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friendofcars · 11 months

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i've revised my trb chapter 36 notes and they've somehow expanded to ~15 pages. you can read them here (i've also pasted the text into this post under the cut). the notes don't constitute an essay or produce a coherent thesis but they're a pretty comprehensive list of observations and interpretations i drew from the chapter.

TRB chapter 36 notes (content warning for abuse)

Last updated: 230610

“’The buck stops here,’ Ronan said, pulling up the hand brake. ‘Home shit home.’” This is the first chapter where Adam and Ronan are the only main characters present- their first scene entirely alone, set in the BMW before Adam gets out. I’m thinking about a few things: how differently Ronan and Gansey talk about Adam’s trailer, his parents, his poverty, etc.; how Ronan’s flippant insults and nonchalant offers of help (despite genuine concern) are less alienating to Adam than Gansey’s more openly heartfelt concern, since it’s paired with criticism of Adam’s pride and a tendency to command rather than suggest (full disclosure- I love Gansey and understand his point of view, but it’s clear why his approach upsets Adam more, and I think Ronan, having felt smothered by Declan, is more capable of empathizing with Adam on the matter of refusing help moving out); the recurring theme of cars being a place of refuge and solace for Ronan and how he wishes Adam would stay inside the BMW (even though he knows he won’t). I didn’t verify what I’m about to say so if I remembered incorrectly please let me know, but I’m pretty sure that we see Ronan drive Adam in the BMW to the trailer park twice (in this chapter, and in TRK when Adam scries while Ronan drives [the “wrong devil” scene]). Nobody else drives Adam home (although Gansey repeatedly stops by to pick him up). Gansey is constantly bringing Adam away from the trailer, for good reason (and practical reason too- sometimes they’re just going to class). Ronan brings him back, setting Adam up to confront his life and make decisions to change it. I know someone else has written a tumblr post about Ronan putting Adam in these types of situations and it’s very insightful and I’d love to cite it here (so if you wrote it or know who did, please tell me!). But ultimately this sets up an arc that ends with Adam driving the BMW alone for a final conversation with his parents, in which he can come and go from the trailer independently and in control of his interactions with his parents- the effects of the abuse are not erased, but his character arc has such a trajectory that he’s able to get some closure on his own terms via his hard-won autonomy and healing (the BMW/Ronan has played a key role in establishing both).

“In the dark, the Parrish family’s double-wide was a dreary gray box, two windows illuminated.” The description of the double-wide has gone from pale blue in daytime to an absence of color- things are even more grim. No love, no liveliness. A strong contrast to the home from which they’ve just driven (300 Fox Way, which has a bright blue exterior). The illuminated windows seem like omens or warnings rather than beacons. “Box” implies simplicity, a lack of architecture, a constraining place, a place in which one might be trapped. I’m thinking about how the flat ceiling of a box-like trailer also contrasts with the multi-sloped attic of 300 Fox Way, perhaps symbolizing Blue’s family’s proclamation of Blue’s potential versus Adam’s family’s stifling of his talents, needs, wants, etc.

“It was a comfortable enough arrangement; Adam and Ronan weren’t in a fight at the moment, and both of them were too startled by the day’s events to start a new one.” Not that they don’t get genuinely upset with each other on page (things get heated in BLLB as the development of their relationship becomes more prominent/less subtextual), but I feel like we get told that Adam and Ronan don’t get along but they…usually…do, from our vantage point. When they do have conflict in the first book, it doesn’t seem as heavy/personally directed as when Adam and Gansey fight. I get the sense that a lot of their bickering is routine and low stakes, especially since the passage tells us that the day’s chaos and threat to Gansey’s safety has jostled them out of their typical (mundane?) arguing.

“Adam reached in the back for his messenger bag, the one gift he’d ever permitted Gansey to give him, and only because he didn’t need it.” I remember this sentence being critical to my understanding of Adam’s character the first time I read this series. Adam accepts the one gift he doesn’t need because he could get rid of it and suffer no dire consequences if the friendship ended. He wouldn’t have to rearrange his carefully made plans over a messenger bag if he wanted or needed to give it up at all. There’s no desperate gratitude or a gnawing need to pay back a debt- it’s superficial, not connected to his precarious survival, no implied reliance. There’s also something in here about a bag being used to carry things (burdens?) that I’m trying to tease out into words but haven’t yet. whoreshoecrab also made the brilliant observation that a messenger bag is more of an academic, white collar (and relatively impractical) choice of bag which I think plays into Adam’s willingness to accept something since it doesn’t highlight his desperate need for the bare necessities.

“Another silhouette, distinctly Adam’s father, had joined the first at the window. Adam’s stomach curdled.” We don’t get much information about the relationship between Mr. and Mrs. Parrish (although Adam’s later concern about leaving his father’s gun behind implies that Robert also abuses his wife), but here there’s an implication of a united front against Adam. His stomach going sour is a visceral description of his fear- how terrible to go home to danger rather than safety. This sentence reminds me of one from TDT in one of the Gray Man’s chapters: “The Gray Man’s stomach wrung itself out… His brother had never intended for him to pick up; he merely wanted this: the Gray Man stopping the car, wondering if he was supposed to return the call. Wondering if his brother was going to call back. Untangling the wired threads in his gut.” (TDT, chapter 7), both serving as descriptions of a particularly physiological, visceral fear stemming from abuse.

“He tightened his fingers around the strap of his bag, but he didn’t get out.” Tightening -> builds tension in the narration as Adam braces himself for a confrontation. I mentioned this already, but cars often serve as places of refuge in the series. Ronan goes to wait in the Camaro after his brawl with Declan in TRB chapter 7 and after Calla goes for his neck in TRB chapter 15; Adam lingers in the BMW to delay having to go home in this chapter. Adam joins Ronan in the BMW in TRK in silent solidarity as Ronan grieves.

“’Man, you don’t have to get out here,’ Ronan said. Adam didn’t comment on that; it wasn’t helpful. Instead he asked, ‘Don’t you have homework to do?’ But Ronan, as the inventor of sly remarks, was impervious to them. His smile was ruthless in the glow from the dash. ‘Yes, Parrish. I believe I do.”’ A suggestion, not an order (i.e.. You don’t have to get out here vs. don’t get out here). Adam’s arguments with Gansey are often about how Gansey views/treats Adam; Adam’s arguments with Ronan are often about how Ronan wastes the time he has, the time he could be using for school work, the time Adam wishes he had. He’s genuinely frustrated that Ronan wastes such a precious resource, but the frustration is with a behavior that doesn’t have anything to do with himself (if he doesn’t compare himself to Ronan, which is another can of worms). Adam ignores Ronan’s comment- would he have ignored such a statement from Gansey, or started to argue? Would Gansey have ever phrased it like that? We get more insight into how they interact/communicate; Adam avoids arguing over serious circumstances but is comfortable resorting to banter since he knows there’s no risk of actual offense. There’s also a microscopic bit of dramatic irony here if you’re re-reading since the outcome of the events in this chapter directly lead to Ronan doing his homework in earnest.

“He didn’t like the agitation of his father’s silhouette. But, it was unwise to loiter in the car — especially this car, an undeniably Aglionby car — flaunting his friendships.” This chapter obviously shows Adam’s father’s physically abusive nature but also demonstrates how absolute his effect on Adam is, whether or not he’s actively enacting the abuse. Adam is constantly tuned to his father’s posture and follows a set of rules designed to minimize conflict and harm to himself. For someone running so low on time and sleep, this perpetual monitoring must add an additional layer of exhaustion. There’s no place to hide- to stay safe in the BMW is to potentially worsen his father’s mood, and to go home is to put himself in the path of danger anyway. Re: it being unwise to flaunt friendships: this was also crucial to me understanding Adam and his independence/lonesomeness; because the Parrishes are poor and Adam’s friends are wealthy, and mentioning his friends (which is criticized as flaunting) threatens his father’s insecurity about their poverty, Adam is conditioned to see connection and community as shameful, as a betrayal to his roots (which he is also taught to see as shameful- there is no winning). In the context of his family, he is safer on his own (but in the context of the world, he cannot move forward alone, and this is a lesson he must learn).

“If he shows up for class,” Adam replied, “I think that the reading will be the least of his concerns.” Subtle threat/hint at Adam having zero remorse for Whelk in future chapters

“There was quiet, and then Ronan said, ‘I better go feed the bird.’ But he looked down at the gearshift instead, eyes unfocused. He said, ‘I keep thinking about what would’ve happened if Whelk had shot Gansey today.’ Adam hadn’t let himself dwell on that possibility. Every time his thoughts came close to touching on the near miss, it opened up something dark and sharp edged inside him.” Like Ronan calling Adam “man” and “Parrish,” referring to Chainsaw as “the bird” serves as an example of Ronan keeping his emotional distance, maybe as a way of giving Adam space in a tense situation, maybe to disguise Ronan’s intense emotions. Ronan engages with his concern for Gansey by obsessing over the worst case hypothetical outcomes; Adam (who is typically concerned with planning for all the possible futures) chooses to avoid thinking about such fears at all. As explained in the remainder of the passage (next section), Adam cannot fathom a life without Gansey. This is a clear reminder that Whelk is Adam’s foil, not someone on a parallel path- for Adam, harming Gansey/Gansey’s mortality is too heavy to even think about, much less plot out. Something dark and sharp edged- a hole, a grave? In BLLB when Adam figures out that Gansey is on the St. Mark’s Eve death list, the narration says, “his heart was a grave” (ough). A place to bury impending grief? Or, if you’ve read TD3, this sounds a lot like the Lace, which is to say it sounds a lot like fear and insecurity and terror and being seen and the infinite and abandonment and grief and a lot of other things I haven’t processed yet.

“It was hard to remember what life at Aglionby had been like before Gansey. The distant memories seemed difficult, lonely, more populated with late nights where Adam sat on the steps of the double-wide, blinking tears out of his eyes and wondering why he bothered. He’d been younger then, only a little more than a year ago.” Not only is Adam currently repressing the thought of a life without Gansey, he recurringly prevents himself from crying. Adam alone at Aglionby, struggling to adapt and feeling like a fraud, with no one to believe in him but himself, is incomprehensibly sad. “Lonely” followed by “populated with” makes it seem like the late nights themselves were Adam’s only company.

“His hand worked on the steering wheel; something was frustrating him, but with Ronan, there was no telling if it was still Whelk or something else entirely. “No problem, man. See you tomorrow.” This assessment of Ronan (aside from an incidence of Ronan in motion/his kinetic way of processing emotion), in my opinion, serves to illustrate Adam’s self-perception and paradoxically egocentric and unselfish thought process (he’s self-centered in the sense that he has to prioritize his own needs to survive and is constantly worried about how he acts and feels and interacts with others and looks and on and on but is unselfish in the sense that he doesn’t consider the possibility that Ronan might be frustrated and worried about Adam himself). Ronan is reeling from grieving Noah, worrying about Gansey almost getting killed (which was a pre-existing fear, as we know from chapter 16 and the wasp encounter). And while we’re on the topic of chapter 16 and the aftermath of chapter 33, I hadn’t realized until now that Gansey’s “dual vision” when death is imminent (“Two narratives coexisted in his head. One was the real image: the wasp climbing up the wood, oblivious to his presence. The other was a false image, a possibility: the wasp whirring into the air, finding Gansey’s skin, dipping the stinger into him, Gansey’s allergy making it a deadly weapon.” And “Gansey had that same, detached feeling that he’d had in Monmouth Manufacturing, looking at the wasp. At once he saw the reality: a gun pressed against the skin above his eyebrows, so cold as to feel sharp — and also the possibility: Whelk’s finger pulling back, a bullet burrowing into his skull, death instead of finding a way to get back to Henrietta.”) is perhaps an effect of him living two lives at once, at both dying and surviving twice (but sort of at the same point at the time loop because both deaths and rebirths are temporally linked to Noah’s favor, powered by Cabeswater and the ley line). ????????????????

“With a sigh, Adam climbed out. He knocked on the top of the BMW, and Ronan pulled slowly away. Above him, the stars were brutal and clear.” Who else notably sighs? Noah, another target of physical violence. Ronan is slow, reluctant to leave. Over the next few pages (as Robert berates Adam and accuses him of lying) Ronan continues to slowly leave the driveway because Adam can still see his break lights (antithetical to a stereotypical Ronan response- speeding off recklessly). The brutal and clear stars- perhaps an acceptance of the inevitable cruelty he is walking into? Adam feels destined or cursed to suffer, maybe as if fate, is cold and uncaring. (but does he believe in fate? Evidence in TDT chapter 8 says yes, if not literal fate but a general doomed-by-your-origin/bloodline sentiment, although he also persistently rewrites his narrative and seeks autonomy in his own life, so I don’t think there’s a clear answer. If anything, if he does believe in fate, he sees it as mutable and probably something not named fate at all). I think it’s also notable that the stars are a source of calming comfort to Blue, rather than harsh and distant observers of her struggles. “The stars were brutal and clear” always reminds me of Javert’s Suicide from Les Miserables: I am reaching but I fall/ And the stars are black and cold/ As I stare into the void/ Of a world that cannot hold.

“Hi, Dad,” Adam said. “Don’t ‘hi, dad’ me,” his father replied. He was already revved up. He smelled like cigarettes, although he didn’t smoke. “Come home at midnight. Trying to hide from your lies?” Adam graciously attempts civility; Robert eschews all pretense of acting like any sort of father at all. He’s already agitated, by Adam breaking curfew (which he’s broken for good reason, though Robert doesn’t and can’t know this) or by anything else in the world- his anger is out of Adam’s control. We’ve recently learned Adam does not like to be accused of lying from his encounter with Declan (TRB, 31). The cigarette smell on an adult non-smoker is probably indicative of the company they keep- co-workers? Friends, if he has them? An affair if Adam’s mom doesn’t smoke? The midnight curfew is surely a measure of control rather than care, and is relevant to interpretation of Adam’s constant meticulously meted out aliquots of time (for school, for work, for friends, for sleep) and deep envy for/resentment of those that have time and waste it- not even his own time exists outside the shadow of his father’s fist.

“Adam’s knees were slowly liquefying. He did his best to keep most of his Aglionby life hidden from his father, and he could think of several things about himself and his life that wouldn’t please Robert Parrish. The fact that he didn’t know precisely what had been found was agonizing. He couldn’t meet his father’s eyes.” Emphasizes Adam’s need to always be hiding, keeping secrets, protecting the truth. Ronan is also familiar with the burden of keeping secrets in the name of safety. More description of the physical impact of abuse on Adam (in addition to the actual physical abuse- here I’m referencing the physical manifestations of fear and dread). I’m really interested in Adam’s relationship to his body throughout the series (and I’d have to dig up some other notes to elaborate but his POV chapters often pay acute detail to physical sensations, he dissociates on a number of occasions, his sacrifice of his hands and eyes and ongoing struggle for autonomy on physical and psychological levels especially as the unmaker/demon gains access to his hands and eyes, his healing occurring metaphorically via ley line work/outside of his own body, being alive because he bleeds, perhaps positing his awakening in BLLB as a reintegration of his mind and body after that pivotal scrying scene, etc. I would LOVE to discuss this more but I think I to collect my thoughts or the input from someone else on which to reflect- but this is probably the foundation of a legitimate essay imo). The liquifying sensation intimates a dissolution of the body, or the loss of restrained solidity and form, an unwilling spilling out of his tightly rehearsed outward projections. And finally, not knowing what his father found = lack of control = lack of strategy to defuse the conflict and protect himself.

“Robert Parrish grabbed Adam’s collar, forcing his chin up.” This is a repeated gesture in this chapter: a proprietary, controlling action, forcing Adam to make eye contact he’s trying to evade.

“Think fast, Adam. What does he need to hear?” Adam ends up carrying the burden of resolving the abuse inflicted on him, as if it’s his responsibility and not just a deescalating survival tactic. In TRB chapter 32, Blue muses that Adam isn’t often lost for words- but here, he’s scrabbling for words (he’s too panicked for his words/intellect to cooperate). This is another example of Adam’s solution oriented nature (the mechanic, the scientist)- here is a problem; how do I solve it?

“His father drew Adam’s face a bare inch from his, so that Adam could feel the words as well as hear them. ‘You lied to your mother about how much you made.’ ‘I didn’t lie.’ “Do not look in my face and lie to me!’ his father shouted.” This is one of the more visceral, tactile chapters in the book, with the narration appealing to sensation to convey the intensity of the conflict. The physical nature of the scene also highlights the running theme of Adam’s relationship to his body- how it’s integral to his survival but also how he bargains it away and how it betrays him, the duality of mind and body, etc. I’m remembering that in chapter 31, Adam is highly displeased to be accused by Declan of lying. And not that it really matters, but I wonder if Robert not originally realizing how much money Adam has to accumulate in order to cover the remainder of his tuition is due to a) a lie by omission or b) him simply not listening to Adam’s needs in the first place. Robert also keeps invoking Adam’s mother as she stands idly by, perhaps to emphasize that everyone is against Adam, as if Adam alone is in the wrong here. It’s also interesting that the yelling here is italicized rather than capitalized. I don’t think the books are entirely consistent about this, but I believe we see capitalized yelling from Maura, Neeve, and Jesse, at least. Because the characters’ internal monologues are also italicized, we get a visual representation of how Adam’s parents’ cruel statements worm their way into his own self-talk and therefore self-esteem, self-perception, and reflexive victim blaming (Adam later muses that he has some sort of Stockholm syndrome). The italics in external dialogue and internal monologue collectively simulate abuse survivors’ internalization of abusive rhetoric against themselves. It’s also a little impressive how quickly a knot forms in my stomach at hearing a father say the phrase “your mother.” Has anything good ever followed that phrase?

“When his father’s hand hit his cheek, it was more sound than feeling: a pop like a distant hammer hitting a nail. Adam scrambled for balance, but his foot missed the edge of the stair and his father let him fall.” I’m thinking about hands as tools used as weapons (recurring knife motif in the books, especially in TDT, and how Adam works with his hands, offers up his hands to Cabeswater and in the process the demon uses his hands to nearly kill Ronan). Previously, sound and feeling converged; here, they diverge; Adam is possibly dissociated from the violence to some extent (like a distant hammer, more sound than feeling, etc. … a hammer is also a tool that could be used as a weapon). Adam is literally scrambling for balance here (but also does so figuratively at all times and is often quite successful at maintaining his tightly orchestrated and exhausting equilibrium). The precise nature of Adam’s fall here is brutal- the hit doesn’t make him fall, but it knocks him off balance and the subsequent misstep makes him fall, which his father makes no effort to prevent- the abuse not only aggression but neglect, which is to say control in both positive and negative (not good and bad, but additive and subtractive/maliciously neutral) ways.

“When the side of Adam’s head hit the railing, it was a catastrophe of light. He was aware in a single, exploded moment of how many colors combined to make white.” The prose... The pain is absolute, infinite, world-ending. A railing is a safety feature; a parent is obligated to prioritize their child’s safety. Adam’s injury involving the railing is a testament to his parents’ failure to consider his safety at all. When Adam comes to on the ground, his face, especially his mouth, is “caked with dust” (which frequently appears when Adam expresses shame about his roots); I take the dust as a symbol for a dearth of love given that water repeatedly stands in for love and longing. It’s also a reference to Adam from the Bible being made of the earth. I think his mouth being mentioned in particular references his usual ability to talk his way out of scrutiny and concern or hold his own in arguments, but in the trailer park, his words don’t work as weapons.

“Adam had to put together the mechanics of breathing, of opening his eyes, of breathing again.” A bit of a symbolic rebirth moment, coming back to life. Similar sentiment: “a miracle of moving parts, a study in survival.” My original notes for this chapter said, “I do think this could have been revised though- ‘breathing’ is repeated but not rhythmically or frequently enough (in my opinion) to actually simulate the act of deliberately inhaling and exhaling to self-regulate.” But as I’m re-reading, I understand the choice better. It emphasizes that to live, you must breathe, and breathe again, (and this is relentless), which in turn emphasizes the labor Adam puts in to take yet another breath, to keep going (but the effort to breathe is so great that it’s impossible to consider anything past this breath and the next). Maybe it’s not meant to be a cycle but a Sisyphean climb. Adam has to choose his path forward over and over again.

In Adam’s head: “Just go, Ronan.” He thinks this as he’s rising to his feet after his head hits the railing and sees Ronan’s brake lights go on. The light (Adam indirectly associates Ronan with light multiple times in the text) should be a symbol of hope, but Adam is both too proud and too ashamed to want to hope/accept Ronan stepping in on his behalf. Is this the first time someone not-Parrish has observed the abuse first hand and not just lingering evidence of it? Ronan becoming a direct witness is a line they can’t uncross, a truth Ronan can’t un-know.

“’You’re not playing that game!’ Robert Parrish snapped. ‘I’m not going to stop talking about this just because you threw yourself on the ground. I know when you’re faking, Adam. I’m not a fool. I can’t believe you’d make this kind of money and throw it away on that damn school! All of those times you’ve heard us talking about the power bill, the phone?’” There’s just so much awful here- the victim blaming, the immediate trivialization of Adam’s injury, the devaluation of Adam’s education and opportunity for freedom, and the guilt-tripping over financial burdens a child shouldn’t have to cover, the implication that Adam is running some sort of con, etc.

“His father was far from done. Adam could see it in the way he pushed off his feet with every step down the stairs, from the coil in his body. Adam drew his elbows into his body, ducking his head, willing his ears to clear. What he needed to do was put himself in his father’s head, to imagine what he had to say to defuse this situation.” Keen observation of body language, pattern recognition, (and conscious use of empathy – understanding his father’s thoughts to protect himself). We see these behaviors from Adam in a variety of contexts outside his household; his survival tactics have become ingrained, and while they keep him safe and probably make him a better student too, what is the cost? Exhaustion, mistrust, hypervigilance, repression, isolation. Defusing the situation is what Gansey references back in chapter 7- Adam keeping things quiet.

“But he couldn’t think. His thoughts crashed explosively across the dirt in front of him, in time with the rhythm of his heart. His left ear screamed at him. It was so hot that it felt wet.” Re: previous discussion of mind/body duality, dissociation, etc. his thoughts feeling like they’re outside his body in a dynamic/describable way, the distinction between his ear and himself and the pain transmitted between them, etc. An inability to think as a critical loss given his reliance on his perceptive and intelligent nature.

“Grabbing Adam’s collar, he pulled his son up, as easy as he’d lift a dog. Adam stood, but only just. The ground was sliding away from him, and he stumbled. He had to struggle to find the words again; something was fractured inside him.” In this instant, Adam’s body is at the mercy of his father. This is from where his desperate drive for autonomy comes. Gansey fears that something essential in Adam will break- I’d posit that Gansey fears Adam’s inherent goodness or happiness or youth or curiosity or humor will be trampled beyond help; Adam’s fear of something breaking is more along the lines of his self-assumed potential to be violently angry/a threat to others being unleashed, as if his ability to choose to be good will shatter. Dog/collar – what does this evoke? Adam often laments his upbringing through metaphors about animal behavior (he feels cursed by both nurture and nature. I think this observation is in conversation with my earlier questions about Adam’s thoughts on fate). The ground slides away- the foundation of the world moves (much like the earthquake when he sacrifices himself in Cabeswater); the moment is unstable and unsafe; Adam is unsupported. Struggling for words is unusual for sharp-tongued Adam, but he’s too threatened to think as he usually does.

“’To do this,’ Ronan Lynch snarled, smashing his fist into the side of Robert Parrish’s face.” Reading about Ronan swinging at Declan from Gansey’s POV (nooooo) versus Ronan decking Adam’s dad (YES). I get the feeling that Ronan has been waiting for an excuse to do this for a rather long time. A core aspect of Ronan’s character is not hesitating to cause some damage for a cause in which he believes (especially in TD3).

“Beyond him, the BMW sat, the driver’s side door hanging open, headlights illuminating clouds of dust in the darkness.” Ronan (the BMW) being a source of light in a field of dust, taken with Adam finding the light switch in a previous chapter (29) only once Ronan appears -> Ronan as a source of light (probably more accurate to say source of energy) in Adam’s life.

“Out of his right ear, Adam heard his mother screaming at them to stop. She was holding the phone, waving the phone at Ronan like that would make him stop. There was only one person who could stop Ronan, though, and Adam’s mother didn’t have that number.” Adam’s mother has been a silent bystander while Adam’s dad screams and berates and hits Adam, letting him fall and blaming him for “theatrics,” but as soon as Ronan steps in, she yells for the violence to end. Gansey helps mediate the fight in Nino’s parking lot (TRB, 7)- but Gansey (i.e. Ronan’s impulse control) is not here. The bit about Adam’s mother futilely waving the phone of all things at Ronan is so fitting- she’s found the person perhaps most scornful of phones and telephonic communication on earth.

“Get up, Adam. He was on his hands and knees. The sky looked the same as the ground. He felt fundamentally broken. He couldn’t stand. He could only watch his friend and his father grappling a few feet away. He was eyes without a body.” without a body: dissociation from the current pain and overwhelm; foreshadowing to sacrificing his eyes (and hands) to Cabeswater. The empty, unreal sensation of incredulous “how can this actually be happening” is terrible, and he feels it here. (The sky mirroring the ground reminds me of one of my favorite concepts, probably because of the tomb/shroud quote from the Les Mis chapter about the drowning man; the motif is best summarized as “as above, so below”, which is particularly fitting for the Magician.). I can’t help but think of the sky and the ground as mirrors, reflecting one another in perpetuum like Neeve’s in the Fox Way attic, between which Persephone’s soul gets lost from her body. In “my” tv adaptation (or any visual adaptation really) I’d have Adam’s posture on the ground here (before he gets onto his knees) be the same as Persephone’s on the attic floor when she dies scrying. The fight proceeds without Adam; he has lost a say in his narrative for the time being.

“It was all just noise. What Adam needed was to be able to stand, to walk, to think, and then he could stop Ronan before something awful happened.” The cops show up incredibly quickly here, unless the fight is particularly long and/or Adam’s sense of passing time is warped. “What Adam needs” is a recurring and often tense theme in his character arc, and as usual, his needs are linked to a drive for autonomy, capability, and independent action. We get evidence of Ronan and Adam’s developing, mutual, and unspoken care for each other- the instinct to protect the other, often at the expense of their own wellbeing. Adam, while he’s already gravely injured and unbalanced, worries about something awful happening- but something awful HAS happened, has been happening. I’ll go on a bit of a tangent here because “it was all just noise” that Adam wants to filter out reminds me of things like signal to noise ratio, electrical impulses and synapses, electricity and ley lines, and how once Adam becomes the magician, he learns to scry intentionally (metaphor- healing from, or at least understanding, dissociation) and to rewire the ley line (metaphor- rewiring his brain as he heals, eventually distinguishing Cabeswater from his father, and accepts the necessity of connecting with others to do so/accepting the dual risk and reward of love, connection, magic, etc. which are double-edged swords in this context). I’m jumping ahead here, but I think Adam’s awareness of the way in which he takes in data from his environment, synthesizes a response, and acts accordingly is always relevant. Ever the scientist and all that.

“This can’t happen. He can’t go to jail because of me.” This is one of Adam’s sacrifices – pressing charges and losing his home/a say in how and when he leaves the trailer, all to keep Ronan out of jail (and expulsion, and Declan-induced eviction from Monmouth, and self-destruction, et cetera). In some ways, this is The Big Sacrifice of the book (and the bargain with Cabeswater at the climax gives an additional magical and metaphorical layer of commentary? discussion? on how and why Adam makes sacrifices and the consequences that arise from them). There are a lot of similarities between the sacrifices. I haven’t read the latter chapter in a little while, but from memory: “he was eyes without a body” links to “I will be your hands, I will be your eyes,” both of which play into the overarching theme of Adam’s fight for bodily autonomy, dissociation and eventual reintegration of body and mind (BLLB I am alive because I bleed chapter is crucial to this), a focus on his senses and how they become unreliable as he processes the events of the first book, etc. The foundations of Adam’s world figuratively (first sacrifice) and literally (second sacrifice, with the earthquake/stampede) shift beneath his feet. In the center of the pentagram, there is no sound at all. These vestibular and auditory effects of the magical sacrifice emulate detail from the mundane counterpart, which sets up the narrative about Adam learning to distinguish between the two (Cabeswater is not the boss of you, etc.). There’s also the parallel intervention of Ronan/Cabeswater on the behalf of Adam��s safety that forces him to make decisions/confront the consequences, even though Ronan intervening catalyzes Adam’s sacrifice of his pride, autonomy, and home and Cabeswater intervenes against Whelk after Adam sacrifices himself to the forest…much to chew on here. Mirroring experiences, perhaps. I’ll also say that one thing I really appreciate in TRC is that the metaphors don’t obscure the real life experiences (like you pointed out, Adam dissociates because of his magical connection/sacrifice to Cabeswater, but also as he copes with his father’s abuse, so the metaphor enriches and further discusses rather than sanitize the effects of the abuse; another example of this is Ronan’s dreaming, at least in TDT, doesn’t supplant him being gay and the associated identity, isolation, exploration, etc. experiences- the magical counterpart to the real experience is additive, not obfuscating or censoring. [I say at least in TDT because in TD3 I think the dreaming takes on additional metaphorical meaning such as chronic illness, generational trauma, amongst other things).

