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norrisleclercf1 · 2 days

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He's Not Yours

Pairing: Mafia!Jenson x Assistant!Reader

Rating: PG-17

Words: 3.2K

Warnings: Pregnancy, lying, angst, fluff, it's really just, yeah

Synopsis: One night changes your life, but one lie completely destroys it

Mafia Jenson: pt.1 Unattainable / pt.2 Slipping Through My Fingers

A/N: This was an idea @percervall and I talked about a long time ago and I’m finally writing it and yes this is part of the main story

With shaking hands, you try to read the test before you; you are unwilling to believe what the test says. The two little lines mock you, making you sick. Taking another deep breath, you grab your phone and dial the first person you can think of.

"I need you,"

-----------------------

Lewis holds it as you sit on the couch, sobbing, trying to get control. You craved control, but instead, you've thrown your world into such uncontrollable chaos that your chest has tightened. Lewis takes an intense breath, blows out, puts the test down on the coffee table, and slowly bends to your height.

"Jenson?" He asks the question slowly like he knew asking you would set off a whole wave of tears. You flinch at his name, the flashes of drinks, laughter, his hands on your body, pulling delicious toe-curling orgasms out of you. And the way he felt inside you. Shaking your head, you nod it slowly, and Lewis groans. He wants to yell at you for finally getting with Jenson and being so reckless.

"Well, I know this isn't how you wanted to get with him, but Y/n." "He can never know," Lewis snaps his mouth shut, his eyes narrowing but softening when you look up at him. "Lewis, he can never know. Lewis, promise me, promise me you won't tell him." Lewis groans and hangs his head. Sighing, he pulls you into his arms as you cry into his chest. "I won't, I won't tell him."

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You finally calmed down enough to talk with Lewis about being pregnant. Pregnant, you couldn't believe it. Pregnant with Jenson's baby, it made a smile tug at your lips, but you had to shake your head as it would be extremely dangerous having his child. You loved Jenson, and he loved you, yet you two kept up this game of not being together. Jenson was the head of a Mafia group, and if his enemies learned he had a child, he'd have a weakness, a weakness that would end with either the child's death or his, and you knew you wouldn't survive either.

"I know you don't want to tell him, but you can't hide it," Lewis whispers, pouring you some juice, even though you'd really wish it was alcohol. "I'm not going to hide it, Lewis. Just tell him it's someone else's, baby," Lewis makes a disgruntled noise and sits down, shaking his head. "Y/n, I love you, but that would crush him. He loves you, and you two finally sleep together, and he has been chewing Fernando and I's ear off about how you two are finally coming together." The knife in your heart stabs deeper, tearing into the muscle with such force you choke on air.

"If people find out that this is his child, they'll target the child, and Jenson would," You take a deep breath as the tears gather in your eyes. "Jenson would rather die than let his child be harmed. I can't lose them both," You whimper, hanging your head in shame. "You're going to lose him if you tell him that you're carrying another man's baby." Lewis loves you, he'd kill for you, has killed for you, he'd die for you, but he wouldn't support you in this. Jenson has been his friend for years, and this would crush his dearest friend.

"You think I don't know that!" Your voice raises at the end, and you swallow back the bile burning your throat. "Lewis, just trust that I'm doing the right thing," Lewis has never seen you so broken. You were always this badass, tough woman who could cut a man down with one look. Hell, you've got Jenson Button down on his knees for you. "I don't think you're doing the right thing, but I'll be here for you, no matter what." Lewis moves, sitting down next to you and kissing your head.

"We have the gala tonight," you whisper, and Lewis groans, knowing Jenson will be all over you. You know, last gala, I snuck off with Sebastian, and we were gone for a while," you whisper, and Lewis goes tense next to you. "Don't, Jenson and Sebastian are close," You chuckle, sipping at the sweet drink in your hand. "Sebastian and I were engaged once." His jaw drops as you nod, having never revealed that fact. "I'm sorry, what? You were once engaged to Michael Schumacher's right-hand man, now the German Mafia's leader?" Lewis pulls back, and a wet chuckle gets past your lips.

"We were children, young, we met at university, and well, it was a whirlwind romance. We got so close to being married, but we both realized we didn't want this, so we stopped. Stayed good friends too," Lewis thinks over every interaction you've had with them, and you giggle, seeing the lightbulb go off. "Oh my god, that's how you got us to meet with them," you nod and start to laugh, feeling slightly lighter.

"Jesus," Lewis sinks into the couch as you nod. Where did you...could it be?" You stop him and shake your head no. "No, Sebastian... no, we didn't sleep together," you admit, and Lewis nods his head, not wanting to doubt you, but right now, he needs a little doubt. "Would Sebastian even agree to this?" Sipping on the juice is the only thing that does not make you nauseous. "Yes, he owes me." Lewis raises an eyebrow, and you lean back into his arms, his fingers digging into your neck muscles.

"Why does he owe you?" Lewis stops and shakes his head fast. "Actually, don't tell me, knowing you, it's probably something horrible." Your lip quirks up as you sigh and look at Lewis. "He's in love with Mark," "Oh yeah, he's in love with Mark," Lewis repeats, his eyes slowly growing wide as he lets the words sink in. "What, but Mark is," "Yep," You whisper sadly, remembering the night Sebastian sobbed in your arms about Mark and how he would never love him.

"Does Mark," "He suspects something, but that's why tonight I'll be stuck by his side. He'll get drunk and do something reckless," You whisper, Lewis nods and looks at the time. "We should get going," You nod, standing as you look down at the pregnancy test. "Oh god, I'm pregnant." Lewis laughs and pulls you into his chest, rubbing your arm, "Yeah, yeah, you are,"

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"Something is off," Lewis tenses next to Jenson as he stares at you and Sebastian. Lewis tries hard not to make eye contact, worried he'll spill everything to Jenson. "What, no, nothing is off," Lewis answers far too fast, but Jenson doesn't clock it, staring a hole into your head. "How do Sebastian and Y/n know each other?" Lewis swears his muscles will rip from how tight they are, and Mark questions the closeness between you and Sebastian.

Lewis wishes you could hear his thoughts as Sebastian puts an arm around your waist, and you lean into him. Lewis closes his eyes and sees Sebastian moving his hand lower and you inching closer. "Okay, I'm going to rip his hand off," Jenson slams his whiskey down, but Mark steps in. "Touch him, and I'll rip you apart." Jenson and Mark have a stare-down, Lewis panicking. "Stop it. They used to be engaged, so I'm sure there are still feelings there," Lewis blurts out, and he groans, knowing he just fucked up.

"What?" Jenson's sound makes Lewis's blood run cold as Fernando walks up and giggles. "Eh, love birds are leaving," Lewis wishes Fernando could read a room. Actually, he could. He was just feeding into it." Jenson's eyes turn pitch black as Sebastian grins and leads you out of the gala.

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"Congratulations," Sebastian whispers, and you smile, lying your head on his shoulder. "If anyone asks, can," "Of course, but you know I won't be in the baby's life; I'm going to be the cool uncle." You giggle, and he sighs, pulling you closer. "So, Jenson, you are having a baby." "No," Your voice is cold as you touch your stomach. "I'm having a baby, not Jenson. He was just a...a sperm donor." You spit and sigh as Sebastian stares at you with wide eyes. "Woah, alright, never mind. Noted, don't talk about Jenson." Sebastian whispers, and you groan, burying your face in your hands.

"Sorry, it's the fucking hormones, if the time is right, I'm 3 months pregnant." Sebastian hums and takes off his jacket, placing it on your shoulders. "It's okay, but I'm serious; you can say I'm the father, but I can't be involved; he's around too much." You understood why Sebastian stayed away. It was too painful for him to constantly see Mark and not be with him. "I understand." And you did. It was unbearable for you to be around Jenson, even more so now that you are pregnant.

"I could always move to Germany," You offer, and Sebastian chuckles and shakes his head no. "He'd follow you, and then rip me to shreds, and then just drag you back here." You nod your head, knowing that was all very true. "I'm glad I can call you my friend," Sebastian smirks and waves a hand over him. "Well, duh, I'm the better blonde." Giggling, you two stand up and walk back to the party; you shiver, feeling someone watching you.

Turning, you see a distraught Lewis, a confused Mark, a smug Fernando, and a furious Jenson. Sebastian notices and moves, placing a delicate kiss on your lips and shocking you. You can see Fernando and Lewis holding Jenson back. "I hope you're making the right decision." You smile, and Sebastian gives you one last kiss, leaving you in the shadows.

Walking over, you grab a drink, but Lewis quickly swaps them, and you nod. "What the fuck was that about?" Jenson growls, Mark even looking pissed, which has you thinking things over. "I was telling him some news," "Which is what? What could possibly have been your ex-fiance kissing you?" You whip your head to Lewis, who quickly looks away and whistles. "Nothing," Jenson tightens his hold on his glass and waves over the bartender. "Get her a real drink, please," "No, thank you," The guys stare at you, shocked; you always drink with them. "I can't drink," You whisper, unable to look them in the eyes.

The bartender's eyes sweep over you and smile. "Congrats." He walks off. Jenson stares, but then a smile starts to grow. "Are you?" "Yes! And it's Sebastian's okay, but he wants... just leave it alone." You whisper. A pen could drop with how silent it was around you. Lewis, I want to go home now," Lewis nods and gathers you in his arms, noticing how you are still wearing Sebastian's jacket.

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2 months later, 5 months pregnant

You stopped wearing your heels, and you hated it. Mark and Jenson kept towering over you, and you were annoyed with it. Since that night at the gala, Jenson hasn't said much to you, just small words here and there, but today, he asked you to come into the office early, so here you are, trying to figure out what he would want to say to you.

Knocking on the office door, you push it open and see Jenson sitting in the same position you left him last night. "Did you stay the night?" You ask, shocked at his disheveled state. "Are you pregnant with my baby?" The question throws you off, shock flashing through your features, but you quickly school your emotions and take a deep breath. "No, Jenson, it's not your baby." His face, once stoic, breaks as he takes a deep breath and looks away.

"There's...not even a chance?" He whispers, and you hate being pregnant at this moment because he's got your throat tightening without even touching you, eyes burning like fire has been thrown in them. "No," You choke on the word; clearing your throat, you roll your shoulders back and speak up. "No, there's not a chance." You repeat, and Jenson leans back, rubs his face, and nods. "Sebastian, he....he's going to be there for you, yes?" It wasn't really a question; it was more of a demand. "No, he wants nothing to do with the bug, baby." Jenson's face is cold, but then he cracks a smile.

"Bug?" You sigh. It was something you started calling the baby, and it just stuck. Lewis even bought the baby a little bug plushie. "Yes, it's something I called the baby," "That's cute," Jenson stands and walks over before settling on his couch and patting the empty side. You move and sit down, feeling your feet ache as you whine. "I'm not the father, but I want to help Y/n," You open your eyes and stare at him. The raw emotion on his face eats you alive, Jenson has always spoken about how much he's always wanted to be a father, and here he is, the father of your baby, and you're hiding that from him. Taking away the one thing he's truly wanted.

"Jenson, you don't have to," Jenson moves, his large hands wrapping around your ankles and lifting them to his lap, and slowly rub the soles of your feet. "Jenson, please, I'm doing this alone," You whisper and pull your feet in, knees tucked into your chest. Jenson stares at you, the rejection hurting, but he clears his throat. "So, I'm just your boss, and you're my assistant, and us fucking, us telling each other we loved one another, that never happened? Instead, you fucked, Sebastian, and now you're pregnant with his baby, not mine." Jenson snaps, standing up, and you flinch, his anger leaving just as quickly as it came.

"I'm sorry, I'm so sorry, I'm just," You don't know what comes over you, but you start to cry and hold your arms out to him, just wanting to feel his warmth and smell the whiskey and earth that clings to him. Jenson doesn't think twice and sits down, pulling you into his lap. "I'm sorry, I'm so sorry," You repeat, sobbing into his chest. "It's okay, I'm here, I'm always here,"

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3 months later, 8 months pregnant

You don't know how it happened, but one day, you were living in your lovely apartment, and suddenly, you were living in Jenson's home, painting the nursery together. Now, you're lying in bed, wondering if you should talk to Jenson.

He wasn't his usual self; as your stomach grew, the more he refused to let you out of his sight, and you could tell he was slowly losing his mind. According to Lewis, he saw Sebastian not too long ago, and they both left the room with busted lips and black eyes. Jenson came stalking into the house, stormed past you, and locked himself up in his study hours ago. Unable to sleep, you throw the covers off and groan.

Your stomach was heavier and heavier by the day as your little bug was dropping, getting ready for you to give birth. Holding your stomach, you waddle to his study and knock on the door softly. "Jense, it's me." You push it open with ease and stop seeing him sitting at the desk, his head down and a bottle of whiskey half empty. "Jenson," You whisper, close the door, and walk farther into the study. "Jenson, love," You whisper, hating how you living here has made you two grow closer, scary close for you.

He looks up, and you hiss, seeing his eye and lip swollen. "That should be my baby; I wish it was my baby; I wish you were mine." He croaks, and you freeze, your hold on your stomach tightening. "Jense," "I would take such good care of you because I-.. because I love you." He whimpers, sounding so broken that you blink, and tears slide down your cheeks. Your chest aches; you knew he'd remember nothing in the morning. He was far too drunk to even correctly see if it was you in front of him and not some dream.

"Jenson, he is yours," you whisper, stepping forward and cupping his face, wiping the tears as his hands touch your stomach, staring at it. "Don't hurt me like that, baby. It's okay; I don't need to lie to protect my heart. Don't care. I will care for them no matter what. I will care for both of you," He slurs with a sad smile. That ache in your chest grows as you pull him up; he stumbles but stands upright and blinks slowly. "Let's go to bed, Jense." Jenson nods and follows after you. He stumbles occasionally, but you carefully lead him into the room, and he flops onto his bed.

"Go to sleep," You lean down and kiss his cheek, but he stops you, and you freeze, having never seen such vulnerability in someone before. "Stay, I'm, just stay," He begs, and you nod, not even thinking twice as you climb into the bed and sigh. Jenson's hand moves to your stomach, lying on it protectively. You flinch, feeling a little kick, and Jenson giggles. "Hey, little bug, I'm Jenson. I'm not your father, but I'll love you like one." You bite your bottom lip hard, trying not to sob as Jenson slips off into sleep, leaving you to sob quietly into the pillow.

