harboring, he knew that this wasn't the sort of thing that he was going to pass up.
"No, no, that sounds great, but uh, are you sure you wanna do that? With me?" he clarified, shocked that you would do something like that. If only he knew that  you had to down quite a bit of Brooke's cheap kegger to even work up the nerve to ask.
He thought that you were out of his league, but never even gave your clear feelings for him a second thought. There had to be a reason you asked, after all. You wouldn't have just done that with anyone.
"Of course. I wouldn't have asked if I didn't want to, silly" you teased, earning a sort of awkward laugh from Noah, who was relieved at your response, though feeling just as awkward as before. He just had no game, no matter how hard he tried to be cool.
It just wasn't in the cards for him.
...But if that didn't bother you, he wasn't going to argue.
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umbralstars · 3 years
Text
Basically an "All you need to know" about how I personally write Byleth/All of my Byleth headcanons. This is probably not everything but it's still long enough I have to put it under the cut.
* His birthday is 26 day of Blue Sea Star Moon 1159
- I know that 20 of Horsebow is probably the canon date but I've always used this one since my first playthrough and keep it cause I find it funny
* Byleth has all kinds of memory issues
* Demi-panromantic & demisexual
*Trans masc (He/Him & They/Them)
- He remembers and has dreams of things that are from when Sothis was alive
- He sometimes has trouble recalling facts about the world he lives in (such as who is currently ruling, his teaching plans or things that he has taught before, sometimes can't recall where he is). He keeps a journal of important things that he saw, learned, needs to know etc
+ Caused by being misaligned with Sothis' soul and her consciousness trying to overtake his own
+ He doesn't lose memories outright and can recall things if given the right direction. Once a memory is solidified as more long term it's much harder for him to forget it
- Sothis' memories can cause bad flashbacks that can take him minutes to get out of
+ Jeralt and the other mercenaries look out for him when episodes happen. They often have him talk about them afterwards if he wants too (ie like Jeralt and Byleth's conversation at the beginning of the game after the dream about Seiros/meeting with Sothis)
+ He can't speak during them and gets very spacey
- Fighting and strategy is instinctual for him so memory issues in those areas are non-existent
- When his soul fuses with Sothis' his memory problems mostly cease. All the memories about his own life are permanently solidified and he can somewhat tell the difference between his memories and Sothis'. He still can be paralyzed by her memories but has a much easier time getting out of dazes
* Has a love for learning about the history and culture of Fodlan and everywhere else
- When he was little Jeralt would often tell him stories and folktales about Fodlan while they were riding across the country side. The pre-month cutscenes during White Clouds are Byleth recalling those stories
- Loves learning about the places outside of Fodlan just as much as learning about Fodlan itself
- His favorite books are about history or folklore
* At a crossroad between trusting people implicitly and keeping others at arm's length
- His life as a mercenary certainly wasn't easy, even though he doesn't resent it, so he tends towards giving others the benefit of the doubt even when he may doubt their intentions. Cautiously trusting if you will. Some people may view him as naive because he's willing to trust off the bat and he's fine with that.
- Does fall in line with mercs not really trusting nobles but he points that more towards the parents currently in power and not the kids he knows
- Goddess help you if you break his trust. Once you break his trust it's very hard to actually get it back unless you give him cause for why it was broken in the first place
* Very protective of the people he cares about
- Death or injury of people he care for has always been his biggest fear. His family has always tried to tell him it's just a fact of life, their life especially, but he would rather fight tooth and nail to keep someone alive then to just let them die
* Really good with children actually
* Takes his job as a teacher very seriously. He knows how rough Fodlan and fighting can be, so wants to impart good lessons in the hopes of making his students' lives easier. He knows that some of them have already seen horrors or have been on battlefields, so he treats each person accordingly
* Has a really bad resting bitch face so people think he's really intense/scary when first meeting him
- He has complicated feelings towards being perceived as "intense" or "terrifying" since on one hand it's very useful when he needs to be perceived that way, but on the other hand he feels like that first impression makes it hard to connect with people afterward
- He doesn't ever go out of his way to make people perceive him differently mostly because it would be a hassle and he's thinks people who really know him would understand he's not like that
* Byleth is actually very introverted and somewhat has social anxiety
- He spent almost his entire life around the same people moving from place to place so introversion aside he's not the most experienced about talking to new people
- He never stops people when they want to talk and doesn't really hate talking to people it's just that he doesn't go out of his way to do it unless he likes talking to someone or it's important
* Jeralt's mercenary company is his family and the people he's closest to until Garreg Mach. The Mercenaries are an elite group of about 13 people of various backgrounds
- All of them are basically his aunts and uncles cause they practically raised him alongside Jeralt. He does call a lot of them Aunt and Uncle as well