“He knew he looked drunk. He needed to get himself together. Only this afternoon he’d touched Blue’s face. It had felt like anything was possible, like the world soared out in front of him. He tried to channel that sensation, but it felt apocryphal.” Concern with outward appearance- his injury is internal, so there’s no way for the cops to believe him without his or Ronan’s explanation. The assumed concussion temporarily robs Adam of his resources- clear headedness, analytical skills, etc. “He tried to channel that sensation, but it felt apocryphal” is such a painful and effective way to describe someone grasping for hope and having it slip through their fingers. Adam, whose faith is “imperfect” to start with, is further challenged here. I always think of the word “apocryphal” when I think of this chapter. The infinite (the world soaring out in front of him) previously gave him a sense of optimism, but in this chapter, the infinite mirrors (ground and sky) trap and dwarf him. Blue’s face (which is to say connection with Blue) felt like potential. I think you could interpret this chapter as the beginning of the end for Blue and Adam’s romantic relationship- the attraction and care for one another persists, but there’s a distinct shift in their interactions after this chapter that disconnects them in a way they don’t resolve until after they break up.

Adam replaying what his mother has told him previously to keep the abuse quiet: “Don’t say anything, Adam. Tell him you fell down. It really was a little your fault, wasn’t it? We’ll deal with it as a family.” Encouraging him to keep secrets, to lie, to blame himself, to believe in the guise of a family his parents hide behind (he’s ostracized in his own home for acting “against the good of the family”). This rhetoric from his mother gets woven into his own internal monologue.

“If Adam turned his father in, everything crashed down around him. If Adam turned him in, his mother would never forgive him. If Adam turned him in, he could never come home again.” These statements are written like hypotheses. If _, then _. Scientific. Even though she’s watched him endure so much pain and violence and has done nothing to help him, he grapples with the guilt of leaving behind his mother. This moment is a crucial turning point for Adam, when he’s standing at the crossroads of two of the existing paths described in TRB chapter 15 at his reading. It’s one of several explanations of his hesitation to live somewhere safer, of why the more arduous and painful way of doing things is in some ways easier for him.

“Adam couldn’t move in with Gansey. He had done so much to make sure that when he moved out, it would be on his own terms. Not Robert Parrish’s. Not Richard Gansey’s. On Adam Parrish’s terms, or not at all.” Full names invite the reader to consider [confront?] these characters as complete and distinguishable entities -> what defines each character/what is intrinsic to each?, how can you distinguish their own goals and personal ethos? If Adam succeeds in the world, he can claim all credit. If he fails, he resigns himself to shoulder the blame alone without the messy implications of shared culpability. He doesn’t see anything as worth doing if he can’t do it independently in the way he’s meticulously determined to be optimal, in the way that keeps his pride most intact.

“Adam touched his left ear. The skin was hot and painful, and without his hearing to tell him when his finger was close to his ear cavity, his touch felt imaginary. The whine in the ear had subsided and now there was … nothing. There was nothing at all.” The loss of his hearing is representative of greater loss- of literal (vestibular) and figurative balance (oh by the way do you know what requires good balance…riding a bike), of the ability to observe the world in the precise way in which he observed it before, the curse of an invisible injury he must explain by telling rather than showing as well as the unquantifiable psychological impact of surviving abuse, etc. Adam feels that he has nothing after losing not just half of his hearing but his home, even if said home is dangerous, the opposite of a sanctuary. He ends up at St. Agnes, which he thinks of as “Adam Parrish’s nothing,” something visually unimpressive but valuable in the way that it is his alone, untainted by the authority of others. I’m thinking about “Gansey. That’s all there is.” versus “There was nothing at all.” and how their experiences are so heavily shaped by their families and the associated expectations based on their upbringings and how they worry that others perceive them as their origins rather than their actions. “His touch felt imaginary” echoes the sentiment of Blue’s touch feeling apocryphal; the abuse disconnects Adam from others and from himself.

“Ronan was defending me.” Adam’s mouth was dry as the dirt around them. The officer’s expression focused on him as he went on. “From my father. All this … is from him. My face and my …” A couple observations: Adam breaking his “keeping things quiet” habit to the cops; Ronan has already begun to make him loud. It might just be a function of his injured state but I think Adam referring to Ronan as Ronan, as if anyone would automatically know his name, posits Ronan as some essential figure in Adam’s life (although to be completely fair there are few enough people in this scene to make it obvious to whom Adam’s referring- but I do think the word choice is deliberate, especially since he doesn’t use Lynch, which to an outsider might imply more distance between them). The dirt/dust motif returns as he thinks of his father/his origins; his dry mouth indicates the strain of making this sacrificial confession. And finally, the double entendre of “All this.. is from him. My face and my…” to mean the immediate state of Adam’s injuries but also his pervasive concern that he has inherited his father’s violence and cruelty. We know that Adam resembles his mother more (at least facially), but these books are about mirrors (and Adam looks into them frequently, literally and figuratively), and he’s most concerned about seeing his father looking back at him.

“His mother was staring at him. He closed his eyes. He couldn’t look at her and say it. Even with his eyes closed, he felt like he was falling, like the horizon pitched, like his head tilted. Adam had the sick feeling that his father had managed to knock something crucial askew. And then he said what he couldn’t say before. He asked, ‘Can I … can I press charges?’” To make this decision is to completely disrupt his carefully planned life; he’s falling into a version of his life he wasn’t prepared to live in yet. Adam’s fear about being permanently altered echoes Gansey’s fears about Adam. I think, on a less central note, his view of Ronan is also knocked askew after this incident (him using violence on behalf of someone other than himself). I’ve been musing on the decision to mention his mother one last time at the end of the chapter, and I think it’s to emphasize the complexity of Adam’s decision (and that he’s considering the repercussions of leaving his mother alone in the trailer with Robert. I think the fact that she doesn’t have a canon first name indicates that she also lacks power and autonomy in the household, or will especially lack such things once Adam leaves).

I think it’s significant that we never see inside the Parrish house- the violence we see on page happens outside. The audacity of Adam’s father to yell at him and assault him on their front steps for anyone to see is…really something. Even in his own POV chapters, which are quite introspective and descriptive, Adam doesn’t let us in to the extent of his life at home (from a meta standpoint, this makes sense- it’s just as effective and less exploitative to characterize the extent and impact of abuse through Adam’s self-image and relationships and behaviors rather than saturating the text with repetitive, gratuitous, and graphic sequences of abuse). And while I’m dancing around the subject of private vs public spheres, I am very interested in discussing Adam in terms of unheimlich/the uncanny and I’m hesitant to do so because so much of it will come from Freud’s essay on the uncanny and with that comes all sorts of cans of worms but there’s something about the domestic vs public spheres and in the home and out of the home (stemming from the etymology of heimlich and unheimlich) and homelessness and Adam’s uncanniness and strangeness (both as in odd and as in foreign/estranged). Freud’s essay even talks about the loss of eyes as a castration metaphor in a different work that I’m forgetting at the moment, but even if we exchange castration for loss of autonomy (which might be a misinterpretation of the text but I’m still percolating), it works so well with I will be your eyes/the demon taking over Adam’s eyes/his visions that begin in TDT chapter 8/the blindfold on Adam and the figure on the two of swords and eight of swords cards, etc. (A lot of associated themes work for Ronan too- the intentional use of the word strange at the beginning of The Dream Thieves and the Lynch brothers’ estrangement from the Barns and Ronan dreaming about going home and him existing of and between two worlds and how these two uncanny and strange characters find themselves in these weird, isolating social valleys and seek a sense of home with from other…) anyway this is hopefully an actual essay I will write someday, but it will require a good amount of reading outside the series.

I did a final read-through of the chapter after I revised my notes to see if I missed anything (and of course I did) and I did want to highlight the switch from “his father” to “Parrish” when Adam describes the brawl that ensues when Ronan hits his dad, which I think serves the purpose reminding us how Adam separates himself from violence as a dissociative coping mechanism, how Ronan’s intervention grants Adam some distance from the situation, etc. but also how Adam views the Parrish name- violent, on the ground, in the dust. I also forgot to consider the purpose of flashing back to Gansey right before Adam makes his sacrifice (to press charges, to keep Ronan out of jail): You won’t leave because of your pride? We’re given a clear example of the circumstances necessary for Adam to give up said pride (it would be reductive but not incorrect to say the circumstances = Ronan).

#rchl #trc #as always i am so open to discussing trc/td3 so please come chat if you want to share your analysis too #also to the very nice person who sent an anon about the mask dream i saw it and i am intending to draft something over the next few days #the raven boys #the raven cycle #adam parrish #ronan lynch

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piethemoon · 5 days

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In defense of Abby Clark

I've been watching 911 for 3 years now, but I've always kept to myself and haven't interacted with a lot of people from the fandom. This changed recently because of my excitement for canon bisexual Buck (and the very real chance of canon Buddie) and my for you page on Twitter is now full of tweets about 911. It made me realize how many people hate Abby, to the point of sometimes advising people on skipping season 1 entirely (which I don't get because why would you willingly miss an entire season, especially one that set most of the characters and their relationships with each other?).

I think it's totally fine to dislike her but sadly, some people seems to need to twist the reality in order to look good while doing it.

As of today, I have watched the entire first season again (and the first few episodes of season 2) and thought I'd question some stuff that are presented as facts to new fans :

She was abusive/toxic toward Buck:

Where ? Like, really guys.. Where ?

First of all, I think some people are turned off by the age gap. Nothing wrong with having your own preferences. But there's no reason to make it into something it's not. Nothing in the show even hint that Abby targets younger men. There's also no scene where she tries to use his age against him. When we can hear her thoughts about him, she's never thinking about him in a predatory way and while she does seems to be a bit self conscious about her age, that's it. It's not even an important part of the plot.

Also, you know. Relationships with a big age gap between two (or more) consenting adults aren't inherently harmful, especially when the characters are fictionnal. Buck is absolutely not "too young" to date her. He's an adult man who's considered adult enough by people around him to take decisions about people's lives every day.

Sure, the way she gets his number is very questionnable, but she tells him the truth very openly. I think it's one of the many times in the show where the characters are shown being unprofessional and we're supposed to suspend our beliefs about it.

Also, if you consider this preying on Buck, do you realize the amount of women he has preyed on by using his status as firefighters? We know he dated or had sex with women he saved before, which is pretty creepy when you keep in mind that it means they might feel like they owe him a date (or more). And yet we all know his intentions are absolutely not to manipulate them into anything. So why is it so difficult to also assume Abby's intentions were absolutely not to prey on him? She seems to be happy to see someone in their work field recognize her skills, and feel like she understands him. She seems to just wants to connect with him, whether you interpret it as a romantic interest from the beginning or not.

She went away to Dubling at a key point of their relationship :

That's because she's a well written character, who's personnality doesn't revolve around her romantic relationship! That's a good thing! She's a normal woman, who spend years taking care of her mom, pretty much on her own for the most part, and she not only watched her mom's state worsen, but she also watched her suffer and loose her sense of self. And it's so tragic that her mom dying is the only thing that can truly make her free. She seems to have given up many things (including a relationship) to care for her mom.

Obviously leaving to go to Dublin wasn't the best thing to do for her relationship but to be fair, she certainly seems adamant that she's going to come back. Also, I think it's good writing! This is a woman who's far more than her romantic relationship, who lost her mom and who's realizing she doesn't know herself. It's only natural that a person like her, with self respect and a lot of life experiences would understand the importance of some selfishness, especially because she's been selfless for so long. Her mom sacrificied many things and she doesn't want to do the same!

She ghosted Buck

Well, actually... She didn't? I actually remembered that too since it's often presented as fact by some fans but she seems to have broken up with him in a way that is obvious enough that (at least) Chimney realizes. I'm not saying it was well done, of course and she probably should have been a thousand times clearer but it does seems she tried to end things. We can't be a hundred percent sure of what was said between them so it's difficult to know if part of it isn't also Buck not having the experience of a serious relationship ending/being a little bit in denial. But interestingly, certain fans seems to think it's completely her responsability.

We can assume she might have been a bit careless with it, but again, I think it makes sense for her character, who cared for her mom & her job so much that maybe she's becoming a lot more selfish now.

But no matter what you think about it.. This is absolutely not the proof of a toxic or abuse relationship. It doesn't erase the actual happy moments they shared together, the way they both improved through that relationship and it's literally the only time she messed up in their relationship, that was obviously about to end anyway. And if you can forgive/understand Buck for cheating on Taylor.. Why can't you at least not rewrite their actual relationship?

She didn't trust Buck when he was accused of being a cheater:

Again, she's not written as one dimensional character who's existence only rely on her romantic interest. Sure, she trusts Buck (and she does end up believing him) but it's understandable that, while she's going through the first stage of grief, she might not have the patience or energy to listen to her boyfriend defend himself in the very public place where everyone saw him being accused of cheating on you. It was very brief and she wasn't even mean about it. Come on.

Athena hates her:

I see people making edits of out of context moments to try and say that Athena (and the others) always disliked Abby.

To be honest, that one feels a bit sexist. So because Athena is not jumping to hug her it means she hates her? Female characters (and real women) can be not super close without hating each other. Honestly, they both don't look like they really care about the other, and that's all. And that's really not a big deal.

And I think it's the same for the other characters. Bobby seems to respect her a lot and actually helps Buck improve his relationship with her. The other characters don't seems to care for Abby and it's not like they really interact with each other anyway.

Conclusion :

Basically, I wish people would just say they don't like her instead of using moral reasons to make themselves look good for disliking her. And I would also add.. I've seen some of those people says they want complex female characters. Are you sure this is what you want or do you just want female characters who are easily disposable when they're not needed for your favorite male character? (it's not a judgement, I just think people should be honest about that)

And personnally.. I kind of like her. She's always very tired and we don't necessarily see the best moments of her life but I think that's the point of her story in the show. And I'm so glad 911 gave us so many women who are in their 40s or older (Athena, Hen, Karen, Abby...) and who are living full and rich lives. It's so very refreshing and I love that they never tried to make Abby look younger. She has wrinkles! She never tried to convince herself or other people that she was young! It's not even something she really cares about!

And I do think that, as much as she messed up in the end, she was a very good influence for Buck, and it's pretty sad to deny that part of his story. Her age actually helped with that because her life experience means she wasn't too impressed with him and was able to stand her ground which I think Buck liked. She challenged him! It helped him see that he is able to have a serious relationship (which I hope will be used for Buddie hehe) It's pretty great imo and I'm glad she was a part of the show.

#911 #abby clark #evan buckley #buck

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hettolandija · 3 years

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So, Denver Con 2021, THE QUESTION from J2 panel:

Q: Okay so I’m a mom - a couple of my kids identify as queer, I always appreciated how like, organically you introduced gay characters into things - sorry I’m shaking, I’m so nervous. And so my question is - with Castiel, when did you know that the way he loved Dean was in a romantic, like deep love? Like when in the series did you know - because we always kinda debate over - see this is when they’re, you know, kinda dropping hints-

Jared: Yeah, yeah, yeah. [to Jensen] Do you want to take this, do you want me to take this?

Jensen: Sure.

[both Jared and Jensen trying to speak at once]

Jensen: Um. I don’t - I don’t think Dean ever really knew until the very end there. Um. In fact I know he didn’t because I never played that. I would say - when Jensen found out, or when it was kinda discussed internally that it- I- it’s interesting because the- I think "romantic"- [Jared interrupts here]

Jared: I think the point is- [Jensen interrupts to finish his thought]

Jensen: I think the term 'romantic’ is being used because there isn’t a term that necessarily- [Jared interrupts here]

I wonder where was Jensen going with his answer, because it looks like he wanted to remind us AGAIN that we shouldn't categorize angels' emotions in human terms.

Jared [using air quotes to indicate that he’s quoting the show]: He’s “junkless,” you know?

Jensen: uh, yeah…[Jared interrupts here]

Jared: I think the point- [Jensen interrupts to finish his thought]

Jensen: I don’t think lust is–is involved with the romanticism- [Jared interrupts here and Jensen gives up]

generous interpretation: Jensen wants to remind us that having romantic feelings doesn't necessarily equate wanting to have sex.

less-generous interpretation: romantic gay love is ok, as long as it doesn't involve sex (but I don't think he meant it that way)

Jared: I don’t think it’s the point that they both have… human male bodies, seemingly…and…want to…sleep with each other, i think the point is that, like, you could love anything. like It’s a superpower [Jensen nods here]. You can love - Someone can punch you in the face and you can say, “I love you, I forgive you.” Someone can give you a million bucks, and you can go, “I love you.” It doesn’t mean, like - I say that with my friends, I say it with Ackles, like, “Hey, I love you, man.” It doesn’t mean like, “I wanna take you to a hotel room", it just means that I love you. [1] And so that was, the - the - the point of the relationship, story-wise, is that they could love each other, you know - Sam and Dean loved each other, it wasn’t a show about incest, you now. Cas and Dean can love each other, it’s not a show about - it’s not a show about heterosexuality or non-binary - it’s a show about like "hey, you can choose to live your life with love", not "hey, this means they wanna make out". It’s not about that. [2] It’s about - I can tell my son, “I love you,” and it’s not that I want to do something to or with my son, I just love my son. My daughter can say the same thing. So that wasn’t, I’m sorry, that wasn’t the point of that scene. The point was, you are free to love whoever you want, you can be heterosexual and love whoever you want, you can be queer and love whoever you want, you can be any part of the LGBTQIA and love whoever the fuck you want - sorry for my cursing - it doesn’t mean you want to do something with them or to them. So hopefully Supernatural in its 327 episodes helped to have people love those around them.

[twice in the course of Jared's speech Jensen opened his mouth about to say something, but ultimately decided to let Jared finish first]

So I have a few questions for Jared:

- If 'I love you' when we say it to our children or friends is always meant to be in a platonic way and we can be any part of LGBTQIA and love whoever we want and the 'I love you' holds the same magnitude, then does romantic love exist in his world at all?

-why is he so vehemently against 'I love you' meant to be understood in a sexual or even romantic way in the confession scene, that he throws it in the same category as incest or pedophilia? what is wrong with gay love being not only being romantic feelings but also about sex?

- was Anna Milton also junkless? Was Cas magically not junkless when he became human in s9 (and Dean was sending him on a date)?

- angels making nephilim were also "junkless"?

- what about the whole "Lily Sunder Has Some Regrets" episode?

- what about Adam and Serafina in season 15???

- Cas had said "I love you" to Dean twice before and it was meant platonically, so if saying this for the third time was also in a bro way, then why would it be so special, that saying it again made Cas the happiest in his life and triggered his deal with the Empty? Why would Cas think that friendship with Dean is something, that he knows that he can't have? Just a few episodes ago (in 15x09) Dean told Cas thah he is his best friend.

- was Jared watching different show?

- is he as stupid as tall or he is doing this because the audience is mostly bibros?

- why is he talking what Cas was feeling in that scene, when the question wasn't even about it?

Jensen: I think that’s really what was - and I’m just piggybacking off of what he said in that- that the love that Cas had is heavenly - it was, you know, he’s an angel, so he’s able to... he’s able to, I think, love on a level and on a plane that human emotion doesn’t necessarily comprehend. And I think we might default to making it a romantic or a sexual love, when - I think- the way that I kind of interpreted it - and this is the great thing about the show and the relationships and some of these characters is, that they’re open for interpretation [Jared nods in agreement]. If you find identity in a character because of whatever reason, fantastic, great. If that encourages you to be a better person or to love someone a little harder or to forgive someone for something, then fantastic. That’s - I think that’s one of the beautiful things about doing what we do is we get to encourage people on a variety of levels.

Jared: To think.

Jensen: And I think Cas’s love was a love that isn’t identified by humans, necessarily. It was a love that superseded [making a hand gesture indicating that he means something higher, above] that. We try to find words to describe that, and I just don’t think there are words.

Jared: Yeah. But thank you, and glad y’all connected with it, on whatever level.

Nowhere in this speech Jensen had said that Castiel's love is canonically only platonic or that it was something below the level of romantic. He said that for him it was something heavenly and love on a level and on a plane that human emotion doesn’t necessarily comprehend. Which is consistent with his interview form 2020 where he said:

"But you also have to remember that Cas is a celestial being, and he’s thinking in a way that might not be comprehensible by a human heart or by a human brain. So the things that he says- I always from Dean’s perspective- I don’t know if I understand where he’s coming from or what he means from a humanistic stand point, Even though he kind of transferred into a human over the course of twelve years. But he was always coming from this, there was always an angelic aspect to him that Dean may, or may not have understood.

So I don’t know, don’t know how humanistic the feelings being professed at that moment were, or maybe they were, maybe that was what was happening. I don’t think there’s a right or wrong answer. I think that’s the beauty of what this story gives you, hopefully it gives everybody something".

And about the nature of Cas's confession being open to interpretation part, It's also nothing new, because in 2020 Jensen had said this:

[,,,]From Dean’s perspective, and Misha and I have talked about this, we’ve talked about this prior to filming that scene, during that scene, and we’ve talked about it since. I’ve actually talked to him uh, a lot this past week, about the reaction, what we want to add to that reaction, how we want to navigate that. Because we’re getting a lot of questions about what do you think, what do you mean, what was your intent, and he and I both kind of talked about, well if you, and this may be a little a little too out there but go with me here- Well artists don’t stand in a gallery next to their painting and tell you exactly what you should be seeing. And I kind of, I hope it doesn’t sound like a cop out, because it’s not meant to be, its truly meant to be. I knew where Jensen was in that scene, I also was making a choice for Dean in that scene. I kind of knew what I was trying to play with him, but at the same time what came across from a visual standpoint and a storytelling standpoint, and the audience perspective could be a multitude of things. And I would just, I would never want to tell someone what they should and shouldn’t see. Um, and not that, and again I’m not trying to do a cop out because I know it was a very important scene on a variety of levels, but I kind of, and I always thought i mean I'll give you guys a little bit of an insight into. There were no choices made on Dean’s part, and I hope I made that apparent because he was dealing with something far greater than what Cas was expressing to him. He was dealing with his friend was about to die. So I’m not sure that Dean absorbed or processed anything that was coming out of his mouth at that moment.

On the next day of Denver Con, Misha had panel with Alex, where Misha gave similar, "open for interpretation", long, nonanswer about what Cas was feeling in the confession scene:

Q: So my question. um yeah, my question is about the confession scene. um... before- [to person handling the microphone] no? I'm not allowed to ask about the confession?

Misha: Yes, you are.

Q: ok, thank you. um... so when- uh before Cas says that he loves Dean, um... he says that uh... Oh my gosh I'm so. Drawing a blank here, um, but he says that there was something- he knows what he wanted, there's something that he wanted that he knows he can't have, um and I kind of felt like he knows that he has Dean's friendship, he knows that they're family and he knows that he was forgiven. So I was wondering what your, your um... interpretation of what Cas's- his ultimate- what he wants that he can't have?

Misha: [deep breath] um, well... You know, I wish I actually remembered the actual text better and I'm sure that you could call it up for me, but um... but I... I have my interpretation. I know what was going on in Cas's head, because I was Cas. Um... and that gives me, um some insight. But I don't really want to break it apart in nuanced ways, um.. from my interpretation, because then that becomes like the definitive answer for what was, you know, happening ; and I, like uh someone asked me to interpret one of my poems the other day and, first of all I had no fucking Idea what it was about, but secondly um... I don't like to do that with art in general. I think it's kind of um- I like the- I like the audience to analyze what has been presented by the artist and not have the artist come out and explain "so this is what I meant, this was my intention at this beat, this is what I meant by knowing that I couldn't have". Um.. so, yeah, I don't know. I also beca- yes, also because it's like particularly - I mean I think if this was like a fleeting insignificant moment on the show, it would be one thing and I probably would weigh in on, but because this is like, you know, it's a seminal moment, it's my characters last scene on the show, I don't want my interpretation of it to be like the definitive word. I want it to be- wanted to be everyone's personal journey. And- Yes, and I will say one more thing, which is that I- there's certainly no interpretations of that- that- I'm going to say... um... [long pause] This is like such a minefield. [another long pause] I don't' know. I know what I- I know how I approached it and I feel really good about it, and I'll be honest with you: I kind of feel like that came across. Um... so there you go. I gave you- I gave you the best I could. I'm not really terribly well trained as an actor, so I could have probably done a better job, but I gave you the best I could. And I think I tried to convey- I think I tried to convey my intention, um, as clearly and, and... honestly as I could.

Q: Thank you.

Misha: Yeah.

Alex: Your beautiful, lovely, throbbing interpretation.

[Misha, after laughing for 6 seconds, is making a fist bump with Alex]

It's also worth noticing that, nowhere in J2 panel, Jensen states what, in his opinion, Dean feels toward Castiel.

But don't worry Mr. Ackles, I saw your unscripted acting choices. I saw your unprompted "Dean has no taste, clearly."

I haven't forgotten about it.

---------

EDIT: I forgot to add - Jared got enthusiastic applause after his veird speech, so it was very hard for Jesen to disagree with him while on stage

#Jensen Ackles #Misha Collins #Alexander Calvert #supernatural #denver con 2021 #dencon21 #Castiel #Dean Winchester #destiel

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astro-rain · 3 years

Text

delicate; b. barnes

chapter nine- “to have or not to have indoor plumbing”

delicate masterlist

word count: 2.3k

synopsis: no fallout shelter is perfect. sometimes you need to think outside the box... or outside the bunker, that is.

pairings: bucky barnes x fem!reader

[A/N]: what did you think of this chapter? what do you want to see next? PLS let me know! :))

Light did not shine through the windows and cast a bronze glow on the floor like it did in the castle quarters. He didn't hear the soft buzz of the cicadas like he usually did in the morning. He didn't wake to an empty room with familiar beautiful Wakandan tapestries.

This was because Bucky Barnes awoke in an underground shelter with no windows, stone reinforced walls, and a sleeping psychologist in the bed next to him. Somehow... this wasn't that bad.

He woke up before her, as to be expected. His body was pretty much programmed to be up in the early morning. That, and any time he slept for too long his mind conjured up remnants of horrors from the past.

The super soldier stood up from the bed and stretched his back and arm. It was quiet. A relaxed, enjoyable quiet. Y/N was still sleeping. He wondered what time it was. He didn't have a watch, and he didn't see any clocks in the bunker. He assumed she probably had her phone, but he wouldn't wake her just to ask the time.

He glanced around the room, and his eyes landed on the panther key. Perhaps he could go outside for a bit, gauge the time, scope out the area, get some sun. He never was overly enthusiastic about the sun, but since being in Wakanda, he had grown to love the warmth.

Warmth was a welcome change from the brutalizing cold Hydra put in his bones. Cold was past agony and torment, but warmth. Warmth was the rich, golden promise of remedy that gleamed on his skin.

Just thinking about it made him yearn for the outside sun and the way it enveloped his skin in amber rays. It felt safe here.

Usually, he couldn't stop his mind from worrying and expecting all the good in his life to somehow crash down around him. However, he couldn’t help but feel safe in Wakanda, no matter what he did. He felt safe in Wakanda and with Y/N, even though they were in a bunker hiding from a country's takeover-

"Bucky?" A raspy voice called out.

He turned around, not realizing he had walked over to the table, where the panther key was sitting. It looked just as regal and ferocious as it did before.

"G'Morning," he smiled.

She sat up on her elbows, avoiding hitting her head on the top bunk.

"How'd you sleep?" she asked. "Nightmares still?"

"Last night wasn't bad," he shrugged. "Still... there, but I got some decent hours in."

"That's good," Y/N yawned. "I'd like to work more on the nightmares soon. See if we can find any improvement. But don't worry, no 'Interpretation of Dreams' shit because I refuse to dignify most Freudian theories."

He let out a breathy chuckle. Sometimes Y/N would go into what he, in his head, called her silly psychologist speech. She would momentarily forget that Bucky wasn't an academic, and use big words to talk about things he'd never even heard of. Sometimes she would slip into psychologist mode when she wasn't "on duty."

"Are we movin' the sessions out here now?" he joked.

"Damn," she snickered. "My bad. No more psych talk in here, I promise."

"It's alright, I don't mind," he shrugged. "S'just you bein' you."

"I guess. I don't know to be anyone else, so."

“I would expect nothing less of you.”

Y/N then moved the blanket off of her legs to stand up out of the bed, just before stopping short, staring at the bed she was sitting on. He could almost see the gears turning in her head.

"Did I make the bed last night in a frenzy of exhaustion and not remember it?"

He laughed. "No."

She furrowed her brows and cocked her head to the side, confused and waiting for an explanation.

"I made it - well, as best as I could... all things considered."

Her face changed, melting into an endearing look of gratitude.

"Thank you Buck," she smiled. "Way better than sleeping on the floor."

She didn't say anything else regarding it, and he was glad. What she didn't know was that he put her in the bed after he made it. She was so exhausted, he didn't want to wake her. The task proved itself exceptionally challenging with one arm. However, super soldier strength and determination was a worthy advantage.

"Do you know what time it is?" he asked.

"Umm," she dragged out, finally standing up from the bed. "Not sure, I'll have to find my phone and- oh shit"

"What?"

"I don't have a charger."

"Oh. I'll uh look around and see if there's one stored down here."

Y/N stood still and looked around the room. Her eyes landed on the space heater and her expression dropped.

"Bucky..."

"What's wrong?"

"Do you remember what I said yesterday about the heater?"

"Not... really. Jog my memory?"

She quoted herself. "I doubt they could get electric or plumbing out here."

"Oh yeah," he still wasn't following.

"There's no shower down here... or toilet..."

He looked around and it hit him. "Oh."

"That's..." she trailed off, "a bit inconvenient."

He saw her begin to fidget with her hands.

"What are we supposed to do?" she asked. "We can't like... pee in buckets or something."

Bucky scratched the stubble on his face, about to suggest something he knew she wouldn't like.

"Well, before you woke up, I was thinkin' about going outside to get an idea of the time and maybe get some sun. We can go out and see if we can find a fresh water source or something. It's not perfect, but it's better than buckets."

"Outside? Is that not dangerous?"

"Danger is a possibility, but we're pretty far out from the castle grounds. I doubt anyone comes out this far or even knows about the shelter."

