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mad-scientist-enthusiast · 2 months

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"The Haunted Flesh Machine"

@plaguedghosts @iwrotesomeofitdown @notjustanyannie

Here is my slam poem. Thank you for the encouragement!

I'd like to preface this by saying it is a poem of my struggles and fears, and this should not be taken as the most mentally healthy or even correct writing.

CW: discussion of disordered eating, slight suicidal ideation, a little bit of internalized ableism

I’m losing my grip on reality. Each hour of the day slips from beneath my fingertips before I can even close my hand.

My motor functions are so much slower these days.

I walk through a persistent haze, going through the motions, but I am never present for them. My body acts on autopilot, but the battery is on low.

I’m smart—I always have been—I’m an engineer for crying out loud—but I don’t think I can access that anymore. My intelligence is locked behind a firewall in my brain.

Do you know how insane that is? Being unable to use your own mind?

All my judgments are tinted because the brightness is turned down. I think my brain is in battery-saver mode.

The fatigue is the worst because I can feel it all throughout my body. No amount of sleep seems to recharge me. I am perpetually tired and confused and dizzy and unaware.

I’m sure my eating habits don’t help. I’m just putting water in my gas tank. No amount of Fanta Orange and Lucky Charms is going to make up for the entire sections of the food pyramid I am missing. I try to start my brain up, but water isn’t quite nearly as combustible, and I end up with no output.

I want to be in control. I want my body to work. I don’t want my vision to get darker with every step I take.

Another day, another near-emergency. My heart beats too fast, my blood pressure falls too low. Sometimes presyncope lasts for longer than it needs to.

Sometimes I change colors like a chameleon on its deathbed.

My code is flagging for errors, but I’m running it anyway.

I think my computer is getting overheated. My face is hot to the touch.

If this was the Victorian Era, my symptoms would be romanticized. There’s something poetic about wasting away.

I fear that I’m getting weaker by the week.

Another day, another new problem. Which diagnosis does it fit under? I’m too tired to make a spreadsheet, not that I could log it if I did.

What month is it anyway? How many months have I been here? It seems like an eternity when I’m in pain, but time passes too quickly when I’m not.

I haven’t taken my meds in a while. I’ve given up on them working. Neglect is also a form of control.

I’m rotting inside. I’m rotting in my bed. I hardly leave my bed, but when was the last time I slept?

Surely this will have no repercussions.

I’m smart for a day, so my expectations are high, and as a result, my workload is too. I’m a workaholic on the days I’m present at all.

That’s who they see when they look at me. They don’t see that I’m sick. They don’t connect the dots on the days I wear a little less makeup than usual.

They don’t even bother to look.

I’m fighting for control over my mind and my body, and they are none the wiser.

If I were underweight, maybe they’d care a little. Maybe they’d treat me with a little more care. It’s easier to tell when something is wrong when you’re underweight.

I could collapse in the middle of a busy street and no one would even give it a second glance. They might even walk over me, thinking I was part of the sidewalk.

On the off chance they did see, what a shame it would be, for the one time I'm perceived, I lack bodily autonomy.

Is it worth being noticed when you're unconscious? Is it worth it if the one time I am seen is when I have no control over whether my mouth is hanging open or my shirt is riding up? I've spent so long meticulously curating the way I look to others, just to be totally helpless when it matters.

I can change my wallpaper but that doesn't make my phone work any better. And people don't see the wallpaper first, they see the cracks in the screen.

Sometimes I am conscious but not responsive. I lie like a corpse, observing, but not interacting as they crowd around me. Observing as they look at me.

They could not provide the help I need.

They only see me when I'm outside my body—a freakshow display of my vulnerability.

Maybe if I hit my head next time, I'll reboot. I could use a factory reset.

I often think of what it would be like to have a better brain. I think mine is haunted.

Do you have to be dead to be a spirit?

My head is possessed by a ghost that lurks in my nerves tissue and flesh. I hear it wail whenever I move, mourning a loss I cannot understand.

A restless spirit leads to a restless night, and each night I can't sleep I blame the ghost.

I wish sleep could fix me. I'm so tired all the time.

The ghost must be what powers my perpetual motion machine. Inertia isn’t enough. I keep going and going until eventually I explode.

I don’t think I’ll make it to my 40’s.

My body will break itself down until it can digest me, and I’ll eat myself like an ouroboros.

I don’t want to die, I just want to rest.

If I sleep for a good year, maybe I’ll feel human again. I would like to feel human again.

I dream that one day I will collapse, and people will rush me to the hospital. There, the doctors will find out exactly what is wrong with me, and that it can be treated by taking a pill. And then, I get better.

My face will look a little softer, my eyes a little less heavy. I’ll walk everywhere I go, and I’ll stand up in the mornings.

Maybe food will be less of a battle when I’m healthy.

Maybe I’ll burn in the atmosphere before I crash down to earth.

Right now, my collision course is set toward hospitals, tubes, and wires. I’ll only have to sign away my autonomy when I check-in.

Is there early prevention for a trojan virus?

Did I ever have a chance? Fated to keep running on empty until there’s nothing left to run.

I have no salvation, I am just a machine.

There is no happy ending for me.

#cripple punk #chronic illness #ARFID #disability #slam poetry #spoonie #invisible disability #my writing

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dougielombax · 4 months

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Being an Irishman with a history degree on the internet means that I feel like I have an obligation to correct any and all historical disinformation, misinformation, lies, myths, distortions and bullshit I hear about Ireland and it’s people.

Of which there are MANY! (You can thank colonial stereotypes, the spinelessness of most Irish people to call them out and British propaganda for this)

Look, if nobody else is gonna do it then I’m gonna have to set a precedent. (No these aren’t delusions of grandeur, I actually have a very low opinion of myself)

(I know I’m not an expert but shut up! That’s not the point)

Especially when it’s my own people (as much as I hesitate to see or refer to them as such) doing it.

Even when I know they aren’t gonna listen.

Which they rarely ever do.

And if it’s not coming from them, then it’s usually coming from British people who KNOW (90% of the time) that they’re talking shit or uninformed Americans.

Among others.

Sometimes they listen.

But not always.

And many don’t listen because they’re often arrogant, stupid, panicky, dangerous animals what can’t abide the idea of being wrong.

This in turn may often be accompanied with a dose of bumbrained neurotypical ableism or anti-Irish bigotry (I once had a user unironically accuse me of “high treason” because of my politics, calling me a traitor to the crown (whatever that means), saying that people like me should be hanged, 19th century bullshit!).

Sometimes even both.

Predictable as ever.

It’s driving me up the shitting wall.

And no, that doesn’t mean I’m wrong.

I can assure you I’m capable of admitting and recognising when I’m wrong. The same can’t be said for those morons I spoke about.

But I’ve been told that I’m wrong again and again and again for three quarters of a lifetime now, 95% of the time when I know for a fact that I’m not. (Not just about history but even about trivial stuff)

After a while, it starts to get annoying.

At the least.

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wofreimagined-au · 2 days

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"What if history went a different way?"

Hi!

This is a blog for me and my mates to post about the AU we came up with. It'll have lore, story, worldbuilding, all the sorts. Mostly a blog for our ideas to bounce off of each other, assuming the others want to join in this blog as well.

Please keep in mind that all the admins are neurodivergent and majority of them are minors. We are trying our best with this, but we all function differently from neurotypical adults who likely understand things better than we do. If we upset you (that isn't a minor slight and is actually bad) or do something wrong, please inform us so we can correct our mistakes.

This AU was created by my friends Félix (didn't give me smth to credit him by), MilkSHOOK (@pi-roach), and I (@shethevampyr). This AU was not intended for the original demographic of Wings of Fire (9 - 12 yos), and it will likely come out (much) darker than it was originally. Please keep this in mind while treading the blog. Still nothing sexual though, these are still dragons walking on four legs (usually).

RULES REGARDING THE BLOG:

If you are looking for our dni, that is below the cut.

- No harassment in asks. Towards admins or anyone else. We are just trying to have fun here, and if you aren't happy about that, please pack up your shit and leave. Harassment in this blog also includes bigotry (ableism, sexism, racism, lgbtq"phobia", etc. Yes, "delulu" is considered offensive here).

- Be respectful. Don't weird about anyone running the blog, respect our choices with the AU, respect others. Like I said above, if we do something bad or disrespectful please inform us so we can correct our mistakes.

Rules may be added or changed as we so please.

More info under the cut:

TAGS:

These are the tags the mods use for organization.

#wings of fire, #wof, #wof au, #wings of fire au: Simply tags for reach. Unrelated to organization.

#mod [name]: Who made the post. If the mod posting wishes to remain anon, they may post #mod anon.

#quotes: Quotes that are canon in the au. May be one or two, may be a full conversation.

#writing: Similar to above, but it's full writing instead of just quotes. (E.g. "'I love you.'" changed to "'I love you,' the nightwing said softly, shifting their wings as they just admitted the secret they have held onto for the past year.")

#lore: Lore of the AU. Includes random tidbits of story that aren't major to the AU.

#story: Major story pieces of the AU.

#worldbuilding: Random pieces of worldbuilding, mostly regarding kingdoms and culture.

#tribes, #[tribe]: Tribe designs and such.

#asks: Asks.

#intro post: Intros. This is to keep track of old ones if we choose to make a new one after this.

Other tags may be used by the mods as they so please. If a mod doesn't tag their post, I'll likely go in and add tags myself, unless they specifically ask for tags to not be added to the post. Mods aren't forced to abide by adding tags when posting if they don't want to. I'm a total slut for organization though so like I said I'll likely add tags to the post

MOD INTROS:

Mod Theo ⭐️🌾

Yo, I'm Theo, he/him. I am a minor and the "main owner" of the AU. I also own the account linked to the side-blog. I am the one writing most of this post down.

I am medically recognized as a UDD system, please be patient with me since I have gaps in memory. I also get sidetracked easily and may straight up forget about this blog.

I also occasionally have troubles putting my thoughts on paper, so I may have poor wording, poor grammar, half-assed sentences, etc. I'll try my best to get my words across though.

MOD TWO: Electric boogaloo⚡️🌚

I. Ueeeeghhhhhh

you can call me by Infinite or MilkShook!! Yahooie

she/he/fey, but I go by. Any pronouns really, don’t care much what people call me as long as it’s nice!! I’m also a. Minor!!

I have adhd!! Three adderall a DAY, baybee!!!

I have a shitty memory, but I’m also VERY grammar focused, so most, if not ALL of my posts will be grammatically correct unless I am using funny words. my posts will likely be either 7 paragraph long explanations, or a single sentence. No in-between

I’m also very art focused, so expect A lot of concept art!! .

DNI:

We don't have too big of a dni. Pretty much just follow basic dni criteria and you're good.

#intro post #wings of fire #wof #wof au #wings of fire au

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niennandil-me-writes · 2 years

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Goretober 27: Torture

cn: finger gore, tooth gore, vomit, ableism

[Keppler and Kotohina belong to @ghoulcaro, Alváro (who is mentioned) belongs to Eva (TextualPoacher on twitter). This is another "what if" for our Death House run.]

There were several loud cracks, followed by Ivory’s screams.

“Now, what you just heard, Miss Umbra,” Keppler said with restrained voice, as he put the hammer away again, “was at least 4 of your phalanges and some metacarpal bones shattering within both your hands. I’m sorry, I’m usually not one to use such crude methods, but this part was preparational in nature anyways. This should keep you from using most spells that might pose a danger to me, so I won’t have to gag you. It also has the nice side effect that even if you should somehow find a way to free yourself, you won’t be able to wield a weapon against me.”

Ivory’s answer was less verbose: “Fuck you!” Her voice was strained already. “What the hell is wrong with you?”

Keppler ignored her. “Now, I am going to ask you again, Miss Umbra: How did he die?”

“I already told you!” she spat into his face. “The other one, the paladin, he killed him! He sacrificed him to get us out of the cursed house. I tried to stop him, but he was stronger than me, I really tried! I get that you’re angry, but it wasn’t my fault.”

Keppler’s lips were a thin line. “The problem is that I already talked to Herr Dejadar, and what he told me was that you were the one who stabbed Kotohina in the back to save your own skin.”

“Then he’s lying,” Ivory yelled. “Have you seen that man? It probably wasn’t even the first time he betrayed someone just like that!”

“I have my reasons to believe Herr Dejadar in this matter.” The tone of his voice made Ivory’s blood freeze in her veins. “I have my ways to extract the truth. I could go the easy way, but that would take a day to get ready, and I am running out of patience on that matter. So if you don’t want to yield the truth to me right now, Miss Umbra, I will have to cut it out of you.”

The way he enunciated the word “cut” made Ivory flinch in her ties. Still, she had no doubt worse things were waiting for her if she told him what he wanted to hear.

“In case you didn’t know, I am a doctor.” He was talking while he walked around in the room for a moment, then came back, standing in front of the chair she was tied to, pulling on some new gloves. “So I know exactly how to hurt you in the worst ways without killing you.” He produced a scalpel. She gulped. “But let’s start small, shall we.”

He laid the blade to her arm, but to her surprise only cut the fabric of her bloody shirt, didn’t even nick the skin, no doubt to show her exactly how precise his movements were. He ripped the shirt away and then immediately stabbed the scalpel into her flesh. Ivory screamed out.

“Now, I could be cutting a bit to the left here.” Keppler’s voice was steady and unbothered, as if he were just explaining something to a student. “And that would separate your tendons in such a way that you couldn’t ever use that arm again. But you’re right-handed anyway, correct?” He smirked at her, and then moved the blade to the right. The pain was excruciating.

“Stop!” Ivory screamed.

“Why, have you reconsidered your answer?”

“I already told you the truth!”

“Not good enough, Miss Umbra.” He took out a second scalpel and pierced it into her other arm. “Not good enough at all.”

“Alváro lied to you!” she screamed. “I tried to stop him, I really did. I’m sorry Kotohina is – “

Suddenly there was a hand in her hair, pulling her head up to face Keppler. For the first time, his face showed actual anger. “Keep his name out of your mouth!” His voice hit her with the same intensity as his fist a second later. Blood was flowing from her nose. He shook out his hand. “Stupid,” he muttered. “Will only dampen the pain.”

Ivory saw him reach for something on his belt, and then he was already swinging the whip. She tried to dodge, which was impossible in her position, of course. The leather strap wrapped around her neck, painful, but not as much as she had braced herself for. Keppler walked around her, until he was behind her, and then he started pulling on the whip.

“Now I am aware by now that you do not technically need to breathe,” he said, calm again. “But that doesn’t mean this won’t hurt.”

The leather bit into Ivory’s neck. She could feel her scar break open again. It felt almost as bad as being bitten by Lupa.

“I could easily crush your windpipe like this. Or even break your neck.”

Ivory’s broken hands cramped up, banged against the wooden armrests, shooting more pain through her body. Tears were streaming down her face.

And then the pressure was gone all of a sudden. Ivory gasped for air, more out of relief than out of a want for it. Breathing was normal. Breathing was calming.

Keppler didn’t leave her much time, though. He grabbed her chin and shoved a thumb into her mouth. Ivory tried biting down, but the way he grasped her jaw, she couldn’t build up enough force to penetrate the leather gloves.

“What nice teeth you have, Miss Umbra,” Keppler observed. “They would be interesting to study, I’m sure.”

“What the hell are you…?” Before she could finish her question, he had shoved a cold metal object into her mouth. Something clasped around her right fang.

“Wait, no!”

“Are you ready to talk?” The pliers didn’t withdraw.

“If I tell you what you want to hear, will you let me go?”

“As you have no doubt noticed by now, you are in no position to make demands.”

“It’s not a demand, it’s a question!”

“That as well,” he said. “I’m the one asking the questions.”

She couldn’t keep the panic down anymore. “Please, don’t do this! Please, I’ll do anything.“ More tears were streaming down her face. She noticed that he was hesitating, and for a moment thought her pathetic state had convinced him.

Then the pliers clamped down harder and pulled away, tearing the tooth from her flesh. A scream turned into gurgling and sobbing. Keppler walked in front of her holding her bloody tooth between thumb and index finger. He considered it for a moment, then set it aside on a table. He stepped forward and grabbed Ivory’s jaw again.

“No, please!” Her words were slurred from pain and already swollen gums. “I’ll talk. Please.”

Keppler took a step back but didn’t set aside the pliers. “I’m listening.”

Ivory didn’t try to stop her sobbing. If she could just give him what he wanted, maybe Keppler would let her live. She stared at the ground. “We didn’t have a choice. Someone had to be sacrificed so the rest could get out of that place alive. Ko- He sacrificed himself. Asked me to do it because I know how to kill quickly and painlessly.”

When Keppler didn’t respond, she allowed herself a glance up at him. His face was an emotionless mask.

Then, finally, he said: “Why didn’t he send me a message?”

