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#so might post later if I can pick the right options that feel safe ? and with tags and all too
saintsenara · 22 days
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Do you think there’s any situation in which Sirius/Snape could work as a ship if James Potter was alive/around?
I love both Sirius/Snape and Sirius/James (platonic, romantic and everything in between) as ships so I’d love to see a universe in which the 3 of them have a lovely time together but I dunno if I can picture it. I can mainly see Sirius/Snape working with James and Lily dead and Sirius post Azkaban because it really brings him off his pedestal and leaves that shared grief and longing for that intensity of companionship.
I guess part of the problem is trying to imagine Sirius being able to even remotely care about or prioritise someone else with James in the picture, even if James is only giving platonic on his end. But then doubly so if that person was someone James had a massive rivalry with and doesn’t want near his wife. (Although if he knew Snape wasn’t interested in Lily like that maybe he’d chill out about it? Or would only child syndrome kick in and he’d hate him even more for trying to “steal” Sirius from him because it would be really shocking and maybe low key traumatic for James to have any less than 110% of Sirius’ attention…again even if they were only platonic… 🤔)
If it was going to work I could see it maybe more after Hogwarts when they’ve all grown up a bit and James and Lily are wrapped up in their family and Sirius is a bit adrift at adjusting to not being able to have all of James all of the time.
The closest I’ve seen to making something like it work was a fic where Snape was horribly tortured for killing Peter in front of Voldemort to stop him telling the secret and it left him vegetative for years and the Potters cared for him and eventually Sirius took over so they could go live their married lives. I was really interested in where they were going with it and pretty sold on that being a situation in which it could end up all happy families but unfortunately the fic was kinda preslash and stopped before it explored how things would go romantically for Sirius/Snape after Snape regained his consciousness.
Would love to hear your thoughts on any scenarios in which you think the 3 of them could get along swimmingly!
My other thought was maybe if Sirius had been put in Slytherin and James decided to talk his way into Slytherin to be together, they might eventually adopt Snape into their wider friendship group for his dry wit the way they did Remus. I feel like James was waiting his whole life to have both a best friend and his own gang and would make one wherever he was with the best of what he had available (lbr Peter is hardly a stellar pick), and without the “he’s evil because he’s Slytherin” divide they could potentially find the Dark curses Sev knows fun/useful against whoever else they decide to bully instead, might notice in the shared dorm how poor he is and get a pity thing going like they did for Remus’ werewolf issue (which Snape’s pride would hate but he’d probably milk knowing how he was with Lucius?), and if Snape was gay and as devoted to a crush on Sirius as he was to the canon one on Lily and therefore willing to do some wing maning for James with Lily to keep in James and Sirius good graces, it could really cement his value as a pal….and if Snape had other options for well connected friends who could get him out of Cokeworth (picturing Fleamont setting up summer internships for James’ unfortunate looking poor but impeccably mannered pal at Sleekeasys R and D department 🥹) I’m sure Snape would be happy to not bother with the blood supremacist half of his year who want his childhood best friend dead (unless we think he joined to be in with them as a way to keep Lily safe, but I think that would be more a rationale he’d give himself or her later to justify his behaviour) ……..but anyway even if all of this elaborate scenario could happen so that the 3 of them would be pally, I still can’t picture Sirius being able to love/fancy someone more than James if James is right there, even if it’s only platonic on James’ end.
Unless I guess we take a reading of canon that Sirius was so mean to Snape because he fancied him madly and was furious about it, or because he could sense the queerness in him he hated/was being told by family to squash out in himself. Then maybe they’d have a special type of connection that could be powerful in a way Sirius wouldn’t be able to share with a straight James? Would that be enough though for Sirius never see one without the other Black? 🤔
I do think if that was the friendship group and they made Snape the secret secret keeper instead of Peter James and Lily might have lived! (And Snape might have let himself get killed keeping the secret 🥲) …although that said if Peter had an inkling James Potter might go to Slytherin he probably wouldn’t have fought the hat so hard and would have still been in the gang too!
I’ve really gone on a tangent here but yeah so interested in any scenarios you could see it working, I think about this a lot and I love the way you think about HP things! 👏
thank you very much for the ask, anon!
this is a question which i've wondered about for a while, which i'm going to answer with a tentative... yes.
because i do agree with you that one of the things which makes snack-in-the-90s really work is their shared grief over the loss of james and lily [and their shared guilt and desire to punish themselves for the role they each played in their deaths] and how it contributes to them being one of the series' most interesting narrative mirror pairings.
but it's equally true that they're narrative mirrors even without the grief aspect simply because of their mirrored love - whether you wish to interpret this as platonic or not - for one half of james and lily, and the quiet devastation [even though sirius expresses this very differently to snape] they feel when the two pair off.
and so i do think - in a world in which both james and lily survive [i don't think it can be either/or] - there is the potential for snape and sirius to find themselves drawn together by a grief which is less profound than that caused by james and lily's deaths, but is still transformational in a way that i think is often overlooked in fandom: the grief of realising that the person you love doesn't feel the same way.
because i love platonic prongsfoot and platonic snily as much as the next girl, and i think that the grief i'm describing can apply just as much to platonic love as to romantic love.
but i prefer - and, indeed, i'm on the record as being convinced this is the text's actual intention - to read both snape's love for lily and sirius' love for james as romantic.
and - obviously - the intensity of this feeling prevents either snape or sirius getting a grip while they're in their teens [especially if they're both also grappling with the idea that they're not straight - i'm afraid i've never bought the fanon that the wizarding world is more enlightened when it comes to sexuality]. it makes perfect sense that - as you say - it's impossible for the nineteen-year-old sirius to imagine caring about someone the way he care about james, and to convince himself that the only way he can live his life is to spend decades pining nobly from afar, never letting on how much his heart aches.
but one of the great tragedies of the canonical snape and sirius is that they get stuck in a state of arrested development from their lives - essentially - stopping when they're both twenty-one. there's an inherent pettiness to their interactions in canon - the obsessing over schoolboy experiences, the fact that snape finds himself stuck at school and sirius finds himself stuck in his childhood home - which other characters clearly don't quite understand [dumbledore saying to harry at the end of order of the phoenix that sirius was too sensible to be goaded by snape seems dismissive in the context of what we - the readers - have seen, but it makes perfect sense that - from dumbledore's perspective - a thirty-six-year-old man wouldn't still care about playground beef from twenty years ago.]
in a world where james and lily live, snape and sirius get a chance to act their actual ages - and with that, sirius gets to learn how to accept that his role in james' life will change as his best friend settles into being a husband and father and snape either gets to learn how to stop pining for lily from afar or how to start trying to make amends for his treatment of her.
and james and lily also get to grow up too - to recognise how their priorities towards their friends will change as they form a family of their own and to see their school days [and their behaviour during them] more objectively the further removed from them they become. james at eighteen would rather die than have anything less than 110% of sirius' attention. james at thirty has other things to worry about.
i think that it would only work in a scenario where snape and sirius encountered each other again after having left hogwarts [i like the slytherin!james suggestion - and i'd be interested to see how you'd write it - but i personally think that there's no way on earth james is having snape anywhere near him until he's - for want of a better term "won" their rivalry over lily]. but i also think it would only work if that scenario was decades after they graduated, rather than years, and that the two don't meet again until they're - at least - in their early forties.
i think you could do something really quite interesting with james in that setting - as he realises, as his children reach adulthood and start to fly the nest, that sirius is chronically single and decides the project he wants for his middle age is to find his friend true love.
never expecting that his friend will bail from a date he arranges with a lovely woman and end up hiding in the leaky cauldron talking to snape - but then being mature enough [after some running around screaming "snape? snape?" at lily] to think that if sirius is happy, then he is.
and on this point, both sirius and snape canonically struggle to be realistic about how they see themselves and their worth - for example, in how they both refuse to believe that they could successfully atone for their roles in causing james and lily's deaths. when this is combined with the fact that sirius grew up in a community which is obsessed with blood and lineage - and how that blood and lineage is continued - and snape grew up with his primary masculine role-model being a violent man who was presumably also a homophobe, i do think that both of them would find it difficult to be open about their sexuality, especially since - in a world where they get to live normally after 1981 - they would be starting to understand themselves as queer during the aids crisis [which i refuse to believe doesn't impact the wizarding world, because i loathe the implication of canon that wizards are resistant to muggle diseases].
i think you can plausibly write them as both still in the closet in the 90s/00s - and for sirius especially to be worried about james' reaction if he found out he was interested in men. [which is a dimension often left out of things which examine sirius as queer and james as straight. lots of queer men worry - sometimes unnecessarily, sometimes, sadly, justifiably - that being open about their sexuality with straight male friends will cause those friends to back off from their platonic relationships due to a homophobic fear that queer men will automatically interpret platonic physical and emotional intimacy as romantic.]
but - whatever else he is - james clearly isn't a bigot. and i think he could once again get over the fact that sirius has shacked up with snape [snape?] in order to be proud that sirius was finally comfortable with who he is.
[and yes, i do genuinely think that sirius and snape's canonical vibe can be read as having some level of sexual attraction in it - they are both just so obsessed with each other that it's giving "why do i have this hyper-intense need to get in this other boy's face oh wait that's why"...]
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General concept: Brooke comforts Jake after the fire
Word count: 1969
Warnings: kind of alludes to suicide, but it's like... very implied and not at all said
Jake's apartment is probably more important to Brooke than it is to Jake. After November 1st, when she woke up to her parents shaking her awake at 8 am telling her something terrible's happened. Are you friends with Jake Dillinger? she's forced to function under the constant, ineffable, unavoidable assumption that no matter what she does—how kind she is, how happy she can be—something terrible is going to happen again, and this time there is going to be no boy to pick up from the hospital, no wheelchair to help him set up, no trips to the mall to buy countless flowers for Rich. Only black dresses and rainy skies and silent lunch tables. 
The apartment is proof he's alive. He's going to recover. He isn't being taken by social services and isn't moving in with his Aunt in Virginia. He's here. He's safe. She still has her best friend (aside from, of course, Chloe, but that's a different situation entirely).
Jake doesn't appreciate it as much. He's silent as his landlord hands him the key with a pitying 'good luck' smile, silent as they sit in the pre-furnished living room, Brooke on the overstuffed couch and Jake in his wheelchair. Brooke's planning out ways to make the place Jake's: posters on the walls, pictures on the shelves. Repaint a couple of walls and redo the beach-themed bathroom. Her voice is so loud it echoes through the apartment.
"The windows are nice, the curtains are definitely giving off unfulfilled middle age mother though, don't you think?"
She turns to Jake for approval, smiling brightly at her own joke, only to be met with a blank, red-eyed stare and delayed laugh.
She decides getting him out of the apartment is probably for the best. Maybe it's just too stuffy, or too fast. He just needs a distraction—some time to process everything. Nothing terrible is going to happen as long as she stays by his side.
She can just talk it away. She can do his nails, buy more flowers. She'll paint the walls yellow and waft away every cloud in the sky until the world is bright with sunshine. Just as long as nothing terrible happens. 
She takes him to the mall first, thinking perusing the isles of Ikea might excite him. Pretty furniture, pretty setups. 
"How do you feel about these 'yellow star twinkling' fairy lights? The LED strips look cheap, right? So these are definitely better. But the LEDs change color, so...?"
Brooke holds the two options up in front of her. There's an entire shelf of other lights behind her, but the rest are erring on the side of too feminine, and she has the feeling that even a Jake who no longer has Rich constantly chastising every decision that isn't 'manly' enough won't appreciate them.
Jake points silently to a box behind her, barely doing more than lifting a finger. Ecstatic to finally get a reaction out of him, Brooke spins wildly to see a box of butterfly-shaped lights. 
Oh. Maybe it wasn't too feminine, after all. She notes that for later. 
Eagerly, she picks up the box. "These?"
He nods. She tries not to look at him too long as she skips over to their cart. If she studies him for any more than a moment she'll be forced to confront the bags under his eyes and the glazed-over, empty look in his irises, either a result of the medications or the knowledge he'll never be able to run like he used to or see Rich the same way.
"Great! Are we gonna look at posters too? Personally, I never thought of you as a poster guy, but I might be wrong. Maybe polaroids? Or paintings! Paintings would be awesome."
She ends up buying post-it notes. She lost Jake somewhere between the desks and beds, and by the time they finally reach another section of the store with more bedroom decor, he's only responding with sharp, one-word answers meant to slice her away into submission and eventual surrender. The terror of something going wrong keeps her smile on her face and a pep in her step, and eventually she gets him to say he wants neon pink post-it notes. 
He doesn't. But it's an answer, and it's clear on his face he thinks that might be enough to get her to finally leave him alone. 
It isn't.
She sits crisscross on his bedroom floor once they get back to the apartment, squished in the far corner between his empty dresser and equally as empty desk.
"I bet we could paint it," Brooke offers as she sits next to the splintering wood of his dresser. Jake hums from his bed, having reverted back to nonverbal answers. He's laying on his back, hands clasped over his stomach, legs propped up on a pile of pillows Brooke had bought at Bed Bath & Beyond. She glances at him out of the corner of her eye, resisting the urge to flurry over and roll him over onto his side, because what if he takes too many pills? What if he overdoses? What if he does it on purpose? What if something terrible happens?
Her grip on her pen tightens as she writes you're amazing!! on one of the post-it notes and sticks it to the edge of the corner.
On the next, what do you call a tower of cats?? —a meow-tain!!
You're really brave!!
I love you
It'll get better
A cartoon sun. A flower. A llama. 
It's nothing. It's stupid. Even someone as naive and innocent as Brooke can identify just how little it will help someone in Jake's situation, but her hands shake as she writes you can do this!! and she realizes, blinking back tears, that this isn't for Jake at all. 
She takes a small, shaky breath. She's as quiet as she can be, not ashamed that she's about to cry but knowing she can't in front of Jake. He's the one who lost his house and best friend. It isn't her place to cry, to be scared. 
But she can still see her parents' faces as they told her he was in the hospital, can still hear her mother screaming as she sped through a stop light on the way there, vision so blurred the red light almost looked like the blinding sirens on an ambulance. She can't let anything terrible happen again.
A sob escapes her—short and scared. She immediately tries to muffle it with her hand but it must be too late. She hears rustling from the bed behind her and the sound of Jake's raspy voice saying, "...Brooke?"
She swallows another sob as she turns, a sunflower smile on her face. 
"Yeah?" she says, and it sounds so simple, so pure that she sees Jake doubt himself for a second. The flicker of confusion on his face at the distinctive difference in her smile and posture from the way it had been a second ago. She tries to smile wider—better he be confused than concerned. He already has too much on his mind, so much that it's spilling over the edges in the form of flashing nightmares and constricting lungs (she knows, even if he won't say it). 
"Are you okay?"
It might be the first full sentence he's said since the fire.
Brooke gets up from where she's sitting and needlessly wipes her hands on her jeans as if ridding her palms of the scary feelings creeping into the sunny spots of her soul. 
"Great! I'm a little hungry though, maybe we should head out and get some pinkberry? Or pancakes. I'm kind of in the mood for those. Maybe IHop?"
Just to avoid looking at him, she takes out her phone and opens google maps, scrolling through all the options for restaurants as if she isn't nauseated by the thought of not being able to take Jake anywhere too crowded because the noises might send him spiraling in a way it never would have before. 
She can take him for ice cream in the park if he refuses IHop. Make sure he eats at least something, even if it's unhealthy. He might like the cold of it, the complete opposite of the fire.
Jake nods and sits up a little straighter. He opens his mouth, intention clear in every movement. Brooke watches him carefully and braces for rejection. She can make something small here. Even if it's just a snack. She won't take the excuses, won't falter even though she knows it must be difficult for him to comprehend the idea of continuing on with life without Rich at his side.
But Jake says, "Can I have a hug?"
Brooke's not sure she wants him to feel just how uneven her breathing's becoming, but if it makes him feel safe, if it makes him happy, even if it's only for a moment, then she'll do what it takes. 
She sits on the edge of his bed and hovers, unsure if he really means this, especially because the burns (not nearly as bad as Rich's) on his forearms have yet to fully heal, but the second she's within reach he pulls her into his hold, arms circled around her waist and face burrowed into her hair. She can feel his lips trembling against the skin of her neck as he shifts so she's on his lap, as close to him as he can get her. 
He's shaking. His fingernails dig into the crook of her shoulder blades and she takes in a small, sharp breath suppressed by just how tightly he's holding on to her. With nothing left to do, she cradles his head against her chest and runs soothing hands through his unwashed hair. 
"It's okay," she whispers against his hair. She tries to kiss the top of his head but he's hanging on with such a grip she can't shift without disturbing him, so she kisses thin air and pretends he feels it. 
"I don't—" he chokes, and it takes Brooke squeezing him to get him to breathe again. "I dunno if I can come back from this one, Brooke."
Something terrible's going to happen. 
"What's that supposed mean?"
Her voice is trembling. She closes her eyes to try and stop the saltwater from burning. 
Jake nuzzles closer as he says, muffled by her shirt but not by sobs, "I could deal with my parents. Could—could handle living on my own. But he's—how could he—?"
How could he?
She knows Jake means it as a genuine question, but when the words wrap around her tongue she feels her stomach clench with an anger she's never come close to experiencing before. How could he do this?
"I don't know," she says aloud, "I really don't know, but it's gonna be okay. I promise."
"How?" 
And this time she can hear the tears in his voice, feel them on her shirt and in her hair, a stain against her skin she'd rather tattoo onto her than let forever reside alone on Jake's face. They're made of poison. His words are made of poison, and she wants them spat against her shoulder just to stop them from festering in his mouth.
"Well," she says. The lump in her throat tries to stop the words and fails. "We're going to decorate your apartment, and we're going to rehearse for the play, and we can buy Rich more flowers. And he's gonna wake up and explain why he did it, and you don't have to forgive him, but at least you'll hear him say he doesn't hate you, that there's some misunderstanding. And—and I don't know, but I promise— I promise you, I'm gonna make it okay."
He tries to pull away from her, but she has to hold him still for a moment longer to wipe the tears off her face before he has the chance to see them. When he does finally pull back to look at her, his face is puffy and swollen. 
"Really?"
"Really. Really, really, really. Nothing terrible's ever going to happen to you again."
---
i rlly told someone to draw richjake inspired by safe and sound by t swift then decided to fully take rich out of the picture and write brooke and jake instead. btw go listen to safe and sound i stared at the ceiling for like half an hour listening to it then sat up and wrote this. hope u enjoyed!! it's sad. I'm sad. Their relationship is great.
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laneynoir · 7 months
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Day five!
Prompts used: Debris/Pinned Down/"It's broken"
It was his sworn duty to attend to his king, he argues against the guilt growing in his chest. There was no other option. To stay would be treason, to his king, to himself, and to Mahal amd yet he wishes he had, for now no trace of his love can be found.
Both brothers pick among the fallen at differant speeds, both moving quickly despite his injury, Dori, more methodical, traverses at a slower pace, using his incredible strength to push aside even the larges of fallen foes. Dwalin says nothing against their tactics, the words stick in his throat, and he probably could not form a cohearant sentance in any case. 
His ears are not the best, and the clamour of the post battle obscures much, so it is a wonder and blessing that he hears the strained grunting to his left. When he looks, the only sight is of a huge dead troll with an armoured exterior of stone meant to destroy buildings. Dread fills his heart, and the desision to run toward the noise is a half conscious one.
He draws to the crude helmet, and calls to the form shrouded from view, when it returns his heart sinks further into his stomach. "Ori? Can you breath?"
"Yes," It comes in a stuttered shake. "But I cant move, its pinned me down on my front." He swears under his breath, mind racing in preparation, creating and denying several plans as they come to him.
"Alright, can you describe your position? What hurts the most, and how much are you bleeding?" It hurts to remain so calm, and had he not fought as long as he has, he doubts he would be able to. "I'm goibg to get you out, don't fret Rakl (dearest)."
Theres a pause as the scribe asses his situation, "Uhm, ive got some cuts, mostly bruises though, my leg is pinned beneath the troll's chin -which is a sentance that I never thought I would say- and my wrist is trapped under the stone helm." He pauses and seems to repeat a shuddering cry. "It's broken."
Dwalin feels his heart stop for a moment, to loose one's craft is as heartrending to most dwarrow as loosing their love. An extra surge of fierce protective nature and determination pulls his shoulders back and his mind into focous. He turns, scans the field, and spots the slightly squashed three point hairstyle he seeks. A shout later the other brother apears and both race to his side.
Nori's sharp eyes quickly take im the situation, he glances to Dwalin and needs no further explanation, Dori is not so quick in coming to and understanding and imeadiatly necomes panicked at his brother's predicament. To Dwalin's mild surprise and amusment, Nori whips around and smacks his brother across the face, the trick works and Dori draws a breath and nodds.
"You and Dwalin are lifting, I'm getting Ori."
Dwalin might have once been uncomfortable woth the ease woth which the thief reads his intention, but now he could not dwell on such things if he were to try. He and Dori each grip the ledge of the stone and lift it as high as they safely can, Nori darts forward, takes a brief second to scan his brother for the best way to move him, and then has him out in under five heartbeats.
The troll's face is unceremoniously dumped back to the ground, at the same moment that Dwalin falls to his lover's side. A quick look proves that Ori's self diagnoses was partially correct, if understated; the cuts that line his body are painful looking and still releasing blood, and his wrist is not only broken, but a bone is protruding from the skin of his palm.
Dwalin hears a sharp inhale to his right, but focouses only on Ori, who's eyes keep sliding out of focus. "Ach now, stay awake, you need to look at me. Do not close your eyes, i cant loose you, we'll get you a healer, just-"
"Dwalin?" There's blood coming from his mouth, Nori has run to find Oin. "I love you. I hadn't said that yet. I do."
His eyes flutter again, and then close, ears deaf to the pleading voice above him.
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tipsycad147 · 2 years
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What Happens After? What Your Banishing Spell Is Missing!
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BY AVERY HART
Banishing and cleansing are some of the most widely used and discussed practices in modern witchcraft. These are often a new witches first foray into magic, a sort of basic groundwork that we’re given to help keep us safe as we explore new territory. There are hundreds of methods available for this sort of magical housekeeping, everything from very short candle spells or recaning (also known as smoke cleansing) to rituals that can become quite intensive in their execution.