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1 month later, Hospital

Jenson couldn't believe it; this tiny little human, the tiny bug, was finally here, in his arms. You slept soundly as Jenson refused to leave your side, and Lewis was picking out the perfect outfit to take him home in. "Should we do the bugs?" Jenson makes a face, and Lewis sighs as Jenson can't look away. The tiny bundle was tucked tight in his arms, staring up at Jenson. Jenson hated that the baby had Sebastian's eyes, these perfect little blues, with a little button nose and perfect lips.

"Here, dress him in this," Lewis says, holding out a pretty blue onesie, but Jenson shakes his head. He and the baby were doing skin-to-skin, and it felt like the perfect thing to do like the universe was frozen and nothing was wrong in the world. Jenson, you have to dress him." Lewis whispers, and Jenson finally looks away and groans, taking the onesie. "Ruining mine and bug's moment." "His name is Theodore, Theo for short." Jenson doesn't think it is possible, but he falls more in love with the little boy and his mother.

"Called Sebastian," Mark walks into the room and coos at the little blue eyes staring at him. Mark freezes and looks at Lewis with realization; Lewis slowly shakes his head no, and Mark looks at you, sleeping peacefully in the bed, and back at one of his dearest friends dressing the tiny human. "Yeah, what did he say? Does he even want to see his son?" Jenson asks in a cheery tone, but they can hear the anger in them.

Theo coos and yawns. Mark melts before shaking his head. "Um, he said, 'Oh, that's good,' and hung up." Jenson picks up little Theo and holds him close like any father would. "Fuck him," Lewis casts a glare, and Jenson doesn't see it too wrapped up in little Theo, who just stares right back at Jenson.

"Jenson," Lewis whispers; his close friend looks up with so much happiness and love that Lewis feels his heartbreak. Don't forget, he's not yours." Jenson's smile fades, blinking slowly as he looks back down at Theo and then at you. I know, but a man could dream." Jenson's voice breaks as he leans down, kissing Theo softly. "A man could dream," he whispers softly.

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lilislegacy · 21 hours

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i think it’s a pretty common headcanon that whenever there is a spider, annabeth freaks the fuck out. which is super weird to most people, because she’s like… the bravest person ever. even if you don’t know she’s a demigod, she’s just a badass. but if there’s a spider, she’s screaming bloody murder and jumping up on tables and counters. and of course, percy always comes and kills it for her. no matter what he’s doing or where he is.

but i think what would be even weirder for people (who don’t know her extremely well) is how seriously percy takes it. i feel like girls being scared of spiders and having their male partners come kill it is such a basic ‘weak white girl’ stereotype. and it usually is funny, even to the one who’s scared. so when annabeth does this and starts screaming for percy, people would start laughing. naturally, right? haha it’s so funny that annabeth chase is so scared of bugs. and after percy runs in and takes care of it, they would expect him to be laughing too and poke fun at her.

except it’s the exact opposite. there’s nothing funny about his expression. his jaw is hard-set and his sea green eyes are full of nothing but concern. he does a thorough examination of the surrounding area, makes absolutely sure there aren’t others and gets rid of any webs, and then goes straight to her. and his first question, every single time, is “you okay?” nothing but concern and support. and if the legendary fearless annabeth chase needs her boyfriend/husband to carry her across the room, because she doesn’t want to step on the rug now, you know dam well he’s gonna carry her across the room without a second thought. and you’d better not laugh at her, or else percy’s gonna give you the most scolding glare you’ve ever received, and it’s gonna make your arm/neck hairs stick straight up and your blood turn to ice.

and it would take people off guard every single time. because he’s not laughing at her. he takes her fear completely seriously. and it’s because he knows about her past. he’s seen her face her worst horrors. he knows what happened with archane.

he knows exactly why she’s so scared of spiders, and to him, there’s nothing funny about it.

#he will never make her feel weak or embarrassed for being scared #because he’s scared of things too #they support each other #always #percy jackson #annabeth chase #percabeth #pjo headcanon #heroes of olympus #pjo #percy jackson and the olympians

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avawritesthings · 2 days

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crash n burn | ln4

✦ word count - 1,358

✦ summary - y/n crashed out of the 2024 shanghai gp, and lando can’t help but worry.

✦ warnings - injuries, angst(?), worried lando, racing/f1 inaccuracies!!

✦ ava’s notes - f1driver!reader for this one, folks. sorry for the inactivity, i haven’t had the writing spark in a while. but here i am, and with a new sport, no less! i'm also trying smth new, no Capitalization...not sure if ya'll are into it. i got into f1 a couple weeks ago, so there might be several inaccuracies, but i tried my best. thank you for the support 🫶🏼 (sorry for the long ass note LMFAO)

f1 masterlist & nhl masterlist

THE FAINT SOUNDS OF VOICES reached your ringing ears. you could feel your head pounding from within the totaled car. suddenly, the simple act of opening your eyes was the hardest task for your shuddering body.

“y/n, are you alright?” the voices of your engineers could be heard through your helmet.

“i’m alright,” you mumble, not sure if the words made it out of your dry mouth. as your hands reach towards your harness and disconnect the latches, you let out a sigh of defeat, a whimper slipping past your lips.

you knew the race was over. the helmet was next to come off, throwing it out of your car before shakily ripping off the balaclava from your sweaty head. the act of taking off your helmet meant you couldn't talk to your team, you knew, but you couldn’t care less.

you felt like you couldn’t breathe with the restrictive head gear on.

tears burned behind your eyes, but you willed them back, refusing to show weakness. you felt and heard people around you. medics, probably, you couldn’t tell.

they were whirling around you and the war, or what was left of it. you felt them help you out and you let them, too tired to refuse. as your almost lifeless body left the constricted space, you took a heavy, deep breath, the exhale coming out trembling.

hands grabbed at your waist to keep you upright. waving a hand towards the concerned yet roaring crowd, the medics helped you into the van. before the double doors closed, you opened your eyes as much as you could and stifled a sob at what was left of your car.

you willed the strength to run your hands down your exhausted face. a blood pressure cuff made its way up your arm and you turned to the man responsible.

the thought of your family filled your head; are they worried? are they watching? your boyf-

lando.

you knew he’d be worried sick. turning your head towards the medic, you asked “c-can i speak to him? lando?”

the man – who you felt knew you were going to ask at some point – wordlessly handed you a headset, and you could already hear his yelling.

“-and none of you bloody fuckers have heard from her? complete bullshit. is. she. okay?!”

“lando?” his name spilled from your lips, relief ever so present in your voice, knowing he was okay — as well as he could be after seeing the love of his life crash, hard.

“babe? is that you? fuck- i hadn’t heard from you and i thought the worst.” he spoke, and you knew that if he wasn’t racing, he’d be running his hands through his hair like a madman.

“i’m okay lando, i promise,” you said, your hands gripping the microphone attached to the headset. “i’ll see you soon, okay?”

“yeah- yes, baby. i’m so glad you’re okay. i love you,’ and that was the last you heard before the doors of the medical van opened and you were being whisked away to the medical center in the paddock.

a mild concussion and a bruised rib.

you got off easy, they said. it could’ve been much worse, they said.

you just felt tired. exhausted. however many g’s your body was put through would have probably killed a normal civilian. soon enough, you saw the familiar head of dark curls jogging towards you. daniel wrapped you in a comforting side hug, running a hand up and down your back while he placed a soft kiss on top of your head.

“glad you’re alright, sugar,” he breathed out. “don’t know what i woulda done if you hadn’t ended up okay.”

a small, genuine smile appeared on your chapped lips as you leaned against his warm body. danny had dnf’d a couple laps before your crash, and you were slightly glad. it was nice to have a friend after your unfortunate end to the race.

“thanks, avocado,” you acknowledged, a hand coming to rest on his upper arm. the nickname stemmed from an interview he did with a kid that butchered his last name, saying avocado instead of ricciardo.

“you talk to lando yet?” danny asked, knowing your boyfriend is probably worried sick.

“yeah, spoke to him on the way here,” you answered. “he was worried sick, yelling at his team until i got on the radio. sorry you crashed out, danny. it wasn’t your fault.”

“ah i see,” he teased, knowing how much the boy loved you and worried over you. “and ‘s alright, couldn’t do anything to stop it. appreciate it though.”

you squeezed his arm before letting go, knowing he’d have to do interviews and such. “you got somewhere to be? interviews ‘n whatnot?”

danny turned his watch towards himself and swore, making you lightly chuckle. the sound of your laugh brought a smile to his face and he squeezed your arm back, his worried eyes scanning over your tired body. “you sure you’re alright? i can probably push the interviews back a few…”

waving him off with a flick of your hand, you affirmed that it was fine for him to go. he left you with another kiss to your temple and hurried off, turning around with another wave and his signature large, beaming smile. you blew him a kiss and he pretended to catch it, and you smiled fondly. your relationship with danny had always been friendly and flirty, lando never felt intimidated. a brother & sister bond is what it felt like with danny, being teammates strengthened your friendship greatly.

sleep was calling, but the crowd and bustling people kept you up. your eyes met the tv broadcasting the race, seeing the drivers come towards their garages. red flag, you correctly assumed.

fiddling with the zipper of your fireproof suit, you couldn't do much other than stay hydrated and watch the race. a few more people came in and visited you, mostly your team, to make sure you were okay and alive.

on the uncomfortable hospital bed, you tried to catch up on sleep. as soon as your eyes closed, you heard the voice of the commentators. “the race has come to an early end. y/l/n’s crash was brutal. we haven’t heard much about her condition as of yet…” their voices faded out as you heard commotion outside of your hospital bed.

minutes later, lando came barreling in. his fireproof suit was still suited up, and his eyes immediately locked onto your worn out body.

“oh y/n,” he whispered out. lando walked closer to you and carefully wrapped his arms around you, and you could feel his body buzzing from adrenaline.

“hi, lando,” you spoke softly, wrapping your arms around his slim torso. you could feel him hug you tighter. “they didn’t have to call off the race, y’know…i’m honestly fine.”

lando stood up straight and his eyes raked over you, similar to when daniel checked up on you. “fine my ass. you look like shit, y/n. but i’m so glad you’re okay.” his hands ran up and down yours, seemingly to calm himself and you down. “fuck the race, i had to see if you were okay.”

“just a bruised rib and-”

“and? there’s more?” lando’s concerned yet exasperated voice berated you.

you rolled your eyes before continuing, “-and a concussion. honey, i swear, i’m fine. they gave me meds for the headache and i’ve just been in here waiting for you.” you turned your head and grabbed his hand, your lips meeting the inside of his wrist. a smile formed on your face, trying to comfort him.

he sighed out in relief, glad you were okay. he brought you into his arms again. “i just- i don’t know what i would have done if it was worse. i’m so glad you’re okay.” you could feel him press a million kisses to the top of your slightly throbbing head.

a few seconds passed before you spoke up, teasing clear in your voice, “you’re gonna have to apologize to your team, y’know. your yelling was quite loud, baby.”

he groaned out dramatically and chuckled, “oh, fuck off.”

italics they could never make me hate you :/

(like/reblog/comment/follow, if you want! if ur a little ghost reader, i appreciate u xo)

#lando norris #lando norris x reader #formula one #formula 1 #lando norris imagine #f1 x reader #f1 imagines #lando norris fanfic #my writing!

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ellethespaceunicorn · 2 days

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Don't Kill My Vibe

Title: Don’t Kill My Vibe

Rating: Explicit, 18+, Minors - DNI

Pairing: Clark Kent x BestFriend!Black!Fem!Reader

Word Count: 2.7K

Summary: You help Clark ease the pain of his broken heart.

Warnings: mention of a breakup, recreational drug use (marijuana), friends-to-lovers trope, oral sex (f receiving), unprotected p-in-v sex, creampie, mention of bodily fluids

A/N: This is an AU where Clark Kent is not superpowered and Superman does not exist. Unbeta’d, we die like people who tried their best.

Dividers by me

Support/Reblog banner by me

Cover Art by me

My Masterlist

It wasn’t the first time Clark asked to try some bud, but it was the most pathetic. His gorgeous blue eyes were puffy from crying over that woman. As much as you wanted to say, “I told you so," you didn’t want him to feel any worse about the failed relationship with his reporter beau, Lois Lane.

And yet again, you think to yourself, ‘Fuck Lois Lane’.

When he showed up at your place an hour ago in sweatpants, sneakers, and a button-up pullover, you were surprised to see he opted for something other than his normal flannel and jeans. His hair was mussed, and he avoided eye contact with you. Something was wrong.

You dragged him into your apartment, turning down your Spotify playlist on the Bluetooth speakers so you could talk over the mellow tunes. While you flopped down on your couch, Clark sat down slowly and sighed.

You were already elevated, having taken a couple of puffs from your blue and red glass bowl earlier, so you were struggling to pay attention to everything he was saying. You tried to put on your “I’m not high” face and nod enough, saying “Oh wow” occasionally. But, in actuality, your eyes were as red as the Devil’s dick, and Clark wasn’t stupid.

His eyes looked from yours to the tray on the coffee table that held your various assortments of smoking apparatus, grinder, lighter, and stash box. Leaning forward so his elbows rested on his knees, he motioned his chin toward everything and said, “I know you’ve said no a million times, but I could use an escape. And before you say no again, know I’ve tried all the tricks in the book to get over somebody, and nothing is working.”

“I have a feeling there’s another thing you haven’t tried either, but whatever,” you rattled on, waving off his confused expression. “Fine. It should be illegal for you to use those puppy eyes when asking me for something, by the way.”

So here you are, preparing a strawberry cone for you and Clark to share. You were always weird about people using your favorite bowl. You also figure that for a first-timer, it would be the easiest for him to start with. Twisting the end after filling the cone, you reach for the lighter and ashtray.

“First things first,” you purr, using your phone to turn the music up. “Now, watch what I do. I’m going to draw the smoke into my mouth and then hold it for a few seconds, or as long as I can, before blowing it back out. Ready?”

Clark nods as he turns toward you, tucking one leg under the other. Now that you have his full attention, you suddenly feel flustered. Casting your eyes downward, you take the cone into your mouth and light the end. You inhale deeply and take it out of your mouth. Savoring the citrus flavor of the strain, your tongue licks your lips, and you exhale.

You close your eyes and take a few breaths. After a moment, you hear Clark’s voice breaking through your haze: “Everything good?”

Your eyes pop open, and just like nothing happened, you perk up. Handing him the cone, you blink as he holds it like someone who has never smoked. You’ve known Clark long enough that you have a suspicion that is probably true for him.

He’s polite, almost to a fault. He screams Boy Scout, altar boy, and ‘promise ring’ all at the same time. What can you say? Clark was a good boy. And you were getting him high. You little devil!