“He gave me a message for you,” Ivory said quickly. “I’m so sorry, I just felt so guilty, I completely repressed it until now. He said – “

Keppler darted forward, his fist hitting Ivory in the stomach with so much force that the chair toppled over backwards and she hit the ground hard. Necrotic energy surged through her body from the point where he had punched her. Ivory threw up bile and blood.

“That is not what happened.” Keppler’s voice was ice. “Try again.”

“Why are you asking me if you already know what happened?” Ivory could barely speak from the pain. Keppler walked over to her and put his foot on her chest.

“Because I want to hear it from you. And if I can’t cut the truth out of you I’m sure I can find something else to cut.” He was holding another scalpel between his fingers.

“please, stop. i can’t take any more. please.” Ivory was squirming in her ties, whimpering, sobbing, shaking with blood and snot and spit running down her face.

Keppler hesitated, tilted his head. “Oh, there you are. Now are you ready to talk?”

And she talked. Spilled out all her lies in front of him, those he had asked about and those he hadn’t, just to make him stop prying. Lies she had told others. Lies she had told herself. Lies she so far hadn’t realized were untrue. When all was revealed, she just slumped back, waiting for death or whatever else Keppler wanted to give her.

“Just one more question,” he said.

She moaned in agony. “I already told you everything that - “

“Why him?”

“What?”

“I’m not going to pretend I believe that you possess the chivalry to even for a second consider sacrificing yourself,” Keppler said. “But there were two men with you. Why Kotohina?”

“You already know – “

“Say it.” His voice was dangerously quiet again.

She sucked in the air. “Because he was weak, and sick, and I didn’t stand a chance against Alváro.” Because he was going to die soon anyway.

Keppler’s foot hit her side with full force. She wanted to curl up, but the ties wouldn’t let her. Another kick to her face followed. His voice, in contrast, was more restrained, yet not as calm as before, when he said: “Because you are scum.” He took a deep breath, then hunched down beside her, twirling his scalpel in front of her face.

"It is actually astounding that you made it so far in life, Miss Umbra – or Miss Nicolescu, I should rather say. Given how easy it was for me to dismantle you and every lie you ever told, I came to the conclusion that you are incredibly lucky." He looked down on her. "Any person with more brain than heart could see through you."

“Your boyfriend sure didn’t.”

Suddenly the blade was in her shoulder, and she whimpered in pain.

“Yes, that’s better,” he smirked. “No longer hiding your true self behind snark and shaded glasses, are you? I wish I could show you how pathetic and weak you look, a sobbing stupid mess because that is exactly what you are.” He was no longer hiding his anger. With a flick of his wrist, he summoned a spectral knife, pointed directly at her throat.

Ivory closed her eyes, sobs shaking her body. She wasn’t ready to die. She didn’t want to end like this. There was a flickering in front of her closed eyelids.

And then the ties loosened.

Ivory opened her eyes. The Sacred Weapon had disappeared, and Keppler took a step back, turning his back to her.

“You… you’re letting me go?” She barely allowed herself to hope.

“I’m not getting my hands dirty on low-life scum of your kind anymore,” he explained while taking off his gloves. He studied his bloodstained shirt and sighed. “Nothing but trouble with you.”

Ivory was just considering whether thanking him would make it more or less likely that he would change his mind, when he continued: “I still want you dead for what you did, so I’m sending someone after you. Someone who’s more on your level, and whose work is a lot… messier than mine.” He turned his head just enough that she could see his bitter smile. “You better run.”

#my writing #oc writing #goretober #goretober 2022 #gore #dr matthias keppler #kotohina saitō #alváro dejadar #ivory umbra #i should write more torture scenes tbh

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tarobytez · 3 years

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disability in the Six Of Crows Duology; an analysis of Kaz Brekker, Wylan Van Eck, and the fandom’s treatment of them.

****Note: I originally wrote this for a tiktok series, which im still going to do, but i wanted to post here as well bc tumblr is major contributor to what im going to talk about

CW: ableism, filicide, abuse

In the Six of Crows duology, Leigh Bardugo delicately subverts and melds harmful disability tropes into her narrative, unpacking them in a way that I, as a disabled person, found immensely refreshing and…. just brilliant.

But what did you all do with that? Well, you fucked it up. Instead of critically looking at the characters, y’all just chose to be ableist.

For the next few videos paragraphs im going to unpack disability theory (largely the stuff surrounding media, for obvious reasons) and how it relates to Six Of Crows and the characterization of Kaz Brekker and Wylan Van Eck, then how, despite their brilliant writing, y’all completely overlooked the actual text and continuously revert them to ableist cariactures.

Disclaimer: 1. Shocker - i am disabled. I have also extensively researched disability theory and am very active in the disabled community. Basically, I know my shit. 2. im going to be mad in these videos this analysis. Because the way y’all have been acting has been going on for a long ass time and im fuckin sick of it. I don’t give a shit about non-disabled feelings, die mad

Firstly, I’m going to discuss Kaz, his play on the stereotypical “mean cripple” trope and how Bardugo subverts it, his cane, and disabled rage. Then, I am going to discuss Wylan, the “inspiration porn” stereotype, caregivers / parents, and the social model of disability. Finally, I will then explain the problems in the fandom from my perspective as a disabled person, largely when it comes to wylan, bc yall cant leave that boy tf alone.

Kaz Brekker

Think of a character who uses a cane (obviously not Kaz). Now, are they evil, dubiously moral, or just an asshole in general? Because nearly example I can think of is: whether it be Lots’O from Toy Story, Lucius Malfoy, or even Scrooge and Mr.Gold from Once Upon A Time all have canes (the last two even having their canes appear less and less as they become better people)

The mean/evil cripple trope is far more common than you would think. Villains with different bodies are confined to the role of “evil”. To quote TV Tropes, who I think did a brilliant job on explaining it “The first is rooted in eugenics-based ideas linking disability or other physical deformities with a "natural" predisposition towards madness, criminality, vice, etc. The Rule of Symbolism is often at work here, since a "crippled" body can be used to represent a "crippled" soul — and indeed, a disabled villain is usually put in contrast to a morally upright and physically "perfect" hero. Whether consciously on the part of the writer or not, this can reinforce cultural ideas of disability making a person inherently inferior or negative, much in the same way the Sissy Villain or Depraved Homosexual trope associate sexual and gender nonconformity with evil. ”

Our introduction to Kaz affirms this notion of him being bad or morally bankrupt, with “Kaz Brekker didn’t need a reason”, etc. This mythologized version of himself, the “bastard of the barrel” actively fed into this misconception. But, as we the audience are privy to his inner thoughts, know that he is just a teenager like every other Crow. He is complex, his disability isn’t this tragic backstory, he just fell off a roof. It’s not his main motivation, nor does he curse revenge for making him a cripple - it is just another part of who he is.

His cane (though the shows version fills me with rage but-) is an extension of Kaz - he fights with it, but it has a purpose. Another common thing in media is for canes to be simply accessories, but while Kaz’ cane is fashionable, it has purpose.

The quote “There was no part of him that was not broken, that had not healed wrong and there was no part of him that was not stronger for having been broken.” is so fucking powerful. Kaz does not want nor need a cure - its said in Crooked Kingdom that his leg could most likely be healed, but he chooses not to. Abled-bodied people tend to dismiss this thought as Kaz being stubborn but it shows a reality of acceptance of his disability that is just, so refreshing.

In chapter 22 of SOC, we see disabled rage done right - when he is called a cripple by the Fjerdan inmate, Kaz is pissed - the important detail being that he is pissed at the Fjerdan, at society for ableism, not blaming it on being disabled or wishing he could be normal. He takes action, dislocating the asshole’s shoulder and proving to him, and to a lesser extent, himself, that he is just as capable as anyone else, not in spite of, but because he is disabled. And that is the point of Kaz, harking back to the line that “there was no part of him that was not stronger for having been broken”.

I cried on numerous occasions while reading the SOC duology, but the parts I highlighted in this section especially so. I, as many other disabled people do, have had a long and tumultuous relationship with our disability/es, and for many still struggle. But Kaz Brekker gave me an empowered disabled character who accepts themselves, and that means the world to me.

Keeping that in mind, I hope you can understand why it hurts so much to disabled people when you either erase Kaz’s disability (whether through cosplay or fanfiction), or portray him as a “broken boy uwu”, especially implying that he would want a cure. That flies in the face of canon and is inherently fucking ableist. (if u think im mad wait until the next section)

Next, we have Wylan.

Oh fucking boy.

I love Wylan so fucking much, and y’all just do not seem to understand his character? Like at all? Since this is disability-centric, I’m not going to discuss how the intersection of his queerness also contributes to these issues, but trust me when I say it’s a contributing factor to what i'm going to say.

Wylan, motherfucking Van Eck. If you ableist pricks don’t take ur fucking hands off him right now im going to fight you. I see Wylan as a subversion another, and in my opinion more insidious stereotype pf disabled people - inspiration porn.

Cara Liebowitz in a 2015 article on the blog The Body Is Not An Apology explains in greater detail how inspiration porn is impactful in real life, but media is a major contributing factor to this reality. The technical definition is “the portrayal of people with disabilities as inspirational solely or in part on the basis of their disability” - but that does not cover it fully.

Inspiration porn does lasting damage on the disabled community as it implies that disability is a negative that you need to “overcome” or “triumph” instead of something one can feel proud of. It exploits disabled people for the development of non-disabled people, and in media often the white male protagonist. Framing disability as inherently negative perpetuates ideals of eugenics and cures - see Autism $peaks’ “I Am Autism” ad. Inspiration porn is also incredibly patronizing as it implies that we cannot take care of ourselves, or do things like non-disabled people do. Because i stg some of you tend to think that we just sit around all day wishing we weren’t disabled.

Another important theory ideal that is necessary when thinking about Wylan is the experience of feeling like a burden simply for needing help or accommodations. This is especially true when it comes to familial relationships, and internalized ableism.

The rhetoric that Wylan’s father drilled into his head, that he is “defective”, “a mistake”, and “needs to be corrected”, that he (Jan) was “cursed with a moron for a child” is a long held belief that disabled people hear relentlessly. And while many see Van Eck’s attempted murder of Wylan as “preposturous” and overall something that you would never think happens today - filicide (a parent murdering their child) is more common than you would like to believe. Without even mentioning the countless and often unreported deaths of disabled people due to lack of / insufficient / neglectful medical care, in a study on children who died from the result of household abuse, 40 of 42 of them (95%) were diagnosed with disabilities. Van Eck is not some caricature of ableist ideals - he is a real reflection on how many people and family members view disability.

Circling back to how Wylan unpacks the inspiration porn trope - he is 3 dimensional, he is not only used to develop the other characters, he is just *chefs kiss* Leigh, imo, put so much love and care into the creation of Wylan and his story and character growth that is representative of a larger feeling in the disabled community.

That being said, what you non-disabled motherfuckers have done to him.

The “haha Wylan can’t read” jokes aren’t and were not funny. Y’all literally boiled down everything Wylan is to him being dyslexic. And it’s like,,,, the only thing you can say about him. You ignore every other part of him other than his disability, and then mock him for it. There’s so much you can say about Wylan - simping for Jesper, being band kid and playing the fuckin flute, literally anything else. But no, you just chose to mock his disability, excellent fucking job!

Next up on “ableds stfu” - infantilization! y’all are so fucking condescending to Wylan, and treat him like a fucking toddler. And while partly it is due to his sexuality i think a larger portion is him being disabled. Its in the same vein of people who think that Wylan and Jesper are romantically one sided, and that Jesper only kind of liked Wylan, despite the canon evidence of him loving Wylan just as much. You all view him as a “smol bean”, who needs protecting, and care, when Wylan is the opposite of that. He is a fucking demolitions expert who suggested waking up sleeping men to kill them - what about that says “uwu”. You are treating Wylan as a burden to Jesper and the other Crows when he is an immensely valuable, fully autonomous disabled person - you all just view him as damaged.

And before I get a comment saying that “uhhh Wylan isn’t real why do you care” while Wylan may not be real, how you all view him and treat him has real fucking impacts and informs how you treat people like me. If someone called me an “uwu baby boy” they’d get a fist square in the fucking jaw. Fiction informs how we perceive the world and y’all are making it super fucking clear how you see disabled people.

Finally, I wanted to talk about how the social model of disability is portrayed through Wylan. For those who are unaware, the social model of disability contrasts the medical model, that views the disability itself as the problem, that needs to be cured, whereas the social model essentially boils down to creating an accommodating society, where disability acceptance and pride is the goal. And we see this with Wylan - he is able to manage his father’s estate, with Jesper’s assistance to help him read documents. And this is not out of pity or charity, but an act of love. It is not portrayed as this almighty act for Jesper to play saviour, just a given, which is incredibly important to show, especially for someone who has been abused by family for his disability like Wylan, that he is accepted.

Yet, I still see people hold up Jesper on a pedestal for “putting up with” Wylan, as if loving a disabled person deserves a fucking pat on the back. It’s genuinely exhausting trying to engage with a work I love so much with a fandom that thinks so little of me and my community. It fucking shows.

Overall, Leigh Bardugo as a disabled person wrote two incredibly meticulous and empowered disabled characters, and due to either lack of reading comprehension, ableism, or a quirky mix of both, the fandom has ignored canon and the experiences of disabled people for…. shits and giggles i guess. And yes, there are issues with the Grishaverse and disability representation - while I haven’t finished them yet so I do not have an opinion on it, people have been discussing issues in the KOS duology with ableist ideals. This mini series was no way indicative of the entire disabled experience, nor does it represent my entire view on the representation as a whole. These things need to be met critically in our community, and talked about with disabled voices at the forefront. For example, the limited perspective we get of Wylan and Kaz being both white men, does not account for a large portion of the disabled community and the intersection of multiple identities.

All-in-all, Critique media, but do not forget to also critique fandom spaces. Alternatively, just shut the fuck up :)

happy fucking disability pride month, ig

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felinedetached · 3 years

Text

Fandom Ableism in the MCYT Community

[Edited 14 June 2021]

One thing I’ve noticed about the MCYT (Dream SMP, specifically) community on both Tumblr and Twitter is that when informed of things that are ableist, or harmful to ND people, a lot of people ignore the post/tweet, derail it or actively fight against it.

“I’m ND so I can’t be ableist” is a common statement, which is blatantly untrue. Even I’ve used ableist terms and phrases before, without realising they were harmful. So as a neurodivergent person, with autism, BPD, depression/anxiety, dyslexia, psychosis & brain damage*: here’s some common ableist things both CCs and fandom say almost constantly**.

*note that not every neurodivergent person will agree with me on these, but these are commonly ableist things people have previously talked about online, and/or have been discussed between me and other neurodivergent friends. No minority can ever speak for the entire group.

**note that a lot of these are common outside the MCYT community as well, and that some of these are just considered societally acceptable. This isn’t okay, but it explains why a lot of people don’t recognise jokes or comments like these are wrong, and it means that it’s not a direct moral failing of people that they don’t immediately or directly recognise these comments as wrong.

Now, let’s get into the things you might not have realised are potentially ableist:

1. Use of “Psychopath/Psycho/Sociopath/Schizo” and other demeaning terms for people with mental illnesses as insults, or to describe characters who are considered villainous. Psychopath/Psycho/Sociopath are already terms that people with ASPD dislike using, even not as an insult, but using these terms to describe people or characters who you disagree with or see as villainous only contributes to the villainisation of people with ASPD and other mental illnesses. Using c!Dream as an example: Dream as a character is not confirmed to have any of these mental illnesses. He is, however, commonly labeled as psychotic/psychopathic, incapable of any kind of compassion.

He is also a character that fandom largely insists that nobody is allowed to sympathise with. This is a huge issue, and has hurt a lot of people, especially people with low empathy, or mental illnesses that cause them to relate to some of c!Dream’s actions (e.g. pulling away from all his friends, desperately grasping at straws to gain control of situations etc). Insisting that these characters are characters it’s impossible to sympathise with, all while calling them psychotic/psychopathic/sociopathic, is extremely harmful, and I hope this post draws attention to that.

Here’s another post that talks about that.

2. Use of the term “freak”, in general. As an insult, “freak” has been typically used to insult neurodivergent people, people with visible physical disabilities (ex. “freakshow”, and the term was reportedly created with the intent of insulting people with physical disabilities), or people who display any kind of abnormal/atypical social behaviour/physical aspects — people who are usually ND people who lack a diagnosis or people with physical disabilities. Recent usage has come to mean “people who do things that hurt other people”, but this is harmful as well; using words like “freak” or “weirdo” which mean “socially atypical behaviour” to refer to people who are actually doing things that hurt other people conflates the two, and often has a side effect of hurting disabled people who see it.