Despite the wide array of options available, most of these methods only cover half of the process. For some experienced witches this is no problem, often we learn to fill in the second half of the process naturally but for newer witches this can pose a serious hiccup in the learning curve.
When you cleanse a space or banish something you are removing unwanted energy and in doing so you are creating an energetic void. This newly cleaned space will not stay empty! Other energies will always move into the vacated space and if left up to chance there’s no telling what could come rushing in.
It is possible that you could get positive, happy, comfortable energy but you’re also just as likely to get nasty energetic runoff from your surroundings. Leftover anger from your neighbors fighting, errant depression or confusion, illness. You can’t control what sort of excess energy is in your surroundings and when you open up a huge empty space it’s all going to leak in.
How disheartening to cleanse your space and then two days later have it feeling all mucked up and off kilter again!
A lot of us simply resign ourselves to that just being the way it works and either banish and/or cleanse far more frequently than is necessary or even give up on banishing and cleansing unless the need to do so is truly desperate.
So, how do we avoid leaving this post-cleansing void open and vulnerable?
You fill it back up with the energy that YOU choose!
There are a variety of methods that you can use to reintroduce desired energies into your space. You can pick one, combine them or rotate which method you use to stave off boredom if you’re prone to losing momentum with routines like I am.
Music is an excellent way to saturate a space with energy. You should take care when selecting music for this, simply picking music that you enjoy is not always enough. I know several witches who swear by classical music (Mozart’s Fifth seems to be a popular choice) but many types of music can be used. Just be sure that you’re picking music that reflects the sort of atmosphere you want your space to hold. I tend to avoid music with lyrics but you may find that the right lyrics add exactly what your space needs. If classical music isn’t your thing I might suggest something along the lines of this song by Chon.
This is my primary method of choice for one simple reason. You don’t have to be around for it to work!
If you want to fill a room up with high vibration classical music energy but you don’t really feel like listening to classical music for an hour, you don’t have to. You can perform your ritual, turn the music on and go run errands or hang out with your friends. The music will do all of the work and your space will be good to go when you get back.
Visualization or breathing exercises can be useful tools for re-energizing your space as well. For example, you could imagine sunlight flooding your newly emptied space, or light of a color of your choice if you use color magic. You could spend a few minutes breathing and pulling energy up from the earth to fill your space with calm, stabilizing energy or you could breathe energy down from the cosmos to bring an uplifting, creative and expansive energy.
If you like to raise energy with motion you could dance or practice yoga or any other movement that makes you feel good. Hell, having steamy romp with your partner can fill a space up with some fantastic energy!
Anything you can do to raise or attract the sort of energy that you want in your space will work. The important thing is that you fill that energetic void, and fill it as soon as possible after clearing an energetically empty space. It’ll ensure that your space stays clear and clean longer and lower the likelihood of attracting new problems that will require you to repeat the process.
What’s more, these same techniques to help your cleansing and banishing last longer! Play the song of your choice whenever you go out, practice five minutes of meditation, breathing or movement every morning and you’ll find that your space maintains its renewed energy for far longer.
Banishing and cleansing is much like going to the doctor, we definitely do not want to be making repeat visits too frequently. That’s a sure sign that something is very wrong! Once or twice a year for routine maintenance should be enough as long as you take care to keep up with the regular small maintenance tasks.
You’ll find yourself with a far more enjoyable energetic space with far less upkeep from big rituals leaving you more time to focus on yourself and the other magic that you’re itching to practice!
Ever wondered if you’re really prepared to handle the dangers of the craft?
Or maybe you’ve recently come face to face with these dangers and you’re determined to be better prepared next time.
Either way, you need to learn magical defense. This set of skills is absolutely paramount for new witches, witches looking to take their work to the next level, and even witches who are just looking for a little more peace and quiet in their spiritual lives. The craft doesn’t have to be dangerous, stressful, or traumatic!
In Defensive Magic For Beginners, I’ve created a step by step learning path that will give you the boost you need to start defending yourself confidently today.
https://averyhart.co/blog/2016/12/21/filling-the-void-banishing-and-cleansing?rq=banish
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shotorozu · 3 years
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encountering a ‘pick me’ girl
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character(s) : kirishima eijirou, todoroki shouto, bakugou katsuki (bnha)
warning : PICK ME GIRL, misogyny (?) pick me girl makes an off handed comment about your body but it’s not detailed at all
PART TWO — PART THREE
legend : [Y/N = your name] afab! reader, but they/them pronouns used, quirk not mentioned
headcanon type : fluff, angst if you squint
note(s) : i made 2 versions of this post so,, if you’re reading this— then i probably decided that i liked this one more than the other one i made,, anyways, i used real life examples 💀
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kirishima eijirou
i’d imagine that eijirou would have an idea of what a pick me girl is— i mean, there were probably 2 of those girls in middle school
but has he experienced it first hand? nahh.
though, eijirou didn’t think he’d encounter one when he was already in a healthy and committed relationship!
eijirou is practically friends with everyone— and yeah, even the most unexpected. so, he’s bound to accidentally befriend a pick me girl
him, being the nicest one out of all of the characters in this list, will still be nice to said pick me girl, despite wanting to snob them to the core
because really— you can’t really fight fire with fire in some cases
but, he can be everything but lenient when the pick me girl starts insulting you for doing certain things, and for absurd reasons too
like,, how you laugh, and how you take care of yourself (for example— if you wear makeup, or how you style your hair)
which is odd! everything about you is everything but the things the pick me girl has stated so.. he cannot stand by.
SCENARIO
the girl giggles to herself after that snide comment leaves her lip gloss coated lips. eijirou shifts uncomfortably— honestly taken aback by the anything but subtle insult that was thrown at you
“like.. seriously! it’s honestly quite superficial if you look at it like that. who the hell would put that much effort infront of your boyfriend? i’d assume they’d see everything AND everything but.. i guess not.”
you blink. superficial? now that’s a new one. the girl infront of you has been babbling insults sugarcoated in boasts the entire time, and you’re just wondering if it’s about time you guys leave but—
“well that’s unfair,” your boyfriend laughs, “i put the same amount of effort as this cutie right here,” eijirou pokes at your cheek, earning a quick laugh from you— which he can only thank the heavens for that
“but that’s different. it actually looks put together when you’re doing it, eiji.” the certain glint in her smile makes you want to wipe it right off with a dirty mop, “it’s impossible to look put together with expensive clothes, but being built like a—”
the sound of the sliding of a chair is quicker than your actions, and it easily cuts her off.
“i’m sorry, but we gotta go, it’s totally not cool of you to say those things about Y/N!”
“what? but i mean.. it’s true, right? i’m looking out for them! they’re literally out here l—”
“bye!” eijirou waves her goodbye with your hand, dismissing the sour expression on her face— as he dashes off with you
you’d question how he’s just so nice to people like that, but when he turns around, you could see the distaste in his eyes
“so that’s what a pick me girl’s like,” shaking his head, his expression lights up with such a quick manner “i’ll never make friends that are like that again!”
safe to say, eijirou’s friend list has been a a person shorter ever since that incident
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bakugou katsuki
oh, so that girl’s bold bold.
if she thinks she could get away with being a not so subtle pick me girl infront of bakugou katsuki, then she couldn’t be more wrong.
it’s absolutely revolting— i mean, he hasn’t displayed any romantic feelings towards ANYONE that isn’t you.
also, they’re quite gutsy if you ask me. so congrats for having guts??
i don’t think he’d be friends with a pick me girl. he’s very selective of who he’s befriending, so it’s probably your friend that’s the pick me girl in this case
he wouldn’t know what a pick me girl would be, but he’d probably know the description of one.
over some time, he’d grow some resistance to insults directed at him, but when someone insults his s/o
oh boy. that’s not good. remember when i said that katsuki was almost like your scary and intimidating dog
this is what i mean
knows he can’t make a scene, so his first option is to be dismissive asf— but if said pick me girl literally can’t get it, he won’t be afraid of shoving some explosions into her face
because his hands are rated e for everyone
SCENARIO
“so you wanna be picked or something, is that it?” he hates how you literally have the resistance of a rock— which is something he always liked, but in this case hated. if it weren’t for you— he would’ve blasted explosions into her sorry excuse of a face until it’s beyond recognition (that wouldn’t be hero like, is what you’ve said in the past, but he disagrees.)
but seriously? ugh. he just wants to leave this horrid place, and make some dinner with you in the comfort of his home. why are you even friends with her anyway? she’s not even trying to be slick at this point.
“p-picked? i’m not understanding, katsu.”
“it’s bakugou.”
“right,” her laughter is like nails on chalkboard, “i’m just watching out for Y/N, y’know? there’s no point in wearing all of that.. on their face.” and she’s obviously referring to your obviously very well done makeup
“it’ll make your skin terrible in the long run! and really— i couldn’t really understand on why someone would wear that much, when you could survive with i dunno.. lip gloss at most?”
you would’ve actually said something as a rebuttal, but your boyfriend is quicker, and a lot more direct than anyone else in the area.
“just say you can’t do makeup and fucking scram,” katsuki’s ice cold glare finally breaks out of the act he’s been trying to hold together for you
“their makeup is fucking bomb as hell, compared to your ridiculous spider lashes, lady. come back when you’ve watched james charles’ entire fucking channel.” he harshly states in similar bakugou fashion, despite the lack of screaming.
and if you squinted hard enough, you could see tears welling up in her eyes. but katsuki tugs your hand before anything else could be said
“let’s fucking go, you need better friends.”
he makes you cut ties with all of them, and he practically scolds your terrible choice of friends— but he goes quiet when you tell him that you’ve been friends with her since middle school
“good fucking riddance. next time, i’ll punch them as soon as they say something outta line, got that?” and next time (hopefully, there won’t be a next time) you’ll actually lash out— or maybe,, you’ll let him loose for once.
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todoroki shouto
now shouto might be,, socially unaware sometimes. but he can tell whenever someone’s trying to insult his s/o
like,, right away.
now— you both run into this person after a pleasant date, and she eagerly presented herself as your friend
so, her attitude catches him off guard because who’d have anything rude to say about you and towards shouto’s face? especially when it’s about something normal.
like,, wasn’t she your friend?? why is she even like this?
his hostility is very well known, so they should be scared.
he gets detached from the conversation, and he’ll immediately go cold— and shouto would probably go as far as walking away with your hand in his
doesn’t matter if he properly says goodbye or not— if a girl’s being rude to his s/o, they obviously don’t deserve his usually polite attitude. nope, that’s a luxury.
oh— and what more when they’re seeking for his validation. newsflash! said pick me girl won’t be get any from him.
SCENARIO
shouto couldn’t stop the bitterness bleeding into his mouth, when the girl in front of him continued to babble and take up the valuable time he had left with his s/o
initially, she presented herself as your friend from middle school— but as of now? she seems to be more interested in him more than you, despite knowing you first.
she’d ask him a string of obvious questions with very obvious answers, like ‘is she treating you well?’ ‘is she acting correctly?’ and questions of the sort
“oh, sorry! i’d hate to cut this conversation short, but—” you finally decide that it was about time to leave, while shouto looks pretty,, deadpanned right now, you could tell that he was gradually starting to get irritated by your friend’s words.
“wait. thats.. kind of controlling, don’t you think? do you ever let shou make decisions?”
“uh.. controlling? since when??” you question at the accusation. this girl knows nothing about your relationship dynamic, and she’s already jumping the gun and making conclusions.
your gaze snaps back to shouto, who looks just as surprised as he could possibly be.
“yeah! it clearly looks like he still wants to talk” which is an obvious lie, shouto just wants it out of here “i wonder how you managed to snag such a guy like him,” she comments with a smile that looked anything above suspicion (yet, it makes your stomach churn)
you could see the way her hand gets gradually closer to him— and frankly, you’re not sure about what she was planning to do next, “you wouldn’t need to dress all expensive and fancy, if you’re with a girl with an already classy appear—”
“i think this conversation is over,” shouto grip is firm on the wrist that was attempting to grab his shoulder, shouto makes no attempt to even look at the girl infront of him “i don’t know what you’re trying to do, but it’s not humorous. at all.”
“what?” she stammers, drawing her hand back “i-it’s obvious they don’t know how to take a joke! this is why there are barely any good w—”
shouto’s next actions knocks her speechless, his hand rests at the small of your back, before gently guiding you forward— “love, what movie are we watching later?” he says, making an effort to press a quick, yet intense kiss on your lips
“oh,” you breathe out, surprised by this action. “don’t be so tense, love.” shouto comments on how tense your shoulders have looked, ever since she started running her mouth, “now.. what movie do you want to watch tonight? comedy? thriller?”
“you pick,” you laugh at the quick shift of topic. and when you look behind you, you could see shame and defeat welling up on her face. shouto finally feels like he could smile again, the bitterness dissipating from his mouth
after shouto questions you if that was what a pick me girl was, he makes sure that you guys won’t ever encounter such thing again
“you.. don’t have more friends like that, right? if you do— we could always do another friend list cleansing.” this statement makes you laugh but shouto is anything but joking
but being reminded of his reaction to that ‘pick me’ girl does puts a smile on your face.
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likes and reblogs are appreciated, thanks for reading!
i do not own bnha/mha and it’s characters. boku no hero academia/my hero academia belongs to horikoshi kohei, i only own the writing and i do not profit off of my hobby
do not plagiarize, reupload, translate, or use my works for audio readings without permission
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takuyakistall · 3 years
Text
to yuu.
Note: I wanted to write short HCs for each character as they wrote the letter when I finished reading everyone's thank you messages (◕ᴗ◕✿) ! All of them are very cute and I couldn't help but get some midnight rot so I had to write it down. Here's the link to the post where every message is listed down. Before you start reading, just a heads up, most of these are written in a romantic light. I also recommend reading the letters themselves first before heading here.
Characters: All students + Grim (Excluding Ortho)
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Riddle Rosehearts
"Dear friend," Riddle thought that it was the most appropriate way to address you—or at least, that's what his brain is trying to make him think. Ever since overblotting and you helping him snap out of his frenzy, he had difficulty in labeling what exactly you were to him.
Before everything, you were supposed to be just a mere acquaintance to him and yet here you were sending him gifts out of the blue. The general "rule" towards receiving gifts was to give the giver your thanks. Albeit the better option was to thank you personally, he thought that maybe a letter would be better so that he can sort out his thoughts.
Friend. He nodded, proceeding to write down the rest of his message until he realized that this was an opportunity to invite you to tea with him under the pretense of paying you back for the gift. He furrowed his eyebrows slightly as he continued writing.
Surely, you would accept his invitation, right?
Trey Clover
"Hey you," was that too casual? Too rude sounding? Trey shook his head as he stared at the two words. He hadn't been expecting a gift from you and frankly, he was more than a bit surprised. Though perhaps he hadn't read the "gift" part when he suddenly started writing down questions about what you liked.
He immediately started thinking of how he should pay you back—gifts? He doesn't know your taste that well. Favours? Hmm, he's not too sure about that one. That's why he decided to ask, if there was something you wanted—he'll do his best to find it for you. A tempting offer, right?
It seems like you have to tell him that this wasn't a trade.
Cater Diamond
"Helloooooo," he started off. The extra amount of Os he used was proof that he's trying to take this occurrence casually. Though in the inside he was absolutely beaming. Gifts never fail to put a smile on his face, especially if it came from someone you didn't expect to give you a gift or someone special to him.
In this case, it was probably the latter. He took a small break as he stared at your gift, wondering what he should write. A small smile took over his face as he picked up his phone and snapped a few selfies of him with your gift with a caption before hitting the post button.
"Received a gift from a dear friend, isn't it amazing? ♪"
Deuce Spade
"Friend," Deuce rarely got to experience receiving gifts from friends to one another judging how his past years were spent as a delinquent. To say that he was happy to receive one from you was an understatement, he was over the moon.
He felt the need to mention it to you with a huge grin on his face. He thought of various ways to give you something back as he let out a small hum, he felt like he was having a field day. He signed the message and told himself that today was going to be a great day.
Ace Trappola
"Hey you," Ace was terribly suspicious of the fact that you sent him a gift out of the blue. Were you trying to buy him silence over something you did? Were you trying to convince him to do your homework for you? A lot of questions springed up inside his mind but not once did he think that it was just a genuine, sweet gift with no ulterior motives hidden beneath.
He knew that you would get mad at him if he continued to suspect you so he said that he was kidding in all caps with three dots after that—which didn't help his situation at all.
He felt awkward trying to convey his feelings like this and he ruffled his own hair as he told you that he just needed to tell you something later, when you're face-to-face. That would make it easier for him to speak.
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Leona Kingscholar
"Good day," Leona uncharacteristically typed. He felt like he was being held at gunpoint by his past etiquette teachers as he tried to think of an appropriate response. If it were up to him, he would've just slapped a "thank you" on a piece of paper and asked Ruggie to give it to you.
Though he thought that perhaps it was better for him to actually put in effort for once. Even if it seemed like his so called effort seemed like something he just stole from the internet—that was more than enough, right? He'll just put his signature at the bottom and ask Ruggie to give it to you.
Ruggie Bucchi
"Hey you," a big grin took over his face as he wrote down his first few words. He wasn't as experienced as other people when it came to writing down messages of gratitude, he once tried consulting Leona about it—asking how to make it sound decent only to be met with an answer that went like: "Just put whatever."
And that's what he did! Truly, he's thankful for receiving a gift. For a split second, he wondered if he should share it with the people back in his homeland. Though he pushed that thought to the back of his head as he signed the bottom of the paper with his signature. He'll figure that out once he gives the letter to you.
Jack Howl
"Friend," he doesn't know what to say it's embarassing. Even in letters, he still manages to retain that straightforward yet somewhat roundabout personality of his. A tinge of embarrassment seeping through the letter.
He wished he could've just talked to you in person instead but alas, he was stuck here trying to rack his brain for words. In the end, he felt like it was best to keep it simple—the slightly demanding tone at the end was the result of him getting flustered at the thought that it's possible that it could be a date between the two of you.
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Azul Ashengrotto
"My dear friend," Azul couldn't count the number of times he had crumpled a piece of paper and threw it into the trashcan only to get a new one—rinse and repeat. Jade and Floyd had to stifle their laughter when they saw how distressed he was over a single message. Though, perhaps that was the fruit of his unconventional feelings towards the giver.
He didn't want to sound too stiff and professional to the point that he sounded like a robot but also, he didn't want to sound too casual to the point that you might find it weird. He had to let out a small sigh as he ruffled his hair, another piece of paper thrown into the trash can before deciding that he should just play it safe and give you a free drink.
Jade Leech
"To my dearest," oh no. His hand slipped and accidentally made his greeting more intimate than it should be, he could go back and change it but—fufu, where's the fun in all of that? His lips tugged up into a smirk as he continued writing, knowing full well that what he was implying would evoke an interesting reaction out of you. But, if that wasn't enough to stir you up a bit then why not put a little more something? He was a prick this way.
He spotted an empty space on one of his shelves in the corner of his eye, glancing at it for a few seconds before an idea popped into his head. A smile that barely showed off his sharp canines, hidden beneath his gloved hand.
"Truly. Would I lie to you?"
Floyd Leech
"Little shrimpy," he grinned. Floyd was in an especially good mood today after receiving such a thoughtful gift from you. He played with his pen in hand, spinning it around as a distant look took over his face when he tried thinking about the reason why you gave him a gift out of nowhere.
Knowing that Floyd pays a little more attention to you than others, he was bound to be curious and he was more than eager to find out—there's always a reason behind someone's actions, after all. He tried expressing his intent to get the answer out of you which came out a little threatening but if you saw the look on his face there's no mistaking that it was an even bigger threat than you initially thought.
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Kalim Al-Asim
"Hey love," Kalim was as straightforward as ever. Not a single filter as he wrote down his raw feelings. There was no reason for him to hesitate especially now that he was practically about to shake from pure joy—he was incredibly close to signing the letter and hopping into his magic carpet to give it to you personally but Jamil was there beside him to stop him if he ever does that.
Though that didn't mean that it was gonna stop him from wanting to ask you out on a magic carpet date with him, he'll just have to explain to Jamil when you accept his invitation. That is assuming you'll accept, right?
Jamil Viper
"Dear friend," Kalim practically forced him to write a letter back to you. Jamil wasn't an ingrate, he knew when to show gratitude when it was appropriate but he preferred thanking you in person. He had to settle for this in the meantime, he thought that maybe he'll just invite you to Scarabia to talk about what he could give in return.
He hadn't really expected a gift from you, especially with all the trouble he might've caused you due to his overblot. Though he didn't think it was all that bad. In fact, he felt a little relieved that you didn't hold any grudge against him.
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Vil Schoenheit
"My dear," Vil had an unmistakable smirk placed upon his lips. The choice of words he wrote managed to give out a slightly smug vibe as he stared at your gift on his desk. Impressed by your ability for finding him a suitable gift, he decided to give you a little bit in return.
His smirk slowly turned into a gentle smile as he imagined your face probably tearing up at the thought of him giving you a signed card, he couldn't help but put an offhanded comment near the end. But it was quickly followed up with a single bit of rare praise from him.
Rook Hunt
"Hey love," Rook was always one to act dramatically whenever he had the chance and even in letters, he managed to sound dramatic. As soon as he realized that you had sent him a gift he started gushing about how wonderful it was and how inspiration was raining down on him like tiny droplets.
What's a better way to let his raw emotions out than poetry? That's right, this man wrote you a poem expressing how he feels because of your gift. He almost forgot to say his gratitude because he got carried away but thankfully, Epel pointed it out to him before he could give it to you.
Epel Felmier
"Dear friend," he rarely got any gifts from anyone outside his relatives so when he saw you give him a gift, he was excited to say the least. There's always a certain joy you can evoke in a person when you give them a gift it was almost euphoric for some. He thought that it was sweet of you to give him a gift and decided to give one back with a small message.
Friend. For some reason, it felt a bit off addressing you as that but he quickly shook his head and shot down that thought. As for his gift, he prepared a little something he made himself. Hehe, he's quite proud of it too!
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Idia Shroud
"@YOU" it was interesting how Idia didn't bother changing to formal speech when he decided to give you a thank you message for your gift. He's typing the same way he would to his friend, namely "Crimson Muscle", but perhaps that was because he didn't know of any other way to talk to you without sounding unnatural or weird.
