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spoiler-alert-andabunchofnumbers · 1 year

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It's That Time Friends LET'S TALK ABOUT SEPHIROTH!!!

Specifically, we're talking about OG Crisis Core Sephiroth because my hopes are high for this remake and though they made sure most of the OG lines are the same, why are the voice actors unable to raise their voices and shout into their mics like what?

Anyway, let's start with his friends because Genesis and Angeal deserve more attention for shaping Sephiroth into who he is.

We all know the fight scene, we all know how epic it was, but let's break it down because yes I've watched it practically frame by frame what do YOU do with your free time?

Did you notice Genesis does the sword prayer at the beginning of the fight, same as Angeal does with his Buster Sword? It could just be Genesis showing off his weapon for the audience, but he closes his eyes and specifically lowers his head a fraction. We have little of pre-Crisis Genesis to go off of and how friendly he truly was - I mean, his best friend's Prove-Your-Honor-to-Me Angeal and Sephiroth actually does seem to admire him for his genuine efforts to get stronger. Most people who face Sephiroth likely just give up knowing they'll never match him, but Genesis is insistent on becoming stronger even when he's beaten. He even makes headway against Sephiroth in this fight, something that no one else has probably EVER done, but we'll get to that later.

The music track my goodness it's so great! *Dramatic violins*

But to the actual fight, it makes you think about why Sephiroth's sword is so freakishly long and how anyone in Shinra possibly invented a metal strong enough to hold up to Sephiroth's strength. Angeal's Buster Sword is extremely thick, Genesis enhances his weapon through magic, but Sephiroth's just got an extremely long sword that can somehow hold its own no matter which way he's using it, which falls in line perfectly with his fighting style. With a blade that long, Sephi can basically block a hit from every angle just by twisting with little effort, which becomes relevant when he's fighting as a left-handed fighter against a predominantly right-handed society. In order to properly turn his blade at the right angle to parry, he would need to turn his blade at a sharper angle. Or he could just swing however he pleases and force his opponent to be the one turning their blade at an awkward angle.

Because he's basically the equivalent of hitting a brick wall, every time he parries an attack from Angeal or Genesis, he is never flinching or bouncing back from the blows no matter how terrible the angle should be. This is literally a scene showing how impossibly strong Sephiroth is, not just from a big-muscles standpoint, but from an illogical "how-are-you-not-moving?" standpoint, and it should be showing you how frustrating it is for Genesis to try and keep up.

We all know physics hopefully, and how length increases force the further down you go. That means that hitting further down the length of Sephiroth's blade should be increasing the force needed to block the hit, but because Sephiroth is so strong AND his weapon is good at holding up to that strength, even if you're hitting the tip of his blade and he's blocking at a very poor angle, he is STILL successful at being completely unmovable.

These two slam their blades into Sephiroth's, and then they press forward together and lean in, AND look at the downwards angel Sephi is holding his Masamune. It's cut off in the picture above, but Sephi's thumb is facing downwards towards the blade, meaning he's not using his palm to push as effectively as if his thumb were facing upwards. You can tell because right after this, he swings up to slice the pair's blades back in their respective directions.

And during this first clash, he NEVER uses his right hand as a leverage point to reinforce the other end of his sword. The only time he uses his right hand is when he and Angeal are bashing it out at the last clash, and it looks like he was doing that mostly for aesthetic purposes.

Motion blur is a bitch.

Anyway, when Genesis powers up his sword and smashes his blade down to put Sephiroth into a crater, you can tell that both of them are having so much fun. Like even Sephiroth smiles because now Gen is putting up a decent fight. But then Genesis's hits actually start driving Sephiroth back. He's hitting fast enough and hard enough that Sephiroth's parries are becoming detrimental to him. His blade is useful for long-distance hits, keeping his opponents outside of a bubble where he can parry from literally every angle, but Genesis is getting too close and he isn't letting up, meaning that every time Sephiroth parries, it's at an angle that prevents him from resetting for the next swing. It's become more of getting his sword in the way than it is actually meaning Gen blow-for-blow, and he has to actually jump back in order to put real distance between them.

Then, Sephiroth makes a small "tsk" noise. He's genuinely upset that Genesis is actually making headway. This is probably the first time he's been on the defensive for a single opponent in a sword fight, and while he's slightly upset, he's also excited. This is why the fight gets out of hand. Genesis is determined to come out the winner, even if it's just in the training room, but Sephiroth is eager to have a real fight that he can put his full strength into - or at least more strength than normal.

When he blocks, this time, he uses his right hand for leverage. It's gotten serious. He uses both of his hands to shove Genesis back, and it is epic. Also do y'all think that's why he wears those bracelets? Are they for this exact purpose, to act as a bracer for when you gotta use your other hand to hold your sword?

Anyway, you can tell that Sephi is turning the tide because he's completely reversed the situation. Genesis is barely managing to keep up with the speed of his strikes, and because this is Sephiroth, getting your blade in the way of his is actually less effective than just dodging. When Sephi is doing the striking rather than the parrying, it means you're at risk of your own sword bouncing back in your face from the force of his hit.

Genesis jumping up is a reasonable response, putting distance between them, but in the air he also has no footholds, making blocking strikes even harder for him. Ignoring the lack of gravity because fall-damage doesn't exist in Final Fantasy (except for 15 but 15 isn't real I'm sure of it), Genesis using magic to try and turn the tide is precisely what his strengths are. He manages to match Sephiroth when he infuses his blade with magic, and let's be honest I don't think anyone else is capable of using Fire Materia like he has. He's basically using a SHG technique from FF Type-0, firing little blasts from every finger, and THEN controlling them remotely to converge on Sephiroth to create a creaking mini-sun worthy of Ifrit. I don't think his final blast would have stopped Sephiroth if Angeal hadn't stopped him, but I think Sephi was enjoying being overwhelmed even for a second.

No one can beat Sephiroth in terms of his raw strength, and his long blade is suited for his casual style of blocking and poking (it's embarrassing how easy it is for him to take Cloud down in Advent Children when he stops smacking his Fusion sword and just bypasses it by using a thrusting motion), but then Sephiroth starts using magic just like Genesis and all bets are off the table. The energy blasts that come from his sword just casually slice through the Mako Canon, and the way he just casually falls out of sight only to tear his way straight towards Genesis as his theme starts is Sephiroth having so much fun.

You know he did that to be dramatic. You know he did that because Genesis is a dramatic theater nerd and he's respecting Genesis by matching him in using magic to enhance his blade. He knows the fight's basically won now because he's actually trying. He's being nice. And he's having a blast.

The fact that Sephiroth is no longer being careful of his surroundings is also telling of how much effort he's putting in. Sure, he's slicing up the Mako Canon probably just to show off, but he's also just swinging his sword like you naturally would in a fight. He's just ignoring its length and letting it cut through whatever gets in its way even when he misses; it's a casual warning to Genesis that he's going to slice through him without pausing if Genesis gets in the way of Masamune. The situation is completely reversed from earlier as Genesis grunts in frustration before powering up to match Sephiroth's hit.

I love how when Angeal gets between the pair, he uses his Buster Sword to block Sephiroth from behind knowing that he'll need the foothold if he's going to stop Sephi mid-attack, but he's actually pushed towards Genesis because Sephi is pushing down so hard even after he's been stopped.

Genesis breaking Angeal's small sword is actually really interestingly set up and executed. This is the wound that begins Genesis's degradation, setting off the plot of Crisis Core's story. Genesis is really good, don't get me wrong, but it's unlikely that he didn't get his fair share of cuts and scrapes while he was learning to fight; I don't think Genesis would have begun degrading if he'd taken a hit like that normally.

I think this scene is setting up that Genesis's wound was really an anomaly of anomalies and the worst of bad luck. He infused his sword to maximum strength while he was determined to hold his own against Sephiroth when he was actually trying, he was so determined to keep the fight going and get Angeal out of the way that he used two types of magic at once - the red fire as well as what I think is ice magic to potentially immobilize Angeal (or he could have been using the same blue magic that Sephi was using when he first created those giant energy waves to make that first cut against the Canon). Because his blast hit Angeal's sword, which was blocking his own enhanced one, the two magics mixed in an explosion so strong that not only did it break the sword, but it created a Mako magic nightmare that was then injected straight into Genesis's shoulder.

I mean after everything that Sephiroth and Genesis did while they were going at it, it was Genesis's blast that actually broke the simulator. Sephi isn't even celebrating his victory. Though he doesn't say anything, he's concerned about Genesis and guilty that he'd let the fight get out of hand. When Angeal got between the pair, Sephiroth actually seemed to come to his senses - the original has Sephi seemingly like he was warning Angeal to stay out of the fight, but the remake seems to imply that Sephiroth was realizing how serious it was when Angeal intervened to stop them. I got this from the way Sephi says the line "Angeal..." That's how subtle the difference in voice acting a line can be!

His narration after confirms that he was concerned that Genesis wasn't healing and quietly blaming himself for letting this happen.

He finds Angeal's lectures amusing, he's memorized LOVELESS from being around Genesis for so long. He cares deeply about his friends, he's heartbroken when he has to accept that they're turning against Shinra, that they're working with Hollander. Zack has a full-on breakdown when Angeal dies because he was the one that had to watch his downward spiral, his transformation into a monster, and kill him, but imagine what Sephiroth is going through. He's not an emotional person, but he's enraged when he learns that Angeal left in Wutai, he does his best to appease Genesis when they meet in the Mako Reactor and tries his best not to fight them. He goes so far as to go rogue and tell Zack that they're going to fail to eliminate the wanted fugitives - probably the first time Sephiroth has ever actively rebelled after being raised in Shinra under Hojo.

Crisis Core is the story about Zack but it's also a story about Sephiroth. He was a person born and raised in Shinra to be nothing but a soldier, and the first time he actually gets friends (from a small humble town rather than a big city) and gets a new perspective on life, finding out they were experiments and monsters absolutely breaks them. He watches his friends fall apart, drift away from the kind and fun people that had been his first and only friends and taught him what friendship was truly LIKE.

Zack is probably the only reason Sephi doesn't break from Shinra then and there; he has the power to leave, even if he doesn't know what he'd do with his life, but Zack becomes a cheerful 1st, as passionate in his beliefs as Genesis and as kind as Angeal after being mentored by him. Another friend who doesn't let Sephiroth's cold attitude hamper his ability to see the good in life, one who believed in Angeal enough to even try believing in Genesis for a moment too. Sephiroth still has hope.

That's why it takes Nibelheim to absolutely break him. Not only is he close to Jenova, but he has the knowledge that his friends were failed science experiments, the informtaion causing them to absolutely fall apart - he's seen it happen and has been forced to accept that his friends are gone. Learning about his own past as an experiment sends him down the exact same rabbit hole that his friends fell into, but he's a "perfect" monster, and even Genesis showing up at the reactor confirms it. He says to Genesis "you will rot" when he comes asking for help, which seems like a great moment where Sephi refuses to let Genesis's harsh words get to him. In actuality, it just proves that he's aggressively distanced himself from the pain of losing those he trusted, reminding him and reinforcing the idea that Sephi can't trust his fellow 1st class friends. How easy would it have been to convince him that Zack was going to turn on him too?

This is serious manipulation from Jenova, taking advantage of Sephiroth's upbringing being isolated in Shinra with Hojo, taking advantage of his trauma from finally finding friends who went mad and turned on him, and then taking advantage of the fact that their history was revealed to them to drive them mad to do the same to him. Quite honestly, why WOULDN'T Sephiroth hate a world that did this to him? He's been a loyal soldier all his life, he's angry at Shinra who made him, tired of the whole world being too weak to pose a challenge against him, and he learns he's a monster who can help Jenova if she helps him

Honestly, I'm on board with that fan theory that Remake is Sephiroth trying to break free of Jenova's control over him as well and break the chains of fate or whatever. Not so he can be a free good guy or anything (that theory is reserved for the fanfiction), but so that he can take all her world-ending power for himself. You go, dude. Be the greatest villain ever and force the world to get its shit together in order to stop you.

Anyway, Reunion just finished downloading so I'ma go play now. Byeeeee

#Crisis Core #crisis core reunion #sephiroth #angeal #genesis #zack #listen I love that they stayed so true to the original with some upgrades #but why did those upgrades have to suck #just because your character models look more realistic doesn't mean they're actually expressing emotion #crisis core spoilers #this got really long #long post

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jilliannotfound · 3 years

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prepare for a long ask (i’m sorry)

my brain is very full so hear me out-

dream smp casino/mafia au-

now i was at first thinking Kinoko kingdom (karlnapity) are the owners of the casino cause yk Las Nevadas Quackity but then i remembered “Syndicate” (by Derivakat) which has a jazzy vibe and was like, what if the Syndicate was a mafia ‘family’ that ran a casino and reader is their star performer who starts off every night with a performance of “Syndicate”. reader’s performance is used to kinda establish the Syndicate’s power over the casino and to remind the patrons anything they do will be under the scrutiny of a mafia with literally two of the most renowned mafiosos’ (Philza whose reputation of traveling all over and taking down many a mafia family precedes him and Technoblade who has taken down mafia families singlehandedly) in the city, maybe even the entire country.

the Eggpire is like a rival mafia that is trying to take control over the city so it isn’t uncommon for them to try and infiltrate the Syndicate casino. so i was thinking, what if the people who are Pro-Omlette (but not in the Syndicate so Puffy, Foolish (since it’s not confirmed he’s part of the Syndicate), Awesamdude and Eret) are staff at the casino. they were each like a lone agent after their mafia family split up/they left and decided to join forces with the Syndicate to make sure the Eggpire didn’t gain total control of the city. Maybe Sam is a bodyguard stationed either outside the casino or manning security cameras switching with Puffy, Eret can be like a stage manager/backstage to aid the performers and make sure no one sneaks into the dressing rooms or the light control area backstage and Foolish is like a bartender keeping an eye out on the main floor of the casino for any activity.

Dream was the former head of the well-renowned Dream Team mafia family until the family split. he’s notorious for breaking apart mafia families before disappearing into the night and traveling to a new city. occasionally he’ll hire some aid but they never last long.

Ponk used to be an on-sight medic for the casino in cause of bar fights or performers getting injured on stage but after many rumors (later confirmed to be true) of him being a member of the Eggpire he was fired and not allowed to enter the premise of the casino again.

Kinoko Kingdom was a rival casino/mafia family to the Syndicate’s but they’ve decided to have a truce to make sure Dream and/or the Eggppire don’t take over their city. Their casinos have different vibes with the Syndicate’s being more of a hub for mafia and business activity with jazzy music on the constant and famous for civilized and tame yet very entertaining entertainment whilst Kinoko’s casino is like more of a rowdy type casino, famous for high stake bets, drinks with high alcohol content and lively music and entertainment that can be seen as a bit too glitzy and tacky. Like you go to Syndicate casino for a night of business deals and building yourself up to the top, the type of casino you would bring your boss to, whilst the Kinoko casino is the type of casino you go to let loss and risk it all with cheap entertainment and even cheaper booze. their truce works out because their casinos are so different that competition wouldn’t be worth the cash (and the Syndicate knows they can easily take on the Kinoko mafia in a fight but shhhh)

there’s multiple places a reader character could fight but as a primarily Technoblade simp at heart i had to put reader as a performer in the Syndicate casino-

~🦫Anon (if this title isn’t already taken-)

𝕋𝕙𝕖 𝕊𝕪𝕟𝕕𝕚𝕔𝕒𝕥𝕖

DSMP x Reader (in-game)

Summary: Request

Warnings: None?

A/N: Okay… I have a few important things to say. First of all, this story is not completed. This request is so genuinely good and I have been trying to work on it for far too long and have had very little success. With that being said I still want to publish the small bit of this story that I’m proud of.

Second of all, I would like any other dsmp writers on this platform to feel free to take this request and perhaps do with it what I wasn’t able to. If you write this story, please tag me because I’d love to see what you do with it. You can also use this bit I have written and am sharing to start off your own version of the story (just give proper credit)!

With all of that out of the way, please enjoy!

—

The Syndicate. One of the highest-end casinos in the country, and certainly the most powerful, being run by two of the best-known mafiosos.

Philza was best known for his travel, being able to track down anyone anywhere and take care of them.

Technoblade was easily the scariest man you could meet. He’d single-handedly taken down more mafia families at the age of 21 than most senior-aged mafiosos could even dream of.

It was rare to see either of the men in the casino, let alone to see them together, so when the pair came through the doors with power in their steps everyone knew something serious was in order.

They took their seats at the bar as Foolish prepared their drinks and Eret directed the casino's attention to the stage.

This performance was a nightly occurrence, the same jazzy tune came from the band's instruments as Y/N emerged from the curtain.

Hey, I'll tell you a little secret of mine

If you promise not to tell, if you have the time

Everyone has gotten you, always on the run

But if you join the Syndicate

Life could get a little more fun

It was the song of the casino, used to remind everyone just how much power it holds.

When all of the horses and all of the men

Won't learn from history, it's all the same in the end

I've told you once and I'll tell you again

The Syndicate is looking for a couple new friends

It reminds the patrons of the casino that no matter what they do, the Syndicate is always watching, studying each of them in hopes of finding some new friends.

Fight for freedom, fight to end the pain

Hey, this is serious, it's not just some little game

'Cause the anarchy's part of me, tyranny bothers me

End it all properly once and for all

They call us the villains 'cause they know we'll take the fall

The members of the Syndicate were a force to be reckoned with, composed of strong fighters and quick thinkers constantly working to take down anyone that dare stand in their way.

The Eggpire was their current concern. Run by a man named BadBoyHalo, the Eggpire was a whole other breed of mafiosos.

They preached about the Egg, whatever the hell that was supposed to be, and always wore a signature red color that made them easy to spot. Sometimes you could even swear there was a red glint in their eyes when talking about it.

After the incident with Ponk, their old medic that got caught up in the red whirlwind, the Syndicate became extra wary of the Eggpire, willing to do just about anything to take them down.

This is exactly why the two most powerful men were sitting together at the Syndicate’s bar with their eyes locked on the stage.

Fight for freedom, fight to end the pain

Hey, this is serious, it's not just some little game

'Cause the anarchy's part of me, tyranny bothers me

End it all properly once and for all

They call us the villains 'cause they know we'll take the fall

When all of the horses and all of the men

Won't learn from history, it's all the same in the end

I've told you once and I'll tell you again

The Syndicate is looking for a couple new friends

Oh, a couple new friends

Oh, oh, oh, oh

Oh no, no

You'll gain a couple new friends

As the jazzy instrumentals faded out, Eret poked his head out of the curtain on the side of the stage, gesturing for the resident singer to come backstage.

Y/N smiled at the audience and walked through the velvet barrier to be greeted by the deep-voiced brunette.

“Did you see who’s out there tonight?” They asked him.

“That's why I called you, they wanna see you.”

Y/N took a deep breath and headed out onto the main floor.

They’d been part of the Syndicate for most of their life and knew they weren’t in any danger near Techno and Phil, but the anxiety still pounded in their head as they approached the men.

Y/N sat on the stool next to Technoblade and the two turned their stools to face them.

“Lovely performance!” Phil praised

They shot him a kind smile and braced themself for the inevitable harsh news that would follow the attempted small talk.

“We need you to do something.” Techno said bluntly. “You know Las Nevadas?”

“Yeah, of course.”

It was another casino ran by Kinoko Kingdom, another mafia family. They used to be considered one of the biggest threats to the Syndicate because they had quite literally appeared overnight and nobody knew anything. Once the Eggpire popped up though, it was safest to become fast friends with the three men that ran Las Nevadas in hopes of strengthening their forces against the red abomination infecting families all over.

“We had a meeting with Quackity and he’s got a bad feeling about some guests that have been stopping by their area. It’s a shitty casino, we all know that, but he thinks it’s more than just some random troublemakers.”

…

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nerdythebard · 3 years

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#12: The Doctor [Doctor Who]

Brother, I disown you...

I don't know what my friend/chosen brother was thinking when he made this request... Actually, no, I know exactly what he was thinking! Well, no time to dawdle, let's do this Time Warp. Again.

Next Time: Before we return to the gods, I want to make a character very close to my heart. He is also a Doctor... only, word of warning, he's a little... Strange.

Well then... sigh, let's see the goals we need to meet to make the most brilliant alien in television playable in D&D:

Heroes Never Die: The signature ability of a Time Lord (and the most problematic), a way to cheat death and return to life. Yes, somehow we need to make a virtually immortal character in Dungeons & Dragons...

Bunny-Ears Lawyer: Even in his relatively serious regenerations, the Doctor is prone to flashes of randomness, acts of nonsense, mixing puns and physical comedy to often hide the incredibly fast and advanced brain processes.

Go-Go Gadget Galore: Do I even need to say anything? Besides his trusty TARDIS (which will not be included here, we're making the Doctor, not his equipment!), the Doctor also brandishes sonic devices of multiple varieties, psychic paper, the thing that goes DING, etc.

---

As you can imagine, finding the right race replacement for Time Lords wasn't easy. I'm definitely not using The-Movie-That-Does-Not-Exist solution, and making the Doctor... half-human, urgh. All we need to do is find a humanoid, almost-fossil race that can come back from death a limited amount of times.

The Doctor is a Human Revenant, a playtest race from Unearthed Arcana: Gothic Heroes. In-game, Revenant is an undead that came back to life to pursue a certain goal, whether it's vengeance, retribution, or to make amends. Putting some flavour into it, and turning it into a long-living, mysterious being who perhaps came from the Astral Plane to search for a way to save his home planet... why not? Regular Revenants get only a +1 to Constitution, but if we're using pre-existing race (such as Human), there's another set of rules. So, we get a +1 Constitution and +1 Intelligence, and we don't get to pick a skill or a feat. Not yet.

What's most important here is the Revenant's Relentless Nature feature. We are assigned a goal, a very specific one, that we must complete in order to achieve peace. Work with your DM on that one (the saving-your-home-world one from before sounds like a good start). Until we complete the goal:

If we are below Hit Points Maximum, at the start of our turn we regain 1 Hit Point;

We know the distance and direction to any creature involved in our goal (perhaps a fellow, once-friend Time Lord?);

When we die, we come back to life within 24 hours with 1 Hit Point. If our body is destroyed, we come back in a spot within 1 mile of our place of death (unfortunately, our equipment is destroyed);

BOOM! JUST FLAVOUR EACH DEATH AS A CHANGE OF FACE AND PERSONALITY, AND WE HAVE THE REGENERATION SYSTEM! HAH! YOU SEE THAT, BROTHER!?

Ekhm... back to work, then.

The Doctor is pretty far from home, so giving him the Far Traveller background seems like the right approach. We gain proficiencies in Insight and Perception skills, proficiencies with one musical instrument (perhaps a recorder?)/gaming set, we learn one language of our choice, and we get the All Eyes on You feature; our mannerisms and quirks definitely draw attention towards us and our group, but we can take advantage of that in order to fish for some information, secure an audience with the local nobleman, or... I dunno, snog Madame de Pompadour?

ABILITY SCORES

No surprise there, we start with Intelligence. We have a literal Big Galaxy Brain™ and we use it often, and only sometimes to show off. Follow that up with Dexterity, we're nimble and we're doing a lot of running, especially when being chased (plus, we've invented the Drunken Giraffe dance). Constitution is next, the Gallifreyan biology is significantly superior to that of regular Terrans.

Next up, Charisma. It usually works, sometimes it doesn't, but even then we're kinda adorkable. Wisdom is a little low, I think we all shall agree to that, the Doctor is a creature of whim. He gets lost in thought, has a hard time remembering to explain his logic to others. Finally, we're dumping Strength. Now, we're definitely physically stronger than humans, I just don't remember any particular feats of super-strength in the show.

Heck, you want even more Time Lord shenanigans? Ask your DM to implement the "every death/regeneration makes all ability scores randomly switch places" rule.

CLASS

Level 1 - Artificer: Once again, nobody is surprised we begin with the Smart & Techy One™ for the Doctor. Artificers were brought to 5e via Tasha's Cauldron of Everything. These magical tinkers have d8 Hit Dice, [8 + Constitution modifier] initial Hit Points, proficiencies with light armour, medium armour, heavy armour, shields, simple weapons, and optionally firearms (although that's definitely not the Doctor's style). We additionally get proficiency with thieves' tools, tinker's tools, and one set of artisan's tools we choose. We can't get the sonic screwdriver (although if you want one, hint to your DM about the existence of the All-Purpose Tool), we have all these tools to replace it with. Our saving throws are Constitution and Intelligence, and we get to pick two class skills: let's get History and Investigation.

Artificers start with Magical Tinkering, an ability to bestow harmless magical properties onto inanimate objects. We choose a Tiny object with no magic in it, and grant it one of the following properties indefinitely:

It sheds bright light for 5 feet and dim light for an additional 5;

Whenever tapped, the object plays a recorded message no longer than six seconds;

The object continuously emits a smell or a sound of our choice;

A static image (picture, lines of text, shapes, etc.) appear on the object's surface.

Artificers are also casters, so at the first level, we get Spellcasting. Our casting ability is, of course, Intelligence and the number of spells we can prepare is equal to [our Intelligence modifier + half of our Artificer level rounded down]. We also know how to cast rituals.

We start with two cantrips:

Magic Stone lets us imbue three pebbles with magic (or perhaps, in this case, kinetic energy?) for 1 minute. We can then use the pebbles ourselves, or give them to somebody else. On a successful hit, the target suffers [1d6 + our Intelligence modifier] bludgeoning damage and the spell ends on that particular pebble.

Prestidigitation is a cantrip of plenty varieties, which very well could be disguised as the Doctor's tinkering with his sonic screwdriver. It can be used to warm or chill food, clean or soil objects, or perhaps lighting and snuffing our small flames.

We start with two 1st-level spell slots, and we get three 1st-level spells:

Alarm sets up a secured perimeter, no larger than a 20-feet cube, for 8 hours. Whenever a create not-designated as safe while setting the spell, crosses its boundary, we get a signal informing us about the intrusion, which also wakes us up if we're sleeping. The signal can be set to inform only us, or everybody around.

Detect Magic informs us of any magical activity within 30 feet of us for 10 minutes (concentration). We sense magic lingering on objects, people, as well as locations, and we can determine the type of magic present (but not a particular spell, for example, we sense that a spell on the object is enchantment-type, but not that it's Power Word: Kill).

Identify is... pretty much the one function of the sonic screwdriver we've all seen. It lets us learn about an object we choose, including its magical properties (if any) and if it's affected by any spells. And it works on wood!

With a spell list like that, we can safely say

Level 2 - Artificer: We continue with the Tech Savvy Class, and we learn the Artificer's signature skill, Infuse Item. It lets us bestow magical properties onto mundane items. Similarly to Warlock's Invocations, Artificers have Infusions they can select and put into items. Starting from this level, we can infuse two items at once, and we get to pick four Infusions from the list. For the Doctor, let's pick:

Replicate Magic Item: Bag of Holding is probably the most useful infusion in the early game. The infusion does exactly what it says, and a Bag of Holding is always a good item to own (just watch out for the Bag Man!)

Enhanced Defence infusion puts some extra protection (+1 to AC) onto an armour or a shield.

Mind Sharpener is a helping hand for any spellcaster. The infusion put onto an armour, or woven into a robe, sends a jolt to re-focus the mind. When the wearer fails a Constitution saving throw to keep their concentration, one charge (out of four) of the infusion expends, to make them succeed instead. The charges are refilled at dawn.

Returning Weapon gives a +1 to attack and damage rolls of the weapon it's applied on and makes it return to the wielder's hand immediately after it's used to make a ranged attack. With the keyword "immediately", it gives your Rangers and other bow-users infinite ammunition with just one arrow.

We can also get one more 1st-level spell: Disguise Self changes our appearance for 1 hour, or until we choose to dismiss it as an action. The spell affects our body, clothing, and items we carry (including weapons). It is not a physical disguise, just an illusion woven around us; if we make ourselves thinner than we really are, and somebody was to touch the space where our regular body would be, they're going to feel the body, albeit invisible. For the Doctor, this seems like a combination of psychic paper and the Chameleon Circuit.