3. Calling ND ccs like Technoblade monotone/emotionless. While the term “monotone” isn’t ableist in and of itself, the fact that it’s being used against a neurodivergent man who emotes in a different way to neurotypical people rubs a lot of ND people the wrong way. I’ve partially discussed this here, in a tweet responding to a person who said that c!Technoblade, quote, “has no human capabilities like emotion for example”. This, however, is not something contained to c!Technoblade — one of the most common jokes in this fandom is how rare it is to hear emotion in Technoblade’s voice.

The issue with that is that neurodivergent people almost universally agree that Technoblade emotes perfectly fine, and, in fact, emotes more freely and clearly than a lot of others do. Hence, calling him monotone perpetuates the idea of ND people as emotionless/less able to be hurt/less expressive, which often hurts us. It also contributes to the dehumanisation of ND people — related to how ND symptoms are most often seen in robots or monsters in shows — and is generally extremely harmful, on top of being untrue.

4. Related to point 3: the infantilisation of ND ccs like Tubbo and Dream, usually paired with assigning “caretakers” of their friends, like Tommy and George. This is about the posts that spread like “omg, Tommy helps Tubbo with his dyslexia, that’s so cute” or “omg George is so patient with Dream, I could never sit through that” on videos of Dream vocally stimming because of his ADHD. This is another post that talks about this, but I wanted to talk more about why this is harmful here.

4a) With Tubbo’s dyslexia, from someone with dyslexia, it isn’t harmful to correct his spelling and move on. Personally, I think this is helpful — others will think it’s condescending, because not all ND people are the same — but as the above linked post mentions, this is not what Tubbo’s twitch chat does. This is not what the comments say. It’s all things about how it’s “so cute” that Tubbo can’t spell, how Tommy/Ranboo are “so patient” with correcting him. This is rooted in the need to constantly watch over ND people while acting like we can't live our lives without someone having us under constant vigilance. It feels like savior-complex ableism, like people are trying so hard to not be ableist that they spin back around to hurting us instead. And it feels like we are being treated like children. Like we are lesser than, and need to be monitored/watched over.

4b) Similarly to what people do with Tubbo, the comments on posts about Dream’s vocal stimming are often full of people calling George “patient” for “dealing with it”, or claiming they “wouldn’t be able to handle it”. This is inherently ableist. They’re praising George for basic human decency towards ND people, and claiming in the same breath that they wouldn’t be able to do that themselves. And then there’s these.

These comments infantilise Dream — claiming he “wouldn’t be able to stop/calm down” without George’s help, implying he’d “spiral out of control” or claiming “everyone is now my child”. It’s all related to the infantilisation of ND people, and the belief that without help/a caretaker we cannot take care of ourselves.

5. The way people treat ccs who likely have undiagnosed neurodivergencies, like Wilbur. Wilbur has openly admitted on stream before that his parents considered getting him an autism diagnosis. He also openly admits on stream that he has habits he doesn’t understand why he does, and hyperfixates on things for months at a time and doesn’t know why. Posts like this have gone around Tumblr, in which Wilbur displays blatantly ND traits.

And fandom generally calls him weird for expressing those traits. This video where he talks about eating sand because he likes the texture? That’s an ND trait. This video where he talks about his irrational hatred for anteaters? While mostly a joke, irrational hatred of something when you can’t explain/understand/articulate why is also a common ND trait. He spends 20 minutes during a Philza stream info-dumping about self-sustaining ecosystems (sharing the photo, because I think it’s really cool) and fandom begins calling them “Wilbur’s weird jars”. It’s demeaning to people who infodump, and as a ND person who hyperfixates and infodumps it’s really upsetting to see. It’s also upsetting to see other ND traits being called “weird” or “freaky” & made out to be soley some funny joke for NT people to laugh at us about.

Additionally: It’s strange to me that people think it’s okay to make fun of ND traits just because they know that or perceive that the person they’re making fun of is NT. It’s still making fun of ND traits. It’s still insulting ND people. It’s still ableist as hell. Why is it okay just because the person is NT?

6. Implying that c!Ranboo’s enderwalking is inherently violent. Ranboo has shown us time and time again that the enderwalk state isn’t a violent state. That the enderwalk state isn’t a seperate version of c!Ranboo that does horrific things. Why, then, is it so common to imply that Ranboo would be violent and hurt people why he’s enderwalking?

It comes back to the perception of c!Ranboo as a character with “two halves”, or as a character with DID. Ranboo has made it clear that his character does not have DID, but this headcanon about his character persists, and it persists in a way that is directly harmful to people with DID — and to people who dissociate or sleepwalk. We do not commit horrific acts while we dissociate, while we’re sleepwalking, because the majority of the time we’re just checked out, our body is on autopilot. Insinuating that we do is harmful. Insinuating that Ranboo has “another half” that’s inherently violent or evil is harmful to people with DID. I’m not going to ask you to stop writing these headcanons etc, but please consider the effect you have on people before you do.

7. Related to point 6: the perception of c!Ranboo as “soft” and “cute” and/or perfectly moral because of his canonical anxiety. This is really harmful, and comes once again from the infantilisation of disorders like anxiety and depression. Ranboo has made clear time and time again that his character isn’t moral, and in fact is extremely inconsistent. He’s portrayed his character as inconsistent, as someone who hurts his friends unintentionally and often due to his want to please everyone, and yet he’s constantly seen as “soft/pure/the only moral one” because of his anxiety causing to have repeated and consistent spirals on-screen. These spirals are not healthy. They don’t indicate his “perfect morals” or make him more moral than anyone else on the SMP. Please stop infantilising people with anxiety, it’s really hurtful.

8. Implying that c!Technoblade is inherently a violent person because of his voices. I’ll admit here: my hallucinations are visual. I do not get auditory hallucinations, and I cannot speak for people who do. But many people have spoken out about this, and discussed how talking about Technoblade as an inherently violent character because of his voices is harmful, and a stereotype of people with schizophrenia.

Technoblade’s character is, in and of itself, inherently a stereotype (despite the fact that his chat are more likely to be a supernatural entity than a symptom of a disorder such as schizophrenia) in that the idea of “hearing voices that encourage violence” is a stereotype of people with schizophrenia. As an actual symptom, is a very uncommon one. More common auditory hallucinations for people with schizophrenia or psychosis are, reportedly, whispers or unrelated conversation. One of my friends hears screaming.

But the issue is with the implication that c!Technoblade is “driven to violence” by the voices. Canonically, he has dealt with the “bloodlust” of chat by grinding withers. He’s perfectly capable of being peaceful, even with “voices pushing for violence”, and he’s perfectly capable of being violent without the “voices” influence. It’s the connotations and the history that fandom has in demonising and villainising c!Technoblade for even having the “voices” in the first place, and acting having them makes him inherently violent and unstable. There’s precedent for that already in society, and it’s not okay to perpetuate it.

[Edit: as of 22/05/2021, I do experience auditory hallucinations, and I can confirm that I am not any more violent, and the voices I hear don’t push me to violence. The clearest one just said ‘click’ in my ear.]

9. Jokes about brain damage and the use of “brainrot” as a term. I made a post about how common jokes about brain damage are here, and I would like to reiterate bits of it.

Jokes like these are really really normalized in modern society. I’m sure a lot of you didn’t even register it as wrong, and that isn’t a moral failing! It’s a norm in society, and that means the majority of people arent going to register it as something hurtful, because it’s said so often. But it does still hurt. The idea of using a disability as an insult is really harmful and it feels dehumanizing, like our disability makes us lesser, something that should be laughed at.

“Brainrot” as a term originated in Skyrim, as a disease that literally rotted your brain. However, as a term, it has very similar connotations to “brain damaged” and has been used in similarly joking and insulting ways. It’s something that feels really off to me and other neurodivergent people to see used by neurotypical people. It even sometimes feels uncomfortable when used by neurodivergent people, even if it’s used in positive ways. I know quite a few people who have removed it from their vocab completely because of the connotations, and I have personally done the same. Once again, I am just asking you to please consider your words before you use them.

10. Calling c!Wilbur during his Pogtopia Arc “Vilbur”. Yes, he was a villain. Yes, he hurt people. But c!Wilbur during the Pogtopia Arc only has one major difference from c!Wilbur during the L’Manburg Arc: a visible depiction of mental illness, specifically paranoia and psychosis. Treating him as a seperate person and calling that seperate person “Vilbur” comes across as extremely hurtful, and contributes to the villainisation of mentally ill people. His mental illness does not excuse him from hurting people, but calling c!Wilbur “Vilbur” upsets a lot of us, because wether or not it’s intended, it feels reductive, hurtful, and insulting.

If you got to the end of this post, thank you so much for reading. I hope that this helped you recognise things that you might not have known were ableist, and that you consider what I’ve said here. I also know that I haven’t addressed everything ableist that’s spread through the MCYT fandom community, so if you’re ND and have something you’d like to add, please feel free.

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babycharmander · 3 years

Audio

WARNING, THIS AUDIO FILE AND POST CONTAIN END-OF-THE-GAME SPOILERS FOR PSYCHONAUTS 2!

(The first half of the above audio is the music as heard normally in the game; the second half is reversed.)

During my playthrough, I noticed some very... interesting audio. At first I’d thought there might be something new hidden there--a hidden detail or something--and while I was not entirely correct, what I did find reinforced my interpretation of some themes the game presents.

Analysis under the cut, and, again, SPOILERS FOR THE ENTIRE GAME. This is going to get long, but stick with me!

What you hear in that audio clip is audio from Fatherland Follies--specifically the last part of the ride, shortly before you’re dumped out at the gift shop (specifically, the part leading up to the zoom-in to the giant Gristol head). When playing this level, I picked up on the reversed music immediately. As someone who finds backmasking fascinating (and as a Gravity Falls fan who participated in the puzzle solving while the show was running), I thought there must be something hidden here. But the wild ride that is the end of the game made me forget about it for a while... but last night I remembered it again, and this morning I decided to do some investigation.

It was definitely a reversed version of part of the song, that was for sure. I was hoping there would be some new lyrics here, perhaps hinting at something even more sinister going on. But instead, what I got was a reversed part of the song that we hear earlier:

“Grulovia, Grulovia, you’re always right!”

This initially disappointed me at first... but I quickly realized the fact that these specific lyrics not only being repeated, but being backmasked in Gristol’s mental world (I’ll get to that in a minute) was not insignificant.

(Or maybe it is and I’m just reading too much into things, but let’s assume I’m not for a moment.)

Before I can explain this, I’m going to jump into some analysis on some themes the game presents.

Firstly, let’s talk about Maligula. She’s a part of Lucy’s mind, and a dangerous one. I don’t have exact quotes from the game on-hand, but Ford talked about how Lucy’s mind was in a vulnerable state at the time she left to return to Grulovia, and how Maligula emerged as an overdeveloped fight-or-flight response (or something to that effect). Later, Raz states that what Maligula is is something that everyone has inside them--it’s just that most people know how to keep it “where it belongs.” During the fight, Lucy tries to admit that she was the one to kill her sister, but is stopped by Maligula. After the first phase of the fight, she’s able to admit it to herself... but the Maligula part of her mind decides she doesn’t care. Lucy, however, is able to break free, and then able to empower Raz.

My take on this is that Maligula represents the fact that every human is capable of committing atrocities.

This is a theme I’m very glad the game touched on, because it’s one of the most important things people can learn. Everyone (including me, including you) has the capacity to do horrible, awful things. This can manifest itself as something as extreme as the horrors we’ve seen throughout history, or smaller-scale like a murderer, or simple things like racism, ableism, homophobia, and so on. Ever notice how it’s usually the people who say “I can’t be ___ because I don’t hate those people!” tend to be the people who are the most casually racist/ableist/homophobic/whatever?

It’s the people who insist they are not capable of doing something wrong that are the most at risk for doing that thing... and if they wind up doing that thing they think they’re incapable of, they’re more at risk of thinking “This thing I’m doing is not wrong.”

It’s why my hackles rise when I hear someone insisting that of COURSE they would never do something terrible to the wrong person.

Meanwhile, realizing “I have the capacity to do this awful thing” is the first step to making sure “I REFUSE to do this awful thing.”

Tying this back into Psychonauts 2... Lucy, against Ford’s warnings, insisted that she would be fine despite how vulnerable her mind was. That she would make things right, not worse. She did not believe she could do something terrible... and was thus easily manipulated into doing something awful--killing peaceful protestors. And among those peaceful protestors was her sister. The realization shattered her, but she could not let herself believe that this was her own doing, and placed the blame on her brother-in-law. The grief she felt combined with various other things (the stress of the war, the vulnerable state her mind was in, and her refusal to admit to herself what she’d done) is what ultimately created Maligula.

However... later on, after the help of Raz and Ford and the rest of the Psychic Seven, Lucy was able to piece together what had actually happened. And she was at her most powerful when she realized, “I killed my sister. I did these terrible things. And I want to stop this.”

Next, I want to talk about another very important theme in the game, which is that of helping other people. Early on in the game, Raz learns the importance of things like consent and responsibility in people’s minds--to not go into people’s minds to just mess around or try to change their thinking, but to “help them learn to fight their own demons.” I could go into just how wonderful it is that Raz learned to ask permission before entering the minds of others, but what’s more relevant to the point I’ll be getting to is just how Raz is able to help people. This is something that was present in the first game and midquel as well.

Raz doesn’t always enter minds to help them--in fact, in the first game, the first several levels are merely Raz being invited into counselors’ minds in order to learn psychic techniques and... well, to experiment with the brain tumbler. After that point, however, he does wind up helping all the characters whose minds he jumped into (minus Boyd, but that wasn’t really his fault). The same happens with Raz winding up helping Loboto in Psychonauts in the Rhombus of Ruin.

In the sequel, Loboto’s mind is entered more to pry information out of him, so helping him wasn’t the primary goal there... and of course, Raz messes with things in Hollis’s mind for all the wrong reasons, which brings him to the harsh lesson he has to learn. Past that, however, he genuinely helps each character whose mind he enters (with the exception of one).

All of the characters Raz wound up helping have something in common: even if they did not admit it outwardly, they knew they needed help on some level. Some examples: While Linda was unable to do anything other than what she was commanded to do, some of the mental figures in her mind knew that she was being controlled. Though Oleander outwardly showed desires to take over the world no matter what it took, his inner child was still suffering from the trauma of what his father had done and how small and powerless it made him feel. While Loboto outwardly refused to see anything was wrong, inwardly some small part of him desperately wanted to find his moral compass again and defeat the absolute monster of a person he’d become, while his inner child wanted to show someone the horror he’d gone through. Though Compton outwardly wanted to keep himself hidden away from all the overwhelming voices and judgements, inwardly he wanted help facing those fears and anxieties so he didn’t have to keep isolating himself from his friends and colleagues. While Bob outwardly had isolated himself and chased away anyone who tried to talk to him so he wouldn’t get hurt, inwardly part of him desperately, desperately wanted to see people again, as evidenced by his attempting to grow plants again, and also begging Raz not to leave him.

All of this to say that in order for Raz to help someone, that character had to, on some level, realize their need for help and WANT it, even if they didn’t fully admit that to themselves. This rings true of real people as well--in order to help someone, they need to realize they need help, and want it.

But there’s one person in this game we could not help.

Gristol Malik was a prince who came from a very rich royal family. He was sheltered from the rest of his country, understanding nothing of the troubles beyond his own home. All he knew was the sanitized propaganda his parents had taught him, the comfort of his home, being waited on hand and foot, being constantly pampered, and eating caviar.

After the events of the Deluge, however, he and his family were forced to leave, and he was forcibly yanked out of his comfort. That comfort was all he knew, all he cared about... and he wanted it back.

Thus he began his mission to revive Maligula, use her to destroy the Psychonauts, and take back his home country once again so he could go back to his life of comfort and caviar.

This is the entirety of what we see in his mental world: the propaganda his parents fed him (and that he continued to tell himself), his love for caviar, and his desire to use Maligula to get back everything he wanted. And as shown earlier in this post, in part of that earworm of a song, Gristol tells himself (and likely, his parents told him) that Grulovia (and by extension, the royals running the country) is “always right.”

Earlier I had explained that Maligula represents the capacity for every human to commit atrocities. This capacity, while it can be subdued, grows more dangerous when someone tells themself they are incapable of committing those atrocities... and Gristol believes he is “always right”--that he can do no wrong.

As well, I have explained that in order for people to be helped, they have to, on some level, recognize their need for help and want to be helped. Very obviously, Gristol outwardly does not want any form of help other than that of Maligula to help him achieve his goals and return to his life of comfort. This is shown when Raz encounter him outside of his mind post-game, in the Psychoisolation Chamber--when Raz sees him, he’s singing his own little song about Grulovia.

But... inwardly... this is where things get interesting.

As I stated before, all of the other characters Raz has helped have at least inwardly realized their need for help, and desired it. But when Raz goes into Gristol’s mind, he hears the lyrics:

“Grulovia, Grulovia, you’re always right!”

