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#so I just watched the marvels
rowenas-megacoven · 3 months
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The Khan’s are just PHENOMENAL. They’re so warm and vibrant and hysterical in all the best ways. The MCU is absent/shitty/dead/evil-parent-and-complicated-family central, theres too much familial feuding at times, whether that family is blood or adopted or found, so I am LIVING for and LOVING how the Khan’s are just so normal and ordinary and wonderful. It’s no wonder Kamala has such a can-do, confident, positive attitude. It’s no wonder she’s such a dreamer and proudly herself and so damn funny when she’s surrounded by so much love and encouragement. Kamala Khan and the fam need to be in more Marvel movies, their dynamic is just joyous and healing and I will NOT tolerate another Aunt May incident. I WILL NOT. I swear if anything happens to ANY of them-
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nounaarts · 1 month
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LEAKED SCENE FROM SONIC MOVIE 3 ??
*queue 80’s music*
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Here’s all their crimes listed :)
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ayo-edebiri · 5 months
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Are we surprised.......
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mechieonu · 4 months
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i know that disney is too big to boycott effectively but that shouldn't translate to "and so we should keep buying their products like normal" but rather "at the very least we should try"
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swedenis-h · 6 months
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Mags very in love with his husband post 🫡
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createandconstruct · 6 months
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Thinking about Peter's absolute cry of anguish after the final boss battle when he finds Harry unresponsive. Thinking about how all he can say is I'm sorry. Thinking about the fact that in Peter's head it was him at May's side sobbing I'm sorry. Thinking about how "with great power comes great responsibility" can never be separated from the guilt Peter feels. Thinking about how that guilt extends to May. How it extends to Ben. How it cripples Peter so much that he tells Miles that he can't do this again. Thinking about Peter's voice as he'd begged Harry to fight - pleaded with him to not make him do this. Thinking about how when consumed with the symbiote Peter had screeched out I'm the hero, I don't get saved! Thinking about how that's not just pride, how that's not just responsibility, how it's guilt. How it's always been Peter and the weight of the world, the life of his loved ones, and their blood on his hands. And now it's Harry's and Peter just breaks. Always the hero, he's done the right thing, but this time it's the last straw. His best friend. The last sacrifice Peter Parker can take...
...and it's then... that Miles saves him.
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izzy140105 · 11 days
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Damn you Natasha Romanoff... Why'd you have to go cliff jumping!!
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meep-meep-richie · 4 months
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Tom is me here; cause I would look the same at Owen
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pyroclastic727 · 5 months
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The Marvels is being scathed by critics, and that's a good thing.
I finally saw The Marvels today. I'm a bit late to the party, so all I saw about the movie was the teaser at the end of Ms Marvel, and way too many critical reviews of it.
Now, obviously on Tumblr you find the good reviews, like, the cats outnumbering the white men and how Kamala Khan is, like, basically all of us. But in person, I've had someone tell me that it's bad because Rotten Tomatoes rates it 43%, which-- besides wondering why anyone would listen to Rotten Tomatoes, I'd have to wonder why the website would give it such a low rating. The easy answer is that the Tomatoes review committee is populated by white men, who, upon having no one to relate to, react badly to the movie. But I think there's more to it.
The Marvels is a revolution. Through its character-driven writing and brazen exploration of morality, it rewrites the superhero formula completely, by questioning what exactly it means to be a superhero.
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The Marvels was directed by Nia DaCosta, an award-winning Harlem native and creative visionary whose approach to this film was to define these characters as humans, not as superheroes. Her approach to heroism directly addresses that the idea that a hero is not always right. A hero, DaCosta claims, is "someone who's trying their best with the information and tools they have at the time. They'll always get it wrong." Carol Danvers's arc directly addresses this, as the resolution of her subplot involves her re-igniting the sun that she snuffed out. Her heroic act is to undo the damage that she wrought.
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When compared to old Marvel, this message just doesn't come through. In WandaVision, Wanda's grief is for a family that was killed by the Avengers. Yet, she is painted as a villain, even as she searches for a happy home, even as she at one point joins the Avengers. The Avengers cannot undo what they did, and don't really try. They defeat the big bad, sacrifice their lives, but nothing brings back Wanda's family. Nothing undoes that war. No one searches for Wanda after the event, to try to help her with her grief, except for Monica, and she's working against orders. Their heroics are militant, but while they excel at destruction, they leave the people they hurt in the dust.
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This antiheroic plot of old Marvel is precisely what appealed to so many American audiences. Their protagonists are: a rich corporation, a super-soldier, a privileged teenager, a scientist who makes weapons, an ex-convict, a man born into godlike power, and I'm sure there are others but I don't actually care that much... (these would be iron man, captain america, peter parker spiderman, hulk, antman, thor, and etc). All these archetypes appeal to American ideals that the wealthy would sympathize with. They claim that there are people who are inherently bad and seek the power that they have, in the way that a poor person might want a job that a wealthy person wants their child to secure. They claim that it is their business to save those which cannot save themselves, and use this to get involved in wars that are not theirs, and beat up badguys whose backstory they have no way of knowing-- and they punch before they stop and listen.
They are cops in every sense of the word. The responsibility of the vigilante is to defend against evil, but part of that responsibility is to figure out who exactly is evil and who is in need of help.
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The Marvels creates a team that tries to distinguish evil from good, and delves into the grey area between them. The final battle between Carol Danvers and Dar-benn has the superhero pinning the grey-haired antagonist to the ground as she begs for, then demands, that Carol fix what she damaged. Monica urges her to listen. Through this, The Marvels argues that a hero does not always beat up the bad guy and fight against unrelenting evil, but that a hero can be wrong, and that a hero can reconsider. It's kindness in the way that is revolutionary, where it's much easier to choose cruelty.