Clark takes a short pull from the pink-colored joint and manages to hold it for about two seconds, then attempts to exhale. A small plume escapes his mouth, he inhales sharply and has a coughing fit. You take the joint back before he drops it and sit it in the ashtray.

Rubbing his back, you try to talk him through catching his breath. You grab your water bottle and hold the straw to his mouth when he nods his thanks. He sips the water, then clears his throat loudly, burping up a bit of smoke. He laughs quickly as he sees it exit his mouth, reminding you of a little surprised dragon.

“That was fun,” he sputters, his voice deeper than usual.

“It gets easier, Clark. Trust me, coughing is normal. And most of the time, coughing gets you higher,” you laugh, picking up the joint to take another hit.

You inhale, exhaling into the air, and hold it out for Clark to take again. He sips from your water bottle and gives it to you in exchange for the joint.

Holding it between two fingers, he brings it to his lips. You watch his mouth curl around the tip, and your brain conjures up the vision of what else that boy’s mouth can do. He takes the joint out of his mouth, holding his breath for a few seconds, then blows it out slowly. He gives it back to you and leans back against the couch.

“I don’t think I feel any different yet. How long does it take to kick in?” he asks, crossing his arms and pouting.

It being his first time, he is completely unaware that he is already high. His body language is different; Clark Kent doesn’t slouch even a little. He also certainly doesn’t fidget; his hands suddenly become very interested in the material of his pullover.

“You’ll feel it sooner than you think,” you mumble, the joint between your lips as you speak.

Twenty minutes later, Clark tells you exactly what the last straw was that ended his relationship with Lois. He pauses to take a hit, handing it back to you as he exhales. “But it was always whatever she wanted. I treat her like a queen. And she goes and blows Jimmy-fucking-Olsen. Then she lies about it after Jimmy comes clean to me. I…,” he trails off, looking over at you and shaking his head as he laughs.

“What?” you question when you realize he stops talking.

“Nothing. I just… I think I’m high,” he giggles, the corners of his eyes wrinkling when he smiles at you.

“Besides being high, can you describe how you feel?” You press, wanting to know just how high he is.

“I feel lighter. Clear…er? Is it clearer or more clear? Whatever. I think I also just figured out how I want to finish that article on The Wayne Foundation,” he explains, leaning back so he is lying on his back with his head on your lap. “Is this ok? Your lap looked so comfortable,” he wonders aloud, looking up at you.

That’s when you realize three fundamental truths at the same time.

1. Clark is single.

2. Clark is literally in your lap.

3. The crush you have on Clark is swiftly turning into lustful infatuation.

Bringing yourself back to the present, you smile at him and say, “Yeah, of course it’s ok.” You focus on the heat radiating from your best friend as he makes himself comfortable so close to your thirsty pussy.

“You are the best,” he replies, closing his eyes as your hand finds its way into his curls.

“This cool?” you dare, hoping that you can continue to push the boundary between friendship and something more.

As if the groan from the back of his throat wasn’t enough, he voices his satisfaction. “More than cool. I love having my hair played with. Feel free to go to town on me.”

Oh, the importance of phrasing.

This man is not going to make it easy on you.

You’re explaining to Clark about that episode of Bob’s Burgers where Bob and Linda accidentally get high after eating cookies laced with marijuana at their accountant’s office. “So, anyway. Bob, Linda, and the accountant build a pillow fort from the cushions on his couch, and somehow it makes them feel safer which I get because pillow forts were the height of safety when we were kids. And sometimes, people feel safer thinking about the simplicity of their childhood,” you rattle on, leaning forward to grab your water bottle and forgetting about Clark’s head, which is still very much in your lap.

An oomph is spoken into your boobs, and you shoot straight up to a standing position and knock Clark off your lap and onto the floor.

“Shit!” he cries from his spot on the floor.

“Fuck, Clark! I’m so sorry! Are you ok?” You cringe, your hand touching your forehead as you watch him pull himself up.

“Hey, hey. It’s cool, I’m fine,” he reassures, his hand grabbing yours to take it away from your face. With the other hand, he grabs your chin between his thumb and forefinger. Tilting your head up, he smiles and counters, “Are you ok?”

Yeah. Fine. My tits were just thrust into your face for a bit there. Oh, and you have no idea that I like you. And that pesky curl is falling into your pretty eyes again. And your handsome face is close enough to-

One second, you’re staring at his smile; the next second, you’re attacking his mouth with yours. His lips are just as pillowy and soft as they look. At first, the kiss is timid. Surprise gives way to need as he deepens the kiss. His tongue seeks solace as it slides against the seam of your lips. Granting him entry, he licks into your mouth like an explorer discovering new lands.

His hands find their way to your hips, bringing you impossibly close. He feasts on every whimper that leaves you, peppering in some moans of his own. This is the kiss of a man waiting for a moment like this. At least, that’s how it feels.

Begrudgingly, you slowly break away from Clark. His kiss-swollen pink lips beg to be reunited with yours, but you must prove this is real. You look up into his dilated eyes, noting how blue is almost completely taken over by black.

You open your mouth to speak, but Clark beats you to it.

“Unless you are about to tell me you don’t want this, please just kiss me again,” he breathes, resting his forehead against yours. “I don’t know what’s more intoxicating. This drug or having you so close to me.”

Instead of worrying about what this means, you throw caution to the wind. Tilting your head, you slot your lips with his, devouring the subtle whimper that escapes him. From nervous to commanding, you feel Clark’s demeanor change as his hands wander over your body.

He picks you up by the waist, your legs instinctually wrapping around him. With you in his arms, he walks blindly to your bedroom. Once he lays you down, he covers your body with his. The hard length against your mound gives you pause, but you quickly recover as you angle your hips to meet his.

Clark breaks the kiss to sit up and remove his pullover and shirt. A pink hue dusts his cheeks as he watches you scan his torso while you bite your lip. Leaning down, he tugs at the hem of your shirt, wanting you to get rid of it.

You oblige, now topless in front of your best friend for the first time. You don’t have time to freak out over that information because Clark hooks his fingers in your leggings, his eyes begging for permission. You raise your hips, and he pulls them down your legs along with your underwear.

You sit up as he chucks his sweatpants, his heavy erection now visible. Your first thought is, “Now that is a pretty dick.”

“Thank you,” he says, a smirk playing on his lips.

“I said that out loud, didn’t I?” You wonder aloud, already knowing the answer.

Clark smiles, nodding at you before coaxing you to lay back. He sinks between your legs, holding them open to kiss your thighs. He teases you a bit, licking and nipping at your mound and outer labia until you wiggle your hips and whine.

“Tsk, tsk, tsk. Patience, please,” he cautions, shaking his head at you. He winks at you, diving fully into your snatch and sucking your clit between his lips.

You throw your head back in ecstasy as his tongue slides over your swollen button. Humming while sucking on your nub is a fucking power move, and your hands tangle in his hair. You dig your heels into his back as he laps up the juices that accumulate at your entrance. Looking down at him as he worships at the altar of your body, you are taken aback as he peeks up at you over your mound.

With your eyes locked on each other, he watches as he tips you right over the edge. He groans into your pussy, his mouth and chin soaked, as your walls contract around nothing. The euphoria of being high mixes with the joy of being with someone new for the first time.

But this isn’t just anybody; this was your best friend. Warmth and comfort exist between you, allowing you to feel safe enough to fall and that Clark will catch you.

You come down as he plants a kiss on your mound, grazing his lips up your tummy. When he is back above your face, he runs the tip of his dick across your wet folds. He maintains eye contact while he slides in for the first time.

Once he is fully seated inside you, he lets you adjust to his size before he withdraws slightly and thrusts forward. The wet squelch of your pussy and the smack of your bodies against one another are music to your ears. Clark’s grunts as he fucks into you only fuel your impending second climax.

“Fuck, you feel so good. Too good. Not going to last long,” he warns, sitting up on his knees as his hands go to your waist. Throwing his head back, he growls and picks up the pace, using your body like his personal fucktoy.

Your back arches as he repeatedly hits that hidden bundle of nerves. A searing fire erupts in your belly as your cunt clamps down on his dick, spasming and coating it with your cream.

“Good girl! That’s it. Fucking come for me, just like that,” he encourages. “Oh, shit. I’m right fucking behind you. Fuck, fuck, fuuuuuuuuuck.”

You lock your legs around his waist, keeping him right where he is as his dick spasms and fills you to the brim. Your hands smooth down his big chest, feeling the muscles ripple as he comes down from what is probably the most intense orgasm he has ever felt. He stills soon enough, breathing back to normal as his softening length slips from you.

Flopping down next to you, Clark wraps an arm around you. You curl into his side, an arm across his stomach, and a leg thrown over his. Contented silence fills the room as you both take in this unforeseen turn of events.

Clark’s hand makes idle patterns on your back as you lay on his chest, listening to his heartbeat. You close your eyes for only a moment, missing Clark smiling at you. He gives you a quick peck on the top of your head, causing you to tilt your head to meet his eyes.

“You hungry?” you guess, feeling a bit peckish yourself.

“Yes!” he exclaims.

“Good. I know a great place down the street that makes the best samosas. Does Indian food sound good?” you ask, already tasting the rich spices of the food.

“Sounds perfect,” he says, picking up his arm to let you get up from the bed to grab your phone, watching your hips sway as you walk out to the other room.

Once back in bed, you order various dishes for the both of you. While you wait for the food, you pass a joint back and forth and steal a kiss or two. You decide there is plenty of time for you and Clark to talk. There is no use in killing the vibe for heavy stuff.

With the way Clark is looking at you, there’s not much to talk about anyway.

🍃The End🍃

A/N: I would love to know what you think!!! Feedback is appreciated!

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jeankluv · 1 day

Text

I love you, it’s ruining my life - Geto Suguru

Words: 1,5k

Summary: You stood besides Geto for over a decade but despite loving him so much, it was ruining you.

Tags: heavy angst, canon, set during 2017-2018, blood, mentions of death, no happy ending, a bit of Gojo x reader but not romantic, no use of y/n, gn!reader

Notes: a request and a one shot in a single day, yep 🤭

Jujutsu Kaisen materialist

When he decided to leave, you left with him.

More than 10 years had passed since then, you were no longer kids, you had changed. Even though there were mornings where you looked in the mirror and still saw the 17 year old student you once were. But when you looked at him, there was nothing left of that 17 year old boy.

You still loved him and you would probably always, but that love was consuming you.

But that day, you didn't see the 17 year old girl, what you saw in the mirror was a tired young woman, with a dull face and dark circles under her eyes. You felt like all your color was completely gone.

Existing your room, you walked through the hallway until you spot Suguru’s silhouette, I was talking to Miguel, apparently there was a course that Suguru was interested in obtaining. Passing by, you walked and saw a couple of people waiting for Suguru to serve them. Your heart was squeezed when you thought about the fate they would have.

You had accompanied Suguru for all these years, but you had never been able to agree with his ideas and until that day they continued to make you nauseous.

You sighed and went outside, where you sat on one of the benches there. In the distance you could see Tokyo and the memories of when you were a teenager began to come to you. Would you be there if you had realized earlier how Suguru was? If you had tried harder? If I had supported him more? Everything was what ifs... That they would never be, you answered and you could only imagine what could have been.

“You are here.” A deep voice, spoke behind your back. “Geto is looking for you.”

You stood up and nodded slowly. Walking towards where Suguru was, you felt your heart flutter nervously. You opened the door and found him sitting on his “throne”. When you entered you could see traces of blood on the floor. You turned your head, feeling the vomit rise in your throat.

"I'm sorry." Suguru murmured from his seat. “I thought it would take you longer so you wouldn't see the blood of that dirty monkey, but you came.”

“Suguru…” You tremble. “Don't you think that's enough…?”

"What do you mean?" He rose from his throne.

“What I mean…” Your heart fluttered. “Let's go Suguru, let's go away.” You approached him. “You, the girls and me. Far from everything…”

Suguru's gaze was cold. “Do you hear yourself?” He smiled zinicly. “Do you want to run away? After all these years? Of my progress? Don’t be foolish.”

“Suguru… please…” Your eyes stung.

Suguru snorted and moved away from your touch and it was then, seeing his back, that the boy who once swore he would love you forever, died long ago.

“I know you loved me.” You looked down. “But you don’t love me anymore.” Those words were heavy on you, it felt like stones being thrown at yourself.

“That’s what you think?” Suguru asked

“I don’t think that, it’s what it is, Suguru.” You held back your tears, not wanting to cry in front of him. “The only times we are intimate it’s when you want to have sex, the rest of the time… I don’t even see you because you are to focus on killing people.”

“Monkeys, those are not people, they are monkeys.” You shook your head trying to ignore his words. “Don’t tell me you don’t agree with what we are doing.” He approached you and you took a step back.

“I don’t think I ever did Suguru.”

“Then why? Why did you follow me?” His tone was clear, he was angry.

“Because I love you!” You raised your voice. “I love you Suguru, I always did. And you needed me back then… you needed someone and I… I couldn’t leave you.”

“So you never truly believed in what I was doing…”

“That’s what matters to you?” You raised your gaze facing him. “If I agree with what you are doing?”

“Yes!” He was the one to shut this time. “You were the… the only one who stayed and I thought it was because you agreed but it was because you loved me.” A hoarse laugh came from his throat. “You thought that if you came with me and with that love of yours I was going to change?”

He looked at you and you said nothing, because yes, your foolish self really thought it was going to be able to change him, to make him go back and try to find a solution to what he did. But you were a fool and even 10 years later you were still a fool, because deep down you were still hoping you could make him understand.

“I won’t change, I will never change, I will kill all those monkeys and create a world where only sorcerers exist.” He sat down. “If you want to leave, I won’t stop you.”

The first tear rolled down your cheek. “I love you Suguru.” You said. “But it’s ruining my life.”

Suguru stayed silent, not saying a word, not saying anything. This wasn’t the guy you fell in love with, years ago, that boy wouldn’t stare at you and do nothing.

You stepped away and turned around to leave the room. Before exiting the room, you look at him one last time.

“I love you Suguru, I will always love you.” You whipped the tears away and left the room.

After that last look, the days passed and turned into weeks and the weeks turned into months. Suguru never looked for you, you were alone. You couldn't go back to where you were once happy because that would doom you and you couldn't go back to the person you loved because she was long dead.

You looked up and saw the snow falling. The new year had begun with snow. You hugged your body and walked through the new streets of the small town you had moved to. There you could simply be you and help those like you who could see curses and didn't understand it.

“The ground is slippery over there.” A voice spoke behind you.

You stopped dead when you heard it, how many years had it been since you had heard that voice? You didn't even know it anymore.