She took a deep breathe in. "I don't know..."

He could hear the uncertainty and weariness in her voice.

"If you're not comfortable, I can just go look and come back, tell you if it's safe, if there's water nearby," he offered.

"No. I'm going with you."

"I thought-"

"You’re not going alone. I'll grab my shoes and we can go."

Well then.

"As you wish, oh wise one."

"Smartass."

He grabbed the panther key and tossed it to her with a smile.

"So... how does one locate a water source?" Y/N asked, her footsteps beside Bucky's.

The Wakandan sun beat down on them. They'd only been walking for a few minutes, and they were already sweating.

"Keep an eye out for mud. If the ground is wet, chances are there's water nearby."

She nodded.

"Hey," she smirked, "Have you ever heard of Bear Grylls?"

He could hear the smile in her voice.

"No, but I have a feeling whatever that is is being used to poke fun at me?"

She huffed in a fake gasp, feigning over-exaggerated shock. "I'd never do such a thing!"

"Hey! I'm doing this so we don't have to pee in buckets. A teeny tiny bit of gratitude would go a long way."

"Apologies. Please accept my most heartfelt thanks, my dear old friend."

"Who you callin' old?"

"I don't know, does a hundred seem old to you?"

"You know, it’s disrespectful to mock the elderly,” he fake scolded.

"Yeah, well don't disrespect your mental healthcare provider."

"I didn't! You started-"

"Water!" she shouted, cutting him off. “Look!”

In front of Y/N's pointed finger was the end of a tiny stream. The source was somewhere ahead of them. And so they followed, continuing their trek beneath the sun's sweltering rays. It really was oppressively hot.

"Holy..." Bucky muttered.

"Shit," Y/N finished.

He gave her a look and he she shrugged, fighting off a laugh.

They stood facing a beautiful scene: a modest waterfall flowed over mossy stone and poured out into a little pool of crystal clear water. It was quaint and secluded, surrounded by rocks and trees. This was wonderfully fortuitous for the two of them as they were still technically in hiding. The pool of water was relatively shallow; he could see the bottom, but it was still deep enough to submerge his whole body and them some. The pressure from the waterfall looked mild enough to go under; perhaps it could act as a makeshift shower.

"This definitely works. Much better than buckets," Y/N commented.

Then she began to untie her boots, take off her socks, and sit with her feet in the water.

"Holy hell it's hot," she groaned, wiping a hand across her forehead. He noticed that she had been squinting for the last couple of minutes. "Buck, do you know if the water is clean to drink or swim in?"

"Why don't you taste test it? Then we'll know for sure."

She turned her head to him, an emotionless expression on her face.

"I don't give a damn about the super serum, I can and will drown you, Barnes."

A laugh came from deep in his chest. "I'm just playin'. The water looks fine, you should be good."

She cupped her hands to scoop up some of the water and threw it at him.

"Hey!"

"Aw, you look so refreshed now," she cooed sarcastically.

"That was uncalled for."

"Perhaps. Hey, how long until we have to go back?"

"We're not really on a set schedule. Whenever you're ready, I guess. It's not like we have things to do."

"Do I have time to like dunk real quick? It's deathly hot and I don't wanna walk back in this heat."

Dunk in the water? There are no swim suits here...

"Oh-uh... uh y-yeah, do you want me to like... wait over there-or-“

"I’m goin’ in with my clothes on,” she deadpanned. Straight and to the point, like she didn’t want any type of confusion about the situation.

“Oh,” he breathed. “You’d rather walk back in soaked clothes?”

“Yes.”

"I mean sure, knock yourself out. But be careful, some parts look pretty deep."

"I'm know how to swim, Buck,” she smiled. “Don’t fret.”

He hummed an "okay," before looking around the entire waterfall area. Instinctively, he started walking the perimeter, making sure they would be safe. He didn't know how he hadn't done it sooner. He must've been distracted.

The soldier made his way through trees and over rocks until he returned to the spot facing the center of the waterfall pool. He watched as Y/N's head slowly ascended from the water. She opened her eyes, and as her gaze found him, confusion washed over her face.

"Bucky, aren't you hot?"

"I mean, it’s warm, but I think I'm more useful out keepin' watch."

"Are you sure?" she laughed, tossing more water at him.

"Hey!" he exclaimed, clumsily trying to jump and dodge out of the way of the water flinging at him.

Y/N shamelessly continued. "The water's just fine! It's so refreshing and cooooool!"

Bucky's attempts at dodging the water were very much in vain. Soon enough his grey shirt had splatters of Wakandan waterfall water all over it.

He only laughed some more. "Come on! You're comprising our security!"

She stopped.

"Wait- I'm sorry. Am I actually?"

His breathing slowed, but his smile remained. "No, it's okay. I just think it's safer for at least one of us to stay out and be aware. I can go in next time."

"Okay," she frowned.

At the edge of the water, closest to grass, the ground descended into layers, creating a sort of makeshift staircase that sloped into the pool. Y/N floated over to the stairs, and leaned her elbows on the second highest step so that the water settled just below her shoulders. He watched as her legs floated straight up behind her, and each edge of her clothing moved up and down languidly in the water as if they were breathing with its movement.

In response, Bucky sat down at the waters edge, removing his own shoes and socks, rolling up his pant legs and resting his feet in the pool.

"There, now we're meetin' in the middle."

Y/N spared a gentle smile.

"Buck," she asked softly, "can I ask you a question?"

His brows furrowed at the sudden change in tone. "Mm hm."

He was expecting some kind of serious question, but instead, he watched yet another mischievous smirk grow across her face.

"Don't you have to pee?"

He rolled his eyes, and splashed her with as much water as he could cup in his hand. Y/N let out a burst of loud, boisterous laughter, wiping the water from her eyes.

"Why, do you?! Do I have to worry about feeling some warm water!!"

"No! I already went..."

"Oh, ew!" he howled with laughter.

"Not like that! I did it behind a tree while you were makin' your rounds."

"Well thank you for not christening our only clean water source."

"You are quite welcome, James Buchanan Barnes."

His brain slowed at the sound of his full name. He almost didn't feel the barely-there smile that turned the sides of his mouth up ever so slightly. Time became lazy, and his line of sight came to a leisurely stop directly at Y/N's face.

He got a good look at the reflective water droplets all over her skin, and the way some were falling off while others stayed perfectly still. He got a good look at how her waterlogged eye lashes stuck together in bigger clumps, making darker shades of black that contrasted her eye color, and how her wet hair was slicked back and flowed down her neck. He got a good look at the teeny tiny drops of waterfall that settled in her eyebrows, and how he had only been this close to her very few times before.

He couldn't tell why, but he wanted to take a mental snapshot of this moment. The charming imperfection of her was so genuine, so endearing, so alluring. He found himself having a hard time finding the motivation to look away. He must be tired or something.

He hadn’t noticed how still she was as well. But then, gradually, her smile went away, and her face was replaced with a neutral but poised expression. She slowly floated back from him, putting space between them.

"Can we go back now?" she asked. "I think the sun is giving me a headache."

"Y-Yeah, 'fcourse," he said, unprepared to do anything but fulfill her request.

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crossovereddie · 3 years

Note

Actually, here is an alternative thing for you to occupy your time with, and a question I have been meaning to ask you for a while. I have finished 911 finally! So I'm ready for the new season. And I wonder, realistically, what do you think the roadmap would be for a buddie endgame?

I absolutely see how their story has been framed and filmed in a lot of parallels to how a romantic storyline would be set out. But there has been no outright mention of either of them being bi - although the conversation about Maddy setting Buck up with whassisface was very casual and could very easily have been an example of canonically bi Buck - and they are both at the end of season 4 in 'relationships' with women.

So, in your estimation, what's the timeline? What's the transition? How do they go about this and how long does it take? I wanna know your thoughts 👀

okay yes i have lots of thoughts on this and it's actually one of my fave questions i get asked. I've always watched a lot of tv shows so I'm just estimating on what I've seen before and what I would personally do. IMO this love story is a slow burn. We only have four seasons so far and only three of those seasons have Eddie in them. This unsurprisingly got long so ill put it under the cut.

So I'll go by seasons bc to me its important to look at everything that has happened so far by seasons and by love interests and not as a whole. Its the best way i can form a timeline that I think would make the most sense and why

S1: So we don't get any hints at Buck being anything other than straight and I think this is because he was supposed to be. They hadn't planned for Eddie yet and they definitely hadn't planned for the chemistry Oliver and Ryan were gonna have. S1 Buck was this reckless kid who didn't take anything serious. He was definitely super immature. Then he meets Abby and he starts to get serious about his job and his love life. I'm not gonna say "Abby changed him" because she didnt. He saw the person he was and the person he was becoming and decided on that change himself.

S2: Eddie!!!! So we get introduced to this army medic turned firefighter in the least heterosexual way. Then Buck is angry because Eddie is hot and really good at his job. they work together and Eddie compliments Buck and now they're smiley bffs. Seriously wtf was all that? Anyway this is all sus bc from what ive seen before in other shows when a main love interest leaves and a new main character replaces them, that means something. JLH replaced Connie Britton as far as big name actress but i really believe Eddie replaced Abby as far as importance in Buck's life. Do i think they brought him in with the intentions of turning him into a LI? No but they sure fueled the narrative from the get go. I think they saw fans reactions and started testing the waters.

Moving on to LIs in this season. We find out Eddie has a kid and the mother is not in the picture (eddie made sure buck knew that right away). Then later on we find out he's technically still married. shannon comes back and we get Eddie finally getting to confront this head on. He tries to get his family back together for the sake of his son. Its big for Eddie's character bc all he does and all he's ever done is for his son. Then Shannon asks for a divorce then she dies bringing this arc to an abrupt end and leaving eddie heartbroken.

meanwhile Buck is still waiting for Abby. Then he finally accepts that shes not coming back and decides to move on. He goes right back to being "Buck 1.0" with Taylor and feels bad about himself because that really isnt him anymore. He wants a real relationship. So then Ali calls and asks him on an actual date and he agrees. This is his first try at a relationship after a heartbreak. in tv these don't usually work out but are used to develop the main character's growth. We don't really see much of her but she breaks up with him so.

S3: This is Eddie finally dealing with his feelings/guilt season. This is also the season I think we really see how important Buck is to the Diaz boys. S2 had cute buckley-diaz family moments but those could still be interpreted as a best friend and his best friend's kid. This season though... after the tsunamic episode was when i really started to fully believe buddie was going canon. This season is solidifying their bond not only as Buck and Eddie but as Buck Eddie and Christpher. As I'm writing this I realized neither of them really has a love interest in this season do they? Ana is introduced but then is clearly presented as definitely NOT the right choice for eddie and especially for Chris. Then they counter that with Buck helping Eddie build a skateboard for Chris that he can use as opposed to Ana's ablest remarks about how he can't do it so just move on to something else. Then we get Buck's reaction in Eddie Begins. Buck has seen his team his friends his family get hurt on the job before but he has never reacted the way he did when it was Eddie in danger. Again solidifying just how much these two mean to each other. Don't even get me started on this season being when Eddie changes his will offscreen. Anyway we get Abby back and Buck finally gets the closure from that relationship that he needs to move forward into a serious relationship.

Now S4: jfc s4....IMO this is the only logical season to get the ball rolling on Buddie and they sure did that with 4x14 despite everything else. So i never thought they would be the first serious relationship for each other after the heart break theyve both experienced. It wouldn't be fair to their character developments. Buck tries dating Veronica and that clearly doesnt work but we know hes now open to dating again. We get Buck Begins where we see why Buck is the dare devil he is. The only way he got his parents attention as a kid was to put himself in danger. They bring back taylor and how to they ultimately get together after she friendzones him? She thinks hes in danger and suddenly wants him. As much as i hate it this is really gonna be a relationship where Buck finally stands up for himself and sees his own worth and realizes he deserves more. He deserves someone who sees him and loves him for who he is. He deserves to be chosen, something Abby Ali his parents dont do and what i think taylor wont end up doing. I feel like shes gonna choose her career over him. Maybe not in a "I'm breaking up with you" way but maybe she takes a new job and want to do LD (hes tried that twice and it didnt work for him. hes not gonna want that) or she could ask him to go with her but he wont. His family is in LA. His job is in LA. Eddie and Chris are in LA and he won't leave them. Then we have Eddie finally deciding to move on and try dating again so they bring back ana. To me it's not gonna work out so I'm not bothered at all lmao. It's interesting that they'd choose her though. Someone we already know Eddie doesn't trust with his son. There's also more buckley-diaz family scenes of them being coparents. The hildy episode, Chris running to Buck when hes mad at eddie, Buck being the one to tell Chris Eddie got hurt, then Buck staying with Chris and taking on the guardian role without him even knowing just how much that role really does belong to him. He didn't do it out of obligation. He didn't do it because he was asked to. He did it because he thought it would be best for Chris. Finally to 4x14. This is by far the biggest "Oh shit this is it. This is the beginning of buddie". We find out Eddie changed his will a year ago and has just been sitting on this info. I think Eddie knew back then what it meant but he wasn't in the right mindset to accept what it means so he kept it to himself. I think he finally started allowing himself to go there during treasure hunt. The man was jealous yall. Carla coming back and her comment about doing whats best for him and not chris is his oh shit moment. I think he wouldve broken up with Ana a few days after that if he had the time lol. He gets caught up in the mother/son sl then this poor mf gets shot by a sniper. The way that whole scene was filmed btw was not in a bff way. That was a lover watching his beloved almost die in front of him. Buck again puts himself down and Eddie decides this is the moment. He needs Buck to see how important he is. He wants buck to know how loved he is. So he sits there talking himself up to it and finally lets Buck know just how big of a part he is in Eddie's family. Buck's previous scene is him saying he wants someone who wants him back then here is Eddie saying he needs him...Chris needs him. wtf.

So with S5: I think Eddie knows and Buck has a feeling but he's not sure so what i would do is spend s5 with Eddie basically showing Buck his feelings but not exactly getting in the way of Buck's new relationship because Buck has to be the one to make that choice. Id also have chris feeling the different shift with buck having a gf like he did with Eddie. This newfound info wasnt just dropped on us for a "Aww so sweet" moment. This will business is gonna be a part of a bigger storyline. I'm hoping its with Eddie's family during maybe 5b.

So what I think would be the best timeline for canon buddie is 5a eddie already having either broken up with ana or is gonna break up with her, Buck choosing himself and ending things with Taylor by midseason finale, them bringing in Eddie's family in 5b and maybe then being when Eddie confesses his feelings for Buck. Then 6a we could get them walking on egg shells around each other not really knowing what to do bc this is all so new for both of them. This could bring just the right amount of comedy and angst especially them awkward and flustered around each other at work. A big blowup can happen between them for added angst (maybe an arguement before one of them or both of them is put in danger) then a midseason finale kiss. Then trying to find the balance between their personal relationship and their work relationship during 6b.

I don't know how long Fox shows last but procedurals can last a long time. I'm not sure thats gonna be the case for 911 especially with all the main cast staying that long so i think this would give us at least a whole season (S7) of canon buddie.

As far as then being presented as straight, there's been more seeds planted about buck being bi. A few i can remember off the top of my head: all of 2x1 lmao, maddie's comment about bucks boy crush on eddie, buck hinting at thinking eddie is cute when he thinks maddie is talking about him, the christmas elf, the comments on the instagram livestream, idk if youve watched it or not but TK's comment to Buck in the crossover episode, and like you mentioned Maddie's casual comment about setting him up with Josh. All we really know about Eddie's love life is he married Shannon when they were young and is trying with Ana so it could turn into a whole storyline for him.

I'm so sorry this is so long and took forever but i I hope i actually answered your question and didnt just get lost in rambles lmao.

#oh god that took me way too long lol #eddie diaz #evan buckley #buddie #911onfox #is this meta?#wtf even is that #buddie meta #??#idk

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skylarmoon71 · 3 years

Text

Bumblebee x Reader (Transformers)- Chapter 4

“Did I oversleep again?”

You squint, raising your head from your pillow. You almost jumped at the sight of the Autobot sitting in your room.

“B-Bee!”

You covered your mouth when you realized how loudly you said that. Running to the door, you locked it before turning back to him.

“W-What are you doing, how did you even get in with no one seeing.”

Looking out the open window, you realized it was still pretty dark. You just sighed. He was sitting with his legs pulled to a side. Because of his size, and the lack of room, there wasn’t much space for him to spread out.

“I missed you sport.” you couldn't be mad after he said that. It was only a weekend and he was already lonely.

“I’m surprised Sam never notices when you sneak away. Then again he’s probably used to it by now.”

Bumblebee was just sitting attentively, looking at you with those curious blue eyes. Now that he was just staring at you, it made you a little self conscious. You hadn’t exactly prepared for his arrival. All you had on was a tank top and a pair of shorts. You tugged at the shirt, looking down at your feet nervously.

“(Y/N).” you looked up at the sound of his call. He held out his hand for you. Stepping forward a bit hesitant, you took his hand. He guided you to the spot right between his legs, and you followed, sitting down. With your back to his chest, you tried to keep your eyes forward. Your nerves were on end.

“Bee you...when did you get your voice fixed?” you needed to make some type of conversation to keep your mind occupied, that seemed like the best topic. He sounded so different when he said your name, with no help from the radio it appeared.

“Ratchet has been helping me, do you like it?” you nod, turning slightly to look up at him.

“Mhmm, it suits you.” He sounded like a regular teenager. Yet still slightly mature.

“I’ve been learning a lot of things while you’ve been away (Y/N).” you raised a brow.

“Really, like what ?”

“Like the way humans interpret things compared to us. On cybertron we form bonds through our spark. It connects us. “ He pointed to his chest.

“Physically, we don’t have a heart, so there are still a few parts that I’m trying to understand. Like pain, pleasure..” you swallowed. Was it just you or did he say that part pretty seductively.

“O-Oh, well that’s r-really cool Bee.”

Why were you getting so worked up, you were imagining things. There’s no way that Bumblebee was trying to come unto you. That was ridiculous.

“Can I ask you a question (Y/N)?”

“Yeah sure, hit me.”

“Can I touch you?” you almost choked.

“T-T-Touch me!”

His hand came down, metal fingers resting on your knee. You were so small compared to him. The thought of him touching your body didn’t scare you, more like it excited you. That’s what sort of scared you.

“Are you afraid of me?”

“N-No of course not, it’s just that I-I...well I..” you stammered, not sure how to phrase it.

“You’ve never been touched by anyone.” your cheeks burned. You weren’t sure how to deal with your embarrassment, so you just buried your face into his chest plates, nodding slowly. A deep chuckle echoed throughout the room, and hell it was definitely the sexist thing you’d ever heard.

“There’s nothing to be embarrassed about. I’m kind of relieved. Lately just being with you doesn't seem like enough. I can't stop thinking about you. Your eyes, hair, lips..” His tone sends you into a small stir. It's so entrancing.

“Bee..”

Where did this side of him come from?

“Yes.” you gripped at his arm. Closing your eyes.

“Y-You can.”

“I can, what?” He was obviously teasing.

“Touch me. I want you to touch me Bee..” His engine reeved slightly.

The hand that reached down and slid between your thighs had your head spinning. Your fingers were digging into the metal of his hand as you tried to remain calm. You whimpered slightly. With your already lacking clothing, you could feel everything. His fingers were cold, but the moment it touched your most sensitive area, your entire body set aflame. Bumblebee was watching, studying every little sound you made, quick breath you took. He was getting pretty heated himself. Your breathless expression was so arousing. He wanted more, needed more. His free hand groped your chest softly and you moaned out his name.

“This is incredible.” He whispers. You were shaking in pleasure with every stroke of his hand to your core. You bit down on your lip, trying to stifle your moans.

“It’s okay, you don’t have to keep it in (Y/N), I want to hear you. Does it feel good?”

It felt amazing. If only you could put that into words. You settle for a half nod.

“I love you like this (Y/N), you’re so submissive it’s adorable.”

Another helpless whimper left your lips as you bucked.

“Bee...Bee..Bee!”

You gasped, rolling unto the floor with a thud.

Looking up, your eyes were wide.

“N-No way…” you did not just do that.

“Oh shit.”

You had a wet dream, about Bumblebee.

“I’m screwed. “

That you were.

~~~~~

Waking up the next morning was a struggle. You twisted and turned in bed, and at the end, you only managed to get two hours of sleep. The blaring alarm clock on your dresser made you groan, rolling over.

“I really hate school.” This was the worst way to start Monday morning. Standing up begrudgingly, you started your morning routine, dreading what was about to await you.

~~~~

“What’s got you so cranky.” you turned to your friend, opening your eyes a bit wider and she just started laughing. “You look like you haven’t slept in weeks, what happened?”

“Had a weird dream.” There was no way you were going to tell her you had a sexual dream about your alien robot friend who you were hopelessly crushing on.

“Stop watching those crime shows before you go to sleep. I keep telling you but you never listen."

If only she knew.

With a long sigh, you gripped your bag, pulling it over your shoulder. At least school was over. You barely made it through the first period. If not for the nap you took at lunch, you would have been out the rest of the day. Walking in step with your friend, your eyes drifted to the yellow vehicle parked outside your school.

“Hey (Y/N)!”

The window rolled down, and Sam grinned at you. Mikaela was in the passenger seat, wearing a smile of her own.

“Hey guys what’s up?”

The both of you went to different high schools, so it wasn’t unusual for him to stop by every now and then.

“Bee was getting a bit impatient, so I decided to just come pick you up.” Your heart skipped. Your friend nudge your hand with a smile, in which you returned with an eye roll.

“See you later (Y/N)~” She really did remind you of your mother sometimes. You waved her off, opening the door as you slid into the seat. The door closed and Sam pulled off. The conversation was light, you added in a word every now and then just to let them know you were invested, but your mind was elsewhere. You slumped a little in the seat. Just staying awake in class was a challenge. You were exhausted.

“Can I touch you (Y/N)..”

Your eyes flew open. You couldn’t even close your eyes anymore. You folded your hands on your lap, trying to steady your breath.

“Don’t make a scene, calm down, calm down.”

“You alright back there?” Sam watched you from the rear view mirror. Mikaela turned, and you were positive she noticed the flush in your cheeks. “I...I..” you couldn’t even speak properly.

“It's a girl problem isn’t it?” Mikaela interrupted. You were confused for a second, but the look she sent you, you knew she understood what was happening somehow.

“Y-Yeah, these cramps are torture.” Sam grimaced. “Enough said. Bee, step on it.” He didn’t even question it. You smiled at Mikaela appreciatively, mouthing your thanks.

The ride went by faster, and when you stepped out of the car, Mikaela followed. “I’m gonna help (Y/N) Sam.” He nodded. “Do what you gotta do.” You could tell he just didn’t want the details. It was funny how childish he was when it came to that stuff. She kissed him goodbye.

“B-Bye Bee.” you mumbled.

“Later.” you didn’t need to be a genius to know he was disappointed. He was obviously looking forward to spending the evening with you. All that was running through your mind, there was no chance that would happen. You could barely survive a car ride, you weren’t sure you could sit through a conversation with him without those images flashing in your head. Opening your front door, you headed straight for your room, Mikaela behind you trailing silently. Inside your room felt like your own little safe space, and the moment you dropped your bag, she was watching you with a smirk.

“Okay spill, tell me everything.”

“W-What do you mean?”

“Don’t play dumb, you were blushing in the car, and I’m one hundred percent sure it wasn’t because of Sam. “

So she did realize. You were honestly praying she would assume you were crushing on Sam.

“Would you believe me if I said he’s kind of cute?”

She looked unimpressed. “Nice try, now spill. “

You fell backwards on the bed covering your face.

Mikaela’s face lit up. “Oh my goodness you have a thing for Bumblebee!”

“Shhh not so loudly!” you almost fell off the bed for the second time that day.

“You have to tell him, I can tell him if you want.”

“No! No one’s saying anything especially after that dream I had.”

Shit.

“Oh..my goodness.” Mikaela mouthed. You groaned.

“You had a dirty dream about him!!”

“AHHH!! Would you keep your voice down woman!!”

There was a whole lot of talking after that. The biggest reason behind your fear of anyone finding out was more because you thought they would judge you. Bumblebee was a robot, yet to you he just felt so human like that you barely paid mind to the rough exterior. He didn’t even have a beating heart, but he held the power to make yours go into overdrive with just a look. You were hopelessly in love with him.

How would you hide that?

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onrainynights · 3 years

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why you can't compare buddie to destiel (from someone who ships both)

this is kind of addressing the recent negativity in the buddie tag, but it's also a collection of my thoughts and reasoning for being buddie-positive despite my experiences with destiel and spn in general. the text of 911 is not really discussed at all, and this is relatively spoiler-free, so if you're thinking of watching 911 I encourage you to read it. if you haven't seen both shows it probably won't make perfect sense, but I wrote this with spn fans who haven't seen 911 in mind, since that's most of my followers (and also seems to be where much of the negativity was coming from) pretty long post under the cut to save your dash

I just want to prepare y'all for the fact that buddie could be the slow burn will they/won't they mlm romance we've been waiting for practically forever.

at this point it's not fair to call it queerbait because where their relationship is now fits the characters and their development. this is not like destiel, where there were many moments over the years that could've ended with them getting together and it would've made sense with the story. buddie right now is in this sweet, wholesome pre-relationship kind of place, which on its own is a compelling dynamic and so fun and good to see. a resolution of it right now would feel out of character—they both still have some development to do before that would feel natural. and so, I don't think we can really call it queerbaiting unless the characters get to that point and there is still no resolution.

also I'd like to point out the overall positivity from the cast when it comes to buddie. both Eddie's and Buck's actors have said (I'm paraphrasing cast statements in this post unless they are in quotations) positive things about the pairing, and Buck's actor has said that he likes the interpretation of Buck as queer, and he would be happy if the writers took his character in that direction. also Eddie's actor with "that's what they all say" when buddie was referred to as a "bromance". Jennifer Love Hewitt, who plays Buck's sister (another main character), is very supportive of buddie, saying she's "rooting for it", that it would be "amazing", she doesn't "see how it couldn't happen one day". this was in response to hearing that a fan insists Buck and Eddie will be a couple. She flat-out said "I think so, too." She jokes about buddie with Buck's and Eddie's actors all the time. Also, my favorite bit from the video of her saying all this, "Let's manifest it together!"

It's safe to say this is a VERY different environment to spn. I don't think I've ever seen a cast this positive about a show's main non-canon queer ship before. NEVER. I think it's safe to say that if/when buddie is canonized, the cast will be just as excited as the fans—at least JLH will be! Add into the fact that the show's PR seems to be leaning into bi buck and buddie right now, it's a VERY different vibe than spn had, definitely. There's no gaslighting of the fans here, at least not that I've seen. also, although 911 has a large casual viewership, I think it's safe to say the GA would not be upset by buddie—there are only 3 serious, long-term romantic relationships involving main characters in this show, and one of them is a lesbian marriage with two children. And yes, the characters are shown being lesbians, it's not just a stated fact; the audience is privy to their relationship (and their interactions with their adorable kids). I think it's safe to say that buddie would go over well with the fans, even the casual viewers (of which there are many). buddie doesn't seem to be a huge divider in fandom like destiel is, either. reactions generally seem to be either "I ship it" or "I don't care either way."

Also I'd like to point out that while yes, it's possible that buddie is only bait (which would be disappointing), there's a reason queerbaiting works. people WANT to be queerbaited, because it's nearly indistinguishable from a slow burn will they/won't they queer romance. queerbaiting allows fans to make theories, create fan content (including fic), and keeps them engaged with the dynamic and the show. fans who are vulnerable to queerbaiting want a slow burn will they/won't they queer romance, which is currently an almost completely untapped market. spn could've tapped it, but despite the huge fandom they did not. there are SO MANY people outside of spn fandom who want a slow burn mlm romance, one that keeps the audience guessing, one that's will they/won't they, one that is not guaranteed, and that is why queerbaiting works so well. the audience doesn't just want the payoff, they also want the build-up. the longer the build-up, the higher the payoff, and the suspense of the build-up is gone if you know from the start that the payoff is definitely coming. that's part of why malec from shadowhunters didn't fully tap this market—there was no question of if, only the question of when (which wasn't really a question either, given there was an episode in season 1 literally titled "malec" when they got together.) the characters were always queer, the show being an adaptation of a book series where they were in a relationship and eventually had children together.

this was why November 5th was such a big deal—fans were so far past the will they/won't they aspect of destiel, firmly believing that destiel would always end as a "won't they" and not a "will they" that when cas confessed his romantic love for dean, destiel trended on Twitter over the US election. you all know that story, but maybe not everyone reading this knows that after Nov. 5 there was a case of hundreds if not thousands of spn fans experiencing love sickness because of the confession scene. the payoff of making destiel fully canon (and reciprocated, in English) would've been huge. fans would've been throwing their money at the c/w.

which leads me to the possibility (this is not at all me saying that I think this happened or even is likely, just that it's one possibility that /could/ have happened) that buddie started as bait, that the writers never intended for them to be a couple, but saw fan reactions to buddie during season 2 and started to lean into it in season 3 (and 4 so far, but it just started so I don't want to make any generalized statements about it) possibly still as bait or maybe not deciding yet if they'll go anywhere with it. and then maybe they saw destiel trending on November 5th, realized just how BIG the market for a slow burn will they/won't they mlm romance is, and said "hey, we already have the foundations for one of those. why not go for it and draw in all those viewers who clearly want one so badly?"

if buddie goes canon, because the cast and PR have been so positive about it, unlike spn, and because of the text of the show itself, the show's creatives could VERY EASILY claim that they were never baiting, that it was all an intentional slow burn will they/won't they romance from the beginning, and most people would believe them; there isn't really any evidence to the contrary, although I am sure there would be at least a few fans convinced it started as queerbaiting, and there might not be any evidence to refute that, either.

the point is that 911 is currently sitting on a gold mine. if they play their cards right, and execute buddie well, they will monopolize this market that old straight white men serving as network executives have failed so far to really tap into. they queerbait without the payoff, which gives the show a reputation among those in the market who haven't seen it, guaranteeing they will never watch it. shows in this vein: sherlock (huge reputation for queerbaiting and a finale fans didn't like) and spn (huge reputation for queerbaiting and a finale fans didn't like). spn got so, so close with cas's confession but then continued to gaslight its fans, and PR did not lean into destiel AT ALL. if 911 did buddie? the PR team would be all over it. it would be a moneymaker, big time, and Fox knows it. if buddie, or even just bi buck, went canon, tumblr would be all over it. viewership for the show, which is already impressive, would skyrocket. 911 would monopolize this market, because fans wary of queerbaiting would watch it with the knowledge that the payoff is there, and there really wouldn't be a competitor until other shows saw the success of buddie and followed suit with their own pairings, and given the fact that the market specifically wants /slow burn/ queer romances, that might take a couple years. that puts 911 in a really good position, where suddenly the fandom of the show, not just the GA, is very large and likely very dedicated to the show. the success of canon buddie might just change the landscape of TV in the coming years, showing execs that while queerbaiting does work, actually going through with it is really where the money is. 911 would not just monopolize the market for a while; it would pioneer it.

if buddie never goes canon, I would probably be a bit disappointed at the wasted potential, but unless the characters get to that point where canon buddie seems like the most logical outcome and they /don't/ go for it, I won't be truly upset because I don't think it's fair to claim its queerbaiting until then. I can't tell you how likely it is that buddie will be canon at some point, but it seems FAR more likely than destiel /ever/ did, and we ended up getting cas's confession in the end. I have hope, despite being hurt so badly by spn. 911 is a genuinely great show with some fantastic writing, and they don't leave chekov's gun unfired, unlike spn.

really, it comes down to this: if Jennifer Love Hewitt is allowed to clown for buddie, then so am I, and I'll enjoy this show—which is amazing even without canon buddie—while I apply my clown makeup.