He does not hear these once. He hears them twice.

The second time they’re heard is toward the end of the level, right before we’re presented with a giant version of Gristol himself and his brain. But do me a favor and scroll back up to the start of this post, and listen to the sound clip again.

Raz doesn’t just hear those lyrics a second time. He hears a backmasked version of them.

Let’s talk about backmasking for a second.

Wikipedia defines it as “a recording technique in which a sound or message is recorded backward onto a track that is meant to be played forward.” It can be done to achieve interesting audio effects--if you’ve heard the music in Haunted Mansion ride at the Disney parks, you’ll notice it has an eerie quality to it, because the instruments are actually played in reverse!

However, it’s also used to hide messages within music. While oftentimes this is just an instance of people hearing things (such as the “Sad Satan” phenomenon in playing “Stairway to Heaven” backwards), it is sometimes deliberate. Though it’s often used merely for fun, it’s believed by some that the human mind is still hearing the messages and is aware of them on some level, and may still be able to process the messages subliminally even if they’re not consciously aware of it.

Of course, the effectiveness of these type of subliminal messages is WIDELY debated in the real world... but this is Psychonauts we’re talking about. As seen with Linda and Boyd in the first game, in this world, mind control is entirely possible, which means subliminal messages aren’t out of the question.

However... it’s not hypnotism we’re talking about here.

This is Gristol’s own mind. This is his own song that he invented. And like a subliminal message, it is being played backward in his own mind.

Outwardly, Gristol sings his song. Inwardly, it plays in his head. And on a deep, subconscious level, it’s still there.

“Grulovia, Grulovia, you’re always right!”

There is no level of Gristol’s mind that believes he is wrong, or realizes he needs help.

And this, my friends, is why Gristol is the antithesis of the themes of the story, and the most dangerous character in the game.

#gristol malik #psychonauts #psychonauts 2 #psychonauts 2 spoilers #OH GOSH THIS TOOK SO LONG TO TYPE UP #I... regret... nothing.......#also I hate this loser but gosh dang if he isn't fun to analyze

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not-enough-teeth-and-treasures · 3 years

Text

An Autistic’s Perspective on Tears of Themis’ Representation (spoiler alert: it’s bad)

Before you read, I should warn you that there will be spoilers for Chapter Five! Read at your own risk. Also, trigger warning for discussions of ableism and harmful disablility stereotypes. I get pretty heated as well, so if you’re not a fan of swearing and stuff, then it might be best to skip this.

So, I was debating whether or not I wanted to talk about this, mostly because this game doesn’t do anything new in regards to the perception of autism in media. Unfortunately, it ends up leaning into a lot of not great tropes and goes into “what the fuck that’s incredibly offensive territory” waaay to quickly. So here I am.

The most prevelant character with autism (or who we start out thinking has autism. Don’t worry, I’ll get to that) is a small, supergenius child (a boy as well *sigh*) is so overdone at this point that there aren’t many new criticisms I can say. The stereotype of autism presented in media is overwhelmingly extremely intelligent (usually with sciency or math based interests) men with no ability to socialize or be kind to others. This not only paints autism as a disability that effects men primarily (which creates intense stigma around AFAB autistic people and makes it harder for us to get diagnosed or believed), but also creates this expectation of greatness. Autistic people are often held to superhuman standards, which further others and dehumanizes us in the eyes of allistic people. The vast majority of autistic people are not savants, and that it perfectly fine.

But all of this is pretty standard. The red flags started popping up when it was revealed that the autistic kid, Hugh, doesn’t actually have autism and is faking it in order to keep people from asking hard questions about him or trying to pry into his life (which is full of secrets). I’m definitely not a fan of perpetuating the idea that people fake diabilities in order to manipulate people, so this plot twist was not my favorite. However, it wasn’t really enough to inspire me to write a whole ass essay about the representation. And then I got to the fucking text conversation with Vyn.

Here is where I’m gonna put a trigger warning for talk about eugenics, curing autism, ableism, and basically just a fuck ton of awful shit. Fuck, this makes me so mad.

So, I went in and took screenshots of both options just to see, and all of them lead to terrible bullshit. Lets start out pretty light with the MC and Vyn discussing symptoms.

This is a pretty limited and honestly incomplete explanation of autistic behaviors. These can definitely be symptoms, but they’re heavily overcovered and really basic. A lot of autistic people don’t have these symptoms, and it would be really nice if more media branched out and covered more of the spectrum. However, considering they don’t do anything different in any other areas, I’m not surprised.

Also not a fan of Vyn’s use of “abnormal.” It has some very negative connotations and is a bit insulting, honestly. These behaviors are perfectly “normal;” they’re just not as accepted by neurotypical people. Plus, no behaviors can really be labeled as normal because humans are complex and different.

That was the easy shit. Let’s get into the truly awful garbage.

This is treading into ABA territory here. For those of you who are unaware, ABA is pushed as the best autistic therapy, but a large majority of autistic adults consider it to be abusive and unhelpful. This is mainly because it seeks to “correct” many behaviors that are helpful for autistic people. It seeks to surpress stims (which are behaviors that improve the mental health of autistic children), force us to talk (as opposed to letting us use sign language and technology), and more. This harms our mental health and makes us ashamed of who we are. These behaviors do not need to be “corrected.” We don’t need to act “normally.” All this therapy does is make us more palitable for neurotypical people, and it’s bullshit.

It also doesn’t help that ABA was pioneered by Ivar Lovaas, a man who did not believe autistic people were human. He developed ABA as a way to “build a person” using harsh punishments such as withholding affection and ELECTRIC SHOCKS. If you think this is a think of the past, you’d be wrong. Electric shocks are still being used to harm disabled people. Look up the hashtag #StopTheShock to learn more and help push for legislation that bans this practice.

Oh, and did I mention Ivar Lovaas also inspired gay conversion therapy? Because he did! So yeah, fuck ABA and fuck Vyn for performing it (god damn it, Vyn, I liked you a lot).

And now, onto the eugenics. Fuck my life.

FUCK! THIS! BULLSHIT!

I am so tired of autism being treated as this horrific disease that needs a cure. I had a perfectly fine childhood. Yes, it was hard at times, yes I got traumatized, but a large part of that was due to ableism and abuse from teachers and peers. A large reason why autistic people suffer is because the world is not built for us, and we are often denied accommodations that would make our lives better.

It is beyond offensive and disgusting to suggest that we would be better off not existing than “suffering so much” because of autism. Because that is what this game and everyone else who thinks there should be a cure is suggesting. There is no me without autism. it literally affects my brain structure. You are wishing for a completely different person when you tell me that autism should be cured.

Now, I’m not going to get into the horrible consent issues that arise from talks about a cure, including genetic editing, fear mongering to parents so they think abortion is the only option, and straight up Nazi style eugenics. I do not have the spoons to delve into that exhausting discussion. But if you want to know more, then there are so many incredible autistic people who have written blogs, Twitter threads, and more about why a cure is a terrible idea.

Oh, and if you’re going to come at me with the “severely autistic people should be cured” bullshit, don’t bother. There is no such thing as “severe” autism, first of all, and second, non verbal autistic people (which are who people think of when they talk about “severe” autism), largely don’t want a cure. There have been so many surveys of tens of thousands of autistic people, and the result is that the overwhelming majority do not want to be cured. We want support and proper accommodations. Listen to us.

So, in conclusion, fuck this text conversation and it’s ableist and offensive bullshit. I really wish ToT had stayed away from autism, or at the very least did not touch on therapy or a possible cure. For a game that is about genetic experimentation on children and how bad that is, it sure peddles a lot of eugenics.

Fuck, this text conversation actually made me ill and I hate that. I’m so done with constantly trying to prove to the world that I am a human being who deserves to exist. I’m gonna go cuddle my service dog now.

#tears of themis #vyn richter #autism #autistic perspective #autism representation #seriously can we stop treating my disability like a disease? Is that so fucking hard?#i don't need a cure #i deserve to exist #aba is abuse #autistic people deserve to exist #hugh tears of themis #tot #tot vyn #god damn it vyn I simped for you

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blindbeta · 3 years

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I just saw someone asked about making a character blind in their novel and you responded about ways to avoid it being portrayed poorly. I wanted to ask, could it also help if part of the arc is the character accepting becoming blind?

Like, even if it happens in some kind of accident, or like them becoming blinded as a sacrifice for the team, would it be a bad portrayal for part of the character's story to be realizing it's not the end of the world, that being disabled doesn't make them completely useless, etc?

Or is that sort of arc also ableist?

[Note: I used the words non-disabled and abled interchangeably here. Both refer to people with no disabilities. After a conversation with some of my followers, I decided to make an effort to be clearer about who I referred to when I used words like able-bodied, because able-bodied may, for some people, refer to people without physical disabilities or without any disabilities at all. There are times when the distinction matters, even when people said they can usually tell based on context whether or not able-bodied is meant to include them.]

Writing About A Character Accepting Being Blind After Going Blind - When You Aren’t Blind Yourself

An arc about a character accepting becoming blind doesn’t feel good to me and I’ll try to explain why.

I’d rather read a story about a character who happens to be blind, in whatever way that happened, than read a story where a writer who isn’t blind tries to write about a blind character accepting being blind. I just finished a similar book and it did not go well. There are some things that research cannot teach you. There are some stories that aren’t yours to tell.

I don’t want to read about a non-blind author, especially a non-disabled author, writing negative things about my disability.

A character starting out feeling overly negative toward their blindness already feels bad to me. Why? Because the author has to write negative, sometimes completely wrong things about being blind. When I read stories like this, I am bombarded with stereotypes or myths which are rarely corrected by the narrator, who is usually traumatized and somewhat isolated as they heal. Many of the things they think or say are not checked or revisited. Mean things other characters say or think about them are often internalized by the narrator. Things that, in real life, are said to blind and otherwise disabled people as truths. As tough-love. As part of the supposed -Real World-. As bullying. As ignorant, innocent questions. As rude comments.

All of these things are not even coming from a personal place. The author writing these things- while they probably don’t agree with them, of course- is still not blind at the end of the day.

Readers who aren’t blind may not understand the nuance of why some of the things they read were ableist if it isn’t called out in the narrative in some way, which can sometimes happen when the narrator says something negative about their new disability. This isn’t to say readers shouldn’t do their own research or examine the story more closely. This isn’t to say the author is at fault for the interpretations of readers who refuse to think beyond what is laid out for them. When I say this, I am being realistic. Not all readers are going to be proactive. Not all readers are going to approach a book about a person going blind from a good place.

Most of the time, this is just something the author needs to accept. It is impossible to anticipate the strange interpretations of every reader. However, this narrative can be dangerous to a reader who has never met a blind person. Keep in mind, most people aren’t doing what you all are doing. They just read what is given to them. And if what is given to them is a helpless or self-loathing blind person, they might believe in that image. That book may be the only expirience they have with a blind person and they may not read any other books with blind characters.

Another thing I thought of was that non-blind authors sometimes don’t understand how hobbies and skills translate to blind people. For example, in a story I read once, a character who was going blind practiced playing piano and typing on a keyboard blindfolded so they could learn how to do without sight. However, blind people can already play instruments even if they were born blind. Blind people can also easily type on regular keyboards and, technically, correct keyboard technique means typing without needing to look at the keyboard.

Authors who don’t understand what it is like to go blind often don’t get the nuances of what that person is losing and not losing. And it often shows. They also don’t often include the aspects of blindness that are actually challenging. Why focus your worry on typing on a keyboard when you can learn how to use assistive devices in the kitchen or learn to cope with anxiety you anticipate will get worse after losing vision? Why not try to find accessible copies of books you have or scan or Braille sentimental letters? Why not organize your closet so you can find things more easily?

Obviously this is related to characters who know they’re going blind, though.

It favors non-disabled readers, which is ableist.

Another reason this type of story bothers me is because it is so common. Or at least people expect it. This type of story is one abled / non-disabled people can swallow and feel inspired by. Showing the blind person accepting their blindness also favors non-disabled readers in ways I may not be able to articulate well.

Accepting disability is an arc non-disabled people are comfortable with. It is a feel-good type of story that usually doesn’t challenge people too much, other than to remind them not to bully people. Already, this story is not even for disabled people, or in this case, blind people. It exists to introduce people who aren’t blind to the idea of becoming blind, to blind technology, to inspirational ideas about how blind people actually can do things. Stories like this guide abled people along and prioritize their ideas about blindness. Because the narrator is almost always previously abled, the story is about adjusting to blindness in a way that caters to non-disabled people.

How does a story with this angle benefit blind readers? Even if a blind person has also recently gone blind and wants to see a character who on that journey with them, what can a writer who isn’t blind say that blind writer couldn’t say? Or say better? Or say with more power? With more nuancel? With more personal experience?

And it may seem like saying this arc is ableist is too much. Keep in mind, ableism isn’t just about being rude to or excluding disabled people. Ableism favors those who are able-bodied or neurotypical over those who are not. It favors those who are not disabled over those who are. This story is just another way of doing that. Often, people are ableist through what they consider kindnes. Authors are not exempt from that.

Disabled authors should tell their own stories

This is where I will get some pushback. (I already received some here if you think it will be helpful to know what this is like.)

There are a few parts to this.

First, I want everyone to know I am not telling you what not to write or that this type of story, at least with elements of this narrative, can never be done well. However, the more care you take when writing it and the more you know about why it can be ableist, the better you will be able to write it. I’m still not sure I would want to read a book that is dedicated to this topic of accepting blindness, but who knows?

I also might feel more open to this narrative from a writer who experienced becoming disabled in some other way and was open about it. While they would still need to research blindness, some of the issues I named here could be avoided through having prior personal experience that non-disabled people simply don’t have.

If, however, you find yourself upset or feeling excluded by this post, consider what I wrote again. Consider why you think you are the best person to tell such a story with this particular arc.

I am also not saying that non-disabled writers could never write this topic well. I just question, again, what they can add to the topic of accepting blindness that blind people can’t already add. This is also assuming they were able to avoid some of the issues I listed above that might come up. Which would be difficult on top of doing all the other research they need to do in order to write a book. Why make it harder for themselves?

Now that I’m done with the disclaimers, accepting blindness should be something mostly left up to blind writers. This narrative is so closely tied to the trauma-based / incident-based blindness that it can be hard to separate them, but I feel like the readers of the blog have thought hard to suggest ways to improve or subvert that trope and the problems that go with it. Maybe they can do the same here. Maybe not.

Anyway, the reason I think it should be left to blind writers is because of the personal experience I mentioned previously. Acceptance will come from a more authentic place. Anything that comes before the acceptance will also come from an authentic place and blind writers will know how to deal these issues a little better.

Blind writers will know how to write this topic well. They can center blind readers in a way that many arcs like this don’t.

As a side note, blind writers also need more recognition and attention. This arc is specifically about or mostly about accepting blindness, which blind writers are intimately familiar with. Their stories should be prioritized in this area, at the very least.

If a non-disabled writer decided to do this topic, I think it would help to read and public ally promote books and other works by blind people.

Thank you for asking this question.

This was a really great question and I want to thank the anon for asking. I really appreciate the chance to discuss this topic. If anyone wants to expand on this question or figure out ways to subvert this arc, feel free to ask. Also, remember that I am not authority on stories about blind people, but I feel this opinion in shared by many of us and it should be known so writers can be aware.

Suggestions for alternatives.

1. Include only brief instances of acceptance and / or make it only related to blindness instead of accepting blindness as a character arc.

It will depend on how you do it, but brief, less direct instances of acceptance could be done well. One thing I’m thinking of is Toph challenging her father in The Blind Bandit. This could be seen as a form of self-acceptance for Toph, one which is related to her blindness without being the entirety of her need to accept part of herself, which gives her the courage to disrupt the view her parents have of her. Toph doesn’t struggle with being blind. She struggles with something related to being blind, which her parents being over-protective, limiting her freedom and expression, and putting her a gender role box.

The rest of Toph’s story wasn’t completely about being blind either. The writers, who weren’t blind as far as I can gather, handled this part well, and so I wanted to include it as an example.

Obviously, this can also be done badly, but that’s what beta readers are for. I personally would prefer the acceptance arc only be tangentially related to blindness, especially when combined with the trope about going blind through trauma / incidents / accidents.

2. Start in a different place.

You could start the story or character arc in a different place, rather than starting directly after going blind. This could be years later. After they already adjusted to the bigger parts of being blind. This saves you the need to figure out how to get around it.

Some parts of this ask might help.

3. Focus mostly on the practical stuff rather than the emotional side.

Focus on things like cane skills, adjusting to using screen-readers or needing to increase font sizes to read. Focus on learning to cook. Make the arc less about emotional stuff and more achieving goals. While I can understand how this might bother some blind people, I think it can work if blind readers are consulted, especially readers who went blind later in life. I wanted to include this as an option just in case people are determined to include going blind in the story. I think, if the author is careful, it could go well. A few narrative justifications for not writing the typical acceptance arc include:

-the character was already blind in some way first

-the character has a blind sibling, parent, or friend they grew up with

-the character got counseling or the story mentions they are getting counseling

Alternatively, you could also focus emotional difficulties on the traumatic incident, if there is one, and not the resulting blindness.