Level 3 - Artificer: At this level, we get the Right Tool for the Job feature. If we have thieves' tools or artisan's tools in hand, we can create any other set of artisan's tools.

We also get to pick our subclass, our Artificer Specialization. The Doctor is no alchemist, and we'll probably build Tony Stark at some time in the future, therefore we're picking Battle Smith. Those tinkers are masters of protections, being able to put up defensive mechanisms on the spot. Since the Doctor is a diplomat first, runner second, and combatant very close and reluctant third, focusing on support is a good option.

As a Battle Smith, we gain proficiencies with smith's tools, and we gain some more magic with Battle Smith Spells:

Heroism imbues the willing creature with bravery. Until the spell ends (1 minute, concentration), the target is immune to being frightened and gains Temporary Hit Points equal to our Intelligence modifier at the start of each of their turns (AKA every six seconds). When the spell ends, any Temporary Hit Points remaining are lost.

Shield creates an invisible barrier as a reaction to getting hit. It adds +5 to our AC until the start of our next turn.

Although a reluctant fighter, the Doctor as a Battle Smith also gets the Battle Ready feature. We gain proficiency with martial weapons, and when we attack with a magic weapon, we can use our Intelligence modifier instead of Strength or Dexterity for attack and damage rolls.

Finally, Battle Smiths get the Steel Defender. With our tinkering, we create our first companion, a steel defender; it is friendly to us and our companions and obeys our commands. With that, we got ourselves the one and only K9

Level 4 - Artificer: At this level, we get our first Ability Score Improvement! However, instead of upgrading our abilities this time, we'll grab a feat. The Telepathic feat from Tasha's Cauldron of Everything will represent the Doctor's limited psychic abilities: we increase one of our non-physical abilities by 1, let's go for Intelligence. We can speak telepathically to any creature within 60 feet, but the creature cannot reply (unless they're telepathic too, of course). Finally, we can touch a Detect Thoughts spell once per long rest, without a need to expend spell slots. Give your target a good headbutt, and learn their surface thoughts.

We also get our final spell: Catapult turns one inanimate object that isn't worn or carried (and weighs from 1 to 5 pounds) and turns it into a remote projectile. The object flies in a straight line for 90 feet before losing its momentum and falling. If it hits a creature, they have to make a Dexterity saving throw or take 3d8 bludgeoning damage. Distract your pursuers with a head of cabbage flying at their heads.

Level 5 - Rogue: We say goodbye to the Artificer, as we move onto Rogue for the rest of the build. Rogues use the same Hit Dice as Artificers, so nothing really changes when it comes to our Hit Points. We already have proficiency with light armour and thieves' tools, but we can pick one class skill – let's pick Acrobatics for better running and parkour chances when escaping aliens and responsibilities.

Rogues start with Expertise, which lets us double our proficiency bonus (NOT ability modifier) for two skills of our choice: let's boost Insight and History, to best utilize our centuries of living. We also learn how to speak Thieves' Cant, a special system of phrases and signals used by other Rogues to communicate without revealing their secrets. Finally, we have Sneak Attack: once per turn we can add 1d6 extra damage if a) we have an advantage on our roll, or b) the target is within 5 feet of another creature hostile towards it. The attack must be done by either a ranged weapon or one with the finesse property (like a dagger or a rapier).

Level 6 - Rogue: We get Cunning Action, which let us turn some Actions we can do in combat into Bonus Actions. That way, we still have an Action to spare if we decide to use Dash, Disengage, or Hide. Considering how much running the Doctor does, it's good to have something else to do just in case.

Level 7 - Rogue: Our Sneak Attack changes to 2d6.

We also get to pick our second subclass, our Roguish Archetype. Now, initially, I considered going Swashbuckler, as it combines nimble footwork and gives us some charm abilities. However, since we're going with the build that emphasizes support and actual combat as a last resort, we'll go with Inquisitive.

We start this subclass with Ear for Deceit, whenever we roll Insight checks to determine if a creature is lying to us, we treat each roll of 7 or lower as 8.

We also get Eye for Detail. This is mostly to be used in combat (or if your DM runs dungeons in Initiative Mode), as it allows us to use Perception or Investigation checks as a bonus action, where it would normally take an action.

Finally, Inquisitive Rogues get Insightful Fighting. As a bonus action, we can make an Insight check, contested by the enemy's Deception check. If we succeed, for 1 minute we can use our Sneak Attack on the target even if we don't have an advantage or the target isn't near another of its enemies.

Level 8 - Rogue: Time for another ASI! Let's raise our Intelligence by 1 point, and use the spare one for Strength.

Level 9 - Rogue: Our Sneak Attack changes to 3d6.

We also get Uncanny Dodge. Whenever we're being hit by an attack, we can use our reaction to halve the damage dealt.

Level 10 - Rogue: Halfway through the build, and we get another shot at Expertise. Once again, we get two skills to which we can double our proficiency bonus. Let's go with Perception and Investigation.

Level 11 - Rogue: Our Sneak Attack becomes 4d6.

We also get one of the better abilities in the game, Evasion. If we're being targeted by an AoE attack that would deal half damage on a successful Dexterity saving throw, we take no damage if we make the save. What that means is, we can now take a Fireball face-on, shrug it off and loudly proclaim

Level 12 - Rogue: We get another ASI. Let's improve our Dexterity by two points this time.

Level 13 - Rogue: Our Sneak Attack becomes 5d6.

We also get another subclass feature. Steady Eye gives us an advantage on Perception or Investigation checks if we move no more than half of our movement speed on our turn.

Level 14 - Rogue: Time for another ASI. Let's focus on getting some more Hit Points this time, and get +2 points to Constitution.

Level 15 - Rogue: Our Sneak Attack becomes 6d6.

At this level, we get Reliable Talent, which upgrades our abilities to almost anime protagonist-level. Whenever we make a check for a skill we're proficient in, we treat all rolls of 9 and lower as 10.

Level 16 - Rogue: We're getting one more ASI. Let's raise our Dexterity again, putting 2 points in it.

Level 17 - Rogue: Our Sneak Attack becomes 7d6.

We get our final subclass upgrade for this build, the Unerring Eye. We can now sense illusions and magical tricks within 30 feet, as well as shapechangers not in their original form. We can detect there is an effect trying to trick our senses around us, but we don't know its nature (i.e. if we meet a creature that activates our sense, we cannot distinguish whether it's a Disguise Self spell, or a natural shapeshifting ability, or a Druid's Wild Shape).

Level 18 - Rogue: We get another one of the best abilities in the game, Blindsense. We can now detect the presence of invisible and hidden creatures within 10 feet radius of us.

Level 19 - Rogue: Our Sneak Attack becomes 8d6.

Our mind becomes more slippery with Slippery Mind. We gain proficiency in Wisdom saving throws.

Level 20 - Rogue: Our build's capstone is Rogue 16, which is also our final ASI. Let's finally cap Intelligence, as it should've been from the start when it comes to Time Lords.

---

There it is. My take on how to play as the Doctor in Dungeons & Dragons. I believe I've covered most if not all of the important features the Doctor has, but let's see:

Let's face it, we're not a frontline fighter... we're not even a backline fighter. We support. With 14 AC (without armour), 151 Hit Points on average, and a +4 to Initiative, our job is to manoeuvre, around the battlefield and let our friends take care of the enemy, while we do other things. With Reliable Talent and Expertise we are great at sweeping the room for clues and hints, even if in the heat of battle. Thanks to Unerring Eye and Blindsense, our senses aren't that easy to fool.

Unfortunately, our Strength is not great, and that means some weapons are just a hindrance (unless we pick a finesse weapon, which replaces Strength with Dexterity). While we have late-game proficiency in Wisdom saving throws, throughout the earlier stages those might prove a little problem.

---

And that is it for this build. I hope that you guys enjoyed it, and I'll see you for the next one!

- Nerdy out!

#d&d 5e #dnd #dungeons and dragons #character building #the doctor #doctor who #new who #classic who #time lord #artificer #battle smith #rogue #inquisitive #revenant

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wangxiandecoded · 4 years

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Episode 10

Previous Episode | Next Episode

(Spoilers for the whole show ahead!)

Going to draw a heart over Wangxian to keep track of every time the camera shows someone third wheeling them from now on.

Wei Ying uses his Binding/Bonding talisman on Xue Yang to show Lan Zhan it’s a dynamic tool that doesn’t deserve to be named “Boring”. Even though there’s a serial killer on the loose, Lan Zhan’s opinions on his inventions matter a lot to him. Standard Wei Ying stuff.

Wangxian’s Mirrors

At this point of the show, I could not believe there was a couple who directly mirrored Wangxian. And surprise! They were two men who dressed in black and white and came together for their common vision exactly like Wangxian did. Wei Ying cannot help but connect the dots and Lan Zhan is already aware of their eminence.

Xue Yang Fancies The Yiling Laozu

Xue Yang’s introduction makes the story take a darker turn but also a gayer one. The homoerotic subtext between him and Wei Ying literally jumps out of the screen.

(This episode had a lot of moments that were just begging for alternate dialogues to be written. I just wanted to have fun with the subtext that’s already present.)

Wei Ying doesn’t want Lan Zhan to waste his precious breath interrogating the bad guy. He protectively steps up (something he does quite a lot) and puts some distance between the both of them.

But he wants Lan Zhan to hold his sword while he does that.. and if that act wasn’t necessarily considered to be intimate or romantic before, it just became that after Lan Zhan refused to do it in front of everyone.

Wei Ying has uttered many conspicuously gay things on the show but most of them are with reference to Lan Zhan. Therefore, this is possibly the gayest dialogue he has ever said in a strictly non-Lan Zhan context.

His tone is all, “Honey, you've been existing for 5 minutes, I'm the queerest person the cultivation world has seen in a millennium. You think frisking a guy is going to make me feel scandalized?” This is nuts to me because Xue Yang is arguably the most blatantly coded gay character on the show.. and here is Wei Ying all but saying he can outgay him. That he shouldn’t come after his job. And Lan Zhan just looks like..

It is curious how Lan Zhan says no to something that would require Wei Ying to go near Xue Yang again.

We get it, Lan Zhan. It was hard to see your guy giving attention to someone who wasn’t you.

When Lan Zhan is unsure what's happening back home, the first person his eyes seek is Wei Ying, his source of strength and reassurance.

SongXiao Help WangXian Fall Deeper In Love

Wei Ying is euphoric to meet another pair of Soulmates™. (The same kind of glee that queer people feel when they meet a celebrity queer couple.) His relationship with Lan Zhan just gained supreme validation and a boost to the power of infinity!

He sees everything he has with Lan Zhan reflected in SongXiao’s relationship. He admires them and is delighted that people like them who aren’t concerned with clan drama can walk the wider path of justice, and also lead successful, honourable lives. He looks to Lan Zhan for confirmation but Lan Zhan doesn’t seem too eager to publicize the super sweet promise they made at the lantern ceremony or the fact that he’s been secretly enjoying Wei Ying’s companionship on this expedition. And let’s be honest, it would’ve been more shocking if Lan Zhan did confirm any of that here.

Cheer up, Wei Ying! Lan Zhan will get plenty more opportunities to prove his love for you and he'll ace every single one of them.

No one asked for this but thank you NHS for declaring your ideal type is beautiful gentlemen who fight crime together and unapologetically go their own way.

The parallels between the two pairs write themselves. More importantly, it is while watching SongXiao leave together that Lan Zhan stumbles onto an epiphany.

This is such an underrated moment in the show. The sorrowful music and slow-motion shot of Lan Zhan looking at Wei Ying with vulnerability all over his face once again drives it home that Wei Ying is The One for him, and he is his. He was already getting tired of denying that Wei Ying is his soulmate in every sense there is, and he feels his pain and sadness in this moment. It is enough for Jiang Cheng to feel sorry for him and move on but not for Lan Zhan who feels all that his soulmate feels.

It is overwhelming and brand new information to Lan Zhan himself that he can feel it because Wei Ying is not in impending danger right now, so this need he feels to protect him and be there for him can only mean that he loves him beyond the shadow of a doubt. Wei Ying seems upset thinking about his mother and Lan Zhan gets it, without Wei Ying having uttered a word the whole time. His face shows a kind of defeat in this scene; he surrenders to everything he has known and felt for some time now : He's in love with Wei Ying and would tear down the universe without a second thought if it means it would rid him of his unhappiness. And he isn't able to do that in this moment. But thanks to Song Lan and Xiao Xingchen, he’s found comfort in the truth they have each other at the end of the day, even if they have nothing left in this world. He cannot give back to Wei Ying what he has lost but he can accompany him in his sadness, and it will have to be enough. And it is, because Wei Ying can overcome just about everything as long as Lan Zhan walks by his side.

Wei Ying Says Lan Clan Deserves Rights

Wei Ying has many nice things to say about the Lan clan who he found exhausting a few months ago. Love brings about miraculous changes in a person, y’all.

Wei Ying gravitates towards Lan Zhan as if it's second nature to him and it really is.

Jiang Cheng spends a lot of time trying to get Wei Ying to spill the Top Secrets about the Yin Iron and Wei Ying is like, "Sorry, I’m bound by the Soulmate laws to tell you absolutely nothing."

Wei Ying is already embracing the idea of controlling the Yin Iron and people are rightfully getting offended by his suggestion.

What did you expect, Wei Ying? Not everyone is your lifetime confidant to give you the benefit of the doubt and reciprocate it with compassion, trust and open-mindedness.

Wangxian’s Temporary Separation

What was that, Wei Ying? Did we hear you admit that the Gusu Lan roof is softer than the one in Qinghe? Could this have anything to do with a certain law enforcer in Cloud Recesses you fell in love with at first sword fight?

There is a delicate, bittersweet air to this separation, and even the casual watcher is going to be wondering, “When did I get so invested in Wangxian that WuJi makes me want to cry?”

It's cute how Lan Zhan is like, “Okay, I’ve seen the love of my life for one last time, I’ll quietly take my leave so he doesn’t know I was waiting for him to come back.”

Turns out, "I'll sleep on your roof tonight," is one of the most romantic things we could tell the person we love. Isn't it brilliant that just few seconds ago Wei Ying had said he will take whatever ground he finds as his home for the night, and how utterly beautiful is it to have followed it up with this dialogue? “Lan Zhan, I'll sleep on your roof tonight.” Because the world is big but my home is wherever you are. That’s where I’m happiest, I'll sleep on this rugged roof and walk through thorns if it means I get to be by your side. I won't mind it at all. And how unbelievably romantic is it that Wei Ying makes a philosophical statement about life, which ends up being about Lan Zhan?

Lan Zhan hears the implications in his voice. And he openly yearns to stay behind a little longer and commit to his memory what Wei Ying looks like when he is drunkenly proclaiming his love for him under the moonlight. It is pleasantly surprising that Lan Zhan is willing to express his emotions when he knows he is safe from Wei Ying hearing them, that he doesn't mind telling him goodbye when he thinks Wei Ying won't remember it.

But the audience can hear his voice and we are going to remember it. How, "Wei Ying, I have to go," is uttered in a cadence so sweet we did not know Lan Zhan was capable of before this. And the choice of words do not simply mean that he’s going to leave, but that he has to, and most certainly not because he wants to. And how it really means, “I’m worried about everything, but especially you, and I'm sorry I have to go. I have to trust that we'll both be okay on this path. Please know that I don't wish to leave you, and forgive me for it. Wei Ying, I love you."

Even their temporary separation hurts so good. If they were meant to be best buddies, this scene wouldn't have been shot so poignantly. But we got used to seeing them together and every frame is designed to dig deeper into your heart and instil the fact that these soulmates are parting, and we don’t know when they’ll see each other again. This is the melancholy of a man who does not wish to be away from his lover but is forced to for the sake of the greater good. Anyone can see that.

The rooftop and moonlit night come as a callback to their first meeting, only Lan Zhan no longer wants to point the tip of his sword at Wei Ying, it gives him far greater satisfaction to place Wei Ying behind his sword.

I haven’t counted the number of times people acknowledge Wangxian’s relationship and/or know that they are inseparable, but it’s safe to say almost every character does that at some point. And some even know how to exploit their weakness, that in order to hurt one of them, the surefire way is to simply aim for the other like Wen Chao does here.

To summarize, Episode 10 saw Lan Zhan showing us his true colors : When he isn’t occupied with being the esteemed, intimidating Lan Wangji, he’s busy being a regular, sweet, romantic guy in love. And Wei Ying did that. He single-handedly exposes the soft side of Lan Zhan that nobody sees to the audience now and the world later on.

This episode also gave us this : Two soulmates chilling shoulder to shoulder zero feet apart because they’re falling in love.

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syubub · 3 years

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2021 Reading for BTS and the collective!!

Wow wow wow! I didn't disappear or get dragged away by a demon. No no, I just got thrust into unexpected shadow work and I now have an unhealthy obsession with sea shanties and a love of pasta.

I had this idea planned to be early in January but that didn't pan out so I'm doing it now. I have another yoongi reading in the works and another fun thing coming soon as well!!

I promise I won't bore you to death any longer but I hope you've all been doing well!!

Disclaimer: This is for entertainment purposes only and not to be taken as fact.

If this message doesn't apply, let it fly!

Cool cool cool.

Let's get it.

💜💜💜💜💜💜💜💜💜💜💜💜💜💜💜💜💜💜

Oki. I first want to say that this I gonna be long lol. I did a meditation and gathered some little pieces of things y'all might need to hear and then I pulled cards for every month. The fountain tarot deck is the cards for us, the collective, and the rider-waite cards are for bts. It'll make more sense when I add picks and stuff. I did a little extra card pull for yoongi for the month of May too :) I'll make sure to type out all the cards in text so you know what they are (the pics are kinda wack.) I also used my pendulum to ask if there was a bts related event for every month and that's at the bottom. It's just to take in the possible energy for the month and something that could result from that energy!

LETTUCE BEGIN (hehe)

Starting with the section for the channeled messages. I want to reiterate that this was collective so if it doesn't resonate with you, the message might not be for you! Use your intuition.

(Enough talking. Damn)

So. As I said this was through meditation and connecting to the big column tree thing (I told my cousin about the tree/pillar and they were like,, "so basically a big energy dildo in the æther?" .... I CAN'T STOP THINKING ABOUT IT. h e l p m e) and asking if there was any messages or advice that needed to be delivered and it was... intresting?

Things came fragmented. So there was little messages like, "Its gonna be okay" and "things are changing for everyone" and "open your eyes if you want to see" (that's sassy.) There was one particular thing that was confusing me though. Straight up it was just "flower" on repeat and like a really bad picture of a flower? Like you could tell what it was but it was bad quality. Anyway, I was like "okay. Kindly shut the fuck up. Pls." And I wrote down flower, pink flower and rose. Sooo.... idk but there you go.

More messages were things like, "the block isn't in your head", "try calling forth that which you seek" and... February. Possibly there is specific (very very very loose) connection to the 10th-19th? I'm not to sure what or why but I'd say maybe look out for opportunities on these days and also maybe external events.

Continuing with dates. In the last this 21 and January 21 came up. It came up again but with 2 messages. So first, either 21st is a day where something is put into motion (possibly private or public) or announced and the second was "add them together dumbass" that's not very kind but 3. Again this has been discussed too but but but... maybe a signal of a third mixtape 👀 (not necessarily on the 21st per say but possibly in March? I'm really not sure).

Oki. I got side tracked like I always do and started thinking about tattoos and stuff and I really want koo to have a peony tattoo. I feel it in my BONES. It would suit him so well. and as I was thinking about tattoos I heard, "don't be surprised if yoongi gets/shows a tattoo this year" ??? What the fuck? I think maybe they messing with me but now I have hopes and I don't want them to be crushed and thrown to the wind :(

Back to normal stuff, "the theme is growth" I think that fits very well with the reading. "Blue might be a lucky color" self explanatory. It might be lucky. "Start practicing grounding and centering" this was LOUD. This will help you in how you react to events in the future. Really do practice this if you haven't.

This is where it gets a little weird. So, I got a message that said "start living as if you never existed." I am not a 100% sure what this means but I think I have a pretty good guess. I hate to make it sound weird like this but by sort of focusing on something that is so hard to comprehend (because our brains can't comprehend not existing very well) you kinda break the 4th wall? Like in Deadpool when he addresses the audience and is aware that he is a character played by Ryan Reynolds? anyway, focusing on something that seemingly impossible you kind of accidentally open up the floodgates for a lot of other things. I would say if you are not in the right headspace to do this don't do it but it can be a powerful way to break up the monotony of reality. The theory that everything happens simultaneously bc time isn't a linear progression events blah blah we are energy blah blah the multiverse blah blah.. Theres so so so so so so so so so much about this and how it applies to things that I could probably write you 10+ dictionaries worth of material but for the sake of simplicity and not wanting to write a novel right now, I will continue. The main lesson is to start challenging your perception of the world around you. Ask why and why and why and why. Essentially seeing cracks in the matrix. Pulling your head out of your cosmic ass, realizing that rose you're smelling is actually daffodil ect. It's not supposed to bring you fear but just kinda encouraging you to question all the things that you perceive as given truths.

I tried to make that sound cohesive but really it's such a big concept that I can't really wrap it up all nice and neat.

Oki. May and March are also important times.

Listen to your intuition and try not to take everything so seriously. I'm not saying to check out and go squat in the Himalayas but it's important to find joy in the now. Life is already tough enough so don't forget to watch a silly show that you like or change your hair to a style you've never tried, wear makeup in a very loud way. Just have fun and don't worry so much about things that you can't control. Listen to yourself and your intuition.

Well that was all over the place. Let's get on to the actual tarot part now.

For the record, the pictures are right to left.

January for the collective

We have the empress, the sun, 7 of swords and a fortune that says "act well your part; there the honor lies"

Hmm. Ngl I was a little confused to see the empress and the sun for January... I mean it hasn't been great. So I pulled clarity card 7 of swords. The 7 of swords is all about betrayal. It's about the deception and and actively getting away with things. This is people lying, cheating, sneaking and the works.

This makes much more sense!! The Sun card is usually about joy and success and happiness but in this case I see it as illuminating the betrayal. It's shining light on the deception and keeps the spotlight there. Its also an energetic card so I think that shows passion for uncovering the truth.

With the empress card too I think January is all about getting creative in all forms. Creative ways to protest, to mourn, to celebrate, to connect. Also taking in the abundance that we DO have. The beauty that surrounds us. I like to think of aphrodite energy for this. Its not just love and passion and creativity but is also asserting yourself and having strong passion for what you love and fighting for it. Did you know aphrodite was also called upon in ancient Greece in times of war? She was honored as a goddess of war but still a goddess of love, the sea, fertility ect. What I'm trying to say is that being a creative and "feminine" energy is in no way weak. Sometimes the most powerful things come from this energy. Love aggressively with good intentions. The point is that you should take whatever you're feeling and translate it into something creative or something you care about. The fact that covid is still a thing really sucks but take any rage, hurt, sadness, joy, love whatever and use that shit to make something amazing. Bake bread and punch the fuck out of it, paint your frustration, play hopscotch in higheels while you listen to heavy metal. You get the point.

Now January for BTS!!

We have the death card. (I only pulled one card bc I have things planned from this)

January has been... strange? To say the least.

This card can be a lot of things for them. I think this points to more maturity in their music? Like they've finally ditched the "shiny kpop boy band" label and are being taken seriously in the west. I also think that they're going through a musical/concept transformation~ I think it also signified the change in plans bc of the Grammys perhaps they had things planned an that fell through so they were forced to rapidly change plan/course.

For January: possible mixtape or announcement.

February for the collective

We have 8 of coins reverse and hanged man reverse.

The 8 of pentacles reverse talks a lot about self improvement. Doing that good good inner work and self care. Working on developing parts of you that you've maybe neglected. It's also learning how to work with how you are instead of wishing you weren't the way you are. If you have a therapist its a great time to maybe ask for any extra tips that you can practice daily to help you even more. Maybe exploring more into insecurities relating to finance or jobs or your passions. If you don't have a therapist but you have the means to get one I always highly recommend. You don't have to have "problems" to see a therapist. Everyone could use a non biased point of view that is literally trained to help you be you best self. If you can't get therapy, I get it. Shits tough rn but there's still things we can do to better ourselves like Journaling and reading therapy blogs or self help books (not the taky shit) or trying a hobby you fell out of touch with. There's also a lot of places where you can get therapy promise on the internet. Most importantly, better yourself in the way that you need. Take time in February to take notice of what you want to improve upon. The 8 of coins reversed does come with the warning not to get stuck in perfectionism. Go easy on yourself and if you find yourself getting frustrated when working on projects, try to take a step back and practice whatever it is in a fun way and then come back to it later

Hanged man reverse talks about knowing that you need to chill but you don't. You'll need too. Maybe you'll find yourself swept up in work and tasks and you're over whelmed and know you need to stop and catch your breath but you resist. Why? Well, perhaps you're trying to ignore reality by filling the empty spaces with things and stuff so you don't have to face what's bothering you. Not wise. Take time for yourself. There's also the flips side where people are just kinda stuck.. creative block. Maybe you want something to turn out one way and it just isn't, so your stuck and frustrated and can't move past it. Let go of your expectation of how it should be and let it be what it is. Go with the flow and maybe you'll see a new way to overcome your problem. You'll eventually get that break through that you need! The theme of February is about self improvement. Listen to yourself.

February for BTS

We have judgment.

Hehe yeah. This card is about rebirth and the inner calling. Letting go of the old to step into the new version of you. This is also a very spiritual card lol. This can talk about a new decision that you have to trust your gut on. This is a very significant card that screams comeback to me. It also can talk about sharing your struggles with a group of people and that to me sounds comeback ish. Maybe this will be an announcement in February, maybe they'll be working on it idk but this is ultimate comeback energy so I hope they utilize this for a big group project!!

February: possible BTS comeback (even my pendulum knows)

March for the collective

The chariot and justice

This plays directly off of February! With the chariot you're taking the self improvement that you've done and putting it to action! Now is the time to act on the dreams and passions that you have don't wait and hope for the best. March is about action and standing in your power.

Justice card is cause and effect and truth. What you do will have consequences good or bad. Not doing anything also has consequences. Cease the moment and make the best of it. You'll be taking responsibility for what you do. You start a business? Now you have the responsibility of running it and you get the credit. Stuff like that. Stand by your decisions with conviction and trust yourself.

There's also the side of justice that talks about bringing justice. If you've been wronged, you'll be brought justice if you stand up for yourself.

We also carry the continuous lesson of learning what we truly believe and challenge those beliefs!

March for BTS

Oki we have the hermit and the 6 of pentacles reverse.

Well... let's start with the 6 of pentacles reverse. This can really talk about being so generous and giving to everyone else that you forget about yourself. I think that maybe they might be over exerting themselves and giving so much that they're exhausted physically and emotionally as well. I think too, they take on so much of our pain like its their own? Idk but this would be a good time to do a large scale fan project to show them a little extra love!

With the hermit card it talks about a self introspection so they could be looking inward as a team and kinda evaluating their bond.

I also see this as maybe being alone as in they maybe can't physically go to the grammys? Or maybe they had been planning the rescheduled concerts and they had to be pushed back even further? Things like that. Regardless this signals re thinking/reevaluating the goals that they have and considering what direction to go in!

March: possible mixtape or solo project?

April for the collective

We have 6 of coins and 3 of cups reverse.

Let's start with the 6 of coins. It's about sharing. It can be about charity so sharing money via donation but also giving time, effort, energy to people as well. Giving knowledge is good too! It's an all round exchange. Maybe someone lends you money or you lend money to someone. It's give and take. It's a two way street. It's also a card of balanced finance. So money stuff should be looking promising around this time (for you U.S people this could point to more stimulus help as well)

And for the 3 of cups reversed... I see this as reopening of places and people struggling to find the balance. So think people who've been in lockdown celebrating by throwing a big party... yikes. This card reminds that we should be mindful of the long-term consequences that come with our actions.. maybe also people that are experiencing fear of being in public places now. This is only one facet though. Bc I think this also means in general, missing being with friends and having a renewed relationship because you've really realized how important it is to have these people that mean so much to you in your life. Don't forget that you have people that love you and want the best for you. Call them when you feel alone.

