The One Where Emerald Finds Out
Oscar: (Knocks on door, Opens) Hi.
Sun/Neptune: Hey~!
Oscar: I have to go to Atlas.
Jaune: What?!
Sun: The kingdom?!
Oscar: No, there's this book with the map of the world in it. Yes, the kingdom! (Sighs) Is Mercury here?
Sun: Sun... Neptune... Nope, just us and Jaune.
Oscar: So he's out with Emerald, huh?
Neptune: Oh no! How could she do that when she's never shown any interest in you?!
Oscar: ...
Sun: FOR! GET! A! BOUT! HER!
Jaune: I hate to say it, but they're right, man. Eventually you gotta learn to let go and move on with your life. Go to Atlas, do your thing, and if you get the chance, punch Ozpin for me.
Neptune: I mean, don't punch yourself, obviously.
Sun: Unless he can feel it, too.
Oscar: Right, I... I don't know... Can you just give this to her? It's for her birthday.
Jaune: Sure thing, man.
Sun: And hey, we're just looking out for you. I might have a couple of beers in me, but... I love you, man. (Hugs)
Neptune: I'm still on my first, so I just think you're nice.
Jaune: (Chuckles)
---------------------------------------------
Yang: Who wants burgers? And who wants Ren's veggie burger?
Ren: (Smiles) I want my veggie burger, honey.
Ruby: Can we do presents first? I wanna give Emerald my present to her!
Weiss: It's her birthday, Ruby. She doesn't have to do them now if-
Emerald: Eh, sure. I wouldn't mind getting my presents before food.
Weiss: In that case, open mine first!
Ruby: No, mine!
Emerald: If it gets you two to stop, then I'll take them at the same time.
Ruby/Weiss: (Hand over lien)
Emerald: ...Oh, wow. I don't know who's present I like more. If only there was a way to tell how much their both worth in lien. (Group laughs)
Jaune: Alright, my turn! (Hands over gift)
Emerald: It's... (Opens gift) ...a green pen. Uh, thanks. (Hands back)
Jaune: (Slumps)
Nora: (Pats his back) Well, if she doesn't want it, can I have it? Anyway, my turn! (Hands gift)
Emerald: (Opens gift) "Pumpkin Pete Goes Home".
Nora: That book got me through some rough times.
Ren: It's true. It did.
Mercury: What kinda little kid are you?
Jaune: The kind who can break your legs. And yeah, even yours.
Emerald: Speaking of, where's your present?
Mercury: I'm right here, obviously!
Emerald: ...Can I get a receipt? (Group laughs) Wait, who's gift is that?
Neptune: Oh, that's from Oscar!
Emerald: Really? Didn't think he could afford a gift, since he just left on a last-minute trip. (Opens gift, Gasps) Oh... Oh my god...
Ruby: What is it?
Emerald: It's... It's a brooch. It's just like the one my mother had. I... I didn't think he would remember.
Mercury: Remember what?
Emerald: Couple months ago we were walking around Shade and we passed this jewelry shop and there was a brooch in there just like my mom had when I was a kid. I... I can't believe he remembered!
Jaune: Well, he does have a mental notebook to help him remember.
Nora: It looks so pretty~!
Weiss: And expensive. How did he afford this?
Jaune: Oh, you know how Oscar is. I mean, remember that time he and Ruby were dating, and when he fell in love with her, he bought her that scythe keychain?
Emerald: ...When he what?
Jaune: (All eyes on him, Gulps) Uh... S... Scythe keychain?
Emerald: No, no, no. What did you say about him loving me?
Jaune: Ah... Ammah guh...
Emerald: Oh... Oh my god...
Jaune: (Turns away) No, no, no, no, no, no...
Sun: Hey, uh, I don't know if you know this, but turning around doesn't undo screw-ups. Believe me, I tried.
Emerald: I... I can't believe Oscar loves me.
Nora: This is huge!
Jaune: No, no, it's not! It's small! It's tiny! It's wee!