4. Write different stories - expand what stories about blind characters look like.

Writers have so many opportunities! I don’t see why they would feel the need to write a story primarily about going blind and learning you aren’t useless now after all, when they could be writing about a blind mermaid challenging the Mer Queen and falling in love with her instead. When they could be writing about blind space pirates creating new technology for other blind people. When they could be writing about a blind witch reclaiming their sexuality and also learning to dance to make their coven less worried about their social life after going blind.

See this post for more ideas about expanding the typical stories.

If you are creative enough, none of my claims that certain topics being best left to blind writers should stop you. If you feel limited, you might be trapped in the idea that blind people only have one narrative: trauma, sadness, helplessness, and just maybe, acceptance. If you don’t feel limited, you are in a good place.

Blind readers want other types of stories, too.

I hope this helps some of my followers. Thanks for the interesting question, anon. If anyone has any questions or would like me to clarify something, feel free to ask. I wrote this at night when I was tired. I have missed some things.

-BlindBeta

P.S. The ideas I pitched at the end are free to use if you feel inspired by any of them.

#writing blind characters #blind characters #blind people #ask #anon #acceptance narrative #trauma narrative

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michaels-reality · 3 years

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jsaghka whats wrong with ok ko?

Okay so I will spoil the whole main plot of the series with it but there are 3 main problems I’m gonna get into with this series and it’s problems with character design, jokes on child neglect, and ableism with system caricatures. And this is coming from someone who enjoys the show before anyone thinks I’m just hating to hate on it. But again, these issues are so big for me that I would not recommend this show to anyone skjhskjf.

1. Issues with character design

Alright, so first off, please look at this picture of the majority of the women of the show and tell me what’s wrong with it?

Yeah! Almost all of them have the exact same body type! I’ve seen people praise ok ko with its diverse character design but if you boil it down, almost all the women have the same cinched waist and big hips. And for the characters the characters that do have different body types, it's almost unfair to compare them to the rest of the characters, like you can’t compare Carol to Rippy Roo because Rippy Roo is an actual animal. And you can’t compare Dendy to Enid, because Dendy is a child and Enid is a teenager. And for the Ladies that have an actual difference in body type, that’s like 6 characters out of how many? And to those characters that have different body types, the Hue Troops only show up for 2 episodes and even then the main focus isn’t on them so they barely get any screen time, Punching Trudy shows up for one episode to fight Punching Judy, Pheobe shows up for 7 episodes but she’s a background character and I don’t ever remember her speaking, and then there’s Foxtail. Foxtail is probably the only female character that has a different body type that has an important role in the story and shows up for more than just background appearances.

Compared to the men in the show, there is way more diversity but even then, there is a lot of making the upper half of them bigger and giving them tiny hips and legs.

There is also the issue that kinda pisses me off is the racial ambiguity of everyone. Like most of the characters aren’t even human so whatever, but there are characters like enid that have darker skin but she has straight purple hair so what are we supposed to get from that? I mean, I guess there is some wiggle room for anyone that isn’t white to claim her but then you start to see that all these darker skinned characters seem to always have straight hair and that’s also a problem. The only character I can confidently say is black is foxtail and she has straight hair. And the only character that is said to have curls and an afro is RADICLES who is BLUE and an ALIEN! Like it makes me mad that our curly haired and black coded character is designed like this. Like, I get it, he’s an alien, he’s blue, he’s not human, BUT WHY DID HE HAVE TO BE THE ONLY ONE? WHY CAN’T THERE BE ANOTHER CHARACTER WHO IS DARKER SKINNED AND CURLY HAIRED?

It’s so ironic given that ok ko has one of the BEST racism metaphors I’ve ever seen in episode 28. Dendy says kappas don’t need pow cards to be heros but it feels nice to be appreciated but this show is not making me feel very appreciated right now sjglksjgds.

2. Jokes about child neglect/abuse

OKAY! BOXMAN! I LOVE BOXMAN BUT WHAT THE FUCK?

Okay, so in the show, Lord Boxman has robot minions that he is constantly annoyed with the performance of and punishes them and yells at them. AND I WOULDN’T HAVE A PROBLEM WITH THIS IF BOXMAN DIDN’T REFER TO THEM AS HIS CHILDREN! It’s shown in the show that Boxman raised them as baby robots and they call him daddy and they have a very familial relationship. But it’s constantly joked about with Boxman saying how they never make him proud not taken seriously in the show. Like, in the second episode, one of the first things we see Boxman do is put Darrel in the furnace and Darrel says “I deserve this” BUT DON’T TAKE IT SERIOUSLY CUS DARREL IS A ROBOT AND HE’S BACK 2 SECONDS LATER! The robots get emotional over any sense of approval, like at the end of “Villains Night In” Darrel and Shannon literally fall apart after Boxman gives them shirts and says to “keep up the good work”, and the end of Plazalypmics, Darrel, Shannon, and Raymond get participation trophies and are really happy with that. Like, this isn’t normal.

The whole relationship between the robots and Boxman is actually pretty toxic and kind of bothers me sometimes. The robots seem to have a very intense sibling rivalry but it’s over the affection of Boxman, which is unhealthy but most of the time it’s just played off as funny joke for the tv. And it becomes even more apparent because episodes without Boxman, like Rad likes robots, it shows them getting along fine and even worrying about each other. And in season 2, Boxman comes back from the sun and Darrel stands up to him and says he doesn’t need him anymore, but one “I’m proud of you” from Boxman and Darrel is back to wanting his approval. LIKE ITS ALMOST NEVER FRAMED AS A BAD THING OR TAKEN SERIOUSLY! I AM NOT A FAN OF HOW THEY TREAT THIS! Like, I can admit it gets better after Venomous comes into the picture and Boxman has that realization of “oh I should be proud of my kids achievements” but to me it looks like this whole forgiving your abuser plot line and I fucking hate it! And Boxman still admits to incinerating his robots after the company switches over to his and Venomous’ ownership when discussing what to do to punish them and he says “I usually see improvement in my robots after I incinerate them.”

And even if it got better, it’s still played off as a joke in all of season one and normalizes terrible behavior. Child neglect in tv shows, especially in children’s media, played off jokes and funny are never good and can be insensitive to children who are in these situations seeing it played up for laughs. You can argue that being on the villain’s side frames it as a bad thing but that kinda loses meaning in a show like ok ko where you start to see the villains as regular people and not necessarily bad, just “evil”. I just feel like this could have been treated so much better and not trivialized like this.

3. System Caricatures and ableism

Let me start off by saying, I am a singlet and I don’t have as much authority on this type of thing so feel free to correct me on anything I get wrong or add on in anyway.

With that said, KO and TKO along with Shadowy Figure and Professor Venomous are terrible system caricatures. KO is 6-11 years old is prime age to develop a system, so when shadowy figure comes into KO’s life and traumatizes him, he splits. And so we begin our little “evil alter ego”(quoting the show! using this phrasing is terrible and should never describe a system like that) stereotype.

I’ve talked about OK KO with my friends who are systems and it makes them mad that this show had so many moments to be good system rep and then it turns around and fucks everything up! Like TKO could have been written well. TKO is very clear on stating he isn’t KO and is his own person but everyone still refers to him KO and treats him like a bad thing because he isn’t KO. And when TKO acts out due to being referred to as KO and rightfully being upset, they act like it is some evil act against them and they need KO back! Like, the show misses its own point so much!!! If they treated TKO like a person (which he is!!!!!) then half the problems they have wouldn’t be a problem in the first place. And TKO has done nothing wrong other than wanting to front! KO even talks about TKO as another person but they address him as such!

The way people talk about TKO in this show makes me so mad, like when Dendy does tests on KO in “Mystery Science Fair 201X” to bring out TKO, TKO finally comes out to deal with the feelings KO can’t deal with and then they almost do it right when Dendy realizes she was the one that fucked up and then SHE APOLOGIZES TO KO INSTEAD OF TKO FSDGHSDFJ!!! And they always treat TKO as a threat as if he’s a danger! Like TKO’s a kid just like KO and acted out when the people around him upset him! Like a kid! And the last time TKO shows up in season one in the finale, TKO actually SAVES everyone in the plaza and leads the battle away from the plaza but because “oh but TKO is the evil” they go and try to stop him from saving them? Like yeah he got a little reckless but he only ended up hurting people in the plaza when Rad and Enid interfered. They treat him like a problem because they MAKE him a problem!

Also, the moments where everyone tries to bring KO back by saying “you are loved” and all that, that’s actually really manipulative! Like, they’re using positive triggers to kick TKO out of front and that’s actually a really rude thing to do. They’re trying to bring to front who THEY want to see and it’s not fair to TKO who is fronting. It also goes the other way around when Dendy is experimenting on TKO to try and get him to front.

And then even KO treats him terribly, locking him in a cage, then keeping him in his head all the time, and then when he finally lets TKO out and TKO acts out from being locked in his own head for so long, KO then traps TKO in his subconscious. Which is terrible! TKO should be allowed to front and should be treated like his own person! It’s so weird how the show almost gets it right but then does shit like this that makes it terrible again. Like KO has a headspace and he creates things in his headspace and he talks to TKO like another person and they communicate their feelings but then the show turns this all on their head when KO locks TKO away and blames him for destroying everything when he’s the one trapping him in his brain.

There is also the problem with TKO being the one with all the power and changing his appearance cus that all contributes to the system caricature. Also, TKO and KO integrating at the end of the series? ALSO VERY BAD AND HARMFUL CARICATURE! Alters are different people and they should be treated as different people and KO is not TKO all along THEY ARE DIFFERENT PEOPLE! And integration is possible but it’s usually not by choice. And even then, integration being the end goal of a story is a very ableist narrative and shouldn’t be written.

And it confuses me, why does shadowy figure have his own pow card but TKO doesn’t. Like, KO and TKO are established more as being different people than Shadowy Figure and Venomous so why doesn’t he get his own pow card? Like the end of season one, TKO fought the fight at the plaza and used his power to defeat Boxman jr but at the end KO ends up leveling up instead. And on the topic of TKO’s power, again, that shouldn’t be a thing. TKO and KO should both have access to the same power because they use the same body because that's how systems work! They use the same body!

And I know what the show was trying to do like “oh TKO is a manifestation of all the bad feelings that KO has!” but there are so many ways to do that without making a caricature of systems. Like if you didn’t make TKO a person then this would have been fine. Like if other people didn’t see TKO this could have been fine. There are ways to make a manifestation of your negative emotions without doing it like this. And the way this show did it is such bad writing, because you are meant to think TKO is this terrible manifestation of emotions but all you see is this scared kid who doesn’t know where he is and lashes out when he gets rightfully upset. BECAUSE LET ME REMIND YOU! TKO AND KO ARE BOTH 6-11 YEARS OLD! THEY ARE KIDS! THEY’RE SITUATION SHOULDN’T BE TREATED THIS WAY

And my guy shadowy figure...... bad. Shadowy Figure and Venomous’ is not only a terrible caricature but also very inaccurate. With KO and TKO, their system developed at the correct time as a child, but with Shadowy Figure and Venomous, they developed after Venomous got his snake disease. And, Venomous doesn’t even know about Shadowy Figure and that can be a result of dissociative amnesia but it’s really unfortunate. And again! the end of the series! Shadowy Figure and Venomous integrate into one entity and it’s terrible! Because they aren’t the same person and shouldn’t be treated as the same person! And again with the whole “evil alter ego”. Like Shadowy figure only exists to traumatize KO and make him split and create TKO. And the fact that they turn out to be KO’s dad??? Yikes??? Like again, these are terrible caricatures and are harmful to systems and should’ve been treated better in the show.

---

Like, I love OK KO, I used to hold this show very close to my heart and made me very happy to see this show with the amount of LGBT rep but looking back it was very bad in many ways. Like that racism episode I mentioned, that shit resonates with me! And I appreciate characters like Dendy and KO and I still love the boxbots and venomous, I just wished this show lived up to the potential that it had.

TL;DR: OK KO has a problem with misogynistic character design and colorism, normalizes child neglect, and has put out an ableist narrative with system caricatures.

#long post #racism m #colorism m #misogny m #ableism m #ok ko #malware-rants #intergration m

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marigoldwitch · 3 years

Text

Let’s Talk About Elitism in the Witchcraft Community

It always seems to come back to this but I want to talk about witches in the community who give confusing, and often times misguided, advice to new comers in an attempt to separate themselves from the “soft” or “baby” practitioners.

I’m on witchtok (a community on an app called TikTok, in case you were unaware of what I’m talking about) alot and there’s something I noticed about the witches there; something I’m sure alot of you have noticed too. There’s 2 major groups of witches on the app. The ones who post “easy” and “simple” spells and information, and the ones who post up reactionary spells and information.

There seems to be this need for witches who feel better than or more educated (in their opinion) to posts videos in response to or in direct opposition of other witches. Usually these other witches are seen as newbies to the craft. And if they aren’t new (as in they’ve been practicing for a while) they’re considered uneducated or unwilling to learn.

The “why aren’t witches reading books anymore?” and “I think it’s them being more worried about aesthetics than actually learning.” comments are frustrating and reveals a huge disconnect and sense of privilege within our community. I’ve also seen comments / videos specifically criticizing the popularity of spell jars in recent years. The funniest thing though is that a lot of them are suggesting doing charm bags instead... as if that’s not just another form of a spell jar.. except it’s in a bag... not a jar :/ They want so badly to be “other” and “better” that they’re actually giving advice that’s basically saying “hey instead of using X container to hold your spell, have you tried using Y container instead?? If you read books and not just get your info from Tik Tok blah blah blah.” As if they’ve suggested something grand or much different than what someone is already doing.

Let’s Talk Privilege

First lets be clear that privilege doesn’t mean you haven’t had “hard times” in your life. And being privileged in one way doesn’t make you privilege in every aspect. You can have class privilege while also experiencing hardship in relation to another aspect of your life. I am white, I have white privilege. I’m also a poor high school drop out. Which means I don’t have class privilege. It’s important that I make this clear because I know some people are gonna identify in someway with one or more of the under privileged groups that I’ll be talking about and that’s normal. That doesn’t mean that you can’t also identify in someway with one or more of the privileged groups that I’ll be talking about.

Why don’t you just read more books? / Why don’t you just experiment with more tools, supplies and options like crystals, candles, herbs, tarot etc? / Why don’t you just invest in better tools and supplies?

This falls under class privilege. Not everyone can afford to spend money on these things. “Well the library is free” not everyone can afford to spend time on these things. And I know, to someone who has the money and has the time, these sound like excuses to just not work “hard enough” (which we’ll get into why this statement is ablest in a minute) but it’s legit the reality for a lot of people. Let’s also remember that public libraries in underfunded poorer communities are.. well under funded and don’t offer the same selection that a well funded library would. Also the cost of going to and from that library (or a much better one with a better selection). Personally, I live in what is known as the bible belt and my local (underfunded) library has 5 books on witchcraft. 3 are reference books and can not actually be checked out. The other 2 require a 10 dollar deposit to check out. I kid you not. You have to pay to check out those books.

I saw a comment that said “crystal grids and crystal magic is very beginner friendly and easy, why don’t more witches do this?” And I want to shake them and scream “crystals cost money you doodoo head!!” LOL.

Supplies and tools are expensive. Yes, there’s plenty of information online about how to use what you have on hand... and those same witches sharing cheap and easy alternatives to supplies and tools are also sharing cheap and easy alternatives to spells and rituals. Hence how spell jars became so popular.

“They just don’t want to put in the effort” / “They aren’t working hard enough” / “They’re just in it for the aesthetics”

This falls under ableism. 1. Expecting other witches to match your energy and effort is hella ablest and you should stop. Not only is it unrealistic to assume we’re all on the same page, it’s unhealthy to project your own expectations on to {most likely} complete strangers just because you share one interest [witchcraft] with them. 2. Some people are visual practitioners (whether they’re ND or not) and so they need to and work better with seeing what they’re doing. It’s obvious that the type of witchcraft lots of ND people use is the type that is overly criticized in our community. (ND = Neurodivergent)

Physical disability is also something to keep in mind. Not everyone is physical able to do all the things you can do. Personally I experience hand tremors. Basically using an herb bundle to do a smoke cleansing is a huge ass mess for me and is more headache than it’s worth. So I opt out of smoking cleansing that way. It doesn’t mean that I’m not trying hard enough or that I’m not putting in the effort to make it work... it means I have a disability that makes it more difficult and I’ve found other ways to do these cleanses.