April for BTS

The heirophant

Mhmm. This one kinda gives me vibes that they'll be mentoring people? Idk but I see them more as the heirophant teaching what they've learned/ know to help guide others. HOWEVER this could also be them taking a new task under their belt. Learning something new. Since this is as a group reading I assume that this talks about the group as a whole. This card is also very tradition oriented so maybe they are taking lessons that are connected to traditional Korean culture? Maybe its for RUN or maybe its to incorporate into music and preformance. Think bts mma preformance but all of them learning together? Idk, it's just a thought (maybe wishful thinking). It also talks about seeking counseling so maybe they'll do yoongis idea from the most recent RUN.

This can also be them embracing this kind of leadership/ status.

April: I got nothing. It does feel like something though

May for the collective

Five of cups and queen of cups reversed

Five of cups is disappointment, regret and self pity. Now honestly this to me looks like possibly a tightening of restrictions yet again. Regardless of the situation that this is talking about, the best thing you can do is not wallow in the bullshit. You scrape yourself off the pavement and move foward. You'll need forgiveness of yourself and others and that if shit isn't going your way, you need to pull your head out of your ass and look around bc there's options out there. It's like drowning in a kiddie pool. Just stand up, dude. The water is like 5 inches.

Queen of cups reversed talks about self love and self care. It's more of that look inwards energy. Think about really taking care of yourself. May might be emotionally draining so you need to be ready to take care of you! Part of self care is making sure that your boundaries are well enforced.

Be on the look out for codependent behaviors. Check in with yourself.

The queen of cups is very intuitive and having it in reverse can talk about you not taking enough time to listen to it. Make an effort to meditate for like 5 minutes a day at least. Do something to let yourself connect to your intuition and higher self.

May for BTS

9 of pentacles

This about enjoying the fruits of your labor and absolute abundance and luxury. This could talk about them rolling in the dough after signing a new partnership or having a concert or something if the sort. This could also be a time where we see them buying new things like houses, cars and rings (lol) but also this could be them doing a very high production value project! Also namjoon and his bonsai army are thriving in this time!

May: possible concert or scheduled concert event. Activity of some kind.

Yoongi interlude

I asked for one card to give me an idea of what the mystical May 13th really is. I got: the star, 2 of cups, 4 of wands, the world and the sun.

Guys. I can't with this. 2 of cups is a card of union, romance, soulmate. 4 of wands is celebration, joy, homecoming, bliss. The world is completion and the sun is happiness, joy, marriage, enlightenment.

I've said it a billion times but that's some soulmate shit. So soft so cute and May will be eventful for his personal life.

June for the collective

Death and the heirophant reversed.

Wow wow wow death is transformation and a new chapter so a new way of life and something new/ different that changes how we see things. Again this could be relating to new covid things and new policies and stuff like that but also new as in new to all of us. Groundbreaking perhaps?

The heirophant reversed talks about teaching yourself. Being your own teacher and making your own path. This might be spiritual or otherwise. Challange what the world wants from you and instead listen to what you truly want bc you don't need anyone's approval. Continue to ask questions about why things are the way that they are.

June for BTS

Page of pentacles

Oki oki page of pentacles means a new creative venture and manifestation. Maybe something that they've been wanting for a while finally comes to fruition. This might be the start of a new project that they haven't done before or something cross genre? Idk but its a really good sign of being motivated for a new endeavor and manifesting any projects that they've ever wanted to do. Love this promising energy!!

June: idk

July for the collective

10 of swords and 9 of cups reversed.

10 of swords signals a painful ending. Also deceit. Its a necessary end to a long battle. The only thing you can do is control how you react in these situations. You just kinda gotta surrender into the pain and know that it's temporary. Take time to reflect on what happened and why and how it will help you grow.

The 9 of cups reversed talks about valuing stuff and material things over emotions and spiritual things. This can be talking about society in general, that we are becoming more aware to the fact that there is often more value placed on ephemeral items rather than humanity as a whole. This also can be talking about coming to the realization that we've been working so hard towards... something we don't really care about simply because we were told that it's what you do.

If you want something different to happen you have to put in effort. You can't be sitting in front of a water fountain being like, "damn. I'm thirsty. I really really want water so why isn't it in my mouth yet?" Like?? Hello? You have to take the first step, my dude.

Certainly don't try to do anything that would cost you finatial security or health.

You have the potential to find happiness within yourself. So try looking inside instead of looking outward.

July for BTS

4 of swords.

This is about rest and relaxation!

Taking time to meditate and take some time to look at what you've done objectively. Ots like the hermit in a way but much more focused on resting and relaxing so you can come back stronger and with better direction. Maybe they'll take a break for a couple days but I really see it as them reassessing options. Especially if July goes how I think it will. Maybe they'll film something like In The Soop again? Maybe we'll see bon voyage type thing? Idk. But it could be something kinda out of the spotlight? Maybe something more healing?

July: maybe something?? I'm not sure but it seems like something might be in store.

August for the collective

5 of coins and the wheel of fortune

Well let's see. 5 of pentacles talks about isolation and a negative mindset. This talks about falling on hard times but its a temporary set back. This energy can be talking about falling on hard times emotionally as well. In the card it shows a woman outside of a church shivering and cold but she's too busy thinking about all that she's lost that she doesn't notice the warm church that she could step into for shelter.

But then with he wheel of fortune that talks about fate/destiny, opportunity and luck so maybe this is a necessary loss so that a new door can open. This does kinda tie in with July as well. The end of something is painful but it's often a necessary thing. Might be a bit uncomfy but that's how things change. Again I see this maybe hinting more towards society but none the less it's definitely a theme for August to have doors closing and new ones opening so be on the lookout for that.

August for BTS

The devil.

Now don't fret. The devil talks a lot about choice. Most notably the choice between instant gratification and and something more substantial and the devil leans towards indulgence. It also has a lot to do with the shadow side. This could talk about ~scandal~ sure, but I think its more of a time where you become aware of negative patterns and you shine a light on that part you've ignored. On a much lighter note this card talks also about an incredible bond between people. It can be unhealthy if not given space or boundaries. Listen to pied piper and come back to me.

I also REALLY REALLY REALLY hope that this card points to this: sexuality. The boys have always been pretty pg when it comes to the topic of sex and embracing sexuality so I really do hope to see something more daring and grown up and exploring a tastefully sexy concept. On the same vain as sexuality this card also talks about kinks and stuff like that so don't be surprised if we get more outfits like fake love Era bondage harnesses.

August: ???

September for the collective

We have the world and 10 of wands reversed.

The 10 of wands reversed talks about carrying burden. Doing extra work and taking on more responsibility. Doing everything by yourself and carrying this heavy load alone will get you burnt out quicker than anything. You might be taking on too much and you'll need to prioritize what you really need to focus on. I also think there will just be a lot happening in September for a lot of people. It's a lot of working hard because you know it's good work or because it's what's right. This could be social responsibility that's placed on you or work responsibility. For whatever reason this burden isn't something you want to share with others because you think its yours alone to deal with. It's not though bc you'll figure out eventually that if it hurts so much you'll find a way to lessen the burden. 10 in tarot is all about the completion of a cycle and going through the wands cycle is hard work because for anything to be made of passion, you need to put the work behind it. The burden isn't forever, the heavy work load will lighten but this is you seeing things out. It's a good thing!

Especially considering this is paired with with world. The world is all about completion and that's what you're doing here is finding completion. You are seeing things out until the end but you just need to learn to give up some responsibility, lessen your burden.

This also talks about hard work being put into wider social spheres as well. Things like the vaccines becoming more widespread through the whole globe or at least better planing and infrastructures not related to covid. Things are looking up!

September for BTS

Knight of swords reverse

This bad boi is restless energy. It's being so pent up that you're ready to burst and you really want to take action but you can't because something is keeping you from taking that action. Again I do think this is kinda covid related in regards to touring bc if they do tour in 2021 its gonna look a lot different. This energy can be a bit impulsive and directionless so I think maybe they'll channel this into album material something? I'm not really sure tbh. I'm suprised this energy didn't show up earlier because it almost seems inevitable.

September: no clue

October for the collective

Ten of coins and the star reverse.

Welp let's start with the 10 of coins. Its about wealth, financial security, and long term success so this is a pretty prosperous time. This talks about the obvious monetary wealth and material wealth but also an abundance of opportunities. So this is definitely a good time to enjoy whatever consistency you have. This energy is really really abundant in the career space as well. So October could be very prosperous in the job field and you'll have likely found what it is you really want and could be successful at. This could be the actual act or just the idea. This is could also talk about investing in something for your future, this could be time or money.

With the star reversed it can talk about a loss of faith and a disconnection. This often points to feeling like you've just been forgotten or left out. Like the universe doesn't give a shit about you and left you out to die. Things might seem unfair but always try to look for the lesson that you can take from the experience. Seeing the 10 of coins and the star makes me think that a lot of people have kinda lost faith in their manifestations and also just in the concept of not living in a state of need. Especially if you see other people doing well and you've been trying so fucking hard but you haven't gotten a break. I know we hate to hear it but this can serve as a test of faith. Or rather an opportunity to get your shit in line and take a second to breath. Do something good for yourself and then continue on. This star in reverse serves to show you what no longer sparks joy and helps you find what does and what that initial spark was in the first place. Helps you get back to the original vision/ spark.

October for BTS

5 of pentacles reverse.

This signals the end of difficult times and getting that groove back. The last month was restless energy with no where to go but this month that energy is certainly put to good use. They might be figuring out what has been missing In their lives and starting to rectify that. They are definitely reminded that material wealth doesn't bring spiritual or emotional wealth. Might be also feeling a bit alienated too.

October: something is likely but idk

November for collective

Six of swords reversed and the moon.

Transition and change is prevalent. The 6 of swords is about leaving behind the familiar. Maune this is leaving a job, a new change in the status quo, leaving a relationship ect. The thing you have to keep in mind is just how amazing this is in terms of what it will do. It will alow growth!! And bring clarity!! Thos can also be societal as well, something being left behind in favor of something new. It's letting go and reflecting so that you can move foward.

This is strengthened by the moon card. The moon card is the subconscious and all the things that come with it. The anxiety, the illusion, the uncertainty. You'll want to deal with whatever emotions come up. The moon can signify a confusing time where things aren't what they seem to be. That's the illusions so you'll have rely more on intuition at a time like this. Your dreams might hold significance in this time as well. Listen to your guides and your own guidance because it will help you understand more than you did before this journey began. Using moon cycles to your advantage in November might really help you!!

November for BTS

7 of wands

Challenge and competition. People are envious of bts. We know this. But people will be challenging them for what they've gained: music industry domination. This might co.e in the way that people will spread vicious rumors in attempt to disenfanchise or possibly it will be a fair fight. It could also be a challenge/ battle for some other aspect that involves legal matters.

My best guess though is good old competition. Bts has proven again and again that they will continue to do what they do how they do but they will not be trampled over. In the best way this could renew some of that spirit in friendly competition. They will tear eachothers throats out for a pack of ramen so maybe a bit of competition will be good for them. It keeps life intresting.

November: nothin

December for the collective

Two of cups and the emperor!

Let's start off with the emperor card talks about stability and order. It can also signify being the "breadwinner" so its a good sign that you'll kinda be on top of your shit. The emperor is also an amazing leader so you might find yourself taking on a leadership role too! This is very organized energy that works very smoothly!

two of cups is such a lovely way to end out the year! It's love and partnership and attraction so if you aren't in a relationship by this time you might meet someone who strikes your fancy!! On a none romantic relationship note though, this card is also great for business partnership bc it signifies that you're on the same page and have the same goals in mind!

It's harmonious relationships and trust between them!! Love love love this energy so much! Cups are the suit of emotions and this card is so promising.

If you are in a relationship, this can talk about "falling in love all over again" like you're just reminded of how good they are.

December for BTS

Queen of cups

Intuition, creativity and emotional stability. They're using intuition to guide their moves foward with emotional maturity. They are in a place of knowing what they want and why. This would be a good time to work on an album or a book or to release them. The queen of cups is like the friend that you can tell absolutely anything and somehow they have a helpful answer. This card is really calm and it can also talk about subconscious thoughts.

I think that bts is maybe making more of a conscious effort to make sure that what they do is just as emotionally fulfilling for them as it is for us! They might be kinda pondering the future at this time and considering if this is what fills their emotional cup!

December: possibly a thing?

Now these cards are the vibe of the year and some advice.

For the collective (on the left)

Three of swords and judgment reverse.

The fortune says "accept the challenges, so that you may feel the exhilaration of victory"

The 3 of swords is about disappointment and hurt and heartbreak. It's about the emotional release that we all need when shit gets tough. Don't pretend to be strong. If you need to cry, fucking cry. This year is about letting go of expectations and do what you have to do to release so you can move foward and not have these things pile up.

You have to make an effort to not let yourself take on what other people think of you. You aren't defined by what some asshole says. You define yourself.

Judgment reverse is about self doubt and ignoring your path. It's being stagnant and being harsh on yourself. This year has a focus on building yourself up and noticing when you are not. Bring light to the things that are holding you back without harsh judgment for yourself. You can't beat yourself up. If you make a bad decision you know not to make it again. Take accountability and move on.

The oracle card is inner temple.

Seriously all the focus of this year is in self improvement and dear god, please take time to work on yourself spiritually!!! Everything you want to know is there if you take the time to listen. This should be a place where you feel safe and welcome. It definitely should not feel like something you HAVE to do.

For BTS

10 of swords and page of swords

The fortune says "you create your own stage. The audience is waiting" (how tje fuck?? This is the perfect fortune)

The 10 of swords is a painful but necessary end. This is accepting the current situation. They maintain focus for 2021 for them is adapting and keeping their spirits up.

With the page of swords it talks about new ideas and that kind of creativity. It's also a lot about communication so I really think that they'll be figuring out new ways to connect and new projects that will be prosperous.

The oracle card is Pleiades

This is what we talk about all the time. Bts has helped so many people want to be better and do better. They are uplifting humanity and giving people a sense if belonging. Bts finds you when you need them most 💜💜💜

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Wow I had to write this up over 2 days bc this was so fucking long. I need a nap. Idk if I'll proof read this before I post it so don't hate me for the mistakes (honestly, there's like 10,000 spelling and grammar mistakes in my other posts too 🙃)

I hope you guys enjoyed it and maybe this will be helpful to to have a forecast of some possible energy for you to look out for!!

Also bts bc I love them. I have another bts 2021 reading I'll do soon too!

Hope you guys are happy and well 💜

84 notes · View notes

chalkrevelations · 3 years

Text

Street Dance of China S3, Ep 3. It sounds like maybe I should step up my pace on these, as they’ve announced the captains for S4 now? (Yibo back, Lay Zhang back, plus a couple of new guys I don’t actually recognize yet.) When is this going to air because it is just LAUGHABLE that I can keep up with 3+ hours of this a week. Particularly if I’m going to keep obsessively re-watching Word of Honor AND try to finally finish Killer & Healer in the miniscule free time I actually have for teevee. There’s certainly no way I can watch and dither on about 3+ hours/week worth of dance show in realtime before January, at least.

ANYWAY, this ep, we get a recap of everyone falling out after the captains’ cypher, and we learn who got the final extra towels and passed through to the next round: Lu Jiao Ni, who we barely see, on Team Jackson Wang; Yuan Ye (as promised) and A Li (who we barely see) on Team Lay Zhang (ETA: Wait, we find out later that A Li isn’t even on Lay’s team, she’s on Yibo’s - he wouldn’t move her on, and she gets one of Lay’s towels instead); Bullet (as promised) on Team Wang Yibo; and Xiao Ming (as promised? maybe? as we’ve barely seen this guy?) on Team Wallace Chung.

This week: Out of 400 people, we’re down to 105. Not all of these faces are familiar, and I suspect I don’t really need to learn 90 percent of the unfamiliar faces. I … am going to go out on a limb and make a guess that one of the dancers whose name has been bolded in one of the past two episode recaps is going to be the ultimate winner, because I have umpty SYTYCD episode reactions on my LJ, and I suspect I know how this works. I wouldn’t even put money on any of those five bolded names in the previous paragraph, quite honestly. Anyway, now it’s time to start culling down to 60. We bring out the team captains, and my first reaction is “MY EYES” because wth are some of you wearing? Wow. Yibo’s shoelaces are all over his jacket. Wallace looks like he rolled a flasher on the street for his trenchcoat. Lay Zhang is wearing a baggy pink jumpsuit, and I guess, OK, it’s easier to maneuver bathroom breaks in one of those when you have a dick, but that’s definitely a fashion trend that should have stayed back in the ‘80s. I guess questionable fashion is an international phenomenon.

There’s also an empty chair for the promised Mystery Guest, and there’s a game with clues, and a lot of guesses from our captains about who the Mystery Guest will be, and Jackson does A Bit through the whole thing. I don’t know whether to be entertained or annoyed by him. He’s the only one without some egregiously questionable fashion choices (so far) this episode, so maybe he gets a pass. Anyway, I don’t have the pop cultural context to understand the guesses, and I also don’t have either the pop cultural context or the knowledge of this area of dance to grok the Mystery Guest’s identity, but he’s Huang Bo, and apparently he had more than 1000 dance performances in the 1990s, so he must be at least as old as me and Wallace, if not older. Yibo takes the opportunity to make the – very NON-politic – remark that maybe HE wasn’t even born yet at the time? That … is not the way to win friends and influence people, Infant. Also, the Mystery Guest is NOT the person Jackson kept doing A Bit about. The reveal is all very dramatic, and he does a lil’ bit of choreography from of each of the four Extant Captains’ videos before he takes off his mask, and they act appropriately impressed, and there are some girls with short shorts among his backup dancers, so that all happened. The show obviously wants me to be very impressed by him. Show also tells us he’ll have a special skill that will be very important and at least leads us to believe that he’s going to be the “life-saver,” so the audience immediately curries favor, or at least plays at it.

Next up: Rules. Eliminations this week involve contestants self-selecting into groups of anywhere from one to five people and performing for a panel of all the captains. Teams pull a number out of a hat for performance order. Thumbs up from all four captains, you go to the next round. Abstentions from all captains, you go home. Thumbs up from some and abstentions from others, you face the possibility of a call-out from other contestants, whereupon you have to dance for your life battle to find out which of you stays and which of you goes. Oh, and we’re only going to keep going until the 60 available seats are filled, and then we’re done. If you’re number 35, you’d better be prepared to battle someone earlier and kick their ass, or you’re fucked, you don’t even get to dance. I’ve said it before: Audentes Fortuna adiuvat. Only wait, ETA: There will be some last minute BS rules fuckery, in a way that is clearly intended to save someone in particular, which I feel some kind of way about - and it is not really the way that almost everyone on the show seems to feel - but I guess we’ll get to that later.

And cue ridiculously long nattering, so we’re going to cut here.

First group is Lin Meng (Team Wallace), Teng Zai (Team Lay), Bing - of the infamous motorbike flirtation - and Dian Men (both Team Yibo), along with a dude we haven’t actually seen yet, Tang Qian (also Team Yibo). Your lack of even B-roll so far is concerning re: your chances in this competition, Tang Qian. I’m just sayin’. Anyway, this is a powerhouse group, and at least Lin Meng and Teng Zai are familiar with each other because they’re from the same crew, and Xiao Bao remarks from the audience of contestants that these guys are going to go through, no matter what. They’re going to do a totally popping routine. My sound drops out at the beginning which … yeah, makes them look even more like a boyband at the beginning, in their matching baseball uniform shirts. So, here’s the thing, they’re a little muddled, they don’t move smoothly around each other on stage - their dance moves are coordinated, but they’re not moving in space like a group that understands each other. (Somewhere in here, my sound comes back, and Yibo already can’t hold still to the music.) The other thing is, though - all of these guys are very good at what they do, they finally hit their stride a minute or so in, and when they do, they hit it hard. I’m frankly surprised they don’t get passed right through to the next round, but Jackson abstains on the vote, and when called upon to explain himself, it turns out he just wants to see them battle. I can understand the impulse, Jackson, but this is already super stressful on all the dancers, and it doesn’t escape my notice that you’re the only one of the four captains without a dog in this particular fight, so a little bit you look like you’re doing this just because you can. Remember this, because it will set a bad example for an 11th -hour vote. Anyway, there’s the chance for a callout, which no one takes because the entire audience is convinced this group is too good to beat. Five of 60 seats taken.

Group two is Shen Kai Xiang – the Jack Ma lookin’ dude. He’s flying solo. He gets to stand around uncomfortably for a while onstage while Special Guest Huang Bo does A Bit making fun of all of the captains’ speech patterns and accents and pronunciation, except Yibo’s, because Yibo apparently never talks. Ha ha. (I’m also wondering if there’s some socio-cultural stuff underlying some of this that I’m not cued in enough to fully understand.) Huang Bo then tells the contestant that Jackson has probably fucked him over by praising him too effusively (he came from Jackson’s team, and Jackson already is displaying a tendency to rhapsodize about how everything is “ART”), so all the captains now will have inflated expectations that Shen Kai Xiang is surely only going to fail to meet. I’m beginning to suspect that Huang Bo’s Special Guest Superpower is not “lifesaver” but “kind of annoying asshole.” Maybe it’s to take that particular spotlight off of Chick. ANYWAY, Shen Kai Xiang FINALLY gets to perform, and he gets a little bit of a slow start, but he packs in a lot of elements and gets a LOT of good air in his moves once he gets wound up. He’s lyrical and super emo about it. I’m kind of “eh” on him – technically, he’s good, but I’m not particularly connecting with him, which I’m willing to admit could be a me thing, as everyone else seems super-impressed. Three captains pass him through. Yibo does not and explains this decision as personal preference – he likes more “underground” styles, more battle styles. Huang Bo brings back the issue of too-high expectations to help explain why Shen Kai Xiang isn’t being passed directly to the next round, even though Yibo just explained his decision and that is literally not the reason he explicitly gave. Anyway, Shen Kai Xiang gets no call outs, which seems to surprise Yibo, and we’re at six of 60 seats taken.

In quick succession, we move through Liang Hua Jie – we don’t see much of him, but we learn that while Wallace likes his musicality, Yibo doesn’t like his face (OK, doesn’t like his facial expressions, which, what can I say? I get this. If I’d had the power to unilaterally send home Lacey Schwimmer on her season of SYTYCD, I’d have done it, that’s how fucking annoying I found the way she’d mug for the camera the entire time she danced. Like I couldn’t even watch her dancing, because I was too distracted by what she was doing with her FACE the whole time.); Jian De Chao (wait, is this Chao from the first episode?) & Chen Zui – who, from what we get to see of them have some good flow and move pretty well together, but can get a little bit mushy in their moves, and Yibo likes their skills, but Lay thinks they don’t feel like a group, which what? Incorrect; and a group that’s dubbed themselves Purple Storm Show, which includes Alex from Jackson’s team and four other people who I can’t even catch – we barely see their performance, and Lay likes them, but Jackson thinks they’re flat. I can’t tell if any or all of these guys were sent through to the next round or sent home, but if they didn’t make it, then :( because I liked Alex, and he got hit in the eye for this, he deserves better than to get sent home because his team can’t get it together. We still have no group that’s been passed through by all four captains.

And then, next up is another powerhouse team: Gongsu Wu Ming and Hei Zai (Team Lay), George and Xiao Ming (Team Wallace), and (Xiao) Bai (Team Jackson). Yibo is skeptical about an all B-boy group, and don’t make me fight you, Yibo, because an all B-boy group is like my dream come true (sorry, poppers; sorry, lockers; my heart truly belongs to the B-boys, they are my favorite). We learn they added a flip at the last minute – an assisted flip, with a couple of them flinging George into the air over the other two of them. Wu Ming thinks that George is the only one of all the competitors who could do it, but George – who has a little more skin in the game than anyone else, as the guy who could potentially land on his head wrong - is a bit concerned about whether they’re going to pull it off. They start, and they’re all good, a little bit muddled before they hit their stride, but the slo-mo cartwheel is great, and from there, they’re off and running. This is why I like the B-boys – I know it takes a lot out of you to do this, but there is nothing – nothing – like the magnetic energy they can generate when they’re in their performance headspace and everything is flowing. This is a performance, and Wu Ming has talked a little bit about wanting to step up breaking, and if this is the sort of thing he wants to do, I’m all for it – give him the platform now. I’m going to take just a minute to single out Bai and say that he’s better when he’s not doing A Bit like he did in his initial performance for Lay Zhang – he’s much more electric here, and someone else’s choreography may make the difference. Jackson, Yibo, Lay – they’re all out of their seats, none of them can hold still in the face of this. We get to the end, and unfortunately, everyone else is kind of cluttered and mushy moving into position for the flip – that is not a way to go out guys, DO NOT DO THAT at the last minute – but then George f’kn NAILS the flip, so that’s thankfully the last impression they leave. The captain’s faces are a picture. (Except Wallace, who’s suddenly too cool to give us anything, apparently.) FIRST ALL-PASS. George’s assessment: “Not bad.” :facepalm: OK, Mr. Cool Guy. They also cut in a post-interview bit with Bai about the performance, and he notes that they all know each other, they’ve been battling each other for like, a decade, now. Dance together more, guys.

Moving on, we fortunately have another very strong group to follow them: Gai Gai, Wang Tao and Huang Xiao, all from Jackson’s team, and you can tell he badly, badly wants to start in on the ART! bit but he (loudly) keeps his mouth shut about this group until after the performance. The only one of these three we’ve seen so far this season has been Gai Gai, but they all dance in the same group together, and they seem to be well-known by a lot of the other competitors, particularly Huang Xiao, both as a dancer and a choreographer. They say they’re doing jazz, although I’d be more likely to call this contemporary, if I was going to put them in a box. They are gorgeous – lyrical, fantastic dance vocabulary, amazing choreography, beautiful musicality, and the way they move together as a unit is … :chef’s kiss: I think Huang Xiao may be the best of the three, technically, but there’s something ineffably charismatic about Gai Gai that’s pulling focus a bit – just a bit – more than the other two in this performance. If there’s a weak link, it’s Wang Tao, and really, that’s only by comparison with the other two, which is a really high bar. We get some shots of the audience of competitors worrying about Yibo’s reaction, given his preference for the old-school battle dancers and an apparent “strictness” with urban dancers and related genres, but these three also get an All-Pass to the next round, and Yibo talks to them a little bit about the choreography and his (complimentary) reactions to the performance before they leave the stage.

And then. Oh, dear. Then we get a group of three – Da Mao, A Li and Tall(? Maybe? It looked like he was going to get out of this anonymously – probably lucky for him – but then the subtitles threw up this name on him at the last minute) – who are the only krumpers who’ve made it this far. Lay Zhang is really promoting them, because he really wants to see a bigger krump presence, and he’s really nervous about their performance, and he really, really should not have pinned his hopes on these three, because I hate to say it but they are a hot fk’n mess. They are … not good. I can’t believe any of the three made it this far, and in fact, we learn after their performance, while everyone is sitting in a kind of stunned horror (and y’all, I am not exaggerating for effect there), that Yibo did not pass A Li on from his team, that she got one of Lay Zhang’s final extra battle towels. I mean, there’s an obvious gap in the quality of this performance compared to everyone else we’ve seen. There’s also a lot of pacing around and standing around instead of dancing. They’re trying for the attitude, but they’re not managing it. They do manage to get an embarrassed reaction from Chick, which says something all on its own, as I wasn’t aware that he had any shame. Other competitors also are doing the embarrassment-squick cringe in the audience. Lay Zhang is literally hiding behind his clipboard. This is the first All-Out we get, where they’re directly eliminated – not even Lay can bring himself to vote “yes” on them. Now, all the krumpers are gone, and Lay is visibly sad and frustrated, but as we appear to move to a little bit of a break, Yibo displays the most emotional intelligence of anyone there and asks Lay to teach him how to krump, to distract him and get him actually doing the dancing he enjoys for a little bit. It’s also a chance for Yibo to learn a new thing, and he talks about his chance to improve in a little interview bit from later on that’s cut in here. I mean, yes, that actually was kind of a sad attempt at krump during the cypher, my dude, so this can only help you, but you also are being an extremely good guy, giving your fellow captain some emotional support right now. Thumbs up.