You carefully turned to confirm that the owner of that voice was the one who was once your best friend. And indeed, a few meters away from you was Gojo Satoru. Taller than the last time he saw it that October afternoon. Unlike that time, his eyes were completely covered by a white blindfold.

“Satoru…” You murmured.

“You lost weight.” He simply said.

Ignoring his words, you went straight to the point. “Are you here to execute me?” You asked him, trying to pretend that your voice was shaky.

Satoru shook his head. “Why would I?” Before you could answer he continued. “There is no execution order for you, so there is no reason for me to execute you.”

“What?” You said stunned. "How is that possible? I spent years with him, they should…”

“You were never considered a threat like him and I asked them not to include you on the list of cursed sorcerers.”

You pursed your lips and nodded. "Thanks, I guess." You hugged yourself tighter, to stop yourself from shaking. “What are you doing here then Satoru?”

"He is dead."

Your breath caught and your heart skipped a couple of beats before it began to break. Suguru was dead… Suguru… You stifled a cry, not wanting to cry in front of Satoru.

“I’m sorry…” Satoru whispered.

“Why are you sorry for?” Your voice coming out like a whisper from your throat.

“It was me…”

And then a cold breeze hit your face.

You shook your head and looked up at the sky trying to stop the crying. “It’s what you had to do…” You heard Satoru's footsteps approaching you. “Did he say something before he died?”

“He gave me this.” Satoru took your hand and placed an object on it. “He told me he was sorry and that I love you until the last moment.” You carefully opened your hand, finding a ring.

You clenched your fist to your chest and began to sob. You felt Satoru's warm body wrap around you and try to calm those sobs that didn't stop coming out of you. After a few minutes, you managed to calm down and separated from Satoru.

“Thank you…” You said.

Satoru handed you a folded piece of paper. “My number and Shoko's are written down. Call us when you need it or if... if you want to come back there again. Yaga won’t care and if the old guys say something, I’ll take care of it.”

You looked at the paper and then at Satoru. “I'll keep that in mind Satoru… thank you.”

“Take care.” He said and turned around to walk off.

You saw his silhouette get into a car and then disappear. Opening your hand again, you looked at the ring again.

“I love you Suguru.” You murmured kissing the ring and letting once again your tears flow.

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onesidedradiostatic · 1 day

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Real talk

Im sooooo tired of Vox always being portrayed as the victim and Alastor the only one 100% responsible for their friendship falling apart

Did we all suddenly forgot that Vox is a terrible person too? He brainwashes his audience, he supports Val, he is willing to offer his lowest employees for Val to kill, he's also prob abusive to his employees as well, he stalks pretty much everyone, he has like 5 cameras inside Angel's dressing room, also it's like implied he's jealous of Angel because he gets Val's attention, him being jealous of Angel for being a victim of abuse is pretty messed up if you ask me. Oh he also told Sir Pentious to fucking kill himself and he also gets hard of seeing people in pain and get hurt! (Sure it was Alastor but still messed up)

" he looks so sad at the end of stayed gone when Alastor threatens him I feel so bad for him:(("

Really ? Well maybe if he had just kept his little hate boner for Al to himself instead of feeling to need to start publicly slandering him it wouldn't had happened. Just saying. Also I don't see how people feel bad for him. If anything he looks so extremely pathetic it's laughable I want to kick him

Okay this is kinda out of the point I want to make it's just many people who make him the victim seem to forget he's a terrible person so I just wanted to friendly remind everyone that he's as awful as Al ^^

Anyway

I think, we should acknowledge, that it's a complicated, and probably tragic, situation. What if, maybe, they're both as equal at fault for shit going down hills for their friendship. Vox because he doesn't respect others wishes and cannot take no for an answer, he prob tried forcing Al to move on with recent technology, which Al hates. ((His request to Al to join the Vees also prob meant catching up with the nowdays stuff and new technology, like the rest of them)) and Al because he was prob unnecessary cruel and brutal with his rejection.

I don't think Al was just using Vox like I've seen many people say. He allowed Vox to take a picture of them together. For Al to do that I think it confirms their friendship was genuine. "Ah but it's Alastor so that means it was fake cuz he's an evil manipulative bastard who only cares for him-" You're wrong, but also right lol. He's an evil manipulative bastard, but , he's also capable of genuine friendships with others (( did y'all forget Rosie lol? )). What I think happened is that, time passed , things changed. Vox became obsessed with new technology and tried to force Al to follow in, Al didn't like that, but instead of communicating with eachother and solving their problems by talking it out and respect eachother's wishes, they had an unnecessary argument and fight. They're both to blame for this, they're no victims in the situation and it's okay you can still sympathise with eithers side

Also people who make Al the villain for like not returning Vox's confession and feelings in most One sided Radiostatic videos/fics I've seen-- yikes.. I really hate that I have to literally say to PLEASE don't villiantise the aroace character for being aroace and rejecting confessions. It's extremely ace/arophonic (and yes I get to have a say to this, I'm a replused aroace videos/fics like this genuinely make me feel negative emotions) even if he was extremely cruel with his rejection -- villiantise the fact that he's an asshole- not his rejection.

yes I agree!! this is essentially a consolidation of points I've made before ksdlfglg

like yes, alastor's an absolute shithead but I think there are some people who forget that vox is also... not a good person. I don't think there's anything wrong with there being sympathetic aspects to vox but I feel like there's such a huge amount of fanwork where he's the only one portrayed sympathetically without showing his own bad points in their relationship, and I absolutely hate it when alastor is fully blamed for how vox is now and vox is seen as

yeah

vox got pissy at a rejection, that's not being able to take no for an answer, that's incel behaviour LMAO

feel like there's something to be said about people feeling the need to sympathise with the one with unrequited feelings compared to the one who has to deal with someone expecting romance from them when they don't feel the same. does it have to do with society's expectations about romance that unrequited feelings are more sympathisable?

but yeah I am glad that at least the "complicated" part of the description of their relationship implies to me it won't be as simple as "vox was the poor victim and alastor was just using him", I think it is much more interesting if there's no clear victim and both were at fault in a way

#ask #osrs.txt #I'm gonna avoid heavy tagging because I don't wanna attract discourse #onewaybroadcast #okay to rb if you want though

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lilies-n-slander · 2 days

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just my unstructured thoughts on “complicated and sad”

I’m not huge on radiostatic and haven’t thought about the dynamic as much as other people so probably I’ll be retreading common ground

radiostatic friendship had to have broken up for smth more ideological, it would honestly be a bit boring/disappointing if it was just over the unrequited romance aspect (but it was likely a contributing factor)

the fact that vox asked alastor to join his team gives a few clues

I think atp vox still thought positively of alastor while alastor’s opinion of vox was starting to deteriorate. Vox respected alastor enough to *ask* him to join, rather than manipulate or try to force him

if that’s the case, then whatever vox did that alastor hated likely wasn’t malicious (but knowing vox, it was still a bad/harmful thing)

it seems like the kind of situation where alastor showed discomfort and vox refused to change and didn’t understand what he was so mad about

what could vox have done that alastor disliked so much that it ruined a previously good friendship?

using people? Alastor does that

owning souls? Alastor does that

killing people? Alastor does that

associating with and enabling ppl like val? Maybe? It seems like an arbitrary line to draw, altho one of the comics shows alastor killing an attempted rapist

influencing people’s perception of them through media? Alastor does that, but maybe it was the difference of method that he didn’t like (hypnosis vs charisma)

being fake? Alastor does that but is better at it than vox (smiling to hide weakness)

being weak*? (*not just physically) Now we’re talking. Alastor hates weakness, both in other people and himself. He hates when people let their composure slip and tries to exploit any weakness he sees. Maybe it disgusted him to see someone he thought was strong actually prove to be weak, insecure, and pathetic

a combination of the last three seems the most plausible to me (especially considering what things alastor disses vox for in stayed gone), but I’m still struggling to come up with something that has the right amount of “oomph” to it

I’m curious what alastor initially liked about vox in the first place?

did he only like him bc he thought vox was stronger than he actually was?

has vox just changed so much over the years that the vox alastor formed a friendship with was basically a different person? That would make me curious about what sparked that change in vox—was it a particular incident or gradual corruption?

does alastor hate modernity because of vox or does he hate vox because of his modernity?

leaning twds the former, the way alastor speaks abt tech has a personal tinge to it

most of vox’s hostility twds alastor is prob due to what alastor did as rejection

supported by vox not having much variety of his insults in stayed gone

yes he’s pathetic and might be salty that he doesn’t return his feelings, but I feel like that’s not the whole explanation

does “I thought he was gone *for good* too” imply that alastor has previously disappeared or been shooed away by the vees and came back soon after?

“he owes us a lot more than money” + “things have changed a lot since he left town… …I gotta send a message of who’s really in charge of things now” = before he disappeared, alastor was previously in control, possibly by sabotaging the vees and overthrowing them?

I didn’t rlly mention “still pissed he almost beat you that time?” bc that had to have been after the fallout, so not as much to dig into there (this isn’t to say that I don’t desperately want a flashback of it lol)

hmmmmmmmnfgh… so many questions

I really hope their backstory has already been mostly planned out, bc it seems like something that would go poorly if you just made it up on the fly

#hazbin hotel #vox #alastor #onewaybroadcast #.txt #meta

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simlit · 1 day

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Chosen of the Sun | | dawn // fifty-one

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TALILA: What’s going on? This all seems very official… EVE: And worrisome. Kyrie, you look like you’ve seen a ghost. KYRIE: I’m just upset… No, I’m passed upset. EVE: It’ll be alright. We’ll get through it, whatever it is, but first you need to calm down. KYRIE: I’m trying. EVE: Deep breaths. KYRIE: Right. ÅSE: Enough of this. Stop smacking around tree. What is going to be done! TALILA: Has something happened? KYRIE: Please, everyone, sit down. KYRIE: I made a promise to you all to be honest. Admittedly, I don’t know all the details myself, but the truth is… I’m alone in this. I expect some of you still see me as part of this system, and I can’t fault you for it. But with things getting so difficult, I don’t know who else to turn to but the ten of you. I trust all of you more than anyone else. SARAYN: And him? Shouldn’t we be introduced to our mysterious twelfth? KYRIE: Everyone, this is Elion. He’s been assigned to my protection, and I can go nowhere without him. You see, before you all arrived here, my sister, Lady Alphanei Loren, was taken hostage by a vigilante group known as the Knights of Dawn. They are ransoming her life in return for the disbanding of the trials. A plan that won’t work for them while I still live. They’ve already made one attempt on my life. If Lord Tev’us hadn’t been with me that night, surely I’d already be dead. ÅSE: Mm… TALILA: How awful! But… how are we just now hearing of it? Why wouldn’t they want us to know? THERION: I expect they don’t want anyone to know. Stirring up confusion and fear makes for panic. Panic is hard to control. INDRYR: And they are all about control. EIRA: So what? If we sit here with our thumbs up our asses, they’ll just send more people to kill you. Does your Priestess think she can lock you— and us— up forever? KYRIE: Lucien is dead. This isn’t something they can contain. The entire city will be in chaos soon enough. EVE: Lucien is dead? But why? Who would kill him? INDRYR: That is the question. Considering everything, it would be naïve to think the two matters were not connected. ÅSE: He is innocent child! What cares he about knights and dawn? It is absurd! INDRYR: Yes, the child was almost certainly innocent. I expect it is more what he represented. ASTER: Well, don’t speak in riddles! Not all of us grew up in libraries, you know! KYRIE: Represents… Of course. EVE: Oh… Lucien’s mother… KYRIE: The Aravae offer enormous financial support to the church. Aside from the Eveydan Crown, they’re the main source of funding. Unbelievable. The Queen of Kera was the leading supporter for the Selenehelion’s reformation… SARAYN: Then they are not at all interested in compromise. Bloodsport or not, it seems they will stop at nothing to bring the ceremony down entirely. I expect they have very good reason. EIRA: Being angry about how a ceremony was conducted centuries ago doesn’t make a great case for slaughtering children. SARAYN: But it was not centuries ago. Those that have been robbed by these trials still live. To lose a love, a purpose… a King. No, I doubt they have forgotten. And I doubt less they shall forgive.

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licorice-lips · 3 days

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Hi, everyone! So, I know there's a lot of controversy about Rhys's behavior Under the Mountain (at least in Brazil fandom it's a hot topic), a discussion that is valid and definitely needs to be had, so I did a lot of research on the subject and compiled the three texts that influenced me the most into a compilation that I'll share here — along with my thoughts and additions.

These texts that serve as my supports were made here on Tumblr and can be found under the following titles, although the third one is the most comprehensive of them all:

*Rhysand's Defense Post (The author had only read A Court of Thorns and Roses when she wrote this).

*The Difference Between Tamlin and Rhysand: The Man on the Throne and the Man in the Arena — Acotar and Acomaf's Excerpt Analysis (The author was following the small teaser quotes for A Court of Mist and Fury and analyzed them).

*Understanding Tamlin and Rhysand — A Post-Acomaf Reconciliation of Rhys's Actions Under The Mountain in a Culture of Defeat.

In addition to discussing Rhys's behavior, however, I'm also going to discuss Tamlin's behavior and compare the two. It's going to be quite fun… Just a heads up that I don't want any hate messages. Do you want to share your thoughts agreeing or disagreeing? That's fine, but with respect. Any offensive comments will be deleted.

Now here's my defense post for Rhys:

Leadership is a heavy burden. When you're a leader, especially when it's not your choice but comes to you because of the family you were born into, for example, responsibility can be a burden. But when you're a leader, there's something very important to consider when making a decision: those who follow you.

All of Rhys's actions as High Lord of the Night Court must be thought of to put the well-being of those he is responsible for first. And when he, Tamlin, and the other High Lords are Under the Mountain, he decides that he will be Amarantha's whore to ensure that his Court is in the best possible condition within the situation — he lets himself be raped to ensure that his people and his family remain safe when he could have done nothing.

But from the moment Feyre strikes the deal with Amarantha, he is the only one who is truly in a position to make a difference: the other High Lords do not have enough of Amarantha's trust for her not to suspect anything if one of them tried to bargain with Feyre as Rhys did, for example. If any other High Lord — Kallias, Thesan, Helion, etc. — tried the same thing as Rhys, Amarantha would have been suspicious.

So in this case, he is the only one who can truly act.

But he doesn't have to. The point is that his Court is reasonably safe because of his role in the court Amarantha built, so Rhys doesn't really need to help Feyre win. But he does it, not because he wants his power back, but because he's the kind of leader who will do everything achievable to change — for what he believes is the best — the lives of his people.

