Almost Peaceful
The last rays of sunshine, finally give in to night.
Meteors flash fascinatingly across the sky.
like passing headlights, there and gone.
Never would I venture to space though, despite its beauty,
not even to step foot on the moon I adore.
A car engine roars to life,
infringing upon the serenity of the night.
Annoying.
A scowl forms on my face in irritation.
Never would I get to witness a meteor shower in peace
Maybe I should bring earplugs next time?
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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He refuses to fall for the first person to show him kindness. He may be feeling sorry for himself, but that's a bridge too far.
Even if they are beautiful. And kind to everyone, not just him. And brave. And clever. And strong. And they love animals, and reading. And they have a wry sense of humour that he adores.
He won't. He can't. Besides all else, this is decidedly not the time. A bomb in his chest and a worm in his head and a weight on his shoulders and a shame in his stomach and a shattered heart he's still trying to gather the pieces of. Desperately clinging to the cloak of his past, wrapping himself in his former confidence, pretending it hasn't been worn threadbare with time in isolation and eaten ragged by the moths of doubt and fear and past mistakes.
He fell from grace so far so fast, but he cannot beg affection off the first hand to offer him help up, even if it is the first time he's touched another person in months. Even if that hand did send a sudden warmth through him and feel so right in his own he could almost cry from it.
...This is getting out of hand.
He can just be friendly with them, surely. How does one make friends, again? Shared interests? He mostly just has the one, so he'll share what he can. They pick it up quickly, and the warm magic that surrounds them is a balm on his soul. Right up until they imagine kissing him, and his heart skips a beat. It can't be. It can't be. They can't want him back. It's not possible. And how, after it all, after everything, is he meant to resist the overwhelming temptation of being wanted?
They don't let up, either. Lingering glances. Warm smiles. All but propositioning him at the tiefling party. If there is a single positive thing to be said about his year of orb-imposed abstinence, it's that the willpower he had to build up and the practice denying himself were the only things that enabled him to decline their advances.
Well, that and the risk of blowing up the both of them, along with everyone else in or near the camp.
The warm smiles and lingering gazes and casual touches still continue, though.
This is fine. He's fine. He can't remember the last time he felt like this, someone cared for him like this, and he can't do a damn thing about it, but he's fine. Everything is fine. As fine as it can be, anyways, given everything else about the situation.
He supposes he should probably be more upset about Mystra's orders. At this point, though, it's hard to feel like it's anything besides a way out. A relief that he can be good for something. One more miserable experience, and then he's done with it, and all their problems are solved. There are worse things.
Except.
They're so angry about it. Everyone is, but them especially. Arguing with both him and Elminster the entire time, insisting there's another option. That they'll find or make one. Whatever they have to do to keep him around.
Gods help him, but he does want to stay with them. Stay for them.
He sleeps that night, and awakens with a jolt, a groan, and a realization. He's glad that prestidigitation exists to clean himself up without leaving his tent and risking the others' notice. His body had, apparently, caught up with certain implications before his brain. Though from what snippets of his dream he remembers, maybe it was only his waking mind that had been lagging behind.
He wants them, and he can finally have them. Can give them as much of himself as he's able, in the time he has left.
He had refused, at first, the idea of falling for the first person to show him kindness. And he hasn't. He's fallen for someone who is so much more that that. And he will not, cannot, die without letting them know. If he has to leave them, and he fears he will, then he will not leave them feeling unappreciated, or uncherished, or unloved. Not when he can finally embrace the full depth and breadth of what he feels for them. Has felt for them for what can't have been more than a tenday or two, but feels like a lifetime and a moment all at once.
He will not leave without showing them the full scope of his admiration and appreciation and sheer joy at their presence. The full scope of how impossibly deeply he already loves them. Not while he has any say in it.
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What Could Have Been, But Now Is
Monday, Tuesday, Wednesday, Thursday.
It falls differently each year, Star Wars Day.
But at Blockbuster it was Star Wars day everyday. Or could have been.
But those days are gone. Now, it can be streamed on Disney+.
I could wax poetic about how my dad's hoodie was my "Jedi robe"
Or about the glee I found when swishing around my own blue lightsaber,
I wonder, in another time, if that’s the childhood I could have had.
“What’s a Jedi?” I hadn’t known, and was made fun of for my ignorance.
I know better now. I know more than my adolescent self could imagine.
I understand now, the reference to the iconic “Jedi mind trick.”
How fun will that be to share with my future family?
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