Next up, we have AK Dong (Team Wallace), also flying solo, and they give us a little heart-tugging B-roll about how he doesn’t have a team with him there, so he’s going it alone. He’s fantastic right out of the gate - good musicality, clean and precise, and he’s got a nice texture to his performance, it feels … full even though it doesn’t feel as big and expansive as some of the other dancers. Unfortunately, Lay doesn’t agree with me (incorrect), says he wants a performance that’s more elegant and “balanced,” and is the single holdout vote, which opens my dude up to a call-out challenge. This is the guy who looks like comedian Hank Chen, which has overshadowed his dancing twice now, because he had to listen to it from Haung Bo when he came out to dance, and he CANNOT catch a break, because now he gets challenged by three teams, including Bouboo’s team, which also includes Klash, Bullet and Colin (all Team Yibo), plus Boris (Team Lay), who we’ve only seen B-roll of so far although he speaks good Chinese, despite being from … I’m not sure where, but not China? AK Dong complains about how Boris looks at him with innocent eyes and tells him that they have no option other than to challenge, which is true (ETA: insofar as we know at this point), because they’re #36, and the 60 slots would almost certainly fill up before they even get a chance to dance. This team wins the bottle spin against the other two challengers, and I mean. :hands: This is a slaughter. They’re five-on-one, and they’re all really good at what they do, they make it look effortless, and AK Dong’s face is going to kill me. Wallace actually does vote for him, but the other three vote for the team, and that’s five more seats filled, and AK Dong eliminated, and I’m annoyed (although not as much as I’m gonna be) because I liked him, and I would have liked for him to get a chance to dance without having to listen to the Hank Chen nonsense at least once.

Next, we have Li Yue & Sha Sha, who appear to dance together on the regular. They have a kind of sultry number put together as the Green Snake and the White Snake that is … hm. I don’t know if we’re classifying this as urban or jazz for the purposes of the show, but it’s another piece that fits more into my contemporary box, if we were classifying them for most of the Western dance spaces I’ve seen. They’re good, as befits this stage of the competition, but a little inconsistent, technically. Also, I don’t find them particularly exciting to watch – I feel like something’s missing, although I can’t quite put my finger on what. I’m not sure their flow is consistent, and they’re probably not helped by following Gai Gai, Huang Xiao and Wang Tao. They get three yes votes from Lay, Yibo and Jackson, although they are … enough to maybe make Yibo a slight bit uncomfortable, being the shy and fragile homosocial forest creature that he may be, or that he may be getting edited as, who knows. Huang Bo pokes at Lay Zhang about his reaction to and vote for them. He also basically says that Wallace didn’t vote for them because Wallace wasn’t turned on by them, because Wallace is still doing his imperturbable cool-as-a-cucumber routine. Wallace’s hold-out vote opens them up to a call-out, and several groups come down to challenge, including – bad luck for Li Yue and Sha Sha – TI, who win the bottle spin. This group includes choreographer Zheng Jian Peng, as well as Su Lianya, who I didn’t realize was a TI member, both Team Wallace, along with … oh my god, Wei Ming, who’s the “Sir, what are you doing?” guy from Episode 2 when Wallace was giving out towels to poppers like candy, and I’m kind of pleased he’s made it this far, just based on that moment, alone, never mind any dancing skills. Rounding out the group are Long Long and Wei Lin, both from Team Yibo, and I think we got B-roll of Wei Lin at some point during Yibo’s eliminations in the first couple of eps. I know nothing about Long Long at this point. At any rate, everybody in this group is so good, I can finally see how they got their rep – fantastic musicality, and a great job of working as a unit. They feel like a team, even when they don’t manage to be quiiiiite synchronized. I’m not really feeling their costumes. Su Lianya continues to be a standout, even in a group that sets the bar this high. Wallace’s composure finally breaks when the other team captains evince interest in poaching her, and oh my god, he still has the hair elastic that he held for her at her initial performance, that they said would be a token of their vow to go all the way in the competition together. OK, I give Wallace a lot of shit, but this is actually kind of adorable. He literally pulls it out of his pocket to tell the other captains they can’t have her and to plead with her to remember their promise to each other. TI gets three votes and moves on. (Lay, still apparently captivated by the snake ladies although not enough to bald-facedly vote for them in the wake of TI’s performance, abstains.)

Next up are Tao and CiCi, and OK. I’m going to be honest here. I think they’re leveraging the “couple” schtick for all it’s worth, and good for them, it looks like they can pull it off, because I think some of the amazed reaction we get from the captains and from the audience is influenced a lot by their coupleness, but at the same time, I think some of the amazed reaction we get from the captains and from the audience is actually influenced by their coupleness rather than their dancing. I mean, Su Lianya and Wei Lin are in the audience of competitors clutching each other’s hands and crying, and it seems to be just as much about Tao telling CiCi out loud that he loves her just before the music starts and the fact that they kiss as part of the piece, if not more than it’s about their actual dancing. The show is also really pushing me on this, because whereas, with everyone else, it tosses up closed captions that tell me what moves are happening (in addition to dialogue subs), now I’m getting things like “heaven-made match.” They’re good, but I think they actually also suffer a bit from following the Gai Gai/Huang Xiao/Wang Tao powerhouse, because I think we’re unlikely to get anything on the lyrical side of things that’s going to match up to that for the rest of the day. Tao and CiCi are better than Li Yue and Sha Sha were, and it is pretty badass the way she manages to make herself so small and compact she literally disappears behind him for that last little bit, and if they’d won the bottle spin on the last callout, they would have won the challenge, I have no doubt. But. :hands: I think the show has actually done that thing Huang Bo accused Jackson of earlier and set my expectations too high. I’m’a sound like Yibo – or like Yibo normally would, because he also seems to get suckered into the overwhelmed reaction for this – and say that I think Tao was better in the less lyrical style when he danced with Yibo and Bing in the Ep 2 towel battle. They get an All-Pass from the captains and talk about their inspiration for the piece, which apparently is a couple who confessed their love to each other the day before the girl had to go into COVID quarantine, and well, now I guess I feel like just a little bit of an asshole for not appreciating the COVID love story properly? Anyway, the captains then keep asking them intrusive questions about their relationship, and Huang Bo mocks Lay for apparently never being in love so he won’t understand what it’s like, and I’m cringing in my seat a little before Jackson gets us back on track and Tao and CiCi finally go sit down.

Then Huang Bo takes the chance to go over to the contestants who haven’t performed yet and stress them out about how few of the 60 available seats are left. I mean, I guess it’s part of competition, but come on, dude.

ANYWAY, next up, we have a group calling themselves Team Wake Up – it’s the waackers, and this group includes Xiao Bao and San Jin from Team Lay, along with a guy we haven’t seen yet, Tu Zi; Meng Di from Team Yibo; and Gao Shi Yu, who we also haven’t seen, from Team Wallace. They start working it, and I’m like, oh wait … and then they hit the Cat Walk, and I’m like, oh shit, and a light bulb finally goes off, because I’ve been super-fk’n slow, but now they’ve shown me what this genre is about, and I’m interested to see what they do here, because a lot of this performance could be straight off the floors of the ball scene. The entire group is pretty good, although I do think Gao Shi Yu is the weak link, she’s not quiiiiite up to the standard of the rest of them. They move well as a group, though, good coordination, sharp and clean, fantastic musicality, high energy all the way through, with EXCELLENT attitude, which is half the battle, because if you’re not confident for this kind of thing – or if you can’t at least fake it flawlessly – you might as well not even be out there. They all do lose a little bit of focus when they’re in the background as they break out for their individual moves, and they fall apart a tiny bit near the end. Also, Meng Di’s belt is off-center, and I know that sounds super picky, but it kept distracting me, so I wish that hadn’t been the case. Xiao Bao is definitely still the standout here – he takes the lead from the minute they come out, with the mic, and never really relinquishes it. We finally get to see San Jin perform, and his extension could be better. Tu Zi must be lacking in the charisma department to not have shown up before this, because he’s better than I expected. Before they started, the group that Xiao Jie and Yang Kai are in together – who still haven’t performed – were debating if they should challenge this group, but Xiao Jie advised waiting to see how good they were, and then after the performance is all, “nooo, we should not challenge,” and props to you for not just writing off the waackers, my man, because they get an All-Pass, and there’s not even a chance for a callout. Before we move on, Wallace clams he’s learned some waacking during the show, and the other captains (led by Jackson, who calls him gege) make him demonstrate, and the contestants, who know what side their bread is buttered on, applaud.

Available seat check. Yibo participates in further stressing out the contestants by saying “Like, a dozen?” All y’all need to be challenging whatever chance you get. Now I bet you’re sorry you didn’t challenge Shen Kai Xiang back at the beginning, aren’t you?

Next up is our group of X-Crew representatives, hop-hop, and Yibo is excited. I almost expect him to do a little dance in his seat. Yang Kai helpfully lets me know that this group is from the top hip-hop crew in China. Oh, hey, that’s Qin Yu, from Team Wallace, the guy who Gongsu Wu Ming immediately recognized as the weak link in one of the towel battles and got up on; the guy who subsequently got taken out by Teng Zai, My Beloved. Qin Yu, the guy we hadn’t even had B-roll on, and still don’t. I wonder if I’m reading too much into that. He’s joined by Flea (which I’m assuming is a direct translation, as it doesn’t sound like “flea” when he says his name?) and Ding, also from Team Wallace - neither of whom we’ve seen before, I think - along with Ting and Lei Xiao Yang from Team Jackson. This is also the first time we’ve seen Lei Xiao Yang. I … feel weirdly unconfident about the famed X-Crew, given we haven’t seen more of them before this. Then again, we’d only seen Gai Gai from her group, so maybe this is a BigSurprise!edit … Ting comes out hard and heavy, and I actually think this is the best performance we’ve seen from her so far. She spends a lot of time out in front on this one, and I don’t think I got from her initial appearance or from her towel battle performances just how good she actually is. Overall though … I am … not that impressed with this group. They start out strong, but then they get sloppy. They have trouble working as a unit, which is surprising from people who supposedly have experience dancing together. They’re all very good, but they’re not synchronized. A lot of their solo showcase bits lack complexity, and that is an understatement. Qin Yu still has some of that nice fluidity along with his pretty face, but he’s not balanced, and he absolutely does not have the finesse he needs to pull this off. They all do move into the end strong, together again, hard, power behind their moves - almost everything from the slo-mo move is good - but … it’s a little late, y’all. That took way too long to get back together. And then, they inexplicably descend into … it’s not even sloppiness, it’s an utter hot mess during, like, the last 15 seconds of the performance, which is absolutely not the final impression you want to leave. And … wow. Shit. There are captains who actually agree with me on this. Sometimes you see the expected top dancers allowed to slide some in these early rounds of competition shows, but not this time – Wallace and Yibo both vote yes, but Jackson and Lay both abstain, and Jackson … wow. Wow. Is disappointed in them and expected more. Despite the fact that he’s like, 12, and that he’s done this to past groups just because he wanted to see them battle, a little bit this actually has a vague feeling of your dad telling you how much you’ve let him down. The audience is shocked, but I’m glad to hear someone say it. It was a good - if spotty - performance but certainly not the best we’ve seen.

So, we have a callout, and the group with Xiao Jie and Yang Kai, which also includes some guys named Shen Zi Hao, Xiao Zhi Bin and Oscar, pounces. And that is a very deliberate word choice, because these guys are on X-Crew like a lion on the trailing gazelle. They’re in their Men In Black suits (ETA: Wait, no, I think maybe they’re Agent Smith suits), and the audience of other competitors is losing it. Xiao Bao is very excited about Xiao Jie. Both Yibo and Jackson look like they’re in actual physical pain, to be forced to make the choice that’s coming up. Ting looks like she’s getting ready to throw up – she’s accepting this with less equanimity than she did the possible results of her initial performance, at least on the surface. I … am dreading losing her, actually, because I suspect that’s what’s getting ready to happen, and I am so so sorry, baby, that you worked so hard to carry your crew like that and they couldn’t keep their shit together. On the one hand, I’m impressed they’re pitting this level of competition against each other so early. On the other, I feel Jackson’s and Yibo’s pain. God. God. The Xiao Jie-Yang Kai group is here to f’kn battle. This is shaping up to be a slaughter. They are fast, clean, precise, great musicality, complex moves, super performance. They’re synchronized, high energy, fantastic animation – which could be a little cheesy, but they’re confident and fearless enough to pull it off - fun and interesting. They are maybe a little bit too gimmicky to be perfect for my taste, but I’m not the one voting them through, and what they’ve come up with is perfect for the audience that matters – the captains, the majority of which are 20-something-year-old boys – and knowing your audience, and performing for them, is a skill, too. BIGGEST (and frankly, only) ISSUE: Somebody fucked up a move, right at the beginning … I think maybe Yang Kai? (ETA: Yah, it was Yang Kai, ugh, what a time for that to happen.) If you’re going to fuck up, best to do it at the very beginning, I guess, and then give this performance afterward, to mitigate it as much as possible, but that one misstep gives the captains enough excuse put off a decision they really don’t want to make, like it’s not just going to make it worse to kick the can down the road a few minutes. Split vote, 2-2 (I thiiink, Yibo and Jackson for X-Crew, Lay and Wallace for the challengers?), which throws it to a further battle. Ting and Xiao Jie, one-on-one, and both of them are feeling the pressure of competing for their entire team instead of just themselves. Two rounds, hiphop and locking. So, each of them is better in their specialty. Ting’s got some fantastic, precise moves for the hiphop round. Xiao Jie is not as good in this round; I do notice he’s got a more directly confrontational style when he’s battling. I feel like she’s doing more waacking than locking in the locking round. Overall, she’s cleaner, more precise, he’s got a little bit more energy. I wouldn’t want to make this decision, frankly. I think Ting was better technically, but Xiao Jie might be the better performer – better at all that other stuff that adds up to stage presence. I do wonder how much of the captains’ decision is influenced by the groups, and who the captains are or aren’t willing to lose, even though it’s supposed to be based on this 1x1 battle. Just looking at who the show has put emphasis on already, we’ve got Ting vs. Xiao Jie AND Yang Kai, and I don’t know that they’re going to want to let that one-two punch go. Wallace votes Ting and X-Crew. Yibo and Lay vote Xiao Jie and the challengers. Jackson, the coward, abstains. Looks like Ting and X-Crew are going home, and this is the first cut that I’m genuinely upset about seeing. Ting feels bad for letting her crew down, but they let you down first, baby, or you wouldn’t even have been in that position.

Available seat check: 12. Dancers left: 27. Well.

We’re coming up on two hours now, and there’s clearly some kind of drama we want to get to, because we whip through the next few performances – few names, limited time spent on them. The ones who do make it through are likely cannon fodder in the next couple of rounds. There’s a group of four in khakis that gets sent through to the next round; Yibo liked their moves. Guy named Zhan Ke in a suit goes through to the next round. We’ve turned into a clip show now, and the screen literally says “ … ” at one point as each group of competitors gets 3 seconds of airtime. Cut to three seats left out of the 60. There’s about seven people left, and … that includes Chick. I have a sinking feeling this guy is going to be the real focus, at this point. He’s paired up with some dude named Long, and they have lost the bottle spin on callout after callout after callout, so they’ve never had a chance to challenge, and now, look at these morose motherfuckers, still sitting in the bleachers. I almost feel bad for them.

So, three seats left, and the next group is three people: Yang Qi aka “Apple” from Team Jackson, Lin from Team Lay and Bobo from Team Wallace. Urban dancers. I lose sound on them right at the beginning, but they’ve got some nice sharp moves, good choreography, they work well as a unit. Solid performance, if not the best we’ve seen. Apple’s got the best technique, I think. Audience likes them a lot. We get a cut to Chick and the other competitors who haven’t danced yet as we count down for the vote, and they are all dying. Three votes yes. Yibo abstains. Huang Bo is so prepared for this group to be sent right through that he starts clapping and congratulating them, and Yibo has to be all, “Wait, no. Not yet.” The captains give their reasoning: Jackson says that he felt their power, emotion, speed all deserved full marks. Yibo agrees.

Yibo agrees.

…

...

…

Their faces in response, y’all. Their little WTF faces as he explains that he really just wants to see the other dancers, too. Oh my god, Yibo. You can’t just say that out loud. Are you serious with this, you can’t even make up a thing to fake critique them on? Cut to a later interview with Bobo, who’s been the least able to school his face journey in response to this: “Wang Yibo, I won’t forget.” Also, Bobo says, you’re not even hot. (lol) Joking aside, the group goes on to make all the correct noises about sure, it’s a competition, you face competitors, it’s what happens, because what are you gonna say? Meanwhile, to be completely honest, I’m probably the person who’s been least able to school their face journey in response to this, because come on, Yibo. It’d be one thing if you were making some kind of statement about the way they set this up from the beginning, with all competitors unable to participate, but I’m pretty sure you’re actually doing this to give Chick another chance, because you have been inexplicably all up on his jock since he showed up, what is it about this guy? I don’t get it. At all.

So, we get a callout, and everyone left challenges, of course, because this is probably the last chance. The audience is rooting for Chick. I still don’t get it. Bottle spin ends up on … Zhao Hai Jie, from Team Wallace, who we’ve never yet seen perform. Here’s the thing: If he can win this battle, then he only takes one seat, leaving another two seats available. However, he is NOT going to win this battle, not without ripping off any figleaf of fair competition that the show may have, because he’s just not that great. If he wins, there’s no way around the fact, right in your face, that it’s a strategic vote. He does not win. Four votes for Apple, Lin and Bobo. Sixty seats filled.

HOWEVER, just in case you were worried there may be any integrity here, director Lu Wei comes ambling out to say, hey, you know those rules we have in place? Well, fuck ‘em. Who cares. Let everybody left battle, and whoever wins that battle can have a seat along with the 60 other people. I’m going to translate this one, because despite the limitations of my Level 1 Duolingo Mandarin, I have umpty SYTYCD episode reactions on my LJ and I feel like I’m pretty fluent in Dance Show BS: “We really want to keep somebody who’s left, so there’s going to be some chicanery on our part.” They really do not want Chick to go home, y’all. I know it’s him. It’s super extra obvious they’re desperately trying to save him, at this point. And I am here to tell you that if Chick ends up on this show and Ting goes home, there will be nothing on this earth that could possibly resurrect Chick from the Pit of My Dislike.

Anyway, we get Dai Dai from Team Lay, who describes herself as a fusion dancer and is pretty good for the first 40 seconds or so of her music and then completely loses the thread and kind of falls apart. The captains do not seem impressed. Possibly they also know we’re just killing time until we get to Chick. Up next is Su, who is Very Dramatic. He doesn’t say what team he’s from, but given Wallace’s reactions, I suspect he’s from Team Wallace. I suspect Yibo’s not going to like his face. His performance goes increasingly off the rails as he goes on. He’s got a lot of goodwill from the audience of competitors, but no. This is not a winning performance. And then we get Chick & Long, literally the last to perform. Chick spends the entire time doing A Bit. Long, who anyone barely remembers is even there, does 2/3+ of the dancing. Everyone – everyone – is apparently vastly entertained by Chick, and I just … :hands: Fine. He’s a character, but I have yet to see anything in three episodes, across, like, 7 hours, that lets me see whether he can really dance or not. Yibo literally tells Jackson, “He doesn’t have many tricks, but he’s got a ton of ideas” and later says he’s a B-boy without a power move. Anyway, one vote for Su (Wallace), three votes for Chick and Long. We’re at 62 dancers, and I cannot believe I’m going to be subjected to Chick’s continued clownery when Ting has to go home.

Thank GOD we’re activating the Special Guest Host Powers, the first of which is “REVIVE,” i.e., bring someone back who was eliminated. Yibo is immediately like, omg, the hip-hop group. Then we do Yet Another Bit where the captains cater to Huang Bo so that he’ll take their advice on who to revive, and it goes on too long when we are, my god, two hours and fourteen minutes into this. Meanwhile, Yibo reiterates, the hip-hop group. Yeah, Yibo, this I approve of - if I gotta watch you fall all over yourself over Chick, you need to get Ting back for me. So, we’re finally getting the captains’ actual recommendations: Jackson says the hip-hop group, possibly feeling bad about the fact that he’s the one who spiked their chance the first time around? Yibo is all, me too! Yes! That one! It’s kind of adorable. Also, yes, Yibo, you need to get Ting back for me. Lay says Li Yue and Sha Sha, the white and green snakes. Wallace recommends a popping group that I don’t even know if we saw perform? At any point in the past 7+ hours of three episodes? Wallace, are you high? Anyway, THANK GOD, Huang Bo brings back the X-Crew group. We’re at 67 dancers.

Second Special Guest Host Power is … “battle?” So, we’re setting up Qiang Qi Da Zhan, aka Seven to Smoke, which they’ve apparently done in past seasons? Each captain picks two people – eight total – to participate. Twenty minutes total. Increments of 30 seconds each to battle. And I guess you have to accumulate seven points in various battles. We don’t get to hear the captains’ picks, but I can see that AK Dong is called back for this one. Also, I spot one of the krumpers. (:eyeroll: Really, Lay? Because I know that was you.) We see some clips of this. We see AK Dong get to six points. He … maybe gets his seventh point? Anyway, he says in the last interview clip that he’s here. I guess we officially find out the Seven to Smoke results next ep?

Also next episode: Divided into two groups and battling by genre for the next elimination. Five rounds. Also looks like captains might get a chance to poach from other teams. Also some wacky fuckery with the dancers’ heads that looks like it’s going to be stomping all over my embarrassment squick, argh.

Finally, we get a peek at hotpot, and it sounds like they ended up with 70 dancers, so three people managed to get seven points in Seven to Smoke? And somebody’s mom is apparently coming to hotpot, but I’d have to watch the actual hotpot show to find out whose mom, and we’re out.

#wang yibo #jackson wang #lay zhang #zhang yixing #wallace chung #street dance of china #sdoc episode reax

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briyourmotherdown · 4 years

Text

Give It All For You, Part 1 (Brian May x Fem!reader)

Word Count: 10.45k

Warnings: Strong language (I’m British, it’s to be expected), slight innuendos???, possible historical inaccuracy, ANGST.

Description: You have loved Brian May since the first time you met him. Trouble is, he’s nearly impossible to tie down, and you’ve become cemented in the role of the best friend.

A/N: Okay so I’ve been working on this little mini-series for months. Literally too long. It’s still not even done, BUT I wanted to get the first part out at leAST. Uni and life have made finding creative inspiration a major struggle as of late. I think there will probably be around 3 parts to this?? I’m not quite sure yet, it could be a couple more if I find the motivation. BUT ANYWAY I really hope you enjoy it even though it’s angsty and I can’t write ajdgsdbskjbkdhgs.

Spring, 1977

“C’mon,” you slur, your red dress shimmering in the dim lights of the local pub, “dance with me.”

The bass is heavy in your chest and you feel alcohol coursing through your veins, but you’re only intoxicated by the man in front of you. His eyes glimmer like stars, hooded, sizing you up before shaking his head with a laugh.

“You’re drunk.”

“So are you.” you push yourself further into him in an attempt to push him onto the dancefloor, but more of a reason for you to get closer to him, to feel him.

“But you’re plastered.”

You roll your eyes, “Isn’t that the whole point?”

He rolls his eyes right back, wrapping his arm around your waist to steady you, “Fine, one dance.”

His hazel eyes are hooded, focussed solely on you, and you bask in his gaze. His hands on your body send electric shocks over your skin, and you tell yourself over and over that he doesn’t feel the same; he is only your good friend. That’s all you will ever be to him.

“Is that how you ask a lady to dance?” you tease, cocking a brow.

“You asked me!” Brian laughs, amused, “Alright, m’lady, may I have this dance?”

He holds his hand out to you, dipping his head like a gentleman, and you take a moment to take a mental snapshot before accepting his hand, tugging him into the centre of the pub to dance.

So you both danced, and for that night, just for that night with his hands on your hips, you could almost pretend that he was yours. And as he stared into your eyes, you let yourself fall into that false sense of security of imagined love.

But let’s start from the beginning, from the moment you met on a cold winter’s night in 1972...

“Christ, it’s cold as a witch’s tit in here,”

Your best friend, Freddie, shivers as he hops up and down to warm himself up, scarf wrapped tightly around his neck and jaw,

“Why did you want to open up the stall today, of all days? Even that old git Brutus has closed up shop.”

You roll your eyes at his dramatics, shuffling the secondhand clothes on their hangers, “I need the money, that’s why. I’m about to be homeless if I can’t pay my rent.”

Freddie hums, kicking a stray pebble on the floor, “You know, my friend has a spare room in his flat he’s trying to fill. He needs some extra money too. I’m sure he’d offer you the room for cheap.”

“Which friend?”

“His name is Brian, Brian May.”

“Ah,” you wave your hand in recognition, remembering his name being brought up a few times, “the guitarist one, yeah?”

“That’d be the one! I think you’d like him, actually-”

“Like who?” your other friend and coworker, this one much more blonde, chimes in as he strides into the small stall, very much late. Roger.

“Brian.” Freddie answers.

“Oh yeah, she’d definitely like him.”

You shoot them both a look, “And what makes you say that?”

Roger holds up a fringed kimono up to himself in the mirror, “He’s quiet, reads a lot, likes the stars; basically a total nerd. You’d love him.”

“And he always wears matching socks. It’s bizarre, he literally has a thing about matching socks.” Freddie adds.

You chuckle, “And when will I get to meet this nerd?”

“Well, tonight. We have a gig.”

“Hm,” you pretend to think, “I’ll have to clear a few things from my schedule…”

Roger nudges you with his shoulder, knocking you slightly off balance,

“Alright, alright! I wouldn’t miss it for the world.”

Later that evening you meet your friends at the pub where they're playing for the night. It’s a dingy dive that you never would usually go, but you’d do anything to support your friends on their journey to success.

You’re dressed up all pretty in your flares and platforms, leaning up against the bar as you wait for Queen’s set to begin. Though the weather outside is freezing, the inside of a pub is always hot, air thick with the scent of ale and sweat, but the moment Queen steps on stage, it’s easy to forget your surroundings. You’d heard Freddie sing, and you’d certainly heard Roger crash about on his drums, but you’d never seen them like this.

They were magnetic. You were all absorbed. Freddie’s outfit caught the light each time he flounced across the stage, but his voice was what captured everyones attention. He was full of passion and power; he owned the audience, he could control everyone with one simple snap of his fingers.

Roger was his usual self, exuding sex-appeal and confidence. Girls fawned over his long blonde locks and plushy lips. The thing about Roger was that he was the total package of beauty and intelligence, that is if you could tie him down.

You’d never met the bassist, John, you think his name was, but he managed to capture your attention in the most unsuspecting way. He was all shyness and modesty, but not radiating an ounce of hesitancy. You can tell, even at first glance, that he would be the perfect fit for Queen. He would bring balance.

That leaves one final member, the oh-so nerdy space loving boy who Freddie and Roger believe you would adore. But he doesn’t look so nerdy when you see him. He’s pure mystery, almost as though he’s surrounded by a navy blue mist, an aura- or something ethereal. He’s breathtaking, is all you can think. Long legs adorned in velvet, dark curls fall in front of his eyes as he looks down at his guitar. He’s focussed, bottom lip jutting out in concentration, but he takes a moment to glance up. That’s when you know you’re done for. He scans the pub, small enough to make out everyone’s face, and his eyes land on yours. It’s fleeting, but you can swear they linger. Maybe that’s just what you want to tell yourself. Suddenly you want to feel his eyes on you all the time. You want to be in his daydreams, in his thoughts, you want to be his muse.

You float through the rest of their set, eyes glued to Brian as he plays expertly. You sway to each song, ignoring your surroundings and focussing solely on the music, and when it’s over, you cheer as loudly as you can.

“I want to have your children, Roger!” you scream, bursting into a fit of giggles as the blonde scans over the room to see the source of the scream, and upon seeing you, chucks up his middle finger with a laugh.