And I'll talk about how admirable that is later on when we're talking about the culture of war and defeat, and about Tamlin's behavior. So, he decides to act, and he tells Feyre in A Court of Mist and Fury:

"I decided at that moment that I would fight. And fight dirty, and kill and torture and manipulate, but fight. If there was any chance of freeing us from Amarantha, it was you." (A Court of Mist and Fury, page 550, Brazilian edition)

He knows, then, that the fight he would have to wage was not the beautiful, heroic, noble thing we're so used to seeing: Rhys knew that his actions to ensure victory — for Feyre and Prythian as a whole — would be horrible and would probably haunt him for the rest of his life. He knows that. And he doesn't excuse himself for a moment. He doesn't invent, he doesn't embellish, he doesn't paint himself as a hero. He knows he's not and he really isn't a hero.

A hero is someone who sacrifices themselves in a grand gesture to save the entire population, a true hero doesn't really sacrifice one person to save others. And while Rhys does have his own share of sacrifices, that doesn't excuse him from the horrible actions he took Under the Mountain:

So, the first part of his questionable behavior in Under the Mountain comes to light: the moment he twists Feyre's injured arm to convince her, to scare her enough to accept his bargain. This is a minor moment and my description alone makes it understandable: he does what he does to keep her alive and charges an insignificant price (which he planned to release her from later, as he himself says) to keep up appearances.

And Rhys needs to keep up appearances because his whole game to defeat Amarantha depends on how he appears to her and to other people: no one can notice while he moves the pieces on the board to bring the advantage to them. No one, not even Feyre, who is the "lamb to the slaughter," so to speak. And she can't know for several reasons:

Feyre is not in a mental condition to act and pretend to hate him as much as he needs her to pretend. So if she knew what he was doing, she would probably let something slip, or wouldn't be convincing enough, because honestly? Who could?

Rhys spent the last 50 years fighting alone and being surrounded by people who constantly despised him for being Amarantha's whore or for those who tried to ingratiate themselves with her through him, so he doesn't trust others easily, even though he was falling in love with Feyre, as he says in ACOMAF.

He couldn't trust that Feyre wouldn't trust others — Lucien and, therefore, Tamlin — with this knowledge. With their mutual hatred, they would surely end up messing things up.

Feyre was there to protect the High Lord who killed his mother and sister — and Rhys didn't know that Feyre didn't know the history behind his and Tamlin's relationship — so, in theory, it made sense that he wouldn't want to show his "true face" to her.

That's exactly what the book is about: like a retelling of Beauty and the Beast, the book is about how appearances deceive. If Feyre found out that Rhys is a decent person right away, it would be the same as throwing the whole intention of the story out the window.

So we have the second — and most controversial of all — point: the dance and the wine. I'm not going to mince words about this: It was sexual harassment. Period. But with this, Rhys manages to:

Get Feyre out of her cell, which is driving her crazy, as she says in this part: "I was alone, locked in silence — although the screams in the dungeon continued day and night. When they became unbearable and I couldn't ignore them, I looked at the eye in my palm." (A Court of Thorns and Roses, page 356, Brazilian Edition). And let's face it, anyone would go crazy in an environment like that.

Keep an eye on Feyre so that no one else could harm her — something he disguises with a comment about not liking others to touch what's his — and that's a curious thing because Feyre never expresses concerns about being abused by others after Rhys starts taking her to these parties (it's also interesting to note that despite the various traumas of what happened Under the Mountain, Feyre never showed any signs of trauma from sexual abuse, as far as I know — and again, not that this excuses Rhys, it's just a factor to point out that maybe she understood his game better than we did).

To leave Tamlin full of anger — which he claims is the main reason for all that theater during A Court of Thorns and Roses — so that he wouldn't hesitate if he had the slightest chance to kill Amarantha in the end or between challenges, no matter as long as he didn't hesitate. Because from Rhys's perspective, Tamlin is the noble golden prince who might spare Amarantha's life to demand some kind of trial or something. Which I consider he might have been dumb enough to do too.

Divert Amarantha's attention, as, thinking that Feyre was already humiliated and abused enough during those nights, she wouldn't give Feyre those ridiculous tasks anymore (like cleaning that filthy hall or collecting lentils from Rhys's fireplace). And if you reread ACOTAR, she really never gives those small tasks to Feyre again after that.

Send a message to those who could read, as Rhys himself says: he crowns Feyre every night, and for the cruel ones, this would be a subtle kind of mockery, but for those who could see beyond the evil, Rhys was declaring Feyre the champion of them all. He declared that he believed in her and in her potential to free them all.

Convince Amarantha that he's still playing on her side — a belief that was shaken by Rhys betting on Feyre in the first task and closing that bargain to heal her arm. This might be the most fundamental of all points: the one that allows the game to continue toward victory. He needs to prove to Amarantha that he's doing it for fun, out of cruelty, considering Feyre as the whore of the whore, someone lower than the lowest of courtesans. Thus, Rhys clears the way to act when the time is right.

By taking Feyre with him to those parties, he moved not one, but six pieces of the game to be in his favor. He killed six birds with one stone. Strategically, it's an incredible tactic, by the way. But morally, this act leaves something to be desired.

So why the wine and the dance? Because Rhysand plays with appearances. Everything in his game depends on it.

Feyre wouldn't play the whore of the whore while conscious, no one with a shred of self-respect would accept that without knowing the reason behind it, and Rhysand, for the reasons I mentioned, wouldn't tell her anything. So he makes her drink the wine to keep the whole purpose of that show and keeps her close to prevent her from being touched by anyone other than him.

But besides that, the wine is a form of escape, a way to forget about the horrors, as Feyre herself says at the end of the chapter where all this happens:

"[…] and I began to long for the moment when Rhysand would hand me the goblet of faerie wine and I could let loose for a few hours." (A Court of Thorns and Roses, page 381).

In fact, Rhys sees it this way: when he is forced to kill the High Lord of the Summer Court (not Tarquin, but his cousin from whom he "inherited" the title, Nostrus), he himself drinks the wine with Feyre — it's an escape from the character he so carefully plays because not even Rhys can bear everything without letting the facade fall, even if only a little.

Note: not that I'm saying this would be a healthy way to deal with all that trauma and accumulated stress, but considering the place they were in and the situation, perhaps it was the most… effective way.

I have to say, however, that all of this doesn't justify what he did: it was still sexual abuse and it's still very bad and very serious. However, I need to point out to you: what we do to survive often does not reflect what we would be in a normal situation (normal being their everyday life without Amarantha, in this case).

When we are confronted with a situation like this, where to survive we end up needing to do something horrible, many say they would never do and would take the noble path of dying before giving up their values and principles, which is great, it proves that you have a very good character. The problem is that Rhys doesn't have the choice to think only of himself and how much this abuse will cost his dignity and principles because every decision he makes affects his people.

So here's my question for you: could you love someone who chose to preserve you instead of saving thousands of innocent — children, women, and men — who are under their responsibility?

Because I couldn't love someone who did that. And that's how I make peace with what Rhys did to Feyre Under the Mountain: I couldn't love someone who condemned the world to save me from abuse that I know I can endure — even if it causes me terrible harm.

Of course, it's entirely valid if you decide not to forgive him for what he did, because, after all, it's a morally gray action when you consider the whole situation they were in and what Rhys did. So, no one is really wrong for not forgiving Rhys for what he did, but those who forgive him aren't wrong either. It's very important that we understand that.

Now, an argument that is often used and that annoys me every time I hear it is that Sarah "changed Rhys and Tamlin's personalities because of shipping", so she ignored everything Rhys did Under the Mountain to make him the hero just because fans liked him. There are so many things wrong with that that I don't even know where to begin, but let's analyze all of Tamlin's, Feyre's, and Rhys's behavior throughout the ACOTAR and ACOMAF stories and show why I know Sarah did absolutely everything with careful consideration:

There is a trait that is very striking in Tamlin from the beginning of the ACOMAF story and is especially explicit when Alis tells the whole story about Amarantha, Tamlin, and the curse, which is the fact that Tamlin can't deal with the consequences of his actions:

The first time he does this is at the beginning of the curse when he gives up sending his soldiers to die for him, thus Tamlin simply gives up not only freeing himself but all of Prythian, all the people who live there, and still condemns the human lands in the process. He only started sending the soldiers out of desperation after 46 years, look at Alis's speech:

"For two years, he sent them, day after day, needing to choose who crossed the wall. When there were only a dozen left, Tamlin was so devastated that he stopped. He canceled everything." (A Court of Thorns and Roses, page 294, Brazilian Edition).

The second time I can point out is Feyre herself (this because I'm ignoring the events during her stay in the Spring Court, as I don't remember what happened): he takes Feyre to Prythian with the intention of making her fall in love with him, but at the first glimpse of direct danger from Amarantha — in this case, the scene where Rhys makes him kneel — he sends her away.

He gives up saving Prythian because he can't stick to the decision to put Feyre in danger so that she could break the curse, so much so that he condemns himself for it, because Feyre only doesn't say that she loves him — and breaks the curse — precisely because she's leaving:

"— I love you. — He said, and stepped back. I should say — should say those words, but they got stuck in my throat because… Because of what he needed to face, because maybe he wouldn't find me again, despite the promise…" (A Court of Thorns and Roses, page 261, Brazilian Edition)

These are the main events, and perhaps I could list more for you if I reread A Court of Thorns and Roses. But what does this show us? That every time Tamlin makes a decision, he freezes and backs down at the first sign of an obstacle. He retreats and avoids anything that shakes him.

So it makes sense that Tamlin's reaction Under the Mountain is paralysis — a common behavior among leaders in times of war and defeat, by the way, which aligns not only with Tamlin's personality but also with the reaction of a true leader in such a situation.

Alright, let's stop there and go back in time to analyze Feyre's behavior:

Right from the start, we learn that, even being the youngest of three sisters, Feyre was the one who, when they were starving, took action and sought a solution, which shows us right away the kind of person Feyre is: she's the kind of person who acts when forced to face danger, whether it's something intangible, like death by starvation, or tangible, like Amarantha.

This is proven repeatedly throughout the books: when she seeks answers with the Suriel, when she tries to fight off the bastards who tried to rape her at Calanmai (because paralysis can also be a reaction to abuse of that kind), when she goes to Under the Mountain to fight for Tamlin without even hesitating, when she heals from the traumas of Under the Mountain as soon as she has something to focus on, something to dedicate herself to.

And this is one of the fundamental differences between Tamlin and Feyre: while he paralyzes, she acts, and whether we like it or not, differences create friction. Especially with what happened Under the Mountain because she and Tamlin were separated, and neither of them experienced trauma together. Paralysis generates a different trauma from the trauma of someone who is acting, so the end of their relationship begins when she goes to save him Under the Mountain — and Tamlin freezes.

Then we have Rhysand, who is exactly like Feyre: he acts when confronted with danger or defeat and has thousands of actions of his that exemplify this:

As soon as he becomes High Lord, he bans the wing clipping of Illyrian females regardless of the reaction of the Illyrian lords or what they thought about it. It's not that he doesn't care: Rhys, unlike Tamlin, is willing to pay the price that comes when a decision is made.

He becomes Amarantha's whore to protect his people from her getting too close to them. He doesn't care about the cost to himself simply because Rhys knows he's doing some good for his own people by letting himself be raped.

When he sees in Feyre the chance to do something to free all of Prythian, he goes all in knowing that that game would be total defeat or victory. He acts.

When Hybern starts threatening Prythian, he is willing to do whatever it takes — lose a potential friend, hand over the city he loved with all his heart to horrible women, give up his own life — so that they wouldn't fall into slavery again.

When the war comes anyway, he faces it head-on and uses every card he has to stop the King of Hybern: monsters of all kinds, all his power, his own life, and the truth about himself, about who he is.

And these are just a few examples. The fundamental difference between Tamlin and Rhys, just like between Tamlin and Feyre, is how they respond to situations and traumas.

Quoting Teddy Roosevelt (btw, this is a direct translation of the Portuguese version of the quote, so it can be different from the original):

"It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood; who strives valiantly; who errs, who comes short again and again, because there is no effort without error and shortcoming; but who does actually strive to do the deeds; who knows great enthusiasms, the great devotions; who spends himself in a worthy cause; who at the best knows in the end the triumph of high achievement, and who at the worst, if he fails, at least fails while daring greatly, so that his place shall never be with those cold and timid souls who neither know victory nor defeat."

Feyre and Rhysand are the ones in the arena, they are the ones who fight to be able to act in the face of evil — Amarantha. And it's interesting to note that those who condemn Rhys for the dubious actions he took Under the Mountain never say anything about Feyre committing murder there as well, which is a crime as heinous (or at least should be when it comes to innocent people) as Rhys's.

I'll tell you why: when we're faced with a gray and complex character like Rhys — and we don't know his heart, instead we're "infected" with the main character's partial view — we tend to connect him directly with evil, instead of understanding that this character is neither wholly good nor bad. We forgive soldiers for killing people in a war — that's also a combat in Under the Mountain, so why can't we forgive both Rhys and Feyre?

We forgive Feyre because we know how sorry she is, we know her heart, and we love her. But Rhys? He's the High Lord of the Night Court — which alone triggers some unconscious alerts within us — and he's playing dirty, hiding, and being a horrible person, so why should he be forgiven?

That's what our brain unconsciously thinks sometimes, and it makes us judge some characters more severely. Understanding the duality and complexity of a character is not an easy task; it requires a lot of empathy and an open mind.

But why am I saying this? Because it's important to understand: Rhys and Feyre are extremely similar, and they understand each other at a fundamental level because of that. Tamlin, on the other hand, has a completely different personality. He's the one who freezes, who paralyzes.

Rhys and Feyre experience the trauma Under the Mountain together, so Feyre and Tamlin are separated, which, combined with the glaring difference between the two, makes it difficult — perhaps impossible — for them to heal together because, out of loyalty to the character's nature, Sarah can't make Tamlin talk about what's happening like Feyre needs.

Even after Under the Mountain, Tamlin's instinctive action is to freeze. So he doesn't talk about Feyre's nightmares, he pretends not to see her despair, he turns away from her need to talk about the subject — because looking at her trauma would be the same as acknowledging his own.

And he can't do that because it's part of his nature to freeze. But this isn't healthy, hence the explosions of anger, and hence he locks Feyre up the moment she tries to assert herself: these are the consequences of forcing someone who deals with PTSD by freezing to actually deal with their traumas (that and the fact that he's horrible).