- One or two are also like siblings to him cause they joined with their parent or when they were younger (like 15)
- They were the only people able to get close to Byleth or get him to talk for the first week or so after Jeralt's death
- I need to expand on them more cause they're very important to me and him
* Byleth has trouble outwardly expressing emotions and understanding his own. He actually feels very deeply but just has trouble really expressing it. Very monotone and straight to the point when he speaks and only slight shifts in tone tells how he's really feeling. Actually has hyper empathy
- Grew up like this despite Jeralt and the Mercenaries' best efforts. Jeralt was always best as reading him because he acted so much like Sitri
- Caused once again by a misalignment with Sothis' soul
- After his awakening, Byleth has a better ability to express himself, and even took on some of Sothis' characteristics, but he still has trouble explaining or talking about what he's feeling
* Generally very calming to be around for most people. Won't ever force anyone to talk but will talk if you start conversation
* Has done some very questionable work as a mercenary
- He has taken on a few assassinations in the past despite Jeralt's insistence he never get his hands dirty like that. The Remire Medicine Incident is one not spoken of much within the company
- He's dealt with brigands, putting down rebellions, guarding caravans, guarding nobles, helping train the standing armies, etc everything under the sun. Will practically do anything if the pay is right
- He does have standards and expects a full rundown of the job beforehand like his father and the rest of the company though
* Loves cats and dogs
* Actually pretty religious and devout by the time of his awakening
- He wasn't completely raised without knowledge of the Church as some of the mercenaries are religious, but he was agnostic for a good portion of his life
- As he lived at Garreg Mach and learned more about the Church's teachings he grew to appreciate it more and more
- Rhea taught him a lot during his many conversations with her
- As Archbishop he does his best to learn every aspect of the Church and exemplify them best he can. Really emphasizes giving aid to those in need, leans heavily into the "Goddess" aspect of his soul, reforms many aspects whilst keeping the core of the faith
- Personally speaks to Sothis on more of an equal and friend level then true God and devotee
- Does become known as the Holy Saint and Avatar of the Goddess within the Church years after he steps down as Archbishop. Doesn't really know how to feel about it but can't say his inclusion is wrong
* Byleth doesn't have the highest opinion of Edelgard
- As I write AM/VW Byleth he was never close to Edelgard at all during his time at Garreg Mach
- He really only sees her as the person who started the whole continental war (which he despises as he very much dislikes war in its entirety) and the person he believes to at least be complicit in his father's death (do not debate with me how much Edelgard knew Kronya's plan. This is entirely how Byleth views what happened)
- He never wished for her death, but does view her as someone very misguided and only wishes she never went as far as she did
* Very terrified of sleep after waking up post-Time Skip
- Fears falling asleep and loose more parts of his life an leaving everyone behind again
- Prefers to have someone close by who can wake him or being woken up in the morning
- Got into the unhealthy habit of just working himself into exhaustion and having a very irregular sleep schedule until his friends had an intervention to talk about what was going on
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Jo’s Top 10 of 2020
I see lots of artists doing that thing where they post a piece from each month of the year... unfortunately my content creation isn’t necessarily consistent and it’s hard to track what month individual fic chapters were posted in, but I figured I’d do something similar and post my Top 10 pieces of content I created in 2020, what they’re about and why I love them. I actually did get a fair amount done this year thanks to the lockdown, but I’ve narrowed it down to these ten that I’d like to reflect on. (To be fair, I’m probably forgetting something huge. Feel free to leave comments if you think I passed over something important lol.)
10. Friendship in the Horde (meta): This is something I’d wanted to write for a while but finally got around to finishing in February. It’s basically a sociology paper lmao, an analysis of the social hierarchies and systems of the Horde. It was also a convenient excuse for me to gush about Catralonnie, an underrated (friend)ship. But honestly this was an important piece for me because I have always identified with the Horde characters way more than any of the rebels (other than Adora, who grew up in the Horde) and part of why is how they are in an unsafe environment and end up forming relationships that are helpful for survival but hinder them psychologically. And I think to understand the Horde characters and really evaluate their motives and choices you need to understand this first.
9. The Sting in My Eyes: On the surface this is just a run of the mill hurt/comfort oneshot, but it was a really important post-canon processing fic for me. I had a lot of feelings about Catra’s relationships with Shadow Weaver and Melog in season 5, particularly about how Catra must have felt really conflicted after Shadow Weaver told her what she wanted to hear all those years but in a way that felt unearned and out of the blue. It was really cathartic for me to write a scene where she struggles with those mixed feelings but has Adora and Melog to help her process them. And I had long associated the song the title is from with Catra and Shadow Weaver’s relationship, and the way she died trying to redeem herself really solidified that connection.
