#there are some other things but I won't list them

[writingquestionsanswered]

Someone mentioned that main characters can get overdeveloped. I'm familiar with characters being underdeveloped, but how do you tell if they are overdeveloped?

5 Signs Your Character is Overdeveloped

#1 - You spend time illustrating personality traits that aren't important to the story. Your character's personality traits should have some bearing on how they move through the story. Don't take the time to illustrate your character's stubbornness if being stubborn won't have some impact on the story.

#2 - You excessively describe their physical appearance and what they're wearing. While it's a good idea to give the reader a sense of what the character looks like and to describe what they're wearing when it shows something important about the character, world, or situation, the reader doesn't need an in-depth physical description--or even reminders--every time the character appears on the page.

#3 - You spend a lot of time illustrating their interactions and relationships with minor characters even though they have no bearing on the story. We like our characters to feel real and three-dimensional, which means giving the reader a sense of who they are, what their normal life is like, and who is important to them. However, we don't want to spend a lot of time on characters/relationships that don't really do anything for the story. For example, it's nice that your character has a good relationship with their elderly neighbor, but if the relationship isn't necessary to show us who the character is, set up or execute a plot point, or fulfill a thematic/symbolic role, it probably shouldn't be there.

#4 - Your character is a "jack of all trades." It's great for your character to have hobbies, skills, and experience in various things, but we don't want our characters to look like a walking, talking, padded resume. For the most part, any hobby, skill, or experience highlighted should play an important role in the story. If being proficient at roller skating doesn't tell us something about the character we can't learn another way, allow for the setup or execution of a plot point, or fulfill a thematic/symbolic role, it's probably not important to highlight that hobby, skill, or experience--or any other that doesn't contribute to the story.

#5 - You spend a lot of time on unnecessary backstory - Backstory plays an important role in helping us to understand who the character is, how they got to where they are in life, what things led up to their internal conflict and emotional wound/s, etc. However, we don't want to spend time on things that aren't ultimately important to the story in some way. For example, there's no point in flashing back to your character's week at surfing camp if nothing happened that week that is important to who they are or anything else that happens in the story.

A good rule of thumb for really any detail in a story is to ask yourself, "What is lost if I remove this detail?" If the answer is "nothing," you can probably go ahead and remove it. :)

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

#wqaadvice

[pinkeoni]

During his emotionally charged speech in the van, Will says one particularly potent line.

"When you're different... You feel like... a mistake."

This line is highlighted visually by the camera shifting positions to outside of the van, a shot that is only used one other time to punctuate the end of the scene. This line holds extra weight and the show wants you to know it.

I already made an analysis on the word mistake and what that means for Will, but I want to look at the word different, which feels emphasized in the delivery of the line as well.

"When you're [pause for effect] different..."

It's popular headcanon among st fandom that "everyone in Hawkins is gay!" which sometimes bleeds from into their belief of real canon. Sexuality headcanon lists suddenly are seen with an air of truth to them, and a number of fanon queer ships are accompanied with evidence of their supposed endgame status.

I realize that this is kind of a... weird post to make. I'm not really making this to tell people to stop doing something, this is more of just a rattling off of some opinions I've had for awhile.

I do wanna start off with the obligatory: Do whatever the hell you want. I'm not here to stop you from doing something or tell you that you are wrong for thinking that a character is gay or for shipping something. You are allowed to ship whoever you want, think whatever you want about any character, any ship I don't like I have filtered. But I'm also allowed to not like these ships, or disagree with how others view certain characters. Just as others are allowed to have and express their opinion, I'm also allowed to have and state my opinions on the opinion website.

I think the important thing regarding Will being different is the fact that he is different. As my good friend @karenchildress once put it, if everyone were queer, it would cheapen the message the show is trying to give. Sure, the show displays a variety of ways of being different, but being gay is, among other things Will has been through re: being taken into the Upside Down, is Will's way of being different in Hawkins.

And of course Robin is gay as well, and while there is some crossover, the lived experiences of a gay man is different from that of a lesbian woman, which the show does touch on. Will's story is part of an extended AIDS metaphor, and Robin struggles to gain the attention of women in a world that seems to revolve around the attention of men.

It might be nice to have a moment between Will and Robin, although that alone won't solve Will's problem, i.e. his belief that being different makes him a mistake. Cause that's the thing: the resolution is that being different is a good thing.

If everyone character were queer, this would cheapen the message. Suddenly the resolution isn't that being different is a good thing, but that he isn't different after all.

So then, are queer stories meant to have only token characters?

I think it depends on the type of story, and what it's trying to say. Heartstopper has an eclectic queer cast, but it's also a show that embraces finding community and other people like you. Sex Education has a variety of different sexual identities, but it's also a show that aims to explore a lot of different perspectives.

And there are also queer stories where the queer character's disposition, and their struggle because of that, is a big part of the story. I believe this is what this show is trying to do— highlight Will's difference and how that pertains to his personal struggle and the resolution of that.

One argument that I hear against Will with powers is the idea that making him more different would be bad for his character, because he hates being different. But the thing is, Will is going to learn that his differences are a good thing, which may include any possible powers.

Of course Will isn't the only one with powers, and he also isn't the only gay one. El, Henry, and Kali all have powers, and Robin, Vickie, and Mike (and maybe Henry? I haven't seen TFS myself so I'm not commenting on that) are all gay. So while he's not alone, these things are still a rarity. It's not a case of a headcanon list with mostly everyone gay and some token straights.

"Characters are not straight by default."

This sentiment isn't unique to the st fandom and also didn't originate within this fandom, but it is something that I hear often. And it's... not really true, although it kind of depends on the piece of media we are talking about. It might be easy to say this about a show made in the 2020's, although this same sentiment is hard to state about, well, most shows made before the 2020s. And even then, it depends on what the show is going for.

People being not straight by default is a true statement in real life. You shouldn't assume a sexuality for anyone, gay, straight or what have you. But characters are made by people, and people have different biases on how these characters should be written. Calling the Duffers "two straight men" would go against what I just said, although I don't think that the show was written with everyone being gay in mind. Aside from the 4 (maybe 5) I listed, the other characters are not written to be queer. They just aren't.

All of the queer characters have arcs that feature their queerness. Will's queerness has been mentioned since season one. Robin's romance becomes part of her plot in season 4, and Vickie is introduced as her love interest. Romance has always been an important facet of Mike's story since season one, and his failure in a straight romance is highlighted in seasons three and four. Chekhov's painting of season 4 seems to solidify a gay Mike.

Elmax and Ronance as endgame options not only have no lead up but are also mean spirited towards Lucas and Vickie. Elmax gets together, breaking up Lumax, which has been built up since season two, and Lucas is supposed to be okay with this because????? Ronance get's together, effectively writing off a queer character that the show had introduced, and she can't even fulfill the reason she exists in the first place? Rockie is not the most well developed relationship out there, but it's the one that the show has decided to go for. Maybe Ronance could work, in an alternate universe where the show actually wrote that in.

For those that argue that both Max and Nancy are queer I simply... disagree. And you can disagree with me too, we'll both just agree to disagree. I'm not against headcanons, which are usually harmless, but also usually driven by the desires of the headcanon-er and less so the canon of the show. Which again, is fine, but it's also these headcanons which are being used to drive an argument for actual show canon. Usually the argument for any character being queer that wasn't already listed in canon rests solely on vibes, not any concrete evidence that may suggest actual attraction to the same sex.

More substantial evidence usually comes when someone applies a queer lens to a certain character, but an interpretation can be different from authorial intent. And sometimes, the viewer may be so focused on the metaphorical, that they fail to see the literal.

I do think that you could easily apply a queer lens to El's story. Her story is about, in her words, "not belonging," in society, having to remain in hiding, and deviating from feminine norms. I can easily see how you can derive a queer message from this, but all of the traits listed above are a result of her having powers and being raised in a lab, not being attracted to the same sex. Metaphor alone cannot prove that she likes girls.

Going back to Nancy, Nancy's romantic options are between Jonathan and Steve, although the show seems to make it clear that it's going with Jonathan in the end, what with Jancy holding hands at the end of season 4. Steve get's brought up in conversation between the two, alluding two some unresolved tension that's likely to be brought up in season 5, and Robin is... at the high school with Vickie. That is the end of the season establishing the arcs and romances for the final season.

"Gay people didn't exist in the 80's."

That's an argument on the opposite end of things that just isn't true, although I've also heard the counter for this argument, that gay people did in fact exist in the 80's, as evidence that everyone is gay. I'm not really here to argue whether or not gay people existed in the 80's (they did) I'm just here to argue what I think the canon of the show is presenting.

That being said, the show taking place in the 80's is still significant. It may not be a hyperrealistic depiction of the 80's, but the show does seem to understand the idea that at that time, it was very difficult for gay people come out and to start relationships. It's the reason that Robin can't just go up to Vickie and ask her out, and it's the reason that Will can't just say that the painting is from him. It's the reason why Mike hasn't quite yet left his relationship with El and accepted himself. It's the reason why Rockie has to discreetly flirt through peanut butter sandwiches. A character who hasn't had queerness built into their plot, or a relationship that has no buildup, isn't suddenly going to become canon in the last season.

I was talking about this once with a friend who used the show Only Murders in the Building as an example. In the shows second season, Selena Gomez's character is revealed to be bisexual and dates a character that Cara Delevingne plays for most of the season. The show doesn't build up to her character being bisexual, she doesn't come out as such, the other characters don't make a big deal out of it, she just is. So why can this show do something like that but Stranger Things can't?

Well, Only Murders is a show that takes place in present day, and is a light-hearted comedy (albeit with murder). A character suddenly being bisexual with no set up makes sense for the tone that the show has established and when it takes place. Stranger Things takes place in the 80's and establishes within it's first season and maintains it throughout that gay people get killed and are seen as social pariahs.

It's not that I don't understand where the desire to have more characters be queer comes from, especially characters that people already like and relate to. I don't think it's harmful to think that these characters are queer, I'm making an argument purely with regard to authorial intent and the actual outcome of the show. Again, feel free to disagree with me and continue to do whatever you want, these are just some thoughts that I have had on my mind for a while and wanted to put out.

#well this has been sitting in the drafts for a while #sorry to focus on the female characters #i would write something about steve but i also just. dont even tough that side with a ten foot poll #anyways #dont feel obligated to read all of this this is a post for me than anyone else #stranger things #conclusion is a little flimsy didnt really know what else to add or how to wrap it up tbh

[brucewaynehater101]

Let’s say Alfred is busy and Tim has to leave. Who do you think Tim leaves in charge of Bruce while he’s gone?

Like ofc there’s the option of dropping him off at the JL but there’s no way Tim can just drop his kid off with his little friends and not expect him to end up in some world ending kind of danger.