Nora: No way, this is such a game-changer! I don't think anyone here is going to be the same after hearing that!
Jaune: Nora, I love you, but do you have a mute button?
Ren: She doesn't.
Ruby: This is so great! I mean, I dated him a while ago, so I can tell you he's a great guy!
Weiss: Did you have any idea?
Emerald: No! None! I mean, after you and your boyfriend started going out, he mentioned something about going out, but he didn't try anything after that. (Grabs Neptune) Hey! Tell me! Does he still want to go out with me?!
Neptune: Uh, well, considering how he's desperately in love with you, I don't think he'd say no to a cup of coffee sometime.
Emerald: I... I need to talk to him!
Jaune: You can't!
Neptune: He's in Atlas!
Sun: The kingdom!
Weiss: He's meeting with Whitley about some new Dust policies, and he needs Ozpin for council. I can call him right now.
Neptune: W-What about the towers? Aren't they down?
Ruby: Whitley's bullhead hasn't left yet. We can still call him right now!
Jaune: No, you can't!
Emerald: Why not?!
Mercury: Because he's probably not in love with you anymore.
Emerald: What do you mean?
Mercury: Because these idiots told him to get over you.
Emerald: ...
Jaune: Oh no...
Sun: Door?
Neptune: DOOR!
Sun: (Opens door, Runs into Blake clone)
Blake: Where do you think you're going?
Jaune: Oh no- Ack!
Nora: (Holding him up) WHERE ARE YOU GOING, MY LOVE~?!
Neptune: Help me, Mercury!
Mercury: I just sold you guys out. What makes you think I'll get between you and all of them? (Points to bloodthirsty RWBY)
Neptune: ...Yeah, that's fair.
Emerald: Hey, Princess. Can you take me to them? I... I need to talk to Oscar. Face-to-face.
Weiss: For the sake of love, I'll ignore the princess remark and help you. (Leaves with Emerald)
Neptune: EMERALD, WAIT! I LOVE YOU! DEAL WITH ME FIRST!
Ruby: You just keep digging yourself deeper, don't you?
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Wicked And Worldbuilding (One Short Day)
The medicine journey is a stock storyline across a ton of literature and mythology. It's the hero's journey, but broader. The protagonist must go to a place (physical or metaphorical) to retrieve a thing (the medicine) and return home. Sometimes the medicine is enlightenment, or a secret suitcase with the MacGuffin the spies are all after, or even literally just medicine. The story focuses in on this journey.
The Wizard Of Oz follows this plot in a roundabout way, and its prequel, Wicked looks like it is doing the same. But Wicked is a satire, and so it takes this plot and twists it in a different direction. Before it can do that, however, it needs to plant its heroes in a new location.
Enter One Short Day, a song that is essentially just a transition piece to show the audience that the geography has changed. But this song manages to do a lot of worldbuilding for this place, and for some of the people who reside in it.
Let me explain.
SPOILERS AHEAD: (Wicked, Annie)
So... the Emerald City is New York City. Not explicitly, this isn't like Aslan, and the argument for the metaphor is shaky. I'm talking about vibes here.
Speaking as a non-American, New York has the stereotype of being "the big city", the place that is fast moving and cosmopolitan and chaotic in that way that you can't help but love. I don't know how well it lives up the image, but I'm guessing it's slightly more complicated.
Anyway, that's what Oz is, that stereotype, but with complications. And just like any stereotype, the closer you look to it, the more it diverges, and we will get to that.
But first, you know why I associate this stereotype with New York? And why I associate the Emerald City with that stereotype? Annie, which has this exact song, but for New York.
For those who don't know, Annie is a 1977 musical and a half decent 2014 film about a billionaire named Oliver Warbucks who adopts an orphan for the hell of it. There is a lot more to it, but you don't need to know that for this post.
During the story, Warbucks decides to show Annie around New York, and the audience is treated to a song called N.Y.C, which has lyrics like this:
"The city's bright
As a penny arcade
It blinks, it tilts, it rings."