8. Hail Mary, chapter 6: This was supposed to be a short chapter mostly about the backstory between Catra and Scorpia in this au, with some Catradora yearning thrown in. It evolved into a massive, sprawling thing that is very atmospheric in terms of how the setting and vibes are described and how in the moment it feels. Hail Mary is like that sometimes but that type of narration is usually about football games rather than parties, so this chapter was a fun change of pace in many ways. It was really nostaglic for me to write too, the nerves of being a teenager at a party with your crush and how intense everything feels. And the Scorptra stuff really is delicious, it was nice seeing them have that conversation they never got to have in canon and truly make up, and the tiny sliver I added of Catra’s earlier history was heartbreaking in the best way. So this was not what I intended to write, but it turned out way better for it.
7. A Better Son or Daughter (AMV): I’ve done other Adora AMVs, but this one is really my iconic piece. The song is perfect for Adora, so perfect it’s on Noelle’s Adora playlist. The vid itself is a character study about Adora’s mental health struggles and the way she represses them, as well as a tribute to her resiliency and her eventual triumph of getting to a better place in her life. This is a song that gives me a lot of feelings and once I was making it about Adora it gave me even more, so this was a very satisfying piece to complete. I wish Noelle had gotten a chance to see it but oh well, maybe down the line.
6. Hail Mary, chapter 12: This is the chapter that much of the fic had been building to, Catra and Adora in conflict because Catra finally got the chance to be Adora’s hero and Adora shot her down. It’s painfully analogous to canon, both in terms of how (I suspect) Catra felt in Thaymor and Adora’s tendency to victim blame because she’s so pragmatic. There’s definitely some tones of Taking Control in there but Lonnie does a much better job of examining Catra’s psychology and needs than Glimmer did in canon (a writing error imo, Glimmer should have had more insight). Adora just wants to help but sometimes in her quest to do so she disenfranchises others, and this was a much needed look at that aspect of her character. It’s also an excellent illustration of what it’s like to play a peacekeeping role in an abusive household and how stressful it is trying to protect others while also protecting yourself.
5. Unstoppable (AMV): This is not my favorite Catra AMV I’ve ever done, but it might be the cleverest. The soundtrack is a song about mental illness masquerading as a song about being a bad bitch, which is basically Catra in a nutshell. The lyrics are incredibly fitting for her and her arc as it develops over seasons 1-4. The vid itself takes a hard turn in the interpretation of the lyrics, going from talking about how no one can stop Catra to how she can’t stop herself because she’s in such a terrible sunk cost fallacy spiral, and I think I got several death threats over that twist lmao. As someone who primarily deals in angst, there’s hardly a better compliment to be paid.
4. Demons, chapter 31: This one got real dark on me. The concept of this chapter was originally an examination of how comparing abuse can get really dicey but you also have to respect that other people have had different experiences from you and you have to be careful not to equate things or make it sound like you’re talking over someone else. I guess it’s also a bit of a look at how autistic people (like myself) will often explain why they can empathize so others know they understand rather than saying empty platitudes, but that can come off as insensitive or like they’re making things about them. I mean, in this case Adora kinda was making things about her, but she was provoked into it by a parade of comments insinuating she didn’t suffer at all, which was also unfair. Anyway it’s one of the more important Catradora fights in Demons and something I’d written bits of over a year prior, it was that important to the plot, but it also took a turn I was not originally planning. I finished the chapter when I was in a really bad depressive and self-loathing spiral and that bled onto the page, but it worked perfectly for Catra in this scenario... that push and pull of feeling like the world has hurt and victimized you mixed with knowing you’ve done some bad things yourself and feeling like you don’t have a leg to stand on when mourning the ways you’ve been hurt. It’s intense as all fuck but it’s excellent.
3. Hail Mary, chapter 11: Speaking of dark Catra content, this chapter... whew. It was really something else, to read and to write. I have written flashbacks in Demons that are more detailed and even include explicit violence but because those scenes are always in flashback form I never really got the chance to sit in the head of an abuse victim waiting for the other shoe to drop for an entire chapter like I did here. It’s quite different from the rest of Hail Mary stylistically and is both highly sensory and extremely internalized. It took me back to some terrifying moments in my own life so it was difficult but also extremely cathartic to write. It’s important too because it really sets up where Catra was at mentally heading into her big fight with Adora, and that chapter is in Adora POV. This chapter is ranked so high simply because it’s... polished, as @malachi-walker put it. It almost is its own story within the story and really noteworthy as a piece all its own.