Then there’s also the option of Tim dropping Bruce off with one of his own friends but I just think the thought of one of yj’s members getting The Batman dropped off at their front door with a baby bat bag of things to entertain Bruce while Tim’s gone full of different level of difficulty cases is hilarious.

Anita is Tim's number one choice, but she's usually too busy to watch Bruce.

Babs is a decent option, but she's also extremely busy and not willing to put up with Bruce for too long.

Ma Kent is a fantastic option. She won't put up with shit, Bruce will get plenty of sun, he'll be fed good meals, and Ma will keep a good eye on him. Bruce may even get a play date with Clark if he comes over.

If Bruce has been behaving recently, Tim considers dropping him off with Diana. She won't necessarily parent Bruce, but she will be able to get him out of any trouble they get into.

YJ is, unfortunately, both afraid and pissed off at Bruce. Tim only leaves Bruce with them if he has no other choice (especially because he's usually leaving Bruce behind to do stuff with YJ anyways).

Tim doesn't say it as so, but he threatens Bruce to be good with anyone he gets dropped off with. Tim has the routine down (the list of rules Bruce isn't allowed to do [so the man can't try to wiggle out of his consequences], the bag of stuff, the bribes to the watcher, and the lost of allergies/phone numbers). Tim is so thankful that he doesn't have to do this often.

Tim left Bruce with Constantine one time.

Constantine received the worst shovel talk he's ever even witnessed in his entire life.

#dc comics #tim drake #dc universe #bruce wayne #the parentification of tim drake #thank you for the ask!!!!

[notetaeker]

Hello!!! How did you become so dedicated to your studies? Do you have some advice?

I love your blog, btw✨️

Hi hi hi!! Thanks for the sweet message 💞💞

My BIG study tips (after 25 years of studying):

Accept your fate. This goes for anything but I used to procrastinate with studying a LOT and once you start it's actually not that bad. It's guaranteed. Automatically once you start, you have started, so you're already on your way, so it's already automatically not as bad anymore. Whining abt ur studies and avoiding them will not make them go away unfortunately. Just do it.

Make study time sacred. A few minutes of focused study is much more valuable than 5 hours spent at the library "studying" + scrolling + talking to friends + listening to music at the same time. Doing 5 hours like that is literally putting yourself thru hell because 1. you cant fully enjoy any of those non-studying activities and 2. you come out of that being like ugh I studied this page for 5 hours I'm tired of studying I need a break. Pomodoro method really changed my life pls try it out if u haven't already

That one tumblr post that says 'learning is basically being exposed to the same materials many times in multiple ways' is 100% correct. How many different ways can you expose yourself to the material. Memorizing facts- can you draw it? Can you organize the facts into lists? Can you attach a funny story to one of the facts? The more ways you interact with any material, the stronger it's saved in your memory. Find out if you're a visual learner- and then create visual tools, maybe color coding things helps you. Do a little digging and find out what works for you.

Diversify your life. Have some hobbies, spend time with friends/family, take a break. Let the computer of your brain sort out things in the background while you do other things. Once you go back to studying, you will feel refreshed (and not fatigued from 5 hrs in the library doing "studying") This also means that if you fail an exam, you won't be like 'oh no i spent my whole spring break studying for this exam and didn't even enjoy it and now I got a bad grade i must be horrible my life is nothing' and spiral. def not based on a true story :) Instead you'll be like yeah I failed but look at this scarf I crocheted look at mee i have mental health!

Sleep is magic- no matter what anyone else tries to tell you. 1. If you studied something during the day, just review those things right before bed and magically they will get set into your brain. Also 2. sleeping is when our brain sorts info so if you don't get any sleep at all it' the same as taking your study sheets and throwing them into the air, so when you ask your brain for the info during the test it's like lol it's around here somewhere. On the other hand, if you slept and gave ur brain time to sort it, when you ask for that info, it'll just open the right drawer and give u the info!

That's it for the big ones- if you want more specific advice feel free to ask! Also as a disclaimer, these 5 are all big life lessons that I had to learn thru trial and error, so consider these to be the advice I would give myself at a younger age. Pls don't be offended lol whenever I said 'you' I rlly was thinking abt myself.

#studyblr #study tips #replies #anon #writing this list felt like free therapy thanks anon + I hope this is useful for u

[drafthorsemath]

This year has been really hard on my horse. He had a groin muscle tear, his arthritis has gotten worse, and just today it really seems like he might be neurologic since his back end isn't moving right and he's losing muscle. There could be an underlying cause that's treatable, but the treatment takes weeks to months so it will take time before we know if he can turn around. If there is no obvious cause in the bloodwork, I will probably treat him for EPM anyway (the most likely treatable cause) just in case because the other option is that he keeps getting worse until his body gives out. (Obviously then my real option is euthanasia before this happens and he seriously hurts himself.)

And also today I get to start a new medication tonight and it's supposed to make me feel a little high. Or drunk. Or something.

So I guess I'm kind of going through some things and might use this space as more of a distraction than I already do.

#about me #personal #Hudson my precious boy #I just want him to be okay #there are some other things but I won't list them #cw: euthanasia mention

[svtskneecaps]

thank you for bearing with my purgatory posting and i'm also glad to see i'm not the only one who still has this fungus eating away at my brain matter. seeing other purgatory posting in the tag makes me feel better lmfao.

i'm not done btw, posting will (probably) continue as i revisit vods. wanted to extend a thanks in the interim, since i know how contentious the event was in the moment. i kinda thought the general consensus was most people hated thinking about it, but there's been a weird amount of engagement and yknow other people talking. makes me happy to know i'm not alone here!

#qsmp #qsmp purgatory #shut up vic #block game brainrot #it also provides me the opportunity to get a new perspective on some moments as well #like watching the jaiden spawnkilling thing the first time i missed some nuance in bbh's tone when he offered to walk her to her body #rewatching i heard them :D #i'll probably rewatch his conversation with slime from the same day at some point to refresh my perspective on that #but i think i'll wait on that; that convo makes me super biased lmfao #i'm aware of my biases at least :D and dw i won't bring old discourse back #tbh i never rly posted discourse much to begin with? just that one list and analysis of time stamps LMFAO #but yea i won't be bringing that back to the tag even if it's back in my brain #i PINKY SWEAR; i'm not one to start fights on posts or blogs that aren't mine #i block and then if i REALLY have something to say i shittalk them into my bathroom mirror #bc i know neither of us are gonna snitch >:D #long tags #it's also nice to look at with the benefit of hindsight and reflection #bc i know everything that happened; i was there watching it live #bolas are unreliable narrators #i'll probably see about going through some of the other team's povs as well just to see #it's interesting is all! and i finally have the time to sink my teeth into it properly #since we aren't having to keep up with like six streams a day #it's been so long sinve this server took a proper breather i'm appreciating it for all it's worth #((yes i wish the circumstances were better but they aren't; we take what we can get lmao)) #ok anyway love u byeeeeeeee purgatory posting will probably continue #i'll tag as appropriately as i can; lmk if there are further tags i should add #i prefer people don't block Me if they hate these; i'll make u a tag to block if u ask i promise <3

[heart-democracy]

TDI Advice wanted!

Hi TD fans! I'm planning a rewrite of TDI, the cast will be 18 for in-universe reasons (think legal contracts, I'm not gonna be weird about them). I'm aiming to make it more realistic and in line with the 2007 aesthetic, i.e era appropriate lingo & references, mobile phones are rare, homophobia is a bigger concern etc, but I'm wondering how far I should take it?

In the end I'll write what I enjoy, but should I lean more heavily into the gritty side of reality TV both on and behind the screen, include more notable sexism, potential slurs and creepy behaviours etc? The point is for there to be believable drama in-universe and the topics planned all have some merit to be present. I have some hard lines I'll never cross (see last tags on the post for those curious) and I want people familiar with the themes to feel seen rather than exploited reading it.

At the end of the day the cast are just youngsters getting to know each other and themselves. I want to humanize them and write believable conflicts without demonizing anyone, it is intended as a character driven story after all. But I also want to know what others think would make for an enjoyable read/take on the show.

The cast will inevitably diverge from their canon counterparts, but I am unsure how to handle certain characters, an example being LeShawna. She's clearly based on a racist stereotype, but her personality, background and lingo are a huge part of her appeal and I'd rather portray her in a better light than change her from the ground up. If you have any pointers I can keep in mind for her or anyone else you think is often portrayed poorly in canon or fanon then please let me hear your takes! This goes for non-TDI castmates as well, even if they don't show up in the story I wanna know what people think does and doesn't work for them and their tropes/traits cause it might still be relevant!

#Td #Tdi #Total drama #Id love any opinions no matter how personal or miniscule. Even outside of fic writing I love hearing theories/analyses. #Also: I already have some things very strongly set in stone so I won't change this project to perfectly appease someone else's vision #Some charas will inevitably be OOC at points but I am using canon information and what we know from stuff like other seasons and their bios #-as my basis for most things. Because while I want to explore some unrelated topics I still want this to be the TD cast. Not my OCs. #That said there will be personal headcanons thrown in. But I hope they flow well with canon and don't stand out as a sore thumb. #Some HCs might replace canon traits but only if I think they were bad/random or underdeveloped. #And if you have songs you think fit the campers pls send them my way! Good character playlists really helps w getting into their headspace #While I am a huge IOTS fan I don't intend to reference it in my work. No gore or character deaths because that stuff is too impactful both- #-for the characters and for the show in-universe. It would derail everything which is what makes IOTS work but is unfitting here. #All TWs will be listed once I start writing. I'm happy to tag niche phobias/squicks/TWs as well so if you're interested in reading but- #-worry that something specific might be included then just ask! No matter how silly it might seem I've got you covered. #What I won't include: SA nor heavy sexism/racism. I might not touch racism much at all outside of beauty standards/racist tv tropes. #Any heavy topic included will be approached with a lot of care and consideration for those affected. There will be 0 shock value inclusions

[probablybadrpgideas]

Number of Goblins, ranked

One Goblin - That's just a goblin. He's probably just getting his groceries or something. Leave him alone, you asshole.

Ten Goblins -- That's a fairly normal amount of goblins. There's generally around ten goblins in any given situations. They're just here for aesthetic, so you know it's a fantasy world. Remember to tip them when you leave.

One Hundred Goblins -- Ok this is too many goblins, but this is a reasonable amount of too many goblins. Like, this is maybe an army of goblins or something? My point is that they're probably here for a good reason. Best not to mess with them, they're likely load-bearing in some way.

One Thousand Goblins -- This is probably a goblin town, in which case this is really more a case of One Human, which is a completely different list only available on goblintube. If not, all these goblins are lost. Return them to the goblin town. The orcs are worried.

One Million Goblins -- A million goblins? I'm not sure I've even seen a million things in my life , and now there's a million goblins? That's, like, all the goblins. Why are you at a convention of all the goblins? Are you a goblin? Actually, no, that would make sense. Yeah, that's probably what's going on here. Sorry you had to find out this way.