Also, witches are allowed to like pretty things. Like pretty things and valuing the beauty in your practice is all perfectly fine. There’s nothing wrong with wanting your space, yourself or your practice to look “pretty.”

I Need To Mention Cultural Awareness

Another reason something might not make sense to you is because it isn’t for you, literally it has nothing to do with you or your practice and so you’ve chosen to put it down rather than mind your business. That’s really all I can say about this as I practice a fairly common form of folk magic and the practice, as well as the culture in which it’s derived from is open. So there’s nothing I do that’s really considered for specific cultures only. I’d rather someone else with more experience talk about this in more detail.

Misguided Information and Superiority Complex

When sharing information and experiences it’s probably better to do so without needing it to be in reaction to someone else’s information and experiences. I don’t think there is anything wrong with sharing other forms of magic or witchcraft. I think most of us want as much information to be as easily accessible for as many people as possible. The issue comes from only sharing this information and experience because you think the oppositions is/are wrong. Not because you want the help people learn. And actively putting down certain information because it was shared via social media, while also insisting that your information is the actual correct information.. while also sharing it on the same social media platform.

“Don’t believe everything you see on the internet.... except me. You can believe me.” Is what it feels like. And I think what gets to me the most is the amount of UPG that is sprinkled into a lot of the information that these “I know better” witches share. Thinking you know better or know more because you’ve been doing it longer or doing it different, doesn’t actually mean you do.

I’ve said this before: No one is sharing their entire practice online

“Why are you only doing spell jars?” why do you assume that the only time they practice witchcraft is for a video / photo that they post online?

Better yet, why are you demanding they share more than they’re comfortable with sharing? Why do you feel entitled to know everything about their practice?

Just because a witch’s Tik Tok, Instagram, Tumblr etc is only filled with pretty spell jars and aesthetic photos of teas, doesn’t mean that’s their entire practice. That’s the part they’re willing to share with the world. And even if it was their entire practice, why do you care? Why is it your business? When did they ask you to tell them what you thought of their practice?

In conclusion

Before you make that post or make that video about how X witches aren’t doing Y thing right because I did it Z way, remember we’re all different. Times change. And something being popular doesn’t mean it’s not effective or useful. Something being mainstream doesn’t make it bad or stupid. And witchcraft becoming more and more modernized doesn’t mean it’s losing it’s roots or that the next generation of witches are gonna be “sissy babies with nothing but a bunch of pretty jars.” and even if they are, it’s non of your business.

#witchblr #witches #witchcraft #witches of tumblr #witchy #magic

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comedicreliefonlyworkswhenfunny · 3 years

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I am against the "Americanization" of fandoms.

What this applies to

Holding non American characters (and sometimes even fans) to an American moral standard. This includes

Refusing to take into account that, first things first, America is NOT the target audience, so certain tropes that would or would not pass in the west are different in Japan.

Like seriously, quite a few of the jokes are just not going to pass or hit, because they require background information that is not universal.

Assuming all American experience is standard. (This could mean watering down just how much pressure is placed on Japanese youth irl by saying that sort of thing is universal (while it is, to a degree, Japanese suicide rates are pretty fucking high because of how fast paced and work heavy some of their loads tend to be), and it's really annoying and rude when someone is trying to speak out about how heavy and harsh the standards are placed on them to succeed just for some American whose mom occasionally yells at them to do their homework dropping by to say "it's like that everywhere")

Demonizing (or wubbifying) a character using American morals, including and up to harassing fans over their interpretations or gatekeeping whether or not a character "should" get development (while you shouldn't do that fucking period, it's rude and annoying- this is specifically for the people who use American standards without acknowledging the cultural gap between them and, you know, the fucking target audience) ((Like seriously, saying "It's different in Japan" is not the end all be all excusing someone's actions, but sometimes the author didn't immediately think that maybe (insert vaguely universal thing) was that bad or that heavy of a topic before they put it into their media. If you don't want to see things like that? Pick a different series and stop harassing the fans))

Getting mad at or making fun of Japan's attempts to satirize their own culture. (A good example is Ace Attorney! To most of us, it's just a funny laugh can you imagine if courts were actually like that- guess what? Japan's are! (Not that America's are actually that much better, they just look good on paper))

Making America/American issues the center of your fan spaces

(Usually without sharing or bringing light to the issues that other countries are going through)

Your

Experiences

Are

Not

Univseral!

Seriously, very few things across America, even, are universal. Texas things the hundreds are nothing while Minnesota's like "oh it's only thirty degrees below zero"- so for fucks sake, stop assuming that all other countries work in ways similar to America.

It's good and important to share Ameican issues with your American followers, but guess what? America isn't the only country out there, and it's certainly not the only one going through bullshit. Don't pull shit like "why's no one reblogging this?" or "why should I care about what's happening in (X country)?"

Don't assume everyone lives in America.

Stop assuming everyone lives in America.

America is not and has never been the target audience for anime, and it's certainly not the only country outside of Japan that enjoys it.

Like I said above, sometimes Japan attempts to satirize its own culture. We can't tell what is and isn't meant as satire, because it's not our culture.

Social media activism can be tiring and maybe you don't have the energy to focus on things that are out of your control, but, if someone tells you about the shit they're going through, don't bring American politics up.

For the neurodivergent crowd out there thinking, "But why?" it's because a lot of social media, especially, is very heavily Americanized- sometimes to the point where people assume that everyone is American. Not to mention, it's disheartening. I'm sorry to say, but you're not actually relating to the conversation, you're often diverting the focus away from the topic at hand. Even if you mean well, America is heavily pedestaled and talked about frequently, and people from other countries are tired of America taking precedent over their own issues.

Don't divert non-American issues into American ones. Seriously. It's not your place. Please just support the original issue or move on.

Racist Bullshit

This especially goes for islanders and South Asian characters, as well as poc characters (because, yes, Japan DOES have black people)

Making "funny" racist headcanons. Not fucking cool.

Changing the canon interpretation of an explicit character of color in order to fit racist stereotypes.

Whitewashing or color draining characters. Different artistic skill sets can be hard, yes, but are you seriously going to look at someone and say "I don't feel like accurately portraying you or people that look like you, because it's difficult for me." If someone tries to correct you on your cultural depiction of a character and/or their life style, don't be an ass. (If possible, it would be nice for those that do the corrections to be polite as well, but it does get really frustrating).

Seriously, no offense guys, but, if you want to persue art, you're going to need to learn to depict different body types, skin colors, and/or ethnic features.

On that note, purposefully, willingly, or consistently inaccurately portraying people or characters of color (especially if someone in the fandom has "called you out" or specifically told you that what you're doing comes across as racist and you continue to do it). If you need help or suck at looking things up, there are references for you! Ask your followers if they have tutorials on poc (issue that you're having), whether it be bodily portrayal, facial proportions, or coloring and shading. Art is so much more fun when you can depict a wider variety, and guess what? Before you drew the same skinny, basic, white character over and over, you couldn't even draw that!

Attempting or claiming to DEPECT CULTURAL ACCURACY within a work or meta, while being completely fucking wrong. ESPECIALLY and specifically if someone calls you out, and you refuse to fix, correct, or change anything.

*little side note that the discussion revolving art is a very multilayered conversation, and it has quite a few technical potholes, which I'll bring up again farther into this post.

Fucking history

Stop demonizing or for absolute fucks sake wubbifying Japanese history because UwU Japan ♡0♡ or bringing up shit like "you know they sided with Nazis, right?" It's good to recognize poor past decisions, but literally it's not your country keep your nose out of it. And? A lot of decisions made by countries were not made by their general peoples. Even those that were, often involved heavy propaganda that made them think what they were doing was right.

Seriously, it's not your country, not your history. Unless you have some sort of higher education (but honestly even then a lot of those contain heavy bias), just don't butt in.

^^^ this also goes to all countries that are NOT Japan (specifically when people from non American countries talk about their history while in fandoms and someone wants to Amerisplain to them why "well, actually-"). When we said, "question your sources," we didn't mean "question the people who know better than you, while blindly accepting the (more than likely biased) education you were given in the past."

What this does NOT include:

Fanfiction

FANfiction

FanFICTION

FANFICTION.

Seriously, fanfiction is literally UNPAID WORK from RANDOM FANS- a lot of which who are or have started as kids. ((No, I'm not trying to excuse racist depictions of people just because they're free, please see above where I talk about learning to grow a skill and how it's possible tone bad and get good, on top of the fact that some inaccuracies are not just willful ignorance))

"Looking it up" doesn't work

"Looking it up" almost never works

Please, for fucks sake, you know that most all online search engines are heavily biased, right? Not to mention, not everything is universal across the entirety of Japan. You want to look up how the school system works in Hokkaido? Well it's different from the ones in Osaka!

Most fanfiction is meant to be an idealized version of the world. Homophobia, transphobia, misogyny, ableism, and racism are very prevalent and heavy topics that some fan authors would prefer to avoid. (Keep in mind, this is also used by some people in those minorities often because thinking about how relevant those kinds of things are is to them every day).

A lot of shit that happens in writing is purely because it's an ideal setting. I've seen a few arguments recently about how fan authors portray Japanese schools wrong- listen, I can't tell you how many random school systems I have pulled from my ass purely because (I need them to interact at these points, in these ways). Sometimes the only compliment I can think of is 'I like your shirt' or sometimes I need character A to realize that character B likes the same thing as they do, so I might ignore the fact that most all Japanese schools require uniforms, so that I can put my character in a shirt that will get someone else's attention.

Sometimes it's difficult to find information on different types of systems, and sometimes when you DO know those things, they directly rule out a plot point that needs to happen (like back on the topic of schools (from what I've seen/heard/read- which guess what? Despite being from multiple sources, might still be inaccurate!) Japanese schools don't have mandatory elective classes (outside of like gym and most of them usually learn English or another language- I've seen stuff about art classes? But the information across the board varies.), but, if I need my character to walk in and see someone completely in their element, I'm probably not going to try and gun for accuracy or make up a million and two reasons as to why this (non elective) person would possibly need something from (elective teacher) after school of all things.)

Some experiences ARE universal- or at least overlap American and Japanese norms! Like friends going to fast food places after school doesn't /sound Japanese/ or whatever, but it's not like a horrible inaccuracy to say that your characters ate at McDonald's because they were hungry. Especially when you consider that the Japanese idolization of American "culture" is also a thing.

Also I saw someone complaining about how, in December, a lot of (usually westerners) write Christmas fics! Well, not only are quite a few of those often gift fics, with it being the season if giving and all, but Japanese people do celebrate Christmas! Not as "the birth of Christ," but rather as a popularized holiday about gift giving (also pst: America isn't the only place that celebrates Christmas)

But, on that note, sometimes things like Holidays are "willfully ignorant" of what actually happens (I've made this point several times, but (also this does by no means excuse actual racism)), because, again: plot convenience! Hey what IF they celebrated Halloween by Trick or Treating? What if Easter was a thing and they got to watch their kids or younger siblings crawl around on the ground looking for tiny plastic eggs?

Fanfiction authors can put in hours of work for one or two thousand words- let alone ten thousand words, fifty thousand words, a hundred thousand words. And all of these are free. There is absolutely no (legal) way to make money off of their fanworks, but they spent hours, days, weeks, months- sometimes even years- writing. It is so unnecessary to EXPECT or REQUIRE them to spend even more hours looking up shit that, no offense, almost no one is going to notice. No one is going go care that all of my combini prices are accurate or that I wrote a fic with a Japanese map of a train station that I had to backwards search three times to find an English version that I could read.

Not everyone has the attention span or ability to spend hours of research before writing a single word. Neurodivergent people are literally a thing yall. Instead of producing the perfectly pretty accurate version of Japan that people want to happen, what ACTUALLY happens is that the writer reads and reads and reads and either never finds the information they need or they lose the motivation to write.

^^^ (This does NOT apply to indigenous or native peoples, like Pacific Islanders or tribes that exist in real life. Please make sure that you portray tribal minorities accurately. If you can't find the information you need (assuming that the content of the series is not specifically about a tribe), please just make one up (and for fucks sake, recognize that a lot of what you've been taught about tribal practices, such as shit like human sacrifices or godly worship, is actually just propaganda.)

Not to mention, it often puts a wall in front of readers who would then need to pull up their OWN information (that may or may not be biased) just in order to interact with the fic ((okay, this one has a little bit of arguability when it comes to things like measurements and currency, because Americans don't know what a meter is and no one else knows what a foot is- either way, one of yall is going to have to look up measurements if they want to get a better understanding of the fic)). However, a lot of Americans who do write using 'feet, Fahrenheit, dollars,' also write for their American followers or friends (which really could go both ways).

On a less easily arguable side, most fic readers aren't going to open up a new tab just to search everything that the author has written (re the whole deep topics, not everyone wants to read about those sorts of things, either). Not only are you making it more difficult on the writer, but you're also making it more difficult for the reader who's now wondering why you decided to add in Grandma's Katsudon recipe, and whether or not the details you have added are accurate.

Some series, themselves, ignore Japanese norms! Piercings, hair dye, and incorrectly wearing ones uniform are frowns upon in Japanese schools- sometimes up to inflicting punishment on those students because of it. However, some anime characters still have naturally or dyed blond hair some of them still have piercings or wear their uniforms wrong. Some series aren't set specifically in Japan, but rather in a vague based-off-real-life Japan that's just slightly different (like Haikyuu and all of its different prefectures). Sometimes they're based on real places, but real places that have gone through major changes (like the Hero Academia series with its quirks and shit).

Fandom is not a full time job. Please stop treating it like it is one. Most people in fandoms have to engage in other things like school or work that most definitely take precident over frantically Googling the cultural implications of dying your hair pink in Japan.

Art is also meant to be a creative freedom and is almost always a hobby, so there are a few cracks that tend to spark debate. Like I said, it is still a hobby, something that's meant to be fun (on this note!)

If trying new things and expanding your portfolio is genuinely making you upset, it's okay to take a break from it. You're not going to get it right on the first try and please, please to everyone out there critiquing artists' works, please take this into account before you post things.

I'm sorry to say, but, while it gets frustrating to see the same things done wrong over and over again, some people are genuinely trying. If it matters enough for you to point out, please offer solutions or resources that would possibly help the artist do better (honestly this could be said about a lot of online activism). I get that they should "want" to do better (and maybe they don't and your annoyance towards them is completely justified- again, as I said, if this becomes a repeated offense and they don't listen to or care about the people trying to help them, yeah you can be a bitch if it helps you feel better- just please don't assume that everyone is willfully ignorant of how hurtful/upsetting/annoying a certain way of portraying things is), but also WANTING to do better and ACTUALLY doing better are two different things.

Maybe they didn't realize what they were doing was inaccurate. Maybe they didn't have the right tutorials. Maybe they tried to look it up, but that failed them. Either way, to some- especially neurodivergent artists- just being told that their work is bad or racist or awful isn't going to make them want to search for better resources in order to be more accurate, it's just going to make them give up.

Also! In fic and in writing, no one is going to get it right on the first try. Especially at the stage where we creators ARE merely in fan spaces is a great time to "fuck around and find out", before we bring our willfully or accidentally racist shit into monetized media. Absolutely hold your fan creators to higher standards, but literally fan work has so little actual impact on popular media (and this goes for just about every debate about fan spaces), and constructive criticism as well as routine practice can mean worlds for representation in future media. NOT allowing for mistakes in micro spaces like fandoms is how you get genuinely harmful or just... bad... portrayals of minorities in popularized media that DOES have an impact on the greater public. OR you get a bunch of creators who are too afraid to walk out of their own little bubbles, because what if they get it wrong and everyone turns against them. It's better to just "stick with what they know" (hobbies are something that you are meant to get better at, even if that is a slow road- for all of my writers and artists out there, it does take time, but you will get it. To everyone else, please do speak up about things that are wrong, but don't make it all about what's wrong and please don't be rude. It's frustrating on both ends, so, if you can, please try not to escalate the situation more.)

Anyways, I'm tired of everyone holding fictional characters to American Puritanical standards, but I'm also tired of seeing every "stop Americanizing fandom" somehow loop into fanfiction and how all authors who don't make their fics as accurate as possible are actually just racist and perpetuating or enabling America's take over of the world or some shit.

Fan interpretation of published media is different than fan creation of mon monetized media. Americans dominating or monopolizing spaces meant for all fans (especially in a fandom that was never meant for them to begin with) is annoying and can be harmful sometimes. Americans writing out their own personal experience using random fictional characters (more often than not) isn't.

