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utterlyotterlyx · 2 days

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The Fox and The Fawn

High Lord Eris x Rhys!Sister!Reader x Azriel

Part Eleven

Summary - Azriel grapples with the weight of his guilt whilst you receive a visitor, and in Autumn, a meeting changes the entire trajectory of your fate.

Warnings - trauma, ptsd, betrayal, morally grey antics, friendship fluff, depression, thoughts of death, some hope (finally!)

Part One Part Two Part Three Part Four Part Five Part Six Part Seven Part Eight Part Nine Part Ten

There was a little nagging voice in his head, perhaps the shadow that adored you the most, telling him that he had allowed it to go too far.

Azriel lay atop the cream comforter of the bedspread that belonged to the woman he truly thought he would spend the rest of his life with if her brother would allow it. The pillows still held the faint smell of her, currents of the most intoxicating scent he had ever encountered flowing through him with every medial turn of the head.

He couldn't be there when Rhys took you, he wouldn't be able to stop himself from unsheathing the murderous tool that you often likened to a toothpick to get a rise out of him.

The bargain tattoo strained and withered around his bicep, contracting the muscle and making him regret every single choice he had made that got him to where he was. Laying on your bed, ready to tear the pillows apart just so he could hold the feathers drenched in the scent of you.

Nesta had left to follow you into a world of the unknown because of her unwavering loyalty to you, so had Elain and Lucien; Cassian was a mere shell of his former glory, Mor rarely spoke to anyone and often locked herself away with Amren, and Feyre, well, Azriel hadn't seen Feyre in a couple of weeks, nor Nyx.

Feyre had moved herself and Nyx to the House of Wind to escape Rhys, to put some space between them just in case one of them did something they would most probably regret. The night Rhys had taken you to The Prison was the night he permanently moved back into the River House, Feyre couldn't allow Nyx to grow up with the example of hatred that ran through his fathers veins.

The Prison.

Azriel could almost picture it. The cell lined with onyx stone to contain you, he could almost smell your fear and sadness, he could almost hear your heart cleaving into a thousand pieces. The Prison was a horrid place made for horrid creatures, and you certainly were not one of them. It was all his fault, he shouldn't have told Rhys that he witnessed Tamlin and Helion enter the Autumn Court, but if he hid it and Rhys found out then his entire façade would be blown and you would never get the chance to be free.

Scratches lined the palms and backs of his hands, some fully healed and others freshly scabbed over from his incessant self-mutilation brought on by his guilt. Azriel could only imagine how broken you were, that awful hum that you sang into the night still haunted his nightmares to the point where he refused to sleep, he refused to find comfort when you were on the verge of giving up entirely.

It was odd, how Autumn had moulded itself into your bones, your scent now tinged with hints of pine and mulled wine, of warm rain on the sun-kissed grass. It made him wonder how blind Rhys truly was if he couldn't tell that his sister had found her mate, and that that mate was none other than Eris Vanserra. It was obvious, the longing glances beyond the window, the void lingering in your eyes, the way your hand would occasionally drift over your heart like something was pulling at it.

The continent was safe from war thanks to your sacrifice, but you hadn't done it for the continent, you had done it for your family. A family that no longer had a place for him.

Azriel had told himself that it was fine, he couldn't blame you for hating him if you did, he deserved it, but that wouldn't stop him from doing what he needed to do.

It was silly of Nesta to believe that he hadn't seen what she had seen that day Under The Mountain, he had allowed her to think that she had found the book when they had split up, knowing that she would smuggle the tome back into Velaris and hide it. That evil was better hidden by her than it ever would be by him. Though, Azriel didn't account for Nesta hiding it so well; he had practically turned her room upside down looking for it to no avail. All he had found were a few of her raunchy novels that she usually never let out of her sight, but she had left them all behind when she had left the Night Court to join your side.

Azriel wished he had done the same, maybe things would have been different between the two of you if he had.

But you needed someone on the inside, even if it did feel like all of the odds were against you.

Rhys was stupid enough to believe it much to Azriel's pallid joy, the High Lord had no one to turn to, the rest of his Inner Circle had labelled his actions as monstrous to his face and refused to aid him further. Azriel was all he had left, and he was clinging to the Shadowsinger like the last patch of snow to the earth just before the Spring sun inhaled it.

It was too risky to tell you, everything you felt had to be real, Rhys' attention was solely on you and your behaviour and if that changed even a little bit then you would not survive his wrath, not when you had no power to protect yourself with.

Whisperings behind closed doors told Azriel what he already knew, that his family was frantically hatching a plan to get you out of Velaris and back into the safety of the Autumn Court. No matter the cost. And, in his own way, Azriel would make sure that they succeeded.

Maniacal laughter haunted what little sleep the island had tried to gift to you.

That along with the faint dripping of rain was all you could hear, the inner voice that usually caressed your mind had left long ago, and you weren't sure if it would ever return. The prisoners were relishing in the demise of the Princess of Velaris, cooing and taunting you every moment they could, and when one would fall to slumber, another one would take its place.

How you hadn't gone mad yet was beyond you.

It was you who had locked many off the vile residents of the putrid place away, and now you were one of them. Straining against the stone, you pushed yourself upright, your back hitting the glacial wall of the cell you had no choice but to call home; you shivered at the contact and attempted to wrap your thinned fingers around the blanket to contain some warmth within your decaying body, but it was pointless.

The altar taunted you, the rare stripes of moonlight pouring upon it like it was some holy artifact that you should be worshipping. A part of you had to admire Rhys' gall attempt to break you, forcing you to dwell in the same room as a thing that had ruined your life, that had stripped you of a fundamental aspect of your humanity. Looking at the glistening stone altar, you struggled to remember why people had been so afraid of you, you struggled to remember the mother tongue of your fury on the battlefield and the sultry wit that would fill the halls.

Hugging your knees to your chest, you let out a defeated sob, the pain throbbing at your limbs, threatening to allow the foundations to consume you if you didn't move. The queen within you had dimmed, leaving the weakest part of you on show for the continent to see, not that anyone would ever come for you there.

Poor little fawn. The cutest thing we have ever seen. Such a shame, to be a monster.

The little fawn is trapped. The little fawn will die here.

No one will come for her.

Raising you gaze to the ceiling, you allowed the tears to fall. If you were going to die then it would be worth it, to protect those who had risked everything to stand by your side, to protect those who had showed you love in the face of uncertainty and evil. Resting your head against the wall, you felt yourself succumbing to the words that had been chanted to you through the nights, your heart clenching at the little name that had always given you butterflies.

Fawn.

Your mind drifted, and you could almost see him. In your visions, Eris was happy, strolling through the forests with Willow in tow weaving between his legs and sunlight illuminating that gods-crafted face. You wondered if he had heard your song, if it had reached the depths of Autumn to tell him that you were still alive. Had Gwyn done as you asked? Did Eris know anything about your torture?

Before you could even think of a scenario that could bring you some hope, a quiet scuffle of feet sounded at the mouth of the hallway where your chamber lay. The sound was followed by a sweep of fabric against the floor, and your interest was captured by it. You shakily rose to your feet, leveraging your withering weight against the stone until you could find your footing. Firelight flickered, growing brighter with each passing moment, and you waited before the enchanted barred gate for the owner to make themselves known.

The silhouette was Rhys', that was undeniable, but as you watched him, you saw him shrink a few inches, you saw his usually short tamed hair grow and pour over his shoulders, and you watched as his entire body morphed into another entirely. The firelight from the torch illuminated her face, revealing ethereal beauty and the pale blue-grey eyes that you had always admired, "Feyre," you weren't sure if she heard the utter of her name from the broken cracks in your voice.

You sank to your knees in front of her and she followed suit, placing the torch against the wall and crawling to the bars of the cell, her bottom lip wobbling as she took in the sight of you. Matted hair, ashen skin streaked with tears, weary eyes with no fire or spark, chapped and bloodied lips, "I'm so sorry, y/n. I'm so sorry," her fingers reached through the bars, the pads of them massaging warmth into your cheeks, "We're trying, alright? We're trying to find a way to get you out of here."

"He'll kill you," hatred flickered in her eyes but it wasn't something she hadn't thought of already, "Feyre, you can't."

Feyre's nostrils flared, water pooled at her bottom lids and you leant into her palm, it being the first innocently warm thing you had felt, "None of us deserve you, y/n. We have all been complicit in this one way or another. and I am not the only one who can't stand to watch this anymore," sensing your wavering life, Feyre added, "You have to hold on. Your family is waiting for you. Nesta and Elain are waiting for you. Eris is waiting for you."

"You have faced things no one ever should, and it makes me sick to know that your family has done this, that we have done this to you. Even if it's the last thing I do, I will get you out of this, y/n. We all will. I need you to hold on for a little longer, alright?"

The stone collar growled in retaliation, burning into your flesh for entertaining the words and you visibly winced, "I don't think that I can."

"You must," Feyre's words exuded those of a High Lady, though she would never pull rank on you, she grasped your face in her hands and removed the matted hair from your face, "Gwyn has sent word, we are orchestrating a High Lord's meeting, then, you will be free. You have to hold on, otherwise it'll have all been for nothing and you are too strong for that. If you are going to die then it'll be when you're old surrounded by everyone who has ever loved you, not in this gods forsaken prison. Do you hear me?"

Feyre was holding back her tears, she had never seen anyone so broken, so close to allowing the darkness to swallow them whole to escape the torment they had faced. The resentment she held toward Rhys was palpable, it was rife within the creases on her forehead and in the deep hued bags beneath her eyes.

"How is Nyx?" You had often thought of the babe, if he even remembered who you were, if he missed you at all, if he had any idea what was going on around him.

Feyre smiled sadly, her fingers caressing your rough skin, "He misses his aunt, very much."

"He does?"

Feyre hummed in confirmation, her head tilted to the side, eyes peering down at your hunched over form like she had just found a wounded doe in a clearing, writhing in a bed of autumn leaves, "I have to go, before this place realises that I'm not Rhys and alerts him," her hand withdrew from your face and a whimper fell from your lips at the sudden cold that coiled around you, "I'll come back, I don't know when but I will, I promise," a dark spot pooled at Feyre's right, looming in the corner of the opening, it wasn't prominent enough for Feyre to notice it, but you were attuned to the darkness, you'd notice an anomaly anywhere.

The High Lady rose to her feet, clasping the torch between her trembling fingers and tightening her cloak around her frame. All you could do was stare up at her, "Remember, remember that you were born to make the world shake at your fingertips. Don't let him ruin you."

And with that, Feyre turned away, leaving you slumped against the confinements of the gates, morphing back into the image of her husband once she was far away enough that it wouldn't scare you.

Feyre had contorted into Rhys, just like she had Tarquin before the war, even her scent morphed into his. The footsteps fell heavy against the stone, the firelight reflecting off of the dampened walls as she stalked through the prison, winding through the halls and finding herself being grateful for the lack of chortles sent her way by the prisoners, but also finding herself yearning to return to you.

A cool breeze drifted through the hall, telling Feyre that the entrance was only around the corner, and soon she'd be back at the House of Wind with her little Nyx working with her family on the plan to free you. Though, as soon as she turned the corner, she halted, she straightened her posture and felt dread settle into her chest at the flash of blue that greeted her.

Azriel stood before her, no doubt seeing right through the body she wore, his fists and jaw were clenched and his eyes burned into her, "I have to that admit that I'm impressed, Feyre. Impersonating Rhys to sneak into this place to see her." The darkness curled around him as it always had and would, his siphons were glowering in the slick corridor, bouncing off the glistening walls wet by the most recent downpour.

Shifting to her original form, Feyre became comfortable with the possibility of hurting Azriel, after the hand he had dealt in your suffering, "I did it with Tarquin, it was easy," Feyre's fists clenched, the hem of her cloak drowning in the puddle behind her, "Are you going to lock me up as well, Az?"

Azriel stepped forward into the scope of the firelight, his eyes softened and shoulders lax, "No. I was coming to see her as well."

"You have no right," Feyre spat, her stance shifting as a blockade to prevent him from delving further, "You're the reason why she's here."

"I know that," Azriel admitted, knowing that nothing he could say could change that fact, "Do you think that I wanted to? Feyre, Rhys has lost his mind, someone needed to be on the inside, to be trusted enough to know what he has planned. None of you would be able to do it, so I had to, and I couldn't tell a soul of it, not if I wanted her to get out of this court alive."

"What are you talking about?"

Azriel ran a hand over his face in frustration and sighed, "Who do you think tipped Gwyn off to go into the River House?"

Feyre stuttered before the realisation hit her, "It was you. You've been playing double agent this entire time."

"I promised her that I would always look out for her, that I would protect her," he felt the bargain tattoo purr in reply, "If I had truly hurt y/n then I'd be dead, from my own guilt or from the consequence of breaking the bargain," his gaze flickered behind Feyre, like he was expecting you to round the corner, "I'll never be able to forgive myself for what I've aided, and I don't expect you or her to either. Gwyn will deliver the message to Eris and Nesta, they're meeting with Tamlin and Helion to tell them of what has happened here, one of them will call a High Lord's meeting. That's our chance to set her free. Tell the others to prepare themselves, it isn't going to be easy."

None of it was going to be easy, to defy the High Lord of the Night Court was an act of treason, they could all be wiped from the earth for it but it was a reality that they would all welcome if it meant that you had a real chance to live. Not just survive, but live a life that deserved you.

Azriel took a step forward, "Feyre," he coaxed his High Lady from her thoughts, "I need you to do this, for her, for all of us."

"I will," her voice lingered, "But you can't see her, she'll crumble if she sees you. You've broken her heart and thus her sanity, her mind will shatter if she sees you and we need her to hang on."

Everything within him was telling him to ignore her, even his shadows were screaming at the notion of not being able to be near you, they had always yearned for you, sought you out at every moment. Their entire spirit had dulled since the night you had left, like they were the first to know that you had denounced your place and title, they had curled down his spine and shuddered at the loss, and only became frantic the moment you had been dragged back into Velaris wearing those awful collars.

Azriel inhaled deeply, staring ahead at the pitch black hallway before resting his gaze on Feyre and offering his arm, "Let's get you out of here, we both have work to do."

Tamlin had always found a certain solace when visiting the Autumn Court, there was something about it that comforted him; he always thought it was the way the sun would kiss the browning leaves that had fell upon the grass, or that unique warmth spreading across the land like a blanket and weaving between the trees, breathing life into everything that it touched.

The High Lord of Spring had been surprised when he had received the note from Lucien, a twin to the one sent for Helion, but as soon as he saw the mention of you, Tamlin instantly agreed to the request to descend upon the Autumn Court. Though, what surprised him more was that he had been invited to the private residence of Fir Manor for the meeting, which meant that the matter was too important to speak of in a fortress of deceptive ears.

Fir Manor was a truly beautiful estate, towering oak beams encased by vines and delicate flowers, pale brickwork and a thatched but sturdy roof, large windows that oozed comfort, and gardens littered with fountains and the faint chipper of birds as they soared from branch to branch. Stones clashed beneath his feet, the sound alerting the inhabitants of the home to his presence; he wasn't exactly late, but by the faint scent of musk and petrichor Tamlin knew that Helion was already in the confinements of the manor.

The door opened as Tamlin stepped onto the porch, drinking in the wicker chairs facing outward to the pond, a blanket draped across the back that told him that it was someone's favourite spot. Nesta appeared before him, she seemed unphased by his presence, but her eyes were thankful and full of relief, "Tamlin," she greeted in monotone, she wouldn't forget what he had done to Feyre, but if he could help you then she could certainly forgive him for it.

"Nesta," Tamlin greeted with equal tone, wary of Lady Death in all of her glory. Nesta was poised, her shoulders straightened as she observed him; she stepped to the side so that he may be able enter, and he angled past her.

The interior was just as charming as the exterior, a log fire burned at the centre of the far wall, exposed wooden beams loomed overhead that connected to the coffee hued walls littered with golden embellishments; the seating area was rooted in place, large feather cushions sat atop plush red wine seating, and an array of artworks kissed the walls.

A faint scent clung to the air, one that Tamlin immediately recognised as yours, but it was a whisper on the atmosphere, like the home was clutching onto it, trying to inhale it into its bones so that an aspect of you might live with it for eternity. "Tamlin. Thank you for coming," Eris spoke from by the fire.

Noting his dishevelled appearance, Tamlin frowned, speckles of mud splayed up his riding boots, no doubt from a hasty morning ride through the forest. Eris' hair was messy and eyes weary and full of worry, the amber whisky hue dimming with every wrenching thought that shook through his mind.

Something was very off about the High Lord, and Tamlin couldn't quite put it together. He took the seat beside Helion, greeting him with the same pallid politeness before moving his gaze over to Lucien who nodded stiffly in his direction.

Tamlin returned the action and then allowed his eyes to wander about the room, noting all of its inhabitants, and then finding himself thinking of you and the intoxicating scent he often thought of. It was no secret that Tamlin held some form of affection toward you, he, like Eris, had grown up around you, seeing you grow and flourish into the impressive woman that you had become.

"Where is y/n? The note mentioned her, I thought she'd be here."

Eris visibly tensed at the question, squeezing his eyes shut and sighing before crossing the small space between the fire and the closest armchair and finding comfort within it, "Rhys has her."

The High Lord of Day frowned and moved from his lax position on the seat, leaning forward and examining the ire within the Autumn male, "What is that supposed to mean?"

Much like Tamlin did, Helion also thought very fondly of you, he enjoyed the wit and sass that radiated from you as well as the way you carried yourself, dangerously sultry yet elegant. Helion had asked Rhys for your hand multiple times, believing that you would make the finest High Lady, and his patience wavering each time he was shot down. Though, that didn't halt Helion from seeking you out at every dinner party or ball, he enjoyed your company greatly, as much as he enjoyed that beautifully knowledgeable mind you kept under lock and key.

"The day of your birthday, y/n found out that Rhys had sought to lock her away in Velaris for her entire life simply because she was more powerful than him, because her power threatened his position. Rhys used her to do his bidding, to be the terrifying monster of Velaris, he used her to threaten his enemies, but she was never able to leave the court without supervision. Rhys made y/n into a prisoner and she didn't even realise it," Eris recounted the knowledge as well as the pain in your face the moment you had figured out what he had done, "That night, y/n denounced her home and title and joined me here, Nesta, Elain and Lucien followed soon after."

"Rhys found her at the boarder to Winter whilst she was exploring, didn't realise how far she had strayed," Eris shook his head softly and inhaled deeply before he continued on, "He threatened us, he told her that he would kill us all if she didn't return, using the eons old Night Court tradition that an unmated female was the property of her family until they decided who to bestow her hand to."

Eris dragged his thumb over his bottom lip, trying to remember the way yours melted into his and the way they tasted on his tongue. It was difficult to ignore the bond that had opened within him, every inch of his essence was begging him to infiltrate the Night Court and save you, but his mind knew how dangerous that would be; if Rhys even caught one whiff of him then he would commit any manner of gut-wrenching acts upon you.

"And she's there now?" Helion enquired, the gold of his headpiece reflecting in the sunlight, scattering a glow across the ceiling, "Do we know if she is alive?"

The mere thought of you six feet underground made fury blaze within him, it was clear by how his entire body clenched, "We believe that she is, but we have no way of knowing," Nesta spoke for him from her seat to his side, "Rhys would have punished her for defecting, how, we don't know but we do know that he wouldn't have allowed her to continue on with her old life there. All of our contacts in the Night Court have been silent, there have been little to no whisperings of her, the only thing they know is that she has been said to be sick and is on strict orders to rest."

A blatant lie.

Throughout the entire display of information, Tamlin couldn't keep his eyes off of Eris, noting the way he shuffled in his seat and how his fingers would occasionally drift over his chest. Not needing to listen to Nesta for another moment longer, Tamlin cut through her words, "If you want our help then you will tell us the truth."

Eris' orbs burned, sticking to Tamlin with anguish before moving to Nesta, Eris nodded curtly and only once, a silent permission to divulge whatever it was that they were hiding. Nesta sighed, "There is a demon living within y/n. Amarantha placed it there the night she stole her wings Under The Mountain, she wanted to use y/n as a host, and if not y/n then the first child she could produce," Helion inhaled sharply, not expecting anything of the sort to ever be spoken in his lifetime. "That's not all," her voice drifted off but she didn't look to Eris, it was important that Tamlin and Helion knew everything, "Rhys also removed memories from both Eris and y/n, of the time they spent together throughout the years, of the love they shared."

A secret love that no one should have known of, but someone had sold you both out.

Helion's eyes drifted closed as he attempted to process the information. There was a demon living inside of the woman he admired. Rhys had taken you as a prisoner. Rhys had removed all memories of you and Eris from one another's minds. You and Eris loved one another. "You're her mate, aren't you?"

A gruff hum filled the void, "Yes. We are also Carranam."

Tamlin had heard of it, once, which told him that such a thing was a rarity, "Carranam," the word rolled off of his tongue, and he knew from the way Helion tensed beside him that he too knew what it meant. A bond that ran deeper than a mating bond, a bond that made the mating bond seem pale in comparison, "Rhys took your memories from one another so that her power couldn't be amplified by you, and then confined her to the Night Court so that she would never find out. A prisoner in her own home."

It was barbaric. To steal your chance of love away from you and confine you to your home court, and then have the gall to spread word of your monstrosity across the continent.

"I can't feel her," Eris strained, doing his best not to choke on the pain of the void dwelling within his soul, "He's done something to her, I know it."

Before them sat a male completely wracked by guilt and worry, who was clearly struggling to sleep, whose entire court was mourning the loss of you. Lucien was right, they couldn't sit by and allow history to paint this image of your demise.

"You're right," a genteel voice drifted from the doorway, the pop of red hair had Nesta rising from her seat almost immediately. The woman removed her hood, her red braid sweeping over her shoulders and blue eyes frantic, "I'm sorry that I couldn't send word, I couldn't trust anyone else with this information."

Nesta crossed the room, "Gwyn, what are you doing here?"

Gwyn was as pallid as a bedsheet drifting in the summer breeze, exhaustion fell from her, "Y/N sent me, and I brought you this," Gwyn presented a book from under her cloak, not just any book, it was the tome Amarantha had written that depicted every single thing that she knew of you, "I came as soon as I could."

"Y/N sent you?"