One Billion Goblins -- Ok, look, at this point you have clearly been sent to a future time where humanity is extinct and goblins have inherited the earth. I can think of no other explanation for a billion goblins. This sadly means that you're the weirdo, and you have to go be a cryptid now. At least you can find a phone and read the goblin creepypastas about you.

One Trillion Goblins -- How? What is happening? This is more goblins then there are birds, and they'll all in your house? How is your house this big? Wait, forget the goblins, how is your house this big? Are the goblins here to guillotine you? Probably! Move out of your stupid mansion and let the goblins have it, you weird rich bird-hoarding freak.

One Quadrillion Goblins -- One quadrillion? I'm only like 80% sure that's even a real number! Luckily, you won't have to deal with a quadrillion goblins for long, because soon they'll collapse together under their gravity, forming a far more manageable single planet-sized goblin. Picard's not gonna be happy about this one!

More Goblins -- Fuck off, you do not have more then a quadrillion goblins. Why are you lying? Are you worried I won't like you if you don't claim to have an implausible number of goblins? Don't worry. Your worth is not dependent on your goblin numbers. Go back to the actual number of goblins secure in the fact I love you, no matter how few goblins you have <3

#D&D #fantasy #character idea

[blackpearlblast]

a rundown on the listed e-sim platforms from this tweet from mirna el helbawi. visit esimsforgaza to learn about this effort. (they also have a tutorial on how to purchase an esim and send it to them)

update v10 (4/9/24) nomad (regional middle east), holafly (israel and egypt), simly (palestine and middle east), and airalo (discover) are currently in the highest in demand. platforms. if it has been more than 3 weeks since you initially sent your esim and your esim has not been activated, you can reforward your original email with the expiration date in the subject line. you can see gothhabiba’s guide for how to tell if your esims have been activated. if your esim has expired without use, you can contact customer service to renew or replace it.

troubleshooting hint 1: if you are trying to pay through paypal, make sure you have pop-ups enabled! otherwise the payment window won't be able to appear. (this issue most frequently seems to occur with nomad)

troubleshooting hint 2: if you are trying to purchase an esim using the provider's app, it may block you from purchasing if your phone does not fit the requirements to install and use their esims. use their website in your browser instead and this problem should go away.

nomad

you can use a referral code to get $3 off your first purchase and also make it so the person whose code you used can buy more esims for gaza. many people have been leaving their referral codes in the replies of this post and supposedly a referral code may eventually reach capacity so just keep trying until you find one that works! BACKPACKNOMAD is another code to get $3 off your first purchase, it's been working for some people but not others so try out a referral code instead if you can't get it to work. NOMADCNG is a code for 5% off any middle east region nomad esims posted by connecting gaza. it can be used on any purchase, not just your first but is generally going to give less off than the first-purchase only codes, so use those first. it can be used in combination with nomad points. (nomad promo codes do not work on plans that are already on sale, unlimited plans, and plans under $5)

weekly tuesdays only code on nomad web, PST timezone! it gives 10% off plans 10gb and above. NOMADTUE

nomad also seems to be kind of sluggish sometimes when it comes to sending out emails with the codes. you can look for them manually by going to manage -> manage plans -> the plan you purchased -> installation instruction and scroll down to install esim via QR code or manual input then select QR code to find the QR code which you can screenshot and email to them. often just the act of logging back into your nomad account after purchase seems to cause the email with the code to come through though.

mogo

mogo's website is fucking annoying to navigate and i couldn't find any promo codes, but their prices are massively on sale anyway. you have to pick if you want your esim to be for iphone, ipad, or android for some reason. according to statcounter, android makes up approx. 75% of mobile markets in palestine while iphone represents approx. 25%. so i would probably recommend prioritizing donations of android esims but if you can afford multiple, try buying an iphone one too? if i can find any official direction from the connecting gaza crew on this i will update with it.

a good referral code to use for mogo is 8R29F9. the way things are worded are confusing but as far as i can tell, if you use it we both get a 10% discount on your first purchase. (the referrer gets a 10% voucher that allows them to top up in use esims, they are someone who i know has bought a lot of esims and will be able to make good use of the top-up discount vouchers!) also upon signing up it automatically generates a password for you which you can change by downloading the app. (check your email to find your account's current password)

holafly (also looking for holafly esims for egypt now)

holafly is pricier than the others and the only promo code i could find was ESIMNOW for 7% off. someone in the tags mentioned GETESIM7 as another 7% off code they had received, so if you have already used ESIMNOW or can't seem to get it to work, try GETESIM7. referral codes only seem to give 5% off and they don't stack. (i don't remember the source, it was on some sketchy coupon site i don't want to link to and only can recommend because i tried it myself) you can also use my referral link for 5% off if you can afford the 2% worse deal on your end, it will give me $5 credit which i can put towards buying more esims. connecting gaza has also posted the promo code HOLACNG for 5% off but since it is less than the 7% off codes and as far as i can tell does not give credit towards others to buy esims like the referral links, i would consider it lower priority for use.

simly (note: simly must be downloaded as an app to be used, the website link is to help people confirm they are downloading the right app)

i have not personally used simly so i am going to be going off of the sixth slide of mirna el helbawi's instagram guide, with some corrections from someone who has successfully purchased an esim from simly. after downloading the app and making an account, search for palestine or middle east and purchase your preferred package. the page the app takes you to after your purchase should have the QR code to send to the esimsforgaza email, it won't show up in your email receipt. someone kindly left her referral code in the tags of this post, it gives $3 off your first purchase and will give her $3 credit to put towards purchasing more esims for gaza. the code is CIWA2. (if this referral code doesn't work, try one from the notes of this post!) according to someone in the notes, ARB is a simly promo code for 25% off esims that is still working as of march 3rd.

airalo

some people have noted issues trying to sign up for airalo using the browser version of the website, it worked for me but if you are struggling you can give the mobile app a try and that should work. you can use a referral code to get $3 off your first purchase and give the code suppler a $3 credit for buying more esims. KARINA9661 is a code sourced from this post which is also a wonderful example of how using people's referral codes can really make a difference. if for some reason that referral code isn't working, you can find more in the notes of the original esim post i made here.

@/fairuzfan also has a tag of esim referral codes for various platforms!

(note: mogo and holafly both link to israel esims as there are no general regional packages for the middle east like on nomad and the esims for gaza website specifically linked to the israel package on mogo, so i linked to the equivalent on holafly.)

#esims for gaza #esims #gaza #palestine #free palestine #connecting gaza #despite not having used simly myself i'm fairly experienced with esim services at this point so i will likely be able to answer some #questions and i also have someone familiar with simly i can ask if i am not sure of the answer myself. so please go ahead and ask questions #if you're struggling with donating an esim from any of these sources!

[apollos-olives]

hey! if you don't mind me asking(feel free to ignore this ask) what do actual palestinians think of hamas? I'm not asking to sow any discord or to "catch" you out, I'm asking purely out of curiosity. from where I'm from, people generally view hamas and the houthis positively (and by people i mean the vast Muslim majority of pro-palestine supporters) but i have seen than some Palestinians don't hold them in such a high regard. similarly some people supported the IRA whereas other irish people strongly were against them - so I'm wondering if this is a similar situation? again if this ask is uncomfortable for you to answer , don't feel obligated to

this ask is uncomfortable but i'll still answer because i think it's important.

we as palestinians are sick of getting asked about this. it's asked as though every palestinian somehow has the same opinion on hamas and that each singular palestinian can speak for the rest of the population, which is obviously not true. i don't know every palestinians' opinion on hamas and i cannot list every opinion out there because not all of us agree on one single thing. each palestinian has their own opinion on hamas and honestly, it doesn't matter. we are tired of this question. we don't care about hamas anymore. this shit isn't about hamas at this point. 30000+ palestinians are dead and people are STILL talking about hamas as if that's actually important and rather than protesting for a ceasefire or fighting for a free palestine.

my opinion on hamas is different than my friends' opinions on hamas. my opinion on hamas is different than my parents' opinion on hamas. my opinion on hamas is different than my palestinian mutuals' opinion on hamas. my opinion on hamas is different than a lot of other palestinians who are involved. palestinians who keep getting asked this are tired. we are so tired. i appreciate that you are asking in good faith, but we don't want to talk about hamas anymore. we want to have a free palestine. we want our children to stop dying. we want to return to our land.

my personal opinion is that i don't really care about them. i don't care for their policies or their political goals. i only support them because they are one of the largest and efficient groups who are trying to liberate palestine. many palestinians share this same opinion. they do not support hamas as a whole, but they still appreciate that hamas is trying to fight for a liberated palestine. we support their efforts for the fight against the occupation, but past that we do not care or do not support them outside of that. what they do as a political group isn't something that i'm interested in, because i'd much rather be focused on freeing and rebuilding palestine.

some palestinians hate hamas. my parents dislike them, but they won't criticize them for trying to fight against the occupation, because they know that hamas is one of the most powerful groups of resistance in palestine, and will not go against their efforts to try to help palestine. some palestinians love hamas. some palestinians don't care about hamas. every palestinian is different, but in the end it doesn't matter. hamas is fighting for the same goal as the rest of us. a free palestine.

@el-shab-hussein has a post on his own opinion on hamas that i think is worth the read.

in the end, it doesn't matter about what our opinions on hamas are. because hamas only exists because of israel. if israel didn't exist, hamas wouldn't exist. hamas is a large group working for the resistance and hamas isn't the reason of palestinians' suffering. israel is.

@fairuzfan says: "I know this was sent in good faith but it doesn't really matter what Palestinians opinions on hamas are because even before hamas existed 750,000 Palestinians were exiled and killed."

we suffered before hamas existed and we will continue to suffer as long as israel is in power. so again, it doesn't matter what palestinians' - or really anyone's - opinion is on hamas. what we should be focusing on is fighting for a ceasefire, fighting for a free palestine, and fighting for a free world.