You make your way to the small stage, well, it’s more of a two feet high platform, and open your arms up widely to Freddie.

“You,” you tackle him into a hug, “were fucking incredible! You’ve been hiding this side of yourself from me for how long?”

He blushes, returning to the Freddie you know, “You must have brought it out of me, love,” he turns to the rest of the band, “Y/N, this is John Deacon, isn’t he lovely?”

Freddie gestures to the bassist as he smiles shyly, offering you a wave and a small, “Hello.”

“You were amazing out there, seriously!” you compliment him, and he blushes, though his smile widens.

“Now, darling, this is Brian May!”

Upon hearing his name, Brian looks up from where he is putting away his guitar, standing up straight and brushing his hands off against his trousers.

“Brian, this is Y/N, she hangs around Roger and I sometimes.” Freddie shoots you a playful wink as you roll your eyes.

“Hi, it’s so nice to finally meet you.” you reach a hand out to shake, which you so usually wouldn’t do, and it sends embarrassment right through you. But to your luck, he takes his hand in yours with no hesitation.

“Likewise,” he smiles, still shaking your hand, “I’ve heard so much about you.”

Oh God.

“All good things I hope?” you realise you’re still holding his hand and let go, letting your hand sit awkwardly at your side.

Jesus, you’re so nervous.

“Mostly.” He winks, and it sends you reeling. His eyes are dangerous, and they travel up and down your figure in a way that sets you alight.

It goes quiet as you stare at each other, Freddie glancing between you two with his eyebrows raised. Though he says nothing about it. Instead, he claps his hands,

“I don’t know about anyone else, but I need a drink!”

1977

The next morning, you suffer through your pounding headache, wanting to just wallow in your loneliness.

Of course, Brian went home with someone else last night, sneaking away through the back door to avoid flashing cameras and prying eyes, leaving you to call yourself a taxi back home, where you cried for an hour before passing out.

It’s not the first time he’s done this, but it still makes you feel pathetic every time.

There’s a knock on your door, and you heave yourself out of bed despite the spinning in your head and the nausea churning in your stomach. Whoever is at the door will just have to deal with your dishevelled appearance.

“Y/N? Jesus, you look like hell.”

Alas, the infamous Roger Taylor stands on your doorstep, mouth agape at your messy hair and leftover smudged makeup.

“I’ll slam this fucking door in your face, Taylor.”

“Hostile,” he laughs, hands up in mock surrender, “I’ve just come to pick you up for lunch, or have you forgotten?”

Feeling like a total ass, you smack your hand to your forehead, “Shit, Rog, I’m so sorry. Come in.”

He follows you into your flat, eyes scanning over the slight mess. He turns to you, concerned; you’re not usually one to let your flat get so messy.

“We don’t have to go, Y/N, we can reschedule, it’s not a problem.”

You scrunch up your face, searching the kitchen for a glass of water and ibuprofen,

“No, no, I want to go, you’ll just have to bear with me.”

“Long night?” He teases, leaning his elbows on the kitchen counter to stare at you.

Shooting him a glare, you slide passed him and into your bathroom to wash your face and brush your teeth. Roger follows you, leaning against the doorframe.

“You know, I think you owe me an explanation as to why you forgot about our lunch date, and threatened me.”

Clicking your tongue, you turn to him, “I went to a pub with Brian last night, got plastered, now I’m hungover. Simple as that.”

He raises his eyebrows, almost knowingly, but doesn’t say anything.

“No need to be so sassy with me, I'm only asking.”

You sigh, “I know, I’m sorry,” he smiles, “now get out, I have to piss.”

You slam the door and hear him laugh from the other side, “What a lady!”

“Bugger off!”

Finally feeling human again after cleaning up and getting dressed, you slide a massive pair of dark sunglasses on the bridge of your nose and head out to where Roger parked his car.

“Ready, princess?”

You shoot him a sickly sweet smile, “You act as if being called princess bothers me.”

Roger laughs, starting the engine and getting into gear, “You got me there.”

The drive to your local favourite cafe is short, a totally walkable distance if you didn’t feel like death warmed up. The two of you sit in a comfortable silence until pulling into a parking space, when Roger turns to look at you once again. Your head is pressed against the window, eyes closed beneath your sunglasses, lips slightly parted as you take careful breaths to avoid nausea.

“Christ, love, you really do look like shit,” he chuckles softly, a hint of concern laced in his insult, “Are you sure you’re alright?”

With one look at him, tears well up in your eyes against your will, threatening to spill over onto your cheeks. Roger’s eyes widen, and in an instant, you’re pulled into his arms over the console as you begin to cry. He shushes you softly, one hand running up and down your back,

“Shh, it’s alright. It’s going to be alright,” you’re thankful for having such a good friend like Roger, especially when he puts up with your hungover mood swings. However, you must look like an absolute trainwreck with your puffy eyes and tear stained cheeks, “Let’s go inside and get some food and a cup of tea down you, yeah? Then if you like, you can tell me what’s troubling you.”

You nod, sniffling and wiping away your tears on the back of your hand. Roger jumps out of the car and rushes to the passenger side, where like an angel, he walks you into the cafe with a hand on your back.

You attract a few disparaging stares when you both sit down at a table, a small chuckle slipping past your lips. Roger, now across from you, looks puzzled, “What’re you laughing about, hey?”

“Everyone’s staring.”

He scans the room indiscreetly, a smile taking over his features, “God, they are, aren’t they? Haven’t they ever seen a hungover girl crying before?”

You scoff, “Bugger off, they’re obviously staring at your trainers.”

He gasps, looking underneath the table to examine his sparkly pink converse, “What have you got against my trainers?”

“Me? Nothing. But a bunch of elederly ladies out for lunch might. I’m sure they think your hair is a disgrace too. You should cut your hair like McCartney had it at the start of The Beatles.”

Roger scoffs, pulling out a cigarette, “Yeah right. Been there, done that.”

As Roger lights up a smoke, you look at the menu set out in front of you, deciding on something that won’t aggravate your fragile stomach. Then you proceed to give Roger puppy dog eyes until you persuade him to be the one to go up and order it.

When he’s gone, you take a moment to think over what you and Roger must really look like to some people. Roger, all bleach blonde hair, brightly coloured clothing and a smirk that could make even a nun go mad. And you, puffy eyed, sunglasses indoors, in an oversized button-up shirt that you’d definitely stolen from one of the boys at some point. You both probably were the most exciting things that some of these people had seen in awhile. Something new to gossip about.

A glass of water is set in front of you by the one and only roger, while he sips tenderly at a cup of sweet coffee, “Drink.” he commands.

“But I ordered coffee,” you pout like a child, “You’re kicking me when I’m down here, Rog.”

He rolls his eyes, “Coffee doesn’t help hangovers, love. Drink up.”

You frown but nonetheless begin sipping in silence, tapping your nails against the table as Roger stares at you, “What?”

“Just wondering if you’re going to tell me what got you so upset earlier?”

You let out a sigh, long and weary, fiddling with an opened sugar packet, “Would you believe me if I said that it was just hormones?”

“Not in the slightest.”

You let out a short laugh through your nose, “I just let myself get heartbroken again, that’s all.”

Roger pretends to choke on his coffee, spluttering dramatically and ignoring all the stares that he attracted, “Someone managed to break Y/N’s cold, dead, heart?”

“If you were quiet for a moment you’d notice I’m not laughing.” You roll your eyes at him.

Noticing your demeanour, he quiets down and leans in close to you, “I’m sorry, it’s just that you never let yourself get to the point of being able to be heartbroken,” he puts out his cigarette in the ashtray, “you know, you told me about a year ago that love doesn’t exist, and dating is just a trial period until you decide that maybe you can put up with that person for the rest of your life.”

“I didn’t say that.”

“You did, word for word.”

You stay silent, but your top lip twitches into a smile- it does sound like something you’d say.

“Anyway,” Roger continues, “who broke your heart? I’ll rough 'em up a bit.”

“Surely you couldn’t rough up a member of your own band.” You speak under your breath, arms crossed, but Roger hears you.

“I knew it!” He shouts, and you kick him underneath the table, “sorry,” he blushes, “I just knew it. I had a feeling you were in love with Brian.”

Your eyes widen, “I’m not in love with him!”

Roger smirks, “So it is Brian, then?”

Your jaw drops at his trick, “You bloody asshole.”

He sits back in his chair with a smug grin on his face, coffee cup in hand, “So, tell me about it.”

You scoff, “You’re such a dick sometimes, you know that?”

“You love me all the same.”

You roll your eyes for the thousandth time, as you always seem to do around Roger. You stare at him, arms crossed in silent defiance and attempt to communicate with your eyes ‘I’m not going to tell you because you were a dick.’

He sighs, uncrossing his arms to place his elbows on the table, “Come on, I’m sorry! Please tell me what happened?”

A server comes over with your breakfast, allowing you to torture Roger for a few moments more as you chew a bite slowly. After you swallow, you finally sigh, “Fine. Ask me what you want to know.”

Roger’s eyes light up, “How long have you loved-” he stops when you gives him the eye, “liked, him?”

“Almost five years.”

“Bloody hell, Y/N.”

“I know! I know. It’s not good. Trust me I’ve tried to get over it.”

“And you’ve never told him how you feel?”

You scoff, “Of course not, that’s suicide.”

“Why?”

You put down your fork, finishing your mouthful of food, “You act like you haven’t seen the way Brian is,”

Roger stays silent, waiting for you to continue, “He’s so…elusive. His shyness and sensitivity make him a real fucking magnet if you haven’t noticed. And he has this thing where he needs to constantly be pining after someone, and it’s just never been me.”

You take a deep breath as your eyes focus on the rim of your glass, “He’s just not interested in me as more than his best friend, and I think that’s okay.”

“Why do you think that’s okay?” Roger asks softly.

“Because if I don’t accept that, then I won’t have Brian in my life at all. And that’s worse than the heartache.”

Roger is silent, looking at you with sad eyes, but they don’t hold an ounce of pity. That’s something you love about him, he never pities you for feeling any sort of way, he’s just there to listen.

“Well fuck, I can see why you got plastered last night.”

You laugh, thankful for him shifting the mood to something more lighthearted.

After lunch, Roger drops you off back at your flat, but not without a comforting pat on the top of your head and a promise to go for a drink soon.

You smile to yourself as you fish your key out from your bag, twisting the lock and stepping inside.

“Y/N.”

You squeal, whipping around to see a lean figure standing up from your sofa, “Bloody fuck- Brian, what are you doing here?”

Your heart beats rapidly in your chest, partly from being scared half to death, partly because Brian looks so good in a hoodie. He doesn’t often wear cosy clothes anymore since Queen gained more fame. Seeing him looking all soft in a navy blue hoodie makes your heart flutter. It reminds you of the times when you had first met. The both of you snuggled up underneath layers of blankets in his dingy flat when the heating broke (which was often), drinking copious amounts of tea and emptying his kitchen of all his food.

“You gave me a key.” He scratches the back of his neck. Yeah, he knows he’s guilty.

“I would have appreciated it if you’d rung me first.”

Annoyance settles in as you remember last night, when he ditched you at the pub and left you to get a taxi home. If anything, he owes you the fare.

“I did, you didn’t pick up and I got worried.”

“I was out.”

“I can see that now.”

The room falls silent, Brian rocking back and forth on his heels. You cross your arms, waiting for him to speak. To explain himself.

“Listen, I’m really sorry, I shouldn’t have left you like that last night. I was drunk-”

“So was I.”

“I’m-” he stops, sighing, “I’m really, really sorry. I’m a total prick…” he fades off as if he’s lost in thought, bottom lip pulled between his teeth and eyes worried. He looks genuinely troubled, as if he is really upset that he ended up ditching you.

Against your better judgment, you sigh and uncross your arms, voice softening up, “Look, just don’t do it again, okay? It puts me in a really bad spot.”

His eyes brighten at your acceptance, rushing over to give you a hug. You stand stiff as a board when his arms wrap around you, head nestled against your neck. Your pulse races, but you know better than to view this in any other way than just a friendly hug. You wrap your arms around him anyway, closing your eyes and just for a moment, pretending it is otherwise.

“I want to make it up to you,” his voice is muffled against your shoulder, but he doesn’t dare let go, “I packed us a picnic, let’s go to the park. You can feed the ducks.”

You pause, eyes opening and closing as you take breaths. You battle against yourself. Could you manage doing such an activity with Brian? One that feels like a date? Of course you can. Don’t be silly. He’s your best friend, how could you be casting his feelings to the side because of your own?

“Can I feed the pigeons too?”

He laughs, gripping your frame tighter, “Wouldn’t have it any other way.”

Then you’re back in his car, a newer one, different from the cheap beat up one he had when you had first met. But still, it’s familiar, the scent of him mixed with leather. A basket and a blanket sits in his backseat, bringing a small smile to your face. This is the side of Brian you cherish the most. The side of him that cares so deeply for his friends. You’re not even sure if you could call it a ‘side’ of him. It’s just the way he is. He doesn’t ever intend to hurt or upset you. Suddenly, you feel guilty for being upset with him. He doesn’t owe you anything, he has every right to go home with other women.

“So, where did you go earlier?” Brian asks, one hand on the wheel as he glances over at you and then back at the road.

“I went out for lunch with Roger,” you smile at his side profile, the way his hair moves against the breeze through his open window, the way his nose hooks ever so slightly, “he nursed my hangover.”

Brian’s lips seem to flick into a frown, but shift back into a smile before you could really register it, “Seems as though I’ve been replaced.”

You roll your eyes, “No one nurses my hangovers as well as you do, Bri, don’t worry.”

You giggle fondly at the memories of the both of you nursing each other through your hangovers, Brian always better at dealing with them than you were. He’d be up bright and early, pop two ibuprofen, down a cup of coffee and be well on his way to recovery. Whereas you’d sleep until noon and be unbelievably moody until eventually someone forced you to do something with your day.

Brain somehow always knew how to pull you out of those moods, though, whether it be bringing you a plate of pancakes and cracking stupid jokes until eventually you had no choice but to laugh, or by sitting with you in silence and pushing a glass of water and painkillers in your direction. He just always seemed to know exactly what you needed in the moment.

“I’d hope not,” he tuts, “otherwise I’d have to find another hobby, and I quite like taking care of you.”

Your breath catches, skin burning, but you play it off with a scoff, “You make me sound like a child.”

He laughs, a bellowing laugh that you always love to hear, “A child? Certainly not. Children swear a hell of a lot less.”

“Fuck off!” you swat his shoulder lightly but can’t help your grin. It feels good to fall back into the rhythm of normalcy with Brian.

The sun is high when you reach the park, the sky a bright blue except for a few sparse clouds. The two of you walk silently to the pond, laying out the blanket on a soft patch of grass.

“I know you already ate,” Brian says as he sits down on the blanket, “but I bought a packet of custard creams because I know you like them.”

The small gesture makes you embarrassingly happy, grinning at him as he passes you the packet, “You can never be too full for biscuits, you know that.”

“Very true,” he smiles at you almost in adoration, you think, “I also got a bag of bird seed because people still feed the ducks bloody bread.”

You hum as you bite into a custard cream, staring into space as you get lost in thought. Spring weather in London is one of your favourites, when the sun shines just enough to warm your skin, but you still have to cosy up a bit. And today, it’s the perfect temperature for a picnic.

��Hey, so I was thinking,” Brian begins, opening up a sandwich for himself and taking a bite, “Since the band doesn’t have to start recording again for a bit, we should all go on a road trip somewhere.”

You look over at him, eyebrows raised, “Where were you thinking?”

“I don’t know,” he shrugs, “Wales maybe? I just thought a change of scenery might help us all write new songs.”

Nodding your head slowly, your lips twitch up into a smile, “I’d love that. Have you mentioned it to the boys yet?”

“Briefly, and they seemed to like the idea, but no plans have been made.”

You hum, “Well, let’s set the date and they’ll just have to clear their schedules.”

Brian laughs, “Alright, next thursday. We can stay until Monday.”

“Perfect.”

The two of you chat for a while longer, before packing up the basket and walking alongside the pond, throwing bird seed for the ducks and laughing as they all fight for the same pieces.

It feels so idyllic, walking through the park with Brian. It seems to be all couples here today, holding hands or staring at each other with looks of adoration on their faces. It almost makes you feel queasy. Perhaps it’s just eating those custard creams right after eating lunch with Roger. Either way, your stomach twists and leaps with too many indescribable feelings. You wish it would stop.

Brian tips the last bits of bird food out of it’s bag, before scrunching it up and putting it in his pocket. You both watch as the birds eat the remaining seed, before looking up at you for more. Once they realise there’s nothing else for them, they drift gracefully away, to the opposite side of the pond where someone else may feed them some more.

Then you continue your stroll, enjoying the feeling of the sun on your faces and the crisp air in your lungs.

But then Brian looks down at his watch, swearing underneath his breath and turning to face you, “Y/N, I’m so sorry but I’m going to have to cut this short.”

Your eyebrows furrow into a frown, “Is everything alright?”

You both begin to walk in the direction of his car, “Everything’s fine, I just forgot I have to meet someone in an hour.”

Your stomach drops. Brian never usually says ‘someone’. His friends are your friends and you’d always refer to them by name. ‘Someone’ means someone you’ve never met, and almost always it means a girl.

“Oh, okay,” you try to hide the disappointment in your voice, “that’s totally fine!” you force a wide smile.

He grins back at you as you both get into his car, “I’ll make it up to you, love.”

You return his smile, but deep down you know. He said that earlier, too.

Soon you’re back at your flat, waving goodbye to Brian from your doorstep and letting your smile drop into a frown as he drives away.

The clock reads 4 o’clock when you reach your bedroom, sighing deeply as you get changed into comfier clothes and slump down on your sofa with a cup of tea.

God, it’s so tiring.

The sun is still high outside, your favourite aspect of spring and summertime, the longer days, but tonight you almost wish it was late so that you could fall asleep and not have to think about Brian.

But alas, he swirls around your brain as you stir your tea, looking down into the cup as it whirlpools. You wonder if Brian could be seeing the girl he went home with last night, or someone else. You don’t want to wonder, you’re not even sure if you actually want to know who it is. It would push you into the deep darkness of insecurity, and you’d compare every aspect of yourself to whomever it is.

So instead, you flick the telly on and melt mindlessly into the arms of whatever is on, not even really focussing on it.

Monday morning, you’re at work again, typing up documents all day as you’d usually be doing. The monotony could kill you, and your fingers hurt from the stiff keys of the typewriter. It’s times like these where you feel envious of your best friends’ profession- for the boys of Queen, monotony is never an issue. They can complain about recording studios all they want, but they would never dare to wish for your job, and they know that.

You asked your boss early if you could get Thursday to Monday off, and by some sheer miracle he had agreed, but not without massaging your shoulders in a way that made your skin crawl. It was one of the biggest downsides about working in an office amongst mostly men. While they spent their days barely working, and instead drinking the day away together while playing mini golf in their offices, you worked until your fingers went numb and the back of your neck felt like it was being jabbed with fifty needles. Yet they still believed they were entitled to touching you whenever they liked.

Either way, you had managed to get a few days off to go on a road trip with all of your best friends, and that’s what keeps you going throughout the week. You daydream about exploring castle ruins and walking along the beach with Brian, allowing yourself to dip your toes into the idea of a relationship. While you were confined within four blank office walls, the thought of Brian kept you sane.

He phoned you two days after your picnic, confirming that the boys had all agreed to a road trip and booked a hotel for Thursday afternoon. Things were all going smoothly, even as you packed your bag on Wednesday evening in preparation to set off early the next morning. You float happily around your flat, humming along to your records and planning out outfits for the trip. When you fall into bed that night, you can barely wait for dawn to break.

But as they always say, be careful what you wish for. Because when you step out onto your front steps on Thursday morning, bags in hand and a grin like the sun, you notice not one, but two cars. Brian’s and John’s. Your smile falters, you thought you were all squeezing into Brian’s car?

“Y/N!” Freddie exclaims when he sees you, rushing to help with your bags and put them in the boot of Brian’s car, “God, I’ve missed you, darling!”

You pull him into a tight embrace, “I’ve missed you too. You don’t have time for me anymore with all your wild parties.”

He scoffs, “If only you’d attend them, lovie, then we’d see each other more!”

You roll your eyes playfully and look around at the two cars. The driver’s seat of Brian’s car opens, a small but almost seemingly nervous smile on his face.

“Hey, Y/N,” he scratches the back of his neck, “how are you?”

You narrow your eyes, and you feel Freddie’s body language stiffen beside you as if he knows something you don’t.

“I’m alright?” You reply as a question, curious to why everyone seems so nervous.

“Good, good,” he nods, inhaling before saying, “You wouldn’t mind sitting in the back seat, would you? Natasha already took the passenger side.”

Your lips part slightly, realisation setting in. He brought a girl.

You turn to Freddie in silent shock, asking with your eyes what the hell is happening? He leans over to whisper quietly, “I offered to take your place and you sit with Rog and John, but Brian was adamant.”

You gulp, turning back to where Brian stands, “Sure, that’s fine.”

He grins, sitting back in the driver’s seat. You turn to Freddie, eyes like a deer in headlights. A five hour drive. With Brian and his possibly girlfriend. He pats your shoulder, giving you another hug before getting into John’s car.

You have no choice but to slip into the backseat, sighing into the leather. The radio is already on, all the windows down to let in the cool early morning air. You glance to the front of the car where a woman sits in the passenger side. You can see her face in the wing mirror, insecurity eating away at you already as you examine her. She’s gorgeous, with thick auburn curls that frame a sharply defined face. You can even see that her eyes are a taunting shade of emerald green.

Clearing your throat. You lean forward and hold your hand out, forcing a smile on your face, “Hi, I’m Y/N.”

She turns to glance at you, but not before giving you a once over, sharp lips not so much as twitching into a smile. She takes your hand into a weak handshake, shaking once before letting go and letting her hand rest back into her lap.

“Natasha.” She says bluntly. You glance over to Brian as he drives, waiting for him to react in some sort of way at the way you’ve been greeted, but instead you’re met with his usual kind smile and eyes that gleam with blissful ignorance.

You sniff awkwardly, leaning back into your seat and getting comfortable against the window. You can see Natasha staring at you in the wing mirror, but you try your best to ignore it. It practically sears your skin, making you squirm in your seat. You hated feeling intimidated by people, absolutely despised it, but Natasha was everything you weren’t. She had Brian. And the passenger seat.

The radio fades into one of your favourite songs, one of Brian’s too, The Air That I Breathe by The Hollies. You’d often drive with the windows down, belting out the lyrics and laughing at who could sing the loudest. The memory brings a smile to your face.

“I love this song, can you turn it up-”

“God, I hate this song,” Natasha interrupts, “I didn’t even like it when it came out three years ago.”

Brian looks torn, eyes flickering to you in the rearview mirror. You challenge his gaze, narrowing your eyes ever so slightly to gauge his next move. Your stomach sinks as he drops your gaze in guilt, flicking to the next station.

The smug look on Natasha’s face just adds salt to your wound, her eyes like a snake’s, sly and dangerous. In that moment you decide that your best friend must be an absolute idiot. You also decide that you really, really don’t like Natasha.

Five hours does not go by in a flash, much to your dismay, and you’ve had to listen to Brian gush over Natasha for the majority of the ride. Even when you all stopped halfway to get snacks, Brian came to your side when Natasha went to the bathroom, nudging your shoulder with a dopey smile on his face.

“Isn’t she something?” He asks as you pull a few bags of crisps off of a shelf. You try your best to bite your tongue. After all, as long as Brian is happy, you’re happy.

“She’s definitely something.” You reciprocate his smile, albeit forced.

“I think you and her will be great friends.”

You refrain from rolling your eyes. Even if you wanted that, Natasha made it very clear that she did not want anything of the sort. How could Brian be so unaware of the dynamic that took place between you and her? Are men really that thick? You can barely believe it. For someone as intelligent as Brian, he’s being incredibly dense.

But regardless, you nod, “Totally.”

Natasha steps out of the bathroom and makes her way over to where the two of you stand, completely ignoring your presence, “Let’s go to the car.”

She grabs Brian’s arm, and before you can so much as complain, the food Brian had grabbed is dropped in your arms, leaving you alone to pay. Your eyes follow them as they leave, hand in hand as they laugh. They look good together, you can admit that. Two perfect people.

You sigh, turning to glance around the small petrol station shop, shaking your head to yourself and going to pay for yours and Brian’s snacks.

And then the remaining two hours or so blur by as you lean yourself against the window, blocking out the sound of Brian and Natasha’s conversations and simply watching the world pass you by. You try to think of the green grass, the blue morning sky, the yellow sunflower fields that you pass.

Brian’s hand rests on her thigh and he looks at her with something like a sparkle in his eyes. Suddenly you wish you stayed home. Maybe if you’d caught a cold or your boss didn’t give you time off this wouldn’t have happened. Maybe then you wouldn’t feel like your heart is being torn out of your chest. Maybe then you could have ignored the fact that Brian has got a new woman in his life.

Once you pull into the hotel car park behind the rest of Queen, you nearly jump out of the car, immediately taking your bags out of Brian’s car, “What’s the room situation?” you ask Roger when he steps out of John’s car.

“Don’t get too excited,” Roger winks playfully, “Nah, we have our own rooms, apart from them.” he nods towards Brian.

You lean in to give him a pathetic hug, leaning heavily on his shoulder as you quietly groan, “I don’t even have the energy to tell you to fuck off right now.”

He laughs, gripping your shoulders tightly, “You look like you need a drink. Or a nap.”

“Or both.” you retort.

Brian and Natasha walk up to where you stand, Natasha plastering a fake smile on her face as she greets Roger, “Roger, I didn’t realise that Y/N was your latest fling, how sweet.”

Roger tenses, as do you. Now she’s insulted both of you in one. But just as you’re about to speak your mind, Roger tightly wraps his arms around your shoulder, “Actually, Y/N’s my girl.”

You glance up at him in shock, lips parted and eyes wide. You turn back to Natasha, noticing that Brian is staring at you with a look of shock on his face, maybe betrayal? You’re not sure, but he looks angry. His fist clenches at his side absentmindedly.

And that makes you angry. Even if you were actually dating Roger, what does that have to do with him? So you decide to put a wide smile on your face, lifting your arms to hold Roger’s around your shoulders. You don’t speak, but your actions say it all. You giggle, melting into his embrace. It feels strange, but Roger and you are close enough to know that this is fine.

Freddie and John walk over, looks of confusion on their faces, but decide to stay out of it when they see the looks on Natasha and Brian’s faces.

“You’re seeing each other?” Brian asks incredulously, ignoring Natasha’s presence beside him.

“That’s right,” Roger replies before you can, “Is that so hard to believe?”

“Yes,” Natasha laughs, “It is.”

Roger’s grip tightens around you. You recognise this side of him, the fierce protectiveness he feels over his friends. Roger has been known to get into fights if someone speaks badly about his friends. He simply won’t tolerate it.

His actions are strictly platonic, but he’s not going to let someone speak badly of you. Especially not Natasha, now that he knows about the way you feel about Brian.

“And why is that?” He grits his teeth, and you squeeze his arm gently to communicate that it’s okay. You don’t need his protection, you can manage.

“Well,” Natasha begins, and you glance at Brian’s expression. He stares directly at you, gaze unfaltering. He isn’t even hearing what is being said, “You usually tend to go for much more...visually appealing women.”

Ouch.

You’re not gonna lie, that hit you right in the ego. It’s not as if you had much confidence before anyway.

That’s when Brian breaks his stare to look at Natasha, a dumbfounded look on his face, “What-”

But Roger interrupts, anger prevalent in his tone, “I don’t think you’re one to gauge who’s visually appealing and who isn’t, Natalie.”

You hold back a giggle, albeit a hurt one, trying to hide your pain behind an unbothered smile. But you fear that your body betrays you as you tilt your head down, hands dropping from Roger’s arm to cross over your stomach.

Natasha opens her mouth to speak, but Freddie intercepts, “Alright! Okay, we should go find what rooms we are in and freshen up. I need a beauty nap.”