People would normally not even think about giving him something and yet you gave him one. He couldn't help but smile a bit when he said how you were a bit of an oddball—he came up with various nicknames for you inside his head. Most of them being different words for the term "weirdo". Yet they always had a hint of affection whenever he would think of it.
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Malleus Draconia
"Dearest," Malleus started off. It was rare that he received gifts from people outside his family or nobles back in the Valley since a lot of people found him intimidating—terrifying for some, even. He was glad that you felt comfortable enough around him to show simple gestures such as these. Upon receiving your gift, Lilia noticed how it came from you and urged Malleus to write his thank you message differently from how he usually writes it.
Did you perhaps know of the legends surrounding the Thorn Witch...? If so, then maybe he could sneak in a little joke. The gift of beauty and the gift of song—ah, nevermind. He pursed his lips slightly, he'll just handpick a gift for you himself. A small gargoyle statue, maybe. Or he could ask the other members of Diasomnia to help him.
Lilia Vanrouge
"My dear," his lips formed a small smirk. Lilia appreciated all surprises, big or small. Though, in particular, something about your surprise gift made him more excited about it than usual. Was that just his old age getting to him or was it something else? He couldn't be bothered to think about it that much.
As a form of gratitude, he weighed his options. It was either giving you a gift back or letting you ask a favour of him. He thought the latter would be more acceptable until an idea popped into his head as his eyes sparkled with a hint of mischief. He knew you didn't know what it exactly meant but he gave you his signature nonetheless—he'll leave you to figure out.
Silver
"Hey you," Lilia taught Silver that it was common courtesy to show gratitude when someone gives him a gift. He tried thinking of countless ways to say thank you with his old man bugging him to ask you out on a date instead in the background. In the end, he paid Lilia no attention and instead went with the standard short message and giving a gift back.
He urged himself not to fall asleep as he typed out his message even though he already let out a yawn without him noticing. He glanced at the screen blankly, wondering if he forgot to add anything until he slowly felt himself snoozing off. Head resting on the keyboard and typing out whatnot. When Lilia arrived at the scene, he didn't bother waking him up and just sent the message as it is.
Silver was so embarassed the next day and refused to talk to Lilia temporarily.
Sebek Zigvolt
"Human," he didn't even try addressing you as anything else other than that even in letters. When he found a gift lying by his room, he was a tad suspicious but loosened up when he read the tag attached to it. As stated, it came from you and the gift was meant for Malleus—wait, what. Sebek scrunched up his face as his eyes scanned the words printed on it.
"To Sebek Zigvolt" This was a mistake, right? Sebek was a bit flushed but quickly shook it off by saying how it was probably a subterfuge or whatever that was. There was no way it was for actually for him, right? Surely, you must've sent this in hopes of hearing more about the great Malleus Draconia. Right?
That is... Wonderful!
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Grim
"Dear underling," it was cute how he made an effort to write you a letter despite being in the same dorm wherein he could just talk to you directly. But perhaps he was so touched to the extent that he wanted to do this—did you give him tuna? He struggled thanking you properly and ended up boasting about how he was going to be the greatest sorcerer.
Even though he called you underling at first, he couldn't help but soften up a bit. That didn't sit right with him somehow, he didn't know why. He let out a groan as he racked his head for a more appropriate word until-!
Partner... Sounds about right.
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asterekmess · 3 years
Note
Been seeing you getting hate mail and while I absolutely can't understand why anyone would go to all the trouble to make some one else feel bad... I also kinda really love the discourse on Scott? Like YOUR RANTS oh man. On point. Always. Tbh I tried giving Scott a chance... He is the main char after all... But I was like??? Wtf? That dude does nothing but refute others and does whatever he wants. And this was when I didn't particularly like Stiles either (first time watching Teen Wolf). But then I got to know more of him and like Tony he went asshole to lovable asshole—seriously, Stiles might not be the ‘nicest’ but he tries and his heart is in good place—while Scott is just... self-righteous. Someone pointed out that he sees people as possessions and that irks me too that I can actually see it being true. The dude has literally nothing going on except for being the one that gets bitten. And the Romeo-and-Juliet-esque romance he has.
Okay, okay, where was I going with this?? Right. LOVE YOUR RANTS. People need to understand that Scott not being liked isn't because of his race or anything trivial like it—he just happens to be—but because of his actions. Or inactions, as it were. *remembers the pool scene and Scott saying he's busy and resists the urge to chuck a shoe at him*
Basically, love you, love your work, and love your words! ❤️
I've talked with some friends about it, and our number one issue sort of...boiled down to the hypocrisy of the show? I....sort of rant a lot here, and I would add a Read More, but I can't find the option anymore?? I fucking hate Tumblr. EDIT: I found a post that told me how to do it!
So, since he's the character I focus on the most, let's talk about Stiles' morality. Because, you're right. Stiles is an asshole. He does some fucking awful shit in the first season, and even if he had a Reason to do it, it was still bad. And I still don't like it. But I understand it.
Stiles' lack of shits about what is 'lawful' is literally established in the first ten seconds of the show. He's a sheriff's son who sneaks onto people's roofs in the middle of the night bc they aren't answering his calls, who listens in on his dad's work conversations and is willing to fuck up a crime scene because he's so excited about getting to see a dead body. He doesn't care about laws. He doesn't even care about most basic manners (invasion of privacy much, with having Scott sniff Lydia to see if she liked him?). He's a dickhead, even to the people he cares about sometimes. But personality and morality aren't the same. Stiles' entire actual morality system is based around whatever he needs to do to keep the people he loves safe and happy. Lying to his dad so he doesn't get murdered by hunters? Totally fine. Telling Scott that it was "Jackson's own fault" that Scott attacked him with superstrength and dislocated his shoulder, so Scott doesn't feel like an asshole? That's just best friend duties! He will lie, steal, cheat, and he will kill to keep his loved ones safe (let's not forget this boy threw molotovs at Peter, knowing damn well what they would do to him). We can headcanon all we want about all the different people who are in this group of loved ones, but the list is canonically very short: Scott, his dad, and Lydia. Later on, like, past s3B? It includes Derek. Canonically. Stiles puts his life and the lives of others he cares about on the line while he lies to the matriarch of the Calavera hunter clan, to save Derek Hale. Derek is just canonically a part of that group now, and he fucking knows it bc Stiles is his anchor (that's canon too bb). End of Story, Sterek or no Sterek. It's why we get that insane number of lookbacks when Derek is dying before his evolution. Because Stiles is being forced to choose between two people who are BOTH in his ride-or-die group. He Cannot Pick between Scott and Derek, until Derek begs him to leave.
SO, yes, Stiles does fuckface things, and I don't always agree with what he does, but it is ACCURATE TO HIS CHARACTER. He is morally grey. He NEVER CLAIMS to be pure or good or just or righteous. Stiles knows who he is, and he stays true to himself. And I love him for that.
The same goes for a bunch of other characters! For Peter, who is strikingly similar to Stiles, in that family goes above literally everything. Screw the idea that he was following Derek around waiting for the chance to steal back the Alpha spark. That man put his life on the line (his second life, no less) to get the shit beaten out of him until Derek let him help save Derek's life Again and Again. Family Comes First.
Scott's morality is...confusing as fuck. I thought at first he was similar to Stiles, in that family came first, but...while he's protective of his mother, he also does a lot of stuff that puts her at risk without seeming to care/worry (like leaving Peter alone with her once Stiles hits their car, so he can chase Jackson) (or asking her to come to the high school when he's convinced there's a bomber in it)? Seriously, he's more protective over Allison, than his mother. It's very black and white the rest of the time. Very "this bad" "this good." And if you do "bad" then you are bad forever, while if you do "good" you are only good until you do "bad." The Betas were "good" until they asked for the bite, and then they were "Bad." Derek was "bad" when Scott met him and scared him, so after that, no matter how much "good" he did, he remained "bad." But only when it suits him. Allison is good even when she does bad, because he wants her to be good. Chris is good even though he's done mountains of bad, because of the minuscule amount of good that Scott has seen him do, because Scott wants him to be good. Even DEUCALION is good, despite the crazy CRAZY amount of bad he's done and despite having seen him do NO GOOD, just because Scott wants him to be good. Lying to those closest to you is bad, unless Scott is doing it, and then it's good, because he knows HE is good. Killing people is bad, unless Scott is doing it. Letting villains go is bad, unless Scott is doing it. Biting people is bad, unless Scott is doing it. Protecting family is good even if it requires killing or lying, unless it's not Scott doing it. Revenge for past slights is good, unless it's not SCOTT doing it. And you try to understand it! You try to say, okay, then he's morally grey, got it. He plays with the rules to suit his own morality, whatever. Except that Scott, the other characters, and THE SHOW ITSELF, are all telling you otherwise! They all say that Scott is morally pure. That he is good and righteous and lawful. That he always does the "right" thing, and that when he does "bad" things, it's justified and he had to. THE HEAVENS THEMSELVES say Scott is somehow better or more righteous than the other characters by MAKING HIM AN ALPHA OUT OF NOWHERE. (I'm talking abt canon here, not going into deaton conspiracy theories) It's like....Like in the hate mail response I did, where I pointed out that Every Single Thing people get angry at Derek for doing, Scott did too. Lying, killing (or at least attempting it), attacking innocents, losing his temper, keeping secrets, refusing to work with someone who could help, etc etc etc. Everything Derek has done that is morally "wrong," Scott has also done. And that's okay! Doing a bad thing doesn't make you a bad person, and even if it did, Scott is ALLOWED to be bad! GO FOR IT.
Except that he is sinless. It isn't that he learns from the bad things he does, it's that they aren't treated like bad things in the first place. Because Scott did it, and Scott always does the right thing.
Derek's behavior is reprehensible at times, but the show ADMITS that and frames it as bad. Frames it as him doing a bad thing when he scares Isaac or throws Peter or tells Erica who to date. And that's fine, because Derek is established as not being morally pure.
But SCOTT IS. And because they were so desperate to make him continue being "Pure" they didn't frame the things he did as wrong, or if they did, they absolved him of it immediately, using the exact same reasoning that works for Derek's situations, but this time Actually Accepting it.
He scares Stiles, well it's because he's scared. He throws Isaac, it's because he's upset. He attacks Jackson well it's because Jackson was being a dick. He orders Allison to date Matt, well he had a goal to accomplish. Every reason is treated like a fucking doctor's note that erases the bad things he does.
Being scared, or angry, or retaliating to someone being an asshole, or trying to protect himself, was NEVER a good enough reason for Derek to do ANYTHING "Bad." It was never an acceptable excuse.
IF IT WERE: If the show were making a statement about how fallable people are, how they do bad things, but they do them for a REASON. How people will do wild and terrible things out of fear, and how that doesn't make it less bad, but it makes it understandable, so don't demonize them out of nowhere. If that were the case, I would HAVE BEEN FINE WITH IT.
Scott is held to COMPLETELY different standards than everyone else in the show! And I DON'T mean that people held him to higher ones. They dropped that bar so fucking low. Anything was allowed, and any excuse was good enough.
He made out with a girl who was dating someone else, who his best friend was in love with? It's just the full moon, he's angsty about losing Allison. He ducttapes Liam to a bathtub and starts throwing random phrases at him that he hated Derek for saying to him? He's freaked out! He doesn't know what to do with a bitten wolf! It was an accident! He works with a mass murderer behind people's backs without telling them the whole story? Am I talking about Gerard or Deucalion? Who fucking knows. Either way, it's okay, because he was protecting his family. He plots to murder a cancer patient slowly and painfully by replacing meds that likely included painkillers with mountain ash, and the uses someone else's body to deliver the killing blow, and it's okay because he was just being smart! He was just working ten steps ahead! He was saving his mom and the whole town! Who cares if it DIDN"T WORK?
He walks into his ex-girlfriend's hotel room and scares the SHIT out of her while she's naked and alone in the shower? It was the wolfsbane. It doesn't matter that no one else's impulses included HARASSING someone. He lies to his girlfriend's face about her own life because he doesn't think it's important enough for her to know (who am I talking about, come on, take a guess, which one is it? Allison or Kira? Trick question: it's both). He was just being kind! He didn't want to worry her! He didn't want to make her feel bad! She didn't need to know!
I'm so far off track it's not even funny. My point was that Everything the other characters in the show are demonized for or framed as evil or bad or wrong for doing, Scott is shown to do and it's treated like at minimum a comedy, if not a Perfect Brilliant Strategic Move.
God, fucking hell. I mean, the PARALLELS you see in this show, between Scott and others. The scene of Alexander Argent going to the hotel after being bit? That bit where he pulls his shirt up in the mirror? It's a near PERFECT replica of Scott looking at his bite at Deaton's. They paralleled SCOTT MCCALL with AN ARGENT. Deaton has this whole line in S2 where he's bitching at Derek about "the person you should trust the most doesn't trust you at all" And then seasons later, we have Scott look his best friend in the eye and refuse to trust him, only to get upset later because Stiles doesn't want to work with him anymore and he "lost them." Scott goes running into Derek's house in S1 to accuse him of killing the bus driver, and when he can't get a real response, he EGGS HIM ON by accusing him of Murdering his SISTER, just to get Derek to react. Which is the EXACT same thing Kate did when she showed up and wanted Derek to lose his temper. Scott is CONSTANTLY paralleled with villains and assholes, and constantly does the things that others are persecuted for. But instead of feeling regret or learning something from it, instead of growing AT ALL. Those actions are treated as good. We are told they are righteous. And clever. That they are what heroes do. AND YES: There are parallels between Derek and Stiles' behaviors and villains/morally grey characters! Of course there are!
BUT THEY AREN'T SUPPOSED TO BE THE TRUE ALPHA MAIN CHARACTER. SCOTT IS SUPPOSED TO BE THE GOOD GUY. HE'S NOT SUPPOSED TO MIMIC/EMULATE THE VILLAINS, AND HE'S NOT SUPPOSED TO BE REWARDED WHEN HE DOES IT ANYWAY.
I've said it before, and I'll say it again; I understand the urge to think that the Teen Wolf writers did all of this on purpose. That they built Scott up as an unreliable narrator, so that we're forced to come to terms with a protagonist who isn't good, and we watch them fall into a villainous role while thinking all the while they are a hero. That all these parallels are intentional and the writers just couldn't Tell us what was going on bc they didn't have enough power.
And sometimes I play into it. I will lie to myself about Scott being the 'narrator' of the entire show, and that we're seeing it all through his eyes so of course things are biased and conflicting, just so I can actually Enjoy watching it.
But I think it's absolute bullshit that this was done on purpose. It wasn't. The parallels appeared because they Wanted Scott to do the badass things that they had all the villains doing, throwing people and being sneaky and clever, and stopping the bad guy, and they didn't want to deal with the fact that they were having him do bad things. So they just pretended he wasn't and refused to acknowledge that they'd already punished other people for doing the same exact shit, but somehow Scott was getting rewarded. They wanted Scott to be the hero, so they made him the hero, and screw everybody else.
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zmediaoutlet · 3 years
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in support of Texas relief, @padaleckimeon donated $100 and requested Dean Jr. meeting Sam and Dean in heaven. Thank you for donating!
to get your own personalized fic, please see this post. (no longer taking prompts) 
(read on AO3)
When Dad dies, Dean takes a week off. It wasn’t sudden, or a surprise. Dad had been sick for a while, his body starting to fail him. At first Dean had been scared, and then he’d been angry. He was only twenty-four when Dad got the diagnosis and it wasn’t—fair, in some stupid but essential way. He’d barely graduated from college and, yeah, Dad was kind of old, older than a lot of his friends’ parents, but—he thought, somehow, that him dying just wasn't… applicable. Dad was just—there, always. Solid, supportive, kind of boring maybe but also stronger than anyone Dean had ever known, or would ever know, and it wasn’t right that he could just be sitting in his apartment midway through a novel and get a call and kind of sigh, because he was in a good part in the book, and then to sit up straight with his hair standing on end to hear Dad say, quiet, I'm sorry, buddy. We need to talk about something. That’s what he said, first. That he was sorry.
There were treatments, but not many. Dean had flown out and gone to a few of the appointments with the oncologist and Dad had been quiet, listening to the options. He’d researched a lot of this on his own, because Dean had done the same thing, and they’d both been nodding along during the options. Injections, radiation. Chemo. Dad had asked, polite, what the life expectancy was for each option, and Dean had watched the side of his face and not the doctor, and when the answer was given Dad had closed his eyes briefly, and then looked away from both Dean and the doctor, out the window at the snowy day, and Dean had known, then.
Dad made it past Dean’s twenty-fifth birthday. He had a party with his friends, at his girlfriend’s apartment, and they tried to keep his spirits up but it was a pretty shitty party, all told. The next day, his actual birthday, he flew back out to Dad’s house and he was in good spirits—had a mini-cake, even, with a single candle that he made Dean blow out—but he was thin, and his hair was growing back in snow-white and tender-soft, and when Dad fell asleep in front of the crappy old cowboy movie that Dean had picked just because he knew Dad for some reason liked it, Dean went out onto the porch into the nearly-springtime air and he cried, pissed at himself. Pissed at everything. Then just—unbearably sad, because he liked his current girlfriend but he didn’t think he was going to marry her, and that meant that whatever girl he did marry would be one his dad would never meet—if he had kids, they’d never know how his dad concentrated like a motherfucker on crossword puzzles and obsessed over documentaries and knew every single piece of the inside of that behemoth car in the garage and was just the smartest kindest most stubborn person. Just—the best person. They’d listen to Dean’s stories maybe but they wouldn’t know, because Dad would never meet them, and that was just—unbearable, that night. In the morning, Dad made oatmeal and Dean added a bunch of sugar because Dad’s oatmeal was inedible otherwise, and Dad smiled kind of rueful like he always did when Dean did that, and then Dad said, I’m sorry, again, kind of quiet, and Dean reached out and held his hand—thin, and the bones feeling frail—and he said don’t be sorry, Dad, and four months later, Dad was dead.
Dad was always pretty up-front with him about most everything, especially after he and Mom split up. When he was twelve, Dad explained the supernatural very carefully, telling him that he was safe but that other people might not be, and why. When he was thirteen, Dad told Dean that Hell and Heaven were both real and that there was, definitely, confirmed, a God, and maybe it wasn’t the same God that other people knew but that Dad said he was kind, in his own way. The person in charge of Hell, Dad said, was maybe less so, but she wouldn’t hurt Dean, ever. Dad said he knew that for fact, and he said it so certainly, looking Dean in the eye, that Dean believed him. When Dean turned eighteen, a few months from graduating high school, Dad took him to a tattoo parlor and said for maybe the first time in Dean’s life that something was non-negotiable, and Dean hadn’t cared because what other kid in the senior year was going to walk at graduation with a kickass demonic tattoo?
There were other things, though, that they didn’t talk about. Dad said one day a lot when Dean was little but then, when he was older and it was clear that one day would be never, he just said—I can’t, buddy. I wish I could.
After the week off, rattling around the old house, and the cremation with no service that Dad had insisted on, Dean drives out to the lawyer in Sioux Falls. She’s nice. Respectful but not cloying. The Samuel Winchester Estate that Dean is the sole beneficiary of is—a lot of money. A lot more money than he knew Dad had, or that he could have ever earned. Dad has assigned some of the money to go to charities, and to some people Dean doesn’t know—the lawyer doesn’t say who in the specific, but says they’re kids of some of Dad’s old friends. Dean didn’t know Dad had many friends, much less ones who’d get trust funds in inheritance. Aside from the stock options and the accounts and all the money left over, Dean inherits a list of assets. The house, of course. The Chevy in the garage, with the stipulation that he can never sell it. A safety deposit box, from which the lawyer has already retrieved the contents.
She leaves him alone, to go through the box. Neatly organized, like everything else in Dad’s life. File-folders of pictures, printed out all old-fashioned. Some of Dean when he was a baby. Some of when Dad and Mom were still together, leaning against each other, Dean hugged between them. Some—much older, creased and faded, stored in little plastic sleeves so they can't degrade. He recognizes a few from the framed copies Dad always had in the house. Some he hasn't seen. Most of them—almost all of them—are of his Uncle Dean, who died before he was born, and he looks especially at one that just—hits him in the gut, in this awful way where he has to sit there looking at the soothing taupe paint of the conference room wall before he can look at it again. Uncle Dean's facing the camera, sort of, although he's laughing about something and not really looking into the lens, and there's Dad, laughing too. He looks… young. Younger than Dean is now. He flips the picture over. Dad's handwriting, careful: 2006, Bobby's house. Almost fifty years ago. An entire life he didn't know. He thinks again of his imaginary future kids. These lives they have, grandfather to father to son, that overlap like a venn diagram but—not enough. Not close to enough.
*
What's a life? How to summarize, from beginning to faded end, in a way that would make sense to anyone but who it happened to?
Dad left letters, explaining, but he's gone and the context is missing. There are so many questions Dean wants to ask but he can't, of course, anymore. The first letter is attached to the key to the bunker, where he would never take Dean when he was alive, and on winter break from med school Dean flies from Boston to Kansas and rents a car and drives alone through the snowfields.
Dark, inside. He throws the big switch and the lights crackle, hum on, almost reluctant. He has no idea how it's getting power. Dust, but not as much as there could be. A library, a kitchen. Archives upon archives. Dad had explained, but what little he'd said both in life and in the letters didn't come close. It was home, he wrote, for over a decade. The only one we had with four walls, for our whole lives, although we didn't think of it that way. I didn't, at least. Dean doesn't know what that means but he looks into the bedrooms and sees… emptiness, plain bunks and old desks and funny lamps. I just picked a random room, Dad said, and as Dean's looking he really can't tell which was Dad's. Figures. Their house when Dean was growing up didn't change a bit, no matter how terrible that wallpaper was. It's only when Dean pushes open the door to room 11 that there's any personality, and he flicks the light and stands there blinking, surprised. Guns and knives on the wall. Books, piled up. Empty beer bottles crowded on the little table. Dust, but—not as much as there could be. He walks in, cautious, this feeling in his gut like he's in someone's home and they've just walked out, and could return any moment. A food bowl on the floor. A shirt flung over the chair. On the desk: more books and magazines and a folded actually-on-paper newspaper from 2024, and a job application, half filled out. Dean Winchester, it says at the top, in mostly-neat capitals, and Dean rests a hand on the back of the chair and feels… strange. He tries to picture it—the man from the pictures, Dad's brother, filling up this space. Drinking beer and reading pulp westerns and checking out—oh, weird, magazine porn. Dean shakes his head. Impossible.