"To think that I've lived here all of my life
And never seen these things"
Compare that to the following from One Short Day:
"There are buildings tall as quoxwood trees"
"Dress salons"
"And libraries"
"Palaces!"
"Museums!"
"A hundred strong"
"There are wonders like I've never seen"
"It's all grand"
"And it's all green"
"I think we've found the place where we belong!"
So, there's very much a common link between the two. You, the audience, are supposed to feel awe for this new place. The characters are small fish in the sea and everything has a sense of wonder.
But did you catch Annie's line in N.Y.C? "I've lived here all my life and never seen such things." Annie has some themes that, while not the focus, are far from subtext. In this case, New York City is a great and wonderous place... for rich people.
Wicked does this kind of thing a lot, because in this story, duality is a core tenet, and the first thing to talk about is the sycophantic nature of the citizens. Although that isn't exactly the truth, is it?
"Who's the mage
Whose major itinerary
Is making all Oz merrier?
Who's the sage
Who sagely sailed in to save our posteriors?
Whose enthuse for hot air ballooning
Has all of Oz honeymooning?
Isn't he wonderful?"
This doesn't read to me like spontaneous love for a leader, especially since the Wizard is established later to be looking into improving efficiency through a system of spies, and his second in command is his press secretary. Is it that far out of the question that this might be, in some way, propaganda?
That reflects on to the rest of the song. Oz is wonderous, but it feels fake. The actors are playing characters who are putting on a show by everything they do. All the citizens of Oz are living in a delicate balance of seeking popularity and coveting the popular. Everything is fake, and the fact that the real-life actors manage to get that across intentionally is really impressive.
I went to see the musical in Sydney twice (I knew one of the cast members), and the difference in performance between the first performance and the last was incredible. Not in terms of quality, but in terms of the emotions being conveyed. Most notably, Courtney Monsma's Glinda and Sheridan Adams' Elphaba changed from joy and wonder the first time, to the kind of disbelieving amazement of watching a drunk friend do something somehow both stupid as hell and genuinely impressive at the same time.
"We're just two friends."
"Two good friends."
"Two best friends"
Ah yes, the totally platonic and completely "just friends" maneuver of immediately relocating your entire life after your friend quietly asks if you want to come with them.
It is also notable that Glinda is the one standing out in this place. This is Elphaba's world, and Glinda is highlighted in it in gold. Just something to point out.
But, back to the worldbuilding, I think its important that Elphaba fits in here, because Wicked is a story about dreams and reality colliding, and part of that is Elphaba's dream of belonging, and freedom from ridicule. It feels important to the gut punch that she comes so unbelievably close to getting what she wants, but it isn't her that's the problem here, its the falseness of the Emerald City and Oz as a whole.
"You look positively emerald."
Suddenly, Elphie is in a place where green is a compliment. This is the defining abnormality, the thing that everyone, even her father, used as an insult.
And if you want something incredible to drive home this point, in the books, the Emerald City isn't even green. The outer wall is green, but the inside only looks that way because everyone is wearing mandatory tinted glasses make it look that way. The Emerald City's name is a lie. Everyone is just so caught up in the moment that they don't notice. It's like rose tinted glasses, but emerald.
The green-ness is actually fascinating, because the colour is usually associated with sickness and evil, but the story has been chipping away at that association through Elphaba's entire deal. So, the thematic of a specifically green city is confused, and I don't actually know what to take away from that.
Also, the Wizard dancers look like... well I'm not going to explain what they look like because I want to keep this vaguely PG. But suffice to say this: It is a cool piece of visual storytelling that, under all the facade of heroism and wisdom and magic, the wizard is barely more than a bellend with a bow tie.
Final Thoughts
I have a completely irrational love for this song, derived entirely from my time performing this musical back in high school. I was the guy at the end who shouted, "the wizard will see you now", and that's all it took to get me to like it.
The song still isn't my favourite, however. I'm going to keep y'all guessing about what that is until we get there.
Next week, I will be looking at Sentimental Man, a song that deconstructs the musical's idea of truth. So, stick around if that interests you.
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