You’re thankful for Fred, giving him a discreet nod to which he responds with a wink. You take one last look at your supposed best friend, Brian, not a trace of sympathy for him on your face. How could he not defend his best friend of years from his girlfriend he’s probably only known for a couple weeks at most?

Baffled and dejected, your feet move mindlessly along with Roger as he steers the both of you into the hotel, muttering underneath his breath, “Dick.”

“Who?” you whisper.

“Brian.”

You say nothing. You know it’s true, but it hurts a hell of a lot when your own best friend doesn’t stick up for you.

Roger follows you into your hotel room when you reach it, watching as you flop into the soft white sheets with a long, weary sigh.

Roger sits at the end of your bed, “Natasha’s a right pain in the arse.”

You sit up, hair mussed and eyes tired, “I meant to ask, have you met her before?”

He nods with a wince, “Unfortunately. She’s like that all the time. It’s baffling that Brian hasn’t noticed it yet. The lad’s usually quite level-headed.”

You nod with a hum, staring out of the window behind him. You get most in thought momentarily, thinking about the way Brian was so truly oblivious to the way Natasha acted. He’s almost gotten into bust ups with men at bars who have disrespected you, but it seems to be okay when Natasha does it. Maybe love really is blind. The idea of them in love makes your guts churn.

“Anyway,” Roger starts, standing up, “You should take a nap. I’ll come to wake you up in a couple hours for dinner, alright?”

You smile, “Thanks, Rog. For everything.”

He shoots you a cheeky wink, “Anytime, love.”

So you gladly lay down in the cool white sheets once Roger is out the door, staring up at the ceiling until eventually you let your eyelids flutter closed.

Two hours later, you’re up, bathed, and dressed, fiddling with the hem of your midnight blue dress in the mirror.

Insecurity eats away at you each time your eyes scrutinise yet another perceived flaw. As much as you hate to admit it, Natasha’s words echo around in your mind. She’s right, you're not visually appealing. How could you be, when Brian won’t even look twice at you as more than a friend.

A knock sounds at your door, Roger’s voice coming soon after, “Are you ready, love?”

You snap out of your trance, pushing all the self-hatred aside to open the door. Plastering a wide smile on your face, you take his arm in yours.

He raises a brow.

“I’m not the one who told everyone we were dating,” you lightly pat his arm, “so hold tight, loverboy.”

You meet the group outside by the cars once again, John leaning up against the side of his car and Freddie perched gracefully on the bonnet. Brian and Natasha however, are nowhere to be seen. You frown and ask Freddie where they are.

“Not a clue, my dear. If they aren’t down in five minutes I’m leaving without them.”

As if on queue, the couple in question walk out of the revolving doors. Brian’s face is flushed, Natasha’s smug. It doesn’t take a genius to figure out why they’re late.

You catch eyes with Brian and watch, hurt, as he looks away bashfully. Your chest pangs, just a bit, as you glance down at your dress for distraction.

Roger squeezes your arm comfortingly, “Do you want to ride with us?”

You shake your head, “Would it be bad if I said I wanted to keep an eye on them?”

He smiles, “Cheeky.”

You force a tight smile.

In all honesty, you aren’t quite sure if you’ll be fine, but when you take another look at Natasha’s smirk, you let your anger be the driving force that pushes you into the back seat of Brian’s car.

Luckily, they seem to behave themselves while you’re in the car. Well, Brian does. Natasha often tries to place her hand on his thigh, but he always pushes it off. You notice that something has changed since the drive earlier, a shift in Brian’s mood. He’s more bashful than ever, staying practically silent with his cheeks seemingly tinged pink permanently.

Eventually, Natasha gives up with a huff, crossing her arms and looking out the window as the radio hums a tune none of you are paying attention to. Brian is looking straight at the road, and you’re watching him as he clenches and unclenches his jaw. The sun is just beginning to set beside him, silhouetting his face like an eclipse. He’s so beautiful, even when you’re annoyed with him, and even when he looks annoyed himself.

He pulls into the car park, killing the engine and turning around to face you in his seat. You furrow your eyebrows as he stares, “What-”

“Nat, could you give us a minute?”

“But-”

“I’ll meet you in the restaurant.”

She stares at him baffled, looking at you and back to him, before rolling her eyes and getting out of the car. She slams the door and beelines to the entrance, leaving the rest of the boys no choice but to follow her. Roger shoots you a concerned look through the window, to which you return a reassuring smile. It does nothing to reassure yourself, though, as Brian’s fiery gaze is pointed directly at you.

The car remains silent as both of you challenge each other to see who will speak first. You stand your ground and hold his glare, crossing your arms in defiance. He speaks up,

“Why didn’t you tell me that you and Rog were together?”

Your eyebrows shoot up, so that’s what this is about?

“Why do you care?”

He scoffs, turning away from you to look out of the window, “I don’t know, maybe because you’re my best friend and he’s my bandmate?”

“Why does that matter?” You challenge.

He just shakes his head with a spiteful chuckle, dodging the question, “Roger doesn’t date.”

“What’s that supposed to mean?”

“He’s just going to leave you for another woman, or worse, he’ll just do it behind your back.”

“And I suppose you’re any better?”

Your words are harsh, and you regret them the minute they came out. Especially when he turns to look at you with a flash of hurt in his eyes. Brian’s had his own share of infidelity, but he’s always felt guilty over it, as if it haunts him. You suddenly feel sick. He confided in you and you’ve just thrown it back at him.

Without another word, he opens his door and steps out, slamming the door behind him. You watch as his figure retreats into the restaurant, your heart beating rapidly in your chest. Shit.

You take a shaky breath, closing your eyes momentarily. You stand on trembling legs and make your own way into the venue, fingernails digging into your palms.

Everyone is already sitting at the table when you join them, so you take your place in between Roger and John. Both of them look equally concerned, Roger’s eyes flickering to Brian across the table. You dare to glance up to where he’s glaring, fiddling with the tablecloth. His upper lip twitches like it always does when he’s angry, a tick that only you’ve ever noticed about him. His warm hazel eyes seem cold, but you can almost see the flames behind them. He’s pissed. More than pissed.

Roger unwittingly adds fire to the flame when he leans down to whisper in your ear, “Everything alright, love?”

You look at Brian once more, his napkin now clenched in his fist, you turn to Roger to whisper, “I think he’s mad.”

Roger chuckles, “You think? The bloke looks like he wants to castrate me.”

“I think he probably does.” You sigh.

Thankfully, always the life-saver, Freddie begins reenacting a run in he had with a fan in a public toilet the other day, and everyone begins loosening up. Well, except for Brian. He’s pretty much silent throughout dinner. Even when Natasha tries to pat his arm or whisper something in his ear, he keeps the same disgruntled look upon his face. You find yourself becoming angrier with every passing moment.

Who does Brian think he is? How can he let his girlfriend walk all over you, then he insults you, and then he somehow has the right to be angry with you?

It’s bullshit, and you shoot daggers at him over your dessert. You don’t even want it. It’s your favourite and everything.

You turn to John, ever the organised one, “Hey, do you know what we’re doing tomorrow?”

He tilts his chin up and chews on one side of his mouth as he thinks, “I think we planned to visit Conwy Castle.”

You nod, humming, “Cool.”

It’s only the first night, and the trip still has five more days, but you find yourself anxious to return home. Especially in the dim lights of a small Italian restaurant as Brian stares at you with that unforgiving gaze, you wish to be anywhere but.

Brian and Natasha left before everyone else, skipping their coffee and choosing to head back to the hotel. They didn’t so much as question how you’d be getting back. Instead, they left you with the remaining three Queen boys, all of their curious eyes on you.

They want answers, you can see it on their faces. It’s the first moment all of you have had together without Brian and Natasha there and they want to know what the bloody hell is going on.

You shake your head at their silence, taking one final bite of your dessert, “Don’t ask me anything, because I don’t have a fucking clue.”

You huff as you flop back onto the bed. It’s far past sunset, and your hotel room is dim except for the orange glow of the street lights outside your window. Roger, John and Freddie decided to go find some sort of bar to finish the evening, but you asked them to drop you off at the hotel so that you could sleep. Except you couldn’t, your mind wired with so many thoughts of Brian that you couldn’t so much as close your eyes. You decided that staring up at the ceiling wasn’t helping, instead it was making the thoughts worse, so you got out of bed and walked to the balcony and stared out over the sea, letting the cold air of the night nip at your bare skin.

Just as you close your eyes, there’s a knock at the door, echoing through the sound of the waves in the distance. The tiny clock at the side of your bed reads just past midnight as you pad through the dark to get to the door.

You open it a crack, “Who is it?” you ask gently.

“Brian.”

Your pulse jumps slightly as you open the door the rest of the way and take in his appearance. His eyes are tired and sunken, his hair mussed as if he’d been tugging on it. You wonder if it was him who tugged on it, or someone else, but based on the way his head is bowed, you don’t think anything of the sort happened.

“Hi,” you gulp, treading lightly, ashamed of the words you threw at him earlier this evening, yet anger still fizzles within you softly.

“Hi,” he breathes, hand rubbing the back of his neck, “did I wake you?”

“No,” you shake your head, “couldn’t sleep.”

“Neither.”

“Is Natasha awake?”

He pauses, looking at the floor and then back at you, “She’s asleep.”

You nod, quiet after his response. What now?

“Do you...want to come in?”

You step aside after he nods, quietly walking through the doorway and into the dimness of your room, and then out onto the balcony. You follow, mind racing a million miles a minute, watching his back as he leans against the railing.

You join him, staring out at the starry reflection of the moon against the sea, “It’s beautiful, isn’t it?”

He turns to look at you, though you don’t return his glance. Instead you bask in his gaze upon your face as the wind flutters through your hair and the moon glitters against your skin.

“It is,” he whispers, his own hair rustled by the wind as he continues to stare at you.

Neither of you speak for a while, just watching the water as it shimmers like diamonds, though you’re both aware of the words unsaid and the words that were. But for a few moments the two of you decided to ignore the rift between you, and instead let the soft silver gleam of the moon heal your aching hearts.

But things must not go unsaid for too long or they will fester, and you’re the first to speak, “Why’d you come see me, Bri?”

He sighs, looking down at his hands, “I came to say sorry. I shouldn’t have said that stuff about Rog, he’s a good guy.”

You stare at him for awhile, “He is a good guy,”

Brian’s eyebrows seem to fall, which causes your own to furrow. You continue, “but did you mean what you said?”

He looks into your eyes and you know instantly that he did. The only reason he’s come to apologise is because he upset you.

“I did.”

Though it angers you, you admire his honesty. You can’t be so frank with him, you’d end up spilling your feelings.

“Is it so unbelievable that someone like Roger would like someone like me?”

It feels odd talking about Rog as if he’s actually your boyfriend, but you’re hurt. Natasha’s earlier words cut like a knife, and hearing Brian think the same would cut like no other.

“That’s not what I meant at all. You’re just…” he trails off and looks back at the sea, shaking his head.

“I’m what?”

“You’re...perfect. You’re too good for someone who will hurt you”

The sound of the wind fills your silence, a sense of confusion and joy fluttering in your stomach. You wish you could tell him that you appreciate his concern, but he’s been the one hurting you all this time. However it’s not his fault, and you remain quiet. He called you perfect.

You search his face for any sign of anything, any twitch of his brow that might give anything away, but he’s stoic as always.

“But you can’t be the one to make that decision for me.” you breathe, choosing to ignore what he said. Perhaps you’re scared of him taking it back, or claiming it was nothing. You want to hold onto the very feelings you feel now, after Brian has called you perfect underneath the moonlight.

“I know.” he sighs, looking down at his hands. You’ve always loved his hands, his long slender fingers that are often adorned with a couple silver rings, usually on his pinky finger. You’d often imagined the way they might feel against your bare skin, but each time you dared to delve into that idea, you quickly shut it down.

The fact that you’ve been lying to Brian about Roger makes you feel wretched, eating away at your insides as you chew on your bottom lip. It feels as though you’re seeing a bit more of Brian’s private thoughts, and he’s only shared them with you because he thinks you’re dating Roger.

The confession is right there on the tip of your tongue, a loud exclamation of truth ready to erupt from inside of you, “Brian-”

“-Y/N” he begins at the same time, and immediately all courage is lost. The boiling truth returns to a simmer, and your racing heart begins to still.

You both chuckle, a sense of normalcy returning for the first time tonight as he scratches the back of his neck, “You first.”

Shaking your head, you give him a small smile, “Not important, you go.”

He nods, taking a breath as if to build his courage back up, turning his body to face you entirely. You do the same, concerned at the sudden seriousness that’s returned to his face. You watch in silence as he takes yet another deep breath, the dread inside of you intensifying.

“I…” he begins, and you want to grab him by the shoulder and shake, tell him to spit it out already because you feel nauseated.

“It’s terrible of me to say this, and I know I have no right whatsoever to do so, but...I don’t want you to date Roger.”

You’re taken aback by his blatant request, baffled at why he is so against the idea of you and Roger being together, “Why not?”

He looks just as irritated as you, all civility that you’d built up just moments before knocked down like a house of cards. It’s as if the idea of you not listening to his request infuriates him, and in return that makes you equally angry.

“I told you before.”

“But we agreed that this isn’t your decision.”

At this point, you aren’t sure why you’re continuing to act as if Roger is your boyfriend. Perhaps you’ve let it go too far and to confess now would damage your dignity. Or maybe you want to see how far Brian is willing to go with his request. Surely he won’t force the two of you apart.

“It’s not my decision, but that doesn’t stop me from feeling uncomfortable.”

“Uncomfortable?!” you raise your voice. This conversation is going in the complete wrong direction, but you can’t seem to stop it, or stop yourself. The two of you are both passionate people always speaking for what they believe in, and in this case you are on opposing sides. Like fire and ice, or darkness and light, the two of you battle against each other.

“Yes! Uncomfortable!”

“Go on then, explain to me why it makes you so uncomfortable.”

“He’s my bandmate-”

“And why does that matter?”

“You’ll be a distraction!”

“I’ve known you all for years, and suddenly now that I’m dating one of you, I’m a distraction? Nice, Brian.”

He goes to speak, but you interrupt, “And what about Natasha, huh? Is she not a distraction? Or is it just me then?”

“She doesn’t come to the studio with us like you do.”

“You were the one who told me that you love when I come to the studio.”

He looks flustered, “I do, but-”

“You’re not making any sense,” you say, exasperated, “what is the big deal about me dating Roger?”

He doesn’t answer, instead staring at you with a burning intensity behind his caramel irises. A siren blares in the distance and a cloud sheathes the moon in a grey cast. It’s as if his answer is in his eyes, but you just can’t catch it. You’re both speaking two different languages.

“I should go,” he says finally.

Muddled thoughts race through your head. You want to say so many things but nothing comes out, your mind a jumbled mess of intertwined wires. Goddamnit, Y/N, say something.

He turns to walk through the hotel room, and you have no choice but to watch his back as he retreats. But then he stops in his tracks, turning to look at you once more. He has hurt written across his face, you can see it even in the darkness.

“Where is Roger, by the way?”

He tilts his head to the side, challenging you to answer him. You stare in silence, no answer on your tongue.

He nods, his own point proven to himself as he goes to turn back around, “Goodnight, Y/N.”

#omg omg omg #here it is #it's taken too long #part 1 #!!!!#brianmayxreader #Brian May #fem!reader #angst #slowburn #fic #queen #i have no excuses #Give It All For You

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fishylife · 3 years

Text

Street Dance of China, Season 4, Episode 4

- I’ve had issues with Tumblr not saving my posts again v.v I’ll just save often and hope that that does the trick.

- Latrice and Ibuki reenacting HB’s performance haha. From the behind the scenes clips I’ve seen, Ibuki does speak English, so I like to think they are now friends :D

- Hilty & Bosch have known each other since they were six years old T_T That’s cuuuute. Apparently they don’t get into arguments a lot because they always keep a distance between them XD Good strategy.

- San’er’s performance was great! He definitely brings the entertainment in his creativity (including incorporating a story line), but he doesn’t forget about the technical parts of dancing (the popping).

- Bouboo cheering on Rochka when he challenged Jianyan :P

- This spinning move he did was neat

- 不咋地 is going to be the recurring inside joke between Yibo, Rochka, and Bouboo ^^;;

- Yixing singing the SDOC theme song again XD With his super low energy voice XD

- Yibo was tipping the bench which was why Yixing and Henry were like, rocking back and forth at the same pace lol.

- Admittedly George vs. C-Lil was kind of rough. George tried to include Chinese elements in his performance, but he was injured, so he couldn’t really showcase them, and the latter part of his performance became just a typical contemporary dance. C-Lil’s performance was alright, but I think the judges were expecting something more impressive. While break dancing is very impressive to watch, I am starting to see the limitations of it, because if a dancer is not impressive, they are just kind of mediocre. George and C-Lil weren’t able to bring anything superbly impressive, which I think it was difficult for them to vote. Yibo abstained, and C-Lil got two votes, so C-Lil advanced.

- Zyko was incredible as always. It fascinates me how he’s mostly performed with these ballad type songs that don’t really have a beat. Also his flexibility is insane. I’m glad he got through with four votes because we need to see him more.

- I really liked Chika’s performance! I feel like women’s dancing is sometimes a bit limited in the mainstream because people just expect them to look sexy. It isn’t as much the case on this show because all of the ladies on this show are dancers and not idols or pop stars. But anyway, I just love seeing women dance without their bodies being sexualized. Chika’s dance showcased not only control over her body, but POWER. I loved her big movements. Compare the power that she shows vs. the power that say, Ibuki shows. Ibuki is a much smaller lady and it shows in her proportions, so how she expresses power looks different from how Chika expresses power, and Chika’s is the sort of power that I’ve really looked forward to seeing.

- Rochka fanboys over everybody, I love it. Keep spreading the love, dude.

- Ok, Xiaoji’s performance was pretty entertaining. I am not kidding when I say my jaw dropped, at the same time that all the captains went OH SNAP. But this guy definitely has charisma and stage presence. His confidence made up for his lack of ability to improvise XD I was CACKLING when this guy thought the song was done and Yibo was like “bro there’s more” and Xiaoji had to come up with something to end it off lol. I wouldn’t say his challenge was as good as Xiaohai’s, mostly because he hadn’t memorized the music like Xiaohai did. In terms of technical stuff, his performance did seem more impressive than Lai Wei’er’s, but he also did less “stuff” (like, there were a lot of pauses in his dance probably because he didn’t now the music). But Xiaoji’s was definitely more entertaining, though that may just be because of who he is and not his dancing. (By the way, Xiaoji’s real name is 林森. I thought the name 林木森 was just a joke because of how much wood was in it. I never guessed that someone would name their kid 林森 X’D Guess his 八字 indicated that he had a weakness in wood or something lol)

- Have some laughing captains, it’s good for the soul.

- Acky-san acknowledged that he’s probably not going to beat the younger dancers in terms of technique, so what he brought instead was style. The “robot” style of popping is pretty old, but no one else has done it in this competition probably because it’s so old school, and he definitely delivered in a way that only he could.

- Henry singing Frere Jacques with the French contingent X’D

- Thoughts on Han Yu vs. Boris. I can imagine what Han Yu was going for in his original performance, but I don’t think it worked. I don’t have the vocabulary to explain it, but basically the way his performance was choreographed just didn’t really impress. As Yibo mentioned, Boris was impressive in his dance to Han Yu’s music, but his dancing didn’t suit the song as much as Han Yu’s did. So the original dance + challenge was a matter of impressiveness vs. whether the dancing suited the music. Han Yu shone in the battle. I think he seemed a lot more impressive when back in a hip hop sort of groove, music that has a lot of major beats, compared to the piano music that was less grand an epic. As for Boris, I think that seeing a few of his performances in succession showed that his toolbox is a little limited in comparison to Han Yu. It hate to see Boris go because I loved his battle against Zyko but alas. I also wanted him to stay because he’s one of the few non-Chinese contestants who speak Mandarin relatively well. He had no issues speaking in Mandarin with most of the Chinese people on set. The ending was hilarious, when he was asked whether he had any last words, and Boris was like “well, I’m literally going to see these guys in two seconds when I’m back in the audience, I’m not dying” lmao.

- I don’t know how I feel about how the show has decided to deal with the last 29 contestants, of which three would be chosen to join the 49 dancers advancing. They’re competing fairly with the other contestants that haven’t performed yet, but they’re at a disadvantage compared to the previous contestants that were judged individually. For example, what if the fourth best dancer was better than a dancer that had already entered the 49? It would only be fair if the judges were allowed to take out people from the 46 contestants that had passed. It would’ve been a bigger problem if there were still a lot of big names to go though. Most of the best dancers have already secured a spot for themselves, so I think that’s why I’m not like, the most perturbed.

- I was low key waiting for Xiao Jie’s performance because his audition performance during episode 1 was so amusing. I thought his individual performance was fun! He managed to add some creativity and story telling (Chinese dude getting drunk) but also showcase some of his specialty skills (locking).

- I forgot to mention this before, but it amuses me that so the editing team will so diligently put in a “don’t try this at home” warning message whenever a dancer does a dangerous move haha.

- So the captains are doing a dance battle for the reborn event, but I’m not really sure how this is all gonna work. I’m digging Yixing’s look for the battle btw.

- Anyway, pre-battle hugs for all.

- KRUMPMASTER. Also I think he did some of the routine that he did back in Season 3.

- Not gonna lie, I wasn’t super impressed with Han Geng’s first dance but his second dance was pretty hype.

- Lol Yibo feels most comfortable challenging Yixing during his battles. He did move where he dropped onto his back right after Yixing did it (i.e. being like you can do it but I can do it better). Based on what I saw of season 3, I think Yibo would call out Yixing in his performances then too.

- Yixing was definitely heavy on the krump side, though I actually thought his first performance was really interesting because there was barely any krump in that one. He mostly stuck to other elements. As we got through the other rounds, he became more krump heavy, and I think he lost a bit in terms of variety there.

- The thing about Han Geng is that he’s no longer as athletic, so he relies more on power and control, but he needs to make sure he does the right moves that showcase that.

- I think Yibo impressed me the most. He had a lot of variety in his arsenal and he was very entertaining. He is also quite athletic, so as long as he can imagine it, I think he can do it haha.

- As others mentioned, Henry was extremely creative. He used a lot of dance moves to show a certain action, like tugging a rope or playing pool and such.

- Anyway, big hugs.

- Baby needs a nap.

- Yibo won the most points in the four rounds of the battle. This hug with Han Geng is uwu. Anyway, Tony Gogo mentioned that Yibo interpreted the music very well.

- Of course, Tony Gogo as well as the Gogo brothers praised Yixing for his krumping energy

- Philip said that Han Geng had a really good ear, and that was how he was able to take advantage of the best moments to unleash certain dances.

- The five contestants that were saved were A-wei, Boris, George, JC Jun, and Kelo & Uwa. I definitely think the editors purposely showed us more clips of them so that we’d grow attached lol. The only one of these five that I don’t quite remember is A-wei though. Anyway, very pleased that Boris is back haha.

- Pouty boi

- Yibo, Henry, Han Geng, and Ibuki getting really into 煞科 lol.

- I think next episode is going to have some team performances, which I think will be fun. Some of these teams are STACKED.

- Previews for Hot pot!

- They were talking about songs they listened to in their childhood. Han Geng started singing a song about an Office Black Cat? XD I’m guessing it’s a cartoon haha. Yibo listened to Leehom Wang and Jay Chou. Henry mentioned that he looked up to Leehom because he was also an overseas Chinese, plus he played a lot of instruments (just like Henry). As expected, Yixing looked up to Jay Chou (after all, Jay Chou was one of the earliest artists to popularize using Chinese elements in pop songs). Yixing said he also liked Leehom Wang, JJ Lin, and Khalil Fong (I legit have not heard the name 方大同 in a long time so that took me by surprise lol).

- Yibo mentioned Li Ronghao and Yixing was like OH WAIT YEAH HIM TOO. We know from Idol Producer that Yixing and Li Ronghao are bros haha. The captain says “不榮藝組合” which pronounced the same as “不容易組合” which is something like “unlikely duo,” except the the 榮 is from Li Ronghao’s name and the 藝 is from Zhang Yixing’s name lol.

- The robot spilled all the tea! Bad bot!