#just google it #better represent real life #if you tell a fic reader to ngl you're being pretty ableist and don't really have a good idea of how search engines work #also when people DO try to make culturally accurate fics often times at least one or two people will pop in and say 'actually that's wrong'#not to mention sometimes they might not even be right to begin with...#and okay once or twice it is what it is #but seriously if this keeps happening over and over most people are just going to stop writing or caring #fanfiction #fanfiction is literally free #fanfiction is free labor #adding layers upon layers of research and knowledge needed- on top of how difficult it can be to portray human emotion #it's not going to it's just going to make once starry eyed writers loss their ability to enjoy their work #and guess what #some ACTUALLY racist (or homophobic or transphobic or misogynistic) writer is going to swoop in not giving two fucks #and they're going to go on and get their work published because they don't care about accuracy

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spencers-renaissance · 3 years

Text

I found my way home

Summary: After Spencer tells Hotch about his recent autism diagnosis, he expects that to be the end of it. Somehow, though, it keeps coming up, and Hotch keeps proving himself to be the best father figure he could have asked for.

Tags: autistic spencer, protective hotch, hurt/comfort, fluff, paternal hotch, team as family

TW: mentions of ableism, one small instance of ableism & homophobia

Pairing: Gen

Word Count: 4.1k

Masterlist // Read on AO3

This was borne from my conversations with @criminalmindsvibez about the lack of autistic spencer fics and her amazing headcanons. While I'm not autistic, Emily is, and helped me to portray Spencer's autism as accurately as possible. That said, please feel free to correct me on anything I got wrong :)

Spencer had made an effort to get into work even earlier than usual today. He’d ridden the metro through the city, dipping his hand into his messenger bag every few minutes to compulsively check that the slim letter he’d received in the post the other day is still in the front pocket where he’d safely placed it that morning. He brushes his fingers over the paper once more as he enters the near-empty bullpen, the letter cool from the winter air.

It’s still so surreal to him that this is where he works. After years of dreaming of working for the FBI he’s finally here, and even though it’s been his place of work for almost two months now, he’s still not used to it. The warm offices are a nice reprieve from the wintry December wind, and he can feel himself relaxing as he heads to his desk. Leaving his coat and messenger bag on his chair, he pulls the letter out of the front pocket and runs his index finger along the edge. He finds himself biting his bottom lip as he tries to work up the courage to go and see Hotch.

Sucking in a deep breath, he marches determinedly up to Hotch’s office, entering as soon as his knocks are answered.

“Reid,” Hotch says pleasantly as he takes a seat opposite his desk, realising belatedly that he probably should have waited until he was invited. “You’re in early. What can I do for you?”

Nervously, Spencer hands him the letter he’d couriered across the city so carefully. He’d taken care to open it neatly with his letter opener but the return address on the back has been stamped at a crooked angle, and it bothers him every time he notices it. He can’t stop looking at it now as he taps his fingers anxiously against his leg in the pattern of the Fibonacci sequence, a safe and familiar reassurance played out by his nervous fingers. He watches apprehensively as Hotch pulls the letter out of the envelope, unfolding it and skimming his eyes down the page, taking in the news Spencer’s been so anxious to share with him.

Diagnosis: Asperger’s Syndrome

God, it had been a long process. He’d had to seek out a doctor in DC who diagnosed adults, paid for all the consultations and diagnostics himself — his insurance certainly wouldn’t cover it, not that he’d feel comfortable using his cushy FBI insurance for something so personal anyway — and the whole process had taken far longer than he’d expected. Finally, though, the envelope had arrived in the mail, and he officially had a diagnosis.

Of course, he’d had his suspicions for years, especially after one of his professors during his second PhD had casually asked whether he’d ever been tested, planting a seed in his brain that led to many late nights in the library, reading all the literature available to him. It’s why he’d found it strange that it had felt so validating to finally receive that letter in the post. But it had.

The label made sense, and now that he had a diagnosis from a medical professional he felt comfortable to share it with others; he’d been far too paranoid about being questioned, not being believed or lectured about the evils of self-diagnosis no matter how he was confident in himself. He didn’t tend to be an insecure or self-conscious person, but after years of bullying and trauma surrounding what he now knew for sure to be his autistic traits, he couldn’t help but feel almost protective of his affirming label.

Now though, it’s an irrefutable statement. Dr Spencer Reid has autism, and the first person he wants to tell is Hotch.

“I had no idea you were getting tested, Reid,” Hotch says, a hint of surprise bleeding into his voice. “Is there any specific reason you wanted to share this with me?”

“Well… I felt like someone on the team should know,” Spencer starts carefully, afraid to give too much of himself away, “and I thought that someone in a leadership position was the best option. Gideon has never been very… supportive of my autistic traits or behaviour, so I thought that you— that you would be the best option.” He feels awkward, fidgeting in his chair as he watches Hotch’s serious face and kind eyes absorb the information.

“That trust in me means a lot, Reid,” he says, a rare smile making its way onto his face. In that moment, Spencer knows he made the right decision. “How can I make things easier for you? Is there anything you need me to be doing differently?”

“Uh—” He hadn’t really been anticipating that question and it catches him off guard: he’d predicted a quick nod of acknowledgement, a request to photocopy the letter so it can be put on file followed by a swift dismissal, but the letter is now sitting on his side of the desk: clearly, Hotch intends on keeping this between them. This is far from what he expected.

“Why don’t you start by telling me about autism and how it might affect your work?” Hotch corrects himself, recognising quickly Spencer’s need for specifics. “I’ll admit I don’t know much beyond some probably rather unhelpful stereotypes.”

Spencer nods. He can answer that question. “As everyone knows I often go off on tangents,” he begins, “and that’s because my special interests — or hyperfixations — often coincide with our work, so I know a lot about the topics we’re investigating. If I do that, just redirect me to the case and I’ll be fine. It’s also really hard for me to have to present myself in a certain way all the time. Vocal stims and gestures are the most satisfying to me but I often have to mask them, which I’ve never been very good at anyway, and it’s fairly exhausting. That’s why I often excuse myself; I go to the bathroom or a secluded hallway and stim on my own. My doctor also told me I tend to overcompensate in social situations and over-perform emotion. Those are the basics, I guess, but it’s a very complex disorder and since it makes up me as a human being, I can’t exactly explain all of it in one conversation.”

“No, that’s fine, Reid, you’ve given me a good picture of what to expect, thank you.” Hotch smiles at him, fondness in the crinkles around his eyes and the softness invading his usually stern expression. “First of all, you never have to feel like you need to excuse yourself to stim. Do you think it would be helpful if we told the rest of the team so they know what to expect? I’m assuming vocal stims are saying certain words or making sounds…?”

Spencer nods.

“Okay, so if you needed to do that we could just continue the conversation while you get it out of your system. Gestures certainly wouldn’t be a problem. How do you feel about that?”

He hadn’t really considered telling the rest of the team but it seemed sort of intimidating, like he’d be opening a vulnerable side of himself to people he didn’t even know that well. On the other hand, they’d all been so understanding of his quirks and odd behaviour so far without even knowing the reason behind it. He’d never once been made to feel the way he used to at school, forced to either pretend to be someone else completely or be isolated and ostracised.

He settles for, “I’ll think about it.”

“That’s fine. There’s no pressure,” Hotch assures him. “I’m very happy you told me, Reid. I hope you know you can come and talk to me about anything, whether it’s about this or something completely different.”

Spencer leaves his office with the letter back in his hands, no notes or copies having been made, feeling almost elated. Never in a million years would he have expected that to go so well.

⭐️

He doesn’t really expect it to come up again. He’d told Hotch so that he could understand him a bit better, and also because Hotch had quickly assumed a protective, almost paternal role in his life and he wanted to share the piece of news with him whether he was leading his department or not. That was supposed to be it, though, he didn't think anything would materially change, especially since he decided not to tell the team about the diagnosis just yet.

But almost immediately after he’d told Hotch his diagnosis, his rambles began to be gently redirected back to the case, sometimes without him even noticing. He wasn’t rudely cut off by anyone anymore, Hotch always steering him back on course before anyone else can jump in and hurt Spencer’s feelings. It’s so… kind that it almost feels foreign, and he finds himself gravitating towards the older man more and more, sitting next to him on every jet journey and staying glued to his side during cases.

His newfound protectiveness over Spencer is only demonstrated more clearly a few months after their conversation in Hotch’s office when they’re on their way to New Mexico for a case. The second he spots that the murder victims had all been found with different Fitzgerald quotes scrawled on sheets of paper found in their own personal notebooks, ripped out and left for investigating officers to find, he launches into an info-dump to rival info-dumps.

He can’t help that literature is a special interest of his, made all the more intense by the fond childhood memories of reading to his mother in her bed. Fitzgerald had been her favourite author of the Modern Era, and he’d spent hours analysing significant passages in his novels as a child, so he starts explaining the literary merit of each of the quotes left at the crime scenes.

Apparently, he doesn’t hear the first two times Hotch tries to direct him back on topic, but he hears it when Gideon shouts, “Spencer! Long and unnecessary tangents are not conducive to actually solving these cases. Get back on topic. Now.” He’s loud enough to briefly knock him back several decades to memories of his father screaming at his mother’s schizophrenic babbling, when she’d become convinced that the villains of her favourite novels were trying to break into the house.

Spencer stops mid-sentence and stares at Gideon, who is staring right back. Everyone’s watching the two awkwardly, but the short moment of silence is quickly broken by Hotch. “There is absolutely no need to be that rude, Jason,” he says disapprovingly, while he lays a hand on Spencer’s arm in a light, absent-minded sort of touch. “Reid may have been off-topic but he deserves respect just like everyone else on this team. Nobody needs to be shouted at like that.” He directs his attention back to Spencer. “Why don’t you tell us how those Fitzgerald quotes could help us solve the case, Reid?”

He gives him an encouraging look, and when he looks around the jet, everyone else is, too. Carefully, he starts speaking again, a little afraid of being cut off again, but after a few sentences of relevant explanation he regains his momentum. It’s more than a little vindicating when it’s his ‘unnecessary tangent’ that ends up being the key to cracking the case.

⭐️

Soon after Hotch’s split from Haley, he approaches Spencer one evening when they’re the only two left at the office with a dinner invitation. Within the hour, they walk into a nice, low-key Italian place in the city and take a seat in the far corner of the restaurant.

“Is everything okay?” Spencer asks a little uncertainly, confused as to why his boss is suddenly taking him for dinner.

“I had this idea almost as soon as you told me about your autism,” Hotch explains, knowing by now that preambles and niceties only frustrate Spencer instead of setting him at ease. “I wanted to take you out for dinner every week to try and give you a space to ramble about all your special interests and not feel like you have to mask around everyone. But when I was with Haley, all my personal time was obviously spent with her and Jack. Now, I have the time to dedicate to you and all the incredible knowledge you’re hoarding in that brain of yours.”

“Really?” Spencer asks excitedly. The idea of uninhibited space to talk about the recent knowledge he’s acquired and not have to feel insecure or worry about performing social skills he doesn’t see the point of is everything he’s ever wished for, and something so wonderful being provided by Hotch only makes it better.

“Really.”

Spencer wastes no time. He dives right in. “I was just watching a documentary the other day about volcanoes and their ability to trigger lightning storms with their voltage,” he begins. “Basically, magma rises toward the volcano’s surface, its water rapidly turns to vapor, which shatters the molten rock into tiny particles and creates charged particles. When the ash plume erupts into the atmosphere, the densely packed particles collide, driven by momentum. Friction then affects their electrons, becoming electrically charged. Positively and negatively charged electrons separate in the ash plume which creates a charge imbalance that builds an electric charge strong enough to trigger a lightning storm.”

“That’s incredible.”

“I know,” Spencer says excitedly. “If the ash plume rises high enough in the atmosphere ice forms, and when ice, hail, and supercooled liquid droplets collide, the rates of lightning explode, it’s crazy.”

They’re briefly interrupted by a waitress taking their orders, but as soon as she leaves, Hotch gets him to jump back in. “What about that lecture you attended last week… the literature of 18th Century England or something?”

“19th Century English Lit, yeah!” He’s so eager to finally share this with somebody who will genuinely listen to him, and he can’t help it when his arms start to flap excitedly. Remembering where he is, he doesn’t try to mask it, pin his arms to his sides and simply deal with and suppress the innate urge to stim, he lets his body do what it wants to. Instead of eliciting a strange, sideways look, Hotch just smiles fondly.

“The lecturer had this fascinating theory on Dickens. I’ve always seen him as a pretty straight forward author of picaresque fiction, obviously combined with facets of melodrama. And it’s common knowledge that he was inspired by the novel of sensibility, of course. But I’d never thought about the stylistic and lexical choices in his works beyond standard analysis, and this lecturer went on a deep dive into his use of collocation and it opened my eyes…”

He spends the whole evening stimming to his heart’s content while detailing every current interest of his to Hotch, who simply listened intently while eating his meal slowly, dragging out the meal for as long as Spencer needed. “Let me give you a lift home,” Hotch insists after footing the bill, leading him out into the warm evening air.

“Oh, I don’t mind taking the metro,” he replies truthfully.

“I know. But it would make me feel better to drop you home safely. It’s late and seeing you into your apartment building would give me peace of mind.”

“Sure,” Spencer agrees happily, he’s still buzzing from such a nice evening and the least he can do for Hotch is let him rest easy tonight, so he climbs into the passenger side of his car. A few minutes into the car ride home, he realises he should probably actually verbalise just how much he enjoyed dinner. “Thank you, Hotch. I don’t think anybody’s ever done something so nice for me before.”

“Don’t mention it, Spencer,” Hotch replies, smiling even though he doesn’t take his eyes off the road. Spencer very much likes it when Hotch uses his first name, and he’d been doing it all evening. He doesn’t really understand why it feels so nice, just that it makes him feel… special, maybe.

“Don’t mention it, Spencer,” he repeats, before freezing as he realises what he’s said. He’s got so used to not masking all evening, he’s not in the right rhythm and mindset to suppress the urge to repeat Hotch’s words. He’s been so nice the whole evening, the last thing Spencer wants is for Hotch to think he’s mocking him.

“Hey, it’s okay,” Hotch reassures him, tapping his arm lightly as he smiles encouragingly.

“Don’t mention it, Spencer,” he says again, repeating it a few times in relief before the itch is satisfied. He really does have the best boss/friend in the whole world. There’s no doubt about that.

⭐️

Rossi’s initial reaction to Spencer had admittedly been a bit rocky, and having Hotch undeniably on his side was the only thing that made those first few months bearable. He never let them go off on their own; never put Spencer in a position where he’d have to be alone with him. Gradually, though, Rossi adjusted to his quirks and he became almost as protective of Spencer as Hotch.

That doesn’t bode well for the local sheriff when they’re on a case in North Carolina. He’s been prickly since they arrived, being as stubborn and uncooperative as possible, slowing down their progress on actually solving the case, and Spencer’s noticed him being a little extra rude to him in particular. It doesn’t massively bother him — it’s not exactly like someone’s aversion to him is a novel concept — but he can feel some sort of tension coming from the others. It happens a lot more now that they know about his autism and are more aware of themselves and others.

He tries to ignore it the best he can; he puts his head down and focuses on the geographical profile, going wherever he’s sent. Besides, the sooner they solve this case the sooner they can get out of North Carolina and back to DC. On their third day on the case, he’s working quietly in their designated corner of the police department alongside Hotch and Rossi while the others are out investigating in various different places. It’s a nice environment, and even though both men are his superiors, he feels more relaxed in their company than in anybody else’s.

It’s a relatively pleasant morning — considering the whole trying to catch a brutal serial killer thing — until they need to ask the sheriff a question. He saunters over, a tense and angry expression on his face, and Spencer can’t help but feel a little off, the confusing tension in the air that Spencer can’t quite identify making him anxious in his inability to properly decipher it. “Gentlemen,” he says, already frustrated. Spencer suspects it’s a pride thing; not many police departments like being shown up enough to have the FBI called in.

Eager to know the answer to their question, Spencer’s the one to jump in and ask. “Sheriff, we were just wondering whether the town gets much traffic from the local university or—”

He’s cut off by the sneering, towering man. “I’m not taking any questions from your kind,” he says aggressively.

“I’m sorry?” Spencer squeaks as Rossi and Hotch both prepare to say something in response.

The sheriff cuts them off before they can get their likely diplomatic and calming words out. “Homo retards aren’t welcome around here.”

“Hey!” Rossi shouts as he leaps out of the chair, grabbing him by the collar as he’s helped by the element of surprise. “You don’t fucking talk to Spencer like that, you hear me? Weak, cowardly men like you—”

“Dave,” Hotch says placatingly, putting a hand on his shoulder and diffusing the situation. “Listen, Sheriff, we are only here to help you. But if you can’t respect my agents then we’re going to have a problem. Either you’re civil to Dr Reid, or I’m reporting you to the NC Sheriff’s Association. You hear me?”

The sheriff’s pride is clearly wounded, but he at least nods before giving them all a scornful look and walking away.

“We didn’t even get to ask the question,” Spencer says anxiously, suddenly feeling out of his depth, like he can’t quite get enough air.