I can understand that (not in his relationship with Feyre, I'm talking more generally here, about him as High Lord, he can rot otherwise) but I can't forgive it like I did with Rhys because, unlike the actions Rhys took, paralysis only allows evil to continue to grow and end up imprisoning us (this is, in fact, one of the reasons why Tamlin didn't try to fight like Rhys while Amarantha was killing Feyre: his lack of previous action left him unable to take action when it was time to "put up or shut up").

While Tamlin's paralysis pushes us down while doing us harm, Rhys's actions, as horrible as they may be, are done in the hope of something good, they're done to move us forward. I can forgive him because I'd rather be someone who does horrible things in the hope of creating something better than be someone who allows evil to continue to grow until it imprisons me.

It's that simple.

And Feyre is exactly that kind of person. She needs to act, she needs to talk about it to heal. She needs to have a purpose, not be coddled like Tamlin — and his trauma — wants her to be.

The relationship between her and Tamlin becomes abusive the moment he tries to stifle her feelings to maintain a state of paralysis. And that's something you'd expect from a character like Tamlin, that's how he was built. But this happens long before Under the Mountain: I remember that on the first day Feyre yields to the dresses Tamlin gave her in ACOTAR, I think it was the morning after Calanmai, she warns herself to be gentle, to be kind, when dealing with Tamlin and Lucien.

But after Under the Mountain, Feyre can no longer accept that her feelings be stifled simply because her traumas are consuming her from the inside out. So she fights back. And that's what completely ends their relationship.

But the point is: both Tamlin, Feyre, and Rhysand follow exactly the line of their personalities throughout the story. They are those kinds of people from start to finish. There's an evolution, of course, but it's an evolution of beliefs, opinions, and perceptions — their essences remain the same.

That's why Sarah is brilliant in these books: by being completely faithful to her characters' personalities, she created a story that discusses abusive relationships, the varied responses of certain types of people to trauma, and the various reactions of leaders in times of war and defeat.

But the point is: none of them were changed to fit a ship, simply because they weren't changed. All three of these characters act exactly the way they should within the limits of their own personalities.

Rhys is the High Lord who plays dirty to create a better world, and Tamlin is a leader who can't make a tough decision. And there's another fundamental difference between them:

While Rhys knows that, from time to time, he'll be forced to make decisions that will end up harming part of his people (and will choose the lesser of two evils), Tamlin still struggles with the enchanted vision of a superhero who saves everyone without exception. And when that doesn't happen — because it's never possible to save everyone no matter what you do — he prefers not to act.

I think the two things that illustrate very well the kind of person Rhys and Tamlin are is the Illyrian tradition of cutting the wings of their females and the Tribute:

Rhys risks a revolt to improve the lives of his people and sticks to that decision, willing to pay the price for it if the result is a better life for the Illyrian females, while Tamlin fails to abolish an extremely unnecessary tax because his inability to act makes him cling to archaic traditions like the Tribute.

So, yes, I forgive Rhys for what he did Under the Mountain, because I couldn't love someone who freezes and leaves me to die. I prefer to love someone who cares so deeply about something — a dream — that they're willing to fight and play dirty for it. And then go to battle to defend it.

Hope you enjoyed it! Feel free to point out points that I didn't comment on; I'll try to respond to everyone's comments!"

#acotar #rhysand #feyre archeron #feysand #rhys acotar #books #fantasy books #sjm #sarah j. maas #sarah j maas #cassian acotar #a court of thorns and roses #acomaf #a court of mist and fury #a court of wings and ruin #tamlin #tamlin acotar #morrigan

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wolfscarr · 23 hours

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Helluva Broken Narrative and the most useless character..

Disclaimer: Not saying you can't enjoy this show folks. Enjoy it all you want, this is just a rant about the lack of a cohesive narrative!

I really was completely dead on posting, but I just can't get this out of my head.

I feel people should be acknowledging this far more than it has been, this is extremely important. This goes beyond just episode pacing, this goes beyond the characters....this is something that without it? There is no real show, which is....

Helluva Boss has a BROKEN NARRATIVE.

Some fans wanna claim it has this 'complex' writing and I'm sitting here going like "really? Where?"

It doesn't sorry and know why? Because Season 2 of this show, basically broke the narrative that Season 1 was building.

These past posts of mine, will show you why the narrative is broken.

Now can they continue on with the story they are telling? Yes of course they can, but it won't fix the fact that it's not coherent to Season 1, that it's not needed.

Wanna know who the most useless character in the show is now? If you guessed Stolas, you're correct! In the meaning of making Stolas this guy who did nothing wrong and who's sad....they took away his character purpose.

Stolas has ZERO purpose being within the show now, given how things have played out.

But you might say

"Well he's needed to give Blitz the Crystal and end the deal!"

Except....no, he wasn't. They could have just delivered the crystal to I.M.P. They have Blitz’ number, just call him, get a servant to send it etc.

Remembering my posts above, where you can have I.M.P. killing in Hell as a Season 1 thing?

Maybe they're just getting started with their company? So Blitz wants to supplement with killing in Hell by killing those up top so he goes to see about getting an Asmodean Crystal?

See let's backtrack here folks, the episode Oops it was mainly about Blitz and Fizz reconciling right? Which they do at the end of the episode. Now follow this, if we take into account the above, Blitz' dialogue could be.

Blitz: "Fizz look, I know what happened to you was horrible. I don't...expect you to forgive me, but I'm struggling to support myself, my daughter and my employees with my company. I....if you can just think on it, perhaps I could get one of those Asmodean Crystals?"

The scene ends and Fizz goes back to Ozzie, while along the way he's thinking about Blitz' words and how he was saved by him where in the end, Fizz agrees to send Blitz a Crystal because he's earned it from saving his very life.

Or here's another scenario, Blitz has a Crystal from the start(which he took from Verosika when they were dating), but as things get far more hectic up on Earth with more dangers. The Crystal ends up shattering after I.M.P. gets back to Hell after a job, thus Blitz goes to actually confront his past and reconcile with Fizz in order to try and get a new one.

See how easy it is now, to just remove Stolas entirely? They took away a character's purpose of being in the show....that to me, is completely disappointing. Characters, especially those that are suppose to be IMPORTANT, should have a purpose...without that? You may as well just delete them entirely.

Blitz could have had 2 whole Seasons with relating to the past and those that he hurt, that he TRULY hurt(Verosika, Fizz and Barbie) that would actually matter to him as a character. But instead, all these characters are instead shoved to the wayside, for a character who doesn't matter anymore and only actually matters because the writing is FORCING him to matter.

You can write the narrative in so many different ways with what Season 2 gives us, that completely destroys what Season 1 told us. Are we now expected to just....IGNORE AN ENTIRE SEASON?

They can do this whole "sad Stolas is sad and Blitz is hurt and Stolas is going to give him a crystal." Thing all the way to 'try' and fix things, but it'll fix nothing....because the deal between them was retroactively made completely pointless.

The show will continue obviously, but in the back of the minds....it will be a broken narrative and Season 1 is basically buried 6 feet under. As a writer, this really annoys me....because they had how long between Seasons to nail this down? How long have we all waited just in-between episodes? This shouldn't have happened.

Yes, is storytelling hard? Obviously, none of my stories are perfect....but at least the narrative is coherent from beginning to end.

Anyway...I just...had to get this out of my head, because it was really frustrating and I want it to be acknowledged more. The narrative is important folks, if it's broken...that's not a good thing.

I'm still watching this show....if only because I'm knee deep in it now and I still somewhat actually like the characters, but what I don't like...is this broken narrative that is still hanging around with a pointless character that doesn't matter to the show anymore.

Narratives, coherent narratives are important to a story, without it? You don't have characters and you don't have a story.

#helluva boss #helluva critique #helluva boss critical #helluva critical #helluva boss criticism #vivziepop critical #Narratives are the MOST IMPORTANT THING!#helluva boss season 2 #helluva boss season two #helluva boss blitz #anti stolas

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archiveikemen · 3 days

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Ellis Twilight Main Story: Chapter 3

This is a fan-made translation solely for entertainment purposes with no guaranteed perfection. I do not own any of the original content. Please support CYBIRD by buying their stories and playing their games. Reblogs appreciated.

Warnings and FAQ

Ellis: Bodyguards?

At breakfast, Victor was talking about the unexpected incident that occured during my first job as the “fairytale keeper”.

Victor: That’s right! If Jude and Ellis protect Kate, our secrets will be kept safe too.

Victor: At the same time, Kate will also be able to observe the two of you up close and write everything down in her records…

Victor: It’s like killing two birds with one stone!

Victor: What do you think, Ellis?

Ellis: I’m fine with it if Kate is.

Ellis: Just because no one was hurt yesterday doesn't mean that sort of thing won't happen again… I want to be by Kate's side in case.

Victor smiled in response to Ellis and turned to Jude.

Victor: Of course you'll take this new responsibility seriously, right, Jude? You hate doing favours, don't you?

Jude: Tch…

(I feel safe being near Ellis, but…)

Ever since having my life threatened because I was with Ellis and being mistaken for “Jude Jazza’s woman”, I couldn't help but feel wary of Jude.

Jude: Don’t you start wailing when you get caught in a scary situation, princess.

(He’s so intimidating… but this was a good suggestion from Victor, so I mustn't chicken out.)

Kate: I’ll be fine. I’m surprisingly tough!

Jude: … Hah.

Jude snorted and went back to reading the newspaper.

Ellis: Then it’s decided. I’m looking forward to working with you, Kate.

Kate: I look forward to working with you too.

Unlike Jude, Ellis returned a soft smile.

Ellis: By the way, you can be more casual with me.

Kate: Huh…?

Ellis: You could say “yeah, me too” or something.

Kate: Y-Yeah… me too.

Ellis: Mm, much better.

I felt comforted by Ellis’ warm vibes.

Victor: Administrative matters aside, now let’s talk about your mission.

I straightened my back and listened attentively to Victor’s words.

(This will be my first real job as the fairytale keeper.)

I bear in mind that this was important in helping me gain their trust.

Victor: — Truth is, there is something I want you to collect information on.

Victor: It’s regarding the series of kidnapping cases happening all over London.

Kate: Kidnapping…?

That dangerous word brought back the same anxiousness I felt when I met the members of Crown for the first time.

Victor: Correct. The victims’ ages ranged from infants, to adolescents, and even grown adults.

Victor: One thing they have in common is that the adults were either prostitutes or street performers.

Victor: Popular songstresses from taverns have gone missing… many of them lived unstable lives without proper residential addresses.

Jude: Because the victims weren't people of high importance and mostly didn't have fixed addresses, no one reported them missing.

Jude: As usual, the police aren’t going to do anything about it either.

Unfortunately, like Jude mentioned, people who worked in the entertainment district were often looked down upon.

In that world of glitz and glamour, they were treated like pieces of trash in a garbage dump.

Victor: So, about the mission…

Victor: Have you heard about the ongoing art fair in London, the one with a few performers gathered there?

Kate: Yes. The scale of the event is not as big as the social season, but it’s rather crowded.

Victor: I want Jude and Ellis to go to that art fair and collect the necessary information.

Victor: These people may be vagrants, but they’re more bonded than you think.

Jude: Why do I have to go? This is useless.

Victor: Remember the human traffickers you dealt with in private? They might be connected to this case.

Victor: This has gone too far, don’t you think? Besides… today's your first day off in a long time.

That sounded like information Victor wouldn't be aware of, unless someone told him. Jude shot a glare at someone…

Jude: … Ellis.

Ellis: He asked, so I answered honestly. Sorry.

(The power balance between these two might surprisingly be of equal level…)

Victor: See you!

Victor sent us off with his cheerful voice and we headed for our mission.

…

(The fair is even more crowded this time round…!)

Colourfully decorated stalls lined the venue of the art fair and delicious aromas wafted through the air.

The people were entertained by not only the food, but also the street artists painting and performers showcasing their talents on stages around the city.

Walking around the fair, I couldn't help feeling immersed in the lively atmosphere.

(Oh no, I’m getting too carried away… I must focus on our mission.)

(Right. I should ask him now.)

Kate: Ellis. Jude. Could you tell me about your curses?

Ellis: We haven't told you yet?

Ellis: I have the curse of the “Briar Bushes”, and Jude has the curse of the “13th Fairy”.

Ellis: They’re based on a motif called “The Thorn Princess (Sleeping Beauty)”.

(Curse of the briar bushes and the curse of a fairy…)

The 13th fairy was an antagonist who placed a deadly curse on the princess out of spite for not being invited to her birthday party.

(I know that's the fairy’s sin, but…)

(What sin did the briar bushes commit?)

As I thought hard about it, Jude suddenly stopped in his tracks and turned around languidly.

Jude: We don’t need a party of three. You go in the other direction to search for information.

Ellis: What about protecting Kate?

Jude: You’ll be fine doing that alone.

Without another word, Jude disappeared into the sea of people.

Kate: … Does he hate me, by any chance?

Ellis: I don’t think so, he treats everyone like that.

Ellis: His intention was probably to protect you from danger by avoiding being seen with you.

(Hmm, I don't really think so…)

I swallowed those words that I almost blurted out.

Kate: … If that’s the case, he’s actually rather kind-hearted, isn't he?

Ellis: I wouldn't say that. He loves hearing the people he hates scream in pain.

Kate: …

(It scares me how easy it is to imagine that…)

Ellis was the total opposite of him, showing kindness to everyone he met.

As though to prove me right, people all around us started approaching him the moment Jude left.

Flushed Man: Oh, you over there! Thanks for taking care of me that day!

Ellis: You’re welcome. Remember to drink in moderation today.

Kate: This is…?

Ellis: I found him passed out on the streets the other day, so I piggybacked him home. I don't know his name.

Kate: Eh!?

(You brought a random stranger home and nursed him back to health!?)

That wasn’t the only thing that left me in shock—.

Furniture Artisan: Business has been booming thanks to Ellis promoting my works to people!

Bespectacled Student: I’m so glad to run into you again! Um, I’d like to repay you for helping me fix my bike, could I have your contact information…

Cat: Nyaa.

(Even a CAT thanked him…!?)

(Or should I say, judging from the number of people who thanked him as we passed by…)

I could tell that Ellis did many good deeds on a daily basis.

Kate: I’m a postwoman, and yet you’re even more well-known than I am…!

Ellis: Really? I think this is pretty normal, though.

Ellis smiled gleefully as he watched the people smiling around him.

(Everything Ellis did for me yesterday is without a doubt just a usual thing for him.)

Someone who spreads joy.

Watching Ellis’ interactions with the people in town brought those words to my mind.

(Does someone like him even have any “sins” I can record down…?)

(Rather—)

(Why would someone this kind-hearted work for an assassination organisation or with Jude?)