- I think they later played a listening game that Henry kept losing? lol

#thinking out loud #cvariety #street dance of china #screencaps

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technobladetimestamps · 3 years

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Nov 16 Stream Timestamps

Timestamps from Technoblade’s “THE REVOLUTION (dream SMP)”

Link to my youtube comment with all of the timestamps x

Timestamps with hyperlinks below

02:13 “This is a surprise tool which will help us later” / thumbnail isn’t foreshadowing / video thumbnails have to be big / stream thumbnails can be detailed 05:17 “The traitor is actually Jschlatt” / firework crafting 09:50 “The ratio is impeccable” 13:23 “Dream’s in the game! My audience retention rate” / vc with Tubbo & Quackity / traitor Jschlatt theory / “Are you high?” “A little” 14:47 “You’re a bit of a wildcard” “I am the most consistent character on the entire server” / “What’s this about getting into power” / “We’ll burn this bridge when we get to it” 15:54 “You really are such an English major” / “You’re an idiom” / malaphor / “I’m actually speaking twice as much English as you guys” 18:07 “I think Thunder is overcompensating in the chat” / “Where can you see me” “In my heart” (Karl & Quackity) / Karl not leaving vc 20:33 vc with Niki / “Did Tubbo just leave me? I spaced out for 2 seconds” / “You can’t call everyone the traitor” “I can & will” 22:45 “You know it’s an event when Skeppy’s here” / “You know it’s a big deal when Georgenotfound wakes up” / “Everyone leaves me” 23:31 explaining the traitor thing to Niki / “Maybe I’m a sleeper agent” / had to kill Tubbo 25:03 nothing happened with that creeper / Fundy interrogating Niki / “Why did I train her for MCC” 25:54 “Even YOU’RE leaving me” / sad music / “I’m sitting here with 203k viewers & it’s not enough for any of these streamers to bear talking to me for more than 60 seconds” / Skeppy joins vc to immediately leave 28:50 Karl has a gift for Techno / Karl is just here for the animatic 32:21 “At least the chat won’t leave me” / pays for his music 35:01 “I’m going to destroy the government so bad” / “I hate all of the farming updates on skyblock” 37:45 joining a vc / “I just got stood up in like 4...conversations in rapid succession” / “My new years resolution was to make friends & it’s november & I’ve made zero headway” / Eret switches sides 41:53 Ender chest setup / worried about hotbar management / potions > shields 43:13 vc with allies / “Karl you are literally the biggest third wheel I have ever seen” 45:03 angering the dogs / trident combo 47:13 “D!ck with one ball” (Tubbo) 50:25 “Let’s hope Wil overslept like [George]” 53:09 recruiting Eret / “If you fight on our side we’ll make you the King of Burger King” / “He’ll be an executive citizen” / “I’m surrounded by idiots” 54:58 putting Schlatt on the allies list / “Schlatt is an alcoholic high on protein power” (Fundy) 56:47 can’t trust Eret / “I hate it when you’re right” (Tubbo) / Wilbur joins vc 59:50 having a moment with Hubert / “Not even the mobs like me” / sad music / “I just gained 8k subscribers the sadness is gone” / cow pit exp farm 1:02:57 vc with Niki / “I’m going to join the other vc AHHHHH” 1:05:02 “Once everyone meets up...I have something prepared” / “Technoblade when are you not ready?” “When I joined the server” 1:09:38 “Who do you take me for? Of course I’ve read the Art of War. It’s written by Mozart” / battle planning 1:12:18 “This is the betrayal...happening very slowly” 1:13:35 Pan1 / “This revolution is so doomed” 1:15:29 Dream attack / Quackity dies 1:18:07 “Agree Retweet” / “Violence is the only universal language” / “i have a supply” / “Why do you talk in upwards inflections constantly?” 1:19:57 Techno not getting to talk / “He took it all by force didn’t he” / “Fear into Ear” 1:23:50 Techno telling everyone he has a stash twice / distributing blue / mushroom the fox 1:26:49 Tommy talking over Techno again / “Stop going off on your tangents” “We have food at home” 1:29:30 vault reveal / Tubbo stealing emeralds / secret chest 1:32:40 “Shut up bro you are green as shit” (Tommy) / “Everyone give me back my stuff you don’t deserve it” 1:34:41 no netherite swords / “Who’s the traitor” “Promise we won’t be mad” 1:36:31 battle / Technoblade trident maneuvering / giving rocket launchers to Tubbo & Tommy 1:40:27 killing Karl / Dream bringing out the end crystals / fighting invis Dream / purpled switches sides 1:43:57 Dream wants to talk / 309k / group photos 1:46:08 vc with Dream / “But only if my enemy insists” / in the van with Schlatt / “What are you doing in my drug van? It better not be drugs” / Tommy preparing to shoot Schlatt 1:54:42 “We won” / “We killed an old man with heart problems! It only took 20 of us!” / President Innit / subscribe to Technoblade sign 1:55:57 Dream & Techno talk in chat / Tommy speech / “It was meant to be” / “I don’t think anyone is bowing to Tommyinnit” / “Karl don’t be weird” / Skeppy has a disc 1:59:06 Techno being apprehensive on mute / Tommy makes Wilbur President / “I’ll be the president” “I’m gonna veto that” / “Techno...you’ve taught me that government is not the way to go” / Wilbur makes Tubbo president 2:03:20 “I’m not sure I like where this is going x2” / “I’m not sure this is a good ending” / “Team chaos” “Perhaps” 2:06:20 Techno shoots Tubbo / Philza joins / “You think Schlatt was the cause of your problems? No. It was government” / speech gets interrupted / “The government ends here, I’ll kill it myself!” 2:09:23 Phil kills Wilbur / techno yelling for silence / “Tommy you just did a coup...& instilled yourself as president” 2:12:11 “If you want to be a hero THAN DIE LIKE ONE” / wither spawning / killing his former allies 2:15:09 post fight talks / “There will be no new government today. It will be over my dead body” / “Techno was not the traitor” 2:18:50 “I need to increase the crater that is L’Manberg so that no country can rise in its place” / “Mom says it’s my turn on the flame bow” 2:23:51 “What I’m doing right now is small scale. This is the work of an individual. This is nothing compared to the cruelty governments all around the world [inflict]...systematically” / “Llamas are the primary victims of war” / “I just wanna be apart of the explosion” (George) 2:27:06 Techno joins vc / connor joins the server / “I hope you’re proud of yourself Techno” “I kinda am” / Jack Manifold (Thunder) being broke / netherite armor 2:32:30 “Beach episode” / Techno accidentally joins the L’Manberg vc 2:35:16 the base is compromised / “There’s no way Technoblade would put a clock there if it didn’t mean anything” / got robbed 2:37:37 “If you’re going to ask me how I got all these emerald & arrows that’s a story for another day” / explaining the bedrock / “I can give everyone stuff & it’ll be such a flex” 2:40:24 Greek mythology 2:41:45 The Golden Apple / “They didn’t use discord back then they used skype, so can’t invite Eris” / “Zeus the god of feminism” 2:46:02 Eret recruiting Techno to kill George / joining vc / “Let’s stop him before he gets land” / Awesamdude proposing a fight 2:49:08 “No one can kill me I’m invincible” (logs out) / Dream literally names the turtle potions Sam thinks he hasn’t heard of / “I’m at soup” / “It’s not smack talk he just has that many items” 2:53:06 “Stab him Dream, I’ll shout encouraging words” / Techno fighting Bad & Ant 2:56:23 Dream wins / “I think there was this Dream guy attacking you with some sort of weapon” 3:00:11 turtle potions / Dream hyping up Techno about fighting BBH / Badlands negotiating with George 3:04:34 vc with Philza 3:07:00 spider farm afk’ing / lagging Quackity’s computer 3:09:06 smp earth / Phil only logged on to back Techno up 3:10:32 killing George / “I’m gonna drop his armor off don’t jump me” / not fighting Dream 3:13:00 vc with Karl & Phil / Karl definitely not starting a government / “Chat that was the boring part, don’t leave” / 320k / “Why do we keep scheduling these on Monday?” 3:16:18 “I don’t even want to think about how famous Tommy will be in the future” / “I get a tad bitter” / covid is good for youtubers but obviously bad / “I’m so good at socially distancing” 3:19:51 “Aren’t you tired of being nice Philza? Don’t you just wanna go crazy” / “You should be wary of the old in a profession where people die young” / vc with Eret 3:21:47 “What if you built a slightly larger throne next to it?” / “How are they paranoid of a mole but the guy with a track record of being a traitor gets no questions asked” 3:25:47 “I’m gonna place a block at the bottom & kill you instantly” / reverse mlg / emerald rich even with Tubbo’s theft 3:27:57 “I’ll allow it” / upstairs chests robbed / Eret disconnects with the book 3:32:04 armor sabotage bc he thought it’d be 1v5 / crystals are mutually assured destruction / Wilbur afraid of tnt getting blown up early 3:34:11 the diary was actually Eret’s / “He’s gonna tell everyone who I have a crush on. Nooo” / reading the 100 page book / “Can I not win here?” “No” 3:40:14 “This stream has released more serotonin in my brain than the last 6 months combined” / revolution was overcrowded / could improve the crater 2:43:09 “Awkward ten minute period where I’m just sitting there watching them set up a new government but I can’t kill them yet” / Carl is missing 3:44:34 “The one time Technoblade is gonna roleplay & they talk over him” / “CARL” / “As long as Sapnap isn’t the one that took him there’ll still be hope” 3:46:10 “Once you start using end crystals it’s the only pvp that matters & end crystal pvp is so lame” / Webtoons 3:49:10 “What’s going to happen to you & WIlbur now?” “I don’t know, I think I’m chill with Wilbur” / “The only thing that changed is my voice. Zero personal growth” / lines from the first speech that got interrupted / “King George is trending booo” 3:52:00 1 million twitter followers / “O god it’s been four hours...I am not built for this” / did a 13 hour stream once / sub growth goals 3:56:30 “What the heck is Phil watching”

#technoblade #technoblade timestamps #THE REVOLUTION (dream SMP)#dream smp

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natsunoomoi · 3 years

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So sometimes I check wikis to like look things up about a show or series that I don’t have time to read or watch the whole thing fully cuz that’s a time investment I just don’t have but I have questions I just want a quick answer to.

The problem is, wikis are of course, made by like regular people with varying levels of biases and also sometimes selective memory of events. As can be seen in my more recent posts with SVSSS and MXTX’s works I’ve been on those wikis, but sometimes the explanations of plot points and a bunch of other stuff are really confusing and circular. SVSSS’s is being more cleaned up recently, but it still has some things that it says happened, that I couldn’t find at all when reading the book and I’m just like, where did they find that info to put on the wiki?

Like one of my earlier posts when I started reading SVSSS at the beginning, I mentioned how I read that original Luo Binghe got killed by his harem eventually and I thought that made sense cuz ultimately no one in that original plotline made choices that made them genuinely happy. But when I read the book, I didn’t see any mention of that anywhere...? I think last time I went to go look at BC Novels they had one chapter left to translate. Is it in there?

Then at other times, I wonder if there’s an inconsistency because there’s a limitation between the translation I read and like something in the original Chinese text like there’s a typo, which obviously there’s a mistake then. But then other times, I’m wondering if people read a different thing, but most of the people with a different interpretation don’t seem to be able to read Chinese and are reading the same translation as me, but I’m confused where they got certain details from?

Like for instance, there’s another part on the wiki where it says Airplane originally planned for PIDW to be a BL from the beginning, but I’ve literally been trying to find where that was stated because I don’t remember that and I don’t see that anywhere and the chapter citation that is listed on the wiki goes to a chapter that doesn’t talk about that at all. Airplane/Qinghua does say that he made changes to Qingqiu’s character that were originally more complex to make him a trash human and he did that to make a living, but I can’t find where it says he originally wanted it to be a BL theme to begin with. In the chapter they cite it says that Qinghua had designed Binghe to have an appearance in a way that appealed more to a female audience and be more of a pretty boy. That doesn’t mean that he meant his entire book to be a BL it just means you make your main character look a certain way partly for internal logic because that look is really popular with women so the in-story women would probably find him attractive and in a meta sense any females who happen to also read a stallion novel like some women read shounen manga would find him hot in real life. A successful story does things like that to reach people outside of its target audience and that’s kind of a lot of the reason why a lot of Shounen Jump manga are really popular with women too even though a lot of the stories have the male perspective in mind. The chapter it cites only talks about the actual physical appearance design choice he made for Binghe vs Mobei-Jun. He just says that Mobei-Jun was made for the kind of male character he prefers to think about, but Binghe was just designed with the idea of what would make him more popular and also could kind of be like a self-insert-ish for his desire to beat on people for funsies. It doesn’t talk at all about what the genre he planned for the book to be and interpreting the text to that much is really stretching the context to wishful thinking levels. I don’t even actually care either way what kind of novel PIDW was because it’s not actually that important to enjoying the story of SVSSS, but I don’t know if it’s the Ravenclaw in me or what, but it just bugs me when there’s something that seems *wrong* printed on a thing that is supposed to inform other people. I’m literally reading chapters at the same time as trying to write this post to find where I think maybe it was said, but it sure as hell wasn’t the chapter the wiki cites.

The other day I re-read the chapter when Qinghua taunts SY with Qingqiu’s real memories, and he doesn’t even say it then. ATM, I’m trying to look through the last chapter because there’s that one part when Qinghua shows up right at the end and talks with SY at the celebration, but even at the start at the chapter, SY talks about how Qingqiu was super straight to him. SY is an unreliable narrator, but given the context of Qingqiu’s life events that makes sense. His personal trauma because of Qiu Jianluo also pushed him away from any amount of closeness he could have with other men other than ones he already trusted to some degree. He had a lot of problems forming new relationships of any kind with other men because of deep-seated trust issues. Not that he didn’t have any, but meaningful ones were pretty absent. One only because of a very sad misunderstanding and lack of communication and explanation, but the others just tough.

But like also there’s like that SJ slept in the Warm Red Pavilion and he went there just for comfort rather than more lascivious reasons. Yeah, it’s true that he didn’t go there for those intentions, but like it’s still in the environment so it’s not like he’s unaware of what happens there. I mentioned it in the previous post about his search for means to grow his cultivation, but only to say he’s probably not that innocent and there may be some truth to him wanting to do something to Ning Yingying out of desperation to make up for his low cultivation foundation. Like he’s aware of those kinds of things and he probably came across something that said that was a way he could grow his cultivation. Desperation and this motivation I think is probably the only reason why he would be so tempted to cross that line with Yingying because he otherwise treats women rather well. She is his favorite too, so if a person who usually treats females well for some reason wants to do something that would be hurtful to their favorite person, there has to be a much deeper motivation behind that. The only thing that is a canonically greater obsession I think would have to be his cultivation level. He has a number of self-esteem issues and such a well, but his greatest pride and greatest concern is his cultivation. He is proud of his abilities, but also he laments and regrets the version of him he couldn’t become so much I can foresee that if there was a suggestion that he could overcome his late start in some way by using someone female, I think he’d at least think about it and also consider who he knows could be a viable candidate should he want to act on it and that is how that part of PIDW happened. Pain and desperation make people do things that are uncharacteristic, so it has to be something that really bothers him more than in a moment of weakness that idea is there.

Which is another point I have an issue with on the wiki because it says his low cultivation is “logically” because he started late and spent so much time with a fake master. It’s not logically. It’s factually. It’s mentioned several times especially in the extras chapters from Shen Jiu’s point of view where he talks about how he is specifically behind because of wasting time with Qiu Jianluo and Wu Yanzi and also that he was the last to form a golden core. If it was coming out of SY or someone else’s mouth as an explanation, maybe you can say “logically”, but if it’s coming from SJ’s point of view chapter it sure as hell is not. That *IS* his motivation. He states it himself.

Also, I think some people don’t understand what it means to have a low cultivation foundation. Cultivation from what I gather according to the rules of this world is like a lot of talents we have in our world where you need to start young to be good at it. There’s a few skills that you can learn that if you don’t start at a specific time you lose the optimal window to develop your talent for it because of the way the brain functions and basically purges off skillsets you’re not using in your environment.

Learning a language is one such skill. When a baby is born, it has the capability to learn how to speak every language in the world, but as it gets older its brain purges out the sounds that it doesn’t hear from its environment and this keeps going into older childhood as well. The taxi driver I talked to the other day about this said you have to start before you’re 10, which sounds about right. The phoneme purging in your brain starts quite early though so that’s why my company has classes for Moms and their 1 or 2 year old so that they can speak to them in English to try to keep English sounds in their environment so that they can have perfect pronunciation when they grow up. If you try to learn a new language when you’re older that’s how you have accents. You don’t have the phonemes to speak the language perfectly so your brain is imitating the sounds with the ones you do have. Plus it’s a constant use skill. I used to be able to speak Cantonese with no accent up until my teens, but I haven’t spoken it in so long that slowly I started to have an accent and now I can’t say the words properly anymore. I don’t know that much Cantonese to begin with that aren’t baby words, but I used to be able to say them properly.

Music is another one and that one has an even more narrow window. Kids with parents hoping that they will be music prodigies usually start them on music VERY young like 3 or 4. It’s not that it’s impossible for someone to pick up an instrument later in life, but there’s a type of sense to music and hearing the scale and developing that skill that if you don’t start kids on it at that time, their musical ear will not be as good.

And it’s that “not as good” thing that Qingqiu is chasing. He is exceptionally powerful and talented which is why despite starting late he became favored. He is very capable and good at what he does, but he is not as good as what he could have been. Even though he is so good, he is only haunted by how much better he would have been if he had started on time and had proper instruction. A musician who maybe wants to be a concert violinist but took up the instrument late may struggle to get a good seat in an orchestra because despite any talent they have, their ear is not as developed as someone else. Such a musician would be vexed and lament that they hadn’t discovered their love for the instrument sooner just as Qingqiu is vexed and laments that he didn’t start proper cultivation development earlier.

And I’m griping about SVSSS more because I read that book so I have more points of reference to go on. But like the wikis for MDZS and TGCF aren’t much better. MDZS is maybe a little more coherent and easier to follow, but TGCF confused the hell out of me and it took me awhile to understand what was going on. I really needed it though cuz I was watching the donghua and like I think the way they present some of the scenes is like slightly out of order for like foreshadowing and other like film reasons, so I checked the wiki while watching to try to get more context cuz I don’t have much time right now to pick up another book at the moment. I was so confused though cuz like...it seems like the logic in the entries is so circular and I’m trying to keep track of all the characters and what’s happening. I hope it’s better now but at the time I was watching it I was so confused and struggling to make sense of what’s happening.

And like maybe you’re wondering why if I read the book, would I bother checking a wiki. Mostly out of laziness because I’m thinking of something and I don’t want to go find the exact chapter to help me flesh out my thought and reference point. I end up getting more frustrated sometimes depending on what I’m looking up because of the above things.

Plus again I’m like a bit mystified as to why Qingqiu’s look seems to appeal to me. It’s not just him though and like other characters with a similar style in some of the games I play. I think there’s some imprint from some very old childhood memory that I only vaguely remember. Like it’s a look that seems familiar, but I can’t put my finger on where it’s from and I can’t figure it out, so I keep just going to check images to see if it will make me remember. I think it’s a movie I saw with my Dad as a young child, but I can’t remember it at all. I remember there was one Jet Li movie I watched with my Dad once and I ended up watching all the time cuz I thought Jet Li was really cute in that movie (I was also 3 so I don’t know why I’m thinking that way, but whatever), but like Jet Li was bald in that movie because it was about a Shaolin Temple. I think at the time my Dad showed me that movie I already showed an interest in movies from my own heritage, so that’s why he showed me that. But like I can’t remember anything else. I suppose it could have been something my grandpa watched because sometimes he’d watch a Chinese movie when I was playing in the living room and I’d stop to watch too and then he’d fast-forward through the intimacy scenes, but because I’d just look over at something he was already watching I have no idea what any of those were.

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wickymicky · 3 years

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since straight girls in their teens and 20s are the primary target audience of kpop, at least in the minds of the executives who run all the various companies, i guess it makes sense that girl groups are more musically diverse.

sure, they could try to appeal to straight men, and a lot of them do try, pretty much every single group is influenced by trying to appeal to that crowd in some way, for better or worse... but all in all, straight men dont listen to as much pop music, even if theyre attracted to the women in it. so like, a girl group couldnt survive by trying solely to appeal to straight men. boy groups can survive by trying to appeal solely to straight women though, because there’s just a larger amount of them who listen to kpop. of course, neither boy groups nor girl groups are marketed towards lgbt people, but we found our way in anyway lmao.

but so my point is that... in order for girl groups to get the attention of straight women, they have to cover a wider range of concepts and genres and moods and aesthetics and everything. even the sexy groups whose music videos definitely cater to the male gaze also need to be appealing from a girl crush standpoint too, which is to say that they need to also have an element of “she’s so powerful and confident, i wish i was like her” or something like that. you know what i mean? boy groups dont have that as much, they can get by on thirst lol. a ton of them expand beyond that and do all sorts of really interesting stuff, and im not discrediting that at ALL! but... theyre the exception that proves the rule. they dont need to do all that in order to be successful, lol. and usually, that kind of stuff actually hurts their popularity. unless they’re an sm group, experimentation in their music might make a boy group less popular with boy group stans haha

im not saying that girl groups dont attempt to appeal to straight men, cause they obviously do... but even a group like twice, whose primary audience (at least in korea) seems to be mostly men, their concepts are never ever with only male viewers in mind. they often go out of their way to cultivate a female audience too, and tbh i think it sometimes creates a weird mix of vibes lol... like, some of their outfits seem to be attempts to convey sexiness to their straight male fans as well as convey role-model-ness to their younger female fans at the same time, and it ends up not really fitting either thing super well haha, and they end up just wearing kinda bland single-solid-color short dresses with not a lot of personality haha. oh well. it manifests itself in the songs themselves really well though, and there are no twice songs that i feel are made with only men in mind, they’re always things that i think would really appeal to female listeners, especially impressionable kids who might look up to twice as role models. so even if a large percentage of the audience is male, they still make sure to appeal to female fans too.

on the other hand, there are countless girl groups whose female fans outnumber the male fans like 20 to 1, and you can tell in the way the group is presented too. its kinda chicken-or-egg though, idk whether theyre popular with women because they arent as catered to the male gaze, or if theyre not as catered to the male gaze because most of their fans are women.. but... anyway. still, even in those circumstances, i dont imagine the ceos and creative directors have gay people in mind when planning and managing these groups. so in their minds, their female fans wont be attracted to the members, so they need to try other approaches. i think this naturally results in using the sound of the music as one of the primary ways to stand out. again, boy groups obviously have to do this too, they dont ALL sound the same, but it just seems much more prominent with girl groups, and i think this might be why. girl groups have to appeal to people who wont be attracted to the members, as well as people who are.

i do not get that same impression from boy groups. sure, lots and lots of people who arent attracted to men still listen to and enjoy boy groups! but i very rarely get the impression that that’s what the company was going for with the way the group is presented in music videos and things like that. it seems like it’s taken for granted that people who watch the videos will be attracted to the members, and they’re presented accordingly. i don’t get the feeling that the creative directors thought to themselves “but how will we appeal to people who arent attracted to men?” the same way that girl group creative directors account for fans who arent attracted to women. and as i keep reiterating, there are lots of exceptions to this, not every boy group music video is like that, some arent presented that way... but they’re exceptions. they’re deviations from the norm. it’s unique and interesting and special when boy groups are promoted like something more, whereas with girl groups, that’s the default. they have to be more, otherwise they wont stay afloat. it’s not notable when girl groups try to appeal to people who arent watching the music video out of thirst, because it’s a given. every single girl group out there does that. it’s unique when a boy group tries to branch out from its core audience of people who are attracted to the members, but girl groups literally all have to do that in order to even exist.

#kpop #thoughts tag #long post #im actually kinda proud of these ideas #ive made posts about this same topic before #not in a long time though #if you read all this... lmk what you think #let me know if you think im dead wrong and a huge idiot too lol #i wish i was a youtuber so i could just make this into a video #it would be a much more digestible medium than a long tumblr post too.... sigh

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sanstropfremir · 3 years

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I absolutely LOVED reading your kingdom review. You gave me such an insight in things I never even considered, especially since our rankings are so different from each other. The Boyz was my favorite, the narrative was about RTK. How they felt bad for having to compete against their friends but eventually the groups only lifted each other up and it helped TBZ grow into the group they are now through the hardships and mental dilemma, falling into the next challenge right after they reached the top. It should have been more obvious though, I agree, it wasn't really visible for anyone who didn't know. I was wondering how you felt about the dancing in general? my reason for not ranking BTOB high was lack of choreo (and Peniel's verse), same goes for SF9. Mostly because I don't feel the hype when watching, it doesn't keep my focus on the stage. As a baby-performer myself, my goal is to make the viewer curious about what's next. is that the wrong way to look at it? that's what I've always been told, building the tension up and down to create focus. would love to hear your feedback on that! thank you so much for sharing, we need more reviews of people who actually know what they're talking about.

i'm glad that you got some insight from it! like i answered in the previous ask im here to hopefully bring some more depth and understanding for people that care and are curious!

you unintentionally proved my point about tbz’s performance: that is way too complicated! even the most talented solo dancers i can think of would have trouble distilling that down to something readable in 100 seconds, much less a group of like, a dozen people! the introductory stages are meant to show us the character of the group and their abilities in the most concise way possible, it's not the stage to do deep philosophical and emotional introspection. for a full stage? absolutely, go hog wild! but for this stage it was too ambitious and ultimately was ineffective to anyone that isn't a fan of them specifically.

by dancing in general do you mean like, every group? i put most of my opinions on the dancing where i had them in each of the individual rankings but honestly? unless there is something that really stands out positively or negatively, a lot of ‘average’ kpop dance looks the same to me. i know it’s not, obviously, and if pressed i probably could do a more serious breakdown, but dance is only one element of performance. it has equal weight with all the others in my mind, and therefore i notice when it is either

very good

does something unique

very bad, or

interferes with another element

which is the same as how i evaluate every element, if that makes sense.

hmmmm. i thought about this a lot in the shower and turns out i had more opinions that i expected so i'll put them under a cut.

firstly, i don't think lack of choreo should be penalized or considered an ‘incomplete’ performance. at the end of the day, these are bands, and a part of their brand/product they sell is the music. complex choreo does not need to be attached to that to make it a successful performance. also, btob did have choreo. any movement on stage is technically choreography. but this terminology can cause confusion so usually non-dance choreo is referred to as ‘blocking.’ but they also did include the song’s original point choreo at 1.41. the blocking in their performance was well thought out and suited the arrangement, by placing spatial emphasis on each part of the song that needed it. obviously it comes down to personal taste if the performance is ultimately ‘successful,’ because all art is subjective, but just because something isn't as visually complex as something else doesn’t mean it doesn't have the same level of thought. think of it like this: one is a super clean-lined post-post-modern grey/white living room, and the other is a kitsch goth basement. both share interior design principles and have obvious care put into the space, but they are vastly different styles that appeal to different tastes.

part of the job of production designer/AD is to decide what gets emphasis. a question you're always asking yourself is ‘is this important to the story that we’re trying to tell?’ and btob/their AD made a very smart choice with their introductory stage because it says a lot about them and their abilities in a short amount of time. that stage said ‘our foundation is strong, we have the training and experience and confidence to be up here and not rely on visual tricks.’ because they know they physically cannot do the things the 4th gen groups can; they're a decade older and they only have four members, it's just not feasible. something you learn with experience is the power that specific and pointed emphasis holds, which segues into my answer to your last question. i don't necessarily think that ‘building hype’ is the wrong way to perform something, but i do think it is a flawed way to approach creating a performance.

i think that ‘hype’ is flawed concept at its core, and one that focuses on the idea that there’s always being something more, something next, beyond the work itself. now there’s nothing wrong with playing with tension within the internal structure of a piece, that's exactly how constructing a narrative happens. however, the flaws come once we extrapolate beyond the boundaries of that individual work. the idea of ‘whats next’ implies that you have to constantly be promoting, have a sequel coming, building hype etc so people will keep engaged with your work. which is deeply capitalistic in nature and operates on the assumption that art exists purely as a product to be sold. and in order to keep selling you need to keep making a bigger and better and more spectacular product. and this is not the case at all. marketability is not the essence of art, it merely a factor of creating it under this insufferable system. kpop in particular suffers from this because the industry is specifically fabricated to produce capitol. we can have discussions all day about idols and their artistic integrity but at the end of that day, they are all cogs working with a system that was specifically made up by essentially one person to be culturally exported and to just print buckets of money. so in following that train of thought, there is a constant attitude of bigger and better because shock value (whether positive or negative) gets social media attention and therefore it sells. and it has become exponentially easier (and also seemingly required) to make things that are bigger and better than ever before. i remember being blown away by the projection floor at the sochi 2014 olympics because something of that scale and complexity would never have been possible without literally having the funding of the olympics. now that technology is easily accessible to anyone with an amazon account and the time to learn how isadora works. in comparison, it took 2400 YEARS for just the job of a ‘theatre designer’ to be even become a job at all.

because of kpop’s fan culture it is especially prone to ‘hype’ behaviour. in general with the accessibility of the internet and social media, everything has turned into a competition, and who can generate the most buzz ‘wins’. but ultimately that has taken away the general public’s ability to recognize that you can enjoy something quietly and you can enjoy something slowly. that the enjoyment of something doesn’t need to be all exclamation marks and keysmashes and trending hashtags on twitter. there is value in a work engaging in an emotion within you that is not just excitement. most of the artists and companies that i consume the work of i don’t do so because their work makes me excited, i do so because i liked the experience of engaging with that work. several years ago i saw the eternal tides by legend lin dance theatre, which you can watch a really short clip of here. that is not slow motion, that is actually how slow the dancers are moving. and 90% of the show is performed like that. and its two hours long. and it was one of the most incredible performances i've ever seen. if i ever get the chance I will go see another one of their shows again, not because i care about how they can top that experience i had, but because i know they can produce that experience, and that is enough to make me want to seek them out again. the speed of the internet has also loosened the general public’s understanding of just exactly how long creating a performance work can take. the lead dancer in the eternal tides was with the company for eight years before she and the piece were ready enough to be performed. large scale operas, musicals, and plays often have a year or more of pre-production before they even get to rehearsal. smaller theatre companies workshop new pieces for years at a time. performance is hard and it takes time. you can eliminate some of that with sheer amounts of money and people, which is what the kpop industry has done, but it speeds up the cycle of consumption to a degree that is not sustainable, especially for companies and creators who do not have that kind of access. performers and performance makers often don't put enough trust in their audiences. if they like what they see, they will come back. they dont need to be constantly bombarded with content at all times.

now that i’ve said a bit about why i think hype is a flawed concept, let's bring it back to kingdom. sf9 did something very interesting with their stage in that they actively chose to limit their dance time. and this plays very well off the performance film stage that taeyang did a couple of weeks ago. taeyang is talented and confident (for good reason), and his solo was incredible. but when it came to the intro stage, instead of trying to one-up the solo stage, the group instead said ‘well people are going to be looking at us because taeyang is insanely talented, so let's show them that we ALL have the confidence and the attitude to be up here.’ no need for flashy theatrics, they had the foresight to do something that would make them stand out from the rest of the groups. even if i was just casually watching the stages without doing any analysis on them (like i did for rtk), i would still be able to distinguish them because they had the stones to stand around for half their stage time. now i recognize them and would like to see what else they can do. same principle as what btob and also what ikon did. there is a fine line between anticipation and hype that gets equated in media consumption nowadays, but the two are not the same.

i think the tldr on this is that you dont need to ‘build hype’ or ‘go all out’ to make an interesting work. just focus on telling the narrative that you want to tell, and the people that recognize that will come. i could have a lot more things to say about peoples shrinking attention spans and the constant stream of information that we consume on a daily basis that devalues the labour done by artists in the eyes of the public and promotes hustle culture that is burning out and damaging creators at a rate that is both exponential and frightening, but that’s probably for another time, because this is SO LONG

#kingdom #kpop questions #this was a very interesting ask thank you anon!#the consumption and production of art is fascinating and also as an artist it gives me a fucking headache #many thoughts head too full #i hope this provided you with some more insight anon #none of your opinions are wrong i just have different ones and thats ok! i love discussions like this #Anonymous #kpop analysis #text #general design questions #kingdom review responses #answers #kingdom asks

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drshebloggo · 4 years

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Ask box: JUSTICE FOR LANE KIM, a breakdown.