#9-1-1 #spn #buddie #tagging as #destiel #so anyone with that tag blacklisted can avoid this post #unfortunately I have seen w/ncest shippers in the buddie tag so that's just a precaution so I don't get attacked #posts for puck #I might add more to this later who knows but I think this is a pretty good collection of my thoughts #buddie positivity #911natural

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abreathofthewild · 3 years

Text

I Need A Hero, Chapter 1/?

Summary: After Y/N finds out that her late grandfather has willed his rural Montana ranch to her, she decides it’s time for a little change of scenery. At least until it’s in a condition to sell. Along the way, Y/N finds a renewed appreciation for hard work, new friends, and possibly even love. She has the land. Can Thor help make it a home?

Word Count: 11559 (I have no idea either, trust me)

Warnings: non-main character death, mentions of alcohol, some thematic elements, eventual smut.

A/N: I have so many people I could tag on this post, so many. For now, I'll just say thank you to @spacelabrathor for allowing me to use this idea and to @itssimplydior for going above and beyond in helping me grammar check and just being a great hype person. Thank you thank you thank you! And thank you to everyone who has waited so long for this. I have an amazing circle of friends on here. I hope this first chapter was worth the wait!

Edit: The banner is by the amazing @frankiemorales who designed this moodboard because she loves the story so much ♡´･ᴗ･`♡

Links: Thor Odinson Masterlist and AO3 Version

Skyscrapers cut through the blue sky like ancient monoliths; they weren’t ancient at all but the way the sun glinted off the glass and steel of their structures made them look like modern interpretations of old gods. Car horns and shouts and ongoing conversations hummed through the air, the constant buzz of life an undercurrent that was all at once hard to ignore and easy to be lost in. There in the middle of it, beneath the heartbeat of the city, you sat in an office chair trying to clear your head around a different type of ringing in your ears.

Your grandfather had passed away. Your estranged grandfather. And yet here you were, listening to his attorney tell you that he had willed you his ranch. The ranch you had spent almost six summers at as a child. The ranch where you had learned to ride a horse. The ranch where you had learned how to skip rocks and climb trees. The ranch where you had decided that one day you’d have a big ranch of your own, “just like Grandpa”.

“Miss? Miss, are you still there?” A breath rattled from your lungs as you tried to form a coherent sentence. “I’m sorry, I can imagine this is difficult but were you able to hear me on the line? Hank has passed away and he’s left you his ranch. We’ll need you to come sign some paperwork. There are some stipulations that I’d rather discuss in person. Then you’re free to get the details settled to sell it if that’s what you want.” Another pause.

“Um, yes, I’m sorry. I heard you. Can you email the initial documents?” The barely-managed response felt odd on your tongue, stiff.

“Ah, yes, I’m sure we can manage that. I’ll have to apologize, things move a little slower around here so sometimes it slips my mind that electronic signatures are an option now. Like I said though, the final details will need to be worked out here, in Dove’s Reach.” After that, you tuned out; the man’s voice on the line seemed to drone on. Your brain honed in on “it’s not really in a state to sell” and “I’ll put you in touch with a licensed appraiser just to make sure”. Then the call ended and you realized somewhere in there you must have hung up the phone but you honestly couldn’t remember.

A ranch. A whole ranch. 500 acres of rolling hills in Montana. Your breath caught and you quickly brushed away the tears that had welled in your eyes, pursing your lips and glancing at the paperwork spread in front of you. There was so much work to do here with the Harrison case. Your eyes roved from the physical documents to the spreadsheets on your computer screen and back again. It would be foolish to take time off now when you were so close to finishing it up. You could see your father’s frown as if he was standing in front of you.

And yet… Your grandfather hadn’t been a part of your life for so long. In the beginning, when your parents had told you abruptly that Grandpa had done something bad, been mean to them, you took it hard. Seven years old is a horrible time to lose a grandfather who taught you how to milk a cow and showed you the wonder in the small things. But as you got older and your parents became more embroiled in work, more distant, you put it to the back of your mind. You were still young enough that you had no choice but to take their word for it. The thoughts tripped around your head like a broken record; you felt a little queasy. You wiped brusquely once more at a stray tear and, taking a deep breath, turned to your monitor. You minimized one tab and opened another, preparing to write an email. It was a little more difficult than you had anticipated though and ten minutes later when your assistant walked in reminding you of your 2 o’ clock, you startled from a blank daydream and an even blanker screen. Your surroundings rushed back in around you on a pinpoint vortex and all at once, you knew you had to go. Regardless of parts of the will needing to be handled in person, something split in your heart. Right now, your place was at the ranch.

“Reschedule that appointment please. Let Clark know we’ll be switching it over to a Zoom call. Actually, cancel the rest of my appointments for the next two weeks. I’ll let you know if I need you to move anything around after that.” She widened her eyes but nodded all the same, turning and exiting your corner office with purpose. You began typing out the email to your father letting him know that you’d be taking advantage of all those vacation hours you had stored away for a rainy day. You would take the Harrison case with you and could easily finish it remotely. It would be on his desk by the deadline. Your rainy day was today but despite the circumstance, you were beginning to catch the feeling that there wasn’t a cloud in sight. The ranch house flashed across your mind’s eye and you blew out a breath from your lungs you hadn’t even realized you were holding.

You clicked send and stood, throwing on your coat and gathering the necessary paperwork from your desk. You let your assistant know you were leaving and walked out the door, not bothering to pay attention to a few pairs of wandering eyes who watched as you entered the elevator and headed down to the ground floor. With each minute of descent through the high-rise building, you felt your heart beat faster. It felt like there was a balloon in your chest waiting to burst. Your heels clicked on the marble floor and as you pushed through the doors into the spring air of New York City, you felt just a little more alive than you had moments before.

The redeye flight and extra two-hour drive put you in Dove’s Reach before the sun had completely risen. Last week if someone had told you that you would be standing here right now looking at your grandfather’s ranch house with the notion that you could fix it up, you would have laughed in their face. But as the sun rose in the east, it felt as if anything was possible. To the north was a range of mountains that could have looked menacing, but from your vantage only served to leave you in awe. The immediate land was just miles and miles of green fields that met with forest. The trees were behemoths; the sun bathed everything in a rich golden light adding unbelievable depth to the scene before you. The air smelled clean and fresh and alive.

You resisted the urge to pinch yourself because if this was a dream you never wanted to wake up. There was your grandfather’s house right in the middle of all of it. It still held the country charm that you remembered but there was so much that was… off. From what you could see with the naked eye, the wooden fence was sagging and falling over in a lot of places. The barn was missing slats of wood and one door hung precariously on its hinges. The house was a relic, the paint dry and peeling. You knew your grandfather as a strong, stout man who even in his older age was capable of running a whole ranch. The state of things now left a hollow feeling in your stomach and left so many questions unanswered.

A suitcase, carry-on, and laptop bag was all you had with you as you took the key from under the mat and opened the front door. It groaned loudly as if it hadn’t been opened in a long while but it made you smile to know that your grandfather had left the key in the same place after all these years. You walked to your left into the kitchen and set your keys on the counter. The familiarity of it all suddenly made you pause with a sudden sense of Deja Vu. The magnets on the fridge, the little table with four wooden chairs, and an old fashioned clock hanging on the wall that had faded from a once dark blue. The checkered yellow and white curtains were rolled up above the farm-style sink and an old mason jar with some dried flowers sat in the sill.

You found yourself choking up as you realized your grandfather’s coffee mug, the big one with some western painting of a bucking bronco, sat ready next to the coffee pot. You walked over to it and cradled it in your hands as the feeling washed through your bones that it was your mug now. There was so much you remembered about him and yet so much you never got to know, never would know. It nagged at you as the realization began to set in that there was so much to get done to sell this place. And after it was gone, there would be nothing of your grandfather left. A shaky sigh escaped from your lips.

Sleep. Right now you just needed to sleep. You made your way upstairs, the wood groaning in protest as you went, and headed to the right where one of the two guest rooms were located. Again, it was like a museum, in a state of preservation. With a wrenching in your stomach, you wondered if he’d ever had visitors after you. The bed sat against the opposite wall under the window and the sunlight filtering in passed the tree outside left dappled patterns on the patchwork quilt. You brushed your fingertips across it and marveled at how soft it still felt.

The room smelled faintly of dust so you cracked the window. You were rewarded by the cool breeze laced with the scent of pine wafting gently into the room. It was the beginning of spring but mornings were still chilled with the end of winter. You were pretty sure that in the shade of various trees on your way in there were small drifts of unmelted snow and the dried grass in the fields outside had sparkled with frost. You flopped down on the bed, covering yourself with the knitted throw that was tossed across the bottom.

As your eyes fluttered shut, you had a distinct feeling that you had always lived here. The thought crossed your mind as you edged into sleep that maybe you should stay.

It was well past noon when you startled awake. This time, it felt like there was a weight on your chest. You cracked your eyes and let out a small ah when you were greeted by a plump silver and white cat with green eyes sitting on your stomach. It chirruped when it realized you were awake. The cat hadn’t been in the house when you arrived (that you had seen). Maybe it climbed the tree and hopped in the window. Either way, it had been a long time since you’d last had a pet (your long hours didn’t allow for it back in New York) and your heart did a light skip as you scratched behind its ears. Its purr sounded like a motorboat.

The breeze coming through the window was a little warmer now and after a while of trying to stay lost to the world outside, you knew if you didn’t get up right then, you wouldn’t feel motivated to do so for the rest of the day. And there was a lot to do. With an exaggerated grunt, you deposited the cat on the other side of the bed. It sat there licking a paw and periodically giving you an irked look. You let out a small snort and grabbed a pad of paper and a pen from the desk and began writing down your goals for the day.

The main one was a basic grocery list (you were pretty sure there was nothing in the fridge or cupboards), and now getting some cat food. If you remembered correctly, the actual town was about another half hour from the ranch in the opposite direction you’d come. You stood and winced as pins and needles prickled up and down your legs from sitting cross-legged on the bed. You glanced at your computer bag tucked in next to the desk on the floor. The Harrison case would have to wait.

Main Street hadn’t really changed much from what you could remember of your time here. A lot of red brick and dark wood. It was quaint and about as small-town as you could get. Something lurched in your chest when you pulled to a stop in the grocery parking lot. Everything was so foreign to how you lived in the big city but at the same time… it sang of a home you had not experienced before. Part of you thought it was a shame that you had to go back in two weeks. You brushed the thought aside as quickly as you allowed yourself to feel it. There was no use indulging that line of thinking and besides, it was the first day. You were sure you would feel differently at the end of that time after you’d put in the work that would be required.

The grocery store was bigger than you remembered; you were pretty sure it had been expanded. Maybe the town wasn’t as little as it used to be. A cartful of basics and what felt like 500 mental notes later, you brought your groceries to the front. You daydreamed for a moment as the steady beep of the register sounded in the background.

“You’re not from around these parts, are you darlin’?” You came back to yourself, shaking your head. The woman ringing you up was older, with short-cropped white hair and glasses perched on the end of her nose. Her name tag read “Rose''. “I thought so. We don’t get many people around here that buy tofu. Is it any good?” She wrinkled her nose in such a way that made you giggle. You shrugged your shoulders.

“There’re a few different ways I make it that taste pretty good. I’m not vegetarian or anything, I just like all sorts of foods.” She brightened at that; you guessed there were also not very many vegetarians in Dove’s Reach either. “I’m actually here to handle my grandpa’s estate. He just passed away…” You trailed off, surprised by the lump that was suddenly in your throat. Her eyes widened just a bit before she reached out to pat your hand.

“Do you mean Hank? Was Hank your granddaddy? Yes, he must be, I can see you have the same eyes now. Well, I’m so very sorry, hon. He was a good man. It seems like only yesterday he was here picking up groceries.” There was a tear in her eye now and it made you wonder how close the two were. “It had actually been quite some time since he was able to make it in here on his own. Months at least.” Months? So he had been sick for a while. Why hadn’t he told you? Rose saw the look flash across your face. “Oh,” she breathed out quietly, “you didn’t know, did you?” She clucked her tongue as you paid. “That Hank, always thinkin’ he didn’t need help. We were all surprised when he finally had Jonesy coming ‘round to do things in town for him. Jonesy was his attorney, you’ll probably be speaking to him soon, I’d reckon. Well, if you need anything, you just let me know, okay?”

You grabbed your bags and put them back in your cart. There would be time to ask Rose questions about your Grandpa later, you hoped. But right now, you needed to focus on getting help with the ranch.

“Well actually, Rose, I’m looking for some help to fix the ranch up. Do you know anyone off the top of your head?”

Rose had told you to go across the street to On The Wings of A Dove, the local hang out after a day’s work had been finished for a lot of folks. It was surprisingly modern with an old feel. Deep red brick, exposed black pipe, and low lighting. The smell as you walked in the doors made your mouth water. Luckily the owner, Gus, was in and was more than happy to help a young lady such as yourself.

“Thor! This lady here needs some help fixin’ up her ranch to sell. You lookin’ for work?” You glanced in the direction the portly man was facing, down the bench, and around a couple of other patrons. A man leaned out and smiled in your way; the flash of white teeth made your heartbeat stutter.

“As a matter of fact, Gus, I just finished up at the Finch’s farm helpin’ them with that young colt.” He stood and walked over to you. If he looked big from a distance, there was no denying it now as he moved into your space. You looked up at his face and the golden hair framing blue eyes was enough to make your brain go foggy. He held out a hand, the chorded muscle across his chest and in his broad shoulders evident even with such a small movement. You took it and something bloomed in your chest when his hand enveloped yours. His skin was rough with calluses. It was warm and a vision flashed across your mind unbidden: those hands grasping at your face, roving down your arms, across your chest, gripping your hips, and moving lower… You shook your head and tried to listen to the words coming out of his mouth.

“The name’s Thor. Thor Odinson. How may I be of service, pretty lady?” Normally, someone being so forward would irk you. But somehow hearing Thor say the words “pretty lady” in a slow drawl didn’t bother you in the least. You offered him a smile back, quirking your head to the side. Taking inventory. He couldn’t be much older than you if he was older at all.

“Thor Odinson? That’s an interesting name.” He nodded, ducking his head and running a hand through his hair. It looked ridiculously soft to the touch and you had to stop yourself from snorting in good-natured annoyance.

“Yes, ma’am. My family comes from the Old Country. They wanted a strong name for a strong man. Gus said you’re lookin’ for help though?” He crossed his arms and leaned in, the white t-shirt he was wearing stretching across his chest. You forced your eyes to move back to his face where you were met with a little crook of his lips. You were pretty sure he saw that but there was no embarrassment in the knowledge. “I can help you do just about anything. Pick your poison.”

It was a lot. And you were certain there was more than you even realized with your knowledge of how to run a ranch being zero. You listed off how the house needed a good cleaning but you could take care of that. It probably needed a new coat of paint inside and out. Several of the shudders on both stories needed repairing. The barn looked pretty run down but you hadn’t gotten up close to it yet. One of the doors had definitely been hanging crookedly on its hinges. Then there was the fence… You could probably use more than two people for that. You had no idea of what state the ranch hand cabin was in. You looked up at him and gave him a shrug. His eyebrows were up near his hairline as he leaned back and whistled.

“Boy, we’ve really got our work cut out for us, don’t we? Well, I think we’d better start with those things you mentioned first. Trust me, if there’re other problems we’ll find ‘em real quick. Might cost ya a pretty penny. Are we tryin’ to stay within a certain budget?” He looked you right in the eye and Lord help you, it had been a long time since someone looked you in the eye with any sort of sincerity. You were used to working with less-than-savory types in your corporate world. You cleared your throat and shrugged again.

“Not really. If we fix it up good enough, there won’t be a loss. It’s a pretty place. Just needs some TLC. And the land is worth its 500 acres in gold.” The silence was palpable but not in an uncomfortable way. Thor leaned in and you caught a slip of his scent. Sweat and leather and woodsmoke. You took a deep breath, pulling the smell with it. You realized he was listening. He wasn’t just hearing your words, he was taking them in and mulling them around in his brain. “But wait. Does that mean you’ll do it? We haven’t even talked about wages or anything like that.” He waved a hand in dismissal, rolling his eyes.

“We can talk about that later. What matters is you need help and we like to help people ‘round here. Maybe that’s not somethin’ you’re used to where you’re from? It’s all right though. I’ll introduce ya to small-town hospitality. When are you wanting to get started?” You threw him a sheepish grin before glancing down at the floor as if the pattern there was the most interesting thing in the world. If your parents could see you now, you knew they’d be appalled. Thinking of doing the work yourself, of hiring someone you literally just met and someone who was only suggested to you by a cashier at a grocery store. It was a little ridiculous you admitted but you brushed the thoughts away.

“Tomorrow? You can stay in one of the guest rooms in the house. There’s a ranch hand cabin but I have no idea what it looks like. As far as I can tell, it hasn’t been a working ranch in a while so there’s really no telling what state it will be in…” Again, he held his hand up slowly, politely putting a stop to the words pouring from your mouth.

“The cabin is just fine. I don’t need much anyway. Depending on how long I’m there, the only thing I ask is to bring my dog, Tucker, with me. He’s as good a help as any man I’ve met and twice as friendly.” You nodded enthusiastically. “Well, all right then. Sounds like everything is as settled as it gets for now. Can I get the address from ya? I’ll head over around 5 PM, get settled in if that suits your plans for the rest of the day.

“Perfect.” You smiled as he shook your hand again.

It occured to you that this is the first contract you’d ever made without a signature on paper and yet somehow, it felt like the most foolproof one as well.

It didn’t take long for Thor to settle in. He had insisted on taking the ranch hand cabin despite your protesting. When the two of you looked it over, it wasn’t as bad as you would have guessed it to be, even though there was a thin layer of dust on every surface. You searched through some of the cupboards and luckily came up with a spare sheet set. You took the old one to wash, holding your breath against all the dust motes that flew into the air as soon as you took the sheets off.

“Tucker didn’t want to come?” You asked with a teasing tone,one that Thor responded to with a laugh. He took his baseball cap off and roughed his fingers through his hair. He shook his head.

“No, ma’am. We’ll see how things go here but guessing by the fence line I saw on my way in, he’ll definitely be coming to stay here with me. Don’t worry, either way you’ll get to meet him. He’ll be tickled pink.” Again, a duck of his head that made you wonder how someone could have such good manners. You looked down, shuffling your feet. That seemed to be a regular thing for you now as well. Not being able to look someone in the eye? Not a good look on a big time lawyer. But you had an excuse, right? You glanced up through your eyelashes as he turned away and looked around.

He stood tall, straight-backed. You absently wondered if it was from riding horses. He probably looked great on a horse. He was no longer in just the white shirt from earlier but his Carhartt jacket didn’t swallow him, it just somehow emphasized how big he was. Every movement brought that into sharp focus. The floor creaked beneath his boots as he flipped switches on and off, watching with concentration as each lightbulb somehow still worked. They took a few moments to crackle on but crackle on they did. And with each one his smile somehow got bigger. After a little while of inspecting the little space he turned to you again.

“This will do just fine. No worries need be wasted on my behalf. Tomorrow I’m thinking we should head down to Redwood Hardware and see if we can get an order in for some fence posts. They might have some in stock already but the amount we’ll need is probably not gonna be in store. You might also wanna consider hiring other help besides me. I stand by my work ethic but we’ll get the job done a lot faster with more people.” You blew a breath out of your mouth and pursed your lips. He was closer in an instant, placing his hand on your shoulder. He lowered his head to make sure you would meet his gaze. It threatened to take your breath away. “I know it might not seem like it right now, but we’ll have this place up and running, sale-worthy in no time. A place your granddaddy would be proud of.”

You did meet his eyes then, glancing back and forth between them. You nodded. If anyone was going to tell you how a thing was going to go and you would believe them… It was going to be Thor.

The day came when it was time to actually set up the new fence posts instead of just staring at them with a certain bit of dread each day when you went outside. The sky was a blue that seemed to go on forever and the air itself smelled alive but still, you stood, hands on your hips, ticking off all the other things you could be doing. There were loads of things. But Thor stood next to you, a smirk on his face and you knew there was no way you could put off starting this any longer. He placed a hand on your shoulder and squeezed.

“It’ll be alright darlin’! It’s a lot of work, hard work, but you’ll get the hang of it. I’ll be right there every step of the way to help ya out.” Again, the uncanny wave of reassurance swept over you at his words and so it was you found yourself climbing into the passenger side of his old Ford and marveling at what pristine condition it was in. The last couple of days you’d been driving your rental car; there was an old Jeep in the barn but it needed more repairs than you could focus on at the moment. You’d seen his truck the day he drove up to the house and the days after but you hadn’t seen the interior and you were impressed.

You didn’t know many hyper-specific details about any vehicle but you guessed this one was old and yet… the seats were a rich brown leather, worn in certain places from use but not split. It even had a sheen to it still, as if he wiped it down on a regular basis. There was one little piece of plastic up near the passenger air vent that was slightly cracked but the rest of it still shone as close to new as it would ever get again. A reddish brown darker than the seats but just as fine. Nothing had been replaced or updated it seemed, just kept in the same condition it always had been. But looking around, you knew it had been used. It had worked many long years. You quirked your mouth and glanced at him as he shifted the truck into gear and drove through the gate, driving along the rutted pathway that ran along the length of fencing. The field stretched out for miles and miles beyond you in gentle sloping green hills. There were some wildflowers starting to sprout up but from what you understood, it was nowhere close to peak season yet. The fence closer to the buildings was in better condition; the farther away from there you got, the more obvious it became that the ranch had been non-operational for some time. As it was apt to do regularly now, your mind wandered. You were lost in two vast landscapes, one physical, the other in your memories. It took Thor slowing and then parking at the point where the fence literally ceased to exist to bring you out of yourself.

The two of you hopped out and started grabbing supplies. After figuring out how much you wanted to get done for the day, the two of you started in on the fence posts. Or more like Thor jumped right in and you took a split second to watch him as he began working. Almost immediately he shrugged off his flannel; he was in a simple white tank top and those ridiculously well-fitted Wrangler jeans and boots. Even the gloves on his hands looked slightly tight as if his hands were too big even for the large size. His motions were smooth and concise; he turned away from you, leaving his back on full display. You leaned on your post hole digger for a minute, taking in the way all the parts of his body worked together. From the muscles in his arms, the ones chord across his shoulders and back, all the way down to how his hips swayed with the movement.

An eagle cried out overhead and you moved in about ten feet away from him. You wanted to think that you knew how to do this right away just from watching him. The soil was no problem. It was soft and dark and easy to dig. The smell curled through the air and reminded you of being a kid, when the most you had to worry about was if the dirt was the right consistency for a mud pie. But after a few tries, you realized you must be doing something wrong because your hands kept slipping and Thor had already moved past you to dig and place two more wooden posts. Still, you don’t say anything just yet. You were determined to do this.

As the day waned on, slow as molasses, you could feel him watching you. He didn’t move in to stop you, didn’t tell you you were doing it wrong. He let you struggle. There was a war inside of you at that moment, part of you wanting him to jump in and show you how and the other part being refreshed by him letting you figure it out. That inner monologue went on for a while before he nudged you and handed you a bottle of water. You stopped, relieved. The sun was somehow high overhead now. For every one post you were finishing with difficulty, Thor was getting two done. Frustration flared over your whole body. He cleared his throat and raked his hand through his hair.

“I noticed it looked like you were havin’ a bit of a hard time diggin’ the post holes. Would ya like if I gave ya some pointers?” You watched him, the earnestness in his blue eyes, and nodded. A smile lit up his face and you wondered how many people got to see it. It was bright and put the endless Montana sky to shame. “Perfect. Let’s eat lunch now and then I’ll show ya a thing or two.” You munched on the turkey sandwiches you had thrown together, sitting on the ground in front of the truck where there was still some shade. The ground was cool beneath you, the air around you smelt like something that should be written about in a book; the earthy smell of grass , the distant hints of pine, the promise of wildflowers. Thor was sprawled out next to you but not in an overbearing sort of way. He just took up a lot of space. You tried not to concentrate on the fact that your knees were touching.

“So your granddaddy left you all this? I’d be pressed to sell it. It’s too bad ya can’t keep it.” You stiffened before catching yourself quickly, though you were pretty sure he had noticed He took his last bite before standing up. “You’ve got a life back home though. It’d be hard to leave that behind.” He held out his hand and you accepted it, wanting to push that cagey feeling behind you. He looked off in the distance, hands on hips, then back to you. “Well, ya ready for those tips?”

“Yes, sir.” You brushed dirt off your backside and put your gloves back on. “It is too bad,” you mumbled. Mumbled because you were too afraid that saying it out loud would change something for you. “That I can’t keep it, I mean.” He turned to you, not the least bit of surprise on his handsome face. But there was understanding there. He got it. You grabbed your post hole digger and went ten feet from the last post readying to dig the new hole. Thor watched your position for just a moment before you heard his footsteps come up behind you. And then he was standing there, at your back. If you took one half-step back you would be met with his chest. The day was warm but heat radiated off of him like a steadily growing fire. Something pooled low in your belly and your mouth went dry as he moved into your space and then you were flush with him.

His arms came around yours, his hands engulfing your own. His breath was warm near your ear as he rumbled “No, darlin’, like this.” He shifted your hands from the middle of the handles to the top. You were hyper aware of the way his arms felt around you, acutely aware of his scent. Sweat, and musk, and dirt. “That way you have more leverage and you’re not leanin’ over when it goes in the dirt.” He stayed like that for a moment, probably only seconds, but it felt like longer. You heard his breath catch from behind you before he slowly removed his hands, backing up just a pace. You immediately tried to retain the feel of him against you, the way his voice settled into you when he spoke. The way his smell engulfed you, making you feel like the safest person in the world. When was the last time you had felt that way?

Your limbs moved slow, as if your body was now full of lead. He moved back in again, briefly, sliding his boot between your feet and nudging them just a tad bit farther apart. “That’ll help too,” he said. And this time, when you raised the digger up and heaved down, you immediately noticed a difference. While it didn’t necessarily feel easier, it definitely didn’t hurt as much and your body didn’t feel as stiff, didn’t feel like it was being pushed into an awkward angle. You took a couple more plugs from the earth, digging down far enough to keep the pole stable and when you stood straight and looked at him, there was that grin written all over his face again. This time, that smile leapt to your face.

Thor pulled a handkerchief from his pocket, red with a white paisley pattern, and raised his hand, slowly, as if he was touching a wild animal, wiping a streak of perspiration from your cheek. “That’s my girl! Keep that up, we might not need help like I said before,” he exclaimed with a wink. Time seemed to slow to a halt. That’s my girl. That’s my girl. That’s my girl. The words thundered through your brain, down out your limbs, between your legs. That’s my girl.

You looked down at your watch, surprised to see the hands tick forward without delay. As the day went on, a thought tickled at the back of your mind, like a horses’ whiskers on your palm. It’d be easy to be his girl.

The night came in cold enough that you were filled with relief when Thor stood to his full height and stretched, slotting the post hole digger in a pile of soil and suggested the two of you call it a night. Goosebumps had already peppered your skin and the breath coming from your mouth was visible in the air. You nodded and stretched a little too, trying to ignore that stiffness you knew would turn into full-blown pain by tomorrow morning. Thor watched you quietly as you slowly put your jacket on; he glanced from the ground then to the sunset when you looked his way. You let out a small barking laugh and almost immediately regretted it, wincing as the cold night air ripped its way into your lungs.