The woman nodded toward Eris, her lips curling downward, "She did. She asked me to deliver a message," her bottom lip wobbled slightly, "She asked me to tell you that she loves you, all of you," she emphasised, her sight flickering to Elain and Lucien, "She asked me to tell you that no matter what happens to her that there is no place you could go where she wouldn't be with you."

The final words of a woman losing the fight.

No.

Eris stood, "Where is she?"

The tone of his voice made the temperature of the manor rise, and the walls vibrated with it, "Rhys, what he's done - I can't serve anyone like that. I refuse."

Nesta grasped her friends forearms, willing her to focus, "I need you tell us where she is, and what has happened to her, Gwyn. Now."

"Rhys hired someone to manufacture some kind of collars, they've melted into her skin, they've drained her of all of her power and life, she's completely defenceless now. Cassian is trying to help her, so are Mor and Amren, they all know that he's gone mad. I don't think that she can hold on for much longer," Gwyn blinked hard, washing away the images of your thinning body and grey skin from her mind, "Rhys has moved her to the prison, Azriel told him that he saw Tamlin and Helion enter the Autumn Court and he moved her there as punishment."

Nesta dropped Gwyn's arms and stumbled backward, the dread and terror pooling into her gut at the image of you shivering in a cell. Alone and believing that no one was coming for you.

Eris reached into that bond, tugging at it harder and allowed part of himself to travel with it, almost whimpering when it was met by a wall of agony and darkness, pinging back to him like an injured animal searching for comfort.

"Call the meeting," Silence followed Nesta's dangerously low voice, and it only irked her fury more, "Call the fucking meeting," Nesta turned to Helion who had taken the book from Gwyn, he was flitting through the pages, his eyes pouring over every word and rune etched upon the pages. "If you care about her at all, you will do it. If you don't then I will destroy you, Helion. She'll die in there."

It had to be Helion. Rhys would find disrespecting Tamlin too joyous, but he wouldn't dare to show the same disrespect to Helion, not if he wanted their courts to continue their alliance, not if he wanted to avoid an all out war.

Helion's gaze lifted from the tome, his heart rumbling with what lined the pages, "Consider it done," he rose from his seat, his white tunic pooling at his sandalled ankles, "I'm taking this, I think there may be a code in this book which will help us free her of that demon."

The High Lord of Spring also stood, anger coursing through his veins at the revelation that one of the few people who ever truly saw him was locked away and suffering in one of the most inhumane places on the continent. It didn't matter to Tamlin that your mate was Eris, despite the tinge of jealousy that swarmed him that Eris was the one who able to call you his, all that mattered to Tamlin was that you were free and healthy, that you had the choice to be whatever you wanted to be. "It may take a couple of days, please try to be patient. I know that it's a ridiculous ask but we all need to prepare, and give the other High Lords time to respond to the request. We'll need all of them."

Approaching Eris, Tamlin rested a hand on his shoulder, "I'm sorry that this has happened to you," his words were solemn but he was being truthful, "We will return her to you, and we will do everything that we can to free her from the demon inside of her. I promise you."

Wasting no time, Helion muttered a short farewell, clutching the tome to his chest and winnowing from sight, hurrying to send the request to the High Lords of the continent to ascend upon the Day Court Palace as a matter of urgency.

Moments later, Tamlin also said his goodbyes, strolling from the hearth of the manor toward the boarder where Spring met Autumn, doing his best not to listen to the gut wrenching roar that erupted from Eris the moment he stepped beyond the treeline.

Author's Note

Breaking my own heart right now 🥺

Also very sorry for the delay, haven’t been very well recently so just been trying to recover 🫶🏻

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akxmee · 2 days

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𝗔𝗠𝗢𝗥 𝗣𝗢𝗦𝗧 𝗠𝗢𝗥𝗧𝗘𝗠. //𝐒𝐔𝐆𝐔𝐑𝐔 𝐆𝐄𝐓𝐎.

He loved her since childhood, yet she married another man.

Words: 11.3k

Suguru Geto was never seen like a man interested in relationships. Not flings, not one-night stands, real relationships. Unlike his best friend satoru who used to have tons of girlfriends week after week, Suguru wasn't fond of it. Don't get him wrong, he did like to have his fun too, but once he had it and was satisfied he never once was seen again.

It's not like he didn't want a relationship either. He wished for the warmth of a relationship, he craved the proximity and he needed that closeness with someone, but not with anyone. Because he only wanted you.

He always did.

Everytime he felt some random woman's hand run through his hair, every moment he felt someone admiring his beauty, everytime he was sent gifts from some "secret admirer" on valentines, everyday he woke up next to some lady he met on a party..he wished it was you. No matter how many hands he held, they never fit his like yours do. No matter how many people he met, none of their personalities was made for his like yours is. Maybe that's why he never really even tried to establish a serious romantic relationship with someone, because he knows no one will fit him like you do.

"It's no use. If she doesn't like you by now, give up. Want something to smoke the pain away?"

Yeah, shoko said that to him more than once and he remembers it too well. He always ignored the last part, because Suguru knew you didn't like the smell of cigarettes from the way your beautiful face turns into an expression of disgust when you smell it. He has always been able to admire your beauty, even when he first met you as a child and decided to play with this pretty kid from the other class.

Oh, how he cursed the day that he met you.

He remembers it as clear as a day, it was a snowy day in primary school. He was in class, waiting while sitting on a chair while he waited for his patents to pick him up since they were late because of work. All the kids were already gone, and he was just staring at the floor while patiently following his teacher's orders.

—Psst!

He looked around for the owner of that sound. The door wasn't opened, and nobody was inside of the class too.

—Over here!

Suguru looked to his right, seeing another child standing on a chair to get part of their face visible through the tall window. The kid waved, and he found himself waving too.

—You look bored, want to play?

He looked around the classroom for a second. He was more than happy to have someone to play, but it was a classroom. What game could he play here, if it wasn't doing basic mathematical exercises?

—Bur there are no games here..

To his surprise, the child nodded.

—I know! But look.—The kid proceeded to signal to the opposite window, the one that had looks to the exterior of the school.—There's snow. We can make a snowman, like the movies!

He sounded interested in her offer. However, he was still not fully trusting you.

—Won't we get sick? I'll say it's your fault if i catch a cold!

He said, pointing at you with his finger along with a sly smile. Even if there was a dirty window between the two of you, he could still feel the warmth of the smile you just gave him then.

—No worries! I'll make sure you stay warm.

—You promise?

He looked at the child's innocent eyes that grew excited as he seemed to have agreed to play with her now. His lips curved into a smile due to this.

—I promise!

And he trusted her word. His mom once said that promises couldn't be broken once you make them, so that kid was responsible of him now in case he grew cold. He got off of his chair, opened the door and finally saw her whole, not just half of their face looking at him through a window. The child he has been talking to smiled as they got off a chair to get to his level, and he helped her get the chair back to the classroom it was borrowed from before going outside.

The kid was called Y/N, he learned.

And you were so fun to be with. He played with you, made a few snowmen, threw snowballs at eachother, and laughed the hardest for a long time when he hit you and you fell to a huge pile of snow. He thought you were going to be boring at first, that you were just one of those stupid kids who laughed at him because he claimed to see "spirits" or "curses" as he liked to call them, but you weren't. You didn't even understand what he meant when he talked to you about them, however you were sweet about it. You even said it was alright and that everyone has imaginary friends, he just has tons of them! That's cool, isn't it? Having so many friends must be cool.

For a moment, he thought it was cool too.

Not a curse, not a gift, but something cool only he could do.

And that single feeling of being someone "cool", someone interesting and not some crazy child, made him feel free for the hour he kept playing with you until his parents picked him up. He was scolded for being outside and catched a huge cold that had him in bed for two whole days, but it was okay. He liked the way you kept him entertained that day, so he forgave you for breaking the promise.

Yeah, he liked you.

Suguru sighed, those memories he thought he would eventually forget coming back to him. He was a shy kid, and you made him get out of his comfort zone. That little you tore down his walls and stepped all over his beloved silence until he began to hate it as much as you did. Now, there was no place for it when you were together and he got used to you yapping everytime just like Satoru. Only difference was he actually enjoyed your voice, he found the tone you spoke to him with quite relaxing.

He noticed how you always had a different tone for each person.

It was endearing, to say the least. Suguru loved the way you called for him, the way his name sounded so sweet from your lips. When you talked to him, he noticed your voice was soft. Softer than usual, soft as if you knew you didn't have to raise your voice for him to understand you better. Sometimes there wasn't even a need to say something for him to understand you, but he still pretended he didn't hear you just to listen to your voice once again.

He adored your voice.

And maybe, just maybe, that was the reason he was calling you to tell you this instead of texting you right now.

He thought about it once again, how brave he was being right now when as a teen he couldn't be able to even look at your face despite being your childhood friend. It was all because he had just discovered he had this silly crush on you, wasn't it?

Oh, how he cursed the day he fell in love with you.

It was when he recently joined the jujutsu tech, as far as he remembers. You two were then at his home, with a bottle and a half of alcohol empty, doing both a celebration and goodbye party. He got into the college, but that only meant he was leaving you behind to go and live in Tokyo while you stayed at his childhood town. That explains why you were completely drunk, drunk enough to look at him and not think about how he was going to leave next week.

—Going to fall asleep already?

You looked at Suguru with sleepy eyes. Right, you two were on the sofá with some of those random pathetic TV shows at 3am as background noise as you leaned on his shoulder and he talked about the people he was going to have class with. None of the ones he described to you seemed interesting since, for you, your Suguru was always going to be the strongest. However, you listened to him carefully anyways like you always do.

—No, I won't.

He chuckled.

—Right. I'll be guessing you're spending the night here?

He felt a slight nod against his shoulder.

—You even dare to think i won't?

—Not at all, m'am.—You rolled your eyes at the formal nickname, getting your head off his shoulder as a punishment. You also intended to get up to be more dramatic, but a hand on your waist stopped you.—You're drunk, i wouldn't recommend standing up just yet.

You looked to the side, meeting his half lidded eyes and cocky smile as he talked to you. A slight blush crept its way on his cheeks due to the alcohol, but didn't sound drunk at all despite all of that.

—So what? It's time to go to bed anyways, Suguru.

—You actually intend to go to bed knowing how tipsy we are right now?

—No, but i do want a blanket from your bedroom.

He looked at you and wondered if you were serious. Alcohol warms people up, so how could you be cold? It was winter, but his house was surely warm enough to stay hot and comfy.

—Hell, are you sick?

The hand on your waist pulled you closer to him and as a result you ended up with your head on his chest. Next thing you knew, a pair of soft lips were pressed on your temple for a few seconds until the feeling of them disappeared.

—You don't seem to have a fever.

You looked up, not caring about what he just did and how your actions could be misunderstanded if someone walked in right then. You were always this close to Suguru. You didn't mind being this close to his chest, neither did you care if he pulled you by the waist, and the feeling of his lips on your forehead to check your temperature was just another of the things you've grown used to. Not only that, but you were too drunk to even give it a second thought. Hell, he could have kissed you on the lips with the excuse of checking if you're sick and you wouldn't have thought anything bad about it because of how sleepy you were getting.

And he knew that.

He just didn't know why he wanted to do it so bad.

That time when he was leaning in to kiss your forehead his tired gaze lingered on your lips for a bit, nothing too weird. You were wearing that lipstick shade he helped you pick, and it suited you really good! It was okay, so why did he feel the urge to ruin it until his lips were of that shade too? Why did he feel like he was doing something wrong by pulling you into his chest, thinking of this as something that wouldn't be quite considered friendship?

—Hey, Suguru.

Your voice interrumpted his thoughts. You were still on his chest, now in a comfy position and playing with a strand of his loose dark hair. The man simply looked at you, mumbling a soft "mm?" waiting for you to keep going even if he knew you were just going to tell the most carefree thing ever since you were drunk.

—I've been thinking, and i'm really glad you're the one I get to call my best friend.

Best friend.

Yeah, he needed to get that carved into his brain urgently since that was what you two were, are, and will be. There was no space to even think about something as complex as some kind of attraction to his kind of cute childhood friend, and he was once again reminded of it. All the times he got butterflies just because you held his hand like you always do, he needs to get rid of all of them. All of the times his heart raced because of a silly kiss on his cheek, the long hugs, the late night talks about life..it needs to stop. It was dirty to think of you in a way beyond friendship when you saw a brother in him, and he knew that. You didn't see it the way he wanted you to, so he had to start forcing himself to think the way you do.

It should be easy, that's what he thought when he first felt this strange around you.

Yet, it was anything but easy.

So with a sigh, he placed a hand on top of your head while the other one rested on your lower back. He positioned the two of you so you completely lay on the couch and turned off the TV, admiring how you didn't even question his actions as you waited for an answer to what you said a few seconds ago.

—Yes, i'm grateful you're my friend too.

"Liar", he thought.

But what could he do? He doesn't like you anymore.

It's clear now,

He entirely loves you.

The phone made a sound, and it once again stopped him from daydreaming.

—Suguru?

He heard you talk from the other line. The man smiled just by hearing you call his name.

—Y/N.

Suguru called your name back, his voice was deep and sweet, and had this endearing sweet touch that made it sound like he was purring your name.

—It's late, why did you call me?

You didn't even sound worried despite the fact that he was calling you so out of nowhere, this was a normal thing. He kept quiet for a bit, he could hear some utensils being moved around.

Perhaps you were at home, cooking?

That's good, he loved your cooking. You made food for him several times, so many that he lost count. Seeing you cook while he waited leaning on the kitchen's counter made him dream of a universe where you cooked for him everyday. Oh, how he imagined you cooking something for him as he got from work. You and him, at home, married and not friends. That's the perfect life, the life he desired next to you.

However, it was not possible.

He exhaled.

—I'm not going to attend your wedding.

He didn't even get to keep talking, and the sound of a metal object —some cutlery, he guessed— hitting the floor was already interrupting him.

—What do you mean?!

You asked him desperately, getting worried. What did he mean by not coming to your wedding? Was he crazy? He was one of the only people you specifically wanted to see at your ceremony. You wanted to spend your special day with him, who you considered part of your family at this point. You wanted to recieve an speech from him congratulating you as he promised, you wanted him to joke about how your husband's family was so dry, you wanted him to see you in your wedding dress.

And he did, too.

He just wasn't able to.

—Suguru!

You called for him, waiting for an explanation. He stayed quiet for a second, the only thing you could hear from his line was the sound of heavy steps and wind. He was walking through an alley, leaning on the wall once he was there.

—Listen, i can't.

—Why?!

He wondered about what excuse would suit best right now to give it to you. "I love you" he wished to say, but was it really relevant when you were soon to marry another man? How could he even dare to be as selfish as that, letting you know of all of the times he took advantage of your friendship to have an excuse to hold you? How could he, as a man, ever think of saying such a thing? However, you did deserve to know the truth. Was he really going to tell you?

He shook his head, a bittersweet smile in his face.

—I can't, Y/N. Something just came up, and I-

—Something more important than your best friend's wedding day? Really, Suguru?

—Yeah.

He hated the way your breath hitched at that, the way he could feel the pain in your voice. Because the pain you felt, he felt it even worse. Everytime the smallest of the corners of your heart broke, his whole soul shattered.

—And you can't even give me an explanation?

Your voice cracked. He just stayed quiet, and you got your answer.

Your tone changed this time.

—I hope you're glad of what you've just done. Don't you dare to call me again, Geto.

You hung up, and he knew he fucked you up.

His last name was spat with what felt like venom through his ears, the feeling of not hearing you calling out his name with a cheery tone had him at the verge of tears. It was his decision, so why was it so hard to do this to you? You were supposed to be the only woman he could ever love, and he just hurt you.

His shaky hands threw his phone across the street, frustration getting over him.

Fuck it.

He crawled along the alley still leaning against the wall for support, sitting on the ground once he reached the edge of it. His breathing was accelerated, he didn't know if it was due to stress or the stinging pain coming from his shoulder.His head leaned back as he hissed in pain, clutching on his arm.

Or what was left of it, anyways.

Blood stained his hands, which he didn't even realize were paler than usual. He left out a shaky breath, recalling all of the things that happened faster than he could ever imagine. He was beat up by this kid called Yuta, ruined his relationship with you and was about to die, all in a span of time of a few hours.

It was for the best.

—Suguru.

A voice called his name. For a second he thought he would see you, but the voice was too masculine to be yours. His mind must be playing games on him.

He opened his eyes, seeing a white haired man he knew a little too well.

—Ah, Satoru.

Satoru looked at him with those eyes, those eyes that used to be filled with emotion now looking empty. His friend kept quiet, so Suguru kept talking.

—You know, just had a chat with your wife. We might have fought a little.

Yes, Satoru's wife. That was no one but you, the only woman he could have ever desired, taken from him by his best friend. He was mad at first, hearing that you and satoru were offcially dating.

Satoru knew he liked you, so why?

He was crazy, refused to talk to Satoru in private or when you were not looking. He placed his trust on Satoru when he said he would respect his crush, and he betrayed it. He didn't even understand why would he do such thing when Satoru was known for having like.. four, five? girlfriends in one month. He didn't want his best friend to break your heart.

But then he saw it.

He saw the way Satoru looked at you and noticed how you looked at him back.

Fuck, you loved eachother.

Because he knew that gaze of yours, he dreamed of it more than he could ever count. He wished of the day you would look at him like that, but Satoru got that dream come true before him. He cried until the next morning that day, cursing fate for giving him a heart that wasn't his, but yours. He cried because no matter what he did for a decade, Satoru got you in just two years.

Was it Satoru's eyes? Was it his pale hair? Perhaps you thought he was unattractive. He knew he was always going to be less than his best friend, but he thought that maybe you would choose him and not the strongest.

But you didn't.

And with time, he learned how to live with it. He helped Satoru pick anniversary gifts for you, supported your relationship with him, calmed you down when you and Satoru fought, helped satoru pick a ring and propose to you... Hell, he was going to be Satoru's man of honor at your wedding too. How could he not? You looked so happy when you gave him that handwritten invitation letter inviting him you to your wedding with another man while his heart crushed in silence.

But everytime, he smiled at you.

Because you were happy, and Suguru wouldn't want anything but that.

And that's why he, even though he took the thing he wanted the most, smiled at satoru who was looking at him in this pathetic situation where he didn't even have an arm and was covered in blood. Yes, he had no bad things to say about his best friend if he was the one making you happy.

—Told her i wouldn't attend the wedding. You must understand why, huh?

Satoru tried his best not to let his serious and professional expression fall at Suguru's words. He seemed as if he was so calm, but he knew what he was thinking. The white haired man simply kneeled down in front of him.

—She used to like you too.— He spoke in a low voice.—A year before we started dating. Remember when she started to wear ponytails? Asked me what your type was and i said that because i didn't actually know.

Suguru's eyes darted towards his friend's, looking for the slightest clue that would indicate that he was lying. He wasn't, he knew that gaze.

—Why are you telling me that?

—Thought you would want to die with a happy thought. I know you still..

"You still love her" he wanted to say, but suguru's chuckle didn't let him continue. Satoru saw the widest smile he could have seen in his best friend's face since years and years ago. He laughed and laughed, forgetting about the pain he was feeling at that moment. More than feeling like he lost a chance, he felt glad; not because he didn't even realize it, but because of the fact that if you liked him once, that would only mean you had looked at him. It was okay, because you laid your eyes on him and he was chosen by you. He was worthy enough to be liked by you, and he felt his younger self scream of joy inside of him.

That made him even happier, because It means that maybe, in another universe, he gets to make his dream come true and finally date you withouth having to worry about ruining your friendship. In another universe, maybe he gets to be the reason of your happiness. A universe with no curses, where you two live separated from the world and live a married life with children.

Yeah, nothing could make him happier than that.

So he closed his eyes and rested his head on the wall, relaxed and ready to accept the fate his friend was going to give him. His smile didn't ever fade, grateful for what Satoru told him.

—At least curse me a little at the very end..

—AUTHOR'S NOTE: honestly not really happy with how i've written this fic, i was kind of rushed. However, hope you liked it!

It's not edited, so let me know if there are any mistakes.

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pathologicalreid · 1 day

Note

Comforting spencer 🙏🙏 Maybe after the Tobias thing or something, sorry if this is too vague 😭

your needs, my needs | S.R.

who? spencer reid x gn!reader category: angst; hurt/comfort content warnings: takes place following 3x12 "3rd life", spoilers for 2x15 "revelations", drug addiction, mentions NA and narcan word count: 1.74k a/n: hey anon! this is kind of too vague BUT i've had this idea marinating in my brain for so long and i just needed to find a place for it in the timeline! i hope this works for you! thank you for requesting!

Halfway down his arm, in the crook of his elbow, your boyfriend had a scar.

It was left by someone who was now dead and had been for months. The pink, new skin would eventually fade, but you’d always see it there.

The memory of Tobias Hankel would always haunt your relationship, but the two of you would manage to create new memories in the wake of everything that he had almost destroyed.

Hanging up your keys next to the front door, you note the silence of the apartment, there was no radio playing, no turning of book pages, and yet, you glanced over at the couch, seeing Spencer’s signature mismatched socks hanging over the edge of the couch.

Quietly, you set your bag down before you made your way over to the couch expecting to find Spencer asleep, but you’re surprised when deep brown eyes look back at you. His arms were crossed in front of his chest, a book tucked in the crook of his arm like he had given up on reading for the evening. “Hi, love,” you whispered, making your way around the back of the couch and squatting next to him, studying his expression intently. “How was work?”

He closed his eyes as you reached out and smoothed his hair back, “Hi,” he responded. His voice was raspy like it had been a while since he used it. You had woken up in an empty bed this morning, so the BAU must’ve arrived home from Chula Vista at some point while you were at work.

Spencer didn’t offer any other conversation. He didn’t tell you how work was. He didn’t ask you how work was. Sadly, you pressed your lips together in a thin, white line and tilted your head to the side, “What happened?”

“I’m tired,” he answered, averting his eyes from yours as he deflected. The avoidance was telling enough, you knew what was going through his mind. “I need to take a shower,” he admitted, his voice softening with use.

You raised your eyebrows curiously at him, despite the fact that he wouldn’t look at you, “Did you want me to leave you be for a while?” You asked, letting him know that you could keep your distance, but you wouldn’t leave him alone – not when he was like this.

His lips parted as he prepared to answer, “I don’t want to go into the bathroom,” he admitted meekly.