In the letters, Dad said: Hunting was all we knew how to do. With everything we knew, it was our duty to use the knowledge the best way we could. I went back and forth on it. Your uncle never did, even if I know there were times he wished he—that we both—could be something else. I don't want that for you. I want you to live exactly the life you want for yourself. No expectations, okay? Not from me or anyone else.
There are printed files that go back a hundred years. More than. Paper files, but old SSDs too, with connectors Dean has to find adapters for. Dad: If you want to know what we did, it's digitized. I know I always said I'd tell you one day, but I never knew how to say it. I'm sorry for that. I always thought I'd be one hundred percent honest, if I ever got a kid, because of how we were raised. I didn't know how hard that could be. Stuff that you'd want to say, but when it came time to just open your mouth and say it there weren't any words.
Dad wrote up all the old hunts, it turned out. Simple notes about where/when/how, the kind of monster it was, the number of people who died and the people who were saved. The people they had to explain things to, who knew now about the supernatural underbelly to the universe. He noted, too, if there were injuries, and Dean reads with his hand over his mouth a long, long litany of Dean W. shot, right arm; Sam W. broken bone in hand; Dean W. concussion; Sam W. strangled. On and on. No wonder Dad didn't make a big fuss when Dean broke his leg in the fourth grade.
He sleeps in the bunker overnight, in one of the spare bedrooms that's not room 11. There's a fan on the ceiling, dusty office supplies on the desk. By lamplight he reads the letters, on his back on the stiff terrible mattress, his eyes stinging and past-midnight tired. Our lives weren't the kind of thing anyone would want, Dad wrote. I spent so long trying to get away from it because I thought 'it shouldn't be this way' – and I was right, you know? It shouldn't have been how it was. But it was that way, anyway, and in the end that was something I was okay with. We were making what difference we could. We were happy. A lot of people have it worse.
'We'. Dad hardly writes Uncle Dean's name but he's in every letter. We, we, we. Dad told Dean stories, of course, the dumb stuff they got up to when they were teenagers, or the (sanitized, Dean's sure) adventures they had as adults, but despite the pictures on the wall at home and the pictures in the deposit box and the whole life that's here, Dean can't—see it. Beer bottles on the table in the bedroom, one on either side of the tiny table. The shirt slung over the chair. We were happy, he says, but—how? Dean can't imagine it.
In the last letter Dad wrote, I think I'm writing this when I've got a month or two left. Dr. Hendricks isn't sure. I wish I had more time, to explain how it was. Who we were. I never told you the most embarrassing thing in the world, but I'm old and I'm not going to be around and not much will be able to embarrass me anymore, so screw it. (Fifty years ago I would have gotten really mad at myself for that kind of comment; more things age can fix.) There are books about us. There's a hard drive, in the bunker. It's labelled BURN THIS. (That's your uncle's handwriting.) They're true, more or less. Written by a really crappy, amateur writer, but he was a kind of prophet, and he knew everything there was to know about us, and he wrote books for about five years, based on our life and the real things we did. Some of it is exaggerated and melodramatic. A lot of it is just how it happened. You'll have to decide which is which. I don't come off too well in some of them but I hope you'll understand that the world… I don't know how to describe it. Somehow the world felt different, then. It was just us, trying our best. I hope it gives you some idea of the life we had. No matter what happened, I'm glad that life led me to you.
*
What's a life?
Dean marries. Not the girl from college but a woman, later. Red hair, blue eyes. Absolutely no sense of humor beyond puns. Hates cooking and has strong opinions on movies from the 1980s. They have three kids, a girl and then a boy and then a girl again. All dark-haired, smart. Dean gives the boy the middle name Samuel and his wife holds his hand, says it sounds great.
He's a doctor. He meets hunters. He sets bones for free and prescribes medication when needed and when it will be needed. A woman, last name Novak, calls him and says you know, your dad was one of the greats?, and he meets people—older than him by twenty, thirty years, with scars and dangerous lives and guns hidden in every corner, and he hears stories. Sam Winchester, who saved the world. Dean knows—he's read the books—but there are more years that the books didn't cover, more people who didn't die because of his dad's intervention. "They were the best," one man says, shrugging, and gets no argument, nods and shrugs from every hunter in the room, and Dean goes home that night and kisses his littlest girl where she's already tucked up in bed, and he thinks: what will she know, about who her grandfather was? Who their family is? What could she possibly know?
Dean's wife dies in her eighties. An accident. A broken hip, an infection following. Still happens, even in this new century. The kids are grown, have kids of their own, and the funeral is big, and there are people at his elbow who say to him we're so sorry and who share anecdotes of her life and who support him to his chair, even though at ninety he's perfectly capable of getting to his chair himself. He's a cranky old man, he realizes. She would've laughed at him. He thinks, inevitably, of his own father's death. Silent and unmourned, except by one. What's a life.
He writes letters, for his children. The estate is handled. He calls the oldest girl and explains to her that she's going to be the executor, and that there are things she has to keep. A key. A car. Pictures, so that her boys will know where they came from. "Of course, Dad," she says, placating a little because he's old and clearly starting to lose his grip, but she'll do it. She's a good kid. Dean learned how to raise a kid from the best.
When he dies, he's expecting it. The trip to the hospital. The monitors. He knows the pain meds even if he's retired and his doctor looks like an infant but she gives him the good stuff. It's—easy. A slipping away. He closes his eyes to sleep and there is a moment where he thinks with surprisingly clarity, this is okay, isn't it, and has the feeling of someone's hand laid on his, and then he sleeps, and doesn't wake up again.
*
He opens his eyes in an armchair, in a house that he doesn't recognize but that feels instantly familiar. Music playing, somewhere, and a gold-tinged afternoon spilling through the window, and tone-deaf singing from the kitchen. His mind feels clearer than it has in… Tears come to his eyes but it doesn't hurt. He puts his fingers to his mouth and smiles, breathing in slow, and thinks—well, this is it. Heaven.
Time is no longer time. Space is—immaterial. There's a house, not their house, but it's roomy and it has what he needs and the bed he crawls into with his wife at the end of a day is comfortable, and that's what matters, as he lays his hand on her hip where he used to lay it always, and she sighs against the pillow and squirms and tucks herself into a fetal pretzel, like she always used to. The spill of her hair red against the pillow. Her warmth, plush against his bones. She smells not of honeysuckle or vanilla but just like warm, human skin, the faint bite of salt-sweat at the nape of her neck, the must in the morning in thin bluish light when she turns over and finds him awake, and smiles. Incredible. The weight of her is real, and the spot between her breasts when he kisses her there is real, and he'd always believed in some distant way that what his dad had told him was true—that there was a heaven, that there would be some kind of justice after death—but it was distant, and academic, because of course there was a life to live and patients to care for and children to raise and a wife to bury and a death to get through. What a thing, to come to. This place, with her hair on the pillow, and her smell. He hadn't forgotten it, in the end, after all.
The house sits in some place that feels like South Dakota. Home, or close to it. A lake among trees. A distance between things. He reads, and plays games he barely remembers from being a kid, and he watches the Ghostbusters movies again because his wife insists and they are, he has to admit, still funny, but he makes fun of the weird museum guy anyway, and she kicks him where her feet are tucked in his lap, and he tickles her in retaliation, and then—well, the movie will be there, later, when they're done.
She rides her bike every day. One day she comes back and says she was just visiting her mother, and Dean sits up and says, "What?" But—of course. What's time? What's a space, between this shared slow heaven and another? She shrugs—his mother-in-law says hi—and he sits there on the couch with his game paused, watching her go into the kitchen and shake her sweaty hair back from her face, redoing it into the practical twist at her neck like she always does, and he thinks—okay. Okay, maybe now.
The bookshelf has every book he could want, and seems to know what he needs to read before he does. Raining outside, spattering gentle on the eaves, and his wife made a huge pot of tea and took it to bed upstairs and left him just a cup, and so he sits at the kitchen table with his cup of tea and opens the book—Home, by Carver Edlund—and reads it, lingering, even if he's read it three times before online, his thumb brushing over the cheap too-thin pages of this physical copy. There's a poltergeist, preposterous. The psychic, odd and familiar. The brothers, united, and he reads the next-to-last chapter very slowly, lingering, as they find the box of pictures, as they get into the car together. Drive off, to meet some new dawning day.
He finishes his cup of tea. Puts on a clean shirt, combs his hair. "I'll be back," he says, to his wife, and she blinks at him from her nest of blankets with her own book and then only nods, and Dean goes downstairs and gets into his car and finds the road, beyond the garden gate, and drives.
He doesn't know where he's going but that doesn't matter. He turns on the car radio and it's playing—oldies, but really oldies, the stuff that was old when he was little. What childhood sounded like. Farms appear, melt away. Trees rising, through hills. He sings along, under his breath, remembering: a roadtrip to his grandma's house, Mom sleeping in the passenger seat and Dad driving through the night, and Dad singing very, very badly, as quiet as he could, and Dean thinking even as a kid that this was some private thing, to see, and he had to be silent and not show that he was awake or it would disappear. That feeling, it crept up on him at the oddest times, when he was an adult, and later. That sensation of the armored tank of the car moving through the dark, and the silence around them, and the quiet music inside, and Dad, in a world of his own, entirely separate from the world he shared with Dean.
Another hill. Climbing a mostly-paved road. Not raining anymore but the sun coming in slanted gold through the trees. Distance, and a curve, and then: a house. Old-looking. Older maybe than the one Dean and his wife share. In front of it, a car. The car.
Dean parks. He gets out, and the air smells washed-fresh, a little fecund. Like summer. He puts his hand on the hood of the Impala and it's sun-warm and he tears up, completely unexpected, and has to sit on the hood and hold his hands over his face, his heart—full, in a way he's felt since dying, but not in this particular way, this way of feeling that he thought had mellowed, a lifetime ago.
So much for putting on a good face. He wipes over his mouth and dashes his eyes clear. A porch, with new-carved railings. A door, painted blue. He knocks, his body feeling empty and clean and young, terribly young, and before he's quite ready the door opens, and it's—his uncle, in a purple plaid shirt and paint-spattered jeans and grey socks, frowning at him, saying, "Uh, hi?"
He looks—almost exactly like he looked in the pictures. Maybe forty, lines beside his eyes and heavy stubble on his jaw. The age he was when he died. Dean opens his mouth, can hardly dredge up what to say, and then he hears a voice say, "Dean?" and Dean and his uncle both turn their heads to see—Dad, young too, completely shocked, standing on the far side of the porch in running gear with sweat slicking his hair back from his head, and Dean drags in air and says, "Dad," and Dad grins at him, that big creased dorky-looking dad-smile that Dean only got once in a blue moon, and he steps forward and they're hugging, then, and it's—heaven. That's all he can think. Heaven, Dad's arms tight around him, his shoulders slotting in under Dad's because—Dad was so tall, and this is where Dean fit and never would fit again once Dad was gone. Here, under Dad's arm. Like being a kid again.
Dad's hand on the back of his head. A startled, shaky, deep breath in, and then hands gripping his shoulders, and being shoved reluctantly back to have Dad look down at his face, serious and worried. "How long has it been?" he says. "Are you—you didn't—?"
"I was ninety-seven," he says, and Dad's eyebrows go high and he smiles, big and glad and real, relieved. He touches Dean's face and Dean smiles back, tears rising again for no reason and for so many reasons. "I look good, don't I?"
Dad huffs a laugh. "You look great," he says, and then his eyes lift over Dean's head, and Dean has to turn around because—
What to call him? Uncle Dean. Standing there with his shoulder against the doorframe, his mouth tucked in on one side. Like from right out of one of the pictures, returning Dad's look. His eyes drop after a second to meet Dean's and Dean feels this odd jolt, in his chest. Bizarre, to see. He's real. All Dad's stories, the wall of memories, the books, and here he is, in grey socks, looking all over Dean's face like he's seeing it for the first time. "Guess you got your looks from your mom's side of the family," Uncle Dean says, finally, and Dad says, behind him, "Nice, dude," and Uncle Dean shrugs, unrepentant, but with an unexpected dimple quirking into his cheek, and holds out his hand to shake, and Dean takes it and has another shock at it, warm, callused, firm, real—while Uncle Dean says, wry, "Well, I guess some introductions are in order, huh?"
Uncle Dean and Dad share the house. It's nice, inside. Old fashioned in a way that feels comfortable, as Dean's come to expect. (He wonders, in a few hundred years—will new arrivals to heaven expect old-fashioned arcologies?) Uncle Dean brings beers from the kitchen and Dad takes his without even looking, drinking in Dean's face when Dean's doing the exact same to him. He looks so young. Younger, maybe, than he was even in the few pictures Dean has of him being a baby, held tiny in the crook of Dad's massive arm—some past time, some time Dean doesn't belong to, but Uncle Dean clearly does. Dad shakes his head after a few seconds, huffs again, rueful. "I don't even know where to start," he says.
Uncle Dean rolls his eyes, behind him, and says, "How about you ask the kid how he's doing, genius." Mean, but he squeezes Dad's shoulder too, and Dad bites his lip, looks at Dean, his head tipping. Asking.
It's awkward, but only in the way Dean would expect. To see his dad after so long—and both of them dead—and to explain… what? A life. Being a doctor, meeting a wife. Children. Grandchildren. "Great-grandpa Sammy," Uncle Dean fake-whispers, "told you you were old." Nudging Dad, half-sitting on the arm of his chair. Looking proud enough he could burst, although Dean doesn't know exactly why.
"Are you going to make dinner or are you just here to heckle?" Dad says, looking up, exasperated, and Uncle Dean raises his hands, says, "Oh, I'm here to heckle," but he gets up, too, says, "You get tired of the inquisition, kid, we've got more drinks in the kitchen," and cuffs Dad around the back of the head before he disappears down the blue-painted hall—and music comes on, after a moment. The kind of music that was on Dean's radio as he drove. Comfort sounds that go deep into some space beyond his bones.
"He's a lot, sorry," Dad says, after a second.
"I know, I read about it," Dean says, and Dad blinks at him, mouth half-open, before he remembers.
They have dinner. Uncle Dean makes burgers, fries, a spinach salad that Dean and Dad both groan at, and he looks at them across the table with his burger in his hands and shakes his head. No salad on his plate, Dean notices. They talk but about—nothing. Uncle Dean asks if the Broncos ever won the Superbowl again and Dean tries to dredge up an answer. Dad asks what his wife did for a living. Dean wants to ask things and doesn't know how. There's time, he knows, but for now all he can do is—watch. Dad leaning back in his chair with a beer, smiling at him while Uncle Dean tells some probably well-worn story about trying to fix the Impala in a rainstorm, and Dad was pissed for some reason and so kept handing him the wrong tools. "It was too dark to actually read the grip numbers," Dad says, patient like it's the hundredth time, and Uncle Dean says back, immediately, "Who needs the numbers? You can feel the weight in your hand!" Old arguments, well-worn, in the well-worn house. The way they move around each other, washing dishes, putting plates away. The way Dad's eyes will jump across the table, half a second before Uncle Dean's even opening his mouth, a smile already waiting to be pushed back down.
When it's night he says he should get back to his wife. "I'd like to meet her," Dad says, "some day."
"Gotta see who's willing to put up with a Winchester," Uncle Dean says, eyebrows waggling.
Dad sighs but nods, too. Dean gets folded into a hug, there under the tuck of his arm, and then he hugs Uncle Dean, too, impulsive and just—wanting to, feeling like a kid. Uncle Dean startles but hugs him back right away. "You're good, kid," he says, quiet against the side of Dean's head, and Dean nods and says, "Thanks," for more than he can say other than that, right then on this particular day, and then he gets into his car and pulls away from the house and looks back to see Uncle Dean gripping Dad's shoulder again while they watch him move away—and when he's home, after a blurring drive that's long enough for him to settle himself, he comes up the stairs to where his wife's warm in bed and slides in beside her and she says, sleepy, "How was it," and he says against her hair, "Perfect," because—it was. It was perfect.
*
Dean comes alone to their house twice more, on days when he needs it and doesn't see a reason not to. He brings his wife, the third time, and Dad's extremely polite and Uncle Dean asks her about engineering and Dean enjoys it, from the couch, while she gets the same interrogation he did, and they're driving home with her at the wheel, his eyes on the passing trees, before she says, "They're an interesting couple," and it doesn't strike him, for what may be a mile of blurring distance, why that sentence wasn't quite right.
It should be a shock. It isn't. That it isn't should, itself, be a shock, but he sits with it for a few days, the easy rhythm of heaven sliding around them.
He goes to see his mother, finally. She's in a place on a lakeshore. Her first husband, kind but remote, giving them space. She presses his hands between her own and he goes through the list of answers to all her questions, smiling, feeling déjà vu, and then says, cautious, that he's been to see Dad. "Oh!" she says, and doesn't seem upset. "How is he?"
"Good," he says. They never married, his parents—Dad had told him, much later, that it just didn't occur to him to ask—and he knew they didn't resent each other, but there wasn't much closeness there. He didn't realize how little until he was married himself. Still, he's cautious as he says: "He and my uncle have a place. Uncle Dean, you know?"
Mom sits back in her chair. "Well, then," she says, soft. She's youngish, too. Fifty maybe, her hair shot with grey. "That sounds about right."
He doesn't know how to ask but there's no way to do it other than just—to ask. "What do you know about him?"
Mom smiles, slow, and looks out at the lake. "Honey, your dad's a good man, but I think you know as well as I do that he doesn't give a lot away." Dean follows her look. A boat, far out on the water. Not close enough to hail. "He didn't talk about his brother, much. That said more than I think he knew it did. All those pictures. Well, you remember." She shakes her head, looking down at her lap. "I resented him for a while. A dead man. Silly of me. But then I suppose your dad could have resented Luke, if he'd—cared more. Sorry. That sounds like I'm angry, but I'm not. There just wasn't much left in Sam, that's all. He loved you and he loved someone that wasn't here anymore and there just wasn't room for me, or at least not room for what I needed. I wished I could've known him. Dean, I mean. I would've understood your dad a lot more, I think, but then—I don't think I would've ever met him, if Dean were around."
When he gets home he pulls a book off the shelf. Frail, the spine cracked badly. Supernatural, the first book in the whole series. When Dad was at college and the whole thing started. He sits on the floor by the bookshelf and lets the cup of tea his wife brings go cold on the rug, and reads again and again the scene—coming down the stairwell, finding the car in the garage, going through the details of the voice on the tape, on where their dad (Dean's grandfather) could possibly be, and Dad says there's this interview he can't skip. His whole future, on a plate. In the story, it's Dad's point of view, and he looks at Uncle Dean and Uncle Dean smirks, and Dad thinks, This is exactly what I was getting away from. Dean drags his thumb over the page, looks at the shelf. All those books. All the years in them, and the horrors in those. Hell, and apocalypse, and none of it euphemisms or easy metaphor. All the things Dad wanted to get away from—and then all the years, after, where he stayed exactly where he was. And then—a lifetime later—to come back home to a house, with a blue door, and his eyes not bothering to follow his brother as he leaves a room, because he knows without doubt that he'll be back.
In bed, he asks his wife, "When do you think the kids will get here?" and she turns over and stares at him, and says, "Hopefully not for years?"
He shakes his head, folds his arm under his head. "Duh," he says, and gets her to punch his chest lightly. "Ow. I meant… I don't know. What do you think their lives will be? Like… who will they be? I can't even imagine."
She stops trying to lightly beat him and goes thoughtful. Her thumb finds the little scar on her chin and rubs it, as is her habit, and her eyes slip over his shoulder to the distance. "They'll be—them." He raises his eyebrows, and she shrugs, rolling closer. "I mean, what do you want from me? I knew Abbie for fifty-one years and I still think that girl's a mystery. When she's… probably a grandmother herself, now, I guess. Is she still at Notre Dame? Are she and Andre happy? Are the boys healthy and do they like each other, and did she ever get Jacob to stop drawing cartoon dicks on the walls?" Dean laughs—god, he'd forgotten that—and she smiles at him, props her head on one fist. Says, softer, "Did she live the life she wanted to have? I don't know. I guess when she gets here we can ask her, but we'll never…"
No, they'll never. Dean touches the scar on her chin and she focuses on him, instead of some other world they're no longer privy to. "It's a venn diagram," he says, after a moment. "All of us. Abbie, overlapping with you and me, and then us overlapping with our parents, and on and on, all the way back. I guess we don't get to know what's outside the center parts."
"Even if there's a hundred and four crappily-written books about the other parts," she says, raising her eyebrows, and Dean shrugs, caught. She grins, shaking her head at him, and then squirms in close, tucking in under his chin. Kisses his throat, sighs. "Why not stop at a hundred? Seems random."
"I don't know, maybe the publisher wanted him to stretch it out," Dean says, and she hums, and puts her nose on his collarbone to settle in. He smooths her hair back, away from her shoulder. His favorite book is Swan Song, probably. The final one, as far as most people knew. His dad, the hero, saving humanity and the world, but that wasn't the best part. The best part was the army man, stuck in the door. His dad, looking at that, and meeting his brother's eye, and that being—enough. Just that, and all the life it represented. Enough.
"Venn diagrams," he says, aloud, quietly.
"Yes, you're very brilliant, Dr. Winchester," his wife says, mumbling. "Now go to sleep."
He kisses her hair, and does.
207 notes · View notes
aetherarf · 3 years
Note
Alright, I think I found one. This might be better as a funny fic than anything but that's up to you:
Tartaglia finds his puppy S/O as absolutely adorable, and when Teucer comes to visit he has to deal with the unbearable cuteness of the two interacting
Really hope this works, your a good writer and this is such a cute pairing T-T
Now THIS I can work with :D!
However I wasn't sure if I did a good job of incorporating the doggy-ness so... Meh. I tried tho
ALSO THIS IS MY LONGEST POST BY FAR CONGRATULATIONS
[[ Dog Hybird!Reader, Summary: Childe adored you, completely and utterly, wrestling with you whenever you got excited, and you were one of the few people who could keep up with his high-energy in... everything he did, really. What better way to prove his adoration than to let you meet his little brother?
Word Count: 2'899 ]]
"Hey! Stop, stop, these aren't for you."