You managed an uncomfortable grunt as you stuffed your gloves in your pocket and Thor grabbed the keys to his truck. You examined your hands; your palms looked like one huge blister. The skin was bubbled and inflamed and if you were being completely honest, it was one more thing you really had no idea how to take care of on a scale like this. Thor started the truck and even though it was only a ten-minute drive back to the house, you were already thankful in anticipation of him cranking the heater just a bit. It would hopefully be a small relief for the contracting sensation in the muscles along your shoulders and arms and back.

There was not a whole lot to gather since the only portion of the fence that went up today was the posts; still, you moved in to help him by grabbing some smaller loose supplies and your post hole digger. You could feel his eyes on you, feel the way he noted you navigating around your raw hands. It took a moment but soon he was wandering over to you and taking the items from you, nodding his head kindly to the truck. You mumbled your gratitude as you got in, frustrated with yourself. It was only the first day but Thor was already picking up your slack. You watched him from the passenger side mirror as he slammed the tailgate shut. There was not a bit of annoyance in his expression. You had small inkling you were being a bit too harsh on yourself.

When he got in, the truck groaned and immediately the cab that felt huge and open before now felt full; crowded but not in an unpleasant way. You sneaked a sideways glance at him as he settled in. He didn’t shift the truck into gear right away but instead sat back, gazing out the windshield at the sunset. Even from your vantage point, it was stunning. The sky was a variation of colors from deep black-blue, to a soft blue, to pink, to orange. The sun slipped back below the mountains to the north and west and the only detail you could make out on them now was their peaks; they were in shadow and looked like a great set of black teeth.

The light coming into the truck had softened, illuminating the planes of Thor’s face. The slip of his golden brown hair, the strong cheekbones and slope of his nose, the clean jawline that now had a five o’ clock shadow. It was quiet, save for the lulling roar of the truck engine and somehow you knew in that second, you wanted more of these moments. Your brain hadn’t quite latched onto how you would get them but you were going to try. Maybe it was Thor. Maybe it was the gentle heat in the cab with the chill outside. Maybe it was the clean smell of spring scented air. Maybe it was a hard day’s work that was so different than the long hours you kept at home. Right now, it didn’t really matter. You sat back with a sigh of content, able to ignore the subtle aching in your limbs. Finally, Thor let out a gentle hum, a sound you guessed actually reverberated through his body.

“When we get back to the house, we’ll take care of those hands, all right?” You nodded and he shifted the truck into gear, turning back the way you came this morning and it was suddenly all you could do not to reach out and rest one of those hands on his arm.

The gravel crunched under the wheels of Thor’s truck as he dropped you off at the front of the house, telling you he was gonna take a shower and then he’d be back up to bandage your hands. You tried to tell him you would take care of it, really, but he insisted. Deep down, you knew you had taken care of blisters on your heels before but nothing like this so you gave in, hiding a smile as he drove the truck down to the other cabin.

When you got to the bathroom, it took every effort not to just quit and wallow right there on the old tile floor but after a few struggling moments, you peeled your clothes from your body and stepped into the warm water, ignoring the stinging of the wounds. It took a few tries with washing off the dirt of the day, with every contact with soap intensifying the hurt in your hands. As you stepped out, you knew you’d be popping some Advil tonight; it would be foolish not to, you guessed.

You threw some leftover chicken noodle soup on the stove and plopped unceremoniously into one of the kitchen chairs, leaning your head against the wall as you relaxed. The fact that you hadn’t worked on the Harrison case for two and half days now nagged like a trapped rat at the back of your mind. Your laptop was currently upstairs though and there was no way you were forcing yourself up those steps again until you absolutely had to. Instead, you checked your emails on your phone, briefly scanning over the subjects on each of them and filtering out the spam. You set it back down with satisfaction. You’d just worked one of the hardest days in your life and you guessed it was probably going to remain tough from here on out. Despite that, you felt more nervous energy bubbling in your veins.

You decided to pull out the old maps you had found at the little desk in the living area. The house was small compared to the expanse of the land itself. Your grandfather hadn’t been a person who needed extravagance, that was for sure. Maybe you’d convert one of the guest rooms into a study. It would certainly be a lot easier to spread out property maps in an office rather than a little desk in the living room. You put little x’s where you thought the boundaries were. You were somewhat familiar in your work life with reading property maps but these… the maps were old enough that you were second-guessing if the plot already marked was accurate. Another thing to put on the to-do list for a town run. Land maps would be public record, especially in a town as small as Dove’s Reach.

A knock on the front door snapped you out of your thoughts. You hollered that the door was unlocked as you rolled the maps up and put them back on the desk out of the way. You ladled soup into bowls, setting them back on the counter to cool just a bit. You heard him knock his boots on the door jam outside and then set them with a thump just inside the door as he ambled into the kitchen. You reprimanded yourself as you turned and got caught off guard again by his size. His arms were crossed and he was leaning against the wood of the kitchen entrance, completely filling it up, quietly surveying your movements. You thought he was zoning out but you were not entirely sure.

“Uh, I hope chicken soup is okay,” you let out. His eyes met yours and he nodded enthusiastically as he shot you a dazzling smile. You gave him one back. “Somewhere else just then?” He nodded and you took one bowl at a time to the table, a heavy cloth in between your skin and the bowls. You hissed as the edge of one of the bowls caught a patch of the blister, the hot ceramic making the burning more intense than it should be. Thor was behind you immediately, taking the bowl and steadying it. It was a good thing because you were certain you couldn’t have prevented a spill at this point.

“Let’s take care of those blisters first. Looks like that soup is a little too hot to eat just yet anyway.” You nodded as he placed a gentling hand on your shoulder, maneuvering you to the chair you were sitting in earlier. The pain was pretty bad at this point; you had taken Advil about fifteen minutes ago but it hadn’t taken effect yet so here you were, miserable, and trying to fight the hot tears welling up in your eyes. It was embarrassing. Thor cleared his throat. “Did your granddaddy have a medicine cabinet around here?” You took a shaky breath and pointed to the little doorway off the kitchen.

“There’s one there in the laundry room on the opposite wall from the door.” He stepped away from you and into the little room. You could hear him open the cabinet door and rummage around. You hadn’t looked in there yet to see what supplies were available but you doubted any of it was still usable. Yet here was Thor, a huge grin on his face, some bandages in one hand and a questionable-looking jar in the other.

“I knew if your granddaddy was as much of a working man as you had mentioned that he’d have some of this here with him. Best ranch and farming remedy for just about anything.” You knew the look on your face was one of clear skepticism because he laughed, a deep booming thing that made you want to listen over and over again. “I know you city folk probably like to go to the doctor’s for everything but let me tell ya, if we put this on your hands twice a day and keep them all wrapped up, those blisters’ll be gone in no time. Three days tops,” he murmured as he finally looked at the ragged state of your palms. He was moving slower again, pulling out a chair and placing it right in front of you.

He sat down and despite the pain, or maybe because of it, your breath hitched when he caged your knees with his own. “Let me see ‘em up close, darlin’” he breathed as you held out your hands for closer inspection. He let out a low whistle as he gingerly took one, then the other to examine the raw skin. He rubbed a small circle on the inside of your wrist and you were acutely aware of every little detail as his calloused thumb against the soft skin there elicited an erratic heartbeat. He sat like that for a moment before seemingly catching himself; leaning back and reaching over to open the jar of salve. It was not a bad smell but you wrinkled your nose a little at it. He glanced over at you and smiled.

“This might hurt a bit. But it’ll help.” You nodded and braced yourself just a little. The balm itself didn’t sting but the contact of fingers on the blisters definitely did. There was no use hiding your grimace so you just let yourself go, taking deep breaths and letting them slowly out through your mouth. He was so gentle. This close and with his concentration on your hands, you allowed yourself to watch him unhindered by the threat of getting caught. His fingers were steady and slow and he was so sure of himself. You found yourself leaning into his touch, holding your breath. After he was satisfied with one hand, he took the roll of bandage material and slowly wrapped it around your palm, down around your wrist, and back up again to secure it in place.

“You did real good today,” he said quietly, still looking down, almost as if he was unsure he should say it. As if he thought you may not want his opinion. A smile spread across your face as you let out an exasperated groan.

“If you say so,” you replied, willing him to look up at your face to see that you mean it. He must have felt your eyes on him because he turned to you then, looking back. Searching. You felt the heat rise in your cheeks and creep down your neck and something leaped in your belly. He was so close. You could see his eyelashes. See how his eyes weren’t just one shade of blue but several different ones. You could smell him. A similar scent to when you first met him but also mixed with a fresher element from his shower. You could smell his wet skin and how it went from a day of work to warm water to the chill outside to the warmth of your house. It made you want to lean forward and bury your face in the place where his neck meets his shoulder.

You must have been staring a hole into him because he bit his lip then leaned back, finishing up with your other hand before grabbing the supplies and heading to the laundry room. “I do say so,” he rumbled from the little room. When he came back out again he’s smiling. His hands were on his hips and for whatever reason, it was exactly the release of whatever emotion that had transpired moments ago. You laughed, grabbing some bread slices and dropping them in the toaster. They popped up and you spread on some butter, ushering him to sit back down.

The conversation was easy, more idle chatter than anything else. Questions about each other’s lives. How long had he lived here? All his life. When did you know you wanted to work in law? As long as you could remember. You wanted to help people at the heart of it. How did he learn to train horses? From his daddy and his grandaddy before him. Would you ever consider keeping the ranch? The question caught you off guard and a rush of emotions flowed just beneath the surface of your calm exterior. Your pause told Thor what he had guessed the moment he saw you go to work on the land that morning.

“Of course I would,” you murmured as you pushed your empty bowl aside. You leaned onto the tabletop, one arm across its surface and the other supporting your face as your eyes stared off into space. “I just… I just don’t think it’s in the cards for me right now. If it had fallen into my lap under different circumstances or at a different time, maybe. But now? I don’t think so.” Your words trailed off and sounded empty even to your own ears. But as you glanced back up at Thor, there was no judgment there. Looking into his eyes, you could almost imagine a future here.

A future here was a dream though. A dream you were not keen on indulging. You tossed him a smile and grabbed the bowls to put them in the sink. Dreams were good. They could keep a person going. But you were already living a dream back home so you plastered your best convincing expression on your face just as he stood and brought the toast plates to the sink. You watched as he washed both of the plates, slowly, like he was waiting for you to amend your words. But you didn’t and he thanked you for dinner and headed for the door.

You followed him to it, leaning in the doorway as he stepped outside into the cold night air. He zipped up his jacket and turned back to you, a curious expression on his face. If he had thoughts about any of the night’s conversation, he didn’t voice them. Instead he just gave you that lopsided grin and bid you goodnight. Without a second thought, you reached out and grasped his wrist. He turned to you, looking at where your hand held on and then back to your face. You let go immediately.

“Um, thanks for… for today? For your help. Thanks for your help so far. I really appreciate it.” He chuckled low and quiet, a sound that seemed to continually get under your skin, and warmed you up from the inside out. He nodded.

“The pleasure’s all mine, ma’am.” You watched from your place as he stepped off the porch; you could still see how his breath fogged up the air. “Good night,” he called over his shoulder.

You did not retreat into the warmth of the house until the darkness swallowed him up.

“This is ridiculous. What do you mean there’s a stipulation?” Another ten days had gone by and you were just now getting around to meeting with your grandfather’s attorney. Thaddeus Jones was emblazoned on the golden placard on his desk. The man before you did look like a Thaddeus but at the beginning of the meeting, he had insisted that you call him Jonesy. He sat back in his chair with a look somewhat like that of a golden retriever being scolded.

“Well, your grandfather wanted to give you time to… enjoy the little things in life again. He thought that maybe you’d need a break from all the hustle and bustle in New York. As such, in his will he specified that you could only sell the ranch if you stayed there for one year. If at the end of that year you decide that you still want to move forward with the sale, then you are more than welcome to and will receive any and all profits made from said sale. If, however, you have a change of heart, the ranch is also yours to run as you please. But if you decide to sell any time before then, all profits made from the sale will go to our local youth program.” There was no use trying to hide the stunned expression written all over your face. You had to stay here for a year? How were you even supposed to go about this without feeling torn about one thing or the other? You weren’t in it for the money. You knew that with a certainty that sat deep in your gut. And donating to a youth program was a great use of anyone’s money.

“I’m sorry, I don’t mean to be rude. I just thought this wouldn’t be so complicated.” Jonesy nodded solemnly, his round spectacles sitting towards the tip of his nose. “I thought this would be a sign and done deal. I thought I wouldn’t feel so conflicted about leaving,” you finished quietly and suddenly it was as if the air had been punched from your lungs. There it was. There was the real reason this whole thing felt so ludicrous. It wasn’t the stipulation itself--it was the fact that you were actually considering it. You glanced out the vaulted window of Jonesy’s office. It was on the second story of his building and gave you a sweeping view of Dove’s Reach. It also gave you a focused picture of the huge storm brewing outside. Massive cumulus clouds gathered not so far away, the heart of them dark and foreboding. It mirrored the storm in your heart.

“I suppose the good news is that you have a while to make a decision. I’ll just have you sign some preliminary papers today and then you take all the time you need. It is a lot to take in but your grandfather was a good man, one of the best. I’ve known him since we were young colts ourselves. I’d like to think he knew what he was doing when he made this decision.” It was difficult to argue with any of that, considering you didn’t get the chance to know him better yourself. Maybe this was a good thing.

“Thank you, Jonesy. I really do appreciate it.” You bit your lip and glanced outside again. “That should work for today. I have a feeling I should be getting hom--getting back to the ranch before that hits.” You pointed and Jonesy watched you for a moment before nodding.

There really wasn’t much for you to sign at this point. Mainly papers about you having seen the will and that you had a knowledge of what was going to come of it. You gathered your copies and shook Jonesy’s hand before leaving; you were instantly glad that the two of you had decided to speed things up a bit because as soon as you exited the building, a cold gale hit you in the face, ripping back the hood of your jacket and nearly blowing your hair out of its braid. It would have been twice as cold had Thor not given you direction on which clothing was worth spending money on. You gave him a call, letting him know you were on the way back. It was a new routine, one that you had started. It felt good to have someone to stay in touch with. It was unlikely you’d get lost in such a small town, but still.

“Drive safe, darlin’. The closer you get out here, the harder the wind’s blowin’. I already put all the tools away and got most of the larger open spots on the barn boarded up. Also dropped some buckets on the front porch just in case. From what I could tell, the roof seemed pretty sounds but just in case.” A pause. “How did the meeting go?” You sucked in a breath.

“Different than how I thought it would go. I’d rather talk about it later though. I’m thinking I’m gonna head straight to bed when I get back. It’s just a lot. See you tomorrow morning?”

“Wouldn’t miss it for the world.”

The drive back was definitely worse than the drive out. Wind and rain pelted your vehicle, so much so that by the time you got home your knuckles were white and your hands were aching when you released the steering wheel. Thunder rumbled closer and closer and lightning flashed in the distance. A warm bath and warm pajamas were currently at the top of your list. Then bed. You smiled when you saw there were indeed buckets on the front porch, all mix-matched colors and various sizes but they would do if the roof started leaking. At least you wouldn’t have to be scrambling to find anything if it did. There was also a note taped to the door, scrawled in surprisingly loopy handwriting.

Grabbing some clothes and things from my place, won’t be back for a couple hours. Call if you need anything :)

You smiled and stepped inside, glad to be out of the weather. As you turned again to glance out at the land, the sky darkened visibly even as you stood there. It looked like it was going to be a long night.

Your phone screen was too bright in the dark space of the living room. 8:30 PM. The power had gone out and it had taken you a little bit of time to scrounge up some candles to keep things lit. You knew you should just go to bed but quite frankly, you knew that wasn’t a possibility. The storm raging outside was unlike any storm you’d experienced before. Sure, there were big storms back in New York but this… the wind and rain was coming down so hard, you were sure the roof was going to tear off. It was doing surprisingly well right now but with each big gust, the whole house groaned. The thunder and lightning were even worse. The sound of both was so close, so loud, so frequent that your ears were ringing. There was no way to research now with the internet out but you were pretty sure you had read something about lightning being able to strike you in a house.

You paced, already familiar with the location of the furniture, every wall, every corner. It was a comfortable dance around the couch, passed the coffee table, to the window by the fireplace and back. A flash of lightning burst in the sky, illuminating every contour of the layout of the house. Almost immediately the clap of thunder sounded like some ancient drum and despite the logical part of your brain telling you it’s fine it’s fine it’s fine, you dropped to your knees.

“Holy shit,” you breathed through clenched teeth. Your hands were shaking as you brought the phone to your ear. Thor was probably already asleep. He had gotten back about an hour ago and was a naturally early riser because he somehow was able to fall asleep early every night. He was probably asleep--

“What’s wrong?” The sleepy gravel in his voice sent shivers tripping down your spine. He had been asleep. But those two words were still calm. Concise. Protective. You were silent. Now you felt stupid.

“Uh, it’s--it’s nothing. I’m sorry I woke you. I can’t sleep. This storm is pretty wild. Um. I thought maybe you’d still be awake and wanted a drink but it’s fine. We have--” You didn’t know if it was your rambling or if he sensed the fear in your voice.

“I’m comin’ up.” That was that. A dial tone. He had already hung up. There was no chance for you to object. You waited by the front door, listening to the rain and watching for more flashes of lightning. You heard Thor’s heavy footsteps as he came up the porch steps, saw him as a flash of lightning illuminated his outline from behind. You hastily opened the door. He hesitated for a moment, only long enough to watch as you nearly leaped out of your skin when another boom of thunder cascaded about you.

He stepped into you, wrapping you up in a hug. It was unexpected but you felt yourself sag into him. His jacket was wet from running through the rain so he slipped it around you and suddenly you were enveloped in warmth. You buried your face in his chest, as he rested his chin on the crown of your head, rubbing his hand down your back. You took deep pulls of his scent as his voice rumbled above you, into you from his chest.

“Aw, it’s just a little lightnin’, darlin’. Just a little storm. You’re safe. Nothin’ to worry about, I promise. You’re safe.” He kept murmuring it as he nudged the door shut behind him with his boot. Murmured your safety into existence like a mantra. As you rested there in his arms, your hands under his jacket around his back, you tried to remember the last time you felt this way, like nothing could touch you in the world. The house could crumble around you and you would be fine. In his arms, you would be fine. You gripped a little tighter, noticing with mirth how your hands could barely touch around his abdomen.

“How about that drink?” You said it into his chest as he stilled above you, breathing in slow and steady as he nodded into the top of your head. You reluctantly backed up from him as he slipped passed you into the living room making straight for the fireplace. He had it roaring as you brought two glasses of whiskey on the rocks and set them on the coffee table. You sat, dragging the blanket around your shoulders and allowing yourself to zone out while you stared into the fireplace. The crackling of its embers still couldn’t drown out the maelstrom outside, however. Thor took off his jacket and hung it on the coat rack by the door. When he sat next to you, the couch sagged under his weight. He took a sip of his drink before sitting back and opening his arms in invitation. You didn’t wait this time, instead scooting over to nestle up against him. Heat radiated off of him.

“Did you know the diameter of a lightning strike is actually only about the size of a quarter? Think about that, that big ol’ powerful force of nature the size of a coin.” No you didn’t know that. Another flash of lightning, another clap of thunder. This time you didn’t jump. “And thunder can actually be heard as far away as twelve miles from the actual strike.” Another sip of whiskey. “Lightning can also strike outside of the rain zone. Those strikes are called anvil crawlers.” A log shifted in the fire and your eyes drooped. He chuckled quietly as he intoned “In Norse mythology, the sound of thunder supposedly comes from my namesake as he rides his chariot across the sky.” You offered a lazy smile even though he couldn’t see it.

Thor continued on with more various facts about thunder and lightning and the storms that brought them. The taste of the whiskey sat light and spiced on your tongue, and your eyelids became heavier as you relaxed into him more. The fire burned steady and even though the storm continued to rage outside, at a certain point Thor’s voice faded into nothing as you fell asleep.

You woke up to the sun shining directly in your eyes. You groaned, shielding them from the crisp light and instantly regretted taking your hand out from under the blanket away from your heat source… Thor was stretched out behind you on the couch. It could barely fit the two of you but his arm was locked around your waist, caging you in. His breath came slow and steady on your neck. You could hear the rooster calling from his coop by the barn, hear his hens clucking about him. The cat you still hadn’t named was curled up on the rug by the fireplace, the embers almost completely died down. Thor took a huge breath, tickling the hairs on your neck as he rumbled something into the skin there. Your heart ballooned in your chest.

“I guess my facts weren’t that interestin’, seein’ as how we both fell asleep. Want some coffee?” You nodded as the two of you sat up. The cat chirruped from his place on the rug. He stood and arched his back in a stretch as well, coming over to the two of you for his morning pets. You both reached down to touch his hand, your hands meeting in the middle. Thor offered you a sheepish grin as he stood. “Uh, coffee is… ?”

“In the cupboard above the pot.” You smiled back, not bothering to hide any of the warmth in its shape. You stood, letting the cat out the front door. He seemed a little indignant at the fact that it was so wet outside but his ears swiveled and he was out the door and racing down the steps. You added some kindling and more logs to the fire, satisfied as flames leaped into existence. Thor handed you a mug of steaming coffee, with cream and a little bit of brown sugar. How he knew how you liked your coffee you didn’t know. But you liked that he knew.

The storm had cleared. A peek of blue sky could be seen from the window. With the clear sky came clear thoughts. It had been two weeks already since you had come to Dove’s Reach. Two weeks since you learned you had the rights to a whole ranch. A day since you had learned that you had to stay here for a whole year if you wanted to see any profits from selling. And only a night since you had realized that a year was no time at all.

#thor x reader #thor odinson x reader #thor #thor odinson #cowboy thor #western thor #i need a hero #inthorantine writes #i did it!!!!#i finally am posting it!#i hope chapter 2 will be just as good

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himbo-buckley · 4 years

Text

The Big Buddie for Dummies Guide

Hello party people and welcome to whatever this was supposed to be!

Quite a while ago I got an ask by someone about doing a guide on all the canon indicators for Buddie to explain the ship to non-shippers and about 5 anxiety attacks and four weeks later, I finally did it!

So read, enjoy, reblog, validate, disagree!

Also here are some notes before we get started:

Buddie has been around a while now and there are some incredibly people writing about them and doing meta posts for them, some of which I asked for their opinion which I will link at the end and some of which I am quoting in a way / have been inspired by (Also feel free to send me all and every post related and I will link it in the text as I will try to do the same)

This Guide is organised by the following themes we find in the show with Buddie: trust - coparenting - connection and love life - subtext

I’m not gonna lie, this is incomplete af because tbh? There is so much stuff that can be interpreted as evidence for Buddie but this is too long already so I left some stuff out, I hope ya’ll don’t mind … (also the reblog option exists for reason, just add on what I missed, I’m not gonna bite!)

I’m gonna assume the person who reads this has a general understanding of the show and its scenes because I cannot explain every scene down to it’s very detail (I mean I can but that’s another 20000 words worth of meta and not sure anyone wants to read that … again) but I will try and link fitting gifsets (again, send them my way if you feel I should include sth.)

I should also add a warning for the fact that I, personally, think I am hilarious but others might not but fellas, Idc! (Also I cuss, some people don’t like that?)

So let’s get this show on the road then, shall we? I call this meta : „We might end up real close.“

(alternate title: „Buddie stans ship hard but canon ships harder“ or „This is Timbo’s story (of becoming more famous than Joss Whedon) and I’m just it’s vessel“)

Trust

We’re gonna start this off strong (I mean all of them are strong themes) by talking about the biggest theme with Buddie which is trust. It goes all the way back to 2.01 and the gym scene and Buck basically telling Eddie he doesn’t trust him (complaining about Eddie’s comfort level, anyone?) and that he needs to earn that - which rude but also I get it.

In fact there are two main themes which I combined into Trust which begin in 2.01:

„You’re my problem“ and „You can have my back any day“ both of which sort of sum up Buddie, because from the get go Buck decides hey, this guy is my problem and then he proceeds to make everything about Eddie his business. Eddie meanwhile tells Buck he’d love to have him watching his back - meaning Eddie trusts him and wants Buck to be his partner.

(Side note: isn’t it beautiful how that is a complete reverse of their usual attitudes? Usually Buck trusts way to easy and Eddie never does but with each other it’s the opposite!)

Let’s look at the episodes in order, okay?

2.01: „I think I’ve seen this happen in porn before“

- „You’re my problem“: I’m gonna talk about the gym scene later a bit more but this sort of establishes the dynamic Buddie has? Because both are fascinated by and focused on each other from the get go. I mean: Eddie got to the 118 and everyone seemed to be nice to him except this one guy and instead of giving him a few days, thinking he’ll come around , Eddie is like: nah, I’ll confront him! Why? Maybe it’s gay, maybe it’s Maybelline, maybe Eddie „I am not enough“ Diaz was just sick and tired of everyone putting trust in him because soldier and craved the vibe check?

- „You can have my back“: Basically what happened was, they got the bomb out (being partners and in sync even when they didn’t like each other yet) and they stood outside and Eddie tries a new approach cause for some reason Eddie decided out of everyone at the 118 he needed Buck to like him specifically and so he pays the guy - who was nothing but rude to him so far but who is also very competent - a compliment and Buck gets all flustered and thankful - and „You’re my problem!“ gets rephrased into „Or you know, you could have mine!“

(Also the look of pure elation on Buck’s face when Eddie compliments him, you know the person Hen has basically said is so awesome and pretty it transcends sexualities? And he picks Buck of all people to have his back? Buck has no choice but to stan!)

- In terms of Trust we also get the pool scene which is our second instance of them being in sync and partners by both jumping into the pool and getting the guy out basically at the same time

2.02 / 2.03: „Why Edmundo Diaz hates earthquakes part 1 and part 2 (of 2)“

- „Where do you want us, Cap?“: Now looking at the timeline of 2.01 they’ve known each other for approximately four days as this is their fourth shift together (we see) and yet Eddie is already comfortable enough to answer for himself and Buck several times. He’s the one who decides they will go in and he answers the roll call later for the both of them. This is our first real instance of them being in sync and just their whole interaction, from Eddie going along with Buck’s plan about the elevator to everything else just shows how much they already trust each other.

- „I, uh, I love kids“: Also Buck in this episode, why was it so important that Eddie knows you like kids? Please share!

- “Eddie, you’re kid is in the safest place he can be.“: Connected to this is a sub-theme I like to call: ‚They know each other better than anyone else does‘ which is established here with Buck realising that Eddie is full of shit when he pretends not to worry about Chris so Buck spends some time trying to assure Eddie Chris is safe at school.

- „Is everything okay?“: Of course, the fact that Buck was the only one to check in with Eddie’s mental state from the truck scene onwards is very telling, because everyone else likes and trusts him but they don’t really care (yet)

- And the episodes end with everyone reuniting with their families, including Eddie - while Buck watches from the car because Buck drove him there because he has his back (also see Subtext)

2.04: „Hearteyes, motherforker“

This whole episode is what made several people ship Buddie and well, I can see it and I will talk about a lot of it with the other themes but for now:

- „I just feel bad for him. (…) Eddie’s working on it“: This episode really leans into the whole „You’re my problem“ with Buck apparently driving Eddie to the hospital (or at least coming along) to Buck clearing Chris coming to the station with Bobby to worrying about them at home until finally he introduces him to Carla.

Mind you, they haven’t known each other that long, yet Buck feels the need to meddle in Eddie’s life and fix his problems for him which, yes, is very Buck thing to do but still: Considering Eddie was introduced to us as this super capable guy, it’s interesting that Buck immediately saw through him and decided: yeah, that guy needs me to take care of him.

Or you know, to have his back.

2.07: „*Tommy Wiseau voice* Oh, hi Shannon!“

- „I needed someone to have my back“: This episode establishes the significance of „You can have my back“ even more because in this episode Shannon comes back and you know what they fight about? Eddie not having her back. Shannon quite literally says „I needed someone to have my back“ which is almost the same exact Eddie tells Buck in 2.01 and with that wording as well ...

In the same scene Shannon also says how Eddie always knows best and is the one to make the decisions which is another parallel you can draw to Buddie where Eddie began like that in 2.01 (the scene at the mechanic’s) and then began to follow Buck’s lead (the elevator shaft) / let Buck help him (Carla))

2.10: „It’s all about ‚figured it was none of my business‘“

I love this episode very much because there are several Buddie hints in there.

- “I think it’s none of our business.“: Connected to the topic of Trust is the scene between Chimney and Buck when they buy the Christmas tree and Buck keeps talking about Shannon coming to the station and the fact that Shannon and Eddie hooked up while Chim seems exasperated by this and frankly doesn’t care and he tells Buck as much, saying it’s none of their business. Except it is because Eddie is Buck’s problem, remember?

- „So … not gonna say anything?“: And then the „None of your / my business“ gets repeated in the scene when Buddie sits at the fountain talking about Chris and Shannon and they both say it’s none of Buck’s business. Yet Eddie then still tells Buck all about it sounding all defensive.

- It’s also the first instance of Eddie willingly searching out Buck’s advice about Christopher.

- And related to the topic of knowing each other well, considering how surprised Buck is by all of this, one sort of has to wonder how often they hang out outside of work. Because the way Buck acts makes one assume it’s quite a lot, which is why Buck is so hurt he doesn’t know about it.

- Also the fact that they so casually go somewhere with Christopher and the way Buck talks about him making it clear they have done this before.

- „Trying to protect your kid.“: On the topic of Trust I also wanna mention the fact that Eddie doesn’t trust Shannon with Christopher. Which is a direct parallel to 3.03 when Eddie tells Buck there is no one he trusts more with his son. And also 3.09 when Buck gets to be back in Chris’s life after the lawsuit as soon as Buddie made up yet Shannon needs to really beg for it? I mean, yeah.