2. Demons, chapter 26: This chapter is very similar thematically to Hail Mary 12, just based in the canonverse. It deals with one of the core (but highly neglected by fandom) conflicts between Catra and Adora, where they both need to feel like they can take care of and protect the other but also detest feeling weak or vulnerable themselves. It leads to Adora’s ego making Catra feel disrespected and Catra’s behavior confusing Adora and making her think she’s an ungrateful brat rather than someone who needs so badly to be needed, just like her. There’s definitely some power struggles in this chapter but finally they’re able to get to the heart of it and seeing them talk it out is so satisfying. Getting this chapter published was also important to me on a personal level because, like I said, this aspect of their conflict and relationship is rarely acknowleged for how important it is when really it’s one of the deepest conflicts between them in the series. It’s a scene I started writing pretty much as soon I knew I was extending the fic into something longer because I just needed them to have this conversation, so finishing it was so satisfying.
1. Satisfaction, chapter 3: This chapter took me a really long time to write, both in terms of time to get it published and time I actually spent working on it. It’s the crown jewel of a fic that’s really important to me and I had to get it just right, so I spent more time agonizing over every detail and rewriting things to get them absolutely perfect than I usually do (I’m a perfectionist anyway, but this took it to a whole other level). But in the end it was worth it, because this chapter is damn fine. It’s really hot, as you’d expect from a smut fic, but it’s also an excellent character study of how both Catra and Adora were affected by their abuse and trauma and the issues it raises for them in terms of sex and intimacy. Also, come on, we need more BDSM fics out there that focus on the actual point of it all (the trust involved) and promote communication and do the character work to explain why they might be into it in the first place.
BONUS (from December 31, 2019): One of my favorite pieces of 2020 technically came out in 2019, but I posted it on New Years Eve so most people first saw it in 2020. It’s an absolute banger of an AMV called I’m Not Jesus that’s all about Catra and Adora’s anger towards Shadow Weaver and their refusal to forgive their abuser. Funny enough this came out before Adora’s iconic “I will never forgive you” line, and Shadow Weaver definitely made things more complicated with how she went out, but I think the sentiment still applies.
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angelic-serenade · 4 years
Text
Alastor + disaster cook! S/O
headcanons
✧༝┉┉┉┉┉˚*❋ ❋ ❋*˚┉┉┉┉┉༝✧
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gif, original work and characters do not belong to me
you could not cook to save your life
any attempt at cooking would result in certain failure in the best case scenario and 5.4 magnitude earthquake damage in the worst
sure, you could make edible pasta and if you really put your best efforts into it, acceptable omelette too
but anything past that level of complexity was simply out of your league, a lost cause to put it mildly
don't you even think about making a cake, that shit's dangerous
as they say: as above so below
when you landed in Hell and found yourself joining the Happy Hotel soon after, you came to find out your culinary skills had not magically improved
which is quite ironic since Charlie had made you head chef of the hotel
the string of curses which had left your lips upon hearing the news had been legendary, even for Hell
you adored the demon princess with your whole heart (or whatever was left of it anyway), bUT REALLY CHARLIE? YOU DO NOT GIVE A GUN TO A CHILD AND EXPECT CASUALTIES NOT TO HAPPEN
at this point you were certain she was subconsciously auto-sabotaging
either way, you didn't have the heart to tell her no, so you decided to put your heart and soul into trying to learn how to properly cook, which didn't turn out to be the ideal choice of words since you were in Hell and your soul was probably rotten to the core
at least, nobody could say you hadn't tried your damn best
and hey! some days your cooking hadn't even been completely sickening
you decided to stick to easy, “safe” dishes though, you know, just to be sure
so pasta and eggs were definitely a thing
a constant and repetitive thing to be precise
you were trying your best, okay? nobody in your place with your limited set of skills would have taken the job, but you did and you deserved recognition for that feat alone
or a fucking donkey hat for your skyrocketing dumbness levels
things were not so bad at first
both Charlie and Vaggie were very supportive, each one of them in their own way - even though you had totally seen Charlie trying to swallow pure unadulterated fear that one time you had announced you wanted to try to cook something more elaborate
Angel Dust on the other hand... hadn't been as considerate as to lie to your face about what he thought of your cooking
"fuck me doll, this shit's disgusting"
*insert the I don't have friends they disappoint me vine here*
Vaggie had proceeded to give Angel quite the earful while Charlie tried her best to cheer you up
you went full hermit mode on them for two days after that
you were proud of yourself, handling criticism so well
anyway, the cycle kept repeating, with the only difference that most days Angel would grab something to eat outside of the hotel and join you during meals only to blankly stare at the plates and silvery
Charlie had tried to shield you from the truth, but you weren't that stupid
you respected Angel's choice, really, you did, and you had decided to be the bigger person among the two
that's why you began to put a lil bit of laxative into his portions whenever he decided to grace your efforts and actually eat your "disgusting cooking"
y’know just to spicy things up a little
at least now he had a valid reason to complain
with the whole fiasco on live TV and the sudden and suspicious appearence of the one and only Radio Demon at your doorstep, however, things started going haywire
Alastor's presence was eeirly demanding and unsettlingly charmimg at the same time
so it was only natural for you to gravitate the fuck away from him whenever you could
you always acted politely, greeting him whenever you bumped into him through the corridors of the hotel, but you only went as far as to appear courteous because you didn't want for him to go Hannibal Lecter on you. thanks, no thanks
“and what can you do my feminine fellow?”