Childe, gently, pushed you away from him by a few feet, only for you to whine at him in disappointment. "Why?" You asked, of course, you were a little disappointed, clearly, but not actually upset.
He was working on what appeared to be some kind of batter, and a few other things that were currently wrapped up, and half put away.
"I told you, Teucer is coming!" He cheered, happily, "Ah, also I'm cutting stuff and I don't fancy slicing my hand open," he added, and you, for a second, panicked... But no, that wasn't blood on his hand, just juice, and you took a few steps back, just to still be able to watch.
"Thank you," he hummed, returning to his work.
"What are you making, anyway?" You asked, looking over at the drink. "Doesn't seem very... Local."
"Or healthy," Childe laughed at himself, "It's a Snezhnayan dish called..." He hesitated, and looked over at you with a smirk, "Maybe I should leave it as a surprise for tonight..." He hummed, ignoring your pouting as he covered up the bowl of batter. "Ah, better finish up and get this put away so we can go pick him up."
He wiped off his sticky hands on a nearby towel, rushing about to finish his work.
"Can I help?"
"Nah, I just need to put this... Oomf, in the fridge," he set the heavy pot in, "And we serve later! We're going to pick up something on our way back, just in case you don't like it." He reassured, "Teucer really only eats sweet or mild stuff, so I thought this would be the best option for him... To make sure he's in a good mood and can feel safe and at home around you."
You were silently for a moment.
"Would he not like me for-" you gestured to your ears, "You know?"
"What?" Childe looked at you like you had grown a second head, "No. No, not at all. I think he's going to be curious, and... well, we're not in Snezhnaya, after all. I'm more worried about culture shock..." He walked over to you, and pressed a kiss onto your cheek, "Just be yourself, he'll love you."
Well, Childe knew his siblings better than you did, with the all of zero interactions you've had with them, so you decided to trust him.
Childe took off his apron, setting it off to the side as he washed his hands.
"Hey, how about we race to the Harbor, see who can spot Teucer first? I can get you that little trinket you had been looking a-"
The sound of the front door swinging open, loudly, was enough to tell him that you were already trying to beat him, oh, but he wasn't going to give up so easily.
...
"Ah... why... do we have to live... so far from the harbor..." You panted, exhausted from both the heat and the run. However, Childe had caught up, and had it not been for your head start, he would have most definitely beaten you.
"Because... oof... the Qixing hate me." He said, but he was grinning all the while. "Are you okay? Need water?"
You were exhausted, but you could hold off a little bit- besides, Childe wanted to make sure Teucer actually could get a taste of Liyue culture, instead of just the same as home, so you could just chug water when you were out to eat.
"Brother? Broooother?"
Your ears perked up, but Childe was already running as though the both of you had not been sprinting until your lungs could barely take in anymore air, and you followed suit after a moment, seeing Childe on his knees--Arms wrapped around a little boy with the same, vivid hair color as him.
"Brother! I thought I'd have to find you again!" Teucer said, with a smile, "I missed you! So-So did mom, and, and Anthon and Tonia..." He buried his face in Childe's shoulder.
"Oh, of course. The only reason you had to find me last time is because I didn't expect you to come." He said, almost chastising him for his previous behavior, "But this time, you'll be staying with me for a few days, and I can do everything that I wanted to do... but Aether had to do," he sighed for a moment.
However, you noticed that Teucer was staring at you, now, eyes wide... he truly had the same, blue eyes as Childe did. You knew what that look was, he was amazed, but... while, usually, there would be disgust in those eyes when another looked at your odd features, there was only wonder, and... adoration, perhaps?
"Brother?" He asked, pulling away so he could walk closer to you, you crouching to be at a closer level to the boy, "Is this-"
"Yes, this is my sweetie," Normally, that sentence was followed with a kiss on your cheek, but he seemed content to simply watch. "Don't worry, Teucer doesn't bite."
"Uhm..." Teucer looked at you, "Are you half puppy?" He asked, looking right at your ears, that you couldn't help but twitch.
"Sort of, it's more complicated, but that's an easy way to understand it." You explained, knowing going through history and the technical formation of your people was going to go right over his head.
"Can I pet you?" He asked, looking up at your ears, and already reaching up, but by instinct, you grabbing his arm, just enough to stop him.
"It's a little rude to ask, since we just met... But okay. Just know other people with ears like me might not like it, okay?" You clarified, and he nodded. You lowered your head, and he gently petted one ear... and then the other. He, very lightly, tugged on one, as though to see if it was a joke or if it was real.
"Whoa... you're so..."
Here it comes...
"Cool!" He cheered, practical stars in his eyes, "Brother! Brother why didn't you tell me about how cool they are?!" He asked, almost angry, and Childe just innocently smiled.
"It's hard to explain something like this through a letter, Teucer."
"But! You could have sent a picture!" He huffed, and folded his arms over his chest as he pouted.
"But isn't the surprise so much better?" He asked, and Teucer sighed, looking back at you... and you could only smile. It felt so odd to be talked about as though you weren't here, but...
"... I guess. I'm gonna tell everyone when I get home, though! Oh, no, wait, brother, can you come home with me?!" He asked, eyes wide. Childe just sighed.
"I'll think about it. I still have work to do, I just took a few days off for my sweetest wittwe babby bwother," he said, pinching Teucer's cheek.
"I'm not sweet! I'm strong!" Teucer held up his arms, dramatically flexing, but Childe scooped him up and set him on his shoulders, you admiring how Childe didn't even flinch when Teucer grabbed fistfuls of his hair to hold on.
"Sooooo strong," Childe agreed mockingly, "Come on, I made reservations at a restaurant. Something that'll really give you a taste of the local cuisine..."
Teucer grimaced, "Is it gonna be a spicy pepper that makes me cry? I don't like that! Anthon gave me one, saying it was sweet..." His voice grew quieter and quieter...
"Did he, now?" Childe asked, "Not that spicy, but kind of spicy. Don't worry, I'll make sure there's sweet milk you can drink to wash away the spicy taste if it's too much."
He grumbled, but he didn't fight any longer.
"Come on. It's on me, love," he gestured for you to follow and, almost comedically so, you obeyed.
You could only giggle and watch as Teucer managed to master chopsticks with little to no effort, leaving Childe flabbergasted, but then Teucer began whining as soon as he ate his first, massive, bite of food, and then teared up.
Childe gave him the promised sweetened milk... Only for Teucer to proclaim he liked the "burny food" and ate more...
And then cried for milk.
Then ate more.
And cried for milk.
And it kept going until he had eaten his meal, you barely able to stop yourself from cackling at Teucer's ridiculousness, and once you all walked back home, Childe mouthed a silent Thank You.
He really did just want the best for his brother, huh?
Eventually you got home, and Teucer, no longer dazing away in Childe's arms, declared he wanted Childe to train him... With two wooden swords, Childe taught him how it all worked, from how to swing your blade or stab it forth, you mostly just watched, curious...
"Ah," Childe froze, upon realizing something, and Teucer swung as hard as he could, hitting Childe in the side of his knee, and he fell to the ground.
"Brother!" Any excitement disappeared, and he ran to his brothers side, already crying, "Are you okay? Oh... Oh, I don't like this, I don't wanna hurt you! I don't like fighting!" He sobbed out, dramatically. Childe pushed himself up, and held Teucer close in a hug.
"I'm okay, I'm okay. But, people get hurt in fighting. It's not all just looking cool, you know?" He asked, a small smile, and Teucer nodded. "Even practicing is dangerous. Besides..." Slowly, he pushed himself up, "I have to cook dinner. Hey, love," he looked over to you, "Do you have any books you could read to Teucer? To keep him..." He eyed the boy, "Entertained?"
"Wait," Teucer said, "Can't I help you?" He said, "I hurt you... I should help..."
"Nono, I'm alright. Just a little sore, see?" He bent his knee a little back and forth, until Teucer seemed satisfied. "Besides, you might want to spend some time with your future family, right?"
Teucer looked over at you... And then Childe. And then back to you.
"Okay! But! Brother! Promise you'll ask for help if you need it!" He scolded, and Childe sighed.
"I promise, I promise." He said, petting the top of Teucer's head, "Now go, let me go cook dinner." He finally left the room, and Teucer scrambled his way to the couch, sitting down next to you.
"Do you have any stories? Oh, maybe about your family!"
You hesitated, "I, uh, think a storybook may be better. It can help you learn more about the local culture, too."
"Oh, okay!" He said, you stood up and walked to the bookshelf, skimming over for something that was at the very least appropriate for children, and maybe one you could act up...
Eventually, you found a decent one, and sat down on the couch, Teucer making himself comfortable on your lap, grabbing at the book, already fascinated at every picture within...
Well, at least he seemed easy to entertain...
...
Both you and Teucer lie on the couch, after Childe had been busy cooking, perhaps for too long, and the stories lulled you both to sleep. Teucer lie atop you, and a book rested on Teucer's torso, having been set down after your arms were too sore to hold it up, and unable to move to set it somewhere better.
Childe, oh so desperately, wanted to let the both of you sleep. Teucer seemed so happy, his little fist grabbing onto your shirt. He was about to wake you both, just so neither of you would be sore when you woke up, but he paused...
And he had an idea.
He searched around a bit, peeking out to see you both asleep on the ground, until he finally found the Kamera he had lost more than once, and finally walked his way in, holding it up...
Click.
Saved. Now, he could remember the cuteness forever, and he set the Kamera down, and walked over to the two of you, gently shaking you both awake.
"Hey, guys, dinner's ready." He said, softly, and Teucer whined, clearly having remembered the tears from the overly spicy dish that he was served earlier that day.
"No... more... spice..." Teucer whined, hiding his face into your chest.
"Aya, I cook a loving meal just like mama made, and you can only whine? Tsk tsk. Maybe I should just send you to bed."
That woke Teucer up quickly, pushing himself up, and he stared at Childe with big eyes, "You made something from home?" He asked.
"Well, as close as I could. It's a little off, but it's still yummy! And not spicy at all, I pinky promise." He held out his hand, sticking out his pinky... And Teucer stared, suspicious...
"Okay, I believe you!" He climbed off of you, pressing a little too hard on your stomach, forcing you to grunt in minor pain, and he already scrambled his way to the kitchen.
"Are you alright?" Childe asked, softly, sitting on the couch by your legs, resting his hand on your stomach, rubbing it soothingly. "You've been wonderful so far... And Teucer adores you."
You sighed.
"Just rub my tum for a second, okay?" You said, resting your hand on his. He didn't reply, just smiled, and continued to do so for a good minute or two, until Teucer began trying to serve himself, and Childe jumped up before something went wrong.
Besides that, dinner went without a hitch, Teucer dramatically telling a story about how Childe had caught a fish so massive he could barely even drag it home...
"oh really," you would hum, glancing over at Childe from time to time, only for him to chuckle, perhaps a little... Embarrassed.
Then you went to bed, and Childe tucked Teucer into the spare bedroom. You lie in bed, staring at the ceiling, ear twitching as the door to the bedroom opened, then clicked shut, Childe's familiar footsteps growing louder, and closer.
"I don't know if I can survive a whole week with Teucer." You said, majorly joking. Childe looked over at you, and he quirked a brow.
"Why?"
"He's very... playful." You said, exhausted from him practically grabbing you by the ear and demanding to play with you every second of the day.
"And you aren't?" He said, a sly grin on his face, only for you to groan, and to flip onto your side, away from him.
"Awwh... Love, baby, sweetie... You know I'm teasing. Don't worry, he's always the most hyper on the first day, and he mellows out. I can get you a hotel room if you want a day away, I could just say you went to see family or something."
"... Maybe. I'll think about it."
You loved Childe, and Teucer, but you were not ready for long-term child management... Childe management was hard enough as is!
Childe lied down behind you, wrapping you up in his arms as he spooned you, pressing a kiss onto the back of your neck.
In his comforting grip, it didn't take long to fall asleep, feeling one hand gently, ever so gently, petting your ear...
...
You woke up to the sound of the door opening, all but cuddled up to Childe, who was already sitting up, staring... with a faint outline in the doorway, that you recognized to be Teucer, you heard... sniffling.
"Brother...?" He asked, "I... I had a nightmare... and I was alone..." He shuffled slowly over to the bed, and Childe didn't hesitate, jumping up and rushing over to his brother, picking him up, and holding him close in a hug, almost rocking him.
"I'm sorry, I'm sorry... but you're safe, I promise. Do you need to talk about it?" He asked, and you could only watch... It was sweet. Childe was soft, only around you, but it seemed for family he had a different kind of gentleness still.
"I... Can I sleep with you?" He asked, wiping his teary eye with his sleeve. Childe hesitated, and looked back at you.
You smiled, "Should I go sleep on the couch?"
"No!" You both directed your attention to Teucer, "I... i mean... I want my family together."
"Family?"
"... Family?"
There was a brief silence, but Childe eventually carried Teucer over to the bed, and helped him sit down before sitting down himself.
"It's alright, Teucer... I'm right here, and..." He looked at you, waiting for your response.
"I'll be here, too." You reassured, lying back down fully, and Teucer wiggled closer to you, snuggling up to you as though you were his own sibling, and sighing.
Childe laid back down as well, snuggling up to Teucer from behind, managing to reach all the way to you, pressing both of you closer to him-you wondered, idly, if Teucer was uncomfortable, but...
"Don't worry," Childe said with a whisper, "Teucer likes being squished."
You just nodded, using one hand to gently pet the back of Teucer's head.
"Sorry for him, by the way," Childe added, "I guess he doesn't like travelling. He's never been alone for long..."
"He's alright... And he's young, it's reasonable to be scared."
Childe just hummed, shifting to get more comfortable.
"Rest well, because Teucer might end up dragging you to Snezhnaya to meet the rest of the family."
You didn't reply, just closing your eyes... Thinking.
Family, a little cutie that snuggled the both of you...
Having a family with Childe, if it would be like this...? Didn't seem so bad...
314 notes · View notes
felassan · 3 years
Text
Some DA trivia and dev commentary from Twitter
There’s a lot of different tweets, so I’m just pasting and linking to the source rather than screencapping them all or making several different posts or something. Post under cut for length.
User: Was dragon age 2 your favourite in the franchise?
David Gaider: DA2 was the project where my writing team was firing on all cylinders, and they wrote like the wind- because they had to! Second draft? Pfft. Plot reviews? Pfft. I was so proud of what we all accomplished in such a brief time. I didn't think it was possible. [source] DA2 is, however, also where the goal posts kept moving. Things kept getting cut, even while we worked. I had to write that dialogue where Orsino turned even if you sided with him, because his boss battle had been cut and there was no time to fix the plot. A real WTF moment. >:( [source]
Mike Rousseau: I remember bugging that! And then being told it wasn't a bug, and being so confused. Doing QA for DA2 was an experience. Trial by fire. [source]
DG: So I think it's safe to say DA2 is my favorite entry in the DA franchise and also the sort of thing I never want to live through ever again. Mixed feelings galore. [source]
User: (I personally blame whoever it was for ruining most romance arcs in other games for me; they don't live up to Fenris's romance storyline)
DG: I wrote Fenris, so uh - me, I guess? Or maybe his cinematic designer, who put in the puppy dog eyes. [source]
User: If DA2 had just been an expansion, do you think it would have been better received? There was a lot of great stuff in there, and I think my initial dislike of it was because of the zone reuse. If it hadn't needed to be a full game, would that issue not have arisen?
DG: Hard to say. It was either going to be an over-scoped expansion or an under-scoped sequel. If it had stayed an expansion, it might never have received the resources/push it DID get. [source]
User: I'd love to visit the universe where you had an extra year or so to work on it. You did a very good job as it stands, but it definitely had rough edges. Not just the writing team either. The whole game had hit and miss moments, that just a little more dev time could have fixed.
DG: On one hand, DA2 existed to fill a hole in the release schedule. More time was never in the cards. DA2 was originally planned as an expansion! On the other, if we had more time, would we have started doing that thing where we second guess/iterate ourselves into mediocrity? [shrug emoji] [source] 
Jennifer Hepler: This is what I love about DA2. Personally, I greatly prefer something that's rough and raw and sincere to something that's had all the soul polished out of it. Extra time would have helped for art and levels, but it would have lost something too. [source]
DG: Right? I think we could have used some time for peer reviews (and fewer cuts), but I think the rawness of the writing lent a certain spark that we usually polished out. [source]
JH: Definitely. I think the structure (more character-driven) and the tightness of the timeframe let each individual writer's voice really come through. Polish can be very homogenizing. [source]
DG: I should add I'm not, by any means, against iteration. Some iteration is good and necessary. The problem that BioWare often had is that we never knew when to stop. Like a goldfish, we would fill the space given to us by constantly re-iterating on things that were "good enough". [source]
Patrick Weekes: I appreciate your incredibly diplomatic use of the past tense on "had". :D [source]
User: DA2 was my gateway into the series and I’m so happy it is. I love the game the way that it is. It’s one of my favorites of all time. But I am also aware of everything that was said here. If it were remastered, do you think it would change?
DG: I'd be surprised if it was ever remastered. If it was, do you really think they'd change things? Do remasters do that? No idea. [source]
User: Both sides got undercut as I recall. Didn't that whole sequence also end with the mage leader embracing blood magic? It was very much "a plague on both your houses" moment, at least for me.
DG: Yep. Orsino was supposed to have his own version of Meredith's end battle, which only happened if you sided with the templars. That got cut, but the team still wanted to use the model we'd made for him. So... that happened. [source]
DG: I would personally say that DA2 is a fantastic game hidden under a mountain of compromises, cut corners, and tight deadlines. If you can see past all that, you'll see a fantastic game. I don't doubt, however, that it's very difficult for most to do that. [source]
PW: I love DAI with all my selfish "I worked on this" heart, but DA2's follower arcs and relationships are probably my favorite in the series. [source]
User: As I've expressed many times, I love the game, especially it's writing and characters but, for me, the most impressive aspect of it, in consideration of it's lack of time for drafts and revisions, is the 2nd act with Arishok.  What amazingly complex character and fantastic duel
User: Just played it again and I have to agree. Though he is bound by the harsher tenants of the Qun, he makes valid points about free marcher society. Though it is obvious that he and Hawke will come to blows eventually, the tension builds gradually and understandably
DG: Luke did such a fantastic job with the Arishok I found myself sometimes wishing the Qunari plot had just been THE plot. [source]
User: What do you think would have changed, story wise, if you had more time for DA2?
DG: I would have taken out that thing where Meredith gets the idol. It was forced on me because she needed to be "super-powered" with red lyrium for her final battle. Being "crazy", however, robbed her side of the mage/templar argument of any legitimacy. I hated hated hated that. [source]
User: I deeply lament that there wasn't/couldn't be some sort of DA2 equivalent of Throne of Bhaal's Ascension mod.
DG: I'd have done it, if DA2 had allowed for anything but the most rudimentary of modding. ;) [source]
User: I mean, and I think I understand where you were trying, but how much legitimacy did the Templars and her as top Templar have after they're keeping the mages locked up against their will in the old slave quarters? Feel free to not reply.
DG: I think it's the kind of discussion which requires nuance, and which discussions on the Internet are not prone to. [source]
User: Was a compromise that the quest lines don’t branch? It felt like it was supposed to be that way but then you end up in the same place later regardless of what you pick. Like I hoodwinked the templars so good to help the apostates escape but in Act II they were caught anyway.
DG: I remember us having a lot more branching in the initial planning yes. Most of this got trimmed out in the first or second wave of cuts, in an effort to not cut the plots altogether. [source]
DG: "If you could Zack Snyder DA2, what would you change?" Wow. I'm willing to bet Mark or Mike (or anyone else on the team) would give very different answers than me, but it's enough to give a sober man pause, because that was THE Project of Multiple Regrets. [source] I mean, it's the most hypothetical of hypotheticals. It's never gonna happen. I wouldn't be surprised if EA considered DA2 its embarrassing red-headed stepchild. We'd also need to ignore that in many ways DA2 was as good as it was bad BECAUSE of how it was made. But that aside? [source] First, either restore the progressive changes to Kirkwall we'd planned over the passing of in-game years or reduce the time between acts to months instead of years... which, in hindsight, probably should have been done as soon as the progressive stuff was cut. [source] I'm sure you're like "get rid of repeated levels!" ...but I don't care about that. All I wanted was for Kirkwall to feel like a bigger city. Way more crowded. More alive! Fewer blood mages. [source] I'd want to restore the plot where a mage Hawke came THIS close to becoming an abomination. An entire story spent trapped in one's own head while trapped on the edge of possession. Why? Because Hawke is the only mage who apparently never struggles with this. It was a hard cut. [source]
User: I would LOVE to hear more details about this! I don’t suppose there’s any chance of a short story?
DG: I don't even remember the details of the story, sorry. There was a fight, and you caught the bad guy and then realized none of it was real and woke up idk [source]
DG: I'd want to restore all those alternate lines we cut, meaning people forget they'd met you. Or that they knew you were a mage. Or, oh god, that maybe they'd romanced you in DAO. So much carnage. [source] I'd want to restore the Act 3 plots we cut only because they were worked on too late, but which would have made the buildup to the mage/templar clash less sudden. Though I don't remember what they were, now. Some never got beyond being index cards posted on the wall. [grimace emoji] [source] As I mentioned elsewhere, I'd want to restore Orsino's end battle so he wouldn't need to turn on you even if you sided with him. And I'd want an end fight with the templars that didn't require Meredith to have red lyrium and go full Tetsuo. [source] Heck, maybe an end decision where you sided with neither the mages nor the templars. Because it certainly ended up feeling like you could brand both sides as batshit pretty legitimately, no? That was never planned, tho. No idea how to make that feel like an actual path atm. [source] Maybe an option to go "umm, Anders... what are you DOING?" 👀 [source] And, of course, a Varric romance, because Mary took that "slimy car salesman" character we'd planned and did the impossible with him. I can feel Mary glaring at me for even suggesting this, tho. [source] Lastly, the original expanded opening to the game which allowed you to spend time with Bethany and Carver BEFORE the darkspawn attacked. And, um, that's about it off the top of my head. Zack Snyder, WHAT PANDORA'S BOX HAVE YOU OPENED. [source] Shit, I remembered two more things: 1) Restore the "Varric exaggerates the heck out of the story" at the beginning of every Act, until Cassandra calls him on it. Yes, that was a thing. 2) Make DA: Exodus. Yes, I am still bitter. [source] God damn it, I meant "Make DA: Exalted March". The DA2 expansion, NOT Exodus since that was DA2's original name and makes no sense. Because the expansion ended with Varric dying, and that will always be on my "things left undone" list. [source]
User: Whaaaat?