#palestine #free palestine

[daincrediblegg]

no you know what I'm going to scream about the stuff I talked about in the tags of this post publicly

I'm tired of the well-meaning "don't feel bad if your work only gets 20 notes your genius is what counts and do it for you!" bullshit. I've had a good handful of friends who have straight up DEACTIVATED in recent months because their work was not getting reblogged AT ALL. No, it wasn't from lack of not being well-liked, no it wasn't from lack of trying to make sure it was getting out there to the people they knew would engage with it. It was because no matter how much they were praised privately for their work, when push came to shove, absolutely NOBODY reblogged it and gave it the audience that it was due, and I'm tired of people shoving the "unsung genius" narrative as an excuse for it. Nothing excuses that. And the boop event really proved that.

because I know given the opportunity, indiscriminately pressing a button (sometimes 10 thousand times, as I did) is not beyond this website's capability. y'all loved doing that. and look at what it wrought. nothing but love and affection and happiness. just from a couple of quick clicks of a little paw button. sure. nobody knew who you booped but the other person (which is how likes used to work on this website, btw). there was an element of anonymity to it. but that is kind of the core of this website that no other social media platform still has: the ability to be anonymous. and hyper-curating a blog on here like you might on twitter or instagram to project an image is simply not viable. and hey. you wanna know a secret: literally nobody cares what you post or whether it goes with the "theme" of your blog or not. yeah. I know. CRAZY concept in this day and age. but literally. I myself have reblogged things that have had nothing to do with whatever I am currently fixated by and you know what happened to my follower count? not a damn thing. in fact, I actively try to reblog things specifically BECAUSE it's my friends who made them (even though I'm not always good at KEEPING UP WITH HOW MUCH THEY POST @prismatica-the-strange will NEVER GO UNRECOGNIZED by me).

And you know what fucking sucks? I have to deal with this too. surprise right? you ever wonder why I reblog fics or art I post like 20 times the day that I post them? do you ever wonder why I ask about tag lists and beg for asks all the time? IT'S BECAUSE EVEN I GET LIKE. 5 LIKES ON THE THINGS I POST. AND THE REST OF THE REBLOGS ARE MINE SO I CAN MAKE SURE THAT PEOPLE WHO WANT TO SEE WHAT I MAKE GET TO SEE IT. and I say that knowing that I'm certainly not an unpopular blog, or an unpopular writer. I know that people love the stories that I create. Hell, half of the people that I've talked to about lady terror have told me that they consider her to be canon (AND EVEN SOME!! THOUGHT SHE WAS!!! WITHOUT EVEN HAVING WATCHED THE SHOW! WHICH IS STILL SO SO WILD TO ME!!!) But especially in the last 4 years (which really dates this phenomenon), my posts, no matter how well received they've been amongst people I've talked to about them directly, I still go into the notes and at least half (often more than half) are MY reblogs to make sure people saw what I posted. and it happens every single time, and I can't tell you how much it crushes me considering that it used to be that I would be able to post it only once, and people would reblog it sometimes even HUNDREDS of times.

It's not about popularity. it never has been. it's not about anxiety. or shifting website cultures. even if you lurk, the simple fact is, that if you want people to keep making what you love. you have to reblog. your theme won't suffer because you reblogged a fanfiction that you really admire. your posting won't be ruined because you reblogged some fanart from someone in a different fandom. really. I promise. and if people do unfollow you for that? who needs em. followers come and go but you should NEVER have to cater to them. on this website it has ALWAYS been the other way around. lean into it. make it yours. put stuff you ACTUALLY WANT to be seen and that you love and appreciate on your blog. no matter how old it is, how new it is, no matter how niche or off-theme it is.

so please. if you really want to show your appreciation for someone's work? you reblog. it's really as easy as that. check the tags. add some when you reblog if you like. but please for the love of god reblog. it's as easy as booping and even more rewarding for the people who you reblog from. if you want to let someone know that their work is genius and appreciate it? show it. reblog. then DM them if you're too nervous to say what you want to say but not in a public forum. but for christ's sake. REBLOG.

#fanfiction #fanart #reblogging #boop

[distantdarlings]

HAVE ME // t. nott

RATING: R / 4.8K WORDS

Theodore Nott x Fem Reader Insert

+ SUMMARY - *Requested, based on this* When you are paired with Cormac McClaggen for a mid-semester project, he takes it as an opportunity to shoot his shot. However, despite your numerous rejections, he doesn't seem to want to let up. That is until Theo gets involved.

+ WARNINGS - SMUT, depictions of violence (a small fight, specifically), blood described very briefly, Cormac is hitting on reader and won't leave them alone, language, oral sex (perf. on reader), kissing, dom!Theo, fem reader, not proof-read

+ MUSIC (listened to while writing) -

Hotel - Montell Fish

---

The chatter around the classroom slowly dwindled as Professor Snape silently slipped through the door of his office. Everyone was waiting patiently for the results of his decision from yesterday. He mentioned that the mid-semester project would be partnered rather than solo. To you, that was bad news, but to others in the class, it was good. You worked best when you didn’t have to sort out the ideas getting bounced around aloud. But if you had to work with a partner, please let it be someone halfway decent.

“So,” Snape starts, “I have here the list of partners for the mid-semester project. As a reminder, you will be handling very toxic materials, so for the sake of all of our time, be careful with them.” His expression hinted at boredom, despite the unfortunate things he was referencing. Last year, someone nearly lost a hand with this project, and—to be quite honest—that was one of the reasons you were so excited about it. You liked the challenge and, even better, overcoming it. But you couldn’t do that with a shitty partner. Your fingers crossed beneath your open notebook.

“Malfoy with Weasley, Berkshire with Granger,” he began listing the names. Your hips shifted uncomfortably. He was pairing everyone with the opposite house. Surely he’d grant you some mercy with how well you’d been doing in this class?

“—Nott with Finnigan—” Your thoughts were briefly interrupted as Theodore’s name was called. That was an interesting pairing; however, you knew that Potions was one of Theo’s strong suits, and, granted they worked well together, the both of them would successfully keep their eyebrows intact. 

Your eyes found the older boy, tracing over every line on his face. You were friends, pretty good friends. His whole group of Slytherins were friendly with you, really. But there was something about him that had shocked you to your core from the first night you’d met him and started chatting at the Sorting ceremony when the both of you were eleven. He was quite literally one of the most attractive people you’d ever seen, and it seemed like he knew it too. The way he held himself down to the way he communicated with people, he just knew he was alarmingly alluring. 

He had a way of staring right into your eyes when you spoke to him, almost to the point it felt as if he was reading your mind. No matter what, he’d give you his full attention, even more so than his other friends, it seemed. Maybe you had always imagined it, but if you called his name, he was there. He would be waiting with his ear next to your lips, eager to hear what you had to say, no matter how you were feeling. Perhaps it was cliche, but you felt as though you could tell him anything, and you did. 

His eyes found yours suddenly. His lips parted into a crooked smile, his dazzling white teeth peeking through slightly. You returned the action, raising your eyebrows in an amused fashion at his partner for the project. He shrugged, the smile never leaving his face. He pointed at you and mouthed, ‘You’re coming up.’ You rolled your eyes and laughed silently as you brushed him off. You were laughing, but, in all seriousness, this wasn’t a comedic matter. Your Potions grade was potentially on the chopping block here, and you were getting nervous. Snape didn’t grade depending on who did what; he simply graded on the project's legitimacy. You could do this by yourself, but if whomever your partner ended up being fucks it up, you both were screwed. And, on top of it all, you would have to work with a Gryffindor, someone you likely barely knew. Perfect. 

Your name perked your ears as Snape paused for a moment, trying to decipher his own handwriting. Merlin, was he trying to tease you? You glanced around, wondering who hadn’t been selected yet. You hadn’t been paying attention. “Ah! With McClaggen.”

Your heart sank. You turned to glance over your shoulder at the showy Gryffindor sitting in the back corner of the classroom. He sent a wink and a small smirk your way, to which you replied by quickly turning back around. Did the universe hate you? It must. That was the only answer. Shit.

“Get to work,” he instructed, returning to his office and firmly shutting the door behind him. You weighed out the options in your head on how angry Snape would be if you asked to switch partners. You were sure he picked them for a reason…or maybe he didn’t? Merlin, help. Should you even bother with this? Maybe you could convince McClaggen to let you do all the work. He could sit patiently by and be quiet.

The classroom bustled gently as students were standing and finding their partners. Small groans echoed as everyone paired up. Apparently, you weren’t the only one that disliked your partner. Usually, you wouldn’t have expected Professor Snape to have paired Gryffindors with Slytherins. Who knew? Maybe he was trying something new.

You hid a wince and got to your feet. You collected your notebook and school bag and made your way over to the smirking boy. His hands were placed cockily behind his head, and one leg rested, crossed over the other. He maximalized every bit of space he took up, like a peacock. You repressed a groan and sat down in the seat next to him, neatly spreading your things out. 

“Well, hello,” he cooed. “I don’t think I’ve spoken with you before.”

“I don’t think so either,” you chuckled nervously, eyes finding the back of Theo’s head. He sat towards the front of the classroom, partnered with the clumsy Gryffindor. You wondered if he was having the same doubts you were. As if on beat, his head turned and made eye contact with you. He hid a smile at your current predicament and gave you a small wave with his fingers. You rolled your eyes and, with the hand farthest from McClaggen, pretended to choke yourself with it. Theo laughed aloud before turning back around when his partner tapped his shoulder.

“What’s so funny?” your partner asked, quirking an eyebrow. 

“Nothing,” you smiled, “how about we get started?”

Most of the class period was spent discussing the potion the two of you wanted to brew. The assignment was to pick one of the most difficult potions to brew and to make and document the experience successfully. All of the potions you were to choose from were in the very last chapter of your textbook, and the two of you flipped through the pages, unsure. 

Every so often, Cormac (you’d learned his first name was) would point at something on one of the pages and scoot ever so closer to you. He was so close now you could smell the peppermint candy he swished around his mouth. His arm rested alongside the back of your chair, and you were…immensely uncomfortable. Your back straightened so as not to come into contact with his arm. 

Throughout this whole experience, you’d glance Theo looking back at the two of you every so often and wonder if you could signal him to distract the boy. It wasn’t that you felt threatened; you just wish he’d back the hell up. If you had a personal bubble, it had long since combusted. His face was so close to yours, and no matter how far you leaned away, he’d get closer. Finally, you’d had enough.

“Cormac,” you laughed nervously. You placed one hand on his chest and slowly pushed him back toward his own seat. 

“What is it?” he asked. No matter what you did, that stupid smirk never failed.

“You are very close to me,” you explained, trying to remain as polite as possible. He shrugged and chuckled a bit, gaining on some of the space you’d placed between the two of you. 

“Well, that’s because I want to get closer to you,” he said. 

“Uh, no,” you tittered, “that’s okay. Let’s just do the project.” You tapped the textbook and pretended to immerse yourself back in the information, hoping he’d let it lie. He didn’t. His arm wrapped back around your chair, and your eyes slipped close in exasperation. 

“Cormac, please—”

“What? Don’t you want to get to know each other before we do a project together?” he asked, scooting closer yet again.

“No, I really don’t. I just want to get this done.” His face resumed its previous proximity to yours. He smirked at the closeness and you sighed, turning your face away from his, begging Theo to glance back again.

“Oh, I see…is he your boyfriend?” Cormac asked. Your face shot back to his.

“What? No! He’s just a friend,” you said.

“That was a very quick, rushed answer,” he laughed, “but if you say so, that’s even better for me—”

“Please, let’s just do the assignment,” you pleaded, “I’m really not interested.”