2.13: „ Evan *I colour coordinate with bae while my sister is abducted and my brother is dying* Buckley“

- „Oh, no, I know what you were thinking.“: The scene at the hospital between Buck and Eddie does have a bit of subtextual relevance but I do think we should note the fact that this scene was in the show at all like this because wouldn’t Bobby have made a bit more sense? After all they spent one and a half Season before that making him the guy Buck goes to for advice and he has sisters as well, yet here we get Eddie being the one to talk to Buck.

We get Eddie basically telling Buck exactly what he needed to hear and while not exactly condoning his actions, he is also not judging them. Instead Eddie is telling Buck he might have done the same, because Eddie and Buck know each other and see each other.

So I wouldn’t necessarily call that scene Buddie-hinting but it does definitely play into the whole ‚having each other’s backs‘ and ‚knowing each other well‘ thing they got going on.

Also compare it to 3.06 in the way that both times Buck did something wrong and it was Eddie who actually took the time to listen to Buck’s reasoning and be the one to understand him, which is a very important part of their dynamic.

And the line „I wasn’t worried about that.“ in response to how Buck thought he would get away with all of this might be one of the top 10 heartbreaking lines of this show for me and that is saying a lot with 911!

2.14: „‚It’s a miracle… bro #nohomo’“

I am not fully sure if the scene of Buck freaking out about Eddie going back in to save the kid really fits in here, but I’m also very unsure were else to put it, so Trust it is!

- „Eddie, what are you doing?”: It does fit into the whole having each other’s back thing with Buck immediately jumping into action to try and help Eddie

- But in all honesty prior to 3.14 this would have not made the cut as I would have been like: eh, that’s just who Buck is as a person - but as 3.14 will proof / has proven, he can be calm and collected even when his sister, his ACTUAL family is in danger and while I would argue it was in part because there was less he could do to actively help in 3.14, it still deserves to be mentioned now

- Side note: considering 2.13 / 2.14 and 3.14 / 3.15 this marks two occasions were Buck being worried for Maddie’s life was followed by an episode of Buck being worried for Eddie’s life and that too deserves mentioning

2.18: „insert *Jane Austen film*-gif: It’s about the hands!“

- I’m not really sure if this is really connected to Trust but Eddie holds Buck’s hand the whole time, even after he has dragged him out from under the firetruck until they disappear in the ambulance.

- Also the fact that Eddie, who is probably stronger than Chimney, is the one helping Hen drag Buck out from under the fire truck while Chimney helps lift it is … worth a mention.

- Definitely connected to Trust is Buck’s insistence to going to Eddie’s ceremony because this is Eddie and he has his back

3.01: „How you know he no sleep naked?“

Yes, this scene has a lot to unpack. In terms of *trust* / how well they know each other:

- „He’s just sulking, Cap“: Eddie says about Buck. In my opinion the phrasing combined with how before that they were talking about how Maddie can’t get Buck to leave the house and he won’t answer any of Bobby’s calls implies that either a) Eddie too has tried to contact Buck with no success or b) is actually in contact with Buck, has talked to him and has concluded based on what he saw that Buck is sulking - and yes, I am leaning toward b).

- “Maybe you’ll learn something.“: Which brings me to the fact that it��s Eddie who makes the plan to get Buck out of his funk and prove to him that he still has stuff to live for, despite how dismissive he had been about Buck’s feelings before, calling it sulking and saying Buck should just brush it off. Because Eddie has Buck’s back despite it all and is there for him and trusts him.

- „He’s hanging out with his Buck today“: In terms of actual Trust there is the fact that Buck is very much depressed in this episode - and what does Eddie do? Puts his son in his care, you know, the most important person in Eddie’s life, convinced that Buck will be able to take care of him despite how low and bad he is feeling about himself. One) because it has been the case for Eddie probably. Two) because this is who Buck is as a person even while depressed and Eddie trusts that. And three) because even before the Tsunami Eddie was very sure about how much Buck loved Chris.

- „Honestly I don’t know how to help him.“: This also parallels Maddie with Eddie in an interesting way because Maddie spends the whole episode worried about Buck and thinking he cannot take care of himself, while Eddie trusts in Buck to not only take care of himself but also his son. Which yeah, interesting.

3.02 „Eddie hates earthquakes - the remix“

- The episode sort of proves that while the others may have known what Eddie was gonna do, Operation „Buck up Buck“ was his plan because he is the one who has Buck’s back. (Considering for example Maddie doesn’t know about it as she thinks Buck is home and had Chim been involved he would have told her beforehand meaning this was Eddie’s plan and he executed it and then told the others about it while at work.)

- Also in terms of literal Trust: LA is hit by a Tsunami and Eddie doesn’t worry about his son once because Buck said they are going to the movies next and also because Eddie trusts Buck to protect Chris like he would.

3.03 „‚Do it for the trauma!‘ - Buck-edition“

Once again a subtext-mill but there is some textual evidence as well:

- “How do you tell your best friend that you lost his son?“: At the VA hospital Buck calls Eddie his best friend when he talks to Maddie which I always found weird in this context? Because it should always be hard to tell another person about how you got their child killed (which is not my opinion but the way Buck sees it here, okay?), yet the writers choose to put in a reference to how much Eddie means to Buck.

- Which connects to another subtext and text thing which is the voiceover which has Buck say the lines: „To be seen. To be found. Isn’t that what we’re all looking for?“ after talking to Eddie, which no longer just implies this is about Eddie but actually straight up says it - and it connects to the sub-topic of how well they know each other, cause Buck says in this episode: Eddie is my best friend and he sees me for who I really am. Which, yeah, is stuff one usually finds in connection to a love interest. (Will talk about it more with Subtext though)

- Also before that the voiceover has Buck say „Sometimes being lost is not knowing how to get from where we are to where we wanna be, where we need to be.“ right as Eddie knocks on the door, which basically states that Eddie and Chris might be where Buck wants to be but also how Eddie apparently knows how to get Buck there. Because he knows him so well. (He literally calls Eddie his life raft in the voiceover!)

- „Buck, there is nobody in this world I trust with my son more than you”: Now the Trust theme in regards to the loft scene is interesting in how it compares Buck to two people in Eddie’s eyes / life: Shannon and himself. Shannon, as I already said, we have with 2.07 and 2.10, both of which talked about how she left Chris (and Eddie) and how Eddie no longer trusts her because of this and refuses to let her back into Chris’s life. Which is different to how he always lets Buck back into Chris’s life, even after the lawsuit with virtually no hesitation once they made up as far as we can see. Meaning he trusts Buck more than he trusts Shannon. Who is, you know, his wife?

As for Eddie himself, I’m gonna flashforward a bit to 3.08 and the conversation between Eddie and Bobby. Because in 3.03 Eddie talks about messing up with Chris, yet how he never stops trying and how he knows Buck is the same way - which is interesting considering 3.08 has Eddie basically say that he has not forgiven himself for all those mistakes. Yet he forgives Buck both for the Tsunami and abandoning them during the lawsuit.

And now I wanna say something very controversial and hurtful but also connected to how I read Buddie and Trust which is that in my opinion? Eddie includes himself here. Eddie tells Buck here he trusts him more or at the very least just as much as he trusts himself with his son. Which is pretty big, considering he barely trusted his wife, the mother of said son, who he has known for at the very least about 11 years during Season 2? Someone he himself said he loves? Someone he at one point planned his future with? (Meaning he most definitely plans his future with Buck in it now…)

3.04 „discount!Buck in the house“

- Two things are in this episode, both of which are very much not about Trust in the literal sense but how much time Buddie spends together outside of work:

“Can’t fight city hall.“ Eddie being the only one on board with the fire drill Buck’s leading because he is a boy scout who follows all the rules but also because Buck probably talked to him about his job as fire marshal beforehand and so Eddie knows how important what is happening here is to Buck.

„You don’t know math.“: now, you can think this is another dig at Buck’s intelligence but you also have to acknowledge that at one point Eddie might have either heard someone reference Buck’s math knowledge in front of Eddie or Eddie has seen Buck try doing math and has remembered that well enough to immediately be able to pull out that dig. (Which brings us to a parallel I will talk about later!)

- “Uh, who - who’s that?“: I also firmly believe that Buck would have not been as willing to go along with the lawsuit, despite Bobby’s betrayal, had Eddie not immediately rushed off toward Lena at the firehouse, making Buck think Eddie (his partner) has replaced him. Does no longer need him to have his back.

3.05: „What if we fight like a married couple in a grocery store downtown LA, bro?“

Ah, yes, that episode! Filled with Buddie signs!

- “And if Cap says he’s not ready, he’s not ready.“: What I find interesting in terms of Buddie and Trust is the fact that Eddie apparently trusts Bobby’s judgement more than he trusts Buck’s. Which I find OOC. Or not because Eddie is a soldier and Eddie grew up fairly authoritarian it seems his first instinct will be to follow the chain of command / do as the person in charge tells him to.

- Now everything else that happens after including and specifically the street fighting storyline? That was a direct result of the lawsuit and the deposition in which Buck betrayed Eddie’s trust by revealing the info about Shannon. Which Buck is aware of because up until this point we see him still looking up, yet after this he drops his eyes and doesn’t really look at anyone again during the deposition.

- “And I’m not allowed to talk to Buck.“: Yet. YET despite this massive betrayal in Eddie’s eyes what stops him from calling Buck later is the fact that he wasn’t allowed to do so! Nothing else. Also the phrasing is very interesting as it gives us three entities Eddie considered to call: his abuela, Buck and the 118, meaning Hen, Chim and Bobby - the people he will call his family about 6 episodes later - are an uniformed mass but Buck is his own person - because up to this point Buck always had Eddie’s back. And we all know he still would have had! (Sidenote: this line is what made me an actual shipper and why ya’ll can read posts like this, so maybe say thank you to Lyndsey Beaulieu? Or fuck you, depending on your opinion of me ;P)

- „And now I can’t even talk to you.“: This whole scene gives huge character exposition and I’ve talked a shit ton about the fight in the grocery store before as have a lot of other people, but basically what it boils down to is that Eddie is mad at Buck because he revealed things about them to his lawyer but mostly because Eddie thought they had each others back and trusted each other and apparently Buck doesn’t trust and care about him the same way Eddie does for him because he didn’t even consult Eddie about the lawsuit? And Eddie misses Buck a lot. And Chris misses Buck a lot. And Eddie is already mad because Shannon wanted a divorce despite how hard he tried and then she died, meaning she left him again and now Buck left him as well and why is Eddie never enough for anyone?

And of course, as always, Eddie is mad at himself the most because he wasn’t enough for Shannon and he wasn’t enough for Buck and he’s probably not enough for Chris who is struggling so much and Eddie just feels angry and lost all the time!

I think this is the moment Buck finally understands how much he means to Eddie truly. How Eddie meant every word in 3.03. How for once someone actually trusted him, depended on him - and he let them down. Which was never his intention because Buck never understood that he could (which is not the topic of this post though).

- “Why can’t you see my side of things?“: On Buck’s side, while he isn’t nearly as mad as Eddie, he does raise the question of why Eddie didn’t have his back - which is a very fair question but Eddie is still too mad at Buck here to hear it.

- What is also very interesting about this scene is that no one, not even Bobby who was actually sued by Buck, is as mad at him as Eddie is and no one dares steps between them. Probably because everyone recognises they are closest with each other, so the conversation hits a bit different and also is about a lot more than the „stupid lawsuit“. Yeah.

(Real talk I have been very mad at friends before and I am known to make scenes but damn, this scene does not read platonic at all, it reads ‘married couple fights in grocery store in LA - what happens next will surprise you. News at 11.’)

- In other news, Eddie didn’t come to the rage room in the end and Buck was very very sad about it.

3.06: „*cries about the framing*“

(Sidenote: I feel Eddie so much in this episode, I too would be too embarrassed to talk to Buck had I just screamed at him in a grocery store in full view of all our coworkers. I too would avoid everyone like the plague and maybe join a fight club just so I would not have to deal with those feelings. I get it, my dude!)

- “Whew, dude, are you okay?“: We’ll talk about it with 3.08 as well, but it is very significant and pointed that Buck immediately knows something is wrong with Eddie when no one else at the station had seemed to be aware of that.

- “I don’t know what you want from me, Buck“: The apology scene is very subtext heavy but what it comes down to in the whole having each other’s back / knowing each other well / Trust - column is the fact that after being mad and avoiding him all day Eddie still sticks around and more importantly actually listens to Buck - which, as shitty as that sounds, but considering how he acted before if Eddie hadn’t wanted to still be Buck's friend he could have said something shitty and left or stayed and not actually listened to what Buck had to say - but he didn’t because as hurt as Eddie had been by Buck’s betrayal he still trust him and he wants to understand, which I do think sets Eddie apart from everyone else because Hen and Chim forgive Buck but they don’t ever try to figure out where he is coming from while Bobby is … being Bobby about all of. Eddie meanwhile, who has the most or maybe the only right to actually be mad about the lawsuit, still trusts Buck enough to know that he had his reasons and actually takes the time to listen to them. Even if he is being sassy.

- And on Buck’s side we do have his need to reconnect with Eddie the whole episode and we have him notice stuff about Eddie no one else did and we also have the really beautiful and mature line of Buck saying: „I just want you to talk to me. Even if it’s just to say you’re still mad.“ Which I love very much and tells us a lot about Buck and communication, because Buck values openness so much.

- “And I just wanted to…“ - „Punch someone?“: Also while it was important for Buck to explain himself to someone - it was especially important for him to explain himself to Eddie, both because he considers Eddie his best friend and also because the grocery store scene showed him how much he means to Eddie which probably floored Buck because as we learned before and also after: Buck is not used to people needing him as much as he needs them.

3.08: „XOXO gossip (fire)fighters“

- “Whoo. Nice truck.“: One thing about 911 is that it’s a very plot and action driven show, meaning sometimes it will lack the time to actually show us certain things, especially when it comes to relationships, so it relies a lot on telling us things about characters and their relationships and as these scenes here show us they do a good job at it. Buddie talking about Eddie buying a new truck is very casual and banter-y / flirty (this is a Buddie post so I call it like I see it) and light and shows us: hey, they are friends again and close again and they know each other very well - while also showing us: Eddie still keeps stuff from Buck but Buck knows something is off.

- “Eddie too.“: Which brings me to my next point and the thing I love most about this episode aside from Heidi which is Buck running around and going: ‚something is wrong with Eddie‘ while everyone else is like: ‚Eddie? Are you sure? I haven’t noticed anything‘

Which leaves two ways to read this:

Eddie and the rest of the 118 aren’t as close as it seems and they do not care about Eddie that much - which considering all the deep talk between Eddie and Chimney in 3b especially and the fact that he calls them his family would be fucked up and also doesn’t seem like the vibe they are going for OR

BUDDIE! I mean, look at what has been going on with the street fighting storyline, essentially the writers went: okay, so Eddie can't talk to Buck so he goes completely off the rails but no one will know because Eddie hides it so well - EXCEPT Buck will realise sth is wrong the second he looks at Eddie and once the lawsuit is done he will spend two episodes running after Eddie and trying to figure out what is going on

3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

- “He’s kind of obsessed with natural disasters.“: Honest question: Is Buck really obsessed with natural disasters or does Eddie have earthquake related trauma and Buck has been googling stuff and telling him facts to calm Eddie down every time the earth vibrates a little because a train or something passes them by?

In any case it’s a very cute scene with Eddie once more revealing how well he knows Buck and the writers confirming to us that yes, these boys spent a lot of time with each other and talking to each other - without needing to show the scenes

- “I could still take you“: AFTER ALL they needed the runtime to do this other little scene this fandom has not talked about at all ever mainly because it is so very straight basically people stopped shipping after.

I’m just kidding, obviously the whole scene was very queer both in subtext but especially in text, I mean, what even was that line about still taking him, Buck? There is a child not even 15 feet away, where is your sense for decency and decorum? DO YOU WANT TO TRAUMATISE HIM EVEN MORE???

A few notes on this scene:

- It’s been pointed out to me that Maddie complains about how everything around there gets shared with the 118 and how Buck … turns around and shares everything about his sister with Eddie, which I love because it seems so normal and comfortable between them like they do that all the time, which is way cute and domestic!

Added to that considering the conversation Eddie had the week before with Bobby about Shannon and the throwaway reference about thinking his marriage having been complicated, I wonder: Did Eddie talk to everyone about the street fighting and Shannon after his talk with Bobby in 3.08? Did he just talk to Buck about it? Did Buck know about Shannon wanting a divorce all along? (Yeah, you know were I am leaning, right?)

- “Especially if you aren’t around to see that they need saving“: As for the apology in and off itself, I’m not gonna talk about the character implications again cause been there done that, send an ask if you wanna know more, but what it comes down to is: Buck acknowledging that he should have been there for Eddie and he didn’t consider the Eddie of it all when he sued Bobby, which is interesting because OFFICIALLY Eddie really is just his best friend and coworker at this point so did he really have to consider his feelings all that much?

Also Buck is saying - and Eddie is not contradicting this - that Eddie street fighting would not have happened if Buck had been around, which, to quote a good friend of mine: Uff!

I think we can admit that while Eddie was mad at Buck, his anger was not primarily about Buck but it was amplified by Buck abandoning him. We can admit that Buck was what ultimately caused Eddie to lose his control and considering everything that Eddie went through in the past year with Shannon and considering everything Buck went through in the past two years: this is as close to unconditional love as these two can manage at the time and that is very beautiful and does support Buddie 100%. They are each other’s anchor and person the one they turn to in a crisis.

Or well, Buck is for Eddie. Buck does have more people like that in his life with his sister there and I do think before the lawsuit he wasn’t fully aware that he could depend on Eddie so fully because Buck always doubts how committed other people are to him because abandonment issues.

3.11: „Bist du single? Nein, eher Album!“

- „This is Eddie’s house. I’m not really a guest.“: Incredibly strong indicator / implications toward how much time these two boys spent with each other, considering how comfortable both of them are in each other’s space (and I don’t mean physical but material space). Eddie has a key to Buck’s apartment and just let’s himself in willy-nilly, while Buck is around in Eddie’s place often enough to not think of himself as a guest there. (And while that might be normal best friend behaviour to some of us, Maddie’s words imply that it is not for her / the Buckleys.)

3.14: „Frank says ‚Thank you, this paid for my new house!‘“ / 3.15: „MY therapist also says ‚Thank you!‘“

I’m gonna group these two together, since 3.14 in itself doesn’t have any relevance considering Eddie isn’t even in the episode but it does become relevant in regards to 3.15!

- Basically what it all comes down to is the contrast between Buck’s reaction to Maddie being in danger and his reaction to Eddie nearly dying!

Now I already said while talking about 2.14 part of it was that Buck was aware he was in no position to help Maddie and might actually make stuff worse if he intervenes while with Eddie he was HIS ACTUAL LIFELINE! He was actually responsible for getting Eddie out of the well and home to his family. BUT (!) it’s still very pointed, especially remembering they apparently changed the order of episodes around? Meaning we are really hit with the contrast and we have to consider the implications of it all!

- Also just Buck’s reaction in general, even with Chimney and Maddie in Season 2 he wasn’t this frantic, he wasn’t freaking out like that! This really seems like all those scene’s shows like that usually do to confirm one person is in love with the other by having them completely loose it at the prospect of the other dying.

And damn, does 911 delivers here, not just with Buck literally trying to dig down to Eddie with his bare hands but also with his conviction for the rest of the episode before going sort of catatonic near the end. Basically Buck was going through the 5 stages of grief over Eddie during the course of this episode and we just? Let him?

- Of course we should mention Buck has Eddie’s back always, so he doesn’t give up on him and doesn’t entertain the notion of Eddie possibly being dead for even a microsecond because this is Eddie and Buck needs him!

- And to add to the list of heartbreaking lines we have Hen saying: „Why? So we have two cut lines?“ because yes, Buck would choose to stay down there rather than let himself be saved if Eddie was already dead - and if Eddie wasn’t he would force Eddie to trade lines with him so Buck could be the one to die because Buck thinks Eddie’s life is more valuable than his and also he is a selfless idiot who loves Eddie more than himself - which frankly is a mutual thing if we look at 3.03

Option #3 btw would be that Hen knows Eddie has a legitimate reason to cut his line and he would explain that to Buck and - considering who they are - Buck would immediately agree and cut his line as well.

Anyways, no matter which option the writers were thinking off this line is heartbreaking and the implication interesting!

To sum it all up, the episode basically said: Buck would die for Eddie and he loves him more than anything else

- The Eddie implications of this episode are mostly Subtext, so we’ll get to them later in case you thought I forgot!

3.16: „The rope was a metaphor after all“

Tbh I do not think that this episode was really about how no person can be happy / live without regrets / not be lonely unless they are in a relationship with someone or they would not have put that much focus on the relationship between Maddie and Buck and the fact that his abandonment issues stem from her leaving.

- “He’s not gonna do it alone“: As for Buddie, the episode goes back to them being partners and in sync with the roof thing and yay, it has a different ending then the reversed situation the episode before but also it features a metaphor we will talk about later

- “Hey, you’re more than welcome to come and celebrate with a bunch of 9 year olds.“: Just like we will talk later about Eddie inviting Buck to the sleepover! Because while I don’t think the invite was all that serious and I don’t think even considering everyone else, Buck would have taken him up on it because celebrating with a bunch of 9 year olds around isn’t what Buck had in mind, it’s very interesting that the first person taken out of the equation is the guy Buck is closest to and probably spends the most time with.

- And now let’s talk about the playing pool scene because it once again shows that 1) Buck and Eddie are very alike, 2) they know each other very well and 3) they care about each other the most!

Because for 1) I do wanna point everyone to the fact that Eddie doesn’t have anyone outside his family and the 911 either or they would have mentioned him staying in contact with his army buddies or something.

2) Eddie is the only one who actually listens to what Buck says and gets what Buck is really asking, while Bobby, Hen and Chim are all too focused on their own experiences to get that the reason Buck tries so hard to help Red is because he thinks he is Red (I mean they do get it, but they don’t really realise how serious this is for Buck - yet)

3) There is also a lot of focus on Eddie in this scene which we will talk about later as well but it picks up the whole ambiguous „us“ from the grocery store which technically refers to the whole firefam but the way it’s said still implies that it is about the two of them especially.

To anticipate a bit: every time the word „Us“ is used in this scene Buddie only looks at each other. When Buck says „I mean that would never happen … to us.“ he looks at everyone else but turns to look at Eddie as he very pointedly says „to us“ and keeps his focus there for a moment. Eddie meanwhile technically turns to the pool table while he says the word „us“ but he only focuses on Buck before this and doesn’t look at anyone else because to him: Buck is the important aspect here. And no one else!

Not to mention the intense look Buck gives Eddie (and only Eddie) when he says „Better not.“. Like damn, in 3 Seasons Buck has never sounded this threatening before!

Basically the way this scene is acted combined with the words that were written it sort of reads like them going: We’re all family here but you and me will most definitely never leave each other!

I mean there is a reason why Buddie used the ambiguous „us“ while everyone else talked about the firefam being friends or being family.

(And yes, that might be a bit of a reach but this is a Buddie guide after all, so we are going with the buddie-est interpretation!)

3.17: „‚Don’t say her name‘-challenge“

- “Uh no, someone else.“: More of a subtext scene but it does seem pointed that Buck refuses to admit that he was thinking about Abby here, considering Bobby most definitely knew that Buck was talking about Abby because he was there for the hot-air balloon date, so even if he did not remember right away he knew the second Buck said he didn’t know from Maddie and since Hen and Chimney weren’t there in the truck (and also, they probably would have known who Buck was talking about as well) the only one Buck was hiding from was Eddie.

Which makes sense, even if you only look at them as best friends, because Eddie only saw the aftermath and what we canonically know that he heard about Abby were things like Buck’s speech in 2.08, so … even as just Buck’s friend he must really dislike her

(Also there is that whole parallel one can draw between Abby and Shannon which I talked about here)

- „Buck invites Eddie“: So I’ve been going back and forth on what to write here for a few hours now and what it comes down to is this: despite being 6500 words deep into a meta on Buddie and knowing full well the writers so far have no intention of actively doing Buddie, I would not accuse 911 of queerbaiting. HOWEVER, if the show ends and Buddie doesn’t happen I will consider this scene queerbaiting because there would have been ways to write this that did not leave the implications it did because the way it has been written the text is:

„If I bring my romantic life-partner to dinner with my best friend he will bring his romantic life-partner who will invite her brother who will invite his best friend and then we have to invite this other couple we are all close with.“ and well, one of them is not like the others, right?

(Well, technically two but Maddie and Buck are most definitely siblings despite that scene in 2.01)

Because essentially what that scene did here was say: If I bring my wife the evening turns into this couples night with all our friends - except Buck and Eddie aren’t a couple.

And sure, just like all great queerbaits there is a reasonable explanation as well as a completely platonic way to read this because of course Buck would not wanna be all alone with two couple so he would bring his best friend and the we’d have to invite the other couple we know as well so they don’t feel left out.

EXCEPT - and this is why it feel pointed and queerbait-ey: We have already seen the 118 hang out without Athena and Bobby at Chimney’s birthday and it was never mentioned to us whether they were invited and didn’t come - or Chimney didn’t invite them. Both explanations sort of make Hen’s point moot because it does proof that they can hang out without their boss slash friend and his wife slash her best friend without it being a big deal meaning especially if this was a make-up dinner for Chimney’s birthday they wouldn’t have needed to be there.

There is also the fact that supposably Alfred is still in town? You know, Chimney’s brother? So if they wanted to avoid the Buddie implication they could have also thrown in how Chim might bring his brother like:

„I invite you, so he invites Maddie, Maddie invites Buck, Buck invites Eddie, Chim might invite Alfred, and now we gotta invite Athena and Bobby“ - see how that has a completely different feel? Now there are three single guys and two of which are siblings of someone else in the group while the third is friends with the rest of the group, making this sound less like couples night out and more like a group of friends hanging out.

But they didn’t do it like that so now it feels like they are pointedly equating Buddie with the canon couples of the show which is quite queerbait-ey.

3.18: „TrainCRASH? More like train WRECK? *cries*“

Okay, so this episode is a little hard to do because there is so much going on and a lot of it is very hard to categorise! As for the topic of Trust and having each other’s back:

- I do think that a lot of Eddie here come down to having Buck’s back - even when Buck might not think that’s what Eddie’s doing like in the train car, but he probably realised later which is why we see Buck talk about it with Bobby but not with Eddie because they are at this point where you no longer need to have clarifying talks (about stuff like that, once romantic!Buddie hits they’ll have to do all the talking).

And that’s basically it when it comes to Trust because most of what is happening in the episode when it comes to Buddie is Subtext!

Coparenting

I think this theme needs less of an explanation - though I do wanna point out that while I think Buck has fatherly feelings for Chris and Chris loves Buck a lot, Buck is not actually his parent / father. He is slowly getting there and if or when Buddie happens he might become Chris’s other parent but right now he is not. So this theme is about Buck being a honorary member of the Diaz family in general and Eddie’s treatment of him most of all.

Because the way I see Eddie him dating anyone would always be tied to his son. Eddie has been shown to be someone who would do anything for family and his son in particular, so the fact that Buck is tied into this family is important. It also shows how much they are already a family without actually dating and proofs they spent more time with each other than we see and more than with anyone else.

I should also say that there is a very heavy overlap between this and the category of Subtext so some things will be repeated but all of them deserve to be repeated so there is that.

2.02 / 2.03: „Why Edmundo Diaz hates earthquakes part 1 and part 2 (of 2)“

- Like I already said when I discussed Trust Buck is the only one asking who Eddie is trying to reach, he is the only one trying to reassure Eddie and he does so even though Eddie is being sarcastic and pretending he doesn’t need to be comforted - also a staple in their relationship

And I think this is also were their dynamic of Buck being Eddie’s go to person when it came to Chris came from. Buck told Eddie he liked kids and then he proceeded to actually show Eddie he means it and he cares and considering Eddie says the mother isn’t in the picture and Chris has no one else (which as we learn throughout the show is not 100% true because technically Eddie's parents are there, even if they have no idea how to properly raise Chris, but in LA Eddie doesn’t really have anyone (yet) he feels comfortable burdening with his fears about Chris), so that must mean one hell of a lot.

- “Hey. Service.“: There is also the moment at the end of 2.03 when Buck immediately tells Eddie: hey, service is back! and then he drives Eddie to pick up Chris which is a scene that has so much subtext so we’ll talk about it later! It does however give us our first‚ Diazs plus Buck‘-family moment because while we see everyone reuniting with their loved ones, we see Buck with Eddie and Chris and yeah.

2.04: „Hearteyes, motherforker“

- One of my favourite things about Buddie is how they manage to be exactly what the other person needs - or in case of this episode figure out exactly what the other person needs and giving it to them. It’s happening here and again in 3.01 and 3.03 and some other smaller moments as well (see 2.01 honestly).

It’s also interesting that Buck is the one to drive Eddie again because we saw he has a car! So why is that? Maybe because he knows the way better?

As for the coparenting happening here, aside from Buck introducing Eddie to Carla because he knows she is what Eddie needs, we also have Buck clearing Chris coming to the station with Bobby which is something Eddie apparently hadn’t considered but Buck had and instead of telling Eddie he needs to do that - he does it for him! Because that’s who Buck is but also because Buck realised in this episode how much Eddie really needs someone to have his back and just do stuff for him.

2.07: „*Tommy Wiseau voice* Hi Shannon“

- And in terms of having each other’s back this episode really shows the significance of this phrase with Shannon pointing out, like I said before, that from her point of view Eddie didn’t have her back. She needed him to be her husband and her coparent and he wasn’t.