DG: Well, you know that scene in Wrath of Khan where Spock goes into the dilithium chamber because he's a Vulcan? Well, imagine that but with Varric and red lyrium and because he's a dwarf. ;) [source]
John Epler: I distinctly remember referencing the bit from MGS4 where you crawl through the microwave corridor in the split screen, while cinematic battle rages on the other half. [source]
DG: It would have been glorious, John. Glorious. [source]
JE: I don't think I've ever been so certain what a shot should look like as I did Hawke coming in and finding Varric in the broken throne, just like when he was telling Cassandra his story. [source]
DG: It would have come full circle! Auggghh, it still kills me. [source]
User: Lord, you folks are a little too good at this.
JE: The true secret behind videogame narrative is knowing how to make yourself seem a lot more clever than you actually are. [source] 'Oh, we TOTALLY planned that.' [source]
User: Ok, this thread [the DA2 regrets thread, which is the big chunks above] but Inquisition.
DG: My regrets about Inquisition are, more or less, the normal kind. Nothing so dramatic, I'm afraid. [source]
User: You can keep your Varric romance, I want a Flemeth romance goddamnit!
DG: I would allow for one flirt option, and then a recording of Kate Mulgrew laughing for three minutes straight. [source]
User: I had a hypothesis about the repetitive caves in DA2. They're repetitive because it's Varric telling the story and he didn't consider them important.  They're like sets in a play.  (Okay, I really suspect it was a time/money/resources thing but I like my fake explanation better.)
DG: Hang a lampshade on it, maybe? Cassandra: "But that's the exact cave you were in last time?" Varric: "Whatever. They all look the same, I'm not THAT kind of dwarf. Can we move on?" [source]
User: that makes sense, hypothetically to make Varric romanceable and keep his arc—that had to happen for the main plot—I imagine you would have to make double the content (or more)? which would've been a tall order given the time/budget constraints the game was under
DG: Right. When it comes to "romance arc" vs. "follower story arc", we generally only had time to do one or the other. Never both. Romancing Varric would have meant not getting the story of his that you did. [source]
Mary Kirby: The one exaggeration I really, REALLY wanted, that we never got to do was Varric narrating his own death scene with Hawke weeping over him, then cutting to Cassandra's pissed off glaring at him. [source]
DG: Haha! The one I wanted was Varric's plot where he takes on the baddies single-handedly, sliding across the floor like Jet Lee, action movie-style, until finally Cassandra gets irritated and he has to admit Hawke & the rest of the party showed up to help. [source]
MK: We did that one! (He didn't do any Jet Lee moves, though.) Jepler gave him letterboxing to get The Good, the Bad, & the Ugly showdown vibes while he shot a ton of mooks single-handed. [source]
DG: Wow. Shows how much I remember. [source]
JE: I found it! I remember seeing this sequence as my treat for doing a bunch of much more challenging work. It was fun to see how far I could push our limited library of animations. [link] [source]
DG: Heh awesome. I could have sworn it was cut, honestly. I think I was even in that meeting. [source]
User: no disrespect but that’s surprising and rich of Mary “Hard in Hightown” Kirby to think DA2 shouldn’t have had a Varric romance when she wrote an entire book of Varric’s self-insert character pining over his Hawke insert character… HIH is the reason we had VHawke Summer 2018
DG: I can't *really* speak for Mary, or how she feels about it now compared to back then. I only know how she felt about it back then, and I'm not sure it was as much the concept of the romance but that Varric's entire story would be bent to "romance arc" ...a very different thing. [source]
JH: I remember pushing to have the first DLC start with Hawke having an option to ask Varric, "Did you tell Cassandra about us?" and if you picked it, Varric would answer, "Of course not, baby. I told her you were sleeping with X..." and then proceed as if you had had a full romance. [source]
DG: I still wonder how that would have gone over. x) [source]
JE: Okay, one more DA2 thing. Putting together the cinematics for this scene was a blast. [link] [source]
MK: These lines are my greatest legacy. I want "Make sure the world knows I died... at Chateau Haine!" inscribed on my tombstone. [source]
JE: I was so glad no one said 'no' to the crane shot. [source]
MK: It needs that crane shot. It's the perfect icing on that cake made from solid cheese. [source]
DG: The designers were all "we need more combat" and I think we were all "I think you underestimate just HOW interesting we can make this dinner party". [source]
JE: And finally. I think @SherylChee wrote the one-liner. I think we had a collection of like, 20. [link] [source]
Sheryl Chee: Yeah! Something like that! I remember submitted a whole bunch and Frank said you only needed one. Wish I'd kept the other fifteen. [source]
JE: A random chooser where, each time through the scene, you get a different one-liner. [source]
JE: DA2 is the project I'm the proudest of. I also absolutely get that it didn't land for a lot of people. But I don't think it's inaccurate to say that, in a lot of ways, DA2 defined my career. [source]  Everyone spent a year working at their maximum ability. I was a fresh cinematic designer and was given all of Varric's content, as well as the Act 1 Finale mission. It was a lot for someone who had been doing the Cinematics thing for literally 6 months. [source]  There's some stuff in there I can't look at without wincing. And there's some stuff I'm genuinely proud of. Not to mention, it was my introduction to most of the writing team. Several of whom I'm still working with today! Albeit in a different capacity [source] Also, weirdly, one of my most enduring memories of Dragon Age 2 is how much Bad Company 2 we'd play at lunch. It was a LOT. [source] Every game I've worked on has a game I played attached to it. ME2 is Borderlands. DA2 is Bad Company 2. DAI is DayZ. I, hmm. There's a progression there. I don't know how I feel about it. [source]
User: Is DA4 going to be tarkov then?
JE: I've kind of churned out of Tarkov for now. Probably Hunt Showdown, at least right now. [source]
User: I think people also don't take nuance into consideration -- like I FULLY acknowledge the flaws in my favorite games and will openly criticize them, but that doesn't mean they're not my favorite games anymore??? You can like and thing and still be critical of it.
JE: A lot of my favourite shit is deeply flawed! I acknowledge it and I think it's interesting to dissect the flaws. [source]
User: I still wish Justice was an actual character in DA2 rather than a plot point.
DG: There was a moment during DAI where we *almost* put in you running into Justice with the Grey Wardens, and he's all "Kirkwall? I never went to Kirkwall" [source]
User: Does that imply that Justice was shoehorned in to DA2?
DG: Nah, it was an in-joke where we thought it'd be fun to suggest that "Justice" was simply some demon that tricked Anders in DA2. Wooo those tricky demons! We didn't do it, though. [source]
User: [about templars]  except, I don't think it had very much legitimacy to begin with. keep in mind, we interact with other characters with the same argument. The one that comes to mind is Cullen, a sane templar in power. The templar's side of the argument is inherently flawed.
DG: I don't doubt that many people agree with you, and yet people can and do argue on behalf of the templars as well. My place isn't to pick a side, but to provide evidence that players can interpret for themselves [source]
User: Can you shed some light for us on how DA was able to do multiple same-sex romance options for different genders but the Mass Effect team treated them like the plague? What process existed for your team that just wasn't their for the other tentpole franchise?
DG: Different people making the decisions, almost different cultures. I don't know what it's like now, but for many years the Mass Effect team and the Dragon Age team were almost like two different studios working within the same building. [source]
User: It truly boggles the mind. Kudos for doing demonstrably better on consistent queer representation than the ME teams. Y'all never needed us to make petitions to try to get the studio's attention and ask them to do better by us. That's the fight we're once again embroiled in now.
DG: Honestly, I don't feel like tut-tutting the Mass Effect team. They did their part, and if they were a bit later to the show than the DA team they certainly did more than almost every other game out there -- and willingly. [source]
Updates begin here
User: So what was the reason for naming Dragon age 2 "Dragon age II" and not using a subtitle?
DG: As I recall, that was purely a publisher decision. I think they wanted to avoid the impression it was an expansion. [source]
User: Is there no chance of ever remaking DA2 under better circumstances? -Somehow remove the repetitiveness of gameplay by making changes and updating the tech and adding much more to the storyline. It could almost be a new very exciting game.
DG: I'd say there's zero chance of that. Let's keep our hopes up for the next DA title instead. [source]
User: I am a little confused here, help me out here please! How exactly was the cut boss battle with Orsino supposed to work out? How it would've kept him from turning against the player?
DG: It means that, if you sided with the templars, the entire boss bottle at the end would have been against Orsino and the mages. No fight against Meredith. The end decision would have been more divergent. [source]
User: I do remember that one of the reasons going around for that, was that resources were going to the transition to Frostbite. I'm still not fully sold on that having been a good choice. I felt that more time should have been given for that transition considering it was made for FPSs
DG: We didn't transition to Frostbite until DAI. Given our time frame for DA2, I don't think we *could* have transitioned to a new engine. [source]
User: Since your talking about the what could have been for DA2. Could you say what your script was for Anthem? Cause I remember reading that you wrote the plot on that game.
DG: I created a setting for Anthem and scripted out a plot - but, as I understand it, almost none of that ended up being used. So it's a bit pointless to talk about what I'd planned, as that'd be for some completely different type of game. [source]
User: [in reference to the exchange above where DG said “Being "crazy", however, robbed her side of the mage/templar argument of any legitimacy. I hated hated hated that.” re: Meredith] except, I don't think it had very much legitimacy to begin with. keep in mind, we interact with other characters with the same argument. The one that comes to mind is Cullen, a sane templar in power. The templar's side of the argument is inherently flawed.
DG: I don't doubt that many people agree with you, and yet people can and do argue on behalf of the templars as well. My place isn't to pick a side, but to provide evidence that players can interpret for themselves. [source]
If I missed a tweet, got the wrong source link or included a tweet twice, feel free to let me know and I’ll correct.
Edit / Update: Post update 22nd April
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milenadaniels · 3 years
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Carve It Into Stone, 1574 words - Buck/Eddie + Chris, Sleepy Sickfic
(AO3 link)
Caught in the rhythm of routine, Eddie remembers a few moments too late that he’s meant to be entering quietly when he gets home from work. Or: a self-indulgent Buck and Chris napping together fic because of this post.
Caught in the rhythm of routine, Eddie remembers a few moments too late that he’s meant to be entering quietly when he gets home from work. The deadlock has already been turned but, wincing, he slides his key back out gently and palms the doorknob deliberately to prevent the familiar squeaks from reverberating through the house.
Once inside, he guides his duffel bag to the floor, not letting the strap clatter down as he usually would, and takes care as he bends down to unlace his boots and toe them off before padding into the living room, following the low sounds of the television.
On Thursday, Abuela asked for help figuring out the new tax software she wanted to use this year — it was very user friendly but she was very much in her 80s — and instead of subjecting Christopher to an entire afternoon and evening of boredom, Eddie asked Buck to pick him up from school and hang out until he could join them. He hadn’t known at the time that Christopher was sent home with a note saying he’d been sniffly and should be kept home until he felt better: new protocols in the mid/post-COVID-19 world.
Buck immediately got him a rapid test for COVID-19 and it was ruled out, and it didn’t present like a flu, it was just a hell of a cold. Mild fever, runny nose, body aches — the works. And Buck, who had been exposed for hours at its peak transmission period, did not escape it. Which made it handy when Eddie needed a sitter on Friday and Buck naturally had to call in sick himself.
Buck was sending him text updates all throughout his shift but they stopped suddenly a couple hours ago, so Eddie is not at all surprised to find them both out for the count.
Still, he’s not prepared to take in the sight of Buck stretched on his back, somehow fitting his 6’2 frame between each arm rest, and Christopher tucked snugly along his side, more on top of him than in the wedge between Buck’s body and the back of the couch. One of Buck’s hands is curled up by his face, while his other arm is holding Christopher to him as if there was a risk of falling. Christopher’s arm is tucked into his chest, and his head is resting against Buck’s collarbone, nearly tucked right under his chin and Eddie…
Eddie pauses.
He pauses and grapples with this picture of strength and fragility juxtaposed and blended together. Buck, built for strength and power, tenderly cradling his young son. Both of them unstoppable forces of energy and unrestrained joy, both cast down together by germs they just have to weather.
Both of them here, recovering together, safe under Eddie’s roof, under Eddie’s watch now.
He feels suddenly like he’s walked blindly into a moment in the course of his life whose significance he can’t yet pinpoint and he thinks if he just stays here, quiet, still, he might be able to reach out and understand it.
Christopher’s glasses are on the table nestled between a tissue box and two empty glasses of water, indicating one of them knew they were headed towards an extended nap before they settled in and somehow that detail tugs at his heart fiercely. To imagine Buck watching Christopher get sleepier and sleepier, carding his fingers through his curls fondly, and gently lifting his glasses off to make him more comfortable. Was he already settled against Buck by then? Or were they sitting upright until Buck started to lose his own battle with fatigue and rearranged them like this? Indulging both their need for cuddles when they’re feeling low?
It doesn’t matter, but Eddie wishes fiercely that he knew.
They’re both breathing easily enough, like most of the congestion has lifted, though he can tell by the amount of crumpled up tissues that missed the trash can Buck must have brought into the living room that they had a hell of a day with it. Their cheeks are a little flushed with fever still, and Eddie wants to check but doesn’t dare touch them for fear of disturbing them.
Instead, he takes in their pale skin, their dark curls, and their unguarded faces in sleep and marvels for the hundredth time at how improbable it is that they could look so alike and how strangely happy he is about it. By now he’s used to the guilt that accompanies this thought, and as always, spares a thought to Shannon, but then he lets himself linger on it like he doesn’t usually have the luxury of doing.
Usually their similarities strike him at the worst times: when he turns around in line to catch them making faces and laughing at being caught, and Eddie has to pretend to be grumpy and turn back around to play into their game; when they’re ordering ice cream and Eddie asks for strawberry and they both turn to look at him with identical expression of disappointment because fruit isn’t a treat even if it’s fake fruit; when he has to take a call from Carla as they’re walking into the museum and catches up to Buck and Chris just in time to hear the ticket taker say “you and your dad have fun!” because she has eyes and anyone on Earth would have assumed the same. These are moments Eddie has to let lie and move on from quickly. Moments he only gets to revisit when he’s laying in bed at night, trying to conjure up the visuals exactly as they were to reproduce the tightening in his chest he keeps experiencing, but failing every time.
But now, here, he can linger.
No, he can do more than linger.
Moving slowly as if any sudden movement could break this tranquility, Eddie slips his phone out of his pocket and double-taps the power button to bring up the camera.
He takes a single, wide-view shot of the whole couch, and admires it for a moment.
Then he zooms in on their sleeping faces and takes two more.
Three new pictures to add to the overflowing folder of pictures that will never go on Instagram.
He quickly sends Carla the wide-view shot because he feels the need to share what he’s come home to and she’s the only safe option. The only one who won’t read more into it than Eddie’s comfortable addressing.
Though if Eddie’s being truthful, he knows she’s just the only one who’ll keep it to herself until he’s ready to hear it.
Carla sends back three red hearts, and Eddie can’t help but agree.
He slips his phone back into his pocket and makes room to sit on the coffee table.
Buck’s hand is right there, open, palm facing up, waiting.
Eddie reaches for his shoulder instead, though he slips up and instead of jostling him gently like he meant to, his hand curves around his shoulder and his thumb glides back and forth against his shirt until Buck is snuffling and blinking awake.
“Hey,” Eddie says, smiling when Buck remains half-asleep, his body as relaxed as it was in sleep.
“Hey,” he croaks, gently clearing his throat and casting a nervous eye to Christopher who makes nothing of the disturbance.
“How are you feeling?”
Buck seems to mentally assess himself. “Fine, just crazy tired. Our little man here was a trooper, but he conked out a couple hours ago. Aw, shi--oot,” he looks at the television, “I was supposed to pause it when he fell asleep. I don’t remember which episode we were on.”
Eddie smiles. “He probably won’t even remember the episodes you did watch. You can start over when you’re both back on your feet.”
“Mm,” Buck hums, his eyelids already growing heavier again. “‘K.”
Eddie watches sleep take over Buck, until those tired lids are pried apart suddenly with mild alarm.
“D’you want m’to put him to bed?” Buck slurs. “Be more comfortable?”
Eddie shakes his head with a fond smile. “He’s just fine where he is.”
Buck’s eyes grow vulnerable in a way he’s been trying to hide lately when he’s in full control of his faculties, and the corner of his lips tugs up into a shy smile.
“Go back to sleep,” Eddie says, his voice pitched low to be soothing.
Buck obeys and within a couple of minutes his face is slack and peaceful, his breathing evened out, but some stray impulse shifts his hand away from his face and off the couch entirely to hang in the space between them.
Can Eddie really be faulted then for taking it in his hands and holding on for just a second — feeling the slight heat from the fever seep into his skin, feeling the curl of mildly calloused fingers against his, feeling the weight of it between his palms and deciding that he likes it, a lot?
He guides Buck’s hand back to its original resting place and doesn’t give in when his fingers want to explore the ungelled curls resting against his forehead.
He lingers, again, just one more time, and lets the knowledge that Carla’s talk will likely be coming sooner rather than later wash over him.
And by the way he only barely makes it to the kitchen before thumbing open his gallery and reviewing the three pictures he took, he figures he may just be ready for it.
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tipsycad147 · 2 years
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What Happens After? What Your Banishing Spell Is Missing!
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BY AVERY HART
Banishing and cleansing are some of the most widely used and discussed practices in modern witchcraft. These are often a new witches first foray into magic, a sort of basic groundwork that we’re given to help keep us safe as we explore new territory. There are hundreds of methods available for this sort of magical housekeeping, everything from very short candle spells or recaning (also known as smoke cleansing) to rituals that can become quite intensive in their execution.
Despite the wide array of options available, most of these methods only cover half of the process. For some experienced witches this is no problem, often we learn to fill in the second half of the process naturally but for newer witches this can pose a serious hiccup in the learning curve.
When you cleanse a space or banish something you are removing unwanted energy and in doing so you are creating an energetic void. This newly cleaned space will not stay empty! Other energies will always move into the vacated space and if left up to chance there’s no telling what could come rushing in.
It is possible that you could get positive, happy, comfortable energy but you’re also just as likely to get nasty energetic runoff from your surroundings. Leftover anger from your neighbors fighting, errant depression or confusion, illness. You can’t control what sort of excess energy is in your surroundings and when you open up a huge empty space it’s all going to leak in.
How disheartening to cleanse your space and then two days later have it feeling all mucked up and off kilter again!
A lot of us simply resign ourselves to that just being the way it works and either banish and/or cleanse far more frequently than is necessary or even give up on banishing and cleansing unless the need to do so is truly desperate.
So, how do we avoid leaving this post-cleansing void open and vulnerable?
You fill it back up with the energy that YOU choose!
There are a variety of methods that you can use to reintroduce desired energies into your space. You can pick one, combine them or rotate which method you use to stave off boredom if you’re prone to losing momentum with routines like I am.
Music is an excellent way to saturate a space with energy. You should take care when selecting music for this, simply picking music that you enjoy is not always enough. I know several witches who swear by classical music (Mozart’s Fifth seems to be a popular choice) but many types of music can be used. Just be sure that you’re picking music that reflects the sort of atmosphere you want your space to hold. I tend to avoid music with lyrics but you may find that the right lyrics add exactly what your space needs. If classical music isn’t your thing I might suggest something along the lines of this song by Chon.
This is my primary method of choice for one simple reason. You don’t have to be around for it to work!
If you want to fill a room up with high vibration classical music energy but you don’t really feel like listening to classical music for an hour, you don’t have to. You can perform your ritual, turn the music on and go run errands or hang out with your friends. The music will do all of the work and your space will be good to go when you get back.
Visualization or breathing exercises can be useful tools for re-energizing your space as well. For example, you could imagine sunlight flooding your newly emptied space, or light of a color of your choice if you use color magic. You could spend a few minutes breathing and pulling energy up from the earth to fill your space with calm, stabilizing energy or you could breathe energy down from the cosmos to bring an uplifting, creative and expansive energy.
If you like to raise energy with motion you could dance or practice yoga or any other movement that makes you feel good. Hell, having steamy romp with your partner can fill a space up with some fantastic energy!
Anything you can do to raise or attract the sort of energy that you want in your space will work. The important thing is that you fill that energetic void, and fill it as soon as possible after clearing an energetically empty space. It’ll ensure that your space stays clear and clean longer and lower the likelihood of attracting new problems that will require you to repeat the process.
What’s more, these same techniques to help your cleansing and banishing last longer! Play the song of your choice whenever you go out, practice five minutes of meditation, breathing or movement every morning and you’ll find that your space maintains its renewed energy for far longer.
Banishing and cleansing is much like going to the doctor, we definitely do not want to be making repeat visits too frequently. That’s a sure sign that something is very wrong! Once or twice a year for routine maintenance should be enough as long as you take care to keep up with the regular small maintenance tasks.
You’ll find yourself with a far more enjoyable energetic space with far less upkeep from big rituals leaving you more time to focus on yourself and the other magic that you’re itching to practice!
Ever wondered if you’re really prepared to handle the dangers of the craft?
Or maybe you’ve recently come face to face with these dangers and you’re determined to be better prepared next time.
Either way, you need to learn magical defense. This set of skills is absolutely paramount for new witches, witches looking to take their work to the next level, and even witches who are just looking for a little more peace and quiet in their spiritual lives. The craft doesn’t have to be dangerous, stressful, or traumatic!
In Defensive Magic For Beginners, I’ve created a step by step learning path that will give you the boost you need to start defending yourself confidently today.
https://averyhart.co/blog/2016/12/21/filling-the-void-banishing-and-cleansing
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chuckbass-love · 3 years
Note
56 and 100 with andy or steve plss
Hellooo lovely. First of all thank you for the request and i’m sorry for the long wait. I was taking a break from requests to work on the multiple series that i’ve got going on but i’m back now and i hope this is worth the wait. Secondly, i chose Andy for this and i really hope you love it.
Prompt #100: “Call me selfish, but i don’t ever want anyone else to touch you”
Prompt #56: “Come sit on my face, let me show you how much i missed you”
Disclaimer: My work is not to be translated or to be posted anywhere else other than MY Tumblr, Wattpad and Ao3 without my permission. However, reblogs are welcome.