A deep understanding filled your chest. The bathroom was where you first figured out his addiction. The bathroom was where you now kept Narcan in the medicine cabinet. “Did you want me to go in with you?” You asked him a new question, hoping you could somehow gently guide him to an answer.

“I just don’t want to go in,” he said, voice raising in frustration before he checked himself, “I don’t want to be in a bathroom.”

You steeled your expression, not wanting him to know that you caught on the way he said a bathroom instead of the bathroom that time. “Alright,” you told him, pushing up on your knees so that you could stand and head into your shared bathroom. Going into the shower, you reached in and grabbed Spencer’s shampoo and conditioner, pulling a towel from the linen closet before you walked back out, passing him on the couch as you made your way into the kitchen.

Setting everything down on the counter you went back to the bedroom, closing the door to the ensuite before calling Spencer over. You heard heavy footsteps approach the bedroom before your boyfriend showed up in the doorway, “What is it?”

“Change into more comfortable clothes, then I can wash your hair in the kitchen sink,” you told him insistently, taking up a tone that told him you weren’t going to take no for an answer. Reaching into his side of the dresser, you pulled out a pair of flannel pajama pants while he stripped himself of his work clothes. Making sure he was moving, you followed suit, pulling off your work pants before resorting to sweatpants and an old t-shirt.

He grumbled as you herded him into the kitchen, sock-covered feet shuffling on the tile floor. Despite giving you a look when you instructed him to lie down on the counter, Spencer did so without much of a challenge. As you flipped on the tap, he settled on the laminate surface, “What are you doing?” He asked, frowning at you as you gently took his glasses off and placed the thick, black frames on the opposite side of the basin.

You hummed, taking the towel and tucking it underneath Spencer’s neck so the edge of the counter didn’t hurt him, “I don’t want to get soap and water all over your glasses.”

With furrowed brows, he looked up at you, “I won’t be able to see without my glasses,” he informed you.

“Then you’ll have to use that memory of yours to remember just how good-looking I am,” you responded earnestly, refraining from victoriously throwing your hands in the air when a small smile bloomed on his face.

Sighing, he relaxed against the hard surface of the counter. Too tall to fully lay down, he kept his legs folded up at the edge. It looked awkward, but if he was comfortable, who were you to judge?

Checking the temperature of the water with your hand, you took the sprayer in your hand and quickly sprayed a bit of water on Spencer’s hair, “Is that too hot?” You asked softly, watching his face for any kind of reaction.

Spencer quickly shook his head at you, “No, that’s good.” His answer prompted you to continue wetting his hair, using the sprayer before setting it down and taking his shampoo in your hands.

Lathering a dollop in between your palms, you slowly started to work it into his hair, he closed his eyes as you massaged the shampoo into his hair, focusing on his scalp as you did so. You smiled softly at the way he visibly relaxed, watching the way peace overtook him as a result of the simple service of having his hair washed.

Using your hand to protect his face from soap and water, you took the handheld sprayer back in your hand and rinsed the shampoo from his hair, the suds slipping from the locks in a waterfall. Taking a moment, you elected for another round of shampoo, squirting the same amount in your palm before repeating the process.

In your periphery, you noticed Spencer fiddling with something in his hand, a flash of gold caused your heart to clench while he flipped the coin through his fingers. His six-month NA chip.

Deciding against mentioning it, you continued working your fingers through his hair, the second round of shampoo foaming up even more than the first had, leading you to rinse your hands off before going back for the sprayer. Using your hand, you made sure to get all of the remaining shampoo from his hair before gently wringing his hair dry.

Putting a small amount of conditioner on your fingers, you deftly worked the product through the ends of Spencer’s hair, “Your hair’s getting long,” you observed aloud. “Did you want to cut it or keep growing it out?”

Not opening his eyes, Spencer responded, “Not sure yet,” he mumbled, clearly still enjoying your ministrations on his hair.

Finger-combing the conditioner through his hair, you nodded to yourself, “If you want to cut it, just let me know and I can help.”

In response, he nodded slightly while you tried to work through a small knot in his hair, “I thought I could stop him.”

Your movements faltered at the sudden change in subject, but you quickly regained your footing and continued, “You can’t save everyone.”

“I hate that,” he told you. Spencer had a lot of anger, it was never directed at you, it was directed toward the world, but that didn’t mean you liked it.

Letting the conditioner sit in his hair, you rinsed the product off of your hands before turning the tap off. “Do you need to go to a meeting?” You asked him gently, reaching over to seal the caps to the shampoo and conditioner before glancing at your boyfriend.

Mentally, you recalled where you had set your keys and bag when you got home, just in case you needed to take him away, “I’ll go tomorrow,” he answered.

His usual NA group met on Wednesdays, so it made sense that he’d want to go to that group. It didn’t mean you wouldn’t keep an eye on him tonight. “Okay,” you murmured softly, flipping the tap back on before you proceeded to rinse the conditioner from his hair, using your fingers to get all of the product from his silky brown strands.

Adjusting the temperature slightly, you focused your energy on getting the product out, settling into a comfortable silence until you felt satisfied, shutting off the water and wringing the water out as best you could with your hands.

You carefully coaxed the towel from where it rested beneath his neck, getting him to sit up while you towel-dried his hair. Pulling the cotton off of his head, you left his damp hair sticking every which way as you reached over to return his glasses to him, “Do you feel any better?” You asked, refraining from reaching up and touching him, you put your hands behind your back.

He nodded softly, settling his glasses on his face and blinking as his eyes focused. Spencer surprised you when he reached out for you, sitting up and leaving his legs dangling off of the edge of the counter, he parted his knees and pulled you so that your body was flush with the counter, wrapping his arms around you tightly. “I love you,” he mumbled into the crook of your neck.

Burying your face in his shoulder, you breathed in the all-too-familiar scent of his shampoo and conditioner and leaned into his embrace, “I love you too, Spence.” Tears pricked your eyes, and you pulled away from him before any could trickle down your cheeks. “Come sit down on the couch, I’ll brush your hair out.”

A small, content smile grew on his face, nodding at you before he pushed himself off of the counter, following your footsteps back into the living room.

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strlvvr · 3 days

Text

my best friend’s brother (is the one for me) - part two

part two!! i’m so excited for this series guys

word count: 945 words

read part one here !

⋆｡˚ ⋆｡˚ ⋆｡˚ ୭ৎ ⋆｡˚ ⋆｡˚ ⋆｡˚

all i’ve been able to think about is the interaction between me and matt. the way he whispered in my ear, the hand on my back, the way he played with my hair, how he got up to “go to the bathroom”. i knew exactly why he had to get up. it was kinda hard to ignore honestly.

“i’m going to bed, you coming?” nick asked me as he was getting up and putting his blanket away.

“no, i’m not too tired yet,” i moved over on the couch a bit to grab my drink, trying to ignore matt’s stare.

“well i’m gonna go to my room for the night.” chris said, also putting away his blanket and grabbing his drink, heading down the stairs to his room.

me and matt stayed quiet for a couple more minutes, just watching whatever was on after the crow.

“just us now…” matt said quietly, grabbing the remote to put something else on. he decided on inception, another one of my favorite movies, which he knew.

“2010 was leo’s best year for movies,” i moved to face matt to debate with him over this.

“oh yeah? and why’s that?” matt asked with a smile. this is a topic we discuss often.

“well he had inception AND shutter island come out that year. arguably two of his best movies.” he just watched as i ranted about leo dicaprio and just movies in general. chiming in with yeahs and acknowledgments, but letting me talk. i swear for a second, i almost saw a look of love in his eyes.

i quickly dismissed the thought and let myself get lost in the movie after my rant. i moved over to back over to matt, missing the comfort of being in his arms. he gladly pulled me into him and we sat like that for most of the movie, only moving to grab more snacks or our drinks.

as the movie started ending, i felt matt’s breathing get slower, subtle snores leaving his mouth. i looked around and saw the mess left by nick and chris and sighed, knowing we had to clean it up. i started to get up to get a start on the cleaning, but matt, half asleep, pulled me back down, mumbling something i didn’t quite hear.

“mmm stay here.” he grumbled, tightening his grip on my waist.

“matt, we have to clean up the garbage..” i whispered, hoping he wouldn’t hear me and let go. unfortunately he did and loosened his grip, letting me get up. he slowly got up, grabbing the candy wrappers around him and followed me towards the kitchen.

“nick’s probably asleep already.” he pointed out, grabbing more garbage from the table.

“yeah..” i put away our blankets and fixed up the couch.

“you can always come sleep with me.” he said quietly, watching me walk around the living room to find the remote. “it’s over there,” he pointed to where we had just been sitting.

i chuckled, grabbing the remote and turning the tv off.

“i think i might take you up on the offer,” i said, searching for any sign of regret on his face, finding none.

he put the last piece of garbage away and started walking to his room, stopping and looking back to see if i was following him. once i grabbed our phones, i headed toward him and his room.

no matter how many times i’ve slept in here, it always feels awkward at first. he always points out how i sleep better in his bed, and i always blame it on how comfy his bed is, even though it has nothing to do with his bed but everything to do with him.

he walked over to the bed, pulling back the blankets and getting in. i stayed put by the door, just watching him awkwardly.

“are you just gonna stand there all night?” he questioned me, pulling the blanket off the other side of the bed for me.

“i was thinking about it,” i walked over to my side and got in, immediately being met with the softness of his blanket and the smell of his cologne. i grabbed his remote to put on some random show. we debated on a couple before deciding on family guy. staying on our respected sides while intently watching the show we’ve both seen hundreds of times, not daring to move closer to each other. as if we weren’t just cuddling on the couch and falling asleep together out there.

it was different in his bed though. almost like it was too intimate to cuddle in a bed. we wouldn’t dare take that step in our friendship, even if we would wake up like that anyway. the more tired i got, the less i cared. i moved closer to him, feeling him do the same. he put his arm out, signaling for me to lay on him. none of us said anything, we stayed watching the tv. there was an understanding between us that it was a comfortable silence.

‘this is normal, there’s nothing deeper to this. just two friends cuddling and watching tv.’ i thought, feeling him play with my hair and rub the leg i snuck onto him. i was trying to ignore the flutter in my stomach with every move of his thumb on my thigh and pushing away all the thoughts that snuck into my mind.

slowly i started to fall asleep in matt’s arms. right before i fell asleep, i felt him reach for the remote to turn off his tv.

“goodnight baby.” he whispered, before kissing the top of my head and falling asleep himself.

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#matt sturniolo #matt sturniolo x reader #matt sturniolo x you #matt sturniolo imagine #chris sturniolo #nick sturniolo #sturniolo triplets #sturniolo fic #sturniolo imagine #chris sturniolo x reader #nick sturniolo imagine #chris sturniolo imagine #strlvvr

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linkspooky · 2 days

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Art credit: @/charscounterattack reposted with permission.

INVINCIBLE VS. MY HERO ACADEMIA: WHEN HEROES KILL

Whether or not heroes should kill people is a hotly debated topic in comics.

There are people who think heroes should never kill, and others who think heroes should kill more. One of the most famous comic book storylines "Under the Red Hood" has Red Hood / Jason Todd debate whether or not it was ethical for Bruce to keep letting the joker live even after the Joker killed Jaso, especially after the Joker killed Jason. If killing the Joker earlier to prevent all future deaths would have been justified. There are like a hundred DC Aus that are like "What if Batman and Superman just started killing people?"

In order to explore this question I'm going to explore two situations in different comics, Invincible and My Hero Academia when the hero, a very idealistic young hero kills someone for the first time.

LET HORI COOK

Storytelling, especially for serialized storytelling which comes out week by week instead of all at once works on the premise of drawing people in by promising that certain future developments and plot points are going to happen. Stories are all about creating expectations, building them, and then paying them off.

Here's an example: The Dabi is a Todoroki theory has existed pretty much since the training camp arc. Horikoshi wasn't in your face about the hints about Toya, but there was just enough hints to make the theory seem more and more plausible. Toya having the same fire quirk as Shoto / Endeavor. Toya mentioning both of them by name. Shoto's two other siblings getting revealed but not Toya. Toya saying that Hawks should have paid attention to him most of all. All of these little pieces came together until Toya finally revealed his identity on live TV in front of both Shoto and Endeavor.

This worked because not only did it give the audience just enough clues that they felt smart for figuring it out, and get invested in the idea of Toya as a Todoroki, it also was well-paced so it didn't seem like Horikoshi forgot about it unlike the traitor plot which went hundreds of chapters without being mentioned. If Toya was revealed to be a Todoroki at the training camp arc with no buildup, it wouldn't be as effective bcause we didn't have years of waiting and theorizing. If Todoroki was revealed to be some guy named Steve after all the hints, it also wouldn't be an effective reveal because there were hints dropped for Toya Todoroki, but there were no Steve hints so it'd feel like the author lied to us.

Themes are like this too. I tend to explain story themes by oversimplifying it as "Question, and answer." The story asks a question, it provides us an answer, and we can come up with our own answer as well. However, there's a middle part I'm skipping out on which is deliberation. Before you can come up with an answer, you obviously need to deliberate it, either by presenting arguments for or against, hearing outside opinions or just thinking things through.

In other words, you need to "Let things cook."

If Toya calling Shoto by his full name at the Training Camp Arc is when we're first asked "Is Toya a Todoroki?" or when the theories first started, then the long middle period between Training Camp Arc and the First War Arc is the deliberation. This is when the story not only added more hints to the idea that Toya was a Todoroki, but also set up why that reveal mattered. Endeavor wanted to atone for his past sins, but one of his victims was no longer alive. Endeavor begins to move on anyway and think he's finally made himself a good hero, but now Toya appears to flip up the reverse Uno Card.

So let's follow this basic formula, for how ideas get developed in My Hero Academia and just any good story.

Question / Introduction

Deliberation

Answer / Conclusion

My Hero Academia and Invincible explore similar themes in regards to heroism, generational trauma and how to be better than the previous generation in both Mark and Deku. I'm going to streamline their arcs down to one basic question for the sake of time. For both the question is:

Can I be a better hero than my Dad?

Deku and Mark might be two characters who cannot possibly seem to be more different, but you can actually list off a lot of similarities between them right away. Deku and Mark are both people who in a world oversaturated with superheroes spent most of their childhoods with no superpowers at all. Also, they were genetically supposed to inherit a quirk / viltrumite powers, but Deku was born quirkless, and Mark was an extremely late bloomer. They are also people who while being powerless civilians for most of their lives worship heroes. Deku collects so much All Might Merch he even stole some from Nighteye after he died, Mark attends comic conventions even after he becomes a superhero.

They also grew up worshipping one hero in particular who was essentially earth's strongest hero, for Mark it was his dad Omni-Man, for Deku it was All Might. They also both get the opportunity to train directly under their favorite hero immediately after they get their powers. At first this makes it seem like they've been given everything they've ever wanted. All Mark has ever wanted was to be a hero like his dad and make his father proud. Not only did Deku just want one person to tell him he could be a hero too even without a quirk, but his very idea of heroism is built around seeing All Might always save people with a smile.

However, both of them suddenly hit complication just when it seems like they've been given everything they've ever wanted. They are both confronted with the fact that their heroes are not who they expected them to be. They are overly idealistic heroes who have been dreaming of being heroes since childhood only to be hit with a much greyer reality. To the point where there innocence becomes a flaw in and of itself. The way they've been coddled and protected all of their lives leaves them completely unaware and unable to spot the grey areas in the world, or the people around them.

For Deku the moral greys exist in the villains around them. In MHA Society, villains are basically just bad guys in suits for the heroes to punch on television. They're seen as a faceless enemy, and there's very little in way of rehabilitation for villains once they're captured. Deku lived in a very black and white world before this point, and he's suddenly presented with the idea that his villains could be morally grey.

Deku's image of All Might is a hero who saves everyone with a smile, so he could never imagine that there are people who All Might has failed to save. He's never stopped to consider where villains came from, or if any of them might have legitimate reasons for their grievances.

This becomes a pretty central theme in MHA. It's first brought up here when Shigaraki talks about All Might acting as if there's no one he can't save. Twice brings it up again in his first backstory chapter, that the heroes only save the virtuous ones.

This is further enforced in the same overhaul arc with members who are loyal to Overhaul because they are society's trash who would have been thrown out otherwise. There is a group of people fiercley loyal to Overhaul who is a terrible boss, because he is the only person who would accept them.

edits belong to @stillness-in-green from bring it all back a tone poem on returning to staus quo located here on ao3.

In the War Arc this long running theme basically reaches a climax with the Hawks and Twice confrontation, where Hawks decides to try to offer Jin a chance to restart because he's deemed him "good" but he won't extend the same helping hand to the league who Hawks has determined as "bad." He then asks Jin to betray his friends in order to be saved, something that Jin rightfully calls out.

That Hawks only wants to save Jin because he's one of the good ones, and he's written off the rest of the league and left them for dead. Hawks choosing to divide between good and bad victims ad only save the one he personally thought was worthy of redemption, makes it impossible for him to save Twice who would never under any circumstances give up on the rest of the league.

Twice's death is a tragedy, but it also presents us a clear example of the failures of the previous generation. Even a hero who sincerely sympathized with a villain and wanted to help them start over wasn't able to help them because of this attitude of selectively picking and choosing who to save. If the heroes only save the innocent the I guess the lives of the guilty are worth less.

This is the questio Toga poses to Ochako, if the heroes killed Twice then are you going to kill me in order to stop me. This is the central subject of Shigaraki's speech to the heroes. That heroes and villains will never uderstand each other, because the entire hero system perpetuates itself on ignoring the needs of societal outcasts and rejects in form of the "innocent people" and those outcasts who aren't having their needs met eventually turn into villains who get systematically put down by heroes. Heroes and villains are incapable of understanding each other and breaking the cycle, because the entire system isn't built on helping people, but merely maintaining the idea that heroes are perfect, faultless saviors so normal people will feel secure, while the people the heroes have failed get swept under the rug so society can keep "functioning."

"You heroes hurt your own families just to help strangers. You heroes pretend to be society's guardians. For generations, you pretended not to see those you couldn't protect. That means your system's all rotten from the inside with maggots crawling out. It all builds up, little by little, over time. You've got the common trash, all too dependent on being protected, and the brave guardians who created the trash that needed coddling. It's a corrupt, vicious, cycle. Everythig I've witnessed, the whole system you've built has always rejected me. Now I'm ready to reject it. That's why I destroy. That's why I took power for myself. Simple enough, Yeah? I don't care if you don't understand. That's what makes us heroes and villains."

So if the starting question is: Can I be a better hero than my dad?

Then everything I've detailed above is deliberation. Here we have, ever since the training camp arc, this slowly built up idea of why All Might was a flawed hero in the end.

Mark has to face the fact that his father is a more morally grey person than he could ever imagine, whereas Deku has to face the fact that the villains are more morally grey in his world, and that makes the heroes look more flawed in comparison as well. The deliberation is all slowly bringing Deku to think over what Shigaraki asked him all the way in the beginning in there first meeting.

Were there ever people that the heroes couldn't save? If so then what are you supposed to do with the victims you can't save after they grow up? This is when Deku begins to start forming his own answer.

Deku hears the advice of both the other OFA users, and The Stinky Old Man (Gran Torino) that killing Shigaraki is the best option, but wants to explore other options.

Scenes like this clearly telegraph what the answer / conclusion Hori is leading us to to be. The same way that Toya is a Todoroki is foreshadowed long in advance, statements like "All for one is a power meant for saving, not killing" clearly set up Deku's Endgame. Deku's end goal is to find a way use his power to save Shigaraki rather than killing him. Everything else is just a matter of deliberation, Deku knows what his edgoal is but the chapters between then and the end of the manga is Deku having to figure out how exactly to save Shigaraki without killing him.

You Heroes Hurt Your Own Families Just to Help Strangers

Invincible is the story of Mark Grayson, the son of Omni Man / Nolan Grayson. He's been told all of his life that his father is a viltrumite, a race of benevolent aliens who send out people like Nolan to alien civilizations in order to uplift their entire civilization. Which is what led Nolan to come to earth and become Earth's greatest heroes.

This turns out to be a big fat lie when within 12 chapters Nolan not only slaughters the guardian's of the globe, but also has a confrontation with his son.

Mark has wanted to be just like his dad his entire life. Only to be slapped in the face with the realization he's known nothing about his dad his entire life, shown rather brilliantly by these panels where Nolan tries to have a normal father / son conversation with Mark while covered in blood.

Nolan isn't from a futuristic utopia but from a brutal, fascist space empire. He didn't come to earth to help bring it up, but to weaken its defenses and make it prime for conquering. He didn't have Mark out of love, but to produce another soldier for the viltrumite empire.

Mark's entire schtick is that he's invincible, but he's so inexperienced as a hero that he gets beat up constantly despite the fact he has the strongest power set in the series b/c he has viltrumite powers. However, not only does the series introduce moral greys by continually showing how Mark even with the best power set in the series constantly gets his ass kicked, it also challenges Mark's black and white thinking and hero worship of his father by showing him the kind of man his father really is.

Mark has wanted to be exactly like his father his entire life, but now that's suddenly a bad thing. His father is a morally reprehensible person and Mark is now a descendant of an alien race meant to conquer worlds. Not only is Mark confronted by who his father really is, but now everyone in Mark's life judges him by comparing him with his father.

Mark has to work with Cecil and be his on-call Superhero, both to be able to pay for college, and also to prove that he's not his dad. The unspoken part of the agreement is that Cecil gets to keep a leash on Mark and Mark has to prove that he'll never turn out like his father to earn Cecil's trust.

Cecil is automatically suspicious of him because if Mark were to turn evil, the planet would have no defenses against him just like it didn't have any for Omni Man. Mark's mother starts to drink and blames Mark for Omni-Man leaving in a drunken moment of weakness because of how much the information that Omni Man only regarded her as a pet affected her.

The comic even shows us that in most alternate universes, mark actually did make the decision to join his father's conquest, and this universe is one of the few exceptions. This is also where we're introduced to a major reoccuring antagonist in the comics, and also the main antagonist / final antagonist of season 2 of the cartoon Angstrom Levy.

Levy is someone who can jump between dimensions and has traveled to almost all of them collecting his alternate selves. He has witnessed for a fact that in most universes Mark sides with his father instead of fighting against him.