Now we can argue whether that is true or not but it’s still an important parallel and puts Eddie turning toward Buck for advice into a new light.

Because as Shannon points out Eddie was never good at letting other people make decisions for him or with him before yet we continuously see him turning toward Buck for exactly that: sharing the load with him. And to put that even more into perspective: Buck is the youngest from their friend group, he is the one considered immature and he is the one without kids or younger siblings, yet he is the one Eddie choose for helping.

2.10: „It’s all about ‚figured it was none of my business‘“

- The interesting thing here is that Buck as Eddie’s friend really doesn’t have any right to know about what was happening between Shannon and Eddie if Eddie didn’t want him to, but Buck as Eddie’s family does (a little).

But either way this episode gives us another instance of Eddie confiding in Buck about his family problems - problems he again is the one most inexperienced with. In other words Eddie talking to Buck about it was really about Eddie wanting Buck’s opinion specifically.

There is also the fact that Buck came to see Santa with Eddie in the first place which is most definitely a family affair as far as I know US customs? (We don’t do this in Germany / Bavaria, okay? We have the Child of Christ and around the 6th we gather in the town square and shoot at it.)

It’s even brought up in text with the Elf telling Buck they make a beautiful family - and Buck not disagreeing because honestly it’s just easier and he probably knows how they looked. But yeah. That!

- Also not to repeat myself but the topic of trust is important here! Eddie not trusting Shannon in 2.07 / 2.10 with Chris vs. trusting Buck in 3.03 / 3.09 / 3.10 is important!

Yes, sure Shannon is his actual mother so Chris has stronger feelings for her and the potential to get hurt is way bigger. Yes, Buck was only gone from their life for a few weeks while Shannon was gone for about 2 years. Yes, Buck apologised twice while Shannon just played the victim card tbh (even though she did have a point with some of the stuff she said). But still:

Eddie is very hesitant to let Shannon back into his son’s life (and really his as well) while he does have no such qualms about Buck once Buck apologises to him in 3.06. In fact their relationship returns to normal with Eddie asking Buck for help with Chris numerous times while say 2.15 makes it clear Eddie still keeps Shannon at arms’ length and out of a lot of aspects of raising Chris.

Of course, giving advice to Eddie is not the same level of involved as actually parenting the child and part of it is probably growth on Eddie’s side when it comes to Season 3 but right here: it’s a stark contrast and it deserves a mention!

2.17: „*fridges female character for man pain* Haha, we’re so random!“

- „Ice cream? Oh, I do not envy you putting him to sleep tonight!“: There is the scene here where Eddie facetimes with Shannon and she is out and about with Chris and Abuela and they are getting ice cream and Eddie is all like: damn you’ll regret that later - which is the same thing he says about Buck in 3.02

3.01: „How you know he no sleep naked?“

- Buck gets a card from Chris which is a child thing to do but also should be mentioned because Buck does not get a card from Danny or Harry. And considering how much Buck likes children and how good he is with them we do have to mention that we only see Buck interact with Danny once and never with Harry while it’s been implied several times before the tsunami already that Buck does spend a lot of time with Chris. (Of course, in part this is due to how much closer Buck is with Eddie than Hen and especially Athena but still)

After all the season ends with Chris giving a card to his literal father, tying these two scenes together. And pointing out once again how important Buck is for Chris and the Diaz family.

- Also as I mentioned during Trust there is that parallel / contrast between how Maddie and how Eddie see Buck with Maddie sort of treating him like a child who needs to be dealt with while Eddie is basically like: let’s give him something to do so he feels less useless! (Guess who had the right idea! Just guess! And you have one try!)

- „Are we the only one’s without kids?“: There is also the cut from Madney talking about being the only one’s without kids and then remembering Buck to Buck getting woken up by Eddie so he can babysit Chris which I won’t say confirms Buck being a father to Chris but does accentuate everything he does for Chris after and gives the vibe that Buck does indeed have some fatherly feelings for Chris. It does at least place the idea of the Diazs WITH Buck being a family firmly into our heads.

3.02 „Eddie hates earthquakes - the remix“

- „How’s operation Buck up Buck going?“: Buck sending Eddie updates and pictures of Chris and himself hanging out is just really cute

- Also Eddie isn’t worried about his son at all!

- And we do have that tweet from Oliver Stark about jumping into the receding water at the end of 3.02 being basically suicide but Buck still doing it because the director told him, he’d do it for his own kids.

3.03 „Do it for the trauma - Buck-edition“

- I talked about it before with Trust but basically Eddie, who has parents who are still alive and physically able and love his son very much, even if they have different ideas of how to raise his son, and a sister with at least one child not that much older than Chris and a grandma and an aunt and probably some more family in LA AND Carla who he literally pays to take care of his son, literally tells his best friend he is the one he trusts the most with said son. That is fucking meaningful!

3.05: „What if we fight like a married couple in a grocery store downtown LA, bro?“

- „You know how much Chris misses you?“: The fact that Eddie brings Chris up at all and to hurt Buck specifically is - in part about Eddie deflecting from himself but also about Christopher actually missing Buck, which says a lot about the relationship Chris and Buck have and how much time they spent together if that is something Eddie would bring up here.

3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

- „I’d rather be at home with my kid, enjoying the one good thing I got going on.“: Eddie says these words during therapy and where do him and his son spent the following evening or at least an evening that same week? With Buck at his loft. Because even though Buck wasn’t mentioned here as part of the family time Eddie would much rather have, apparently he is part of it.

3.10: „Parenttrapping for Beginners“

- „Well, I thought it would be nice to bring the boys together for a playdate.“ - „All three of `em.“: this speaks for itself, Buck being invited in the first place was … an interesting choice? A dig at Buck’s mental age? Exposition? What exactly, Tim? Like what was the vibe in the writers room here?

- „Hey, Buck? (…) Can I spent Christmas with you?”: The fact that Chris would rather spent Christmas with Buck than with his grandma and the rest of their family is interesting as well and again points toward Buck being an integral part of the Diaz family.

- The way Eddie looks at Buck here and the little head shake implied to me that Buck and Eddie had the same conversation Eddie and Hen have right then already.

3.11: „Bist du single? Nein, eher Album!“

- “Well, that’s what the 118 is. The family we chose.“: Again maybe more subtext than text but when Eddie talks about the 118 being his family the camera pans to *drumroll* Chris, his actual blood family, Albert, Chim’s actual blood family - and Buck, who is basically Chim’s little brother and Eddie’s, well, best friend? Coparent? Partner in work and life? SOULMATE?

Yes, it’s a little subtext, but it’s interesting that this scene shows only one character neither of them are related to and it’s Buck, emphasising once more that these two and especially Eddie (because he’s the one talking here) think of Buck as their family.

3.12: „There’s a horse loose in a hos… school“

- “(…) we should try it together”: Again with the emphatic inclusion of Buck in family scenes! (But this time Carla gets to be there as well - though only to record them?)

This episode introduces Ana Flores as a potential love interest for Eddie and then spends the whole episode contrasting and paralleling her with Buck, as one does …

In this episode as well Eddie gets advice about Chris from several people and it’s interesting that the one person whose advice he follows without disagreeing or trying something else first is once again Buck.

The episode also maybe implies that Buck was the one to built or buy or find out about the skateboard.

But really what matters here is Eddie reaffirming that there is no one he trusts more with his son (because he refused to take Carla’s advice right away but he did listen and think about what Buck had to say right away - despite his joking) and Buck being included in the family scene.

3.15: „MY therapist also says ‚Thank you!‘“

- „I’m always gonna fight to come home to my family.“: I’m not gonna comment on the lack of Shannon in the montage because I do believe part of it was that they didn’t really have scenes that fit and would have had to film them specifically which would then have to fit into the timeline / storyline before and also mostly it was about Shannon already being dead meaning she is no longer part of the family Eddie can come home to, so it makes a hell of a lot of sense for her not to be included, guys!

That being said I do believe Buck being in it quite a lot means something about how much of a part in Eddie’s family he is! Which is a big part and something I love about them a lot!

- Also Buck was so very happy Chris came to visit and then immediately walked over, which doesn’t really have any relevance except I thought it was cute and this is my guide.

3.16: „The rope was a metaphor after all“

- Obviously it was meant jokingly, but Eddie would have loved if Buck came and not just because being alone with a bunch of 9 year olds is no one’s idea of a fun evening and Eddie could probably use the help (still hoping Carla was there with him and still surprised Eddie was in such a good mood during the pool scene after), but because he likes to spend time with Buck and he did wanna celebrate with him - but he was also very aware that spending the evening with 9 year olds was not what Buck envisioned so he said it jokingly.

3.18: „Traincrash? More like train WRECK? *cries*“

- “Whoa! Whoa! Two weeks from home? Isn’t Chris kinda young for that?“: I don’t think I need to say more about that scene really, I think everyone who saw it understood that it confirmed the 118 but especially Buck being fairly involved in Christopher’s life and how that confirms: Buck = part of the Diaz family.

- Also all the interactions between Buck and Chris at the party both with and without Eddie around I mean, yeah, again, meaningful!

- In conclusion: Eddie, Chris and Buck are family and dems the facts!

Connection and love life

Now, this is where we are slowly going subtext and also really interpretation heavy!

The title might be a bit missleading but I didn’t really know how else to sum all aspects up. Basically this theme is about their love live but also about the parallels between their storylines - especially when it comes to their love life!

Also this theme isn’t organised by episode but by subtopics because I summed up so many different aspects here.

Parallels in their storylines:

- 3.15 / 3.16 and the rope metaphor as a metaphor for their dating life:

Technically the rope is a metaphor for their lives and them letting go of things in general but especially about their dating life because for Eddie in my opinion this is when he really fully comes to terms with Shannon’s death while Buck finally admits to his abandonment issues, in part caused by Abby leaving.

(Side note: the fact that Eddie choose to cut his line just like he choose to actually do therapy to deal with his issues for Christopher’s sake while Buck’s burns away and he is literally forced to deal with his issues through being confronted with Red and running into Abby at the train crash is … something.)

Their dating life is being paralleled:

This really isn’t technically something that explains why you should ship them but I do think it’s interesting that from the get go their love lives have been happening in parallels / contrasts to each other? As if they were connected? Magnets?

So yeah, that and also it goes like this:

- 2.01: Eddie references Buck being single

- 2.02 / 2.03: Eddie first mentions Shannon but indicates a break-up / Buck meets Ali and seems to bond with her

- 2.04: both refuse to hook up with any of the girls at the bar and don’t want to date because they consider themselves taken (I know Eddie says it’s about Chris but Buck called bullshit here and text told us to trust Buck on what he says about Eddie)

- 2.06: Buck flirts with Taylor and Eddie acts a bit jealous

- 2.07: While Buck finally comes to term with his break up with Abby in her absence, Shannon returns and we learn that Eddie has sort of been holding out hope so far (they kiss in the end) (Also Eddie and Shannon and Buck and Taylor both happen in parking lots which probably only means they ran out of location money but still!)

- 2.08: Buck hooks up with Taylor, then meets with Ali and begins dating her

- 2.10: it’s revealed that Eddie has been sleeping with Shannon and Buck is miffed

- 2.11 - 2.16: we get a few mentions of Ali and some scenes between Eddie and Shannon reminding us both these relationships are happening and they are growing closer

- 2.17: Shannon thinks she is pregnant, Eddie wonders about their relationship, Shannon wants a divorce but dies before they can go through with it

- 2.18: Buck gets a new apartment because of Ali, their relationship seems ready to become more serious, then Buck gets hurt and Ali is traumatised by this and tells Buck she needs to rethink the relationship

- 3.01: it is revealed that Ali and Buck broke up

- 3a: both of them work through the trauma of the past few months, no references to either of them dating are made, romantic and / or domestic scenes happen between them instead, the ambiguous „us“ happens

- 3.11: they are asked about their relationship-status to remind us about them being single (AND THEY LOOK AT EACH OTHER? Wow.)

- 3.12: It’s pointed out again that Buck is single but he says he prefers it that way while Eddie meets Ana and shows some interest in her, then during a call Buck indicates that he might not be as happy being single as he told Madney and Josh while also seeming a bit happy Eddie won’t be dating Ana (probably)

- 3.15: Eddie finally fully comes to terms with his past, including his relationship with Shannon and her dying

- 3.16: Buck reveals he might still be hung up on what happened with Abby and he realises he needs to move on, the ambiguous „Us“ is brought back

- 3.18: Buck runs into Abby and actually moves on

- Side note: considering 2.08 and 2.10 and 3.09 and some remarks made throughout the show, Buck and Eddie are somewhat aware of the relationship struggles the other had which isn’t really relevant but also sort of is

Parallels with canon couples

This is TV and TV and especially shipping lives through tropes and parallels inside the story to subtext tell you something you need to know without actually having to say the words, but just to plant the idea in the viewers head.

For example, and please I am just spitballing here, you are writing a show about Lifeguards. And there are these two characters who are named … Paddie and Tucker. They have amazing chemistry and they are best friends and love each other a lot. Now, you, as the showrunner, are considering making them a romantic item but you need to do it slow cause while you do have queer characters and a queer following this show is fairly mainstream and also the characters have presented as straight in text so far. So you need to do crumbs, right?

Okay, so how do you best do that? Well, Tucker is known as this really caring guy and very open with his feelings and he freaks out when someone he loves is in danger - so you put Paddie in danger, right? Proofs he loves him, right?

But then you want it to have some deeper queer implications, right, in case you do decide on making them romantic? So how do you best do that? Well, lucky for you, Tucker has a sister. And you were planning on putting her in danger as well this season anyways, so you just have Tucker react a bit more subdued here, right?

But then you really want it to hit people, like you need people who are more casual and mainstream and might not have noticed the romantic undertones Tuddie has had to notice that, right? So you put these two episodes back to back.

Except „Paddie Begins“ is set to air first and well, Tucker IS known to lose his shit about people he cares about being in danger, so they might not actually notice anything more. Or they will just consider Tucker not reacting as hard about his sister, Sadie, being in danger bad writing. And you can’t have that!

So how do you fix that? Well, you just change the episode order! Now the episode with Sadie in danger airs first and people will spent a week complaining about how out of character Tucker was and it will be still on their minds when „Paddie Begins“ happens and Tucker goes feral and it will hit EVERYONE! Like damn, apparently Tucker cares more about Paddie than Sadie? Why? What makes Paddie so much more important?

Anyways, this is how you test out an idea in TV and why tropes and parallels are important…

Moving on:

- 2.14: „‚It’s a miracle… bro #nohomo’“: Now I have already written a bit about Buck’s reaction to Eddie potentially dying to safe the kid and while it is fairly tame for Buck it’s still something you usually see a guy do for a love interest (Any of ya’ll watch „Chicago Fire“? Because I watched like the first two Seasons and the main „Will they / won’t they“ - couple had a scene like that about once every three episodes. Cause it’s a trope!)

- 3.02 „Eddie hates earthquakes - the remix“: This is a teeny tiny bit of a stretch and there wasn’t even any nice cuts to anyone in the firefam to indicate they were referenced (which I found odd, considering this would have also fit for Bobby) but the guy who got impaled with his son in law said: „She‘s the love of my life but he‘s her‘s.“ which considering this episode has Buck doing everything to protect Christopher means a lot and I think about it once a day, okay?

- 3.14 vs 3.15 vs. 3.16 vs. 3.17 vs. 3.18 - Losing the love of your life and how to deal with that:

This may be the biggest parallel of all, and maybe I could have included 2.14 as well but I didn’t because it’s a whole season removed. It also seems meaningful that this episodes happen one after the other, making us naturally compare the scenes and see / look for patterns.

But to explain real quick:

In 3.14 Maddie is in danger and Chimney, who is her boyfriend and told her he loves her just one episode earlier, freaks out completely

In 3.15 Eddie might die / is considered dead by several of his friends already and Buck utterly looses it! We are talking frantic screaming and trying to dig Eddie out by hand and running around trying to figure out ways to save Eddie only to turn full on catatonic when none of that works. I mean, his mood turns faster than mine when I am hangry while on my period and that is saying sth!

3.16 could be considered a bit of a stretch but we do see Red lash out a lot when he realises that Cindy, the woman he considered the love of his life and someone he pined after for quite a while doesn’t exist like that anymore.

In 3.17 Athena is put in great danger and Bobby is forced / able to listen to it and while I am not sure if the blank look on Bobby’s face is bad acting, a deliberate but accidental acting choice OR done consciously in a way that mirrors Oliver’s acting in 3.15 - it’s there and it’s a parallel and we can watch it and compare it and see it.

To bring this whole thing home for us they contracted another outside player in the form of Connie Britton playing Buck’s ex-girlfriend Abby, who similarly to Red and Buck, turns frantic upon possibly loosing her fiancé and starts panic and lash out a little, which is fair and also part of a motherforking pattern, ya’ll!

- Another fairly obvious parallel between 3.14 and 3.15 is Buck telling Sue - as the watch Maddie and Chimney hug - that Maddie already has everything she needs when Sue asks him why he didn’t immediately rush toward his sister. Which can be compared to 3.15 were he does immediately rush to Eddie’s side and support and hug him!

- I’ve already written about 700 words on 3.17 and the line „Buck invites Eddie“ so I’ll just point you back toward that part of the guide where I pointed out that Buddie was actively compared to the three main canon pairings here. Which is a lot and also could have been avoided and probably queerbaiting.

- Again, teeny tiny bit of a stretch maybe but like, we’re here to talk about anything in canon pointing toward Buddie and also this is my guide and I do what I want but in 3.18 we learn that Abby is now engaged to a single father and considering she was only gone for about two years (Season 2 takes place over the course of one year and in 3.13 we learn that Madney has been dating for just under 11 months so unless there was a time jump somewhere in the last 5 episodes we weren’t really told about, we clock in at about 2 years and maybe one or two months, tops, at the end of Season 3), they have been together for less than that time, even if we think Abby already knew him when she was still dating Buck. Which timeline wise puts them meeting maybe around the time Buck met Eddie, maybe a bit after, meaning Abby met and began dating and fell in love with and decided to marry a single father in the same timespan Buddie did … whatever it is they are doing! Which is meaningful because for the viewing of the Abby/Buck relationship which I am glad more and more people are realising was very unbalanced and provides an interesting parallel to Buddie because this means Abby and Buck met and developed feelings for a single father around the same time. Idk, I understand that the whole father thing was to make Buck care even more but damn, it’s a parallel so I mention it!

- Michael and Doctor Hale vs Eddie and Ana (3.17/3.18 vs. 3.12ff.)

Now, of course we need to realise that Eddie and Michael are fairly different characters and Michael has way less relationship related baggage than Eddie has which is why he goes after what he wants way faster (also, carpe diem, he just found out he won’t die). Also of course, there is no moral component to address in Michael dating some doctor vs. Eddie dating his son’s teacher, but still:

Michael and Dr. Hale had one scene together and it wasn’t even overly flirty and yet, we knew where it was heading, we felt the chemistry and everyone ended the episode saying: I ship it, more of that - which they did give us, just one episode later. They had some awkward moments, yet the show never left a single doubt in your mind where this is heading.

Now look at Eddie and Ana:

First of all we learned more about Doctor Hale in the two short scenes than we did about Ana in four scenes. That seems deliberate.

Second, while we do realise Eddie thinks Ana is attractive from the get go she repeatedly shuts him down by pointedly saying „Mr. Diaz“.

Third, every scene between Michael and Doctor Hale was romantically coded and we know where this was heading while aside from the initial scene between Ana and Eddie and maybe the second scene there were no hints of romance between the two. In fact in 3.15, an episode that is about Eddie moving forward in his life and letting go of the past she is both mentioned and actually appears, yet there are no hints of romance and romantic interest, not from Eddie and not in form of teasing from Buck and especially Carla, who pointed out Eddie’s interest in her previously. Soooooo…

Parallels with Love Interests

Now, obviously we also cannot talk Buddie without talking about them dating in general and then relating this to each other. In other news: there are parallels between each and every love interest Eddie ever had and Buck and also between Eddie and Abby.

(Side note: I could probably also find parallels between Eddie and Taylor and Eddie and Ali but tbh both of these barely qualify as love interests, especially Ali, who despite actually being in a relationship with Buck we know nothing about (hi, original Ana! You did good and I am sorry people hate you for having boundaries!))

Eddie paralleling Abby

I mean the truth is we don’t even need Eddie paralleling any other girlfriend of Buck cause there are so many between Abby and Eddie!

- Abby and Carla vs. Eddie and Carla:

The biggest one might be parallel that both employ Carla and why. Which is in part because Buck brought Carla to Eddie but goes deeper than that.

There is that conversation between Bobby and Buck about Abby and her mother in 1.09 when Buck wanted to break up with Abby and Bobby basically said: if you wanna date someone you have to love them baggage and all and should be there for them as well - and while Buck did try doing that with Abby, well, Patricia died before he could fully step into the ring and then Abby left, BUT he showed no hesitation after that to step right into Eddie’s life, into his issues, with him. And he even brought in Carla as a baggage carrier, isn’t that nice?

Also the whole reason why they need Carla around in the first place as both of them are taking care of a family member (plus the fact that Christopher is a literal child so even without CP Eddie would need help taking care of him working the hours he has).

Also tía Pepa quite literally calls Eddie a saint and I am pretty sure Abby was called sth similar by Carla and Bobby in Season 1 though I don’t care enough to check mainly because the implication was there all through the first ten episodes about how Abby was such a great person for taking care of her ailing mother.

But really it comes down to the parallels between Bobby telling Buck that a real relationship is about sharing the load and the conversation between Maddie and Buck as well as anything else in 2.04 where Buck is so desperate to be there for Eddie and help him.

- There is also a definite parallel to be drawn between the conversation Abby and Buck had in the Jeep while looking for her mom about how Abby hasn’t had sex in a year and Buck asking Eddie about dating in 2.04. It’s a little subtextual, but between the expression on his face and the topic and the teasing and the walking shoulder to shoulder it does feel alike to me so I mentioned it.

- street fighting vs. the apology: losing yourself

Now this one I love a lot because while it does happen half a season apart and isn’t explicitly expressed on the show: Eddie’s whole ark in Season 3a is about losing control and by extent losing himself because Buck wasn’t around. Abby meanwhile talks about how she found herself after she left LA and how she would have lost herself again if she returned to Buck (which is absolute bullcrap but not the point).

- There are also some parallels to be drawn between Buck, Eddie, Abby and Shannon (and technically also Maddie) and the whole leaving each other thing, with Eddie leaving Shannon for the army without consulting her about it while Abby left Buck for Ireland and then also the lawsuit where in a way Buck left Eddie like Shannon did, being so caught up in his own feelings he didn’t consider what Eddie (and Christopher) were going through.

But we can also acknowledge how it must have felt to Buck with Lena / Eddie taking Bobby’s side like he was once again replaced / left for someone else, much like Abby left him for Ireland and Maddie left him for Doug.

Buck paralleling Ana, Lena and Shannon

Buck on the other hand side parallels Eddie’s love interest a lot sometimes down to the clothes (and yes, technically Lena isn’t a love interest but Ryan Guzman thought she was and aside from the fact that he’s into women that could beat him up (which for once, not judging you, bro) and considering the parallels with Buck … that means if Buck was a woman, well, ya know?) so let’s talk about that

- Buck and Shannon:

I’ve already talked about that one a lot so I will only mention it here real quick but the whole Eddie not trusting Shannon vs. trusting Buck despite his betrayal again like right away once he apologised (which yes, what Buck did was not as bad and far more justified) and letting him back into Christopher’s life IS a parallel, considering for example how Shannon asks about Chris missing her (though it’s been over two years, at one point children just stop asking as we know Chris did) and Eddie telling Buck Chris misses him in the grocery store scene.

Also Eddie not trusting his wife and Chris’ mother with him fully even after they reconciled and him telling Buck he was the one he trusted most in the world when it came to his son is … something.

There is also a little parallel to be drawn between 2.17 when Shannon goes for ice cream with Christopher and Abuela and Eddie is all like, well, don’t come crying to me when he won’t sleep because sugar high and saying basically the same thing to Hen and Chimney in 3.02 when they ask about „Operation: Buck up Buck“ because Chris ate loads of pancakes.

Also Shannon in 2.07 said she needed Eddie to have her back and Eddie says he always did but Shannon disagrees (which might be a little how Buck felt with the lawsuit) and you know, Buck and him agreed to have each other’s backs just six episodes earlier.

- Buck and Lena:

Now, with Lena, despite her being most connected to Eddie, the first (and second) time we actually see her is in 3.01/3.02 through Buck, which connects the two from the get go.

Eddie then finds out she was at the pier in 3.02 (before meeting her) just like Buck (though he doesn’t know that) and then meets her in 3.03 and she spends the whole episode running around LA trying to find her Captain while injured, much like Buck is doing in the same episode.

I also mentioned in my meta-series how I think one of the reasons why Eddie likes Buck so much was that Buck wasn’t impressed by his military background like everyone else (or his looks, I mean, it was probably more about his looks tbh) and how when Buck started liking him it was really about Eddie and not whatever he had heard about him - yet Buck was / is still never afraid to call him out bullshit, much like Lena from moment one.

There is also the fact that Eddie goes to her for advice and she literally uses Buck’s locker (and will I ever stop laughing about the tape? Probably not, I think it was hilarious, okay?)?

Then of course we have Buck in 3.04 reacting quite similar to seeing her for the first time as he did with Eddie in 2.01, even saying basically the same thing.

- Buck and Ana

Now, Ana is an interesting case because we see her a total of four times and she is mentioned two more times throughout the show and each and every single moment is connected to Buck somehow and sometimes so very unsubtle to.

In „Fools“ we cut from Buck saying he likes being single to Eddie doing parent-teacher conference and yes, meeting some other teachers first but also Ana, showing us that while Buck is fine with being single - Eddie might not be. And then Eddie introduces himself as Eddie and Ana knows immediately this is short for Edmundo - unlike Buck in 2.01 who guessed Eduardo? Also, Carla’s „big blue eyes“ line which is a little clown-y, so take it with a grain of salt that it could connect us to Buck.

Then of course her next scene is Eddie getting in her face about Christopher being hurt. Later in the episode we see Buck reference this on a call, meaning either Carla or Eddie told Buck about it (I am leaning a little toward Carla making fun of Eddie in front of Buck and Eddie then having to come clean about all of it, because I cannot wrap my head about the idea of Eddie telling Buck about having a crush, I’m sorry.) (And will I ever be over Buck being so gleeful that Eddie will now be dating the teacher after all? Because boy was close to cackling which even if he was in love with Eddie at the time and therefore happy he wasn’t off the market - still quite rude for a best friend if you ask me! Like, sure, do that but in front of strangers?)

Her next scene is Eddie coming to apologise to her and she gives her speech about limitations - which we can of course connect to Buck and Eddie talking about Christopher and his limitations before that and then afterwards going skateboarding with them. (It does feel a little deliberate.)

And then of course we have „Eddie Begins“ and you guys, they could have very very easily have either Carla or Buck make a joke about Mrs. Flores and Eddie’s crush in the firehouse scene, but they didn’t! And then we do get to see her at the end where she has one whole line and Eddie barely looks at her and you know what happens? They have a child ask the same question Buck asked at the beginning about ever just wearing the medal (which sounded very not straight in its delivery, Mr Stark, what were you thinking about?), making us think of Buck. Like, it would have been enough to establish Eddie doesn’t feel like a hero if the question was asked only once - twice in the span of 45 minutes constitutes a callback, meaning we are supposed to think of the other scene and that means thinking about the other person that asked, which was Buck.

Is this … flirting

Now, some of these are quite ambiguous but there are several scenes that imply they consider each other attractive or feel like flirting and here they are:

- 2.01: „I think I’ve seen this in porn before“

Now, we all know Buck’s initial dislike of Eddie was about Eddie being to good at the job and Buck being afraid of being replaced, but considering one of the first things we hear about Eddie is Hen saying that boy is so fine it transcends sexualities and considering they talked about the calendar which chooses them based on hotness just before and then all the references to the calendar throughout, it stands to reason that Buck considers Eddie attractive.

Also their whole conversation during the gym scene, what was any of that? I mean, Buck thinks the pictures of Eddie are professionally done which means he thinks they are good which means, yes, Buck thinks Eddie looks good in those!

Plus the whole scene is riddled with (sexual) tension. From Buck constantly increasing the weight he is lifting, while throwing looks at Eddie as if double checking that he sees he could bench press him and the way he gets in Eddie’s face to Eddie’s veiled barbs about the girlfriend breaking up with him and doing the same thing as a firefighter but he was getting shot at. I mean, what was that if not the beginning of a porno? (And here we have our first parallel between Buck and Eddie as we find out later because Eddie, too, has been left by a woman. Now the real question would be does he consider them broken up?

Not to mention that when Bobby tells him at the end of the episode that he wasn’t chosen Buck immediately assumes Eddie was and also is so very happy for his new friend, because he thinks he’s hot (right?).

- 2.04: „Hearteyes, motherforker“

In 2.08 Buck has a conversation with Chimney about his pick up technique and well, did anyone in production watch this episode because when Buddie walks away from tailpipe-girl-emergency he literally does everything he described.

Also Maddie says the words „Does this man crush on Eddie mean you are finally over Abby?“ to Buck and his only reaction is „Cute.“ meaning one) Maddie has teased him about his Eddie gushing before and two) maybe Buck does have a bit of a crush?

- 2.06: „Bucky Barnes murder strut - 911 edition“

Again with the Maddie and Buck scenes!

Basically what happened was Maddie talked about how cute Chimney was but Buck assumed she meant Eddie because apparently if someone says cute, Buck thinks Eddie. This is just a fact, okay?