“I can suck your dick!”
you had snorted a bit at that which immediately shifted the strawberry pimp's attention to yourself
“and what about you, pretty dame? I take it you're in charge of the kitchens around here?”
dressed in your chef attire, you were going to meekly answer him, but before you could, roaring laughter erupted in the room. it belonged to the one and only slutty spider you found oh so irritating
in the fraction of seconds, Alastor snapped his neck at an unnatural angle to stare at the spider with a strained smile on his face
needless to say, the cursed image would forever haunt your traumatized psyche
“hasn't your mother taught you it is rude to interrupt a conversation which you have no part in? that just won't do!”
static filled the air and you feared you were going to implode if the heavy pressure didn't lift off soon enough, so you decided to take action
“ugh... yes, I'm the head chef! but, well, I... could actually use some practice and proper training?”
you hated how uncertain you sounded, but Angel's comments and your own dissatisfaction with your culinary products made you quite self-conscious about your skills
“don't fret your pretty little head about it, my dear! I, for one, am a culinary connaisseur and wonderful chef, if I do say so myself. I'll be ecstatic to guide you through your training!”
how you'd be able to handle his booming voice during hours and hours of practice was your first and main concern, but you had never been one to refuse the chance to finally prove the people who had criticized you wrong *cough cough* Angel Dust
since that day, Alastor began to personally give you cooking lessons
he was exuberant and pretty sly when it came to veiled jabs about your dreadful cooking, but he really took his time to help you out
which you had been both grateful and suspicious about
“now, we can't have our future patrons starving to death, can we?”
he was strangely patient and an overall good teacher too (emphasis on overall)
he guided you step by step through each dish, simultaneously showing off his own flawless culinary skills
you hated that you daily found yourself boosting his already GIGANTIC ego, but you couldn't help it. you could only dream about reaching that level of artistry in cooking
he always came up with creative recipes to test your limits and cooked for you in order to make you more familiar with different tastes. his mother’s were your favorites, jambalaya being his one true specialty 
he had blindfolded you once and proceeded to present you with various samples of spices, oilments and all kinds of food so that you could acquaint yourself with the smells and flavors of the ingredients and figure out yourself which ones would best suit a certain dish
saying you were hesitant at first was an understatement, because you know? being completely at the mercy of a sadistic serial killer who had terrorized the seven circles of hell? not even being able to see him? not on your bucket list
he had tried to ease your nervousness with the whole “if I wanted to hurt anyone here, I would have done so already” thing, but it was getting kind of old pretty fast
“if I had been one to play with fire, I'd have joined a circus”
he found your sense of humor as endearing your sheer presence
(when he rolled up his sleeves to cook, you felt like you could catch fire any minute, you were a slut for strong skinny arms) 
yes, Alastor had always loved to show off his own impeccable skills but he unexpectedly found himself enjoying the moments spent in your company too
he relished in seeing you fail again and again, but he also admired the way you always managed to bring yourself back up to your feet each time
he had yet to fully understand if it was foolishness or stubbornness to guide your steps
either way, you turned out to be his favorite form of entertainment in the hotel!
no matter how many slights would he send your way, you'd always manage to find an appropriate remark that made his permanent smile stretch a little more in sheer amusement
“oh dear, this beef is so undercooked one could still hear the poor beast’s lament”
“the only noise I hear is the obnoxious ramblings of an arrogant boomer”
he wasn't technically a boomer but it was always so satisfying to irk him with terms he had no knowledge of
during your cooking lessons, when the only thing left to do with a dish was wait and pray for the best, you'd come to talk about everything and anything
he'd talk to you about his precious New Orleans as he remembered it and you'd fill him in on recent historical/social developments of your time
he always looked so taken when you shared with him that modern knowledge and it made you feel useful for a change
it was, dare you say it, almost adorable how he'd ask you countless questions about your home town, the catastrophes of the last century and had there been any other war since his death?
the topic switches almost made you dizzy though
once or twice, when the timing allowed, he'd even indulge in a musical show to pass time
on the days your mood soured because of a particularly complicated recipe or bad result, he'd drag you along and dance until you were so distracted by the absurdness of the circumstances that you forgot about your previous sadness
with time, his musical shows became more frequent as he realized you'd always offer him a genuine smile after his flashy performances
it was out of personal indulgence, not because he liked the way his music always seemed to cheer you up
he'd not been vocal about the way he tried to comfort you, but you were grateful nonetheless
the first time you managed to succesfully complete one of his complicated recipes, you had almost cried
“now, now deary, under my watchful eye, it was only a matter of time until you'd finally blossom into a fine cook!”