“Not even for a trip to Hogsmeade?”

“No, not really, you’re not my type.” You glanced back at Theo. He was finally looking back. Only this time, his eyes were locked on the boy beside you, with his face so close to yours. His eyes gleamed blood red, and his jaw clenched tightly. Your eyebrows furrowed, begging him to intervene somehow. If Cormac wasn’t too embarrassed to shoot his shot in the middle of class, surrounded by his peers, you were almost positive he’d continue to harass you outside of the classroom. Maybe even when the two of you were alone, and he might not let up at that point.

“What is your type?” he asked. “Brooding assholes in Slytherin?” He said this part a bit louder, making direct eye contact with Theo. You could feel the tension building slightly, and did your best to diffuse the situation. You partially blocked their gaze of each other.

“Please don’t say that about him.”

“I thought you said he wasn’t your boyfriend. Why are you defending him?”

“He’s not my boyfriend, but he is my friend, and I’d like you not to call him names,” you spoke sternly, eyes hardening on the boy. He was plucking the last strings of your patience. 

“Fine, I will—” you nodded at his promise “—if you let me take you to dinner.”

The bell signalling the end of class interrupted the conversation. Thank Merlin. You quickly gathered your things together and shoved them into your bag, praying he’d just drop the subject and let you move on with your day. You’d figure out a way to deal with him later. For right now, you just wanted to get your free period started as soon as possible. He stood right when you did. You ignored him and made for the exit, walking as quickly as looked natural.

You were the first out of the classroom and down the hall, trying your best to get away from him without completely abandoning Theo. A hand grabbed your shoulder, stopping you in your tracks. It roughly spun you around, yanking a yelp from your throat. You stood before Cormac, who had a sinister look on his face. 

“You never answered me,” he said. “Let me take you to dinner…”

“No, Cormac, I don’t want to go,” you said, attempting to wrestle yourself out of his iron grip. What about your thousand answers was he not grasping? 

“Let go of me.” His hand did not release you, and it did not seem like he intended to, either. You slipped your hand between his and your shoulder, trying to edge it off. He made a sound of endearment before attempting to slide a hand around your hips. You squealed and squirmed away from him, trying to prevent him from wrapping his arms farther around you.

“Hey!” A voice shouted. The both of you began to turn, but before Cormac could get his head fully pivoted, a hand appeared on his shoulder and yanked him away from you. It was Theo, and he appeared to be fuming. His jaw was tightly clenched, and his eyes were wild.

“The fuck do you think you’re doing, McClaggen?” he demanded. “She said no, you dick!”

“I don’t see how it’s any of your business. She said you weren’t her boyfriend,” the younger laughed meanly, poking him roughly in the chest. You winced at the contact. 

“Don’t fucking touch me,” he hissed, pushing the boy back from him. Cormac stumbled a few steps before regaining his footing. It appeared he was as surprised as everyone else was at the sudden hostility. Cormac laughed cockily. 

He raised a hand and swung his fist at Theo as hard as he could, getting a good hit in. Theo’s head jerked to the side from the force of the punch, and you gasped sharply, hands shooting to cover your mouth in shock. Natural instincts told you to jump back, but you rushed toward Theo, who pushed you back gently behind him, squeezing your arm firmly. It didn’t hurt, but you knew it meant to stay put. 

“Come on, Slytherin!” Cormac shouted. “Show me what your reject house is made of!”

A crowd of other students had begun to gather around the two boys, curious to see what all of the commotion was. Adrenaline pumped through your veins like ice water as you watched Theo approach the other boy, cocking his arms and wringing any stiffness out of them. 

Before you could feel the exhalation of breath leave your body, Theo swung his arm at the boy, cracking him hard across the jaw. As if in slow motion, Cormac fell back and hit the ground with a hard thud. You imagined his tailbone would be quite bruised tomorrow morning. 

Theo fell down on top of the boy, legs resting on either side of his hips, and wailed on him. Fist after fist hit the boy’s face, pushing more and more blood out of him. You screamed in shock as you realized Theo had no intention of stopping. Around the same time you did, everyone else did too. They began throwing shouts of concern and pressing in on the two boys. Everybody loved a good fight now and then but nobody wanted to see someone get killed. 

Yet, nobody put their hands on Theo for fear of being in the same predicament as Cormac currently was. That was, until Enzo and Mattheo ran up behind the crowd. You heard them ask if that was Theo.

“Enzo!” you shouted his name, waving over the crowd. His eyes quickly found yours and in seeing the distress on your face, began weaving through the crowd. Mattheo quickly followed suit. 

When they breached the barrier of the crowd, their eyes widened, and they made for their friend. They grabbed his shoulders and pulled him away from the poor boy, his face a mangled mess. You looked away quickly, not wanting to see the damage that had been done in your favor.

Once pulled away, a gathering of students ran over to Cormac and covered him with a wall of their protection, trying to see if they could help him somehow. You turned to Theo, who was breathing heavily, a single dripping of blood pouring from his nose. You turned to the bottom of your uniform shirt, found the edge of the seam, and tore a small section of it. You could get a replacement sometime later.

You approached the boy with a murderous gaze and gently pressed the piece of shirt beneath his nose. He flinched slightly but never looked away from Cormac. Maybe that hadn’t been for you, and he’d just wanted to beat Cormac’s ass—which is understandable, but still. You weren’t totally sure why he did it.

“Theo?” you spoke gently. His glare didn’t waver. The fingers pressing the material against his bloodied nose tilted his face carefully to look at you. His eyes found yours, softening slightly. 

“I’m sorry,” he breathed, his chest heaving. “I couldn’t stand him touching you like that.”

“It’s okay,” you reassured. He didn’t seem convinced. How he looked at you with such concern and worry made you wonder if he thought you were mad at him. You shook your head at the question running through your mind. Obviously, he didn’t know what you had been thinking, but you hoped he’d understand somehow. 

You helped Enzo and Mattheo pull him to his feet and escort him away from the crowd before any of the professors showed up. Speaking of which, they likely should have been out here by now. 

As you helped the boys guide Theo toward the Slytherin common room, you were careful to avoid any obvious eyes that raced past them to see what the aftermath of the commotion was. Hopefully, nobody would notice them and they could deal with the whole situation later. The group turned the corner and stopped before the entrance to the dorm room. Enzo announced the password, and the lot of you headed inside, pulling Theo up the stairs and into the boys’ dorm room. He pulled away from them suddenly and sat on his bed.

“Alright, alright, I’m okay!” he declared. “I just got a sock to the jaw; my legs weren’t broken.”

“They’re just trying to help, Teddy,” you whispered, trying to place the cloth back on his nose that had started up its intermittent spurting again. He sighed and gently grabbed your wrist, holding it away from his face. He was never rough with you, despite how angry he was.

“I’m fine, I’m just wound up, I don’t need any of you to—”

“Nonsense,” you interrupted him. “Mattheo, Enzo, would the two of you mind running down to the hospital wing and asking Madam Pomfrey if she has anything to stop the bleeding. It’s not excessive, but it’s messy.”

“Is there not a spell or something like that?” Mattheo asked, clearly concerned for his friend.

“Not one that I know off the top of my head. Would you just go ask her, please?” you repeated yourself. The two boys seemed to hesitate but eventually worked their way out of the room with their destination in mind. Once they were gone, your eyes turned back to Theo’s. An amused glint lay suspended in his eyes.

“‘Nothing that comes to mind?’” he smirks. “If a spell comes to my mind and not yours, the world must be upside down.” You conceal a laugh. You knew a spell. You knew multiple healing spells, but you wanted Mattheo and Enzo out of the room for a second. You just wanted to speak with Theo about what had happened. 

“I’m sorry I lied to your friends,” you said. “But I really wanted to talk with you privately, and I didn’t want to wait.” His eyes keep a tight hold on yours. You swallow thickly. 

“Okay, what is it?” he asks, his voice barely above a whisper. 

Anxiety pools in your stomach as you realize you hadn’t really planned anything to say. You wanted to know why Theo had done what he did and if it was for or because of you. Cormac had been bothering you, yes, but it could have just been that Theo really disliked him and wanted to intervene. 

“Why did you do that?” you ask. Probably the worst way you could have asked that, but it was what came out. You might as well own it at this point. 

“Do what?” he mused.

“Why did you stop Cormac?”

“That feels like a dumb question. He was laying his hands on you without your permission.”

“Would you have done that for anyone, though?” you stuttered through your interrogation.

“I suppose not….why do you ask?” he asked, the smirk never leaving his face. Your eyes fell down to his lips suddenly, noticing that there was a small amount of dried blood stained across them. A small gasp left your lips as you reached your hand out. You didn’t think through any of the following movements; you just allowed your body to do as it pleased. Your fingers gently cradled his jaw, and your thumb swiped slowly over his lips, collecting the bit of staining as it crossed. Your eyes found him again, and you realized he was intently watching you. His eyes were softened by hunger. The way they traveled down to your lips, his lips parting as he found yours, his hands clenching by his side. It sent a chill down your spine. 

“Theo,” you breathed. You could not pull your eyes away from his swollen lips. You wanted so badly to learn their taste and memorize it for eternity. Just one kiss and you could be satisfied for the rest of your days. 

“I kicked Cormac’s ass because he was laying his hands on you, and I have been desperate to do that for years…,” he whispered. “The difference between him and I, though? I ask permission.” A glimpse of a chuckle spreads over his lips, and you feel your stomach blush with heat. As if he could feel it happen to you, his nose bumped softly against yours, igniting the heat and transforming it into a flame. 

“I want you so bad,” he whispered, the air skimming your lips. “Please let me have you.”

“Have me, Teddy.” Your response was final. His hands gripped each side of your face firmly and pressed your lips together. Heat and light and everything in between exploded into your stomach, sending shocks of love into your heart. You could have melted on the spot, and you nearly did, if it weren’t for Theo wrapping one arm tightly around your waist and holding you up.

His tongue slid over your bottom lip, begging for entrance. You granted him access to every part of you with no push-back. All you wanted was to feel him everywhere and never to lose that feeling ever again. 

The both of his hands pushed around the back of your thighs and pulled them to either side of his bent knees. He settled you neatly onto his lap, you straddling his thighs against the bed. The action sent a lightning bolt of pleasure directly to your core as the space between his thighs urged gently against you. You sighed against his mouth, entangling your fingers into his hair. 

Everything about him was overwhelming. His smell, his taste, and his touch had you gasping for air. You had never realized how much you truly wanted him until this very moment. Without so much as a breath, he cradled your back with one hand and stood from his bed, lifting the two of you into the air. You squeaked from the sudden movement but relaxed instantly when he settled you against his bed. 