Levy enlists the clone bros to build a device that would combine the knowledge of his alternate selves into one individual. This device ends up breaking tragically (partially mark's fault, but levy himself made the decision to stop the machine in order to stop the clone bros from killing Mark). Levy's memories become confused as a result of the machine malfunctioning, and he can't tell the difference between himself and his alternate universe counterparts. This means that Levy now remembers several alternate universes where Mark did turn evil, and remembers them as if they happened to him.

It's better elaborated upon in this post:

The process by which Invincible has had to condense and consolidate the plot beats of the original comic, coupled with the opportunity it's granted the writers to tighten up and emphasize its themes on a second pass, has resulted in a newfound appreciation for how unbelievably fucking good Angstrom Levy's whole character concept is. What's that, Mark? Your main emotional crisis this season is your fear of turning out like your father? Here, have an archnemesis who's out to kill you because his memories were inadvertently overwritten with the lived experiences of hundreds of alternate versions of himself whose friends and families were slaughtered in worlds where you did, in fact, turn out exactly like your father. Because it turns out that that is in fact the multiversal norm. That you turn out like your father. And now you're left to wonder what set of arbitrary coinflips pulled you back from that abyss in this dimension, and whether your luck is going to continue to hold into the future.

Mark is not only hit with the revelation that his father isn't as good as he thought he was, but also while he's in a crisis about about whether or not he will turn out like his father, he learns the answer is yes, in several dimensions he turns out exactly like his father.

In My Hero Academia there are families like the Todoroki's who balance the difference between a hero's obligations to society, and a hero's obligation to society. However, that's a side plot where I'd argue that the main plot for Invincible and it's main focus is what Mark owes to the world as a hero, and what Mark owes to his family.

It's not just that Omniman is trying to invade earth for the Viltrumite empire. It's not just that he failed as a hero, but that he failed as a father. What makes Mark snap, is hearing Omniman call Debbie a pet. Until that point Mark was in denial and still trying to reason with his father.

Invincible is about two intersecting themes: Is Mark obligated to use his incredible powers to help make the world better? Can Mark be a good hero and a good family man?

While MHA has more far reaching societal implications in its themes and questions, Invincible is more specifically about the Grayson Family. It's generational trauma on a society level, vs generational trauma on an individual level. The way Nolan was raised on Viltrumite effects how he raised Mark causing their conflict, and Mark's conflict with his father effects most of his young adulthood when he's trying to figure out what person he wants to be (read: not his dad), but also the way he parents his daughter with Atom Eve.

Omni-man failed Mark as both a hero, and a father. Mark feels the need to overcompensate for what his father did the world and all those innocent people by acting as Cecil's lapdog and doing whatever Cecil tells him.

However, Mark is much more hurt by the personal betrayal than he lets on. It's not just that his father killed a bunch of innocent people, it's also that Mark's father failed as a father, abandoning both him and mom and choosing to be a viltrumite rather than being Mark's father. Mark's stated reason for wanting to be a hero post the omni-man reveal is to prove he's not like his dad to the world, and also make up for the innocent lives he failed to save. However, his unstated underlying reason is Mark is hurt and betrayed his father didn't put his family first, and this causes Mark to always put his family first.

This leads to two insecurities / narrative flaws. One, Mark is insecure about becoming like his father so he tries to prove he's nothing like him by being the most selfless, perfect hero possible. Two, Mark is hurt by being abandoned by his father and doesn't want to become a deadbeat like Nolan so he gets extremely overprotective of his own family.

These two things are obvious in conflict with one another: A hero has an obligation to the common good which sometimes means sacrificing time with your loved ones. However, being a good family man requires a level of selfishness that directly contradicts the selfless hero that Mark is pushing himself to be. In the comic the way Mark prioritizes his family and loved ones over the common good and justice is made even more obvious. His first instinct on seeing Omni-Man again isn't to call him out for being an awful father, but to hug him and ask him to come home. Mark is a distraught son first, and a hero second.

Mark has two flaws, his fear of being like his father makes him try too hard to be a perfect hero, and his trauma over losing his father makes him prioritize his family over being a hero. It's very much a having your cake and eating it too situation, oftentimes heroes make huge sacrifices for their personal lives in order to be heroes, that's basically a theme discussed in the comic with Nolan being absent for a lot of Mark's childhood, and why Mark's relationship with Amber fails.

The show also introduces us to the idea that Mark is so afraid of becoming like his father that he deliberately holds back his punches. Which is good when he's fighting earth villains, but bad when he's facing viltrumites who can only survive being disemboweled, but will also come to wipe out all life on earth if they're allowed to live. In the show it's directly mentioned that Mark is holding back, in the comic it's implied when we see how helpless Mark is in the fight against other viltrumites. Mark lacks the resolve to kill someone and when fighting a viltrumite, failing to put them down can have consequences because they are galactic conquerors who will not show you any mercy.

This all comes to a head in the Angstrom Levy fight where Mark makes his first kill on-screen when beforehand he'd never fought to kill before, and even held back against galaxy conquering aliens who were out to murder him and his dad.

However. before we begin that.

Should superheroes kill?

People often act like whether or not super heroes should kill their villains is a black and white topic, where it actually depends highly on context.

Batman’s an entire character is written around how he wants to redeem Gotham and save the city, most of his villains aren’t even sent to prison they’re sent to Arkham a facility that’s supposed to rehabilitee the mentally ill so they can rejoin society. Batman has decided it’s his place to stop crime, not his place to decide whether or not people have the right to live or redeem themselves.

Batman is also at risk for being just like his villains, that’s why he’s foils with Harvey Dent, someone who tried to prosecute people under the law who then snapped and went full violent mobster vigilante. Batman actually is at risk for walking the same path as Harvey if he decides murder is an option.

In X-Men 97, there was a character known as Rogue who dropped Simon Bolivar Trask off of a building in an act of vigilante justice. This action makes sense in context for several reasons. One Rogue was raised by Mystique and Destiny, is a former member of the Brotherhood of Evil Mutants, and began as a terrorist in the comics. She's not really a "moral highground" character like Batman. Two, Boliver Trask built a giant killer robot that resulted in the deaths of millions in Genosha which Rogue is a survivor of. Number three, Trask had no sympathetic reasons for building the genocide robot, he built the sentinels out of bigotry to wipe out mutants. He's not a victim in any way, he's an oppressor facing consequences for his actions.

Batman shooting Harvey Dent, his former best friend, a victim of severe mental illness and trauma that still has hope for recovery, and Rogue dropping the guy who made a genocide robot off of a building are both wildly different situations.

So in the context of MHA we have Shigaraki Tomura, a terrorist who's goal is to destroy japan enough that it will dismantle the hero system for good. Shigaraki Tomura is a ten year old child who lost control of his quirk and killed his family for mistake, he wandered for days in crowded city streets but not a single hero stopped to help him, then he was found by the main villain of the story and groomed for ten years into becoming his successor. Shigaraki is also surrounded by a group of societal outcasts who were failed by society in similiar ways, so Shigaraki knows he wasn't the only one failed by hero society and he starts to wage his war for their sake as much as his own.

In Invincible we have Angstrom Levy. Angstrom is not plotting mass murder the way that Shigaraki is. He is specifically only targetting Mark Grayson's family for revenge (at least the first time he showed up, the second time during the invincible war arc was different). Angstrom's revenge against Mark Grayson is misplaced, but to be fair the accident messed with his brain hardcore and he doesn't remember clearly what happened. He doesn't remember that he's the one who decided to stop the machine in order to help Mark. It's tragic. Angstrom also has the memories of like hundreds of different universes of evil Marks. Even though he's the victim of a tragic accident, he's also a victimizer in that he doesn't choose to just go after Mark, he deliberately picks Mark's family, his mother, and his infant little brother as a way of hurting Mark.

So both of these characters blur the line between villain and victim, but neither of them are like Trask in that they have no sympathetic motivation whatsoever. Shigaraki's actions don't come from bigotry, and he's not an oppressor. Trask was actually trying to do something good before his machine broke and his brains got scrambled, and now he wants personal revenge and to blame all his problems on Mark which is petty yes, but not on Trask's level of heartlessness.

So, there's a case that can be made here for both of them that there's room to save them. After all Mark and Deku aren't killers to begin with. Mark especially has an incredibly vested interest in not becoming a killer. Even if they don't explicitly go out of their way to save and redeem these two people, we're still at this point expecting the heroes to at least take down these two sympathetic figures non-lethally. Mark doesn't want to be like his dad and Deku has said explicitly he wants to save Shigaraki, and that OFA is a power for saving and not killing.

Also to sidestep this argument before people comment on my post with it.

What do you expect the heroes to just let a mass murderer live?

YES!

It happens in comics literally all the time.

Magneto, Wolverine, Jean Grey / Phoenix, Emma Scott, heck, OMNIMAN himself, all characters who have killed lots of people and all characters who get to live and even be on the heroes side. Of these three Jean Grey of all people has the highest body count.

Shonen Jump also has Vegeta. Have you ever heard of Vegeta? Most popular Shonen Rival of all time? Omni-man and Viltrumites are basically just Saiyans.

In real life they wouldn't let a mass murderer walk away but comics are not the same as real life. That's why characters are always punching dinosaurs all the time. Fun fact, if you were to try to punch a dinosaur in real life it would probably hurt your hand. I would advise against it. Dinosaurs are for the most part much stronger than human beings.

As I outlined above Shigaraki and Angstrom are different characters than Trask. They might all be murderers, but the first two have sympathetic elements and are humanized, they are victims of oppression (Angstrom's been killed by viltrumites in a whole bunch of worlds) whereas Trask is an oppressor.

So for both of these stories we are not expecting to see Deku and Mark kill their final villains (for the series and for this season). Deku because he's spent the final third of the series trying to work out a way to save the villains, and Mark because he doesn't want to turn out to be a violent murderer like his father so he's trying to be the most selfless, most perfect hero ever.

I THOUGHT YOU WERE STRONGER

So we finally reach the scenes in question and I thought I'd compare them without much commentary, just highlighting what happens without adding much spin.

So the final episode of Invincible Season 2 and Issue #33 of the comic is where Angstrom and Mark have it out. Angstrom appears in Mark's home and threatens his family. he brings up the comparison between Mark and his father right away. This is also something Angstrom has seen first hand by traveling to multiple universes where Mark has sided with his father.

In the cartoon he's a lot more confused because he's constantly remembering other universe's memories as if he were his own so he genuinely thinks he's taking down an evil viltrumite, in the comic he's being more petty and blaming Mark for his deformity (I think he doesn't remember that he was the one to take the helmet off by choice). In both versions he uses Mark's family as hostages to keep him from fighting back as he tries to send Markk to his death in several different realities.

Angstrom then ups the threat of violence from holding them hostage to threatening to kill them. In both the show and comic he brutally breaks Debbie's arm. Mark is sent through several more realities, only to discover that Debbie's arm is broken and lose his temper.

Mark and Angstrom's fist fight comes to an end, and while Mark has him on the ground he keeps hitting and hitting and hitting long after Angstrom stopped fighting back. Which is what prompts the famous "I thought you were stronger..."

Now, in this situation it looks pretty justifiable that Mark attacked Angstrom so aggressively,. it was self defense for one against a man trying to kill him and he only got truly aggressive after he saw his mother's arm get broken. Not only that he didn't intentionally kill Angstrom, you can argue he went too far in a case of clear self defense. Other people even tell Mark that this one isn't on him, including Cecil who compares Mark to his father the most.

Then, why is Mark so disturbed?

It's because this....

Is a deliberate parallel to this...

It's not just that Mark killed a man, it's that he killed a man by pounding on him relentlessly long after he'd stopped fighting back the exact same way his father did to him during their fight.

There's a difference between Mark say, fighting against a viltrumite and making a deliberate decision to kill them because of the danger that viltrumites represent to other people considering they are planet conquerors, and Mark killing this man because he lost his temper and couldn't control his own strength.

Mark spends the entire season trying to not be like his father, only to see first hand that he's capable of the exact same violence that his father is. The last episode of Season 2 summarizes this moment pretty perfectly in a montage of season 1 moments while Mark screams and breaks the sound barrier trying to push his viltrumite powers to their limits.

Mark: I'm strong enough and I can do this. It's all I've ever wanted for as long as I can remember. I want to do what you do. I want to be just like you. Omni-Man: You will be, son. You will. Mark screaming. Omni-Man: You'll outlast every single fragile being on this planet. You'll live to see this world crumble to dust and blow away. Everyone and everything you know will be gone. Mark screaming. Cecil: You know who else said that to me? Mark: I'm not my dad. Mark screaming some more. KRegg: Your father will be execute and you can return to earth. You will assume the mission to prepare earth for our rule.

So not only is Mark hit with the realization that he's just as capable of being violent and angry as his father is. He also is being forced by the situation to become more violent out of pragmatism, because if he doesn't get strong enough to fight viltrumites then they're going to come to his planet and take everything.

Not only has Mark lost some of his innocence, he's also being forced to throw the rest of it away. It's why Mark drops out of college at the end of the season because any pretense of balancing between his human life and his duty as a hero is gone. He is basically forced to be a viltrumite full time now and will abandon any semblance of trying to live his own life for a very, very long time until his relationship with Eve starts to get serious.

Which is why a pretty justifiable murder in this context is presented as so bloody, gruesome and traumatizing an event for both the audience and Mark himself. We both know there's no coming back from this.

As for the death of main series villain Shigaraki Tomura, Deku ends up being forced to kill Shigaraki in a situation similiar to Mark. Though I will highlight one difference right away. Mark was trying to reason with Angstrom, but he was at no point like "I want to save Angstrom, he's a victim I want to find some other way of ending this bloody conflict between us." Mark just didn't intend to go so far as killing him.

Deku entered the fight with the explicit stated desire to save Shigaraki rather than killing him, which would make him different from the previous generation of heroes because he wouldn't turn a blind eye to society's faults and victims like Shigaraki accused him of.

Deku makes a journey into Shigaraki's mental landscape to find Tenko in a recreation of the memory of the day of his worst trauma. As Tenko's quirk activates, Deku attempts to grab the little boy's hands to comfort him.

Deku's "Why I am here" is markedly different from All Might's. Deku says the reason he wants to save others is to take their hands, comfort them and give them peace, whereas All Might as the strongest hero tried to keep peace by beating all the villains down. Deku's way to become the greatest hero once again, focuses heavily on saving others, and offering his hand to everyone without hesitation instead of picking and choosing who to save like previous generations.

Deku even says that he has to extend a helping hand to everyone because he's learning that the world is more complicated than he thought, he was ignorant to a lot of people's suffering, and he can't sweep their pain under the rug anymore.

For a moment Deku unconditionally extending a hand to Shimura Tenko even as his mental body begins to decay away wins over Shimura Tenko. Though Shigaraki also resists because much like Twice he doesn't want to abandon the rest of his friends even if it means he personally will be saved.

However, any attempts to save Shigaraki are interrupted by AFO suddenly appearing out of nowhere and taking control of Shigaraki's body yet again.

At this point Deku does exactly what Mark does, which is relentlessly punch Shigaraki's body to death in order to kill AFO along with Shigaraki. In some small defese Shigaraki was also there too punching AFO in his mental landscape so he was assisting Deku in defeating AFO he wasn't helpless the entire time.

But, basically we see the same scene happen with Mark.

A hero who does not wish to kill is forced by circumstance to kill a villain. In Deku's case it should be even more devastating because they explicitly went into the fight wanting to save Shigaraki and they believed their power was for saving and not killing.

Yet, we don't get nearly as horrified a response from Deku.

However, instead Deku's final words are just about how he couldn't forgive Shigaraki and had to put a stop to him no matter what.

Even the way the scenes are presented to us are entirely different. Mark punches Angstrom in a wasteland a dry, dead place, until he's soaked in Angstrom's blood, and painted everything around him red. Once again, it's a visual callback to Mark's father beating him half to death, which was Mark's own lowest point.

Whereas, when Deku punches Shigaraki until he disintegrates not only is the violence or horror of Shigaraki's death not acknowledged, but it's played as a triumphant moment where the clouds clear from the sky and the stun starts shining.

In the cartoon Mark killing Angstrom leads to a total screaming breakdown where he has traumatic flashbacks of his dad beating him and pushes himself to break the sound barrier multiple times. It also leads him to making big life changes like dropping out of college to become a hero full time and giving up any pretense of having a normal life. As seen in a scene where he watches Amber from the sky, and is tempted to go down and greet her and just flies off, because Amber represents his connection to his humanity.

Also, Angstrom doesn't even die. He comes back way worse and that's how invinicble war arc starts.

In the aftermath of killing Shigaraki, Deku gets melancholy about not being able to save Shigaraki only to be reassured he did save him in the end. Only to be told by All Might that it's okay because he still saved Shigaraki's heart even if he killed him.

DEKU: "I couldn't save Tenko's life." "I reached out to his heart, and even though his hatred was crushed," "to the very end, Tenko" "was the leader of the League of Villains." ALL MIGHT: "Let me tell you this as someone who has had a near-death experience," "I think it's in the expression on his face at the end." "If there wasn't a crying boy there," "I think his heart was saved after all,"

People also try to convince mark that he did nothing wrong and that there was no helping what he did in a situation like that, but he doesn't let himself believe them.

The ending lines about the last episode of Season 2, are this:

Eve: I'm sorry Mark. It's not fair. You don't deserve this. Eve: You don't deserve this.

Which has a double meaning. Eve is just trying to comfort Mark, because arguably he shouldn't have to feel guilty for fighting in self defense. On the other hand what Mark hears is You don't deserve this in the context of Eve's feelings for him. An alternate timeline version of Eve confessed her love for Mark. Mark was about to bring it up but decided not to. At that moment as Eve embraces and comforts him, what Mark hears because of his own self loathing is that he doesn't deserve Eve comforting him, or her love for him.

Just to clarify I don't think that Mark is crying over Angstrom Levy specifically. In fact over time he's painted to be pathetic in his obsession with revenge, and what he amounts to is just wanting to blame everything on invincible when it was partially caused by his own actions.

However, it's inarguable that killing (or rather seemingly killing Angstrom) deeply impacted Mark and how he saw himself as a hero. It's less about Angstrom, and more about the loss of control, and the realization of how powerful his anger and hatred can get and what that means for him personally.

It also shows us where Mark's priorities lie. Mark wants to be a perfect hero and a perfect family man, and Invincible shows us he can't be both, his desire to protect his family leads him to staining his blood when he was trying so hard to be a good, selfless hero. This is all a part of a deliberate arc where Mark chooses more and more to value his family over being a hero. I'm not going to say whether or not it's the right choice, but it's a choice he makes, as a part of his character development where as he grows up and becomes a father his priorities change.

My point is that this moment has an impactful change on Mark, for arguably the rest of the comic.

Now my question is, with My Hero Academia will the death of Shigaraki Tomura, the series greatest villain and it's greatest victim have an equal impact on Deku's character that Levy's death did on Mark's?

#bnha 424 #bnha spoilers #invincible #mark grayson #deku #izuku midoriya #mha 424 #mha spoilers #omni man #bnha meta #mha meta

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anominous-user · 3 days

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Double Indemnity, Veritas Ratio and Aventurine

This was originally a part of my compilation post as a short analysis on the Double Indemnity references, linking to this great thread by Manya on Twitter. However, I've recently watched the movie and found that the parallels run much deeper than just the mission name and the light cone itself, plus as the short synopsis I've read online. Since there isn't really an in-depth attempt at an analysis on the film in relation to the way Aventurine and Ratio present themselves throughout Penacony, I thought I'd take a stab at doing just that. I will also be bringing up things from Manya's thread as well as another thread that has some extra points.

Disclaimer that I... don't do analyses very often. Or write, in general — I'm someone who likes to illustrate their thoughts (in the artistic sense) more than write. There's just something about these two that makes me want to rip into them so badly, so here we are. If there's anything you'd like to add or correct me on, feel free to let me know in the replies or reblogs, or asks. This ended up being a rather extensive deep dive into the movie and its influences on the pairing, so please keep that in mind when pressing Read More.

There are two distinct layers on display in Ratio and Aventurine's relationship throughout Penacony, which are references to the two most important relationships in the movie — where they act like they hate/don’t know each other, and where they trust each other.

SPOILER WARNING for the entire movie, by the way. You can watch the film for free here on archive.org, as well as follow along with the screenplay here. I will also be taking dialogue and such from the screenplay, and cite quotes from the original novel in its own dedicated section. SPOILER WARNING for the Cat Among Pigeons Trailblaze mission, as well.

CONTENT WARNING FOR MENTIONS OF SUICIDE. YOU HAVE BEEN WARNED.

To start, Double Indemnity (1944) is a film noir by Billy Wilder (and co-written by Raymond Chandler) based on the novel of the same name by James M. Cain (1927). There are stark differences between the movie adaptation and the original novel which I will get into later on in this post, albeit in a smaller section, as this analysis is mainly focused on the movie adaptation. I will talk about the basics (summaries for the movie and the game, specifically the Penacony mission in tandem with Ratio and Aventurine) before diving into the character and scene parallels, among other things.

—

[THE NAME]

The term "double indemnity" is a clause in which if there’s a case of accidental death of a statistically rare variety, the insurance company has to pay out multiple of the original amount. This excludes deaths by murder, suicide, gross negligence, and natural causes.

The part of the mission in Cat Among Pigeons where Ratio and Aventurine meet with Sunday is named after the movie. And before we get further into things, let's get this part out of the way: The Chinese name used in the mission is the CN title of the movie, so there's no liberties taken with the localization — this makes it clear that it’s a nod to the movie and not localization doing its own thing like with the mission name for Heaven Is A Place On Earth (EN) / This Side of Paradise (人间天堂) (CN).

—

[SUMMARY OF THE 1944 MOVIE]

Here I summarised the important parts that will eventually be relevant in the analysis related to the game.

Insurance salesman Walter Neff, wounded from a gunshot, enters his office and confesses his crime on a dictaphone to his boss Barton Keyes, the claims manager. Much earlier, he had met Phyllis Dietrichson, the wife of Mr. Dietrichson and former nurse. Neff had initially wanted to meet Mr. Dietrichson because of car insurance. Phyllis claims her husband is mean to her and that his life insurance goes to his daughter Lola. With Neff seduced by Phyllis, they eventually brew up a scheme to murder Mr. Dietrichson in such a way that they activate the "double indemnity" clause, and the plan goes off almost perfectly. Initially, the death is labeled a suicide by the president of the company, Norton.