“Alastor can I... can I hug you?”
and how could he say no to such an adorable expression? he found himself stunned into silence, not being able to tell you yes either, therefore you slowly came closer as if trying not to scare a wild animal away
when Alastor passively stood before you, not moving away, you wrapped your arms around him
he really was such a dorky noodle
he didn't relax into the hug, but he kept still as you relished in the moment and let the pressure you had hoarded for months now loose
Alastor proceeded to show off your dish during dinner and even Angel Dust could do nothing but shut up and dig in
The all powerful Radio Demon was simply so proud of your progress - not that he doubted you'd prevail in the end, thanks to his expertise and guidance
from that moment onward things only got better and even if you didn't necessarily need Alastor's help anymore, neither of you ever mentioned going your separate ways
you were both secretly glad for the silent agreement
friendly banter and dad jokes were a daily occurrence and with your new-found confidence in the field, you'd always bite back showing off new delicious dishes instead than words
you still had trouble every now and then, but Alastor was always there to help you out
not that you'd ever hear the end of it if you actually asked him for help
“what was that, my darling? is the mightiest chef in Hell having trouble in Paradise?”
you had noticed however that he'd started sneaking glances your way more than usual lately and he also started following you around wherever you went in the hotel. he became your shadow both inside and outside of the kitchen
the attention soon became unnerving, even more so when you'd go in the kitchen only find a different flower on the counter each morning
you came to realize that Alastor's advances were rather old fashioned, but you would amuse the dork and yourself for a while before taking charge
gifts became an ordinary occurrence as well as praise and you preferred not to think about what praise could do to you when it came from Alastor
he enjoyed your reactions to his flattering words a little too much, he had to admit
you had had enough of his childish antics one day and you decided to finally put your plan into action
“Al, can you come here for one sec?”
he wasn't particularly fond of the nickname, but you just loved to get under his skin as much as he did when it came to you
“what can I do for you, my darling chef?”
“here, I have a gift for you”
he looked uncharacteristically unsure of what to do but slightly amused as well. in the end curiosity took the best of him and he finally decided to open the box you had handed to him rather unceremoniously
“what is this dear?”
the apron you had chosen was a perfect fit for your long boi
“read it, please”
“kiss the cook? well, if you ask me so nicely, I just might have to”
he then proceeded to peck your cheek and you swore you could have fainted right there and then by the sheer sweetness of the gesture
it hadn't exactly been what you had planned, but you weren't going to complain
your relationship was bound to be full of surprises apparently
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Brick Club 2.3.8 “Inconveniences Of Entertaining A Poor Man Who May Be Rich”
This chapter is so long. Here goes.
Is it normal for Cosette to have to knock to get into the house she lives in? Or is Hugo just using that as a vehicle to make Mme Thenardier meet Valjean first?
It’s times like this that I desperately wish I knew more about biblical stories and fables and things. This, a rich man in disguise as a poor man being treated poorly by innkeepers and taking something from them, sounds like a bible story or a similar type of fable. But the only two bible stories I know with similar themes are the nativity story and Sodom and Gomorrah and neither of those seem quite right. Still, this entire episode reads like a fable or fairytale.
We’ve already seen how Evil the Thenardiers are re: their treatment of Cosette. Now we are seeing their Evil in the form of treatment of the poor.
You know, that’s an interesting thing that I’m not going to get into in this longass chapter. Javert’s evil and Thenardier’s evil are different because I feel like Javert’s evil is a lot more muddied or obscured by morality and duty and things like that. Where are the Thenardiers are bad but the badness of their actions is much more black and white. I think it’s also because, technically, they never have social power over anyone unless they are manipulative, whereas Javert always has the social power. I’m not sure where to go with either of these ideas but I will look back on it for a shorter chapter.
Cosette is ugly because she’s sad. It’s like the exact opposite of Roald Dahl’s description of ugliness. I called it on the orphanage thing and kids looking years younger than they are; she looks 6 when she’s 8. That doesn’t seem like a huge difference when you look at it written down but the difference between the size and maturity of a 6 year old vs an 8 year old is surprising.
In the way that the description of the doll was a distant echo of young Fantine, the description of Cosette here is a faded echo of dying Fantine.