Anonymous asked: Do you know why Lane disappeared from the show as Rory's best friend over time? She appeared every now and then, yeah, but it has always bothered me that she slowly faded from being Rory's best friend to nobody... am I remembering things wrong?

I do not know! The Palladinos make decisions that sometimes are simply beyond my comprehension.

It’s been awhile since I watched Gilmore Girls in its entirety (and I kind of selectively ignore a lot in the last two, three seasons) but I don’t think you’re remembering things wrong. I will say, though, that the show faced a challenge with all of the Stars Hollow supporting ensemble when Rory went off to college. It’s these kind of problem-making focus shifts that I find really interesting, and they are UBIQUITOUS across teen/high school shows when a character or ensemble graduates.

Most of them that I can think of are done poorly, maybe with the exception of Friday Night Lights. But in defense of these shows, it’s HARD. How do you embrace a fundamental shift in the entire premise of your show? How do you deal with the new geographies of this shift, and the way they ripple into beloved character dynamics? How do you evolve a character through an engaging and meaningful arc without abandoning the foundation on which they were built? And how do you still capture your audience’s attention when there’s a risk that you’re leaving behind the magic that captivated them in the first place? IT’S HARD.

So in the case of Gilmore Girls, Rory at Yale is the shift that moves the show into a new paradigm, and it’s a big one. She’s separated from Stars Hollow and slowly beginning her emancipation from Lorelai, which is, on principle, painful for the audience because it’s directly against the show’s premise. (It’s no coincidence that the Palladinos starts seriously building the Luke-and-Lorelai-of-it-all once Rory’s away at college. Give that empty-nester some new story!)

Of course, Lane is right behind Lorelai in the list of People in Stars Hollow that Rory is Leaving Behind. How is Lane supposed to stay a part of Rory’s story when Rory is in a new context, and Lane is not? But, truth be told, Lane was ALREADY in this role. In seasons 1-3, LANE, not Lorelai, was #1 on the list of People in Stars Hollow that Rory is Leaving Behind. Ultimately Gilmore Girls is a story of two worlds, and Rory going to Chilton begins her passage across the into the New (Old, with Baggage) World. Lane is already being left behind, to some degree, and in seasons 1-3, there’s still room in the show’s universe to address those issues and give Lane some good storylines of her own, especially in conjunction with Rory.

So it’s possible that the issue is not necessarily one of screentime or setting. Whenever I hear the rebel cry of JUSTICE FOR LANE KIM resound in my heart chambers, I mostly think of the kinds of storylines that befell her in the later seasons, not simply in their detachment from Rory. Heeding her mom’s insistence that she attend Seventh Day Adventist college. Fracturing her relationship with her mom in order to pursue her dreams. Getting kicked out of her home. Living with her two boy bandmates who are very stupid and very messy. Never really getting the band off the ground. Her first sexual experience being terrible. Her first sexual experience being terrible AND yielding a pregnancy with TWINS. Why do the Palladinos hate Lane Kim!!! The only thing I wholeheartedly love about Lane’s later storylines is Luke hiring her to work at the diner and then being completely overwhelmed by her sheer competence.

It’s probably important to note that the mere construction of Lane Kim’s character is a bit tragic. The Palladinos are VERY good at building conflict and tension into what seems like simple character descriptions. Here’s this girl that loves rock music to an obsessive, encyclopedic level, wants to play drums in a band, and she’s from a strict religious household where she can’t express any of that. The description itself inherently means that things are going to blow up for Lane at some point. That’s okay, to some degree - that’s conflict, that’s drama, that’s good story.

So if we look at Lane’s arc pre-blow-up, and post-blow-up, the satisfying thing would be for Lane to experience some kind of happiness or success living unstifled in her dreams, to offset the trauma that her family relationships are ruined (at least for the time being). But the Palladinos don’t even do that! It’s encapsulated in the incident that tears apart Lane’s relationship with her mom: she goes to play at CBGB, her mom finds out and kicks her out, and the band doesn’t even get to go on!! The Palladinos love PAIN.

And okay, fine, there’s still some defense that that is well-designed drama and story. (And Lane and her mom do reconcile eventually, and it was at least very affecting, from my memory.) I guess you could argue that Lane IS happy with how things turned out after the lifelong lie she’s lived completely unravels and she’s able to just exist, unguarded. But also... the Palladinos wrote her that way??? And regardless, for me, the issues arise more down the line with Lane essentially staying in Stars Hollow. Wouldn’t unshackling herself from the yoke of her mother mean that she’s free to pursue her dreams? And wouldn’t pursuing her dreams necessitate her to ALSO leave Stars Hollow, like Rory herself? Would she not try to scrape together money to move with the band to New York City and hit the big time? (Bear in mind, I have no idea how the music industry works.)

Ultimately, Lane’s story in the later seasons puts the writers in a Catch-22. If she leaves Stars Hollow and goes somewhere else to pursue her dreams, she’s almost certainly written off the show. She’s a supporting character, and they can’t open up a new world beyond Stars Hollow and New Haven, just for her. On the other hand, if she stays in Stars Hollow, in keeping with the geographies of the universe, she stays on the show, and just... gets really disappointing storylines. I’d be inclined to keep giving Keiko Agena a paycheck.

(Now, the fact that WB threw money at a backdoor pilot for Jess Mariano to go to California and open up a new world for a weakly-premised spin-off, and did no such thing for Lane Kim, is some bullshit. Literally “moving to the big city to live a dream” is SUCH a well-worn trope that all the storylines are essentially handed to them, and it’s almost inherently refreshed because Lane is a Korean-American woman and not a brooding white guy or a quirky white lady. You FOOLS, you could’ve made that show with your EYES CLOSED.)

Anyways.

I’m going to meander my way further off the main point for a moment to kick up some dust on JUSTICE FOR RORY GILMORE as well. When you write ten paragraphs lamenting Lane Kim’s eternal relegation to supporting role, it’s hard not to be cranky about affording world-opening and story-building for a main character instead. (Spin-off Jess very much deserves the crank, though.) But, frankly, the unyielding walls that the Palladinos built to construct their very effective Two-World Universe don’t do a lot of favors for Rory Gilmore either, in the end.

Basically, this construct of Stars Hollow ensemble and New Haven future means that Rory is the only one who will “get out” of Stars Hollow, because she is structurally decreed to do so. It’s the massive conflict that the Palladinos smartly built into their little generational premise: Lorelai fled her parents’ world, and Rory will slowly be lured back into it. Pain ensues. This is good drama. This is good story. This is story that will last seven seasons and six-hour revival.

But it also inadvertently makes Rory the Chosen One, in a story that doesn’t need one. This is not Joseph Campbell’s Hero with a Thousand Faces, and I’d like to believe that even Paris and Rory wouldn’t want it to be, much as they love the Power of Myth. Lorelai divests her entire life into Rory’s success; the town of Stars Hollow wants Rory to spirit out of their small town and Be Great; Rory’s grandparents expect her to follow in Richard’s footsteps and also carry out their orphaned dreams for Lorelai. And then the Palladinos choose little things that further this: Lane doesn’t ever leave Stars Hollow; Paris doesn’t get into Harvard but Rory does; Luke interrogates any boy that comes near Rory because no one is good enough. (I confess, I’m charmed into forgiving the last one.)

It’s much too much to put onto one character and leave unaddressed!!! It’s also why some audience members just really hate Rory, in a really unfortunate knife-twist on an otherwise-winsome main character. They hate the unwillingness of the narrative to acknowledge this very obvious dark and specific underside to Rory’s specialness, and the unwillingness of people within the narrative to name this very obvious dark and specific underside about Rory. But to paraphrase Jessica Rabbit: she’s just DRAWN THAT WAY!

Rory’s storylines never really confront the idea that she has had FAR too many unrealistic expectations put on her by literally everyone that’s ever existed in her life, and what it might mean if she doesn’t live up to them. What does it mean if she’s not Christiane Amanpour? What does it mean if she’s scared of disappointing people? What does it mean if she’s trying to live up to other people’s standards rather than examining what she really wants?

The Palladinos completely ignore this, and simultaneously give Rory multiple meltdowns (cheating with Dean, being cowed by Mitchum Huntzberger, stealing a boat, quitting Yale, an aimless/struggling career) and they never QUITE dig into the complete dark and specific issue at the core of Rory’s character construction... which just exacerbates the Rory hate. Rory has no self-awareness; the writers give her no self-awareness; we go in circles, and every few years there’s a slew of thinkpieces about how selfish and awful Rory is.

What makes it worse is that those questions outlined above are essentially applicable for two other women on the show: Lane Kim, and Lorelai Gilmore II, herself. Lane, like Rory, doesn’t quite bust through and answer them wholly. Lorelai, however, comes into the show having already answered them, years before, when she was a headstrong and tenacious teenager. The idea that neither Rory, her actual daughter, nor Lane, her spiritual inheritor of Parental Disapproval, are ever able to grapple with those concepts in a real way, and blossom into self-defined adulthood the way that Lorelai did is maybe the bottom line on where Gilmore Girls went “wrong.” Lorelai’s legacy is not that she’s hyperverbal, loves junk food, and got pregnant young. It’s that she rejected the expectations of her forebearers and carved out a place in the world for herself by her own definition, for better or for worse. It’s why Lorelai comes out of the narrative like a Super Mom, when in fact she’s still just as deeply flawed as Emily or Rory, and why Stars Hollow is overall magical and cherished despite it serving as a small-town hometown for Rory to leave behind. And it’s why A Year in the Life was SO satisfying for Emily Gilmore, because she proved it’s never too late to answer those questions and break through to the other side. Perhaps we’ll get enough revivals to see the same happen for Rory, and for Lane.

But enough dust about Rory. I think, after all this nitpicking, there were two options for the best way to have handled Lane Kim after Rory went off to college:

1. Give her a backdoor pilot and spinoff to Band Dreams NYC. Which, of course, was not in the Palladinos’ control, so, y’know, fine.

2. Keep Lane in Stars Hollow and give her a chance to answer those questions about self-definition and live out a few years of Lorelai-like hard-but-happy independence (and better sex) before saddling her with Zach and two babies (if you MUST). Bonus points if she moves in with Lorelai and they bond over being fundamentally disappointing to your parents and also missing Rory. A very good obvious choice.

Secret option 3. Just let Lane move to New Haven and live with Rory and Paris off-campus, and give me the goddamn roommate comedy of my dreams. Honestly this is what they should’ve done. Forget everything I said. This is my answer.

Tiny footnote: I cannot BELIEVE, that after twenty years, I am just now realizing how on-the-nose it is that Lorelai escaped from the clutches of New Haven and started a new life for herself at a place called INDEPENDENCE INN. Truly, it was right there in front of me and I didn’t even notice. This oversight might weaken the integrity of the thousand-paragraph essay I rattled off above...

#long post #ask box #JUSTICE FOR LANE KIM #there's also justice for Rory Gilmore in here too #I haven't done this in ages and it's... long.#I am watching approximately zero new television but I'd love to relitigate TV from the early 00s and 10s #Gilmore Girls

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brindaneer · 3 years

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Finally, its time for some magic! Or may be we should say 'Jadoo'.

We remember hearing first about Koi Mil.Gaya when Mr. Rakesh Roshan announced it, possibly during the Zee Cine Awards ceremony of 2001 (the year when Hrithik swept up all awards for KNPH). By the time it released, a few years had passed which was natural considering the grandeur and scale of the film. Mr. Rakesh Roshan astutely conceived of a novel idea in the form of ET meeting Forrest Gump and gave us something Hindi cinema had never seen. Let us take a moment to deeply acknowledge this man, whose razor sharp mind not only engendered such a unique concept but also gave him the vision and stamina to actually turn it into reality.

Koi Mil Gaya was undoubtedly going to be one of the most ambitious projects Bollywood had seen till then, and the greatest challenge the Roshans had yet embarked upon. It would have been no trivial feat if they had managed to be even moderately successful in such a difficult venture. Instead, they broke box office records, and passed with flying colours.

The fact that Hrithik Roshan is one of those rare actors in bollywood who has a terrific following among kids is widely acknowledged at present. However, it was probably John Abraham, who first pointed it out, some time after Koi Mil Gaya. He said that a 'Superstar' was someone who could attract children, thereby pulling entire families into the theatre and in his opinion Hrithik was the only one like that in his generation. More than a decade later, his statement still holds true. And 'Koi Mil Gaya' was where it all actually began. Although KNPH had catapulted him into stardom literally overnight, KMG was the film that began endearing Hrithik to kids. This frenzy reached a peak after Kkrish but more on that later. Hrithik literally played a child in the movie, and he did it with such perfection that kids immediately considered him as their best friend. Last time the Indian audience had seen a similar performance was years ago when the wonderful Sri Devi ji (May she rest in peace) had played the role of Reshmi in the splendid 'Sadma'. Not surprisingly, critics compared Hrithik's performance in the film with hers, and every one of them unanimously agreed that both performances were flawless.

Hrithik changed his voice, his way of speaking, his looks and his body language so much that he actually looked like a little boy. He was optimally sweet, innocent, and annoying, just like you would expect a naughty child to be. Some of his best scenes were with the ever glorious Rekha ji who played his mother in the film. Rekha Ji has often claimed that if she ever had a son, he would be like Hrithik. Offscreen, they actually share a similar relationship and probably that fuelled their amazing mother-son chemistry on screen. The other fantastic partnership in the film was between Hrithik and Preity Zinta. Rohit and Nisha were one of the most unconventional couples of Bollywood. And also, one of the cutest! ☺☺

Nonetheless, the best pair in the film was undoubtedly Rohit and Jadoo. Hindi cinema has been responsible for presenting us with a number of iconic friendship duos over the years. Mohan-Ashok, Anand-Bhaskar, Somu-Vicky, Vijay-Sher Khan, Jai-Veeru, Vijay-Ravi, Kishan-Bishan, Ram and Rahim, Amar-Prem, Munna-Cirquit constitute quite an elite club and Rohit -Jadoo definitely made it to the list.

The kids who played Rohit's mates also deserve a mention here. Hrithik surely must have had a gala time while shooting scenes with them.

However, it was the script and direction that really binded the film together. We have often seen films fail dismally despite having a stellar cast, and the reason for such failure is almost always a lacklustre script or uninspiring direction. Fortunately, Koi Mil Gaya was perfect in both these departments, as a result of which Hrithik could literally soar above every other performer that year.

A few words need to be mentioned about the music of the film although it needs no introduction. The songs were a rage then; they are equally hummable now. Sadly, present bollywood rarely makes such melodious music anymore! The good old days...Ah! But let us not lament. Instead, why do we not just relive those moments for a while? Hrithik dancing in Rohit’s character remains one of the best bits of acting he has done in his life.

Coming to the scenes! Yes, the most exciting part 😉! It is really difficult to choose favourites from a film like Koi Mil Gaya. Even so, we decided to give it a shot. Lets start with the moment when Rohit discovered that he had not been promoted with his friends. Didn't the sudden disappointment on Rohit's previously excited face make you want to go and give him a cuddle? 🥺 Also, don't even try to tell us that you did not cry when the goons broke his scooter and later hit him with the basket ball leaving him battered and bruised or when he pleaded to Lord Krishna for more strength ('Thodi shakti mujhe de do Bhagwan) 😟🥺😭😭.

And what about the scene in which he was angry and upset about Nisha not being his 'girlfriend'? Hrithik and Rejha ji in intense emotional scenes are always a treat to watch. The scene where Jadoo met Rohit and Nisha for the first time and healed Rohit's scars with his touch after that iconic hand extension moment attracted silent awe from the audience in theatres then and remains goosebump- inducing even now. No discussion about Koi Mil Gaya can ever be complete without mentioning Rohit's splendid transition. We got the Greek God on screen for a few scenes in which he generated hysteria among the audience that had been viewing him as a son or younger brother for most part of the film. What an actor! The ending was bittersweet for many. After all, Rohit did revert back to his childish self as a price for saving Jadoo's life. But, Jadoo gave him his powers back! And thank God for that. How else would he go to Singapore and meet Dr. Siddhant Arya later in his life? Our Superhero Kkrish would not have a villain to kill in his debut film! My God, worse could have happened. Kkrish would have never become a superhero if Jadoo had not given Rohit his powers back! So well done Jadoo 🤗🤗

OMG! This blog has been running over pages! Excuse us for the length 😁. But one of us did watch KMG from the first row, all the while straining neck on the first day of its release. The other one watched it comfortably the first time ( tickets were prebooked, of course) but got a sore neck after watching it from the front row a second time, and also gave the same to the entire family. However, no one complained. So, now you know what this film means to us. Thank you for your love, encouragement and support. They keep us going. Adios Amigos till the next one 😉😊

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chibimyumi · 4 years

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Kinda personal question but what makes Elisabeth special to you? (Trigger warning) And in your opinion, does it romanticise things like mental illness and suicide? I think that ‘Die Schatten werden länger’ is a pretty apt metaphor for how it feels to have depression and suicidal thoughts (depending on one’s interpretation of what Death is) or to be emotionally abused. I ask about the productions with Furuka Yuta as Rudolf and the recent one with him as Death.

Dear Anon,

‘Elisabeth’ is my ultimate gateway down the rabbit hole of theatre and story-telling. Before ‘Elisabeth’ I was mostly a passive consumer of media, but after, I started to consider mechanisms of story-telling, and saw how different performers can tell different stories using the same script. This taught me how actions (dictated by the script) are just that - actions; and before we can understand a character, we must delve into what the context is of those actions.

Of course, the music is also just phenomenal, and it IS a musical, after all.

TL;DR: But importantly, I love ‘Elisabeth’ because it’s literally written to be a “F*ck you, Hollywood.”

In this post I discussed how ‘Elisabeth das Musical’ managed to save crumbling European cinematic culture. I am very tired of the Hollywood conventions, and ESPECIALLY tired of the glorification of romance. ‘Elisabeth’ subverted both of these stale conventions for me, and I was able to enjoy an alternative to the popular tropes of: “the superhuman lover, the caged bird, lonely at the top” in a new context.

This post will be divided into the following chapters:

1. Elisabeth

1.1. Deconstructing romance

1.2. Wife- and Motherhood

1.3. No pedagogical message in yer face!

2. Rudolf

2.1. Deconstructing romance

2.2. Depression in children

2.3. Crushing expectations and grandness

2.4. Deconstructing masculinity

3. Der Tod

3.1. Villain?

3.2. Predatory lover?

4. Conclusion

Trigger Warning: The text below contains mention of depression and suicide.

Romanticising mental illness?

‘Elisabeth’ is admittedly a bit of a problematic fave to me; it does indeed romanticise mental illness. However! Contrary to mainstream conventions, ‘Elisabeth’s does not show that mental illness can be cured because of THE POWER OF LOVE! It unapologetically showcases the destructiveness of mental illness, and how it is a long and painful struggle without promise of success. And that is exactly what a mental illness can be.

1. Elisabeth

1.1. Deconstructing romance

Elisabeth herself is the clearest example. She was a happy-go-lucky girl who was not destined to become Empress (her sister was), and yet she was chosen as bride by the handsome and young Emperor, Franz I, against his mother’s will. It is the dream many girls are taught to have.

And yet, it was exactly after becoming part of a fairy tale that her life sank into hell. Not just because of Sophie, but also because of her husband. Her husband did not turn out to be ‘a bad guy’ like Hollywood will make you believe is the only reason a relationship will fail. No, Franz was just entirely ignorant towards anything Elisabeth needed. Franz’ failure as lover was not what he ‘did’, but rather, what he ‘did not’. I think it is very important to show how real relationships require compatibility AND hard-work, but that without both, it just won’t work.

1.2. Wife- and motherhood

In conventional media, a woman like Elisabeth’s journey would be to find ‘the love she deserves’, she would still be ‘someone’s romantic interest’, just not Franz’. But in the musical, her arc is preserving and exercising her autonomy, and make the best out of a terrible situation. Women are trapped in patriarchy, and usually there is just no escape. And therefore seeing the strength of a woman who makes the best out of her pain is inspiring, and more relatable.

Usually in media, if the woman is not ‘the wife’, then the way she is strong is her focus on being ‘the mother’. Elisabeth however, was shown to be a terrible mother! She was not callous, she was very loving in fact. But because she had so much going on, she simply did not have extra mental energy to spend on her son. I find it very refreshing that love is simply not enough to make human-relations work, whether it’s romantic or familial relationships. Saying that somebody fails in a relationship ‘because you don’t love x enough’ is shortsighted and backwards.

It is breathtaking for me to see a narrative that solely focused on a woman’s struggles without the romance, and without the shackles of motherhood. No, she was struggling because she could not be a person.

1.3. No pedagogical message in yer face!

I also absolutely love how Elisabeth is not an idol that we are supposed to learn from. It’s not: “women! Look at this woman and [be/don’t be] this woman!!”. No, ‘Elisabeth’ leaves its viewer alone, and does not try to impose onto any ‘how to be a woman’.

We are simply supposed to see her life, and sympathise with her as human. The story never justifies her shortcomings, and never glorifies her as the fairy tale Empress ‘die Junge Kaiserin’ would have you believe.

‘Elisabeth das Musical’ does not treat its audience as people that must be educated; instead it assumes the audience has a mind of its own, and can participate in the story as Elisabeth’s peer.

2. Rudolf

2.1. Deconstructing romance

Rudolf’s arc is likewise one wherein his mental illness is not ‘magically cured by romance’. The historic Rudolf was married and he was VERY unhappy in his marriage. However, his unhappy marriage was not the cause of his depression, nor did it really matter that much in making it worse. Rudolf did have a lover (Mary Vetsera), and they loved each other deeply. However, that was not enough to make his mental illness bearable for him.

This forbidden-love part of Rudolf’s life was so insignificant to his depression, that the writers left it out entirely in ‘Elisabeth das Musical’, and his arc was still perfectly round without it.

2.2. Depression in children

‘Elisabeth’ is an excellent example of how depression is not limited to certain groups of people; anyone can be haunted by it. Rudolf is able bodied, white, wealthy, the crown prince of an Empire, intelligent, etc. etc. And yet he had crippling depression, and it is NOT because he was whiny within privilege.

Just like with his mother, Rudolf is also not an idol we’re supposed to imitate. However, we are supposed to learn from seeing him. We first meet Rudolf as a young child, and because he was not given any help, his depression escalated into suicidal depression later on. Many people either don’t believe that children can be depressed, or simply don’t take it seriously. Rudolf however, shows everyone how depression can in fact destroy the lives of children, not unlike adults. Even better; he is a historic character who actually existed. Good luck denying that!

2.3. Crushing expectations and grandness

As discussed above, Rudolf’s struggle has nothing to do with romance, but crushing expectations. As Furukawa explained in this interview: “When Rudolf finally figured out what he wanted to do, he was faced with his country sinking into crisis. He was stuck in the situation where he did not have the power to say anything, and yet had the status wherein everyone expected him to act for the benefit of the state. If he did not act he would be a neglectful man, unworthy of the title of ‘crown prince’, but if he did act for the benefit of the state, he would be a rebel.”

I think it is very refreshing too that despite all the good qualities Rudolf has (2.2.), he simply could not live up to the crushing expectations. It is very important to see how failure is often not the inability of the person, but that too much was expected of ONE human being to begin with.

2.4. Deconstructing toxic masculinity

Rudolf performs a very refreshing form of masculinity that is a departure from Hollywood’s ‘male hero’ model. His entire character is centered on his vulnerability, but he is NEVER portrayed as the loser. Instead, we see a man admitting his vulnerability and looking his depression in the eyes, and never being ashamed of it. He never blames himself for ‘not being man enough’ to live up to social expectations. Instead of “becoming a proper man!!” Rudolf knows that what he needs is compassion, a person he can talk to (his mother), and a fucking break.

Death is almost always without exception ‘punishment’ in stories. However, with Rudolf there were clearly external factors that have nothing to do with his supposed inaptness. The perpetrator was active in the sense that LITERAL Death manipulating him into committing suicide. Rudolf was a victim instead of someone punished for a “sin of not being man enough”.

3. Der Tod

3.1. Villain?

I am very tired of the good vs evil dichotomous story telling of Hollywood. Another thing I love about this musical is how it is entirely ambiguous who the villain is. It’s easy to point at Der Tod, but is he really the villain?

The script of this ingenious musical is written so freely that depending on the performers/director, the villain is either ambiguous, or non-existent, WITHOUT the story being vague. Depending on the actor of Der Tod, he is either an actual entity who governs over life and death, or the product of one’s imagination.

3.2. Predatory lover?

Der Tod’s existence and his pursuit of Elisabeth’s ‘love’ is the main factor that plays in saying “‘Elisabeth’ romanticises mental illness”. But depending on how the performers of Elisabeth and Der Tod interpret these roles, the story either becomes:

a toxic romance that is self-aware of its toxicity,

or like how Furukawa Yuta and Manaki Reika in 2019 managed, into a heroic tale of preserverence and a battle of wits.

Most importantly, in (most) non-Takarazuka versions, after Elisabeth dies, she is not there anymore to ‘reciprocate’ Der Tod’s feelings. She is just gone. Only in the Takarazuka version (I believe) does she enter the Underworld and actively becomes Der Tod’s lover.

So outside Takarazuka’s version, Der Tod is never rewarded with ‘a lover’; he simply gets his prey as a predator. Whether this ‘predator’ is a lover however, is again up to interpretation. But otherwise, death getting a mortal is just a very natural phenomenon, not victory as Furukawa puts it.

4. Conclusion

In conclusion, yes, ‘Elisabeth das Musical’ does have many elements that may qualify it as ‘a romanticisation of mental illness’, but ultimately I think it is not just that simple.

We must consider what the message is that the musical sends, and it is NOT: “because Elisabeth/Rudolf are mentally ill, they embark on an epic journey.” If anything, the musical makes very clear that the mental illnesses of Elisabeth and her son are the main culprit that MAKES them miserable, and that Der Tod is the personification thereof, hence his predatory nature. In ‘Elisabeth’, mental illness ‘preys’ on its victims.

The romanticisation mostly (though not solely) comes from the consumers, because we are conditioned to read stories like ‘Elisabeth’ as a romance.

We see a man (???) claiming to love a woman, and he chases her and won’t take ‘no’ for an answer. He goes through extreme means to impress her, and the story even comes with a ‘love rival’ (Franz).

We see a woman ‘yearning’ for something, and that something can only be given by Der Tod, and finally she does find peace when she is with him.

But, we must pay attention to what Elisabeth says when she is dead. It is not: “I’ve been looking for true love, and now I found it,” or “I wanted freedom, and you’ve been kindly offering it to me, but I was too foolish to accept earlier.” No, the very last thing she sings is:

“I have cried, laughed, been disheartened and I have prayed. There had been days where I tasted defeat in my senseless battle.Regardless, I have entrusted my life to myself alone!”

“Winning Elisabeth’s love” is the term Der Tod set without Elisabeth having any say in it. The term she set for herself is staying true to herself and not giving up; which she NEVER did. As such, THAT ⇈ was Elisabeth claiming victory of always having stayed true to herself, and it has NOTHING to do with Der Tod. She does not need Der Tod, she simply needed freedom.

#Elisabeth #Musical #Mental illness #Romanticization #tw suicide #tw mental illness #tw depression #Furukawa Yuta #Yun #Furutod #Yuntod #Sissi #SHE IS THE VICTOR #Thank you Furu for pointing that out #Rudolf #F*ck hollywood #F*ck Hollywood - Das Musical

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