- 2.14: „‚It’s a miracle… bro #nohomo’“

Like my name for the episode already says, there is this scene were Buck and Eddie stand next to each other and Eddie says „That was incredible!“ and Buck who is already standing in Eddie’s space leans in further to basically whisper the words „It’s a miracle.“ into Eddie’s ears and then lean back a little and I am not sure if that wouldn’t fit better with Subtext but also Buck looks at Eddie like he wants to eat him alive and Eddie looks like he would let him and say thank you after while still embarrassed because he cries during sex.

You know, acting.

- 3.04 „discount!Buck in the house!“

Listen, I am convinced this is all Ryan considering the reaction of Kenny / Chimney and Aisha / Hen but that doesn’t change the fact that they used a take which had Eddie stare at Oliver / Buck’s butt the whole time and I mean, what horrible things happened in the other takes that made production choose this one unless they want us to see Eddie looking at Buck’s butt while Chimney and Hen stand around looking amused?

- 3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

Listen, from the moment Buck says „Cause you would prefer working it out in the ring?“ and then does this dorky thing with his arms while Eddie smirks into his beer about how he fought in a cage not fenced in (which, I’m a little unclear on the distinction I think, but I am nitpicky af so who am I to judge? Probably just stuff getting lost in translation) that whole scene changes vibes, going from apologising to teasing. And I think it’s very interesting that this is when Buck chooses to come closer (and then keep coming closer until he is right in Eddie’s personal space while touching his belt which we all learned by now means he is thinking about sex) and they have this whole conversation about who could take who which happens in sort of half sentences and does not feel like they are talking about fighting each other at all.

I mean, Buck keep coming closer, while Eddie stands there rooted to his spot, leaning against the bar, smirking, like every hot guy in a bar ever who knows one smile and a bit of smolder and they will come to him (which Buck does, playing right into it, I mean, come on, bro, weren’t you once a serial dater? How do you not know how to play hard to get?) and holding the beer (you know, phallic shaped obj- okay, I’ll stop here, it’s a reach), occasionally drinking, like maybe he tries to draw attention to somewhere or he has a very dry throat and honestly: this is how porn starts!

I don’t think my writing (or anyone’s writing really, not that ya’ll aren’t talented af) can properly express how very not platonic and innuendo-heavy this scene felt.

- 3.13: „‚Bro, what if I flirted with you in a bowling alley while out on a call?‘ - ‚Bro, what if I invited you out to lunch after telling a friend to say I love you before it’s too late?‘ - ‚BRO 😍‘“

Again, the title gives everything away but like so many scenes between these boys that moment at the bowling alley when Buck channels Arnie and Eddie is all: you’re a dork and also wrong! and then later when Eddie invites Buck to get lunch (which is sort of Eddie’s thing, remember 2.01?) after earlier telling Chimney to tell Maddie he loves her if he has a chance because he might regret it. And to really drive the point home or maybe make it in the first place, after Eddie asks Buck - and only Buck - to have lunch with him, Buck then declines because of a little blood (Evan, come one, you’ve seen worse! I know I have!) - only for Chimney to consider this the push he needed to invite Maddie for dinner so he can tell her he loves her.

So, you know, platonic.

- 3.16: „The rope was a metaphor after all“

I mean, what was that scene in the locker even with Eddie leaning against the doorway all cheeky and grinning like: yeah, come hang out with me! - obviously it was about Buck never saying yes to babysit a group of nine-year olds when he could be out drinking (as someone who works with kids, I approve), but yeah, that’s not what it felt like? So unless ya’ll cannot act anymore this was deliberately a bit over the top and ambiguous.

Jealousy

Now, no good ship works without jealousy and neither does Buddie so here are some examples of Buddie being jealous.

- 2.06: „Bucky Barnes murder strut - 911 edition“

Now, your probably saying: Bucky Barnes murder strut? That’s a tall order! But damn, Ryan nailed that, okay? Listen, we’ve seen Eddie walk out of uniform several times at this point and NEVER before and never after has he struted this predatory. Eddie walks tall and military, you know, the way he stands, Eddie doesn’t strut!

Yet, here he does! And what I love about this scene is that we see him in the background while Bobby talks to Taylor, working out with no care in the world - and then Buck comes over and flirts with her, suddenly Eddie feels the need to be part of the conversation?

And he doesn’t even wait until he is standing next to them to talk, he calls over while still sitting on the lifting things.

So yeah, that one is him being jealous.

- 2.10: „It’s all about ‚not my business‘“

- Now 2.10 is a great episode for Buddie and in part it is due to Buck’s facial expressions in the background and out of focus of the camera when Shannon comes to the station.

I mean, Oliver always plays Buck very intense and expressive and with his whole face but that was a bit much, you’d think he just found out Eddie broke a vow of chastity or had an affair while being married (which technically is what Buck compares it to later so kinda makes sense he looks like that but also doesn’t, Buckeroo, what’s the big deal? Did Eddie show up at your doorstep a week earlier telling you what a punk ass bitch his wife was, or…?)

- 2.17: „*fridges female character for man pain* Haha, we’re so random!“

„Talk to Bobby. Maybe he can get you guys a discount.“: There is a point to be made about Buck just not liking Shannon considering everything he knows about her and has heard about her, the same way Eddie doesn’t Abby, but still. This scene and this line, Buck does not sound happy for Eddie or truly interested and yeah, it’s off and it seems jealous.

- 3.04 „discount!Buck in the house!“

It’s actually not just my interpretation, it’s actually - between the similarities to 2.01 and everything that happens after with the lawsuit and how Buck explains himself - literal text that Buck was jealous here with Lena. So there!

- 3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

Tim Minear please send me over some scripts or have someone call me and explain what they were going for with the „You had sex with your therapist?“-scene because Eddie was so huffy and offended and I need to know!

- 3.12: „There’s a horse loose in a hos… school“

Buck sounds awfully gleeful Eddie will probably not date Christopher’s teacher and while that might just be him making fun of his best friend being so very overprotective and short tempered when it comes to his son (Mr. Control has left the building!), still, it reads a little like jealousy over some unknown pretty woman Chris might have mentioned some time and Carla probably described in great detail when she told Buck all about Eddie losing his cool!

- 3.17: „LegsTM“

It’s technically not really a jealous moment because it’s not Eddie being jealous but Buck simply refusing to mention his ex-girlfriend here, but considering 3.18 and also and most importantly the fact that there are only two other people in the truck, one being an unknown firefighter driving the truck and the other Bobby, who very much knows how Buck was supposed to take a hot air balloon ride with Abby, for who but Eddie was Buck concealing her identity for because Bobby already knows?

There really is only Eddie left, who probably figures out what Buck was about as well because bro may not be Buck and his out of the box thinking smart but he is fucking smart and he can figure shit out as well! Yet Buck refuses to mention Abby’s name and for what? So he can pretend Bobby and Eddie don’t know he is still bitter about her? I mean, fucking hell, send over the motherforking scripts, Minear, I am done with you!

- 3.18: „Traincrash? More like train WRECK? *cries*“

While I think Eddie is being more protective than jealous here, he is awfully involved and he is uncharacteristically out of control and emotional here and I wanna know why? Does Abby being back remind you of Shannon? Is it jealousy? WHAT IS GOING ON??? WHY YOU SO MAD, ARMY BOY???

Subtext

Now, I am first gonna talk about Subtext things in general like clothing choices, music and cuts between scenes and I am gonna be honest, I probably missed quite a few!

- One of my favourite is that while Buck wears the same colours in 3.03 as Shannon does in 2.07, Eddie wears the same exact shirt - and considering the fact that Ryan got buff between Season 2 and 3 that was deliberate, someone bought that shirt again because we are supposed to connect these scenes with each other!

- As I wrote before in 2.10 we can see Buck and his reaction out of focus when Shannon comes to the firehouse to talk to Eddie and ya know, why?

- Tim Minear himself said the elf in 2.10 was an easter egg for us Buddie shippers and he also said we can make out of the fountain in the background what we want, so there, Buddie is talking about Shannon and Eddie having sex and how much that messes shit up while a fountain shoots water in the background and yes, that is an innuendo and subtext and I hate it a little.

- 2.13 has this hospital scene I love a lot and you know what? Buddie is basically dressed the same, because the subtext of this scene is these two are alike and connected and they GET EACH OTHER.

- Another scene I really love is in 3.01 when Buck comes in for the surprise party because not only does he not hug his sister or Athene but runs up to Eddie first, Bobby actually shoves Eddie at Buck so he is the first person Buck hugs (and then the hug itself, what was that? The way they hold onto each other for a moment just looking while their hips are still touching?! Is that how you two hug because I want in!).

- Also they are dressed basically the same, should we discuss this as well?

- And still in 3.01 when Buck thanks Bobby and they talk and Bobby tells Buck he’ll find someone better and then asks him if he is doing okay, the first person the show cuts to is - nope, not Evan Buckley’s sister who is also there but his best friend, Eddie! Jup!

- And still in 3.01 when the firefam talks about helping Buck in the firehouse, Eddie first acts dismissive but the scene ends with Bobby saying Buck has them even though he may not believe that right now and half of that is said while the camera is on Eddie’s face who looks thoughtful - only to cut from them to Maddie and Josh discussing the same thing and mainly how Maddie doesn’t know how to help Buck and what he needs from her. Which you know, the episode ends with Eddie basically giving Buck a swift kick in the butt like she though he might need (and then 3.03 has Eddie basically telling Buck everything is gonna be okay, so we see Maddie talking about helping Buck but never see her doing it and instead we get two scenes of Eddie being there for Buck and also no Maddie in relation to the lawsuit but an extreme focus on Eddie? Writers, I see you and you aren’t wrong!)

- Also worth another mention is the cut between Madney talking about children, saying Buck didn’t have any either - to Eddie waking up Buck so he can babysit Christopher and specifically calling Buck „his Buck“ to make us think on their relationship and let us know how close they are and also to tell us to not trusts everything Maddie says about her brother because she gets shit wrong.

- In 3.03 after Buck tells Eddie he lost Christopher and then Eddie sees Christopher and rushes over and and Buck collapses and while Eddie holds Chris after he checked for injuries and Chim and Hen and Bobby hold Buck and Bobby asks Buck if he is okay, well, this whole time Buck is staring at Chris and Eddie and Eddie is staring back at him and Bobby, if you wanna know about me, gotta tell you, I am not okay?!

- And then we have the loft scene and yeah, okay, this deserves 5000 words of his own, from the fact that they played „Photograph“ by Ed Sheeran which includes lyrics about how they will never be alone and how loving can heal and mend your soul and the fucking song ends on the words „Wait for me to come home“ just as Eddie knocks and brings Christopher over and tells Buck there is no one he trusts more with Christopher than Buck and I am sorry, what are we supposed to think here? This show is from the US, these people speak english, it’s not like these lyrics leave much room for interpretation!

Not to mention the whole monologue Buck did about being lost and not knowing how to get from where you want to be to where you need to be before Eddie showed up and then talking about how a few choice words can sometimes be the life raft one needs to get home and how we are all just searching for someone to see us? I love Maddie and I love the Buckley siblings, but damn, she’s not the one he has been searching for!

(And I keep bringing up Maddie here because as his sister she is the person Buck could feel closest to and should care about the most and be cared about the most by and yet all canon evidence points to Eddie being that person! Also she is the person next to Eddie Buck has the most scenes outside the firehouse with.)

- This one is a bit of a stretch but Buck looks very uncomfortable during the whole deposition in 3.05 but he looks everyone in the eyes until the lawyer mentions Shannon and suddenly his lap is so much more interesting and yes, after is when all of them get asked the really hurtful question but still, this is when Buck stops being despondent and realises, fuck, I went a bit to far

- Someone please find for me where the director talked about purposely framing them as romantic in the apology scene because I cannot find the post for the life of me, but never the less: In 3.06 during the apology, in the beginning of the scene we see Buddie from quite a distance and Eddie has his back turned toward Buck and there is a column in the shot to visually indicate the divide and yeah, the whole framing is quite something and the way the camera angle goes from far away making it seem like unbridgeable distance cutting to closer shots and how we slowly see alongside the words hey, they aren’t actually that far apart, like yeah, this scene was something else!

- Not a direct cut but during therapy Eddie talks about how he wants to be at home with Chris because he is the one good thing he has going for him and the one thing he gets enjoyment out of (because he is so fucking depressed and I cry), yet when we later see Chris and Eddie together it is neither in Eddie’s house nor are they alone, nope Buck is there as well, meaning Buck is considered a part of that one thing even if he wasn’t explicitly mentioned!

- During 3.10 when they take the photo with all of them Buck is grouped between Madney and the Diaz family, like right between and not just next to them. Also earlier when the eat Buck sits next to Christopher who sits next to Eddie and therefore on the opposite side of his sister and her boyfriend.

- Yes, they were probably amused by the meddling mom asking then „Are you boys single?“ in 3.11 but come on! They look at each other and smirk? For real? Hand over the script, Timbo!

- Also as mentioned before the fact that when Chim and Eddie talk about family and the 118 being the family they choose the camera is on Albert, Buck and Christopher, no one else is in the shot. And of course the song that is playing here, another song about home.

- The callback to Buck in 3.12 of Ana immediately guessing Eddie is short for Edmundo unlike Buck as well as Carla saying blue eyes (which Buck has) is also Subtext.

- Said it before but: the scene in 3.13 when they arrive at the hospital and Eddie asks Buck out to eat and then Buck changes his mind but Chimney runs off to call his girlfriend because he wants to have dinner so he can tell her he loves her like Eddie told him to do at the beginning of the episode is … interesting.

- I already explained why I think Shannon wasn’t in that many scenes in the video in 3.15 yet Buck was in most of them but it bears repeating. Also again it’s subtext that Buck is part of Eddie’s family and Buck is very important to Eddie and Eddie loves Buck.

- Also the question about the medal in 3.15 and the little boy at the end repeating the question, sorry, were we not supposed to think of Buck here, Tim???

- Also just in general 3.15 focuses very very heavily on Buck and Buck’s reaction - much like 3.18 later does with Eddie. All the non-Eddie scenes feature Buck and Buck freaking out about Eddie potentially dying and Buck making plans and being frantic and the driving force of hope cause homeboy cannot even for a second entertain any thoughts on Eddie’s passing.

- The rope metaphor in 3.15 / 3.16 is of course also subtext but I already explained that one and don’t have anything to add really.

- This one is a little bit of a stretch but I do think there is a reason Eddie was the first one to be taken out of the equation in 3.16 and because of his son and not a love interest.

- Also the pool playing scene in 3.16 there visually we see Eddie and Buck together in nearly all shots, there are two shots of Eddie without Buck in it but not a single one of Buck without Eddie in it and considering camera angles and actors literally being told were to stand it is deliberate that Buck is only seen with Eddie by his side here.

- I’m repeating a lot of things here but Buck refuses to say Abby’s name in 3.17 even though Bobby clearly knows who he is talking about.

- „No. He stopped waiting for me a long time ago.“ cuts to „Summer Camp?“ I mean sorry, what were we supposed to think here? Because this does imply he really did stop waiting because now he has Christopher and Eddie!

- Not to mention it sort of hammers home what I wrote before how Abby is dating a single father and Buck is sort of dating a single father.

- Also 3.18 puts a lot of focus in general on Eddie and his reaction to everything when say, Bobby, who actually knows Abby and was there for the relationship would have made more sense - unless they are pushing an agenda here!

The first person we have Abby interacting with at the traincrash is Eddie and then Buck joins them and the scene literally goes: Eddie *talking to Abby* > cut to Buck, coming closer > Buck: „Abby?“ > cut to both Abby and *Eddie* > Abby: „Buck?“ while the camera is still on her and Eddie > cut to just Eddie’s face having a realisation > cut to Buck

So sorry, why do we focus so much on Eddie here, Mrs. Lynch? Is there a particular reason, oh director, who art also directed 3.01 and which has also loads of Buddie subtext?

There is also Eddie coming to stand visually between Abby and Buck when Sam is loaded into the ambulance as if he is physically putting himself between them and then Buck running back toward the traincrash and Eddie following him after and all the shots of them and Christopher during the party together and once again having Bobby asking Buck if he is okay visually connected to Eddie, though in reverse this time because the scene goes from Eddie and Chris having fun to Buck and Bobby talking. (And should we talk about how this is the first time Buck actually answers the question because finally he has an answer or are we thinking about that right before sleep today when it’s easier to cry?)

- Also very interesting subtext is the fact that Buck and Eddie wear nearly the exact same colour and a similar cut pullover when Buck talks to Abby at the end and when Eddie says goodbye to Christopher and I mean, thematically both scenes are about saying good bye and letting someone go? But also it connects Buddie with each other and connects these scenes, which Idc, I probably wouldn’t have done without the clothes?

Not sold seperatly

- Also subtext / visual thing is the fact that Buddie is basically always with and next to each other at the firehouse and on calls (and before anyone says: well, they are partners, Hen and Chim aren’t as much), and that is a long list so I am just giving examples: in 2.05 they sit next to each other at the table while in 2.06 they sit next to each other on the couch and in 3.08 they sit next to each other at the table again and then we have 2.02 standing outside and 2.04 walking away from the scene together and Eddie handing Buck a weapon in 3.17 and walking toward the ambulance together in 3.13 and several other times, the point is there are a shit ton of scenes of them being right next to each other in case you thought that was a fanfic thing!

„The Buck lens“ / „The Eddie lens“

I’m pretty sure there is an actual technical term for what I am trying to describe here but basically there are several instances where we see Eddie the way Buck does, meaning while the scene shows us Eddie doing something the focus is on Buck watching this. Sort of POV but not quite I guess? Also the reverse is true as well, even if those scene aren’t as pronounced!

- Let’s talk about 2.01 once again as we have done for most of this meta and finally, finally look at Eddie’s first scene which we all know is sort of gay and the first time we see Ryan shirtless because Tim accidentally wrote a certain quota of shirtless scenes he needed to do into Ryan’s contract and he needed to get started on those right away.

Also please remember while we as well as the core four are watching Eddie get dressed „Watta man“ plays in the background, which, considering we are introduced to Eddie through Buck’s point of view might be the song playing in his head here? Anyways, back to the topic at hand and how we as the viewers don’t see Eddie until Buck turns around and sees him as well. Which is significant because several times through the conversation between Buck, Hen, Bobby and Chimney we see the locker room in the background so they could have filmed that differently.

Instead they had Chim, who stands off centre, noticing something while Buck banters with Bobby about how he will get to represent the 118 in the calendar, then the camera changes angle so we no longer stand between Bobby and Chimney but rather behind Buck, making him centre stage and putting a focus on his reaction to Eddie. In this scene we have Buck framed by two people commenting on Eddie’s attractiveness. Now we don’t get to see Eddie until we have gotten all reactions of the core four to him, with special attention to Buck, both in filming and text with everyone taking a jab at Buck before walking over to introduce themselves to Eddie which leaves Buck alone, watching.

(Now keep in mind this scene also has Hen basically say Eddie is so hot it transcends sexualities while „Whatta man“ plays as Buck slowly turns around and Idk, mate, that does seem shippy to me.)

- Another scene that focuses very heavily on Buck is when Eddie rushes and hugs Chris at the end of 2.03. In fact for most of the scene we see Buck in the car watching them.

- Also, the hospital scene in 2.04 and how once again we see Eddie interact with Chris while Eddie watches them because fuck knows why.

- Similar to the Buck lens we have 3.10 where Eddie talks to Hen about Chris while the two (or rather Eddie since he sits at the centre) watch Buck play with Chris and Danny. This is significant because Buck is also placed in the middle, putting him opposite Eddie and also making him the focus of the camera for most shots when the scene was about Christopher and Eddie feeling guilty. Huh, we say!

- Something similar happens in 3.11, which is the next episode several months removed when Eddie talks to Chimney about the 118 being their family and while this time Chris is the one sitting in the front, Buck once again is in the middle and also in focus in a scene shot from Eddie’s POV.

Other people reacting to them / commenting on them

Now, I am not sure if this is really Subtext but who knows where else it fits in? (This is a rhetorical question, only my opinion counts around here while I write!) So It goes here! And I think the title is self-explanatory enough.

- I’m a little on the fence on the Bobby looks because - no offence to Peter Krause - he doesn’t have that many facial expressions in general, but yeah, at the mechanics Buck watches Eddie and Bobby watches Buck.

- Our first real one of those scene is the truly savage tía Pepa who is a woman after my own heart because she says the mean shit to your face and the nice things behind your back because she loves you but she loves vibe checking egos more! And well, she is understandably confused by Buck’s being there at the hospital and asks Eddie who that is and why he is here and gives one of the best lines of the show by being so sarcastic, because oh, you work together? Damn, wouldn’t have guessed from the fact that both of you wear LAFD t-shirts! (I love her!)

- In the same episode Maddie comments on Buck’s boycrush on Eddie and while I am unsure whether that is supposed to make it sound less gay or it’s Maddie saying: Bro, you sound 12! but oh well! It’s a comment on them!

- I loath a little to include the elf in 2.10 because Tim has said that was an easter egg for Buddie shippers and a tongue in cheek thing but yeah.

- Also Bobby watches the whole „It’s a miracle“ exchange in 2.14 with that look.

- In 2.18 we get some text on the screen when they help instagram girl about how hot the both of them are and also how THEY should be dating which I’m putting into the same box as 2.10.

- The fact that Bobby shoves Eddie at Buck in 3.01, like sorry, why was it so relevant that this is the first hug?

- When Eddie / Ryan stared at Buck’s / Oliver’s ass in 3.04 we see Hen and Chimney grin about it.

- I know I have said myself that Maddie’s reaction in 3.08 was due to the fact that she just said: can ya’ll stop gossiping - and Chim and Buck were like: sure thing! and then started gossiping but still.

- There is Buddie flirting at the bowling alley in 3.13 and once again Bobby gives them the look and yeah.

- In 3.15 everyone seems very worried about Buck especially and they keep reassuring as if he were Eddie’s next of kin.

- Again a Bobby look I am unsure of but in 3.17 we see him giving them the look in the truck and yeah.

Other people’s heartache

Now, as I’ve said in the beginning, I didn’t wanna just include my perspective on Buddie, so I asked a few other people about this and while this isn’t a representative statistical number it’s still interesting, right?

(Also originally this Guide was organised by episode and I would have included the comments when the things came up but alas that didn’t work and I think I turned a little grey because of that)

@buckleysbabe:

When i first watched 9-1-1, I had no idea that Buddie existed (i hadn’t been on tumblr a lot at the time so I hadn’t seen gifs or anything) and when i started s2 I really thought they were just best friends, but then 2x10 and the ”you two have an adorable son” scene happened and Buck’s ”thank you” and the shy smile AND I WAS ON BOARD!! That was really the first moment, then I got the confirmation after 3x03 and the scene where Buck sees Eddie in the tsunami scenery, and then the whole Eddie saying theres nobody in this world....like in that moment I felt like they were seriously in love 😍❤️

About the 2x10: that scene has so many things. Like the water fountain in the back, Chris in the scene with them (like they are a family), then the elf saying what she said, Buck being for a second like ”huh?” and then you see the light bulb going on when he’s like ”ohhhhhhhh yeah” and then he says thank you 😍😍😍 saying HE IS CHRIS’S COPARENT. AND THEN THE SHY SMILE

@theleftboobgrabber

Right off the bat I thought they had chemistry but I think the entirety of 2×04 is when I genuinely started shipping it. Like.... the constant heart eyes, the support, Buck trying so hard to be there for Eddie and Eddie absolutely never questioning it, the look Buck gives Eddie at the fire house was absolute fire (when Bobby tells Eddie Buck asked for Chris to stay with them) like Eddie's like you did this for me??? And Buck has just this massive Big Buck Energy from where he's sitting like "get used to it" and I remember absolutely loosing my mind that Bobby got the hug and not Buck at the end of the scene like in what universe??? And yeah the rest of the episode is just the same but that feeling of 'that's the wrong man you're hugging' was the tipping point

@emotionalsupportfirefam

Okay so mine was kinda two moments?1) when Buck took Eddie to Chris' school after the earthquake and we see his reaction to Eddie's joy and relief as he holds Christopher and then spends the next episode trying to find ways to help Eddie with finding a suitable caregiver/ support for Chris and 2) the fact the took them whole of five minutes to go from 'rivals' to the 'dynamic duo' after the grenade call.

@evaneddie

Honestly? Literally every scene they have is romantically coded. The first scene of them, with Eddie being shirtless and us seeing it from Buck's perspective with „Whatta Man“ playing? That's subtext.

You can have my back any day? Yo.

The scene when the elf Blair(e) said they have an adorable son and Buck just said thank you instead of correcting her before he literally skipped away?

Eddie showing up at Buck's apartment and Buck not even questioning how he got in?

The way Buck is like a second father to Chris and protects him like one in the tsunami?

"THERE'S NOBODY IN THIS WORLD I TRUST WITH MY SON MORE THAN YOU"?! REALLY EDDIE? WHAT ABOUT LITERALLY ANY OF YOUR FAMILY? OR CARLA? Baby, that's love.

THE HALLOWEEN HUG?!

THE KITCHEN SCENE, THE WHOLE SEXUAL TENSION IN THAT SCENE?! BUCK'S HAND ON HIS BELT, THE GLANCES, "I'D STILL TAKE YOU", ON THE COUCH EDDIE LOOKS TO BUCK'S LAP, LIKE COME ON!

"You boys single?" *Looks at each other*

"This is Eddie's house, I'm not really a guest"

Buck's breakdown when he lost Eddie under 40 feet of mud. That was not the breakdown of losing a friend, that was the breakdown on losing someone you love. There's a meta I saw once literally just for this scene alone, the way Buck dug so desperately at the mud with his bare hands, the screams of heartbreak, the way he collapsed into Bobby, the pure dissociation as Bobby was giving instructions later on, Eddie's memories filled mostly with Christopher and Buck. Sure, the others were there, but, it was FILLED with Buck and Chris.

Then the ending scene of the season?! What was he trying to do with the necklaces? Thrusting his hips towards Eddie, hitting him in the face, then that soft touch on his face?

@adamngoodbuck

Hey! Nice question and for me really easy to answer. I started watching the show back in 2018 when it first aired but I was a casual viewer. Very casual. So casual I actually watched everything up to 2x10 and then I thought it was the season finale so I forgot about it. And then season 3 started. And nothing made sense. So I checked and welp, I had to catch up. And I did and something started brewing inside of me. I wasn't part of the fandom yet. And then. The THE SEARCHERS happened. And that scene. The there's nobody in this world I trust with my son more than you scene. My icon scene. And I was done. Hook, line and sinker.

@the-family-we-choose-118

My main ones were all the big ones: the kitchen scene, the end of 3x03, the Christmas episode one where Buck is helping Danny and Chris make gingerbread houses and then plans a whole party for the firefam, Buck clawing at the ground in 3x15, Eddie interrupting Taylor Kelly when she came to the station to do the documentary in Dosed, the fact that Eddie was introduced from Buck's POV with „Whatta Man“, the entire earthquake episode where Buck is reassuring Eddie his kid is okay and then drives him to get his kid later on, and the scene where Buck introduces Eddie to Carla in (I'm pretty sure it's) the same episode where Maddie asks him if his boy crush on Eddie means he's over Abby (that was my main one). And I was fully convinced when Eddie walked in Buck's apartment in the beginning of S3 and ripped his blankets off him and was so sure he doesn't sleep naked/wouldn't have anybody over.

And the „official“ part of the guide is done but I do wanna say something else real quick which is:

You have just read about 20.000 words I painstakingly wrote over the course of several weeks and while I get that meta is even more harrowing to reblog than gifsets or fics because meta involves so much opinion and interpretation and what if you disagree with parts of it?

Well, again, I invested a lot of time in this and also: IF YOU DISAGREE TELL ME!!! TELL ME IN THE REBLOG OR IN THE TAGS!!! Because different to fics and gifsets meta is a dialog and I can’t have a dialog unless people talk to me! I’m not here to lecture you on right or wrong, I am here to tell you: okay, this is how the scene looks from my point of view, what do you say? So honestly, please consider liking and reblogging and tagging and maybe talking a little about it with me, because screaming into the void is so very boring

(And also in general: reblog reblog reblog! All these funny posts you see on buzzfeed and instagram screenshoted from tumblr? Half of them were made great by reblogs and all of them were noticed by these sites because of reblogs)

Anyways, before I (REALLY) let you go it would be hypocritical now to not talk about some people who inspired some of this (but ya’ll have to understand I cannot talk about everyone)!

I can however say these four especially helped me write this:

- @diggorypuff , who I have never talked to but whose posts about interesting parallels actually sort of got me into thinking deeper about this show: (X)

- @ingu, who fairly recently did a series of gifsets on Buddie and how Buck is framed as Eddie’s love interest which gave me life: (X)

- @matan4il, who is such an amazing friend and does the most concice and well thought out metas on Buddie without having to watch the show a million times like other people we shall not name have to (me, I am talking about me). Find her buddie metas here: (X)

- And most importantly my girl, my babe, my love, @chimbuckleys who is the voice of reason between us and always lets me rant about stuff and was the sounding board for this and so much else I have written - I couldn’t do this without you! (ALSO I AM GOING TO BED NOW, BABE!!!)

AND DEAR READER, you made it! Now go have a blessed day and plant some trees because earth is dying and we with it!

#buddie #evan buckley #eddie diaz #buddie meta #eddie meta #buck meta #911 meta #911 #911 fox #textpost #meta #holy shit I made it but also I think this is actually quite literally too long to be posted at once and I cry?????#FUCK #my meta #the big buddie for dummies guide

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