Despite having personally witnessed his kindness… that question surfaced in my mind.

Ellis: Kate, Kate.

Kate: … Oh, I’m so sorry! I got lost in thought.

I came back to my senses and noticed Ellis peering into my face up close with his head tilted in puzzlement…

Ellis: Were you thinking about me?

Kate: …!?

Our eyes met at a close distance like a pair of lovers gazing at each other, sending my heart into a frenzy.

(Ellis doesn't seem to be conscious of it, but… this is too close.)

The situation was the same as when he went to see me in my room the morning after I came to Crown’s castle.

It was the second time seeing his twilight coloured eyes up close.

Feeling my cheeks turn red from the embarrassment, I turned my eyes away from him.

Ellis: Ah, hit the nail on the head.

Kate: How did you know?

Ellis: Hmm… just a hunch, I guess?

Ellis handed me a steaming mug with a smile.

Ellis: Here, I bought this milk tea from that shop over there while you were lost in thought about me.

Ellis: This is to thank you for helping me with my mail the other day.

(... Ellis is awesome…)

Ellis’ eyelashes lowered and he lightly blew on the cup of milk tea before taking a sip.

Ellis: If there’s anything you want to ask me, feel free to.

Kate: … Understood.

Ellis: Just “okay” is good.

Kate: … Ellis, why did you join Crown?

Ellis: Victor recruited Jude to join Crown, then Jude said OK and I joined too, I guess?

(You joined just because Jude did…?)

Kate: Why are you always with Jude?

Ellis: You have many questions, huh.

Ellis smiled and held his mug in both hands.

Ellis: My life was a mess before I met Jude. I moved from place to place, never having anywhere to settle down.

Ellis: When I came to London, I met Jude by coincidence.

Ellis: Some stuff happened, and we made a deal.

Kate: A deal…?

Ellis: That I’ll work for Jude, and he’ll comply with my request in return.

Ellis: So… we’ll be sticking together until the time comes when he fulfils his side of the deal.

My next question gave me a feeling that something might happen if I heard the answer, causing a stir in my chest.

Kate: What request did you make…?

Ellis: It's—

Performer with Flashy Hat: What is going on!?

(...!?)

The sudden yelling made me jump in shock and look in its direction.

Behind us, in the back of a temporary stage, a performer was scratching his head in distress.

Performer with Flashy Hat: Two people can’t make it for the performance… this is a DISASTER…!

(Two people… two performers… could it be?)

Kate: Ellis.

Ellie: … Yeah.

— “The victims of the serial kidnappings were often prostitutes or street performers”.

We exchanged looks and headed towards the distressed performer.

…

Kate: Um, excuse me.

Flashy Hat: Hm? Oh. My apologies, Miss, but my show has been postponed by another 10 minutes!

Ellis: We heard you saying just now that two people can’t make it to the show…

Flashy Hat: My buddy who is supposed to perform with me has gone missing without a word.

Flashy Hat: Geez, lots of people have been disappearing into thin air lately… it’s starting to get suspicious.

(Multiple people… going missing…)

(If we ask this person more about the disappearances, we might find something.)

Ellis: If it's alright with you, could you please tell us more?

Flashy Hat: Sorry, but I really don't have the time for that right now! Even if I have to do it alone, I must think of what to perform up on stage.

The performer shooed us away… but stopped and looked at us again as though he had just gotten an idea.

Flashy Hat: If you guys help me out with the show, that’ll be a whole other story.

Flashy Hat: Haha! I’m just kidding. Being short-handed is one thing, but it's a strict rule to never allow amateurs on stage.

He shook his head, seemingly to dismiss his suggestion as an impulsive one.

Ellis took a step closer.

Ellis: Help? What kind?

Flashy Hat: Haha! You’re serious about this? I was merely joking.

Ellis: But you said that you’ll tell us the details if we help you, didn't you?

Flashy Hat: … What? Hey man, you guys got a problem or something?

His friendly face twisted.

Flashy Hat: Giving out information about my buddies puts them in danger.

Flashy Hat: I can’t guarantee that you two don't have ill intentions. We're strangers that just met.

Kate: How can we earn your trust?

Flashy Hat: Let me think…

Flashy Hat: If you guys are willing to be used as a target for knife throwing, or tied up and thrown into a tank…

Flashy Hat: I’ll trust you.

(Target for knife throwing…!?)

Ellis: Okay. I’m good at that stuff.

Ellis unhesitatingly proceeded with the negotiations while I stood there, baffled.

(Ellis is so confident when it comes to negotiations. It must’ve come from his experience in working with Jude…)

Ellis agreed to help the performer with the show, but negotiations didn't go as we expected.

Flashy Hat: Tch tch tch… you alone isn’t going to be enough. That lady has to help out too.

Kate: Wha…!?

Ellis: … Why?

Flashy Hat: Perform, of course!

Flashy Hat: Just think of it. A tragic story about lovers being torn apart, building up and coming to a tear-jerking finale! The audience will definitely love it.

(... Knife throwing… being tied up in a tank…)

Ellis looked at me worriedly when he noticed my face turning pale.

Ellis: Kate, you don’t have to do it if you don't want to.

(Victor has done this knife throwing thing before, so Ellis will be fine with that.)

My physical abilities were nowhere nearly as good as Ellis’, and yet…

Whether or not we would get information from that person depended on me.

(I have to trust them and just go for it…)

Kate: V-Very well. I’ll help.

Letter

#ikemen villains #ikemen series #cybird ikemen #otome #cybird otome #ikevil main story #ellis main story #ellis twilight

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starlight-bread-blog · 1 day

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My Interpetation of The Southern Raiders: Part 2 – Zuko

Warning: The views expressed in this analysis will be somewhat uncritical of Zuko. If you aren't likely to agree, you aren't going to enjoy this post. This is your chance to leave. I probably won't have a debate for personal reasons.

——————

This is the second part out of a three part series trying to answer every question posed by the discourse on The Southern Raiders. If I take some things for granted, it's because I discussed them in part 1, in which I delve into A\ang's role in the episode. Today, I'll set my sights on Zuko.

——————

1. Was Zuko a negative influence on Katara?

No, he did not. When Zuko merely presents the possibility of tracking her mother’s killer, it cuts through her reply right to her already leaving. In literature, what isn’t in the text holds no relevance and is to be disregarded as mere speculation. We don’t see Zuko convincing her, therefore he had no influence on her, and that she made the choices she did because she wanted to.

All Zuko did later on was defend a decision Katara already made on her own. And in both the first and second disagreements with Aang she had the last word. Ergo she was making her own choice.

Additionally, before they enter the room of who they think was her mother’s killer, Zuko asks her if she’s ready. And when she finally spares Yon Rha, he supports her decision. If he were to influence her, he wouldn’t have done either of these things. He only wanted to help Katara heal and never brought up anything that wasn’t already there.

——————

2. Was Zuko being too harsh on Aang?

(1) That's cute, but this isn't air temple preschool. It's the real world.

(2) [Forgiveness]'s the same as doing nothing!

(3) Okay, we'll be sure to do that, guru goody-goody.

He was definitely disrespectful towards Aang's culture, although his disrespectful remarks are a response to Aang’s own disrespect, imposing his beliefs onto Katara. And he didn’t say that until after Aang compared Katara to Jet. It was still wrong to come after the Air Nomad teachings, but they’re not as insulting as people paint them to be.

And it’s not like he didn’t take them back by the end of the episode. Zuko had good intentions, made a mistake and learned from it. That’s how characters grow, through mistakes. (More on that later).

——————

3. What motivated Zuko to find Yon Rah?

He wanted to earn Katara’s trust. The show makes it explicitly clear.

Zuko: What can I do to make it up to you?

And so later:

Zuko: Katara mentioned it before when we were imprisoned together in Ba Sing Se, and again just now when she was yelling at me. I think somehow she's connected her anger at that to her anger at me.

I’ve seen many describe this motive as selfish or manipulative, but I have to disagree. He has no reason to do anything to earn Katara’s trust. He saved her life on that very day, is fully accepted into the GAang, and in this episode he found out that some of her anger at him is rooted in projection. But he still goes out of his way to do the impossible, to give Katara the closure she needs in order to put faith in him.

——————

4. Why did Zuko think revenge\murder would help Katara?

Katara is a kind soul and murder wouldn’t have helped her heal, but Zuko had good reasons to think it would have. He didn’t know Katara’s soul, she didn’t even consider him a colleague, at that point she hated him. However, he did see Sokka killing Combustion Man in The Western Air Temple. So he has no way of knowing whether revenge would help, but he’s under the impression that murder isn’t a big taboo at least for some of the GAang.

Moreover, he knows that the person who took his mother away from him will receive justice, and that it helps him sleep at night. Katara doesn’t have that, Yon Rha retired in peace. So he offers her the justice he knows helps him.

But the main reason why he thinks revenge would help Katara, is that she told him it will. Zuko plays a largely passive role in the episode, simply assisting Katara in whatever way he can.He’s only fulfilling Katara’s wishes, and she told him that her wish is to seek justice on “the monster”.

——————

5. Did the trip have an effect on Zuko?

It did. By the end of the episode, Zuko delivers the following line:

This is an important part of his arc of unlearning the Fire Nation’s black and white philosophy that values aggression above all else. He comes around to Air Nomad pacifism and non violent solutions from seeing them work first hand. And as the good (redeemed) person that he is, he admits he was wrong and changes his views. He grew as a character to become a better version of himself.

——————

In conclusion, despite the somewhat questionable nature of Zuko's actions in "The Southern Raiders", his underlying good intentions shine through. His role was not a devil on Katara’s shoulder, but a natural force backing up whatever decision she makes. And this allows him to emerge with a valuable lesson learned.

#can't believe i wrote this so fast #wow #zutara #zuko x katara #anti kataang #katara x zuko #zukoxkatara #kataraxzuko #pro zutara #pro zuko #zuko #anti anti zutara #zutara analysis #zutara evidence #zutara forever #zutara meta #zutara nation #zutara should have been canon #zutara was robbed

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quirkwizard · 3 days

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The most annoying aspect is why didn’t AFO just give Tomura Overhaul? He could still kill his family by the surprise factor and turning his family to paste and would be more stronger and versatile for future plans. Like have Garaki teach anatomy to Tomura to master overhaul if it requires knowledge or heal up AFO after his fight with all might since Tomura is completely loyal. Plus it would make crime so much easier like overhauling walls to break in and out with no sign of damage or kill/torture someone over and over and not leave fingerprints, heal wounds since Tomura complained about no having a healer in the party. My only guess is that Decay would ensure the family dies. Honestly it feels like Hori knew people suspected that Decay was given, so he tried to add a surprise twist by having be from Overhaul but just ended up raising more questions.

AFO had access to Overclock and Overhaul and didn't keep either of these quirks, or at least a copy of them. These two alone would make for an extremely broken combo. That, imo, is just complete dumbassery on AFO's part.

Its still weird that AFO didn't have a copy of Overhaul because Garaki could make artificial copies of quirks starting with the AFO quirk itself. If Garaki had the quirk him he could have easily fixed and improved AFO after his fight with All-Might

I have a particular question regarding Kotaro Shimura. We know that he and Nana had a rough time after the death of the father and force to let go his son to being raise from foster family. Why didn't All For One track him and brainwashing him to thinking that his mother abandoned him? Why target Tenko, his son to be his successor?

I've already talked about the flaws of him taking "Overclock", that it's an extremely skill reliant power that needed a dedicated user to make the most of, so I'll just talk about everything else here.

I think you are overestimating how much "Overhaul" would by of use to All For One. Yes, I did say that All For One would benefit from "Overhaul" and I stand by that. However, that is my assumption that "Overhaul" is super easy to use. if I were to play devil's advocate, I could put forward "Overhaul" is a lot more complicated then it appears. It's only as strong as it is since Kai is equal parts competent and experienced enough to make the most of the power. This can be further supported if you go with the idea that "Overhaul" was a deviation, which are infamous for being dangerous and unwieldy for even trained users. Whether or not any of this was Hori's intention is unclear, at least to me. What I can say for certain is that "Overhaul" could not heal All For One. While "Overhaul" can fix injuries, it can't reserve damage. If anything is missing or too far gone, Kai can't fix it. It's why Eri is still scared from all the experiments that Kai did on her. The damage that All For One took is far more extensive then that, to the point that not even "Super Regeneration" could fix it. It's why we don't see it healed until he took the Rewind Drug. He needed something that potent to put his body back together.

While "Overhaul" is certainly a more practical power, there were multiple reasons "Decay" was given to Tomura. It prevented Tomura from being able to heal his family. "Overhaul" is meant to reverse any of the damage done, potentially giving Tomura an out from whatever destruction he caused. "Decay" is only meant for destruction. Second is that All For One didn't want Tomura to be too capable. You need to remember that All For One didn't want a true successor. What he wanted was a vessel that he could eventually take control over. For that, he needed Tomura to hate and for that hate to be strong. So he gave him a power that was a constant problem, risking destroying whatever he touched and was only applicable in destruction, further pushing his destructive nature. "Overhaul" would have been too useful to really work with that. Finally, it helped keep Tomura under All For One's wing. It made him easier to direct and influence. We see this all the way when they first interact. It's why he didn't use Kotaro. Going by the flashbacks, Kotaro was a full adult. It could have been that All For One had only just found him and decided to reoriented his successor plan to use Nana's family, engineering the whole scenario to make the successor he wanted.

#My Hero Academia #Quirks #Kai Chisaki #Overhaul #Tomura Shigaraki #Decay #All For One #MHA Meta #MHA Theory

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azuresage · 8 hours

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It gets talked about a lot but I still can't stop nerding out about Link's characterization in TotK. It's done through his many creative dialogue choices and his expressions of course, but it's also done so subtly through what he *doesn't* say. Notably, he doesn't talk about himself. And this is why nobody recognizes him unless they've already met him. Because he doesn't tell them when they've got the wrong impression of him.

The meme about Link having Tony Hawk syndrome is so real. People will look at him and straight up say, "Wow, you look exactly like Link!" without a hint of irony. Lookout Landing has a detailed picture of his face in their watchtower and the search party still doesn't recognize him. Penn works with Link for a long time and thinks he's unlucky that the Yiga keep "mistaking" him for the Hero (granted, Traysi asked him to deliberately keep quiet, but Penn still didn't put two and two together himself). I think the reason for this, aside from it being really, really funny, is that Link just doesn't talk about himself. He doesn't feel the need to.