Pairing: Andy Barber x Fem!Reader
Warnings: Jealousy, fluff, smut, oral sex ( f receiving), language and ass grabbing. 18+ guys
Word Count: 2,861
GIF NOT MINE!!! Credit to @lovingpostit go check them out💜
I’ll Show You
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It’s been one hell of a day at work today and all you want now is just to cuddle up on the couch next to Andy, a glass of wine in hand and some random movie that he’s been dying to watch all week on the TV. To tell the truth you don’t even care what movie it is, all that matters is that he’s next to you, holding your body close to his with his cologne filling up your senses and intoxicating you. Oh and lots of kisses are also a must.
You could honestly spend forever in his company and it’s been that way since you first met, you’ve always been drawn to each other like magnets, to put it in the most cliche way possible. But it suits the two of you because you’re both introverted and home bodies. So any time you get where you can just sit together and enjoy each others company, you take it no questions asked.
This week has surprisingly dragged, probably due to all of the clients you’ve had. Your calendar has quite literally been chock a block full not to mention the severity of the things your clients unload onto you. It’s been tough. But you got into this business because you can’t help but help people and you knew the second you started on your journey to becoming a therapist that it was never going to be easy. Nothing good ever comes easy. But you don’t mind that, you’ve never shied away from a challenge before and your brains are just another thing added onto a long list that Andy keeps of why he fell in love with you.
That along with your heart of gold.
On the drive home you decide to turn the radio volume up a little more than usual, you need something to keep you going until you can run into the arms of your love and as Led Zeppelin comes onto the radio, you know you picked the right day to crank the volume up. What a band.
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Andy is just making his way out of his own office and down to the parking lot to drive home himself. He’s usually home before you but tonight he had to clear up a couple things before he got to leave and much like your career, his is also never stress free, but he loves it too much to give it up.
As you park your car you notice Andy’s isn’t here yet which isn’t unusual, you know he’s most likely had to stay behind a little later so you decide that you’ll be the one to start cooking dinner ready for when he arrives. You step out of your car and head to the back seat to retrieve your bag along with your jacket from this morning before strutting up to your front door. But before you can even put the key in the lock, your neighbour Ian jogs over, calling your name to catch your attention.
“Ian, hi” you beam, greeting him with a friendly smile, one which he returns gladly.
“Y/N, me and Julie were just talking and since i’m taking the boys out golfing tomorrow, she’ll have a spare coupon for the spa, if you’re interested in joining her”
You have been rather tense lately and since it’s Saturday tomorrow, you’re not gonna pass up such a wonderful opportunity to relieve the tension building and the knots forming all over your back.
“Sure, that would be great. What time?”
“11” he responds simply and you nod your head rather enthusiastically.
He places his hand on yours as he smiles from ear to ear “brilliant, she’ll be over at half ten then just to be safe. Have a nice evening” and with that he walks away just as Andy is walking towards you with a not so cheery look on his face. Must have been a tough day at work for him too.
“Hi handsome, what’s with the pouty face?” you tease as you let the two of you into your shared house but he doesn’t seem to be laughing at your not so funny joke.
“Andy?” you press him for some kind of response even if it’s a nod or mumbling, you’d rather something than to be blanked by him but to no avail.
He just shrugs his coat off, hooking it onto the coat rack before slipping his shoes off and placing them in the shoe holder. And since he doesn’t seem to be responding any time soon, you do the same before padding into the kitchen to have a look at what you have in the refrigerator and the cupboards to cook for dinner. You eventually settle on a simple dish, mac n cheese. It doesn’t take too long to cook and that’s exactly what you need seeing as you’re starving.
You take one of the many pots and pour some water in it before setting it on the stove on a medium heat to boil whilst you change into something a little comfier.
As soon as you enter your shared bedroom you see Andy making his way into the closet too and when you walk in he turns his head to see you staring right back at him, confusion all over your face.
“What’s wrong?” you ask, hoping that this time he might actually tell you rather than acting like you didn’t open your mouth “what did Ian want?” is all he says and it’s all he needs to say for you to know just why he’s acting off with you.
Ian and Julie have lived opposite you ever since you moved in and you automatically got along, all four of you. They’d get a babysitter for their children and you’d double date every now and then but those fun times were interrupted when Andy insisted that Ian had a thing for you. Although you tried to convince him that it wasn’t true and he was just paranoid, you couldn’t help but notice the evidence too. The way Ian would look at you and hold his stare a little too long, the way he’d flirt without you realising it at the time and obviously today, the way he had his hand on yours. Andy must have taken one look at that and assumed the worst.
“He asked if i’d go to the spa tomorrow with Julie, i said yes, why?” you have to be sure though, although you’re assuming now, you want him to be able to tell you what’s got him so bitter.
“I don’t trust him” he mutters as he finishes changing into some sweatpants and a sweatshirt.
“He’s harmless Andy��
“I saw the way he was with you just now, touching you and giving you that shit eating grin, he knew what he was doing”
“Andy, whatever he thinks of me, i don’t care. I’m with you for a reason, can you just trust me”
“It’s not that i don’t trust you” he snaps
“Except it seems that way”
You hold off on changing for now, deciding that storming off childishly is the better option. Once you’re back downstairs you then place the pasta into the now boiling water, making sure to turn the heat up one more too.
“Why can’t you just see things from my perspective here?” he wonders out loud as he leans on the kitchen counter, catching your attention. The way his hands are in his pockets and his shoulders are hunched over, it makes you feel bad for even getting mad at him. Sure jealousy isn’t great but when he gets so worried about other men stealing you away you can’t help but realise just how much he loves you. He loves you so much that the thought of you leaving breaks him let alone if you were to actually go.
But he doesn’t have to worry about that and you’ve told him plenty of times.
“It’s not that i don’t see things from your perspective, it’s the fact that there’s no telling you. I would rather be alone for the rest of my life than be without you yet you’re too caught up with Ian having a little crush to notice that”
“Yeah well call me selfish Y/N, but i don’t ever want anyone else to touch you let alone flirt”
Instead of fighting back against him you step closer and wrap your arms around him as you stand on your tip toes and just as your lips touch his, his hands grip your face gently.
His grip tightens the more you kiss him and when you slip your tongue in, he loses all control. His hands dance all over your body, leaving no spot untouched. Goosebumps form all over as the kiss heats up, the pasta long forgotten on the stove as you’re too busy being ravished by your man.
“Someone’s very possessive” you mock, smirking a little into the kiss before he kisses you so hard it knocks the air from your lungs and when you pull away you’re gasping.
Your breathing hitches as he rests his forehead to yours, his handsome face inches away from yours and all you want to do is just claim his lips, just like you did seconds before. You can’t get enough of him.
However, he beats you to it, gripping your chin aggressively as he bites down on your bottom lip with need. You pull him closer by wrapping your arms around his neck loosely to which he happily obliges.
“Is that a problem?” he asks, raising his brows at you as you struggle to regain control of your breathing, you simply shake your head no in response, half expecting it to end here. But he has other plans.
“Good” he starts, slowly walking into the lounge leaving you stood there confused. So you decide to follow, only to find him laying down on the couch with his eyes trained on you.
“Now, why don’t you come sit on my face, let me show you how much i missed you today”
Your heart skips a beat as you watch him smile afterwards, you can’t quite believe that he’s all yours.
Without another second left to pass, you head over to him and begin to straddle his waist. He quickly takes control, moving you further up until you’re hovering above his chest.
Large calloused hands grip the hem of your skirt, slowly pushing it up to expose your laced black panties. Andy can’t help but choke on air as he sets his eyes on your panty clad mound. But rather than waste time, he starts to devour you over the lace before eventually slipping them to the side and feasting on you like a man starved.
The sensation causes you to throw your head back and practically scream due to how good it feels. His tongue on you like this will never get old, it’ll always be one of the best things in life, one that you’ll continue to enjoy for many years to come. The way his skilful tongue glides over your puffy folds with such precision before he eventually latches on to your bundle of nerves, it’s almost too much to bare and you can feel the coil tightening already with every suck and lick.
And when he slurps on you as he drinks the juices that pour from your fountain you’re unable to stop your hips from moving on their own accord and before you know it, you’re grinding yourself on him desperately as he lays there taking it like the greedy man he’s always going to be for you.
For him, you’re it. You’re the one and you always have been since he first met you.
After Laurie he didn’t expect to ever want another woman again until you came along. You rocked his world, turned it upside down and since then, he’s been hooked. He’s obsessed with the taste of you, the smell of you, the sight of you and the sound of you. You ignite a fire within him, alert all of his senses and turn his whole body into gooseflesh. Just the way he loves.
He flickers his eyelashes before looking up at you as his hands make their way to your perfectly shaped ass so that he can dig his claws into the soft skin of your round globes, causing you to keen for more.
The sounds your making should have alerted the neighbours by now but even if they do, Andy doesn’t care. He just loves the music you make as you arch your back, still riding his tongue as he pushes it further into your tight and wet hole.
“Please, Andy” you cry out, reaching down to run your fingers through his fluffy hair, you’re desperate now, even more so.
“Hm?” he mumbles, the noise vibrating onto your pussy “i’m gonna cum” you breathe out heavily, trying to gain control over the situation but failing miserably. 
Andy rests his hands on your hips, stilling the movements before diving back in for more. He swirls his tongue around your folds once again before ultimately settling his plump lips around your pulsating clit and sucking like his life depends on it.
You can’t hold back anymore, the sinful moans are enough to make him cum too without you even so much as touching him.
And with one final suck and two of his fingers massaging your folds, you cum with a frantic sob. Your body launches forward and he pulls you down so that you’re laying on top of him.
He strokes your back delicately, soothing your shaking body. He can feel your legs jolting every couple of seconds.
Eventually you get off of him and attempt to stand up but of course, you fail miserably.
“So, how was that?” he rasps, chuckling simultaneously
“Perfect, oh and i missed you too today” you smile and he eventually stands up as you slouch down.
“Good, now just let me finish the job then we can order takeout” he says, causing you to furrow your brows but the unasked questions have their answer once he gets on his knees on the floor between your legs and dives right back in.
You shiver a little, your pussy is still trying to recover but he just can’t get enough. His tongue laps at the cum still spilling out of you, making sure that every last drop is inside of his mouth before swallowing it all.
“Now i’m done” he quips and you sit up a little, pulling him closer to you so you can get a taste of yourself on his tongue. Once he slips it into your mouth you can’t help but get carried away, until the door knocks, disturbing you from your peaceful and romantic moment.
You stand up to go and answer it, quickly sorting out your appearance in the hallway mirror before you open it. It’s Ian.
“Ian, hi... again” you giggle nervously as you turn to see Andy’s face change from content to angry in seconds. He practically jumps up off the couch to join you at the door, his beard still damp with your arousal.
You watch as Andy stares the poor man down before wiping at his face.
“I was just stopping by to let you know that Julie wants to leave at 10 instead, you know because of traffic and all” you can practically smell anxiety on him and Andy notices it too.
“Sure, that works for me” you say before the situation turns awkward.
You glance over at Andy who is just stood there watching him intently but he’s coming off rather intimidating.
“Anyway, we’re about to order takeout Ian so we have to go” Andy adds in before snaking his arm around you waist and pulling you closer to him, you follow Ians eyes as he looks down at your skirt and you can only hope Andy didn’t spot that but judging by the change in his breathing, he did.
Shortly after Andy bids Ian goodbye and as he’s walking off, you’re still in the doorway.
You turn to your jealous boyfriend and tut, resting your hands on your hips but he soon disbands your serious facial expression as he smacks your bum which causes you to squeal.
“Andy”
“Let’s get you to bed so i can really show you how much i missed you” he kicks the door shut as he picks you up to carry you to your shared bedroom and you just know you have a long night ahead of you.
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LMK if you wanna be added to any of my tag lists...
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crackinwise · 3 years
Text
My pet AU is Kiyotaka and Mondo somehow out in the post-Tragedy Japan, surviving and saving people. Like either they didn't agree to stay locked in Hope's Peak for safety, or they survived the game and left with the others but didn't join Future Foundation. Major points up front, details divided into sections under the cut:
Mondo's objective would be to find his gang, and Taka's goal, besides finding his dad, would be repairing society while punishing those responsible for its destruction. But their direct task is keeping each other safe & helping victims along the way.
Mondo even stresses calling Taka "Ishimaru" instead of "bro" or his given name in front of others, so they might KNOW who's saving them. Taka caught on quick & is very grateful.
Taka would have kind of a breakdown reconciling who he is with what he has to do in a lawless world where every public moral is ignored. He keeps a small ledger of places they loot from, to compensate in the future.
At the start, Taka can only sleep burrowed against Mondo's chest or back, blocking out their damaged surroundings & pretending everything is as it was.
He cries in Mondo's arms one night after he couldn't avoid killing someone to save Mondo's life, and that's the tipping point. He thinks if he was better, stronger like his bro, he'd have noticed sooner & found a better option. Mondo is being so brave; he's Taka's rock and Taka wants to be as steady for him too. Their souls are already connected so obviously he just has to borrow more of Mondo's spirit, right?
That's how Ishida is created.
(In reality, Mondo just compartmentalizes and shoves down unhelpful feelings. You thought he needed therapy BEFORE all this, oh man-)
Ishida:
Taka ends up slipping into the Ishida facade for fight and flight; any time adrenaline kicks in and he feels he needs that boost. Sadly, that's most of their waking time. He guards Mondo and anyone they're saving like a fierce watchdog, and won't hesitate to bite.
He'll only come out of the role when he personally verifies it's safe and if Mondo can confirm it. Survivors are confused by the dual-sided Ishimaru switching right in front of them, but they're so grateful (and so much weird crap has happened) that it never phases them long.
Too many times, Ishida will go all day without a break. This means when their hideout for the night is absolutely safe, that it's okay to let go, Taka just collapses in exhaustion. But Mondo is there to catch him.
Mondo feels conflicted over the Ishida role because Taka is just a beast in it--it's very flattering and a little hot--but it also makes him worry more than before about Taka's health. He comforts Taka with a lot of praise and reassurances, and Taka sleeps lightly but otherwise fine.
Relationship: (slight mature warning)
When they touch, Taka swears he can feel the link between them flare to fuel them. Twin fires ignited. Mondo doesn't know about all that, but when their eyes meet it definitely makes him feel invincible, so, he can believe.
If they weren't already new boyfriends when The Tragedy hit, all this closeness makes sure of that soon after. Being together is their happiness and, for a while, their only link to pre-Tragedy lives. Vows not unlike marriage were exchanged one night. Where one goes, the other will follow. Anywhere. Always.
When they kiss, safe and alone, Mondo will ask what Taka wants; what he can handle that night. Sometimes it's just the kisses before passing out, sometimes it's more intimate touches to please them both after another hellish day.
Sometimes Taka will ask to be made love to, for obvious couple reasons, but also because Mondo inside him makes their tether feel stronger, more complete. Like going over the invisible line in bold marker. Taka believes any marks they can create with their mouths, any traces of themselves they can leave on or in each other, the easier they can find their bond and tap into it. (He had started a nervous habit of pressing in on lovebites to keep Ishida going when tired.)
Mondo tells him he doesn't need to find a poetic excuse for fetishes and Taka lovingly answers with a stomach punch.
Crazy Diamonds:
Mondo's gang members, the ones not dead or overcome with Despair, are slowly found and joined back up.
Any smaller and sturdier motorcycles are kept when found. If Mondo was able to keep his own in this version, it's a bit heavier than would be good for any off-roading--and much too loud for any stealth--but he refuses to part with it.
Every gang member respected Taka/Ishida the second they saw him fight beside their leader. Before Mondo says a word about him. They readily take orders from him in either form. The change in appearance was a surprise, but they're already used to some members wildly changing demeanor in or away from the gang, so it's easily accepted.
With the gang as backup to keep watch during downtime--after Ishida sized each one up and watched them for loyalty--the pair can feel a lot more relaxed. They joke about having a date in a blown-out restaurant they find, and they can finally enjoy a deep sleep.
When the group finds safehouses with more than one room, Mondo & Taka are given their privacy. Taka tries to insist everyone deserves a chance at privacy and they should rotate, but changing a gang's long-established hierarchy is a losing battle. And Mondo's not on his side because when they're alone he can be as sappy or touchy as he likes.
Legends:
Taka and Mondo save a lot of people over their journey and kinda become a legend that gets spread around and gives people Hope.
This area still needs work from me. Probably some research into Japanese myths and supernatural symbolism. A placeholder right now is something corny like "Two Men with burning eyes and thunderous voices will answer your cries for help. But if you're evil, the two will appear to you as One Demon and drag you down to the land of the dead."
There's also probably a need for costume changes since their color scheme is the same black & white of the Despair Remnants and monokumas killing people. Legend or not, it'd be easy for traumatized survivors to not know they're good guys at first.
Darker Moments: (blood, violence and vague attempted sexual assault)
After he killed a man to save Mondo, Taka luckily (he wouldn't use that word) doesn't have to again. Hurt? Yes. Beat unconscious? Yes. Maim? Yes, but some of the vile dregs of humanity are caught doing things that deserve worse--
--That deserve Mondo. Once when they were still traveling alone, a group of Remnants jumped them, managing to separate the two, and one knocked Taka out with a bad blow to the head. Mondo dispatched the others attacking him and got to Taka right as the Remnant was about to do something unforgivable.
Mondo snapped. He still doesn't remember what he did, he just remembers coming to in all the blood and dazedly picking Taka up to take him to a place he knew was safe.
Taka never finds out. He woke up a day later with a bandaged head and Mondo crying and kissing his hands. Mondo just told him he beat some and scared away the others.
Minor Details:
They try to always fight back-to-back and, to observers, seem to read each other's mind for where to move.
Taka/Ishida would use a sword or hand-to-hand. The pickaxe might just be a random pickaxe they find, if he uses it at all. Kinda hard to carry both a sword and a railroad pickaxe on your back, and I can't imagine it balances very well. (The size in official pics would be a 5lb head w/2-3lb handle.)
Mondo seems like he would use anything lying in debris to fight. Poles, pipes, chains. Aaaand maybe the knives he mentions in School Mode.
For any costume changes, Mondo would keep his jacket at least. A beacon for the Diamonds. Maybe a purple tank top, and different pants better for knife holsters. Unless the holster should wrap around his waist or hip instead?
Any changes to Taka's outfit would keep his armband. It's a reminder of his Talent and his goal to make Japan even better than before. Also wanna keep his boots or change to more rugged ones.
End Goal:
Obviously they'd end up in Towa, after the events of Ultra Despair Girls. They're reunited with Takaaki and Takemichi. Maybe they help set things right there a bit, or Makoto would get word to them about his plans vs Future Foundation's. Look at me, do I look like someone that knows how to end things?
There is no way you read all that. (I love you if you did.) But feel free to use all or any bits of it in your own works. Almost positive I'll never get to compose all this into a coherent fic format. I might update in short scenario posts under a 'Tragedy-survivor au' tag if I think of anything.
If you have a question or want something expanded upon, ask away.
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moonbeambucky · 3 years
Text
I Promise (Part 1/2)
Pairing: Chris Beck x Reader Word Count: 4106 Warnings: fluff, smut, pregnancy
Summary: Before heading to Mars Chris Beck reconnects with his best friend, unaware of the outcome of their night together. With the burden of his mission will Chris make a promise he can’t keep?
A/N: My first Chris Beck fic! Rather than a really long one shot I’m splitting it into two parts. A big thank you to my love Allie @all1e23​​​ for beta reading 🍕❤️ gif source (x)
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“Hey.”
The soft resonance of Chris’ voice brings tears to your eyes, ones you couldn’t help from slipping out. They fall down the curve of your cheeks past the uneasy smile you wore.
“I kept my promise,” he said. Chris flashed the top row of his bright white teeth, his mouth curving into a boyish smile that reached his eyes, the fine lines crinkling around them. He tilted his head as he looked at you through the screen, a comforting gaze that made you feel as if he was there with you. 
The quality of the video chat is near perfect making you almost forget Chris was millions of miles away. He looked the same, not that you expected him to look different. It had only been a few months since you last saw each other. 
His hair looks darker than usual but you suppose it’s the low lighting of the small room he’s in. He’s bundled up in a thick NASA sweatshirt and you can see several more layers he has on beneath the collar. Chris looks tired but that’s expected, what he’s doing right now is not a walk in the park. You know it’s the reason why it’s taken so long for him to contact you but you wish he did it sooner. 
More tears flood your eyes, burning their way out as you wished he never left at all. You can barely hear Chris over the sound of your own sobs.
“Please don’t cry,” he pleaded.
You lifted your head towards the screen and seeing the concern on his face only made you miss him more, wishing he was there to console you in person.
Your hand swept away tears from your cheek as your voice cracked saying his name. “Chris…” 
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The streets are simmering with the heat of a summer that couldn’t wait to officially start. Calendars be damned, it was hot. You indulged in a cool shower when you got home from work but time didn’t allow for a languid evening of staying in your towel as you applied serums and moisturizers, lotions and creams and every other post-shower pampering you normally do. Tonight was dinner with a friend and you needed to get ready.
Chatter filled the air of the patio, a small secluded outdoor space at the back of an Italian restaurant on the Upper East Side. It had an Old World Tuscan feel, from the stucco walls that looked purposely imperfect. Green patina shutters hung beside a wrought iron lantern that glowed in the early evening. Lush greens and bright flowers sat atop the half wall that surrounded the dining area making you forget you were in the city.
Chris looked the same, not that you expected him to be different. It had only been about two years since you’ve seen each other, right before he began training for his mission and now you can’t believe it was about to happen. Never would you have expected that the little boy down the block who became your best friend would actually be going to Mars.
For most of your lives you were in the same school, starting in Mrs. Kramer’s kindergarten class where you stuck together; two kids that were nervous about making friends and finding comfort in each other. As the years went on you weren’t always in the same classes but your friendship continued to grow. Chris was picked on for having a girl as a best friend and the girls always teased that he was your “boyfriend.” It never felt that way with Chris. He was your friend first and you never saw him as anything more. 