His lips detached from yours and quickly made alliance with your jaw and then your neck. His head worked down the frame of your body, pressing open-mouthed kisses to every sliver of skin he could find. When he reached the waistline of your uniform skirt, he tapped his finger twice against the spot where your shirt was tucked in. You nodded so quickly, it was almost pathetic. He smirked and slipped his hands between the materials. He tugged your shirt out and began laying the same types of kisses over your bare stomach. You groaned at the feeling, noticing the ardor he placed into each press of his lips. You felt worshipped and it was addicting.

His eyes flicked up to find yours as he slowly pushed himself farther down, placing himself just in front of your core. Without question, your legs began to spread for him, allowing him access to anything he wanted. You just needed to feel him; you didn’t care what he did. 

Your eyes found his face once more and scanned over the entirety of it. A deep, sinister glance rested in his eyes, holstering a lust so dark, it almost frightened you. His lips were slightly parted in a teasing, smirking way, just waiting to place themselves against you once more. And his nose had…oh, it had begun to bleed again. You reached down and swiped your thumb beneath it, pushing the excess discharge away. A small twinge of guilt hit you again at the thought of Theo getting himself hurt for you.

“I’m sorry,” you whispered, frowning at the sight before you.

“You never have to apologize to me,” he breathed, “you are perfect.” And with that, he’d flipped the edge of your skirt over your legs and sunk his face between them. His tongue found your core before you could even get a word out. A breathless moan spilled from your lips as your spine arched off the bed. Your hands immediately pushed down to wrap themselves in his curls, savoring every single swipe of his tongue. 

“So fucking good,” he moaned against you, the vibrations sending messages up to your very brain. You quaked beneath the feeling, your thighs shaking against the boy’s hold on them. It was nearly becoming too much. You weren’t going to last much longer. If he wanted to do something, he’d better get to it.

“Theo, I’m…c—”

“Not yet, baby,” he whispered, pressing two chaste kisses to the inside of your thighs. You could feel the wetness spread across his lips and chin smear against your flesh. You shuddered at the sensation. It definitely should not have turned you on as much as it just did. “I want it on my tongue.”

He separates himself from you and slides his hands beneath the crook of your knees. With a firm grip, he yanks you to the edge of the bed, where your hips are lying just over the curve. His hands find your hips and flip you over onto your stomach, careful to avoid hurting you in any way. Ever so gentle.

You could hear him kneel down again behind you. Your thighs shook in anticipation just before he pressed his lips back to you. His tongue swirled across you in the most delicate of motions, drawing every sound possible from your lips. Your fingers gripped the sheets as each of his movements drew you closer to the edge. You might finish any second. 

“Hey-o!” Mattheo’s voice came from just outside the door. You jumped up and glanced back at Theo as the both of you separated as fast as possible. Theo came up to sit beside you on the bed and made quick work of wiping his mouth off on his sleeve. You pulled your skirt back over your legs and stood at attention, waiting for the two boys to enter. Damn it. You had been so close. 

The two boys walked in, clutching a small vial of liquid. Mattheo raised it to show the two of them, both of whom quickly nodded, smiling innocently. Surely, they wouldn’t suspect anything of the two of you. You’d never really expressed any feelings toward the other before now. At least not publicly.

“Where do you want this?” Mattheo asked.

“If you would just take it to the bathroom, we’re headed in there so they can help me clean up the rest of the way.” Both of the other boys nodded and headed back out the way they came, moving toward the group bathroom. 

Just as they left, Theo slipped his hand beneath your skirt and traced his fingers along you, allowing one to insert itself to its hilt. You gasped sharply, trying your best to mute the sound. His hand began to pump against you, slowly rising in speed as he hit that perfect spot each time with ease. The sounds spilling from your lips became less and less controlled as he pushed you towards the edge, keeping you standing tall and refusing to let you lay back down on the bed.

“Come like this, baby,” he whispered. “Quickly, before they get back.” His finger pressed deeply up into you one last time, bruising the soft spot and forcing a rushing finish down on you. Your lips parted in a shocked moan as the proof of your end slipped down around Theo’s fingers. He worked you through the entirety of it, never tiring and never halting. He could do this all day. 

The sound of his friends heading back toward the dorm room pushed the two of you apart once again. Only this time, Theo had a telling, lustful expression imprinted on his face, and the remains of your ecstasy were still painted across his fingers. You swiped a hand between your thighs in an attempt to clean yourself off and brushed any concerns from Mattheo or Enzo off. The ‘Are you okay?’ and the ‘You guys look weird’ had nothing on the steel resolve the both of you kept planted on your faces. If Theo could fight someone for you, you could fight the urge to tell his friends he’d just let you fuck his face while they were out running an errand. Oh well, such is life. You laughed to yourself. 

#fanfiction #creative writing #fanfic #writing #harry potter #harry potter fanfiction #reader insert #oneshot #slytherin #harry potter smut #theodore nott x reader #theodore nott #theo nott #mattheo riddle #enzo berkshire #request #cormac mclaggen #fem reader

[genderqueerdykes]

as someone who has been scarred for life by experiences at gay bars, i need people to understand it's beyond tacky to mock people who want queer spaces beyond queer bars- it's dangerous.

let me explain. i went to 2 of my local queer bars a lot last year, as much as i was able to despite being poor. i witnessed a fist fight that was so bloody that ended up with a transmisogynistic drag queen getting hit in the head with a metal baton. the sight caused me to uncontrollably throw up in the bathroom of the club because of how gruesome it was. they had to close down the club and forard people out the back door because of how out of hand this person got- he was screaming transmisogynstic slurs and phrases at the bouncers were were transfem.

i was also sexually assaulted at these places, i was repeatedly groped by several people who i was not interacting with in the first place who found me attractive and decided physically grabbing me on numerous occasions was the way to get my attention. being femme in a queer bar is dangerous even if the people groping you are gay men.

i am also a recovering addict who dealt with alcohol issues in the past and could be considered a recovering alcoholic. i don't want to be around alcohol. i don't want to smell it. it triggers awful memories and also sometimes makes me consider getting a drink, but i can't have one, because the medications i take will cause a fatal reaction- i don't want to be tempted to drink, because it will kill me.

it's not right to mock someone or call them childish or whatever for not wanting to go to a club. whenever alcohol is involved, people's inhibitions are gone and they will do whatever. this includes fighting. i witnessed several other fights. just because it's a queer bar doesn't mean there won't be fights. and it especialyl doesn't m ean that you won't get groped or assaulted because, like i said, since alcohol is involved and it's a bar, there's a high chance this can and will happen.

queer people are not inherently safe angels to be around by virtue of being queer. there are still transphobes in queer bars. tranny chasers come to these bars. homophobic lesbians show up and lesbophobic gay men show up. drag queens and performers bring their cishet friends and family to support their shows. these are not perfect havens. they are not safe. we should not force other queers to interact with inherently dangerous spaces if these are supposed to be our safe spaces.

also these spaces are not friendly to people with disabilities; wheelchair users have nowhere to go especially when it's very crowded. other mobility aids get kicked and knocked over. neurodivergent people can get overstimulated by the deafening music very quickly. photosensitive people can have seizures due to the strobing lights. people with emetophobia like me run the risk of running into those types of triggers. people who are overstimulated by intoxicated people have no choice but to deal with it. dancing is one of the only activities to do other than drink and not many disabled (or even abled) people can dance for extended periods of time comfortably.

not to mention these spaces are not geared toward aromantic or asexual people at all, either. there is a long list of reasons why bars should not be our primary venues of interaction with one another. they serve a specific purpose- for people who want to cruise- but for the rest of us, it's really crucial that we have spaces that provide meaningful interactions with other queers on other levels of our identities.

some people just want to hang out with other queers in a quiet environment and craft, or shop, or drink coffee, or read books together, or just about any other activity on planet earth, and that's not "lame" or "cringy" or bad in any way- these are extremely normal and necessary parts of human interaction that we all require and crave and it's normal to want to do healthy, domestic things with other queers. we need this in our lives.

please take it seriously when people attempt to create queer spaces that don't involve alcohol and bars. it's necessary for our survival and well being as a community.

#lgbtqia #lgbtq #lgbt #queer #gay #lesbian #bisexual #aromantic #asexual #trans #transgender #non binary #nonbinary #enby #ftm #trans man #trans men #trans boy #trans girl #trans woman #trans women #trans lady #transfemme #transfeminine #transfem #transmasculine #transmasc #genderqueer #gnc #drag

[dreambunnynotes]

bunny's 60-day glow up challenge ❤︎

hi my loves! my birthday is right around the corner and i want to end the year strong, so i thought it would be a cute and encouraging idea to host a challenge for all of us glow-up girlies! the steps for the challenge are very simple and customizable, and they give plenty of space for low-energy days. this challenge is all about trying your best to remain consistent in your goals, not to strive for an impossible "perfection" but instead to build trust in yourself that you can show up for your beautiful self and achieve the glow up that you deserve!

steps for the challenge:

pick three habits or things you want to dedicate time to every day

write a sentence or two on why you want to focus on these habits so that you have motivation and inspiration to complete them on hard days; this could include a basic "why" or you could write out specific goals you'd like to achieve through these habits

write out three different energy level variations of the habits so you can achieve your habits even on low-energy days

optional step: write an intro post sharing your habits and goals with everyone! you can use the tag #bunny60days to connect with others doing the challenge and hype each other up with accountability and love - you can also tag me and i can cheer you on hehe! 🥰 otherwise you can simply keep track on your own using a journal or planner or whatever works best for you!

optional step: write daily (or weekly) check-in posts sharing what you accomplished on the different days of the challenge, what you'd like to improve on the next day, or just a general update on how you're feeling. remember that this is a feel-good challenge, not a shame-filled one, so be kind to yourself and use this reflection as a way to show compassion and empathy to yourself 💕 again, you can use the tag #bunny60days to track your progress and see how others are doing!

the only very important rule for this challenge:

if you fall off and don't complete every habit you've written down in a day, do not start the challenge over, just pick up from where you left off! remember, this challenge is about building self-trust and resiliency - this means that you won't let one bad day or break in a streak stop you from continuing your habits. being "strong and hardworking" doesn't mean doing everything perfectly from day one, it means picking yourself up when you fall off course and trying again even though you may feel imperfect.

why only three habits?

when we do challenges, it's so easy to want to accomplish everything all at once, from working out to sleep schedules to everything in between. however, when you eventually burn yourself out or don't complete everything on your super long list of habits, shame is bound to follow, and shame does not make healthy soil for a beautiful plant to grow. starting off with three habits with different energy levels is a good way to ease into habit building while still feeling challenging enough to be interesting.

i don't know where to begin! can you give me an example of some habits or goals?

absolutely! if you'd like an example, you can check out my own personal goals for the challenge here. i'll be participating too, so you know that you have at least one person joining you in your glow up! 🥰 there is also a blank template below for you to use for your own glow up adventure.

blank template for you:

my chosen habits:

-

-

-

my goals and why's:

habit one:

habit two:

habit three:

my habit energy tiers:

habit one:

low energy:

medium energy:

high energy:

habit two:

low energy:

medium energy:

high energy:

habit three:

low energy:

medium energy:

high energy:

let's do this! bunny xoxo

#becoming that girl #dream girl #dream life #girlblogging #glow up #it girl #productivity #that girl #clean girl #pink pilates girl #wonyoungism #self care #self improvement #bunny60days #wellness

[x-brik-x]

I'm seeing a lot of people say that punk fashion is expensive and inaccessible, which is very wrong. here is a list of some ways you can make punk fashion easier, cheaper and more accessible for you, since that's... kinda the whole point.

others are encouraged to add onto this!! (just don't recommend corporations like amazon. not cool.)