Characterization isn't just about what we see a character doing, it's also about how other characters respond to them. Link is so unassuming and humble that he doesn't match people's expectations of what "Link" should be like. The three Gerudo ladies hanging out around Outskirt Stable are one of many perfect examples. Link stands in front of them carrying the Master Sword, but they expect the Hero to be taller than they are, with a giant glowing sword, so they don’t believe it's him. Obviously that's not the reality, but they don't know that. Link doesn't correct them, either. Again, he doesn't feel the need to.

This is also why many NPCs from BotW don't recognize or remember Link. To them, he was just a passerby that did them a good turn once 6+ years ago. Nobody's going to remember a person like that for so long after. They had no way of knowing he was the Hero, unless it came up for story quest reasons. When they hear stories about the Princess's Appointed Knight who woke up from his 100 year nap, defeated the Calamity, and rescued Zelda, they imagine someone larger than life. Then when they see what Link actually is like, they can't put two and two together.

This is true even during the Hyrule Restoration efforts. Link always follows behind Zelda as her shadow, which she notes in her diary, but the people in the stable investigation quests and in Hateno don't recognize him either, even though he went everywhere she did. Link is just that unassuming. He resigns himself to being a shadow, allowing Zelda to take the lead and do as she pleases but always staying nearby to support and protect her. He doesn't need to be recognizable to do his job. And we know from both BotW and now TotK that he's wholly devoted to her. He's content with this. Many people more eloquent than I have spent many paragraphs elaborating on this. I just wanted to focus on what it says about his character.

Link is humble and unassuming, so much so that nobody believes that he's the Hero unless they already know him. He's devoted to Zelda, so much so that he's willing to do anything to chase even a glimpse of her. He doesn't talk about himself or correct people who have the wrong impression of him. He doesn't need to do that to chase his Zelda. He is a person of great humility in spite of his station. I think that's so interesting and neat how the comedy of him being unrecognizable also tells us all this about him. It's also cool how this is only one aspect of him; all the dialogue choices and expressions he makes during cutscenes and actions out in the world show a whole other, lighter side to him that meshes with this. It's all so good. I am in love with it. It always kills me inside when people dismiss his characterization as being nonexistant or flat just because it's not spoonfed to them or when they say Link being unrecognizable is lazy writing instead of a deliberate choice. I am biting and gnawing and gnashing over him and his relationship to Zelda. I love them so much.

#legend of zelda #tears of the kingdom #zelda theory #link #this was swirling in my brain cuz i just started replaying totk i had to jot it down #this game is peak fiction. my favorite of all time.

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dufferpuffer · 12 hours

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What do you think lupin needs in a romantic partner to have a functioning/healthy relationship (as healthy as this man can manage atleast)? What qualities would this person have to have to be able to deal with all the more challenging aspects of being in a relationship with him? But also what does he want in a partner? And what would he absolutely not want?

Me. I am perfect. Remus Lupin hmu

In short: Remus Lupin needs an ANCHOR POINT to harbor his ship. 1. Someone interesting he can pour his attention into. 2. Generally up-beat/optimistic, so he has warmth to lean on. 3. Bold enough to be themselves - even if they're different. 4. Kind and accepting of other people 5. A little 'cute'. 'Quirky'. Small 'issues' support. (just a bonus, really) 6. Independent. Can live without him just fine but still want him. 7. Emotionally strong. Immense maturity and stability. 8. Doesn't have much temper, doesn't start drama or fights. Of course he doesn't need ALL of these boxes ticked - but the highlighted ones are the closest to a MUST for the relationship to even have a chance at being healthy. In long: Explanations (and example characters who I think fit) are below. B^)

Remus is an introverted man. He isn't shy (he can take charge of a room, he can speak publicly, he is good at getting people to like him) but when he isn't the focus he is a wall-flower. He doesn't talk much unless he has something to say. He is deeply, irreparably self-conscious. He has trauma of unintentionally hurting those he loves, so he keeps his distance.

((His parents became sick with the stress of having to move house every few months, find new work every few months, keeping their bank account drained... socially isolated with a son they had to lock away every Full Moon - lest he killed them. They loved him but that was a difficult thing for Remus to grow up witnessing, knowing he was the cause. Knowing him leaving for Hogwarts was the best thing to happen for their health since he was bitten... Of course he pushes people away. He can't help being sick - but he can help them not suffer... if he stays away.))

He is always thinking inwardly. He is always anxious. He wonders how he can make himself smaller, friendlier, less scary… Trying to plan how he wants others to relate to him. He tries to control how others think of him, to steer them away from the bad things... He is a wolf in wizards clothing. If he treats everyone as dolls to manipulate, and if they never know the real him... it will hurt everyone less when he leaves.

1. He needs someone who can bust him out of that toxic mindset. Someone that grabs his attention and pulls it away from himself. Someone interesting, skilled, passionate - living a life he can't achieve. Someone with knowledge or stories he can listen to at length and live a little through them... or they can even include him. More of a talker so he can be a listener, so he can focus on someone else's world - but they're also eager to hear whatever he has to say without prying. They aren't arrogant or loud: they can listen, too. Remus needs good, witty conversation over a cup of tea.

2. They need to be generally up-beat, but not in a way that'll crush his down-beat. They invite him to join in if he wants - or else lean on them like they're a heater for his troubled soul while he feels down. Sometimes he will feel bad, or flat, or tired - and they can't fix it.

I don't think he has any visual preferences. What he notices first about people are their mannerisms. He is always shaping himself to fit the room, so I think he admires people who act authentically: Boldness. Bravery. Honesty. Earnestness. Brashness. So... 3. He would be more attracted to people of subcultures and/or strong interests - or are simply out-of-the-expected-norm. I think he would be fascinated about these little nooks of belonging - alternate 'normal's' when the Wizarding world can be so rigid. (Do I think he has a preference for LGBTQIA+? Yeah. General androgyny too.)

4. Kind. Accepting. They need to be kind to others in general. Because he can't always be kind to others. He puts himself first and sometimes that hurts because he WANTS to be more kind. A partner who can pick up the slack? Who he can trust to always be kind and accepting of him - because they are such a way with everyone...? That's just a requirement, really.

5. A small thing I think he likes in particular: A cute factor. A little clumsy, A little slow, Enthusiastic, Awkward, Weak, A bit short/tall... something that isn't an issue but will pop up every now and then, distract him and make him go '...cute. That was cute.' Something he can effortlessly support. Something he can be thoughtful about, thinking of their needs rather than his own. - They struggle to read quickly? He can read out loud for them. - They tend to act impulsively? He can hold them back just enough to let them to give it a second thought. - They struggle in social situations? So he can talk on their behalf. - They keep fumbling and tripping over? He can keep them steady. It's nice to feel useful and kind in a simple, effortless way. Something so obvious to proves he isn't bad at heart - even when he feels awful.

6. They need to be Independent. What he CAN'T have is someone who NEEDS him. Oh god, the pressure… He cant be trapped. He requires a high level of independence... because he WILL FAIL. He WILL leave and break their heart over nothing. He WILL make promises he doesn't intend to keep - because he intends to run away and never look back. If they NEED him, just to stay afloat…? It will break him. He can't be the bread-winner, even if he could have a stable job. He can't be a long-term emotional support, only short-term. He needs to know that WHEN he breaks down and fucks off not 'if' - even if it's FOREVER… that they will be okay without him. 'Not being ok without him' won't make him stay. He will not 'shape up under a bit of pressure'. It will only injure him.

7. He needs someone strong enough to be forgiving. Not a self-harming, forcing yourself to forgive-and-forget either. That is a very real danger with Remus: If he got with someone who was as much a people-pleasing self-depreciator as him…? He will tear them to shreds. He is a toxic man and he requires tough gloves to handle:- Genuinely emotionally strong. Someone he can lean on, far more than they lean on him. - Wise enough to see through his bullshit manipulations and lies - with enough tact to navigate them, understanding he struggles without judgement but holding him gently accountable. - Empathetic enough to understand him even when he can't explain himself properly. - Mature enough to hold him accountable. Can help him understand how he can do better. He is filled with shame - sometimes for very good reasons that need addressing.

He will go through periods of being unable to be contacted, periods of self-endangerment… He needs somewhere, someone, he can crawl back to in shame. Who WILL talk with him seriously about things… but is willing to just let him sleep quietly for the night in their arms, for now. (Am I saying he needs to date a therapist? Yeah, basically. Dating Remus isn't easy.)

8. Doesn't start fights. Doesn't lash out. Doesn't live off of drama. Remus fits himself into situations passively - he doesn't need someone making situations more difficult to feel comfortable in. If they get angry and yell at him - he will yell one hurtful thing back and leave. He has a very limited ability withstand tension. He tries to keep a level head and a level room - he needs a partner who will support those efforts, or at least not sabotage them.

Partners I think have good chemistry, for examples:

NYMPHADORA TONKS. It is annoying how perfectly she has been made to fit Remus' needs, as she is so underutilized. I wouldn't find her as frustrating if she got more fleshing out in ways that weren't the specific things suited to being with Remus… ugh. - She is a skilled Auror, especially for her age. - She lightens the mood of any room by being playful. - She is unapologetic in being herself, accepting people with ease. - She is a bit clumsy - but capable and hugely independent. - Her ability to roll with the punches is insane: every time Remus is hot-and-cold she has both the ability to hold him responsible for how much it hurts and the strength to still stand there for him. - She is firey and doesn't back down, but she isn't trying to start fights. She's just stubborn and confident in what she has to say. To make claims like 'Remus only likes her because she can shapeshift' or whatever is just... no, its because she is perfect for him.

LUNA LOVEGOOD. Surprising, I know. Perhaps in different circumstances they could have hit it off. - Strong interests, a subculture at the edge of Wizarding society yet she is always 'uniquely' and brazenly herself. - Optimistic and up-beat... a little dreamy, air-headed, focus could use some steering sometimes. - Helpful and kind to all, even those that have been mean to her. - Very used to being alone. Independent in body and soul. Quite comfortable being alone - but friends are nice, too. - Emotional strength is a specialty of hers. Even in the worst situations she keeps her head on her shoulders and, despite how aloof she appears, is intelligent, sharp and serious. - Can make demands when she needs to - not a pushover. Bonus: An interest in magical creatures, too. :)

Close, but I think have a large flaw (that might makes them spicy):

SEVERUS SNAPE - Potions Master. Dark Arts specialist. Veteran teacher. All the steady employment and deep, fascinating interests Remus wishes he could have - along with ALSO having been a Spy... and being misunderstood. They have more in common than they don't. - He isn't optimistic, but he is a problem solver, dedicated to making things better than they are. He faces problems head on while Remus would rather curl away. - He understands feeling quiet and low. He might not be warm, but he is a softer place to rest than you'd expect. - He has never changed himself for anyone. He is stubbornly himself, even when it makes him seem like an outcast weirdo. - He has little patience. He isn't gentle or nice. But he cares enough to be kind, even to those he hates... and he is loyal. It isn't ideal for Remus but it gives him a place to fit himself: If Severus is cold, he is warm. If Severus has the quirk of being a snarky, prickly bastard - Remus is skilled at the opposite. - Independent. Accustomed to being alone. Expects to be alone. Being with someone who understands him... a little daunting, really. The main place I think Severus fails here is emotional strength. He is quick to anger and lashes out. He holds grudges. He starts shit and Remus can't handle shit. Severus needs someone who can temper those anger flares, or at least weather them - and Remus can do neither. But perhaps that is the place they can meet in the middle...?

LILY EVANS - Everyone liked her. Talented, bright and strong-willed, She was a popular girl. I think Remus liked her too, but... James and Severus. - She seems a bit cheeky, quick witted - she brightens a room when she walks in. - She was best friends with Severus for years. Maybe she had other friends in her dorm - but if they were as close to her as Severus was, they would have been HIS friends, too. She was willing to be with the outcast, even when popular. - I know it's a movie quote, but I think it still fits from Remus' POV when he says Lily was an 'uncommonly kind woman' and 'had a way of seeing the beauty in others when that person cannot see it themselves.' I think she accepted him fast and firmly. - She didn't need anyone else. She stood up to James by herself. She knew what she was worth. - She seems to prefer ending fights rather than starting them. She hates a bully. Lily doesn't have the 'grit' (for lack of a better word) to take toxicity. She hated James' bullying. She dropped Severus. She has patience and an 'I can help fix him' desire - but they need to put in the effort, too. James cleaned up his act somewhat and she liked that. Remus isn't going to fully succeed at 'fixing' himself. Not just by 'putting some effort in'. It is going to take so long, and be so slow... Severus would be far easier to 'I can help fix him' - and she couldn't handle him. !!!This isn't saying Lily is weak or something. It is incredibly HEALTHY to not being able to put up with toxic shit, to have the strength to say 'enough is enough'. That is a GOOD thing.!!!

A popular partner I DON'T think works out so easily:

SIRIUS BLACK Sirius Black is a dog. He needs people. He needs constant companionship - especially after Azkaban. He is a mess who needs support, company, loyalty... and Remus can't provide any of that with regularity! Waking up in an empty bed, in a cold room, after Remus timidly promised to 'always be there' for him but was lying... it would shatter Sirius. He doesn't have the strength or stability to lose anyone else. Sirius is honest and sticks to his guns even when times get tough. He would rather DIE than turn his back on a loved one. Remus lies unprovoked and runs away with his tail between his legs at the slightest sign of trouble. Sirius, as a traumatized man, is not going to be able to understand why Remus can just throw away everything he has to run off. How he could just leave him alone again...? Doesn't he love him?! At his worst: he is more likely to try and emotionally trap Remus with him, force him to stay - and that just isn't going to work. Remus is a Wolf. He can't be locked in. I don't even think Sirius at his best, pre-Azkaban, would fit well: - He is upbeat, but in a way that tries to break others out of their funks. It's abrasive for him to hang out with someone sad. ((I'm sure he could learn to do it but his instinct is to help.)) - He is kind - but he has a limit. When that limit is passed, his care is snapped. He holds grudges and he makes judgements. - He is not and has never been independent. He is strong-willed and confident about himself, yes - but he thrives when he is at another's side. He has always been like this Azkaban just made it worse. - He doesn't have what it takes to weather Remus' bullshit. That's not a bad thing either, he know how to cut toxic people from his life when they are too heavy - but post-Azkaban he is even more scared of losing people, which makes him vulnerable. - He starts shit. He jumps into arguments, he escalates, he enjoys the thrill and the drama of it. Remus wouldn't join in, even if he agrees with Sirius, and thus would leave him unsupported. We see this very thing happen in OotP

#love you remus #remus lupin #remus my beloved #hp #severus snape #sirius black #lily evans #headcannons #nymphadora tonks

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