By the time you were in middle school Chris was already taking advanced classes in math and science and the only class you had together was art which he was famously terrible at. It was there you asked him a huge favor, whispering to him at the sink as you rinsed off your paint brushes. “Could you kiss me?” Chris turned as red as a boiling lobster, immediately sweating as if he was being roasted alive himself. It was later that day walking home from school that you clarified what you meant.
There was a boy, Justin Kaufman, who was the coolest kid in your grade. You had a crush on him like everyone else and you were shocked when he asked if you would go with him to the dance on Friday. You were worried he might try to kiss you and being inexperienced made you nervous. Justin was really popular and if you were a bad kisser then the whole school would know it. Chris was your friend, someone you trusted, someone you could practice with just to make sure you didn’t make a fool of yourself. 
You had no frame of reference for kissing back then apart from one sided smooches to pictures of movie stars that you had a crush on. But feeling Chris’ lips press back against yours was… nice. The best part about it was that things didn’t feel awkward after. Chris was still your best friend and nothing changed. 
A server hands you a menu and you thank him, scanning through it to see what you might be interested in. Chris looks up at the same time you do, wondering if you wanted an appetizer.  You nodded letting him choose, considering the limited food options he’ll have for over the next year. 
“Can you drink?”
Chris’ nose crinkled as he smiled. “In space? No. Tonight? Yes,” he chuckled softly. 
Two glasses of red wine were set on the table as you indulged in delicious food, catching up as much as you could before Chris’ mission. 
“So you’d love what happened today,” you began, leaning closer, “We filmed a restoration video and yours truly was in it.”
Chris’ eyes lit up as he gasped. “I love those! You have to send it to me. Hopefully I can see it before I go. What was it?”
“A sixteenth century European oil painting.” You went into detail and Chris loved listening to your knowledge of art history. It was no wonder that was your major, taking your studies further to work as a conservator at the Met.
Chris swallowed his food quickly to speak. “You were always good at that– art, attention to detail. Remember when we had to sculpt our own faces?” he chuckled.
There was a short burst of laughter as you remembered that day from so long ago. “Yes! Thankfully the real you doesn’t look anything like that abomination you made.” 
Chris drops his head down to hide a bashful smile that mixed in with laughter. He’s enjoying himself, catching up with you, eating. This was so good. He couldn’t help but scoop up another forkful of pasta, not expecting you to ask him a question. “So, how are you feeling?”
He paused to reflect and wiped a bit of sauce from the corner of his mouth. “I’m nervous… excited.” Taking a sip of wine, he sets the glass down carefully on the table. Chris’ face has grown more serious. “My mom’s worried.”
“Of course she is, I don’t blame her. I’m worried. Mars is… well it’s Mars! It’s not around the block.”
He chuckled. “No, it’s definitely not.” 
Chris is heading home to Connecticut tomorrow to spend the next few days with his parents. Chloe, his younger sister is coming in as well so they can all spend some time together before he has to fly down to Florida.
“Then it’s go for launch!” he said with a beaming smile, though Chris had to correct himself for the sake of accuracy. Once he’s down there the crew has to quarantine for at least ten days and go through a bunch of pre-flight checkups and procedures first. “Are you gonna watch?”
The incredulous look you gave him answered his question. “Did you really have to ask? Of course I’m going to watch the launch.” 
His eyes twinkled as he smiled back at you. “Oh and don’t worry I put you on my contact list so you can send me emails. Not sure how quickly I'll get them since CAPCOM directs it back to us. And as long as we have the right satellite coverage we can even do video calls.”
“Like Facetime?”
“In theory yeah, more like space Skype,” he laughed. “It’ll be nice to stay in touch.”
Your smile was bright in the dimness of the evening. You can’t imagine not staying in touch with Chris. The longest you had ever gone was during his Air Force training. He checked in with his parents when he first arrived and from then on it was sporadic. You were able to send him letters though and tried to write him every week though your own schooling and an apprenticeship at the Louvre had taken up a lot of time but that was how your relationship was. 
No matter where you were in life, across the world or hovering above it in the International Space Station, you always kept in touch. It’ll be harder now considering he’s going farther than ever before but you’ll make it work. 
Chris would be back by next November and his mom was already planning a big party for his return, one he’s certain you’ll be invited to. Though you haven’t seen his parents in a while you still kept in touch with them from time to time seeing as they were still friends with your own parents.
“It’s crazy to think you’re about to go to Mars.” 
Chris swipes a palm down his mouth, leaning his elbows against the table as he muses, “I know. Feels like I got the call yesterday.”
It was a night similar to this one, where Chris was in New York celebrating with you and other friends on his selection to be part of the Ares III mission. He had been working at NASA for a few years, doing biomedical research in their center in Virginia and now he was about a month out from spending two years training for his long term mission to Mars. 
He stayed at your apartment that night, continuing the celebration in your own private way. You had come a long way from learning to kiss with Chris. It wasn’t a big deal, neither was it the first time you had sex with each other. It was a special dynamic that worked for the two of you, one you don’t think you could have pulled off with anyone else. With Chris you had trust that was built up over the years. He was safe, he was your friend and this was nothing more than just sex. 
It didn’t happen too often, a couple of times here and there. You both dated a few people over the years and even though you were single at the moment you thought about the promise you made to each other as teens. “If we’re not married to other people by the time we’re thirty let’s promise we’ll marry each other.” Such a silly promise but thirty seemed so far away at the time. 
Chris couldn’t make it to celebrate for your thirtieth birthday but you did get a card from him where he joked that the wedding was off. You were in a long term relationship, one that Chris thought would lead to marriage but you ended things a year later. It wasn’t there; that natural spark that made your heart skip a beat every time they smiled brighter than the sun, or when their eyes sparkled like stars in the night every time they looked at you. 
You walked through the streets with Chris after dinner, casually strolling back towards your apartment and stretching out the inevitable goodbye that you didn’t want to say. It was so good to be with him in person again, not realizing how badly you missed it until the hours started ticking closer towards him leaving. By the time you get to your apartment Chris decided to come up stairs, wanting to spend as much of his time with you as he could. 
Chris sits comfortably on your couch, cozied up beside a large pillow. He places his wine glass down on your coffee table, needing to gesticulate with both hands as he starts getting into talking about his research. He’s been published before in numerous academic journals and now he’s going on about how excited he is for his latest topic, musculoskeletal alterations and the effects of deep space travel. 
He’s cute when he really gets into it, crinkles pulling around the corner of his eyes as his whole face lights up. You let out a shaky breath, smiling even wider yourself as you watched the passion he had for science and learning, one that matched the level you had for art and preserving their history. 
Chris apologized for rambling on, taking a sip of wine to clear the dryness from his throat. 
“So, give me the lowdown… can you jerk off in space?” 
He covered his mouth to prevent the wine he was choking on from spitting out. You couldn’t help the sly smile on your face that cracked wider the redder he became. 
“Well?”
Chris cleared his throat again. Pinching the bridge of his nose he looked down into his glass, chuckling a bit as he said, “The official stance from NASA is no comment so I’m going to stick with that.” 
“That’s not an answer!” You could barely hold a faux sneer before you broke into a smile. Teasing Chris was all in good fun, something that went both ways from the time you were young. 
You adjusted the way your legs were folded underneath you, brushing your knee against his leg. Chris lifted his arm up, a silent invitation for you to get closer and so you did, resting your head against him as his arm came around you.
Things had quieted down and you listened to the steady beat of his heart. This would be the last time you would see Chris for a long time. Your arm reached around to hold him for as long as you could.
“I’m going to miss you,” you whispered against him. 
Chris’ chest sunk as he exhaled a deep sigh. “I’m going to miss you too.” His arm squeezed a little tighter around you as he pressed his lips gently against your forehead. “Just look to the stars and I’ll be there.” 
His words brought a comforting smile to your face, one you shared with him as you tilted your head to look up at him. “Do you want to stay?”
The corner of his mouth tugs a little as Chris thinks about it. There’s nothing he really misses at his hotel more than he does you. The only reason he came to New York was to see you first before going home. 
“Yeah, I’d love to stay.”
You shifted yourself on top to straddle Chris, carding your fingers through his hair and taking in the gaze of his eyes that became pools of deep blue. You closed the distance between your lips, feeling his hands come around your back. Soft moans bubbled in your throat and soon you found yourself being carried to the bedroom. 
Clothes were discarded, lips were on skin that burned hotter than the stars. You writhe against him, thighs quivering around his head, reaching out to grip him by the hair, holding Chris in place as he coaxed out your release. His lips taste like you and he licks them again, savoring your sweetness as he crawls up your body. 
He tears open the condom, gathering your wetness on him as he slowly pushed in. A sinful moan falls from your lips as you feel the stretch of him inside you, inch by inch until he was fully seated. An experimental roll of his hips sets the pace for pleasure. 
Your hands graze up the curve of his arms, reaching his back and digging in half moon shapes into his skin with your nails as he thrusts into you.
“Ahh fuck, you feel so fucking good,” he panted, moaning as his hips snapped forward. His name fell from your lips, a sweet sound that he couldn’t deny he loved hearing. 
He changed his angle, hitting you with deeper, longer strokes. His mouth found your nipple, sucking at your peak as his hips gained speed; groaning and squeezing his eyes tightly as he fucked you, ready to explode.
“Shit!” Chris hissed, backing off quickly. You’re confused and concerned, sitting up and turning the light on beside your bed to see what was wrong. “The condom broke,” he said, still catching his breath.
Chris got up to discard it in the bathroom as you sat on the bed, crossing an arm over your chest, waiting nervously. When Chris walked back in the room he apologized for that, the stiffness of his length giving you relief that he hadn’t finished so you continued. Using your hands on him as he let out soft moans, distractedly opening another condom that you rolled down on him. You straddled him, leaning forward to capture his lips for a sweet kiss first before you lined yourself up and sank down on him. 
Soon enough you were riding waves of bliss together, gripping Chris as you clenched around him, burning white hot behind your eyes. He’s right behind you, on the edge of pleasure, exploding inside you like a supernova.
Dropping your head onto his chest, it felt like your body was made of overcooked noodles that splayed loosely against him as you were desperate to catch your breath, coming down from the heights you soared to. Chris’ arms hold you close against him, his lips languidly peppering kisses to your sheen covered skin. 
When his heartbeat returned to a steady pace Chris went to the bathroom to once again discard the condom and you followed behind him to use it. He went to the kitchen to get something to drink, bringing back an ice cold glass of water for you. 
Back in bed you cuddled together, with goosebumps breaking out on your skin as Chris’ fingertips graze gently up and down your arm. Your eyes feel heavy but you don’t want to give in because when you wake up you know you’ll have to say goodbye and that’s not something you want to do. 
“You’ll stay in touch, right?” you murmured against him, as worry took root within your stomach. His quick and emphatic reply should have been enough but you couldn’t help yourself from needing to make sure you would still hear from him during the mission. “And call me? With the space Skype?”
“I promise,” he said, as a smile spread across his face. Chris’ hand stopped moving, settling on your arm and holding you close. 
“Promise me one more thing?” He hummed in response and you continued, “Stay safe up there.”
Chris tilted his head down and feeling him shift you looked up as he said, “I promise.”
In the moonlight his eyes sparkled like clear tropical waters. Slowly, a soft smile spread across your face as you stared at him. “I love you, Chris.” There was no romanticism behind it even after being together, just pure love for your friend. 
Chris exhaled, planting a kiss to your temple. “I love you too, Y/N.” 
Despite wanting to spend your remaining hours together awake you reluctantly fell asleep in his arms, tearfully parting in the morning. Two weeks later you watched as the space shuttle launched, with proud tears filling your eyes as Chris’ picture flashed on your screen along with the rest of the crew. Seeing that made you feel hopeful and overjoyed at the prospect of hearing from him soon.
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“Chris… I’m pregnant.” It was a relief to finally tell him but you didn’t feel any better, uncertainty weighed heavy on your shoulders, crushing the space for your lungs to expand. Chris knows but now what?
He’s silent, his lips parted slightly and you don’t know if there’s a delay in the feed. Maybe you should have emailed it to him. You were going to at first and instead chose to word the importance of needing to speak to him in such a clandestine way that you were contacted by someone from NASA. Upon speaking to them they allowed your email to be dispatched and then you waited. 
Chris’ eyebrows knit together, his shoulders slumping down as he stared at your face through the screen. He didn’t have any doubts, you were always truthful with each other, but he still wondered how.
“We put on a new one, I thought…” 
“I thought we were good too,” you said, letting out a shaky breath. 
You weren’t just pregnant, you were pregnant with his child and based off of some quick calculations in his head you were nearing the end of your first trimester. “H-how are you? I mean, how are you feeling?”
“Physically or…” Nervous laughter bubbles out of your throat. 
This was hard on you, the physical symptoms weren’t fun but you could manage. What was more difficult was not telling anyone. It was early enough in your pregnancy that you could hide it from your family. They still lived in Hartford and hadn’t been down to visit yet but you couldn’t avoid them forever. Work was a different story. You had to let your boss know you would have to modify your duties as working around solvents and other chemicals would not be safe.
There was never a doubt in your mind about keeping the baby. When you were younger you imagined having children by now but it didn’t work out that way. It was something you were okay with, finding life fulfilling in different ways. Work was incredible, you were able to travel and though your relationships hadn’t worked out in the past you didn’t hold on to any resentments. Life was always complete and now things were going to be different. 
You wanted to speak to Chris first before telling your family because you needed to know your expectations. Chris had a life of his own and you didn’t want your choice of having a baby to make him feel obligated in any way. You were an adult; a smart, independent woman and could do this on your own.
“I know this isn’t something we planned but…” Chris exhaled, the corners of his mouth lifting upward, “There’s no one I’d rather do this with than you... I promise.” 
Chris’ eyes glisten with tears as his smile grows and you find yourself brushing away your own from the corner of your eyes. It was comforting to know Chris will be part of the baby’s life. Truthfully it would have been weird if he wasn’t in some capacity considering how close you were. For now you have a lot of time on how you’re going to figure things out for the future.
After the call Chris reflected in silence, staring out of the giant triangular windows of one of the Hermes’ common areas into the vastness of space. He was lost in thought, startled by his name being called by a crewmate. He turned to see Mark whose bright smile fell with concern upon seeing Chris’ face, asking if he was alright.
“I’m gonna be a dad,” Chris responded, his tone mournful in the realization he’ll be missing the birth. He accepted the congratulatory hug Mark gave him, sighing heavily as they separated. “I always thought I’d be there for that.” 
You were due in March and Chris hated the fact that he won't be there for the first nine months of his child’s life, moments and milestones he’ll never get back. He doesn’t like leaving this all on you. He knows you can do it but you shouldn’t have to. 
“I can’t pretend this isn’t hard but don’t think of it in terms of what you’re missing, look at what you’re gaining, what you have to look forward to when you come home.” Chris nodded, his smile trying to come back. “I didn’t even know you had a girlfriend,” Mark teased. 
“I don’t. Y/N, she’s…” Chris’ face lights up as he thinks about you, which does not go unnoticed by Mark. “We’ve been friends since we were kids. She’s always meant so much to me and now…” 
Mark gave Chris an honest smile as he spoke plainly, “And now you’re having a baby.” 
With a proud smile that stretched from ear to ear he affirmed, “Yeah… we are.” 
PART 2
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darktimesdarkvibes · 3 years
Text
Yandere!Taecyeon (2PM) Headcanons
July 11, 2021 | 1,561 words
Series masterlist
Assumes reader is an adult, but includes for if you have an age gap
Taec's is the darkest post in this series (but there's still far darker yandere posts out there, so just take the tws into account)
Gender-neutral reader I think
tw: age gap, toxic behavior, mention of non-con kiss, short depiction of non-con cuddling, intimidation, restraint, manhandling, gaslighting mention, manipulation, kidnapping, murder, yandere (which is basically thinking you are "in love" with someone but actually you should see a psychiatrist and that's really not a joke. This character trope can become very sick and violent and abusive at their worst, though I tend to go for the softer variety. They are often possessive, over-protective, delusional, etc.)
I don’t believe Taecyeon is actually like this nor do I condone the unhealthy behaviour in this post
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Taecyeon is a pretty traditional yandere
Doesn't care a whole lot about an age gap. He likes who he likes at the end of the day
It will give him pause if you are around ten years apart but he gets over it quickly
Protective but also very possessive in certain situations
Gaslighter and manipulator as well
Feels like he's the only one who really "gets" you and vice-versa, and tells you so repeatedly
He’d like you see his strength as something he’ll use to protect you, and he doesn’t want to hurt you
But in a pinch he’ll use it to intimidate you if necessary
Overall he just wants you to remain aware that he’s just a much larger and stronger individual than average, especially as odds are you are not built like him
(Although on the off-chance you are, my reader, that’ll just make him try even harder with you to achieve a similar effect)
He likes that you remember his strength and size, because he hopes it will make you realize that you are safer with him than without him
It gives him a bit of a thrill that you know he's bigger than you
And even if he denies to himself that part of the reason he wants you to recognize it is it might intimidate you, and therefore make you “stay in line”, that is a potential benefit and he knows it
However whenever you acknowledge it he loves it
Especially if you mention how he could probably beat another guy in a fight or protect you, he gets feels warm in his chest and gets excited all at once
He knows he's hot and uses it from day one
Going off of that point and the points about safety and intimidation and all that from above, he’s going to make sure you see him shirtless. Like, live and in-person
He’s going to try to make it happen when you are alone together as well
This is both to amplify the effects mentioned above, and to push more intimacy into your relationship, even if you are not officially romantically involved yet
He won't limit it to one time either
He wants you to see him
Overall tries really hard to make you laugh though too
Acts very sweet/cute until he's not (more on that later)
A very touchy boyfriend, he always wants to be holding hands or standing/sitting as close to you as possible
Actually he automatically puts an arm around you, unless you demote him to hand-holding for some reason
Even if it seems like a situation where that would be inappropriate
He especially does this in public, so even though he’s confident he’s not immune to territoriality
Even if you do have an age gap, he doesn't have that "parental" vibe that Minjun and Nickhun sometimes have
It feels more like you two are on a similar level bc he's so goofy
But if he just so happens to have helpful experience then he will offer some guidance, so if you have an age gap it may happen occasionally
It just has a less parental vibe and more of the typical “senior-in-life” or “friend’s older brother” kind of vibe
Flirts quite physically even before dating, and comes off as kind of cocky
Quite forward and persistent, and likes to fluster you a bit if possible
Which is another reason why he'll make sure you see him shirtless
But he also wants you to happily reciprocate his attention
He also just touchy with you in general though, even before you are dating and when he’s not really flirting
Doesn’t stalk you so much, but when you are in the same room (which he makes sure happens as often as possible) he is always watching you, to the extent that you might well pick up on it
He will stalk you though if he has gone a long time without seeing you (it's got to be a couple times a week at the very very least)
He also will if he is having a rough day and you're firm that you can't hang out with him (otherwise he's been known to tag along while you are just running errands because he is so attached to you)
If he hasn't seen you for a while he gets sulky
Gets visibly angry and more impulsive if someone messes with you
If they intend to harm you or if they actually do harm you then they’re totally fucked
He’s going to kill them, but first he’ll scare them and make them suffer
But because he’s pissed he ends up killing them pretty quickly
He just can't stand the sight of them and he wants them gone
He won't go that far with just anyone, because he's pretty confident that he should be your first choice in a mate, but when he's pushed he'll do it
Like if someone just flirts with you a little then he’ll just step in and get rid of them, then he’ll forget about them
But if they make you actually uncomfortable or worse, then they’re dead
Overall his thinking regarding you can get kind of primal
Hence why I used the word "mate" before
It’s his own word choice
That’s really another core reason he wants you to see his strength
He wants to show off that he should be your first pick
He’s also more likely to kidnap you
Will use force to restrain you if necessary and possible, and again it’s not a bad deal for him if he can be physically very close to you while simultaneously reminding you that he’s stronger than you
It's not even so much overpowering you itself that he likes, because he wants you to be happy
He's just got a weird fixation
He's also a weird kidnapper though because he’ll be trying to keep the atmosphere really light and fun as if you aren’t being held captive
He’ll make jokes and suggest games to play
He also doesn’t feel super guilty about it because he probably feels justified
Perhaps you found out he killed one or more people for you, so he didn't see another option
Or you were going to leave him
Even if he's not very guilty, he’ll still be upset that you’re upset though, and will be wanting Stockholm Syndrome or something to kick in, both for his benefit and so you're happier
He’s a bit impatient and frustrated by the wait, but he doesn’t really take it out on you
Might force a kiss or two over the course of your early relationship, but no more than that
Especially if you clearly don't want it, he'll back off on that and may switch to forehead kisses
He may also force some cuddles. For example, some spooning as you’re tied to a bed
He’s totally calm and blissfully asleep with his arm around you, and all you can hear is his even breathing and perhaps some light snoring
Meanwhile you are in a fight-flight-freeze response, until you are finally so exhausted that you fall asleep
But then you wake up and he really hasn't done anything to you
He really did just want to cuddle
So it is pretty confusing for you, which will probably work in his favor
If you are off your guard and confused, then it’s easier for him to manipulate you
He may also put on a movie and cuddle with you while you are restrained, and act like nothing is amiss. He'll be all laughter and smiles and will act very innocent and soft with you in his arms
Which is again confusing
If you give him attitude or struggle, then he'll either try to soothe you or he'll be firm with you to restrain you
"Hey! Hey... It's okay, I won't hurt you..."
Or,
"Stop that. You know it won't get you anywhere."
He forces cuddles because first of all, he wants to. But also because he thinks it might help you get used to him and your new situation
Because there’s no way he’s just letting you out of it
When you express that you want to leave, he may well belittle you a bit by treating what you want as a joke
Because really in his point of view it's laughable that you would leave
"Come on, you know you're not allowed!" he says with a smile
But if you keep it up he'll get firmer
"You know that's not gonna happen."
So he’s a little bit delusional and unstable
First time together:
For your first time together he's gentle but he's firm
So somehow you simultaneously feel safe, but it goes without saying that he's the one in control
He's leading you where you need to go, and he may well even place your hands for you on his body
Or pin them down
He will never do anything you don't want, but he likes to take the lead and show some physical power and have his weight over you
Pretty much anything wild you wanna do in the future he's probably up for
Very open to suggestions
But he wants to remain in-control
That’s non-negotiable
Good dirty talk
“Yeah just like that baby”
“I make you feel good, right?”
Overall the man is fucked up but in a hot way
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