Keyes finds the whole situation suspicious, and starts to suspect Phyllis may have had an accomplice. The label on the death goes from accidental, to suicide, to then murder. When it’s ruled that the husband had no idea of the accidental policy, the company refuses to pay. Neff befriends Phyllis’ stepdaughter Lola, and after finding out Phyllis may have played a part in the death of her father’s previous wife, Neff begins to fear for Lola and himself, as the life insurance would go all towards her, not Phyllis.

After the plan begins to unravel as a witness is found, it comes out that Lola’s boyfriend Nino Zachette has been visiting Phyllis every night after the murder. Neff goes to confront Phyllis, intending to kill her. Phyllis has her own plans, and ends up shooting him, but is unable to fire any more shots once she realises she did love him. Neff kills her in two shots. Soon after telling Zachette not to go inside the house, Neff drives to his office to record the confession. When Keyes arrives, Neff tells him he will go to Mexico, but he collapses before he could get out of the building.

—

[THE PENACONY MISSION TIMELINE]

I won’t be summarising the entirety of Aventurine and Ratio’s endeavours from the beginning of their relationship to their final conversation in Heaven Is A Place On Earth the same way as I summarised the plot of the movie, so I will instead present a timeline. Bolded parts means they are important and have clear parallels, and texts that are in [brackets] and italics stand for the names of either the light cone, or the mission names.

[Final Victor] Their first meeting. Ratio’s ideals are turned on its head as he finally meets his match.

Several missions happen in-between their first encounter and the Penacony project. They come to grow so close and trusting with each other that they can guess, understand each other’s thoughts, way of thinking and minds even in high stakes missions. Enough to pull off the Prisoner’s Dilemma (Aventurine’s E1) and Stag Hunt Game (Aventurine’s E6) and come out on top.

Aventurine turns towards Ratio for assisting him in the Penacony project. Ratio's involvement in the project is implied to be done without the knowledge of Jade, Topaz, and the IPC in general, as he was only sent to Penacony to represent the Intelligentsia Guild, and the two other Stonehearts never mention Ratio.

Aventurine and Ratio cook up the plan to deceive Sunday before ever setting foot on Penacony. Aventurine does not tell Ratio the entirety of his plan.

Aventurine convinces Topaz and Jade to trust him with their Cornerstones. Aventurine also breaks his own Cornerstone and hides it along with the jade within a bag of gift money.

[The Youth Who Chase Dreams] They enter Penacony in the Reverie Hotel. Aventurine is taken to the side by Sunday and has all his valuables taken, which includes the gift money that contains the broken aventurine stone, the jade, and the case containing the topaz.

Aventurine and Ratio speak in a “private” room about how Aventurine messed up the plan. After faking an argument to the all-seeing eyes of Sunday, Ratio leaves in a huff.

Ratio, wearing his alabaster head, is seen around Golden Hour in the (Dusk) Auction House by March 7th.

[Double Indemnity] Ratio meets up with Sunday and “exposes” Aventurine to him. Sunday buys his “betrayal”, and is now in possession of the topaz and jade. Note that this is in truth Ratio betraying Sunday all along.

Ratio meets up with Aventurine again at the bar. Ratio tells Aventurine Sunday wants to see him again.

They go to Dewlight Pavilion and solve a bunch of puzzles to prove their worth to Sunday.

They meet up with Sunday. Sunday forces Aventurine to tell the truth using his Harmony powers. Ratio cannot watch on. It ends with Aventurine taking the gift money with his Cornerstone.

[Heaven Is A Place On Earth] They are in Golden Hour. Ratio tries to pry Aventurine about his plan, but Aventurine reins him in to stop breaking character. Ratio gives him the Mundanite’s Insight before leaving. This is their final conversation before Aventurine’s grandest death.

Now how exactly does the word “double indemnity” relate to their mission in-game? What is their payout? For the IPC, this would be Penacony itself — Aventurine, as the IPC ambassador, handing in the Jade Cornerstone as well as orchestrating a huge show for everybody to witness his death, means the IPC have a reason to reclaim the former prison frontier. As for Ratio, his payout would be information on Penacony’s Stellaron, although whether or not this was actually something he sought out is debatable. And Aventurine? It’s highly implied that he seeks an audience with Diamond, and breaking the Aventurine Cornerstone is a one way trip to getting into hot water with Diamond. With Aventurine’s self-destructive behaviour, however, it would also make sense to say that death would be his potential payout, had he taken that path in the realm of IX.

Compared to the movie, the timeline happens in reverse and opposite in some aspects. I will get into it later. As for the intended parallels, these are pretty clear and cut:

Veritas Ratio - Walter Neff

Aventurine - Phyllis Dietrichson

Sunday - Mr. Dietrichson

There is one other character who I feel also is represented in Ratio, but I won’t bring them up until later down the line.

For the sake of this analysis, I won’t be exploring Sunday’s parallel to Mr. Dietrichson, as there isn’t much on Dietrichson’s character in the first place in both the movie and the novel. He just kind of exists to be a bastard that is killed off at the halfway point. Plus, the analysis is specifically hyper focused on the other two.

—

[SO, WHAT’S THE PLAN?]

To make things less confusing in the long run whenever I mention the words “scheme” and “plan”, I will be going through the details of Phyllis and Neff’s scheme, and Aventurine and Ratio’s plan respectively. Anything that happens after either pair separate from another isn’t going to be included. Written in a way for the plans to have gone perfectly with no outside problems.

Phyllis and Neff —> Mr. Dietrichson

Goal: Activate the double indemnity clause by killing Mr. Dietrichson and making it look like a freak train accident

Payout: Twice or more of the face value of the life insurance ($100,000)

Main Actor: Walter Neff | Accomplice: Phyllis Dietrichson

During the entire time until the payout, Phyllis and Neff have to make sure to any outsiders that they look like complete strangers instead of lovers in an affair.

Step-by-step:

Neff convinces Mr. Dietrichson to sign the policy with the clause without him suspecting foul play, preferably with a third party to act as an alibi. This is done discreetly, making Mr. Dietrichson not read the policy closely and being told to just sign.

Neff and Phyllis talk to each other about small details through the phone (specified to be never at Phyllis’ own house and never when Neff was in his office) and in the marketplace only, to make their meetings look accidental. They shouldn’t be seen nor tracked together, after all.

Phyllis asks Mr. Dietrichson to take the train. She will be the one driving him to the train station.

On the night of the murder, after making sure his alibi is airtight, Neff sneaks into their residence and hides in their car in the second row seating, behind the front row passenger seat. He wears the same colour of clothes as Mr. Dietrichson.

Phyllis and Mr. Dietrichson get inside the car — Phyllis in the driver’s seat and Mr. Dietrichson in the passenger seat. Phyllis drives. On the way to the train station, she makes a detour into an alley. She honks the horn three times.

After the third honk, Neff breaks Mr. Dietrichson’s neck. The body is then hidden in the second row seating under a rug.

They drive to the train station. Phyllis helps Neff, now posing as Mr. Dietrichson, onto the train. The train leaves the station.

Neff makes it to the observation platform of the parlour car and drops onto the train tracks when nobody else is there.

Phyllis is at the dump beside the tracks. She makes the car blink twice as a signal.

The two drag Mr. Dietrichson’s corpse onto the tracks.

They leave.

When Phyllis eventually gets questioned by the insurance company, she pretends she has no idea what they are talking about and eventually storms off.

Phyllis and Neff continue to lay low until the insurance company pays out.

Profit!

Actual Result: The actual murder plan goes almost smoothly, with a bonus of Mr. Dietrichson having broken a leg. But with him not filing a claim for the broken leg, a witness at the observation platform, and Zachette visiting Phyllis every night after the murder, Keyes works out the murder scheme on his own, but pins the blame on Phyllis and Zachette, not Neff.

Now for Aventurine and Ratio. You can skip this section if you understand how deep their act goes, but to those who need a refresher, here’s a thorough explanation:

Aventurine and Ratio —> Sunday

Goal: Collect the aventurine stone without Sunday knowing, ruin the dream (and create the grandest death)

Payout: Penacony for the IPC, information on the Stellaron for Ratio, a meeting with Diamond / death for Aventurine

Main Actor: Aventurine | Accomplice: Veritas Ratio

From the moment they step onto Penacony, they are under Sunday’s ever present and watchful eyes. “Privacy” is a foreign word to The Family. They have to act like they don’t like each other’s company the entire time and feed Sunday information through indirect means so that the eventual “betrayal” by Ratio seems truthful to Sunday. Despite what it looks like, they are closer than one would ever think, and Ratio would never sell out a person purely for information.

Step-by-step:

After Sunday takes away the bag of gift money and box, Aventurine and Ratio talk in a room in the Reverie Hotel.

Aventurine establishes the Cornerstones’ importance, and how he lost the gift money and the case containing the Cornerstones to Sunday. Ratio turns to leave, saying “some idiot ruined everything”, meaning the Cornerstones were vital to their plan. (Note that Ratio is not wearing his alabaster head while saying it to said “idiot”.)

Aventurine then proceeds to downplay the importance of the Cornerstones, stating they are “nothing more than a few rocks” and “who cares if they are gone”. This lets Sunday know that something suspicious may be going on for him to act like it’s nothing, and the mention of multiple stones, and leaves him to look up what a Cornerstone is to the Ten Stonehearts of the IPC.

Ratio points out his absurd choice of outfit, mentioning the Attini Peacock and their song.

Ratio implies that without the aventurine stone, he is useless to the IPC. He also establishes that Aventurine is from Sigonia(-IV), and points out the mark on his neck. To Sunday, this means that Aventurine is shackled to the IPC, and how Aventurine may possibly go through extreme lengths to get the stone back, because a death sentence always looms above him.

Aventurine claims Ratio had done his homework on his background, which can be taken that this is their very first time working together. (It isn’t, and it only takes one look to know that Aventurine is an Avgin because of his unique eyes, so this comment does not make sense even in a “sincere” way, a running theme for the interaction.)

Ratio mentions how the true goal is to reclaim Penacony for the IPC, establishing their ulterior motive for attending the banquet.

Ratio asks if Aventurine went to pre-school in Sigonia after saying trust was reliant on cooperation. Aventurine mentions how he didn’t go to school and how he doesn’t have any parents. He even brings up how friends are weapons of the Avgins. This tells Sunday that the Avgins supposedly are good at manipulation and potentially sees Ratio possibly betraying Aventurine due to his carelessness with his “friends”. Sunday would also then research about the Avgins in general (and research about Sigonia-IV comes straight from the Intelligentsia Guild.)

Ratio goes to Dewlight Pavilion in Sunday’s Mansion and exposes a part of Aventurine’s “plan”. When being handed the suitcase, Ratio opens it up due to his apparent high status in the IPC. He tells Sunday that the Cornerstone in the suitcase is a topaz, not an aventurine, and that the real aventurine stone is in the bag of gift money. This is a double betrayal — on Aventurine (who knows) and Sunday (who doesn’t). Note that while Ratio is not officially an IPC member in name — the Intelligentsia Guild (which is run by the IPC head of the Technology Department Yabuli) frequently collaborates with the IPC. Either Aventurine had given him access to the box, or Ratio’s status in general is ambiguous enough for Sunday not to question him further. He then explains parts of Aventurine’s gamble to Sunday in order to sell the betrayal. Note that Ratio does not ever mention Aventurine’s race to Sunday.

Ratio brings Aventurine to Sunday. Aventurine offers help in the investigation of Robin's death, requesting the gift money and the box in return.

Sunday objects to the trade offer. Aventurine then asks for just the bag. A classic car insurance sales tactic. Sunday then interrogates Aventurine, and uses everything Ratio and Aventurine brought up in the Reverie Hotel conversation and their interactions in the Mansion, as well as aspects that Ratio had brought up to Sunday himself.

Aventurine feigns defeat and ignorance enough so that Sunday willingly lets him go with the gift bag. After all is said and done, Aventurine leaves with the gift money, where the Aventurine Cornerstone is stored all along.

Ratio and Aventurine continue to pretend they dislike each other until they go their separate ways for their respective goals and plans. Aventurine would go on to orchestrate his own demise at the hands of Acheron, and Ratio… lurks in the shadows like the owl he is.

Profit!

Actual Result: The plan goes perfectly, even with minor hiccups like Ratio coming close to breaking character several times and Aventurine being sentenced to execution by Sunday.

This is how Sunday uses the information he gathered against Aventurine:

• Sunday going on a tirade about the way Aventurine dresses and how he’s not one to take risks — Ratio’s comment about Aventurine’s outfit being peacock-esque and how he’s “short of a feather or two”. • “Do you own a Cornerstone?” — Ratio talked about the aventurine stone. • “Did you hand over the Cornerstone to The Family when you entered Penacony?” — Aventurine mentioned the box containing the Cornerstones. • “Does the Cornerstone you handed over to The Family belong to you?” — Aventurine specifically pluralized the word Cornerstone and “a bunch of rocks” when talking to Ratio. • “Is your Cornerstone in this room right now?” — The box in the room supposedly contained Aventurine’s own cornerstone, when Aventurine mentioned multiple stones. • “Are you an Avgin from Sigonia?” —Aventurine mentioned that he’s an Avgin, and Ratio brought up Sigonia. • “Do the Avgins have any ability to read, control, and manipulate one’s own or another’s minds?” — Aventurine’s comment on how friends are weapons, as well as Sunday’s own research on the Avgins, leading him to find out about the negative stereotypes associated with them. • “Do you love your family more than yourself?” — His lost parents. “All the Avgins were killed in a massacre. Am I right?” — Based on Sunday’s research into his background. • “Are you your clan’s sole survivor?” — Same as the last point. “Do you hate and wish to destroy this world with your own hands?” — Ratio mentioned the IPC’s goal to regain Penacony, and Aventurine’s whole shtick is “all or nothing”. • “Can you swear that at this very moment, the aventurine stone is safe and sound in this box?” — Repeat.

As seen here, both duos have convoluted plans that involve the deception of one or more parties while also pretending that the relationship between each other isn’t as close as in reality. Unless you knew both of them personally and their histories, there was no way you could tell that they have something else going on.

On to the next point: Comparing Aventurine and Ratio with Phyllis and Neff.

—

[NEFF & PHYLLIS — RATIO & AVENTURINE]

With the short summaries of the movie and the mission out of the way, let’s look at Phyllis and Neff as characters and how Aventurine and Ratio are similar or opposite to them.

Starting off with Aventurine and Phyllis. Here is where they are the most similar:

Phyllis is blonde and described as a provocative woman. Aventurine is also a blond and eyes Ratio provocatively in the Final Victor light cone.

Phyllis was put under surveillance after Keyes starts figuring out that the so-called accidental death/suicide may have been a murder after all. Similarly, Aventurine was watched by Sunday the entire time in Penacony.

Phyllis never tells Neff how she's seeing another man on the side to possibly kill him too (as well as how she was responsible for the death of her husband‘s previous wife). Aventurine also didn't tell Ratio the entirety of his plan of his own death.

Phyllis puts on a somewhat helpless act at first but is incredibly capable of making things go her way, having everything seemingly wrapped around her finger. Aventurine — even when putting on a facade that masks his true motives — always comes out at the top.

Now the differences between Aventurine and Phyllis:

Phyllis does not care about her family and has no issue with killing her husband, his previous wife, and possibly her daughter Lola. Opposite of that, Aventurine is a family man… with no family left, as well as feeling an insane level of survivor’s guilt.

Really, Phyllis just… does not care at all about anyone but herself and the money. Aventurine, while he uses every trick in the book to get out on top, does care about the way Jade and Topaz had entrusted him with their Cornerstones, in spite of the stones being worth their lives.

Phyllis also uses other people to her advantage to get what she wants, often behind other people's backs, with the way she treats Neff and Zachette. Aventurine does as well (what with him making deals with the Trailblazer while also making a deal with Black Swan that involves the Trailblazer). The difference here is Phyllis uses her allure deliberately to seduce men while Aventurine simply uses others as pawns while also allowing others to do the same to himself.

Phyllis makes no attempt at compromising the policy when questioned by Norton. Aventurine ends up compromising by only taking the gift money (which is exactly what he needs).

The wig that Barbara Stanwyck (the actress of Phyllis) wore was chosen to make her look as “sleazy” as possible, make her look insincere and a fraud, a manipulator. A sort of cheapness. Aventurine’s flashy peacock-esque outfit can be sort of seen as something similar, except the outfit isn’t cheap.

Moving on to Ratio’s similarities to Neff… There isn’t much to extrapolate here as Ratio is more of a side character in the grand scheme of Penacony, however this is what I’ve figured out.

Neff has dark hair. Ratio has dark purple hair.

Neff almost never refers to Phyllis by her name when speaking with her, only as “baby”. The few times he refers to her as Phyllis or Mrs. Dietrichson is during their first conversations and when he has to act like he doesn’t know her. Ratio never calls Aventurine by his name when he’s around him — only as “gambler”, sometimes “damned” or “dear” (EN-only) gambler. Only in the Aventurine's Keeping Up With Star Rail episode does Ratio repeatedly say his name, and yet he still calls him by monikers like “gambler” or, bafflingly, a “system of chaos devoid of logic”.

Both Neff and Ratio committed two betrayals: Neff on Mr. Dietrichson and Keyes, and Ratio on Sunday and Aventurine. With the former cases it was to reach the end of the trolley line, and with the latter it was on a man who had put his trust in him.

As for the differences…

Neff is described as someone who’s not smart by his peers. Ratio is someone who is repeatedly idolised and put on a pedestal by other people.

Neff is excellent at pretending to not know nor care for Phyllis whenever he speaks about her with Keyes or when he and she are in a place that could land them in hot water (the office, the mansion when there are witnesses). His acting is on the same level as Phyllis. With Ratio it’s… complicated. While he does pull off the hater act well, he straight up isn’t great at pretending not to care about Aventurine’s wellbeing.

Instead of getting his gunshot wound treated in the hospital like a normal person, Neff makes the absolutely brilliant decision of driving to his office and talking to a dictaphone for hours. Needless to say, this is something a medical doctor like Ratio would never do.

Now here's the thing. Though it's very easy to just look at Phyllis and Neff in the movie and go "okay, Aventurine is Phyllis and Ratio is Neff — end of story" and leave it at that, I find that they both take from the two leads in different ways. Let me explain. Beginning with Aventurine and Neff…

Neff is the one who hatches the plan and encourages Phyllis to go through and claim the double indemnity clause in the first place. He is also the key player of his own risky plan, having to fake being the husband to enter the train as well as fake the death. Aventurine puts himself at great risk just by being in Sunday’s presence, and hoping that Sunday wouldn’t figure out that the green stone he had uncovered wasn’t the aventurine stone.

Adding onto the last point, Neff had fantasised about pulling off the perfect murder for a long time — the catalyst was simply him meeting Phyllis. Aventurine presumably sought out Ratio alone for his plan against Sunday.

Neff makes a roulette wheel analogy and talks about a pile of blue and yellow poker chips (the latter in the script only). I don‘t even have to explain why this is relevant here. (Aventurine’s Ultimate features a roulette wheel and the motif is on his belt, thigh strap, and back, too. And of course, Aventurine is all about his chips.)

Neff has certain ways to hide when he’s nervous, which include hiding his hands in his pockets when they were shaking, putting on glasses so people couldn’t see his eyes. Aventurine hides his left hand behind his back when he’s nervous: Future Aventurine says that "they don't know the other hand is below the table, clutching [his] chips for dear life", and in multiple occasions such as the Final Victor LC, his character trailer, and even in his boss form in the overworld you can see that Aventurine hides his left hand behind his back. And he is also seen with his glasses on sometimes.

Neff says a bunch of stuff to make sure that Phyllis acts her part and does not act out of character (i.e. during their interactions at the market), like how Aventurine repeatedly tries to get Ratio back on track from his subpar acting.

Neff is always one step ahead of the game, and the only reason the plan blows up in his face is due to outside forces that he could not have foreseen (a witness, Keyes figuring out the plan, the broken leg). Aventurine meanwhile plays 5D chess and even with the odds against him, he uses everything he can to come out on the top (i. e. getting Acheron to kill him in the dream).

Even after coming home on the night of the murder, Neff still felt that everything could have gone wrong. Aventurine, with his blessed luck, occasionally wavers and fears everything could go wrong whenever he takes a gamble.

Neff was not put under surveillance by Keyes due to him being extensive with his alibi. After witnessing Robin’s death with eyewitnesses at the scene, the Family had accepted Aventurine’s alibi, though he would be under watch from the Bloodhounds according to Ratio.

Neff talks about the entire murder scheme to the dictaphone. Aventurine during Cat Among Pigeons also retells his plan, albeit in a more convoluted manner, what with his future self and all.

Continuing with Ratio and Phyllis, even with their personalities and motivations being quite different, they do have a few commonalities.

Phyllis was a nurse. Ratio is a medical doctor.

Her name is Greek of origin. Veritas Ratio, though his name is Latin, has Greco-Roman influences throughout his entire character.

The very first scene Phyllis appears in has her wearing a bath towel around her torso. Ratio loves to take baths to clear his mind.

Phyllis was instructed by Neff to be at the market every morning at eleven buying things. Ratio is seen in an auction house with his alabaster head on so no one could recognize him.

Phyllis mostly acts as an accomplice to the scheme, being the one to convince her husband to take the train instead. She is also generally seen only when Neff is involved. Ratio plays the same role as well, only really appearing in the story in relation to Aventurine as well as being the accomplice in Aventurine’s own death. Even him standing in the auction house randomly can be explained by the theory that he and Aventurine had attempted to destabilise Penacony’s economy through a pump and dump scheme.

With these pointers out of the way, let’s take a closer look at select scenes from the film and their relation to the mission and the pair.

—

[THE PHONE CALL — THE REVERIE HOTEL]

Before the murder, there is a scene with a phone call between Phyllis and Neff discussing the plan while Keyes is in the same room as Neff. Neff has to make sure that Keyes doesn’t think of anything of the phone call, so he acts like he’s calling a “Margie”, and says a bunch of stuff that sounds innocent out of context (“Can’t I call you back, ‘Margie’?” “What color did you pick out?” “Navy blue. I like that fine”), but are actually hinting at the real plan all along (the suit that Mr. Dietrichson wears.)