“Fear was spread all over here; she was, so to speak, covered with it; fear squeezed her elbows against her sides, drew her heels up under her skirt, made her shrink into the least possible space...” I’m sure this description comes from Hugo observing children in his lifetime, but I also wonder if any of this comes from his brother who had schizophrenia and was institutionalized?
“The expression on the face of this child of eight was habitually so sad and occasionally so tragic that it seemed, at certain moments, as if she were on the way to becoming an idiot or a demon.” What an interesting pair of choices. Fear and sadness either stun and numb you completely or they turn you aggressive and evil. Hugo said the same thing before when talking about Valjean’s prison time. Again, like I said before, Cosette here is Valjean when we first met him: exhausted, scared, sad, numb, hatefully terrified of the people around her; the difference is that she still has hope. She had that moment of hoping someone would rescue her, she had the moment of pausing and wondering what the doll’s paradise was like; when we met Valjean he was past that kind of hope.
(Funny that Mme Thenardier doesn’t suspect the trick Valjean just pulled, despite Valjean “finding” a 20 sous piece instead of 15 sous piece.)
I love the description of Eponine and Azelma because it’s so innocent. They as little human beings aren’t morally bankrupt at the level of their parents yet. They’re still pretty and glowing. Partly because they are well-cared for unlike Cosette, and partly because they are still innocent.
“Eponine and Azelma did not notice Cosette. To them she was like the dog. The three little girls did not have twenty-four years among them, and they already represented the whole of human society: on one side envy, on the other disdain.”
Ah, human microcosms. Hugo loves those. The Thenardier children and Cosette are the pared down, simplified version of society. It’s also an excellent example of how Privilege works in layers. The girls’ doll is worn and old and broken, but the fact of them having a real doll and Cosette having nothing is already a layer of privilege Someone else, another little girl with wealthy parents and a new intact doll would have privilege over the Thenardier girls. There are layers.
I really love this passage too because it shows the start of the zero-sum game between Eponine and Cosette. At no point are Eponine and Cosette able to be equals. But the important thing is that neither of them are aware of this. Later, when Cosette and Eponine encounter each other again in the Gorbeau house, Eponine doesn’t have the awareness to be angry about the reversal of their fortunes. She seems sad, mostly, a jealousy born from a feeling of worthlessness rather than feeling slighted. And Cosette doesn’t even recognize Eponine, so there’s no room at all for disdain on her part, unless she’s disdainful of Eponine et al due to their poverty, though that never seems to be the case. But Eponine cannot be happy while Cosette is and Cosette cannot be happy while Eponine is, because their goals occupy the same fulcrum (Marius) and they can’t both be on the same level at the same time.
Fanfiction has explored this a lot in modern AU but I wonder the kind of havoc that could have been wreaked had Cosette and Eponine met and become proper acquaintances. Their teenage personalities are two sides of the same coin. I’ve always been of the opinion that had they switched places as children Cosette would have ended up like Eponine and Eponine like Cosette. Because Eponine has the capacity for kindness within her, except that she doesn’t know how to use it selflessly; and Cosette has the same stubborn ruthlessness as Eponine, except that she is held back by convention and reduced to talking a lot in order to try and somehow glean information from Valjean or Marius.
“Now your work belongs to me. Play, my child.” This is the second (or third?) Myriel moment for Valjean. Cosette is a child, an innocent child, but her soul doesn’t need to be bought for god. As far as I can tell, for Hugo, children are always holy. Instead, he’s buying her work. But that makes sense. For Valjean, his soul needed to be bought for god because he had already lost it to sin and to evil and to doubt. Cosette still has hope; what she needs bought from her is suffering.
And here is where the parallel continues. Cosette up until now has been Valjean as we first met him: sullen, suffering, scared, dulled, close to becoming “an idiot or a demon” and now, like Valjean’s soul, her work has been bought so she can be free.
I think it is within the walls of the convent that their parallels will catch up to each other and they will become more equal.
I feel as though the cat in a dress vs the sword in a dress must be some sort of parallel to Eponine and Cosette’s personalities but I’m not quite sure how to pull the meaning out.
“A little girl without a doll is almost as unfortunate and just as impossible as a woman without children.” Ugh. Gross, Hugo. This whole chapter was so lovely and then this misogynist bullshit.