The fact that the movie is getting torn apart by critics, then, is not just because it is a "girls movie" or it doesn't have a strong white man for the white male viewer to sympathize with. The Marvels cannot appeal to Marvel fans because it rewrites the genre itself. It takes a film series whose purpose was to depict the struggles of cops, of the wealthy, of people with too much power who are trying to learn how to responsibly wield it, but don't. And it gives that power to people who have watched superheroes try and fail, who are slowly learning to be better heroes than the ones before them.
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The next generation is a critique of the last, a group trying not to make the mistakes of the chosen ones that came before them, and as such, the movie exists to critique the movies that came before it. Therefore, a viewer of Marvel who would positively review it, due to sympathizing with the previous heroes and enjoying the power fantasy, would dislike it out of its existence being critical and contradictory to the films they like themselves.
The Marvels is not for Marvel fans-- at least, not those who saw the Avengers as purely heroes. Instead, the film reaches out to people who would have been against the old Avengers, who want a story that dismantles the unquestioned idealism of superheroes and writes about people trying to protect their communities and the people they care about.
So, let the critics complain. The MCU is shedding its roots as a pro-cop and pro-colonialism power fantasy, and evolving into an exploration of what it means to be a true hero.
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purplehalnw · 6 months
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Look I know that the Carol/Valkyrie scene was Marvel literally doing the bare fucking minimum and I shouldn't be praising them for it but I'm just happy that it's at least explicit enough that straight people can't ignore it.
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reblogglelog · 8 months
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Sad Boy Hours: Billy Batson
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He's trying so hard to get the screaming adults in the room to just stop screaming at each other and be reasonable.
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He is immediately dismissed and storms off, justifiably insulted.
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And Billy goes right back to blaming himself, trying to figure out where he went wrong, how he could have fixed things, managed the emotions of the room better--even though he is 100% correct and the adults are absolutely failing, and badly.
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"Even if he's wrong...I should respect him." Honey, the thing that's eating at you is the absolute dogshit way they act and then expect you to just accept as normal. These grown-ass heroes should not be hitting each other.
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And a degree, honey. Several of them.
He sounds like a teacher trying to get the class to behave and that script keeps failing him. Over and over the adults around him dismiss him for his optimism, ignore his calls for reason. And they're heroes. They're the good guys and they tear into each other regularly and viciously. And Billy is fifteen years old in a room of adults screaming at each other. The team is sometimes down right abusive, and this child is trying to keep them from falling apart.
I worry about him, ya know?
(anyway, thank you for coming to my Sad Boy Hours)
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lokiusly · 3 months
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Question for all the lokius veterans— how did it feel, what was it like online when the track list for Loki S1E4-6 came out and you realized that the track that played in the “welcome home cheater” lovers quarrel scene was called “Lokius” and it wasn’t a S*yki song as originally thought (assuming people thought that song was for Loki mourning Slyvie and realizing he was in love w/ her)
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cosmicqvake · 1 month
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Bobbi being able to hold her own against and beat the absolute shit out of Ward and Kara by herself, after she was tortured for hours, still forever proves what an actual girl boss she is
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smallblueandloud · 3 months
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honestly one of my biggest disappointments with the black widow movie was how they tried to make kiddo!natasha into this, like, ~quirky~ blue-haired kid with a fairly normal childhood before they had to go back to the red room. when like. aren't you guys interested in a natasha who has never once known a normal life and yet can parody it perfectly? don't you remember the horrified delight of seeing the red room girls learning american english from copying snow white? why are you so insistent on giving natasha "real parents" and an attachment to yelena based on a childhood in OHIO when you can instead talk about natasha living in ohio as just as much of an undercover agent as her "parents". don't you see that the best horror of natasha pointing a gun at her handlers is not that she's holding a gun but that she knows how to use it???
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astrxxnxmy · 4 months
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My chaotic thoughts on Bucky in THAT What If episode because I haven't been able to get it out of my mind since I watched it
The scream I let out when Bucky first appeared though 💀
The intense eye contact with Peggy?? The way his gaze was so icy and emotionless while Peggy stared back in shock and sadness and then after, while talking to Howard, her voice shook.
(the drama is juicyy and i am all here for it)
And how he looks down when Hope says "Peter deserves our help as much as anyone." baby :( oh baby no someone give him a hug :(( and the help he clearly needs :(((
"It's just you and me, pal." "There is no me." BUCKY. BUCKY.
"You don't know me." AKSJKSFGHKS (that growl though)
"Steve Rogers did." THE SCREAM I SCRUMPT-- and the way Bucky's eyes widened. He knew, he recognized that name, he remembered, if only a little bit.
"And the man he knew, the friend he loved, would never take that shot." THE FRIEND HE LOVED IM SCREAMING I CANT DO THIS TODAY
PLUS HIS HESITATION JUST AT HEARING STEVE’S NAME GOD
THE WAY HE THEN BROKE FREE FROM THE PROGRAMMING AND WENT ON THE RUN TO REDISCOVER HIMSELF JUST LIKE AFTER CATWS
"The Winter Soldier may be out there, but I'm pretty sure Bucky Barnes is out there with him." 😭❤️
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imposterogers · 1 year
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still thinking about the scene in netflix daredevil when matt is recovering from his injuries / relearning to fight and they bring in an amateur boxer for him to practice on. bc imagine being the guy approached by a nun and a priest, invited to the weird basement of a church, and instructed to try and beat up a blind guy who then proceeds to beat YOU up
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