In a roundabout way, the conversation between Ratio and Aventurine in the Reverie Hotel can be seen as the opposite of that scene — with the two talking about their supposed plan out loud on Penacony ground, a place where the Family (and in turn, Sunday) has eyes everywhere. Despite being in a “private” room, they still act like they hate each other while airing out details that really do not make sense to air out if they really did meet the first time in Penacony (which they didn’t — they’ve been on several missions beforehand). It’s almost like they want a secret third person to know what they were doing, instead of trying to be hushed up about it. The TVs in the room that Sunday can look through based on Inherently Unjust Destiny — A Moment Among The Stars, the Bloodhound statue that disappears upon being inspected, the owl clock on the left which side eyes Ratio and Aventurine, all point to that Sunday is watching their every move, listening to every word.

Rewinding back to before the phone call, in one of the encounters at the marketplace where they “accidentally” run into each other, Phyllis talks about how the trip was off. How her husband wouldn’t get on the train, which was vital for their plan, because of a broken leg. All this, while pretending to be strangers by the passersby. You could say that the part where Ratio almost leaves because Aventurine had “ruined the plan” is the opposite of this, as the husband breaking his leg was something they couldn’t account for, while Aventurine “being short of a few feathers” was entirely part of the plan.

—

[QUESTIONING PHYLLIS — THE INTERROGATION]

This section is going to be a little longer as I will cover two scenes in the movie in a more detailed manner — Mr. Dietrichson signing the policy, and Phyllis being questioned — and how they are represented in the Sunday-Aventurine interrogation and the prior conversation between Ratio and Sunday in multitudes of ways.

Going about their plan, Neff has to make sure that Mr. Dietrichson signs the policy with the double indemnity clause without him knowing the details, all the while having Phyllis (and Lola) in the same room. He and Phyllis have to pretend that they don’t know each other, and that this is just the standard accidental insurance process, instead of signing what would be his downfall. To sell it, he gets Mr. Dietrichson to sign two “copies” of the form, except with Mr. Dietrichson’s second signature, he’s duped into signing the accident insurance policy with the respective clause.

You can tie this to how Ratio goes to Sunday in order to “expose” the lie that the suitcase didn’t actually contain the Aventurine Cornerstone, as well as there being more than one Cornerstone involved in the scheme. Ratio must make sure that Sunday truly believes that he dislikes Aventurine’s company, while also making sure that Sunday doesn’t figure out the actual aventurine stone is broken and hidden in the gift bag. The scheme turns out to be successful, as Sunday retrieves the two Cornerstones, but not the aventurine stone, and truly does think that the green stone he has in his possession is the aventurine.

This whole scene with Sunday is also reminiscent of the interrogation scene in the middle of the movie, where Phyllis was questioned by the boss (Norton) who was deducing that Mr. Dietrichson's death was a suicide, not accidental death. Neff, Phyllis, Keyes and Norton were all in the same room, and Neff and Phyllis had to act like they never knew the other. Phyllis acts like she knows nothing about what Norton insinuates about her husband and eventually, Phyllis explodes in anger and storms out the room, even slamming the door. Her act is very believable to any outsider.

Now back to the Ratio and Sunday conversation. One glaring difference between the movie and here is that his acting isn’t great compared to either Phyllis nor Neff. It never was throughout the Penacony mission. He even comes very close to breaking character several times, and is even defending Aventurine in a somewhat aggressive manner during his one-on-one conversation with Sunday, as in he literally tells Sunday to see a shrink. It’s very different from the way he was acting in Herta Space Station — like Ratio cares about Aventurine too much to keep his hands off.

It's also worth pointing out that Neff doesn't speak a word when Phyllis was being interrogated. Similarly, Ratio is silent throughout the entire scene with Sunday and Aventurine, with his only “line” being a “hm”. When Aventurine calls him a wretch to his face, all he does is look to the side. In fact, he can only look at Aventurine when the other isn’t staring back. Almost like him uttering a single word would give them away. Or his acting is terrible when it has to do with Aventurine, as he has no issue doing the same thing in Crown of the Mundane and Divine (Mundane Troubles).

So, Sunday finds out about the Cornerstones and reveals them to Aventurine, and reasons that he cannot give them back to him because Aventurine had lied. Note that in that same scene, Aventurine attempted to use the two murders that had occurred beforehand against Sunday to retrieve his own cornerstone. Similarly, when it was revealed that Mr. Dietrichson did not know about the accident policy and that the so-called “accidental death” was not, in fact, accidental, the insurance company refused to pay out the money.

Unlike the movie, this was all planned, however. The double-crossing by Ratio, the gift money being the only thing required for Aventurine’s real plan. All of it was an act of betrayal against Sunday, in the same manner as the meticulous planning as Mr. Dietrichson’s murder — To sign the policy, get him to take the train, kill him on the way, and to have Neff pose as the husband on the train until the time is right to get off and lay the body on the tracks. A key difference is that they could not have expected their scheme to be busted wide open due to forces outside of their control, while Ratio and Aventurine went straight down the line for the both of them no matter what.

From here on out, we can conclude that the way Ratio and Aventurine present themselves in Penacony to onlookers is in line with Neff and Phyllis.

—

[“GOODBYE, BABY” — FINAL VICTOR]

And now for the (in)famous light cone, Final Victor. The thing that truly kickstarted the Ratio and Aventurine ship in the fanbase, and the partnership between the two in general. It’s a direct reference to the final confrontation between Neff and Phyllis in the movie.

I’ll fire through all the similarities between the two scenes.

During the respective scenes, Aventurine and Phyllis both outsmart their partner one way or the other: Aventurine with his one-sided game of Russian Roulette, and Phyllis hiding her gun underneath the cushions until Neff turned away.

The guns are owned by Phyllis and Aventurine, not Neff and Ratio.

Phyllis couldn’t bring herself to fire any more shots after she realised she truly did love Neff. Ratio could do nothing but watch as Aventurine did what he did — he couldn’t even pull away if the LC animation is anything to go by him struggling as Aventurine firmly keeps the gun to his chest.

Neff says he doesn’t buy (believe) that Phyllis loved him. She then goes “I’m not asking you to buy […]”. The LC description has Aventurine ask Ratio “You don’t believe me?”, while in the LC animation Ratio straight up says “You expect me to believe you?” and Aventurine answering “Why not, doctor/professor?”

The visual composition of the LC and the scene are nearly identical, from the lighting to the posing to the way Aventurine looks at Ratio — Aventurine and Ratio are even wearing different outfits to fit the scene better. The background in the LC is also like the blinders in the movie, just horizontal.

In the shot where Phyllis’ face is more visible, the way she looks at Neff is strikingly like the way provocatively looks at Ratio. Even their eyes have a visible shine — Phyllis’ eyes brightly shining the moment she realised she really fell in love with Neff, and Aventurine having just a little light return to his eyes in that specific moment.

And now the differences!

Neff holds the gun in his right hand. Aventurine makes Ratio hold his gun in his left.

Neff is the one who takes the gun from Phyllis‘ hand. Aventurine is the one who places the gun in Ratio’s hand and fires it.

Three gunshots are fired. In the movie, Phyllis shoots the first shot and Neff the second and third. Aventurine unloads the gun and leaves only one bullet for this game of Russian Roulette. He pulls the trigger three times, but they all turn out to be blanks.

Phyllis does not break her façade of not smiling until the very last moment where she gets shot. Aventurine is smiling the entire time according to the light cone description, whilst in the animation, it’s only when he guides the gun to his chest that he puts it on.

So, you know how Neff meets Phyllis and it all goes off the rails from there. The way Neff goes from a decent guy to willingly involve himself in a murder scheme, having his morals corrupted by Phyllis. His world having been turned upside down the moment he lays eyes on Phyllis in that first meeting. Doesn’t that sound like something that happened with the Final Victor LC? Ratio, a man all about logic and rationality — a scholar with eight PhDs to his name — all of that is flipped on its head the moment Aventurine pulls out his gun in their first meeting and forces Ratio to play a game of Russian roulette with him. Aventurine casually gambles using his own life like it’s nothing and seemingly without fear (barring his hidden left hand). All or nothing — and yet Aventurine comes out alive after three blanks. Poetic, considering there’s a consumable in the game called “All or Nothing” which features a broken chess piece and a poker chip bound together by a tie. The poker chip obviously represents the gambler, but the chess piece specifically stands for Ratio because he plays chess in his character trailer, his Keeping Up With Star Rail episode and his introduction is centred around him playing chess with himself. Plus, the design of the chess piece has golden accents, similar to his own chess set. In the end, Aventurine will always be the final victor.

Furthermore, Neff had deduced that Phyllis wanted to kill her husband and initially wanted no part in it, but in a subsequent visit it was his own idea that they trigger the double indemnity clause for more money. As the movie progresses though, he starts to have his doubts (thanks in part to him befriending Lola) and makes the move to kill Phyllis when everything starts to come to light. It’s strikingly similar to how Ratio initially wanted no part in whatever Aventurine had in mind when they first met, but in the subsequent missions where they were paired up, he willingly goes along with Aventurine's risky plans, and they come to trust each other. Enough so that Aventurine and Ratio can go to Penacony all on their own and put on an act, knowing that nobody in the IPC other than them can enter the Dreamscape. The mutual respect grew over time, instead of burning passionately before quickly fizzling out like in the movie.

Basically, in one scene, three shots (blanks) start a relationship, and in the other, it ends a relationship. In the anan magazine interview with Aventurine, he says himself that “form[ing] an alliance with just one bullet” with Ratio was one of his personal achievements. The moment itself was so impactful for both parties that it was immortalised and turned into a light cone.

—

[THE ENDING — GOLDEN HOUR]

The ending of Double Indemnity that made it into the final cut has Neff continue his confession on the dictaphone until he realised that he wasn’t alone in the room. Keyes had come inside at some point, but none had said a thing, only listening to a dead man speak of his crime. When Neff sees Keyes, they talk for a moment, Neff says he plans on fleeing to Mexico. Keyes does not think he will make it. He tries to leave, only to collapse at the front of the elevator, Keyes following just behind him. Neff attempts to light a cigar but is too weak to do so, so Keyes does it for him.

Parts of the ending can still be attributed to the interrogation scene between Sunday and Aventurine, so I’ll make this quick before moving on to the conversation in Heaven Is A Place On Earth, Ratio and Aventurine’s final conversation together. Once Sunday mentions how quickly Aventurine gave up the suitcase, he inflicts the Harmony’s consecration on him, which forces Aventurine to confess everything that Sunday asks of. In a way, it’s the opposite of what happens in the movie — where Neff willingly tells the truth about the murder to his coworker. Aventurine does not like Sunday, and Neff is close to Keyes. Ratio also does not speak, similarly to how Keyes didn’t speak and stood silently off to the side.

Post-interrogation in Golden Hour, Ratio worriedly prods at Aventurine and asks him about his plan. He then gives him the Mundanite’s Insight with the Doctor’s Advice inside when Aventurine tells him to leave. Throughout Heaven Is A Place On Earth, Aventurine gets weaker and his head starts to buzz, until he falls to the ground before he can hand in the final gems. Similarly, Neff progressively grows weaker as he records his confession. Keyes says he’s going to call a doctor and Neff says he’s planning to go to Mexico. And when Neff collapses near the elevator, they talk one final time and Keyes lights Neff’s cigar as the other was too weak to do so himself.

—

[OPPOSITE TIMELINES AND DEVELOPMENTS]

Remember how I said the way certain events happen in the movie and the game are mostly opposite and reverse of one another?

The Final Victor LC is the first meeting of Ratio and Aventurine, and Neff killing Phyllis is their final meeting.

Between that first and last meeting between Phyllis and Neff’s whirlwind romance, their relationship becomes strained which ultimately leads to Neff not trusting whatever Phyllis has to say at the end point of the movie. As for Ratio and Aventurine, the exact opposite had happened, to the point where Ratio trusts Aventurine enough to go along with his plans even if they went against his own ideals. The basis of the mission involved Veritas Ratio, whose full name includes the Latin word for “truth”, lying the entire time on Penacony.

Aventurine is sentenced to the gallows by Sunday after his unwilling interrogation. The movie starts and ends with Neff willingly confessing everything to Keyes.

It bears repeating, but I have to make it so clear that the trust between Ratio and Aventurine runs incredibly deep. Being able to predict what your partner says and thinks and plans in a mission as critical as the Penacony project is not something first-time co-workers can pull off flawlessly. All the while having to put on masks that prevent you from speaking sincerely towards one another lest you rat yourselves out. You have no way of contacting outside reinforcements from within Penacony, as the rest of the IPC are barred from entering. To be able to play everybody for fools while said fools believe you yourselves have handed your case on a silver platter requires a lot — trust, knowledge of the other, past experience, and so on. With Phyllis and Neff, the trust they had had been snuffed out when Neff grew closer to Lola and found out what kind of person Phyllis truly was on the inside. Phyllis did not trust nor love Neff enough and was going behind his back to meet with Zachette to possibly take Neff and Lola out. And the whole reason Neff wanted to perpetrate the murder was due to him being initially taken by Phyllis' appearance, which single handedly got the ball rolling on the crime.

Now then, how come trust is one of the defining aspects of Aventurine and Ratio’s relationship, when Phyllis and Neff’s trust eventually lead to both their deaths at the hands of the other? Sure, this can be explained away with the opposite theory, but there’s one other relationship involving Neff which I haven’t brought up in excruciating detail yet. The other side of Ratio and Aventurine’s relationship.

—

[NEFF & KEYES — AVENTURINE & RATIO]

Here is where it gets more interesting — while Phyllis and Neff are at the centre point of the movie, there is another character to whom Neff has a close relationship with — Keyes. It’s also the only relationship with no pretences, at least, until the whole murder thing happened and Neff had to hide his involvement from Keyes. Watching the movie, I couldn't help but feel there was something more to the two than meets the eye. I knew that queer readings of the film existed, but I didn't think too much of them until now. And though Aventurine and Ratio parallel Phyllis and Neff respectively, the fact that they also have traits of their opposite means that it wouldn’t be completely out of the question if parts of their relationship were also influenced by Keyes and Neff on a deeper and personal level. Let me explain.

Keyes and Neff were intimate friends for eleven years and have shown mutual respect and trust towards one another. They understood each other on a level not seen with Phyllis and Neff. Even after hearing Neff confess his crimes through the dictaphone (and eventually standing in the same room while Neff confessed), he still cared for the other man, and stayed with him when Neff collapsed at the front door. The only reason Keyes hadn’t deduced that it was Neff who was behind the murder was because he had his absolute trust in him. Keyes is also Neff’s boss, and they are always seen exchanging playful banter when they are on screen together. Neff even says the words “I love you, too” twice in the movie — first at the beginning and second at the end, as the final line. There’s also the persistent theme of Neff lighting Keyes’ cigarettes (which happens in every scene where they are face-to-face), except in the end where it’s Keyes who lights Neff’s.

Doesn’t that sound familiar? Mutual respect, caring too much about the other person, the immense amount of trust… Ratio says he’s even the manager of the Penacony project (which may or may not be a lie), and despite their banter being laced with them acting as “enemies”, you can tell that in Dewlight Pavilion pre-Sunday confrontation that Aventurine genuinely likes Ratio’s company and believes him to be a reliable person. From the way he acts carefree in his words to the thoughts in his head, as seen in the mission descriptions for Double Indemnity. Their interactions in that specific mission are possibly the closest thing to their normal way of speaking that we get to see on Penacony.

Not to mention, this is the way Neff describes Keyes. He even says (not in the script) “you never fooled me with your song and dance, not for a second.” Apart from the line about the cigar ashes, doesn’t this ring a bell to a certain doctor? “Jerk” with a heart of gold?

After solving the puzzle with the statues, Ratio jokingly offers Aventurine to join the Genius Society. Aventurine then goes "Really? I thought you’ve given up on that already", and then Ratio says it was, in fact, a joke. Solving the puzzle through brute force has Ratio telling Aventurine that the Council of Mundanites (which Ratio himself is a part of) should consider him a member. In the movie, where the scene with the phone call with Neff and Phyllis reiterating details of their plan happens, Keyes actually offered Neff a better job (specifically a desk job, as Keyes’ assistant). The two pairs saw the other as smart, equals, and were invested in each other’s careers one way or another.

Because of all this, the character parallels for this side of the relationship are as follows:

Aventurine - Walter Neff

Veritas Ratio - Barton Keyes

With the way I’ve talked about how Aventurine and Ratio take from both leads in terms, it does fit to say that Aventurine is Neff, and Ratio is Keyes in this layer of their relationship. Since we’re on the topic of Keyes, let me also go through some similarities with him and Ratio specifically.

Keyes says the words “dimwitted amateurs” in his first on-screen conversation with Neff. You can’t have Dr. Ratio without him talking about idiocy in some way.

Keyes almost only appears in the movie in relation to Neff, and barring a single interaction in Neff’s house, is also only seen in the office. Same with Phyllis, Ratio also only ever appears regarding Aventurine.

Keyes genuinely wanted the best for Neff, even offering to celebrate with him when he thought the case truly had been busted wide open by forces when Zachette entered the picture. You could say the same for Ratio, as he hoped that Aventurine wouldn’t dwell on the past according to his response on Aventurine’s Interview, as well as telling him to “stay alive/live on (CN)” and wishing him the best of luck in his Doctor’s Advice note.

Whether or not you believe that there was more going on with Neff and Keyes is up to you, but what matters is that the two were very close. Just like Ratio and Aventurine.

—

[THE ORIGINAL FILM ENDING]

Something that I hadn’t seen brought up is the original ending of Double Indemnity, where Neff is executed in a gas chamber while Keyes watches on, shocked, and afterwards leaves somberly. The ending was taken out because they were worried about the Hays Code, but I felt it was important to bring it up, because in a way, you can kind of see the Sunday interrogation scene as Sunday sending Aventurine to his death in seventeen system hours. And Ratio doesn’t speak at all in that scene, and Keyes doesn’t either according to the script.

Another thing that’s noteworthy is that Wilder himself said “the story was about the two guys” in Conversations with Wilder. The two guys in question are Keyes and Neff.

—

[THE NOVEL]

With the original film ending covered, now it is time to bring up the novel by James M. Cain. I bought the book just to read about the differences between the adaptation and the original source material, and to list a few more similarities and opposites I could gather. For this section alone, due to the changes in the (last) names of certain characters, I will be referring to Walter Huff (Neff in the movie) as Walter, and Mr. Dietrichson as Nirdlinger. The plot is pretty much the same as the movie’s apart from a couple of changes so there isn’t a need to recount everything.

From my two read-throughs of the novel, these are the following passages that stood out to me the most. Starting with Aventurine:

Walter, as a top businessman of the company, knows how to sway a deal and to get what he truly wants with what the other gives him. Aventurine is the same, reliant on his intuition, experience and whatever information he has on the table to claim the win. Him luring out Sparkle in Heaven Is A Place On Earth and his conversation with Acheron in the Nihility is indicative of that.

• "But you sell as many people as I do, you don't go by what they say. You feel it, how the deal is going. And after a while I knew this woman didn't care anything about the Automobile Club. Maybe the husband did, but she didn't. There was something else, and this was nothing but a stall. I figured it would be some kind of a proposition to split the commission, maybe so she could get a ten-spot out of it without the husband knowing. There's plenty of that going on. And I was just wondering what I would say to her."

Phyllis, like in the movie, had been hiding her true intentions of talking to Walter in their first conversations, always saying things that she didn’t actually mean. In a similar vein, Aventurine consistently says stuff but almost never truly means any of it, which is all part of his façade.

• "And I could feel it again, that she wasn't saying what she meant. It was the same as it was the first afternoon I met her, that there was something else, besides what she was telling me. And I couldn't shake it off, that I had to call it on her."

When discussing the murder plan with Phyllis, Walter makes this comment, kind of like how Aventurine seems to operate in a way where he has a plan, but is ready to improvise and think fast when needed.

• "And then it's one of those things where you've got to watch for your chance, and you can't plan it in advance, and know where you're going to come out to the last decimal point."

Remember the roulette wheel line from the movie? In the novel, the gambling metaphor that Walter makes about the insurance business goes on for two paragraphs, mentioning a gambling wheel, stack of chips, a place with a big casino and the little ivory ball, even about a bet on the table. Walter also talks about how he thinks of tricks at night after being in the business for so long, and how he could game the system. Needless to say, insanely reminiscent of Aventurine.

• "You think I’m nuts? All right, maybe I am. But you spend fifteen years in the business I’m in, and maybe a little better than that, it’s the friend of the widow, the orphan, and the needy in time of trouble? It’s not. It’s the biggest gambling wheel in the world. It don’t look like it, but it is, from the way they figure the percentage on the oo to the look on their face when they cash your chips. You bet that your house will burn down, they bet it won’t, that’s all. What fools you is that you didn’t want your house to burn down when you made the bet, and so you forget it’s a bet. To them, a bet is a bet, and a hedge bet don’t look any different than any other bet. But there comes a time, maybe, when you do want your house to burn down, when the money is worth more than the house. And right there is where the trouble starts." • "Alright, I’m an agent. I’m a croupier in that game. I know all their tricks, I lie awake thinking up tricks, so I’ll be ready for them when they come at me. And then one night I think up a trick, and get to thinking I could crook the wheel myself if I could only put a plant out there to put down my bet." • "I had seen so many houses burned down, so many cars wrecked, so many corpses with blue holes in their temples, so many awful things that people had pulled to crook the wheel, that that stuff didn’t seem real to me anymore. If you don’t understand that, go to Monte Carlo or some other place where there’s a big casino, sit at a table, and watch the face of the man that spins the little ivory ball. After you’ve watched it a while, ask yourself how much he would care if you went out and plugged yourself in the head. His eyes might drop when he heard the shot, but it wouldn’t be from the worry whether you lived or died. It would be to make sure you didn’t leave a bet on the table, that he would have to cash for your estate. No, he wouldn’t care."

Returning home from the murder, Walter attempted to pray, but was unable to do it. Some time passed and after speaking to Phyllis, he prayed. Aventurine presumably hadn’t done the prayer ever since the day of the massacre, and the first time he does it again, he does it with his child self.

• "I went to the dining room and took a drink. I took another drink. I started mumbling to myself, trying to get so I could talk. I had to have something to mumble. I thought of the Lord's Prayer. I mumbled that, a couple of times. I tried to mumble it another time, and couldn't remember how it went." • "That night I did something I hadn’t done in years. I prayed."