“Dave, try and get an answer,” Hotch directs, taking charge of the situation. “Spencer, come with me.” He takes him into a secluded hallway for a little privacy, sitting him down on the cool linoleum before sinking down next to him. “You’re okay.”

“You’re okay, you’re okay,” Spencer whispers over and over to himself as he rocks backwards and forwards, trying desperately to self-soothe.

“Do you want me to touch you?” Hotch asks. He’s been in enough of these situations with Spencer to know he’s usually in two very different headspaces: he either longingly craves the grounding touch of a hug or a hand on his back, or he needs complete space. He’s also learned that asking outright is the only way to get an direct answer.

“Yes,” Spencer replies, before repeating it over and over again as he’s wrapped up in Hotch’s arms, head pressed against his chest, his hand pressing gently against the back of Spencer’s head. He starts to calm down as he manages to breathe to the heat of Hotch’s calm, steady heartbeat, the comforting touch of someone he trusts with his life also helping to bring him back down to earth. A good ten minutes after the altercation with the sheriff, he’s feeling much better and brings his head out of it’s safe cocoon between Hotch’s chest and hand.

“Come on,” Hotch says kindly. “Let’s get back to the case, yeah? You can just sit and work quietly until you’re ready to hold a proper conversation again. How does that sound?”

Spencer nods tiredly, knowing that work will perk him back up again, and being surrounded by his team will make him feel safe, asshole sheriff or not.

⭐️

Over the years Hotch helps him through any hurdles that come his way, learning the exact nuances of Spencer’s characteristics and requirements, making sure to accommodate him in every way possible.

He brings an extra, super-soft sweater in his go-bag in case Spencer ever forgets his and needs something gentle on his skin but tight enough to make him feel secure. He buys him stimming toys, dropping them on Spencer’s desk before he even arrives at work and lets him use his office whenever the lights and noise of the bullpen get too much, drawing the blinds and giving him the space he needs. Rossi doesn’t even question it anymore when Hotch shows up with a stack of paperwork and moves into his office for the morning.

It wasn’t until Hotch made a concerted effort to make his life easier that Spencer realised how hard it had been fighting through life on his own. So when he realises Hotch’s birthday is coming up, he decides he wants to show his gratitude. It’s never been easy for him to express emotions, especially since he’s never really found it rude when people don’t thank him, but he knows that for most neurotypical people, appreciation is important.

So he talks it over with Derek and on Hotch’s birthday, he comes into work to see Spencer waiting in his office with balloons, a cake, a card, and a present. He’d spent hours trying to find the right words to explain how he feels, to find the right words to show Hotch just how much everything he’s done for him means, but eventually he’d settled on something simple:

Caroline B Cooney wrote: “I found my family. I found the right thing to do. I found my way home.”

I found all of these things when I joined the BAU, but more specifically when I walked into your office, hands shaking, clasping a letter I’d been waiting for all my life. Thank you.

Hotch reads it with tears in his eyes before taking in the cake, a classic birthday cake Spencer had bought at the store, the words “Happy Birthday Dad” written in blue icing. He didn’t really understand why the cake had stood out to him, or why he associated the word ‘dad’ with someone who wasn’t related to him at all, but he’d trusted his gut and with Derek’s cheerleading, he’d bought it.

“Oh, Spencer,” Hotch says tearfully. “Can I hug you?”

Feeling only mildly uncomfortable at the visible display of emotion Spencer doesn’t know what to do with, he nods and steps into Hotch’s comforting embrace. “This means the world to me,” Hotch murmurs quietly as he stands, hugging Spencer for as long as the younger man can stand it.

Spencer’s still not completely sure why he’s managed to make him so emotional, but at least he can trust that it’s a good thing, that Hotch is happy and pleased and reassured. And if he can make him feel even a smidgen as happy as Hotch has made Spencer over the years, well. He’ll consider his long and boring trip into the city to buy the cake, present and card worth it.

Quick Note: Spencer is diagnosed with Asperger’s because that part of the fic is set in 2005. These days he would be diagnosed with Autism Spectrum Disorder (ASD)

taglist: @criminalmindsvibez @strippersenseii

#criminal minds #criminal minds writing #criminal minds fic #spencer reid #aaron hotchner #hotch & spencer #spencer #hotch #my writing #autistic spencer reid #autistic spencer #dad hotch

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skunked-up-kicks · 3 years

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About Allison yeah. I think people acknowledge she’s a bit ableist and classist but they erase the fact she was fine/complicit with Seth’s homophobia and treatment of Nicky (tbh it seems like all the upperclassmen were??) + what that post said. This isn’t hate I love Allison! But I think she’s much more interesting as a character with flaws that make sense with her upbringing and backstory rather than just #girlboss.

okay my response to this is ungodly long so, if you're interested...

1. her ableism

the thing is when people do acknowledge her ableism it's always with how she treats andrew (which makes sense cause it's the most obvious, and they're not wrong) but it kinda results in an issue. the way these fics that acknowledge this usually go is that allison calls andrew 'monster' and maybe talks about how he's 'psychotic' or something. then it goes one of few ways:

1) neil tells her (and usually all the upperclassmen as they get grouped together seeing as they all do this) not to speak about andrew like that, maybe he threatens her or something. the problem with this is that he's just scaring her into being silent, her mindset doesn't actually change.

2) neil gives a speech about how andrew is actually good, and generally how he's 'not as bad as she thinks' or something. now correct me if i'm wrong, but the issue i see with this is that, it's not actually telling her that her mindset about people with mental illnesses and/or trauma is wrong- just that andrew isn't the right person to direct her ableism too, but there are people out there who are 'as bad as she thinks'. it's kinda like the attitude that as long as andrew does enough to redeem himself he can be treated as human and not a 'monster' which is... yeah.

3) basically the same issue as the last one, andrew proves he's actually good because allison and the others see him do something outwardly affectionate. thereby proving he is actually all good now.

sometimes fics have a mix of these but basically the thing is that her ableism is never actually 'fixed' (for lack of a better word). most that happens is that it's no longer directed at andrew, but this is a worldview that she has, it's not just a dislike of andrew- realistically it's not just isolated to him.

to clarify though, i'm genuinely not intending to shame people who write these fics cause they are acknowledging her ableism, which is good. and similar with how people approach aarons homophobia, it's incredibly hard to write someone overcoming a prejudice. i certainly couldn't do it, and realistically maybe it's not somethìng that can be done in a fic. given that often it's a long-term process where you have to check yourself often.

it's especially complicated because she somehow needs to come to the realization that villifying andrew isn't right because despite the wrong that he has done- and he has done wrong, we can't deny that- he is still a person deserving of at least the deceny to not be compared to a monster and dehumanised in that way. she needs to realise that while andrew shouldn't do those things and can be called out for it, that the way he acts is a product of his trauma. BUT he is still responsible for his actions, and while she can rightfully choose to not associate with andrew, she shouldn't discourage others from doing so in the way that she does. it really is complicated and there's a lot of nuance there which makes it a hard topic to deal with cause... how do you write someone learning that?

but yeah, that's my thoughts on that.

2. her classism

i honestly don't see people acknowledge this a lot? i think one of the ways we see it manifest is how she talks about the way neil dresses... and in fics she often insists neil buys better clothes, usually more expensive ones. which is portrayed usually as her being a caring friend, which i get, but i think neil would actually find this really annoying lol.

i think an interesting way to look at her classism would be in her and dans relationship given the extreme differences they grew up. same thing with her relationship with seth, as he grew up poor too.

with seth, she might have sometimes been ashamed of the way he acted and dressed, maybe of the way he spoke too...? i can picture them fighting over that and her being a bitch about it. she would probably speak badly about the place seth grew up in too..

with dan, i feel like dan might get frustrated when allison, for example, doesn't know how much ordinary things cost (a thing a lot of celebs have shown to have no knowledge of). or dan might even get jealous or angry at the way allison can just throw away her moneyvand buy things carelessly (think of her reaction when her car got trashed, she could just get another 'toy'), while she was brought up saving money at any instance she could.

not much to say on this tbh... i think it would be cool to see this explored a bit more though.

3. complicit in homophobia

someone made a post on here about how allison would be the type of girl to preach equality while having a homophobic boyfriend... and yeah.. that's it really lol, hit the nail on the head.

again, a lot of people make her very progressive and woke, and i think this is tied to the very common hc of her being bi. (despite the fact that when betting on neils sexuality she doesn't consider bi an option which makes me think she is canonically straight..). i think it's hard for people to address the fact that she is complicit in homophobia while also headcanonning her as bi, cause it seems like she wouldn't be if she actually was bi. from my knowledge, bi women (and bi ppl in general) not being supportive of gay people and/or not standing up against homophobia isn't really a common issue? (pls correct me if i am wrong though) usually prejudice goes the other way due to the biphobia in the LGBTQ+ community. so it's hard to think about and write about.

when it comes to the other upperclassmen, i seem to remember dan and matt standing up against seth? though i could be remembering that wrong or getting it confused with a fic.

4. #girlboss

i highly agree with you that she really does just get reduced to just a #girlboss a LOT. and i think the same thing happens with the other female characters... i mean, just look at katelyn. there's no evidence that she is some kind of badass but many want to make her one.. but she can be an interesting character without having to fit this ideal #girlboss.

i understand wanting to make female characters cool and badass but in the process it feels like we're losing variety... i personally don't want the exact same personality and way of acting plastered onto every female character.

a strong female character is not defined by how much they can kick a guy in the balls but rather how well they are written, and to be written well they need flaws. and when making female characters #girlbosses we usually lose the flaws :(

like you said, this isn't to hate on allison. i just think sometimes we miss the parts of her character that make her truly interesting.. and i think that's a real shame..

anyway, i think that that's all that i had to say lol. if you read up till this point, thank you! and thank you for the ask anon :)

#oof this was long lol #ask #mine #aftg #allison reynolds #cw ableism #cw biphobia #cw homophobia #cw classism #i think thats everything..?

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turneverybodyintopuppets · 3 years

Text

Hi. The following is my attempt to systematically hash out the “Mr. Infodump” controversy in the TS fandom. It’s primarily for my benefit, but I’m posting it on the off chance it helps someone else who’s just as confused/dismayed as I was. I’m not attempting to argue for blind absolution (”Thomas is an angel who can do no wrong!”) or cancellation (“He’s no better than the likes of J.K. Rowling!”), just to present as intellectually honest an assessment as I can make of what happened and the degree to which the TS team is responsible.

Laconic: Thomas Sanders, a content creator on youtube, posted a skit in which a character calls an aspie-coded character “Mr. Infodump”. Several fans have expressed hurt and anger over the use of a trait associated with neurodivergence as an insult.

My own initial impression: I’m on the autism spectrum myself, and personally, “Mr. Infodump” didn’t register as offensive to me; in fact, as a huge Logan kinnie, I liked that a neurodiverse trait I see in myself was being explicitly linked to my favorite character. That said, there are many in the community who feel deeply hurt and betrayed, and it would be a) irresponsible and b) close-minded to handwave their concerns. Thus:

[Abridged version: Bolded]

Context for use of the word:

Line from Roman: “I was going for regal sophistication [in last commercial pitch], but Mr. Infodump over here [*gestures to Logan*] wasn’t cooperating.” Defensive tone, alluding to the fact that Logan’s commercial pitch included excessive product information that would leave buyers disengaged.

History: Roman regularly invents nicknames for fellow sides and employs them in a manner that can range from fond teasing to a juvenile way of insulting the side he’s presently bickering with.

Names previously directed at Logan include “Calculator watch,” “Egghead,” and “No-Funsen Honeydew… Doo.” They generally play off of Logan’s tendency toward being uptight, stereotypically nerdy, and eager to furnish the group with information in the capacity of a teacher.

In this particular instance, I doubt anyone would say the word’s use was “malicious,” but it wasn’t “affectionate” either. Roman is visibly preoccupied and defensive in the scene, throwing out a nickname offhand.

Power Dynamic: There is no imbalance of power between Logan and Roman that would indicate anything resembling a bully-victim relationship. Logan responds to the word in the same manner he does Roman’s other antics and displays no particularly hurt reaction.

In-Universe Response: No character corrects or condemns Roman’s use of the term. This may, however, be because Logan is the first to respond, armed with his own complaints about the others’ commercials.

Meta-Level Implications: The audience is not encouraged to agree with Roman’s sentiment that infodumping is a negative trait anymore than they are his other commentary on Logan via nicknames like “Egghead,” because Logan’s role in the story consistently proves it wrong; all that infodumping saved an unconscious Roman from his murder-happy brother, for one, and the audience knows it. Given the posturing and defensiveness that accompany Roman’s delivery of the line, it’s clear the creators were communicating that he was in the wrong to say it. That, and Logan will almost certainly reinforce this by verbally decimating someone in the next episode, as per usual.

I think that last point is key. People will accuse others of infodumping in a negative way IRL—I know I’ve been called far worse for failing to mask—and to pretend that such things don’t exist in fiction is misrepresenting reality. Instead, creators can and should include minority characters (race, sexuality, gender, neuroatypicality, etc.) *confronting* discrimination, dealing with it complexly, and showing both the misguided character and the audience how wrong they are. Logan resonates with me—and other aspies, I think—largely because of how he clearly struggles in dealing with the other sides’ occasional criticism of his eccentricities, but he ultimately remains committed to his identity and ideals. If the TS crew continues to write a show that reinforces the fact that his neurodivergent qualities are what make him strong—and god knows there's not much media that does this well—, they’re doing something incredibly important for us.

The issue here, then, wasn’t the show promoting ableism as a message, because its handling of the conversation here doesn’t. Rather, it was the use of a term that many consider inherently ableist as an insult. So:

“Infodump” the word:

I find this fascinating, actually—Science is discovered. Math is discovered**. Language? Language is unequivocally invented. We’ve create these words with combinations of mouth-sounds, and we’ve assigned them meaning.

But the thing is, people have different backgrounds and experiences that define both who they are and the nuances of the meaning they tie to those mouth-sounds

Basic example of varied mental prototypes: I live in the northeast USA, so when I hear the word “bird,” the first thing that pops into my head is a bluejay or robin. If you ask my friend who’s studying in Brazil, though, he’d likely think of a macaw or toucan.

For me, “spring” = my mom’s pink zinnia garden and “chocolate” = a square of hershey melting against gooey marshmallow. This idea of memories and experience informing word-meaning mapping, of course, extends to a) more nuanced concepts and b) a more subconscious level of understanding. Poetry in particular, I think, tends to play with this to invoke the sensory experiences it does... I could infodump about translated poetry but that’s a whoooollleee other thing and I’m getting off track.

But essentially, an individual’s experience of any given word, to a degree, is subjective. Our dictionary definitions are merely approximations of a collective understanding of that mouthsound-to-meaning mapping, and we have to update those definitions as language evolves (remember when “Google” couldn’t be used as a verb?)

So, what happens if I look up “infodumping”? TVTropes tells me it’s a “type of exposition that’s particularly long and wordy”. UrbanDictionary says its “used to deposit large amounts (usually entire articles) of information in online forums without summarizing or paraphrasing the information.” I reach the resources that explain it in the context of autism and ADHD over halfway down the Google results. The word “infodumping” has quite a few circulating meanings, and the one associated with neurodivergence isn’t as visible as we’d like it to be.

From what I understand, Thomas Sanders and co. merely knew “infodumping” as the practice of talking at length about a subject, like closing a rant with a friendly “aw, sorry for infodumping on ya” and such. This was exactly how Logan opens his commercial, so they stuck it in as a—frankly, kinda feeble—nickname á la the creative genius behind “Mr. Smarty... Pants”. They had no knowledge of the term’s gravity to the autism and ADHD community, because they haven’t been exposed to settings that use that definition.

So, where does that leave us on accountability? If they’re ultimately not producing ableist content, do Thomas Sanders and his team have the responsibility to be aware of how an insult featuring this particular word might be inherently triggering to a community?

Many accounts show that the inclusion of the term caused real emotional harm and as content creators—particularly ones with a relatively young fanbase—the TS team should have taken more precautions. A more diverse staff/writing room may have caught this, given how egregious some fanders found the error. Furthermore, why shouldn’t it fall on neurotypical people in general to “educate themselves” on these issues, as in the cases of other minority groups?

That said, however, can any creative team be reasonably expected to know of any-and-all potentially triggering content? I’ve avoided speaking of Thomas Sanders’ personal character to maintain some impartiality, but a long history of promoting representation and careful content warnings does suggest a genuine commitment to self-correcting. Accepting the well-intentioned criticism of fanders—many of whom are so broken up by this precisely because of the amount of faith they place in the TS team—and taking active steps to change is ultimately the best course of action, and I, for one, will be sticking around to see the results.

#sanders sides #logan sanders #neurodiverse character #infodumping about infodumping #wow ive really peaked huh #ts logan #ts critical #ts criticism #ts discourse #sanders sides discourse

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