1. patches!! you don't need to buy them. DIY patches are not ugly or boring. in fact, they are encouraged here!! DIY, in my opinion, is always the best thing to do when it is an option and is safe to do so.

2. speaking of DIY, spikes!! you can make them!!

cut the top and bottom off of an empty can. cut down the middle of the cylinder and flatten it, so it's just a flat rectangle of metal.

cut out a shape that is kind of a third of a circle, but around 3/4 of the curved edge is taken up by triangle shapes. (I'm not very good at describing, so here's a badly drawn picture)

roll it into a cone, leaving the 4 triangles sticking out at the bottom. this bit is optional, but you can fill it with hot glue to make it more sturdy, just be careful touching the hot metal. I tend to hold the cone by one of the triangles with a bit of fabric wrapped around my fingers for this bit. cut 4 small holes in your fabric in this kind of shape:

and put the spiky bits of triangle through the holes. fold the triangles in on themselves to secure the spike in place. boom. spike obtained. this is one I made and attached to a little piece of fabric to test this method out:

3. battle vests!! (like the base jackets). the best places to buy these are charity shops and second hand websites in my opinion, but if anyone else knows any better options, please reblog with those!!

a good trick I find works well on eBay is to filter search results to your country (or state? can you do that in the US? idk) so that a: fast delivery because local, and b: all the sellers of everything that shows up are in YOUR TIME ZONE.

why is this important? when people sell something for really cheap, it goes FAST. check eBay at like, 2am or something. all the scalpers in your area are asleep. grab the cheap stuff while they can't.

4. sewing!! want patches, but can't sew for whatever reason? I've heard of a lot of people with joint conditions like arthritis complain about the inaccessibility of patch stuff, and that does sound extremely annoying, however:

safety pins!! while they are still a little fiddly, they're much less work so you don't have to fiddle about for long. if you can, you could even ask a friend to help, since it doesn't take long at all I'm sure someone will be willing to help out!! (I know I would, but that's just me, and I love this kind of thing). safety pins on clothes are also widely considered to be a symbol of solidarity, so if anything, you're adding some extra love and meaning to your patch pants/battle jacket.

if that's still too fiddly, fabric glue is always an option. unfortunately this means you won't be able to remove/reposition patches, at least without leaving a massive patch of residue, but if you're ok with that then fabric glue is probably your best bet.

for people who prefer sewing: as for where to get the thread, I've heard a lot of people recommending dental floss, as it's apparently much cheaper and works just as well. I haven't tried this myself so can't confirm that, but I thought I'd share it regardless.

5. where to get fabric!! old clothes. rip em up. you don't need any kind of fancy fabric from the craft store. my patches are made of old jeans that I grew out of.

don't have any old clothes and you don't want to waste any good ones? I'm not sure about other countries, but in the UK, as long as you're not on private property (trespassing), dumpster diving is perfectly legal.

I definitely ;) do NOT encourage ;) trespassing rich people's land ;) to steal from their dumpsters ;)

or tbh it doesn't matter too much how rich the person is, since it's all going to landfill anyway. if it's in the bin, it's free game, but you didn't hear that from me. ;)

please add onto this where you can!! and if I missed something or got anything wrong, add that on too!!

#diy punk #patch jacket #battle vest #patch vest #punk vest #diy patches #punk battle jacket #battle jacket #punk patches #patch pants

[inky-duchess]

Fantasy Guide to Interiors

As a followup to the very popular post on architecture, I decided to add onto it by exploring the interior of each movement and the different design techniques and tastes of each era. This post at be helpful for historical fiction, fantasy or just a long read when you're bored.

Interior Design Terms

Reeding and fluting: Fluting is a technique that consists a continuous pattern of concave grooves in a flat surface across a surface. Reeding is it's opposite.

Embossing: stamping, carving or moulding a symbol to make it stand out on a surface.

Paneling: Panels of carved wood or fabric a fixed to a wall in a continuous pattern.

Gilding: the use of gold to highlight features.

Glazed Tile: Ceramic or porcelain tiles coated with liquid coloured glass or enamel.

Column: A column is a pillar of stone or wood built to support a ceiling. We will see more of columns later on.

Bay Window: The Bay Window is a window projecting outward from a building.

Frescos: A design element of painting images upon wet plaster.

Mosaic: Mosaics are a design element that involves using pieces of coloured glass and fitted them together upon the floor or wall to form images.

Mouldings: ornate strips of carved wood along the top of a wall.

Wainscoting: paneling along the lower portion of a wall.

Chinoiserie: A European take on East Asian art. Usually seen in wallpaper.

Clerestory: A series of eye-level windows.

Sconces: A light fixture supported on a wall.

Niche: A sunken area within a wall.

Monochromatic: Focusing on a single colour within a scheme.

Ceiling rose: A moulding fashioned on the ceiling in the shape of a rose usually supporting a light fixture.

Baluster: the vertical bars of a railing.

Façade: front portion of a building

Lintel: Top of a door or window.

Portico: a covered structure over a door supported by columns

Eaves: the part of the roof overhanging from the building

Skirting: border around lower length of a wall

Ancient Greece

Houses were made of either sun-dried clay bricks or stone which were painted when they dried. Ground floors were decorated with coloured stones and tiles called Mosaics. Upper level floors were made from wood. Homes were furnished with tapestries and furniture, and in grand homes statues and grand altars would be found. Furniture was very skillfully crafted in Ancient Greece, much attention was paid to the carving and decoration of such things. Of course, Ancient Greece is ancient so I won't be going through all the movements but I will talk a little about columns.

Doric: Doric is the oldest of the orders and some argue it is the simplest. The columns of this style are set close together, without bases and carved with concave curves called flutes. The capitals (the top of the column) are plain often built with a curve at the base called an echinus and are topped by a square at the apex called an abacus. The entablature is marked by frieze of vertical channels/triglyphs. In between the channels would be detail of carved marble. The Parthenon in Athens is your best example of Doric architecture.

Ionic: The Ionic style was used for smaller buildings and the interiors. The columns had twin volutes, scroll-like designs on its capital. Between these scrolls, there was a carved curve known as an egg and in this style the entablature is much narrower and the frieze is thick with carvings. The example of Ionic Architecture is the Temple to Athena Nike at the Athens Acropolis.

Corinthian: The Corinthian style has some similarities with the Ionic order, the bases, entablature and columns almost the same but the capital is more ornate its base, column, and entablature, but its capital is far more ornate, commonly carved with depictions of acanthus leaves. The style was more slender than the others on this list, used less for bearing weight but more for decoration. Corinthian style can be found along the top levels of the Colosseum in Rome.

Tuscan: The Tuscan order shares much with the Doric order, but the columns are un-fluted and smooth. The entablature is far simpler, formed without triglyphs or guttae. The columns are capped with round capitals.

Composite: This style is mixed. It features the volutes of the Ionic order and the capitals of the Corinthian order. The volutes are larger in these columns and often more ornate. The column's capital is rather plain. for the capital, with no consistent differences to that above or below the capital.

Ancient Rome

Rome is well known for its outward architectural styles. However the Romans did know how to add that rizz to the interior. Ceilings were either vaulted or made from exploded beams that could be painted. The Romans were big into design. Moasics were a common interior sight, the use of little pieces of coloured glass or stone to create a larger image. Frescoes were used to add colour to the home, depicting mythical figures and beasts and also different textures such as stonework or brick. The Romans loved their furniture. Dining tables were low and the Romans ate on couches. Weaving was a popular pastime so there would be tapestries and wall hangings in the house. Rich households could even afford to import fine rugs from across the Empire. Glass was also a feature in Roman interior but windows were usually not paned as large panes were hard to make. Doors were usually treated with panels that were carved or in lain with bronze.

Ancient Egypt

Egypt was one of the first great civilisations, known for its immense and grand structures. Wealthy Egyptians had grand homes. The walls were painted or plastered usually with bright colours and hues. The Egyptians are cool because they mapped out their buildings in such a way to adhere to astrological movements meaning on special days if the calendar the temple or monuments were in the right place always. The columns of Egyptian where thicker, more bulbous and often had capitals shaped like bundles of papyrus reeds. Woven mats and tapestries were popular decor. Motifs from the river such as palms, papyrus and reeds were popular symbols used.

Ancient Africa

African Architecture is a very mixed bag and more structurally different and impressive than Hollywood would have you believe. Far beyond the common depictions of primitive buildings, the African nations were among the giants of their time in architecture, no style quite the same as the last but just as breathtaking.

Rwandan Architecture: The Rwandans commonly built of hardened clay with thatched roofs of dried grass or reeds. Mats of woven reeds carpeted the floors of royal abodes. These residences folded about a large public area known as a karubanda and were often so large that they became almost like a maze, connecting different chambers/huts of all kinds of uses be they residential or for other purposes.

Ashanti Architecture: The Ashanti style can be found in present day Ghana. The style incorporates walls of plaster formed of mud and designed with bright paint and buildings with a courtyard at the heart, not unlike another examples on this post. The Ashanti also formed their buildings of the favourite method of wattle and daub.

Nubian Architecture: Nubia, in modern day Ethiopia, was home to the Nubians who were one of the world's most impressive architects at the beginning of the architecture world and probably would be more talked about if it weren't for the Egyptians building monuments only up the road. The Nubians were famous for building the speos, tall tower-like spires carved of stone. The Nubians used a variety of materials and skills to build, for example wattle and daub and mudbrick. The Kingdom of Kush, the people who took over the Nubian Empire was a fan of Egyptian works even if they didn't like them very much. The Kushites began building pyramid-like structures such at the sight of Gebel Barkal

Japanese Interiors

Japenese interior design rests upon 7 principles. Kanso (簡素)- Simplicity, Fukinsei (不均整)- Asymmetry, Shizen (自然)- Natural, Shibumi (渋味) – Simple beauty, Yugen (幽玄)- subtle grace, Datsuzoku (脱俗) – freedom from habitual behaviour, Seijaku (静寂)- tranquillity.