Phyllis in the book is much more inclined towards death than her movie version, even thinking of herself as a personification of death. She’s killed ten other people (including infants) prior to the events of the novel. Something to keep in mind as Aventurine had mentioned several times that he attempted to kill himself in the dream, plus his leadup to his “grandest death”. Just like Phyllis, he’s even killed at least a few people before, though the circumstances of that were less on his own volition and more so for the sake of his survival (i.e. the death game in the maze involving the 34 other slaves where he was the winner and another time where he murdered his own master). Instead of Phyllis playing the active role of Death towards everybody else, Aventurine himself dances with Death with every gamble, every time his luck comes into play. Danse Macabre.

• "But there’s something in me, I don’t know what. Maybe I’m crazy. But there’s something in me that loves Death. I think of myself as Death, sometimes." • "Walter, The time has come. For me to meet my bridegroom [Death]. The only one I ever loved."

Moving on to Ratio:

Walter says several times that it’s hard to get along with Keyes, and how he says nice things after getting you all worked up. A hard-headed man to get along with, but damn good at his job. Sound like someone familiar?

• "That would be like Keyes, that even when he wanted to say something nice to you, he had to make you sore first." • "It makes your head ache to be around him, but he’s the best claim man on the Coast, and he was the one I was afraid of."

Keyes sees Walter as smarter than half the fools in the company. Ratio can only stand the company of Aventurine in regards to the IPC.

• "Walter, I'm not beefing with you. I know you said he ought to be investigated. I've got your memo right here on my desk. That's what I wanted to tell you. If other departments of this company would show half the sense that you show—" • "Oh, he confessed. He's taking a plea tomorrow morning, and that ends it. But my point is, that if you, just by looking at that man, could have your suspicions, why couldn't they—! Oh well, what's the use? I just wanted you to know it."

After going on a rant about the H.S. Nirdlinger case (Phyllis’ husband) and how Norton is doing a horrible job, he ends it by saying that it’s sheer stupidity. “Supreme idiocy”, anybody?

• "You can’t take many body blows like this and last. Holy smoke. Fifty thousand bucks, and all from dumbness. Just sheer, willful, stupidity!"

Phyllis’ former occupation as a nurse is more elaborated on, including her specialization — pulmonary diseases. One of Ratio’s crowning achievements is curing lithogenesis, the “King of Diseases”.

• "She’s one of the best nurses in the city of Los Angeles. […] She’s a nurse, and she specialized in pulmonary diseases. She would know the time of crisis, almost to a minute, as well as any doctor would."

As for the murder scheme, they talk about it a lot more explicitly in the novel. Specifically, Walter mentions how a single person cannot get away with it and that it requires more people to be involved. How everything is known to the party committing the crime, but not the victim. And most importantly: Audacity.

"Say, this is a beauty, if I do say it myself. I didn't spend all this time in the business for nothing, did I? Listen, he knows all about this policy, and yet he don't know a thing about it. He applies for it, in writing, and yet he don't apply for it. He pays me for it with his own check, and yet he don't pay me. He has an accident happen to him and yet he don't have an accident happen to him. He gets on the train, and yet he don't get on it."

"The first is, help. One person can't get away with it, that is unless they're going to admit it and plead the unwritten law or something. It takes more than one. The second is, the time, the place, the way, all known in advance—to us, but not him. The third is, audacity. That's the one that all amateur murderers forget. They know the first two, sometimes, but that third, only a professional knows. There comes a time in any murder when the only thing that can see you through is audacity, and I can't tell you why."

"And if we want to get away with it, we've got to do it the way they do it, […]" "Be bold?" "Be bold. It's the only way."

"I still don't know—what we're going to do." "You'll know. You'll know in plenty of time."

"We were right up with it, the moment of audacity that has to be be part of any successful murder."

It fits the situation that Aventurine and Ratio find themselves in extremely well: For the first point— Aventurine would not be able to get away with simply airing out details by himself, as that would immediately cast suspicion on him. Having another person accompany him who not only isn’t really a part of the IPC in name (as the IPC and The Family have a strenuous relationship) but would probably be able to get closer to Sunday because of that means they can simply bounce off each other without risking as much suspicion with a one-man army. Which is exactly what Ratio and Aventurine do in the conversations they have on Penacony. Secondly — they knew how Sunday operates: as a control freak, he leaves no stone unturned, which is how he became Head of the Oak Family, so their acting required them to give off the impression that a. they hated each other, b. Ratio would go against Aventurine’s wishes and expose him in return for knowledge, c. there were only the two Cornerstones that were hidden. This would give Sunday the illusion of control, and lead to Sunday to lower his guard long enough for Aventurine to take the gift money in the end. The pair knew this in advance, but not Sunday. And thirdly — the plan hinged on a high-level of risk. From breaking the Aventurine Cornerstone, to hoping that Sunday wouldn’t find it in the gift bag, to not telling Ratio what the true plan is (meaning Ratio had to figure it out on his own later on), to Sunday even buying Ratio’s story, it was practically the only way they could go about it. “Charming audacity”, indeed.

An interesting aspect about the novel is that the ending of the novel is divergent from the movie’s final cut and the original ending: Phyllis and Walter commit suicide during a ferry ride to Mexico. The main reason this was changed for the movie was because of the Hays Code, and they wouldn’t allow a double suicide to be screened without reprecussions for criminals. There’s also a bunch of other aspects that differentiate the novel from the movie (no narration-confession as the confession happens in a hospital, less characterization for Keyes and instead a bigger focus on Lola and her boyfriend, the focus on the murderous aspect of Walter and Phyllis’ relationship instead of actual romance, Walter falling in love with Lola (with an unfortunately large age gap attached), etc.)

As for the ending, this wouldn’t even be the first romance media reference related to Aventurine and Ratio where both the leads die, with the other being The Happy Prince and San Junipero (in relation to the EN-only Heaven Is A Place On Earth reference), which I normally would chalk up as a coincidence, though with the opposite line-of-thought I have going on here (and the fact that it’s three out of four media references where the couple die at the end…), I think it’s reasonable to say that Ratio and Aventurine will get that happy ending. Subverting expectations, hopefully.

—

[THE HAYS CODE — LGBT CENSORSHIP IN CHINA]

I’ve brought up the Hays code twice now in the previous two sections, but I haven’t actually explained what exactly it entails.

The Hays Code (also known as the Motion Picture Production Code) is a set of rules and guidelines imposed on all American films from around 1934 to 1968, intended to make films less scandalous, morally acceptable and more “safe” for the general audiences. Some of the “Don’ts” and “Be Carefuls” include but are not limited to…

(Don’t) Pointed profanity

(Don’t) Inference of sex perversion (which includes homosexuality)

(Don’t) Nudity

(Be Careful) Sympathy for criminals

(Be Careful) Use of firearms

(Be Careful) Man and woman in bed together

What does this have to do with a Chinese gacha game released in 2023? If you know a little bit about miHoYo’s past, you would know that pre-censorship laws being upheld to a much stronger and stricter degree, they had no problem showcasing their gay couples in Guns Girl Z (Honkai Gakuen 2/GGZ) and Honkai Impact 3rd, with the main three being Bronya/Seele, Kiana/Mei (admittedly the latter one is a more recent example, from 2023), and Sakura/Kallen. Ever since the Bronya and Seele kiss, censorship in regards to LGBT content ramped up, causing the kiss to be removed on the CN side, and they had to lay low with the way they present two same-sex characters who are meant to be together. They can’t explicitly say that two female or male characters are romantically involved, but they can lace their dynamics with references for those “in the know” — Subtext. Just enough to imply something more but not too much that they get censored to hell and back.

So what I’m getting at is this: The trouble that Double Indemnity had to go through in order to be made while also keeping the dialogue of Phyllis and Neff as flirtatious as they could under the Hays Code among other things is quite similar to the way Ratio and Aventurine are presented as of now. We never see them interact outside of Penacony (at least up until 2.2, when this post was drafted), so we can only infer those interactions specifically until they actually talk without the fear of being found out by Sunday. But, there’s still some small moments scattered here and there, such as when Aventurine goes near Ratio in the Dewlight Pavilion Sandpit, he exclaims that “the view here is breathtaking” (he can only see Ratio’s chest from that distance) and that Ratio could “easily squash [him] with just a pinch”. Ratio then goes “If that is your wish, I will do so without a moment’s hesitation.” Not to mention the (in)famous “Doctor, you’re huge!” quote.

It’s not a coincidence that Ratio and Aventurine have three explicit references to romance media (Double Indemnity, Spellbound, Oscar Wilde’s The Happy Prince), possibly even four if you take the EN-only Heaven Is A Place On Earth as a reference to Black Mirror’s San Junipero. It’s not a coincidence that the storylines or characters of said references parallel the pairing, from surface-level to deep cuts. It’s not a coincidence that the CN voice actors were asked to “tone it down” by the voice director when it came to their chemistry. It’s not a coincidence that Aventurine has only flirted with (three) men throughout Penacony, even referring to a Bloodhound NPC as a “hunk of a man” inside his thoughts, all the while ignoring Himeko and Robin when it came to their looks — women who are known across the cosmos with a myriad of adoring fans. There are so many other so-called “coincidences” related to the two that you could make an iceberg just based on versions 2.0-2.2 as well as content miHoYo themselves have put out on social media. They absolutely knew what they were doing, and were trying to get their point across through subtle means — the extent they went to with the Double Indemnity reference while also keeping it under wraps from a “surface” level point of view is proof of this — the implications are there if you take the time to look for them, and are simply hard to ignore or deny once you do find them.

—

[CONCLUSION]

This was supposed to be short considering the other analyses I’ve seen were also pretty short in comparison, but I couldn’t get the movie out of my head and ended up getting carried away in the brainrot. I hope you could follow along with my line of thinking, even with the absurd length of this post, and the thirty-image limit. I tried to supplement context with some links to videos and wiki pages among other sources wherever I can to get around it.

I will end it with this though — the love in the movie turned out to be fake and a farce, going off track from what was a passionate romance in the beginning because of the murder scheme. Meanwhile, the whole reason why Ratio and Aventurine can pull off whatever they want is because of their immense trust in one another. What was initially shown to be distrust in the Final Victor LC grew into something more, for Ratio, someone who would have never put faith into mere chance and probability before this, put his trust in Aventurine, of all people.

TL;DR — (I get it, it’s over ten thousand words.)

Not only is the relationship between Neff and Phyllis represented in the deception and acting side of Ratio and Aventurine, but the real and trusting side is shown in Neff and Keyes. They have a fascinating, multi-layered dynamic that is extremely fun to pick apart once you realise what’s going on underneath the bickering and “hatred” they display.

Many thanks to Manya again for making the original thread on the movie. I wouldn’t be here comparing the game and movie myself if it weren’t for that.

By the way, I really do believe that Shaoji totally watched this movie at least once and really wanted that Double Indemnity AU for his OCs. I know exactly how it feels.

—

Other points I'd like to mention that didn't fit anywhere else in the main analysis and/or don’t hold much significance, have nothing to do with the Penacony mission, or may even be considered reaching (...if some of the other points weren’t). Just some potentially interesting side bits.

Phyllis honks three times to signal Neff to go for the kill. That, and the three gunshots in the confrontation. Aventurine is all about the number three.

The height difference Aventurine and Ratio have going on is close to Phyllis and Neff’s.

Phyllis had killed her husband’s previous wife and went on to marry Mr. Dietrichson, pretty much taking the wife’s place. Aventurine killed his previous master, and had taken certain attributes from him like his wristwatch and the rings on his hand and the “all or nothing” mantra.

When calling Ratio a wretch (bastard), Aventurine smiles for a moment. This is exclusive to the EN, KR and JP voiceovers, as in CN, he does not smile at all. (Most definitely a quirk from the AI they use for lip syncing, but the smile is something that’s been pointed out quite a few times so I thought I’d mention it here.)

Sunday specifically says in the CN version that he knew of Aventurine's plans the moment Aventurine left the mansion, meaning that he realized he had been played the fool the moment Ratio and Aventurine talked in Golden Hour

In the description for the "All or Nothing" consumable, teenage Aventurine says this specific line: "Temptation is a virtue for mortals, whereas hesitation proves to be a fatal flaw for gamblers." According to Ratio, this is Aventurine's motto - he says as such in Aventurine's Keeping Up With Star Rail episode. Note that in the anan interview he explicitly says he does not have a motto, and yet Ratio in the video says otherwise. They definitely have to know each other for a while for Ratio to even know this.

A big reason why Neff even pulled off the murder scheme in the first place was because he wanted to see if his good friend Keyes could figure it out, the Mundane Troubles Trailblaze Continuance showcases Ratio attempting to teach the Herta Space Station researches a lesson to not trust the Genius society as much as they did.

In Keyes’ first scene he’s exposing a worker for writing a policy on his truck that he claimed had burnt down on its own, when he was the one who burnt it down. Ratio gets into an Ace Attorney-style argument with the Trailblazer in Mundane Troubles.

Neff talks repeatedly about how it won’t be sloppy. Nothing weak. And how it’ll be perfect to Phyllis, and how she’s going to do it and he’s going to help her. Doing it right — “straight down the line”. Beautifully ironic, considering what happens in the movie, and even more ironic as Ratio and Aventurine’s scheme went exactly the way they wanted to in the end. Straight down the line.

#honkai star rail #double indemnity #veritas ratio #aventurine #golden ratio #ratiorine #an attempt at analysis by one a-u #relationship analysis #you know what‚ i guess i can tag the other names of this ship #aventio #raturine #you could make a fucking tierlist of these names #um‚ dynamics (yk what i mean) dont really matter here in the analysis just fyi if youre wondering its general enough #also if you're wondering about the compilation thread - its not done. it'll take a while (a long while.)#this post was so long it was initially just a tumblr draft that i then put into google docs. and it ended up being over 2k+ words long #is this a research paper‚ thesis‚ or essay? who knows! this just started as just a short analysis after watching the movie on may 5 #final word count according to docs (excluding alt text): 13013 - 43 pages with formatting #i wish i could have added more images to this‚ 10k words vs 30 images really is not doing me any favours…#plus‚ i hit the character limit for alt text for one of the images.#if you see me mixing up british and american spelling‚ you probably have!#oh yeah. if any of the links happen to break at some point. do tell. i have everything backed up #there also may be multiple links strung together‚ just so you know.#I link videos using the EN and CN voiceovers. Just keep that in mind if the jump between two languages seems sudden.#I had to copy and paste this thing from the original tumblr draft onto a new post because tumblr wouldn't let me edit the old one anymore.#Feels just like when I was finalising my song comic…#(Note: I had to do this three times.)#I started this at May 5 as a way to pass the time before 2.2. You can probably tell how that turned out.#Did you know there is a limit to the amount of links you can add to a single tumblr post? It's 100. I hit that limit as well.#So if you want context for some of these parts... just ask.#I'm gonna stop here before I hit the tag limit (30) as well LMAOO (never mind I just did.)

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scoonsalicious · 3 days

Text

8.2 Bucky

Pairing: Bucky Barnes x Fem!Reader

Summary: Lily McIntyre, trainer for new SHIELD recruits at the Avengers Tower, has been in love with her best friend, Bucky Barnes, from the moment she met him. She's been content with her role of the #1 girl in Bucky's life, even if it means she has to sabotage a romantic relationship or two. It'll be worth it when he realizes that they're meant for each other, right? There's just one small problem: Lily McIntire never expected Bucky Barnes to fall for You.

Warnings: (For this part only; see Story Masterlist for general Warnings) Language, mentions of sexual situations, mostly this is just fluff.

Word Count: 2.7k

Previously On...: You had a nightmare/memory of your time in Afghanistan.

A/N: It's really nice out. I'm writing outside today, lol.

If you ever feel so inclined to support my work, hop on over to buy me a coffee; it's much appreciated! <3

NOTE! The tag list is a fickle bitch, so I'm not really going to be dealing with it anymore. If you want to be notified when new story parts drop, please follow @scoonsaliciousupdates

Thank you to all those who have been reading; if you like what you've read, likes, comments, and reblogs give me life, and I truly appreciate them, and you!

Bucky slowly came into consciousness to the sensation of small hands running up and down his chest. Blinking his eyes open, he grinned when he saw Major leaning over him, tracing her fingers along the planes of his muscles.

“Morning,” she said, smiling down at him, her long hair hanging around her face like curtains.

“Mornin’, doll,” he replied, voice rough with sleep. “You been up long?”

She hummed, running her fingers up along both sides of his collarbone and back down again. “No,” she said. “Maybe ten minutes?” She shrugged. “I was planning on letting you sleep for a while longer, but you looked so pretty, couldn’t stop myself from touching you.”

He gripped one of her wrists in his hand and brought it to his lips, kissing her pulse point. “Glad you didn’t, sugar,” he said, nuzzling her hand to his cheek. “Cause lookin’ at you’s better than any dream I coulda been havin’.”

Major playfully pinched his cheek as she rolled her eyes at him. “What did I tell you about your sweet talk, Sergeant?” she said.

Bucky pretended to think about it for a moment. “Um…,” he mused, tapping his chin with a forefinger, “that there was nothing you could do to stop me from doin’ it? Even if I already did have you right where I wanted you?”

She laughed, and Bucky loved the way the morning light caught the natural highlights of her hair.

“What should we do today?” he asked, sitting up so he was propped against his headboard and pulling her into his lap. He leaned down to kiss her shoulder where the collar of his too-big shirt had left it exposed.

“Breakfast, at some point,” Major said, wrapping her arms around his neck.

Bucky nodded, his hands tracing up and down her sides. “Obviously.”

“Maybe you could show me around this fancy compound of yours,” she suggested, playing with the short hairs at the nape of his neck.

“Mmm,” Bucky said, sliding a hand up under the hem of his shirt she wore to rest it on her hip. “Sounds like a plan. What else?”

“Take me for another ride on your motorcycle?” she offered.

“I’d like to take you for another ride on something, sugar,” he teased, playfully nipping at the delicate skin of her neck.

“Bucky,” Major chastised, pulling back to look him in the eyes with a smile. “If you wanted to just stay in bed and have sex all day, you could have just said so.”

“I want to stay in bed and have sex all day.,” he deadpanned, trying to fight his grin.

Major scoffed and rolled her eyes. “It’s like you only want me for one thing, Sergeant.”

Bucky felt his entire body stiffen at the accusation, and he sat up straighter. “Sugar– Major, no! Of course not! I–”

She started laughing and gently swatted his chest. “Relax, Bucky; I was kidding. I absolutely do not mind having all the sex with you. I don’t know if you’re aware of this or not, but you’re actually quite good at it.”

He let out a breath in relief, but something still didn’t sit right with him. Yes, since meeting Major just four days ago, they had fucked. A lot. But he wanted more from her than that. He wanted to give her more than that.

“I think I’m about to say something really stupid,” Bucky said slowly, hoping he was making the right call.

Major raised an eyebrow. “Okay,” she said, dragging the word out. “I’m proud of you for being able to recognize that beforehand, I guess?”

Bucky’s lips puckered disapprovingly. “Smartass,” he said. Major just laughed and pressed her forehead into the crook of his shoulder, letting him continue. “I think we should stop having sex.”

She pulled back, the look on her face full of such shock and disappointment that it was Bucky’s turn to laugh at her. “You can’t be serious!” she exclaimed.

“I’m not saying, you know, forever,” he said, running his hands up and down her arms to console her. “Or even long-term. Just for, like, a little while.”

“But, why?” Major whined, sounding like a child who was told she couldn’t have ice cream after dinner. “I thought you liked it.”

“Oh, sugar,” Bucky said, pulling her close again, “I fucking love it. I just want us to be more than that, you know? I don’t ever want you to think that that’s all I want from you.”

“Bucky, I was just joking around. I know that’s not–”

“I want us to last, Major,” Bucky interrupted her to confess. “I want us to last a good, long time. And if we’re gonna do that, we have to have more than just fucking between us. I want to know everything about you. And I want you to know everything about me. Hell, I wanna be everything you need. I want this to be real, and strong, and to have all kinds of intimacy with you beyond just physical stuff. It’s not that I don’t fucking love fucking you–” he smiled when she snorted at his phrasing– “it’s just that I don’t want that to be the only thing I love about you.”

He hoped she understood what he was trying to say without him actually having to say it: He wanted to fall in love with her– more than anything he had ever wanted in his entire existence. He was more than halfway there already, if he was being honest with himself, but he was suddenly afraid that if they didn’t slow things down between them, if they didn’t take the time to get to know more than just each other’s bodies, they were going to fizzle out before they could truly shine together.

Major’s eyes were wide and glossy as she studied his face. Bucky held his breath as she took in what he had said, knowing in his heart that if she didn’t agree, if she only wanted him for sex and nothing else, he’d cave in a heartbeat, just to keep her close.

“Okay,” she said softly. “I want that, too, so, okay.”

Bucky let out the breath he wasn’t aware he was holding. “Thank fuck,” he said, bringing his lips to hers for a kiss.

“Now, when you say ‘no sex,’” Major began, “are you talking ‘no penetration,’ or can we still–”

“Neither one of us gets to use any part of our bodies to get the other one off,” Bucky said resolutely.

Major frowned at his declaration, and the sight was so alluring that Bucky was instantly second guessing himself. “That just seems unnecessarily cruel, Sarge,” she pouted.

Damn it, he thought, it did seem unnecessarily cruel. He was already caving, and it had barely been a few minutes!

“I know, sugar, I know. But I think we’ll be better for it.” He really did. He just had to keep reminding himself of that.

Major’s pout deepened. “I know,” she said. “Logically, it makes sense.” She sighed. “How long?”

“In all honesty,” Bucky said with a chuckle, “I haven’t really thought that far ahead. A couple of weeks? At least until after I’ve taken you out on a few more proper dates. Treat you right, you know?”

She threw her head back overdramatically. “A couple weeks?!” she cried. “How am I supposed to function without that good dick, Bucky?”

“Well, now you’re just being theatrical, doll,” Bucky smiled.

“Fun fact,” Major said, “I did theater all four years in high school. I even got to play Sarah in our production of Guys and Dolls my senior year.”

Bucky smiled. “Well, I don’t know what that is, doll, but see! That’s something I wouldn’t have learned about you if we were having sex right now!”

Major’s laugh was rich, and it made Bucky think of hot chocolate on a winter’s day. Of a kiss on a scraped knee. “Fair enough,” she told him. “But it’s a crime that you don’t know what Guys and Dolls is.”