I can explain the “water on her brain” line! Mostly because it’s a medical condition I actually have! So, “water on the brain” is another term for hydrocephalus, which is a buildup of cerebrospinal fluid in the ventricles of the brain. It can be caused by being born prematurely (like mine was) or by infections/head trauma. Nowadays they can put a shunt in your head that pumps the fluid into the abdominal cavity (which is what I have), but obviously they didn’t have the technology back then. So what happens to the head if the fluid doesn’t drain, is the head will start to increase in size, and the fluid buildup will squish the brain against the sides of the skull, causing seizures and brain damage/intellectual disabilities and vision problems and other such things. I function perfectly fine except for mild dyscalculia and ADHD (which might have been genetic anyway) but back in the 19th century hydrocephalus probably would have resulted in either mild-to-severe disabilities or death.
Cosette doesn’t have hydrocephalus, but what she does have is severe malnutrition, which can make a person’s head look much too large for their body. So Mme Thenardier is likely using Cosette’s appearance due to neglect to fake that she has a neurological problem and explain why they have to “take care of” her.
Jesus fucking christ this next bit is so much. There’s so much going on. Mme Thenardier is talking to Valjean about Cosette’s mother, the drinkers are singing vulgar songs about the Virgin Mary and baby Jesus, and Cosette is under the table singing “My mother is dead.” to herself. Woof. It is, yet again, an instance of the memory of “Fantine” (in the symbolic, saintly form of the Virgin) being sullied both by the foul songs of the drinkers and the callous, flippant commentary of Mme Thenardier. And Cosette is there under the table, staring at the fire, suddenly playing the role of her own mother, rocking the sword-baby (herself) to try and comfort herself from the shock of this new knowledge that her mother is dead.
(Anyone else read As I Laying Dying, by the way? All I could think of when I read that line was “My mother is a fish.”)
We start to see Cosette’s bold personality come out in fits and starts. She’s brave enough to sneak out and grab the doll Eponine and Azelma have abandoned. But it’s also an example of how desperate she is for something pleasurable and good, considering she’s doing that at the risk of a beating.
For the second time, we see Cosette so absorbed in her moment of “I Want” that she doesn’t see or hear anything else. Again, this seems unusual considering her constant hypervigilance. But her success in getting the doll and her increased confidence due to Valjean’s presence probably have something to do with her lack of awareness.
Cosette is caught with the doll. Is this the parallel of Valjean being caught with Myriel’s silver? Mme Thenardier says “That beggar has dared to touch the children’s doll.” The gendarmes don’t say as much when they return Valjean to Myriel, but it’s pretty obvious they’re thinking something similar.
“We are forced to add that at that moment she stuck out her tongue.” COSETTE IS SO CUTE I LOVE HER SO MUCH SHE DESERVES THE WORLD. Also I just love the way Hugo writes children, it’s so real.
Why did Hugo choose Catherine for the name of the doll? Is it to do with St Catherine? She (the saint) became Christian at 14 and converted hundreds of people before being martyred at 18 after rebuking the Roman emperor for his cruelty and winning a debate with his best philosophers.
“This solitary man, so poorly dressed, who took five-franc pieces from his pocket so easily and lavished gigantic dolls on little brats in wooden clogs, was certainly a magnificent and formidable individual.” Valjean is now Myriel. Outsiders are fascinated by him because he dresses so shabbily and yet is so benevolent and charitable with his money. Again, the difference is that Myriel’s name is always known, and Valjean’s is never known.
I know I say this so often but the distance with which Hugo treats Valjean is absolutely fascinating to me. Valjean has this incredible power to just go inside himself and not move, but we never get that kind if internality unless it’s really really important (like with the Champmathieu affair). Otherwise, Hugo keeps a respectful distance, and even when we get Valjean’s emotions described to us, I feel like Hugo is always holding back a little, like he’s not letting himself see all the way into Valjean, or Valjean isn’t letting him in.
Valjean asks for a stable; I think this is the first time we see his whole thing about sacrifice of physical comfort. Things like this asking for the stable and sleeping in the shed behind the house at Rue Plumet and not having chairs and only eating black bread etc. This is the first example we see of him feeling unworthy of physical comforts to such a degree.
(It’s interesting to me that we don’t see this characteristic when he was mayor, or at least not to this extreme. Is it because it would be unbecoming of a mayor and therefore would blow his cover? Or did going back to prison hammer in that feeling of worthlessness and lesser-than and warp his perception of what he is compared to others?)
“What a sublime, sweet thing is hope in a child who has never known anything but its opposite!” We’ve said this already, but Cosette is full of hope and life and light and that is Important because it is exactly what Valjean did not have when he was in her position. But it means that she doesn’t have to work as hard in her ascent towards happiness and goodness.
And, lastly, I love that the placement of the gold Louis in Cosette’s shoe isn’t just a sweet Christmas gesture or a gesture towards Cosette: it’s also an echo of M Madeleine breaking into houses to place gold pieces on the table.
Wow. Long af post for a long af chapter. Congratulations if you read through all of my rambling thoughts.
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