Common features of Japanese Interior Design:

Shoji walls: these are the screens you think of when you think of the traditional Japanese homes. They are made of wooden frames, rice paper and used to partition

Tatami: Tatami mats are used within Japanese households to blanket the floors. They were made of rice straw and rush straw, laid down to cushion the floor.

Genkan: The Genkan was a sunken space between the front door and the rest of the house. This area is meant to separate the home from the outside and is where shoes are discarded before entering.

Japanese furniture: often lowest, close to the ground. These include tables and chairs but often tanked are replaced by zabuton, large cushions. Furniture is usually carved of wood in a minimalist design.

Nature: As both the Shinto and Buddhist beliefs are great influences upon architecture, there is a strong presence of nature with the architecture. Wood is used for this reason and natural light is prevalent with in the home. The orientation is meant to reflect the best view of the world.

Islamic World Interior

The Islamic world has one of the most beautiful and impressive interior design styles across the world. Colour and detail are absolute staples in the movement. Windows are usually not paned with glass but covered in ornate lattices known as jali. The jali give ventilation, light and privacy to the home. Islamic Interiors are ornate and colourful, using coloured ceramic tiles. The upper parts of walls and ceilings are usually flat decorated with arabesques (foliate ornamentation), while the lower wall areas were usually tiled. Features such as honeycombed ceilings, horseshoe arches, stalactite-fringed arches and stalactite vaults (Muqarnas) are prevalent among many famous Islamic buildings such as the Alhambra and the Blue Mosque.

Byzantine (330/395–1453 A. D)

The Byzantine Empire or Eastern Roman Empire was where eat met west, leading to a melting pot of different interior designs based on early Christian styles and Persian influences. Mosaics are probably what you think of when you think of the Byzantine Empire. Ivory was also a popular feature in the Interiors, with carved ivory or the use of it in inlay. The use of gold as a decorative feature usually by way of repoussé (decorating metals by hammering in the design from the backside of the metal). Fabrics from Persia, heavily embroidered and intricately woven along with silks from afar a field as China, would also be used to upholster furniture or be used as wall hangings. The Byzantines favoured natural light, usually from the use of copolas.

Indian Interiors

India is of course, the font of all intricate designs. India's history is sectioned into many eras but we will focus on a few to give you an idea of prevalent techniques and tastes.

The Gupta Empire (320 – 650 CE): The Gupta era was a time of stone carving. As impressive as the outside of these buildings are, the Interiors are just as amazing. Gupta era buildings featured many details such as ogee (circular or horseshoe arch), gavaksha/chandrashala (the motif centred these arches), ashlar masonry (built of squared stone blocks) with ceilings of plain, flat slabs of stone.

Delhi Sultanate (1206–1526): Another period of beautifully carved stone. The Delhi sultanate had influence from the Islamic world, with heavy uses of mosaics, brackets, intricate mouldings, columns and and hypostyle halls.

Mughal Empire (1526–1857): Stonework was also important on the Mughal Empire. Intricately carved stonework was seen in the pillars, low relief panels depicting nature images and jalis (marble screens). Stonework was also decorated in a stye known as pietra dura/parchin kari with inscriptions and geometric designs using colored stones to create images. Tilework was also popular during this period. Moasic tiles were cut and fitted together to create larger patters while cuerda seca tiles were coloured tiles outlined with black.

Chinese Interiors

Common features of Chinese Interiors

Use of Colours: Colour in Chinese Interior is usually vibrant and bold. Red and Black are are traditional colours, meant to bring luck, happiness, power, knowledge and stability to the household.

Latticework: Lattices are a staple in Chinese interiors most often seen on shutters, screens, doors of cabinets snf even traditional beds.

Lacquer: Multiple coats of lacquer are applied to furniture or cabinets (now walls) and then carved. The skill is called Diaoqi (雕漆).

Decorative Screens: Screens are used to partition off part of a room. They are usually of carved wood, pained with very intricate murals.

Shrines: Spaces were reserved on the home to honour ancestors, usually consisting of an altar where offerings could be made.

Of course, Chinese Interiors are not all the same through the different eras. While some details and techniques were interchangeable through different dynasties, usually a dynasty had a notable style or deviation. These aren't all the dynasties of course but a few interesting examples.

Song Dynasty (960–1279): The Song Dynasty is known for its stonework. Sculpture was an important part of Song Dynasty interior. It was in this period than brick and stone work became the most used material. The Song Dynasty was also known for its very intricate attention to detail, paintings, and used tiles.

Ming Dynasty(1368–1644): Ceilings were adorned with cloisons usually featuring yellow reed work. The floors would be of flagstones usually of deep tones, mostly black. The Ming Dynasty favoured richly coloured silk hangings, tapestries and furnishings. Furniture was usually carved of darker woods, arrayed in a certain way to bring peace to the dwelling.

Han Dynasty (206 BC-220 AD): Interior walls were plastered and painted to show important figures and scenes. Lacquer, though it was discovered earlier, came into greater prominence with better skill in this era.

Tang Dynasty (618–907) : The colour palette is restrained, reserved. But the Tang dynasty is not without it's beauty. Earthenware reached it's peak in this era, many homes would display fine examples as well. The Tang dynasty is famous for its upturned eaves, the ceilings supported by timber columns mounted with metal or stone bases. Glazed tiles were popular in this era, either a fixed to the roof or decorating a screen wall.

Romanesque (6th -11th century/12th)

Romanesque Architecture is a span between the end of Roman Empire to the Gothic style. Taking inspiration from the Roman and Byzantine Empires, the Romanesque period incorporates many of the styles. The most common details are carved floral and foliage symbols with the stonework of the Romanesque buildings. Cable mouldings or twisted rope-like carvings would have framed doorways. As per the name, Romansque Interiors relied heavily on its love and admiration for Rome. The Romanesque style uses geometric shapes as statements using curves, circles snf arches. The colours would be clean and warm, focusing on minimal ornamentation.

Gothic Architecture (12th Century - 16th Century)

The Gothic style is what you think of when you think of old European cathedrals and probably one of the beautiful of the styles on this list and one of most recognisable. The Gothic style is a dramatic, opposing sight and one of the easiest to describe. Decoration in this era became more ornate, stonework began to sport carving and modelling in a way it did not before. The ceilings moved away from barreled vaults to quadripartite and sexpartite vaulting. Columns slimmed as other supportive structures were invented. Intricate stained glass windows began their popularity here. In Gothic structures, everything is very symmetrical and even.

Mediaeval (500 AD to 1500)

Interiors of mediaeval homes are not quite as drab as Hollywood likes to make out. Building materials may be hidden by plaster in rich homes, sometimes even painted. Floors were either dirt strewn with rushes or flagstones in larger homes. Stonework was popular, especially around fireplaces. Grand homes would be decorated with intricate woodwork, carved heraldic beasts and wall hangings of fine fabrics.

Renaissance (late 1300s-1600s)

The Renaissance was a period of great artistry and splendor. The revival of old styles injected symmetry and colour into the homes. Frescoes were back. Painted mouldings adorned the ceilings and walls. Furniture became more ornate, fixed with luxurious upholstery and fine carvings. Caryatids (pillars in the shape of women), grotesques, Roman and Greek images were used to spruce up the place. Floors began to become more intricate, with coloured stone and marble. Modelled stucco, sgraffiti arabesques (made by cutting lines through a layer of plaster or stucco to reveal an underlayer), and fine wall painting were used in brilliant combinations in the early part of the 16th century.

Tudor Interior (1485-1603)

The Tudor period is a starkly unique style within England and very recognisable. Windows were fixed with lattice work, usually casement. Stained glass was also in in this period, usually depicting figures and heraldic beasts. Rooms would be panelled with wood or plastered. Walls would be adorned with tapestries or embroidered hangings. Windows and furniture would be furnished with fine fabrics such as brocade. Floors would typically be of wood, sometimes strewn with rush matting mixed with fresh herbs and flowers to freshen the room.

Baroque (1600 to 1750)

The Baroque period was a time for splendor and for splashing the cash. The interior of a baroque room was usually intricate, usually of a light palette, featuring a very high ceiling heavy with detail. Furniture would choke the room, ornately carved and stitched with very high quality fabrics. The rooms would be full of art not limited to just paintings but also sculptures of marble or bronze, large intricate mirrors, moldings along the walls which may be heavily gilded, chandeliers and detailed paneling.

Victorian (1837-1901)

We think of the interiors of Victorian homes as dowdy and dark but that isn't true. The Victorians favoured tapestries, intricate rugs, decorated wallpaper, exquisitely furniture, and surprisingly, bright colour. Dyes were more widely available to people of all stations and the Victorians did not want for colour. Patterns and details were usually nature inspired, usually floral or vines. Walls could also be painted to mimic a building material such as wood or marble and most likely painted in rich tones. The Victorians were suckers for furniture, preferring them grandly carved with fine fabric usually embroidered or buttoned. And they did not believe in minimalism. If you could fit another piece of furniture in a room, it was going in there. Floors were almost eclusively wood laid with the previously mentioned rugs. But the Victorians did enjoy tiled floors but restricted them to entrances. The Victorians were quite in touch with their green thumbs so expect a lot of flowers and greenery inside. with various elaborately decorated patterned rugs. And remember, the Victorians loved to display as much wealth as they could. Every shelf, cabinet, case and ledge would be chocked full of ornaments and antiques.

Edwardian/The Gilded Age/Belle Epoque (1880s-1914)

This period (I've lumped them together for simplicity) began to move away from the deep tones and ornate patterns of the Victorian period. Colour became more neutral. Nature still had a place in design. Stained glass began to become popular, especially on lampshades and light fixtures. Embossing started to gain popularity and tile work began to expand from the entrance halls to other parts of the house. Furniture began to move away from dark wood, some families favouring breathable woods like wicker. The rooms would be less cluttered.

Art Deco (1920s-1930s)

The 1920s was a time of buzz and change. Gone were the refined tastes of the pre-war era and now the wow factor was in. Walls were smoother, buildings were sharper and more jagged, doorways and windows were decorated with reeding and fluting. Pastels were in, as was the heavy use of black and white, along with gold. Mirrors and glass were in, injecting light into rooms. Gold, silver, steel and chrome were used in furnishings and decor. Geometric shapes were a favourite design choice. Again, high quality and bold fabrics were used such as animal skins or colourful velvet. It was all a rejection of the Art Noveau movement, away from nature focusing on the man made.

Modernism (1930 - 1965)

Modernism came after the Art Deco movement. Fuss and feathers were out the door and now, practicality was in. Materials used are shown as they are, wood is not painted, metal is not coated. Bright colours were acceptable but neutral palettes were favoured. Interiors were open and favoured large windows. Furniture was practical, for use rather than the ornamentation, featuring plain details of any and geometric shapes. Away from Art Deco, everything is straight, linear and streamlined.

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