“So, that’s what we’ll do today, then,” Bucky said. “Show me this Guys and Dolls, doll.” He chuckled, amused with himself.

Major rolled her eyes good naturedly. “I’m going to need some breakfast, first,” she told him, getting off his lap and the bed. She raised her arms over her head in an elongated stretch, and Bucky couldn’t help but admire the way his shirt crept up her thighs, showing more and more of her tantalizing skin until--

No, he had to remind himself. They were going to be putting a temporary moratorium on that kind of thinking. God, this was going to be so much harder than he thought it would be.

He and Major took a shower together, and while there was an excessive amount of touching, they managed to keep it relatively tame. Afterwards, Bucky offered Major another of his shirts to wear, but she paused as she was collecting the rest of her clothes from where they’d scattered them across his room the night before.

“So, Bucky,” she said, her voice sounding confused, “really weird question, but do you happen to have my panties in your possession, by any chance?”

Bucky paused in the middle of toweling off his hair and looked up at her. “What?” he asked, thinking he must have heard her incorrectly.

“My underwear,” Major clarified. “I can’t find my underwear.”

Bucky snorted a laugh. “They’ve gotta be here somewhere, sugar,” he said, walking over to where she stood to help her look. “It’s not like I have a lot of stuff for them to hide behind.”

For the next few minutes, they searched the room, but they came up empty again and again.

“You don’t remember where you might have tossed them when you took them off last night?” he asked her.

Major looked at him. “You took them off me last night,” she said. “When you took off my shorts, you pulled them off, too.”

Bucky thought back to the previous evening. They’d been in a rush to get each other’s clothes off, but he was fairly confident he’d only removed her shorts. “Did…” he paused, the question he was about to pose making him a little shy. “Did you forget to put them back on before we left the woods?”

Major’s hands flew to her mouth. “Oh my god,” she said, trying to suppress a giggle. “I honestly don’t know! It was dark and I don’t remember! Oh, shit! Bucky!” She was trying so hard now not to laugh. “Did I leave my soaked panties in a fucking public park?!”

“That’s pretty deviant of you, doll,” he laughed. Major playfully swatted his chest.

“It’s your fault!” she exclaimed.

“My fault?” Bucky was faux-affronted. “How was it my fault you forgot your knickers?”

“You just had to make that comment about imagining me in only the dog tags,” she chastised. “You knew exactly where that would lead.”

Bucky couldn’t fault her logic there. “Fair enough, sugar,” he said, wrapping his arms around her. “I take full responsibility.”

“And now you’re going to have to live with the knowledge that I’m going to be walking around all day without any panties on, and there’s not a damned thing you can do about it, because you had to go and decide we shouldn’t have sex anymore.”

Bucky groaned. “Ugh, the me of an hour and a half ago was a moron. Remind me again why I thought that was a good idea?” he begged her.

“Nope,” Major said. “That’s a hole you dug for yourself. Now you have to lie in it.”

“Lie in it with me?” he asked, putting his most charming smile on display for her.

She stood on her tiptoes to kiss him. “Only if you keep your hands to yourself.”

To Bucky’s surprise, the rest of their day together went by in a flash, and he had a great time with Major– even if they both had kept all of their clothes on. He’d taken her on his bike to get a late breakfast at Melinda’s, and while Major had excused herself to the restroom, Mya had approached him.

“I like this one for you, Bucky,” she’d said with a knowing grin. “I don’t think I’ve ever seen you smile so wide before.

After breakfast, they returned to the compound, and Bucky had given Major a tour, showing her all the amenities the facility had to offer, though he avoided the building where the new SHIELD recruits did their training. He brought her down to the shooting range, and the two spent a couple of entertaining hours together in the simulator, running practice combat drills. When Bucky watched Major hit every single one of her targets, it was all he could do to not throw his “no more sex” rule right out the window.

They had lunch with Sam and Steve, and Bucky thought he was going to die from embarrassment at all the things they were telling Major about him. When he said he had wanted her to know everything about him, he wasn’t thinking about that time in eighth grade when he’d asked Dolores Carmichael to be his girlfriend and she told the whole class he was a terrible kisser. But Steve, apparently, thought it was vital information.

“You’ve either improved tremendously since then,” Major had said with a laugh, “or old Dolores had impossible standards.”

When they’d finished exploring the compound, they went back to Bucky’s room and Major introduced him to the world of Guys and Dolls on Prime Video. The movie was nearly as old as he was– 1955, she’d said, and he appreciated it, though he found the entire thing ridiculous. But Major loved it, and he loved watching her love it, and that was good enough for him.

Before he knew it, the afternoon was waning into early evening, and it was time for him to take Major back to Langston Park for her to get her truck and head home. He found himself driving his bike a lot slower to get there than he normally would have, savoring the feeling of her hands gripped around his waist.

When they arrived at the parking lot, Major hopped off the bike and took off the extra helmet he’d given her. “Thank you for today,” she said, leaning in to kiss him. “I had a great time, even without having sex with you.”

Bucky laughed and pulled her close for a hug. “Speaking of,” he said, “you wanna run into the woods and go looking for your panties real quick?”

Major tossed her head back and groaned. “Ugh, no!” she said. “I’m too mortified! They belong to the forest now. They've probably gone wild.”

Bucky chuckled, but soon his expression turned serious. “When can I see you again?” he asked. If it were up to him, she’d never be out of his sight.

“Whenever you want, Sergeant,” she told him, her voice an almost-purr. “You know where I live.”

“Dinner tomorrow?” he asked hopefully.

“I’d like that,” she replied.

Bucky brought his lips to hers, and for a moment, they stayed there, kissing languidly. Eventually, though, Major pulled away. “Alright,” she said begrudgingly, “I better go now before I lose my resolve to leave at all.” Reaching over the bed of her truck, she tossed Bucky the shirt he had worn the night before and had left there to dry overnight.

Bucky watched as Major got into her truck and rolled down the window before backing up. “Let me know when you get home safe, yeah?” he asked.

“Yes, mom,” Major said, but he could tell from the glint in her eye that his concern touched her.

He watched as she drove away, sticking a hand out the window to wave a final farewell before rounding the corner and disappearing from sight. Just as Bucky was about to re-mount his bike to head back to the Compound, his phone pinged with a text.

He smiled to himself. Was Major missing him that much already?

But, no– the text wasn’t from Major at all.

Lily: We need to have a conversation about you standing me up last night.

Bucky swallowed.

Well, shit.

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jarofstyles · 15 hours

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Leather & Lace 2

Hello my loves! Leather and Lace 2 is now yours. The next and last official part is available on our Patreon early, but I’m willing to write some more for them if you guys want 👀 they’ll be classified as ‘extras’ but oh well hehe

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Leather & Lace masterlist

Warnings- possessive H, kind of a dickhead

WC- 3.7k

Things had shifted between Harry and Y/N.

He hadn’t been sure what to expect after she’d blown him, but she didn’t make it awkward at all. If anything? They were more comfortable around each other. Harry was less nervous to touch her, pulling her into his side as they sat on her new couch the next day or adjusting the hair from her face when the wind got it stuck in her lip gloss when they’d met for lunch. The way she reacted to his touch was much more noticeable to him now which made him feel particularly chuffed. Y/N was important to him before, but it seemed like the intimacy had elevated them to a different level.

It had only been a week since the night at her place where she’d given him the best blowie he’d ever received, but they hadn’t done much else. They had cuddled in bed that night, kissed a little bit, but he hadn’t had a chance to get her truly alone and it was driving him nuts.

Y/N was popular and she had a lot of activities she liked to do. Paint n’ sip classes she helped run, volunteering at the library, at the animal shelter, helping her new neighbor with her cat, on top of her own workload. The closest he’d gotten to alone time with her was when she arrived at his place on wednesday to climb into his bed and pass out, which she’d done with a smeared kiss to his lips. She’d been asleep once her head hit the pillow.

He’d gotten to see her out quite a bit as he was often wrangled into helping her. He used to pretend to be grumpy about it and huff and puff when she’d pat his head but he hadn’t even tried to do that this week. Instead he let his touches linger and watched her smiles grow, happy to get a few seconds to hug her before she had to move on to something else. It had been driving him out of his mind, and if they didn’t have the promise to go back to her place tonight he may have lost it.

House parties weren’t something he particularly liked, but when Y/N called him on video chat and gave him her puppy eyes while asking him to help her set it up for Sarah, he couldn’t say no. He did like the other girl well enough and he knew how crazy Y/N was about birthdays, so he’d given up his friday night to the whole surprise party.

Though he wasn’t feeling very generous with Y/N’s time anymore. For the first hour of the party he’d followed her around and lingered in the corners to make sure she was okay as she chatted to people, but this observing really did him in. She was so fucking perfect.

It hit him again how much he actually liked her. The whole experience was odd considering he hadn’t considered being in a relationship in this point of his life, content with hooking up and never seeing the other person again, but that was pre Y/N. Now that he had her in his world, it was hard to imagine himself with anyone but her. Sure, she was his opposite in a way, but they attracted. That’s what all the books and movies said, anyways. He want content just observing her, ignoring mostly anyone else who would come up to him or give them one worded answers with his eyes on his girl, the pretty little butterfly fluttering around the room.

The feeling had been so unfamiliar that the first time he’d felt it, he’d thought it was heartburn or something.

Harry had already admired her before but it was a whole other level seeing how much she tried to make other people feel seen. She gave them attention, smiling and listening intently before gracefully getting her exit out only to be stopped by someone else. How a woman like that had been into him enough that she’d wanted to blow him and keep him around, he had no clue. But there was no taking it back, and he was feeling greedy.

Cornering her in the kitchen, he narrowed his eyes at her as she looked at him with a giddy smile. “M’tired of sharing your attention.” he said it simply, placing his hands on her hips and backing her into the quieter corner. She squeaked as her back hit the wall, a nervous giggle leaving her throat as he loomed over her. “Barely got a lick of your attention all week, and m’not happy about it, pet.” His lip pouted slightly, the ring on it glinting at the motion.

She frowned, wrapping an arm around his neck. “I know it’s been really busy, H, and I’m sorry. I just wanted to help people out.” She sighed, watching him look over her face. The girl looked a little tired, which he didn’t like.

“I know you do, sweets, but you’ve got t’learn how to tell people no. You’re spreading yourself too thin and you barely have a moment to breathe. Yeah, m’greedy for your attention but I don’t like the idea of you being tired and running ragged because people ask you t’do shit. They know you’ll say yes.” It actually did piss him off. He didn’t think everyone had malicious intent, no, and he knew Y/N was a big girl who could handle herself. But sometimes he had to wonder why they were so comfortable asking such big things of her.

“I do like to help, though.” She tried to protest but really couldn’t, because he was right. She was bone tired and despite her bubbly nature, she had been deflating slightly as the night went on. Their weekend together was the reprise they got to have where she knew she’d have time to breathe. Selfishly she liked that Harry was able to be blunt and a little mean. He wasn’t to her, but his protectiveness of her really showed.

“Yeah, but it means I get less time with you. And m’a selfish man, Y/N.” Tipping her chin up, he lowered his face towards her. “Not to mention you’ve been too busy to let me properly fuckin’ kiss you. Like your little pecks darlin, they’re cute, but where’s the kiss you gave me with my load on your tongue? Hm?”

Y/N sputtered, whining at his dirty mouth but he could tell she liked it. Her eyes had widened but she had no real heat to her scolding, instead leaning into him a bit more. “I didn’t know you wanted me to kiss you like that.” The admission followed a beat of silence.

“Always want you to kiss me, are you fuckin’ kidding?” He grumbled. “Can’t jus’ give me the best blowie of my life and fuck off. Didn’t let me return the favor which m’dying to do, but even more you’ve been keeping this mouth from me. Don’t like it one bit.” His thumb brushed over the plump bottom lip, exhaling through his nose as he shook his head. “S’a fucking shame. Can’t get how good we tasted together out of my head. Not trying to pressure you if you don’t want to do that stuff, you can tell me to fuck off but.. I don’t think y’want me to.”

“No, I…” She stumbled over her words. “I do want those things. I just didn’t expect you to talk so dirty.” The tilt of her lips gave the clue that she liked it. “I didn’t want to assume it meant more than just that even though I wanted it to and - oh”

His mouth cut her off. Catching her off guard her lips opened a little bit, letting him be selfish and slip his tongue into her sweet mouth. Humming at the taste, his arm leaned against the wall as he held himself over her while the other kept her jaw angled the way he wanted it. The kiss was just like him. Intense and hot and a little sweet at the end when he pulled back and pressed three more pecks to her lips, rubbing his nose against the side of hers. “None of that shit. Meant a hell of a lot to me, silly little thing. Want to do it all the damn time. So you’re gonna have t’take it easy with giving all your time away, hm? Think I need some more of your help soon… and maybe…” He released her jaw to slide his hand to the back of her neck, massaging it just a little. “Maybe you’ll let me help you, hm? Someone’s got t’take care of such a sweet little thing. It isn’t fair.”

“H-Harry.” She felt her cheeks getting hot. Harry’s attention had always been intense and maybe that’s part of the reason she’s been so busy this week. Anxiety over being truly alone with him again in case he regretted it, if he didn’t like what they did and didn’t know how to let her down easy- but this was the ideal, she thinks. Regardless of how much he flustered her, or how he was the biggest energy in the room, she found herself preening at the attention he gave her. “It meant a lot to me too.”

Her hushed voice made him smile, leaning in to press a chaste kiss between her brows. “Good. Can we get going, then? Or would y’let me lick your cute little cunt in one of these bedrooms?” Did he say it just to watch her squirm? A little, but only because it was really fucking cute.

“We can go. I’ve just got to say goodbye to some people.” She sent him a shaky smile as he nodded, pushing off the wall to wrap his arm around her shoulders. It was a new feeling for her to feel so… claimed. They had been around each other pretty consistently for a while but she could feel people looking, considering Harry was usually the victim of her clinging to his arm instead. Open affection wasn’t something anyone had seen from him, let alone with a girl that was so clearly different than him, but something about that made her giddy.

Harry was impatient in general, but he tampered it down as Y/N said goodbye to the people she knew here. It was just in her nature to be a polite little flower, floating around the room to wish everyone a good evening. Her manners, oddly enough, aroused him. He liked seeing her be so sugary sweet and knowing that it was 100% genuine. It was even more nice to see considering he’d had a glimpse of what a bold and filthy girl she could be. The blowie the night she’d moved in had completely taken him off guard and let him know then and there that her innocence wasn’t all encompassing. She had some shadows to her, and he planned to see how full they could extend.

His arm was around her as she said goodbye, merely nodding when people acknowledged him and not bothered when they didn’t. All that mattered to him was they were polite to her- though one of the guys had been a bit too bold, especially considering he was right fucking there.

“Her eyes are on her face, not her tits.” He said lowly. “And if you’d like t’keep yours, I suggest you remember that.” There was no full aggression, only a promise that he intended to keep. It wouldn’t be the first time he’d go at someone for her.

Thankfully the prick flushed, muttering apologies before dashing away so he could use this as an excuse to get them the fuck out of there.

Harry didn’t love parties. He didn’t like lots of people. He went for 3 reasons only, and they depended on the night. To get a drink, to get a fuck, or for Y/N. Though now he supposed he’d have an excuse for not going to many others. The plan was to keep Y/N to himself and not have to deal with the people he’d fucked around with not getting the hint even after he stated what he wanted. For once in his life he wanted one person and one person alone, and she was under his arm.

To his surprise, she didn’t say anything about his snarky reply to the guy they’d last said goodbyes to, instead leaning into his side as they approached his car. It was a bit nippy outside and he knew she ran cold, so he’d remedy that quickly. “C’mere.” He sighed, picking her up and placing her on the hood of his car. Stripping his flannel off, he motioned for her to splay her arms out, helping her put it on. “Wasn’t too bad when you left but it’s a little too cold out for you now, hm?” His voice was softened as he stood between her knees, face level with her as he slipped his hands under the new layer.

“I never remember to grab a sweater.” She admitted, smiling shyly as she felt palms running over her back. This was different. The whole thing was, seeing as Harry’s treatment of her had considerably softened up. He’d always been nice to her, don’t get her wrong! He let her sit on him and mess up his hair and hold his arm but… feeling him be the touchy one for once really made her feel… validated? Appreciated? She wasn’t sure of what the right term would be, but she felt like he liked her more than she had originally thought. “Who’s place do you want to go to?”

“Hm… maybe mine. I just did a grocery shop. I know you’ve been busy this week, so I don’t want to go and mess up your place.” Y/N would be a bit unsettled if it got messy and he was planning on seeing what exactly he could get her to do with him.

It had been circling around his mind the whole week, how he wanted to make it up to her. How he wanted to take her properly and feel her cum around his cock and his tongue and his fingers- anywhere he could get it. He was a man starved, pathetically so, but he didn’t have any shame in it.

“Okay. I like your place.” It was the truth. He had a nice place in her opinion. It was bigger than her own, but not cold. Darker in aesthetic, brick and dark colors and richer patterns. She’d helped him make it nicer after she had seen the state of it the first time, a real bachelor pad that made her worry for his comfort. Thanks to the sweet girl, he had a much more comfortable sectional couch, a coffee table- with coffee table books, no less- and some art. She’d helped pick out his bar stools for his island in the kitchen, too. Little bits of her were all over his place, but that’s how he wanted it to be.

“I’d hope so. You helped make it.” He snorted, tugging her closer to him so their centers were flush. The silence happened again, this time a little heavier. “I missed you this week.” The sentiment was repeated as he dragged a hand from under the warmth of his flannel and brushed the hair out of her face. The breeze hadn’t been much of a help. “I sleep better when you’re around. Know I like to give you shit and call you a needy pup, but I love it when you’re like that.” Tipping her chin up, he sighed as he observed her soft features. The slope of her nose, the mascara on her lashes that had flaked just a little bit, the slightly faded lip stain. He couldn’t imagine not being obsessed with her.

“I’m glad. I used to think I was a little annoying to you.” She admitted, fingers fiddling with the hem of his shirt. “I’m sorry I was so busy. I didn’t think you’d mind.” Historically he’d get grumbly about it but he understood- and she’d usually pop over or invite him to her old flat.

“Course I mind. Not that you have stuff to do but you overwork yourself and…” licking his lip, he debated on whether or not to say it. “Was just hoping that you weren’t avoiding me, is all. That I didn’t make you uncomfortable last weekend.”

Her heart clenched in her chest as she saw his eyes dip to the side, for once in his life showing a bit of vulnerability. Harry never seemed anxious about much, his general setting being a blank stare or a smug smirk, so it wasn’t something she saw often. Sometimes when he was drunk he’d get a little mushy about things but he hadn’t had much, if anything tonight. “No. Of course not. I initiated it, remember?” Her hand lifted to his face, the skin slightly cool from the night air. “I wanted to do it. I promise. If I was uncomfortable I’d tell you. Listen…” adjusting slightly, she caught his eye. “I feel the most safe when I’m with you. Sure, sometimes it feels like I’ve got a guard dog, but I feel really secure. I know you’d never hurt me, you always are so careful with me even if everyone else thinks you’re all rough and tumble… I know you and I know you’d only even touch me in ways I like. I really was busy, but I was just nervous you’d regret it too.”

Harry’s brows furrowed at her admission. While he was over the moon that she always felt the safest with him, he had no idea why she would think he’s regret it. “Never. I just kept thinking about it. I wanted to do it more. I don’t regret anything, and I feel like I’ve got t’make sure you know that I don’t think of you as one of those quick fucks.” Even if she hadn’t said it, he was sure that was a thought that had lingered around in her head. That was his reputation and he’d be stupid if he didn’t know better.

“I.. I never thought of it as that, no, but I wasn’t expecting commitment.” She admitted back, eyes wide as he looked into his own. It squeezed his chest, the idea of just being with her sexually. That wasn’t what he wanted.

“No. I want commitment.” He said lowly. “You aren’t just a fuck to me, Butterfly. Not in the slightest. I fuckin’ adore you, y’know that?” He sighed, rubbing his thumb over her bottom lip and tugging it slightly before letting it snap back into place. “You’re my girl. You’ve been my girl for a while. I’ve jus’ been a bit of a pussy in trying to initiate anything because the last thing I wanted was for you t’think that you were just someone else I went to bed with. M’tired of that.” All he wanted to do was crawl into bed with her at night and feel her kissing him in the morning or watch her sleepy little face as she dreamt. All the fluffy, mushy shit he used to feel sick from were the exact things he craved. “Couldn’t get it up for anyone else after a while. I was only able to thinking about you and… after a bit, I had no desire to be around anyone else. They didn’t smell like you, didn’t sound like you. My cock was set on you and I think my heart wants to follow.”

Y/N had to laugh at his last words but also in shock. She’d heard herself at the beginning of their friendship how he’d scoff at the idea of a relationship, made fun of the romance movies she liked, heard about him disappearing at a party for a bit before coming back with messy hair and swollen lips, sometimes a fly undone. But slowly that had stopped, if she recalled. The hookups, the snarky comments about love. It dwindled. Snark still existed for other things but he seemed to be more lighthearted around her. “You… you want like, a relationship with me?” Her eyes rounded at the thought.

“I’d say don’t act so surprised, but I get it.” He had to admit that, a smile on his face. It surely was a lot for her to process, considering it still had him in a tizzy and he’d had months to work over these feelings. “Yeah. Want you to be mine. M’not good at sharing, though, so you’re gonna have to tell some of these people that you have a boyfriend that wants to love on you a bit when they demand your attention.” There was another pause as his ears turned a bit red. “If, if that’s what you’d want, though. I don’t want to rush you into a label or anything, m’fine with jus’ figuring shit out but I’ve thought of you as mine for a while and-“

Her hand pulled him to her, shutting him up with her lips.

The man, for all his dark demeanor and rough glances, melted under her touch. Hummed into the kiss in surprise, cupping her jaw and reciprocated immediately as her hands went to the back of his neck to hold on to him. That giddy feeling in his stomach was buzzing as she giggled against his mouth as he chased it when she pulled back to get a proper breath.

“C’mere.” He mumbled, nudging their noses. “Lips are cold. Don’t be cruel, little Butterfly.”

Y/N couldn’t have that, could she? “Sorry, boyfriend.” She smiled against his lips, pressing them right back where they belonged.

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